Podcasts about Vey

Post Face, émission littéraire présentée par Caroline Gutmann qui reçoit François Vey pour son numéro Legende consacré à Bob Dylan et Barbara Lambert viendra présenter ses coups de cœur.

Post Face, émission littéraire présentée par Caroline Gutmann. Elle reçoit Elisabeth Barille pour son livre « Les sœurs et autres espèces du vivant » aux Éditions Arlea et François Vey pour la revue « Légende » sur Frida Kahlo. À propos du livre : « Les sœurs et autres espèces du vivant » paru aux éditions Arlea Lucie, solaire, insaisissable, abandonne tout un beau matin pour partir à Dubaï. Un saut dans le vide perturbant pour la narratrice, sa sœur aînée peu téméraire et rêveuse. Le renoncement. J'en étais loin concernant ma sœur, l'espoir qu'elle rentre en France me taraudait. Il me fallait me raisonner, je multipliais les admonestations à moi-même. Laisse Lucie être ce qu'elle est, joueuse et rebelle. Lucie tient à peine sur ses petites jambes quand elle commence à apprivoiser l'usage du mot " non " et la puissance qui s'en dégage. Comme les obstacles pour les chevaux de course, les normes sont pour elle des incitations à sauter. Les normes appellent la transgression, pas l'obéissance. Transgresser lui est naturel, comme chanter pour l'oiseau. Lucie, solaire, insaisissable, abandonne tout un beau matin pour partir à Dubaï. Un saut dans le vide perturbant pour la narratrice, sa sœur aînée peu téméraire et rêveuse, qui enquête depuis des mois sur la vie d'une femme du XVIIIe siècle, Madeleine-Françoise Basseporte, issue d'un milieu modeste, devenue botaniste du roi et peintre naturaliste, alors célébrée par les Encyclopédistes. À quoi songe cette artiste en dessinant ses planches merveilleuses de jacinthes ou de lilas ? Et comment a-t-elle pu sombrer dans un tel oubli ? L'oubli, est-ce aussi ce que recherche Lucie ? Comment expliquer sa fuite ? À quelle malédiction du passé veut-elle échapper ? Et qu'espère-t-elle trouver dans la capitale du matérialisme et de l'outrance ? Rien n'est plus secret qu'une existence féminine, disait Marguerite Yourcenar. Tel est le thème magistralement renouvelé par Élisabeth Barillé dans Les Sœurs, et autres espèces du vivant. Biographie de l'auteur Elisabeth Barillé est l'auteure de plusieurs romans, récits et biographies, parmi lesquels L'Oreille d'or (Grasset, Prix Maurice Genevoix 2016). Pour la revue « Légende » sur Frida Kahlo Le nouveau numéro de Légende est consacré à Frida Kahlo, artiste au destin singulier, broyée mais jamais brisée, qui sut faire des drames de sa vie la source d'une œuvre multiple, où se mêlent modernité picturale et tradition mexicaine, engagement marxiste et exploration intime de son corps et de son esprit. Rarement le mot « légende », ce qu'il signifie de fiction mêlée au réel, n'aura si bien défini un personnage. Elle qui absorba le masculin dans le féminin et vice versa ; elle qui changea sa date de naissance pour naître au monde l'année de la révolution mexicaine (1910, au lieu de 1907, se rajeunissant de trois ans). Et bien sûr, malgré sa disparition prématurée, reste ce legs universel qui éclate dans ses œuvres d'artiste majeure du XXe siècle, de ses autoportraits rêvés en scènes oniriques peuplées d'anges et de démons.

From The Wine Conversation with Sarah Kemp (wine-conversation.com)"Summary: Jasper Morris MW, author of “Inside Burgundy” and www.insideburgundy.com, takes a deep dive into Chablis premiers crus. He explains that Chablis is based in northern Burgundy in the Yonne département. The river Serein cuts through the limestone plateau, which consists of Portlandian limestone, which is very hard, and is found on slopes that have not eroded much, and Kimmeridgian limestone, which formed when the sea receded, and is full of marine fossils. The best vineyards, Jasper believes, are on Kimmeridgian limestone, which gives Chablis its very particular taste.The premiers crus appellation was formed after World War II; today there are 41 different premiers crus classified, but you only ever see a few very regularly on the label – the others are subdivisions of the better-known names.The one big divide, in terms of style and taste, depends on which bank of the river Serein you are on, Jasper points out. “On the left bank, the west side of the river and of Chablis itself, you have rolling hills, the first roll at the southern end gives you a premier cru called Montmains, and the second one gives you Vaillons. Both have plenty of subdivisions, and here you get really steely wines, white fruit style, lots of this marine element, and these are the sorts of wines which are classic with oysters. You also have newer names like Vau de Vey and Côte de Léchet.”Jasper continues “On the east side, the vineyards are south-west facing, which means they get the afternoon sun, which means they are richer in style, yellow fruit. Here you find Mont de Milieu, Montée de Tonnere, Vaulorent and Fourchaume. These are slightly fleshier wines, which you might want with a river fish or even white meat.”The style of course depends on how the wines are made as well as the terroir, and Jasper discusses the different use of oak and stainless steel. His favourite premiers crus include Vaucoupin in Chichée, for its steely white fruit character, all the different parts of Vaillons, and, for a richer wine, Montée de Tonerre.The two most famous wine domaines are Raveneau and Dauvissat, both of whom are expensive on the secondary market, but Jasper advises that, if you're dining in Chablis, you will find them at reasonable percentage mark-ups. In addition, you have William Fèvre and Samuel Billaud.Up-and-coming producers he recommends include Roland Lavantureux in the north of the region, Clement Lavallée, discovered earlier this year, who he believes shows real promise, Thomas Ventoura, Fabien of Jean Dauvissat &Fils and Edouard and Eleni Vocoret.Almost all of Chablis shows good value, he says, “but I do believe that the premiers crus are the sweet spot for quality/price.” Vintages to look out for: 2022 is going to be a first-class vintage, 2020 is a fine year but shows the heat a tiny bit more, 2019 if you want a more voluptuous style, 2017 lovely now and 2014 continues to get better. You can also find Jasper's guest appearances on other Podcast/Video channels we work closely with: The Wine Conversation 67 Pall Mall TV Bringing Burgundy closer to you with every episode!Subscribe to my website and get full access to my scores, tasting notes, detailed write-ups on producers and much more:https://www.insideburgundy.com/register/See all our events at: https://www.insideburgundy.com/all-events/Daily updates on our Instagram: @jaspermorris.insideburgundy

Post Face, émission littéraire présentée par Caroline Gutmann. Elle reçoit Stéphanie des Horts pour Carolyn et John chez Albin Michel ainsi que François Vey pour parler des nouveaux numéros de Legende et  Zadig. À propos du livre :  Carolyn et John paru aux éditions Albin Michel La Nouvelle Angleterre et ses cottages gris perle, le cri des goélands, un phare rouge et blanc. Et puis eux, pulls torsadés, sourire immaculé... la mythologie nord-américaine dans toute sa splendeur. Eux, ce sont les Kennedy. Dont on sait tout. Vraiment ? Mais qui sont Carolyn et John ? Un coup le béni des Dieux. Lui est « l'homme le plus sexy de la planète » selon la presse américaine. Elle, si belle et mystérieuse, a fait dire à Ralph Lauren devant ses stylistes : « Quand vous concevez un vêtement, pensez à Carolyn Bessette. » Un mariage légendaire sur une île déserte et le conte de fées qui vire au cauchemar. Carolyn et John se déchirent, la drogue et l'adultère s'en mêlent. Ils sont damnés et ne le savent pas. Dans une ultime tentative pour sauver leur union, John supplie Carolyn de l'accompagner au mariage de sa cousine. Elle refuse. Sa soeur finit par la convaincre, et l'avion décolle dans le ciel crépusculaire... Biographie de l'auteur Journaliste et critique littéraire, Stéphanie des Horts est auteur de romans : La splendeur des Charteris, Le diable de Radcliffe Hall, Le bal du siècle et de biographies : La Panthère (JC Lattès), Le secret de Rita, et les Très remarqués Pamela, Les Soeurs Livanos et Jackie et Lee. À propos de la revue Zadig François Vey est journaliste, auteur et enseigne à l'université Paris-Dauphine. Il est l'ancien rédacteur en chef du Parisien Magazine. Il est rédacteur en chef des revues Zadig et Legende. Hors-série Zadig & Arte : Rêver l'Europe Rapprocher les Européens par la culture, voilà l'ambition de ce numéro spécial, fruit d'une coédition inédite entre Zadig et Arte. Les lecteurs y découvriront une matière vivante pour débattre et penser les enjeux politiques de l'espace culturel européen grâce à de grandes plumes et à des artistes de tout le continent (Erri De Luca et Lola Lafon, Javier Cercas, Andreï Kourkov, Maria Pourchet, Hartmut Rosa, Wim Wenders...). Ce hors-série propose également des reportages de terrain et les contributions des signatures d'Arte : Émilie Aubry, Élisabeth Quin, ou encore Sonia Devillers. Des illustrations, infographies et portfolios viennent enrichir ce voyage unique, offrant aux lecteurs une plongée visuelle et poétique dans la diversité et la richesse du continent. À propos de la revue Legende  Créé par Éric Fottorino, le magazine Légende éclaire notre époque à travers ses icônes mythiques.

durée : 00:06:20 - L'invité de 6h20 - par : Marion L'hour - La cour d'assises de Seine-Saint-Denis a estimé que "les violences intervenues contre Théo étaient illégitimes, illégale", estime Antoine Vey, avocat de Théo Luhaka. Les policiers jugés pour son arrestation en 2017 ont été condamnés vendredi à des peines de trois à douze mois de prison. - invités : Antoine Vey - Antoine Vey : Avocat en France de Julian Assange

durée : 02:59:01 - Le 6/9 - Aujourd'hui dans le 6-9, nous discutons de l'affaire Théo avec Antoine Vey à 6h20, à 7h50, Pierre HAski vient nous parler de son livre "Une terre doublement promise. Israël-Palestine: un siècle de conflit” (Stock) et à 8h20, le psychiatre Raphaël Gaillard nous parle de "L'homme augmenté” (Grasset).

Episódio especial de aniversário de 1 ano do podcast Outra Visão, originalmente publicado nas plataformas de áudio em Julho/2021. Para comemorar este primeiro aniversário - celebrado em Julho/2021,, com 70 episódios publicados, reuni neste episódio as mensagens dos entrevistados que recebi para celebrar a data! Ao longo desse primeiro ano do podcast, 70 pessoas aceitaram o meu convite para uma entrevista descontraída, como um bate papo; 70 pessoas dedicaram um pouco do seu tempo para falar comigo e com os meus ouvintes, contar as suas histórias, trajetórias e experiências pessoais e profissionais, nos fornecendo uma “Outra Visão” de mundo. Ter esse contato, mesmo remotamente, com os meus entrevistados, foi uma experiência inesquecível para mim, de grande aprendizado em todos os sentidos. E o mais legal, estas ótimas conversas já estão eternizadas neste podcast. Isso é incrível! Por isso, este episódio especial de aniversário é feito por eles, as estrelas deste podcast: as entrevistadas e os entrevistados! Afinal, este é um espaço para ouvi-los! Quero aproveitar também para registrar que o podcast Outra Visão nasceu em julho de 2020, já pensando numa sequência semanal de publicação de entrevistas, com pessoas das mais variadas áreas, em vários lugares no Brasil e no mundo. A ideia, desde o início, foi documentar, em áudio, as histórias e trajetórias dessas pessoas, contadas por elas mesmas, em viva voz. Para mim é um prazeroso exercício jornalístico registrar durante uma boa conversa, o legado de conhecimento e experiências de pessoas incríveis. Então, mais uma vez, quero é agradecer muito a todos os entrevistados que compartilharam suas histórias, memórias e trajetórias aqui no podcast Outra Visão! Foi muito legal durante esse primeiro ano ter contato com pessoas em todo o planeta: em São Paulo, Toronto, Madrid, Andradas, Belo Horizonte, Campinas, Recife, Vallejo (na baía de San Francisco), Jersey City, New York, Seoul, Sorocaba, Taboão da Serra, Sydney, Florianópolis, Uberlândia, Diadema, Vey-vey (na Suíça), Rio de Janeiro, Roma, Barueri, na região de Algarve (Portugal), Londres, Pretória (África do Sul), São José dos Campos e Miami. Recebi entrevistados que estão em 11 países pelo mundo. Pessoas no Brasil, Estados Unidos, Canadá, Inglaterra, África do Sul, Portugal, Itália, Espanha, Suíça, Coreia do Sul e Austrália. A ideia para este episódio especial foi reunir depoimentos de todos os participantes para contarem suas experiências como entrevistados no podcast Outra Visão. Durante o último mês de junho de 2021, eu entrei em contato com todos e os convidei para enviarem uma mensagem em áudio e falarem da sua participação no programa. Ao longo dos meses de junho e julho de 2021, eu recebi várias mensagens de muitos entrevistados e entrevistadas que estão em todo o Brasil e pelo mundo. E eu quero compartilhar com você, ouvinte, as mensagens que eu recebi com muita alegria! Para isso, eu organizei todas as mensagens na ordem da publicação dos episódios. É muito legal ouvir e ter o retorno de carinho e reconhecimento dos meus entrevistados! Vamos ouvir? Site oficial - https://podcastoutravisao.com/2021/07/09/especial-de-aniversario-ano-1/ Spotify - Episódio Especial de Aniversário - Ano I - https://open.spotify.com/episode/5bchsP8OV7wwRYeIHDT6Jy?si=n6zcaeO6TPm1Sd5EkT_KFg Outra Visão é um podcast de entrevistas e boas histórias para ouvir! O legado de conhecimento e experiências de pessoas incríveis, das mais variadas áreas, registradas durante uma boa conversa. Uma verdadeira jornada de aprendizados. Divirta-se! Ideia original, produção e apresentação, Paulo Cunha. - Site oficial - https://podcastoutravisao.com/ - YouTube - https://www.youtube.com/@outra_visao - Instagram - @podcast_outravisao - https://www.instagram.com/podcast_outravisao/ - Spotify - https://open.spotify.com/show/4g48E1aTbii0w8fZzh8vv6 --- Send in a voice message: https://podcasters.spotify.com/pod/show/outravisao/message

