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2 episodes with grah
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EinBlick – nachgefragt Podcast mit Interviews und Diskussionsrunden mit Expert:innen des Gesundheitswesens Klimafreundliche Gesundheitsversorgung: Wege zu nachhaltigen Lösungen Wie kann die Gesundheitsversorgung klimafreundlicher gestaltet werden? Darüber spricht Fachjournalist und EinBlick-Redakteur Frank Bienert mit Dr. Christian Grah, Leitender Arzt für Pneumologie und Projektleiter des „Zero-Emission-Hospital“-Projekts am Gemeinschaftskrankenhaus Havelhöhe, sowie Anne-Kathrin Klemm, Vorständin des BKK Dachverbands und Mitinitiatorin der Initiative „BKK Green Health“. Die Gespräche wurden getrennt geführt und hier zusammengestellt. Dr. Christian Grah ist Leitender Arzt für Pneumologie und Lungenkrebszentrum sowie Projektleiter Zero-Emission-Hospital am Krankenhaus Havelhöhe in Berlin. Er ist Mitbegründer des Gemeinschaftskrankenhauses Havelhöhe und engagiert sich in verschiedenen Fachgesellschaften der Pneumologie. Dr. Grah ist zudem Mitglied der deutschen Allianz für Klima und Gesundheit und arbeitet im Leitungsteam des Projekts "Climate Friendly Hospital-Havelhöhe 2030" mit. Anne-Kathrin Klemm ist seit Juli 2022 Vorständin des BKK Dachverbands e.V. Die Diplom-Volkswirtin blickt auf eine langjährige Karriere im Gesundheitswesen zurück, unter anderem bei der Techniker Krankenkasse und dem AOK-Bundesverband. Frau Klemm bringt umfangreiche Erfahrungen in den Bereichen Politik und Kommunikation sowie in der Gestaltung von Gesundheitsreformen mit. Klimaschutz und Gesundheitsversorgung rücken immer stärker in den Fokus. Die S2K-Leitlinie zur klimasensiblen Verordnung von Inhalatoren und die Initiative "BKK Green Health" sind Beispiele für Bestrebungen, die Gesundheitsversorgung nachhaltiger zu gestalten. Das kürzlich gegründete Aktionsbündnis Klimabewusste Inhalativa, bestehend aus 28 namhaften Organisationen des Gesundheitswesens, setzt sich zum Ziel, den Anteil klimaschädlicher Dosieraerosole bis 2027 deutlich zu reduzieren, ohne die Versorgungsqualität zu beeinträchtigen. Welche Herausforderungen und Chancen ergeben sich daraus für Ärzte, Krankenkassen und Patienten? Wie kann eine klimasensible Versorgung konkret umgesetzt werden? Kapitelmarken 00:02:15 Dr. Christian Grah 00:18:10 Anne-Kathrin Klemm BKK-Dachverband
Colossal megalith in Brittany. Thank you so much for listening! Please leave a 5 star review, share and subscribe!
Grah Dosh Nivaran Adhik Mass Me | Vastu For Grah Dosh Nivaran | Dr Puneet Chawla --- Send in a voice message: https://podcasters.spotify.com/pod/show/ecom-live-vaastu/message
Having discovered that Gemekala still lives (at least, after a fashion), the group is racing against time and the simmering tensions of the tribefolk they traveled all the way to help in the first place! Will they be able to convince two groups that're at one another's throats to work together for the good of the whole area? Better hope they don't let Moss do most of the talking!Episode 4/4Content Warnings: Adult Language, Adult Situations, Assisted Suicide, Gore (stabbing injuries), Profanity, ViolenceBlar son of Grah son of Blar is SteveMoss of Mo is RoyThraa is AmesHou'dza the Sly is ObieFragilly Stillhere is Harm The Bone Age©:Blood River is a Real Play Games Podcast production. The Bone Age© is © Copyright 2020 by Bill Edmunds. All rights reserved. You can find it and the rest of Cunning Plan's great RPG products on www.drivethrurpg.com, and you can support the show at no cost to yourself when you buy them by using our affiliate link included in the show notes!https://www.drivethrurpg.com/index.php?affiliate_id=177655Our theme song is “Dinosaurs On The Serengeti” by the talented Marc Beasley and is used under an individual license which includes synch licensing.If you want to reach out to the Real Play Games Podcast, feel free to email us at realplaygamespodcast@gmail.com or reach us on Twitter @realplaypod, on Instagram @realplaygamespod or via Tumblr under RealPlayGamesPodcast If you'd like to help support the show, as well as get early access to episodes, exclusive episodes, and behind-the-scenes looks at how we make our adventures, head on over to www.patreon.com/realplaygamespod and become a Patron today!Support the show
Hot on Gemekala's trail even if they don't know how to pronounce her name, the group is forced to separate briefly to allow Fragilly and OnlyChance an opportunity to bond with the area. What everyone will discover is shocking, and will turn their mission directly onto its head! Moss shows off the fact that his density isn't just mental! Fragillly sits in a tree! Thraa uses a trident in a way it's not supposed to be used! Hou'dza has more bad stuff happen! Blar makes something vomit!Episode 3/4Content Warnings: Adult Language, Adult Situations, Gore (bludgeoning/slashing/stabbing injuries, vomit), Profanity, ViolenceBlar son of Grah son of Blar is SteveMoss of Mo is RoyThraa is AmesHou'dza the Sly is ObieFragilly Stillhere is Harm The Bone Age©:Blood River is a Real Play Games Podcast production. The Bone Age© is © Copyright 2020 by Bill Edmunds. All rights reserved. You can find it and the rest of Cunning Plan's great RPG products on www.drivethrurpg.com, and you can support the show at no cost to yourself when you buy them by using our affiliate link included in the show notes!https://www.drivethrurpg.com/index.php?affiliate_id=177655Our theme song is “Dinosaurs On The Serengeti” by the talented Marc Beasley and is used under an individual license which includes synch licensing.If you want to reach out to the Real Play Games Podcast, feel free to email us at realplaygamespodcast@gmail.com or reach us on Twitter @realplaypod, on Instagram @realplaygamespod or via Tumblr under RealPlayGamesPodcast If you'd like to help support the show, as well as get early access to episodes, exclusive episodes, and behind-the-scenes looks at how we make our adventures, head on over to www.patreon.com/realplaygamespod and become a Patron today!Support the show
Following Hou'dza's accident, the group gathers together once more to keep on the track of Elder Prophet Gemekala or her potential fate. With chief huntress Adelajaja accompanying them, the group keeps well-fed enough despite the dwindling resources along the Bloodmarshes. What is it that could be poisoning these life-giving waters, and is it related to Gemekala's disappearance?Episode 2/4Content Warnings: Adult Language, Adult Situations, Body Horror (extreme mutation), Gore (blood, death by radiation), Profanity, ViolenceBlar son of Grah son of Blar is SteveMoss of Mo is RoyThraa is AmesHou'dza the Sly is ObieFragilly Stillhere is Harm The Bone Age©:Blood River is a Real Play Games Podcast production. The Bone Age© is © Copyright 2020 by Bill Edmunds. All rights reserved. You can find it and the rest of Cunning Plan's great RPG products on www.drivethrurpg.com, and you can support the show at no cost to yourself when you buy them by using our affiliate link included in the show notes!https://www.drivethrurpg.com/index.php?affiliate_id=177655Our theme song is “Dinosaurs On The Serengeti” by the talented Marc Beasley and is used under an individual license which includes synch licensing.If you want to reach out to the Real Play Games Podcast, feel free to email us at realplaygamespodcast@gmail.com or reach us on Twitter @realplaypod, on Instagram @realplaygamespod or via Tumblr under RealPlayGamesPodcast If you'd like to help support the show, as well as get early access to episodes, exclusive episodes, and behind-the-scenes looks at how we make our adventures, head on over to www.patreon.com/realplaygamespod and become a Patron today!Support the show
On the sweltering living continent of Kalsentia, the temperature isn't the only thing that's up! Tensions between the jungle-dwelling Red Wader village and the lowland-dwelling Kyteholdr peoples due to the disappearance of the Elder Prophet Gemekala, and fingers are being pointed on both sides as hostilities start to mount. To add to the issue, pollution has begun issuing downstream, causing frightful mutations and scaring off the wildlife both tribes need to sustain themselves! Who better than a bunch of strangers from other tribes who've blundered into the whole mess and the least intelligent Red Wader tribe member ever to solve it before it turns to all-out tribal warfare?Episode 1/4Content Warnings: Adult Language, Adult Situations, Body Horror (extreme mutation), Gore (Piercing Injuries), Profanity, ViolenceBlar son of Grah son of Blar is SteveMoss of Mo is RoyThraa is AmesHou'dza the Sly is ObieFragilly Stillhere is HarmThe Bone Age©:Blood River is a Real Play Games Podcast production. The Bone Age© is © Copyright 2020 by Bill Edmunds. All rights reserved. You can find it and the rest of Cunning Plan's great RPG products on www.drivethrurpg.com, and you can support the show at no cost to yourself when you buy them by using our affiliate link included in the show notes!https://www.drivethrurpg.com/index.php?affiliate_id=177655Our theme song is “Dinosaurs On The Serengeti” by the talented MarcBeasley and is used under an individual license which includes synch licensing.If you want to reach out to the Real Play Games Podcast, feel free to email us at realplaygamespodcast@gmail.com or reach us on Twitter @realplaypod, on Instagram @realplaygamespod or via Tumblr under RealPlayGamesPodcast If you'd like to help support the show, as well as get early access to episodes, exclusive episodes, and behind-the-scenes looks at how we make our adventures, head on over to www.patreon.com/realplaygamespod and become a Patron today!Support the show
Gravamen is a noun that refers to the most significant part of a complaint. The Latin word gravis (GRAH vees) means ‘heavy.' shifting into English in the early 17th century, our word of the day is used to describe the weightiest or most important part of a person's complaint. Here's an example: I have to admit I didn't care for the lame music playing in Dr. Simon's office, but I wouldn't say it was the gravamen of my complaint regarding my experience there. My biggest problem with the visit is that he spent two hours drilling into my gums.
Tino und Jens begleiten in dieser Woche Dynamo Dresden im Trainingslager am Walchsee. Dort haben die beiden ausführlich mit dem Athletik-Trainer der SGD Matthias Grahé gesprochen. Außerdem gibt es Interviews mit den Dynamo-Spielern Kevin Broll, Tobias Kraulich, Kevin Ehlers und Paul Will.
