Podcasts about The Flintstones

AP brings some Love Island promoted drinks. Everyone trys Flintstone vitamins to see if they still have the nastalgia from our child hood!

This week's guest is comics darling Mark Russell, a writer whose inventive revisions of classic characters —  Snagglepuss, The Flintstones, Superman: Space Age, Batman; Dark Age — could be called ingenious. But is that what Doug wanted to talk with him about…? No. These guys are both a couple of deep cineastes and it was all I could do to get them to stop talking about movies. Jeez.

The Western Wonder (Pic A Flic Podcast) joins Oreo & Cam for a neat overview of Halle Berry's many high-pursuit thrillers & gritty dramas:   Later, you hear a clip from the archives with Jon Mark & I summing up Halle's most divisive thrillers to date.   Then ask the immortal question: Will she return for John Wick 5?   Plus, some other side mentions for Race the Sun, Catwoman, Dark Tide, The Flintstones & Perfect Stranger as well as her activism/charity work!     INTRO CLIP: 2004 Conan O'Brien Interview     GUESTS: The Western Wonder (Pic-A-Flic Podcast on YouTube) Oreo Brewer Jon Mark

"Three Things You Need to Know"...new classes and work for Alabama...possible mass geese kill...texts...Ford recall leads to talk of the Flintstone.See omnystudio.com/listener for privacy information.

For 20 years, Collin Corbett helped get Republicans elected in Illinois. This spring he walked away from his party, took a leave from his firm, shut down his own political podcast, filed 37,000 signatures — and now he's running for Governor as an Independent while Darren Bailey's campaign tries to knock him off the ballot. Pete and Rick Lesser put your questions to him — the ones from the Lake Forest Lake Bluff News group: the pension crisis (yes, Squeezy the Python makes an appearance), property taxes, mental health, abortion, the Bears, and why Illinois keeps losing people, jobs, and businesses to neighboring states. He answered almost everything — and when the spoiler question came, he answered it directly. We document. You decide.

Yabba-dabba-do! We're back with more Cinematic Synidcation as we take a look at the 1994 live action The Flintstones. Halle Berry, Kyle MacLachlan, John Goodman, Rick Moranis—this movie has it all. Is it for adults? Is it for kids? We discuss all of that as well as cinematic memories when Nick Sanford joins us to tell the tale of his first theatrical experience. From practical sets to product placement, The Flintstones was doing something. So we do our best site dig to figure out what it is exactly. Join us now as we bring The Flintstones to the analysis factory! 

Original Air Date: June 2025 Episode Number: 463Episode SummaryThis week on Home In Progress, Dan tells the story of Earl Young -- a self-taught architect from Charlevoix, Michigan who never finished his degree, never drew a blueprint, and never really cared what the architecture establishment thought of him. What he left behind are some of the most unusual homes in the Midwest: curved stone walls, swooping roofs, fireplaces that feel like the center of the universe, and boulders he spent decades hauling out of Lake Michigan. Dan covers the full story -- where Young came from, how he worked, and what eventually happened to the neighborhood he built. Then he takes six design lessons from Young's approach and applies them to homes most of us actually live in.In This Episode[00:00] -- Opening: Rain, Roofs, and a Dead Sprinkler Pump[01:40] -- Charlevoix, Michigan[02:34] -- The Mushroom Houses[05:15] -- Earl Young: Origins[09:05] -- Breaking With the Rules[13:41] -- Vision and Inspirations[16:39] -- No Blueprints[19:31] -- The Boulder Problem[24:24] -- The Weathervane Restaurant and the 9-Ton Boulder[26:26] -- Fireplace as the Heart of the House[28:08] -- Legacy[29:22] -- How to Visit[32:29] -- Six Design Lessons from Earl YoungOpening: Rain, Roofs, and a Dead Sprinkler Pump [00:00]Dan opens with the classic split-brain problem of being a homeowner in summer. He's relieved that rain is coming -- the yard needs it. He is not relieved that rain is coming -- the roof has been suspicious lately. Then, one more thing: the sprinkler pump died. Standard summer. He moves on quickly.Charlevoix, Michigan [01:40]Before getting to the houses, Dan sets the scene. Charlevoix sits on a narrow isthmus between Lake Michigan and Lake Charlevoix. It's a resort town -- the kind of place people drive through and immediately start calculating whether they could afford to move there. It's also the kind of place that, if you grew up on its beaches and walked them long enough as a kid, could do something permanent to the way you see the natural world.The Mushroom Houses [02:34]Charlevoix has a neighborhood most people don't know about unless someone tips them off. The houses there don't look like anything else. Curved stone walls. Rooflines that swoop down low to the ground. Windows tucked into stone like they were always meant to be there. The whole feel of the place is fairy-tale -- which is why people have been calling them hobbit houses, gnome houses, and Flintstone houses for decades.They have an official nickname too: the Mushroom Houses. Named for the way the rooflines spread outward from the walls, sort of like a cap on a stem. Once you know that, you can't unsee it.They were all built by the same man. One man, working from dirt sketches and intuition, over most of his adult life.Earl Young: Origins [05:15]Earl Young was born in 1889 in Mancelona, Michigan. He moved to Charlevoix with his family around age 11. His parents divorced -- which wasn't common then -- and Young spent a lot of time on his own, walking the beaches around town. He wasn't doing anything in particular. He was just out there, picking up rocks, watching water, paying attention to the way the land looked.He fell in love with stones. Big ones specifically. The kind of boulders that Lake Michigan just deposits on the shore like it has nowhere else to put them. Most people walk around them. Young was already thinking about what he could do with them.Breaking With the Rules [09:05]Young went to the University of Michigan to study architecture. He lasted about a year. The curriculum was heavy on classical styles -- Victorian, Greek revival, Roman influence -- and Young had no patience for it. He didn't come to school to copy old European buildings. He went home to Charlevoix.For a while he sold insurance and real estate. He wasn't building yet. But he was watching. He kept picking up rocks.He eventually started building. No firm, no staff, no architecture license. Just an eye for stone, an instinct for how a building should sit on a piece of land, and a willingness to take as long as it took to do things the way he wanted them done.Vision and Inspirations [13:41]Dan identifies three things that shaped the way Young approached his work.The first was Frank Lloyd Wright's philosophy -- not Wright's specific style, but the underlying idea that a building should belong to its site. It shouldn't be dropped onto a lot. It should feel like it grew there. Young took that idea and ran with it in his own direction.The second was his rejection of academic architecture. Everything he'd been asked to learn and repeat in school was exactly what he didn't want to do. The rebellion wasn't just aesthetic -- it was personal.The third was the stones. Young's whole sensibility came from what Lake Michigan left on the shore. The materials weren't a choice he made at a building supply store. They were the starting point for everything else.No Blueprints [16:39]Young did not draw blueprints. When he had an idea for a house, he went outside and drew his plan in the dirt with a stick. He'd sketch the layout right there on the ground, work it out, make adjustments, and that was the plan.His wife Irene was an art teacher. At some point she started translating his dirt sketches and descriptions into actual drawings -- not formal blueprints, but enough that a builder could follow them. The designs came from him. She put them on paper. They worked like that for years.The Boulder Problem [19:31]Young didn't just use the rocks he could find lying around. He hunted for specific ones. When he found a boulder he wanted, he'd sometimes bury it in the woods to keep it safe until he needed it. Or he'd sink it in Lake Michigan and come back for it later.Dan compares this to hiding GI Joes as a kid -- the careful stashing of things you intend to retrieve. Except the things Young was hiding weighed several tons.When it was time to retrieve a boulder, he'd bring in teams of workhorses. No machinery, no cranes in the early years. Just horses, ropes, and however many men it took to move something that heavy across however much ground stood between the boulder and the house.The Weathervane Restaurant and the 9-Ton Boulder [24:24]The clearest example of how far Young would go for the right stone is the Weathervane Restaurant in Charlevoix. He built it. And for that building, he had been saving a single boulder -- nine tons -- for 26 years.When they finally set it in place, the floor sank. The supports weren't adequate for a 9-ton rock sitting on them indefinitely. They had to redo the foundation underneath it before they could move on.Young didn't reconsider the rock. He redid the floor.The Weathervane is still there. The boulder is still there too.Fireplace as the Heart of the House [26:26]Young treated the fireplace as the center of everything. Not a feature of the house -- the heart of it. In a lot of cases the fireplace was the first thing he designed, and the rest of the floor plan grew outward from there.The fireplaces in his houses are big and boulder-built, and they feel exactly as permanent as they look. They're not decorative. They're structural in the emotional sense of that word -- the thing the rest of the room organizes itself around.Legacy [28:08]Young built somewhere around 26 to 28 homes and three or four commercial buildings over his career. His last major project was the Castle House, which he worked on from 1970 to 1973. By then he was legally blind. He designed parts of it by touch -- running his hands over stone and timber to make decisions he couldn't make with his eyes anymore.He died in 1975. His last act, reportedly, was directing the placement of a boulder at the entrance to his neighborhood. Not a plaque, not a sign. A rock. In the right spot.How to Visit [29:22]The homes are private property. You can drive through the neighborhood and see them from the street -- people do that all the time and it's welcome. Just don't go up to the windows. They're people's houses.The Weathervane Restaurant is open to the public. You can eat there, walk around, and see the 9-ton boulder up close. Dan recommends it. Website: weathervanerestaurant.com.Earl Young's personal home is available to rent on Airbnb. If you want to actually sleep in one of the houses, that's how you do it.Six Design Lessons from Earl Young [32:29]Dan spends the back half of the episode pulling practical design lessons out of Young's approach. Not abstract principles -- specific things a regular homeowner can actually do.1. Snag What Speaks to You [32:29]Dan tells a story about a Cleopatra bust he found years ago. Bought it without knowing what he'd do with it. Then built a whole corner of a room around it -- brass candlesticks, an Art Nouveau painting of Cleopatra by a Michigan artist, pieces that fit the theme. The room came from the object, not the other way around.Young did the same thing with rocks. He found something he loved, and let that be the starting point. Most people wait until they have a plan before they start collecting anything. Young's lesson -- and Dan's -- is that sometimes the piece you can't explain wanting is the piece that tells you what to...

What happens when two worlds that should never meet suddenly collide? Think The Flintstones meeting The Jetsons. One side fueled by drinks, questionable decisions, and barroom wisdom. The other powered by garage talk, backyard storytelling, and shed-certified expertise.This week, Nick from The Dirty Glass Podcast joins forces with Kory (with a K) from The Shed Cast for a crossover event nobody asked for but everyone needs. It's old-school meets new-school, barstool meets tool stool, and chaos meets… well, more chaos.From hilarious stories and friendly debates to unexpected opinions and plenty of laughs, these two podcast universes crash together in a way that only Nick and Kory can deliver. Will The Dirty Glass crew survive life in the shed? Can The Shed Cast handle a trip through the bottom of a pint glass? There's only one way to find out.Grab a drink, pull up a chair, and witness the crossover event of the year as The Dirty Glass Podcast Meets The Shed Cast. It's like The Flintstones and The Jetsons sharing a beer instead of solving problems.#TheDirtyGlassPodcast #ShedCast #NickHanlon #KoryWithAK #PodcastCrossover #FlintstonesMeetJetsons #ComedyPodcast #DrinkReview #ShedTalk #YouTubePodcast #CanadianPodcast #BarstoolTalk #GarageTalk #PodcastLife #FunnyPodcast

Writer/Director BRIAN LEVANT takes us behind the scenes with Steven Spielberg, Bill Hanna, Joe Barbera, John Goodman, and the 1994 box office smash The Flintstones, its sequel and two Scooby-Doo films. (Also, Brian continues with the story of TV's Happy Days on the POP Culture Podcast.)