Ek bahut hi interesting conversation mein suniye:Non-believer se practitioner banne tak ka safarOccult sciences aur therapies ka zindagi se connectionHealing kya hai aur kaise madad karti hai spiritual journey meinTheta healing par thoda khulaasaPast life regression therapy par baat-cheetDr. Geetanjali Saxena ek jaani-maani tarot card reader hain jo 20 years se iss field mein active hain. Vey ek highly qualified wellness coach hain jo bahut saari healing modalities jaise theta healing, crystal healing, family constellation, past life regression, etc. ki practice karti hain. Inhone kai international trainers se ye sab therapies seekhi hai. Ve founder hain, Institute of Holistic Sciences ki, jo IPHM(UK) se accredited hai. Apni therapies ke through inhone kaafi healings provide ki hain aur life issues resolve karne mein help ki hai. Ye believe karti hain ki hum apna ‘free will' use karke apni ‘destiny' ke co-creators ban sakte hain aur life ko uske full potential se jee sakte hain. Agar aap inse connect hona chahein toh neeche diye gaye links par se kar sakte hain:E-mail : drgittanjali@gmail.comWebsite : www.drgittanjalisaxena.comInstagram : @geetanjali_saxena #monalwhispers #whisperingwisdom #spiritualcoach #podcaster #bodypositivity #hindibytes #lifelessons #selfgrowth #inspiredtoimpact #wordsofwisdom #empoweranother #followyourpath #freewill #createthelifeyouwant #mindsetshift #wellnesscoach #tarotcardreader #healer #alternativetherapy #changeyourlifeIf you like the show please subscribe & do not forget to press the 'bell' icon. Connect with me across Social Media platforms ; @MonalWhispers :· Website : http://monalwhispers.com/ · Instagram : https://www.instagram.com/monalwhispers/ · Youtube : https://www.youtube.com/channel/UCX-6FlXJM82GnDIpAkluvkg · Facebook : https://www.facebook.com/MonalJ.ww Thank you,MonalJwww.monalwhispers.com

Co-Hosts Paul Yi and Ali Tejani interview Drs Hari Trivedi and MinJae Woo about their article recently published in the Radiology: Artificial Intelligence.  The EMory BrEast imaging Dataset (EMBED): A Racially Diverse, Granular Dataset of 3.4 Million Screening and Diagnostic Mammographic Images. Jeong and Vey et al. Radiology: Artificial Intelligence 2023; 5(1):e220047.

Cette semaine, laissez-vous porter par l'éloquence et l'aura d'Archibald Celeyron, cofondateur et avocat associé du cabinet Vingt Rue.Dans ce podcast, Archibald nous raconte son parcours, son passage de la Haute-Savoie à Paris suivi de différents stages. Il nous partage sa vision du métier d'avocat, son intense expérience dans l'ancien cabinet d'Eric Dupond-Moretti et sa vision de la collaboration !Archibald est un avocat passionné et envoûtant. Tout en restant humble, il nous porte au fil de ses expériences en apportant beaucoup de conseils aux avocats en place et en devenir.Il nous parle de ses mentors qui l'ont accompagné au fil de ses stages et collaboration chez De Pardieu Brocas Maffei, Fédida Fabreguettes Associés jusqu'à l'association au sein de Dupond-Moretti & Vey.Aujourd'hui, il est le cofondateur de Vingt Rue, un cabinet pour la défense en matière pénale, publique et environnementale aux côtés de Sarah Becker, Julie Fabreguettes et Xavier Bouillot. Fort du rapprochement d'une expertise pénaliste et environnementaliste, le cabinet propose ainsi un accompagnement unique en matière de défense et de prévention des risques environnementaux.Nous remercions grandement Archibald pour sa transparence et son partage et vous souhaitons à tous et à toutes, une agréable écoute. Hébergé par Acast. Visitez acast.com/privacy pour plus d'informations.

Co-Hosts Paul Yi and Ali Tejani interview Drs Hari Trivedi and MinJae Woo about their article recently published in the Radiology: Artificial Intelligence.  The EMory BrEast imaging Dataset (EMBED): A Racially Diverse, Granular Dataset of 3.4 Million Screening and Diagnostic Mammographic Images. Jeong and Vey et al. Radiology: Artificial Intelligence 2023; 5(1):e220047.

Âyet-i kerîmede şöyle buyrulur: “(Müşrikler) kendilerine istedikleri gibi bir âyet (bir mu'cize) gelirse mutlak îmân edeceklerine, Allâhü Teâlâ'ya yeminlerinin en kuvvetlisi ile yemin ettiler. De ki: “Âyetler ancak Allâhü Teâlâ'nın nezdindedir.” (Onlara Kâdir olan ancak O'dur, dilediğini izhâr eder, dilediğini etmez, hiçbiri benim kudret ve irâdemde değildir). Onların diledikleri âyet gelse de îmân etmeyeceklerinin farkında değil misiniz?” (En'âm s. 109) Rivâyet edildiğine göre; Kureyş'in ileri gelenleri. Peygamber (s.a.v.)'e dediler ki: “Yâ Muhammed! Sen bize Mûsâ'nın asâsından, taşa vurduğu vakit on iki pınar aktığından bahsediyor, İsa'nın ölüleri dirilttiğini söylüyorsun. Sen de bize bunlar gibi bir mu'cize göster ki imân edelim!” Efendimiz (s.a.v.): “Ne yapmamı istiyorsunuz?” buyurdu. “Safâ Dağını altın yap. Yâhûd ölülerimizden bazılarını dirilt! Veyâ bize melekleri göster ki senin için bize şahadet etsin.” dediler. Resûl-ü Ekrem (s.a.v.): “Bu istediklerinizden bazısını size yaparsam, beni tasdik eder misiniz?” buyurdu. “Hay hay”” dediler, yeminlerinin en kuvvetlisiyle yemin ettiler: “Hepimiz seni tasdik eder, Müslüman oluruz.” Ashâb (r.a.e.)'den bazıları müşriklerin isteklerini terviç ettiler. Ettikleri yeminlere aldanarak, istedikleri mucize gösterilirse, müşriklerin îmân edecekleri ümidine düştüler ve Efendimiz (s.a.v.)'den böyle bir mucizenin gösterilmesini dilediler. Efendimiz (s.a.v.), Safa Dağı'nın altın olması için duâ etmeye niyet etmişti ki bu sırada, Cebrâil (a.s.) geldi: “Yâ Resûlullâh!” dedi. “Sen ne istersen Allâhü Teâlâ, onu sana verir. Fakat bundan sonra, yine tasdik etmezlerse, dünyâda da azâb görür, helâk olurlar. İstersen bundan sarf-ı nazâr et, olur kî içlerinden bazıları tevbe ederler.” Efendimiz (s.a.v.) de: “Dilerim ki tevbe edecekler, tevbe etsinler” buyurdu ve duâ etmekten sarf-ı nazâr eyledi. Bu âyet-i kerîme bu sebeble nazil olmuştur. (Ayıntabî Mehmed Efendi, Tibyân Tefsiri, c.2, s.46-47)

This week JD chats with guest Daniel Reskin. Daniel is a comedian and artist of many talents. Topics discussed include, but are not limited to: voiceover acting, trying to cobble together a living through art, and redemption. Please remember to like, subscribe, rate, review, and tell a friend!Follow LHRB on Facebook, Instagram @lefthandrightbrain, Twitter @LHRBpodcast, or just hit us up old school on the website lefthandrightboainpod.com

Du lundi au vendredi, Philippe Vandel fait le point sur un sujet de l'actualité média avec un invité. Aujourd'hui, François Vey, Catherine Schwaab, Stéphane Bern, Olivier Benkemoun et Heloise Goy, pour parler du décès de la reine Elizabeth II.

Du lundi au vendredi, Philippe Vandel fait le point sur un sujet de l'actualité média avec un invité. Aujourd'hui, François Vey, Catherine Schwaab, Stéphane Bern, Olivier Benkemoun et Heloise Goy, pour parler du décès de la reine Elizabeth II.

I ukens podcast handler det om Chablis. Kristoffer Aga fra Renaa har funnet frem sine favoritter fra Chablis. Svein og Kristoffer er begge ihuga fans av Chablis. Vinene som ofte kalles vinene fra urhavet. Som restaurantsjef på en av landets desidert beste restauranter på vin og matmatch kommer Kristoffer Aga med konkrete tips om mat som passer og når en god Chablis skal åpnes.Dauvissat Chablis 2018 kr 289,90Dom. de l'Enclos Chablis 1er Cru Vau de Vey 2018 kr 873 See acast.com/privacy for privacy and opt-out information.

Ekonomiyi iyi bilen bir ahbabım, bir defâsında bana, biraz da muzip bir edayla, “Ekonomi dediğin , sağından bak arz; solundan bak taleptir” demişti. Derinlikler, çok defâ basit gibi görünen bir şeylerin içinden gelir. Bu, basit; lâkin derinlikli ifâdeyi zaman içinde anladığımı zannediyorum. Modern dünyâya her boyutuyla şekil veren kapitalizm de, kendisini üretim ve tüketim aksında ortaya koyar. Üretim ve tüketim kavramları, arz ve talebin bir başka yüzüdür. Lâkin burada bir ince meseleye dikkât etmek gerekir. Üretim ve tüketim sâdece kapitalizme has değildir. Târih, tekmil, bir üretim ve tüketim târihidir. Kapitalizme has olan hâdisenin, bu ikisi arasındaki dengesizliği akıl almaz bir şekilde derinleştirmek ve içinden çıkılmaz hâle getirmesi olmalıdır. Binlerce senelik zaman içinde, insanlığın ortaya koyduğu üretim, ne fazlaca artmış, ne de azalmıştır. İnkaların uzun târihi içinde üretim hacmi sarsıcı artışlar yaşamış mıdır? Veyâ 5000 senelik târihi içinde kadim Çin'in veyâ Mısır'ın üretimi, “şuradan buraya geldi” kabilinden tantanalı bir grafik gören var mı? Haydi o kadar uzağa gitmeyelim; mirasçısı olduğumuz Osmanlı'nın üretim hacmindeki artışlar, fetihlerle kazanılan yeni toprakların üretim süreçlerine eklemlenmesinin hâricinde bir karşılık bulmaz. Kapitalizm, üretim sürecini, özgür fiyatlama ve değişim değerini yaygınlaştırarak ve kârın maksimizasyonu ilkesi ile kamçılayarak “sonsuza” evriltti. Bununla iribatlı olarak bilimler ve teknolojiler çılgınca desteklendi. Neticede, bilhassa sanayi kapitalizmi üzerinden üretim hacmi hem nitelik hem de nicelik olarak insafsızca şişti. Kapitalizme eşlik eden temel sâik kârın maksimizasyonu olduğu için bu büyüme, bilhassa emek olmak üzere mâliyetleri baskılayarak hayâta geçirildi. Ezcümle, üretim veyâ arzdaki şişme, potansiyel talebin baskılanması üzerinden gerçekleşti. Modern târihin, insanlığı geçici bolluk devirleri ile buhranlar arasında yaşamaya mahkûm eden temel çatlağı da budur. Kapitalizm- akılcılık ilişkisi şâibelidir. Onun için bâzı felsefecilerin çıkıp, Batı aklına düzdüğü övgüleri, en hafifinden târih umursamazlığı ile açıklayabiliriz. Bilhassa, modern felsefe, bilim seviyesinden Batı aklına yapılan övgüler üzerinden, olsa olsa derindeki akıl dışılığı örtmek adına kozmetik sayılabilecek bir gayrettir. Arz ile talep, yâni üretim ile tüketim arasındaki çelişkiyi gidermek için bugüne kadar üç temel çözüm yolu hayâta geçirildi. İlk ikisi, daha evvelki pek çok yazımda belirttiğim üzere, “savaş” ve “yeniden bölüşüm”dür. İlkinde talep bastırılmakta, ikincisinde ise üzerindeki barajın kapakları bir miktar açılarak serbestleştirilmektedir. Modern demokrasiler bu kapak kaldırmanın fonksiyonudur. Arzdaki fazlayı, orta sınıflaşmalara emdirmektir bu. Ama bu da yetmedi. Kapitalizm, nihâyet üçüncü yol olarak ABD mahreçli, borç kapitalizmi olarak da tescil edilen , kitleleri krediler üzerinden borçlandırarak tüketimi azgınlaştırmak yolunu seçti. Tüketim kapitalizmi veyâ tüketim toplumu olarak târif gören bu süreçler, aslında kapitalizme mündemiç derin bir çelişkinin farklı sûretleri olarak anlaşılmalıdır. Pekiyi, mesele çözüldü mü? Hayır. Bir defâ ister yeniden bölüşüm üzerinden olsun, ister borçlandırma ağları üzerinden olsun, açığa çıkarılan tüketim hâdisesi bizzât üretim süreçlerinin altını oymaya başladı. Açalım: Yeniden bölüşüm kapitalizmi, emeği donattığı garantiler üzerinden onu uyuşturdu. (1960'larda yaygınlaşan uyuşturucu meselesi sâdece bir ilâç meselesi değil, aynı zamanda kültürel bir meseleydi).

