Podcasts about Morrison Hotel

Charlamos sobre el disco 'The Doors' (1967) con Arecio Smith (teclista y organista) como invitado. En esta séptima parte: Rematamos la canción «The End». Profundizamos en la evolución musical de The Doors en sus otros cinco discos de estudio: ‘Strange Days', ‘Waiting for the Sun', ‘The Soft Parade', ‘Morrison Hotel' y ‘LA Woman' (con ejemplos de Arecio al teclado). Hablamos de las últimas comunicaciones entre The Doors y Jim Morrison antes de su trágica muerte en París; la censura lingüística en EE UU; y el uso del altavoz rotativo Leslie como efecto de sonido psicodélico. Si quieres participar en la elección de los discos que tratamos en el podcast, ¡visita discoprestado.com y date de alta en mi lista de correo! La música original de 'Disco prestado' forma parte de mi EP 'The Entertainer', disponible en todas las plataformas y marcaliana.com/musica Contacto: discoprestado@proton.me 'Playlist' musical del programa en Spotify: https://open.spotify.com/playlist/0eDZ47NO0rRQfy6yFWciOW?si=0d03bb520e6e4f76 'Playlist' musical de fiesta en Spotify: https://open.spotify.com/playlist/3V1e6rnC8ghpFitC2ZS35p?si=87dcf7f61ffa43a2 'Playlist' musical de relax en Spotify: https://open.spotify.com/playlist/0qbBdbkrsqlZGx6poNbTnD?si=4f0a0b141341487d ¡Salud y buena música! Marc Aliana marcaliana.com

This week on Classic Vinyl Podcast, Justin and Tyler listen to and review a deep cut from The Doors called I Will Never Be Untrue. Originally recorded during the Morrison Hotel album sessions in 1969, but never released on an album. Give it a listen and let us know what you think. 

Join us on a nostalgic journey to the 1985 classic film "Vision Quest," where Matthew Modine takes us to the heart of doing something meaningful with his life in Spokane, Washington. From personal movie-going experiences to the rockin' soundtrack featuring Red Rider, John Waite, Madonna and Journey, this trip down memory lane captures the essence of an era marked by cinematic magic.Moving from the silver screen to a captivating vineyard, picture yourself at Buckley's Vineyard for a live music experience with Kevn Kinney and Peter Buck that you won't forget. They celebrate Kevn's debut solo album, "MacDougal Blues," produced by the talented Peter. The stage comes alive with both solo performances and timeless hits from Drivin N Cryin, creating an atmosphere of pure musical enchantment. The harmonious blend of music and countryside charm makes this vineyard concert experience one for the books.Finally, we journey back the iconic theme from "The Rockford Files" and Mike Post's illustrious career in TV music. We also reflect on the resilience of AC/DC after Bon Scott's tragic passing, and their determination to stay together as a band. We revisit the 55th Anniversary of The Doors 'Morrison Hotel' and the historic photos for the album cover taken by Henry Diltz, as well as the 45th Anniversary of the Blondie single "Call Me.""Music in My Shoes" where music and memories intertwine.Learn Something New orRemember Something OldPlease Like and Follow our Facebook and Instagram page at Music In My Shoes. You can contact us at musicinmyshoes@gmail.com.Send us a one-way message. We can't answer you back directly, but it could be part of a future Music In My Shoes Mailbag!!!

Rejoignez-nous pour découvrir l'histoire fascinante derrière l'album mythique Morrison Hotel, le cinquième opus des légendaires Doors. Alors que la carrière du groupe semblait en perte de vitesse après les controverses entourant leur album précédent, The Soft Parade, les Doors ont su rebondir avec ce disque qui marque un retour aux sources, un son plus authentique et roots. Sous la direction de notre experte Ombline Roche, plongeons dans les coulisses de l'enregistrement de Morrison Hotel, un album qui a su traverser les décennies pour devenir un incontournable du rock. Vous découvrirez les tensions palpables qui régnaient au sein du groupe, avec les démêlés judiciaires de Jim Morrison et les querelles de crédits de chansons. Mais malgré ces défis, les Doors ont su puiser dans le blues pour se réinventer et offrir à leurs fans un disque qui a marqué l'histoire du rock.Vous en apprendrez davantage sur l'origine du titre de l'album, qui n'a en réalité aucun lien avec le nom du chanteur Jim Morrison. Vous découvrirez également comment la pochette emblématique du disque a été créée, au prix de quelques péripéties avec le propriétaire du célèbre établissement qui y figure. Et cerise sur le gâteau, vous apprendrez comment cette pochette a inspiré la création de la chaîne de restaurants Hard Rock Café, un an après la sortie de l'album.Alors préparez-vous à plonger dans les coulisses d'un album qui a su traverser les années et rester une référence incontournable du rock. Avec Ombline Roche, découvrez tous les secrets de Morrison Hotel

Show #1082 Happy New Year 01. Ed Alstrom - Blues Ain't Alright (3:36) (Flee Though None Pursue, Haywire Records, 2025) 02. Giles Robson & John Primer - Dealing With The Devil (4:44) (Ten Chicago Blues Classics, self-release, 2024) 03. Ally Venable - Do You Cry (4:31) (Money And Power, Ruf Records, 2025) 04. Randy McAllister - Donnie Downer (4:03) (Lines, Reaction Records, 2023) 05. Bobby Christina's Caravan - Same Old Blues (4:19) (True Blues Brother: The Legacy of Matt "Guitar" Murphy, Nola Blue Records, 2024) 06. GA-20 - Cryin' & Pleadin' (2:55) (Single, Karma Chief Records, 2024) 07. Greg Nagy - Baby, What Took Your Love From Me (2:48) (The Real You, self-release, 2024) 08. Sugar Brown - Bottom Of The Mountain (6:47) (Toronto Bound, self-release, 2024) 09. Janiva Magness - I Was Good To You Baby (4:21) (Back For Me, Blue Elan Records, 2025) 10. Carly Harvey - Please Do That To Me (4:47) (Kamama, self-release, 2024) 11. Benny Turner - Born In This Time (4:27) (BT, Nola Blue Records, 2024) 12. Walk That Walk - You Don't Love Me (5:41) (Red Devil Lye, self-release, 2024) 13. Ollee Owens - Neighbourhood (4:06) (Nowhere To Hide, Ollee Owens Music, 2024) 14. Travis Bowlin - Secret (4:32) (Hooks & Grooves, self-release, 2024) 15. FreeWorld - Rush Hour (3:38) (More Love, Swirldisc, 2024) 16. Dom Martin - 12 Gauge (5:27) (Buried Alive, Forty Below Records, 2024) 17. Skylar Rogers - A Different Position (3:29) (Single, Epps Records, 2024) 18. Tomislav Goluban with Crooked Eye Tommy - Bad Choices Make Good Stories (5:08) (Nashville Road, Overton Music, 2025) 19. Bobby Christina's Caravan - Matt's Shuffle (5:01) (True Blues Brother: The Legacy of Matt "Guitar" Murphy, Nola Blue Records, 2024) 20. The Doors - Maggie M'Gill (4:23) (Morrison Hotel, Elektra Records, 1970) Bandana Blues is and will always be a labor of love. Please help Spinner deal with the costs of hosting & bandwidth. Visit www.bandanablues.com and hit the tipjar. Any amount is much appreciated, no matter how small. Thank you.

AP correspondent Haya Panjwani reports on the Morrison Hotel going up in flames.

