Podcasts about reuters institute

Local journalism is too important to lose—and it needs a new playbook.On August 18, Chicago Public Media CEO and Vox co-founder Melissa Bell and New York Times columnist and fellow Vox co-founder Ezra Klein explored what it will take to rebuild local news and restore trust in our communities. They discussed how the collapse of traditional media business models and the rise of tech platforms have pulled audiences and advertising away from local news. The answer, they argued, is not simply more investigative reporting. Local news organizations need to give people useful, everyday information that connects them to their communities while building sustainable businesses around it.They also called for news organizations to work together rather than compete, invest in technology they control, and find new ways to bring people together locally. Just as important, journalism must maintain a fair reporting process while building stronger relationships with audiences.The future of local news—and our communities—depends on building something better now.Learn more about Ezra Klein: https://www.nytimes.com/by/ezra-kleinCheck out Ezra's podcast here: https://www.nytimes.com/column/ezra-klein-podcastLearn more about Melissa Bell: https://chicago.suntimes.com/melissa-bellVisit Chicago Public Media's website: https://www.chicagopublicmedia.org/ABOUT THE SPEAKERS:Melissa Bell has been Chief Executive Officer of Chicago Public Media since September 2024. She co-founded Vox.com in 2014 and helped pioneer explainer journalism while leading multiplatform products including the Today, Explained podcast and Netflix's Explained. As publisher of Vox Media, she oversaw its editorial brands and helped lead its mergers with New York Magazine and Group Nine. Previously, Bell directed digital platforms at The Washington Post and was a founding Features Editor for Mint. In 2023, she became a visiting fellow at Oxford University's Reuters Institute for the Study of Journalism.Ezra Klein joined New York Times Opinion in 2021. He is the host of the podcast “The Ezra Klein Show” and the author of “Why We're Polarized” and, with Derek Thompson, “Abundance.” Previously, he was the founder, editor in chief and then editor at large of Vox. Before that, he was a columnist and editor at The Washington Post, where he founded and led the Wonkblog vertical. This is a public episode. If you would like to discuss this with other subscribers or get access to bonus episodes, visit bigtentnews.substack.com

In 2025, Voice of America was thrust into the spotlight when the bulk of its funding was taken away. But in an era shaped by the internet and social media revolutions and with the West's funding priorities changing, it was not the first international broadcaster to go quiet. The soft power war of the airwaves has now moved to a decisive phase.Josephine McDermott traces the start of international radio and its heyday through World War Two and the Cold War as a tool of soft power. Hear the hosts of shortwave radio, from the Nazi propagandists Lord Haw Haw and Mildred Gillars to Doris Maxina, the presenter of Soviet radio's Moscow Mailbag, plus June Taylor, the New Zealander who became the global voice of communist Albania.Tune in to the sounds lost to time from Radio Netherlands' Happy Station Show to Radio Berlin International, and the Russian version of the British institution, The Archers, which came about following the collapse of the USSR.Featuring Thomas Witherspoon, creator of the Shortwave Radio Audio Archive; Jamie Shea, Nato spokesperson from 1993 to 2000; Sir John Tusa, managing director of the BBC World Service from 1986 to 1992; Ivana Stradner, research fellow at the Foundation for Defence of Democracies in the United States and Nic Newman, senior research associate at the Reuters Institute for the Study of Journalism at Oxford University, UK. With archive from the Shortwave Radio Audio Archive, including recordings from Thomas Witherspoon, Paul Watson, Greg Shoom, Mark Hirst, Tom Gavaras and Keith Perron. Moscow Mailbag recording from KSN's Tech Topics on YouTube.

Macca and Kenny are joined live on air by Michael Balk President, Media, Entertainment & Arts Alliance (MEAA); Pay Up: Should AI companies pay for the creative work they use? Artificial intelligence is changing how we create, consume and discover news, music, books and art. But as AI companies train their models on enormous amounts of creative work, artists, journalists and performers are asking a simple question: if your work is being used to build billion-dollar AI products, shouldn’t you be paid? Joining us this morning is Michael Balk, President of the Media, Entertainment & Arts Alliance, to discuss the union’s Pay Up campaign. Michael is an actor and producer best known for his work in children's television and theatre as part of dirtgirlworld (An animated program that appeared in the 2010s and is now a touring show), but has also appeared in musicals, theatre productions and television commercials. The Media, Entertainment & Arts Alliance (MEAA) is Australia’s union representing journalists, actors, musicians, screen workers, voice artists, photographers and other creative professionals. Its Pay Up campaign argues that generative AI systems are being trained using enormous collections of copyrighted creative works—including journalism, books, photographs, illustrations, music, scripts and performances—without creators’ knowledge, consent or payment. The campaign calls for governments to change the law so creators will receive an ongoing, fair payment whenever their work is used, rather than a one-off fee, under a system called Equitable Remuneration. It also calls on them to give workers a secure right to be paid when the works they create are licenced, traded or used in any way – including by AI companies. Equitable Remuneration currently does not exist in Australia, but does in the UK and other nations. Australian DJ and music producer Josh Fawaz used AI to generate vocals and drums for a cover of Madonna's 1989 hit “Like a Prayer” which spent 4 weeks on top of the National Radio Airplay charts and peaked at Number 2 on the ARIA charts. After initially saying nothing, he has now been compelled to add AI credits to the track on Spotify. The AI-assisted cover is currently beating Madonna's new single “Danceteria” on the ARIA charts. At its national conference this week, the ALP announced it would launch a Fair AI Taskforce through its Chifley Research Centre, which proposes to give Australian workers a greater say in how the technology shapes the nation. Microsoft signed a one-year pilot deal to access news articles from Nine Media to inform its Co-Pilot AI system, letting it use information from news stories to inform its answers – but not to give users access to the full story. Nine did not disclose the value of the deal. Nine Entertainment will lay off 30 people from The Age and the Sydney Morning Herald due to “the extreme state of disruption” caused by AI. The company has plans to retrain and to hire people for “digital-first, reader-savvy, data-informed roles”, The Guardian reports. According to the Reuters Institute's Digital News Report 2026, 10% of news consumers around the world use AI chatbots to get their news. For those aged under 35, it climbs to 16%. The post Sat, July 25th, 2026: Michael Balk President, Media, Entertainment & Arts Alliance (MEAA); Pay Up: Should AI companies pay for the creative work they use? appeared first on Saturday Magazine.

Trust in news around the world is the lowest it's ever been since annual reports began in 2015.The 2026 Digital News Report, published by the Reuters Institute suggests that public trust in the news it at 27%, three points down from last year.For the first time, social media and video networks are, on average, more popular than both TV and news websites and apps as sources of news. The use of AI chatbots for news is also growing quickly.Learn English from the headlines about this new study.Test what you've learnt with a free worksheet about this episode: https://www.bbc.co.uk/learningenglish/features/learning-english-from-the-news_2026/260722Subscribe to our newsletter to get weekly tips and updates: https://www.bbc.co.uk/send/u178220599

In this episode of Future of Journalism we explore attitudes around the social impact of news from public service media. In this episode we explore attitudes around the social impact of news from public service media. We'll look at how these perceptions vary across the world, how this correlates with other attitudes and engagement patterns towards news, and what people say are the positive or negative aspects of public service news in their countries. Speakers: Jim Egan is the lead author of the Digital News Report 2026 and is a senior research associate at the Reuters Institute. Host Mitali Mukherjee is the Director of the Reuters Institute and is a political economy journalist with more than two decades of experience in TV, print and digital journalism. Find a full transcript here: https://reutersinstitute.politics.ox.ac.uk/news/our-podcast-digital-news-report-2026-episode-7-social-impact-public-service-news  

We discuss findings around people's attitudes towards impartiality when it comes to news n this episode of Future of Journalism, we focus on what people think of the idea of impartial news. We'll discuss what impartiality means when it comes to news, whether people prefer news that takes particular lines, how these attitudes vary across countries, particularly when it comes to levels of social media use and political polarisation, and more. Speakers: Rasmus Kleis Nielsen is a Professor at the Department of Communication of the University of Copenhagen and a Senior Research Associate at the Reuters Institute for the Study of Journalism. He is a co-author of the Digital News Report 2026. Host Mitali Mukherjee is the Director of the Reuters Institute and is a political economy journalist with more than two decades of experience in TV, print and digital journalism. A full transcript can be found on this page: https://reutersinstitute.politics.ox.ac.uk/news/our-podcast-digital-news-report-2026-episode-6-does-public-want-impartial-news