Post Face, émission littéraire présentée par Caroline Gutmann qui reçoit François Vey pour le journal « Légende » sur Raphaël Nadal et Benjamin Berline qui viendra présenter « Le Petit Pudlo des Bistrots » auquel il a collaboré et que l'on peut télécharger gratuitement. À propos du livre : «Le Petit Pudlo des Bistrots» paru aux éditions Les pieds dans le Plat Le Petit Pudlo des Bistrots est arrivé ! A l'occasion des Trophées Pudlo des Bistrots, voici un petit guide offert à tous. Une sélection de 70 bistrots de coeur au fil des différents arrondissements de Paris. Son propos : fêter l'excellence du bistrot dans sa diversité et ces lieux savoureux qui font l'âme et le goût de la capitale. Outre les 6 lauréats, 70 tables, au total, y sont répertoriées pour célébrer un genre pluriel et un Paris en mouvement. QG gourmands, lieux d'atmosphère, aubergistes de caractère, y côtoient institutions intemporelles, zincs modernes et repaires de tradition. Au menu : le bon rapport qualité/prix, la mise en avant de tous les traditions bourgeoises, l'esprit de convivialité, la transmission familiale qui rejoint celle de l'art de recevoir et fait du bistrot notre seconde maison. Alors, avec les beaux jours, tous au bistrot! PS : A noter ! Dans la limite des stocks disponibles, vous pourrez, récupérer votre exemplaire papier à l'issue d'un repas dans ces 70 adresses à partir du samedi 14 mai 2022. Quantités limitées, à vos agendas! Téléchargez le guide complet – Petit Pudlo des Bistrots ici : Petit Pudlo des Bistrots La sélection 2022 en un clin d'oeil ci-après. À propos du Magazine : «LEGENDE» N°8 RAFAEL NADAL Les grandes signatures de légende Il y a deux ans, l'aventure de Légende débutait avec un premier numéro consacré à Zidane. Dans le cadre de Roland-Garros 2022, c'est une autre icône du sport qui est célébrée : Rafael Nadal, souvent considéré comme le meilleur joueur de tennis de tous les temps. Allons-nous assister à l'écriture d'une nouvelle page de sa légende ? Avec des textes d'écrivains (Philippe Delerm, Laurent Binet...) sur Nadal et la dimension universelle du tennis. Mais aussio le témoignage inédit de Richard Gasquet, grand ami d'enfance de Nadal, un focus sur la guerre en Ukraine et ses implications sur le tennis international, et un portfolio saisissant du tournoi par le photographe Marcel Hartmann.

Du lundi au vendredi, Philippe Vandel fait le point sur un sujet de l'actualité média avec un invité. Aujourd'hui, François Vey et Luc Le Vaillant, pour parler du magazine "Légende" consacré à Nadal.

Hva er kosher-mat? Foretrekker jøder piller fremfor alkohol – og våger vi i det hele tatt å snakke om omskjæring? I denne episoden av 'Akk oy Vey - jødepodden' hjelper Monica Csango meg å tenke høyt rundt disse temaene. Oy Vey!Akk Oy Vey - Jødepodden er støttet av stiftelsen Fritt ord. Musikken er laget av Jens Wendelboe (Jens på YouTube) Our GDPR privacy policy was updated on August 8, 2022. Visit acast.com/privacy for more information.

Brian Unger, "The Daily Show", "Always Sunny in Philadelphia", "How the States Got Their Shapes" sits down with Zane to get real. They talk about working together (on "Showdown of the Unbeatables"), Zane's stand-up TV Special, and how difficult it is to give honest advice in Hollywood (with a VEY specific example). Brian also shares some amazing details about how he got his role on "Yellowstone", riding horses, and why he's moving away from LA for good! --- Support this podcast: https://anchor.fm/zanelamprey/support

Post Face, émission littéraire présentée par Caroline Gutmann qui reçoit Vincent Jaury pour son premier roman « La petite bande » chez Grasset et François Vey qui viendra présenter le prochain numéro de Zadig. À propos du livre : «La petite bande» paru aux éditions Grasset Voici l'histoire d'une petite bande, celle de quelques anciens élèves d'un lycée des beaux quartiers de Paris dans les années 1990. François, dandy, beau-parleur, courtise les élèves d'un autre établissement où il est devenu surveillant. Hadrien, qui organisait les soirées les plus délurées, voit à son grand regret sa petite amie enceinte. Pierre-Marie, aristocrate, enterre son père dans le manoir familial. Laurent, professeur au Caire, s'apprête à épouser une paysanne égyptienne illettrée. En chemin, le narrateur évoque l'histoire de sa famille, d'un grand-oncle, beau jeune homme arrêté par la Milice parce qu'il était juif. Une bande, cela peut-il durer avec l'arrivée de l'âge ? Qu'en est-il des amitiés éternelles, des passions jurées, des ambitions folles ? D'un style épuré, Vincent Jaury donne vie à une fresque de personnages hauts en couleur et à toute une géographie d'un certain Paris aujourd'hui évanoui, du Baron au Mathis en passant par les bordels « de luxe ». N'est pas moins évanoui le refus par les personnages de l'esprit de lucre et de réussite qui a submergé le monde. Un premier roman mélancolique et déchirant comme le temps qui passe. À propos du Mag "Zadig"

A public leadership program is aiming to bring more sustainable food systems to Illinois communities, from farm to table. Comments from Felix Ortiz, Community Health Navigator, Warehouse Workers for Justice; Ren Encinas, Organizing Steward, and Bea (BEE) Fry, Development Steward, both with Advocates for Urban Agriculture; and Marla Larrave (LAH-rav-VEY), Political Education Director, HEAL Food Alliance.Supplemental audio for https://www.heartlandnewsfeed.com/2022/03/07/public-leadership-program-aims-to-bring-sustainable-food-system-to-illinois

