Podcasts about Heartland rock

If you're looking for great Heartland Rock, a great choice would be the album Against the Wind.  Depending on how you count it, it could be considered Bob Seger's eleventh studio album, but it is the third album of the iteration known as Bob Seger & the Silver Bullet Band.  Seger is joined by Drew Abbott on guitar, Chris Campbell on bass, and David Teegarden on drums.  The band became the Silver Bullet Band a bit by accident.  They were arguing about what to call themselves, and the manager got tired of it.  When they got paid the manager wrote the name "Bob Seger and the Silver Bullet Band" on the paycheck and the name stuck.  Against the Wind was an immediate success.  It went to number 2 on the Billboard 200 charts in its third week, and it sat there for 5 weeks, kepts out of the top slot by Pink Floyd's monster hit album, "The Wall."  Finally, it topped "The Wall" to take the number 1 slot and remained there for six weeks, making it Bob Seger's most successful album in his career.There are a number of well known hits on this album, and an excellent collection of musicians as well.  In addition to the Silver Bullet Band, Seger makes use of session musicians out of Muscle Shoals Sound Studios, and is joined by backing vocals from members of the Eagles as well.Seger retired at the end of 2019, but he performed in 2023 at Patty Loveless's induction in to the Country Music Hall of Fame in Nashville, so we hold out hope that there will be some occasional performances still to come.Bruce presents this folksy heartland singer songwriter for this week's podcast.. Her StrutWhile not released as a single, this song received some airplau as the B-side to "The Horizontal Bop."  Seger has been criticized for his adolescent humor in this song, but he claims that the inspiration for it was feminist activist Jane Fonda and her appearance before the Campaign for Economic Democracies.Against the WindBob Seger has written a number of songs about looking back on life, and the title track is an example of this.  Seger was a cross country runner in high school, and he uses running as a metaphor for growing old.  This song went to number 5 on the Billboard Hot 100, and he is joined by his friend and Eagles alumnus Glenn Frey for backing vocals.Fire LakeThis track is about taking risks, risking love, and just heading off with a bunch of wild people.  Seger recorded this one at Muscle Shoals Sound Studios.  If the backing vocals sounds a lot like the Eagles, there is a reason for it - those backing vocalists are Glenn Frey, Don Henley, and Timothy B. Schmit.  You'll Accomp'ny MeThis ballad is a little more country, with lyrics that basically say, "look, you may be playing the field now, but we both know in the end we'll be together."  Little Feat co-founder Bill Payne joins Seger on this track to provide organ, synth, and piano parts.  It hit number 14 on the Billboard Hot 100. ENTERTAINMENT TRACK:Sleepless Nights by Gram Parsons (from the motion picture "Cruising")Al Pacino starred in this crime thriller about a serial killer targeting gay men.   STAFF PICKS:I Like to Rock by April WineWayne rocks out to start the staff picks with this Canadian band.  April Wine formed in 1969, and have released over 20 albums.  This song may be time stamped in the early 80's but it rocks out, and you can't beat lyrics like, "journey to the stars, Rock N Roll guitars!" Take the Long Way Home by SupertrampRob brings us one of the hits off Supertramp's multi-platinum album, "Breakfast in America."  The lyrics to this one depict a couple growing apart as the husband starts staying away from home due to feeling like he's being ignored.  It can also be a reflection of missed opportunities to live in alignment with your heart, and not being at peace with yourself.Rock With You by Michael JacksonLynch features a hit from MJ's disco album, "Off the Wall."  Original lyrics were a bit more suggestive, but these were toned down to fit Jackson's wholesome image at the time.  Rod Temperton wrote "Rock with You" as his first song for Jackson, setting the stage for more collaborations, including the iconic "Thriller." I Wanna Be Your Lover by PrinceBruce's staff pick is the lead single from Prince's self-titled second album, and his first major hit, reaching number 11 on the Billboard Hot 100 in January 1980.  Prince performs lead and backing vocals, and plays all instruments on this hit.  The end of the track includes an extended instrumental jam which is edited out for the single. INSTRUMENTAL TRACK:Give It All You Got by Chuck Mangioni Flugelhorn player Mangioni wrote this song for the 1980 Winter Olympics in Lake Placid, New York.   Thanks for listening to “What the Riff?!?” NOTE: To adjust the loudness of the music or voices, you may adjust the balance on your device. VOICES are stronger in the LEFT channel, and MUSIC is stronger on the RIGHT channel.Please follow us on Facebook https://www.facebook.com/whattheriffpodcast/, and message or email us with what you'd like to hear, what you think of the show, and any rock-worthy memes we can share.Of course we'd love for you to rate the show in your podcast platform!**NOTE: What the Riff?!? does not own the rights to any of these songs and we neither sell, nor profit from them. We share them so you can learn about them and purchase them for your own collections.

