Podcasts about European Broadcasting Union

This week the Gals talk about kneepads, Stuart Nash, planning and resource management reform and a whole range of election policies.    Yass Queen to the European Athletics and the European Broadcasting Union and Beehave Mate to US Secretary of War Pete Hegseth.    Question Time: Who would replace Luxon if he was rolled? And who would replace Hipkins?

In a bid to focus on athletic performance rather than the physical form of female athletes, the European Broadcasting Union and European Athletics have released an official guide for television directors and camera operators. To discuss this development, Lester Kiewit speaks to Geraldine Pillay, former sprinter and sprint coach, and Dr Alexia Smit, lecturer in film studies at the Centre for Film and Media studies at UCT. Good Morning Cape Town with Lester Kiewit is a podcast of the CapeTalk breakfast show. This programme is your authentic Cape Town wake-up call. Good Morning Cape Town with Lester Kiewit is informative, enlightening and accessible. The team’s ability to spot & share relevant and unusual stories make the programme inclusive and thought-provoking. Don’t miss the popular World View feature at 7:45am daily. Listen out for #LesterInYourLounge which is an outside broadcast – from the home of a listener in a different part of Cape Town - on the first Wednesday of every month. This show introduces you to interesting Capetonians as well as their favourite communities, habits, local personalities and neighbourhood news. Thank you for listening to a podcast from Good Morning Cape Town with Lester Kiewit. Listen live on Primedia+ weekdays between 06:00 and 09:00 (SA Time) to Good Morning CapeTalk with Lester Kiewit broadcast on CapeTalk https://buff.ly/NnFM3Nk For more from the show go to https://buff.ly/xGkqLbT or find all the catch-up podcasts here https://buff.ly/f9Eeb7i Subscribe to the CapeTalk Daily and Weekly Newsletters https://buff.ly/sbvVZD5 Follow us on social media CapeTalk on Facebook: https://www.facebook.com/CapeTalk CapeTalk on TikTok: https://www.tiktok.com/@capetalk CapeTalk on Instagram: https://www.instagram.com/ CapeTalk on X: https://x.com/CapeTalk CapeTalk on YouTube: https://www.youtube.com/@CapeTalkSee omnystudio.com/listener for privacy information.

How athletes are presented on our screens shapes the way we view them .. close ups show the pain and the joy .. while wider shots give us a sense of scale and spectacle. But some of the images we're shown are going to change because new guidelines released by the European Broadcasting Union are asking TV directors to change the way they present women's athletics. The basic ask: focus on the athlete not the most sexualised possible angle. That likely means fewer tight shots, less low angles, and more caution around slow motion replays. Former Olympic heptathlete turned sports reporter Sarah Cowley Ross joins us to discuss.

Welcome to another packed edition of The Eurovision Showcase, hosted by Ciaran Urry-Tuttiett! Originally broadcast on Forest FM, you can now catch up on all the latest Eurovision news, stunning new releases, and classic contest hits. In this episode, we have a massive announcement from across the Atlantic, alongside brand-new music from a true Eurovision icon. Coming up on this programme: Canada Heads to Eurovision: Following the CBC joining the European Broadcasting Union, Canada is officially joining the contest next year in Bulgaria! We discuss the news and hear from Canadian Prime Minister Mark Carney during his recent Canada Day speech. New Music from Celine Dion: We play "Bonjour, Pardon, Merci", the brand-new single from the global music icon and former Eurovision winner. It's a beautifully sincere track that perfectly captures the transformative power of genuine human connection. Balkan Brilliance: Former Bosnia & Herzegovina representative Hari Mata Hari celebrates 40 years in the music scene by teaming up with Mirza Selimović—who he calls "the best singer of all" from the younger generation. We dive into their heart-wrenching new collaboration, "Janje" (Lamb), a track built entirely around vocal supremacy and the classic ex-Yu theme of heavy heartbreak. Listener Requests: We kick off the show with a special request from Robert in Gothenburg, Sweden. Regular Features: 'Rob's Random Request' is back to delight us with its presence, we round up the latest Eurovision news, 'The Best of the Rest' is a truly home affair for the United Kingdom, and 'Live & Kicking' takes us straight back to the 1980s! For more information, tracklists, and to discover more about the programme, head over to our website: www.escshowcase.com #Eurovision #EurovisionSongContest #ForestFM #CelineDion #HariMataHari #CanadaEurovision #RadioProgramme #EurovisionFans #BalkanMusic #LiveAndKicking

What does the future hold for journalism in Gaza? To mark World Press Freedom Day for 2026, the European Broadcasting Union brought together reporters, NGO workers, security experts and others for a conference in Geneva. Palestinian journalists described the challenges they face on a daily basis, including covering war when your family is also at risk. In the final episode of Season 2, we also hear about how the United Nations is trying to “humanise” the “statistics of human suffering” in relation to Gaza and other crises around the world. According to the International Federation of Journalists, more than 260 journalists and media workers have been killed in the enclave since the start of the war in Gaza in 2023.

Joining Elias on this morning's show were Raphaël Melançon, political analyst for CTV Montreal and CJAD 800, and columnist for the Montreal Gazette & Lea Streliski, best-selling author, comedian and columnist. Among the topics discussed were We’ve been asking our panelists this question on the Big Five the last few days… Should there be an English debate? Politics and sport are colliding again at the World Cup. Iran's Football Federation is urging FIFA to ban any Pride-related ceremonies, promotions or symbols during today’s match against Egypt in Seattle Canada could soon be headed to Eurovision. CBC/Radio-Canada has become a full member of the European Broadcasting Union, clearing the way for Canada to eventually compete in the world's biggest song contest Prime Minister Mark Carney will announce the federal government’s plan to “restore” 24 Sussex Drive at 9:30am this morning

The second semi-final has just concluded at the Wiener Stadthalle, and we now have the second set of ten qualifiers with some, if not too many, surprises as the results were confirmed. Barbara and Maria, with special guest Dimitry from Eurovangelists, discuss our impressions of the night and the results.We are now waiting for the complete running order for the Grand Final, which will be determined by the producers and the European Broadcasting Union. Remember to subscribe and follow our socials for more information as we get closer to the grand final on Saturday.