Neil Young a partagé une vidéo dans laquelle il interprète "Silver and Gold" pour la première fois en quasi vingt ans. Le titre est sorti en 2000 sur l'album du même nom, mais avait été écrit en 1981. Depuis, il l'a rarement été interprété en concert, la dernière fois qu'il l'a chanté devant un public remontant à 2007. La vidéo, partagée ce 25 décembre, montre Neil Young à la guitare assis près d'un feu. C'est à voir sur notre site ! _______________________________________ L'immeuble qui apparait sur la pochette de l'album Morrison Hotel (1970) des Doors a été gravement endommagé par un incendie. Selon Variety, l'incendie s'est déclaré le 26 décembre, et le bâtiment situé à l'intersection de Pico Boulevard et de Hope Street, dans le centre de Los Angeles, a dû être maîtrisé par 17 sections de pompiers. Ces dernières années, le bâtiment a servi de site d'entraînement pour les pompiers de Los Angeles et devait être transformé en logements abordables. Mais à la fin des années 1960, il abritait l'hôtel Morrison. _______________________________________ Linkin Park vient de boucler une année incroyable. Avec le nouvel album, les dates de tournée (avec une étape belge déjà sold out à Rock Werchter) et l'accueil de la nouvelle chanteuse Emily Armstrong, Pourtant, lorsque l'annonce de la nouvelle chanteuse a été faite, les réactions ont d'abord été mitigées. Le public était très attaché au chanteur Chester Bennington, qui s'est suicidé en 2017. Aujourd'hui, Kevin 'Noodles' Wasserman, du groupe The Offspring, a déclaré que le choix d'Emily Armstrong comme nouvelle chanteuse de Linkin Park était une décision "étonnante et audacieuse". _______________________________________ Toninho Geraes, compositeur de samba brésilien, a poursuivi Adele, pour plagiat, affirmant que son titre "Million Years Ago" était un plagiat de sa composition "Mulheres (Women)", enregistrée par Martinho da Bila en 1995. Il réclame des droits d'auteur, 160 000 dollars de dommages moraux, et exige d'être crédité comme auteur sur la chanson d'Adele. La première audience lui a donné raison, voyant le titre d'Adele interdit de toutes les plateformes de streaming, mais la deuxième audience a rebattu les cartes. Malgré la décision initiale du juge de retirer le titre, celui-ci reste disponible en streaming sur toutes les grandes plateformes. --- Classic 21 vous informe des dernières actualités du rock, en Belgique et partout ailleurs. Le Journal du Rock, en direct chaque jour à 7h30 et 18h30 sur votre radio rock'n'pop. Merci pour votre écoute Plus de contenus de Classic 21 sur www.rtbf.be/classic21 Ecoutez-nous en live ici: https://www.rtbf.be/radio/liveradio/classic21 ou sur l'app Radioplayer BelgiqueRetrouvez l'ensemble des contenus de la RTBF sur notre plateforme Auvio.be Et si vous avez apprécié ce podcast, n'hésitez pas à nous donner des étoiles ou des commentaires, cela nous aide à le faire connaître plus largement. Découvrez nos autres podcasts : Le journal du Rock : https://audmns.com/VCRYfsPComic Street (BD) https://audmns.com/oIcpwibLa chronique économique : https://audmns.com/NXWNCrAHey Teacher : https://audmns.com/CIeSInQHistoires sombres du rock : https://audmns.com/ebcGgvkCollection 21 : https://audmns.com/AUdgDqHMystères et Rock'n Roll : https://audmns.com/pCrZihuLa mauvaise oreille de Freddy Tougaux : https://audmns.com/PlXQOEJRock&Sciences : https://audmns.com/lQLdKWRCook as You Are: https://audmns.com/MrmqALPNobody Knows : https://audmns.com/pnuJUlDPlein Ecran : https://audmns.com/gEmXiKzRadio Caroline : https://audmns.com/WccemSkAinsi que nos séries :Rock Icons : https://audmns.com/pcmKXZHRock'n Roll Heroes: https://audmns.com/bXtHJucFever (Erotique) : https://audmns.com/MEWEOLpEt découvrez nos animateurs dans cette série Close to You : https://audmns.com/QfFankx

Show Date: 12/20/24 Andy and Dan review the 1970 album "Morrison Hotel" by The Doors. Sports and Songs Podcast Links: https://www.facebook.com/sportsandsongs1 https://twitter.com/SportsandSongs1 https://www.instagram.com/sportsandsongs/ https://www.sportsandsongspodcast.com/

https://www.virginradio.it/audio/long-playing-stories/1368986/long-playing-stories-the-doors-morrison-hotel.htmlhttps://www.virginradio.it/audio/long-playing-stories/1368986/long-playing-stories-the-doors-morrison-hotel.htmlMon, 20 May 2024 09:57:03 +0200Virgin RadioVirgin Radiono0

In which The Curmudgeons make the case for what we think is one of the most underrated bands of all time: The Doors. Wait. The Doors?! Yup. Once revered and now reviled, The Doors, we believe, are viewed by younger generations as a Baby Boomer fossil that is as pretentious as it is insufferable. But that misses the mark badly. Listen as we discuss the influences and artistic ambition that made Jim Morrison, Ray Manzarek and bandmates so compelling, so engaging and so original.    Enjoy each of The Door's six marvelous--or at least marvelously strange--records they made with Jim Morrison via our Spotify playlist: https://open.spotify.com/playlist/6qyqDc06X5gPa2XIK2n4jR?si=01b736f7a6ab40fa   Here's a handy navigation companion for this episode.    (0:52 - 04:05) - Arturo Andrade sets the parameters for our discussion of The Doors   (04:22 - 19:48) - The Parallel Universe, featuring reviews of albums by Yard Act and Liquid Mike   (20:33 - 42:02) - We dispel five myths commonly associated with The Doors   (43:32 - 01:08:54) - We discuss the band's origin story. We also analyze the first three Doors albums: the self-titled debut, Strange Days and Waiting For The Sun.   (01:09:53 - 01:46:55) - We analyze the last three records The Doors made with Jim Morrison: The Soft Parade, Morrison Hotel and L.A. Woman. We also discuss the band's considerable influence and undeniable legacy.    Join our Curmudgeonly Community today! facebook.com/groups/curmudgeonrock   Hosted on Podbean! curmudgeonrock.podbean.com   Subscribe to our show on these platforms: https://podcasts.apple.com/us/podcast/the-curmudgeon-rock-report/id1551808911   https://open.spotify.com/show/4q7bHKIROH98o0vJbXLamB?si=5ffbdc04d6d44ecb   https://podcasts.google.com/feed/aHR0cHM6Ly9hbmNob3IuZm0vcy80M   Co-written and co-produced by Arturo Andrade and Christopher O'Connor - The Curmudgeons  

Embark on a nostalgic joyride as Vinnie Giacalone joins me for a recollection of friendship and discovering music, beginning 45 years ago.  We recall the night The Police "Every Little Thing She Does is Magic" inspired my unique dance style, a curious mix of Snoopy's happy moves and The Blues Brothers. Laughter is in the air as we revisit Vinny's brakeless bike escapades, marking a trail from our reckless past to present-day triumphs such as 'The Organized Guy,' Vinny's own venture, now celebrating a decade. These tales of past follies and successes are the symphony of our shared history, underscored by the profound absence of guitar virtuoso Randy Rhoads, whose untimely passing took place the same day as my triumphant dance debut.In a crescendo of personal revelations, Vinnie unveils his top five albums, including gems like "Sgt. Pepper's" and "Rumors," and The Doors "Morrison Hotel," not as a ranked list, but as gateways to cherished memories. Jimmy and I, then meander through diverse musical landscapes, from Billy Joel's "Piano Man," "Van Halen II," The Cure, and Depeche Mode singles. The finale brings us to a live Bob Dylan performance, where the fusion of timeless classics and the fresh tracks from "Rough and Rowdy Ways" left us captivated. A tip of the hat to our guest, Vinny Giacalone, for the shared memories, - a symphony of tales, tunes, and timeless reflections.Vinnie can be contacted at vinnie@theorganizedguy,com or check out his website at theorganizedguy.com.Please Like and Follow our Facebook page Music In My Shoes. You can reach us at musicinmyshoes@gmail,com.