Sign up for Audible, using our affiliate link! When you sign up for Audible you will be helping out our podcast, and the “Terry goat fund.” Sign up, and get your first month free. After that it becomes $15 every month. You can unsubscribe at any time. Each month you will get one token for an audible book, and some really great prices and discounts on titles that you want to add to your library. Jill shared details about her vacation in Florida, including visiting her aunt and her daughter’s trip to an expensive amusement park. Keith and Terry shared updates about local news, including the passing of a friend, Donna Bierman and a robbery at the Cone Barn. Keith also mentioned an issue with his phone data plan after lending his phone to Isaac, who used excessive data while away from Wi-Fi. The conversation concluded with Keith retelling a humorous story about ordering coffee at McDonald’s. News of the Week Terry shared a news story about the most misspelled words in America, including “bougie” and state-specific words like “Chihuahua” in Georgia and “ukulele” in Minnesota. Jill then discussed a story from Florida about a woman who discovered a monkey in her backyard near Wekiva Springs State Park, which was later confirmed to be a rhesus macaque. The group discussed how the monkey might have escaped from an island off the coast where such animals were kept. Keith shared a story about shirtless fans at a Cardinals game who became known to the team after attending a Minor League World Series game in Alton, Illinois, and the team’s manager later bought them tickets to return. Terry discussed a family in Ohio who attempted to break the world record for sending a Slinky down stair, successfully getting it to descend 53 stairs at a stadium. Next, Jill shared about monkeys that escaped in Germany, with six macaques escaping from a research facility and three remaining at large. Keith shared a newsflash about a photo shoot by Kat Daly with a 14-foot alligator named Big Al at Gator Country in Texas. They also covered a story about police in Massachusetts seeking the owner of a large animatronic puppet that was turned in to the station. Jill's Trivia Quiz Jill hosted a quiz about The Flintstones where she asked questions about characters, episodes, and storylines from the show. The participants, Keith and Terry, answered various questions about the show’s details, with Keith correctly guessing the school bus number and Terry correctly identifying that Fred caused Barney to go invisible. The quiz covered topics including pet names, anniversary gifts, and Fred’s different jobs, with some questions being more obscure than others. Terry's Top 10 List Terry presented a top 10 funny Father’s Day gifts list, including items like face-on socks, grilling aprons, and novelty ties. Anchor Topic The group discussed orientation and mobility, particularly focusing on the importance of using white canes when traveling, with Jill sharing personal experiences about being left in parking lots without a cane. Keith and Terry discussed navigating conventions, including the upcoming ACB conference in St. Louis, and shared tips about traveling independently using various assistance methods. Email and Final Thoughts Keith reads emails from listeners. One involving a baby delivered by a surrogate mother, and the other from a farm boy who had a neighbor with a curious question. Voicemails feature an update from Gerald the Amazon destroying cow. Also from a woman who was a little too proud of her facelift. The final word from our AI companion The conversation ended with the team sharing jokes and humor before signing off. Show notes written by AI, edited as needed by Keith. Sponsored by: Retro Radio Podcast. Bringing you family-friendly entertainment through classic, old-time radio. Episodes are posted daily. Keith and his Retrobots share everything in his collection from the days of vintage radio. Adventure, comedy, detective, westerns, and lots in between. If you don't hear your favorite show, just ask Visit the web page today, https://retro-otr.com

Wir berichten von Dating-Shows, gigantischen Kinos und Nürnberg. Filme gibt's natürlich auch. Zum Anfang nostalgieren wir aber erstmal über cartoonige 90er Filme wie "Flintstones", "Inspector Gadget" und "Flubber".

Steve's wedding continues to hove into view and he's been on a stag do, so what happened? The Great Leader wasn't invited, that's for sure. No matter, because he was far too busy with much higher-minded matters. Plus, three dedications (see below) and a deep-dive into the historical accuracy of The Flintstones.Please send your listener comments to Danny@radiox.co.ukThis week's podcast is dedicated to Jamie Huggett, Charlotte GLC & "name withheld" and Noah Taylor.Thank you.

Chewy tells his Flintstones Joke full 144 Tue, 26 May 2026 14:42:21 +0000 HI3QNCYLPDnuPECSVTTwy0W3PJ7YC5Ml society & culture The Doc Show society & culture Chewy tells his Flintstones Joke The Doc Show with Jessie   2024 © 2021 Audacy, Inc. Society & Culture https://player.amperwavepodcasting.com?feed-link=https%3A%2F%2

This Week Grace and Mamrie discuss recording early, tablescaping, county fairs, the Flintstones, Bowling alley etiquette, Survivor 50 predictions, their dream Benihana table and psychic abilities. Protect your online privacy TODAY by visiting ExpressVPN.com/tmgw. Whatever challenges you're facing, Grow Therapy is here to help. Visit GrowTherapy.com/TMGW today to get started. Refresh your everyday with luxury you'll actually use. Head to Quince.com/tmgw for free shipping on your order and 365-day returns. Now available in Canada, too. Learn more about your ad choices. Visit megaphone.fm/adchoices

"Yabba dabba doo!"It's said that the live action Flintstones movie is trash, but does it truly deserve that reputation? Listen & find out!trashmoviepod.bsky.socialtrashmoviepod@gmail.comTheme song by Kenneth Leeming Jr.Logo artwork by Joe Lane

Shoot us a Text.Episode #1336: Chinese automakers quietly prep a Canadian invasion, dealers ramp up ad spend amid tariff uncertainty, and even the Cozy Coupe gets an EV twistShow Notes with links:Chinese automakers are laying the groundwork to enter Canada, with hiring, vehicle sightings, and dealer conversations signaling real momentum. With a new 49K EV import quota opening this year, brands like BYD, Geely, and Chery are positioning early for market entry.Geely's Zeekr brand is already hiring senior leadership in Toronto, signaling active plans for sales, service, and dealer network development.Chery is testing vehicles in Toronto and courting Canadian dealers, even flying some to the Beijing Auto Show to build early relationships.BYD is moving fastest on retail, aiming to open as many as 20 stores this year through local partnerships.Despite the activity, no official quota allocations have been issued yet, and sales likely won't begin until late this year.Rising tariffs and shifting inventory levels are putting dealer marketing back in the spotlight. As uncertainty creeps into pricing and supply, dealers are leaning harder into advertising to guide consumers.Dealers spent $9.22B on advertising last year, up 4% and nearing pre-pandemic levels as the market stabilizes.Digital dominates, capturing 73% of ad budgets, with third-party listings, search, and social leading the chargeDealers spent an average of $705 per new vehicle sold on advertising, still well above pre-pandemic levels despite a slight year-over-year dip.Third-party listing sites alone captured over 20% of total ad spend, making them the single largest channel in dealer marketing budgets.“The future of the U.S. auto industry is murky… effects are difficult to quantify,” said NADA Chief Economist Patrick Manzi.Even the toy aisle isn't immune to the EV transition. Little Tikes is giving its iconic Cozy Coupe a plug-in twist, introducing a playful charging station that mirrors the real-world shift from gas pumps to electrons.Little Tikes launched a $33 “Cozy E-Charging Station” accessory for its classic Cozy Coupe, aimed at kids ages 18 months to 5 years.The plug fits right into the existing fuel door, signaling how seamlessly EVs are replacing gas—even in pretend play.The Cozy Coupe itself still runs Flintstones-style, powered by kids' feet—not batteries.The toy has sold up to 500,000 units annually at its peak, making it one of the most recognizable “vehicles” in America.At $65 for the car, it may be the cheapest “EV” on the market, even if range is limited to the living room.Join Paul J Daly and Kyle Mountsier every morning for the Automotive State of the Union podcast  as they connect the dots across car dealerships, retail trends, emerging tech like AI, and cultural shifts—bringing clarity, speed, and people-first insight to automotive leaders navigating a rapidly changing industry.Get the Daily Push Back email at https://www.asotu.com/JOIN the conversation on LinkedIn at: https://www.linkedin.com/company/asotu/

On this episode of the podcast, we take a trip back to the golden era, breaking down the most nostalgic Hasbro wrestling figures that defined a generation and uncovering the origins of the legendary Konami Code. We revisit what it was like getting sick back in the day when your mom came through with Flintstones vitamins, Dimetapp, and that Vicks, and we debate which classic 80s movie we would relive if we could. We also swap stories about our first cell phones and email addresses, and tap into real childhood moments like climbing chain link fences with your friends. Discord drops were hitting, Fit Check was on another level, and we packed in a whole lot more nostalgia along the way.Today's episode was brought to you by Salty Water. Hydrate Your Inner Warrior! Support our sponsors:IG: https://www.instagram.com/drinksaltywater/Buy: https://tinyurl.com/4c4kz9ceWebsite: https://drinksaltywater.com/Mail Bag Sponsored By ThrowbackBuys.com⸻Discord: https://discord.gg/superretro⸻Master list on our NES collection: https://superretropod.com/nes-game-list-super-retro/⸻Join our channel for early access: https://www.youtube.com/channel/UCMP4yO-dFGayGUkT_MVYrhQ/joinEmail: SuperRetroPod@gmail.comAll things Super Retro: https://linktr.ee/superretroInstagram: https://www.instagram.com/superretropodcast/TikTok: https://www.tiktok.com/@superretropod

During his more than 15 years overseeing New Hampshire's gambling industry, Charlie McIntyre, executive director of the New Hampshire Lottery and Gaming Commission says, “We went from the Flintstones to the Jetsons. Now we do full-fledged gaming. There are 14 casinos we now regulate. You can now do sports betting both in person as well as on your app or on a website. You can play our games through our app or website. You can bet on horse racing now through your phone. It is the full gamut of gambling.”    

“The Simpsons” began as crudely drawn sketches on The Tracey Ullman Show on the then-nascent Fox Network in 1987. Two years later, it spun off into its own show – the first primetime animated series to air since “The Flintstones” in the 1960s. “The Simpsons” became an unexpected hit, and Homer, Marge, Bart, Lisa, and Maggie became one of the most iconic families in television history, as well as a massive pop-culture property that would spawn clothing, toys, music, amusement park rides, video games, and more. The series is still going strong, with 37 seasons, more than 800 episodes, and a second major motion picture set to arrive in 2027. So join the Great Pop Culture Debate as we eat many shorts, have many cows, and attempt to name the best “Simpsons” episode from Season 1 through Season 10.Episodes discussed: “Kamp Krusty,” “The Springfield Files,” “Mr. Plow,” “A Streetcar Named Marge,” “I Love Lisa,” “Two Dozen and One Greyhounds,” “Bart vs. Australia,” “Itchy & Scratchy Land,” “Bart Sells His Soul,” “Homer's Enemy,” “Marge vs. The Monorail,” “A Fish Called Selma,” “Homer at the Bat,” “A Milhouse Divided,” “Cape Feare,” “Flaming Moe's”Join host Eric Rezsnyak and panelists Curtis Creekmore, Jim Czadzeck, and Kara Austin as they discuss and debate 16 of the most beloved episodes from the first 10 seasons of “The Simpsons.”For the warm-up to this episode, in which we discuss additional “Simpsons” episodes that didn't make the bracket, become a Patreon supporter of the podcast today. EPISODE CREDITSHost: Eric RezsnyakPanelists: Curtis Creekmore, Jim Czadzeck, Kara AustinProducer: Derek MekitaEditor: Eric RezsnyakIntro/Outro Music: "Dance to My Tune" by Marc Torch#thesimpsons #simpsons #homersimpson #bartsimpson #margesimpson #90s #2000s #television #animation #animatedseries #fox #popculture #podcastSee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

Brainstorming ideas to slow lawn growth so you don't have to mow the lawn as often, such as pouring coffee on it, having weedwackers that come out of the ground, shocking the grass with freezing cold water, etc. Also: people in the past and people in the future will be shocked that we spent so much time and labor on our lawns; using humanoid robots to do Flintstones-like manual labor (like using "washing boards" to wash clothes by hand) instead of using machines like dishwashers, washing machines, and even weedwackers; the risk of ruining the ground and creating a sinkhole that destroys your house while trying crazy things to try to slow down the lawn growth Rishabh Heer (instagram.com/rishheer facebook.com/rish.heer) Norman Dwayne (instagram.com/normandwaynecomedy facebook.com/norman.dwayne.365305) Tom Walma (https://creativitywasted.com/creativitywasted x.com/thomaswalma twitch.tv/gameymcfitness) This podcast is part of Planet Ant Podcasts (https://planetant.com) This podcast is powered by Pinecast.