Eurovision 2026 is tomorrow night, so I invited Irish DJ, and my wee mate, Tir na Rogue aka Sophia to chat about her Master's Thesis on politicisation within the contest.From Ukraine and Russia, to the current controversies surrounding Israel, we discuss if Eurovision ever was truly "non-political" as the European Broadcasting Union designed it to be, and if they themselves are contributing to that.Grma xFollow Tir na Rogue/SophiaIG:@tir_na_rogueInline G Merch ⭐️www.Inlineg.myshopify.comInline G Patreon ⭐️www.patreon.com/TheInlineGFlutePodcastInline G will ALWAYS be free of charge, but signing up to the Patreon helps let this podcast reach new heights, if you can afford it. You'll also get to ask questions to upcoming guests as well as get early access to some episodes. Or if you'd rather not spend money, subscribing to my YouTube channel and following me on Facebook, Instagram and TikTok is a HUGE way to support the podcast. It'll cost you nothing, and it really makes a difference to the algorithm gods. So please interact however you can; like, comment, or subscribe, and help keep this podcast lit xIntro music: Rhythm=Power by Spodo Komodo. Used with permission. All rights reserved by the creator.Chapters:00:00 - Intro (skip if you fancy)04:05 - American's Guide to Eurovision16:28 - European Identity, Verka and Voting31:57 - Flo Rida, Jedward and Celine Dion41:25 - LGBTQ+ and Political Support49:43 - Russian Nation Branding59:19 - Ireland, Palestine and 2026

What started in 1956 as a modest experiment in unity has evolved into one of the world's most watched live music events. The Eurovision Song Contest was born under the umbrella of the European Broadcasting Union, inspired by Italy's Sanremo Festival, with a simple mission: bring countries together through music after the scars of World War II. Just seven nations took part in that first edition. Today, it's a cultural phenomenon spanning continents, drawing hundreds of millions of viewers.In its early years, Eurovision followed strict rules. Each country submitted one original song, performed live with an orchestra, and juries decided the winner behind closed doors. There was no public vote, no spectacle—just music and a touch of diplomacy. But as the decades passed, the contest adapted. By the late 1990s, televoting entered the scene, giving audiences a direct voice. Today, the results are split between professional juries and public voting, creating a dynamic and sometimes unpredictable outcome.One of the most controversial moments came in 1969, when four countries; Spain, the United Kingdom, France, and the Netherlands—ended in a historic tie. With no tie-breaking rules in place, all four were declared winners. The fallout led to rule changes that still shape the contest today.Beyond the glitter and eccentric performances, Eurovision has developed an undeniable political undercurrent. Neighborly voting patterns, geopolitical tensions, and cultural alliances often influence results, whether openly acknowledged or not. Yet, this complexity is part of its intrigue it reflects Europe as it is, not just as it sings.And then there's the legacy. Eurovision has launched global icons. ABBA's victory in 1974 catapulted them to worldwide fame. Céline Dion's win for Switzerland in 1988 marked the beginning of an extraordinary international career. Even artists who didn't win, like Olivia Newton-John, found their moment on this stage.From black-and-white broadcasts to dazzling LED productions, Eurovision remains a mirror of its time, equal parts music, spectacle, and subtle strategy. Love it or question it, you can't ignore it.

What started in 1956 as a modest experiment in unity has evolved into one of the world's most watched live music events. The Eurovision Song Contest was born under the umbrella of the European Broadcasting Union, inspired by Italy's Sanremo Festival, with a simple mission: bring countries together through music after the scars of World War II. Just seven nations took part in that first edition. Today, it's a cultural phenomenon spanning continents, drawing hundreds of millions of viewers.In its early years, Eurovision followed strict rules. Each country submitted one original song, performed live with an orchestra, and juries decided the winner behind closed doors. There was no public vote, no spectacle—just music and a touch of diplomacy. But as the decades passed, the contest adapted. By the late 1990s, televoting entered the scene, giving audiences a direct voice. Today, the results are split between professional juries and public voting, creating a dynamic and sometimes unpredictable outcome.One of the most controversial moments came in 1969, when four countries; Spain, the United Kingdom, France, and the Netherlands—ended in a historic tie. With no tie-breaking rules in place, all four were declared winners. The fallout led to rule changes that still shape the contest today.Beyond the glitter and eccentric performances, Eurovision has developed an undeniable political undercurrent. Neighborly voting patterns, geopolitical tensions, and cultural alliances often influence results, whether openly acknowledged or not. Yet, this complexity is part of its intrigue it reflects Europe as it is, not just as it sings.And then there's the legacy. Eurovision has launched global icons. ABBA's victory in 1974 catapulted them to worldwide fame. Céline Dion's win for Switzerland in 1988 marked the beginning of an extraordinary international career. Even artists who didn't win, like Olivia Newton-John, found their moment on this stage.From black-and-white broadcasts to dazzling LED productions, Eurovision remains a mirror of its time, equal parts music, spectacle, and subtle strategy. Love it or question it, you can't ignore it.

This Sunday we take a closer look at the Grand Prix Svetozár Stračina, an international competition celebrating folk music, organised by STVR in cooperation with the European Broadcasting Union. We also spotlight Slovak alternative band Bez ladu a skladu, recently honoured with a Lifetime Achievement Award at the Radio_Head Awards 2025, and play music from this year's nominees.

A look at how security feeds and traffic cameras have become tools in some of the most high-level killings in recent wars. Also, Bologna, Italy, has established a certification process to distinguish authentic pasta and the artisans who make them from imposters. And, the European Broadcasting Union has announced the launch of the international song competition Eurovision in Asia. Plus, new scientific research finds that “googly eyes” can help deter seagulls. Learn about your ad choices: dovetail.prx.org/ad-choices