"Morrison Hotel" von The Doors erschien im Februar 1970. Es war das fünfte Album der Doors und ist – wie es sich für einen richtigen Meilensteine-Klassiker gehört – kaum gealtert. Die Erstsendung des Meilensteins zu "Morrison Hotel" lief Ende Januar 2020 zum damaligen 50. Jubiläum des Albums. Das Album verkaufte sich in weniger als drei Tagen bereits mehr als eine Million Mal und gilt als eines der größten Rockalben aller Zeiten. "Blues, Hard Rock, Psychedelic und Seemannslieder, eine verrückte und wilde Mischung, depressiv, mystisch oder albern verrückt – so wie die Doors halt waren." (SWR1 Musikredakteur Frank König) Wer sich als Doors-Fan vor 50 Jahren diese Scheibe gekauft und aufgelegt hat, der war womöglich erleichtert über den bluesigen Sound. Das war ein echtes Comeback, was da passiert ist! Das Vorgängeralbum "The Soft Parade" fiel unter anderem durch sehr viele orchestrale Einsätze aus dem normalen Door-Sound raus – und das kam bei den Fans und Presse nicht so gut an. Mit "Morrison Hotel" sind sie zurückgegangen zu ihren Wurzeln, zu richtigem Blues. Man könnte denken, es wäre ein Blues Klassiker, ist es aber nicht. "Ich glaube, es ist das Erfolgsgeheimnis dieses Albums, dass die Fans wieder gespürt haben, sie sind zurück bei ihren Blues-Wurzeln gelandet." (SWR1 Musikredakteurin Katharina Heinius über "Morrison Hotel" von The Doors) Der besondere Doors-Sound auf "Morrison Hotel" Die Doors machen mit ihrer Musik musikalisch Räume auf. Sie erweitern den Blues in dem Sinn, dass sie für große Instrumentalflächen in ihren Songs Platz lassen. Der Hörer muss sich nicht zwangsläufig immer mit dem Text beschäftigen, er kann sich auch einfach in die Musik fallen nd sich von ihr treiben lassen. Für ihre Vorgängeralben haben sich The Doors immer wieder Session-Musiker mit ins Studio geholt, da war immer viel los. Das haben sie jetzt für dieses Album tatsächlich weniger gemacht. Sie haben die Songs vor allem mit Jim Morrisons Gesang, Gitarre, Bass und Orgel aufgenommen. Bei manchen Songs sind dennoch Session-Musiker reingekommen, wie beispielsweise bei "Roadhouse Blues". The Doors sind eine der wenigen Bands, die keinen Bassisten haben, so haben sie sich für diesen Song Lonnie Mack zum jammen eingeladen, er war einer der großen Bassisten in dieser Zeit in Hollywood. Im November 1969 haben The Doors im Elektra Sound Recording Studio, einem Studio in West Hollywood, angefangen "Morrison Hotel" aufzunehmen. Letztlich wurde "You Make Me Real" dann die erste Single-Auskopplung von "Morrison Hotel" – und war nicht besonders erfolgreich. Jim Morrison hat in einem Interview mal gesagt, dass sie sich fast immer für die vermeintlich falsche Single auf ihren Alben entschieden haben, wenn es darum geht, wie erfolgreich der Song im Anschluss wurde. Die Entstehungsgeschichte der Doors Ray Manzarek und Jim Morrison haben sich im Studium kennengelernt und sich später irgendwann wiedergetroffen. Manzarek, der selbst Keyboard spielte, war sofort begeistert von Morrisons Stimme und seinen Texten, am Strand haben die beiden The Doors gegründet. Sie machten sich auf die Suche nach passenden Musikern und fanden Robby Krieger und John Densmore, die Gitarre und Schlagzeug spielten. Jim Morrison – Versoffener Poet & "Rock-Schamane" Morrison war bekannt dafür, dass er sehr gerne auf Blues-Nummern gesungen hat, wenn er alkoholisiert war – und das war in dieser Zeit bei diesen Aufnahmen ein großes Problem, denn sein Alkoholkonsum war erheblich. "Ja, er war schlicht und ergreifend ein versoffener Poet, oder? Ja, das kann man so sagen. Es war ja auch Teil seiner Kunst (…) diese Provokation alles zu zerstören oder dieses selbstzerstörerische Element. Er war so ein Grenzgänger, der wollte das auch ausprobieren." (SWR1 Musikredakteur Frank König über Jim Morrison) Morrison hatte reichlich Probleme dadurch, viele Prozesse am Hals und auch die öffentliche Stimmung kippte dadurch bei den Doors. Sie durften in manchen Bundesstaaten nicht mehr öffentlich auftreten. Morrison war auf der Bühne unter Alkoholeinfluss unkalkulierbar. Als die Polizei auf die Bühne kam und ihn mitgenommen hat, sind die Fans völlig ausgerastet und wenn er auf der Bühne die Besinnung verloren hat, hat er sich auch mal nackig gemacht. Jim Morrison war nicht von vornherein so auf der Bühne. Als die Doors 1965 angefangen haben Gigs zu spielen, stand er zunächst mit dem Rücken zum Publikum auf der Bühne. Erst später hat er sich eine künstlerische Figur zugelegt und seine düstere Seite kam mit dazu. Ray Manzarek hat diese Seite an ihm immer "Jimbo" genannt. Diese exzentrische, düstere Seite war dann auch jene, die auf der Bühne ausgebrochen ist – und das hat er irgendwann nicht mehr abschalten können. Irgendwann war diese Figur größer als er selbst. Morrison hat sich viel mit Literatur beschäftigt und wollte ein authentischer Poet sein. Für sein Verständnis, musste ein Poet leiden oder Leid erlebt haben. Auf diesem Selbstverständnis basierend hat er viele Gedichte geschrieben. Außerdem war Morrison sehr interessiert an indianischer Kultur, hat auch länger bei Indianern gelebt. Der Mann, der sich selber einen "Rock-Schamanen" nannte, hat in seiner Kindheit eine starke traumatische Erfahrung mit Indianern gemacht. Er wurde als kleiner 4-jähriger Junge Zeuge eines schweren Verkehrsunfalls, bei dem etliche indianische Wanderarbeiter ums Leben gekommen sind und hat dieses Trauma in seinen Songs und Gedichten verarbeitet. Zum Beispiel auch in dem Gedichtband "An American Prayer“. Er wurde 78 auf dem gleichnamigen Doors Album veröffentlicht. In "Dawn's Highway" erzählt Jim Morrison sehr detailliert von diesem grauenhaften Ereignis und beschreibt, wie die Seelen der toten Indianer seine Seele besetzen, die Zeit seines Lebens in ihm wirken sollen. Doch Morrisons Vater soll ihm gesagt haben, dass er das alles so nicht erlebt habe, ja nur geträumt hätte. Für ein Kind unverständlich – die Ebenen der Realität und des Traums können so durcheinandergeraten sein. Im Song "Peace Frog" thematisiert er diese traumatische Kindheitserinnerung. "Für mein Gefühl hat diese Geschichte sein Lebensthema ausgelöst, dass er immer wieder betrachtet. Es gibt ganz viele Songs der Doors oder Gedichte, die Jim Morrison geschrieben hat, die sich mit diesem Thema beschäftigen und immer ist der Grundtenor Leid." (SWR1 Musikredakteurin Katharina Heinius über Jim Morrisons Kindheitstrauma) Morrisons früher Tod Morrison stirbt mit 27 Jahren in Paris im Jahr 1971, seine damalige Freundin Pamela Courson findet ihn in der Badewanne. Er ist auf dem Friedhof Père Lachaise beigesetzt worden. Es gab nie eine Obduktion, letztlich ist demnach nicht bekannt, was die tatsächliche Todesursache ist. Der Arzt hat damals den Herzstillstand als Todesursache vermerkt. Doch Courson und Morrison unterliegen beide einem exzessiven Drogenkonsum. Auch sie stirbt 3 Jahre später in Kalifornien im Alter von 27 Jahren an einer Überdosis Heroin. "Morrison Hotel" – Ein Meilenstein der Musikgeschichte Was 1969 zum Streit zwischen John Lennon und den Doors geführt hat, die Entstehungsgeschichte der Band und ihres dazugehörigen Bandnamens, was es damit auf sich hat, dass die Doors für das Platten-Cover von "Morrison Hotel" verklagt wurden und $1000 Strafe zahlen mussten – darüber und mehr, wird in dieser Epidsode gesprochen. __________ Über diese Songs vom Album "Morrison Hotel" wird im Podcast gesprochen (03:24) – "Roadhouse Blues"(16:14) – "Waiting for the Sun"(22:27) – "Peace Frog"(26:30) – "You Make Me Real"(32:02) – "Queen of the Highway"(37:15) – "Land Ho!"__________ Über diese Songs wird außerdem im Podcast gesprochen (13:55) – "Roadhouse Blues"-Cover von Status Quo (Klaus Doldinger) von Udo Lindenberg __________ Shownotes The Doors - Live at the Isle of Wight Festival 1970: https://www.arte.tv/de/videos/100950-000-A/the-doors-live-at-the-isle-of-wight-festival-1970/ Jim Morrison: Die letzten Tage in Paris: https://www.arte.tv/de/videos/100171-000-A/jim-morrison-die-letzten-tage-in-paris/ Trailer zu Classic Albums "Morrison Hotel" auf dem YouTube-Kanal der Doors: https://www.youtube.com/watch?v=SxSTucTLo8w __________ Buchtipps "Die Doors, Jim Morrison und ich" von Ray Manzarek, Kirsten Borchardt (Übersetzung): http://www.hannibal-verlag.de/cgi-bin/WebObjects/TXTSVHannibal2.woa/640/wo/CULgQtJHNIi32bw00RW1A2yJwkg/2.0.SuperPage.11.1.5.1.1.11.1.1.1.0.BoxArticleSmall.1.13.0 "Mein Leben mit Jim Morrison und den Doors" von John Densmore, Rainer Moddemann (Übersetzung): http://www.hannibal-verlag.de/cgi-bin/WebObjects/TXTSVHannibal2.woa/640/wo/CULgQtJHNIi32bw00RW1A2yJwkg/5.0.SuperPage.11.1.5.1.1.11.1.1.1.0.BoxArticleSmall.1.1.0 __________ Ihr wollt mehr Podcasts wie diesen? Abonniert die SWR1 Meilensteine! Fragen, Kritik, Anregungen? Schreibt uns an: meilensteine@swr.de

