Podcast appearances and mentions of Richard Scarry

Histories, memoir, historical fiction, Richard Scarry…. and serial killers? Cheryl's Books:    Foreign Fruit: A Personal History of the Orange by Katie Goh Hons and Rebels by Jessica Mitford Mentioned: Smoke and Ashes: Opium's Hidden Histories by Amitav Ghosh The Digging-est Dog by Al Perkins (can be found in collection) Summer Pony by Jean Slaughter Doty Keeping Barney by Jessie Haas Where the Red Fern Grows by Wilson Rawls There's Always This Year: On Basketball and Ascension by Hanif Abdurraqib 2024 National Book Critics Circle Award Winners Jessica's Books:   The Paris Express by Emma Donoghue The Black Utopians by Aaron Robertson Everything Is Tuberculosis by John Green Links:  Michigan Notables: https://www.michigan.gov/libraryofmichigan/public/mnb Foster Event: https://www.cadl.org/event/14379951 Mentioned: Best Word Book Ever—Richard Scarry Mari's Books:    The Pecan Sheller by Lupe Ruiz-Flores Whale Eyes: A Memoir About Seeing and Being Seen by James Robinson Watch his award-winning short film: https://www.whaleeyes.org/watch The Couch in the Yard by Kate Hoefler Mentioned:  Are You There God? It's Me Margaret by Judy Blume Our Producer, Rissa's Books:    Beneath the Trees Where Nobody Sees by Patrick Horvath Big Kids by Michael DeForge Mentioned:  Skippyjon Jones books by Judith Schachner The Stinky Cheese Man and Other Fairly Stupid Tales by Jon Scieszka Junie B. Jones books by Barbara Park Catalina by Karla Cornejo Villavicencio Some of books mentioned in response to CADL's Facebook question “What story began your love of reading?”: The Boxcar Children by Gertrude Chandler Warner Charlotte's Web by E.B. White Little Women by Louisa May Alcott The Babysitter's Club by Ann M. Martin Books by Madeleine L'Engle The Monster at the End of This Book by Jon Stone The Other Wes Moore: One Name, Two Fates by Wes Moore The Pilot's Wife by Anita Shreve The Valley of the Dolls by Jacquelinn Susann (available through MELCAT)

Hey Everybody!This week we are JUST IN TIME to drop our big St. Patrick's Day episode!Ok, it's an episode of The Busy World of Richard Scarry. You know, the one with the worm that drives an apple.This episode has a section that takes place in Ireland.That's all the connection we need!Get you some green beer and Corned Beef!!!Enjoy!MERCH STORE - www.teepublic.com/stores/knowing-is-half-the-podcastPatreon - Patreon.com/KnowingIsHalfThePodcastFacebook - Facebook.com/KnowingIsHalfThePodcastTwitter - @GijoePodcastPresident Serpentor - @PrezSerpentorSupport this podcast at — https://redcircle.com/knowing-is-half-the-podcast/donationsAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

Does a bear kill in the woods? That's the question Patrick Horvath sets out to answer in his “Richard Scarry meets Dexter” opus Beneath the Trees Where Nobody Sees, the subject of this year's very first Four-Color Flashback. The 2024 IDW series takes place in an idyllic world of anthropomorphic animals where not all is as it seems–the local hardware store owner, Samantha Strong, has a nasty habit of heading out to the city and slaughtering random passersby. That is, until another serial killer comes to her small town of Woodbrook, threatening the life she has carefully maintained for decades. Paul, Arlo, and Special Guest™ Eric Sipple discuss Horvath's deceptively simple cartooning, his brilliant use of panel layouts, the limits of the book's suburban satire, Hassane Otsmane-Elhaou's visionary lettering, and so much more. Plus, Arlo raves about Best Picture nominee Nickel Boys.   NEXT: we'll be back, someway, somehow.   BREAKDOWN 00:00:28  -  Intro / Guest 00:02:48  -  Banter and generally wasting time 00:08:44  -  Beneath the Trees Where Nobody Sees 01:35:47  -  Outro / Next   LINKS “Exclusive Interview: Patrick Horvath on BENEATH THE TREES WHERE NOBODY SEES” by Christian Angeles, The Beat   MUSIC “Teddy Bear's Picnic” by Henry Hall, The Best Children's Songs & Stories (2014) “Where Did You Sleep Last Night” by Lead Belly, The Tradition Masters (2002)   GOBBLEDYCARES National Suicide Prevention Lifeline: https://suicidepreventionlifeline.org/  Abortion Funds in Every State: https://bit.ly/AbortionFundsTwitter Support AAPI communities and those affected by anti-Asian violence: https://www.gofundme.com/c/act/stop-aapi-hate Support the AAPI Civic Engagement Fund: https://aapifund.org/ Support Black Lives Matter and find anti-racism resources: https://blacklivesmatters.carrd.co/ The Trevor Project provides information and support to LGBTQ youth: thetrevorproject.org Trans Lifeline: https://translifeline.org/  National Center for Transgender Equality: transequality.org Advocate for writers who might be owed money due to discontinuance of royalties: https://www.writersmustbepaid.org/  Help teachers and classrooms in need: https://www.donorschoose.org/ Do your part to remove the burden of medical debt for individuals, families, and veterans: https://www.unduemedicaldebt.org/  Register to vote: https://vote.gov/  

We hope you enjoy our lowly podcast. Research for this episode comes from The Busy, Busy World of Richard Scarry by Walter Retan & Ole Risom

We are BACK to the Violenceball pitch for more action! We start by finding that Jandar LuDove Drives The Apple Car from The Busy World of Richard Scarry, and it only gets more INTENSE from there! The voices of the VBPS, Ghalk & Dughac, are Justin and Nathan from Tabletop Royale! Check out their Twitch for fun gaming content. Thanks to Shayne Plunkett & Jesse Wright of Meadow Vista Media, who created this season's intro theme: www.meadowvistamedia.com Twitter: @MVM_Studio IG: @meadowvistamedia Buy our book, The Ultimate Random Encounters Book: bit.ly/RandomBook Find out more about the show at our website: www.vre.show Show pins and more: shop.vre.show Support us on Patreon: www.patreon.com/VRE Follow us @VRECast

What's the punishment for drinking whole milk? Are you supposed to eat sand? And how do you get to Wrigley Field? We navigate through these questions and more as we watch Season 1, Episode 19 of Family Matters.Alex Diamond, David Kenny, and John McDaniel heard that the long-running network sitcom Family Matters ends with side character Steve Urkel going to space. And the best way to figure out how that happened - obviously - is to watch the last episode first and make our way backwards through nearly ten years of television.Join our countdown to number one (and our slow descent into madness) in all the places you expect internet people to be:Website: jumpingtheshuttle.spaceEmail: jumpingtheshuttle@gmail.comInstagram: @JumpingTheShuttle / @ThatAlexD / @dak577Twitter: @JumpingShuttle / @ThatAlexD / @dak577TikTok: @JumpingTheShuttle / @ThatAlexD / @dak577Brought to you by Smooth My Balls

This week, we're getting ever so busy and meeting Richard Scarry - or are we? We finally tackle all the topics a real podcast would, and then some!   Get extra bonus nonsense at Patreon Follow us!  @queersgoneby on IG, Twitter and TikTok @thekatebutch on IG, Twitter, FB and TikTok @acaitlinpowell on IG, Twitter and TikTok Find us on our YouTube channel

JAMIE KIRSTEN HOWARD lost her credit card and the clerk is CHECKIN IT TWICE (2023), but... We've already got the furry erotica! THEME: "Fuck You If You Don't Like Christmas," from Crudbump, by Drew Fairweather PART ONE  Glitterburrito ... Georgia championship hockey ... How Hallmark casting works PART TWO   Jamie's Christmas credentials ... Mariah-Grinch Continuum ... Is the Grinch horny? Furry? ... Cast Rundown ... The Expositional Challenge ... Plot Mop-Up: Deal-stealing boyfriend; Team Christmas Week; French-Canadian players ... Just settle! Like the rest of us! ... Covid-fueled throwback ... The Thee/Thou Threshold ... How do you act a story like this well? ... A "being adult and normal" fakeout ... Brain damage       PART THREE  Spot the Angel: Ashley's dad and Scott's coach ... A literal bible ... Eat Your Heart Out: Grandma's dire eggnog; The Cider Social; awful pastries, sugar drinks; Barbie food; stadium peppermint tea; Sleepytime mascot, pajama gun, candlelit ushers; the Drunken Puck; airport chocolates, airport beer ... Clear hotel lobby store ... Zamboni driving in the Richard Scarry region of the brain ... The Hallmark Expanded Universe: French 85 Magazine, "How to Survive Christmas Alone"; hockey tournament/goon clash    PART FOUR  Overdetermined: Forced credit-card fussiness; "But I'm different"; plot-end collision and bastard father ... False Ray Bourque information ... Scott, winter ignorant ... Crossover: Scott, Deadpool adjacency and sassy Kristen Bell; money and a rewrite away from a real rom-com; Alex Garland's Civil War; LA to Vegas, Idaho Falls to Spokane ... The Hallmark Voight-Kampff Test: Dave, rowdy child, good eater ... Great Moments in Moppetry: Googe-sound boy; 3 ... Who's the Real Villain: Ambition, cruel fatherhood, misogyny/the bar is THAT low       PART FIVE Rating: 3 (non-derogatory) ... "Honestly, I'm fine with this" ... The Leftovers: Non-interruptive work-from-home ... Protagonist's dream/career age ... "Those who can't play, coach" ... A smooth 84 ... Pod Yourself The Wire namedrops ... Gretzky 3:16 ... Plus/Minus and stats annoyance ... Kevin Fair, Get Carter, Josie and the Pussycats, and The Core ... Saw 3-D ... "Idaho Falls" ... Postgame interview BS ... You know how to ruin a cider social ... Merry Christmas!   All other music by Chris Collingwood of Look Park and Fountains of Wayne, except: "Orchestral Sports Theme" by Chris Collingwood and Rick Murnane. Jamie's Bluesky HERE

Sixty percent of the jobs that Americans do today didn't exist in 1940. What happens as our labor becomes more technical and less physical? And what kinds of jobs will exist in the future?  SOURCES:David Autor, professor of economics at the Massachusetts Institute of Technology.Paula Barmaimon, manager of coverage and audience analytics at The New York Times.Ellen Griesedieck, artist and president of the American Mural Project.Adina Lichtman, co-host of the Our Friends Are Smart party.Avi Popack, co-host of the Our Friends Are Smart party.Huck Scarry, author and illustrator.James Suzman, anthropologist and author.Ben Varon, rabbi and chaplain at NYU Langone Hospital—Brooklyn . RESOURCES:"New Frontiers: The Origins and Content of New Work, 1940–2018," by David Autor, Caroline Chin, Anna Salomons, and Bryan Seegmiller (The Quarterly Journal of Economics, 2024).Work: A Deep History, from the Stone Age to the Age of Robots, by James Suzman (2020).Working: People Talk About What They Do All Day and How They Feel About What They Do, by Studs Terkel (1974).What Do People Do All Day?, by Richard Scarry (1968)."Economic Possibilities for our Grandchildren," by John Maynard Keynes (1930).American Mural Project. EXTRAS:"Will the Democrats 'Make America Great Again'?" by Freakonomics Radio (2023)."How to Stop Worrying and Love the Robot Apocalypse," by Freakonomics Radio (2021)."Did China Eat America's Jobs?" by Freakonomics Radio (2017).People I (Mostly) Admire.

Alex and Zac tag-team to take on the one and only actor, Honda spokesperson, philanthropist, and soon-to-be-ex-pro wrestler John Cena. They start with a dazzling, if incomplete, list of Cena's accomplishments before moving on to the beginnings of his fascination with torture by British car; the formative influence of Matchbox cars in the mud and Richard Scarry's Cars and Trucks and Things That Go; and the evolution from early East Coast hip-hop to the car-flaunting mainstream rap of the 2000s. Cena takes time out to demonstrate a perfect elevator pitch for the BaT model and community before diving back into the difference between Brock Lesner and a 2,000-pound supercar with 1,000 horsepower; the healthy balance struck in his relationship regarding car collecting and safety; humility as it relates to gratitude; finding the reward in running through the gears in his XK120, even without a turn in sight; the satisfaction of gauges arrayed across a wooden dash; a memorable first motorcycle experience followed by his brief residence in a Lincoln Continental; life lessons taught through two decades with his infamous un-Lambo; the difference between an intriguing car and one that just costs a lot; and finally, asking one's self the right questions about philanthropy.

Join us for an exciting episode of Reading with Your Kids as we dive into the wonderful world of children's books! We had the pleasure of chatting with three talented authors who are sharing their latest works and insights on engaging young readers. First up, we welcomed back the delightful Carrie Finison to discuss her new picture book, "Pigs Dig a Road." Carrie took us on a hilarious journey with a construction crew of pigs working to build a road to the county fair. We learned how Carrie drew inspiration from the iconic Richard Scarry books and made a conscious effort to feature a female pig as the leader of the pack. Carrie's passion for representation shines through, and she shared fascinating research on the intricacies of road building that will captivate young readers. Next, we met Kirsten Henry, a debut author whose picture book "Quieting Hazel's Heart" tackles the common challenge of separation anxiety. As an experienced early childhood educator, Kirsten provided valuable insights on the impact of the pandemic on children's social and emotional development. She offered practical tips for using her book as a tool to help families navigate the transition to preschool and beyond. Finally, we caught up with Greg Slomba, the author of the beloved "Deliverers" fantasy adventure series. Greg shared the journey of completing his four-book saga and his plans to explore new creative avenues, including a collection of uplifting short stories. We discussed the vibrant community of Connecticut authors and the importance of mutual support in the publishing world. Throughout our conversations, a common thread emerged - the power of storytelling to inspire, educate, and empower young minds. Join us as we celebrate these talented authors and their contributions to the world of children's literature. Happy reading! Click here to visit our website – www.ReadingWithYourKids.com Follow Us On Social Media Facebook - https://www.facebook.com/readingwithyourkids Instagram - https://www.instagram.com/readingwithyourkids/ X - https://x.com/jedliemagic LinkedIn - https://www.linkedin.com/company/reading-with-your-kids-podcast/ Please consider leaving a review of this episode and the podcast on whatever app you are listening on, it really helps!