In dieser Folge von „Ganz offen gesagt“ diskutiert Stefan Lassnig mit den Hosts des Song Contest-Podcasts "Merci Chérie", Alkis Vlassakakis und Marco Schreuder, wie der Eurovision Song Contest von einer technischen Fernsehexperimentierbühne zu einem hochpolitischen europäischen Großereignis wurde.
 Anhand der ESC-Geschichte von den 1950er-Jahren bis heute zeigen sie, wie sich Kalter Krieg, Prager Frühling, Zypern-Konflikt, Jugoslawienkrieg, russische Angriffe auf Georgien und die Ukraine, sowie der Gaza-Krieg im Wettbewerb und in den Teilnahmeentscheidungen der Länder niederschlagen.
 Die Gäste erklären, warum der ESC offiziell „unpolitisch“ bleiben muss, aber in Wahrheit ständig von Weltpolitik, Boykotten, Senderregeln und medienpolitischen Entscheidungen der EBU beeinflusst wird – etwa beim Ausschluss Russlands und Belarus oder beim Umgang mit Libanon und China. 
Großen Raum nimmt die queere Geschichte des ESC ein: von früh queercodierten Chansons wie „Nous les amoureux“ über Drag-Momente, AIDS-Stille und Life Ball bis zu Páll Óskar, Dana International, Marija Šerifović, Conchita Wurst und der Ausstellung „United by Queerness“ in Wien.
 Sie sprechen über ESC als „Familienshow“ und queeren Safe Space, über Voting-Blöcke, kulturelle Märkte und nationale Rivalitäten, die mehr mit Popkultur als mit „Freunderlwirtschaft“ zu tun haben, und darüber, wie Social Media und TikTok das ESC-Publikum verjüngt haben.
 Die Runde diskutiert das Spannungsfeld zwischen Inklusion und Ausschluss: Soll man autoritäre Staaten und homofeindliche Regime aus Prinzip ausschließen oder sie gerade über den ESC mit queerer Sichtbarkeit und kulturellem Austausch konfrontieren?
 Zum Schluss verraten Alkis und Marco ihre Favoriten für Wien – mit Siegchancen für Finnland, persönlichen Sympathien für Griechenland und einem soliden Platz im oberen Mittelfeld für Österreichs „Cosmó“ – und empfehlen ESC-Fans ihren Podcast „Merci Chérie“ und die Ausstellung „United by Queerness“ als Vertiefung. Links zur Folge: Podcast "Merci Chérie" Ausstellung "United by Queerness" Buch "Postwar Europe and the Eurovision Song Contest" von Dejan Vuletic (Amazon) Podcastempfehlung der Woche: "Braune Kinderzimmer" Wir würden uns sehr freuen, wenn Du "Ganz offen gesagt" auf einem der folgenden Wege unterstützt:Werde Unterstützer:in auf SteadyKaufe ein Premium-Abo auf AppleKaufe Artikel in unserem FanshopSchalte Werbung in unserem PodcastFeedback bitte an redaktion@ganzoffengesagt.atTranskripte und Fotos zu den Folgen findest Du auf podcastradio.at

“What most people want to get out of choir is to feel a progression, that they slowly master the craft of choral music. For every warm-up, I boil it down to make it simple but also find the sweet spot where I can challenge the singers to get out of their comfort zone or dare to fail. The bravery to fail is crucial to the music making we'll be doing after the warm-up. Exercises that are on the brink of what is doable will have them on the edge of their seat in a playful spirit. It's always with a smile, always fun. If you make a mistake, no one will judge you. We can't grow if we don't make mistakes.”Jonas Rasmussen (b. 1992) is a Danish conductor, composer, content creator and educator who has quickly established himself as one of the most distinctive choral voices of his generation. Known for his ability to combine artistic ambition with playfulness and accessibility, he is the Artistic Director of Ensemble Novum, Academic Choir Aarhus and Youth Choir Aarhus U, and teaches classical choral conducting at the Royal Academy of Music, Aarhus.Jonas' ensembles have won some of the most prestigious international choral prizes, including the World Choral Championship in Tokyo (2019), the Grand Prix at the Rimini International Choral Competition (2018), the European Broadcasting Union's competition Let the Peoples Sing in Barcelona (2019), and the World Choral Cup in Barcelona (2022). In 2023 and again in 2025, he brought home multiple gold medals at the European Choir Games, Europe's biggest choral competition. Both his ensembles choirs are now ranked in the top 10 on INTERKULTUR's official top 1000 list of choirs from all around the world – with Youth Choir Aarhus U as #2 and Academic Choir Aarhus as #8.Education and mentorship are central to Jonas' work. In 2025, he started to post content online for a wider international audience and the response has been remarkable. In the first 10 months, Jonas has achieved just short of 350.000 followers across platforms and that number is quickly growing. He is frequently invited as a workshop leader for choral organizations in Denmark and abroad where his engaging style and ability to connect with singers of all levels are widely appreciated. Jonas' vision is to position choral music as a living, evolving art form – not a museum piece, but something that constantly redefines itself through collaboration, innovation, and community. Whether on the concert stage, in a classroom, or online, his work is driven by the belief that choir singing is one of the most powerful ways to create meaning and connection between people.To get in touch with Jonas, you can find him on Instagram (@choirconductor).Email choirfampodcast@gmail.com to contact our hosts.Podcast music from Podcast.coPhoto in episode artwork by Trace Hudson

If you are the sort of person whose New Year's resolutions read something like: “(1) Shoot for the moon, (2) Do what you love, (3) Change the world” – have we got a guest for you! We're joined this week by former Icelandic prime minister Katrín Jakobsdóttir, who resigned from office in 2024 in order to run for president and is now enjoying a second life as a successful crime novelist and climate activist. Be still, our hearts. We chatted with Katrín about the security threat that climate change and the current geopolitical instability pose to Iceland; her career in politics; and why she wanted to write fiction (“Doesn't everybody?” she asked).   Also in this episode: The Mercosur primer of your dreams! And the disconcertingly relatable story of a ChatGPT-informed wedding gone awry. This week's Inspiration Station recommendations are the 10th edition of the European Review of Books and the Deutsche Welle podcast Delayland.    LISTENER SURVEY: Do you have a moment to help us out? We would be so grateful to hear your thoughts about what we're doing well and where we can improve. Fill out our short, simple survey here.   Resources for this episode:   “32.7% of EU people used generative AI tools in 2025” – Eurostat, 16 December 2025 “Largest study of its kind shows AI assistants misrepresent news content 45% of the time – regardless of language or territory” – European Broadcasting Union, 22 October 2025 “Thinker, Plaintiff, Merkel, Spy” (our interview with the creators of the European Review of Books) – The Europeans, 3 June 2021 The Weapons to Ukraine fund, AKA Czech initiative A Gift for Putin (Dárek pro Putina)   SUBSCRIBE TO OUR NEWSLETTER: Although this episode came out on a Friday, we are a *Thursday* podcast, because who wants to think about the imminent World War III on a Friday? That being said, if you would like to laugh through your tears on Friday, we recommend our newsletter, GOOD WEEK BAD WEEK. It will carry you through a full weekend of existential dread.   This podcast was brought to you in cooperation with Euranet Plus, the leading radio network for EU news. But it's contributions from listeners that truly make it all possible—we could not continue to make the show without you! If you like what we do, you can chip in to help us cover our production costs at ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠patreon.com/europeanspodcast⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ (in many different currencies), or you can gift a donation to a superfan. We'd also love it if you could tell two friends about this podcast. We think two feels like a reasonable number. Produced by Morgan Childs, Wojciech Oleksiak and Katz Laszlo Mixing and mastering by Wojciech Oleksiak Music by Jim Barne and Mariska Martina   YouTube | Bluesky | Instagram⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ | Mastodon⁠⁠⁠⁠⁠⁠⁠⁠⁠ | Substack | hello@europeanspodcast.com