Episode 46: ‘Morrison Hotel' - The Doors (1970)‘Morrison's Hotel'After the disappointment of their previous album, ‘The Soft Parade', The Doors went back to their blues rock style and presented us with some of their finest work. Following a series of misdemeanours in Jim Morrison's personal life coupled with a troublesome relationship with his girlfriend, perhaps this album provided a space for Morrison to get back to what he did best? Combining their Blues/Rock ‘n' Roll base with their traditional psychedelic and R&B elements, ‘Morrison Hotel' would be a welcome return to form for the LA group and one that would see their legendary status cemented in the history books.Episode 46 Playlist: https://open.spotify.com/playlist/5W035B5oKnsT6ll49AACSU?si=wtMQ8aLWTb6WgmDL-AFNcwLONG LIVE ROCK ‘N' ROLL- Follow the Podcast on Social Media: https://linktr.ee/longlivernrpod - Get in touch and/or leave us a review: longliverocknrollpodcast@gmail.com - Podcast Music by GeriArt, NaturesEye, astrofreq, Twisterium from Pixabay - Podcast Art by Ross Davidson (@ross_feelshame)

Welcome to the Instant Trivia podcast episode 829, where we ask the best trivia on the Internet. Round 1. Category: geographic spelling 1: This island country was formerly called Ceylon. S-R-I L-A-N-K-A. 2: Panama adjoins South America at this country's border. C-O-L-O-M-B-I-A. 3: The capital of French Polynesia; it's also the largest city in Tahiti. P-A-P-E-E-T-E. 4: Once a walled Inca city, these ruins near Cuzco, Peru are a favorite tourist site. M-A-C-H-U P-I-C-C-H-U. 5: The capital of Iceland. R-E-Y-K-J-A-V-I-K. Round 2. Category: sergeant york 1: WWI's famous Sgt. Alvin York was born on Dec. 13, 1887 in Pall Mall in this "Volunteer State". Tennessee. 2: Ironically, York didn't volunteer for service; he asked for a draft exemption as one of these, Latin for "peacemaking". a pacifist. 3: Solo, York killed over 20 of the enemy and captured 132 during the Argonne-Meuse Offensive in this country. France. 4: York's many medals included this, introduced in 1862, which he got for charging a machine gun nest. Medal of Honor. 5: One condition York demanded in selling the movie rights to his life was that this man would play him. Gary Cooper. Round 3. Category: name the rockers 1: "Please Please Me","Rubber Soul","Help!". The Beatles. 2: "Another Brick In The Wall". Pink Floyd. 3: "Strange Days","L.A. Woman","Morrison Hotel". The Doors. 4: "Kashmir". Led Zeppelin. 5: "Colour by Numbers","Kissing to be Clever","From Luxury to Heartache". Culture Club. Round 4. Category: universal studios islands of adventure 1: If you like 3-D action, you'll love the amazing adventures of this webslinger. Spider-Man. 2: Sam-I-Am knows Universal has a cafe named for this "colorful" title breakfast. "Green Eggs and Ham". 3: A T-rex attacks just before you take an 85-foot plunge on the ride named for this 1993 film. Jurassic Park. 4: Seuss Landing is home to a rollicking ride named for this famous feline. The Cat in the Hat. 5: On Marvel's Superhero Island you may turn green when you ride the roller coaster named for him. The Incredible Hulk. Round 5. Category: turn 1: Duke Emanuele Filberto brought it to Turin in 1578; it's now housed in the Cathedral of San Giovanni. the Shroud of Turin. 2: While touring Turin, stop into the Biblioteca Reale, and you'll be drawn to this artist's self-portrait. da Vinci. 3: This opera that made its debut in Turin in 1896 probably helped Puccini pay his "rent". La Boheme. 4: Turin's Egyptian Museum has a well-known statue of this "Let my people go" pharaoh. Ramses II (Ramses the Great). 5: For most of the time, from 1720 to 1861, Turin was capital of this fishy-sounding kingdom. Sardinia. Thanks for listening! Come back tomorrow for more exciting trivia! Special thanks to https://blog.feedspot.com/trivia_podcasts/

Cocinamos una selección de canciones para escuchar en carretera, canciones para conducir sin pensar en lo que dejamos atrás ni lo que nos espera más adelante.Playlist;(sintonía) JOEL PATERSON “Drive my car” (Let it be guitar, 2019)J.J. CALE “Anyway the wind blows” (Okie, 1974)ERIC CLAPTON “Lonesome and long way from home” (Eric Clapton, 1970)DELANEY and BONNIE and Friends “Comin’ home” (1970)THE LOVIN SPOONFUL “Darlin’ companion” (Hums of the Lovin' Spoonful, 1966)THE DOORS “Roadhouse blues” (Morrison Hotel, 1970)THE FLAMIN’ GROOVIES “Sweet roll me on down” (Flamingo, 1970)ROY LONEY and THE PHANTOM MOVERS “Driving Wheel” (Action shots, 1993)NEIL YOUNG “Everybody knows this is nowhere” (Everybody knows this is nowhere, 1969)BUFFY SAINTE-MARIE “Better to find out for yourself” (Illuminations, 1969)THE GUESS WHO “Bus rider” (Share the land, 1970)CRACKER “Get on down the road” (Berkeley To Bakersfield, 2014)THE MORELLS “The man who has everything” (Shake and push, 1982)BEN VAUGHN “Don’t say you don’t wanna” (Dressed in black, 1990)JOHN FOGHERTI “The old man down the road” Centerfield, 1985)JEFFREY FOUCAULT “Lodi” (Stripping Cane, 2004) Escuchar audio