Brea and Mallory talk about their most anticipated books for August and September, test out coaster bookmarks, and give advice for people who hate hardcovers. Email us at readingglassespodcast at gmail dot com!Reading Glasses MerchRecommendations StoreSponsors -Hello Comicswww.hellocomics.netCODE: GLASSESMiracle Madewww.trymiracle.com/GLASSESCODE: GLASSESLinks -Reading Glasses Facebook GroupReading Glasses Goodreads GroupAmazon Wish ListNewsletterLibro.fmTo join our Slack channel, email us proof of your Reading-Glasses-supporting Maximum Fun membership!Books Mentioned - Loneliness and Company by Charlee DyroffThe Girl Who Slept with God by Val BrelinskiAugustThere is a Rio Grande in Heaven by Ruben Reyes JrSFF short storiesJellyfish Have No Ears by Adele Rosenfeld, translated by Jeffrey ZuckermanLiterary fiction about deafnessThere's Nothing Wrong With Her by Kate WeinburgLiterary fiction, mental health, funny, chronic illness, speculativeHum by Helen PhillipsSci fi thriller, dystopian, marriage, motherhood, selfhoodThe Axeman's Carnival by Catherine ChidgeyLiterary fiction, funny, bird protagonistWe Were Pretending by Hannah GersenLiterary fiction, female friendship, mushrooms, CanadaTimes Agent by Brenda PeynadoGrief, motherhood, late stage capitalism and pocket worlds (a geographically small world hidden within our reality)Clickbait by Holly BaxterDebut literary fiction, hilarious, life falling apartThe Italy Letters by Vi Khi NaoQueer literary fiction, epistolary, Las Vegas, queer loveGodzilla and the Song Bird by Manzu IslamHistorical fiction, Bangladesh, brothers, cinemaThere are Rivers in the Sky by Elif ShafakHistorical fiction, multiple timelines, GilgameshThe Instrumentalist by Harriet ConstableHistorical fiction, music, violins, Venice, 1700sMystery Lights by Lena ValenciaLiterary short stories set in the desertOne Hundred Shadows by Hwang Jungeun, translated by Jung YewonSFF, magical realism, Seoul, capitalismThe Sunforce by Sascha StronachQueer fantasy, sequel to The DawnhoundsThe Pairing by Casey McQuistonQueer romance, two disaster bisexual exes on a European tourHow to Leave the House by Nathan NewmanGay literary fiction, small town secrets, quirky charactersThe Palace of Eros by Caro de RobertisQueer Greek myth retelling of Psyche and ErosVoyage of the Damned by Frances WhiteQueer romantasy, murder mystery on a magical shipRules for Ghosting by Shelly Jay ShoreQueer spooky romance, ghostsWild Failure by Zoe WhitallQueer feminist short storiesThe Other Ones by Fran HartYA spooky queer romanceRise and Divine by Lana HarperLesbian witch romancePrince of the Palisades by Julian WintersGay YA romance, Los AngelesA Bahn Mi for Two by Trinity NguyenYA sapphic foodie romanceA Grand Love - Stories for Grandparents of Trans Grandchildren by Janna BarkinNonfictionQueer as Folklore - The Hidden Queer History of Myths and Monsters by Sasha CowardNonfictionConfounding Oaths by Alexis HallGay romantasy, historicalHers for the Weekend by Helena GreerSapphic opposites-attract romance, fake datingCome Out, Come Out by Natalie C. ParkerQueer YA horror, trans characters, ghostsFull Shift by Jennifer Dugan and Kit SeatonQueer YA graphic novel, werewolvesYou're the Problem, It's You by Emma R. AlbanGay enemies-to-lovers Victorian romanceThe Unmothers by Leslie J. AndersonFolk horror, small town, female rageThe Dark We Know by Wen-yi Lee-YaYA horror, queer, small town, an EntityHelga by Catherine YuYA horror, satire, science experiment makes a girl and she escapes into the worldSacrificial Animals by Kailee PedersenHorror, Chinese mythology, returning to a small townThe Madness by Dawn KurtagichHorror, feminist Dracula retellingThe Volcano Daughters by Gina Maria BalibreraHistorical fiction, sisterhood, El Salvador, California, Paris, ghostsBlackheart Man by Nalo HopkinsonFantasy, magical island, witches, demons, polyamory, mythsThe Silence Factory by Bridget CollinsHistorical fiction, gothic, powerful family, magic silk, 1800sLady Macbeth by Ava ReidFeminist Macbeth retellingPeggy by Rebecca GodfreyImagined life of Peggy GuggenheimThe Story Collector by Evie WoodsHistorical fiction, book about books, Ireland, small town, fairies (not horny ones)The Seventh Veil by Silvia Moreno-GarciaHistorical fiction, 1950s HollywoodThe Ghost Cat by Alex HowardHistorical Fantasy, 1910s, cat who becomes a ghost who witnesses historyTruly Madly Magically by Hazel BeckBook 3 of Witchlore SeriesCrypt of the Moon Spider by Nathan BallingrudHorror novella, historical sci fi, hospital experimentsDungeon Crawler Carl by Matt DinnimanSci fi, cat sidekick, veteran protagonist, trapped in a fantasy dungeon video gameAsunder by Kerstin HallFantasy, Sabriel meets Witch KingShe Who Knows by Nnedi OkoraforWest African SFF novella in the Who Fears Death universeThe Full Moon Coffee Shop by Mai Mochizuki, translated by Jesse KirkwoodJapanese cozy fantasy, talking cats, magic coffee shopA Werewolf's Guide to Seducing a Vampire by Sarah HawleySupernatural romance, werewolves, vampiresGlass Houses by Madeline AshbySci fi thriller, AI, deserted island, women in tech, near future whodunitThe Phoenix Keeper by S.A. MacleanRomantasy, cozy, magic zooThe Dead Cat Tail Assassins by P. Djeli ClarkFantasy novella, gods, assassins, magic cityThe Coven by Harper L. WoodsVampire romantasyStrange Folk by Alli DyerFantasy, Appalachia, magic estranged family, debutA Sorceress Comes to Call by T. KingfisherFantasy, Goose Girl reimagining, Brothers Grimm, magic, murderFull Speed to a Crash Landing by Beth RevisSci fi novella, sexy space heistThe Leap Year Gene of Kit McKinley by Shelley WoodHistorical sci fi, time traveling, geneticsBite by Bill SchuttMicro history of teethI Want to Die But I Still Want to Eat Tteobokki by Baek Sehee, translated by Anton HurrNonfiction, sequelEveryday Rituals by Pearl KatzNonfiction about the power of routine and ritualLove and Other Conspiracies by Mallow MarloweDebut romance, cryptid hunter and producer learn to fall in love again while looking for Mothman and aliensMorbidly Yours by Ivy FairbanksOpposites attract romance with a mortician and a widowDark Restraint by Katee RobertsSmutty minotaur/Ariadne romanceSecond Tide's The Charm by Chandra BlumbergSecond chance marine biologist romance, sharks!!!The Truth According to Ember by Danica NavaWorkplace Native rom-comQueen of Dreams by Kit RochaPoly romantasy, sexy people fighting ancient evilHouse of Bone and Rain by Gabino IglesiasThriller, coming of age, teens seeking vengeance for a murderThe Antique Store Detective by Clare ChaseCozy mystery, small town, antiquesBetter Left Buried by Mary E. RoachYA thriller, teen girls solving mysteries in an abandoned amusement parkEye of the Beholder by Emma BamfordThriller, inspired by Vertigo, Scottish highlands, beauty industryDeath at Morning House by Maureen JohnsonYA mystery, historical island mansion, queerWordhunter by Stella SandsMystery, detective with uncanny ability to analyze words and speech patternsSociety of Lies by Lauren Ling BrownThriller, secret society, upper class secretsDear Hanna by Zoje StageFollow up to Baby TeethI Need You to Read This by Jessa MaxwellMystery, advice columnist solving her predecessor's murderHighway Thirteen by Fiona McFarlaneInterconnected short stories about the same serial killerTalking to Stranger by Fiona BartonThriller, detective and reporter racing each other to a solve a murderWe Love the Nightlife by Rachel Koller CroftThriller, vampires, toxic female friendship, 1970s London disco sceneScrap by Calla HenkelThriller, true crime obsessed artist hired by insanely wealthy family with dark secretsThe Naturalist's Daughter by Tea CooperHistorical thriller, platypus mystery!!!SeptemberBabe in the Woods by Julie HeffernanGraphic novel, literary, motherhood, lost in the woods, memoryWe'll Prescribe You a Cat by Syou Ishida, translated by E. Madison ShimodaLiterary fiction, Japanese, healing power of catsDawnland by Tess CallahanLiterary fiction, Cape Cod, family secretsWhere the Forest Meets the River by Shannon BowringQueer literary fiction, Maine, small town, griefPlease Fear Me by Jennifer LoveQueer literary fiction, teen runaway, circus, coming of age Still Life by Katherine Packet BurkeQueer literary fiction, queer friendship, trans characters, womanhoodPlayground by Richard PowersLiterary fiction, multiple POVs, ocean settingCompound Fracture by Andrew Joseph WhiteYA thriller, trans protagonist, Appalachia, classism, ghostsCelestial Monsters by Aiden ThomasBook 2 of Sunbearer duologyThis Fatal Kiss by Alicia JasinkaYA poly romantasy, magic, fairytalesOld Wounds by Logan-Ashley KisnerYA trans horror, small town, monster, sacrificeSomewhere Beyond the Sea by TJ KluneSequel to The House in the Cerulean SeaThe World is Not Yours by Kemi Ashing-GiwaSci fi novella, space horrorSpells to Forget Us by Aislinn BrophyWitchy YA sapphic romanceA Dark and Drowning Tide by Allison SaftDark academia sapphic romantasyAt the End of the River Styx by Michelle KulwickiQueer YA Horror, curses, monstersLove and Sportsball by Meka JamesSapphic sports romanceFlamboyants - The Queer Harlem Renaissance I Wish I'd Known by George M. JohnsonNonfictionThe Haunting of Moscow House by Olesya Salnikova GilmoreGothic horror, historical Russia, haunted houseThe Night Guest by Hildur Knutsdottir, translated by Mary Robinette KowalHorror, Iceland, grief, possessionSo Thirsty by Rachel HarrisonHorror, vampires, female satisfactionSuch Lovely Skin by Tatiana Schlote-BonneYA horror, doppelgangersRuin Road by Lamar GilesYA horror, curses, high schoolDearest by Jacquie WaltersStressed mom horrorWe Are Hunted by Tomi OyemakindeYA horror, White Lotus meets Jurassic ParkThe Thirteenth Child by Erin A. CraigYA horromance, dark fairytaleSweetest Darkness by Leslie LutzYA horror, psychic teen, abandoned hotelDevils Kill Devils by Johnny ComptonHorror, Southern gothic, demons, angelsIn the Garden of Monsters by Crystal KingHistorical fiction, Hades and Persephone retelling, gothic romance, evil gardenWhat We Sacrifice for Magic by Andrea Jo DeWeraHistorical fiction, witches, 1960s, Minnesota, family, small townThe Empusium by Olga TokarczukHistorical fiction, 1913, Poland, WWI, sanitariumThe Vampire of Kings Street by Asha GreylingHistorical fantasy, 1800s New York, vampires, lawThe Light Between Us by Elaine ChiewHistorical speculative romance, 1920s SingaporeThe Booklover's Library by Madeline MartinHistorical fiction, London, mother-daughter relationship, booksThe Shadow Key by Susan Stokes-ChapmanHistorical fiction, 1700s Wales, gothic, isolated estate, secretsThe Mesmerist by Caroline WoodsHistorical thriller, 1890s Minneapolis, woman banding together to stand a serial killerThe Lantern of Lost Memories by Sanaka Hiiragi, translated by Jesse KirkwoodCozy Japanese fantasy, magical photo studio, afterlifeRewitched by Lucy Jane WoodDebut cozy fantasy, witches, burnoutBringer of Dust by J.M. MiroSequel to Ordinary Monsters Alien Clay by Adrian TchaikovskySci fi epic, space, aliens, politicsAn Academy for Liars by Alexis HendersonDark academia, magic school, dark fantasyWe Need No Wings by Ann Davila CardinalFantasy, grief, love, flyingThe Scarlet Throne by Amy LeowPolitical epic fantasy, talking cats, demons, power and corruptionSky Full of Elephants by Cebo CampbellSci fi, world with no white peopleThis Will be Fun by E. B. AsherCozy quest romantasy, Prince Bride comp, friendshipLucy Undying by Kiersten WhiteFantasy, Dracula retelling, gothicBright I Burn by Molly AitkenHistorical fantasy, Ireland, witchesVilest Things by Chloe GongSequel to Immortal LongingsHaunt Sweet Home by Sarah PinskerHorror, ghosts, reality show, TV production, new adultThe Life Impossible by Matt HaigFantasy, magic, hopeThe Cottage Around the Corner by D.L. SoriaRomantasy, mage-witch rivalry, rom com, small townThe Village Library Demon Hunting Society by C.M. WaggonerLibrarian solving supernatural murdersThe Midnight Club by Margot HarrisonFantasy, dark academia, friend reunionSpace Oddity by Catherynne M. ValenteSequel to Space OperaBuried Deep and Other Stories by Naomi NovikFantasy short storiesHorror for Weenies by Emily C. HughesNonfiction, crash course in horror moviesThe Extinction of Experience by Christine LosenNonfiction, how to experience being human in a digital worldBone of the Bone by Sarah SmarshNonfiction, essays on the working classMagically Black and Other Essays by Jerald WalkerNonfiction on Black cultureBy the Fire We Carry by Rebecca NagleNonfiction, fight for Native landBook and Dagger by Elyse GrahamNonfiction, WWII librarian spiesThe Book Swap by Tessa BickersBookish second chance romanceSunshine and Spice by Aurora PalitOpposites attract fake dating, cookingMy Vampire Plus One by Jenna LevineFake dating rom-com with a vampireA Jingle Bell Mingle by Julie Murphy and Sierra SimoneChristmas rom-com, forced proximityThe Worst Duke in London by Amalie HowardHistorical romance, Bridgerton meets 10 Things I Hate About YouThe Hitchcock Hotel by Stephanie WrobelMystery, old friends reunite in a Hitchcock-themed hotel, murderGuide Me Home by Attica LockeThird in Highway 59 trilogyWhere They Last Saw Her by Marcie R. RendonThriller, Native woman solving disappearances and murderPassiontide by Monique RoffeyThriller, local island women banding together to solve murderWe Solve Murders by Richard OsmanFather/daughter murder solving, thrillerBeneath the Trees Where Nobody Sees by Patrick Horvath and Hassan Otsmane ElhaouGraphic novel thriller, Richard Scarry meets DexterWilliam by Mason CoileSci fi thriller, cyber noir, psychological thriller, house haunted by AIBitter is the Heart by Mina HardyHorror, generational trauma, evil momThe Curse of the Dead Man's Diamond by Christyne MorrellMiddle grade mystery, haunted manor, ghostsSnake Oil by Kelsey Rae DimburgLiterary thriller, wellness culture, female ambitionThe Most Famous Girl in the World by Iman Hariri-KiaThriller, satire, celebrity culture, obsessionThe Serial Killer Guide to San Francisco by Michelle ChouinardMystery, granddaughter of a serial killer must solve copy cat murder

Thanks so much to Kseniya for sharing her research with us and congrats on the awards your writing received. This topic is close to the hearts of many of our listeners and we would love to hear your experiences. I was thinking of many of you while we were recording. I appreciate this amazing thoughtful research and also would love to hear your personal stories if you are willing to share. The Federal government seems to be moving forward with rescheduling cannabis! And there is a great big Richard Scarry book! Spring is here. May the 4th be with you.