In this episode of Future of Journalism we explore how online news video is playing an ever important role in our news ecosystem. In this episode we explore how online news video is playing an ever important role in our news ecosystem given the shift towards news consumption on social and video networks as well as the prevalence of smart TVs. We explore where in the world the appetite for online news video is increasing, among which demographic groups they are most popular and how different video lengths differ across platforms. Speakers: Craig T. Robertson is a postdoctoral research fellow at the Reuters Institute for the Study of Journalism. His research focus includes news trust and credibility, fact-checking and verification, and how both partisan attitudes and epistemic beliefs factor into these domains. He is a co-author of the Digital News Report. Host Mitali Mukherjee is the Director of the Reuters Institute and is a political economy journalist with more than two decades of experience in TV, print and digital journalism. A full transcript of the podcast can be found here: https://reutersinstitute.politics.ox.ac.uk/news/our-podcast-digital-news-report-2026-episode-5-growing-importance-online-news-video

In this episode we explore the decline of offline media. In this episode of Future of Journalism we explore the steady decline of offline media for news such as TV, radio and newspapers. We look at adoption and retention rates to understand the various dynamics by which audience share is declining, how usage rates differ across demographics, and what these patterns could spell for the use of news websites and apps. Richard Fletcher is a co-author of the Digital News Report 2026 and is the Director of Research at the Reuters Institute. Host Mitali Mukherjee is the Director of the Reuters Institute and is a political economy journalist with more than two decades of experience in TV, print and digital journalism Find a full transcript on our website: https://reutersinstitute.politics.ox.ac.uk/news/our-podcast-digital-news-report-2026-episode-3-what-decline-old-media-can-teach-us

We explore the role of influencers and creators in different news ecosystems. n this episode of Future of Journalism, we draw on findings from the Digital News Report 2026 to explore the role of influencers and creators across the world. We'll look at how usage rates differ across the world, what their audiences find most engaging and how different national contexts and news ecosystems are driving their growth. Speakers: Nic Newman is a Senior Research Associate at the Reuters Institute. He is also a consultant on digital media, working actively with news companies on product, audience, and business strategies for digital transition. He is the co-author of the Digital News Report 2026 and authored a special chapter of the Digital News Report 2026 on the impact and role of news creators. Our host Mitali Mukherjee is the Director of the Reuters Institute. She's a political economy journalist with more than two decades of experience in TV, print and digital journalism. See a full transcript: https://reutersinstitute.politics.ox.ac.uk/news/our-podcast-digital-news-report-2026-episode-2-how-news-creators-impact-media-and-politics

La crise de la presse affecte de plus en plus de groupes de presse, comme l'a montré jeudi 18 juin une manifestation à Paris visant à « défendre l'information ». La manifestation a rassemblé près d'un millier de personnes. Cela peut paraître peu dans l'absolu, mais c'est assez inédit dans l'histoire de la presse. Son parcours, de la place de la Bourse au ministère de la Culture, en disait long : comme si la presse avait été jusqu'ici ballottée par des puissances d'argent et qu'elle réclamait la considération de l'État. Car l'expression démocratique des journaux est menacée sur des pans entiers de territoire. Et il y a une accélération de ce déclin avec des plans sociaux qui sont annoncés depuis trois mois et qui vont toucher plus de 1 000 salariés au total. À Prisma, le groupe contrôlé par Vincent Bolloré et qui édite Femme actuelle, Géo ou Capital, ce sont ainsi plus de 40% des postes qui sont supprimés, soit 265 emplois. À Centre France, qui édite La Montagne, il y a 152 suppressions d'emplois. On trouve aussi des plans sociaux à Bayard, l'éditeur de La Croix, ou à Marie Claire. Mais le plus gros plan est attendu lundi 22 juin au groupe Ebra qui édite Le Progrès, Le Dauphiné libéré ou L'Est républicain. Là, ce sont 350 à 400 postes qui devraient être supprimés. À lire aussi« L'information est en danger » : en France, les métiers de la presse manifestent pour éviter l'effondrement À l'origine de ces suppressions d'emplois D'abord un lectorat vieillissant qui ne s'est pas assez renouvelé, en particulier dans la presse régionale qui n'a pas réussi sa bascule numérique, comme ont pu le faire Le Monde ou Le Figaro. Les recettes de diffusion baissent comme celles de la publicité car là, ce sont Google et Meta qui font la loi. L'Arcom a prévenu : entre 2019 et 2030, les médias producteurs d'information vont voir leur part sur le marché publicitaire tomber de 50% à 20%. Tous les journaux n'en sortiront pas saufs. Mais il y a aussi, depuis peu, l'impact de l'intelligence artificielle. Il se fait déjà sentir à Infopro Digital, qui édite L'Usine nouvelle, où les 19 secrétaires de rédaction seront remerciés et remplacés par des agents IA. L'IA suscite des demandes de la part des éditeurs de presse Récemment à Marseille, le patron du New York Times, Arthur Gregg Sulzberger, a eu des mots très forts : « Les géants de la tech pillent les sites d'information sans autorisation ni compensation. Ils se réapproprient ces contenus volés comme s'ils en étaient les auteurs. » C'est donc une rétribution qui est attendue de la part des acteurs de l'IA. Et si cela ne vient pas de la loi, les éditeurs iront le demander à l'Autorité de la concurrence. D'ores et déjà, une enquête du Reuters Institute montre que cette année, sur 48 pays, les plateformes sont les premières sources d'information devant la télé et les sites et applis de presse.  À écouter aussiÀ l'ère de l'intelligence artificielle, le journalisme doit se réinventer

Como é que podemos identificar uma imagem ou um vídeo criado por IA? Teremos ferramentas para controlar a (des)informação gerada artificialmente? Bernardo Caldas e Hugo van der Ding analisam os impactos da inteligência artificial na forma como nos relacionamos, e na sociedade que queremos construir.Pela primeira vez, as máquinas conseguem imitar capacidades humanas complexas, produzir conteúdos e comunicar de forma cada vez mais convincente. Mas o que significa esta transformação para a sociedade?No último episódio dedicado ao tema, Bernardo Caldas e Hugo van der Ding analisam os desafios da IA, dos fenómenos de desinformação e de «deepfakes» à ineficácia dos sistemas de deteção de conteúdos gerados artificialmente. A partir das limitações que a ciência ainda enfrenta, o especialista explora outras abordagens para lidar com as fragilidades da IA.  Como combater os usos indevidos das máquinas? Que regulamentação existe atualmente? E como conciliar a necessidade de inovação e competitividade com a proteção das pessoas?A conversa aborda ainda a influência da IA na política e na administração pública, e na perda de transparência e confiança nas instituições. Mas, além dos desafios, há também oportunidades para o desenvolvimento, participação e bem-estar dos cidadãos.Por fim, a dupla reflete sobre a questão que se impõe: como podemos utilizar a inteligência artificial para construir uma sociedade mais livre, justa e informada?Entre riscos reais e questões em aberto, fica uma certeza: este é um episódio [IN]Pertinente a não perder.LINKS E REFERÊNCIAS ÚTEISOpenAI «Detetor de texto gerado por IA desligado por baixa fiabilidade» (2023)«Democracy, and National Security» (California Law Review, 2019)CHESNEY, B. & CITRON, D. «Deep Fakes: A Looming Challenge for Privacy, Democracy, and National Security» (Boston University School of Law, 2019)Reuters Institute, «Portugal: confiança nas notícias em 54%» (Digital News Report 2025)EU AI Act — Artigo 50.º (marcação de conteúdo gerado por IA)KUNNERT, P. «Microsoft admits it 'cannot guarantee' data sovereignty» (The Register, 2025)IEA — «Energy and AI» (2025): procura de eletricidade dos data centers«Trabalho XXI» — IA e decisões algorítmicas no Código do Trabalho (2026)«Air Canada responsabilizada pela informação errada do seu chatbot» (CBC, 2024)BIOSBernardo CaldasEspecialista em inteligência artificial e cofundador da associação «Data Science for Social Good Portugal», uma associação que desenvolve projetos de ciência de dados e inteligência artificial com impacto social positivo.Hugo van der Ding Locutor, criativo e desenhador acidental. Criador de personagens digitais de sucesso como a «Criada Malcriada» e «Cavaca a Presidenta», autor de um dos podcasts mais ouvidos em Portugal, «Vamos Todos Morrer», também escreve para teatro e, atualmente, apresenta o programa «Duas Pessoas a Fazer Televisão», na RTP, com Martim Sousa Tavares. 