Anuradha | Vedic Astrologer & Tarot Coach https://astroanuradha.com Please SUBSCRIBE to the CHANNEL for updates on Vedic Astrology. Astro Anuradha Please CLICK the NOTIFICATIONS BELL to keep getting instant notifications when new videos are updated. For more details, get in touch with her @ OFFICIAL WEBSITE:https://astroanuradha.com/ EMAIL: info@astroanuradha.com FACEBOOK: https://www.facebook.com/anuradhashardavedicastrology/ INSTAGRAM : https://www.instagram.com/astroanuradha1/ TWITTER: https://twitter.com/ShardaAnuradha SPOTIFY:https://open.spotify.com/show/6oar5YO07pVE46SmOvu14w?nd=1 For WhatsApp +91 91114 15550 nuradha is a renowned Vedic Astrologer with more than 20 years of experience in the field of astrology and Occult Ccience. She offers valuable consultation regarding Nakshatra analysis, Past Life analysis and Prashna Analysis. She is more inclined towards spreading her knowledge to the keen learners and offer various astrology courses, throughout the year. Some of them are Nakshatra, Tarot, Prashna and Panchang
Anuradha | Vedic Astrologer & Tarot Coach For Course and Consultation, visit our website: astroanuradha.com/ For Hindi website: astroanuradha.com/hindi/ WhatsApp at +91 9111415550 A nuradha is a renowned Vedic Astrologer with more than 20 years of experience in the field of astrology and Occult Ccience. She offers valuable consultation regarding Nakshatra analysis, Past Life analysis and Prashna Analysis. She is more inclined towards spreading her knowledge to the keen learners and offer various astrology courses, throughout the year. Some of them are Nakshatra, Tarot, Prashna and Panchang
Meghann is an Adventure Elopement Photographer — she specializes in helping couples plan authentic ways to celebrate getting married which includes anything from climbing mountains to exploring their favorite national parks. Website: https://www.mlainephotography.com/ Instagram: https://www.instagram.com/mlainephotography/ Facebook: https://www.facebook.com/mlainephotography CallumConnects Micro-Podcast is your daily dose of wholesome entrepreneurial inspiration. Hear from many different entrepreneurs in just 5 minutes what hurdles they have faced, how they overcame them, and what their key learning is. Be inspired, subscribe, leave a comment, go and change the world! Every entrepreneur featured has been recommended by one of our previous guests. www.CallumLaing.com
Meghan Grah is our guest today. Meghan is an adventure elopement photographer in the Tacoma area. She got her start in photography while attending Pacific Lutheran University and has been a professional photographer over ten years now. Meghan describes getting her start in photography and what a typical day looked like and then how that led into what she's doing today. We discussed the ins and outs of adventure elopement shoots, especially in terms of Washington's (ahem) predictable weather. There are descriptions of some memorable shoots involving bridal dresses and hiking boots as the parties get to some amazing locations. Connect With Us
Anuradha | Vedic Astrologer & Tarot Coach For Course and Consultation, visit our website: astroanuradha.com/ For Hindi website: astroanuradha.com/hindi/ WhatsApp at +91 9111415550 Anuradha is a renowned Vedic Astrologer with more than 20 years of experience in the field of astrology and Occult Ccience. She offers valuable consultation regarding Nakshatra analysis, Past Life analysis and Prashna Analysis. She is more inclined towards spreading her knowledge to the keen learners and offer various astrology courses, throughout the year. Some of them are Nakshatra, Tarot, Prashna and Panchang
Anuradha | Vedic Astrologer & Tarot Coach For Course and Consultation, visit our website: astroanuradha.com/ For Hindi website: astroanuradha.com/hindi/ WhatsApp at +91 9111415550 Anuradha is a renowned Vedic Astrologer with more than 20 years of experience in the field of astrology and Occult Ccience. She offers valuable consultation regarding Nakshatra analysis, Past Life analysis and Prashna Analysis. She is more inclined towards spreading her knowledge to the keen learners and offer various astrology courses, throughout the year. Some of them are Nakshatra, Tarot, Prashna and Panchang
#vastu #vastuforgrahdoshnivaran #drpuneetchawla In this video Dr. Puneet Chawla is telling about Adhik Maas and it's good things. Dr. Puneet Chawla is a Life Guru, guiding and mentoring the followers to solve their life problems and make a easy living. He corrects the reasons of troublesome life by way of Vastu, Mantra and Tantra Mandalas. Being an intuitive personality he senses the negative energies, the reasons of problems and rarely predicts the life decisions too. He is a Shiv and Shakti Sadhak and guides people through Shivpath. --- Send in a voice message: https://anchor.fm/ecom-live-vaastu/message
Granitic is an adjective that means hard like granite. The Latin word granum (GRAH noom) refers to ‘grain.' The word later drifted into Italian, then English and its meaning shifted to a reference to a very hard stone. Our word of the day is the adjective variation that can refer literally to anything composed of granite or metaphorically to anything or anyone that is firm and determined. Here's an example of granitic used metaphorically: Jimmy's granitic will ensured that our band would succeed. We knew from the beginning that nothing would shatter his determination.
Grah Dosh Nivaran Mantra ग्रह दोष निवारण गणेश मंत्र • गणपूज्य वक्रतुण्ड एकदंष्ट्री त्रियम्बकः । नीलग्रीवो लम्बोदरो विकटो विघ्रराजकः ।। धूम्रवर्णों भालचन्द्रो दशमस्तु विनायकः । गणपर्तिहस्तिमुखो द्वादशारे यजेद्गणम।। •
We're a little late, but worth the wait this week, Twisted Listeners! And we're coming in hot with a fun (you know what we mean) topic - niche killers! We have an eyeball obsessed maniac, a man who loves teacups, a testicle bandit (you heard us), and someone who kills people in one of the most unique ways we've ever heard of! These murderers are dedicated to their craft like no other - they will do literally anything to stay their murderous courses, even if it means daytime post murder surgeries after a victim has been found! So tune in and enjoy, and sorry we're late with the episodes this week!Check out our website! www.twistedlisterspod.comBrought to you by Podmoth Media Network podmoth.networkJoin us on Patreon: www.patreon.com/twistedlistersFollow us on Instagram: @twistedlisterspcastTiktok: @twistedlistersWant to start a podcast? Sign up HERE Also, check out our friends over at Bloody Podcast! Another indie true crime podcast based out of Los Angeles!Cases Covered:1. William MacDonald “The Mutilator”2. Graham Young, "The Teacup Poisoner"Sources: https://murderpedia.org/male.M/m/macdonald-william.htmhttps://www.smh.com.au/national/nsw/death-of-serial-killer-william-the-mutilator-macdonald-not-suspicious-coroner-20160609-gpfai0.htmlhttps://www.biography.com/crime-figure/graham-younghttps://murderpedia.org/male.Y/y/young-graham.htmThe Proffitt PodcastThe podcast that shows you tips & strategies to create content with confidence!Listen on: Apple Podcasts SpotifySupport the show
Anuradha | Vedic Astrologer & Tarot Coach For Course and Consultation, visit our website: astroanuradha.com/ For Hindi website: astroanuradha.com/hindi/ WhatsApp at +91 9111415550 Anuradha is a renowned Vedic Astrologer with more than 20 years of experience in the field of astrology and Occult Ccience. She offers valuable consultation regarding Nakshatra analysis, Past Life analysis and Prashna Analysis. She is more inclined towards spreading her knowledge to the keen learners and offer various astrology courses, throughout the year. Some of them are Nakshatra, Tarot, Prashna and Panchang
means native have no power, no resource if native's lagnesh in nich and, the planet is vakreey than they have willpower. They will do hard work because they are from nich grah. nich grah person they used to do hard work because they are vakreey they put their all effects on it and not getting anything. They are unable but willing. To know more about this, listen to the Podcast...
Grah When the undead minion is the smart one of the group. Grah was originally written and published bask in 2018. I felt it was time for a revival (get it?) Old Version: https://talltaletv.com/grah/ The Pyro, by Jude Matulich-Hall: https://talltaletv.com/the-pyro/ Titles Talk & Tipples: https://www.youtube.com/channel/UCGN7_nicL0YWQ5c_7rmOCUw ---- Story Submission ---- Got a short story you'd like to submit? Submission guidelines can be found at http://www.TallTaleTV.com ---- About Tall Tale TV ---- My name is Chris Herron, and I narrate audiobooks. In 2015, poor control of my diabetes left me legally blind for the better part of a year. The doctors predicted an 80% chance I would never see again, but I changed the way I was living and through sheer willpower beat the odds. During this time I couldn't read or write. Two things that I had been turning to for comfort since I was a small child. With the sheer amount of stress I was under, this was devastating. My wife took me by the arm, lead me into the local library, and read out titles of audiobooks to me. I chose the audiobook versions of books I had loved such as the Disc World series, Name of the Wind, Harry Potter, and more. They brought my favorite stories to life in ways I never thought possible and helped me through the darkest time of my life. Once my vision recovered, I maintained a love for audiobooks. I decided I would turn my focus from being a writer to becoming a narrator. I devised Tall Tale TV as a way to help out all the amazing authors in the writing communities I had come to love before my ordeal. I created Tall Tale TV to help aspiring authors by providing them with a promotional audiobook video. A way to showcase their skills with the written word. They say the strongest form of advertisement is word of mouth, so I provide a video to a platform of readers to help get people talking. Help them spread the word. Click the share button and let the world know about this author. ---- legal ---- All images used in this video are either original or Royalty and Attribution free. Many images and animations are created using MidJourney AI and DiscDiffusion AI, both of which grant the creator (Tall Tale TV) commercial usage rights. Most stock images used are provided by http://www.pixabay.com or https://www.canstockphoto.com/. Image attribution will be declared only when required by the copyright owner. All stories on Tall Tale TV have been submitted in accordance with the terms of service provided on http://www.talltaletv.com or obtained with permission by the author. Common Affiliates are: Amazon, Smashwords
Playlist: Klapa Intrade - Intrade mixGrah i Jecam - Croatio oj ljubaviLicki tamburasi - Iz kamena voda teceNHT - Moj IvaneSima Jovanovac - Zajedno smo ostariliVeseli Dedeki - Volim te danas kao i nekad
Bonjour les Melimelotes. Aujoud'hui, on se retrouve pour parler de la dernière comédie romantique d'Erin Graham aux Editions Addictives, Coloc avec Mister Perfect. C'est frais, c'est drôle, c'est touchant, c'est sexy, bref, c'est Erin et chez Melimelo de Gwen, on est fan. Alors vous connaissez la musique, branchez vos écouteurs et laissez vous porter.
Aaj Madhya Pradesh main huye Grah Pravesham 5.21 rural beneficiaries ka.PMAY-G k antergat diye gaye in gharon k baare main janne k liye sunte rahiye Namastey India!