Don't let the episode title worry you, this homework doesn't suck.  Your only assignment this week is to listen to the mixtape and enjoy the fine selection of tracks from this free play!  "Building The House" from Richard Scarry's Busytown is a fun minimalist piece with snappy percussion.  "Injured" from Tecmo Super Bowl II: Special Edition makes great use of the Genesis' strengths

Al & Val return to Coventry with the Mowry twins in Twitches Too! Will they solve the "mystery" and save the day again? Probably, cause it's the same mystery...Twitches Too (October 12, 2007)IMDB WikipediaDirected by Stu Gillard (Scream Team, Full Court Miracle, Going to the Mat, Twitches, Charmed, 90210)Written by Written by Dan Berendsen (Up Up and Away, Scream Team, Eddie's Million Dollar Cookoff, Stuck in the Suburbs, Halloweentown High, Twitches, Cheetah Girls: One World, Hannah Montana movie, Wizards of Waverly Place the movie, Camp Rock 2, Sabrina the Teenage Witch), HB Gilmour (Twitches & Twitches Too), Randi Reisfeld (Twitches & Twitches Too)Starring: Tia Mowry as Alexandra "Alex" Nicole Fielding / Artemis DuBaer (Twitches, Sister Sister, Bratz, The Game, Instant Mom, Christmas movies, Family Reunion)Tamera Mowry as Camryn "Cam" Elizabeth Barnes / Apolla DuBaer (Twitches, Sister Sister, Strong Medicine, Christmas movies)Kristen Wilson as Miranda DuBaer(Dr. Doolittles, Dungeons & Dragons, Stopped acting in 2011)Patrick Fabian as Thantos DuBaer (character actor, Joan of Arcadia, Better Call Saul)Kevin Jubinville as Aron DuBaer (character actor - Doc, Rabbit Fall, Ice Princess, Degrassi: The Next Generation, Murdoch Mysteries)Pat Kelly as Karsh (Twitches)Leslie Seiler as Ileana (Comedy, Inc., Second City Toronto person)Chris Gallinger as Demitri (Cow Belles, stopped acting in 2018)Arnold Pinnock as David Barnes (Twitches, Tru Confessions, New York Minute, Life with Derek, The Listener, Travelers, Murdoch Mysteries)Karen Holness as Emily Barnes (Ultimate Christmas Present, Twitches, Cashing In, Make it Pop, Christmas/Hallmark movies) Jackie Rosenbaum as Beth Fish (Twitches, stopped acting in 2010)Nathan Stephenson as Marcus Warburton (Radio Free Roscoe, Degrassi: The Next Generation, Pearlie, stopped acting in 2012)Jayne Eastwood as Norseng (character actor/voice actor - King of Kensington, Care Bears, ALF, Babar, Material World, Busy World of Richard Scarry, Noddy, My Big Fat Greek Wedding 1-3, Chicago, Little Mosque on the Prairie, Murdoch Mysteries)Synopsis: Twin sisters and twin witches Alex and Camryn didn't meet until they were 21, but their combined power managed to save their home from the forces of darkness. Since then they have been working together to strengthen their magic powers.Fun Facts: Just like in the first Tia stepped in the play Tamera's part for a small scene when Camryn's party started. Tamera stepped in the play Alex when Camryn sees Marcus studying with Alex and gets jealous.Next Movie: Minutemen ★ Support this podcast on Patreon ★

Toys push games off of shelves, GUIs vie for supremacy & Coinops' laserdisc dreams dashed   These stories and many more on this episode of the VGNRTM   This episode we will look back at the biggest stories in and around the video game industry in December 1983. As always, we'll mostly be using magazine cover dates, and those are of course always a bit behind the actual events.   Alex Smith of They Create Worlds is our cohost. Check out his podcast here: https://www.theycreateworlds.com/ and order his book here: https://www.theycreateworlds.com/book   Get us on your mobile device: Android: https://www.google.com/podcasts?feed=aHR0cHM6Ly92aWRlb2dhbWVuZXdzcm9vbXRpbWVtYWNoaW5lLmxpYnN5bi5jb20vcnNz iOS: https://podcasts.apple.com/de/podcast/video-game-newsroom-time-machine   And if you like what we are doing here at the podcast, don't forget to like us on your podcasting app of choice, YouTube, and/or support us on patreon! https://www.patreon.com/VGNRTM   Send comments on Mastodon @videogamenewsroomtimemachine@oldbytes.space Or twitter @videogamenewsr2 Or Instagram https://www.instagram.com/vgnrtm Or videogamenewsroomtimemachine@gmail.com   Links: (If you can't see all the links for this episode, please, check out this episode on our patreon page for the complete set.)   7 Minutes in Heaven: Porky's Video Version: https://www.patreon.com/posts/7-minutes-in-98182124 https://www.mobygames.com/game/22975/porkys/     Corrections: November 1983 Ep - https://www.patreon.com/posts/november-1983-96193251 Ethan's fine site The History of How We Play: https://thehistoryofhowweplay.wordpress.com/     1973 Coinop braces for oil-crisis fallout https://archive.org/details/cashbox35unse_23/page/43/mode/1up https://archive.org/details/cashbox35unse_24/page/42/mode/1up http://podcast.theycreateworlds.com/e/space-invaders-and-nishikado/   Ball and paddle goes color https://archive.org/details/cashbox35unse_23/page/43/mode/1up http://allincolorforaquarter.blogspot.com/2016/06/the-ultimate-so-far-history-of-nutting_21.html https://archive.org/details/cashbox35unse_23/page/n47/mode/1up   Kee Games teams up with Atari https://archive.org/details/cashbox35unse_24/page/42/mode/1up https://en.wikipedia.org/wiki/Kee_Games https://archive.org/details/cashbox05unse_9/mode/2up?view=theater   1983 Marschfield kicks games out https://www.nytimes.com/1983/12/08/us/massachusetts-town-exiles-pac-man-and-all-that.html https://eu.wickedlocal.com/story/marshfield-mariner/2021/09/23/marshfield-ma-coin-machine-industries-association-supreme-court-ban-pacman-donkeykong-look-back/8241109002/   AMOA a dud Play Meter Dec. 31, 1983   Laserdisc is DOA in the UK https://archive.org/details/play-meter-december-15-1983/page/60/mode/2up Kevin Hayes - Atari - Namco https://www.patreon.com/posts/50612798   Laserdisc games coming home... just not any time soon. Play Meter Dec. 1, 1983   Sente debuts the Sente Computer System NewsBytes 12/20/83 - Entering the Snakepit - A Winner: https://arcadeblogger.com/2019/11/10/bally-sente-saviour-of-the-arcades/ Games People Dec. 18, 1983, pg. 1 https://flyers.arcade-museum.com/videogames/search/gallery?manuf_id=63 https://youtu.be/dSwR9ra57uk?si=nY7UQORTBVaK-mLa   Battle of the Cons is over RePlay, Dec. 1983 pg. 13 Play Meter Dec. 1, 1983   Rosen steps down Playthings, Dec. 1983, p. 11 RePlay, Dec. 1983, pg. 18   Nintendo profits drop (DECEMBER 21, 1983, WEDNESDAY). NINTENDO'S CONSOLIDATED NET DOWN 2.3 PCT. Copyright 1983 Jiji Press Ltd.Jiji Press Ticker Service. https://advance.lexis.com/api/document?collection=news&id=urn:contentItem:3SJD-P360-001B-N1P6-00000-00&context=1516831.   Nintendo buys Pizza Time franchise (December 6, 1983). Family restaurant will be opened in Vancouver. The Japan Economic Journal. https://advance.lexis.com/api/document?collection=news&id=urn:contentItem:3S8H-1MS0-000H-H0FJ-00000-00&context=1516831. https://archive.org/stream/0966961706/0966961706_djvu.txt pg. 114     Atari opens first Atari Adventure location https://archive.org/details/Atari_Coin_Connection_Volume_7_Number_11_December_1983 https://atari-computermuseum.de/aac.htm https://www.reddit.com/media?url=https%3A%2F%2Fi.redd.it%2Fpaot66m84vm41.jpg   Dragon's Lair merch on the way Playthings, Dec. 1983 http://www.dragons-lair-project.com/games/related/merchandise/trading_cards_stickers.asp   Video game prices drop as toys take Xmas center stage Playthings, Dec. 1983   Intellivision System Changer launched https://archive.org/details/computer-entertainer-2-9/page/130/mode/1up?view=theater https://archive.org/details/computer-entertainer-2-9/page/143/mode/1up?view=theater https://retroconsoles.fandom.com/wiki/System_Changer   Wagner out at Mattel Playthings, Dec. 1983 https://www.latimes.com/archives/la-xpm-1985-02-19-me-412-story.html   Warner sells movie and TV rights https://www.nytimes.com/1983/12/22/business/warner-will-sell-existing-contracts.html (December 23, 1983, Friday). Warner sells film contracts for $350m. Financial Times (London,England). https://advance.lexis.com/api/document?collection=news&id=urn:contentItem:3S8H-29G0-000F-5467-00000-00&context=1516831.   Atari teams with Activision to bring games home (December 16, 1983, Friday, AM cycle). Atari, Activision To Broadcast Video Games to Homes. The Associated Press. https://advance.lexis.com/api/document?collection=news&id=urn:contentItem:3SJ4-K6B0-0011-5089-00000-00&context=1516831. NewsBytes 12/20/83 - Software Through the Airwaves   Romox test units hit the streets https://archive.org/details/computer-entertainer-2-9/page/141/mode/1up?view=theater   Vidco brings piracy to the 2600 https://www.retrothing.com/2006/06/vintage_video_g.html Electronic Games Hotline Dec. 4, 1983 pg. 4   Move over 5200 joystick, 5200 controller buttons shoddy too! https://archive.org/details/computer-entertainer-2-9/page/135/mode/1up?view=theater   Comdex fails to impress https://www.nytimes.com/1983/12/06/science/personal-computers-windows-and-gateways-loom-in-near-future.html   VisiOn launch fails to impress https://archive.org/details/PersonalComputerNews/PersonalComputerNews039-07Dec1983/page/n5/mode/2up   Really, windows? Who needs it? https://archive.org/details/PersonalComputerNews/PersonalComputerNews041-21Dec1983/page/n5/mode/2up https://www.youtube.com/watch?v=1VNS8TE4XhU&t=250s   Apple introduces Lisa development tools https://archive.org/details/eu_BYTE-1983-12_OCR/page/n9/mode/1up   Sierra's Homeword makes word processing easy https://archive.org/details/computer-entertainer-2-9/page/142/mode/1up?view=theater http://nerdlypleasures.blogspot.com/2014/08/homeword-sierra-onlines-easy-to-use.html https://archive.org/details/Creative_Computing_1983-12/page/n195/mode/2up?view=theater   EA gets into productivity https://archive.org/details/Creative_Computing_1983-12/page/n69/mode/2up?view=theater https://archive.org/details/Creative_Computing_1983-12/page/n161/mode/2up?view=theater   Tandy goes PC compatible https://www.nytimes.com/1983/12/01/business/tandy-s-personal-computer.html https://en.wikipedia.org/wiki/Tandy_2000   PCJr gets tested https://www.nytimes.com/1983/12/27/science/personal-computers-the-little-ibm-finally-arrives-for-a-test.html   Computers are the hottest item this Xmas... https://www.nytimes.com/1983/12/10/business/under-1983-christmas-tree-expect-the-home-computer.html https://archive.org/details/computer-entertainer-2-9/mode/1up?view=theater https://vgpavilion.com/mags/1983/12/18egh/text/ pg. 1 https://www.nytimes.com/1983/12/25/nyregion/the-guilt-of-computerless-parents.html   JCPenney drops computers NewsBytes 12/20/83 Next Casualty   Coleco tries to calm markets https://www.nytimes.com/1983/12/02/business/market-placevartanig-g-vartan-split-view-on-coleco-continues.html https://www.nytimes.com/1983/12/01/business/coleco-says-its-adam-is-in-very-short-supply.html https://www.nytimes.com/1983/12/09/business/coleco-can-t-savor-a-success.html https://archive.org/details/computer-entertainer-2-9/page/136/mode/1up?view=theater   Commodore plagued by defective machines Electronic Games Hotline Dec. 4, 1983, pg. 2   Atari announces Translator for the XL https://archive.org/details/computer-entertainer-2-9/mode/1up?view=theater http://www.atarimania.com/utility-atari-400-800-xl-xe-translator-_29943.html   Apple gets sprites https://vgpavilion.com/mags/1983/12/18egh/text/ pg. 4 https://archive.org/details/Electronic_Fun_with_Computer_Games_Vol_02_No_02_1983-12_Fun_Games_Publishing_US/page/n19/mode/2up   Apple to enter home computer market https://archive.org/details/computer-entertainer-2-9/mode/1up?view=theater https://en.wikipedia.org/wiki/Apple_IIc   Computer game sales expected to rise dramatically in 1983 Playthings, Dec. 1983   TI99 software draught is over electronic Games Hotline Dec. 4, 1983 pg. 2   MSX unites Japanese appliance makers (DECEMBER 22, 1983, THURSDAY). TOKYO REPORT; SALES DRIVE FOR 'MSX' LAUNCHED. Copyright 1983 Jiji Press Ltd.Jiji Press Ticker Service. https://advance.lexis.com/api/document?collection=news&id=urn:contentItem:3SJD-P320-001B-N1F3-00000-00&context=1516831. CHARLES SMITH. (December 12, 1983, Monday). Adoption of MSX brings a new era. Financial Times (London,England). https://advance.lexis.com/api/document?collection=news&id=urn:contentItem:3S8H-2C80-000F-51NS-00000-00&context=1516831.   Speccy hits 1 million https://archive.org/details/popular-computing-weekly-1983-12-22/page/n3/mode/2up   British hunger for computers outstrips supply By Jason Crisp. (December 12, 1983, Monday). 'They're walking off the shelves'; BRITAIN'S HOME COMPUTER BOOM. Financial Times (London,England). https://advance.lexis.com/api/document?collection=news&id=urn:contentItem:3S8H-2C70-000F-51JX-00000-00&context=1516831. https://archive.org/details/PersonalComputerNews/PersonalComputerNews041-21Dec1983/page/n3/mode/2up https://archive.org/details/PersonalComputerNews/PersonalComputerNews041-21Dec1983/page/n5/mode/2up   The Welsh give it another go https://archive.org/details/PersonalComputerNews/PersonalComputerNews039-07Dec1983/page/n23/mode/2up   Manic Miner moves publishers https://archive.org/details/popular-computing-weekly-1983-12-08   Hungarian software makes a splash in the UK https://archive.org/details/popular-computing-weekly-1983-12-01   Marvel gets Adventure-ous https://archive.org/details/popular-computing-weekly-1983-12-22 https://www.mobygames.com/group/256/scott-adams-questprobe-series/   Richard Scarry signs deal with Coleco https://vgpavilion.com/mags/1983/12/18egh/text/ pg. 4 https://www.mobygames.com/game/174878/richard-scarrys-best-electronic-word-book-ever/   Might & Magic: Adventure Number 1: The Lava Pits of Aznar goes on sale https://archive.org/details/Creative_Computing_1983-12/page/n339/mode/2up?view=theater https://www.mobygames.com/game/132448/might-magic-the-lava-pits-of-aznar/   Quicksoft goes shareware https://archive.org/details/eu_BYTE-1983-12_OCR/page/n9/mode/1up https://en.wikipedia.org/wiki/PC-Write   Penguin Publishing enters software market https://archive.org/details/MicroAdventurer02-Dec83/page/n5/mode/2up https://www.mobygames.com/game/26582/the-warlock-of-firetop-mountain/screenshots/ https://www.mobygames.com/company/8195/puffin-books-ltd/   Microsoft gets into book publishing electronic Games Hotline Dec. 4, 1983 pg. 3   6502 goes 16 bit https://archive.org/details/eu_BYTE-1983-12_OCR/page/n8/mode/1up https://en.wikipedia.org/wiki/WDC_65C816 https://www.westerndesigncenter.com/wdc/index.php   Hey baby, I got a gig on 12 inches... https://archive.org/details/eu_BYTE-1983-12_OCR/page/n9/mode/1up   Online banking gaining steam By PHILIP T. SUDO. (December 2, 1983, Friday). Pronto Tailored for More Systems; Home Banking Program Supported by Apple, IBM Computers. The American Banker. https://advance.lexis.com/api/document?collection=news&id=urn:contentItem:3S8H-5Y90-000F-R551-00000-00&context=1516831.   Shopping goes online https://archive.org/details/family-computing-04/page/n55/mode/2up https://www.referenceforbusiness.com/history2/69/CUC-International-Inc.html   Compuserve introduces online ads https://archive.org/details/eu_BYTE-1983-12_OCR/page/n9/mode/1up   Political scandal inspires Japanese computer game Play Meter Dec. 15, 1983 pg. 92   PBS brings computer education to US TV By DAVID O. TYSON. (December 2, 1983, Friday). Chase Promoting Public TV Series; Bank Is Taking Out Full-Page Ads in Newspapers To Boost 'Academy on Computers,' a 12-Week Course. The American Banker. https://advance.lexis.com/api/document?collection=news&id=urn:contentItem:3S8H-5Y80-000F-R54S-00000-00&context=1516831.   Automan premieres https://www.nytimes.com/1983/12/03/arts/tv-notes-cbs-tops-fall-sweeps-fifth-time.html https://youtu.be/kA1NT4I0s34?si=sAQgPQyUimj-hqIi   Quotes of the Month: https://archive.org/details/family-computing-04/page/n69/mode/2up Al Lowe - Sierra https://www.patreon.com/posts/29977733 https://archive.org/details/popular-computing-weekly-1983-12-15/page/n3/mode/2up?view=theater   Recommended Links:   The History of How We Play: https://thehistoryofhowweplay.wordpress.com/ Gaming Alexandria: https://www.gamingalexandria.com/wp/ They Create Worlds: https://tcwpodcast.podbean.com/ Digital Antiquarian: https://www.filfre.net/ The Arcade Blogger: https://arcadeblogger.com/ Retro Asylum: http://retroasylum.com/category/all-posts/ Retro Game Squad: http://retrogamesquad.libsyn.com/ Playthrough Podcast: https://playthroughpod.com/ Retromags.com: https://www.retromags.com/ Games That Weren't - https://www.gamesthatwerent.com/     Sound Effects by Ethan Johnson of History of How We Play.     Copyright Karl Kuras