Today on our retro TV review we take a look at the world's first superhero- Captain Caveman! Captain Caveman not only had his own stand alone series but also crossed over with the Flintstones and shared a show with them at one point. Based on two Hanna-Barbara characters previously discussed on our Wacky Races podcast, Captain Caveman also shared a lot of elements (as well as the basic plot of his shows) with Scooby-Doo. Today, let's look back at this Saturday morning cartoon classic.

A THROWBACK TO 2025, WHEN YOURS TRULY GOT TO INTERVIEW A FILMMAKING LEGEND. JINGLE ALL THE WAY, THE FLINTSTONES, PROBLEM CHILD 2, BEETHOVEN, AND SO MANY MORE HAVE BEEN MADE BY BRIAN!   #BRIANLEVANT, #RENEGADERADIO,  

In this episode of the Regretful Parents series, Erika and Kristen react to a viral Reddit post from the Regretful Parents subreddit written by a mom who loved cooking — until she had a child. From cold meals and high-pitched screaming at the dinner table to losing her passion for the kitchen entirely, this mom's story hits different for anyone who lives for food.We break down the emotional toll of meal time battles with picky toddlers, why the mental load of feeding a child falls disproportionately on moms, and what it really means when parents say motherhood is their "favorite job." Plus, the dinosaur documentary comes up again (naturally), Desperate Housewives makes a surprise appearance, and the girls share their completely unqualified parenting advice — chicken nuggets, blended vegetables, and Flintstones vitamins included.In this episode:A mom who loved cooking loses all joy in the kitchen after having a toddlerThe reality of meal time with picky eaters and what actually worksWhy so many parents lie when asked if they love being a momThe mental load imbalance at the dinner table (and everywhere else)Erika's ongoing dinosaur documentary arc and what it says about modern lifeTake a trip with us! South of France in June: https://trovatrip.com/trip/europe/france/france-with-erika-abdelatif-jun-2026 Christmas Markets trip in December: https://trovatrip.com/trip/europe/germany-and-austria/germany-with-erika-abdelatif-dec-09-2026?earlybird=true Support the pod and get even more content: patreon.com/dinkypod Keywords: regretful parents reddit, parenting regret stories, picky eater toddler, mom burnout, stay at home mom mental load, parenting honest conversations, childfree podcast, reddit reactions, parenting stress, cooking for kids, toddler meal time struggles, child free by choice Become a supporter of this podcast: https://www.spreaker.com/podcast/dinky--5953015/support.

Tune in to the Dominic Carter Show for a no-holds-barred dive into today's biggest political clashes and cultural absurdities from New York City to the national stage. In this episode, Dominic tackles the media's disproportionate coverage of the tragic Sheridan Gorman case, calls out local GOP drama involving Curtis Sliwa and "cat collusion", and breaks down clear-cut foreign policy objectives in the Middle East. Plus, expect the unexpected as Dominic and his producer Matt Blaze field passionate caller takes on "Trump Arrangement Syndrome" and ICE agents acting "like Chick-fil-A workers", alongside hilarious detours about Ron Burgundy, The Flintstones, and bizarre morning health concoctions. It's your perfect mix of hard-hitting conservative commentary and unpredictable late-night banter. Learn more about your ad choices. Visit megaphone.fm/adchoices

Jeff & Shannon expose the Flynn/Stone “Flintstone” network's infiltration attempts, connect Trump's massive underground military complex under the White House ballroom, and break down yesterday's Air Force One gaggle plus Karoline Leavitt's no-nonsense briefing on Iran, TSA, and more. Tune in at Rumble, YouTube, X and Red State Talk Radio now! Patriots, get ready for fireworks—Season 8, Episode 58 of The MG Show, “Trump Underground Military Complex Under White House; Infowars/Flynn Network Update,” delivers @intheMatrixxx and @shadygrooove in full truth-seeking mode, shredding establishment narratives with documented receipts and real-time intel. Jeff and Shannon pull straight from the last 72 hours of their own X activity and dive deep into President Trump's explosive revelation aboard Air Force One yesterday: the U.S. military is constructing a massive underground complex beneath the new, privately funded White House ballroom—turning the ballroom into little more than a “shed” for advanced national security infrastructure that's already ahead of schedule. They connect this move to America First priorities while questioning the timing and mainstream spin around the project. The duo then unleashes a comprehensive update on the Infowars/Flynn/Stone “Flintstone” network, exposing documented 2018 infiltration attempts detailed in Q Post 1366, Alex Jones' “Zach” rebranding ploy, Roger Stone's recent proud “Flintstone” declaration, and the pattern of grift, redirection away from bloodline research, and attacks on genuine Trump allies. From Discord psyops to coordinated narrative control, they map how this network has operated for years while claiming loyalty to the MAGA mission. Plus, full breakdowns of yesterday's Trump press gaggle on Air Force One and Karoline Leavitt's straight-talking press conference today—covering Operation Epic Fury's massive successes (11,000+ targets struck, 90% drop in Iranian attacks, 92% of major naval vessels destroyed), the 10-day pause on power plant strikes to negotiate with a “more reasonable” regime, Trump's presidential memorandum ensuring TSA workers get paid during the Democrat-caused DHS shutdown, Antifa prosecutions, holy sites access for Easter, and case-by-case Cuba sanctions. Leavitt cuts through media confusion while legacy outlets push outdated talking points. The truth is learned, never told. The Constitution is your weapon. Tune in at noon-0-five Eastern LIVE to stand with Trump! MG Show: America First MAGA Podcast & Conservative Talk Show Launched in 2019 and now in Season 8, the MG Show is your go-to source for unfiltered truth on Trump policies, border security, economic nationalism, and exposing globalist psyops. Hosted by Jeffrey Pedersen (@InTheMatrixxx) and Shannon Townsend (@ShadyGrooove), it champions sovereignty, traditional values, and critiques of establishment politics. Tune in weekdays at 12pm ET / 9am PT for patriotic insights strengthening the Republic under President Trump's America First agenda. Correspond: MG SHOW POST OFFICE BOX 299 PMB #19215 Tangent, Oregon 97389 Talent - Jeffrey Pedersen (@InTheMatrixxx): Expert in political analysis and exposing hidden agendas, with a focus on Trump's diplomatic wins and media bias. - Shannon Townsend (@ShadyGrooove): Delivers sharp insights on intelligence operations, Constitutional rights, and defenses of Trump's strategies against mainstream critiques. Where to Watch & Listen Catch live episodes or on-demand replays packed with MAGA victories like inflation drops, border awards, Trump pardons, and psyop exposures: - Live Streams: https://rumble.com/mgshow for premium America First content. - Radio: https://mgshow.link/redstate on Red State Talk Radio. - X Live: https://x.com/inthematrixxx for real-time pro-Trump discussions. - Podcasts: Search "MG Show" on PodBean, Apple Podcasts, Pandora, and Amazon Music. - YouTube: Full episodes at https://youtube.com/c/inthematrixxx and https://www.youtube.com/c/TruthForFreedom. Follow for daily pro-Trump alerts: - X: @InTheMatrixxx (https://x.com/inthematrixxx) and @ShadyGrooove (https://x.com/shadygrooove). Support the MG Show Fuel the MAGA movement against establishment lies: - Donate: https://mg.show/support or contribute at https://givesendgo.com/helpmgshow. - Merch: https://merch.mg.show for official gear. - MyPillow Special: Use code MGSHOW at https://mypillow.com/mgshow. - Crypto: https://mgshow.link/rumblewallet. All Links Everything MG Show Related: https://linktr.ee/mgshow. MG Show Anthem Get chills with the patriotic track: https://youtu.be/SyfI8_fnCAs

Chris and Mike immediately deep dive into a Jetsons/Flintstones theory that will rock cartoon science! Possibly! Or not. Chris also talks about skipping a week of podcasting to tape his newest comedy special, "The Middle Ages," in Nashville. Mike expresses his enduring love and appreciation for the tambourine. Learn more about your ad choices. Visit podcastchoices.com/adchoices

2KEWL4U2, IMJSAYIN, FUSCHIA, PICKLER and more awful vanity plates are discussed.  Join Patreon for an extra episode everyt week at Jimflorentine.com/Patreon Check out Jim's tour dates at Jimflorentine.com.  Coming to the following cities: Nashville, TN, Susanville, CA, Flintstone, MD, Tulsa, OK, Oklahoma City, OK, Springfield, MO, Spokane, WA, Tacoma, WA, Erie, PA and more.

Send a textOrder a copy of my acting debut film, Cape Cod Cthulhu!The last movies released on VHS. The legacy of Hanna-Barbera cartoons. Some of the biggest Best New Artist Grammy fails.Episode 235 starts the final push out of winter and into spring.Technology is always advancing and evolving. Vinyl albums led to compact discs. Rotary phones led to cell phones. VHS tapes led to DVD's. This week, we look at that last one. We will count down the final ten movies to be released on VHS before the medium was shelved in favor of the DVD.If you grew up from the 1950s through the 1980s, chances are you enjoyed Hanna-Barbera cartoons. The history of these cartoons and the men themselves is long and storied. We go in-depth to look at some of the biggest achievements of Hanna-Barbera, as well as their most enduring characters.Not every Best New Artist can be The Beatles. In a new Top 5, we look at some of the biggest fails when it comes to winning the Best New Artist Grammy award.There is a brand new This Week In History and Time Capsule looking back at the tragic murder of iconic rapper The Notorious B.I.G.You can support my work by becoming a member on Patreon. Or you can Buy Me A Coffee!Helpful Links from this EpisodeBuy My New Book, In Their Footsteps!Searching For the Lady of the Dunes True Crime BookHooked By Kiwi - Etsy.comDJ Williams MusicKeeKee's Cape Cod KitchenMSFTS CommunityChristopher Setterlund.comCape Cod Living - Zazzle StoreSubscribe on YouTube!Initial Impressions 2.0 BlogCJSetterlundPhotos on EtsyListen to Episode 234Plant SlutsA cheeky deep-dive into the wild, sexy, and often subversive world of botanyListen on: Apple Podcasts Spotify Gretel le Maître Ponders Beauty, with Bede & other guestsGretel le Maître likes to look for the beauty and curiosities in life, one day at a...Listen on: Apple Podcasts SpotifySupport the show

The Flintstones. They're pretty old, literally and figuratively. I mean, the 60s was a long time ago, but it's got nothing on the Stone Age. There's also a nearly 200 year old tortoise out there, and baseball legends that haven't played in over thirty years. History has something for everyone, really.Topics:Punch the monkey (and other euphemisms)Corey Feldman vs. The OscarsFlintstonesMinnesota VikingsMinnesota Twins glory daysVery old tortoiseSee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

Cousin Brucie engages in a nostalgic conversation with Danny Hutton, a founding member of the iconic band Three Dog Night. The dialogue explores the group's unique origins, including how their name stems from an Aboriginal survival custom and how their initial success was rooted in rearranging overlooked songs into massive hits. Hutton reflects on his extensive career, from his early days as a cartoon character on The Flintstones to the band's record-breaking streak of twenty-one consecutive Top 40 singles.