Series: Be'erot, Love & Relationship with God. Synopsis: The time-bound specific self vs. simple beingness. Episode Transcript: (After singing a niggun) It's a niggun about things that we are learning. It's set to the pasuk that David Halmelech says, Yamin Haromema…asaseh yah, which means: the right hand of G-d is raised up. It's the higher power in relationship to the power of din and of justice and judgment, and the right hand is the hand which enables Hashem to do chayil--He has the power to create hosts, and create many wondrous and myriad expressions of life… David Hamelech declares about himself, I will not die, but I will live. I will tell the story of the doings of yud key--an abbreviation of one of the names of G-d-- and it has a very powerful connection to what I want to explore today, regarding David and his expression of the love of G-d that we began to see last time. Here is the context: We saw in Rashi's divinely inspired perush on the pasuk v'ahavta hashem elokecha… that you love G-d with all of your heart, and all of your force or soul, and with all of your meod, that Rashi told us about meod, that the highest level of this love of G-d is expressed through mamoncha-- through your creative investment in life, your possessions-- and then Rashi told us that the other person who is present at the end of this process is King David, who we've been following the emergence of (since we saw the dudaim with Leah, which is in reference to his name) and now David actually turns out to be the one who is the final expression of love of G-d. His name "dod" actually means the loved, and the lover, and therefore Shlomo Hamelech, when he begins Shir Hashirim asher l'shlomo yishakeini m'neshikot pihu, he said, Kiss me with the kisses of His mouth, ki tovim dodecha miyayin, that your dodim are more dear to me than wine is. So he is referring here to his father, dodecha, davidecha, your David, who the kisses of Your mouth, G-d, are expressed through David, and they are more worthy and valuable to me than any of the wine of Your direct and expressed revelation. That there is something that happens between us, Shlomo haMelech says, that happens in a kiss, that can't happen if all there is is just wine. And this we understood with the help of Chazal; it was a reference to the incredible power that G-d has given by virtue of coming into unity with Him through the kisses of the mouth, which are teachings of the Torah she b'al peh and the halachah, and we saw how that becomes realized in this world with the halachah also being hakalah, the bridemaid who is where all of G-d's teaching and revelation arrive in that act , that one act of love towards him in fulfilling His will, which is our way of kissing Him. And the other aspect is the kiss of the Torah she b'al peh, the creative involvement in the revelation of His word, and a new element which I want to also refer to today, is something else about these neshikim. But the transpersonality, the power in the world which is embodied in David, is a kind of power of love which comes to realization in the bechol meodecha. And what was the bchol meodecha? That David becomes the one who expresses at the meeting of all of the various and sometimes trying meetings with life, is the one who achieves the level of bchol midah u midah she moded lecha, that with every measuring out that G-d sends to you, that He measures out to you, haveh modeh lo, so acquiesce to Him. And I believe that's the correct translation here, as opposed to hodaya, with giving thanks. Here it's--in a sense--surrender, it's an acceptance of, it's a being whole with that, David says. And Rashi goes on and says that David is the one who says: kos yeshuot esah, uv'shem adonai ekrah, that I raise up the cup of salvation and I call out the name of G-d. Tzara v'yagon emtza. I find difficulty and travail, uvshem adonai ekrah, and I call out the name of G-d. Whether it's kos yeshuot, whether it's tzarah v'yagon, whether it's salvation, or it's travail, bshem hashem ekrah. And I want to point out that bshem hashem ekrah, doesn't seem to be an expression of thanks. Hes not thanking G-d. He's not saying, uvashem odeh, that I will give thanks to G-d. He says that in many other places-- it's not that David is short on giving hodaya. But here, in meodecha, what he is doing is being modeh. How? By calling out G-d's name. And this is a very powerful and crucial element in all of the work that we have been doing in the love of G-d. And especially in the aspect of the creative force which we explored last week in the lev tov, which is the heart of creativity, the pounding life-giving force, which a person, in his right purity, becomes that. That lev tov is rooted in that maayan mitgaber, in a spring that is overcoming all kinds of obstacles, whether it be fear, whether it be self-denigration, or--but that the maayan comes to be expressed in the lev tov, and in attaching oneself to that, so one learns to be modeh. How is one modeh? So we saw last time, in telling a tale of someone who had a tremendously liberating breakthrough in a certain context that we were together, that breakthrough for instance may even be the kind of plug that is in the neck of the bottle, that's the plug of his own self-hatred, or self-denigration, or calling into question his ability to be an expression of all of those but block the expression of the maayan mitgaber which flows out. And the incredible thing is then when a person becomes modeh--meaning accepts--and here I'm giving the explanation of what the modeh is, he accepts the reality as it's being given to him. He accepts that and he is modeh to it. That's the first stage. He is at one with the is-ness of things, just as they are. Without all of the lies and blockages. Just as they are, that's the first stage. Just with the is-ness of things just as they are which attaches them to, as we've explained in the past, to the Tree of Life, as opposed to the Tree of Judgment of Good and Evil. And now that he is attached to that place, there is a marvelous thing: and that is, that there is a life-force which in a sense protects from becoming complacent when you're modeh, a life-force that pushes ahead to evolve further and grow creatively into more. Now I want to look at u'vshem hashem ekrah, that he's calling out G-d's name. So we saw profoundly last time that this is actually a reflection of the love of G-d which the Maharal taught us; it was a reflection of it's ahavah she aina t'luyah b'davar, it's a love which doesn't depend on anything, meaning it's not a matter of whether G-d's doing good things to me or things that I don't like. Because I'm so at one with Him, and so connected to Him, and all of life is experienced as the wellspring of G-d bubbling up through reality, so that actually pushes us ahead in our growth in the participation of that. That, the Maharal taught us is love, because love is the deepest communing of our soul with G-d. And already at this point, the love that we are describing is really in a sense vaguely connected to the lover and the beloved as two separate entities. It's devotion to expression, it's connectivity of all, and it's a process of birthing, which is what life then becomes about. So something very powerful which the Rabbis tell us and actually has a lot to do with the day which is coming out, Tu B'shvat, Rosh Hashanah la ilan, and the way in which we're always called upon to live our lives of creativity and action in this world. And that is, I would say, the most important contemplation that we have in our literature, which is the shliuv of shem yud kay vav key and alef dalet nun yud, that those two names be ever intertwined. And there is a way of writing them which is intertwined, which you've seen in certain siddurim, and it is encouraged, when a person is praying, to have either in imagination, or on the print in front, the shiluv of these two names. And the reason for that is because, the shem Adny, is the most dear --and dangerous--place. It's most dear, because it's the place of our realization and creativity, because shem Adny is a reference to the soul as it becomes expressed in the world as an Adan. An aden in Hebrew is a socket. Like the sockets that were holding the tabernacle in its place. Life is Adny, life is My aden, G-d expresses through that name. Your life is My adan, Your life is holding all of this divine influx. That it should have a place to stand. That's shem Adny. But shem Adny has a profound danger, and is most present specifically in our creative moments, which are so endeared and we've given so much space to in our teachings. That is because the experience of creativity can become a profoundly separating one. We saw this in the trial of Yaakov, who remains lvado, alone, for the small shards and the image of him being alone (and the first time of his being talked about being alone.) It's very painful--it's painful, in a sense, to be a creative person. The artist's life is a trying one, and I think anyone who has any kind of creative realization that is personal and dear to them knows that there is a very curious path that seems to be followed in that there is--maybe it's not that way for everyone--but my sense of it is that there is a period of sorrow or trial, which then leads to a realization that I'm not about these trials and sorrows; they are what I am experiencing, but there is a depth to my selfhood and my being that is beyond the depth of my sorrows and my trials. There is something that actually the pain brings about by virtue of being a tzarah, which is the word that means a narrow straight, and somehow that narrow straight--like water that flows through that narrow straight--becomes energized, where there must be a great word like impetuized--empowered--by passing through that straight. And then there is this opening that happens; this is a pathway of creative output which is a trying one, a very difficult and lonely one. But in that loneliness, there is a tremendous meeting that we saw that Yaakov has with, so to speak, the lonely one. The lonely one being Hashem Himself, Who, no thing, no one, is like. And it's very important to maintain a consciousness of the shiluv between the place of the outer expression and personal and specific and unique creator, and the one who is simply a mouthpiece for the G-d who is speaking through me. And I don't say that lightly, but that is indeed what we call upon G-d to do. Every time we pray, we say Hashem sfatati tiftach, You G-d open up my mouth. So that is a shiluv of Havayah and Adny. How so? Because the name Havayah is the name of simple being, as we've seen from the Grah and other places. It has no time frame, no future, no past, there is only present in shem Havayah. That's the meaning of that name. And even present is a misnomer, because there really is no present that's just simply being. That's shem Havayah. And Adny is, as we said, a place where there is a specific casing for the appearance of being in the form which is time-bound, time involved, specific, and seems to be putting out its own stuff. This is why, the name Adny--alef dalet nun yud-- is the word ani, alef nun yud, with a dalet in it. And this isn't just a word game, this is very important, because in the Kabbalah, shem Adny is actually called ani. It's me. The I, the place of the I, I am, and the place of the I is the deep experience of being able to stand up to, being able to assert, be an act, or in life. That's the place of ani. But it only connects to Adny when the letter dalet is there. Literally, the letter dalet, as we saw, is so important in the name Yehudah, for instance, which is also a connecting of the dalet from Adny into the yud key vav key. G-d's name is the yud key vav key with the dalet from Adny, so that the ani can appear, which will be David Hamelech, who comes out of Yehudah, so that the ani of David Hamelech can appear. The dalet remains bound to yud key vav key, so that the consciousness of being connected to simple being, and G-d in His own changing presence will not be lost But then David comes down as the ani, the I who is the creative output, and this then becomes revealed in the world, through the specific and creative activities which were so dear and about which we say ki tovim dodecha mi yayin, that your dodim are so dear, they are deeper than all of the wine, which is the place of the place right now. There are higher worlds than this, but [this is] the place of statis, the secret place. Yayin is gematria sod, which is the secret place of being, which is always a secret because we're always in the world of doing. So, it can't be spoken--it's an essential secret, in the sense of as soon as you begin to speak it, so then it is no longer being. It's already doing language, letters, forms, etc. so it's a perfect secret. For us, the David has to become a right reflection, with the dalet --and the dalet, David-- right? The dalet and the dalet has to have the clear and powerful-- powerful is the wrong word, but the very clear and zach, clean, transculent awareness of him being an expression of being, a mouthpiece for being. Very hard to hold that together. You could see why every time you say G-d's name you have to create a shiluv, a merging of these two names together. Very hard to hold that because as soon as you become creative, a new creativity, wow! you're excited and there's energy and there you are, and unbelievable, and even if it's not egotistical and self-centered, but the experience of it--it's me, it's happening to me and then you have to pull back and oscillate back to it's G-d, it's pure being, and go back there. When you're there it's a statis and there's all kinds of creative movement, so then you begin again and it becomes this oscillation which is indeed the oscillation of the shir which we spoke of once. It's the oscillation also between Havayah and Adny, which creates by virtue of its movement back and forth the song, which is the song that Shlomo Hamelech sings, the Shir Hashirim asher l'Shlomo. But this very crucial holding is actually what we are referring to every time we say amen, every time we say a bracha. So in the bracha, he's brought it down from the highest shefa into this piece of fruit, or this piece of bread, or whatever it is, and then it has created this yichud, and then the person answering amen is actually saying something that is completely faithful and integrous. That's what amen means: Be faithful and integrous. And I'm connected by asserting that this is faithful and integrous. This world is indeed nothing but Him in His expression. And that is why the word amen itself is the numerical value of these two names of G-d, yud key vav key and Adny, because that is what needs to be established by the person who has heard the bracha, Amen. It's Adny and Havayah together. This is the real ne'emanut, the faithfulness that one's creativity is not experienced which is ajar from or [inaud—revert/overt?] from. I must say a little bit of a digression, but it is important, too, because I would really like to see this more clearly, but I have a sense that eating fruits on Tu B'shvat isn't really--excuse me for bringing up my penchants. I am not so convinced that it's such a good idea to be so focused on the fruits on Tu B'shvat. Because it's about the tree, it's Rosh Hashanah ilan, and the word ilan is the same gematria of these two names. It's the same numerical value. Because the ilan is the place which is the connector between the ground and the fruit, or as the Maharchu of Reb Chaim Vital explains it, that there's a soul root which is in the higher worlds. And it's rooted and comes down through the tree and then it blossoms and becomes a fruit in this world. But lo! to the one who decides it's only the fruit. Has v'shalom. On Sukkot, which is the only holiday on which we deal with fruit, it's very important to keep connected to the lulav. Because the lulav connects it back up to the tree-ness of it and we're never supposed to be separated when they're being held. Because the most powerful and significant downfall is when the fruit is pulled away from the tree, and in fact has a great deal, --as we've explained in other contexts--, a great deal to do with eating only the product and not of the one who is its source and so we'll put that aside, but I will point out that historically, it's fairly late that we Jews are eating fruits on Tu B'shvat. It's mentioned in the Magen Avraham, 1600s, and there's good reason to believe that the source of having a seder Tu B'shvat with all these fruits is not a particular holy one. I'll put that aside… In terms of our lives, it's very much that way. It's very easy to become fruit-oriented, because you're very much oriented around the productivity and the produce and the output and just in terms of personal terms, forget about what am I becoming and how am I connecting to Source. Who is producing this fruit? I mean, it's all a bunch of great words, but what is your life? Who are you? We live in a society which is so divorced from Source. Just give me the stuff! Go into the store and pull it off the shelf. I don't want to deal with mechanism. I don't want to deal with process. I just want to have the stuff at the end. And our personalities become that way, where it becomes like our personality culture or persona-culture, which is what you're projecting, which is far more important than who you've become. So you get these things, you know, like learning ways to get people to like you, or to make a certain impression without the transformation itself. So that's on the level of our