THE BEST GARAGE ROCK ALBUMS OF THE 1960'S:https://www.albumoftheyear.org/genre/11-garage-rock/1960s/#google_vignette

https://garagehangover.com/WELCOME TO THE 60'S GARAGEhttps://www.the60sofficialsite.com/60s-Garage-Bands.html GET READY FOR A GARAGE HANGOVER

Today on the podcast I am chatting with Brian K & The Parkway. This DC-based duo has a striking instrumental fusion they have dubbed as“coastal heartland rock.” Listen in to hear us chat about how Bruce Springsteen and Asbury Park inspired them to start a band, the difficulty of getting some concert tickets, what to expect at their live shows, and more. About Brian K & The Parkway: Brian Pagels and Russ formed Brian K & The Parkway in 2021. Pagels is from Springsteen's hometown of Freehold, NJ, Russ is from the Carolinas, both share an innate connection to The Boss and are acutely inspired by him. Although the guys refer to the band name fondly as “very Jersey,” it denotes Pagels‘s name and the fact that The George Washington Memorial Parkway connects the route between their Northern Virginia homes; Pagels lives in Alexandria, Russ lives in Arlington. Learn more about Brian K & The Parkway and their music in this episode. ⁠⁠Get a full transcript of the show here⁠⁠. --- Send in a voice message: https://podcasters.spotify.com/pod/show/eat-sleep-breathe-music/message

In his latest musical endeavor, "My Soul," Colombian-born and Texas-raised artist Camilo EG unveils a sonic masterpiece that transcends genres while delivering a powerful message of self-empowerment. With his distinctive blend of Heartland Rock, Folk, and Pop, Camilo EG crafts a contemporary sound that not only showcases his musical prowess but also communicates a profound and uplifting narrative. --- Support this podcast: https://podcasters.spotify.com/pod/show/wewriteaboutmusic/support

This week Oliver looks at 'Ozarker', the new record from one of his favourite artists, Israel Nash. It's an album that blends Nash's Southern Country and Americana sound with Heartland Rock. Oliver also plays a sunny new single from Canada's Elephant Stone. Follow @asonicyouthpodcast on Insta and Facebook. This show is part of the Free FM 89.0 YOUTH ZONE. Made with support of NZ on Air.

The vocalist and guitarist for Best Coast strikes out on her own with Natural Disaster.

The term heartland rock is a bit nebulous but that didn't stop the Record Roulette crew from picking their favourite heartland rock albums. What is your favourite heartland rock album? Let us know how you did on Twitter, Instagram or Facebook at @rrmusicpod.Runtime: 6.5 minutesMusic by lemonmusicstudio from Pixabay.

Isaac Rudd and Tim Messersmith from Isaac Rudd and The Revolvers join me for episode 8.  I was fortunate enough to sit down with them in their rehearsal space which was a great experience!Isaac is a talented Indiana-based songwriter who can craft a catchy melody and write lyrics relating to everyday life.  His music catalog goes back to 2016, and we touch on his early studio experience which included recording with current and former members of John Mellencamp's band.  We discuss several songs from each of his releases, and how he and The Revolvers approach their live performance.  I also get a "Quick Scan of Your Radar" from each of them as well. Isaac and Tim were a lot of fun to talk to!  Enjoy! Check out Isaac Rudd and The Revolvers at:Web: isaacrudd.comInstagram: @thatisaacruddFacebook: @thatisaacruddTwitter: @thatisaacruddSong clips in the podcast:"Drive ('Till The Cows Come Home)" from the EP, "Side B" (intro)"Coulda Been" from the EP "Dive Bar Town" (24:40)"Where the Stars Still Shine" from the EP, "Side A" (30:43)"Maybe It's Me" from the EP, "Side A" (33:48)"Family Man" from the EP, "Side B" (38:53)"Ballad of Big Nose Kate" from the EP, "Side B" (44:52)Bands On The RadarInstagram: @bandsontheradarTwitter: @bandsontheradarFacebook: Bands On The RadarGMail: bandsontheradar@gmail.comBands On The RadarInstagram: @bandsontheradarX (formerly Twitter): @bandsontheradarWeb: bandsontheradar.blogFacebook: @bandsontheradarYouTube: @bandsontheradarGmail: bandsontheradar@gmail.com