What happens when a childhood dream refuses to let go? In this episode, I sit down with cartoonist and Lum and Abner historian Donnie Pitchford to explore how old-time radio, comic strips, and a love for storytelling shaped his life. Donnie shares how he grew up inspired by classic radio shows like Lum and Abner, pursued art despite setbacks, and eventually brought the beloved Pine Ridge characters back to life through a modern comic strip and audio adaptations. We talk about creativity, persistence, radio history, and why imagination still matters in a visual world. If you care about classic radio, cartooning, or staying true to your calling, I believe you will find this conversation both inspiring and practical. Highlights: 00:10 Discover how a childhood love of Lum and Abner sparked a lifelong dream of becoming a cartoonist. 08:00 Hear how college radio and classic broadcasts deepened a passion for old time radio storytelling. 14:33 Understand how years of teaching broadcast journalism built the skills that later fueled creative success. 23:17 Learn how the Lum and Abner comic strip was revived with family approval and brought to modern audiences. 30:07 Explore how two actors created an entire town through voice and imagination alone. 1:00:16 Hear the vision for keeping Lum and Abner alive for new generations through comics and audio. Top of Form Bottom of Form About the Guest: Donnie Pitchford of Texas is a graduate of Kilgore College, Art Instruction Schools, Stephen F. Austin State University and the University of Texas at Tyler. He has worked in the graphic arts industry and in education, teaching at Hawkins High School, Panola College, and Carthage High School at which he spent 25 years directing CHS-TV, where student teams earned state honors, including state championships, for 20 consecutive years. In 2010, Donnie returned to the endeavor he began at age five: being a cartoonist! The weekly “Lum and Abner" comic strip began in 2011. It is available online and in print and includes an audio production for the blind which features the talents of actors and musicians who donate their time. Donnie has created comic book stories and art for Argo Press of Austin, illustrated children's books, written scripts for the "Dick Tracy" newspaper strip, and produced the science fiction comedy strip "Tib the Rocket Frog." He has collaborated with award-winning writers and cartoonists George Wildman, Nicola Cuti, John Rose, Mike Curtis, Joe Staton, and others. In 2017, Donnie began assisting renowned sculptor Bob Harness and currently sculpts the portraits for the Texas Country Music Hall of Fame plaques. Awards include the 1978 Kilgore College "Who's Who" in Art, an Outstanding Educator Award from the East Texas Chapter of the Texas Society of CPAs in 1993, the CHS "Pine Burr" Dedicatee honor in 2010, and a Distinguished Alumnus Award in 2018 from Spring Hill High School. In 2024, Donnie was inducted into the City of Carthage Main Street Arts Walk of Fame which included the placement of a bronze plaque in the sidewalk and the Key to the City. Donnie and his best friend/wife, Laura, are members of First Methodist Church Carthage, Texas. Donnie is a founding officer of the National Lum and Abner Society and a member of Texas Cartoonists, Ark-La-Tex Cartoonists, Christian Comic Arts Society, and the National Cartoonists Society. Ways to connect with Michaela**:** https://www.facebook.com/groups/220795254627542 https://lumandabnercomics.com/ About the Host: Michael Hingson is a New York Times best-selling author, international lecturer, and Chief Vision Officer for accessiBe. Michael, blind since birth, survived the 9/11 attacks with the help of his guide dog Roselle. This story is the subject of his best-selling book, Thunder Dog. Michael gives over 100 presentations around the world each year speaking to influential groups such as Exxon Mobile, AT&T, Federal Express, Scripps College, Rutgers University, Children's Hospital, and the American Red Cross just to name a few. He is Ambassador for the National Braille Literacy Campaign for the National Federation of the Blind and also serves as Ambassador for the American Humane Association's 2012 Hero Dog Awards. https://michaelhingson.com https://www.facebook.com/michael.hingson.author.speaker/ https://twitter.com/mhingson https://www.youtube.com/user/mhingson https://www.linkedin.com/in/michaelhingson/ accessiBe Links https://accessibe.com/ https://www.youtube.com/c/accessiBe https://www.linkedin.com/company/accessibe/mycompany/ https://www.facebook.com/accessibe/ Thanks for listening! Thanks so much for listening to our podcast! If you enjoyed this episode and think that others could benefit from listening, please share it using the social media buttons on this page. Do you have some feedback or questions about this episode? Leave a comment in the section below! Subscribe to the podcast If you would like to get automatic updates of new podcast episodes, you can subscribe to the podcast on Apple Podcasts or Stitcher. You can subscribe in your favorite podcast app. You can also support our podcast through our tip jar https://tips.pinecast.com/jar/unstoppable-mindset . Leave us an Apple Podcasts review Ratings and reviews from our listeners are extremely valuable to us and greatly appreciated. They help our podcast rank higher on Apple Podcasts, which exposes our show to more awesome listeners like you. If you have a minute, please leave an honest review on Apple Podcasts. Transcription Notes: Michael Hingson  00:00 Access Cast and accessiBe Initiative presents Unstoppable Mindset. The podcast where inclusion, diversity and the unexpected meet. Hi, I'm Michael Hingson, Chief Vision Officer for accessiBe and the author of the number one New York Times bestselling book, Thunder dog, the story of a blind man, his guide dog and the triumph of trust. Thanks for joining me on my podcast as we explore our own blinding fears of inclusion unacceptance and our resistance to change. We will discover the idea that no matter the situation, or the people we encounter, our own fears, and prejudices often are our strongest barriers to moving forward. The unstoppable mindset podcast is sponsored by accessiBe, that's a c c e s s i capital B e. Visit www.accessibe.com to learn how you can make your website accessible for persons with disabilities. And to help make the internet fully inclusive by the year 2025. Glad you dropped by we're happy to meet you and to have you here with us. Michael Hingson  01:21 Well, hi everyone, and welcome to another episode of unstoppable mindset. I've been looking forward to this one for a while. We have Donny Pitchford as our guest today. You're probably going, who's Donnie Pitchford? Well, let me tell you. So years ago, I started collecting old radio shows. And one of the first shows that I got was a half hour episode of a show called Lum and Abner, which is about a couple of characters, if you will, in Pine Ridge, Arkansas. And I had only heard the half hour show sponsored by frigid air. But then in 1971 when ksi, out here in Los Angeles, the 50,000 watt Clear Channel station, started celebrating its 50 year history, they started broadcasting as part of what they did, 15 minute episodes of lemon Abner. And I became very riveted to listening to lemon Abner every night, and that went on for quite a while. And so I've kept up with the boys, as it were. Well, a several years ago, some people formed a new Lum and Abner society, and Donnie Pitchford is part of that. I met Donnie through radio enthusiast of Puget Sound, and yesterday, USA. And so we clearly being interested in old radio and all that, had to have Donnie come on and and talk with us. So Donnie, or whatever character you're representing today, welcome to unstoppable mindset. Donnie Pitchford  02:58 Huh? I'm glad to be here. Michael Hingson  03:00 He does that very well, doesn't he? It's a Donnie Pitchford  03:04 little tough sometimes. Well, I'm really glad to be here. Thank you. Michael Hingson  03:10 Well, I appreciate the audio parts of lemon Abner that you you all create every week, and just the whole society. It's great to keep that whole thing going it's kind of fun. We're glad that that it is. But let's, let's talk about you a little bit. Why don't you start by telling us about the early Donnie, growing up and all that. I'm assuming you were born, and so we won't worry about that. But beyond that, think so, yeah. Well, there you are. Tell us about tell us about you and growing up and all that, and we'll go from there. Donnie Pitchford  03:42 Well, I was born in East Texas and left for a little while. We lived in my family lived in Memphis, Tennessee for about seven years, and then moved back to Texas in 1970 but ever since I was a kid this I hear this from cartoonists everywhere. Most of them say I wanted to be a cartoonist when I was five years old. So that's in fact, I had to do a speech for the Texas cartoonist chapter of the National Cartoonist Society. And that was my start. I was going to say the same thing, and the President said, Whatever you do, don't do that old bit about wanting to be a cartoonist at age five. Everybody does that, so I left that part out, but that's really what I wanted to do as a kid. And I would see animated cartoons. I would read the Sunday comics in the Memphis Commercial Appeal, and then at some point, my dad would talk about radio, and my mother would talk about listening to radio. We would have the reruns of the Lone Ranger television show and things like Sky King and other programs along those lines, and my parents would all. Way say, Well, I used to listen to that on the radio, or I would hear Superman on the radio, or Amos and Andy or whatever was being rerun at that time, and that fascinated me. And I had these vague memories of hearing what I thought were television programs coming over the radio when I was about two years old. I remember gunshots. I remember, you know, like a woman crying and just these little oddball things. I was about two years old, and I kept thinking, Well, why are we picking up television programs on my mother's radio? Turns out it was the dying gasps of what we now call old time radio. And so at least I remembered that. But when I was about, I guess eight or nine we were, my dad took me to lunch at alums restaurant in Memphis, and I saw that name, and I thought, What in the world? So what kind of name is that? And my dad told me about London Abner, and he said it reminds me. It reminded him of the Andy Griffith Show or the Beverly Hillbillies. I said, I'd love to hear that. He said, Ah, you'll never hear it. He said, those were live they don't exist, but years later, I got to hear them. So yeah, but that's how I grew up wanting to be a cartoonist and coming up with my own characters and drawing all the time and writing stories and that sort of thing. Michael Hingson  06:24 So when did you move back from Memphis to Texas? Donnie Pitchford  06:28 July 2, 1970 I just happened to look that up the other day. How old were you then? I was 12 when we came back. All right, so got into, I was in junior high, and trying to, I was trying to find an audience for these comic strips I was drawing on notebook paper. And finally, you know, some of the kids got into them, and I just continued with that goal. And I just, I knew that soon as possible, you know, I was going to start drawing comics professionally. So I thought, but kept, you know, I kept trying. Michael Hingson  07:06 So you, you went on into college. What did you do in college? Donnie Pitchford  07:11 Well, more of the same. I started listening to some old time radio shows even as far back as as high school. And I was interested in that went to college, first at a college called Kill Gore College, here in East Texas, and then to Stephen F Austin State University. And I was majoring in, first commercial art, and then art education. And I thought, well, if I can't go right into comics, you know, maybe I can just teach for a while. I thought I'll do that for a couple of years. I thought it wouldn't be that long. But while I was at Stephen F Austin State University, the campus radio station, I was so pleased to find out ran old time radio shows. This was in 1980 there was a professor named Dr Joe Oliver, who had a nightly program called theater of the air. And I would hear this voice come over the radio. He would run, he Well, one of the first, the very first 15 minute lemon Abner show I ever heard was played by Dr Oliver. He played Jack Benny. He played the whistler suspense, just a variety of them that he got from a syndicated package. And I would hear this voice afterwards, come on and say, It's jazz time. I'm Joe Oliver. And I thought, Where have I heard that voice? It was, it's just a magnificent radio voice. Years later, I found out, well, I heard that voice in Memphis when I was about 10 years old on W, R, E, C, radio and television. He was working there. He lived in Memphis about the same time we did. Heard him on the campus station at Nacogdoches, Texas. Didn't meet him in person until the late 90s, and it was just an amazing collection of coincidences. And now, of course, we're good friends. Now he's now the announcer for our audio comic strip. So it's amazing how all that came about. Well, I Michael Hingson  09:16 I remember listening to sort of the last few years of oval radio. I think it was, I don't remember the date now, whether it's 57 or 50 I think it's 57 the Kingston Trio had come out with the song Tom Dooley, and one day I was listening to K and X radio in Los Angeles. We lived in Palmdale, and I heard something about a show called suspense that was going to play the story of Tom Dooley. And I went, sounds interesting, and I wanted to know more about it, so I listened. And that started a weekly tradition with me every Sunday, listening to yours truly Johnny dollar and suspense, and they had a little bit of the FBI and peace and war. Then it's went into half and that that went off and Have Gun Will Travel came on, and then at 630 was Gun Smoke. So I listened to radio for a couple of hours every week, not every Sunday night, and thoroughly enjoyed it. And so that's how I really started getting interested in it. Then after radio went off the air a few stations out in California and on the LA area started playing old radio shows somebody started doing because they got the syndicated versions of the shadow and Sherlock Holmes with Sir John Gielgud and Sir Ralph Richardson. And I still maintain to this day that John Gielgud is the best Sherlock Holmes. No matter what people say about Basil Rathbone and I still think Sir John Gielgud was the best Sherlock Holmes. He was very, very good. Yeah, he was and so listen to those. But you know, radio offers so much. And even with, with, with what the whole lemon Abner shows today. My only problem with the lemon Abner shows today is they don't last nearly long enough. But that's another story. Donnie Pitchford  11:11 Are you talking about the comic strip adaptation? Okay, you know how long, how much art I would have to 11:21 do every week. Michael Hingson  11:25 Oh, I know, but they're, they're fun, and, you know, we, we enjoy them, but so you So you met Joe, and as you said, He's the announcer. Now, which is, which is great, but what were you doing then when you met him? What kind of work were you doing at the time? Donnie Pitchford  11:45 Well, of course, there was a gap there of about, I guess, 15 years after college, before I met him. And what ended up happening my first teaching job was an art job, a teaching art and graphic arts at a small high school in Hawkins, Texas, and that was a disaster. Wasn't a wasn't a very good year for me. And so I left that, and I had worked in the printing industry, I went back to that, and that was all during the time that the National London Abner society was being formed. And so I printed their earliest newsletters, which came out every other month. And we started having conventions in MENA, Arkansas and in the real Pine Ridge and the my fellow ossifers As we we call ourselves, and you hear these guys every week on the lemon Abner comic strip. Sam Brown, who lives in Illinois, Tim Hollis, from Alabama. Tim is now quite a published author who would might be a good guest for you one day, sure. And just two great guys. We had a third officer early on named Rex riffle, who had to leave due to various illnesses about 1991 but we started having our conventions every year, starting in 1985 we had some great guests. We brought in everybody we could find who worked with lemon Abner or who knew lemon Abner. We had their their head writer, Roswell Rogers. We had actors, I'm sure you've heard of Clarence Hartzell. He was Ben withers, of course, on the Old Vic and Sade show. He was Uncle Fletcher. We had Willard Waterman, parley Bayer, some of their announcers, Wendell Niles. And my memory is going to start failing me, because there were so many, but we had Bob's, Watson, Louise curry, who were in their first two movies. We had Kay Lineker, who was in their third movie. The list goes on and on, but we had some amazing when did Chester lock pass away? He passed away? Well, Tuffy passed away first, 1978, 78 and Chet died in 1980 sad. Neither of them, yeah, we didn't get to media. Yeah, we didn't meet either one of them. I've met Mrs. Lock I've met all of chet's children, several grandchildren. We spoke to Mrs. Goff on the phone a time or two, and also, tuffy's got toughie's daughter didn't get to meet them in person, but we met as many of the family as we could. Michael Hingson  14:32 Still quite an accomplishment all the way around. And so you you taught. You didn't have success. You felt really much at first, but then what you taught for quite a while, though, Donnie Pitchford  14:45 didn't you? Yes, I went back to the printing industry for about a year, and in the summer of 85 about two weeks before school started, I had got a call that they needed someone to teach Broadcast Journalism at. Carthage High School, and we had a department called CHS TV. I ran that for 25 years. I taught classes. We produced a weekly television program, weekly radio program. We did all kinds of broadcasts for the school district and promotional video. And then in the last I think it was the last 10 years or so that I worked there, we started an old time radio show, and we were trying to come up with a title for it, and just as a temporary placeholder, we called it the golden age of radio. Finally, we said, well, let's just use that, and I think it's been used by other people since, but, but that was the title we came up with. I think in 19 I think it was in 93 or 9495 somewhere in there. We started out. We just ran Old Time Radio, and the students, I would have them research and introduce, like, maybe 45 minutes of songs, of music, you know, from the 30s, 40s, maybe early 50s, big band and Sinatra and Judy Garland and you name it. Then, when the classes would change, we would always start some type of radio program that was pre recorded that would fill that time, so the next class could come in and get in place and and everybody participated, and they went out live over our cable television channel, and we would just run a graphic of a radio and maybe have some announcements or listing of what we were playing. And we did that for several years, usually maybe two or three times a year. And then in I think it was 2004 or so, we had an offer from a low power FM station, which was another another county over, and we started doing a Sunday night, one hour program each week. And I think we ended up doing close to 300 of those before I left. And so we got old time radio in there, one way or the other. Michael Hingson  17:03 Well, I remember. I remember, for me, I went to UC Irvine in the fall of 1968 and by the spring the last quarter of my freshman year, I had started getting some old radio shows. So started playing shows, and then in the fall, I started doing a three hour show on Sunday night called the Radio Hall of Fame, and we did radio every night. And what I didn't know until, actually, fairly recently, was our mutual friend Walden Hughes actually listened to my show on Sunday, and so did the gas means actually, but, but we had a low power station as well, but it made it up, and so people listened to it. And I've always been proud of the fact that during the fact that during