È stato pubblicato l'annuale studio del Reuters Institute di Oxford che fotografa lo stato dell'informazione nel mondo e anche in Italia. La novità è che il pubblico che si informa attraverso i social per la prima volta supera tutti gli altri. Interviene Stefano Feltri, curatore della newsletter "Appunti".

Reuters Institute Digital News Report 2026 pokazuje przełomowy moment: social media i platformy wideo wyprzedziły telewizję jako źródło newsów. W tym odcinku eksperci AI od Google omawiają mój felieton „Social media wygrały z telewizją. Ludzie płacą za to zmęczeniem” oraz analizują najważniejsze wnioski z ponad 170-stronicowego raportu Reuters Institute.To rozmowa o zmęczeniu newsami, spadku zaufania do mediów, clickbaitach, TikToku, YouTubie, AI, chaosie informacyjnym i rosnącej roli konkretnych twórców, którym ludzie ufają bardziej niż wielkim markom medialnym. Z raportu wynika, że 54% ludzi korzysta z social mediów i platform wideo jako źródła informacji, a globalne zaufanie do newsów spadło do 37%.Jeżeli podoba Ci się to, co robię, odwiedź koniecznie moją stronę: radekkobialkonadaje.pl

The Reuters Institute's new digital news report lays bare the challenges facing journalism as people increasingly stop seeking out news products. Instead, news is a feature of other products. Jim Egan, one of the report's authors, joins me to discuss t...

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We explore how people are consuming news in 2026, the role of platforms, levels of trust and interest, AI chatbots, news influencers and more. In this opening episode of our Digital News Report 2026 series, we explore the major trends around how people are consuming news around the world. We look at the dominance of platforms as a source of news, how people are using AI, declining trust and interest in news, the role of news influencers, subscription trends and much more. Speakers: Jim Egan is the lead author of the Digital News Report 2026 and is a senior research associate at the Reuters Institute. Richard Fletcher is a co-author of the Digital News Report and is the Director of Research at the Reuters Institute. Host Mitali Mukherjee is the Director of the Reuters Institute and is a political economy journalist with more than two decades of experience in TV, print and digital journalism. Find a full transcript here: https://reutersinstitute.politics.ox.ac.uk/news/our-podcast-digital-news-report-2026-what-you-need-know

1381. El podcasting entra en la economía de la atención y precisamente esa idea es la que me sirve hoy para reflexionar sobre el peso real que ha alcanzado nuestro medio dentro del consumo digital actual. Porque durante mucho tiempo parecía que el podcast era algo pequeño, de nicho, casi escondido frente al vídeo, las redes sociales o las grandes plataformas de streaming, pero cada vez tengo más claro que ya juega en otra liga completamente distinta. En este episodio repaso un artículo publicado por Phil Gonzalez en Artículo14.es titulado “El podcast como nuevo animal de compañía”, un texto que además reúne varios estudios recientes relacionados con el audio digital, el videopodcast y el consumo de podcast en España. Y sinceramente, me parece uno de esos artículos que merece la pena leer despacio porque pone muchas ideas interesantes sobre la mesa.El podcast como nuevo animal de compañíahttps://www.articulo14.es/sociedad/el-podcast-como-nuevo-animal-de-compania-20260519.html Entre los estudios mencionados aparecen datos del Reuters Institute, Prodigioso Volcán, IAB Spain, iVoox y PodWoman. Todos ellos ayudan a entender cómo está evolucionando el podcasting y cómo cada vez ocupa más espacio dentro de la llamada economía de la atención, esa batalla constante entre plataformas, formatos y creadores por conseguir unos minutos de nuestro tiempo diario. Uno de los puntos que más me llama la atención es precisamente cómo Reuters explica que muchos medios están abandonando grandes producciones narrativas para apostar por formatos conversacionales más baratos, más flexibles y más fáciles de convertir en vídeo, clips virales, comunidades o eventos. Y claro, escuchando eso no puedo evitar pensar que estamos viendo casi el camino inverso al que hizo crecer originalmente al podcasting independiente. También reflexiono bastante sobre el fenómeno del videopodcast y sobre cómo plataformas como YouTube han terminado convirtiéndose en espacios híbridos donde mucha gente realmente ya consume contenido casi como si fuera radio de fondo. De hecho, lanzo una pregunta bastante concreta en el episodio: si alguna vez os ha pasado eso de descubrir físicamente un podcast que llevabais mucho tiempo escuchando y sentir cierta desilusión al perder esa imagen mental que os habíais creado de sus protagonistas. A mí personalmente sí me ha ocurrido y me recuerda muchísimo a las adaptaciones de libros al cine. Otro aspecto interesante es el relacionado con los hábitos de escucha. El artículo rescata datos que muestran cómo el podcast acompaña a la gente mientras hace otras tareas, conduce, trabaja, cocina o simplemente intenta dormirse. Y sinceramente creo que ahí sigue estando una de las grandes fortalezas del formato: acompañar sin exigir toda la atención visual que sí requieren otras plataformas. También me detengo en cuestiones relacionadas con la monetización, la publicidad integrada y la profesionalización creciente del sector, algo que trae oportunidades pero también ciertos riesgos. Porque cuando entra dinero, marcas y métricas, inevitablemente aparecen dinámicas más agresivas relacionadas con algoritmos, viralidad o titulares exagerados. Y precisamente por eso me quedo muchísimo con la última reflexión del artículo: que el verdadero valor del podcast sigue estando en esa sensación tan difícil de replicar de que una voz te acompaña sin pedirte nada a cambio. Creo que ahí sigue estando gran parte de la magia de este medio._____________El sábado 30 de mayo, la Sala Cooltural del Hotel DormirDCine Madrid acogerá la 3ª edición de Podnights Madrid 2026 en la que el podcast ‘¿Cómo ye la tu movida?' repetirá por cuarto año consecutivo.Tienes toda la info y entradas en este enlace https://www.eventbrite.es/e/entradas-como-ye-la-tu-movida-en-podnights-madrid-1987453018479_____________ ¡Gracias por pasarte 'Al otro lado del micrófono' un día más para seguir aprendiendo sobre podcasting! Si quieres descubrir cómo puedes unirte a la comunidad o a los diferentes canales donde está presente este podcast, te invito a visitar https://alotroladodelmicrofono.com/unete Además, puedes apoyar el proyecto mediante un pequeño impulso mensual, desde un granito de café mensual hasta un brunch digital. Descubre las diferentes opciones entrando en: https://alotroladodelmicrofono.com/cafe. También puedes apoyar el proyecto a través de tus compras en Amazon mediante mi enlace de afiliados https://alotroladodelmicrofono.com/amazon La voz que puedes escuchar en la intro del podcast es de Juan Navarro Torelló (PoniendoVoces) y el diseño visual es de Antonio Poveda. La dirección, grabación y locución corre a cargo de Jorge Marín. La sintonía que puedes escuchar en cada capítulo ha sido creada por Jason Show y se titula: 2 Above Zero.  'Al otro lado del micrófono' es una creación de EOVE Productora.