Brown bear, brown bear, what do you see? I see a new Dork Matters ep with Ben and Lexi. We're dorking out about the best, most amazing, legendary children's book illustrator-authors! With a bit of conspiracy theorizing about the Sankebetsu brown bear incident. Grab a blanky, get comfy, and let us tell you a story.FURTHER DORKSCUSSION:Sankebetsu brown bear incidentLegendary illustratorsMaurice Sendak - Where the Wild Things Are, Chicken Soup with RiceDr Seuss (Theodore Geisel), The Grinch, Green Eggs & HamEric Carle - Brown Bear, The Very Hungry CaterpillarRichard Scarry - Best Ever/BusytownBeatrix potter - Peter Rabbit, Benjamin Bunny, Jeremy FisherClement Hurd - Goodnight Moon, The Runaway BunnyEH Shepard - The Wind in the Willows, Winni-the-PoohUl de Rico - THE RAINBOW GOBLINS!Ezra Jack Keats - The Snowy Day, Peter's ChairBONUS CONTENT:Ul de Rico concept art for The Neverending Story (1984)Sendak's In the Night Kitchen: Unusual History of Censorship by Laura CattrysseBeatrix Potter - The Dead AuthorsProdorkcer Jess Schmidt's picks:say what you will about Roald Dahl, but Quentin Blake is an iconic illustrator in my mindLudwig Bemelmans of the Madeline books was another fave of my childhoodShel Silverstein was my first introduction to poetry and again just iconicThe Velveteen Rabbit was a book that I asked for all the time, illustrated by William Nicholson"I remember that as a child, when I felt overwhelmed, my mother would reassure me by saying, ‘One piece at a time.' That's good advice for many things in life." -Eric Carle SOCIALS:Here's where you can find us!Lexi' Hunt's website and twitter and instagramBen Rankel's website and instagram and where to buy his book: Amazon.ca / Comixology / Ind!go / Renegade ArtsJess Schmidt's website, twitter and instagramDork Matter's website(WIP) and twitter and instagram and redditThis podcast is created on the traditional territories of the Blackfoot Nations, which includes the Siksika, the Piikani, and the Kainai. We also acknowledge the Stoney Nakota Nation, Tsuut'ina, and Metis Nation Region 3.Help your dorky pals spread the word: share us on social media or give Dork Matters a rating and review on Apple Podcasts, or wherever you get your pods! Thank you for helping us to share our love of all things Dork!

Julie Delrue speelde bij theatergezelschappen als Bronks en Studio Orka, acteerde o.a. in Chantal en Nonkels én staat momenteel op de planken met haar solovoorstelling Mamamanie.In Podlood vertelt ze openhartig over haar kraambedpsychose die bepaalde luikjes in haar hoofd opende, waardoor ze heel even hyperrealistisch kon tekenen. Ze brengt één van de tekeningen mee die ze maakte voor haar zussen en haar broer, toen ze na de dood van hun mama afstand moesten doen van hun ouderlijk huis en ik durf het amper in handen te nemen.We hebben het over tekenen tijdens moeilijke momenten, over de onbevangenheid van Oliver Jeffers en de link tussen zijn werk en dat van Julie, over Wim Opbrouck die elke dag tekent. Julie zingt het liedje dat haar zoon Bob onlangs bedacht en ik lees haar voor uit een stukje dat ik zeven jaar geleden schreef, nadat ik ‘De man, de vrouw en beer' had gezien, waarin Julie ‘de vrouw' speelt.Op het einde van deze aflevering tekent Julie een kerstboom in het Podlood-gastenboek en voorziet ze deze van een bijzonder passend onderschrift.Illustratoren en tekenaars die aan bod komen in deze aflevering: Oliver Jeffers, Randall Casaer, Wim Opbrouck, Richard Scarry en Rocio Alvarez.Meer Podlood? Voor meer info over de podcast en afleveringen, surf naar www.podlood.be. Voor nieuws en updates, volg @kristoftekent op Instagram. Je kan Podlood gratis steunen door de show in jouw favoriete podcast-app vijf sterren te geven, een positieve review te schrijven én een vriend of vriendin die veel voor jou (be)tekent over de podcast te vertellen. Dit helpt Podlood echt vooruit. Will je all the way steunen? De Podlood-pin is hét symbool van jouw appreciatie voor de show. Een podcast onderhouden brengt kosten met zich mee en jouw bijdrage helpt deze te dragen, in stijl. Plaats een foto van jezelf met je pin op Instagram en tag @kristoftekent voor een shoutout en een welgemeende dankjewel. Je bestelt de pin op www.podlood.be. Podlood is een productie van en door Kristof Devos. Logo, cover art en branding door Kristof Devos. Theme song door Skilsel. ©Kristof Devos

The boys are back in town.BUY OUR MERCHHear another episode at Patreon. Hosted on Acast. See acast.com/privacy for more information.

Santa Claus is coming to town! Our monthlong celebration of Xmas-themed comics kicks off with THE GREAT TREASURY OF CHRISTMAS COMIC BOOK STORIES, featuring a smorgasbord of golden age holiday tales brought together in a gorgeously festive hardcover, edited by Craig Yoe and published by Yoe Books + IDW in 2010. Featuring art and stories by John Stanley, Walt Kelly, Richard Scarry, and more! --- Follow us on Instagram at ⁠⁠⁠⁠⁠⁠⁠⁠https://www.instagram.com/theveryfinecomicbookpodcast/⁠⁠⁠⁠⁠⁠⁠⁠ and send us questions to potentially read on-air via IG DM or via email at theveryfinecomicbookpodcast@gmail.com If you're enjoying The Very Fine Comic Book Podcast, please take the time to Rate it [on Spotify], Rate+Review it [on Apple Podcasts], Follow/Subscribe, and tell a friend! New episodes forthcoming weekly! Mail us things c/o Justin Decloux, Unit 1010, 3230 Yonge St, Toronto, ON, M4N 3P6, Canada Thanks for listening! Keep reading comics! ---

It's Little Pig's birthday, and he gives away all the party food to his visitors while his mother is at the market. Now he can't even have a birthday cake!

Welcome to an extremely rules heavy Episode 19! (Gage is back to his old ways). This week we've all been really busy with personal projects and we have a sweet little piece of news that we are exciting to tell you about! Phil exposes a small sliver of the insane fantasy world that he has brewing, Gage challenges Adepticon goers to stay up later than him and Steve (you won't), Steve talks about his cute little Coraline doll he's making, and Terry professes his love for Jean Luc Picard. We talk all things from Richard Scarry to augmented sphincters to prosthetic leg hauntings. Not one to miss! Big shout out to all those Scumbags that decided to join our Patreon, tehe listen for an update on the studio! :) 3D print yourself a juicy organ, and Bash the Planet! Check out Knuckbones Miniatures' (@knucklebones_miniatures) Hive Scum models and print out and paint up your favorite host: ⁠⁠Knucklebones Patreon⁠⁠ Join the In Rust We Trust discord here: ⁠⁠⁠⁠⁠⁠IRWT Discord⁠⁠⁠⁠⁠⁠ If you'd like to support us further, take a look at our Patreon! We'd love to have you: ⁠⁠⁠Hive Scum Patreon⁠⁠⁠ Buy all of the Under the Dice Merch here: ⁠⁠⁠⁠⁠⁠Under the Dice⁠⁠⁠⁠⁠⁠ We are on IG: Gage: @noclearcoat Steve: @sovthofheaven Terry: @stone.jaw Phil: @bloodtrancefusion

A gingerbread man runs away from his baker. He laughs at those who follow him until he meets a fox!