Zach Pietrini is gifted singer-songwriter based in Milwaukee, WI.  His career has spanned over 15 years, and in September, he just released his newest album, Rock & Roll is Dead.  It is a collection of 12 songs that will not disappoint! He is a storyteller at heart creating music that deals in all aspects of the human experience.This is a fun and engaging episode! Enjoy!You can find Zach at:web: zachpietrini.comInstagram: @zachpietriniFacebook: @zachpietriniBandcamp: https://zachpietrini.bandcamp.com/musicSong clips in the podcastDead End Town (Intro)Rock & Roll is Dead (19:20))Seventeen (26:04)What Are We Now (31:46)Bands On The RadarInstagram: @bandsontheradarTwitter: @bandsontheradarEmail: bandsontheradar@gmail.comBands On The RadarInstagram: @bandsontheradarX (formerly Twitter): @bandsontheradarWeb: bandsontheradar.blogFacebook: @bandsontheradarYouTube: @bandsontheradarGmail: bandsontheradar@gmail.com

Welcome to Misfits on Vinyl! A weekly comedy podcast where we review our favorite albums, and discuss the artist's history, cultural events, and everything else that influenced the album!Hosted by Comedian Spencer Streichert & his funny friend Aaron Walsh.Produced by Sam Lindsay.This week, we review Bruce Springsteen's biggest album, Born in the U.S.A., the beginning of Heartland Rock. We learn that he has a ball cap not a handkerchief in his back pocket on the album cover, his early work in bands with Steven Van Zandt, discuss the lyrics that do not hold up 40 years later, and REGANOMICS! Misfits on Vinyl Instagram: https://www.instagram.com/misfitsonvinylpodcast/?hl=enSpencer Streichert Instagram: https://www.instagram.com/spencerstreichert/?hl=enSam Lindsay Instagram: https://www.instagram.com/islandyams/?hl=en Hosted on Acast. See acast.com/privacy for more information.

This particular podcast episode found its inspiration in one of the Spotify-exclusive Rock Pop and Roll Radio Shows that we've made. They live on Spotify and were created to give me a chance to make an old-school radio show. Listen for 90 minutes to one and hear stories plus the whole song, something we don't do on the podcast. A callback to the great radio of the 70's and 80's.   I was working on a podcast about Minneapolis roots rock/heartland rock bands and how they were oddly influential in the 1980's musical landscape.  Then I remembered this Prince Spotify radio show I produced and thought - hey - this is part of the story.  How Prince - who music listeners know is from Minnesota - and a bunch of white kids with guitars could exist and, in a sense, inspire each other. Prince was a mashup of what he heard growing up.  That was his secret to crossover success. Filmmaker Philip Priestley, who made a 2008 documentary comparing the careers of Prince and Michael Jackson, said that growing up in Minneapolis helped Prince to create a new sound. "He grew up listening to a lot of radio which was other stuff than black soul music and rhythm and blues," Priestley said. “He was listening to rock -- white rock -- which explains why he was so unique musically. "He fused a black American tradition -- rhythm and blues, soul, funk, jazz -- with white rock."  That's what we peel back here, trying to figure out the connection between it all.   SUBSCRIBE: Apple Podcasts Spotify Stitcher Google Podcasts Read Rob's current and archived writing at rockforward.wordpress.com EMAIL: rockpoprollpodcast@gmail.com FACEBOOK: @rockpopandroll INSTAGRAM: @rockpopandroll TWITTER: @rockpoprollpod 

This is a long one, but it's only because we simply love this music. Our picks for the top-12 songs of 1983 include legendary new wave tracks, massive pop ballads, the early stages of Heartland Rock and two records that will come to define 1980s dance. After listening to Tim and Chris, VOTE for the greatest songs of all time! Songs from 1983, plus tunes from 1982, '81, '79, '78 and '76 are up for a shot to make the Hall of Songs! Vote now at hallofsongs.com and come back on June 24, 2022, to find out which song or songs get in!

Many of you have asked for it, so here it is: For the Record: The 80s! The first episode to this companion podcast to For the Record: The 70s is available now! Check out this preview on Episode 1: Heartland Rock is Not Just about the Heartland and if you like what you hear, head over to your app and subscribe! --- Send in a voice message: https://anchor.fm/amy-lively/message