What does your homestead have in common with this episode? NO, not a bathroom, you silly goose. This week, the critics review Morrison Hotel by The Doors. Michelle discusses her reluctance, and Sam talks about milking 3 bulls at once while simultaneously Stenographing a murder trial. This episode features a rousing round of Guess That Melody

Get 20% OFF @manscaped + Free Shipping with promo code EAE at MANSCAPED.com! #ad #manscapedpodThis week we're discussing every album by The Doors. Or, more accurately, all the albums with Jim Morrison. This band needs no introduction—Robby Krieger, Ray Manzarek, and John Densmore completed the original lineup of one of the most famous bands of all time. Everyone knows the hits, but how well do their full albums hold up?Closing track: “You're Lost Little Girl” from Strange Days (1967)Spotify episode playlisthttps://open.spotify.com/user/motherpuncherincPatreonhttps://www.patreon.com/everyalbumeverMerchhttps://pandermonkey.creator-spring.com/Mike's EP:Pander Monkey on Bandcamp, Spotify, Apple,Instagram:Mike @pandermonkeyAlex @everyalbumalexHistory Tom's stuff:Debut album on Bandcamp, Spotify, AppleSubstackInstagramTwitterFacebookMike and Alex's Picks:Strange Days (1967) — Best Album, Personal FavoriteMorrison Hotel (1970) — Worst Album, Least FavoriteAlbums we discussed this episode…The Doors (1967)Strange Days (1967)Waiting for the Sun (1968)The Soft Parade (1969)Morrison Hotel (1970)L.A. Woman (1971)

Christian Joseph dropped by the Badass Records Podcast studio for episode #22, and we discussed his affinity for skin ink, motorcycles, music, and the life of a restaurateur.The man with more middle names than you have professed his love specifically for Morrison Hotel (1970) by The Doors, Guns 'N' Roses's Appetite for Destruction (1987), and White Pony (2003) by Deftones, but that wasn't all we discussed.We talked about live music, professional endeavors, and the challenges that being a family member can sometimes present.Christian is a son, a brother, a father, and the owner of Plate Restaurant Group. He and I go back about eight or nine years, and have seldom passed up an opportunity to crack wise with one another. I couldn't be more grateful than to be gifted the time of such a busy individual who came by my place to bullshit for a couple of hours. It was truly a blast.copyright disclaimer: I do not own the rights to the intro/outro audio clips. They are from "The Fat Boy Goes to the Cinema," and "Get Some Money to Her" off of Albumen (1996) by The Egg, c/o Indochina.

Whistle for the bellhop, set the wakeup call, and don't order too many of those expensive nudie movies; because we're checking in to the Morrison Hotel! This week we discuss famed 27 club member, and no I don't mean his dick, Jim Morrison.

The Doors' 5th foray gives us some pretty good songs— and seven bonus tracks. Jim Morrison, aka The Lizard King, aka The Spy, begins his transition from acid shaman to obese blues/booze boy here and we're kinda here for it? Let's talk “Morrison Hotel”!

Take a trip back in time with one of the most iconic rock photographers in history. Henry Diltz was the man behind the camera for some of the most famous rock photos in history. He also photographed famed album covers such as The Doors' Morrison Hotel and James Taylor's Sweet Baby James. Diltz joins us to share stories about this unique time in American music history. Plus, discover what gets him excited these days.

Take a trip back in time with one of the most iconic rock photographers in history. Henry Diltz was the man behind the camera for some of the most famous rock photos in history. He also photographed famed album covers such as The Doors' Morrison Hotel and James Taylor's Sweet Baby James. Diltz joins us to share stories about this unique time in American music history. Plus, discover what gets him excited these days.

Episode 105: I will be talking about The Morrison Hotel and The TV Show Here's Geraldine in Chicago. --- Send in a voice message: https://anchor.fm/pete-kastanes/message

Episode 105: I will be talking about The Morrison Hotel and The TV Show Here's Geraldine in Chicago. --- Send in a voice message: https://anchor.fm/pete-kastanes/message

Today My Rock Moment catches up with legendary rock photographer Henry Diltz. His iconic photos have graced hundreds of album covers and have been featured in books, magazines and newspapers. He's best known for his work with The Doors, Crosby, Stills & Nash, Neil Young and his photo photographic essays of Woodstock and the Monterey Pop Festival.In Part One of our discussion we'll talk about his own musical journey in LA with the Modern Folk Quartet, the move to photography, his work with the Laurel Canyon folk rock scene, and his time working on the Morrison Hotel and Crosby, Stills & Nash album covers. To check out some of Henry's work - sold exclusively though The Morrison Hotel gallery in Los Angeles - visit: https://www.morrisonhotelgallery.com

Henry Diltz is one of the most iconic rock and roll photographers of today. He has shot over 200 album covers and countless photographs. The Doors, Morrison Hotel is one of the most famous works of art, which he named is gallery after (Morrison Hotel Gallery). The gallery features the works of over 125 famous music photographers with their photographs for sale. Henry tells  us some of the stories behind his photography, like hanging on the set with the Monkees, touring with David Cassisdy, shooting James Taylor and so many more.  

Its a rainy night on Georgia, folks...there was severe storms in Sydney during this recording and a couple of CONNECTION ISSUES but hang on kids, the edit cleaned up most of it! This is a loose, fun one - Guy Garner: Year One, by Chuck Dixon and Joe Staton, Kirk is IN SPACE, Bi-Monthly Supes, as DC try to inject some interest into a BLAND Jon Kent, Dave has a WILD Morrison Hotel pitch, Warlock is Cast, Lenny Henry is a Hobbit, and a lot more stuff besides! Sit back, relax, and let the good times ROLL! Weekly Comics We Have Demons #1 Warhammer 40K: Sisters of Battle #2 and #3 A Righteous Thirst for Vengeance #1 Blue and Gold #3 TRADE OF THE WEEK Guy Gardner: Year One Remember, for more exclusive content, you can sign up to the Signal of Doom Patreon! Please support the show on Patreon! Every dollar helps the show! https://www.patreon.com/SignalofDoom Follow us on Twitter: @signalofdoom Dredd or Dead: @OrDredd Legion Outpost: @legionoutpost Follow Dave on Twitter: @redlantern2051

Artist Song Time Album Year Rush Driven 4:25 Test for Echo 1996 Golden Earring Radar Love 6:20 Moontan 1973 Frank Marino &Mahogany Rush Crossroads 3:53 RealLIVE! CD1 2004 Doors Roadhouse Blues 4:01 Morrison Hotel 1970 Lynyrd Skynyrd Call Me The Breeze 5:06 Second Helping 1974 The Beatles Drive My Car 2:20 Rubber Soul 1965 Saga […]

Regresamos a la era dorada del rock n' roll y a uno de sus grandes hitos: el álbum Morrison Hotel de The Doors, lanzado en 1970. El que fue el disco del “renacimiento”, tras la debacle de The Soft Parade, era un ejercicio de rock, blues y poética salvaje de Jim Morrison. Ricardo Portmán nos cuenta su historia. Escucharemos Roadhouse Blues, Waiting for the Sun, You Make Me Real, Peace Frog, Blue Sunday, Ship of Fools, Land Ho!, The Spy, Queen of the Highway, Indian Summer y Maggie McGill + Bonus tracks.

In this episode, the Season 2 finale, I rank the Doors' six studio albums with Jim Morrison to commemorate the 50th anniversary of his passing.