“On 16-18th of December 2025 tens of thousands of Lithuanians gathered by the Parliament in protest against plans to politicise the public broadcaster, LRT. Over 143,000 people also signed a petition, making it the most popular online petition to date. The list of those calling on the lawmakers to step back included national and international media watchdogs and NGOs, the European Broadcasting Union, the European Council, the Lithuanian parliament's own legal department, and more. A separate protest campaign – which includes on-air statements – is self-organised by LRT staff. Civil society and some observers see these developments similar to those as in countries like Hungary and Slovakia, where pro-Russian course began with attacks against the culture sector. As a child, I watched on TV similar protests as our newly independent Lithuanian public broadcaster was taken over by soviet troops on January 13th 1991. I could never imagine that I myself would have to protest in the same square, defending the broadcaster I work for, this time from an attempted take over by our own politicians. I went there all three nights in a row and recorded thousands of people chanting “Hands off free speech”, singing our national anthem and independence-period songs about freedom. It was dark and cold with temperatures around 0 C, but the fires were burning well into the night and we felt united and hopeful.” For more, see explainers by LRT English:www.lrt.lt/en/news-in-english/…rt-what-s-happeningwww.lrt.lt/en/news-in-english/…crosshairs-what-nowwww.lrt.lt/en/news-in-english/…at-you-need-to-know

In Episode 2, Season 2 of the Eurovision News Podcast, host Giles Gibson examines the relationship between AI companies and the news industry. He visits the BBC's headquarters in London to dig into cutting-edge research on the growing use of AI assistants such as ChatGPT and Perplexity for news related questions. Experts warn these assistants are "still not a reliable way to access and consume news." We find out how AI companies "scrape" news content from publishers online and learn about the "Facts In : Facts Out" campaign backed by the European Broadcasting Union and WAN-IFRA. EBU Spotlight report on Bondi Beach attack: Debunking Bondi attack misinformation: Edward Crabtree lie

The European Broadcasting Union held their Winter General Assembly with two consequential votes promised, and somehow, only one vote happened. We discuss the countries that are returning this year, the countries who have dropped out as a response to the vote, and what exactly happened with regards to this year's General Assembly.This week's companion playlist: https://open.spotify.com/playlist/22ZrVhSGLJLYUqDzLxCF8SIsrael's delegation lobbying against expulsion: https://www.ynetnews.com/culture/article/rjx22d1mwgKnesset advances vote to privatize KAN: https://www.timesofisrael.com/the-next-threat-to-israel-at-eurovision-is-coming-from-inside-the-house/ The Eurovangelists are Jeremy Bent, Oscar Montoya and Dimitry Pompée.The theme was arranged and recorded by Cody McCorry and Faye Fadem, and the logo was designed by Tom Deja.Production support for this show was provided by the Maximum Fun network.The show is edited by Jeremy Bent with audio mixing help was courtesy of Shane O'Connell.Find Eurovangelists on social media as @eurovangelists on Instagram and @eurovangelists.com on Bluesky, or send us an email at eurovangelists@gmail.com. Head to https://maxfunstore.com/collections/eurovangelists for Eurovangelists merch. Also follow the Eurovangelists account on Spotify and check out our playlists of Eurovision hits, competitors in upcoming national finals, and companion playlists to every single episode, including this one!

The Eurovision Song Contest has been thrown into turmoil after four nations said they would boycott next year's event. Ireland, Spain, the Netherlands and Slovenia had wanted Israel to be excluded because of the war in Gaza, but a meeting of the European Broadcasting Union said it could take part. Other countries, including Germany, had threatened to walk out if Israel could not participate. Also: A prominent Palestinian militia leader and Hamas opponent has been killed in Gaza. The US military says it conducted another deadly strike on a boat suspected of carrying illegal narcotics as questions mount over the legality of previous attacks. Rwanda and the Democratic Republic of Congo sign a peace deal in Washington. A British inquiry has found that Vladimir Putin bears "moral responsibility" for the poisoning of a woman in England with the nerve agent Novichok in 2018. And how a volcanic eruption may have helped spread the Black Death in the 1300s.The Global News Podcast brings you the breaking news you need to hear, as it happens. Listen for the latest headlines and current affairs from around the world. Politics, economics, climate, business, technology, health – we cover it all with expert analysis and insight. Get the news that matters, delivered twice a day on weekdays and daily at weekends, plus special bonus episodes reacting to urgent breaking stories. Follow or subscribe now and never miss a moment. Get in touch: globalpodcast@bbc.co.uk

Ua lagolagoina e fa'alapotopotoga fa'asalalau i Siamani ma Austria le faai'uga a le Iuni o Fa'asalalauga i Europa, le European Broadcasting Union, e lē fa'alavelave pe tete'e ai i le ‘auai o Isara'elu i le tauvaga pese le Eurovision Song Contest o le 2026.

Meta has begun limiting certain accounts ahead of the official start of the Social Media Ban on 10 December. Platforms that violate the law could face fines of up to 50 million dollars. Israeli media say Yasser Abu Shabab, a Bedouin tribal leader who led an anti-Hamas faction in Gaza, has been killed in Rafah. The European Broadcasting Union has confirmed that Israel will be allowed to take part in next year's Eurovision Song Contest. Recorded 5 December. - 16歳未満のソーシャルメディア利用を制限する法律「ソーシャルメディア・バン」の施行まで1週間を切った今週、ソーシャルメディア大手・メタは、一部アカウントの制限を開始しました。法律が施行される12月10日以降、違反した企業には最大5,000万ドルの罰金が科される可能性があります。ガザで反ハマス勢力を率いていたベドウィン部族の指導者、ヤセル・アブ・シャバブ氏が、ラファで殺害されました。イスラエルのメディアが伝えています。欧州最大級の国別対抗ソングコンテスト「ユーロビジョン」の来年の大会をめぐり、ヨーロッパ放送連合（EBU）がイスラエルの参加を認めました。1週間を振り返るニュースラップです。12月5日収録。

Meta has begun limiting certain accounts ahead of the official start of the Social Media Ban on 10 December. Platforms that violate the law could face fines of up to 50 million dollars. Israeli media say Yasser Abu Shabab, a Bedouin tribal leader who led an anti-Hamas faction in Gaza, has been killed in Rafah. The European Broadcasting Union has confirmed that Israel will be allowed to take part in next year's Eurovision Song Contest. - 16歳未満のソーシャルメディア利用を制限する法律「ソーシャルメディア・バン」の施行まで1週間を切った今週、ソーシャルメディア大手・メタは、一部アカウントの制限を開始しました。法律が施行される12月10日以降、違反した企業には最大5,000万ドルの罰金が科される可能性があります。ガザで反ハマス勢力を率いていたベドウィン部族の指導者、ヤセル・アブ・シャバブ氏が、ラファで殺害されました。イスラエルのメディアが伝えています。欧州最大級の国別対抗ソングコンテスト「ユーロビジョン」の来年の大会をめぐり、ヨーロッパ放送連合（EBU）がイスラエルの参加を認めました。1週間を振り返るニュースラップです。

Europe's largest cultural event is once again confronting the tension between entertainment and geopolitics. After the European Broadcasting Union formally confirmed Israel's eligibility for the 2026 Eurovision Song Contest, four countries - Spain, the Netherlands, Ireland and Slovenia - immediately withdrew. Their walkout has triggered one of the most serious disputes in the contest's modern history, raising questions about neutrality, artistic expression and how far Eurovision can distance itself from real-world conflicts.