Hoy vamos a hablar de la banda estadounidense The White Stripes, una banda que por desgracia ya está extinta que nos dejo con 6 discos de estudio, los cuales algunos de ellos ya firman parte de los mejores álbumes de la historia del Rock. A principios de los años 00s salieron una gran cantidad de géneros revaivaleros desde el paradigma del Indie Rock. Además de que se empezaron a mezclar una gran cantidad de géneros clásicos como por ejemplo el Rock Sureño dando a bandas como Kings of Leon o el Heartland Rock como The War on Drugs, hubo dos movimientos que se des[1]marcaron por encima de todos los demás trayendo un gran número de bandas muy creativas, esos géneros fueron el Post-Punk Revival del cual ya hablaremos en un futuro y el Garage Rock Revival que es el que nos atañe hoy con esta banda. Sin embargo, The White Stripes se escapa de ese sonido más popero del Indie Rock para traernos una música mas guitarrera y más cañera propia del Rock Alternativo de la época el cual estaba más influenciado por géneros como el grunge o el punk. Y ahora si te parece bien vamos a por otra canción y ya si que pasamos a hablar de la historia de la banda. John Anthony Gillis más conocido como Jack White el cual era el cantante principal, guitarrista, bajista y tecladista y por Meg White la cual era baterista y corista del duo. La banda se formó en el año 1997 y antes de eso Jack fue miembro de una banda de Punk como baterista y en otra de Rock como guitarrista, y también con su amigo y mentor Brian Muldoon con el que formaron una banda antes de iniciarse en la formación que nos toca hoy. Jack conoció a Megan White y en el año 1996 y de forma poco ortodoxa fue Jack el que adopto su apellido. Jack siguió tocando en varias bandas y un año después Meg empezó a tocar la batería, y este sorprendido le pidió de tocar juntos como duo y formaron The White Stripes. La banda empezó ya como parte de la escena anteriormente mencionada del garage rock revival surgida en la ciudad de Michigan y llegaron a tocar con varias bandas locales de rock y de punk. Más tarde fue fichada por el sello independiente de punk de Michigan Italy Records después de aceptar la propuesta del manager Dave Buick que les realizó al terminar una actuación que hicieron en un bar. Grabaron su primer single llamado “Let’s Shake Hands” en el año 1998, el cual fue vendido en formato vinilo de edición limitada a solo 1000 copias, y de la misma forma ocurrió con su siguiente single que sacaron un poco mas tarde llamado “Lafayette Blues”. Por último en el año 1999 sacaron “The Big Three Killed My Baby” en esta ocasión ya con otro sello discográfico llamado Sympathy for the Record Industry. El proyecto que estamos escuchando hoy es el White Blood Cells el cual fue el tercer disco de la banda lanzado con el sello Sympathy for Recording Industry el 3 de julio del 2001. Ya en la primera semana de lanzamiento obtuvo un gran éxito que perduró durante todo el año. En el año 2002 el álbum fue regrabado con el sello V2 Records por desavenencias con la su antigua discográfica. Este proyecto fue el que realmente hizo explotar este nuevo movimiento del garage rock revival obtenido un gran recibimiento por parte de la crítica musical y con un gran éxito tanto en el Reino Unido como un poco mas tarde en los Estados Unidos. De hecho se llegó a decir que eran la banda más grande desde los Sex Pistols, el álbum alcanzó la posición 61 en el Billboard americano y el número 55 en las listas de éxitos del Reino Unido sobretodo gracias al único single del proyecto titulado “Fell In Love With a Girl” que fue lanzado con un vídeo musical de animación dirigido por Michel Gondry. A pesar del éxito que cosecharon, el duo se separó en el año 2011 argumentando que no se debía por ninguna diferencia artística, problema de salud o alguna pelea, sino que se trataba de una infinidad de razones externas a ellos, y para poder preservar lo hermoso y especial de la banda. Por desgracia, si bien Jack White además de tener una más que envidiable carrera en solitario, ya que en el año 2009 empezó a trabajar en paralelo con el grupo The Dead Weather como batería y solista, siguió también como miembro de la banda The Go, y por supuesto siguió con la banda que además de The White Stripes es por la que más se le a reconocido que son los The Racounters, Meg desapareció prácticamente por completo del panorama musical salvo en alguna parición esporádica que hizo en algún concierto.

In a new mini-episode, Eamon O'Flynn throws out most of the questions that cropped up over the last week to tackle the trickiest one: why does he think Bob Seger deserves to be in the same discussion as Bruce Springsteen? This one promises to be divisive.Also, we make another major program announcement and reveal the next album we'll cover on Record Roulette. Leave comments on Twitter, Instagram or Facebook at @rrmusicpod or visit our website at recordroulettepodcast.com.

The Menzinger's guitarist/vocalist, Greg Barnett visits us this week to talk about his new solo album that he wasn't going to do unless the band approved. We also rank the Lefty Guitarist Hall of Fame and find out about sketchy bungie jumping in Poland.

This episode covers the second week of Bob Dylan's Fall 2021 tour, focusing on his Sunday, November 7, 2021 performance in Bloomington, Indiana. In addition to performances from the Bloomington concert, this episode features the music of Bloomington native John Mellencamp who attended the concert, the music of Bloomington resident Kenny Aronoff who has played with Dylan, commentary on the tour, and a "Who Did It Better?" that asks you to tell us which version of "Goodbye Jimmie Reed" is better, the ROUGH AND ROWDY WAYS album version or the live version from the Bloomington concert?