This is a rather unusual podcast in my "Singles" series, namely podcasts that last roughly five minutes, though here it is nearer seven minutes long. Firstly, I set the scene, Monty Python-esque, as far as my weird mind is concerned, by telling a tale of the first night I met Van socially and he shot at me "daggers from his eyes."And that was only the beginning. Secondly, the podcast is based on vox-pop I was starting to do at a lig after one of Van's gigs, in Dublin, and the sound of the crowd makes a lot of it hard to make out.  But let me preface the audio confusion by saying that the "Steve" Van and I refer to is Steve Collins, whom I had interviewed, and Van described as a poet. As for the row Van had with one of his musicians, Richie Buckley, it went on for nearly fifteen minutes and seems to have started because Richie described as a "gentleman" some guy Van described in a polar opposite way, as you shall hear, I hope. And yes, everyone in the reception area in the Morrison Hotel, did fall silent as soon as the row erupted in plain view of all concerned. 

Un demi-siècle après son décès, Jim Morrison continue à fasciner et à inspirer de nombreux fans à travers le monde. Laurent Rieppi vous emmène à la découverte de l’histoire atypique du leader des Doors, icône des 60’S. Il retrace l’ensemble de la carrière artistique ainsi que la vie de ce poète, disparu tragiquement à Paris le 3 juillet 1971, à travers des témoignages des membres des Doors, des documents exclusifs de certains de ses amis et de personnes qui ont eu l’occasion de croiser son chemin ou de partager la scène avec lui. ‘’Morrison : le Roi Lézard’’ nous emmène dans un voyage musical sur le chemin d’un des plus grands artistes de l’histoire du rock, parti bien trop tôt…

OPENING THE DOORS, PART FIVE- The R4 Podcast continues with Part Five of an Album Series as they review The Doors' 1970 album Morrison Hotel! Rock on!   Contact us! e-mail: ridiculousrockrecords@gmail.com   Facebook: https://www.facebook.com/R4podcast   Twitter: @R4podcastAaron   Instagram: https://www.instagram.com/r4podcaster/

Thursday Comics #34from the Library of Graphic LiteratureMarch 25th, 2021Welcome to another astounding episode of Thursday Comics with issue #34 and the Time Blasting Lords of comic book media, Dennis Osbourne and Wallace Ryan!!! And their sole member of the audience, the always wonderful Luna.In this episode, we chat about some upcoming Omnibuses, the missing "Static" series, Milestone, Morrison Hotel, the new "Tomb of Dracula" Marvel Masterworks series Larry O'Neil, "the Falcon and the Winter Soldier" and a few other things.Thursday Comics theme by Bill Brennan#DCcomics #marvelcomics #thursdaycomics #comicbooks #graphic novels #omnibus #Static #Morrison Hotel #Falcon #wintersoldier 

In this episode of La Ruleta Rusa: The Doors. Morrison Hotel (50th Anniversary Deluxe Edition), 2020. (17:25) Emile. The Black Spider / Det Kollektive Selvmord, 2020 (28:36) Echolyn. A Little Nonsense - Now And Then, 2002 (39:34) Holy Monitor. Southern Lights, 2021. (55:07) Faith No More. Album of the Year, 1997.

En esta entrega 14.2021 de La Ruleta Rusa, escuchamos a: The Doors. Morrison Hotel (50th Anniversary Deluxe Edition), 2020. (17:25) Emile. The Black Spider / Det Kollektive Selvmord, 2020 (28:36) Echolyn. A Little Nonsense - Now And Then, 2002 (39:34) Holy Monitor. Southern Lights, 2021. (55:07) Faith No More. Album of the Year, 1997.

Lo ofreció en su momento Billy Corgan al que era su sello (Virgin) pero lo rechazaron. Y es que había hasta ochenta canciones compuestas para el "Machina" que podría haber sido doble o triple. Ahora veinte años y un poco después llegará segunda parte de esa máquina de Smashing Pumpkins con el subtítulo de "Friends and enemies of modern music". También se sabe que el líder de la banda tiene prevista secuela próxima de "Mellon Collie and the infinite sadness". El final fue con la noticia de que ya se puede ver un avance de la novela gráfica inspirada en el "Morrison Hotel" de los Doors. Y es que según dice la escritora Leah Moore los textos son tan narrativos que encajan perfectamente para llevarlos a ese cómic que edita Z2. A mitad de caballo entre las noticias y novedades internacionales sale la edición deluxe de "Imploding the mirage" de The Killers que dicen ya tener track list de su séptimo trabajo. También los neocelandeses The Chills avanzan una canción más de lo que será "Monolith". Lo mismo hacen The Coral y el próximo "Coral island" con sabor a pre-Beatles, Everly Brothers y Chuck Berry. Por su parte, Pale Waves sueltan el cuarto y último avance de lo que será "Who am I?" el día 12. De ser cartero a arrasar en las redes sociales a capella (ahora ya hay acompañamiento musical) con esta tonadilla de los marineros de los siglos XVII y XIX. La suerte ha llamado a la puerta del escocés Nathan Evans que ya tocaba la guitarra a los ocho años. Trío de voces femeninas. Imelda May que cuenta con el refuerzo de Noel Gallagher y Ron Wood en un corte de su undécimo disco; Julia Stone tiene la ayuda de Matt Berninger y Juliana Hatfield anuncia el que será su decimonoveno álbum. Dos novedades de aquí. Una canción que formará parte del relevo de "El aire antes del viento" de Lígula y un supergrupo malagueño (con miembros de Dry Martina, Petiswing y Bud Spencer Band) llamado Revolta. El recuerdo de los 50 años del programa que llegará el 27 de marzo vino con uno de los singles setenteros de éxito de Gary Glitter que también tocó (dos baterías en el escenario) en la sala M&M de Madrid por la época. Escuchar audio

BDG met the photographer of the Morrison Hotel cover and hasn't stopped listening to this record since. This was back to the basics for The Doors with 37 minutes of greatness for you and Big Daddy Graham's ears.