humanity. But on the level of our divinity, it's the same way. In a creative mode it becomes disconnected from that first origin of expression. You know that one of the great and most important contemplations that we have is the knowing that all of this is always in becoming; it's always being made by G-d, He's always speaking this. You can even imagine in a mediation, the emergence of a thought; just watch the emergence of a thought which comes from perfect at-oneness with that which that thought is emerging. Where did that thought come from? What was the nature of it, that thought, a moment before you thought it? Certainly it was there in thought, in mind, somewhere, it didn't come from nowhere. Well, that is the very beginnings of contemplation of unity coming into manifestation in a very mysterious, wondrous way in which that thought is not in your mind before you think it, it's not there. You can't find it, identify it, but it is there. Now that is a low level example of, if we imagine it as far more supernal that (33:24) all is present within G-d before it becomes manifest and real, or is it, or in what sense is it there before it becomes manifest and real? It is there and it's not, and there's this wonderous transition. I'm teaching you this because it's very important for us as Jews to always be attentive to that transition point, that we become creative and expressed, but we know it was a thought that was thunk by G-d. And that's what it is and that's what our lives are. It's His thinking it. Even though we experience it, and we have to experience it, the Adanim which is the hard socket that holds it, and if we don't experience ourselves with substance, so then we're not going to do anything. But the ani must always be connected or expressed through the dalet, which is a delet, which I began to explain twenty minutes ago, the letter dalet in Hebrew is a delet, [a door], a passageway, and so in the ani has a passageway that it's adni, and then when it connects up to yud key vav key, and its dalet becomes interpenetrated into the yud key vav key, then it becomes Yehudah, who is able to both acquiesce to and surrender to and give thanks for--and only from there can David our King emerge. And only from there can a true, redemptive consciousness emerge. And only from there can come true song and speaking of Torah and prayer, almost ironically, and prayer. And this David says about himself: v'ani tefilah. My selfhood is prayer. And the reason why he says that--it's so important-- is because--well, (hesitating) the prayers we say, in the Kabbalah, the Arizal, the prayers that we say, are kisses. This is the profound terminology of our teachings which must be taken with a right orientation of zakut, of non-materiality, but in the prayers we pray, so the first three brahcot are the chibuk, the hug, and the request we make of G-d are the kisses, so the Arizal teaches. What, the kisses? That yeshakeni m'neshikot pihu. Because when we pray, so there's a mixing of our breath with His breath, and this in the Kabbalah is a very high place of unification. The prayers are actually His voice speaking through us, and that's the only way to truly pray, which is with an awareness that it's Havayah who's speaking through my Adny, my Ani. And I'll say it in simpler terminology. It's His will and desire which I seek to align myself with in my prayers, and to speak His word, so that I will be speaking what it is which He Himself desires and it will never be anything else other than that. Just like it should never be anything other than His Torah that I speak when I say something which is a chiddush, something new. What does that mean something that is new? Is it not what G-d Himself thought? Of course it is! If it's new and disaligned from He, then it is nothing. And when it is very ancient, only then is it something, but in its being ancient, and the more ancient it is, the newer it is when it is received in this world, and in this body. It's this profound paradox that we live. We only want to say the most ancient thing, the ones that are the deepest thoughts of His will. The Zohar teaches that when a person says a chiddush, the angels raise it up and bring it to G-d, because He asks that a chiddush come to Him so that He might kiss it, and He kisses every chiddush. That's yeshakeni m'neshikot pihu, we're asking Him to kiss us with the kisses of His mouth. Pihu, which is the peh of yud key vav, with us providing the final heh, which is the soul's return up to Him to be kissed by Him and rejoined with Him, and then His breath becomes at one with our breath-- through a teaching which is a true teaching. This is what we really long for, and this is where love becomes so deeply at one with Him that in the end, David Hamelech himself says, it doesn't matter what you send my way, I am in full at-oneness with it. The Rabbis say that at the end of time, and I say this with trepidation and had it not been printed in the Talmud, then I wouldn't, but as you'll hear, because as the verse says in Zacharia, in chapter fourteen, v'hayah adny hamelech al kol ha'aretx, v'yom hahu….ushmo echad, that it will be that G-d will be King over all the earth, and on that day G-d will be one and His name one. So the Rabbis say….(40:49) what , today he is not one?… Amar… so Rebbe acha bar chaninah, his name is like the fraternerous one, his name is the binding one who is the son of the one who has chen…. The World to Come is not like this one. In this world, when something good happens, we say, baruch hatov v' hamativ, blessed is the One Who is good and Who does good, but when bad news comes, so we say baruch dayan haemet, blessed is the True Judge…. In the World to Come, the only thing will be hatov v'hamativ, there only will be good and the good one. Shmo echad, so that was He will be one, and His name one. What? His name now is not one? ,…. Rebbe Nachman bar Yitzchak, not like this world, but in the World to Come. In this world, My name is written yud key but is read aleph dalet. In this world, it is written yud key vav key but we don't say that, we don't pronounce that, we only pronounce the aleph dalet nun yud. But in olam habah, kulo echad, but in the World to Come, He will be called yud hey and he will be written yud heh. We will call Him by His real name. Because in the World to Come the simple being of all will be so present and apparent, that the experience will not be of things will are antithetical to or in favor of. It will only be Him. That's what David is calling to, when it says ubhem hashem ekrah, I call out His name, Havayah. B'shem havayah ekrah. Calling upon that His name should become One. But we should experience life that way and indeed he is the one who is raising that cup at the end of the feast, at the end of time, at the end of G-d's sustenance for creation to give Him this blessing, which is this odecha of the final and most intimate love with Him which it's no longer a calling out of His name, it's a being to being with. This love, which is one which is-- there's glimmerings available to us in this world, glimmerings of it whenever we accept life, when we accept what G-d gives us, when we know it as good what He has sent us and what we have faced in our lives. And I want to tell you something that is a great secret. And so much so that the Gemara goes on and says, Ravah, who was one of the greatest teachers of the Talmud, wanted to give over this teaching in a very public place, in the pirchah. The pirchah is when there would be very large masses of people that would gather for the teachings of the Rabbis. So amar le ha husaba (44:47) so there was an old man there, who said to him, l'olam ktiv, it says, ze shmi l'olam. This is My name to be hidden. This is to be hidden. So he didn't. (That's what I meant when I said I would give it over, it wasn't printed.) But the truth is, it's a secret whether you've heard it or not. It forever remains a secret, because it stands as an antithesis to our primary experience of life, which is of the ani, and the transition all the time from the ani back into Adny, through Havayah and Yehudah back up into the ayin, is one which is an ongoing oscillation and flux, which is truly the song of life, and the great love song, which is the Shir Hashirim asher l'Shlomo. (46:12) There was once a man who lived something of this. He was the great teacher of Rebbe Akiva, who is of all the tanaim, is the most primary origin of Torah sheba'al peh. In fact, so much so that when Moshe saw Rebbe Akiva, he said, "You have Rebbe Akiva. What are You giving the Torah through me for?" I could go on and on about Rebbe Akiva…His name is actually the ending letters of a verse which is big important verse about our lines: Or zarua l'tzaddik uv'yisreh lev simchah. If you take the ending letters of each word, it spells out Rebbe Akiva. Or--resh, zarua--ayin, l'tzaddik--kuf, uv'yishrey--yud, lev--vet, simchah--hey. And Rebbe Akiva is the expression of the Torah she b'al peh, who lives his life in oneness, as we know that's how he indeed ended his life. He had a teacher, whose name was--we only know his first name--and apparently, both the place he came from, and the way he lived life. And the name of his teacher was Nachman Ish Gamzu, the consoled one who was of Gam Zu. What is Gamzu? This, too. Why was he called Nachman of Gamzu? (48:28) Because kol milte de hava salka le, On everything that would happen to him, he would say of it, gam zu l'tovah. This is also good. This is also for the good. Gamzu l'tovah. Fantastic. So, there was actually something here that could be put to use, a guy like this. You could send him to all kinds of situations, and he would say, gamzu l'tovah. Nice, but will it always work out? I guess, he'll always see it as working out, so I guess it's okay. I guess it's kind of like a no-risk thing. So the Rabbis needed someone to go speak to the Caeser, who was going to or had made a bad declaration against the Jews. So they wanted to send him a package of a bribe, of extravagant and precious stones. So they said, who can we send this with? So they said, well, let's send it with Nachum Ish Ganzu-- d'iluma b'nisim, miracles are always happening with him. He's learned of miracles. Actually an interesting phrase, because it doesn't acutally mean always happening with him, it means he's learned of them. Already you have a sense that miracles that happen to him don't just happen to him, they're related to somethng about his consciousness about life and the world. He's learning. His learning is a miraculous learning. So, what do they do? They sent him a suitcase of precious stones. On his way to Rome, or wherever he was going, he had to sleep over somewhere. So he put it wherever he put it, he went to sleep, and in the nighttime, the owners of this little rest spot came in his room, took the suitcase, emptied all of the stones out of it, put them in their bag, and filled it with dirt. Now there are two versions of this story. In the one version, in the morning he saw it, and said, gamzu l'tovah. Another version has this in parenthesis, that dar , I don't know. In any case, (51:12) kimatva hatam, when he arrived in Rome or wherever he was going, sharinu l'sifta, so he presented the suitcase to the Caesar, they opened it up, and they saw it was full of dirt. The King wanted to kill him and all the Jews. They're making fun of me, those Jews. Nachum Ish Gamzu said, gamzu l'tovah. Eliyahu appeared, he looked like he was one of the king's advisors, and he said, maybe this is the dirt of Avraham, their father. You know, when he took dirt, he would throw it and it would turn into arrows, knives and swords, there's even a verse in their prophets that their swords are turned into dust. And the archer's bow is turned into chaff, actually the direction in the prophet, of course. There was this one that they couldn't overcome --lo matmu lmichtma she (52:41)-- So they checked it out, and they threw this dirt at the capital city, or at the country, and they were able to capture the country! Whoa! So they came back and they went into the King's treasury and they brought out all kinds of precious stones and they give them to Nachum Ish Gamzu, and they said, Here, take this back and give this to your people. They were thrilled. Okay, so on his way back, so he goes and he sleeps in this place. I don't know, good things seem to happen in this place, so he goes and sleeps there again. So they asked him, What happened with your mission? How did things work out? So he told them what happened. They said, Well, what did you bring? He said, What I took from here I brought to there. Okay, as soon as he left, they pulled down their house, dug up all the dirt, put it into big boxes, and they brought it to the Caesar. And they said, this is it! This is the stuff! We are the owners, we're the ones he brought it from. So, they said, okay, let's check it out. Of course they checked it out and it didn't do anything. And so these scoundrals had an unhappy end. And that's was the story of Nachu, Ish Gamzu, teacher of Rabbi Avika. What's this Nachum Ish Gamzu? Gamzu l'tovah. So the Maharal says a deep thing, "What did Nachum Ish Gamzu always say "gamzu l'tovah"? He was always saying "Gamzu l'tovah." As if it needs to be enunciated. It couldn't be, so to speak, just an attitude. So he says the following crucial teaching: It says that everything that comes from G-d is coming from His good, and when something comes upon a person which seems to be bad, listen carefully, (55:41) hu boteach bo… yitbarach. That he completely relies on G-d. Hashem Yitbarach…tovah. G-d turns it to good… by virtue of his reliance on Him. Vey interesting--listen carefully. Everything which comes from G-d is good. When it comes, trust Him. And if You trust Him, he turns it to good. Huh? Wait a minute. Is it good, or isn't it good? What are you telling me? Is it good, or isn't it good? Why are you telling me that my trust will determine whether it's good or not good? You just told me that everything that comes from G-d is good. Yeah. But its goodness depends on your reliance, bitachon, betach, is your ability to cling. In Hebrew, tiach is what clings to, rest in Him. Boteach bo. It's like sitting on the floor now. Let your weight be in it. Cling to Him, be davek in Him. And then He turns it to good. That's not to say that if I didn't, then it wouldn't be good? Well, you know what? Yeah. Because then you'd be living a lie, you'd be living the lie of your interpretive and judgmental mind which is pushing it off and not willing to be modeh to. But when you are boteach and modeh to, then the good comes. Now I want to warn you. Don't try to make sense of this, because it's a tautology. It's not like I'm proving to you that what G-d is sending you is good, the proof being when you accept it, it's good. It's not a proof of anything. It's an experience of life. We could never prove such a thing, because we can't stand outside saying, it should be this way, or it should be that way, if you remember the young man from last week. You can't say it should be this way or it should be that way. You should be standing outside the whole system to determine such a thing, so shut up. Just shut up. Shtok. Ki kachah lah b'machshavah. You can't say what it should be, shouldn't be. But what you can become is an experiencer of life as it is. And you can know, thanks to G-d having revealed Himself to us, that He made this world and held it because He saw that it was good. And when he saw the suffering and travail, the midrash says, that came about on yom sheni, on the second day, which is the introduction of duality. He didn't say tov about that. That if you look on the second day of Creation, He doesn't say tov, because it's the day when duality is created. But on the day of tov meod, He interincluded all the elements into one. And then even yisurim--which are the experiences of life which are antagonistic to what it is that we enjoy or like--becomes included, the midrash says, in the tov meod. And so it is that as long as we stay in the place of claiming omniscience, so forget it. What are you proving to me? That G-d is good because when I accepted what happened to me, that it turned out for the good? What, are you trying to trick me into believing in G-d? No, I'm not trying to trick anyone. I'm just trying to describe an experience and that's what the Maharal is doing for us; he describes the experience when you're boteach, he's m'hapech it l'tovah. But I'm telling you it's good. So if you're telling me it's good, it's good, even if I don't accept it--No, it doesn't work that way, sorry! Here, give Me a kiss. Can you give Me a kiss, G-d says, can you become at one with Me? Ki tovim dodecha m'yayin, it's better than all of the joys which you could have thought to experience had you not come into being and stayed the simple wine in the place of the secret. If you can, then you've entered the moed . Meod? Like more than? More than. More than what? How could there be more than? You're right, there isn't. It's all Me. But know that meod is the same letters as Adam. Because you are the meod, if you live your life right. And the way to live your life right is when the meod becomes mah, which is the same numeric value, the question of what. The statement of we are what, which was Moshe, who said about himself, and Aharon, anachu mah. We are meod realized as mah. And that's when the ani becomes ayin , and the Talmud says that you should know the whole world stands on that, the mah of Moshe, as it says: toleh eretz al limah, that he hangs the whole of reality