#高雄 正義站&黃線捷運計劃，平面車位3房全新完工 實品屋預約鑑賞中。 正義站通勤南科，未來捷運串連衛武營、Lalaport。 正義公園，風景入門廳。 陽明國中自由學區07-7801988 洽澄清路227號 https://sofm.pse.is/9587a7 －－－－以上為 SoundOn 動態廣告－－－－ DJ：陶晶瑩（飛碟電台） 週一至五 首播 17:00​​​​​​​​​​​​​​-18:00​​​​​​​​​​​​​​ 週六 精華重播 19:00​​​​​​​​​​​​​​-21:00 ◎Yahoo！新聞5/21報導 林志玲成為文化內容策進院（文策院）董事，協助文策院深化台灣文化內容的產業化與國際化路徑，但一度傳出她不適任的聲音。對此，她於今（21）日發文回應紛擾，決定不承接該職，並表示：「我始終真誠地希望，能讓我們所擁有的美好文化被更多人看見。」….. ◎商周頭條5/20報導 …..根據Reuters Institute for the Study of Journalism的最新調查，全球數位媒體高層正陷入集體焦慮。隨著Google的AI摘要與各式「回答引擎」全面普及，業界悲觀預估，未來三年內網站來自搜尋引擎的原生流量，恐將面臨43%的斷崖式暴跌。 然而，這還只是前菜。Google這次大動作翻修，準備徹底終結舊有的搜尋引擎，轉型為幫你代勞一切的「AI代理人」。….. 飛碟聯播網 提醒關心您： ※酒後不開車，飲酒過量有礙健康，未成年請勿飲酒。 ※自我傷害不能解決問題，勇敢求救並非弱者，請珍惜生命。衛福部24小時安心專線：1925，張老師：1980，生命線：1995。 ※尊重身體自主權，遇到性騷擾勇於制止，勇敢說不！報案：110，保護專線：113，婦女救援基金會：02-2555-8595，勵馨基金會：02-8911-8595。 ※拒絕暴力，如遇霸凌請勇於求助，反霸凌專線：1953，教育部投訴專線：0800-200-885，iWIN網路防護機構諮詢專線：02-2577-5118。 ※任何人在依法被判決有罪確定前，均應推定為無罪。 陶晶瑩 ●Instagram：https://www.instagram.com/momoleelee/ ●facebook：https://www.facebook.com/people/%E9%99%B6%E6%99%B6%E7%91%A9/100044575080077/ 按讚 訂閱 分享 開啟小鈴鐺 -- Hosting provided by SoundOn

What appeared, at the time, to be a dearth of news about the quickly unfolding climate crisis prompted me to have a crack at producing a podcast - "Climate Conversations".That was in 2018, and only you, as the listener, can make a judgment good or bad, useful or otherwise.I was fascinated when I discovered that the latest episode of the Reuters Institute podcast, "The Future of Journalism", was to discuss news podcasts.

This week in the business of podcasting:New data from the 2026 U.K. Advertising Landscape Study, conducted by Sound Insights for Sounds Profitable, finds that 79% of U.K. podcast listeners recall a podcast ad from the past week — a striking result in a country shaped by decades of ad-free BBC broadcasting, with recall essentially equal across men and women.A Reuters Institute report finds video is reshaping news podcasting at every level, from how shows are produced and discovered to how they make money, with publishers increasingly building around personalities and layering in revenue from events, subscriptions, and merchandise.Amazon Music has launched video podcasts for U.S. iOS and Android users using HLS video within an open RSS ecosystem, starting with ART19-hosted content and expanding to more hosting partners later this summer.Spotify is expanding its video distribution network through five new hosting platform integrations and announcing forthcoming support for Apple Podcasts' HLS video technology, giving creators a path to distribute and monetize video across both platforms simultaneously.To find links to these, and every article covered in today's episode, click here. You can also subscribe to The Download's newsletter to receive the full issue straight to your email inbox every day.

This week in the business of podcasting:New data from the 2026 U.K. Advertising Landscape Study, conducted by Sound Insights for Sounds Profitable, finds that 79% of U.K. podcast listeners recall a podcast ad from the past week — a striking result in a country shaped by decades of ad-free BBC broadcasting, with recall essentially equal across men and women.A Reuters Institute report finds video is reshaping news podcasting at every level, from how shows are produced and discovered to how they make money, with publishers increasingly building around personalities and layering in revenue from events, subscriptions, and merchandise.Amazon Music has launched video podcasts for U.S. iOS and Android users using HLS video within an open RSS ecosystem, starting with ART19-hosted content and expanding to more hosting partners later this summer.Spotify is expanding its video distribution network through five new hosting platform integrations and announcing forthcoming support for Apple Podcasts' HLS video technology, giving creators a path to distribute and monetize video across both platforms simultaneously.To find links to these, and every article covered in today's episode, click here. You can also subscribe to The Download's newsletter to receive the full issue straight to your email inbox every day.

In this episode of Future of Journalism we look at some of the fundamental shifts that are taking place in the world of news podcasts. In this episode of Future of Journalism we look at some of the fundamental shifts that are taking place in the world of news podcasts. How are people consuming them? What formats are proving most popular? What business models are news organisations and podcast studios finding most effective? Speakers: Nic Newman https://reutersinstitute.politics.ox.ac.uk/people/nic-newman is the lead author of the Journalism, Media, and Technology Trends and Predictions 2026 report and is a Senior Research Associate at the Reuters Institute. He is also a consultant on digital media, working actively with news companies on product, audience, and business strategies for digital transition. Our host Mitali Mukherjee https://reutersinstitute.politics.ox.ac.uk/people/mitali-mukherjee is the Director of the Reuters Institute. She's a political economy journalist with more than two decades of experience in TV, print and digital journalism.   Transcript available here:  https://reutersinstitute.politics.ox.ac.uk/news/our-podcast-whats-changing-world-news-podcasts

Today in the business of podcasting:Register for Trust and Attention: Why Sports Media Wins (And How Brands Prove It)A new report from the Reuters Institute for the Study of Journalism finds that news podcast publishers are pivoting to video in response to audience demand and platform changes, while audience research shows that video and audio podcast consumers largely overlap. Publishers are also experimenting with hybrid revenue models — including live events, merchandise, and subscriptions — to supplement advertising income.WARC's The Future of Measurement 2026 identifies three major trends reshaping advertising measurement: a shift toward outcomes-based approaches, the expanding role of AI in campaign analysis and planning, and the rise of "creative intelligence" tools that aim to predict ad performance before campaigns launch.The IAB projects creator ad spend will reach around $44 billion this year, but the form of creator promotion is shifting — sponsored content is giving way to paid ads featuring creators directly, and third-party clipping networks are emerging as a new paid distribution strategy.The New York Times reported Q1 2026 digital advertising revenue grew 31.6% year over year, with CEO Meredith Kopit Levien crediting the company's expanding content portfolio and identifying video as a key area of strategic investment.The UK government has confirmed that podcasting and audio will be formally recognized within the Standard Industrial Classification 2026 framework, a milestone AudioUK says will reshape how podcast and audio businesses are defined, measured, and supported in the British economy.To find links to these, and every article covered in today's episode, click here. You can also subscribe to The Download's newsletter to receive the full issue straight to your email inbox every day.

Today in the business of podcasting:Register for Trust and Attention: Why Sports Media Wins (And How Brands Prove It)A new report from the Reuters Institute for the Study of Journalism finds that news podcast publishers are pivoting to video in response to audience demand and platform changes, while audience research shows that video and audio podcast consumers largely overlap. Publishers are also experimenting with hybrid revenue models — including live events, merchandise, and subscriptions — to supplement advertising income.WARC's The Future of Measurement 2026 identifies three major trends reshaping advertising measurement: a shift toward outcomes-based approaches, the expanding role of AI in campaign analysis and planning, and the rise of "creative intelligence" tools that aim to predict ad performance before campaigns launch.The IAB projects creator ad spend will reach around $44 billion this year, but the form of creator promotion is shifting — sponsored content is giving way to paid ads featuring creators directly, and third-party clipping networks are emerging as a new paid distribution strategy.The New York Times reported Q1 2026 digital advertising revenue grew 31.6% year over year, with CEO Meredith Kopit Levien crediting the company's expanding content portfolio and identifying video as a key area of strategic investment.The UK government has confirmed that podcasting and audio will be formally recognized within the Standard Industrial Classification 2026 framework, a milestone AudioUK says will reshape how podcast and audio businesses are defined, measured, and supported in the British economy.To find links to these, and every article covered in today's episode, click here. You can also subscribe to The Download's newsletter to receive the full issue straight to your email inbox every day.