Today journalist Erica Barnett joins Crystal to dissect Mayor Durkan's decision not to run for re-election, Renton's continued attempt to use zoning laws to oust homeless folks, shelters, and services, the Seattle Metropolitan Chamber of Commerce's challenge to the JumpStart payroll tax, and the SPD being held in contempt of court for their use of force last summer. A full text transcript of the show is available below, and on the Hacks & Wonks blog at https://www.officialhacksandwonks.com/post/week-in-review-with-erica-barnett. Find the host, Crystal Fincher on Twitter at @finchfrii and Erica Barnett @ericabarnett, and on Publicola.com. Find Erica's book, Quitter: A Memoir of Drinking, Relapse, and Recovery, online or at your local bookseller. More info is available at officialhacksandwonks.com. Articles Referenced: Anti-Homeless Shelter Bill Moves Forward in Renton from Publicola https://publicola.com/2020/12/09/anti-homeless-shelter-bill-moves-forward-in-renton/ Federal District Court Judge Finds Seattle in Contempt of Crowd Control Injunction by Paul Kiefer https://publicola.com/2020/12/07/federal-district-court-judge-finds-seattle-in-contempt-of-crowd-control-injunction/ Find more work by today's co-host, Erica Barnett, at https://publicola.com/ Full Transcript: Crystal Fincher: [00:00:00] Welcome to Hacks and Wonks. I'm your host Crystal Fincher. On this show, we gather insight into state and local politics and policy through the lens of those doing the work and provide the behind-the-scenes perspectives on politics in our state. Today, we're continuing our Friday almost live shows where we review the news of the week with a co-host. Welcome back to the program, friend of the show and today's co-host Seattle political reporter, editor of PubliCola, and author of Quitter: A Memoir of Drinking, Relapse and Recovery, Erica Barnett.  Erica Barnett: [00:00:40] Great to be here, Crystal.  Crystal Fincher: [00:00:42] And great to have you here. So we will dive right in. And big news of the week that we started off the week with is Jenny Durkan announced that she will not be seeking re-election - very consequential news for the city. And so just wanted to get your thoughts on what drove that decision and what does that mean now? Erica Barnett: [00:01:03] I mean, my thoughts, just having observed Mayor Durkan for three years are that she really didn't like the job. And particularly the job of being mayor in a pandemic, at a time when there is a racial reckoning taking place that involves protests, particularly protest against her and her leadership. And during a time of economic collapse nationwide - it's a time of a lot of bad news, as everybody is well-aware, and it's a hard job in good times and it's a hard job, especially in bad times. And I think she just, in some ways, was not really fully prepared for what the job entailed and the criticism that she would be subjected to in such a prominent position. She'd never held elected office before and, I think, came in believing that this was essentially a managerial job and a communications job. And in fact, it's much, much more than that to be the mayor of a major city with lots of problems, including, I didn't even mention, the crisis of homelessness which has gotten so much more visible on her watch.  Crystal Fincher: [00:02:09] Well, I think you nailed that analysis and kind of put your finger on what a lot of people don't pay much attention to is - what is the job of the mayor? And it's a lot more broad than when someone's just thinking about, off the top of their head - if they don't have much experience with it, there's so much more to it than just managing the city. And also in situations where someone's not used to being under a microscope with every decision that they're making, and criticism is coming, no matter what decision you make - to be able to accept that and deal with it and work with that - it seemed like that was always a struggle for her. Just dealing with criticism and understanding that that's something that happens and instead of trying to avoid it at all costs - not successfully, or adeptly, navigating through that. That seemed to be a continuing struggle for her and I think you nailed it - she seemed to just really not want to be there increasingly as time has gone on. Erica Barnett: [00:03:17] Yeah. I mentioned that I think that she sees being the mayor as largely a communications job and I want to expand on that a little bit. I think that if you look at her messaging and the messengers that she uses to get her message out and just, her general spin on every event, whether good or bad, has been that things are good and getting better. And that just simply doesn't work in 2020, and also it's not believable. And I think that that really hampered her ability to respond in real time to events like the Black Lives Matter protest, for example. Her response was essentially to double down initially and say, We're doing everything right and that Seattle is a model for police reform in the country. She said that many times, and then flipped it at a certain point and said, You know what? Fine. Here's a $100 million that we're going to spend - first, she said on black communities and then she said on BIPOC communities - without actually having any sort of plan for how to do that and just saying, We'll figure it out later.  As it turned out, that was a pretty rash promise because it relied on revenues that were already dedicated and promised to other sources, including by the mayor herself. There's $30 million in there that she had already promised to equitable development - and so, it just felt like a lot of her careening from position to position was based on, if not real polls, kind of an invisible poll in her head about what would make people react to her positively. I, obviously, I'm not inside the mayor's brain, but that's what it looked like from the outside and it often resulted in a lot of really inconsistent seeming policies. And it also led to, I think, a feeling that it's hard to trust what the mayor's position is, or policy is, on an issue and on any given day, 'cause it could change tomorrow, based on who she wants to please on that day. So I think that - no politician can ignore opinion polls and no politician can ignore what people are saying about them, but I'll just give one example. The mayor's office reactions to things on Twitter was pretty extreme. I think that - just the pushback that I would get personally, for stuff that I would say on Twitter, or things people would respond to me saying that I had no control over, was pretty strong from the mayor's office. And my advice about Twitter and I don't always take this is, It's like riding on a waterfall and it disappears after a minute. And, if you make an error, you correct it. If you don't like something, everybody's gonna be yelling about something else in five minutes. But I don't think the mayor was really able to heed that advice. Crystal Fincher: [00:05:53] I think you're right. And the issue of trust - when you talk about the community needing to trust the message that they're hearing from the mayor and from the mayor's office, eventually wound up being irretrievably broken. And I think that she eventually came to see that. But the struggle through that, like you were talking about - her responses to, during the protests, to what the police were doing and our ability to see something that she is denying while we're watching video of that thing happening - it was jarring for a lot of people and a number of her supporters that came in, as she came in, became disillusioned. People who were already frustrated with the messaging and pace of progress became even more vocally disillusioned. And it just continued to be a consistent problem.  We have seen, and it looks like there's going to be another rehashing of the "Seattle is Dying" - fabricated, largely exaggerated, I won't say documentary, but spin - on homelessness and crime in Seattle. And for residents of Seattle that never rang true. And so the effect that people thought that that would have on elections never materialized. I think on the flip side, with a number of the things, as you pointed out, Jenny Durkan saying, Things are great and they're getting even better. We're working on it and it's awesome and don't you believe your eyes. And people are looking around and going, No, it's not - the problem's getting worse and the things that you say are happening are not. And we understand this is a hard problem to fix, but we want to see you try and not just lie to us with a smile on your face. And that was continually a challenge. And especially in municipal positions, from big cities to small, you're living in the same conditions as your residents and you're telling them what's happening on their streets and in their neighborhoods. And they can see, outside their window, if what you're saying rings true or not. This is not like a legislative position or something in Congress where you can make a speech and take a vote and it just seems very disconnected and the expectation of accountability doesn't squarely land on you. That's the case in Seattle and it just seems like she wasn't prepared for her word and her actions to be the end-all and be-all, her needing to take a side, her needing to make definitive decisions and be accountable to those decisions in the public. So now that we are here and she has announced that she's not running for re-election - what does this do to the political landscape in Seattle? Erica Barnett: [00:08:31] Well, I think that it is going to be, I think it's going to be a very crowded mayoral race as it was last time. I wouldn't be surprised to see 20-25 people jumping in. I think that Lorena González - and I'm terrible, I should say, at predictions, I always need to caveat that - but I think Lorena González, City Council president, is likely to get in. And of course, Teresa Mosqueda is another council member whose name is being thrown around - I think that's a little less likely. I mean it's - running for mayor is a tough decision because it's a bad job and so, it's often hard to get that many really qualified candidates out of that 20 or 25 that we've been seeing in recent years. So I think it'll be really interesting to see - Jessyn Farrell, who ran last time and who PubliCola, then the C is for Crank, endorsed, is supposedly thinking about it, as is Brady Walkinshaw, who ran for Congress and lost. And so, I think it's going to be a crowded race with some familiar faces, probably some unfamiliar faces. And yeah, I mean, that's basically all we can predict right now.  Crystal Fincher: [00:09:40] Do you think there's going to be an advantage or a disadvantage to those running from their council positions, if one or more current council members get in? Do you think that's an advantage, a disadvantage, or how do you think that plays out? Erica Barnett: [00:09:55] Well, that's a really good question. The city council is broadly incredibly unpopular and the mayor is also not super popular, but in a way, these are judgements of positions rather than judgments of people. I do think if you're running as an incumbent city council member, that is a tough thing you have to overcome. I do think, though, that the citywide city council members may have a little more popularity - and I haven't seen specific polling on this, I just know that a lot of the district council members are less popular than they were when they came in and certainly than the mayor. So I think it is a disadvantage to run from a council seat, but on the other hand, you do have name recognition, so that certainly helps. I'm trying to think of the most recent council member who was elected mayor, if any, and I am drawing a blank right now. So, I'm not sure - it certainly doesn't convey any obvious advantages other than name recognition, obviously.  