on li mah. On the ones who say the li mah, for me, it's what. And I'm complete bitul to Him, I'm complete abnegation to Him, it's only Him. (1:02:39) The beautiful thing is, when that mah has the beginnings of ani added to it, the aleph, so it becomes meah, the one hundred brachot that a person is meant to say every day. But it's Moshe and the power of his humility which allows this to be, it's his power of humility which allows for the yichud for the connection of shem Adny and shem havayah as one, that the ani never lose its awareness of where it is always, and who is always thinking it and who is always speaking it, and who is always expressing it, and that is ultimate love and ultimate communion in a way that, in the end of time, will be expressed by the meodecha of acceptance. (1:04:30) You're welcome to ask questions… We discussed creativity in the beginning, and you talked about creativity in the sense of aloneness. How do you define creativity? Because you're not really defining it in a purely artistic sense, obviously. I really appreciate your asking that. Because it's not always that way, and the truth is, when it's a true creation, there's always people together in it. Nevertheless, I don't know exactly how to explain what's lonely about it. In the end nobody can know your heart. They bring five things--I need to find this Gemara again--five things that no one can ever really know, and one of them is the heart of another person. So that's creativity? The heart? Creativity is-- the lev tov is the creative origin of the life-giving force which is creative power. But creative power means what? That you're bringing something new to the world? It's something from you? Life-giving. I mean, one one level, it's life-giving. When it's new life-giving, so it's even more joyuous? So life-giving is a lonesome process? No, that I don't think. The amazing thing is the way that G-d made it is that the only way to give life is with another person. Until technologically came along and tried to rake that up too. But the incredible thing is, the creation of a child, the creation of anything, really, always involves another person. If you remember, we saw (1:06:34) ashrei yulad'to, it says, happy is the one who gives birth to him, is the one who teaches be a chaver tov, know how to connect. So I'm contradicting myself, because I'm exploring different aspects of it. I'll try to say it as succinctly as possible. On the one hand, creation is always a co-opting activity, really, deeply. Creation is always cooperative. But there are moments in Creation that are experienced as just me doing it. Just me. And not only that: how could I possibly share this? Who would understand me? --on the one hand. On the other hand, of course it's with others and with all of reality and the whole world and G-d who is speaking it through me. And that is experienced very intimately. But I may be wrong, and I'm not the cleanest in the world. But I have the sense, at least this is where my madrega is, I have the sense that it shifts back and forth. And then you just want to share it, and then you realize: This isn't my doing, it's like everything and every person I've come into contact with and all life experience, this is reality. And then you're not alone at all. So does the loneliness—is the loneliness not knowing if the-whatever the creative item is--is going to be received? Is that what the loneliness is? Never able to fully share. One. And on the other, it's an expression of my utter and complete uniqueness. Right. So that's not knowing if it will be received or not. Not only the question of knowing if it will be received . It's unreceivable, because it's utterly unique. It didn't come from anyone else, it came from me. On the one hand. On the other hand, it's a very tameh place that I'm describing. Meaning, it's a very impure and incorrect. It's not right. The truth is, the whole of reality is participating in this and taking pleasure in it and contributing to it. And being part of it. That's the truth. Halevai that we hold that in the creative. But, nevertheless, it is still l'vado. Because this particular expression is so unique and different that it's really alone. I'm kind of like trying to draw for you the shiluv for you of shem yud key vav key, and Adny. You can hold it in a picture, with a yud and an aleph and a hey and a dalet and a vav, etc. What I also want to say, it's the deepest love when it's experienced as something which is what I just described. We're all together in this. But who could you love more than someone who's participating in that with you? Also you said that it doesn't really come from you. So if you're not really alone, then what you're doing is tapping into Hashem. Right. So then is it an illusion, then, the (inaud) (1:10:51) ? Yeah, on a certain level, yeah. The class is over..and I'll continue to take questions. I'm always very wary of the word "illusion". False understanding. It's called, like I like it better, in the non-judgemental that's called da'at tachton. It's lower consciousness. The reason why I prefer that is because lower consciousness is crucial. The Rabbis said, when they tried to get rid of the yetzer harah, they looked around the kingdom and they locked it up. For three days, the yetzer harah, and they looked around the kingdom and they didn't find one egg that had been laid by a hen. Not one egg. You know, no fruit. Sad to say, but you need a lower consciousness. Then you catch yourself, and then like-- I know, high souls, maybe, I don't know, but it doesn't oscillate that way. But it's good to always have someone who reminds you. I have a dear I guess former talmid and friend. He reminds me, It's good to have someone who reminds you, when you're in your LOW! G-d. Because you can really only sort of hold it pictorially with a shiluv of Havayah and Adni and to be in the ilan. Was that helpful? It is, but I don't want to continue, because I could do it for two hours. (Continuing) Amanut, omanut in Hebrew, craftmanship and artistry, has its root as amen; aman has its root as shiluv. Because real craftsmanship, which is the creative output, is always with this kind of consciousness. When you're purely in it, when the creative inflow happens, so then it's from G-d. Then you start working it out, thinking about it, presenting it, getting it into how it's going to look, packaging it, etc. But the real moment of omanut, is very much like that. I'm just going to say one other thing. We're just referring back to our learning in the Rambam. (1:14:28) about Simcha bmitzvotav ahavat hakel shetzivah bahem. And David and his dancing and letting go, and it's all flowing through him, and Michal trying to stop that and etc. So the Rambam learned his teachings about simcha shel mitzvah from a sugiah that in a sense doesn't make any sense at all. Listen to this piece of Talmud. It says, Kohelet said two things. One thing he said was simchah--ech! It's a bunch of trash! As Ecclesiastes talks. And the other one says, Eshabeach ani et hasimchah. I praise nothing other than simchah. So the Rabbis say, What are you going to do with this contridiction? So they say, one is simchah, and the other is simchah shel mitzvah. And where do we learn simchah shel mitzvah, the joy of a mitzvah? So here's their proof. They say, well, you know, it says, that when Shaul was troubled and crazy, so his advisor said, We need to bring someone who can play you music. And, of course, they bring him no other than David Hamelech.(1:15:46) Vayehi knagen hamenagen, And then, when he played him the music, so his spirit was calmed. It's the same language which is used when the prophets would play and prophecy would begin. Huh? That's the proof that simchah she b'mitzvah, that's something. Now you look at that piece of the Talmud and you say, What? I mean if you had said, He brought him a lulav and he shook the lulav in joy, or if he had brought his tefillin and it said, He put on his tefillin in joy, then it would have been a mitzvah, right? Then it would have been the joy of doing a mitzvah, right? No. That's not simchah shel mitzvah. Simchah shel mitzvah is the joy in the joining. That's mamash, it's the only way to explain the Gemara. When he played the music, so he joined Him, G-d's spirit was resting upon him. That's simchah she b'mitzvah. The joy is in the joining. And Rashi says, well, it's a mitzvah to have G-d's spirit rest upon you, that's how Rashi, what they say in yeshivish, "tyches it up." But that's the point. That's simchah she b'mitzvah. The joy is in the joining. And that's music. The music is there. And that's David who plays the music for Shaul. Can you tell me more about the day of tov meod? It says that at the end of Creation on the sixth day, that G-d looked at everything, V'hiney, tov meod. Up until that day he looked at the particular creation of that day and He saw that it was good. He looked at the light, He saw that it was good. He looked at the plants, He saw that they were good. He looked at the orbs, He looked at the animals, etc. And then at the end, He looks at it all and says, it's tov meod, the allness of it that's malchut, the entirety of it. So the Rabbis said, You know what He saw when He said tov meod? He saw death. He saw suffering, pain, hell. Gehenom. And He said, tov meod. Gey shteis. Go understand that. That was the tov meod. I'm kind of loath to explain these kinds of things, but they have everything to do with what we've been talking about. Because that's the root for that pain and travail, as painful as that is, if you ask me, I don't know if I'd ever make the world like this, don't ask me, but that's the pathway that takes us to the meod. It's just that way, and when you're modeh to that, then it is that. Is that helpful for you? There's a number of midrashim on that, quite astounding. (1:19:55) You're describing the oscillation. You see, it's very much like whiplash, like I'm hearing you say oscillation, and I'm thinking halivay, to be in some kind of like sweet oscillation.. Thank you, I'm being, I'm sweetening it. And that in that, I guess, I'm not sure what the question is, I think maybe that sitting in the reality in the Adny of it, say, how to sit in that and feel it and accept it, without feeling the need to push it off and say, no,but I'm really bitul and I'm really gamzu l'tovah, even if there's a deep emunah in the gamzu l'tovah, in the moment, how do you experience it and feel it and love it? How do you have both the gam, which reflects an awareness of my needing to see it, experience it, with all of its difficulty, how do you hold the gam, this too, is good. Both the trial and the l'tovah. Right now, I think I've described as best I can in a different plane. If you try to step over that experience of trial and tribulation, than the zu l'tovah won't happen either. You can't walk out on it, it's a perversion. It's a disgusting perversion--is the word that comes to mind-- it's a disgusting perversion of life, to G-d's gift of life, to try to not be in that. If it's just your thoughts, drop them. I have this, I'll think all kinds of bad things, or regrets about, or judgments of, etc. You don't have to walk through those. You can just lay those aside, you don't have to think about those, because it's not more real than the reality you're investing it with now. So drop that. That's not G-d sending that to you. Put that aside, think of Him, think of something good, etc. But when it's in life, person got his leg chopped off, or a child hurt, or whatever, things that we share, just like, oh, it's okay, it's G-d and it's good, that's a bunch of crap--that's a bunch of crap, and I specifically call it that, because I have something in mind, but I have like someone shared with me a lecture that he heard from a professor of philosophy from Berkley. And among the garbage in the lecture there was a good scene he described. When he was in the 1960s in an ashram, a a Buddhist teacher was telling the people there: So what would it be for you to have this rose without the thorns? That's enlightment. And they went around the circle and everyone said, Yes! And they got to this professor, who said, "What are you talking about? That's not life!" Jewish guy. "Where would love be? Where would growth be? Where would trials be? What are you talking about?" And it's not that we don't know this, and in the end the Gemara says, ubayom hahuh yiyeh Hashem echad u'shmo echad. That, by the way, is what we started with, with the niggun (1:24:17) Yemim Hashem romema…ma'aseh ya. I am telling the story of yed keh Because in the end, yud key will be G-d's name: yihyah. Yud key yud key, which is just the mochin, just the higher consciousenss, not the lower consciousnes, that will be in the end of time, but that's not now. But when you try to pretend that it's now, then sort of like jump the gun, then it's a short circuit. That's what the Rabbis say to people who try to go the long path through a short cut. Like in the famous mashal that the Tanya brings, that there's a longer shorter path and a short longer path. When you try to take the long path as if it's a shorter path, then you don't end up at the palace, you're just pretending. This has everything to do with what you were saying before about illusion. G-d created it, see that's where we're different from the Buddhists. G-d made this, that we should see things this way. What are you going to do with that? So if you live in a will-less reality, so then all you're going to focus on is, this is all illusion, maya, higher consciousness. But if you live in a reality which is willed by a loving G-d Who is good, and Who has made this in His goodness, well, then, don't skip it over, it's the meod and the tov. Love me. If you experience G-d as a loving G-d, so He made this not as some perverse and false image, illusion, but He made it as a reality that's meant to be lived. And then when you pass through it, and you do pass through it, what comes out at the other end, is the chelah yeterah, that the Zohar says, is the chelah yeterah of tshuvah and other things that what life is here on this planet for, you passed through the narrow path of mitzraim. You had to go there, the metzar hagaron, the narrow path, between your heart and your mind. Was that helpful, was I relating to you, Debbie? Yeah. Chaya, what's…? Still breathing. Okay. Gam zu l'tovah does that mean, this is wonderful? Pleasant and good are two different things. Yeah, Gam zu l'tovah. I don't know that it always means, to enjoy, it's to have a consciousness and awareness that it's not happening without reason, that there's a higher course It's going for the good. and you're a part of that, and that's way it's good. But it doesn't mean that-- It's is l'tovah "l" tovah. Yeah, it's for the good, it doesn't mean that it's good for you Correct. Gam zu l'tovah. I think Rebbe Akiva has a higher consciousness, and more geuladic consciousness, and ultimately there's even more, but he's the beginning --Nachum ish Gamzu, of this kind of consciousness, that's expressed in Rebbe Akiva in the great love of G-d that he lives. But you're right, and there's another story, which is a counterpart story of Nachum Ish Gamzu, if you remember where he meets a poor person, and the poor person asks him to --are you familiar with this story? There's a story about Nachum ish Gamzu, I don't know if I really want to tell the story, it's painful but it's important to see the other side, the Rabbis came to him once, he was ill, he was lying on the bed, he had no arms, no legs, and he was blind, the house was falling down. So they came to visit him, and the legs of the bed were sitting in pools of water so that the ants wouldn't climb up on the bed and gnaw at him. So he said to the Rabbis, First take all of the stuff out of the house, and then take me out, so they took all the stuff out and they took him out, and of course, as soon as they took him out, the house fell down. Because it was only in his merit that the house was still standing. So they said to him, How did this happen to you? So he said, Once I was walking on the way, and I had a load on my donkey, and a poor man came up to me and said, Could you give me some food, and he said, I will give it to you as soon as I unload. It's like the equivalent of I guess, like you're taking a hitchhiker. You'd like to stop here and the other one would like to stop ahead, I'll stop over there, and you'll get out and walk back. Something like that, I guess, so he said, I'll unload, and then I'll give you. In the meantime, the poor man died. So then, Nachum Ish Gamzu said: these hands that did not move quickly for him should no longer be, these legs that didn't run or him should no longer be. These eyes that didn't see his suffering and compassion should no longer see. Wait a minute, why didn't he say Gamzu l'tovah? Well, apparently, it's not so simple. I don't have an answer, just leave that as paradox. But it's not so simple. Is that in the Gemara? That story appears right before the one I told. Because then the Gemara says, so why did they call him Nachum Ish Gamzu? Well, because he always said Gamzu l'tovah. What? And there he is, with the earth of Avraham, the man of love of G-d. It was his love of G-d, the earth of Avraham. It's not simple to be Jewish, you don't have the thorns, you want to go on a different path. Yeah, we have thorns and roses together. Because it's not an illusion, and your choices matter, and your response before them. And they have consequences. That's the next series. About fear of G-d. Oh yeah? No! Have a good day, bye!