Today in the business of podcasting:Tom Webster's new Sounds Profitable piece previews the Audio Primes report, which finds audio-first podcast listeners are notably less receptive to AI-generated voices in their favorite shows than their video-first counterparts, with Video Primes twice as likely to keep listening.YouTube is rolling out two new livestream ad behaviors: pausing ads for viewers who send Super Chats or virtual gifts, and automatically delaying ad breaks during peak chat activity to help creators protect engagement moments.Audioboom reported Q1 2026 revenue of $22.5 million, up 30% year-over-year, alongside a 118% jump in adjusted EBITDA and a 79% increase in downloads and video views, crediting its Adelicious acquisition and new Creator Network signings of Crooked Media and RedHanded.A new Reuters Institute report finds 18-to-24-year-olds are more engaged with podcasts than older audiences, but are getting their news from chat shows, comedy podcasts, and short-form video rather than traditional news publishers.A new All About Cookies survey of 1,000 U.S. adults finds only 24% of viewers pay attention to streaming ads, and 67% would prefer a single longer ad break at the top of a show over multiple midroll interruptions.To find links to these, and every article covered in today's episode, click here. You can also subscribe to The Download's newsletter to receive the full issue straight to your email inbox every day.

Today in the business of podcasting:Tom Webster's new Sounds Profitable piece previews the Audio Primes report, which finds audio-first podcast listeners are notably less receptive to AI-generated voices in their favorite shows than their video-first counterparts, with Video Primes twice as likely to keep listening.YouTube is rolling out two new livestream ad behaviors: pausing ads for viewers who send Super Chats or virtual gifts, and automatically delaying ad breaks during peak chat activity to help creators protect engagement moments.Audioboom reported Q1 2026 revenue of $22.5 million, up 30% year-over-year, alongside a 118% jump in adjusted EBITDA and a 79% increase in downloads and video views, crediting its Adelicious acquisition and new Creator Network signings of Crooked Media and RedHanded.A new Reuters Institute report finds 18-to-24-year-olds are more engaged with podcasts than older audiences, but are getting their news from chat shows, comedy podcasts, and short-form video rather than traditional news publishers.A new All About Cookies survey of 1,000 U.S. adults finds only 24% of viewers pay attention to streaming ads, and 67% would prefer a single longer ad break at the top of a show over multiple midroll interruptions.To find links to these, and every article covered in today's episode, click here. You can also subscribe to The Download's newsletter to receive the full issue straight to your email inbox every day.

Pauline Amiel – directrice de l'EJCAM Ecole de journalisme et de communication d'Aix-Marseille université - interview de Hugo Monboeuf A quoi reconnait-on une fake new ? Principalement la forte charge émotionnelle que suscite le contenu, et l'auteur : qui est-il, quel est son objectif ? Qui former à l'esprit critique, comment, pourquoi ? Pour le Reuters Institute, le niveau d'éducation aux médias en France est dramatiquement bas : que faire ? Quel rôle des politiques ? Elle souligne aussi une inégalité entre les zones rurales et urbaines. Par ailleurs, elle note un attrait grandissant de ses étudiants pour l'éducation aux médias. Les écoles de journalisme « formatent-elles » leurs étudiants ?

Big Brother Is WatchingWhen privacy disappears, centralized power grows. When people become dependent, freedom becomes negotiable. Orwell's warning still matters.Philip and Markhttp://whatiftomorrowmedia.comE-mail: whatiftomorrowpc@gmail.comYouTube: https://www.youtube.com/channel/UCCy7z_FJDCQe-3aggqN4sXwWhat If Tomorrow Podcast Group: https://www.facebook.com/groups/319093512581881What If Tomorrow Media Facebook Page: https://www.facebook.com/What-If-Tomorrow-Media-105448004842730Buy Me A Coffee: https://www.buymeacoffee.com/whatiftomorrowLocals: https://www.locals.com/member/What_If_TomorrowInstagram: https://www.instagram.com/whatiftomorrowmedia/EMP Shield: https://EMPshield.com/whatifMy Patriot Supply: https://mypatriotsupply.com/?rfsn=5155718.b8ac05Duke Cannon: https://dukecannon.com/?rfsn=5441344.1e5827&utm_source=refersion&utm_medium=affiliate&utm_campaign=5441344.1e5827WW#George Orwell, Nineteen Eighty-FourUse the specific edition referenced in your episode for accurate quote pagination. Encyclopaedia Britannica. “Nineteen Eighty-four.”https://www.britannica.com/topic/Nineteen-Eighty-four Encyclopaedia Britannica. “George Orwell.”https://www.britannica.com/biography/George-Orwell Encyclopaedia Britannica. “Big Brother.”https://www.britannica.com/topic/Big-Brother-fictional-character Reuters Institute for the Study of Journalism. “Digital News Report 2025: Executive Summary.”https://reutersinstitute.politics.ox.ac.uk/digital-news-report/2025/dnr-executive-summary Reuters Institute for the Study of Journalism. “Digital News Report 2025: United States.”https://reutersinstitute.politics.ox.ac.uk/digital-news-report/2025/united-states Associated Press. “AI-created election disinformation is deceiving the world, researchers warn.”https://apnews.com/article/artificial-intelligence-elections-disinformation-chatgpt-bc283e7426402f0b4baa7df280a4c3fd Associated Press. “Tests find AI tools readily create election lies despite companies' policies.”https://apnews.com/article/artificial-intelligence-audio-voice-cloning-elections-2024-2500813b642169478c27c168aab1b3e3 Reuters. “US airlines oppose new limits on facial recognition at airport checkpoints.”https://www.reuters.com/legal/litigation/us-airlines-oppose-new-limits-facial-recognition-airport-checkpoints-2025-07-28/ Brennan Center for Justice. “The Dangers of Unregulated AI in Policing.”https://www.brennancenter.org/our-work/research-reports/dangers-unregulated-ai-policing Reuters. “Trump administration dismisses complaints related to book bans.”https://www.reuters.com/world/us/trump-administration-dismisses-complaints-related-book-bans-2025-01-25/ Associated Press. “Tennessee librarian fired for not moving kids LGBTQ books to adult section.”https://apnews.com/article/tennessee-librarian-fired-lgbtq-books-09ea65c6b6fe299a0759aa7af37bb870 Reuters. “Leaked Interior Department database reveals US plans to revise historical information.”https://www.reuters.com/sustainability/climate-energy/leaked-interior-department-database-reveals-us-plans-revise-historical-2026-03-03/ Reuters. “Trump reshapes US historical and cultural institutions.”https://www.reuters.com/world/us/trump-reshapes-us-historical-cultural-institutions-2026-03-25/Become a supporter of this podcast: https://www.spreaker.com/podcast/what-if-tomorrow--5108829/support.

Principalmente sui social media, sulle piattaforme e seguendo di più singoli creator (51%) che le testate informative classiche (39%). Questi i risultati di un rapporto di Reuters Institute sui giovani e l'informazione che mostra la rivoluzione avvenuta negli ultimi 10 anni. Abbiamo i numeri del primo censimento delle persone senza fissa dimora in Italia: sono 10.037 quelle registrate in una notte nelle 14 maggiori città d'Italia dall'Istat con una rete di volontari. Mancano almeno 3.400 posti letti per l'accoglienza. Ci sono 2.900 progetti a cui applicare per il Servizio civile universale, con oltre 65mila posti in progetti ambientali, sociali, culturali o sportivi. Dura un anno, possono candidarsi tutte le persone tra i 18 e i 28 anni compiuti, ricevendo un contributo mensile di 519€.  Rassegna stampa: Servizio civile. Le opportunità per 66mila giovani tra ambiente, cultura e sociale, Simone Santi A cura di Giovanni MoriMontaggio: Giorgio Baù Supervisione editoriale: Camilla Soldati Produzione: Giacomo De Poli e Marco Rip Musiche: Luca Tommasoni Puoi scriverci a podcast@lifegate.it e trovare tutte le notizie su www.lifegate.it. 

Nic Newman, Senior Research Associate, Reuters Institute for the Study of Journalism, joins the panel of John Cummins, Fine Gael TD for Waterford and Minister of State for Local Government and Planning, Paul Murphy, People Before Profit TD for Dublin South West and Louise O'Reilly, Sinn Féin TD for Dublin Fingal West.