Series: Be'erot, Love & Relationship with God.   Synopsis:  The time-bound specific self vs. simple beingness.   Episode Transcript: (After singing a niggun) It's a niggun about things that we are learning. It's set to the pasuk that David Halmelech says, Yamin Haromema…asaseh yah, which means: the right hand of G-d is raised up. It's the higher power in relationship to the power of din and of justice and judgment, and the right hand is the hand which enables Hashem to do chayil--He has the power to create hosts, and create many wondrous and myriad expressions of life… David Hamelech declares about himself, I will not die, but I will live. I will tell the story of the doings of yud key--an abbreviation of one of the names of G-d-- and it has a very powerful connection to what I want to explore today, regarding David and his expression of the love of G-d that we began to see last time. Here is the context: We saw in Rashi's divinely inspired perush on the pasuk v'ahavta hashem elokecha… that you love G-d with all of your heart, and all of your force or soul, and with all of your meod, that Rashi told us about meod, that the highest level of this love of G-d is expressed through mamoncha-- through your creative investment in life, your possessions-- and then Rashi told us that the other person who is present at the end of this process is King David, who we've been following the emergence of (since we saw the dudaim with Leah, which is in reference to his name) and now David actually turns out to be the one who is the final expression of love of G-d. His name "dod" actually means the loved, and the lover, and therefore Shlomo Hamelech, when he begins Shir Hashirim asher l'shlomo yishakeini m'neshikot pihu, he said, Kiss me with the kisses of His mouth, ki tovim dodecha miyayin, that your dodim are more dear to me than wine is. So he is referring here to his father, dodecha, davidecha, your David, who the kisses of Your mouth, G-d, are expressed through David, and they are more worthy and valuable to me than any of the wine of Your direct and expressed revelation. That there is something that happens between us, Shlomo haMelech says, that happens in a kiss, that can't happen if all there is is just wine. And this we understood with the help of Chazal; it was a reference to the incredible power that G-d has given by virtue of coming into unity with Him through the kisses of the mouth, which are teachings of the Torah she b'al peh and the halachah, and we saw how that becomes realized in this world with the halachah also being hakalah, the bridemaid who is where all of G-d's teaching and revelation arrive in that act , that one act of love towards him in fulfilling His will, which is our way of kissing Him. And the other aspect is the kiss of the Torah she b'al peh, the creative involvement in the revelation of His word, and a new element which I want to also refer to today, is something else about these neshikim. But the transpersonality, the power in the world which is embodied in David, is a kind of power of love which comes to realization in the bechol meodecha. And what was the bchol meodecha?  That David becomes the one who expresses at the meeting of all of the various and sometimes trying meetings with life, is the one who achieves the level of bchol midah u midah she moded lecha, that with every measuring out that G-d sends to you, that He measures out to you, haveh modeh lo, so acquiesce to Him. And I believe that's the correct translation here, as opposed to hodaya, with giving thanks. Here it's--in a sense--surrender, it's an acceptance of, it's a being whole with that, David says. And Rashi goes on and says that David is the one who says: kos yeshuot esah, uv'shem adonai ekrah, that I raise up the cup of salvation and I call out the name of G-d. Tzara v'yagon emtza. I find difficulty and travail, uvshem adonai ekrah, and I call out the name of G-d. Whether it's kos yeshuot, whether it's tzarah v'yagon, whether it's salvation, or it's travail, bshem hashem ekrah. And I want to point out that bshem hashem ekrah, doesn't seem to be an expression of thanks. Hes not thanking G-d. He's not saying, uvashem odeh, that I will give thanks to G-d. He says that in many other places-- it's not that David is short on giving hodaya. But here, in meodecha, what he is doing is being modeh. How? By calling out G-d's name. And this is a very powerful and crucial element in all of the work that we have been doing in the love of G-d. And especially in the aspect of the creative force which we explored last week in the lev tov, which is the heart of creativity, the pounding life-giving force, which a person, in his right purity, becomes that. That lev tov is rooted in that maayan mitgaber, in a spring that is overcoming all kinds of obstacles, whether it be fear, whether it be self-denigration, or--but that the maayan comes to be expressed in the lev tov, and in attaching oneself to that, so one learns to be modeh. How is one modeh? So we saw last time, in telling a tale of someone who had a tremendously liberating breakthrough in a certain context that we were together, that breakthrough for instance may even be the kind of plug that is in the neck of the bottle, that's the plug of his own self-hatred, or self-denigration, or calling into question his ability to be an expression of all of those but block the expression of the maayan mitgaber which flows out. And the incredible thing is then when a person becomes modeh--meaning accepts--and here I'm giving the explanation of what the modeh is, he accepts the reality as it's being given to him. He accepts that and he is modeh to it. That's the first stage. He is at one with the is-ness of things, just as they are. Without all of the lies and blockages. Just as they are, that's the first stage. Just with the is-ness of things just as they are which attaches them to, as we've explained in the past, to the Tree of Life, as opposed to the Tree of Judgment of Good and Evil. And now that he is attached to that place, there is a marvelous thing: and that is, that there is a life-force which in a sense protects from becoming complacent when you're modeh, a life-force that pushes ahead to evolve further and grow creatively into more.                 Now I want to look at u'vshem hashem ekrah, that he's calling out G-d's name. So we saw profoundly last time that this is actually a reflection of the love of G-d which the Maharal taught us; it was a reflection of it's ahavah she aina t'luyah b'davar, it's a love which doesn't depend on anything, meaning it's not a matter of whether G-d's doing good things to me  or things that I don't like. Because I'm so at one with Him, and so connected to Him, and all of life is experienced as the wellspring of G-d bubbling up through reality, so that actually pushes us ahead in our growth in the participation of that. That, the Maharal taught us is love, because love is the deepest communing of our soul with G-d. And already at this point, the love that we are describing is really in a sense vaguely connected to the lover and the beloved as two separate entities. It's devotion to expression, it's connectivity of all, and it's a process of birthing, which is what life then becomes about.                 So something very powerful which the Rabbis tell us and actually has a lot to do with the day which is coming out, Tu B'shvat, Rosh Hashanah la ilan, and the way in which we're always called upon to live our lives of creativity and action in this world. And that is, I would say, the most important contemplation that we have in our literature, which is the shliuv of shem yud kay vav key and alef dalet nun yud, that those two names be ever intertwined. And there is a way of writing them which is intertwined, which you've seen in certain siddurim, and it is encouraged, when a person is praying, to have either in imagination, or on the print in front, the shiluv of these two names. And the reason for that is because, the shem Adny, is the most dear --and dangerous--place. It's most dear, because it's the place of our realization and creativity, because shem Adny is a reference to the soul as it becomes expressed in the world as an Adan. An aden in Hebrew is a socket. Like the sockets that were holding the tabernacle in its place. Life is Adny, life is My aden, G-d expresses through that name. Your life is My adan, Your life is holding all of this divine influx. That it should have a place to stand. That's shem Adny. But shem Adny has a profound danger, and is most present specifically in our creative moments, which are so endeared and we've given so much space to in our teachings. That is because the experience of creativity can become a profoundly separating one. We saw this in the trial of Yaakov, who remains lvado, alone, for the small shards and the image of him being alone (and the first time of his being talked about being alone.) It's very painful--it's painful, in a sense, to be a creative person. The artist's life is a trying one, and I think anyone who has any kind of creative realization that is personal and dear to them knows that there is a very curious path that seems to be followed in that there is--maybe it's not that way for everyone--but my sense of it is that there is a period of sorrow or trial, which then leads to a realization that I'm not about these trials and sorrows;  they are what I am experiencing, but there is a depth to my selfhood and my being that is beyond the depth of my sorrows and my trials. There is something that actually the pain brings about by virtue of being a tzarah, which is the word that means a narrow straight, and somehow that narrow straight--like water that flows through that narrow straight--becomes energized, where there must be a great word like impetuized--empowered--by passing through that straight. And then there is this opening that happens; this is a pathway of creative output which is a trying one, a very difficult and lonely one. But in that loneliness, there is a tremendous meeting that we saw that Yaakov has with, so to speak, the lonely one. The lonely one being Hashem Himself, Who, no thing, no one, is like. And it's very important to maintain a consciousness of the shiluv between the place of the outer expression and personal and specific and unique creator, and the one who is simply a mouthpiece for the G-d who is speaking through me. And I don't say that lightly, but that is indeed what we call upon G-d to do. Every time we pray, we say Hashem sfatati tiftach, You G-d open up my mouth. So that is a shiluv of Havayah and Adny. How so? Because the name Havayah is the name of simple being, as we've seen from the Grah and other places. It has no time frame, no future, no past, there is only present in shem Havayah. That's the meaning of that name. And even present is a misnomer, because there really is no present that's just simply being. That's shem Havayah. And Adny is, as we said, a place where there is a specific casing for the appearance of being in the form which is time-bound, time involved, specific, and seems to be putting out its own stuff. This is why, the name Adny--alef dalet nun yud-- is the word ani, alef nun yud, with a dalet in it. And this isn't just a word game, this is very important, because in the Kabbalah, shem Adny is actually called ani. It's me. The I, the place of the I, I am, and the place of the I is the deep experience of being able to stand up to, being able to assert, be an act, or in life. That's the place of ani. But it only connects to Adny when the letter dalet is there. Literally, the letter dalet, as we saw, is so important in the name Yehudah, for instance, which is also a connecting of the dalet from Adny into the yud key vav key. G-d's name is the yud key vav key with the dalet from Adny, so that the ani can appear, which will be David Hamelech, who comes out of Yehudah, so that the ani of David Hamelech can appear. The dalet remains bound to yud key vav key, so that the consciousness of being connected to simple being, and G-d in His own changing presence will not be lost  But then David comes down as the ani, the I who is the creative output, and this then becomes revealed in the world, through the specific and creative activities which were so dear and about which we say ki tovim dodecha mi yayin, that your dodim are so dear, they are deeper than all of the wine, which is the place of the place right now. There are higher worlds than this, but [this is] the place of statis, the secret place. Yayin is gematria sod, which is the secret place of being, which is always a secret because we're always in the world of doing. So, it can't be spoken--it's an essential secret, in the sense of as soon as you begin to speak it, so then it is no longer being. It's already doing language, letters, forms, etc. so it's a perfect secret.                 For us, the David has to become a right reflection, with the dalet --and the dalet, David-- right? The dalet and the dalet has to have the clear and powerful--  powerful is the wrong word, but the very clear and zach, clean, transculent awareness of him being an expression of being, a mouthpiece for being. Very hard to hold that together. You could see why every time you say G-d's name you have to create a shiluv, a merging of these two names together. Very hard to hold that because as soon as you become creative, a new creativity, wow! you're excited and there's energy and there you are, and unbelievable, and even if it's not egotistical and self-centered, but the experience of it--it's me, it's happening to me and then you have to pull back and oscillate back to it's G-d, it's pure being, and go back there. When you're there it's a statis and there's all kinds of creative movement, so then you begin again and it becomes this oscillation which is indeed the oscillation of the shir which we spoke of once. It's the oscillation also between Havayah and Adny, which creates by virtue of its movement back and forth the song, which is the song that Shlomo Hamelech sings, the Shir Hashirim asher l'Shlomo. But this very crucial holding is actually what we are referring to every time we say amen, every time we say a bracha. So in the bracha, he's brought it down from the highest shefa into this piece of fruit, or this piece of bread, or whatever it is, and then it has created this yichud, and then the person answering amen is actually saying something that is completely faithful and integrous. That's what amen means: Be faithful and integrous. And I'm connected by asserting that this is faithful and integrous. This world is indeed nothing but Him in His expression. And that is why the word amen itself is the numerical value of these two names of G-d, yud key vav key and Adny, because that is what needs to be established by the person who has heard the bracha, Amen. It's Adny and Havayah together. This is the real ne'emanut, the faithfulness that one's creativity is not experienced which is ajar from  or [inaud—revert/overt?]  from. I must say a little bit of a digression, but it is important, too, because I would really like to see this more clearly, but I have a sense that eating fruits on Tu B'shvat isn't really--excuse me for bringing up my penchants. I am not so convinced that it's such a good idea to be so focused on the fruits on Tu B'shvat. Because it's about the tree, it's Rosh Hashanah ilan, and the word ilan is the same gematria of these two names. It's the same numerical value. Because the ilan is the place which is the connector between the ground and the fruit, or as the Maharchu of Reb Chaim Vital explains it, that there's a soul root which is in the higher worlds. And it's rooted and comes down through the tree and then it blossoms and becomes a fruit in this world. But lo! to the one who decides it's only the fruit. Has v'shalom. On Sukkot, which is the only holiday on which we deal with fruit, it's very important to keep connected to the lulav. Because the lulav connects it back up to the tree-ness of it and we're never supposed to be separated when they're being held. Because the most powerful and significant downfall is when the fruit is pulled away from the tree, and in fact has a great deal, --as we've explained in other contexts--, a great deal to do with eating only the product and not of the one who is its source and so we'll put that aside, but I will point out that historically, it's fairly late that we Jews are eating fruits on Tu B'shvat. It's mentioned in the Magen Avraham, 1600s, and there's good reason to believe that the source of having a seder Tu B'shvat with all these fruits is not a particular holy one. I'll put that aside…                 In terms of our lives, it's very much that way. It's very easy to become fruit-oriented, because you're very much oriented around the productivity and the produce and the output and just in terms of personal terms, forget about what am I becoming and how am I connecting to Source. Who is producing this fruit? I mean, it's all a bunch of great words, but what is your life? Who are you? We live in a society which is so divorced from Source. Just give me the stuff! Go into the store and pull it off the shelf. I don't want to deal with mechanism. I don't want to deal with process. I just want to have the stuff at the end. And our personalities become that way, where it becomes like our personality culture or persona-culture, which is what you're projecting, which is far more important than who you've become. So you get these things, you know, like learning ways to get people to like you, or to make a certain impression without the transformation itself. So that's on the level of our humanity. But on the level of our divinity, it's the same way. In a creative mode it becomes disconnected from that first origin of expression. You know that one of the great and most important contemplations that we have is the knowing that all of this is always in becoming; it's always being made by G-d, He's always speaking this. You can even imagine in a mediation, the emergence of a thought; just watch the emergence of a thought which comes from perfect at-oneness with that which that thought is emerging. Where did that thought come from? What was the nature of it, that thought, a moment before you thought it? Certainly it was there in thought, in mind, somewhere, it didn't come from nowhere. Well, that is the very beginnings of contemplation of unity coming into manifestation in a very mysterious, wondrous way in which that thought is not in your mind before you think it, it's not there. You can't find it, identify it, but it is there. Now that is a low level example of, if we imagine it as far more supernal that (33:24) all is present within G-d before it becomes manifest and real, or is it, or in what sense is it there before it becomes manifest and real? It is there and it's not, and there's this wonderous transition. I'm teaching you this because it's very important for us as Jews to always be attentive to that transition point, that we become creative and expressed, but we know it was a thought that was thunk by G-d. And that's what it is and that's what our lives are. It's His thinking it.  Even though we experience it, and we have to experience it, the Adanim which is the hard socket that holds it, and if we don't experience ourselves with substance, so then we're not going to do anything.   But the ani must always be connected or expressed through the dalet, which is a delet, which I began to explain twenty minutes ago, the letter dalet in Hebrew is a delet, [a door], a passageway, and so in the ani has a passageway that it's adni,  and then when it connects up to yud key vav key, and its dalet becomes interpenetrated into the yud key vav key, then it becomes Yehudah, who is able to both acquiesce to and surrender to and give thanks for--and only from there can David our King emerge. And only from there can a true, redemptive consciousness emerge. And only from there can come true song and speaking of Torah and prayer, almost ironically, and prayer. And this David says about himself: v'ani tefilah. My selfhood is prayer. And the reason why he says that--it's so important-- is because--well, (hesitating) the prayers we say, in the Kabbalah, the Arizal, the prayers that we say, are kisses. This is the profound terminology of our teachings which must be taken with a right orientation of zakut, of non-materiality, but in the prayers we pray, so the first three brahcot are the chibuk, the hug, and the request we make of G-d are the kisses, so the Arizal teaches. What, the kisses? That yeshakeni m'neshikot pihu. Because when we pray, so there's a mixing of our breath with His breath, and this in the Kabbalah is a very high place of unification. The prayers are actually His voice speaking through us, and that's the only way to truly pray, which is with an awareness that it's Havayah who's speaking through my Adny, my Ani. And I'll say it in simpler terminology. It's His will and desire which I seek to align myself with in my prayers, and to speak His word, so that I will be speaking what it is which He Himself desires and it will never be anything else other than that. Just like it should never be anything other than His Torah that I speak when I say something which is a chiddush, something new. What does that mean something that is new? Is it not what G-d Himself thought? Of course it is! If it's new and disaligned from He, then it is nothing. And when it is very ancient, only then is it something, but in its being ancient, and the more ancient it is, the newer it is when it is received in this world, and in this body. It's this profound paradox that we live. We only want to say the most ancient thing, the ones that are the deepest thoughts of His will. The Zohar teaches that when a person says a chiddush, the angels raise it up and bring it to G-d, because He asks that a chiddush come to Him so that He might kiss it, and He kisses every chiddush. That's yeshakeni m'neshikot pihu, we're asking Him to kiss us with the kisses of His mouth. Pihu, which is the peh of yud key vav, with us providing the final heh, which is the soul's return up to Him to be kissed by Him and rejoined with Him, and then His breath becomes at one with our breath-- through a teaching which is a true teaching. This is what we really long for, and this is where love becomes so deeply at one with Him that in the end, David Hamelech himself says, it doesn't matter what you send my way, I am in full at-oneness with it. The Rabbis say that at the end of time, and I say this with trepidation and had it not been printed in the Talmud, then I wouldn't, but as you'll hear, because as the verse says in Zacharia, in chapter fourteen, v'hayah adny hamelech al kol ha'aretx, v'yom hahu….ushmo echad, that it will be that G-d will be King over all the earth, and on that day G-d will be one and His name one. So the Rabbis say….(40:49) what , today he is not one?… Amar… so Rebbe acha bar chaninah, his name is like the fraternerous one, his name is the binding one who is the son of the one who has chen…. The World to Come is not like this one. In this world, when something good happens, we say, baruch hatov v' hamativ, blessed is the One Who is good and Who does good, but when bad news comes, so we say baruch dayan haemet, blessed is the True Judge…. In the World to Come, the only thing will be hatov v'hamativ, there only will be good and the good one. Shmo echad, so that was He will be one, and His name one. What? His name now is not one? ,…. Rebbe Nachman bar Yitzchak, not like this world, but in the World to Come. In this world, My name is written yud key but is read aleph dalet. In this world, it is written yud key vav key but we don't say that, we don't pronounce that, we only pronounce the aleph dalet nun yud. But in olam habah, kulo echad, but in the World to Come, He will be called yud hey and he will be written yud heh. We will call Him by His real name. Because in the World to Come the simple being of all will be so present and apparent, that the experience will not be of things will are antithetical to or in favor of. It will only be Him. That's what David is calling to, when it says ubhem hashem ekrah, I call out His name, Havayah. B'shem havayah ekrah. Calling upon that His name should become One.                 But we should experience life that way and indeed he is the one who is raising that cup at the end of the feast, at the end of time, at the end of G-d's sustenance for creation to give Him this blessing, which is this odecha of the final and most intimate love with Him which it's no longer a calling out of His name, it's a being to being with. This love, which is one which is-- there's glimmerings available to us in this world, glimmerings of it whenever we accept life, when we accept what G-d gives us, when we know it as good what He has sent us and what we have faced in our lives. And I want to tell you something that is a great secret. And so much so that the Gemara goes on and says, Ravah, who was one of the greatest teachers of the Talmud, wanted to give over this teaching in a very public place, in the pirchah. The pirchah is when there would be very large masses of people that would gather for the teachings of the Rabbis. So amar le ha husaba (44:47) so there was an old man there, who said to him, l'olam ktiv, it says, ze shmi l'olam. This is My name to be hidden. This is to be hidden. So he didn't. (That's what I meant when I said I would give it over, it wasn't printed.) But the truth is, it's a secret whether you've heard it or not. It forever remains a secret, because it stands as an antithesis to our primary experience of life, which is of the ani, and the transition all the time from the ani back into Adny, through Havayah and Yehudah back up into the ayin, is one which is an ongoing oscillation and flux, which is truly the song of life, and the great love song, which is the Shir Hashirim asher l'Shlomo.                 (46:12) There was once a man who lived something of  this. He was the great teacher of Rebbe Akiva, who is of all the tanaim, is the most primary origin of Torah sheba'al peh. In fact, so much so that when Moshe saw Rebbe Akiva, he said, "You have Rebbe Akiva. What are You giving the Torah through me for?" I could go on and on about Rebbe Akiva…His name is actually the ending letters of a verse which is big important verse about our lines: Or zarua l'tzaddik uv'yisreh lev simchah. If you take the ending letters of each word, it spells out Rebbe Akiva. Or--resh, zarua--ayin,   l'tzaddik--kuf, uv'yishrey--yud, lev--vet, simchah--hey. And Rebbe Akiva is the expression of the Torah she b'al peh, who lives his life in oneness, as we know that's how he indeed ended his life. He had a teacher, whose name was--we only know his first name--and apparently, both the place he came from, and the way he lived life. And the name of his teacher was Nachman Ish Gamzu, the consoled one who was of Gam Zu. What is Gamzu? This, too. Why was he called Nachman of Gamzu? (48:28) Because kol milte de hava salka le, On everything that would happen to him, he would say of it, gam zu l'tovah. This is also good. This is also for the good. Gamzu l'tovah. Fantastic. So, there was actually something here that could be put to use, a guy like this. You could send him to all kinds of situations, and he would say, gamzu l'tovah. Nice, but will it always work out? I guess, he'll always see it as working out, so I guess it's okay. I guess it's kind of like a no-risk thing. So the Rabbis needed someone to go speak to the Caeser, who was going to or had made a bad declaration against the Jews. So they wanted to send him a package of a bribe, of extravagant and precious stones. So they said, who can we send this with? So they said, well, let's send it with Nachum Ish Ganzu-- d'iluma b'nisim, miracles are always happening with him. He's learned of miracles. Actually an interesting phrase, because it doesn't acutally mean always happening with him, it means he's learned of them. Already you have a sense that miracles that happen to him don't just happen to him, they're related to somethng about his consciousness about life and the world. He's learning. His learning is a miraculous learning. So, what do they do? They sent him a suitcase of precious stones. On his way to Rome, or wherever he was going, he had to sleep over somewhere. So he put it wherever he put it, he went to sleep, and in the nighttime, the owners of this little rest spot came in his room, took the suitcase, emptied all of the stones out of it, put them in their bag, and filled it with dirt.                 Now there are two versions of this story. In the one version, in the morning he saw it, and said, gamzu l'tovah. Another version has this in parenthesis, that dar , I don't know. In any case, (51:12) kimatva hatam, when he arrived in Rome or wherever he was going, sharinu l'sifta, so he presented the suitcase to the Caesar, they opened it up, and they saw it was full of dirt. The King wanted to kill him and all the Jews. They're making fun of me, those Jews. Nachum Ish Gamzu said, gamzu l'tovah. Eliyahu appeared, he looked like he was one of the king's advisors, and he said, maybe this is the dirt of Avraham, their father. You know, when he took dirt, he would throw it and it would turn into arrows, knives and swords, there's even a verse in their prophets that their swords are turned into dust. And the archer's bow is turned into chaff, actually the direction in the prophet, of course. There was this one that they couldn't overcome --lo matmu lmichtma she (52:41)-- So they checked it out, and they threw this dirt at the capital city, or at the country, and they were able to capture the country! Whoa! So they came back and they went into the King's treasury and they brought out all kinds of precious stones and they give them to Nachum Ish Gamzu, and they said, Here, take this back and give this to your people. They were thrilled. Okay, so on his way back, so he goes and he sleeps in this place. I don't know, good things seem to happen in this place, so he goes and sleeps there again. So they asked him, What happened with your mission?  How did things work out? So he told them what happened. They said, Well, what did you bring? He said, What I took from here I brought to there. Okay, as soon as he left, they pulled down their house, dug up all the dirt, put it into big boxes, and they brought it to the Caesar. And they said, this is it! This is the stuff! We are the owners, we're the ones he brought it from. So, they said, okay, let's check it out. Of course they checked it out and it didn't do anything. And so these scoundrals had an unhappy end. And that's was the story of Nachu, Ish Gamzu, teacher of Rabbi Avika. What's this Nachum Ish Gamzu? Gamzu l'tovah.                 So the Maharal says a deep thing, "What did Nachum Ish Gamzu always say "gamzu l'tovah"? He was always saying "Gamzu l'tovah." As if it needs to be enunciated. It couldn't be, so to speak, just an attitude. So he says the following crucial teaching: It says that everything that comes from G-d is coming from His good, and when something comes upon a person which seems to be bad, listen carefully, (55:41) hu boteach bo… yitbarach. That he completely relies on G-d. Hashem Yitbarach…tovah. G-d turns it to good… by virtue of his reliance on Him.  Vey interesting--listen carefully. Everything which comes from G-d is good. When it comes, trust Him. And if You trust Him, he turns it to good. Huh? Wait a minute. Is it good, or isn't it good? What are you telling me? Is it good, or isn't it good? Why are you telling me that my trust will determine whether it's good or not good? You just told me that everything that comes from G-d is good. Yeah. But its goodness depends on your reliance, bitachon, betach, is your ability to cling. In Hebrew, tiach is what clings to, rest in Him. Boteach bo. It's like sitting on the floor now. Let your weight be in it. Cling to Him, be davek in Him. And then He turns it to good. That's not to say that if I didn't, then it wouldn't be good? Well, you know what? Yeah. Because then you'd be living a lie, you'd be living the lie of your interpretive and judgmental mind which is pushing it off and not willing to be modeh to.  But when you are boteach and modeh to, then the good comes.                 Now I want to warn you.  Don't try to make sense of this, because it's a tautology. It's not like I'm proving to you that what G-d is sending you is good, the proof being when you accept it, it's good. It's not a proof of anything. It's an experience of life. We could never prove such a thing, because we can't stand outside saying, it should be this way, or it should be that way, if you remember the young man from last week. You can't say it should be this way or it should be that way. You should be standing outside the whole system to determine such a thing, so shut up. Just shut up. Shtok. Ki kachah lah b'machshavah. You can't say what it should be, shouldn't be. But what you can become is an experiencer of life as it is. And you can know, thanks to G-d having revealed Himself to us, that He made this world and held it because He saw that it was good. And when he saw the suffering and travail, the midrash says, that came about on yom sheni, on the second day, which is the introduction of duality. He didn't say tov about that. That if you look on the second day of Creation, He doesn't say tov, because it's the day when duality is created. But on the day of tov meod, He interincluded all the elements into one. And then even yisurim--which are the experiences of life which are antagonistic to what it is that we enjoy or like--becomes included, the midrash says, in the tov meod. And so it is that as long as we stay in the place of claiming omniscience, so forget it. What are you proving to me? That G-d is good because when I accepted what happened to me, that it turned out for the good? What, are you trying to trick me into believing in G-d? No, I'm not trying to trick anyone. I'm just trying to describe an experience and that's what the Maharal is doing for us; he describes the experience when you're boteach, he's m'hapech it l'tovah. But I'm telling you it's good. So if you're telling me it's good, it's good, even if I don't accept it--No, it doesn't work that way, sorry!                 Here, give Me a kiss. Can you give Me a kiss, G-d says, can you become at one with Me? Ki tovim dodecha m'yayin, it's better than all of the joys which you could have thought to experience had you not come into being and stayed the simple wine in the place of the secret. If you can, then you've entered the moed . Meod? Like more than? More than. More than what? How could there be more than? You're right, there isn't. It's all Me. But know that meod is the same letters as Adam. Because you are the meod, if you live your life right.  And the way to live your life right is when the meod becomes mah, which is the same numeric value, the question of what. The statement of we are what, which was Moshe, who said about himself, and Aharon, anachu mah. We are meod realized as mah. And that's when the ani becomes ayin , and the Talmud says that you should know the whole world stands on that, the mah of Moshe, as it says: toleh eretz al limah, that he hangs the whole of reality on li mah. On the ones who say the li mah, for me, it's what. And I'm complete bitul to Him, I'm complete abnegation to Him, it's only Him. (1:02:39)                 The beautiful thing is, when that mah has the beginnings of ani added to it, the aleph, so it becomes meah, the one hundred brachot that a person is meant to say every day. But it's Moshe and the power of his humility which allows this to be, it's his power of humility which allows for the yichud for the connection of shem Adny and shem havayah as one, that the ani never lose its awareness of where it is always, and who is always thinking it and who is always speaking it, and who is always expressing it, and that is ultimate love and ultimate communion in a way that, in the end of time, will be expressed by the meodecha of acceptance.                 (1:04:30) You're welcome to ask questions… We discussed creativity in the beginning, and you talked about creativity in the sense of aloneness. How do you define creativity? Because you're not really defining it in a purely artistic sense, obviously. I really appreciate your asking that. Because it's not always that way, and the truth is, when it's a true creation, there's always people together in it. Nevertheless, I don't know exactly how to explain what's lonely about it. In the end nobody can know your heart. They bring five things--I need to find this Gemara again--five things that no one can ever really know, and one of them is the heart of another person. So that's creativity? The heart? Creativity is-- the lev tov is the creative origin of the life-giving force which is creative power. But creative power means what? That you're bringing something new to the world? It's something from you? Life-giving. I mean, one one level, it's life-giving. When it's new life-giving, so it's even more joyuous? So life-giving is a lonesome process? No, that I don't think. The amazing thing is the way that G-d made it is that the only way to give life is with another person. Until technologically came along and tried to rake that up too. But the incredible thing is, the creation of a child, the creation of anything, really, always involves another person. If you remember, we saw (1:06:34)  ashrei yulad'to, it says, happy is the one who gives birth to him, is the one who teaches be a chaver tov, know how to connect. So I'm contradicting myself, because I'm exploring different aspects of it. I'll try to say it as succinctly as possible. On the one hand, creation is always a co-opting activity, really, deeply. Creation is always cooperative. But there are moments in Creation that are experienced as just me doing it. Just me. And not only that: how could I possibly share this? Who would understand me? --on the one hand. On the other hand, of course it's with others and with all of reality and the whole world and G-d who is speaking it through me. And that is experienced very intimately. But I may be wrong, and I'm not the cleanest in the world. But I have the sense, at least this is where my madrega is, I have the sense that it shifts back and forth. And then you just want to share it, and then you realize: This isn't my doing, it's like everything and every person I've come into contact with and all life experience, this is reality. And then you're not alone at all. So does the loneliness—is the loneliness not knowing if the-whatever the creative item is--is going to be received? Is that what the loneliness is? Never able to fully share. One. And on the other, it's an expression of my utter and complete uniqueness. Right. So that's not knowing if it will be received or not. Not only the question of knowing if it will be received . It's unreceivable, because it's utterly unique. It didn't come from anyone else, it came from me. On the one hand. On the other hand, it's a very tameh place that I'm describing. Meaning, it's a very impure and incorrect. It's not right. The truth is, the whole of reality is participating in this and taking pleasure in it and contributing to it. And being part of it. That's the truth. Halevai that we hold that in the creative.  But, nevertheless, it is still l'vado. Because this particular expression is so unique and different that it's really alone. I'm kind of like trying to draw for you the shiluv for you of shem yud key vav key, and Adny. You can hold it in a picture, with a yud and an aleph and a hey and a dalet and a vav, etc.                 What I also want to say, it's the deepest love when it's experienced as something which is what I just described. We're all together in this. But who could you love more than someone who's participating in that with you? Also you said that it doesn't really come from you. So if you're not really alone, then what you're doing is tapping into Hashem. Right. So then is it an illusion, then, the (inaud) (1:10:51) ? Yeah, on a certain level, yeah. The class is over..and I'll continue to take questions. I'm always very wary of the word "illusion". False understanding. It's called, like I like it better, in the non-judgemental that's called da'at tachton. It's lower consciousness. The reason why I prefer that is because lower consciousness is crucial. The Rabbis said, when they tried to get rid of the yetzer harah, they looked around the kingdom and they locked it up. For three days, the yetzer harah, and they looked around the kingdom and they didn't find one egg that had been laid by a hen. Not one egg. You know, no fruit. Sad to say, but you need a lower consciousness. Then you catch yourself, and then like-- I know, high souls, maybe, I don't know, but it doesn't oscillate that way. But it's good to always have someone who reminds you. I have a dear I guess former talmid and friend. He reminds me, It's good to have someone who reminds you, when you're in your LOW! G-d. Because you can really only sort of hold it pictorially with a shiluv of Havayah and Adni and to be in the ilan. Was that helpful? It is, but I don't want to continue, because I could do it for two hours. (Continuing) Amanut, omanut in Hebrew, craftmanship and artistry, has its root as amen; aman has its root as shiluv. Because real craftsmanship, which is the creative output, is always with this kind of consciousness. When you're purely in it, when the creative inflow happens, so then it's from G-d. Then you start working it out, thinking about it, presenting it, getting it into how it's going to look, packaging it, etc. But the real moment of omanut, is very much like that. I'm just going to say one other thing. We're just referring back to our learning in the Rambam. (1:14:28) about Simcha bmitzvotav ahavat hakel shetzivah bahem. And David and his dancing and letting go, and it's all flowing through him, and Michal trying to stop that and etc. So the Rambam learned his teachings about simcha shel mitzvah from a sugiah that in a sense doesn't make any sense at all. Listen to this piece of Talmud. It says, Kohelet said two things. One thing he said was simchah--ech! It's a bunch of trash! As Ecclesiastes talks. And the other one says, Eshabeach ani et hasimchah. I praise nothing other than simchah. So the Rabbis say, What are you going to do with this contridiction? So they say, one is simchah, and the other is simchah shel mitzvah. And where do we learn simchah shel mitzvah, the joy of a mitzvah? So here's their proof. They say, well, you know, it says, that when Shaul was troubled and crazy, so his advisor said, We need to bring someone who can play you music. And, of course, they bring him no other than David Hamelech.(1:15:46) Vayehi knagen hamenagen, And then, when he played him the music, so his spirit was calmed. It's the same language which is used when the prophets would play and prophecy would begin. Huh? That's the proof that simchah she b'mitzvah, that's something. Now you look at that piece of the Talmud and you say, What? I mean if you had said, He brought him a lulav and he shook the lulav in joy, or if he had brought his tefillin and it said, He put on his tefillin in joy, then it would have been a mitzvah, right? Then it would have been the joy of doing a mitzvah, right? No. That's not simchah shel mitzvah. Simchah shel mitzvah is the joy in the joining. That's mamash, it's the only way to explain the Gemara. When he played the music, so he joined Him, G-d's spirit was resting upon him. That's simchah she b'mitzvah. The joy is in the joining. And Rashi says, well, it's a mitzvah to have G-d's spirit rest upon you, that's how Rashi, what they say in yeshivish, "tyches it up." But that's the point. That's simchah she b'mitzvah. The joy is in the joining. And that's music. The music is there. And that's David who plays the music for Shaul. Can you tell me more about the day of tov meod? It says that at the end of Creation on the sixth day, that G-d looked at everything, V'hiney, tov meod. Up until that day he looked at the particular creation of that day and He saw that it was good. He looked at the light, He saw that it was good. He looked at the plants, He saw that they were good. He looked at the orbs, He looked at the animals, etc. And then at the end, He looks at it all and says, it's tov meod, the allness of it that's malchut, the entirety of it. So the Rabbis said, You know what He saw when He said tov meod? He saw death. He saw suffering, pain, hell. Gehenom. And He said, tov meod. Gey shteis. Go understand that. That was the tov meod. I'm kind of loath to explain these kinds of things, but they have everything to do with what we've been talking about. Because that's the root for that pain and travail, as painful as that is, if you ask me, I don't know if I'd ever make the world like this, don't ask me, but that's the pathway that takes us to the meod. It's just that way, and when you're modeh to that, then it is that. Is that helpful for you? There's a number of midrashim on that, quite astounding. (1:19:55) You're describing the oscillation. You see, it's very much like whiplash, like I'm hearing you say oscillation, and I'm thinking halivay, to be in some kind of like sweet oscillation..  Thank you, I'm being, I'm sweetening it.  And that in that, I guess, I'm not sure what the question is, I think maybe that sitting in the reality in the Adny of it, say, how to sit in that and feel it and accept it, without feeling the need to push it off and say, no,but I'm really bitul and I'm really gamzu l'tovah, even if there's a deep emunah in the gamzu l'tovah, in the moment, how do you experience it and feel it and love it? How do you have both the gam, which reflects an awareness of my needing to see it, experience it, with all of its difficulty, how do you hold the gam, this too, is good. Both the trial and the l'tovah. Right now, I think I've described as best I can in a different plane. If you try to step over that experience of trial and tribulation, than the zu l'tovah won't happen either. You can't walk out on it, it's a perversion. It's a disgusting perversion--is the word that comes to mind-- it's a disgusting perversion of life, to G-d's gift of life, to try to not be in that. If it's just your thoughts, drop them. I have this, I'll think all kinds of bad things, or regrets about, or judgments of, etc. You don't have to walk through those. You can just lay those aside, you don't have to think about those, because it's not more real than the reality you're investing it with now. So drop that. That's not G-d sending that to you. Put that aside, think of Him, think of something good, etc. But when it's in life, person got his leg chopped off, or a child hurt, or whatever, things that we share, just like, oh, it's okay, it's G-d and it's good, that's a bunch of crap--that's a bunch of crap, and I specifically call it that, because I have something in mind, but I have like someone shared with me a lecture that he heard from a professor of philosophy from Berkley. And among the garbage in the lecture there was a good scene he described. When he was in the 1960s in an ashram, a a Buddhist teacher was telling the people there: So what would it be for you to have this rose without the thorns? That's enlightment. And they went around the circle and everyone said, Yes! And they got to this professor, who said, "What are you talking about? That's not life!" Jewish guy. "Where would love be? Where would growth be? Where would trials be? What are you talking about?"  And it's not that we don't know this, and in the end the Gemara says, ubayom hahuh yiyeh Hashem echad u'shmo echad. That, by the way, is what we started with, with the niggun (1:24:17) Yemim Hashem romema…ma'aseh ya. I am telling the story of yed keh Because in the end, yud key will be G-d's name: yihyah. Yud key yud key, which is just the mochin, just the higher consciousenss, not the lower consciousnes, that will be in the end of time, but that's not now.  But when you try to pretend that it's now, then sort of like jump the gun, then it's a short circuit. That's what the Rabbis say to people who try to go the long path through a short cut. Like in the famous mashal that the Tanya brings, that there's a longer shorter path and a short longer path. When you try to take the long path as if it's a shorter path, then you don't end up at the palace, you're just pretending. This has everything to do with what you were saying before about illusion. G-d created it, see that's where we're different from the Buddhists. G-d made this, that we should see things this way. What are you going to do with that? So if you live in a will-less reality, so then all you're going to focus on is, this is all illusion, maya, higher consciousness. But if you live in a reality which is willed by a loving G-d Who is good, and Who has made this in His goodness, well, then, don't skip it over, it's the meod and the tov. Love me. If you experience G-d as a loving G-d, so He made this not as some perverse and false image, illusion, but He made it as a reality that's meant to be lived. And then when you pass through it, and you do pass through it, what comes out at the other end, is the chelah yeterah, that the Zohar says, is the chelah yeterah of tshuvah and other things that what life is here on this planet for, you passed through the narrow path of mitzraim. You had to go there, the metzar hagaron, the narrow path, between your heart and your mind. Was that helpful, was I relating to you, Debbie? Yeah. Chaya, what's…? Still breathing. Okay. Gam zu l'tovah does that mean, this is wonderful? Pleasant and good are two different things. Yeah, Gam zu l'tovah. I don't know that it always means, to enjoy, it's to have a consciousness and awareness that it's not happening without reason, that there's a higher course It's going for the good.  and you're a part of that, and that's way it's good. But it doesn't mean that-- It's is l'tovah  "l" tovah. Yeah, it's for the good, it doesn't mean that it's good for you Correct. Gam zu l'tovah. I think Rebbe Akiva has a higher consciousness, and more geuladic consciousness, and ultimately there's even more, but he's the beginning --Nachum ish Gamzu, of this kind of consciousness, that's expressed in Rebbe Akiva in the great love of G-d that he lives. But you're right, and there's another story, which is a counterpart story of Nachum Ish Gamzu, if you remember where he meets a poor person, and the poor person asks him to --are you familiar with this story? There's a story about Nachum ish Gamzu, I don't know if I really want to tell the story, it's painful but it's important to see the other side, the Rabbis came to him once, he was ill, he was lying on the bed, he had no arms, no legs, and he was blind, the house was falling down. So they came to visit him, and the legs of the bed were sitting in pools of water so that the ants wouldn't climb up on the bed and gnaw at him. So he said to the Rabbis, First take all of the stuff out of the house, and then take me out, so they took all the stuff out and they took him out, and of course, as soon as they took him out, the house fell down. Because it was only in his merit that the house was still standing. So they said to him, How did this happen to you? So he said, Once I was walking on the way, and I had a load on my donkey, and a poor man came up to me and said, Could you give me some food, and he said, I will give it to you as soon as I unload. It's like the equivalent of I guess, like you're taking a hitchhiker. You'd like to stop here and the other one would like to stop ahead, I'll stop over there, and you'll get out and walk back. Something like that, I guess, so he said, I'll unload, and then I'll give you. In the meantime, the poor man died. So then, Nachum Ish Gamzu said: these hands that did not move quickly for him should no longer be, these legs that didn't run or him should no longer be. These eyes that didn't see his suffering and compassion should no longer see.  Wait a minute, why didn't he say Gamzu l'tovah? Well, apparently, it's not so simple. I don't have an answer, just leave that as paradox. But it's not so simple. Is that in the Gemara? That story appears right before the one I told. Because then the Gemara says, so why did they call him Nachum Ish Gamzu? Well, because he always said Gamzu l'tovah. What? And there he is, with the earth of Avraham, the man of love of G-d. It was his love of G-d, the earth of Avraham. It's not simple to be Jewish, you don't have the thorns, you want to go on a different path. Yeah, we have thorns and roses together. Because it's not an illusion, and your choices matter, and your response before them. And they have consequences. That's the next series. About fear of G-d. Oh yeah? No! Have a good day, bye!