Zum Jahresauftakt kochen wir in der noch kalten Jahreszeit einen deftigen Bohneneintopf, den wir in Deutschland unter dem Namen serbische Bohnensuppe kennen und die dort, wo sie dem Namen nach angeblich herkommt, aber wie so oft ganz anders heißt, nämlich Grah oder Pasulj, was sich wiederum aus dem lateinischen Wort für Bohne, nämlich Phaseolus ableitet. Aber Namen sind ja bekanntlich Schall und Rauch und so ist es am Ende nur immer wichtig, dass man weiß, was gemeint ist und die serbische Bohnensuppe ist ein bekannter Begriff in Deutschland, der sofort ein bestimmtes Bild im Kopf und einen deftigen Geschmack am Gaumen erzeugt, so dass man am liebsten gleich zulangen möchte. In meiner Kindheit war die serbische Bohnensuppe in der Dose aus dem Discounter jedenfalls ein fester Bestandteil in unserem Vorratsschrank, wenn wir mal schnell und unkompliziert abgefüttert werden mussten. Heute jedoch werden wir diesen Eintopf mit der ihm gebührenden Sorgfalt zubereiten und ihn damit in eine Geschmacksliga zurückbringen, in die er einfach hingehört.
Pred šestimi meseci je postal najmlajši generalni direktor RTV Slovenija, potem ko je 4 leta vodil njen nadzorni svet. Andrej Grah Whatmough, gost sredinega Intervjuja na Prvem, o finančni konsolidaciji javnega servisa, o političnih pritiskih, o novem RTV zakonu, o tem zakaj ni prisoten na družbenih omrežjih, kako bo obvaroval neodvisnost javne RTV ter kakšni bodo radijski in televizijski programi prihodnosti.
Join us for part two of our level 20 Halloween One-Shot Rejoin Alv, Akira, Grah'kthul, Raven and Merlin as they flee through the Abyss, encountering a fiery river of souls and a fiendish riddle at the top of a mountain! Music by Mike from Tales of the Glass Guarded World
Join us for our level 20 Halloween One-Shot Join Alv, Akira, Grah'kthul, Raven and Merlin as they attempt to escape the black fortress in the lowest pits of the Abyss! Music by Mike from Tales of the Glass Guarded World Bloopers at the end
HTGG's review of the song Grah Tah Tah by the artist Tory Lanez and it features the US artist Kodak Black as well.
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Enjoy the twelfth session of Valley Beit Midrash's "The 40 Greatest Debates in Jewish History!" series. (1 per week for 40 weeks). Topic: The Grah vs The Besht In this class, we will explore the 40 greatest debates in Jewish history. We will study texts, reflect on the historical contexts, and discuss the values involved. Rabbi Shmuly Yanklowitz will present for about 20-30 minutes and then the remaining 30-40 minutes will be for questions and conversation. DONATE: http://www.bit.ly/1NmpbsP For podcasts of VBM lectures, GO HERE: https://www.valleybeitmidrash.org/learning-library/ https://www.facebook.com/valleybeitmi... Become a member today, starting at just $18 per month! Click the link to see our membership options: https://www.valleybeitmidrash.org/become-a-member/
In each episode of “The 40 Greatest Debates in Jewish History,” Rabbi Dr. Shmuly Yanklowitz (President & Dean of Valley Beit Midrash) explores debates in Jewish history by examining texts, historical context, and Torah values. Stay Connected with Valley Beit Midrash:• Website: https://www.valleybeitmidrash.org/• Donate: https://www.valleybeitmidrash.org/donate• Facebook: https://www.facebook.com/ValleyBeitMidrash• YouTube: https://www.youtube.com/channel/UCiLYSyEus7DcWMhyEZ_CQFQFollow Rabbi Shmuly:• https://www.facebook.com/RabbiShmulyYanklowitzThis channel is home to all of Rabbi Shmuly's class series. The channel includes:• Pearls of Jewish Wisdom on Living with Kindness ('22-'23)• 40 Greatest Debates in Jewish History ('21-'22)• 39 Ways to Repair the World ('20-'21)
सर्वग्रह शान्ति मंत्र ◆ ॐ ह्रां ह्रीं हूं ह्रौं ह्रः असिआउसा सर्व-शान्तिं कुरु कुरु स्वाहा | ◆ (प्रातः काल जप करें)
Mehr als 20.000 Windeln hat Jürgen Grah schon gewechselt. Seine beiden Söhne hatten daran aber nur einen geringen Anteil: Der Düsseldorfer Familylab-Familienberater arbeitet seit rund zehn Jahren als Tagesvater, betreut täglich fünf Kinder im Alter zwischen ein und drei Jahren. Zusätzlich hat er eine Ausbildung bei der Deutschen Gesellschaft für Babymassage absolviert und gibt regelmäßig Kurse - speziell für Väter. Er kennt sich also aus - mit Babys genauso wie mit Daddys (www.juergen-grah.de). Im Gespräch mit den beiden ECHTEN PAPAS Marco (www.dad-mag.de) und Florian (www.HerrSchleinig.de) erzählt Jürgen in dieser Folge des Podcasts, wie er eigentlich zu dem Job des Tagesvaters gekommen ist, warum Babys robuster sind als viele Männer vielleicht denken und warum Väter (noch) öfter an die Wickelkommode sollten – es stärkt nämlich von Anfang an die Vater-Kind-Bindung und legt so das Fundament für eine innige Beziehung. Außerdem verrät der Experte, was es mit dem Wickel-Walzer auf sich hat. Eins zwei, drei! Zusätzlich gibt es natürlich auch dieses Mal wieder einen neuen Song auf der Spotify-Playlist der ECHTEN PAPAS: https://spoti.fi/2Zutj4H, natürlich ausgesucht von Jürgen, der übrigens eigentlich studierter Architekt ist. Downloaden, anhören und am besten auch gleich abonnieren wie auch den Podcast selbst. Ihr habt Feedback? Zu der Playlist? Zu dieser Folge? Oder eine allgemeine Frage? Dann schreibt gerne eine Mail an: podcast@echtepapas.de! Und jetzt: Viel Spaß beim Hören und Wickeln. Last but not least ein Hinweis auf den Sponsor dieser Folge: die Firma WaterWipes, deren spezielle Baby-Feuchttücher nur zwei Inhaltsstoffe enthalten - nämlich 99,9 Prozent Wasser und einen Tropfen Fruchtextrakt. Damit sind WaterWipes die reinsten Baby-Feuchttücher der Welt. Mehr Infos dazu gibt es unter www.waterwipes.com.
weil's hilft! Naturmedizin & Schulmedizin gemeinsam. Der Podcast.