The main news this week has been about the US-Israel attacks on Iran - but how is BBC Radio handling its coverage? We'll hear from you on the situation.And in light of that, is there a chance that more and more people might be switching the news off? BBC Radio 4 recently aired a series of programmes all about positive news items, which many listeners felt was a relief to hear. Presenter Andrea Catherwood talks to Nic Newman, a founding member of the BBC News website and currently a Senior research associate with the Reuters Institute for the study of journalism, to find out what's fuelling the trend towards news avoidance. Following our piece last week about the end of regular episodes of Ukrainecast, we'll hear more of your thoughts on what you'll miss about the podcast.We also hear from listeners concerned that the music quiz programme Counterpoint is no longer recorded in front of a live audience. And there's information about how you can give your thoughts in the UK government's ongoing open consultation on the BBC's Charter Renewal, which closes at midnight on 10th March. The survey can be found on the government's website, under the heading Britain's Story: The Next Chapter.Presenter: Andrea Catherwood Producer: Pauline Moore Assistant Producer: Rebecca Guthrie Executive Producer: Mark RickardsA Whistledown Scotland production for BBC Radio 4

At a time when wars dominate headlines, climate disasters intensify, and newsrooms themselves face funding cuts and political pressure , who tells the story, and how, matters more than ever.In a conversation that is both personal and structural, we spoke with Ms. Mitali Mukherjee, Director, Reuters Institute for the Study of Journalism, UK. Having led a distinguished career as a business journalist, and now heading one of the world's leading centres for journalism research and policy engagement, she brings both newsroom experience and a global institutional perspective to the discussion. Drawing from her experience in India's broadcast media landscape to the structural shifts reshaping academic and research institutions worldwide, she reflects on what it means to report and research in an era defined by disruption.This conversation looks beyond the daily news cycle to understand the structural forces shaping journalism today. From social defunding and the changing business models of media to the difficulty of sustaining consistent, in-depth climate reporting in an increasingly saturated media environment, we discuss what it takes to support independent journalism and research in uncertain times, and why it continues to matter. Further Reading:• Reuters Institute for the Study of Journalism's Climate Change and News Audiences Report 2025 • Climate related projects from our journalist fellows• Samuel Thomas and his project on the farmer herder crisis • Niko Efstathiou and his project on wildfires and misinformation • A paper jointly worked on with Dr Anthony Feinstein on the stress and distress faced by climate change journalists • Details about Mitali's book Crypto Crimes: Inside India's Best-Kept Secret • The Digital News Report Full transcript of the episode is available in English.Presented by 101ReportersMitali Mukherjee is on LinkedIn.Follow TIEH podcast on Twitter, Linkedin & YouTubeOur hosts, Shreya Jai on Twitter, Linkedin & Dr. Sandeep Pai on Twitter, Linkedin

In an age where misinformation spreads rapidly across digital platforms, the integrity of information has become a pressing concern for individuals and societies alike. Giuseppe Carapellese, CEO of MLR, sheds light on a crucial initiative aimed at addressing this challenge: certifying digital content such as photos and videos. This approach not only empowers individuals to document events but also aims to restore trust in the information ecosystem, which is increasingly plagued by fake news and manipulated content.The Challenge of MisinformationThe proliferation of artificial intelligence (AI) technologies has made it easier than ever to create content that appears authentic, blurring the lines between reality and fabrication. Carapellese highlights a notable example where a fabricated video of French President Macron circulated on national television, underscoring the potential dangers of misinformation. Such incidents illustrate the urgent need for mechanisms that can verify the authenticity of digital content and provide users with reliable information.A significant portion of the population struggles to differentiate between true and false information. According to the Reuters Institute, over 60% of people in Europe cannot discern authentic content from fake news. This statistic reveals a crisis of trust in the information landscape, which is further exacerbated by the overwhelming volume of content shared on social media platforms like Facebook. These platforms, primarily designed for social interaction, often become breeding grounds for misinformation, leading to confusion and skepticism among users.The Role of CertificationMLR's initiative to certify digital content serves as a beacon of hope in this chaotic environment. By enabling individuals - whether they are common citizens, freelance reporters, or representatives of NGOs - to document events and certify their content, MLR creates a new ecosystem where authenticity is prioritized. This system not only verifies the genuineness of the content but also provides a mechanism for tracking any future manipulations. For instance, if a video is altered using deepfake technology, the certification system can alert users to these changes, thereby fostering transparency.The dual objectives of MLR's approach are significant. First, it aims to reconnect underrepresented communities and give them a voice in the global narrative. In times of crisis, such as during the war in Ukraine or natural disasters, individuals on the ground can provide real-time accounts of events that may otherwise go unnoticed. By allowing these individuals to share their experiences and even monetize their content, MLR not only empowers them but also enriches the media landscape with diverse perspectives.Second, the initiative seeks to re-establish trust in the information sector. By involving individuals in the content certification process, MLR fosters a sense of ownership and responsibility among users. This participatory approach can lead to a cultural shift in how information is perceived and consumed. Rather than viewing social media merely as a platform for entertainment or casual communication, users can begin to recognize its potential as a channel for credible information.A Path ForwardRestoring trust in information is not merely a technological challenge; it is also a cultural one. Carapellese aptly notes that social networks should be understood as social channels rather than information channels. This distinction is crucial in reshaping the narrative around digital content. Users must be educated about the nature of the platforms they engage with and encouraged to approach the information they encounter with a critical mindset.Moreover, initiatives like MLR's certification system can serve as a model for other organizations and platforms seeking to combat misinformation. By prioritizing authenticity and transparency, stakeholders in the information ecosystem can work collaboratively to enhance the credibility of digital content.ConclusionAs misinformation continues to pose a significant threat to societal trust and democratic processes, the need for reliable information is more critical than ever. MLR certifying digital content represents a proactive step towards restoring that trust. By empowering individuals to document and verify their experiences, we can create a more informed society where authenticity prevails over deception. In doing so, we not only enhance the quality of information available but also reaffirm the fundamental principles of freedom and democracy that rely on truthful discourse.Interview by Marlo Anderson of The Tech Ranch.Sponsored by: Get $5 to protect your credit card information online with Privacy. Amazon Prime gives you more than just free shipping. Get free music, TV shows, movies, videogames and more. Secure your connection and unlock a faster, safer internet by signing up for PureVPN today.

In an age where misinformation spreads rapidly across digital platforms, the integrity of information has become a pressing concern for individuals and societies alike. Giuseppe Carapellese, CEO of MLR, sheds light on a crucial initiative aimed at addressing this challenge: certifying digital content such as photos and videos. This approach not only empowers individuals to document events but also aims to restore trust in the information ecosystem, which is increasingly plagued by fake news and manipulated content.The Challenge of MisinformationThe proliferation of artificial intelligence (AI) technologies has made it easier than ever to create content that appears authentic, blurring the lines between reality and fabrication. Carapellese highlights a notable example where a fabricated video of French President Macron circulated on national television, underscoring the potential dangers of misinformation. Such incidents illustrate the urgent need for mechanisms that can verify the authenticity of digital content and provide users with reliable information.A significant portion of the population struggles to differentiate between true and false information. According to the Reuters Institute, over 60% of people in Europe cannot discern authentic content from fake news. This statistic reveals a crisis of trust in the information landscape, which is further exacerbated by the overwhelming volume of content shared on social media platforms like Facebook. These platforms, primarily designed for social interaction, often become breeding grounds for misinformation, leading to confusion and skepticism among users.The Role of CertificationMLR's initiative to certify digital content serves as a beacon of hope in this chaotic environment. By enabling individuals - whether they are common citizens, freelance reporters, or representatives of NGOs - to document events and certify their content, MLR creates a new ecosystem where authenticity is prioritized. This system not only verifies the genuineness of the content but also provides a mechanism for tracking any future manipulations. For instance, if a video is altered using deepfake technology, the certification system can alert users to these changes, thereby fostering transparency.The dual objectives of MLR's approach are significant. First, it aims to reconnect underrepresented communities and give them a voice in the global narrative. In times of crisis, such as during the war in Ukraine or natural disasters, individuals on the ground can provide real-time accounts of events that may otherwise go unnoticed. By allowing these individuals to share their experiences and even monetize their content, MLR not only empowers them but also enriches the media landscape with diverse perspectives.Second, the initiative seeks to re-establish trust in the information sector. By involving individuals in the content certification process, MLR fosters a sense of ownership and responsibility among users. This participatory approach can lead to a cultural shift in how information is perceived and consumed. Rather than viewing social media merely as a platform for entertainment or casual communication, users can begin to recognize its potential as a channel for credible information.A Path ForwardRestoring trust in information is not merely a technological challenge; it is also a cultural one. Carapellese aptly notes that social networks should be understood as social channels rather than information channels. This distinction is crucial in reshaping the narrative around digital content. Users must be educated about the nature of the platforms they engage with and encouraged to approach the information they encounter with a critical mindset.Moreover, initiatives like MLR's certification system can serve as a model for other organizations and platforms seeking to combat misinformation. By prioritizing authenticity and transparency, stakeholders in the information ecosystem can work collaboratively to enhance the credibility of digital content.ConclusionAs misinformation continues to pose a significant threat to societal trust and democratic processes, the need for reliable information is more critical than ever. MLR certifying digital content represents a proactive step towards restoring that trust. By empowering individuals to document and verify their experiences, we can create a more informed society where authenticity prevails over deception. In doing so, we not only enhance the quality of information available but also reaffirm the fundamental principles of freedom and democracy that rely on truthful discourse.Interview by Marlo Anderson of The Tech Ranch.Sponsored by: Get $5 to protect your credit card information online with Privacy. Amazon Prime gives you more than just free shipping. Get free music, TV shows, movies, videogames and more. Secure your connection and unlock a faster, safer internet by signing up for PureVPN today.