Hoy tenemos un buen montón de grandes temas de rock y pop para la vuelta al cole. Dave Hause y su morriña de las playas de Jersey, Rod Gator que desea éxitos (y un viento fresquito) para su Louisiana o el lamento de la neoyorquina Dar Williams (autora bestseller de libros sobre composición musical) abren un tipo de música americana característico, le llaman Heartland Rock. También con raíces están los Country Westerns con su versión de Richard Thompson o James McMurtry desde California y Wanda Jackson desde hace casi 70 setenta años siendo la reina del rockabilly. Cruzados desde Los Angeles lo intentan de nuevo (y les sale bien) y los The Record Company a escuchar con sus riffs a lo Led Zeppelin. Loveland Duren están en la frontera soul rock, donde se mueve como pez en el agua Willie Nile con su soberbio nuevo disco. Steve Marriner lo borda con su abeja melífera, mucho mas suave que la última de los sureños duros Georgia Thunderbolts y la versión de los de Metallica, en voz de Jason Isbell y su banda, para el disco colaborativo Metallica Playlist.Dave Hause, Sandy SheetsRod Gator, For LouisianaDar Williams, You Give It All AwayCountry Westerns, Wall of DeathJames McMurtry, What's the MatterWanda Jackson, Big BabyEmily Duff, Another GoodbyeCruzados, She's AutomaticThe Record Company, Out Of My HeadLoveland Duren, Within Crying DistanceWillie Nile, The Day The Earth Stood StillSteve Marriner, Honey BeeThe Georgia Thunderbolts, Can I Get A WitnessJason Isbell & The 400 Unit, Sad But TrueVisita nuestro Facebook y déjanos tus peticiones, comentarios, canciones...O escríbenos un email aquí.

New co-host Josh becomes the newest member of the puppet family. He joins Jarrell to review new albums from Nas, The Killers and Catbite. In music/entertainment news, they discuss their thoughts on the newest "holiday" Hip-Hop Celebration Day/Month as well as the end of porn on OnlyFans.Topics:                                                    Timestamp:- Hip Hop Celebration Day             21:38- Only fans forbids porn                    30:53Album Reviews  - Nas                                                             43:25- The Killers                                             1:04:35- Catbite                                                     1:26:40Website: Puppetperspectives.comFacebook: facebook.com/puppetreviews15Twitter: @puppetreviews15Instagram: @puppetreviews15                              

Epic choruses! Sweeping Atmosphere! Layers and layers of acoustic! This week were going through the blockbuster Tom Petty solo Album Full Moon Fever. Crawl with us to see how Paul and James tackle one of the kings of Heartland Rock, it's a good one!

With new music incoming from The War On Drugs, The Killers, and Coldplay, this episode of Indiecast asks the question we've all been thinking: is heartland rock stronger than ever or drawing its last breath? The staying power of the aforementioned acts is undeniable, but at the same time there aren't many up and coming acts who are creating music that feels similar, sonically or thematically. It's unclear whether there is even room in the heartland rock space for any acts that are still emerging, including some of our favorite underrated artists like like Wild Pink or Strand Of Oaks.In this week's Recommendation Corner, Ian has been vibing with Johnny Football Hero's Complacency EP, while Steve is once again plugging HBO's forthcoming Woodstock '99 documentary for which he served as a consulting producer.

With new music incoming from The War On Drugs, The Killers, and Coldplay, this episode of Indiecast asks the question we've all been thinking: is heartland rock stronger than ever or drawing its last breath? The staying power of the aforementioned acts is undeniable, but at the same time there aren't many up and coming acts who are creating music that feels similar, sonically or thematically. It's unclear whether there is even room in the heartland rock space for any acts that are still emerging, including some of our favorite underrated artists like like Wild Pink or Strand Of Oaks.In this week's Recommendation Corner, Ian has been vibing with Johnny Football Hero's Complacency EP, while Steve is once again plugging HBO's forthcoming Woodstock '99 documentary for which he served as a consulting producer.

One of the greatest artists to ever personify the genre known as "Heartland Rock", John Mellencamp's career has spanned almost FIVE decades. From his start in 1976 to the mainstream success of "Scarecrow" and Farm Aid in 1985 to a Broadway musical happening this year, you can't ever say he doesn't take things easy. Add some music awards and an induction in the Rock and Roll Hall of Fame (2008) and you can understand why he's one of the greatest American poets in rock music. What was supposed to be a 2-part episode is now going to be an EXTENDED episode counting down from the worst to best the discography of John Mellencamp (Cougars included. :P). Whether you live in a "Small Town" or not, tune in. BC will have you "R.O.C.K. in the USA" til it "Hurts so Good" by episode's end. Follow this podcast on Instagram @randumb.albumb --- This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app --- Send in a voice message: https://anchor.fm/randumb-albumb/message Support this podcast: https://anchor.fm/randumb-albumb/support

Behind the Song - WDRV-FM Chicago

Heartland Rock 1982 through 1994.