Beim Thema Klimaschutz kommt einem ein Krankenhaus wahrscheinlich nicht als erstes in den Sinn. Und doch geht es genau darum in Folge 14 unseres Podcasts: Das Gemeinschaftskrankenhaus Havelhöhe möchte als erstes Krankenhaus in Deutschland ein Zero-Emissions-Krankenhaus werden. Denn der Klimanotfall wurde schon lange ausgerufen. Und wer kennt sich besser mit Notfällen aus als ein Krankenhaus und seine Mitarbeiter*innen? Ein Notfall hat immer höchste Priorität, muss am dringendsten behandelt werden. Und das sollte auch für den Klimanotfall gelten. Am besten funktioniert das gemeinsam. So versucht Dr. Grah, alle Gesundheitseinrichtungen in Deutschland für diese gemeinsame Sache zu begeistern und zu überzeugen. Wie genau das Krankenhaus Havelhöhe klimaneutral werden möchte und an welchen Stellschrauben hier gedreht werden kann, darüber sprechen Anke und Dr. Grah in dieser Podcast Folge. Erfahrt, in wie vielen Schritten Zero-Emission geplant und möglich ist und warum dafür die Patient*innen auch mal auf Fleisch zum Mittagessen verzichten müssen. Der Sinn eines Krankenhauses erübrigt sich, wenn es keine Erde mehr gibt, auf der Menschen leben können. Diese Aussage sollte uns alle wachrütteln. Mehr zu unserem Interviewpartner und weitere Informationen Dr. med. Christian Grah ist Leitender Arzt Pneumologie und des Lungenkrebszentrums am Gemeinschaftskrankenhaus Havelhöhe: https://www.havelhoehe.de/startseite.html Mehr Informationen über seinen und den Einsatz des Havelhöhe Teams für das Zero-Emissions Krankenhaus sind hier zu finden: https://www.havelhoehe.de/health-for-future-havelhoehe.html Auf Youtube gibt es die Playlist des Krankenhauses: Zero Emission I Health 4 Future Havelhöhe“ In dieser ist eine Sammlung von Redebeiträgen medizinischer Referent*innen zu Themen wie nachhaltige Medizin, emissionsfreie Krankenhäuser und Ideen für eine gesunde Zukunft auf der Erde zu hören und sehen: https://www.youtube.com/playlist?list=PLP5Yq1Rgf8asMeKe-DuEQe_tYHBfY_vfB Die Idee, dass die Gesundheit von Menschen, Tieren und Ökosystem untrennbar miteinander verbunden ist, wird „im Begriff One Health“ zusammengefasst. . Einen ausführlichen Artikel dazu findet Ihr bei der Carstens- Stiftung: https://www.carstens-stiftung.de/one-health-als-konzept-der-zukunft.html Ihr habt Fragen, Anregungen oder Feedback zu unserem Podcast? Dann freuen wir uns von euch zu lesen: podcast@weils-hilft.de
We are uploading this short story in Pooja Bhatia's voice
बुध ग्रह को बुद्धि का गृह माना जाता है और इसके बीज मंत्र का जाप करने से आपकी स्मरण शक्ति बढ़ने लगती है और आप में बोलने की कला भी आने लगती है। बुध ग्रह के बीज मंत्र का जाप करने से बुद्धि इतनी तीक्षण हो जाती है कि व्यक्ति जिस किसी भी क्षेत्र में कार्य करता है वहां पर अपनी तीक्षण बुद्धि से विख्यात होने लगता है। यदि किसी छात्र की समरण शक्ति कम है अर्थात उसको ज्यादा पढ़ने पर भी कुछ समरण नहीं रहता तो वह बुध ग्रह के बीज मंत्र का जाप करके अपनी स्मरण शक्ति बढ़ा सकता है। ★ ऊं ब्राम ब्रीम ब्रोम स: बुधाय नम: ★
मंगल ग्रह का प्रार्थना मंत्र 'ॐ धरणीगर्भसंभूतं विद्युतकान्तिसमप्रभम। कुमारं शक्तिहस्तं तं मंगलं प्रणमाम्यहम।।
इंसान की कुंडली में 12 भाव यानी 12 खाने होते हैं। वे सभी अलग-अलग ग्रह और राशि से संबंध रखते हैं जिनका व्यक्ति के जीवन से सीधा संबंध होता है।* *कुंडली के सप्तम भाव से व्यक्ति के विवाह, जीवन साथी, ससुराल से धन प्राप्ति, विदेश यात्रा आदि बातों पर विचार किया जाता है। यहां पत्रिका कुंडली के सप्तम भाव के आधार पर किसी व्यक्ति का वैवाहिक जीवन कैसा हो सकता है, ये सब बताया जा रहा है।ये होना चाहिए कुंडली में* *1- यदि कुंडली के सप्तम भाव पर स्व राशि अथवा उच्च राशि का शुक्र विराज मान हो तो ऐसे व्यक्ति का जीवन साथी सुख समृद्धि धन एश्वर्य आदि से परिपूर्ण होता है। तथा कला जगत में अपना नाम रोशन करने वाला होता है।* *2- यदि सप्तम भाव या सप्तमेश पर उच्च राशि में सूर्य का प्रभाव हो तो ऐसे जातक का जीवन साथी राज्य अधिकार प्राप्त करने वाला तथा ख्याति प्राप्त करने वाला मनुष्य होता है।* *3- जिस व्यक्ति की कुंडली में सातवें भाव या सप्तमेश पर स्व राशि या उच्च राशि का प्रभाव होता है। ऐसे व्यक्ति के जीवन साथी राजनीति, कला, मनोविज्ञान एवं खाद्य एवं पेय पदार्थों के कामों में रूचि लेने वाले तथा विशेष रूप से धन एवं नाम प्राप्त करने वाले होते है।* *4- जिस जातक की कुंडली के सातवें भाव पर स्व राशि एवं उच्च राशि पर मंगल का प्रभाव होता है। ऐसे व्यक्ति के जीवन साथी लड़ाकू, क्रोधी, आवेशी, जिद्दी एवं हटी होने के साथ-साथ पुलिस, सेना, मलेट्री आदि में विशेष नाम यश एवं क्रीति प्राप्त करते है।* *5- जिस व्यक्ति की कुंडली के सांतवे भाव पर स्व राशि अथवा उच्च राशि पर बुध का प्रभाव होता है वह व्यक्ति का जीवन साथी कानून ज्ञाता होता है।* *6- जिस व्यक्ति के सांतवे भाव पर स्व राशि अथवा उच्च राशि पर गुरु का प्रभाव होता है। ऐसे व्यक्ति के जीवन साथी धार्मिक क्षेत्रों में नाम कमाता है।* *7- जिस व्यक्ति के सातवे भाव पर स्व राशि अथवा उच्च राशि पर शनि का प्रभाव होता है। ऐसे का व्यक्ति जीवन साथी बड़े दांत वाला, मोटी जांघों वाला, भूमि-भवन से विशेष लगाव रखने वाला और जीवन में प्राप्त करने वाला होता है।* *8.यदि कुंडली में अष्टम भाव का स्वामी अष्टम में हो तथा लग्न भाव का स्वामी शुक्र के साथ हो तो व्यक्ति की शादी 25वें वर्ष में होती है।* *ये ग्रह बनाते है शुभ-* *यदि व्यक्ति की कुंडली कुंभ लग्न की हो और सूर्य पर शुभ ग्रहों की दृष्टि हो तो विवाह अमीर घराने में होता है।* *यदि कुंडली के सप्तम भाव में वृष राशि हो और शुक्र तथा चंद्र सम राशियों में हो तो व्यक्ति को सुंदर जीवन साथी मिलता है।* *यदि सप्तम भाव पर सप्तम भाव के स्वामी, शुक्र पर चतुर्थ भाव के स्वामी और चंद्र का प्रभाव हो तो व्यक्ति का विवाह माता पक्ष यानी ननिहाल के किसी रिश्तेदार से होने की संभावना होती है।* *यदि सप्तम भाव के स्वामी पर शुभ ग्रह की दृष्टि हो और शुक्र अपनी उच्च राशि में या स्वराशि में हो तो व्यक्ति की शादी 18, 19 या 20 की उम्र में हो जाती है।* *कुंडली में सूर्य सप्तम भाव में हो और सप्तम भाव का स्वामी शुक्र के साथ हो तो व्यक्ति की शादी कम आयु में हो जाती है।* *यदि शुक्र लग्न से केंद्र में हो और शुक्र से शनि सप्तम भाव में तो व्यक्ति का विवाह 22 से 28 वर्ष के बीच होता है।* *यदि सप्तम भाव के स्वामी और लग्न भाव के स्वामी का राशि परिवर्तन योग हो या एक-दूसरे को देखते हों तो विवाह कम आयु में होता है।* *यदि शुक्र सप्तम या नवम भाव में हो और शुक्र से सप्तम भाव का स्वामी सप्तम भाव में हो तो विवाह 27 से 30 वर्ष की उम्र में होता है।* *मनुष्य के जीवन में कुंडली का खास महत्व होता है। इससे आने वाले कल के बारे में आभास किया जा सकता है। जीवन में कैसा दौर आने-वाला है अथवा अपका जीवन साथी कैसा होगा। इन सबकी जानकारी कुंडली के सप्तम भाव के आधार पर जानी जा सकती है।* 3202/5000 * A person's horoscope consists of 12 house . . They all belong to different planets and zodiacs, which are directly related to the person's life. * * The seventh house of horoscope considers the marriage, life partner, in-laws' wealth, travel abroad etc. Here, according to the seventh house of the magazine horoscope, how can a person's marital life be told, this should be done in the horoscope * * 1- If the seventh house of the horoscope is considered as auspicious or auspicious of Venus of a higher zodiac, then such a person's life partner is full of happiness, prosperity, wealth etc. And in the world of art, one has to make his name bright. * * 2- If there is influence of the Sun in the higher zodiac on the seventh house or the seventh house, then the life partner --- Send in a voice message: https://anchor.fm/pinkcityfm/message
Zaprtje gostinskih lokalov, prepoved obiskov v bolnišnicah in domovih za starejše in zaprtje posamičnih občin. Vse te opcije so na mizi vlade, ki tehta o novih ukrepih za zajezitev koronavirusa. Na seznamu okuženih je od včeraj še 169 ljudi, za covidom-19 sta umrla še dva bolnika. Skrbita tudi podatka, da za koronavirusno boleznijo v bolnišnicah zdravijo 172 ljudi in da se okužbe v šolah širijo zlasti med učitelji v osnovnih šolah in dijaki. V oddaji še: - Staršem otrok v karanteni višje nadomestilo plače - V mandatu Janševe vlade že četrta zamenjava na vrhu NPU-ja - Norveška zaradi nespoštovanja vladavine prava blokira pomoč Poljski in Madžarski - Nobelova nagrada ekonomistoma za izum novih oblik dražb
Depuis une semaine, les pays d'Afrique de l'Ouest qui étaient alliés au sein du « Conseil de l'entente » ont célébré le soixantenaire de leur indépendance : Bénin, Niger, Burkina Faso, puis Côte d'Ivoire. Ce « conseil de l'entente » était dirigé par un homme qui a marqué le destin de la Côte d'Ivoire, Félix Houphouët Boigny. Rfi : Frédéric Grah Mel, qui est Félix Houphouët-Boigny en 1960 ? Est-ce que c’est un militant, un leader anticolonialiste, un ministre bien implanté dans l’appareil d’État français, un ancien communiste, un chef baoulé… Comment vous le présenteriez à l’époque ? Frédéric Grah Mel: Il est tout cela à la fois. Chef baoulé oui. Quand les cantons ont été créés en Côte d’Ivoire, en 1934, la famille d’Houphouët a été désignée comme chef de canton. Et Houphouët a dû, à partir de juillet 1939, abandonner la fonction publique – il était médecin africain – et aller s’installer à Yamoussoukro comme chef de canton. Pour moi, cela a été la maternelle du pouvoir à ce moment-là. Il a appris à gérer les hommes, à régler les problèmes et à travailler avec l’administration française. Ensuite, au palais Bourbon, il est apparenté au groupe parlementaire communiste. Avec les communistes, il apprend les luttes. Quand ils sont arrivés au Palais Bourbon, ils étaient, je crois, neuf députés de toute l’Afrique et Houphouët a proposé aux neufs députés africains de s’entendre pour se répartir dans les différents groupes parlementaires, pour pouvoir faire porter par les trois grandes familles politiques qui régnaient sur la France (NB : communistes, socialistes, radicaux), les problèmes africains. Houphouët, quand il va estimer que le compagnonnage des communistes nuisait au développement du territoire, s’est désapparenté. Et à partir de là, progressivement, il se rapproche de l’administration et en 1956 - le 2 février - il entre au gouvernement, appelé par Guy Mollet (SFIO, socialiste). On dit souvent qu’Houphouët se satisfaisait davantage de la situation créée par la loi cadre de la communauté francophone africaine, que de l’indépendance complète. C’est vrai ou faux ? Disons qu’il n’était pas pour l’indépendance immédiate. Dans ses vues, il n’y avait aucune urgence à aller à l’indépendance tout de suite. Il estimait qu’en 1960 c’était trop tôt. Houphouët considérait qu’on allait être indépendant un jour. Mais pour lui, il fallait tout faire pour que cela se passe le plus longtemps possible, après. Houphouët devient Premier ministre en Côte d’Ivoire, tout en étant ministre d’État dans le gouvernement français et il se lance dans tout ce qui va aboutir à l’indépendance. Mais il se lance dans une action qui est une action de consolidation de la relation entre la France et la Côte d’Ivoire. Donc il est allé à l’indépendance à contre-cœur, mais je crois qu’il a tout fait quand même pour que la relation entre la France et la Côte d’Ivoire soit une relation extrêmement chaleureuse, une relation de coopération, au-delà même de ce que prévoyait le cadre de la communauté franco-africaine. Après avoir été au gouvernement français pendant six ans, il apparaissait ici, en 1959 et 1960, comme l’homme politique ivoirien le plus français. C’était comme si un Français était chef d’État en Côte d’Ivoire. Comment expliquer le fait que, lui-même, plus que tous ses pairs africains de l’époque, soit resté aussi proche de la France ? Effectivement, il a été accusé d’être l’homme de la France. C’est une façon de voir. Est-ce que les pays africains étaient prêts au moment de l’indépendance ? Combien de cadres avions-nous ? C’est progressivement seulement que tous ces liens vont être rompus, chaque fois que, sur ces différents points, la relève est assurée. Houphouët était pragmatique. Il fallait d’abord maintenir la coopération avec la France et puis, progressivement, remplacer quand la relève est prête. D’autres voyaient la chose différemment. Aujourd’hui encore, tout le monde dans le paysage politique ivoirien se réclame d’Houphouët-Boigny, même ses adversaires déclarés de l’époque. Le FPI (le parti de Laurent Gbagbo) ne lui tape plus dessus comme il a pu le faire à une époque. Et parfois même l’invoque dans les discours… Comment vous expliquez cela ? Quel est l’héritage qu’il a laissé et dont se saisissent les partis politiques aujourd’hui ? D’abord, tout le monde a raison de se dire hériter d’Houphouët. Nous sommes tous, en Côte d’Ivoire, passés dans le parti unique et quand Houphouët parle d’héritage, d’ailleurs, c’est en termes de bénéfice de son action qu’il parle de cela. Il disait que si on veut essayer de comprendre ceux qui parlent d’houphouëtisme, c’est peut-être l’appréciation qu’ils ont de sa politique qui les amenait à cela. Il disait des choses dans lesquelles on peut puiser matière à réfléchir aujourd’hui. C’est peut-être cela que les gens appelaient l’houphouëtisme. Mais lui-même n’avait jamais parlé d’houphouëtisme. Il considérait que lui, il s’était contenté d’ouvrir le chemin. Les Baoulés ont un mot qui est devenu un nom maintenant - un nom de de personne. « Machibo » : celui qui ouvre, le « fendeur de brousse », celui qui avait ouvert le chemin. Mais ce sont les enfants qui viennent maintenant, qui doivent élargir le chemin et aller plus loin.