Welcome to the Jew and Gentile Podcast.   From the Scriptures:   Chris and Steve continue their study of Leviticus: Leviticus 23 (Part 2)   FOI Equip Classes:   Register for a Book Study on Zvi Kalisher Elwood Mcquaid (1/20) Kalisher family (1/27)  gofoi.org/zvilegacy From the news surrounding Israel and the Jewish People:   The Antisemitic History of Early 2000s Fashion Brand Von Dutch https://www.heyalma.com/the-antisemitic-history-of-early-2000s-fashion-brand-von-dutch/ Noah's Ark on the MOON will preserve 6.7million species in case Earth is destroyed https://www.the-sun.com/lifestyle/tech-old/2515333/noahs-ark-on-the-moon/ Yiddish Word of the Day!   Oy Vey - Yiddish Word    Oy and vey are two very old Jewish interjections which both mean “woe.” Oy is found many times in the Bible (see Numbers 21:29, I Samuel 4:7 and Isaiah 3:11 for a few examples). Vey is newer than oy; it is oy's Aramaic equivalent.   Today, oy and vey are often used together. “Oy vey” is the ethnically Jewish way to react when you find out how much your son's root canal will cost, or when you find out that there is a two-hour wait time for a table at the restaurant where you just arrived.   Sometimes you'll hear people groan “oy vavoy,” which is Hebrew for “oy vey.”1 Those who prefer Yiddish lamentations will often cry “vey iz mir,” which means “woe is to me.”   Num. 21:29  Woe (Oy!) to you, Moab.  You are ruined, O people of Chemosh!46  He has made his sons fugitives,  and his daughters the prisoners of King Sihon of the Amorites.   1Sam. 4:7 The Philistines were scared because they thought that gods had come to the camp.13 They said, “Woe (Oy!) to us! We've never seen anything like this!   Is. 3:11  Woe (Oy!) to the wicked sinners!  For they will get exactly what they deserve.2   The Friends of Israel Gospel Ministry (www.foi.org)