Good afternoon, I'm _____ with today's episode of EZ News. Tai-Ex opening The Tai-Ex opened up 0.7-points this morning from yesterday's close, at 27,796 on turnover of $4.99-billion N-T. Government to ban food-waste pig feeding from 2027, with 1-year transition The Cabinet has approved a plan to phase out the use of food waste in pig farming by December 31 of next year - paving the way (為…鋪路) for a full ban starting in 2027. The move is part of the government's efforts to prevent African swine fever outbreaks. Under the policy, food-waste feeding will be permitted only under strict conditions during that period, after which it will be fully prohibited. Farmers will be given a one-year grace period and financial incentives to switch to commercial feed. During the transition year, farms may use food waste only with local government approval and after they meet several requirements - including installing heat-treatment and video monitoring systems and adding G-P-S tracking to transport vehicles. Only business-generated food waste, animal by-products and slaughterhouse scraps (廢料，廚餘) will be allowed - and all household food waste will be banned from use on pig farms. Taiwan and Czech institutes launch African medical aid procurement program Taiwan's Institute for Biotechnology and Medicine Industry has signed an agreement with the Czech Health Technology Institute to jointly launch an African medical aid procurement program. The institutes have been working to help a range of Taiwanese medical products, including handheld (手持式) ultrasound devices, microplate readers and electrocardiography systems, enter Eastern European markets through various projects since 2023. According to the Institute for Biotechnology and Medicine Industry, the latest partnership is aimed at further strengthening ties through the launch of the African medical aid procurement program. The institute says the program will source a range of medical equipment from Taiwan to bolster primary healthcare, maternal and child care, and the resilience of regional and central hospitals in sub-Saharan Africa. US Reviewing Tanzania relationship following election violence The United States is "reviewing" its relationship with Tanzania in the wake of violence that marred the country's elections in October. United Nations experts estimate that hundreds of protesters were killed during the brutal (嚴酷的) election crackdown. Nick Harper reports from Washington. UN Security Council Delegation Visits Syria A United Nations Security Council delegation has visited Syria for the first time since the council's founding in 1945. The visit, on Thursday, comes just before the one-year anniversary of former President Bashar Assad's fall. It marks Syria's reintegration (重新融入) into the international community under interim President Ahmad al-Sharaa. The Security Council president, says the delegation aims to build trust. They met with Syrian leaders, civil society, and communities affected by violence. Discussions included justice, reconciliation, and economic development. Syria's state-run news agency notes that Security Council visits are rare, requiring unanimous agreement. Eurovision Countries Drop Out Amid Israel Participation At least four countries have announced they are pulling out of next year's Eurovision Song Contest. This decision follows the organizers' choice to allow Israel to compete, despite concerns over its conduct in the Israel-Hamas war. Dutch, Spanish, Irish and Slovenian broadcasters announced plans to sit out the context in Vienna next May. It came after the European Broadcasting Union, which runs Eurovision, voted to adopt tougher voting rules after allegations of Israel manipulating (操縱) votes. That was the I.C.R.T. EZ News, I'm _____. －－－－以下為 SoundOn 動態廣告－－－－ 挺你所想！與你一起生活的銀行 2025/12/31 前至中國信託銀行ATM領取普發現金一萬元，抽Switch 2主機+瑪利歐組合！ 申購TISA級別基金，有機會將現金放大！每月新臺幣千元就能投資，還享終身免申購手續費( 優惠期間至本行公告截止日止)。 詳情請見活動網站 https://sofm.pse.is/8g33td -- Hosting provided by SoundOn

Broadcasters in Ireland, The Netherlands, Slovenia and in Spain announced that they would neither show nor take part in next year's competition, due to be held in Vienna. Members of the European Broadcasting Union, which organises the contest, had earlier decided not to hold a vote on barring Israel from competing. Also on the programme: Vladimir Putin is feted by Narendra Modi on his visit to India; and we hear what the late Steve Cropper, legendary session guitarist, taught Otis Reading.(Picture: Israeli entrant Yuval Raphael ahead of the 2025 Eurovision Song Contest, in Basel, Switzerland, May 14, 2025 Credit: REUTERS/Denis Balibouse)

Spain, Ireland, Slovenia and the Netherlands have all said they won't send acts to the Eurovision Song Contest next May in protest at Israel's participation. There have been calls for Israel to be excluded because of the war in Gaza, but members of the European Broadcasting Union, which organises the contest, rejected a push for a vote on the issue. Also on the programme: an Inquiry finds the Russian President Vladimir Putin "morally responsible" for the death by poisoning of Dawn Sturgess in Salisbury; and we remember Steve Cropper, the legendary guitarist who's died at the age of 84.

Today, members of the European Broadcasting Union will debate whether Israel can compete in next year's Eurovision Song Contest. Joining us to explain more was Dr Paul Jordan, Expert and Media Commentator on Eurovision.