the time I ran the Radio Hall of Fame, I'd heard of this show called 60 minutes with a guy named Mike Wallace, but never got to see it. And then it was only much later that I actually ended up starting to watch 60 Minutes. Course, I always loved to say I would have loved to have met, met Mike Wallace and never got to do it, but I always said he had criminal tendencies. I mean, my gosh, what do you think he was the announcer on radio for the Green Hornet, a criminal show, right? Sky King, a lot of criminals. Clearly the guy. Anyway, I would have been fun to meet him, but, Donnie Pitchford  18:31 and his name was Myron. Myron Wallach at the time. Wallach, you're right. I think that's right. Michael Hingson  18:37 But it was, it was fun and and so I've actually got some Sky King shows and green Hornets with him. So it's, it's kind of cool, but Right? You know, I still really do believe that the value of radio is it makes you imagine more. I've seen some movies that I really like for that the original Invasion of the Body Snatchers with Kevin McCarthy back in 1955 I thought was such a good movie because they didn't show the plants taking over the humans. It was all left to your imagination, which was so cool, and they changed all that in the later remake of it with Leonard Nimoy, which I didn't think was nearly as good, not nearly as suspenseful. But anyway, that's just my opinion. But radio, for me was always a and continues to be a part of what I like to do. And so I've been collecting shows and and enjoying and, of course, listening to lemon Abner, So what made you decide to finally end teaching? Donnie Pitchford  19:38 Well, you know, I could only do that so long. I was getting I was getting very tired, getting kind of burned out, and I had to have a change. There's something had to change. And I was able to take a few years early and retire, and I still the whole time I had a. That it was like a haunting feeling. I, you know, I wanted to be a cartoonist. I would pray, you know, you know, Lord, is there some way can I, can I get out of this? And can I do what I really want to do? And I had some mentors that was finally able to meet people that I would write letters to as a kid, a cartoonist and comic book editor named George Wildman was one of them. He was nice enough to answer my letters when I was a kid, and I'd send him drawings, and he would encourage me, or he would send little corrections on there, you know. And another one was a gentleman named high Eisemann, who passed away recently at age 98 on his birthday, but men like this inspired me, and that it kept at me through the years. I finally met George in 1994 at a convention of the the international Popeye fan club. And I'm I'm at high the same way, and also a writer named Nicola Cuddy, who wrote some Popeye comics. I met him the same way, same event, we all became friends, and I had a good friend named Michael Ambrose of Austin, Texas, who published a magazine devoted to the Charlton Comics company. Sadly, he's deceased now, but Mike and I were talking before I retired, and finally I got out of it. And he said, now that you're out of that job, how would you like to do some art? I said, That's what I want to do. So he gave me the opportunity to do my first published work, which was a portrait of artist George Wildman. It was on the cover of a magazine called Charlton spotlight, then I did some work for Ben Omar, who is bear Manor media publisher for some books that he was doing. One was Mel Blanc biography that Noel blank wrote, did some illustrations for that. This was all happening in 2010 and after that. So I was getting it was getting rolling, doing the kind of work I really wanted to do. And there's a gentleman named Ethan nobles in Benton, Arkansas, who wanted to interview me. I'd gotten, I don't know how he I forgot how he got in touch with me. Maybe he heard me on yesterday USA could be wanted to interview me about London Abner. And so he was starting a website called first Arkansas news. And somewhere in early 2011 we were talking, and I said, you know, you want this to be an online newspaper, right? He said, Yes. I said, What about comics? He said, I hadn't thought about that. So I said, Well, you know, you're a big Lum and Abner fan. What if we could we do a Lum and Abner comic strip? He said, Well, who would Where would I get? Who would do? And I said, Me. So I drew up some proposals, I drew some model sheets, and we did about four weeks of strips, and got approval from Chester lock Jr, and he suggested there's some things he didn't like. He said, The lum looks too sinister. He looks mean. Well, he's mad. He said he's mad at Abner. This won't happen every week. He said, Okay, I don't want LOM to be I said, Well, you know, they get mad at each other. That's part of the that's the conflict and the comedy Michael Hingson  23:30 at each other. Yeah. Donnie Pitchford  23:33 So we, we ironed it all out, and we came up with a financial agreement, and had to pay royalties and one thing and another, and we started publishing online in June 2011, and about six weeks later, the MENA newspaper, the MENA star in MENA, Arkansas, which was the birthplace of Lyman, Abner, Chet Locke and Norris Goff, they picked it up, and then we had a few other newspapers pick it up. And you know, we're not, we're not worldwide, syndicated in print, but we're getting it out there. And of course, we're always online, but and the first Arkansas news went under three or four years later, and so now we have our own website, which is Lum and Abner comics.com so that's where you can find us Michael Hingson  24:24 online. So where's Pine Ridge? Donnie Pitchford  24:28 Pine Ridge is about 18 miles from Mena, Arkansas. MENA is in western Arkansas, and Pine Ridge is about 18 miles east, I believe I'm trying to picture it in my mind, but it's it's down the road, and it actually exists. It was a little community originally named for a postmaster. It was named waters, waters, Arkansas, and in 1936 the real. At cuddleston. He was a real person who owned a store there in waters, and was friends with the locks and the golfs with their parents, as well as Chet and Tuffy. But he proposed a publicity stunt and an actual change of name to name the community Pine Ridge. So that's how that happened. Michael Hingson  25:24 Now, in the original 15 minute episodes, who is the narrator? Donnie Pitchford  25:28 Well, it depends what era their first one trying to remember. Now, Gene Hamilton was an early announcer in the Ford days, which was the early 30s. We don't have anything recorded before that. Charles Lyon was one of the early announcers, possibly for for Quaker Oats. I don't have any notes on this in front of me. I'm just going on memory here. Memory at the end of a long week. Gene Hamilton was their Ford announcer. Carlton brickert announced the Horlicks malt and milk did the commercials when they 1934 to 38 or so. Lou Crosby took over when they were sponsored by General Foods, by post them, the post them commercials, and Lou stayed with them on into the Alka Seltzer era. And his daughter, the celebrity daughter, is Kathie Lee Crosby, you may remember, right, and she and her sister Linda, Lou were a couple of our guests at the National lemon Avenue society convention in 1996 I think let's see. Crosby was Gene Baker came after Crosby, and then in the 30 minute days, was Wendell Niles. Wendell Niles, yeah, in the CBS the 30 minute series and Wendell. We also had him in Mina, super nice guy when it came, when it got into the later ones, 1953 54 I don't remember that announcer's name. That's when they got into the habit of having Dick Huddleston do the opening narration, which is why we now have Sam Brown as Dick Huddleston doing that every week. Michael Hingson  27:27 So was it actually Dick Huddleston? No, it Donnie Pitchford  27:30 was North golf, tough. He always played the part of Dick Huddleston. Okay, the only, the only time that, as far as I know, the only time the real dick Huddleston was on network radio, was at that ceremony in Little Rock Arkansas, when they changed the name of the town that the real dick Huddleston spoke at that event. And we actually, we discovered a recording of that. I was just gonna ask if there's a recording of that there is. Yeah, it's on 12 inch, 78 RPM discs. Wow. And they were probably the personal discs of lock and golf, and they weren't even labeled. And I remember spinning that thing when Sam Brown and I after we found it, it was down in Houston, and we brought them a batch of discs back, and I remember spinning that thing and hearing the theme song being played, I said, this sounds like a high school band. And suddenly we both got chills because we had heard that. I don't know if it was the Little Rock High School band or something, but it's like, Can this be? Yes, it was. It was. We thought it was long lost, but it was that ceremony. Wow. So that was a great find. Michael Hingson  28:45 Well, hopefully you'll, you'll play that sometime, or love to get a copy, but, Donnie Pitchford  28:50 yeah, we've, we have we played it on yesterday, USA. Oh, okay, so it's out there. Michael Hingson  28:57 Well, that's cool. Well, yeah, I wondered if Dick Huddleston actually ever was directly involved, but, but I can, can appreciate that. As you said, Tuffy Goff was the person who played him, which was, that's still that was pretty cool. They were very talented. Go ahead, Donnie Pitchford  29:19 I was gonna say that's basically tough. He's natural speaking voice, yeah, when you hear him as Dick Huddleston, Michael Hingson  29:24 they're very talented people. They played so many characters on the show. They did and and if you really listen, you could tell, but mostly the voices sounded enough different that they really sounded like different people all the time. Donnie Pitchford  29:41 Well, the fun thing are the episodes where, and it's carefully written, but they will, they will do an episode where there may be seven or eight people in the room and they get into an argument, or they're trying to all talk at the same time, and you completely forget that it's only two guys, because they will overlap. Those voices are just so perfectly overlapped and so different, and then you stop and you listen. So wait a minute, I'm only hearing two people at a time, but the effect is tremendous, the fact that they were able to pull that off and fool the audience. Michael Hingson  30:15 I don't know whether I'd say fool, but certainly entertained. Well, yeah, but they also did have other characters come on the show. I remember, yes, Diogenes was that was a lot of fun listening to those. Oh yeah, yeah, that was Frank Graham. Frank Graham, right, right, but, but definitely a lot of fun. So you eventually left teaching. You decided you accepted jobs, starting to do cartoons. What were some of the other or what, well, what were some of the first and early characters that you cartooned, or cartoons that you created, Donnie Pitchford  30:50 just, you mean, by myself or Well, or with people, either way, I did some things that were not published, you know, just just personal characters that I came up with it would mean nothing to anybody, but a little bit later on, I did a little bit of I did a cover for a Popeye comic book. Maybe 10 years ago, I finally got a chance to work with George Wildman, who was the fellow I talked about earlier, and it was some of the last work he did, and this was with Michael Ambrose of Argo press out of Austin, Texas. And we did some early characters that had been published by Charlton Comics. They had, they had characters, they were, they were rip offs. Let's be honest. You know Harvey had Casper the Friendly Ghost. Well, Charlton had Timmy, the timid ghost. There, there was Mighty Mouse. Well, Charlton Comics had atomic mouse, so and there was an atomic rabbit. And Warner Brothers had Porky Pig. Charlton had pudgy pig, but that was some of George's earliest work in the 1950s was drawing these characters, and George was just he was a master Bigfoot cartoonist. I mean, he was outstanding. And so Mike said, let's bring those characters back. They're public domain. We can use them. So I wrote the scripts. George did the pencil art. Well, he inked the first few, but Mike had me do hand lettering, which I don't do that much. So it was that was a challenge. And my friend high Iseman taught lettering for years and years, and so I was thinking, high is going to see this? This has to be good. So I probably re lettered it three times to get it right, but we did the very last story we did was atomic rabbit and pudgy pig was a guest star, and then George's character named brother George, who was a little monk who didn't speak, who lived, lived in a monastery, and did good deeds and all that sort of thing. He was in there, and this was the last thing we did together. And George said, you know, since I've got these other projects, he said, Do you think you can, you can ink this? So that was a great honor to actually apply the inks over George's pencil work. And I also did digital color, but those were some things I worked on, and, oh, at one point we even had Lum and Abner in the Dick Tracy Sunday comic strip, and that was because of a gentleman named Mike Curtis, who was the writer who lived in Arkansas, was very familiar with Lum and Abner, and he got in touch with me and asked, this was in 2014 said, Would it be possible for me to use Lum and Abner in a Sunday cameo? So I contacted the locks. First thing they first thing Chet said was how much I said, I don't think they're going to pay us. I felt like, Cedric, we hunt, no mom, you know. And I felt like he was squire skimp at the time, yeah, but I said, it's just going to be really good publicity. So he finally went for it, and Lum and Abner had a cameo in a Sunday Dick Tracy comic strip, and about four years later, they honored me. This was Mike Curtis, the writer, and Joe Staton, the artist, who was another guy that I grew up reading from as a teenager, just a tremendous artist, asked if they could base a character on me. And I thought, what kind of murderer is he going to be? You know, it was going to be idiot face or what's his name, you know. So no, he was going to be a cartoonist, and the name was Peter pitchblende. Off, and he was, he said his job was to illustrate a comic strip about a pair of old comedians. So, I mean, who couldn't be honored by that? Yeah, so I don't remember how long that story lasted, but it was an honor. I mean, it was just great fun. And then then I had a chance to write two weeks of Dick Tracy, which was fun. I wrote the scripts for it and and then there's some other things. I was able to work with John rose, a tremendously nice guy who is the current artist on Barney Google and Snuffy Smith. We did a story, a comic book story, on Barney Google on Snuffy Smith in a magazine called Charleton spotlight, and I did the colors, digital coloring for that. So just these are just great honors to me to get to work with people like that. And Nick Cuddy, I did some inking, lettering coloring on some of his work. So just great experience, and Michael Hingson  36:02 great people, going back to atomic rabbit and pudgy pig, no one ever got in trouble with, from Warner Brothers with that, huh? Donnie Pitchford  36:09 Well, not, not on atomic rabbit, however, pudgy pig created a problem because George was doing some art, and I think somebody from Warner Brothers said he looks too much like Porky, so the editor at the time said, make one of his ears hang down, make him look a little different. But pudgy didn't last long. Pudgy was only around maybe two or three issues of the comic book, so, but yeah, that's George. Said they did have some trouble with that. Michael Hingson  36:44 Oh, people, what do you do? Yeah, well, I know you sent us a bunch of photos, and we have some of the Dick Tracy ones and others that people can go see. But what? What finally got you all to start the whole lemon Abner society. Donnie Pitchford  37:07 Oh, well, that goes back to 1983 right, and I'll go back even farther than that. I told you that my dad had mentioned lemon Abner to me as a kid. Dr Joe Oliver played a 15 minute lemon Abner show on KSA you at Stephen F Austin State University. That got me. I was already into old time radio, but it was the next summer 1981 there's a radio station, an am station in Gilmer, Texas Christian radio station that started running Lum and Abner every day. First it was 530 in the evening, and then I think they switched it to 1215 or so. And I started listening, started setting up my recorder, recording it every day. And a friend of mine named David Miller, who was also a radio show collector, lived in the Dallas area, I would send them to him, and at first he wasn't impressed, but then suddenly he got hooked. And when he got hooked, he got enthusiastic. He started making phone calls. He called Mrs. Lock chet's widow and talked to her. He spoke to a fellow who had written a number of articles, George Lily, who was an early proponent or an early promoter of lemon Abner, as far as reruns in the 1960s and it was through George Lilly that I was put in touch with Sam Brown in Dongola, Illinois, and because he had contacted Mr. Lilly as well. And before long, we were talking, heard about this guy named Tim Hollis. Sam and I met in Pine Ridge for lemon Abner day in 1982 for the first time, and hit it off like long lost friends and became very good friends. And then in 84 I believe it was Sam and Tim and Rex riffle met again, or met for the first time together, I guess in Pine Ridge. And I wasn't there that time. But somehow, in all of that confusion, it was proposed to start the national lemon Abner society, and we started publishing the Jot them down journal in the summer of 1984 Michael Hingson  39:43 and for those who don't know the Jotham down journal, because the store that lemon Abner ran was the Jotham down store anyway, right? Donnie Pitchford  39:50 Go ahead, yes. And that was Tim's title. Tim created the title The Jotham down journal, and we started publishing and started seeking information. And it started as just a simple photocopy on paper publication. It became a very slick publication. In 1990 or 91 Sam started recording cassettes, reading the journals, because we were hearing from Blind fans that said, you know, I enjoy the journal. I have to have somebody read it to me. This is before screen readers. And of course, you know this technology better than I do, but before any type of technology was available, and Sam said, Well, I'll tell you. I'll just start reading it on tape and I'll make copies. Just started very simply, and from then on, until the last issue in in 2007 Sam would record a cassette every other month, or when we went quarterly, four times a year, and he would mail those to the the blind members, who would listen to those. And sometimes they would keep them, and sometimes they would return them for Sam to recycle. But incidentally, those are all online now, Michael Hingson  41:03 yeah, I've actually looked at a few of those. Those are kind of fun. So the London Avenue society got formed, and then you started having conventions. Donnie Pitchford  41:14 Yes, yes. First convention was in 1985 and we did a lot of things with we would do recreations. We would do a lot of new scripts, where, if we had someone that we got to the point where we would have people that hadn't worked with lemon Abner. So we would have lemon Abner meet the great Gildersleeve. Actually, Willard had worked on the lumen Abner half hour show at some point. I believe les Tremain had never worked directly with them, but he was well, he was in some Horlicks malted milk commercials in the 1930s and of course, the Lone Ranger was never on the London Abner show and vice versa, until we got hold of it. So we had Fred Foy in 1999 and he agreed to be the announcer, narrator and play the part of the Lone Ranger. So we did Lum and Abner meet the Lone Ranger, which was a lot of fun. We had parley bear, so Lum and Abner met Chester of Gun Smoke. And those were just a lot of fun to do. And Tim, Tim would write some of them, I would write some of them, or we would collaborate back and forth to come up with these scripts. Did love and amner, ever meet Superman? No, we never got to that. That would have been great. Yeah, if we could have come up with somebody who