C'è questa storia per cui sembra che Khaby Lame abbia venduto la sua azienda. Ma è vero? Nel frattempo ChatGPT ha annunciato l'integrazione della pubblicità nel suo chatbot. Cosa significa questo? Infine, il Reuters Institute ha pubblicato un nuovo report in cui parla dell'impatto dell'AI sulle organizzazioni di news: gli esperti si aspettano che il traffico dalla ricerca cali del 43% nei prossimi tre anni. E quindi, su che tipo di contenuto dovremmo concentrarci? Gli highlight del nuovo report del Reuters Institute for the Study of Journalism Learn more about your ad choices. Visit megaphone.fm/adchoices

How media leaders around the world plan to address the challenges of 2026. In this episode we're diving into a major report gauging the perspectives of media leaders around the world on the challenges they're facing in 2026 and how they plan to respond. We'll look at the impact of AI on how news is accessed and produced, the role of social media, video platforms and news creators, how companies are adapting their business models, and much more. Speakers: Nic Newman https://reutersinstitute.politics.ox.ac.uk/people/nic-newman is the lead author of the Journalism, Media, and Technology Trends and Predictions 2026 report and is a Senior Research Associate at the Reuters Institute. He is also a consultant on digital media, working actively with news companies on product, audience, and business strategies for digital transition. Our host Mitali Mukherjee https://reutersinstitute.politics.ox.ac.uk/people/mitali-mukherjee is the Director of the Reuters Institute. She's a political economy journalist with more than two decades of experience in TV, print and digital journalism. Full transcript here: https://reutersinstitute.politics.ox.ac.uk/news/what-should-we-expect-journalism-2026

Across Europe, traditional news is losing ground and creators are stepping in. From TikTok explainers to YouTube analysts and Instagram storytellers, a new generation of voices is reshaping how young audiences understand politics, culture, and the world around them.In this episode, Evi Kiorri explores what the rise of news creators means for journalism, trust, and public debate. With insights from Nic Newman of the Reuters Institute, lead author of the report “Mapping News Creators and Influencers,” and from journalist-creator Mirko Paradiso, we dive into why younger Europeans identify more with online personalities than established media, how algorithms shape what becomes “news,” and the growing blur between information and entertainment. Is this a crisis for journalism or its next transformation?Join us on our journey through the events that shape the European continent and the European Union.Production: By Europod, in co production with Sphera Network.Follow us on:LinkedInInstagram Hosted on Acast. See acast.com/privacy for more information.

In this episode of Future of Journalism we explore findings around the public's relationship with climate news. In this episode of Future of Journalism we explore findings around the public's relationship with climate news. We explore findings from our recent report that uses survey data from eight countries to gauge how people get their climate news, what institutions they trust, their attitudes towards the role of politicians and AI, and what they expect from journalists. Waqas Ejaz is a Postdoctoral Research Fellow with at the Reuters Institute and the lead author of Climate change news audiences report 2025: Analysis of news use and attitudes in eight countries. Our host Mitali Mukherjee is the Director of the Reuters Institute. She's a political economy journalist with more than two decades of experience in TV, print and digital journalism. She is the co-author of the Climate change news audiences report 2025. Full transcript here: https://reutersinstitute.politics.ox.ac.uk/news/our-podcast-trust-politics-and-ai-what-people-think-about-climate-news

Across Europe, traditional news is losing ground and creators are stepping in. From TikTok explainers to YouTube analysts and Instagram storytellers, a new generation of voices is reshaping how young audiences understand politics, culture, and the world around them.In this episode of Europe Talks Back, Evi Kiorri explores what the rise of news creators means for journalism, trust, and public debate. With insights from Nic Newman of the Reuters Institute, lead author of the report “Mapping News Creators and Influencers,” and from journalist-creator Mirko Paradiso, we dive into why younger Europeans identify more with online personalities than established media, how algorithms shape what becomes “news,” and the growing blur between information and entertainment. Is this a crisis for journalism or its next transformation?Join us on our journey through the events that shape the European continent and the European Union.Production: By Europod, in co production with Sphera Network.Follow us on:LinkedInInstagram Hosted on Acast. See acast.com/privacy for more information.

Public distrust in legacy media has surged over the past decade, driven largely by perceptions of bias, manipulation, and selective storytelling. Studies from the Reuters Institute and Pew Research Center show that audiences increasingly believe mainstream outlets push political or corporate agendas instead of objective truth. Over two-thirds of respondents in Reuters' 2024 “Bias, Bullshit, and Lies” report said they view major networks as “too agenda-driven” and “out of touch” with the public. This skepticism deepened after repeated high-profile media failures—such as misreported stories, selective coverage of scandals, and the close ties between journalists and political power brokers—that reinforced the sense that mainstream journalism serves elites rather than the audience. Many consumers now see news organizations less as watchdogs and more as part of the same establishment they were supposed to hold accountable.Compounding this decline is the economic collapse of traditional journalism and the rise of the 24-hour digital cycle, which prioritizes clicks and engagement over verification and nuance. Shrinking newsroom budgets have led to the erosion of investigative reporting, replaced by punditry and algorithm-driven sensationalism. As newsrooms consolidate under a handful of corporate owners, audiences increasingly question whether editorial independence still exists. Meanwhile, social media has given rise to both alternative outlets and disinformation, further blurring the public's ability to distinguish fact from narrative. The result is a fractured media landscape where trust is earned less through prestige and more through perceived authenticity—and for many, the old institutions have failed that test.to  contact me:bobbycapucci@protonmail.comBecome a supporter of this podcast: https://www.spreaker.com/podcast/the-epstein-chronicles--5003294/support.

We discuss how people are responding to the growing role of AI in news and wider society In this episode of Future of Journalism we discuss one of the hottest topics in journalism right now which is how people are responding to the growing role of AI in news and wider society. We'll look at how generative AI tools are being used, how people engage with AI-generated answers in online searches, and AI's role in newsrooms and wider society. Speakers: Dr Felix M. Simon is a (political) communication researcher and Research Fellow in AI and Digital News at the Reuters Institute for the Study of Journalism. Before joining us, he was a doctoral student at the Oxford Internet Institute (OII), where he is a Research Associate. Host Mitali Mukherjee is the Director of the Reuters Institute and is a political economy journalist with more than two decades of experience in TV, print and digital journalism. You can find a full transcript of the podcast on our website: https://reutersinstitute.politics.ox.ac.uk/news/our-podcast-how-people-are-using-generative-ai-and-what-means-news

In this episode of Future of Journalism we look at people access news and information about topics in their local area. In this episode of Future of Journalism we look at the levels at which people access news and information about topics in their local area and whether they prefer to use news media or platforms to do so. We explore how this correlates with interest in news in general and how these trends vary around the world. We also discuss how news publishers can better engage audiences on a local level. Speakers: Richard Fletcher is a co-author of the Digital News Report and is the Director of Research at the Reuters Institute. Host Mitali Mukherjee is the Director of the Reuters Institute and is a political economy journalist with more than two decades of experience in TV, print and digital journalism. Find a full transcript on our website: https://reutersinstitute.politics.ox.ac.uk/news/our-podcast-digital-news-report-2025-episode-6-how-people-navigate-local-news-and-information