Das siebte Album der Rocklegende Bruce Springsteen: Ist es eine Würdigung oder eine Beleidigung der Vereinigten Staaten? Weder noch – aber das ist gar nicht so leicht zu durchschauen. Born In The U.S.A. hält weitaus mehr Tiefgang bereit, als es der Anstrich des Kommerzrock vermuten lässt.

Staying with The Heartland Sound / Don't Bore us Get To The Chorus Energy with Tom Petty. Jimmy Iovine is still kicking around. We are really thinking of just doing all the remaining records that we haven't done, that have a Classic Albums Documentary.

On Episode 154, I am joined by Andrew Leahey. Leahey is a singer-songwriter--frontman of the open road highway rock band Andrew Leahey & The Homestead--lead guitarist for country artist Elizabeth Cook (among others), and a writer and music journalist. That's all helped Leahey become one of the most well-balanced and nuanced thinkers and writers in the "Americana" world. In many respects, having a variety of roles has made Leahey more informed when approaching the others. In other words, his songwriting has made him a better, more understanding journalist, and how being a journalist has made him a better writer in general. During this conversation, we discuss these various roles and them all in order, how he's blended his love for power-pop and the anthemic nature of Heartland Rock, how he's embraced the virtual show in 2020, and why playing upwards of 300 covers this past year has made him a better guitarist and solo artist, playing with Elizabeth Cook and recording her latest album, the excellent 2020 effort Aftermath, and how he approaches music journalism. This episode's presenting partner is Desert Door Texas Sotol. For more information, click here.This episode is presented by Hot Damn Coffee. Use the coupon code "SLANG" (all caps) for 20% off in their merch store. Visit here.This episode is sponsored by The Blue Light Live in Lubbock, Texas. To get BL merch, click here.Check out the New New Slang Patreon here. Follow New Slang on Twitter here, Instagram here, and Facebook here. To order New Slang merch, visit the online store here. Go subscribe to The Neon Eon here.Support the show (https://www.patreon.com/thomasdmooney)

By 1982, and 1983, Brian Setzer’s group, The Stray Cats, had earned three top 10 hits: “Rock This Town”, “Stray Cat Strut”, and “She Sexy and 17”. And in late 1984? That was the year Setzer decided to break up Stray Cats in the midst of their success. Why? He told the Los Angeles Times in 1986 that he thought the band had run its course. “I didn’t want to make another rockabilly album.” Setzer made a couple album in the two years away from the Cats, including one that stands out as a forgotten but near classic take on heartland rock and roll. The Knife Feels Like Justice became the debut album solo album for Setzer. It had a roots rock sound, in the style of John Cougar Mellencamp.  He formed a band for the album that was pretty damn impressive It was roots rock. Heartland rock.  Springsteen-ian rock.  At the time, bands like Mellencamp, Springsteen, the BoDeans, The Gear Daddies, Jason and the Scorchers, The Del Fuegos, The Wagoneers, and others were mining that heartland sound.  It was the heyday of heartland rock, and he crossed it with some punkish/post-new wave middle America sensibility. The sound of the album fit the time. Not any real radio airplay other than some scattered rock stations. The album peaked at number 45 on the US Billboard album chart in April 1986. Though a bit forgotten, in Setzer’s career of more than 30 albums between solo, the Stray Cats, and his Brian Setzer Orchestra, this was one of only five albums to crack the Top 100.   For Setzer, he scratched that roots rock itch. The Knife Feels Like Justice album is this odd little outlier in his career – made at a place in time where the sound was hot, and he went to work on it.  For one album and one year, he drove a little different musical, drum-smacking, guitar-crankin’ road. Links: Hear Spotify playlist: Brian Setzer - The Knife Feels Like Justice and (much more)! Subscribe to RockPopandRoll: Apple Podcasts Spotify Stitcher Google Podcasts Or wherever you get your podcasts. Contact us: EMAIL: rockpoprollpodcast@gmail.com TWITTER: http://twitter.com/80srockpopandroll WEBSITE: rockpopandroll.com  