Tagesvater - die Tagespflege spielt eine große Rolle in der Familie- und Lebensplanung vieler Eltern in Deutschland. Wir freuen uns sehr, dass wir Jürgen Grah für ein Interview gewinnen konnten! Seit bereits 10 Jahren ist er Tagesvater in Düsseldorf und betreut bis zu 5 Kinder. In diesem spannenden Interview berichtet er uns von seinem Werdegang vom Galeristen für zeitgenössische Kunst bis zum Tagesvater, Familienberater und Coach. Dabei geht es auch besonders um die Rolle der Väter - denn viel zu oft herrscht der Glaube, dass sie nicht gleichwertig die Aufgaben einer Mutter erfüllen können und ziehen sich zurück. Jürgen erklärte uns in seiner sympathischen Art wieso das nicht stimmt. Wie kann man durch Babymassage bereits frühzeitig eine enge Bindung zu seinem Kind eingehen? Findet gerade ein Wandel der Väterrolle statt? Wie kann man eine Elternzeit besser nutzen? Ist man als Mann im Beruf der Tagespflege mit Vorurteilen konfrontiert? Tabuthema “Körperliche Nähe” in der Tagespflege - wie geht man damit um? Diese und weitere spannende Themen haben wir in Folge 022 von Hand, Fuß, Mund besprochen.
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The prayer said by Gajraj requesting Bhagwan Vishnu's help in saving him from Grah.
This episode tells the backstory of gatekeepers of Vaikunth Jay and Vijay.
SummaryThe world outside may be on fire, but the Greetings From gang is indoors playing Animal Crossing: New Horizons. Join us as we gush over our wonderful first few days, our highs and lows, and all the blue sky dreams we have for island life. SalutationsOlivia: RetroAchievementsTyler: The Jackbox Party 3, but really any of themRebecca: BioShock 2: Minerva's DenQuestions? Comments?Email us at GreetingsFromCast@gmail.comCall us at +1-FIRM-GAMERS (+1-347-642-6377)Follow us onTwitter at https://twitter.com/greetingsfrompcFacebook at https://www.facebook.com/greetingsfromcast/Tumblr at https://blog.greetingsfrom.zone/Instagram at https://www.instagram.com/greetingsfromcast/Discord at https://discord.gg/fn8hVehYouTube at https://www.youtube.com/channel/UCs2Q7mpzlKYY24IY5i_8r2AOr individually at:Olivia: https://twitter.com/LivjqRebecca: https://twitter.com/RebeccafayTyler: https://twitter.com/WorldjumpinVisit us at http://www.greetingsfrom.zone/ for articles, more episodes, and streams.Our intro and outro music is an edited version of “Deep Fried Space Food” by SubstituteSandwiches under a Creative Commons 3.0 Attribution License (https://creativecommons.org/licenses/by/3.0/legalcode)Download the song at: https://soundcloud.com/substitute_sandwiches/deep-fried-space-food
Svetuje Anka Poženel iz Kmetijsko gozdarskega zavoda Nova Gorica.
Pat welcomes rotating Co-Host Mike Siegel is back to the show to discuss Graham Parkers 70's, 80's and 90's discography. Grab a pint and enjoy some pub rock classics!
All of us know that Shani means BAD NEWS, then why is he still referred to as a God? How old is the science of astrology and when was the first temple dedicated to the planets made? Are Rahu-Ketu the same being or two separate entities? And if they are Asuras, they why are they worshipped? Catch all this and more in this episode of The Devdutt Pattanaik Show podcast! Don't forget to tune in every morning from 6 am to 8 am and catch the repeat from 9 am to 11 am and again at 1 pm to 3 pm every Sunday only on Radio Mirchi!
Matthew Robinson is founder and director or Media Gratiae. Media Gratiae is an independent nonprofit (501c3) multimedia ministry based out of New Albany, Mississippi. Their desire is to produce film, print, and other media for the glory of Christ and for the good of His Church.Media Gratiae (pronounced "GRAH - tee - ā") is Latin for "the Means of Grace."Visit Media Gratiae by clicking hereMedia Gratiae products including the Behold Your God study can be found hereThe Behold Your God podcast can be found hereIntro created and performed by Isaac Johnson
PSA: I never call my Grama (pronounced Grah-ma)until after The View (CST). When I do make time to chop it up with her, it is always about current events and the happenings of the world. She has walked this earth for 84 years (that never cease to amaze me). Her paradigm on where we are culturally and racial is very different from mine even though, as I've learned, we face many of the same challenges. In this episode, you will get to listen to one of my phone calls with my Grama aka Gramama (pronounced Grah-ma-muh). She will talk to us about growing up in Arkansas, Memphis and Chicago, school, government and life as a brown chile.
Learn about the biggest planet in our solar system, planet with the ring and their moon- Part 2 of planets shares some interesting facts about solar system.
Is Mercury the hottest planet being closest to the sun? you may be wrong- learn about our planets- Part 1
Nesta ministração vemos que o pecado no Éden tomou o governo e a identidade de filhos que nos foi dada por Deus. Num mundo de órfãos, Jesus veio com o propósito de nos revelar o Pai. Por Ele, recebemos o ministério da reconciliação, no qual as pessoas, ao olharem para nós, devem enxergar vida, liberdade, beleza e ordem. Como isso é possível? Porque o Espírito Santo, que agora habita em nós, nos empodera para fazermos todas as coisas que não conseguimos fazer sozinhos.
Episode Notes From cultists to eldritch beings, Grah has acted as an unwilling meat shield for a party of adventurers. Until now. . .---- Personal Notes ----Sign up for my mailing list to get weekly updates and never miss a story again!---- About Tall Tale TV ----My name is Chris Herron, and I narrate audiobooks.In 2015, poor control of my diabetes left me legally blind for the better part of a year. The doctors predicted an 80% chance I would never see again, but I changed the way I was living and through sheer willpower beat the odds.During this time I couldn't read or write. Two things that I had been turning to for comfort since I was a small child. With the sheer amount of stress I was under, this was devastating. My wife took me by the arm, lead me into the local library, and read out titles of audiobooks to me. I chose the audiobook versions of books I had loved such as the Disc World series, Name of the Wind, Harry Potter and more. They brought my favorite stories to life in ways I never thought possible, and helped me through the darkest time of my life.Once my vision recovered, I maintained a love for audiobooks. I decided I would turn my focus from being a writer to becoming a narrator. I devised Tall Tale TV as a way to help out all the amazing authors in the writing communities I had come to love before my ordeal.I created Tall Tale TV to help aspiring authors by providing them with a promotional audiobook video. A way to showcase their skills with the written word. They say the strongest form of advertisement is word of mouth, so I provide a video to a platform of readers to help get people talking. Help them spread the word.Click the share button and let the world know about this author.---- Story Submission ----Got a short story you'd like to submit? Submission guidelines can be found at TallTaleTV.com---- legal ----All images used in this video are either original or Royalty and Attribution free. Most stock images used are provided by http://www.pixabay.com . Image attribution will be declared only when required by the copyright owner. All stories on Tall Tale TV have been submitted in accordance with the terms of service provided on http://www.talltaletv.com or obtained with permission by the author. Common Affiliates are: Amazon, Smashwords
#sangyatandon #rameshchandramehrotra #improve your hindi #knowledge #difference between two alike hindi words #libramediagroup *grih-grah #संज्ञा टंडन #रमेश चंद्र महरोत्रा #इम्प्रूव योर हिन्दी #हिन्दी #हिन्दी ज्ञान #हिन्दी शिक्षा #एक जैसे लगने वाले शब्द-युग्मों में अंतर #लिब्रा मीडिया ग्रुप *गृह -ग्रह
Esta mensagem é sobre crise existencial. Todos nós já passamos por isso. É algo que envolve nossa identidade, nossa vocação, nosso chamado. Nos é ministrado que quanto mais nos aproximamos de Jesus, mais Ele nos limpa de nossas imperfeições, revelando nossa verdadeira identidade conforme nos parecemos com Ele. Precisamos valorizar aquilo que Deus nos deu, nossas características e nossos talentos. Todos temos crises existenciais, mas que esse processo nos impulsione para o nosso propósito!
Mas Receberão Poder - Grah Carvalho by Poiema Church
Capgras Syndrome is named for its discoverer, the French psychiatrist Jean Marie Joseph Capgras. The person's primary delusion is that a close relative or friend has been replaced by an impostor, an exact double, despite recognition of familiarity in appearance and behavior. The patient may also see himself as his own double.
Die Methode des Design Thinking wird in der breiten Öffentlichkeit immer stärker wahrgenommen. Zuletzt veröffentlichte das Manager Magazin in seiner Februar Ausgabe 2016 einen Artikel über die „neue“ Management-Methode. Nicht zuletzt Grund genug meinen guten Freund Ferdinand Grah zu diesem Thema zu interviewen. Wir haben über folgende Themen in Bezug zu Design Thinking gesprochen: Lean […] Der Beitrag LL24 – Design Thinking – Interview mit Ferdinand Grah erschien zuerst auf Sehen Lernen - Lean, Produktivität und Selbstmanagement.
Koi Bhi Grah Viprit Ho To : Shri Sureshanandji Tips
Koi Bhi Grah Viprit Ho To : Shri Sureshanandji Tips
Like Isaac Bashevis Singer, his fellow Yiddish writer, Chaim Grade (his last name is pronounced GRAH-duh) fled the Russian Empire and settled in New York, where he established himself as a major figure in the literary world. But while Singer’s fame flourished in America, Grade’s reach grew more limited. After Grade died in 1982, scholars, translators, and publishers tried to acquire his unpublished works for posthumous publication but were stymied by Grade’s widow. Fiercely protective of her husband’s legacy, Inna Grade rebuffed nearly all who approached her. Meanwhile, the Grade apartment in the Bronx would become an impassable and grimy shrine to her husband’s papers and books. Inna Grade died last year. In the ensuing months, Yiddishists have thrilled to the possibility that they will finally gain access to her husband’s... See acast.com/privacy for privacy and opt-out information.
Grah Mandal Ka Swami Jag Me Kare Ujala : Shri Sureshanandji Bhajan
Grah Mandal Ka Swami Jag Me Kare Ujala : Shri Sureshanandji Bhajan
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