For our season finale, we'll travel across continents for Qudsiya's conversation with Priti Salian, a journalist, media consultant, and trainer based in Bengaluru, India. Priti's work focuses on gender equality, disability, and inclusion through the lens of human rights and solutions based journalism. She is the creator of the acclaimed newsletter Reframing Disability. Priti and Qudsiya discussed Priti's interest in disability coverage in India, her groundbreaking research as a fellow at the Reuters Institute for the Study of Journalism about the representation of disabled journalists in Indian newsrooms, and solutions for ensuring that disabled journalists thrive and that disability coverage reflects the diversity and dynamism of the disability community in India and beyond.--Let us know what you think with a comment or review!Visit our website⁠ ⁠for⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ transcripts⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠.⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Subscribe to Qudsiya's Substack, ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Getting Down To It⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Support the team behind the podcast ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠with a donation⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠

What once was taboo has now gone mainstream. As television and print audiences have dwindled over recent years, social media is now the No. 1 place for Americans to get their news updates.Detailed in the report from the Reuters Institute for the Study of Journalism at the University of Oxford, Americans across the political spectrum are using social media for news consumptions over traditional avenues. However, conservative influencers have seen the largest audiences and most engagement.Marketplace's Nova Safo spoke with Nic Newman, a co-author of the report, to talk about the state of news consumption in the U.S.More on this“Overview and key findings of the 2025 Digital News Report” — from the Reuters Institute and the University of Oxford

What once was taboo has now gone mainstream. As television and print audiences have dwindled over recent years, social media is now the No. 1 place for Americans to get their news updates.Detailed in the report from the Reuters Institute for the Study of Journalism at the University of Oxford, Americans across the political spectrum are using social media for news consumptions over traditional avenues. However, conservative influencers have seen the largest audiences and most engagement.Marketplace's Nova Safo spoke with Nic Newman, a co-author of the report, to talk about the state of news consumption in the U.S.More on this“Overview and key findings of the 2025 Digital News Report” — from the Reuters Institute and the University of Oxford

These are some of the biggest trends – and challenges – facing the news ecosystem today, impacting India in new and unique ways. And this was the focus of a discussion organised around the launch of the Reuters Institute Digital News Report for 2025, a comprehensive study of news consumption worldwide. Moderated by the Reuters Institute for the Study of Journalism's director Mitali Mukherjee, the panel comprised Nic Newman, senior research associate at the institute; Sannuta Raghu, journalism fellow at the institute and head of the AI Lab at Scroll; Ritvvij Parrikh, head of AI product at Times Internet; and Akash Banerjee, founder and host of The Deshbhakt. According to the report, 55 percent of Indian users now consume news on YouTube, and 44 percent share news via social, messaging or email often via WhatsApp. Akash says there's a clear indication towards television “taking a bit of a beating” while social media sees a “steady uptick”. “You've got to be real and raw,” he says, and explains how consumption patterns are moving towards “snackable, biteable content”, where a shorter format is “much, much more prevalent than the longer format”. Ritvvij talks about the challenges in using large language models that can sometimes “miss the news peg” of a story and therefore the need to deal with “detecting hallucinations”. He adds, “Trust in news is eroding and not just because of bad actors, but also because of opaque algorithms.”Sannuta breaks down how AI can help news organisations “stay relevant” in some ways, converting text articles into videos that can be shared on Instagram. “The idea was…there are over 600 million smartphone users in India with access to cheap internet,” she says. She also explains the logistics of dealing with producing news in different languages in a country as diverse as India. Hosted on Acast. See acast.com/privacy for more information.

Ce soir, vous avez choisi la radio pour vous informer, et c'est déjà une très bonne chose. Mais vous avez en plus choisi RFI. Et là, disons-le franchement : c'est encore mieux. Parce que ce soir, vous aviez le choix. Le choix d'aller chercher vos infos sur X, TikTok ou Instagram. Le choix de swiper entre une vidéo de guerre, un tutoriel de cuisine, une citation de Gandhi... Le choix de zapper, de cliquer, de commenter, de partager.                                  Et c'est exactement ce que fait une majorité de jeunes Américains – près de 54%, selon le dernier Digital News Report du Reuters Institute, ne s'informent plus que par les réseaux sociaux. Pourquoi ? Parce que l'info y est plus courte, plus rapide, souvent plus ludique, plus incarnée. Parce qu'on peut s'informer comme on veut, quand on veut, sans ordre, sans filtre… enfin ça c'est ce qu'on pense. Mais voilà : cette information-là, aussi fluide soit-elle, est parfois incomplète, biaisée, ou pire : manipulée. Alors on pose la question ce soir, en toute franchise : - Les médias traditionnels sont-ils devenus obsolètes ? - Doivent-ils se réinventer, ou mourir dignement ? - Les réseaux sociaux sont-ils des caisses de résonance dans nos conflits ?   Pour en débattre - Sophie Jehel, professeure en sciences de l'information et de la communication à l'Université Paris 8, au Laboratoire CEMTI (Centre d'études sur les Médias, les Technologies et l'Internationalisation), spécialiste des pratiques numériques et informationnelles des jeunes - Vincent Berthier, responsable du bureau technologies et journalisme chez Reporters sans frontières (RSF) - Fabrice Epelboin, entrepreneur, enseignant, spécialiste des médias sociaux.

Ce soir, vous avez choisi la radio pour vous informer, et c'est déjà une très bonne chose. Mais vous avez en plus choisi RFI. Et là, disons-le franchement : c'est encore mieux. Parce que ce soir, vous aviez le choix. Le choix d'aller chercher vos infos sur X, TikTok ou Instagram. Le choix de swiper entre une vidéo de guerre, un tutoriel de cuisine, une citation de Gandhi... Le choix de zapper, de cliquer, de commenter, de partager.                                  Et c'est exactement ce que fait une majorité de jeunes Américains – près de 54%, selon le dernier Digital News Report du Reuters Institute, ne s'informent plus que par les réseaux sociaux. Pourquoi ? Parce que l'info y est plus courte, plus rapide, souvent plus ludique, plus incarnée. Parce qu'on peut s'informer comme on veut, quand on veut, sans ordre, sans filtre… enfin ça c'est ce qu'on pense. Mais voilà : cette information-là, aussi fluide soit-elle, est parfois incomplète, biaisée, ou pire : manipulée. Alors on pose la question ce soir, en toute franchise : - Les médias traditionnels sont-ils devenus obsolètes ? - Doivent-ils se réinventer, ou mourir dignement ? - Les réseaux sociaux sont-ils des caisses de résonance dans nos conflits ?   Pour en débattre - Sophie Jehel, professeure en sciences de l'information et de la communication à l'Université Paris 8, au Laboratoire CEMTI (Centre d'études sur les Médias, les Technologies et l'Internationalisation), spécialiste des pratiques numériques et informationnelles des jeunes - Vincent Berthier, responsable du bureau technologies et journalisme chez Reporters sans frontières (RSF) - Fabrice Epelboin, entrepreneur, enseignant, spécialiste des médias sociaux.

Oxford's Reuters Institute for the Study of Journalism found that for the first time a majority of Americans got their news via social media over TV, direct websites and apps. Nvidia CEO Jensen Huang is telling countries they need to develop Sovereign AI. We explain what that is and what it can mean for AI development. Is the best way to store renewable energy sand? Finland thinks so. Starring Sarah Lane, Tom Merritt, Roger Chang, Joe. To read the show notes in a separate page click here! Support the show on Patreon by becoming a supporter!

A recent map published by the EU's Copernicus program is sounding the alarm ahead of wildfire season showing drought conditions and risk assessments across Europe. This is particularly alarming for southern European countries like Greece, which has seen devastating wildfires in recent years. Nikos Efstathiou, an independent journalist who is studying wildfires and how the media reports on them at the Reuters Institute for the Study of Journalism in Oxford, joins Thanos Davelis as we break down the latest data, the lessons learned from previous wildfires in Greece, and explore why the way we cover wildfires in the media matters.You can read the articles we discuss on our podcast here:Current drought situation in EuropeAthens seeks to curb Turkey's role in European defense industryGreek PM marks Pontic Genocide remembrance day