On Episode 140, I'm joined by Andrew Nelson, vocalist/guitarist of Great Peacock, and Sadler Vaden, singer-songwriter and guitarist of Jason Isbell & The 400 Unit. This episode is more of a roundtable conversation where Nelson, Vaden, and I discuss Heartland Rock, Americana, genre labels as a whole, Spotify playlists, pushing artist narratives more than albums, and what all that has to do with being heard in 2020. While we only touch briefly on the new albums by Great Peacock and Sadler Vaden, I'd be remiss to not mention them here. Listen to the excellent new albums Anybody out There? by Sadler Vaden and Forever Worse Better by Great Peacock. This episode's presenting partner is Desert Door Texas Sotol. For more information, click here.This episode is presented by Hot Damn Coffee. Use the coupon code "SLANG" (all caps) for 20% off in their merch store. Visit here.This episode is sponsored by The Blue Light Live in Lubbock, Texas. To get BL merch, click here.Check out the New New Slang Patreon here. Follow New Slang on Twitter here, Instagram here, and Facebook here. To order New Slang merch, visit the online store here. Follow Tom Mooney's Cup of Coffee here and The Neon Eon here.Support the show (https://www.patreon.com/thomasdmooney)

On Episode 097, I'm joined by singer-songwriter Will Hoge. At the end of this week (Friday, June 26), Hoge is releasing his latest album, Tiny Little Movies. At 11 tracks long, Hoge delivers vivid imagery and detail as he breathes life into a cast of common and everyday characters. Throughout, he captures their anxieties, struggles, dreams, successes, and relationships with a delicate understanding and empathetic touch. In addition, Hoge's brand of Heartland Rock meets country sees the blue-collar Nashville troubadour often embraces a grittier and rollicking sonic punch that's as driving as anything in Hoge's diverse song catalog. This episode is sponsored by Wicker’s Mesquite Smoked Jalapeno Jelly. Use the code "NEWSLANG" at checkout for 10% off your order. Order here –> wickerstx.comThis episode is sponsored by Smith Iron & Design. Order here –> smithironanddesign.comFollow New Slang on Twitter here, Instagram here, and Facebook here. To order New Slang merch, visit the online store here.Support the show (https://www.patreon.com/thomasdmooney)

Another rockcast coming at ya from DJ Tulisan who talks about quarantine jams, southern rock, heartland rock, and good friends in the indie music industry, featuring music from Mothurload, Carpools and New Day in August!

Record Roundtable Hosted by Caleb, Tyler, Dax, and Jared. I hope you're ready to immerse yourself in one of the most American artists in this nations history. Perhaps the most seminal musician in all of Heartland Rock. This week, we discuss Bruce Springsteen. Jared's pick for a classic artist, is one of the great songwriters and political lyricists of the rock era. Give him a listen and maybe give us one too.Find us on Facebook for updates and additional content at facebook.com/recordroundtableConsider supporting us on Patreon: Patreon.com/recordroundtableFind out more at https://record-roundtable.pinecast.co

EVOLUTION est un podcast qui vous explique l’histoire d’un courant ou d’un genre musical. Pendant une heure, je vous explique la genèse et le développement de chaque genre, en vous faisant écouter les morceaux importants qui ont contribué à faire évoluer la musique populaire. La new wave est un genre difficile à définir ; issue de la scène punk, elle va flirter avec la dance music afro-américaine et la synthpop européenne. Dans les années 80, elle atteint des sommets de popularité qu'on a du mal à imaginer aujourd'hui, et menace l'hégémonie du rock FM. TRACKLIST :  Frankie Knuckles – The Whistle Song (E.K. 12’’ mix) [Virgin Records, 1991] (00:00) Blondie – Heart of Glass [Chrysalis, 1978] (01:10) Elvis Costello – Less Than Zero [Stiff Records, 1977] (05:35) The B-52’s – Planet Claire [Warner Bros., 1979] (08:39) The Go-Go’s – This Town [I.R.S. Records, 1981] (10:54) Devo – Jocko Homo [Warner Bros., 1978] (14:09) Gary Numan – Cars [Beggars Banquet, 1979] (17:46) The Cars – Shake It Up [Elektra, 1981] (19:30) Talking Heads – With Our Love [Sire, 1978] (22:46) Spandau Ballet – Chant no. 1 (I Don’t Need This Pressure On) [Chrysalis, 1981] (26:13) Duran Duran – Hungry Like the Wolf (night version) [EMI, 1982] (31:56) Phil Collins – In The Air Tonight [Virgin, 1981] (36:58) Dire Straits – Money For Nothing (1988 edit) [Vertigo, 1988] (41:51) Bruce Springsteen – Born in the USA [Columbia, 1984] (45:41) Van Halen – Jump [Warner Bros., 1983] (49:06) Bon Jovi – You Give Love A Bad Name [Mercury, 1986] (50:36) Guns N’ Roses – Sweet Child O’ Mine [Geffen, 1987] (54:04)