AI assistants are currently misrepresenting news content 45% of the time, according to a study by the European Broadcasting Union. This research, which evaluated 3,000 responses from popular AI chatbots, including ChatGPT and Google Gemini, revealed that 31% of responses had serious sourcing issues, while 30% contained inaccuracies. Notably, Google's Gemini performed the worst, with 76% of its outputs flawed. This raises significant concerns about the reliability of AI in disseminating information, particularly as these tools increasingly serve as intermediaries between users and content.In addition to issues of accuracy, a study from Stanford and Harvard found that AI chatbots tend to flatter users rather than challenge them, validating user behavior 50% more than human counterparts. This tendency to agree rather than provide constructive feedback can lead to a lack of critical engagement, further complicating the role of AI in decision-making processes. Furthermore, the Wikimedia Foundation reported an 8% decline in human traffic to Wikipedia, attributed to generative AI chatbots and search engines that provide direct answers without redirecting users to original sources. This trend highlights the growing challenge faced by platforms reliant on user engagement.The episode also discusses advancements in AI capabilities from major players like Microsoft, OpenAI, and Anthropic. Microsoft has introduced updates to its CoPilot AI assistant, including a group chat feature and a new Real Talk mode that encourages more dynamic interactions. OpenAI's ChatGPT can now search across multiple applications, while Anthropic's Claude has introduced a memory feature that retains past conversations. These developments indicate a shift towards more integrated and context-aware AI systems that can enhance collaboration and user experience.For Managed Service Providers (MSPs) and IT service leaders, the implications are clear. The effectiveness of AI now hinges on context, governance, and integration rather than just model size. As AI tools become more prevalent, the responsibility for ensuring their safe and effective use falls on providers. This presents an opportunity for MSPs to develop new service lines focused on AI hygiene and governance, helping clients navigate the complexities of AI while maximizing its potential benefits.Four things to know today 00:00 The Limits of AI: Research Shows Chatbots Mislead, Overagree, and Undermine the Information Ecosystem04:27 A 1997 PC Running AI? The Future of Intelligence Might Be Smaller, Cheaper, and Closer to Home08:08 AI's Getting Personal — Microsoft, OpenAI, and Anthropic Roll Out Smarter, More Human Chatbots13:26 From Feedback to Fixes: Microsoft's New Copilot Brings AI to Customer Experience and Operational Intelligence This is the Business of Tech.    Supported by:  https://mailprotector.com/mspradio/

The European Broadcasting Union has postponed its plan to hold a membership vote to decide if Israel's broadcaster KAN will be allowed to compete in next year's Eurovision. While it remains unclear if the vote will still happen, it doesn't fully resolve how the EBU got to this point in the first place. We'll take a closer look at other times the EBU's non-political stance has been tested and see what lessons can be applied going forward. Responsive Summary Yugoslavia (3:20) Administrative Changes to the Contest (13:40) Armenia and Azerbaijan (16:42) Georgia (26:58) Final Thoughts (32:14) Subscribe The EuroWhat? Podcast is available wherever you get your podcasts. Find your podcast app to subscribe here (https://www.eurowhat.com/subscribe). Comments, questions, and episode topic suggestions are always welcome. You can shoot us an email (mailto:eurowhatpodcast@gmail.com) or reach out on Bluesky @eurowhat.bsky.social (https://bsky.app/profile/eurowhat.bsky.social). Join the EuroWhat AV Club! If you would like to help financially support the show, we are hosting the EuroWhat AV Club over on Patreon! We have a slew of bonus episodes with deep dives on Eurovision-adjacent topics.

The European Broadcasting Union will vote in November on whether Israel can compete in the 2026 Eurovision Song Contest in Vienna. Under a new rule, if more than 50% of members vote to exclude Israel, next year's contest will take place without Israel. And the vote, expected in December has now been brought forward to November. KAN's Mark Weiss spoke with Alon Amir, an expert and lecturer on the Eurovision and politics and a former spokesperson for Israel's Eurovision delegation. (Photo: Kan)See omnystudio.com/listener for privacy information.

The organisation behind the Eurovision Song Contest has confirmed it will hold a vote to determine whether Israel will participate next year. The European Broadcasting Union confirmed it will invite 68 member countries to give their view at a general assembly meeting in November. UK correspondent Gavin Grey says other countries - including Ireland, the Netherlands, Slovenia, Iceland and Spain have all said they would consider dropping out of the contest if Israel was allowed to stay involved. LISTEN ABOVESee omnystudio.com/listener for privacy information.

We record a special episode discussing Martin Österdahl's Eurovision legacy and ask what could happen next for the European Broadcasting Union?Plus we identify some of the candidates we believe could be best placed to become the new Executive Supervisor.Click this link to sign up to The Euro Trip + on Patreon for just £4.99 a month.To support the podcast, head to Buy Me A Coffee.Follow us on Twitter, Instagram & TikTok or email hello@eurotrippodcast.com, and find us online at eurotrippodcast.com. Hosted on Acast. See acast.com/privacy for more information.

Over 70 former Eurovision participants have called for the European Broadcasting Union to ban Israel's state broadcaster from contest. Emma O'Kelly reports.

RTÉ has asked the European Broadcasting Union for a discussion on Israel's inclusion in the Eurovision Song Contest that takes place later this month due to the ongoing war in Gaza.Johnny Fallon, strategy director at Carr Communications and Eurovision enthusiast, joins The Last Word to discuss the likelihood of Israel being excluded from the contest.Catch the full chat by pressing the 'Play' button on this page!

Previous Eurovision winners have signed a letter demanding the European Broadcasting Union ban Israel from the song contest. One of the signatories is Ireland's own Charlie McGettigan, who won Eurovision in 1994. Charlie spoke to Newstalk Breakfast this morning.

Schon der erste ESC war auf seine Art politisch. Und es gibt seit der Gründung 1956 dutzende Beispiele für politische Aktionen oder Statements. Früher schien das noch eher möglich als heute. Weshalb ist das so? Um beim ESC aufzufallen, müsse man entweder politisch oder sexuell provozieren, sagt ESC-Historiker Dean Vuletic. Das sei schon relativ früh so gewesen. Eines der ersten politischen Statements machte die junge Bundesrepublik Deutschland beim ersten ESC 1956, indem es Walter Andreas Schwarz, einen jüdischen Holocaustüberlebenden, nach Lugano an die erste Ausgabe des Musikwettbewerbs schickte. Immer wieder sorgte der ESC - ob subtil oder direkt - für politische Kontroversen. Und das, obschon das im Reglement der European Broadcasting Union so nicht vorgesehen ist. Ganz ohne Politik gehe es eben nicht, findet Dean Vuletic. Denn das sei das, was das Publikum verlange. Woran man festmache, dass ein Auftritt politisch sei, das sei gar nicht so einfach, sagt die Musikwissenschaftlerin Saskia Jaszoltowski. Sei es eine Friedensfahne, bestimmte Daten, die man verwende in den Songtexten oder andere Merkmale. Es sei eine grosse Verantwortung, so transparent wie möglich zu entscheiden, was erlaubt sei auf der Bühne und was nicht. Die politische Dimension des ESC war und ist letztlich sehr vielschichtig. Und ganz verhindern kann die EBU die politische Komponente wohl nie, sind sich die Experten einig. Politisch ist lange auch die Organisationsstruktur: Bis 1990 ist es den ehemaligen Ostblockstaaten nicht erlaubt, am ESC teilzunehmen. Deshalb wird dort einige Zeit lang ein eigener Wettbewerb durchgeführt: Der Intervision Song Contest. Karel Gott nimmt 1968 an beiden Wettbewerben teil. Beim westeuropäischen ESC mit einem sehr politischen Lied, das von der Trennung von Ost und West handelt. ____________________ Feedback oder Fragen? Wir freuen uns auf Nachrichten an geschichte@srf.ch ____________________ In dieser Episode sind zu hören: · Dean Vuletic, Historiker und ESC-Experte · Saskia Jaszoltowski, Musikwissenschaftlerin, Universität Graz ____________________ Links · https://www.srf.ch/audio · https://www.srf.ch/sendungen/eurovision-song-contest ____________________ Recherche, Produktion und Moderation: Silvan Zemp ____________________ Hier lernt ihr die Schweizer Geschichte so richtig kennen – mit all ihren Eigenarten, Erfolgen, Fails, Persönlichkeiten und Dramen. Im Podcast «Geschichte» (ehemals «Zeitblende») von SRF Wissen tauchen wir in die Schweizer Vergangenheit ein – und möchten verstehen, wie sie unsere Gegenwart prägt. Habt ihr Themenvorschläge oder Feedback? Meldet euch bei geschichte@srf.ch.