Son ekonomik türbülans esnâsında ana muhalefet lideri Sayın Kılıçdaroğlu'nun çıkışı beni acı acı gülümsetti. Kılıçdaroğlu derhâl ve düşünmeden TÜSİAD'ı aramış ve hükûmete karşı âcil eylem geliştirmesini istemiş. Çok yazıldığı için kısaca değinip teferruatlara girmeyeceğim. Evet, böyle yaparak Sayın Kılıçdaroğlu bir bakıma halefi olduğu merhum Ecevit'in 1979'da aynı kuruluş tarafından nasıl düşürüldüğünü hiç dikkâte almamış oldu. Veyâ, tam aksine bu kuruluşun sicilini çok iyi hatırladığı için, 1979'da Ecevit'e yapılanları bu defâ Sayın Erdoğan'a karşı geliştirmesini istedi. İki ihtimâlden hangisi geçerli olursa olsun eş derecede sakat olduğu hemen anlaşılıyor. Eğer Kılıçdaroğlu, TÜRK-İŞ, DİSK vskuruluşlarla temâs etmiş olsaydı, sol partilere de bu yakışır deyip elbette yadırgamayacak, hattâ saygı duyacaktık. Ama anlaşılıyor ki bu ihtimâl Sayın Kılıçdaroğlu'nun aklına bile gelmedi.

We ring in Heather's first Christmassacre with the worlds only advent calendar movie, as 24 Christmas related shorts are presented to us. But less than half are actually Christmas relevant and only 1 is good. Oi to the Vey, this is terrible. So enjoy our suffering as we pick apart each one and hear what Mike would have done better. Check out Heather's podcast Wednesday Wine and HorrorWe now have a website! Visit us at www.strangebiscuits.com/graveyard to send us movie suggestions and comment on episodes!You can follow us on Facebook at https://www.facebook.com/Thegraveyardshiftpod/On Twitter at https://twitter.com/GS_horrorpodAnd on Instagram at www.instagram.com/thegraveyardshiftpod/If you would like to make a donation to help keep the show going and get access to bonus content, you can do so by checking us out at https://www.patreon.com/Graveyardemail us at graveyardshiftpod@gmail.com for movie suggestions or Patreon ideas.Thanks for listening.

Andreas Vey wächst in einem ostwestfälischen Dorf auf und merkt schnell, dass er irgendwie nicht dazugehört – Bolzplatz, Schützenfest und Raucherecke auf dem Schulhof sind einfach nicht die richtigen Orte für jemanden wie ihn, der sich heimlich für Schminke interessiert und gerne Duschvorhangbefestigungen als Ohrringe trägt. Klar, dass Berlin da ein Sehnsuchtsort ist – schließlich finden sich hier trotz aller Gentrifizierung noch einige Nischen für Menschen, die irgendwie "dazwischen" sind. Folgerichtig zieht Vey in die Hauptstadt und nimmt dort seine Debüt-EP „Things I MIght Never Know“ auf, die von „Depressionen, Schmerz und dem Versuch, in der Welt einen Platz zu finden“ erzählt, und deren fragiler Indie-Pop ihm bereits Vergleiche mit Jeff Buckley eingebracht hat. Grund genug, ihn als heutigen Lokalmatador zum Gespräch zu bitten und seine Musik vorzustellen!

Andreas Vey wächst in einem ostwestfälischen Dorf auf und merkt schnell, dass er irgendwie nicht dazugehört – Bolzplatz, Schützenfest und Raucherecke auf dem Schulhof sind einfach nicht die richtigen Orte für jemanden wie ihn, der sich heimlich für Schminke interessiert und gerne Duschvorhangbefestigungen als Ohrringe trägt. Klar, dass Berlin da ein Sehnsuchtsort ist – schließlich finden sich hier trotz aller Gentrifizierung noch einige Nischen für Menschen, die irgendwie "dazwischen" sind. Folgerichtig zieht Vey in die Hauptstadt und nimmt dort seine Debüt-EP „Things I MIght Never Know“ auf, die von „Depressionen, Schmerz und dem Versuch, in der Welt einen Platz zu finden“ erzählt, und deren fragiler Indie-Pop ihm bereits Vergleiche mit Jeff Buckley eingebracht hat. Grund genug, ihn als heutigen Lokalmatador zum Gespräch zu bitten und seine Musik vorzustellen!

durée : 02:00:32 - Les Matins - par : Guillaume Erner - .

Resistance Part 2 My apology again I am ahead of myself This is Episode 39 Here is Part 11 as promised with some ideas on how to work or delve into connecting and be- friending that little bit or significant resistance in writing your new story or in any other areas of your life In this episode I am talking about ways you can work with the resistance you may have discovered during the writing of your new story and curious about this aspect you discovered. Send us an email with your questions or AHA. Vey much interested in hearing. You are also invited invited to a Distant Healing Transmission on November 11 at 7:00 PM EST. We have 5 spots left. Please connect with us maybe share the resistance you discovered Send your feedback and questions to coachchipo@gmail.com Invitation to join our FB group https://www.facebook.com/groups/2314891595423034 Visit our website is https://healingbridgefacilitation.com Enjoy Part 11 getting to know the resistance you may have discovered. Enjoy your chat with resistance

More people and places can benefit from interconnected place-focused policies and programs. That's a key idea of transformative placemaking, says Brookings Institution's Jennifer S. Vey in this episode of Partners for Better Communities. And those strategies have to be rooted in the assets of local residents and businesses. "If the leadership is dominated by a small group of people, even if they are ostensibly acting on behalf " says Vay, "there will be a mismatch that causes conflict. There will be too many people who's preferences and need aren't represented." Vey is a senior fellow and the director of the Anne T. and Robert M. Bass Center for Transformative Placemaking at the Brookings Institution. Her work primarily explores how place-based policies and practices can support economic, social and built environments that benefit more people in more places. She is the author or co-author of numerous Brookings publications, including “Transformative placemaking: A framework to create connected, vibrant, and inclusive communities,” “Where jobs are concentrating and why it matters to cities and regions,” “Assessing your innovation district: A how-to guide” and “Building from strength: Creating opportunity in Greater Baltimore's next economy.” She also co-edited Retooling for Growth: Building a 21st Century Economy in America's Older Industrial Areas, published by the American Assembly and Brookings Institution Press. Sign up for the Center's newsletter here. Find all the podcasts and webinars in the Creating Community Vitality series here.

On part two of this week's episode, we interview New Yorker Cartoonist P.C. Vey.  Peter discusses his drawing style, his time spent in the Cartoonist Association, how he comes up with ideas for his cartoons, and much more!  On Part 1 of the episode, we discuss… Finalists for New Yorker Caption Contest #766 Current New Yorker Caption Contest #768          Send us questions or comments to: CartoonCaptionContestPodcast@gmail.com

Post Face, émission littéraire présentée par Caroline Gutmann qui reçoit François Vey pour la revue Zadig et Franz-Olivier Giesbert pour son roman  « Rien qu'une bête » chez Albin Michel À propos du livre : «Rien qu'une bête » paru aux éditions Albin Michel « Nous les défenseurs de la cause animale, nous devrions frapper un grand coup pour que leurs yeux s'ouvrent enfin. Je n'aurais jamais dû dire ça. C'est sans doute ce grand coup qui m'a mené là où je me trouve en ce moment, pour mon malheur, alors que j'écris ces lignes et que les souvenirs tombent sur moi en rafales : une vieille porcherie de La Motte-du-Caire, où je vis dans le noir comme un porc à l'engrais, avec une auge pour seul horizon. » Pour dénoncer le sort fait aux bêtes, un homme s'engage à subir celui d'un cochon voué à l'abattage. Suspense, conte satirique et plaidoyer rageur, Rien qu'une bête est un roman saisissant qui pourrait changer définitivement votre regard sur les animaux... et les hommes.