In this episode we talk about the growth of data use in the media and the potential impact of misinformation on the public's trust in official statistics.   Navigating podcast host Miles Fletcher through this minefield is Prof Sir David Spiegelhalter, from the University of Cambridge; Ed Humpherson, Head of the Office for Statistics Regulation; and award-winning data journalist Simon Rogers.    Transcript    MILES FLETCHER  Welcome again to Statistically Speaking, the official podcast of the UK's Office for National Statistics, I'm Miles Fletcher. Now we've talked many times before in these podcasts about the rise of data and its impact on our everyday lives. It's all around us of course, and not least in the media we consume every day. But ‘what' or ‘who' to trust: mainstream media, public figures and national institutions like the ONS, or those random strangers bearing gifts of facts and figures in our social media feeds?  To help us step carefully through the minefields of misinformation and on, we hope, to the terra firma of reliable statistical communication, we have three interesting and distinguished voices, each with a different perspective. Professor Sir David Spiegelhalter is a well-known voice to UK listeners. He's chair of the Winton Centre for Risk Evidence Communication at the University of Cambridge and was a very prominent voice on the interpretation of public health data here during the COVID pandemic. Also, we have Ed Humpherson, Director General of regulation and head of the Office for Statistics Regulation (OSR), the official stats watchdog if you like, and later in this podcast, I'll be joined by award winning data journalist and writer Simon Rogers, who now works as data editor at Google.  Professor, you've been one of the most prominent voices these last few years – a fascinating few years, obviously, for statistics in which we were told quite frankly, this was a golden age for statistics and data. I mean, reflecting on your personal experience as a prominent public voice in that debate, when it comes to statistics and data, to be very general, how well informed are we now as a public, or indeed, how ill-informed on statistics?     DAVID SPIEGELHALTER  I think things have improved after COVID. You know, for a couple of years we saw nothing but numbers and graphs on the news and in the newspapers and everywhere, and that went down very well. People didn't object to that. In fact, they wanted more. And I think that has led to an increased profile for data journalism, and there's some brilliant ones out there. I'm just thinking of John Burn-Murdoch on the FT but lots of others as well, who do really good work. Of course, in the mainstream media there is still the problem of non-specialists getting hold of data and getting it wrong, and dreadful clickbait headlines. It is the sub editors that wreck it all just by sticking some headline on what might be a decent story to get the attention and which is quite often misleading. So that's a standard problem. In social media, yeah, during COVID and afterwards, there are people I follow who you might consider as - I wouldn't say amateurs at all, but they're not professional pundits or media people - who just do brilliant stuff, and who I've learned so much from. There are also some terrible people out there, widespread misinformation claims which are based on data and sound convincing because they have got numbers in them. And that, I mean, it's not a new problem, but now it is widespread, and it's really tricky to counter and deal with, but very important indeed.     MF  So the issue aside from - those of us who deal with the media have heard this a hundred times - “I don't write the headlines”, reporters will tell you when you challenge that misleading kind of headline. But would you say it's the mainstream media then, because they can be called out on what they report, who broadly get things right? And that the challenge is everything else - it's out there in the Wild West of social media?     DS  Yeah, mainstream media is not too bad, partly because, you know, we've got the BBC in this country, we've got regulations, and so it's not too bad. And social media, it's the Wild West. You know, there are people who really revel in using numbers and data to make inappropriate and misleading claims.     MF  Is there anything that can be done? Is it the government, or even those of us like the ONS who produce statistics, who should we be wading in more than we do? Should we be getting out there onto the social media platforms and putting people right?     DS  It's difficult I mean, I don't believe in sort of censorship. I don't think you can stop this at source at all. But just because people can say this, it doesn't give them a right for it to be broadcast wide, in a way and to be dumped into people's feeds. And so my main problem is with the recommendation algorithms of social media, where people will see things because it's getting clicks, and the right algorithm thinks persona will like it. And so we just get fed all this stuff. That is my real problem and the obscurity and the lack of accountability of recommendation algorithms right across social media is I think, a really shocking state of affairs. Of course, you know, we come on to this later, but we should be doing something about education, and actually sort of pre-empting some of the misunderstandings is something I feel very strongly about with my colleagues. You've got to get in there quick, and rather than being on the backfoot and just reacting to false claims that have been made, you've got to sort of realise how to take the initiative and to realise what misunderstandings, misinterpretations can be made, and get in there quickly to try to pre-empt them. But that of course comes down to the whole business of how ONS and others communicate their data.     MF  Because when you ask the public whether they trust them - and the UK statistics authority does this every two years - you ask the public if they trust ONS statistics, and a large proportion of them say they do. But of course, if they're not being presented with those statistics, then they're still going to end up being misled.     DS  Yeah, I mean, it's nice to get those responses back. But, you know...that's in terms of respondents and just asking a simple question, do you trust something or not? I think it's good to hear but we can't be complacent about that at all. I'm massively influenced by the approach of the philosopher, Baroness Onora O'Neill, who really makes a sharp distinction between organisations wanting to be trusted and revelling in being trusted, and she says that shouldn't be your objective to be trusted. Your objective should be to be trustworthy, to deserve trust, and then it might be offered up to you. And so the crucial thing is trustworthiness of the statistics system and in the communications, and that's what I love talking about, because I think it's absolutely important and it puts the responsibility really firmly back to the communicator to demonstrate trustworthiness.     MF  So doing more as stats producers to actually actively promote data and get people to come perhaps away from the social platforms, and to have their own websites that present data in an accessible way, in an understandable way, where people can get it for nothing without requiring an expensive subscription or something, as some of the best of the media outlets would require.     DS  The other thing I'd say is there's no point of being trustworthy if you're dull, as no one's going to look at it or take any notice, and other media aren't going to use it. So I think it's really worthwhile to invest, make a lot of effort to make what you're putting out there as attractive, as vivid and as grabbing as possible. The problem is that in trying to do that, I mean, that's what a lot of communicators and media people want to do, because of course they want people to read their stuff. But what that tends to do largely is make their stuff kind of opinionated and have a very strong line, essentially to persuade you to either do something or think something or buy something or vote something. So much communication has to do with persuading that I think it's just completely inappropriate. In this context, what we should be doing is informing people.    In a way we want to persuade them to take notice, so that's why you want to have really good quality communications, vivid, get good people out there. But in the end, they're just trying to inform people, and that's why I love working with ONS. I just think this is a really decent organisation whose job is just trying to raise the...to obviously provide official statistics...but in their communications, it's to try to raise the level of awareness raise the level of discussion, and by being part of a non -ministerial department, they're not there, the comms department, to make the minister look good, or to make anyone look good. It's just there to tell people how it is.    MF  Exactly. To put that data into context. Is this a big number or is this is a small number, right? Adjectives can sometimes be very unhelpful, but often the numbers don't speak for themselves, do they.    DS   Numbers never speak for themselves, we imbue them with meaning, which is a great quote as well from Nate Silver.    MF  And in doing that, of course, you have to walk the same line that the media do, in making them relevant and putting them into context, but not at the same time distorting them. There's been a big debate going on recently, of course, about revisions. And if you've listened to this podcast, which we'd always advise and consume other articles that the ONS has published, we've said a lot about the whole process of revising GDP, and the uncertainty that's built into those initial estimates, which although helpful, are going to be pretty broad. And then of course, when the picture changes dramatically, people are kind of entitled to say, oh hang on, you told us this was something different and the narrative has changed. The story has changed because of that uncertainty with the numbers, shouldn't you have done more to tell us about that uncertainty. That message can sometimes get lost, can't it?     DS  Yeah, it's terribly important. You've got to be upfront. We develop these five points on trustworthy communication and the first one was inform, not persuade. And the second is to be balanced and not to have a one-sided message to tell both sides of the story, winners and losers, positives and negatives. And then to admit uncertainty, to just say what you don't know. And in particular, in this case, “provisionality”, the fact that things may change in the future, is incredibly important to emphasise, and I think not part of a lot of discussion. Politicians find it kind of impossible to say I think, that things are provisional and to talk about quality of the evidence and limitations in the evidence, which you know, if you're only basing GDP on a limited returns to start with, on the monthly figures, then you need to be clear about that. And the other one is to pre-empt the misunderstandings, and again, that means sort of getting in there first to tell you this point, this may change. This is a provisional judgement, and you know, I think that that could be emphasised yet more times, yet more.     MF  And yet there's a risk in that though, of course the message gets lost and diluted and the...    DS  Oh no, it always gets trotted out - oh, we can't admit uncertainty. We can't tell both sides of story. We have to tell a message that is simple because people are too stupid to understand it otherwise, it's so insulting to the audience. I really feel a lot of media people do not respect their audience. They treat them as children - oh we've got to keep it simple, we mustn't give the nuances or the complexity. All right, if you're going to be boring and just put long paragraphs of caveats on everything, no one is going to read that or take any notice of them. But there are ways to communicate balance and uncertainty and limitations without being dull. And that's what actually media people should focus on. Instead of saying, oh, we can't do that. You should be able to do it. Good media, good storytelling should be able to have that nuance in. You know, that's the skill.     MF  You're absolutely right, you can't disagree with any of that, and yet, in communicating with the public, even as a statistics producer, you are limited somewhat by the public's ability to get used to certain content. I mean, for example, the Met Office recently, a couple of years back, started putting in ‘percentage of chance of rainfall', which is something that it hadn't done before. And some work on that revealed just how few people actually understood what they were saying in that, and what the chances were actually going to be of it raining when they went out for the afternoon's work.     DS  Absolute nonsense. That sorry, that's completely I mean, I completely rely on those percentages. My 90-year-old father used to understand those percentages. Because it's a novelty if you are going to ask people what they understand, they might say something wrong, such as, oh, that's the percentage of the area that it's going to rain in or something like that. No, it's the percentage of times it makes that claim that it's right. And those percentages have been used in America for years, they're completely part of routine forecast and I wouldn't say the American public is enormously better educated than the British public. So this is just reluctance and conservatism. It's like saying oh well people don't understand graphs. We can't put up line graphs on the news, people don't understand that. This is contempt for the public. And it just shows I think, a reluctance to make an effort to explain things. And people get used to stuff, once they've learned what a graph looks like, when they see it again, then they'll understand it. So you need to educate the public and not, you know, in a patronising way, it's just that, you know, otherwise you're just being misleading. If you just say, oh, you know, it'll rain or not rain you're just misleading them. If you just say it might rain, that's misleading. What does that mean? It can mean different things. I want a percentage and people do understand them, when they've got some experience of them.     MF  And what about certainty in estimates? Here is a reaction we add to the migration figures that ONS published earlier in the summer. Somebody tweeted back to say, well estimates, that's all very good but I want the actual figures. I want to know how many people have migrated.    DS  Yeah, I think actually, it's quite a reasonable question. Because, you know, you kind of think well can't you count them, we actually know who comes in and out of the country. In that case it's really quite a reasonable question to ask. I want to know why you can't count them. And in fact, of course ONS is moving towards counting them. It's moving away from the survey towards using administrative data to count them. So I think in that case, that's quite a good question to ask. Now in other situations, it's a stupid question. If you want to know if someone says, oh, I don't want an estimate of how many people you know, go and vote one way or do something or other, I want to know how many, well then you think don't be daft. We can't go and ask everybody this all the time. So that's a stupid question. So the point is that in certain contexts, asking whether something is an estimate or not, is reasonable. Sometimes it's not and that can be explained, I think, quite reasonably to people.     MF  And yet, we will still want to be entertained. We also want to have numbers to confirm our own prejudices.     DS  Yeah, people will always do that. But that's not what the ONS is for, to confirm people's prejudices. People are hopeless at estimating. How many, you know, migrants there are, how many people, what size ethnic minorities and things, we know if you ask people these numbers, they're pretty bad at it. But people are bad at estimating all numbers. So no, it's ONS's job to try to explain things and in a vivid way that people will be interested in, particularly when there's an argument about a topic going on, to present the evidence, not one side or the other, but that each side can use, and that's why I really feel that the ONS's migration team, you know, I have a lot of respect for them, when they're changing their format or consulting on it, they go to organization's on both sides. They go to Migration Watch and the Migration Observatory and talk to them about you know, can they understand what's going on, is this data helping them in their deliberations.     MF  Now, you mentioned earlier in the conversation, education, do we have a younger generation coming up who are more stats literate or does an awful lot more need to be done?     DS  A lot more needs to be done in terms of data education in schools. I'm actually part of a group at the Royal Society that is proposing a whole new programme called mathematics and data education, for that to be put together within a single framework, because a lot of this isn't particularly maths, and maths is not the right way or place to teach it. But it still should be an essential part of education, understanding numbers, understanding data, their limitations and their strengths and it uses some numeracy, uses some math but it's not part of maths. The problem has always been where does that fit in the syllabus because it doesn't, particularly at the moment. So that's something that every country is struggling with. We're not unique in that and, and I think it's actually essential that that happens. And when you know, the Prime Minister, I think quite reasonably says people should study mathematics until 18. I mean, I hope he doesn't mean mathematics in the sense of the algebra and the geometry that kids do, get forced to do essentially, for GCSE, and some of whom absolutely loathe it. And so, but that's not really the sort of mathematics that everyone needs. Everyone needs data literacy. Everyone needs that.    MF  Lies, damned lies and statistics is an old cliche, it's still robustly wheeled out in the media every time, offering some perceived reason to doubt what the statisticians have said. I mean looking ahead, how optimistic are you, do you think that one day we might finally see the end of all that?     DS  Well my eyes always go to heaven, and I just say for goodness sake. So I like it when it's used, because I say, do you really believe that? You know, do you really believe that, because if you do you're just rejecting evidence out of hand. And this is utter stupidity. And nobody could live like that. And it emphasises this idea somehow, among the more non-data-literate, it encourages them to think that numbers they hear either have to be sort of accepted as God given truths or rejected out of hand. And this is a terrible state to be in, the point is we should interpret any number we hear, any claim based on data, same as we'd interpret any other claim made by anybody about anything. We've got to judge it on its merits at the time and that includes do we trust the source? Do I understand how this is being explained to me? What am I not being told? And so why is this person telling me this? So all of that comes into interpreting numbers as well. We hear this all the time on programmes like More or Less, and so on. So I like it as a phrase because it is so utterly stupid, then so utterly, easily demolished, that it encourages, you know, a healthy debate.    MF  We're certainly not talking about good statistics, we're certainly not talking about quality statistics, properly used. And that, of course, is the role of the statistics watchdog as we're obliged to call him, or certainly as the media always call him, and that's our other guest, Ed Humpherson.     Ed, having listened to what the professor had to say there, from your perspective, how much misuse of statistics is there out there? What does your organisation, your office, do to try and combat that?      ED HUMPHERSON     Well, Miles the first thing to say is I wish I could give you a really juicy point of disagreement with David to set off some kind of sparky dialogue. Unfortunately, almost everything, if not everything that David said, I completely agree with - he said it more fluently and more directly than I would, but I think we are two fellow travellers on all of these issues.      In terms of the way we look at things at the Office for Statistics Regulation that I head up, we are a statistics watchdog. That's how we are reported. Most of our work is, so to speak, below the visible waterline: we do lots and lots of work assessing reviewing the production of statistics across the UK public sector. We require organisations like the ONS, but also many other government departments, to be demonstrating their trustworthiness; to explain their quality; and to deliver value. And a lot of that work just goes on, week in week out, year in year out to support and drive-up evidence base that's available to the British public. I think what you're referring to is that if we care about the value and the worth of statistics in public life, we can't just sort of sit behind the scenes and make sure there's a steady flow. We actually have to step up and defend statistics when they are being misused because it's very toxic, I think, to the public. Their confidence in statistics if they're subjected to rampant misuse or mis explanation of statistics, it's all very well having good statistics but if they go out into the world and they get garbled or misquoted, that I think is very destructive. So what we do is we either have members of the public raise cases with us when they see something and they're not they're not sure about it, or indeed we spot things ourselves and we will get in contact with the relevant department and want to understand why this thing has been said, whether it really is consistent with the underlying evidence, often it isn't, and then we make an intervention to correct the situation. And we are busy, right, there's a lot there's a lot of there's a lot of demand for work.     MF  Are instances of statistical misuse on the rise?     EH  We recently published our annual summary of what we call casework - that's handling the individual situations where people are concerned. And we revealed in that that we had our highest ever number of cases, 372, which might imply that, you know, things are getting worse. I'd really strongly caution against that interpretation. I think what that increase is telling you is two other things. One is, as we as the Office for Statistics Regulation, do our work, we are gradually growing our profile and more people are aware that they can come to us, that's the first thing this is telling you; and the second thing is that people care a lot more about statistics and data now, exactly as Sir David was saying that this raised profile during the pandemic. I don't think it's a sign that there's more misuse per se. I do think perhaps, the thing I would be willing to accept is, there's just a generally greater tendency for communication to be datafied. In other words, for communication to want to use data: it sounds authoritative, it sounds convincing. And I think that may be driving more instances of people saying well, a number has been used there, I want to really understand what that number is. So I would be slightly cautious about saying there is more misuse, but I would be confident in saying there's probably a greater desire to use data and therefore a greater awareness both of the opportunity to complain to us and of its importance.      MF  Underlying all of your work is compliance with the UK code of practice for statistics, a very important document, and one that we haven't actually mentioned in this podcast so far…      EH  Shame on you, Miles, shame on you.      MF  We're here to put that right, immediately. Tell us about what the code of practice is. What is it for? what does it do?      EH  So the Code of Practice is a statutory code and its purpose is to ensure that statistics serve the public good. And it does that through a very simple structure. It says that in any situation where an individual or an organisation is providing information to an audience, there are three things going on. There's the trustworthiness of the speaker, and the Code sets out lots of requirements on organisations as to how they can demonstrate they're trustworthiness. And it's exactly in line with what David was saying earlier and exactly in line with the thinking of Onora O'Neill – a set of commitments which demonstrate trustworthiness. Like a really simple commitment is to say, we will pre-announce at least four weeks in advance when the statistics are going to be released, and we will release them at the time that we say, so there is no risk that there's any political interference in when the news comes out. It comes out at the time that has been pre-announced. Very clear commitment, very tangible, evidence-based thing. It's a binary thing, right? You either do that or you do not. And if you do not: You're not being trustworthy. The second thing in any situation where people are exchanging information is the information itself. What's its quality? Where's this data from? How's it been compiled? What are its strengths and limitations? And the code has requirements on all of those areas. That is clarity of what the numbers are, what they mean, what they don't mean. And then thirdly, in that exchange of information, is the information of any use to the audience? It could be high, high quality, it could be very trustworthy, but it could, to use David's excellent phrase, it could just be “dull”. It could be irrelevant, it could not be important. And the value pillar is all about that. It's all about the user having relevant, insightful information on a question that they care about. That's, Miles, what the Code of Practice is: it's trustworthiness, it's quality and it's value. And those things we think are kind of pretty universal actually, which is why they don't just apply now to official statistics. We take them out and we apply them to all sorts of situations where Ministers and Departments are using numbers, we always want to ask those three questions. Is it trustworthy? Is it quality, is it value? That's the Code.      MF  And when they've satisfied your stringent requirements and been certified as good quality, there is of course a badge to tell the users that they have been.      EH  There's a badge - the badge means that we have accredited them as complying with that Code of Practice. It's called the National Statistics badge. The term is less important and what it means what it means is we have independently assessed that they comply in full with that Code.      MF  Most people would have heard, if they have heard of the OSR's work, they'll have seen it perhaps in the media. They'll have seen you as the so-called data watchdog, the statistics watchdog. It's never gently explained as it it's usually ‘slammed', ‘criticised', despite the extremely measured and calm language you use, but you're seen as being the body that takes politicians to task. Is that really what you do? It seems more often that you're sort of gently helping people to be right.      EH  That's exactly right. I mean, it's not unhelpful, frankly, that there's a degree of respect for the role and that when we do make statements, they are taken seriously and they're seen as significant, but we are not, absolutely not, trying to generate those headlines. We are absolutely not trying to intimidate or scare or, you know, browbeat people. Our role is very simple. Something has been said, which is not consistent with the underlying evidence. We want to make that clear publicly. And a lot of time what our intervention does actually is it strengthens the hand of the analysts in government departments so that their advice is taken more seriously at the point when things are being communicated. Now, as I say, it's not unwelcome sometimes that our interventions do get reported on. But I always try and make these interventions in a very constructive and measured way. Because the goal is not column inches. Absolutely not. The goal is the change in the information that's available to the public.      MF  You're in the business of correcting the record and not giving people a public shaming.      EH  Exactly, exactly. And even correcting the record actually, there's some quite interesting stuff about whether parliamentarians correct the record. And in some ways, it'd be great if parliamentarians corrected the record when they have been shown to have misstated with statistics. But actually, you could end up in a world where people correct the record and in a sort of tokenistic way, it's sort of, you know, buried in the depths of the Hansard parliamentary report. What we want is for people not to be misled, for people to not think that, for example, the number of people in employment is different from what it actually is. So actually, it's the outcome that really matters most; not so much the correction as are people left understanding what the numbers actually say.      MF  Surveys show - I should be careful using that phrase, you know - nonetheless, but including the UKSA survey, show that the public were much less inclined to trust in the words of the survey. Politicians use of statistics and indeed, Chris Bryant the Labour MP said that politicians who have been who've been found to have erred statistically should be forced to apologise to Parliament. Did you take that on board? Is there much in that?     EH  When he said that, he was actually directly quoting instances we've been involved with and he talks about our role very directly in that sense. Oh, yeah, absolutely. We support that. It will be really, really good. I think the point about the correction, Miles, is that it shows it's a manifestation of a culture that takes fidelity to the evidence, truthfulness to the evidence, faithfulness to the evidence, it takes that seriously, as I say, what I don't want to get into is a world where you know, corrections are sort of tokenistic and buried. I think the key thing is that it's part of an environment in which all actors in public debate realise it's in everybody's interests or evidence; data and statistics to be used fairly and appropriately and part of that is that if they've misspoken, they correct the record. From our experience, by and large, when we deal with these issues, the politicians concerned want to get it right. What they want to do is, they want to communicate their policy vision, their idea of the policy or what the, you know, the state of the country is. They want to communicate that, sure, that's their job as politicians, but they don't want to do so in a way that is demonstrably not consistent with the underlying evidence. And in almost all cases, they are… I wouldn't say they're grateful, but they're respectful of the need to get it right and respect the intervention. And very often the things that we encounter are a result of more of a cockup than a conspiracy really - something wasn't signed off by the right person in the right place and a particular number gets blown out of proportion, it gets ripped from its context, it becomes sort of weaponized; it's not really as a deliberate attempt to mislead. Now, there are probably some exceptions to that generally positive picture I'm giving. but overall it's not really in their interests for the story to be about how they misuse the numbers. That's not really a very good look for them. They'd much rather the stories be about what they're trying to persuade the public of, and staying on the right side of all of the principles we set out helps that to happen.      MF  Your remit runs across the relatively controlled world sort of government, Parliament and so forth. And I think the UK is quite unusual in having a body that does this in an independent sort of way. Do you think the public expects you to be active in other areas, we mentioned earlier, you know, the wilder shores of social media where it's not cockup theories you're going to be hearing there, it's conspiracy theories based on misuse of data. Is there any role that a statistics regulator could possibly take on in that arena?      EH  Absolutely. So I mentioned earlier that the way we often get triggered into this environment is when members of the public raised things with us. And I always think that's quite a solemn sort of responsibility. You know, you have a member of the public who's concerned about something and they care about it enough to contact us - use the “raise a concern” part of our website - so I always try and take it seriously. And sometimes they're complaining about something which isn't actually an official statistic. And in those circumstances, even if we say to them, “well, this isn't really an official statistic”, we will say, “but, applying our principles, this would be our judgement”. Because I think we owe it to those people who who've taken the time to care about a statistical usage, we owe it to take them seriously. And we have stepped in. Only recently we're looking at some claims about the impact of gambling, which are not from a government department, but from parts of the gambling industry. We also look at things from local government, who are not part of central government. So we do we do look at those things, Miles. It's a relatively small part of our work, but, as I say, our principles are universal and you've got to take seriously a situation in which a member of the public is concerned about a piece of evidence.     MF  Professor Spiegelhalter, what do you make of this regulatory function that the OSR pursues, are we unusual in the UK in having something along those lines?     DS  Ed probably knows better than I do, but I haven't heard of anybody else and I get asked about it when I'm travelling and talking to other people. I have no conflict of interest. I'm Non-Executive Director for the UK Stats Authority, and I sit on the regulation committee that oversees the way it works. So of course, I'm a huge supporter of what they do. And as described, it's a subtle role because it's not to do with performing, you know, and making a big song and dance and going grabbing all that attention but working away just to try to improve the standard of stats in this country. I think we're incredibly fortunate to have such a body and in fact, we know things are never perfect and there's always room for improvement of course, but I think we're very lucky to have our statistical system.     MF  A final thought from you...we're at a moment in time now where people are anticipating the widespread implementation of AI, artificial intelligence, large language models and all that sort of thing. Threat or opportunity for statistics, or both?    DS  Oh, my goodness me, it is very difficult to predict. I use GPT a lot in my work, you know, both for sort of research and making inquiries about stuff and also to help me do codings I'm not very good at. I haven't yet explored GPT-4's capacity for doing automated data analysis, but I want to, and actually, I'd welcome it. if it's good, if you can put some data in and it does stuff - that's great. However, I would love to see what guardrails are being put into it, to prevent it doing stupid misleading things. I hope that that does become an issue in the future, that if AI is automatically interpreting data for example, that it's actually got some idea of what it's doing. And I don't see that that's impossible. I mean, there were already a lot of guardrails in about sexist statements, racist statements, violent statements and so on. There's all sorts of protection already in there. Well, can't we have protection against grossly misleading statistical analysis?     MF  A future over the statistics watchdog perhaps?    DF  Quite possibly.    EH  Miles, I never turn down suggestions for doing new work.   MF  So we've heard how statistics are regulated in the UK, and covered the role of the media in communicating data accurately, and now to give some insight into what that might all look like from a journalist's perspective, it's time to introduce our next guest, all the way from California, award-winning journalist and data editor at Google, Simon Rogers. Simon, welcome to Statistically Speaking. Now, before you took up the role at Google you were actually at the forefront of something of a data journalism movement here in the UK. Responsible for launching and editing The Guardian's data blog, looking at where we are now and how things have come on since that period, to what extent do you reckon journalists can offer some kind of solution to online misinterpretation of information?    Simon Rogers   At a time when misinformation is pretty rampant, then you need people there who can make sense of the world and help you make sense of the world through data and facts and things that are true, as opposed to things that we feel might be right. And it's kind of like there is a battle between the heart and the head out there in the world right now. And there are the things that people feel might be right, but are completely wrong. And where, I think, Data Journalists can be the solution to solving that. Now, having said that, there are people as we know who will never believe something, and it doesn't matter. There are people for whom it literally doesn't matter, you can do all the fact checks that you want, and I think that is a bit of a shock for people, this realisation that sometimes it's just not enough, but I think honestly, the fact that there are more Data Journalists now than before...There was an EJC survey, the European Journalism Centre did a survey earlier this year about the state of data journalism. There are way more data journalists now than there were the last time they did the survey. It's becoming much more...it's just a part of being a reporter now. You don't have to necessarily be identified as a separate data journalist to work with data. So we're definitely living in a world where there are more people doing this really important work, but the need, I would say it has never been greater.     MF  How do you think data journalists then tend to see their role? Is it simply a mission to explain, or do some of them see it as their role to actually prove some theories and vindicate a viewpoint, or is it a mixture, are there different types of data journalists?     SR  I would say there were as many types of data journalists as there are types of journalists. And that's the thing about the field, there's no standard form of data journalism, which is one of the things that I love about it. That your output at the end of the day can be anything, it can be a podcast or it can be an article or a number or something on social media. And because of the kind of variety, and the fact I think, that unlike almost any other role in the newsroom, there really isn't like a standard pattern to becoming a data journalist. As a result of that, I think what you get are very different kind of motivations among very different kinds of people. I mean, for me, personally, the thing that interested me when I started working in the field was the idea of understanding and explaining. That is my childhood, with Richard Scarry books and Dorling Kindersley. You know, like trying to understand the world a little bit better. I do think sometimes people have theories. Sometimes people come in from very sophisticated statistical backgrounds. I mean, my background certainly wasn't that and I would say a lot of the work, the stats and the way that we use data isn't necessarily that complicated. It's often things like, you know, is this thing bigger than that thing? Has this thing grown? You know, where in the world is this thing, the biggest and so on. But you can tell amazing stories that way. And I think this motivation to use a skill, but there are still those people who get inured by maths in the same way that I did when I was at school, you know, but I think the motivation to try and make it clear with people that definitely seems to me to be a kind of a common thread among most of the data journalists that I've met.    MF  Do you think that journalists therefore, people going into journalism, and mentioning no names, as an occupation...used to be seen as a bit less numerous, perhaps whose skills tended to be in the verbal domain. Do you think therefore these days you've got to have at least a feel for data and statistics to be able to be credible as a journalist?     SR  I think it is becoming a basic skill for lots of journalists who wouldn't necessarily consider themselves data journalists. We always said eventually it is just journalism. And the reason is because the amount of sources now that are out there, I don't think you can tell a full story unless you take account of those. COVID's a great example of that, you know, here's a story that data journalists, I think, performed incredibly well. Someone like John Burn-Murdoch on the Financial Times say, where they've got a mission to explain what's going on and make it clear to people at a time when nothing was clear, we didn't really know what was going on down the road, never mind globally. So I think that is becoming a really important part being a journalist. I mean, I remember one of my first big data stories at the Guardian was around the release of the coins database – a big spending database from the government - and we had it on the list as a “data story” and people would chuckle, snigger a little bit of the idea that there'll be a story on the front page of the paper about data, which they felt to be weird, and I don't think people would be snickering or chuckling now about that. It's just normal. So my feeling is that if you're a reporter now, not being afraid of data and understanding the tools that are there to help you, I think that's a basic part of the role and it's being reflected in the way that journalism schools are working. I teach here one semester a year at the San Francisco Campus of Medill. There's an introduction to data journalism course and we get people coming in there from all kinds of backgrounds. Often half the class are just, they put their hands up if they're worried about math or scared of data, but somehow at the end of the course they are all making visualisations and telling data stories, so you know, those concerns can always be overcome.     MF  I suppose it's not that radical a development really if you think back, particularly from where we're sitting in the ONS. Of course, many of the biggest news stories outside of COVID have been data driven. think only of inflation for example, the cost of living has been a big running story in this country, and internationally of course, over the last couple of years. Ultimately, that's a data driven story. People are relying on the statisticians to tell them what the rate of inflation is, confirming of course what they're seeing every day in the shops and when they're spending money.     SR  Yeah, no, I agree. Absolutely. And half of the stories that are probably about data, people don't realise they're writing about data. However, I think there is a tendency, or there has been in the past, a tendency to just believe all data without questioning it, in the way that as a reporter, you would question a human source and make sure you understood what they were saying. If we gave one thing and that thing is that reporters would then come back to you guys and say ask an informed question about this data and dive into a little bit more, then I think we've gained a lot.     MF  So this is perhaps what good data journalists are bringing to the table, perhaps and ability to actually sort out the good data from the bad data, and actually, to use it appropriately to understand uncertainty and understand how the number on the page might not be providing the full picture.    SR   Absolutely. I think it's that combination of traditional journalistic skills and data that to me always make the strongest storytelling. When you see somebody, you know, who knows a story inside out like a health correspondent, who knows everything there is to know about health policy, and then they're telling a human story perhaps about somebody in that condition, and then they've got data to back it up - it's like the near and the far. This idea of the near view and the far view, and journalism being the thing that brings those two together. So there's the view from 30,000 feet that the data gives you and then the individual view that the more kind of qualitative interview that you get with somebody who is in a situation gives you. The two things together - that's incredibly powerful.    MF  And when choosing the data you use for a story I guess it's about making sound judgements – you know, basic questions like “is this a big number?”, “is this an important number?”     SR  Yeah, a billion pounds sounds like a lot of money, but they need to know how much is a billion pounds, is it more about a rounding error for the government.    MF  Yes, and you still see as well, outside of data journalism I stress, you still see news organisations making much of percentage increases or what looks like a significant increase in something that's pretty rare to start with.     SR  Yeah, it's all relative. Understanding what something means relatively, without having to give them a math lesson, I think is important.     MF  So this talk about supply, the availability of data journalism, where do people go to find good data journalism, perhaps without having to subscribe? You know, some of the publications that do it best are after all behind paywalls, where do we find the good stuff that's freely available?    SR  If I was looking from scratch for the best data journalism, I think there are lots of places you can find it without having to subscribe to every service. Obviously, you have now the traditional big organisations like the Guardian, and New York Times, and De Spiegel in Germany, there is a tonne of data journalism now happening in other countries around the world that I work on supporting the Sigma Data Journalism Awards. And over half of those entries come from small one or two people units, you know, practising their data journalism in countries in the world where it's a lot more difficult than it is to do it in the UK. For example, Texty in Ukraine, which is a Ukrainian data journalism site, really, and they're in the middle of a war zone right now and they're producing data journalism. In fact, Anatoly Barranco, their data editor, is literally in the army and on the frontline, but he's also producing data journalism and they produce incredible visualisations. They've used AI in interesting ways to analyse propaganda and social media posts and stuff. And the stuff happening everywhere is not just limited to those big partners behind paywalls. And what you do find also, often around big stories like what's happened with COVID, people will put their work outside of the paywall. But um, yeah, data is like an attraction. I think visualisation is an attraction for readers. I'm not surprised people try and monetize that, but there is enough going on out there in the world.    MF  And all that acknowledged, could the producers of statistics like the ONS, and system bodies around the world, could we be doing more to make sure that people using this data in this way have it in forms have it available to be interpreted? Is there more than we can do?     SR  I mean, there was the JC survey that I mentioned earlier, it's definitely worth checking out because one thing it shows is that 57% of data journalists say that getting access to data is still their biggest challenge. And then followed by kind of like lack of resources, time pressure, things like that. PDFs are still an issue out there in the world. There's two things to this for me, on one side it's like, how do I use the data, help me understand what I'm looking at. On the other side is that access, so you know, having more kind of API's and easy downloads, things that are not formatted to look pretty but formatted for use. Those kinds of things are still really important. I would say the ONS has made tremendous strides, certainly since I was working in the UK, on accessibility to data and that's a notable way, and I've seen the same thing with gov.us here in the States.    MF  Well it's good to hear the way the ONS has been moving in the right direction. Certainly I think we've been tough on PDFs.   SR Yes and to me it's noticeable. It's noticeable and you've obviously made a deliberate decision to do that, which is great. That makes the data more useful, right, and makes it more and more helpful for people.     MF  Yes, and at the other end of the chain, what about storing publishers and web platforms, particularly well you're at Google currently, but generally, what can these big platforms do to promote good data journalism and combat misinformation? I mean, big question there.    SR  Obviously, I work with Google Trends data, which is probably the world's biggest publicly available data set. I think a big company like Google has a responsibility to make this data public, and the fact that it is, you can download reusable datasets, is incredibly powerful. I'm very proud to work on that. I think that all companies have a responsibility to be transparent, especially when you have a unique data set. That didn't exist 20 years earlier, and it's there now and it can tell you something about how the world works. I mean, for instance, when we look at something like I mean, I've mentioned COVID before, but it's such a big event in our recent history. How people were searching around COVID is incredibly fascinating and it was important information to get out there. Especially at a time when the official data is always going to be behind what's actually happening out there. And is there a way you can use that data to predict stuff, predict where cases are going to come up... We work with this data every day and we're still just scratching the surface of what's possible with it.    MF   And when it comes to combating misinformation we stand, so we're told, on the threshold of another revolution from artificial intelligence, large language models, and so forth. How do you see that future? Is AI friend, foe, or both?     SR  I work for a company that is a significant player in the AI area, so I give you that background. But I think in the field of data, we've seen a lot of data users use AI to really help produce incredible work, where instead of having to read through a million documents, they can get the system to do it for them and pull out stories. Yeah, like any other tool, it can be anything but the potential to help journalists do their jobs better, and for good, I think is pretty high. I'm going to be optimistic and hope that that's the way things go.    MF  Looking optimistically to the future then, thank you very much Simon for joining us. And thanks also to my other guests, Professor Sir David Spiegelhalter and Ed Humpherson. Taking their advice on board then, when we hear or read about data through the news or experience it on social media, perhaps we should first always ask ourselves – do we trust the source? Good advice indeed.     You can subscribe to new episodes of this podcast on Spotify, Apple podcasts, and all the other major podcast platforms. You can also get more information, or ask us a question, by following the @ONSFocus on X, or Twitter, take your pick. I'm Miles Fletcher, from myself and our producer Steve Milne, thanks for listening.   ENDS 