Eine offizielle ESC-App gibt es jedes Jahr, diese wird von der European Broadcasting Union lanciert. Basel Tourismus hat aber noch eine zweite App konzipiert. Diese weist, zusätzlichen zu den ESC-Events, auch auf Basler Sehenswürdigkeiten hin. Ausserdem: - Unternehmen im BL betroffen von US-Zöllen - Skulptur auf Basler Marktplatz

The European Broadcasting Union's 2025 News Report -- Leading Newsrooms in the Age of Generative AI -- has just been published. In this episode, Laurent Frat speaks with Dr Alexandra Borchardt, the lead author, and Olle Zachrison, Director of AI at Swedish Radio.  We dive into the insights and practical steps in the report -- from the tech advances, industry trends and public adoption of AI to the benefits and risks of integrating AI into newsgathering. Our conversation highlights the importance of quality journalism, human creativity and collaboration by public service media in navigating this new information age while protecting the integrity and reliability of the news. 

Spotlight auf Leonhard Baumgartner heißt es kommende Saison bei der Jeunesse. Mit dem Gewinn des Eurovision Young Musicians Wettbewerb der European Broadcasting Union hat sich der junge Wiener Geiger Leonhard Baumgartner letzten August einem internationalem Publikum vorgestellt. Damit tritt er auch in die Fußstapfen von Julian Rachlin oder Lydia Baich, die diesen Wettbewerb ebenfalls gewonnen haben. Für Furore sorgte zuletzt seine Weltersteinspielung von Mozarts neu entdeckter Serenade KV 648. Wir dürfen gespannt sein wie der junge Wiener Geiger Leonhard Baumgartner das Brahms Violinkonzert musizieren wird. Im kommenden Oktober musiziert er mit seinem Pantaleón Trio auch im Zyklus AnTasten im Ehrbar Saal Musik von Astor Piazzolla & Co.

In this episode, we're shining the spotlight on Henry Kelly, the Irish broadcaster best known for hosting the legendary quiz show Going for Gold. From his early career in journalism to becoming a household name on British television, we'll explore how Kelly's charm, wit, and distinctive presenting style helped make Going for Gold a daytime TV classic. While he had a successful career in radio and television beyond the show, it's his role as quizmaster that cemented his place in 80s and 90s pop culture. We'll take a deep dive into Going for Gold—how it was created as part of a European Broadcasting Union initiative, its unique format featuring contestants from across the continent, and why Kelly himself initially thought the idea was “nonsense.” Against all expectations, the show became a massive hit, particularly with students, and even led to Kelly being made honorary president of a student union. From its instantly recognisable theme tune (composed by none other than Hans Zimmer!) to the intense final round where contestants had to answer “four in a row,” Going for Gold stood out from other quiz shows of its time. We'll talk about Henry Kelly's iconic catchphrases, the occasional language barrier mishaps, and the time a Swedish contestant answered “the farmer” instead of “pawn” in a chess question—only to be proven technically correct! With its gold-and-blue futuristic set and its pan-European lineup, Going for Gold was unlike anything else on TV, and Kelly's enthusiastic hosting style was key to its success. Beyond Going for Gold, we'll touch on Kelly's broader career, including his early work as a journalist at The Irish Times, his time on Game for a Laugh, and his later years in radio, where he continued to entertain audiences with his signature charm. While Going for Gold ended in 1996 (with a brief revival in 2008), Kelly remains fondly remembered as one of British TV's great quizmasters.

Il Codacons ha presentato un esposto ufficiale all’European Broadcasting Union per escludere la canzone "Espresso macchiato" dalla competizione dell'Eurovision song contest. L'accusa contro l'autore, il cantante estone Tommy Cash, è di ironizzare sugli stereotipi dell'Italia style of life con riferimento al caffè, agli spaghetti e alla mafia. Sentiamo cosa ne pensano i nostri ascoltatori.

In a special episode from the host city of this year's contest, we bring you all the biggest names as we mark the official start of Switzerland's hosting of Eurovision 2025.Recorded just minutes after the end of the live broadcast, we catch up with Contest Producer Christer Björkman, while Executive Producer duo Reto Peritz and Moritz Stadler also update us on the progress of the host broadcaster as they continue to prepare for the live shows.Two of the European Broadcasting Union's most important people also join us as Eurovision Director Martin Green gives us his thoughts on recent developments, including the lack of accessible tickets for fans, and Martin Österdahl returns to the podcast to reflect on a difficult twelve months, and look ahead to the future.To support the podcast, head to Buy Me A Coffee.Follow us on Twitter, Instagram & TikTok or email hello@eurotrippodcast.com, and find us online at eurotrippodcast.com.This episode was brought to you in collaboration with This Is Basel. Hosted on Acast. See acast.com/privacy for more information.

Having a clear brand positioning is key to creating brand consistency and connection across time and touchpoints. The Eurovision song contest is hosted by a new country with a new campaign each year so creating brand clarity is especially key. In this episode, Lina Moussaoui, Brand Manager for the Eurovision Song Contest at the European Broadcasting Union and Marise Pronk, Senior Account Manager at Kantar talk to Lindsay Gorton-Lee, Brand Strategy Consultant at Kantar about how they unearthed the essence of the brand and created a clear framework to connect and inspire all their internal and external partners. The written case study, ‘Great brands are built on great stories' can be found in Kantar's Brand Strategy Unpacked booklet here. Hosted on Acast. See acast.com/privacy for more information.

In light of controversies at this year's Eurovision in Malmo, a new code of conduct is being introduced by the European Broadcasting Union...but what does it entail?Joining Seán to discuss is Richard Taylor, contributor to Eurovision Ireland - the official Irish Eurovision Blog.