Der er få størrelser indenfor mad- og vinverdenen, der matcher hinanden så godt som chablis og fjordrejer. Søren og Søren smager denne uge på den mineralske og citrusduftende hvidvin fra det nordligste Bourgogne, som er den perfekte følgesvend ikke bare til rejer, men den meste gode mad fra havet. Vi smager følgende vine: 2017 Chablis La Pierrelée, La Chablisienne (120 kr. v 12 fl. Philipson wine) 2019 1. Cru La Forest, Vincent Dauvissat (475 kr. Bichel udsolgt/allokeret) 2017 1. Cru Montmains, Jean-Paul og Benoit Droin (298 kr v 6 fl. KB Vin) 2018 1. cru Vau de Vey, de Moor (1 fl 486 kr. 6 fl 405 kr., Rosforth & Rosforth) 2019 Grand Cru Les Clos, Drouhin 725 kr., HJ Hansen/ Vinspecialisten) Alle anmeldelser af mad og vin findes på https://www.berlingske.dk/aok/gourmetSee omnystudio.com/listener for privacy information.See omnystudio.com/listener for privacy information.

More. Vey. Dra. Or is it… More. Ved? Ugh! Mourvèdre might be difficult to pronounce but it’s very easy to drink. And you know that profound feeling of realizing that everyone, including strangers that you pass in the street, has a life that is as complex as your own, which they are constantly living despite ones personal lack of awareness of it? THAT description comes up one of our featured producers this week, literally and figuratively. Sonder Wines! And along with a Cline Ancient Vines Mourvèdre, this is an episode that should have you ready to pour a glass of this unique juice, like right now! Also, we will reveal a little secret today that we’ve kept to ourselves for the past month AND Phil says a bad word. #HappyFriday! #ItsWineTime!Wines tasted this episode:2018 Cline Ancient Vines  Mourvèdre ($15 at Fred Meyer)2019 Sonder Mourvèdre ($30 at The Culinary Stone)For more information on the Cline Mourvedre please visit https://clinecellars.com/our-wines/2019-ancient-vines-mourvedreFor more information on Sonder wines, please visit https://www.sonderwines.comA  special thanks to our sponsors:The Social Web. Are you a small business owner that’s ready to grow your business through social media without having to hire a full time staff or a third party company? Honor your business and yourself and become educated in social media! Visit https://thesocialweb.news for more information. The Social Web AND The Social Web Inner Circle: Helping you untangle the web of social media marketing.The Greatest Song You Never Heard Podcast. We’ve all heard the main stream hits but there are so many other songs out there that deserve a listen. The Greatest Song You Never Heard serves up these songs note by note, beat by beat. Please visit https://www.thegreatestsongyouneverheard.com or listen to where ever you get your podcasts.The Culinary Stone. Looking for that special bottle of wine or a wine club that really over delivers? How about cooking classes for every taste? Considered a foodies paradise, The Culinary Stone is a gourmet heaven that was dreamt up for, and by, those with a serious passion for the culinary arts and gathering of community. For more information about The Culinary Stone, please visit https://culinarystone.com or call them at 208-277-4116.And of course, a HUGE thank you to Tod Hornby who wrote and recorded our official Wine Time Fridays theme music which is ANYthing but average.  Please contact him at veryaveragemusic@gmail.com Other wines we enjoyed this week:  Monte Scarlatto Estate Winery Whole Cluster Malbec, Antinori Castello della Sala Bramito ChardonnayMentions: New Leaf Nursery, Gary Vaynerchuk, Sam Doyle, The Grape Basket, Elsom Cellars, Madeline Puckett, Wine Folly, Lynn Manson, The Metropolitan Grill, Phil Mershon, Cave B Estate WineryPlease find us on Facebook (https://www.facebook.com/WineTimeFridays), Twitter (@VintageTweets) and Instagram (@WineTimeFridays). You can also “Follow” Phil on Vivino. His profile name is Phil Anderson and will probably “Follow” you back!

Se você trabalha pra qualquer fazedora de filmes, séries e/ou animes..FAZ O PIX!!! Vey!!! Cê não tá entendendo .. esse episódio aqui é uma mina de ouro !! Só ideia foda de coisas que o mundo inteiro gostaria de ver na telinha por aí, então senta, se aconchegue e solta o play pra ouvir e ficar puto com as fazedoras de filmes por não comprarem as nossas ideias hahahahahahha Pega a visão ! . . @castexpert

Dans son émission média, Philippe Vandel et sa bande reçoivent chaque jour un invité. Aujourd'hui François Vey, rédacteur en chef de Legende et Maryse Gildas.

Meditación”Es, pues, la fe la certeza de lo que se espera, la convicción de lo que no se ve.”(Hebreos 11:1)Fe es confianza inquebrantable en la Palabra de Dios, en Su fidelidad y veracidad. Lafe es la convicción firme de que lo que Dios dice es verdad y lo que promete sucederá.Tiene que ver principalmente con el futuro y con lo invisible (“lo que se espera”).Whittier decía que: “los pasos de la fe se posan en el aparente vacío, y no obstanteencuentran roca debajo”. ¡Pero esto no es así! La fe no es un salto en la oscuridad.Exige la evidencia más segura, y la encuentra en la Palabra de Dios.Algunas personas creen equivocadamente que pueden obtener cualquier cosa quedeseen si creen con toda su fuerza que sucederá. Pero eso es credulidad, no fe. La fenecesita apoyarse en la revelación de Dios y aferrarse a Sus promesas. Si el Señor hacealguna promesa, entonces es tan segura como si ya hubiera sucedido. Si Él preside elfuturo, ciertamente se cumplirá. En otras palabras, la fe trae el futuro al presente y hacevisible lo invisible.No hay riesgo en creer a Dios. Dios no puede mentir, no engaña a nadie ni puede serengañado. Creer en Dios es lo más racional, sano y lógico que una persona puede hacer.¿Qué hay más razonable que la criatura crea en el Creador?La fe no está limitada por las posibilidades sino que invade el reino de lo imposible.Alguien ha dicho: “La fe comienza donde las posibilidades humanas terminan. Si algoes posible entonces Dios no tiene parte en la gloria. Si es imposible, no hay duda quepuede hacerse”.Fe, poderosa fe que la promesa veY mira a Dios solamente;De las imposibilidades ríeY clama: “Se hará ciertamente”.Cierto es que hay dificultades y problemas en la vida de fe. Dios la prueba en el crisolde la adversidad y la aflicción para ver si es genuina (1 P. 1:7). A menudo tenemos queesperar largos años para ver el cumplimiento de Sus promesas, y algunas veces tenemosque esperar hasta alcanzar la otra orilla. Pero “las dificultades son la comida con que lafe se alimenta” (George Müller).“Sin fe es imposible agradar a Dios” (He. 11:6). Cuando nos negamos a creer en Él,estamos insinuando que es un mentiroso (1 Jn. 5:10), y ¿cómo puede Dios agradarse deaquellos que le llaman mentiroso?

Students at BYU-Idaho deliberately contract COVID-19 in order to sell their valuable, antibody-infused blood. Oy. Vey.

A recent study has found that a newly developed earbud-like device may help in learning a foreign language. Scientists at the University of California, San Francisco, and the University of Pittsburgh created an ear device that can boost a person's ability to learn the sounds of a foreign language. The device stimulated the vagus [VEY-guhs] nerve, the longest cranial nerve that carries signals from most of the organs to the brain. In a study, they found that the device helped native English speakers distinguish Mandarin Chinese tones. Mandarin Chinese is deemed as one of the most difficult languages for a native English speaker to learn because the meanings of words change depending on the speaker's pitch. For the study, 36 native adult English speakers were recruited and trained to identify four Mandarin Chinese tones used in natural speech. The scientists used the transcutaneous [trans-kyoo-TEY-nee-uhs] vagus nerve stimulation (tVNS) method, a technique in which the ear device is positioned in the outer ear. This method activates the vagus nerve using electrical pulses. All participants wore the device, but only 18 received imperceptible tVNS. The participants were asked to distinguish 4 Mandarin tones categorized into easy and hard pairs. Results showed that participants who received tVNS displayed faster progress in distinguishing the easy tones than those who wore the device but did not receive any stimulation. Currently, the scientists are conducting tests to find out if longer tVNS sessions can have an impact on the participants' ability to distinguish tones that are more difficult for native English speakers to recognize. According to Matthew Leonard, one of the scientists, the team would also like to determine if it is possible to enhance a person's ability to produce, and not just perceive, sounds of non-native speech.

Join in on the conversation  by calling  515-605-9888   Lloyd Booker and Andy Kimbel present interesting and thought-provoking perspectives on today's news Mon thru Friday at 5:00 PDT 8:00 EDT. Today we'll talk about  Trump asking our British Ambassador to " Bring the British Open to the Trump Golf Resort in Scotland. (Strange but true).    We'll talk about Trump landing military personnel in Portland Oregon and perhaps Chicago. Chicago has 12,00 professionally trained police to this effectively letting peaceful protestors exercising their right to free speech and demonstrate.  Trump is sending just 200 military personnel.  Why only 200"  Because it is enough to instigate rage, perhaps elevate "rioting" and give him an excuse to bring in more.  All simply to excite his base and perhaps he thinks will win him an election?  Oy  Vey.     We'll be featuring a very special guest and talk about what's on your mind on the next Coast to Coast LIve.  Join Andy and Lloyd on the Ebony and Ivory show 515-605-9888

 Me Antoine Vey, associé au cabinet Dupond-Moretti & Vey, est l'invité du Talk Décideurs du Figaro. 

Cerita dari Vey

Preparation + Opportunity= Success. Vey true but we forget the crucial step of making the right decisions. This episode talks about the importance of decision making in building a career and creating a better life as active professionals

Chino LaForge met me before one of our shows to tell me about the history of the country of Hawaii. I think it ain't even really part of America. Honestly. I know it is, but I don't agree. Chino broke down all the history and then we moved on to what it's like there now. Really interested conversation.

Cerita dari Vey

Bienvenido Al Episodio 044 De Talking Craft BeerEn Este Episodio Hablo Con Robert Rexach de @beericuas page de facebook donde presenta lo keg está pasando en el mundo cervecero de miami, florida. Vey entérate como es que funciona el sistema cervecero en los Estados unidos. Hablamos desde la producción de las cervecerías, el funcionamiento del sistema de distribución hasta los conglomerados corporativos que están absorbiendo/acaparando las cervecerías y micro cervecerías de EU. ¿Porqué pasa esto? ¿Porqué la indignación y descontento de los consumidores? ¿la compra cambia el sabor de la cerveza? Aquí y ahora escúchalo. ¿Quieres Hacer Un Podcast Pero No Sabes Como Prepararlo Y Que Equipo Necesitas? ¿No Quieres Tener Que Estar Sentado Editando El Podcast O Vídeo? Para Evitarte Todo Eso Y Ayudarte A Lograr Tener Tu Podcast O Vídeo Cree Media Content Creators. Es Una Plataforma Para Proveer Servicio De Producción De Audio, Vídeo Y Fotografía On Site. Si Te Interesa Escríbeme A Mediacontentcreators@Gmail.Com.Sígueme Por (http://www.audibletrial.com/tcb)  Te Registras Y Listo.

Cerita dari Vey

Cerita dari Vey

Vey happy to present to you the finale episode of the first season of self soul convos. This episode is grounded in knowing who the host of this podcast is. I share parts of my creative journey as well as my professional endeavors. Thank you all so much for your continuous love and support. Be on the look out for merch and changes as season 2 approaches. Much Love. Music By: JULIAN AVILA

Cerita dari Vey

Cerita dari Vey

Cerita dari Vey

Cerita dari Vey

Cerita dari Vey

Cerita dari Vey

Oi! Oi! Vey! Welcome to the latest episode of The Rebel Beat! Straight outta the ranks of Montreal's Wobblies, we've got an interview with The Union Thugs. The Union Thugs are a folk-punk band who take a page from the little red song book, and give a nod to the great working class music […]

In 2008 Debra Vey Voda-Hamilton decided to resume her career after a 13 year career break to raise her children by starting Hamilton Law and Mediation. She created her own niche field, employing collaborative law and mediation to address civil conflicts including special education, contract and animal conflicts. Listen in as she gives some great advice and steps you can take to protect yourself and your pets.

Vey deep on the depth chart sat 28 yr old Drew Gagnon, summoned to make his first ever big league start. It didn't go well, and the Mets lost for the second straight game to the Phillies. Amed Rosario had a big night though; Josh talks about the positives amid some not-so-great injury updates; Mickey Callaway weighs in, and everyone eagerly awaits the next two starts from deGrom and Matz.

Michael Vey is missing and it’s up to the Electroclan to find him in this electrifying seventh installment of the New York Times bestselling series! KSL NewsRadio's Doug Wright talks to Richard Paul Evans about his newest book in the Michael Vey series. 

KSL NewsRadio's Doug Wright chats with author Richard Paul Evans about his new book, Michael Vey 7: The Final Spark. This book is the latest and last in the Michael Vey series. Richard Paul Evans is the #1 bestselling author ofThe Christmas Box. Each of his more than thirty novels has been a New York Times bestseller. There are more than thirty million copies of his books in print worldwide, translated into more than twenty-four languages. He is the recipient of numerous awards, including the American Mothers Book Award, the Romantic Times Best Women’s Novel of the Year Award, the German Audience Gold Award for Romance, two Religion Communicators Council Wilbur Awards, theWashington Times Humanitarian of the Century Award and the Volunteers of America National Empathy Award. He lives in Salt Lake City, Utah, with his wife, Keri, and their five children. 