Don't take candy from strangers. Did you ever ask your mom or dad, "Why?" Or were you too afraid? Were you already too good at actively imagining what those strangers would do with you once they got you in the van? Beneath the Trees Where Nobody Sees by Patrick Horvath brushes against that very particular dread, playing with your nostalgia and injecting grotesque horror into your picturesque youth. Sam the Bear appears as the ideal small-town neighbor. She runs the local hardware store. She has a kind word for everyone who walks through her doors. And sometimes, she makes trips to the city where she can slaughter a stranger and bury their parts in the woods. Beneath the Trees Where Nobody Sees smashes serial killer iconography with an impeccably illustrated children's tale. When people talk about this comic, they will mention Richard Scarry. They will mention Dexter. The comparisons are obvious and accurate, but Horvath creates something far more tantalizing than genre fusion. Brad wrote in his review that the comic would only work if both elements were executed flawlessly. Patrick Horvath melds both worlds masterfully, creating a fantastically looking realm where its fears are tangible and utterly relatable. Beneath the Trees Where Nobody Sees is easily the most enjoyably upsetting comic you'll read all year. In this week's episode, we chat with Horvath. Our conversation begins with colliding these disparate worlds before exploring our childhood encounters with stranger danger lore. We discuss what Sam the Bear sees in the woods and why it sparks an existential crisis in the reader, and we cover how the comic's final two pages upend everything. Beneath the Trees Where Nobody Sees #1 hits shops on October 18th from IDW Publishing. It's written and illustrated by Patrick Horvath, lettered by Hassan Otsmane-Elhaou, and features a variant cover by Riley Rossmo. Continue this conversation with Patrick Horvath by following his Twitter, Instagram, and Website. This episode continues our year-long partnership with Omnibus, the Digital Comic Store and Reader. Each episode from now on will feature our new "Referrals" segment, sponsored by them, where we recommend other comics titles for those wishing to explore this week's themes and concepts further. CLICK HERE to learn more and explore Omnibus' unique, browsable space. FINAL ROUND OF PLUGS (PHEW): SUPPORT THE PODCAST BY JOINING OUR PATREON COMMUNITY. Don't forget! Watch the latest episode of The B&B Show, where Brad and Bryan Review the Hottest Cinematic Releases. And, of course, follow Comic Book Couples Counseling on Facebook, on Instagram, and on Twitter @CBCCPodcast, and you can follow hosts Brad Gullickson @MouthDork & Lisa Gullickson @sidewalksiren. Send us your Words of Affirmation by leaving us a 5-star Review on Apple Podcasts. Continue your conversation with CBCC by hopping over to our website where we have reviews, essays, and numerous interviews with comic book creators. Podcast logo by Aaron Prescott @acoolhandfluke, podcast banner art by @Karen_XmenFan.