had played Superman, that would have been a lot of fun. We had lemon Abner meet Kathie Lee Crosby as herself. Yeah, they met Frank brazzi One time. That must be fun. It was a lot of fun. We had some people would recreate the characters. We had the lady who had played Abner's daughter, Mary Lee Rob replay. She played that character again, 50 years later, coming back home to see, you know, to see family. Several other things, we had London Abner meet Gumby one time. Of all things, we had Dow McKinnon as a guest. And we had Kay Lineker come back and reprise one of her roles, the role she played in the London Abner movie. Bob's Watson did that as well. Some years we didn't have a script, which I regret, but we had other things going on. We had anniversaries of London Abner movies that we would play. So whatever we did, we tailored it around our guest stars, like Dick Beals, Sam Edwards, Roby Lester, gee whiz. I know I'm leaving people out. Michael Hingson  43:52 Well, that's okay, but, but certainly a lot of fun. What? Yes, what? Cartoonist really influenced you as a child? Donnie Pitchford  44:01 Oh, wow. I would say the first thing I saw that got my attention was the Flintstones on on prime time television, you know, the Hanna Barbera prime time things certainly Walt Disney, the animation that they would run, that he would show, and the behind the scenes, things that would be on the Disney show, things like almost almost anything animated as a kid, got my attention. But Walter Lance, you know, on the Woody Woodpecker show used to have, he'd have little features about how animation was done, and that that inspired me, that that just thrilled me. And I read Fred lachel's Snuffy Smith Chester Gould's Dick Tracy. Tracy, which that was a that's why the Dick Tracy connection, later was such a big deal for me. Almost anything in the Sunday comics that was big. Foot. In other words, the cartoony, exaggerated characters are called, sometimes called Bigfoot, Bigfoot cartooning, or Bigfoot characters. Those were always the things I looked for, Bugs Bunny, any of the people that worked on those some were anonymous. And years later, I started learning the names of who drew Popeye, you know, like LZ seagar, the originator, or bud sagendorf or George Wildman, and later high eysman. But people like that were my heroes. Later on, I was interested in I would read the Batman comics, or I would see Tarzan in the newspaper. I admired the work of Russ Manning. Michael Hingson  45:49 Do you know the name Tom Hatton? Yes, I do. Yeah. Yes. Tom did Popeye shows on KTLA Channel Five when I was growing up, and he was famous for, as he described it, squiggles. He would make a squiggle and he would turn it into something. And he was right on TV, which was so much fun. Donnie Pitchford  46:09 We had a guy in Memphis who did the same thing. His name was, he's known as Captain Bill, C, A, P, you know, Captain Bill. And he did very much the same thing. He'd have a child come up, I think some, in some cases, they're called drools. Is one word for them. There was a yeah, in Tim hollis's area, there was cousin Cliff Holman who did that. And would he might have a kid draw a squiggle, and then he would create something from it right there on the spot, a very similar type of thing, or a letter of the alphabet, or your initials, that sort Michael Hingson  46:43 of thing. Yeah. Tom did that for years. It was fun. Of course, I couldn't see them, but he talked enough that I knew what was going on. It's kind of fun. My brother loved them, yeah? So later on, when you got to be a teenager and beyond what cartoonist maybe influenced you more? Donnie Pitchford  47:03 Well, I would have to say George, probably because I was corresponding with him, right? Also, I would see the work of Carl Barks, who created Uncle Scrooge McDuck and the Donald Duck comics and all that. His stuff was all in reprint at that time, he was still living, but I didn't know he could be contacted. I didn't try to write to it, right? Years later, years later, I did get an autograph, which was, was very nice. But those people, a lot of people, Neil Adams, who did Batman, the guys at Charlton Comics, Steve Ditko, who was the CO creator of spider man, but he had a disagreement with Stan Lee, and went back to Charlton Comics and just turned out 1000s of pages, but his work was was inspirational. Another was Joe Staton, who was working at Charleton comics, who I got to work with on several projects later on, and I would say just all of those guys that I was reading at the time. Pat Boyette was another Charlton artist. I tend to gravitate toward the Charlton company because their artists weren't contained in a house style. They were allowed to do their own style. They didn't pay as much. But a lot of them were either older guys that said, I'm tired of this, of the DC Marvel system. I want to just, you know, have creative freedom. Charlton said, come on. And so they would work there and less stress, less money, probably one guy named Don Newton started there and became a legend in the industry at other companies. So I found all of those guys inspiring, and I felt I could learn from all of them. Michael Hingson  48:59 Well, you always wanted to be a cartoonist. Did you have any other real career goals, like, was teaching a goal that you wanted to do, or was it just cartooning it? Donnie Pitchford  49:07 Well, it was just a secondary, you know, as I said, when I started, I thought, I'll just do that for a few years. You know, I didn't know it was going to be like 27 but I we had a lot of success. We had, I had some student groups that would enter video competitions. And for 20 straight years, we placed either first, second or third in state competition with one Summit, one entry, another or another every year. And that was notable. I mean, I give the kids the credit for that. But then about five or six of those years, we had what we call state championship wins, you know, we were like the number one project in the state of Texas. So, you know, we had some great success, I think, in that so a lot of years there, I really, you know, that was a blessing to me. Was that career, you. Well, it just, it just got to be too much time for change. After a while, Michael Hingson  50:05 was art just a talent that you had, and cartoon drawing a talent you had, or, I don't remember how much you said about did you have any real special training as such? Donnie Pitchford  50:14 Well, all of my training was, I just couldn't afford to go to a specialized school. You know, at one time, the Joe Kubert School opened just about the time I graduated high school, it was in New Jersey. I just couldn't make that happen, so I went to state colleges and universities and did the best I could. I took commercial art classes, drawing classes, design classes, even ceramics, which came in very handy when I did some sculpting here in the last eight or nine years and worked as an assistant to a sculptor named Bob harness who lives here in Carthage, but I never had any actual comic strip slash comic book training, so I learned as much of that as I could from guys like George wild. And then after I started the lemon Avenue comic strip, an artist named Joe, named Jim Amish, who worked for Marvel, did a lot of work for the Archie Comics. And tremendous anchor is his. He's really a tremendous anchor, and does a lot of ink work over other artists pencils. Jim would call and say, he said, I want to give you some advice. I'm like, okay, at 3am he's still giving me advice. So I'd go around for two or three days feeling like a failure, but then I would, I would think about all the lessons, you know, that he had told me. And so I learned a lot from Jim and tremendous, tremendous guy. And I would listen to what high, sometimes high would call up and say, Why did you use that purple beg your pardon. So it was fun. I mean, those fellows would share with me, and I learned a great deal from those guys. Michael Hingson  52:11 Are you in any way passing that knowledge on to others today? Donnie Pitchford  52:16 I don't know that I am. I've had an offer or two to do some teaching. I just don't know if I'm if I'm going to get back into that or not. Yeah, I'm so at this point, focused on, quote, unquote, being a cartoonist and trying to make that, that age five dream, a reality, that I'm not sure I'm ready to do that again. And you know, I'm not, I'm not 21 anymore. Michael Hingson  52:45 I didn't know whether you were giving advice to people and just sort of informally doing it, as opposed to doing formal teaching. Donnie Pitchford  52:51 Well, informally, yes, I mean, if anybody asks, you know, I'll be glad to share whatever I can. But yeah, I'm not teaching any classes at this point. Michael Hingson  53:01 Well, you have certainly taken lemon Abner to interesting places in New Heights. One, one thing that attracted me and we talked about it before, was in 2019, lemon Abner in Oz. That was fun. Donnie Pitchford  53:17 Well, the credit for that goes to Tim Hollis. Tim wrote that as a short story years ago when he was first interested in lemon Abner. And I don't know if he ever had that published through the International oz society or not. I don't remember, but Tim later turned that into a radio script when we had a batch of guests. This was in 2001 we had, let's see Sam Edwards, Dick Beals, Roby Lester and Rhoda Williams. And each of them had done something related to Oz, either the children's records or storybook records or animation or something. They were involved somewhere in some type of Oz adaptation. So Tim turned his short story into a radio script that we performed there at the convention. So that was a lot of fun. And then he suggested, Why don't I turn that into a comic strip story? So that's what we did. But that was fun, yeah, and we used the recordings of those people because they had given us permission, you know, to use a recording however we saw fit. The only problem is we had a mistake. The fellow that was running the sound had a dead mic and didn't know it. Oh, gosh. So some of them are bit Off mic in that audio, but we did the best. I did the best I could Michael Hingson  54:40 with it's it sounded good. I certainly have no complaints. 54:45 Thank you for that. Michael Hingson  54:47 I I said no complaints at all. I think it was really fun and very creative. And it's kind of really neat to see so much creativity in terms of all the stuff that that you do. As a cartoonist, me having never seen cartoons, but I learned intellectually to appreciate the talent that goes into it. And of course, you guys do put the scripts together every week, which is a lot of fun to be able to listen to them well. Donnie Pitchford  55:17 And that's what that was, the audience I hoped that we would would tap into right there and it, it was guys like you that would would talk to me and say, What am I going to do? You know, I can't see it. So that's why the audio idea came about. And it's taken on a life of its own, really. And we've got Mark Ridgway, who has created a lot of musical cues for us that we use and Michael Hingson  55:45 who plays the organ? Donnie Pitchford  55:47 That's Mark Ridgway. It is Mark, okay, yes, yes. And it's actually digital, I'm sure. I think it's a digital keyboard, Michael Hingson  55:55 yeah, but it is. It's a, it's a really good sounding one, though. Donnie Pitchford  55:59 Yes, yes. There are a few cues that I did, which probably are the ones that don't sound so good, like if we ever need really bad music. If you remember the story we did, and I don't remember the name of it, what do we call it anyway? Lum tries to start a soap opera. Think this was about a year ago. Yeah, and Cedric is going to play, I don't remember it was an organ or a piano, and I don't remember what he played, but whatever it was, I think was Mary Had Michael Hingson  56:32 a Little Lamb, Mary's, Mary Had a Little Lamb on the piano. Sort of kind played. Donnie Pitchford  56:35 It was played very badly, well that, yes, it was on purpose. When mom plays lum tries to play the saxophone. That was me, and I hadn't played this. I used to play the sax. In fact, I played in a swing orchestra here in Carthage, Texas for about five years back in from the early 90s. And so I had this idea, and I hadn't played the horn probably since, probably in 20 years, and his. So I got it out, and I thought, you know, it's gonna sound terrible because it needs maintenance, but it doesn't matter. It's lump playing it, so I got to play really badly. Michael Hingson  57:14 It was perfect. It was perfect, Donnie Pitchford  57:16 yeah, because it had to sound bad. Michael Hingson  57:19 How do y'all create all these different plots. I remember so many, like the buzzard, you know, and, oh yeah, that was fun. And so many. How do you come up with those? Donnie Pitchford  57:28 Well, I used to get some really good ideas while mowing the yard. Don't ask me, why? Or I get ideas. I get ideas in the weirdest thing, weirdest places. Sometimes I have ideas in the shower. You know, I said, I better write this down. Sometimes I'll wake up in the middle of the night with an idea, but there the ideas just come to me. Yeah? The buzzard was fun. I'd had that one. Pretty creative. Yeah, the one about, the one about, let me see. Oh, there was one we did, where wasn't the buzzard? What was that other one? I called the Whisper? Yeah, there was a strange voice that was coming lum thought it was coming from his radio. And he turns his radio off, and He still hears it, and it was a villain who had somehow hypnotized everyone so that they wouldn't see him and he would use his voice only. And then there's a character I came up with, and let me see Larry Gasman played it, and I called him Larry John Walden, and he was the only guy he was blind. He was the only guy that wasn't hypnotized because he couldn't see the you know, I use the old thing about the watch in front of the eyes. I mean, he was the only guy that wasn't hypnotized, so he wasn't fooled by the whisper, and he could track him, because his hearing was so acute that he was able to find him. In fact, I think he could hear his watch ticking or something like that. So he was the hero of that piece. But, well, I just, I just think up ideas and write them down. Tim Hollis has written some of the scripts, maybe three or four for me, I've adapted some scripts that London Abner did that were never broadcast or that were never recorded. Rather, I've adapted a few, written several, and I keep saying, Well, when I completely run out of ideas, I'll just have to quit. Michael Hingson  59:32 Well, hopefully that never happens. What? What are your future plans? Donnie Pitchford  59:38 Well, right now, there's nothing major in the works other than just maintaining the strip, trying to continue it, trying to make it entertaining, and hopefully doing a little work on the website and getting it into the hands of more people. And I'd like to increase. Least newspaper coverage, if at all possible. And because this thing doesn't, you know, it's got to pay for itself somehow. So you know, I'm not getting rich by any means. But you know, I want to keep it fun. I want to keep having fun with it. Hopefully people will enjoy it. Hopefully we can reach younger readers, listeners, and hopefully lemon Abner can appeal to even younger audiences yet, so that we can keep those characters going. Michael Hingson  1:00:29 Yeah, there's so much entertainment there. I hope that happens now in the the life of Donnie Pitchford. Is there a wife and kids? Donnie Pitchford  1:00:40 Yes, there's a wife of almost 40 years. We unfortunately don't have any children. We've almost feel like we adopted several children all the years we were teaching. We we've adopted several cats along the way. And so, you know, we've had cats as pets for almost ever, since we were married. But that's she's, she's great, you know, she's, she's been my best friend and supporter all these years. And we were members of first Methodist Church here in Carthage, Texas, and doing some volunteer work there, and helping to teach Sunday school, and very involved and active in that church. Michael Hingson  1:01:19 So I have a cat, and I hear her outside, not outside the house, but outside the the office here, she wants me to go feed her, and we, we shaved her yesterday because her hair gets long and Matt's very easily. So she got shaved yesterday. So she's probably seeking a little vengeance from that too, but, but my wife and I were married 40 years. She passed away in November of 2022 so it's me and stitch the cat and Alamo the dog, and Karen is monitoring us somewhere. And as I tell everyone, I've got to continue to be a good kid, because if I'm not, I'm going to hear about it. So I got to be good. But it's a lot of fun. Well, I want to thank you for being with us today. This has been a lot of fun. I've learned a lot, but it's just been great to have another podcast talking about old radio shows. And you said again, if people want to reach out, they can go to lemon Abner comics.com if people want to talk to you about doing any kind of cartooning or anything like that. What's the best way they can do that? Donnie Pitchford  1:02:24 Well, they can go to the London Abner dot lumen, Abner comics.com website, and there's a contact a link right there at the top of the page. So yeah, they can contact me through that. Probably that's the easiest way to do it. Michael Hingson  1:02:37 Okay, well, I want to thank you again for being here, and I want to thank all y'all out there. That's how they talk in Texas, right? It's all y'all for everybody. Donnie Pitchford  1:02:46 Well, some of them do, and some of them in Arkansas do too. Well, yeah. Michael Hingson  1:02:49 And then there's some who don't, yeah, y'all means everything, and it Speaker 1  1:02:54 don't, yeah, I don't think squire skimp says it that way. Michael Hingson  1:02:58 Well, Squire, you know, whatever it takes. But I want to thank you all for being here, and please give us a five star rating wherever you're listening or watching the podcast. Donnie would appreciate it. I would appreciate it, and also give us a review. We'd love to get your reviews, so please do that. If you can think of anyone else who ought to be a guest, and I think Donnie has already suggested a few. So Donnie as well, anyone else who ought to come on the podcast, we'd love it. Appreciate you introducing us, and you know, we'll go from there. And I know at some point in the future, the Michael hingson Group Inc is going to be a sponsor, because we've started that process for lemon. Abner, yes, thank you. Thank you. So I want to, I want to thank love and Squire for that 1:03:45 years. Well, it's been my pleasure. Michael Hingson  1:03:50 Well, thank you all and again, really, seriously, Donnie, I really appreciate you being here. This has been a lot of fun. So thank you for coming. Donnie Pitchford  1:03:58 Thank you. It's been a great honor. I've appreciated it very much. Michael Hingson  1:04:06 You have been listening to the Unstoppable Mindset podcast. Thanks for dropping by. I hope that you'll join us again next week, and in future weeks for upcoming episodes. To subscribe to our podcast and to learn about upcoming episodes, please visit www dot Michael hingson.com slash podcast. Michael Hingson is spelled m i c h a e l h i n g s o n. While you're on the site., please use the form there to recommend people who we ought to interview in upcoming editions of the show. And also, we ask you and urge you to invite your friends to join us in the future. If you know of any one or any organization needing a speaker for an event, please email me at speaker at Michael hingson.com. I appreciate it very much. To learn more about the concept of blinded by fear, please visit www dot Michael hingson.com forward slash blinded by fear and while you're there, feel free to pick up a copy of my free eBook entitled blinded by fear. The unstoppable mindset podcast is provided by access cast an initiative of accessiBe and is sponsored by accessiBe. Please visit www.accessibe.com . AccessiBe is spelled a c c e s s i b e. There you can learn all about how you can make your website inclusive for all persons with disabilities and how you can help make the internet fully inclusive by 2025. Thanks again for Listening. Please come back and visit us again next week.