Gluten Free, Dairy Free, Chock full of Omega 3's  & Deliciousness! CLICK HERE for iTunes Would you love a muffin? What about a sandwich or a brownie? If you've got a picky body, this is like turning a knife in you.  Yeah, you'd love one... but OY,Vey! The aftermath. Not just the bloated belly and wanting to take a nap, but possibly revenge from your GI tract and a decent self mental lashing. Having a picky body bites. My body hates dairy, wheat and most grains. That means no pastries or desserts. Yeah, this isn't a huge deal, but man, it would be so nice to not spend hours making my own healthy options. Not to mention, I would love to actually eat a burger with a bun attached. Why are all the easy to grab foods, so bad for us! Good things some awesome companies are turning this around for us Like  Flax 4 Life!     This family run bakery has changed the baked goods game. They're serving up Gluten Free, Dairy Free baked goods bursting with omega 3's. What's even better is these babies are perfect for on the go lifestyles. All ya gotta do is Grab and GO Only someone who really understands would create such a perfect option for us picky bodies. Boy do they get it, turns out these very products SAVED their family. They really do mean Flax "for life" Kasondra Shippen, Flax4life Owner shares how Everyday foods were killing her family Changing her OWN daily diet got her to run her company and family better (she's got 5 kids!) Everyone can benefit from cutting out wheat They keep their goods tasting great while staying Gluten Free, Dairy Free and packed with nutrients. These products are great for kid's! They love the taste and it's keeps their little bodies and brains super healthy. YOU can get hold of and enjoy their healthy baked goods right now! Their single packs keep you indulging mindfully They are paying it forward big time And this stuff tastes good! I love the blueberry and carrot raisin muffins, they've made it super easy for me to get in a good breakfast or afternoon snack when I'm on the road. OH! and they just started carrying cakes! So perfect for health conscious parents. I'm totally ordering one for my nephew's birthday party. Check out the other goodies:)     Gluten Free, Flax cake! email them to grab one:) Limited right now         Granola, soo good as a dry snack or for breakfast with goat yogurt or almond mil   Muffins! I love these with a smear of almond butter           The blueberries are specially harvest by a local farmer, ONLY for Flax4Life!             Finally, we get our buns back!       I love these with some vanilla coconut ice cream, YUM!   Let know what you and your family thinks of these goods. Come back and leave a comment! Save Save Save Save Save Save Save Save Save Save Save Save Save Save Save Save Save Save Save

We get Tyler back this week but open up with the World Series and check in with Pops to see how he's feeling at this historic championship. Did Joe Maddon over manage game 7? There were plenty of times for the Chicago Cubs to revert back to the choker persona, but this team is different. What was the turning point in the World Series? The Kris Bryant home run in game 5? Should Ben Zobrist have been the MVP? Are the Indians and Cubs the favorites for next year? Tyler takes on Cleveland as a team that was going to change the logo and then slapped it everywhere after getting to the Series. We aren't asking the D question, but when it comes to the Cubs' talent how about the simple question of where does Zobrist play? Chapman is a free agent, does he come back? Pops tries to blow up the entire Cubs pen. We were expecting a down season for the Blackhawks and they really are streaking right now. Are they better than we thought? Vey little to go off for the Bulls, but what do we make of the team on the short season? What do we make of the villains this season, the Golden State Warriors? Steve Kerr's squad may have a bit of an attitude change after going all in to chase 72-10 last season. LSU and Alabama starts of college football. It was tough, low scoring and physical. What do we make of the game and some missed calls? What do we take away for Bama? Is it an impressive win? Everyone freaked out about Texas A&M being in the first Playoff poll but they handled it themselves by getting upset by Mississippi State. So who do we think are actually the four best teams? If Washington wins the PAC12 will they be in? Pops is still riding high on Louisville, can they jump the conference champion? From Saban we trust to Belichick we trust, what does Pops make of the Jamie Collins trade? It looks very much like another possible Patriots' Super Bowl year, could this damper that? I mean who stands out in the NFL, let alone the AFC to challenge New England? Who would think with a triple side of beef Tyler doesn't have any. For his beef Pops is beefin on Miguel Montero complaining during the World Series parade. For Blair's beef he is taking on delusional quaterbacks. Ryan Fitzpatrick and Jay Cutler speak out about not having support of their teams...after being bad. If you don't play well you lose your job. Tyler jumps in to beef on some of Pops' arguments against non-SEC playoff teams.

Be Good To Yourself! What does that mean?  Letting go and letting God! Shrug off hurts! Vey little that happens in my daily encounters is worth my worry, resentment, or feeling sorry for myself.  If I am always ready to take offence and be hurt, I’m selling my contentment very...

One year after: Observations on the rise of innovation districts , a fellow with the , discusses the current economic, social, and political situation in Baltimore a year after the riots. “1/5 people in Baltimore lives in a neighborhood of extreme poverty,” Vey says. In this podcast, Vey describes the current state of Baltimore and urges the start of discussions about the abject poverty facing many cities in the United States. Also in this episode: stay tuned for our presidential election update with . Also, discusses global drug policy and the upcoming United Nations General Assembly special session on drug policy. Show Notes Subscribe to the Brookings Cafeteria on , listen on , and send feedback email to .

Allison, Don, and Noah discuss three topics of incomparable importance, and end with an anecdote about something in Israel that made them smile this week. Best Western? We discuss the historic cabinet decision that designates part of the Western Wall as pluralist and egalitarian. Is it a great victory for the home team or sort of a sell-out? The hexed, vexed & perplexed textbook The hubbub over a new edition of an Israeli civics textbook threatens to develop into a furor. Do we really need a unified civics textbook in a disunified civil society? "We're here!, Vey iz mir!, Get used to it!" How are we to regard the protester at the LGBTQ conference who opposed letting pro-Israel voices be heard? We may disagree with such Jewish BDSers, but don't we share at least some common cause?   All songs by Ella vs Mountain (Ella Doron), because sometimes you need a little pure pop for now people: Charmed LifeI like youBigger than lifeSigns

This week on Episode 73 of Bobby Pickles' Podcast (Dying Scene Radio #18), Bob Noxious and Bobby Pickles play a game of good cop/bad cop with Jennie Cotterill, guitarist/vocals for the Los Angeles-based all-female punk act, Bad Cop / Bad Cop. (Holy forward slashes batman)! The band’s debut LP Not Sorry drops July 16th on Fat Wreck Chords, which, Jennie assures, is a major label that does quite a lot for its young, newly-signed artists. The Bobs also address Ben Weasel’s recent allegations of exploitation involving his guest hosting appearance on last week’s show. Check out the “influencers” episode of Weasel Radio, where Mr. Foster and Owen Wilson (Oops, I meant “Owen Murphy”) hold a prompt discussion about the unoriginality of the “Bob Noxious” moniker. Episode 18’s recurring theme: Creepers in da midst. SYNOPSIS OF BANTER We love the sound of punk rock in the morning! We also love the funny sound effects Bobby makes while alluding to his “medicine”. Bobby has a CT “prescription” for performance art, so let's not point our judgemental fingers. Because Bobby can still see through both the smoky haze and Bob's good intentions with Bad Cop Jennie, respectively. Discussing the news in rapid succession, Bob suggests that the singer of the band You Big Idiot is giving off the "creep vibe" (later in the episode, Bob begins inspecting the contents of Jennie's house, which isn’t creepy at all). Bob sets Bobby straight about the Fat Music series. Only Jah knows about Bad Brains’ future. Punk Island is coming to Staten Island June 21st! Bobby ponders arranging Dying Scene Radio’s presence on-site, while Bob encourages him to do so. Bob attempts a Russian accent, offending any Russians who may be listening. Jennie curiously points out that Bobby uses two microphones, to which Bob interjects that they are Los Angeles Lakers colors. Surprisingly, at least to Bob, Jennie claims her allegiance to the LA Clippers. Jennie moved to California, not to be a rockstar, but to get very far away from Michigan. Jennie talks about BC/BC’s 2011 origins, talking Fat Mike into catching their show at a drag queen festival, and how one of his tweets ultimately changed the band's career trajectory. Bob shares his “Fat Mike story”, which you must hear for yourself to truly appreciate. Jennie answers Ben Weasel's question from last week: “What exactly does a record label do for an up-and-coming band that the upstart band cannot do for themselves?” Jennie states that more than anything, it is an endorsement, opening doors, and bringing corporate culture rules along for the ride! Prior to Fat Mike’s nod of approval, Jennie argues that many promoters were quick to dismiss the all-girl group, boldly proclaiming, she wouldn’t have wanted to be in a band having to follow BC/BC, humbly asserting, they were usually the best band on the bill. Bob claims to have taken three years of Spanish 1, but has only learned enough vocabulary to “cuss out a Mexican on a jobsite”, then he proceeds to translate Spanish song titles and Miami Burger King drive-thru menus, among other things. Bobby mentions his affinity for the new Screeching Weasel record, Baby Fat Act 1. Bob says, he'll get around to listening to it someday. Bobby says, punk records aren't long enough. Bob talks about his sold out gig with GBH, The Business, The Attack and Total Chaos. Bobby has an idea for a t-shirt, which Bob admits, is as original as his moniker. (Oi! Vey). THIS WEEK’S PLAYLIST Worriers - They/Them/Theirs You Big Idiot - Don’t Die Again Svetlanas - I Must Break You Teenage Time Killers - Ode To Sean Hannity ft/ Jello Biafra Bad Cop/Bad Cop Interview Bad Cop/Bad Cop - Sugar Cane The Coathangers - Shut Up Free City - Volveremos a Nacer The Fur Coats - Goddamn, I’m A Handsome Man Iron Reagan - The Sentence Is Death Guilty By Association - Dead On Arrival The Holophonics - You’re Not (The) Special(s) Dying Scene Radio is now on iTunes! (Please: Download. Listen. Subscribe. Share with your fellow punks. Rate the show. And leave an outrageous comment regarding Bob’s creeper status). DSR can also be heard LIVE each and every Friday night at 9PM EST onReal Punk Radio. Follow us on Instagram: @DyingSceneRadio Like us on Facebook: /DyingSceneRadio Call the hotline; tell Bob he’s quite charming - (347)754-PUNK This week’s sponsor is FAT ENZO. Give us some original t-shirt ideas!

This week on Dying Scene Radio, Bob Noxious and Bobby Pickles play a game of good cop/bad cop with Jennie Cotterill, guitarist/vocals for the Los Angeles-based all-female punk act, Bad Cop / Bad Cop. (Holy forward slashes batman)! The band’s debut LP Not Sorry drops July 16th on Fat Wreck Chords, which, Jennie assures, is a major label that does quite a lot for its young, newly-signed artists. The Bobs also address Ben Weasel’s recent allegations of exploitation involving his guest hosting appearance on last week’s show. Check out the “influencers” episode of Weasel Radio, where Mr. Foster and Owen Wilson (Oops, I meant “Owen Murphy”) hold a prompt discussion about the unoriginality of the “Bob Noxious” moniker. Episode 18’s recurring theme: Creepers in da midst. SYNOPSIS OF BANTERWe love the sound of punk rock in the morning! We also love the funny sound effects Bobby makes while alluding to his “medicine”. Bobby has a CT “prescription” for performance art, so let's not point our judgemental fingers. Because Bobby can still see through both the smoky haze and Bob's good intentions with Bad Cop Jennie, respectively.Discussing the news in rapid succession, Bob suggests that the singer of the band You Big Idiot is giving off the "creep vibe" (later in the episode, Bob begins inspecting the contents of Jennie's house, which isn’t creepy at all). Bob sets Bobby straight about the Fat Music series. Only Jah knows about Bad Brains’ future. Punk Island is coming to Staten Island June 21st! Bobby ponders arranging Dying Scene Radio’s presence on-site, while Bob encourages him to do so. Bob attempts a Russian accent, offending any Russians who may be listening.Jennie curiously points out that Bobby uses two microphones, to which Bob interjects that they are Los Angeles Lakers colors. Surprisingly, at least to Bob, Jennie claims her allegiance to the LA Clippers. Jennie moved to California, not to be a rockstar, but to get very far away from Michigan. Jennie talks about BC/BC’s 2011 origins, talking Fat Mike into catching their show at a drag queen festival, and how one of his tweets ultimately changed the band's career trajectory. Bob shares his “Fat Mike story”, which you must hear for yourself to truly appreciate.Jennie answers Ben Weasel's question from last week: “What exactly does a record label do for an up-and-coming band that the upstart band cannot do for themselves?” Jennie states that more than anything, it is an endorsement, opening doors, and bringing corporate culture rules along for the ride! Prior to Fat Mike’s nod of approval, Jennie argues that many promoters were quick to dismiss the all-girl group, boldly proclaiming, she wouldn’t have wanted to be in a band having to follow BC/BC, humbly asserting, they were usually the best band on the bill.Bob claims to have taken three years of Spanish 1, but has only learned enough vocabulary to “cuss out a Mexican on a jobsite”, then he proceeds to translate Spanish song titles and Miami Burger King drive-thru menus, among other things. Bobby mentions his affinity for the new Screeching Weasel record, Baby Fat Act 1. Bob says, he'll get around to listening to it someday. Bobby says, punk records aren't long enough. Bob talks about his sold out gig with GBH, The Business, The Attack and Total Chaos. Bobby has an idea for a t-shirt, which Bob admits, is as original as his moniker. (Oi! Vey).THIS WEEK’S PLAYLISTWorriers - They/Them/TheirsYou Big Idiot - Don’t Die AgainSvetlanas - I Must Break YouTeenage Time Killers - Ode To Sean Hannity ft/ Jello BiafraBad Cop/Bad Cop InterviewBad Cop/Bad Cop - Sugar CaneThe Coathangers - Shut UpFree City - Volveremos a NacerThe Fur Coats - Goddamn, I’m A Handsome ManIron Reagan - The Sentence Is DeathGuilty By Association - Dead On ArrivalThe Holophonics - You’re Not (The) Special(s)Dying Scene Radio is now on iTunes! (Please: Download. Listen. Subscribe. Share with your fellow punks. Rate the show. And leave an outrageous comment regarding Bob’s creeper status). DSR can also be heard LIVE each and every Friday night at 9PM EST on Real Punk Radio.Follow us on Instagram: @DyingSceneRadioLike us on Facebook: /DyingSceneRadioCall the hotline; tell Bob he’s quite charming - (347)754-PUNKThis week’s sponsor is FAT ENZO. Give us some original t-shirt ideas!

In episode #20, Cove members Monica, Roberta and Millenia discuss The Reading Cove's 140th pick, MICHAEL VEY: The Prisoner of Cell 25 by Richard Paul Evans! For more info about our online book club, visit: http://www.thereadingcove.com!

Sorry this file is very big. Larry389@podomatic.com