Beneath The Trees Where Nobody Sees - Release date October 18th   Jace is joined by cartoonist Patrick Horvath to talk about his upcoming title from IDW, Beneath The Trees Where Nobody Sees. Equal parts Dexter and Richard Scarry's Busy Town, the title explores some dark themes with gorgeous brightly colored art that is a fantastic contrast to the narrative. Listen in as Patrick shares some insights into his process, the inspirations for the series and his creative choices.

Paw patrol Marshall to the rescue. An accident-prone baby bird is separated from his flock, and it's up to Marshall and the rest of Nickelodeon's PAW Patrol to get him home. Boys and girls ages 3 to 7 will love this hardcover storybook featuring full-color illustrations. About the AuthorIn 1942, the launch of Little Golden Books revolutionized children's book publishing by making high-quality picture books available at affordable prices. More than 60 years later, many of the original Golden Book titles are still wildly popular, with The Poky Little Puppy topping the list of ten bestselling children's books of all time. Golden Books' backlist is teeming with classics such as Dorothy Kunhardt's Pat the Bunny, and features the stories and artwork of children's book legends Mary Blair, Margaret Wise Brown, Richard Scarry, Eloise Wilkins, Garth Williams, and many more. Today, the Golden Books imprint includes an array of storybooks, novelty books, and coloring and activity books featuring all of the most popular licenses, including Disney, Nickelodeon, Barbie, Thomas & Friends, The Cat in the Hat, Sesame Street, Marvel Super Heroes, and DC Super Friends. Golden Books continues to reissue the best of its backlist in a variety of formats, including ebooks and apps, as well as bringing out brand-new books in these evolving new formats.Mike Jackson is a children's book illustrator. He graduated from the legendary ArtCenter School of Design in Pasadena, California, and has been making art for more than 25 years. He has illustrated several books, including The Best Doghouse Ever! (Bubble Guppies), Lend a Helping Paw (PAW Patrol), and A Fairytale Adventure.

Working: What We Do All Day is a docu-series that explores both what it means to work and the ways in which the meaning of work is changing.  Presented by former US President Barack Obama, the docu-series focuses on people working in three different industries: technology, hospitality, and home care. Through him, we hear of their dreams, and their reality; their hopes, and their fears. Joining Matthew Sherwood to discuss Working: What We Do All Day is its director, Caroline Suh. Among other things, she reveals how President Obama became involved in the docu-series, the discoveries that she made in the making of it, and the rationale behind choosing the featured companies. Working: What We Do All Day is a multi-layered film. As Caroline tells Matthew, it enters the lives of people up and down the corporate ladder and seeks to find points of connection between them. In doing so, the docu-series challenges our tendency to do what Caroline admits she once did; that is, only think about the work she is doing now rather than the deeper meaning of it. To quote Barack Obama, ‘our work is one of the forces that connects us' to each other. Working: What We Do All Day helps demystify that force. In doing so, it brings us closer to one another. Find out what he means, learn about some of Matthew's dirtier jobs (!), and even Richard Scarry on this episode of Factual America! Watch the episode at https://factualamerica.com “... when someone does something incredibly well, no matter what it is, there's a beauty to it, and it reaffirms your faith in humanity.” – Caroline Suh

Machines. We're done with the prologue and Juliette's Fix has finally failed, so she grabs a Tool and heads into The Machine, along with many other generic nouns. In a BGaS first, Red is intimately familiar with the source material (Hugh Howey's Wool), and it's Ivan that's along for the ride for Apple TV+'s Silo. Also, check out Red & Maggie Tokuda-Hall's podcast, Failure to Adapt, available on Spotify, Apple Podcasts, or via RSS As always: Support Ivan & Red! → patreon.com/boarsgoreswords Follow us on twitter → @boarsgoreswords Find us on facebook → facebook.com/BoarsGoreSwords

This week on BM, Brutus (Jenn) has gotten a striking, new, shit-kickin' hairdoo. It's the type a hairdoo that makes you wanna fling poop right into your neighbor's yard, over the fence. Next, more poop talk. Perhaps Edward is right about a certain group of 'guys' being poop mongers. Katie tells us what happened because Luke missed out on Saturday night Minecraft because he was driving all over the greater Grand Rapids area because of Jenn's bowling adventure - and missed out on defeating the Ender Dragon. Some friends came to visit from Beaver Island where there isn't Meijer or Internet and the kids go to school with 8 other children and they hate strangers. Luke got a new coffee mug. Edward has been Googling Taylor Swift almost daily and now his social feed is full of TayTay info, photos and videos. He's also trying to get tickets to the T-Swift concert. Katie thinks that Luke & Jenn should serve hors d'oeuvres on the cat's new litterbox enclosure and Edward vows not to eat anything from our house ever again. Boomers don't know what podcasts are. This week's super game isn't a game at all! We're celebrating March - the reading month - on April 17. We all have favorite childhood books and this week we discuss ours. Maybe you have some of the same favorite books as us. Maybe you don't. It doesn't really matter because this is our podcast and we're talking about the ones WE like :) We learn about a disorder that we're not allowed to call what it's always been called because Amelia Bedelia, we learn everything we need to know about everything (ever) from Richard Scarry, we learn how to not be a punk doormat loser from Grover on Sesame Street, Jenn loves weird old-timey sad stuff like Laura Ingalls and Beautiful Joe and other stuff about dead dogs and people. Katie has a VIEWER CHALLENGE: every month she received a non-fiction subscription publication about animals, and none of us can remember exactly what it is. If YOU know, or have any information on the monthly hardcover book with trading card - email the show at bubbmush@gmail.com or hit us up on Instagram @bubbmush - thanks for listening and enjoy!

Vince is back! WWE is for sale! Steph is gone! What does it all mean? Tommy and DJ give their takes on the fall out from VKM returning the rumor of the sale to The Saudi's and all the other fall out from this story this week! The guys also talk Kurt Angle's close call, Mandy Rose on TV, AEW recap, and a ton more!The guys also discuss the NFL Playoffs, MLW figures, Indiana Jones and Richard Scarry figs, their weekly purchases and a ton more!Make sure to visit our sponsors:Figure Collections - shop.figurecollections.com use Run10 to save 10%Homage - https://bit.ly/3zMlAgWWrestling Collector Shop - wrestlingcollectorshop.com use RUN10 for 10% off or spend $50 and use RUNIN for FREE Shipping!Follow Us On Social MediaTwitter - @RUNINPODCASTInstagram - @thruninpodTwitch - twitch.tv/theruninpodcastYoutube - youtube.com/theruninpodcastwww.runinpod.comwww.patreon.com/runinpodLike, Subscribe, & Review!#wwe #aew #wrestling #podcast

George Buza played Turner Edison on Maniac Mansion for the entirety of its 1990-1993 run on YTV and The Family Channel. He also had a recurring role on the Red Green Show as Dwight Cardiff, the extremely lazy marina operator. He appeared as Chief Jake McKenna several times in the TV series Honey, I Shrunk the Kids: The TV Show. In addition, he portrayed Doubar, the older brother of Sinbad, in The Adventures of Sinbad syndicated TV series, as well as a recurring role on the syndicated Mutant X. George was also in episode 11 of TV Ontario's Read All About It, and played Buck Norris on The Strain. He was one of the Kzamm tribe in Quest for Fire (film).He also makes a small appearance as a trucker in 2000's X-Men movie, and a biker in George Romero's Diary of The Dead. He played Stuckmore in 2002's Men With Brooms. George Buza also played Lenny "The Brain" Lepinski in the Quebec-Ontario TV show called "The Last Chapter". He also played Santa, the character that fought Krampus in the horror movie A Christmas Horror Story.George is probably best known for voicing Beast in the X-Men Animated Series. He also reprised the role in the video games X-Men: Children of the Atom and both X-Men: Mutant Academy games.George has also provided character voices in many animated series. He voiced Grandpa Granger in the English dub of Beyblade, Chief Chirpa on Star Wars: Ewoks, and additional roles in Star Wars: Droids, The Busy World of Richard Scarry, Mythic Warriors: Guardians of the Legend, The Neverending Story, Babar, Hammerman, Jayce and the Wheeled Warriors, Grossology, Iggy Arbuckle, Dog City, Pecola, Monster Force, Franny's Feet Starlink: Battle for Atlas and Tales from the Cryptkeeper.He also provided his voice in the English dubs of the Medabots and Power Stone video games.https://www.deluxeedition.showSupport our show:https://www.patreon.com/deluxeditionpodFollow Rayhttps://open.spotify.com/show/2Icote9QnVOVQ9QiWUcSQL?si=4e1b361875904e77&nd=1MERCH:https://whatamaneuver.net/collections/deluxe-editionCheck out our network at:https://www.deluxeeditionnetwork.comUse code DELUXE15 at checkout and grab some awesome granola:https://bearclawkitchen.com/?irgwc=1Join this channel to get access to perks:https://www.youtube.com/channel/UCcKR-qeXy1KyPj3w4cxgOYw/joinSupport the showCheck out all of our previous shows at https://www.deluxeedition.show

On Christmas morning two little mice hope to find something from Santa among all the many nice gifts. --- Support this podcast: https://anchor.fm/leilani-hargreaves/support

It's our 250th Episode!! You know, when we first started this podcast we didn't really have a plan in terms of how long it might go. Nor did I lay out a carefully considered explanation from the start of which books we would do, and in what order. All we had was the premise, a catchy theme song, and an unending supply of titles to choose from. Case In Point: We have never done a Richard Scarry book before. Can you believe it? It's true though. You see Richard Scarry's best known books are (how shall I put this) incredibly long. We're talking, Moby Dick-long equivalent tomes. But 250 is a special number so we're dedicating it to a very special guy. Come for the turkey. Stay for the odd changes made between different editions of this book. Show Notes: For full Show Notes please visit: https://afuse8production.slj.com/2022/11/21/fuse-8-n-kate-our-250th-episode-richard-scarrys-best-word-book-ever/

The Five Count recently had a chance to speak with actor Thomas G. Waites. Thomas is best known for his role as "Fox" in the film The Warriors and "Windows" in the film The Thing. He's also appeared in films like The Clan of the Cave Bear and Light of Day. We also had a chance to speak with voice actor Tony Daniels. Tony is best known as the voice of "Gambit" on the TV show X-Men: The Animated Series and "X the Owl" on Daniel Tiger's Neighborhood. He's also provided voices for cartoons like Hello Kitty and Friends, Sailor Moon, and The Busy World of Richard Scarry. See Thomas & Tony Sept. 16-18 at the Crypticon Convention in Minnesota!