After a patron vote, we're talking about "Pink Houses," the somewhat muddled Americana anthem by John Cougar Mellencamp Watson Crick Donoghue IV. It makes us consider the value of good-enough rock and the importance of mastering your lyrical tone. Plus, we talk about sports a little! Our intro is by Andrew Byrne, and our outro is by Neil Young. Want to leave us a voicemail? Call 646-389-0767. You can email us at talkaboutsongs@gmail.com, tweet us at @talksongs, or Facebook us at facebook.com/mastas.podcast. To get access to bonus content (and vote in ranking episodes), join us at patreon.com/mastas SHOW NOTES Find Angela Predhomme's music right here: http://www.angelapredhomme.com/

This rock-n-roll outfit from Denver, CO has built a unique sound that serves not only as a backdrop for their zany lives but as a soundtrack to the vibrant ever-growing robust city they live in. Hailing from Denver, Dallas, and Fort Lauderdale, the members of the band bring together sounds reminiscent of Heartland Rock, Nitty Gritty Blues, Southern Twang and Driving Alternative Rock. Striving to live only by the motto “shoot first, ask questions later,” Boot Gun’s diverse sound has managed to get them onto alternative rock bills to blues clubs to bluegrass festivals. Featured Song Name: Virginia Song Link: https://open.spotify.com/track/2RPwgAEnMh6l4Pe2blUSXO?si=QPcAokW3RsemRmtQvNIhpg Artist website or place I can find more info: www.bootgunmusic.com Intro music: Strain by The Off Days

In this episode, Steve and Scott dissect the careers of two of the greatest storytelling "Heartland Rock" artists in history, Bob Seger vs. "The Boss", Bruce Springsteen. We compare similarities and differences in their sound, voice, and overall style. Historically, this has been a great debate over the years, and Steve and Scott are here to settle it once and for all! Well, maybe.....not! Please feel free to connect with us to share your thoughts and opinions on these two great American songwriters.

Når radiovært Søren Rebbe skåler nytåret ind, sker det altid til lyden af det samme stykke musik - Bruce Springsteens ”The Rising” fra 2002-albummet af samme navn. Det er et nummer, der for Søren har en dobbelt betydning: Det er ærkeamerikaneren Springsteens musikalske forsøg på at hele nationen oven på terrorangrebet 11. september 2001. Samtidig udkom det på dagen, hvor Sørens søn blev født. Varighed: 7:13

Our first regular episode of 2019. We focus on the year 2011, a year we are quite fond of. We also discuss the first Restorations album and it's relationship to the field of heartland punk, and we have our first split release on the show from Spraynard and Sundials. Restorations - Restorations https://open.spotify.com/album/1OICgbFczgfZsyE3fPpwhi Spraynard / Sundials - split (Spraynard) https://open.spotify.com/album/6bOuGlsTFmwcXoJ5NXfVIp (Sundials) https://open.spotify.com/album/5dRe1PNbJs3nVDMpBBp4Dv Songs featured on this episode: Jawbox - Jackpot Plus Restorations - West River Restorations - Nonlocality Restorations - When You're Older Spraynard - No Taxis in Malvern Sundials - Snowballs at Cops All episodes are available on iTunes, Spotify, Stitcher, and Google Play. Please rate, review, and subscribe. https://punklottopod.simplecast.fm/ Instagram: https://www.instagram.com/punklottopod/ Twitter: https://twitter.com/punklottopod Facebook: https://www.facebook.com/punklottopod punklottopod@gmail.com

We discuss the year 2007, The Gaslight Anthem - Sink or Swim, and The Maine - The Way We Talk Please rate review and subscribe. Every Episode is available on iTunes, Spotify, Stitcher, and Google Play The Gaslight Anthem - Sink or Swim https://open.spotify.com/album/3MoGATT6uQFHhYj3gutRyG The Maine - The Way We Talk https://open.spotify.com/album/7LdWTASj9HyajprYHKCD22 Instagram @punklottopod Twittter @punklottopod Email: punklottopod@gmail.com punklottopod.simplecast.fm

Announcing the Paul & Joe Well-Endowed Chair for the Study of Heartland Rock, Passive Aggressive Lyrical Texts, and Korean Debate Team Rap. Please note that Class 609, the Perverted Arts of Szechuan, will not meet this week because Professor Corgan read a mean comment online.

Vi talar om 21 Jump Street (Gustavs tips fran forra veckan), vilket oppnar upp for en diskussion om nordar, science fiction och barnkultur. Dessutom ar vi valdigt stolta over att kunna presentera vart nya inslag: "Invisible Jukebox med Doug Steiner". Flitiga lyssnare kanner Doug fran "Bruce i LA - Del 1"-podcasten. Vi spelar svensk musik, Doug reagerar. Simpel magi.