Don't Die during Flu season, mother effers! Topics discussed include everybody suing everybody, why doctors go crooked, the Flintstones, babies in the microwave, famous people going over balconies, how to conspire with your mechanic to get what you've already paid for, that special you're-an-idiot look everybody gets at least once and the government are liars (it's their whole job people!), but you could still need a flu shot

Hello! On this episode, we welcome Bros. Bryan Hoover and Thomas Morgan. They join us to discuss their Masonic Journey and share some information about their upcoming event presenting the Flintstone inspired Water Buffalo Degree. There were no J's to be found on this episode as Jack, Jake, and Josh are all absent due to sickness or some other unavoidable occurrence, but Larry and Tim manage to step up to the plate and swing for the fences, closing things out with Quiet Time, Copious Dues, and the standard barnyard shenanigans. [00:00:00] Introductions [00:08:15] First break, brought to you by George J. Grove and Son [00:09:25] Segment 1 [00:26:20] Second break, brought to you by Two Pillars Apparel and A Mason's Work. [00:27:30] Segment 2 [00:49:40] Third break, brought to you by Hiram & Solomon Cigars and Pennsylvania DeMolay [00:51:20] Segment 3, Wrap-up, & Chickens [1:03:30] Outro MASONIC LITE PATREON www.patreon.com/MasonicLitePodcast Sign up to support the show with an automatic, monthly donation of $1, $5, or $13! SPONSORS: George J. Grove and Son: www.georgejgrove.com SJ Helm Electric: www.sjhelmelectric.com/ Hiram & Solomon Cigars: www.hiramandsolomoncigars.com/ The Red Serpent: By Larry Merris: www.amazon.com/Red-Serpent-Larry…ris/dp/1466478608 Intermezzo by Stephanie, Locally Handcrafted Chocolate www.facebook.com/IntermezzobyStephanie/ MEDIA ATTRIBUTION: Bye Everybody!