This week on the podcast, we're looking in your windows as we talk all about voyeurism. How have reality television and porn played a part in our desires to see the sexual and intimate lives of others? We've got some thoughts. And for Austin it all started with the Busy World of Richard Scarry…

Be sure to leave a 5 star review on iTunes, Spotify or wherever you listen to podcasts. I read all 5 star reviews on the show! Today's episode I had the pleasure to chat with Kristin, Owner of A Rural Squirrel. She has been selling on #eBay for more than 25 years, over 6.9K items sold and still going. So tune in to learn about her drive to do win at all costs by thrifting her way to savings. watch video on youtube: https://youtu.be/pbFQSuEENxk For more A Rural Squirrel : Guest Website: https://linktr.ee/ARuralSquirrel Guest IG: https://www.instagram.com/aruralsquirrel Whatnot - https://www.whatnot.com/invite/seller/aruralsquirrel =|| Books Mentioned ||= https://amzn.to/3QCzRFa (Fish by Stephen C. Lundin) https://amzn.to/3duUkxy (Cars and Trucks and Things That Go by Richard Scarry's) https://amzn.to/3pe8SUL (Instant millionaire, $0 on Kindle) THANK YOU FOR LISTENING! #aruralsquirrel #AboutThatWallet #s3e6 Continue to support the show by subscribing, sharing and leaving comments on your favorite platforms. This help others like yourself find me. _____ AFFILIATES/SPONSORS: DISCLAIMER: these are sponsored and ad links in which I get paid and you can benefit for being a listener to the podcast. Start your investment journey with free stocks! https://aboutthatwallet.com/webull Gain access to over 5,000 training videos to increase your skillset: https://shopakanundrum.com/?ref=atw Shop on Amazon: https://amzn.to/3tiWXW8 Get Amazon Prime: https://amzn.to/3ORzaHl Read books on Kindle Unlimited: https://amzn.to/3OBcOdu Listen to the show on Audible: Try Audible and get 2 free books - https://amzn.to/3tWuDdJ ____ Follow Me: https://www.aboutthatwallet.com Instagram: https://www.instagram.com/aboutthatwallet Merch and more: https://www.aboutthatwallet.com/shop Listen to the podcast on your favorite listening platforms such as Apple, Google, Spotify, Amazon and more!! -- DISCLAIMER: I am not a CPA, attorney, insurance, contractor, lender, or financial advisor. The content in this audio are for educational purposes only. You must do your own research and make the best choice for you. Investing of any kind involves risk. While it is possible to minimize risk, your investments are solely your responsibility. It is imperative that you conduct your own research. I am merely sharing my opinion with no guarantee of gains or losses on investments. If you need advice, please contact a qualified CPA, CFP, an attorney, insurance agent, financial advisor, or the appropriate professional for the subject you would like help with. --- Send in a voice message: https://anchor.fm/aboutthatwallet/message

A few weeks ago, I became reacquainted with a childhood favorite artist. As I explored his works again, I was curious about the man and the habits behind such a prolific career.This week, I'll be sharing my observations about the artist Richard Scarry and the worlds he created.In this episode you'll learn:How the world of Richard Scarry came onto my radar in 2022What I notice about the work of Richard ScarryWhat I learned from getting to know the authorResources mentioned: “How Americans feel about the satisfactions and stresses of modern life” (Pew Research Center, Feb 2020)“Why you feel busy all the time (when you're actually not)” (BBC, Sept 2016)“Lowly Worm Is Back! Richard Scarry Jr. Brings Dad's Manuscript To Life” (NPR Weekend Edition, Aug 2014)Richard Scarry's official web site“Four Thousand Weeks: Time Management for Mortals” (book, Oliver Burkeman)†Join the Less Stress, More Fun podcast community on Facebook!Get Lisa's "3 Ways to Reduce Stress TODAY" video + PDF.Visit Lisa online! Website | Instagram | LinkedIn© 2022 Lisa Schwaller

A classic activity book describing how colors make up our world. Combining colors makes even more special colors for us to see. --- This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app Support this podcast: https://anchor.fm/leilani-hargreaves/support

With Internet issues now fixed (who knew a fridge would be to blame?), Gavvie hosts the March Request Roulette. Tracklistings: - (Not #30) - Project X Zone - The House Of The Dead - #222 - After Burner: Black Falcon - Carbonforce - #785 - Team Sonic Radio - Green Light Ride - Tyler Smyth Remix - #409 - Sonic & The Black Knight - Knight of The Wind ~ Full Ver. - #9 - Sonic R - Can You Feel The Sunshine - #40 - Virtua Fighter 2 ~ Dancing Shadows - Believe in Love (Jacky) - #777 - SEGA AGES OutRun -Music Collection- - Magical Sound Shower -SOUND! SHOCK Trance Ver. - #11 - Initial D ARCADE STAGE 5 - GAS GAS GAS - #98 - Richard Scarry's Busy-Town - Bruno's Deli - #483 - SUPER HANG-ON 20th Anniversary Collection - Sprinter -Mickey Arrange Ver.- - #8 - Sega Rally 2006 - Temptation of Speed - #47 - maimai - Daddy Mulk (Groove Remix) [from "The Ninja Warriors"] [Full Ver.] - #600 - Shenmue - Old Warehouse #8 - #86 - Guilty Gear Xrd -SIGN- - Diva of Despair - #888 - Sonic Colours: Ultimate - Reach for the Stars (Re-Colors) - #720 - Mega Drive Mini -Celebration Album- - Phantasy Star: The End of the Millenium -Super Arr Ver.- - #24 - Sonic Generations - ROOFTOP RUN : ACT1 - #1 - After Burner: Black Falcon - Idea Machine

Co-host Garrett is back again—just when we had given him up for being more dead than Meatloaf. Special guest Carla from Burnt Korn, Alabama, hates it when people put fliers on her car window: “I came to get milk, not vinyl siding.” Team THN agrees! Of course, it would be kind of entertaining if you went to the local hardware store and some schmuck from Kroger stuck a “We got Milk!” flier on the windshield. Co-host Arik next lays down the gauntlet on Garrett. Once upon a time, Arik put the classic sitcom “Seinfeld” on the original Hate Napkin—thus inspiring a decade-long dispute on the worthiness of the show admittedly about nothing. What Arik despises most about the show is that it doesn't represent how adults actually talk. Sound engineer Pauly from Bali is quick to recognize that what Arik really hates are sitcoms. Arik next blathers with brainless references to “The Honeymooners,” porno Richard Scarry, Ricky Gervais, wedge-licking, Garry Shandling and whether or not Larry David is a vulgarian. Someone saves the day by declaring this The Bob Saget Tribute Show. This satisfies Arik—or at least shuts him up. In the end, Arik is outvoted about placing “Seinfeld” on The Hate Napkin. However, in a spirit of compromise, everyone votes to place the café from “Seinfeld” on The Hate Napkin, as well as the entire cast of “Friends,” except Lisa Kudrow. Carla counters: “Who cares? I'm a ‘Golden Girls' fan.” Finally, A Day in the Life of Garrett—which may or may not include references to NyQuil, death threats, blackouts, TSA double-sided dildos, blue balls and blue streaks, Michael Imperioli and a menagerie of furry critters. Definitely not a life about nothing. --- This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app Support this podcast: https://anchor.fm/thehatenapkin/support

Welcome! Today, listen to K read aloud a kids bedtime story called Good Night, Little Bear by Patsy Scarry ( ages 2 - 5 ). Every weekday, we will read new stories for kids. This soothing childrens bedtime story follows a little bear who hides from his father to avoid going to bed. Good Night, Little Bear was illustrated by Richard Scarry. It was published by Western Publishing Company in Racine, WI in 1961. Join us Monday to hear The Rescuers read aloud! Thank you for tuning in to Storytime with K. In this space, we will read aloud your favorite kids books with new episodes posted Monday through Friday! Whether you use reading time to help build reading skills, learn English, or help your little ones fall asleep, this podcast has exactly what you need. Follow along on Instagram to see what book is next, video episodes available on YouTube! New episodes posted daily Monday-Friday! VIDEO OPTION COMING VERY SOON - Learn to read, learn English, or simply enjoy the illustrations in the book! *This podcast is meant for entertainment purposes only*

Everyone in baby bunny's family has an idea of what he will grow up to be, but baby bunny knows exactly what he wants to be! --- This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app Support this podcast: https://anchor.fm/leilani-hargreaves/support

The fire fighters are good at helping people solve problems all over Busytown, and they are also good with fires. --- This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app Support this podcast: https://anchor.fm/leilani-hargreaves/support

I describe how children learn "book knowledge", how to foster literacy in the smallest "readers" before they ever read a word, and how to choose books to enhance their knowledge of pictures and text during reading. Some of my favorite books: The Napping House by Audrey Wood (Rich text) The Snowy Day by Ezra Jack Keats (Rich text, action words) First 100 Words by Bright Baby (common pictures with text) Brown Bear, Brown Bear, What do You See? by Bill Martin Jr (Rhyming) Please Baby Please by Spike Lee and Tonya Lewis (Rhyming, action words, can be used with sign) PeekaWho by Nina Laden (Rhyming, Flap Book) If you've read this far- there are a few other books I'd love to share! All children, even readers, love books with complex pictures and no text that have lots to look at. I would recommend these for children who are a little older and have the attention span to look at a busy page. Good Dog, Carl by Alexandra Day is a fabulous book in which the nanny dog takes his infant friend Madeline all over the city when her mother goes away. The illustrations are beautiful and there is a lot to talk about in each scene. Cars and Trucks and Things That Go by Richard Scarry also has a page full of pictures with lots going on- this one does have minimal text.

We review a book from The Busy World of Richard Scarry called "The Best Baby-Sitter Ever" by Richard Scarry.Support the show (https://www.buymeacoffee.com/Fullbird)

Episode 19 starts off with the debut of a fun new segment.  Restaurant Storytime shares entertaining, strange, but totally true stories from my nearly 2 decades in the restaurant industry.  This first story is all about a snowball fight gone wrong.Next up is a Road Trip to Owl's Head, Maine. An absolutely quintessential Maine small town there is a lot to see but it might be best to go where your feet take you here.  Lighthouses, lobsters, classic cars, a general store, Owl's Head is what people see in their minds when they think of Maine.We go way Back In the Day to the first children's books I remember when I started to read in the 1980's.  Richard Scarry, Shel Silverstein, and more are here to bring you flashbacks to your foray into literature.This Week In History includes the settlement of Jamestown, Virginia, the series finale of the Golden Girls, and a new Time Capsule!Also be sure to check out my livestreams called Without A Map Friday's at 8pm on Instagram which serve as a sort of postgame show for the podcast. Find them on IGTV and YouTube after they've finished.Helpful Links from this EpisodeWear Your WishDJ Williams MusicLemonadio.comLaura & Tony's KitchenOwl's Head MaineChristopher Setterlund's YouTube ChannelIn My Footsteps Podcast BlogChristopher Setterlund.comListen to Episode 18 here.Support the show (https://www.buymeacoffee.com/InMyFootste)

You earbuds will blast your brain sack with thrills and color-fills when the virus bunker descends on the Legendary Bearded Hairy, more talented than Richard Scarry, the Artistic Adversary, filterless, no holds barred the Dalai Lama of Chaos, writer, artist and spraycan phenom RISK, hear how dope is studio is, eschucha about his first extra extra extra street fight defending a homie in his crew that impressed Big Lucks, listen to how RISK got his name, hear about Risk's swamp thing upbringing, hear about his first writing he did in highschool, hear about how he met Mr. Cartoon, hear about how Risk was made a knight in the Italian monarchy, listen to medieval porn theory, listen to how Risk designed the sets for Michael Jackson's the way you make me feel video, share in the craziness when Risk discloses what he saw on the set when he was hiding in the rafters as MJ plotted the dance, listen to stripper theory and hacks, follow the history of Big Lucks and Risk, yes ‘Ol Blue Eyes is there, and Chumahan too, the whole thing got so big, so real, so raw, so testy, so fanatical, so off the charts, off the hooks, that well, it had to be split in two: to allow this show to be heard in one sitting would tear space-time fabric. BONUS MATERIAL: Bob Marley's cousin busts a sort of Jamaican rant/rap freestyle. Not to be missed. This is a pu pu platter of dope sh#t. Support this podcast at — https://redcircle.com/the-hard-luck-show/donationsAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

Whether you LOVE reading with your kids, or kinda hate it- you won't be able to stop listening to this episode! Today, we welcome Kim Christensen (@talkwordytome) to the show! She is a writer, reader, mother, blogger, entrepreneur and creator of Loom Journals. She's been a journalist, radio talk show host and magazine editor! Basically… she knows her stuff. Kim is going to BLOW. OUR. MINDS. in this interview with incentives to read with our kids, as well as great tips on how to get started! We will give some really good ways to start NOW, and a great plan for success. We will talk about the importance of bonding through reading, sharing books we loved from our childhood with our own children, and the importance of reading from infancy! We will talk about ways to get older kids excited about reading, AND best of all… we will share our favorite children books! (okay, okay… just a few. This is like asking us to pick a favorite child!) So. We hope this episode leaves you feeling encouraged and ready to just get going on reading with your kids. It's doable, and the benefits are astounding! (even if you have to read Peppa Pig in a british accent!) Also, it's definitely okay to judge a book by it's cover- did you know that?! We didn't either until Kim came and laid it aaalllll out! So hit play and snuggle up with a good book… er… podcast! Cause you'll love this one, Mama's! As always, please let us know what you thought by leaving us a review (below), connecting with us on Instagram (@the.mamahood), or reaching out through email (themamahoodpodcast@gmail.com) We LOVE hearing your feedback! Links below!! Find Kim Christensen: http://bit.ly/2Le9Y1x Insta: @talkwordytome Loom Journals: http://bit.ly/2PF4MTe Common Sense Media: http://bit.ly/2J4bTmA Modern Mrs. Darcy: http://bit.ly/2J3rVgx Our Book Recommendations List: “The Girl and the Dress” by Camille Andros https://amzn.to/2GMwrgV “Can I Play Too?” Mo Willams https://amzn.to/2PDufwa “Stuck” Oliver Jeffers https://amzn.to/2PBBggV “A Little Stuck” (board book) Oliver Jeffers https://amzn.to/2XQ5O1e “Press Here” Herve Tullet https://amzn.to/2WeD4iv “Mix It Up” Herve Tullet https://amzn.to/2UOsddu “Say Zoop” Herve Tullet https://amzn.to/2WjbtwM “Lola Dutch” Kenneth and Sarah Jane Wright https://amzn.to/2JaiNXP “Caps for Sale: A Tale of a Peddler Some Monkeys and Their Monkey Business” Esphyr Slobodkina https://amzn.to/2J5g2qK “The Five Chinese Brothers” Claire Huchet Bishop https://amzn.to/2GUGB0k “The Gruffalo” Julia Donaldson https://amzn.to/2J3G2Cz “Room on the Broom” Julia Donaldson https://amzn.to/2ZLA3rV “I am a Bunny” Ole Risom (Illustrated by Richard Scarry) https://amzn.to/2vC2cUR “My Goodnight Book” Eloise Wilkins https://amzn.to/2vrTrwi “My Good Morning Book” Eloise Wilkins https://amzn.to/2PzgKNS “Goodnight Moon” Margaret Wise Brown https://amzn.to/2LciQow “The Little House” Virginia Lee Burton https://amzn.to/2VuBqMA “What a Wonderful World” Bob Thiele, George David Weiss, Louis Armstrong https://amzn.to/2vtpT1j “Brown Bear, Brown Bear, What Do You See?” Bill Martin Jr, Eric Carle https://amzn.to/2GXsbLJ “The Little Old Lady Who Was Not Afraid of Anything” Linda D. Williams https://amzn.to/2Wg4bd4 --- This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app