It's been almost three months since the deadly shooting in Skärholmen in Stockholm's south west, where a father was killed in front of his 12-year-old son. We speak to the leaders of Blåuggla, a volunteer group that does night patrols in Skärholmen, to hear how the community's feeling. And: 50 years ago, Sweden became the first country in the world to introduce paid parental leave for both mums and dads — and now even grandparents and family friends will be able to take time off work for caring duties. We hear about this change to the parental leave scheme.Also: It's emerged that a fully-vaccinated child died after being infected with TBE last year, we speak to an expert on communicable diseases to find out more. And change is on the way for the Eurovision Song Contest following the controversies at this year's event in Malmö. We hear from the European Broadcasting Union's media director Jean Philip De Tender.Presenters: Michael Walsh and Dave RussellProducer: Dave Russell

Eurovision might best be described as “the Olympics meets American Idol”: a singing contest where countries face off for the number one spot in musical glory. It's incredibly campy, silly, and mostly very fun.But this year's Eurovision — which wrapped on the weekend — was dogged by controversy, as organizers faced protests for allowing Israel to compete amid the ongoing war in Gaza.The European Broadcasting Union, which runs Eurovision, insists the contest is “non-political”. But our guest today argues that geo-political ideals and tensions have coursed through this competition since its inception in 1956.Tess Megginson — a PhD candidate studying central and eastern European history at the University of North Carolina at Chapel Hill — explains.For transcripts of Front Burner, please visit: https://www.cbc.ca/radio/frontburner/transcriptsTranscripts of each episode will be made available by the next workday.

50 years ago ABBA won the contest for the song Waterloo.  Recently Brooke's old friend Charlie asked her to take part in a new podcast born of his love of and obsession with Eurovision, an international song contest organized annually by the European Broadcasting Union, or EBU, with reps from some 70 countries!  This week's midweek podcast is episode three of the new series "Mysteries of the Euroverse," hosted by Charlie Sohne and Magnus Riise.  On Instagram: @euroversepodcast On YouTube: https://www.youtube.com/channel/UC6GlG8M6PKJOxfx5vk9jRiA www.euroversepodcast.com

50 years ago ABBA won the contest for the song Waterloo.  Recently Brooke's old friend Charlie asked her to take part in a new podcast born of his love of and obsession with Eurovision, an international song contest organized annually by the European Broadcasting Union, or EBU, with reps from some 70 countries!  This week's midweek podcast is episode three of the new series "Mysteries of the Euroverse," hosted by Charlie Sohne and Magnus Riise.  On Instagram: @euroversepodcast On YouTube: https://www.youtube.com/channel/UC6GlG8M6PKJOxfx5vk9jRiA www.euroversepodcast.com

Oh, you thought the Eurovision Song Contest was about songs? Or a fun international TV event that brings people together in lots of different countries? Or watching extremely vigorous dance numbers? OK, it is, but it's also about some pretty thorny language-related politics. Historian Dean Vuletic, author of Postwar Europe and the Eurovision Song Contest, discusses Eurovision's many linguistic controversies, and the ways the contest has been exploited politically - and caused political kick-offs too. This is the second instalment of a two-part Eurovisionallusionist. In the first part: a whole lot of tussling about which languages to compete in. Find out more about this episode at theallusionist.org/eurovision2, where there's also a transcript. The Allusionist's online home is theallusionist.org. Stay in touch at facebook.com/allusionistshow,instagram.com/allusionistshow, youtube.com/allusionistshow and twitter.com/allusionistshow. Support the show at theallusionist.org/donate and as well as keeping this independent podcast going, you also get glimpses into how the podsausage is made, regular livestreams, AND membership of the delightful Allusioverse Discord community with whom I will be watching the Eurovision final on 13 May - join us! The Allusionist is produced by me, Helen Zaltzman. Martin Austwick provides the original music. Hear Martin's own songs via PaleBirdMusic.com. Our ad partner is Multitude. If you want me to talk lovingly and winningly about your product or thing, sponsor an episode: contact Multitude at multitude.productions/ads. This episode is sponsored by: • Bombas, whose mission is to make the comfiest clothes ever, and match every item sold with an equal item donated. Go to bombas.com/allusionist to get 20% off your first purchase. • Kitsch, who make products to care for your hair and skin - shampoo and conditioner bars, soaps, sleep bonnets, heatless rollers, satin pillowcases and hoodies... Get a whopping 30% off your entire order at MyKitsch.com/allusionist.• Squarespace, your one-stop shop for building and running a beautifully designed website. Go to squarespace.com/allusionist for a free 2-week trial, and get 10 percent off your first purchase of a website or domain with the code allusionist.Support the show: http://patreon.com/allusionistSee omnystudio.com/listener for privacy information.

There aren't many multilingual, multinational television shows that have been running for nearly seven decades. But what makes the Eurovision Song Contest so special to me is not the music, or the dancing, or the costumes that range from spangletastic to tear-off: no, it's the people butting heads about language. Historian Dean Vuletic, author of Postwar Europe and the Eurovision Song Contest, recounts the many changes in Eurovision's language rules, and its language hopes and dreams. This is the first of a two-part Eurovisionallusionist. In the next instalment: dictators. Protests. Boom Bang-A-Bang Ding-a-Dong Diggi-Loo Diggi-Ley. Find out more about this episode at theallusionist.org/eurovision1, where there's also a transcript. The Allusionist's online home is theallusionist.org. Stay in touch at facebook.com/allusionistshow,instagram.com/allusionistshow, youtube.com/allusionistshow and twitter.com/allusionistshow. Support the show at theallusionist.org/donate and as well as keeping this independent podcast going, you also get glimpses into how the podsausage is made, regular livestreams, AND membership of the delightful Allusioverse Discord community with whom I will be watching the Eurovision final next month. The Allusionist is produced by me, Helen Zaltzman. Martin Austwick provides the original music. Hear Martin's own songs via PaleBirdMusic.com. Our ad partner is Multitude. If you want me to talk lovingly and winningly about your product or thing, sponsor an episode: contact Multitude at multitude.productions/ads. This episode is sponsored by: • Bombas, whose mission is to make the comfiest clothes ever, and match every item sold with an equal item donated. Go to bombas.com/allusionist to get 20% off your first purchase. • Squarespace, your one-stop shop for building and running a beautifully designed website. Go to squarespace.com/allusionist for a free 2-week trial, and get 10 percent off your first purchase of a website or domain with the code allusionist.Support the show: http://patreon.com/allusionistSee omnystudio.com/listener for privacy information.