February 9, 1997. The Simpsons makes television history with their 167th episode, surpassing The Flintstones as the longest-running primetime animated series. Support the show! Join Into History for ad-free listening and more. History Daily is a co-production of Airship and Noiser.Go to HistoryDaily.com for more history, daily.

We're headed back to the Stone Age for a look at the (b)romance of Brian Levant's feature film adaptation of The Flintstones, starring John Goodman, Rick Moranis, and a whole lot of other comedy stars. Join in as we discuss our favorite background gags, the 1994 box office, the movie's infamously large writing team, and our complete befuddlement at Kyle MacLachlan's evil plan. Plus: How was John Goodman pressured into taking the role of Fred? Why didn't Barney know everyone else would be at the restaurant? Why does the theme song play three separate times? And, most importantly, what about this was supposed to appeal to children? Make sure to rate, review, and subscribe! Next week: Groundhog Day (1993)-------------------------------------------------------Key sources and links for this episode:Siskel and Ebert episode discussing the movie (YouTube)"Bedrock's Unsolved Mysteries" (Entertainment Weekly)"John Goodman Breaks Down His Most Iconic Characters" (GQ on YouTube)"Roundtable Writing: A Headache for the Guild" (Los Angeles Times)"Joe Biden Dog Commander Bit Secret Service Agents at Least 24 Times" (BBC News)

We're dipping once more into the graveyard of failed franchises with a look at the romance of Stefan Fangmeier's 2006 adaptation of Christopher Paolini's novel Eragon! Join in as we discuss our own memories of the Inheritance Cycle, the film's lackluster visuals, the first round of Avengers: Doomsday teasers, and Avril Lavigne's "Keep Holding On." Plus: How long do dragons live? How much time passes during this movie? Why didn't it get a sequel? And, most importantly, where is the line between a genre trope and just being derivative? Make sure to rate, review, and subscribe! Next week: The Flintstones (1994)-------------------------------------------------------Key sources and links for this episode:Interview with Stefan Fangmeier at MovieWebInterview with Jeremy Irons at IndieLondon"Eragon TV Series in Development at Disney+" (Variety)"He Was a Teenage Spy, Surrounded by Treacherous Adults" (New York Times)"Shailene Woodley is Officially Passing on the Divergent TV Movie" (Vanity Fair)"Crazy Rich Asians Co-Writer Exits Sequel Amid Pay Disparity Dispute" (The Hollywood Reporter)Avengers: Doomsday teaser synched up with a pharmaceutical ad

Yabba dabba doo! We are discussing the 1994 box office hit of the classic cartoon adaptation of THE FLINTSTONES.  Please send any and all feedback to anotherlookpod@gmail.com.  Please follow us on Instagram @anotherlookpod, and rate/review/subscribe where ever you get your podcasts.  Our Best of 2025 episode will be recorded next week!

Today we're reviewing Korg 70,000 B.C. (1974), a children's TV series about a Neanderthal family from Hanna-Barbera, creators of The Flintstones, Scooby-Doo, and more. Unlike those series, however, this one is live-action! Who knew? Anyway, we talk about a lot of academic papers about Neanderthals, because nothing happens in the episode we watched.LinksWatch Korg on the Internet ArchiveCave lionsCaspian tigersPaleoloxodonPhylogenetic treesCalifornia WoodpeckersUK woodpeckersShanidar 1Trinkaus et al. (2019) External auditory exostoses among western Eurasian late Middle and Late Pleistocene humansBuzi et al. (2025) The first preserved nasal cavity in the human fossil record: The Neanderthal from AltamuraMárquez (2008) The paranasal sinuses: The last frontier in craniofacial biologyThe Invention of Prehistory (2024) by Stefanos GeroulanosContactWebsiteBlueskyFacebookLetterboxdEmailArchPodNetAPN Website: https://www.archpodnet.comAPN on Facebook: https://www.facebook.com/archpodnetAPN on Twitter: https://www.twitter.com/archpodnetAPN on Instagram: https://www.instagram.com/archpodnetAPN StoreAffiliatesMotion Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

The hour kicks off with Barbara Holliday, owner of Flappers Comedy Club in Burbank, sharing stories from behind the scenes of one of LA’s most iconic comedy venues. She talks about the challenges and wins of running a live entertainment business and what it takes to keep comedy alive in a changing industry. Barbara stays on for more, highlighting Flappers as a 100% woman-owned business and discussing her journey as an entrepreneur, the importance of community support, and what makes Flappers a staple for comics and fans alike. Petros Papadakis then joins the show to break down a developing college gambling scandal, offering his trademark insight and strong opinions on what it means for college sports. The hour wraps with lighter fare as Petros takes on the challenge of guessing the voice behind Kazoo on The Flintstones, leading to classic guy talk and laughs to close things out. Comedy, sports controversy, and pure Conway chaos all in one hour.

We’ve been doing these shows where we don’t book any guests, where we fill the hour with your calls. And your calls have been interesting and surprising and amusing. This hour, the conversation winds around to the U.S. Postal Service, Between Boston & New York, the spillover from digital life, the national anthem at sports events, The Flintstones theme song, Neutral Milk Hotel, vocal fry … Anything. (Seemingly) everything. These shows are fun for us, and they seem to be fun for you, too. So we did another one. MUSIC FEATURED (in order): Blame It On The Moon – Cory Wong, Magic City Hippies When A Good Man Cries – CMAT Dans les Rues de Québec – Emilie-Claire Barlow Sweet Love – Stephen Sanchez In the Aeroplane Over The Sea – Neutral Milk Hotel CUT FOR TIME Firefly – John Pizzarelli I Was Not A Nazi Polka – The Mitchell Trio The Telephone Call – Kraftwerk Support the show: http://www.wnpr.org/donateSee omnystudio.com/listener for privacy information.

We rate Santas from movies, television & commercials! How did we do? Who is your favorite Santa? Green or Brown? Join the conversation... FacebookInstagramTwitterTikTokYouTubeRate/Review/Subscribe:Apple PodcastsSpotifyYouTubeSee omnystudio.com/listener for privacy information.

WIIIILMAAAA! Don't take Flintstones games for “granite”. Join Stuart Gipp, John Linneman, and Thomas Nickel as we talk the old-school Stone Age family. Retronauts is made possible by listener support through Patreon! Support the show to enjoy ad-free early access, better audio quality, and great exclusive content. Learn more at http://www.patreon.com/retronauts