Crystal Fincher: [00:10:56] Yeah, that does seem to be the case and I'm drawing the same blank that you are.  Erica Barnett: [00:11:01] I can think of lots of them who've run - Bruce Harrell, Peter Steinbrueck - I mean, plenty of candidates for mayor among the council, but none successful.  Crystal Fincher: [00:11:10] Yeah, certainly going to be interesting to see how this plays out and how they engage with the competing and pressing priorities in the city. Well, talking about other cities, that brings us to Renton, and we talked about this a bit last week on the show, but Renton is adopting legislation that will effectively ban future homeless shelters and set an eviction date for the current tenants in the Red Lion. This certainly - my view is that this is a very bad thing, but also as you have pointed out and discussed, it's also bad for the regional approach to homelessness that's so often talked about. You want to give a bit of background on this? Erica Barnett: [00:11:53] Sure. So the City of Seattle and I believe 39 other suburban cities are joining into an agency called the King County Regional Homelessness Authority. And the idea is that having a centralized authority will create or enable a regional approach rather than the city-by-city approaches that we have had over the years. And that authority has had a lot of bumps along the way. The selection of a director for the authority, known as the CEO is very slow. It's been - it was supposed to happen in September. The latest timeline has it happening now in February. So, hard to say how that's going to go, but the problem with regionalism and the problem always has been that a lot of these cities that are outside Seattle want to have their own approaches to homelessness and a lot of times those approaches are a lot more punitive than what Seattle would like. So that tension does not go away just because you create a regional body and say, We're regional now. The cities did not initially want to participate unless they got a significant amount of leverage on the various boards that are on the governing board that oversees the authority. And they also didn't want to pay taxes to support the authority. They got both of those things, but now as we're seeing, individual cities, not just Renton, but, cities are cleaving off in various ways. One thing that happened recently was a bunch of cities, I think half a dozen, including Renton, adopted their own versions of local sales taxes to pre-empt the King County sales tax that's going to pay for homelessness. And those local versions can pay for things that are not specifically oriented to homelessness, like housing for essentially middle-income people. So I think that tension is going to continue and it's going to continue to hamper the ability to have an actually regional approach. Renton is already talking about sub-regional authority, which is, I think in some ways, a synonym for city authority, which is what we already had before this whole effort started.  Crystal Fincher: [00:13:51] Right. So how is Renton going about trying to evict these people from the Red Lion?  Erica Barnett: [00:13:57] This legislation is land use legislation and it is essentially zoning them out. So the legislation does two things - it says that everybody, that most of the people at the Red Lion currently, have to be out as of June 1st, so the end of May -  by putting a cap on the number of people who can be there. So it would be 125. Right now there's about 235 or so people living there. Then after that, at the end of the year, everybody would have to be out. So no matter what happens with the pandemic, which is the reason everybody was moved so swiftly from the Morrison Hotel and other DESC facilities in Seattle to the Red Lion. No matter what happens with that, they've got to be out. And then the second thing it does is it adopts new rules for - new zoning rules - for shelters, which Renton says - shelters are currently illegal 'cause there's no zoning that explicitly allows them. I think that's a novel interpretation of what zoning is for. We don't have any rules like that in Seattle at all. And the rules say that no homeless service provider can serve more than a hundred people total. And that includes shelters and any other homeless services you might have, either co-located or at a facility. So no more than a hundred - hard cap. And they have to be half a mile from each other, only in certain industrial zones, well-removed from people, and there's also tons of rules around how the shelter providers are supposed to manage the conduct of the people who stay there, which is kind of an outrageous demand in my view, because they are human beings and they have civil rights and I think a lot of the conduct requirements really infringe on those rights.  Crystal Fincher: [00:15:40] I completely agree with that. And this is just a reminder that you're listening to Hacks and Wonks on KVRU 105.7 FM. I'm your regular host Crystal Fincher, and today we have a guest co-host, Seattle political reporter, Erica Barnett. And so they are really appearing to use zoning as a tool to exclude. Which, certainly, zoning laws have a history of that use and then being wielded that way. But you talked about one of their interpretations being novel. How standard does what they're doing appear to be overall with how zoning laws are implemented and used? Erica Barnett: [00:16:20] Well, I think it's - I can't speak to every single zoning law in the state obviously. I haven't done a review, but I know that in Seattle, the biggest city in the state, zoning, and traditionally everywhere, zoning is used to regulate things like density and also environmental hazards. So you might have industrial zoning that says the buildings can't include residential and also it has to be far away from people because there are environmental hazards associated with a steam plant, or whatever, or manufacturing business. Zoning is not traditionally used to exclude - well traditionally, it was certainly used to exclude people of color from certain areas of cities - but today in 2020, we use it to do things like regulate height, and regulate density, and regulate how many people can live in an area versus what kind of businesses can be located in an area - do we let big box stores go there? We don't use zoning to say that if people are of the class that is houseless or homeless, they cannot be here. I think that is a really, really dangerous road to start going down, and the reason I say it's a novel interpretation is that the city of Renton, I think, really rushed this legislation. I think it's pretty poorly written and they revised it a whole bunch of times in response to specific legal objections that could open them up to lawsuits. And they have been trying to get the people kicked out of the Red Lion for a really long time. They initially said that this is a violation of a different part of the zoning code, saying that there's a dispute over whether it's a hotel use or whether it's a use that's not explicitly allowed, and that's happening on separate tracks. So, they're trying every tool they can and they don't have a lot of tools to ban homeless people because there aren't a lot of tools to ban homeless people. It's not people's fault that they become homeless, and tools that are laws like sit-lie laws and saying that you're not allowed to loiter, are increasingly considered to be civil rights violations and also racist. So this is a different approach that takes a very kind of, cold and analytical-seeming concept of zoning, and says that it applies here. But what they're really trying to do is send these folks back to Seattle and their comments at council made that pretty clear. Everybody said, This is a Seattle problem. Seattle created it. They need to go back there and that's what's really going on.  Crystal Fincher: [00:18:51] That does appear that is what's actually going on. They're attempting to act like their city doesn't have an inherent problem with homeless people, that they are somehow coming from different cities, and that if you treat them with full humanity and decency, that only entices them and incentivizes them to stay, when we know that's just factually untrue. So it looks like this is going to be taken up again on a meeting with the council on Monday night, is that correct?  Erica Barnett: [00:19:26] That's right. And that'll be a final action. Crystal Fincher: [00:19:30] So it certainly looks like this is what the council intends to do, but for people who are able - making comments, making phone calls, certainly making sure that people are on record saying that this is not the default position of the general public in Renton and in the area. And that this is really an inhumane response to a really human problem. So looking next - issues where residents and businesses are struggling. The JumpStart payroll tax was an attempt to generate revenue to help people impacted by COVID, the pandemic, and everything that has resulted. And the Chamber of Commerce has brought a lawsuit against it. What's happening there? Erica Barnett: [00:20:19] Well, the lawsuit - this is from the Seattle Metro Chamber of Commerce. And essentially what they're saying is that this amounts to, just getting outside of the jargon of the lawsuit, they're saying this is an income tax effectively. Specifically, they're saying it's a tax on the right to do business and they're calling on a 1952 precedent that involved a license that people in Bellingham, I believe, had to get to basically work and that was overturned. And so, again, speaking of novel approaches, I think this is a novel approach and I don't know that it will necessarily be successful. It seems like a pretty weak argument. But it's interesting - I mean, I think a lot of people at the city were surprised that the Chamber decided to take this kind of Grinch-like action, it was described to me by someone at the city, and sue over this. It only affects a small percentage of businesses in the city making revenues of over $7 million and with employees with pay of over $150,000/year. And as you said, the JumpStart Tax for the first couple years, it's COVID relief. And a lot of that is COVID relief directly to small businesses. And so, for the Chamber of Commerce to be opposing relief for small businesses is directly, it seems, conflicting with their mission, which is to support businesses of all sizes and not just the Amazons and the Facebooks and the Googles of Seattle. Crystal Fincher: [00:21:46] Well, and this is certainly that issue brought out into the light. This has been a criticism of the Seattle Chamber of Commerce and of several - saying in larger cities, really saying, Who are you representing? The majority of your membership is small businesses and they oftentimes have fundamentally different challenges and concerns than the largest corporations in the world, like the Amazons and Microsofts and Googles. And the issues that they have pushed hard on or run on, oftentimes seem to have been at the direction of the mega-corporations and not of the neighborhood businesses that many residents patronize and who hire our neighbors to a large degree. And so there really does seem to be a real conflict of interest and a need for a reckoning and accountability for whose agenda are they really pushing. And I hope this is a conversation that the wider business community in Seattle has, because when we only focus on the mega-corporation interests, we all lose out, and it is small business who employs the majority of people. They're individuals and don't individually wield a lot of power, but collectively, they really determine the direction of our local economy. And so to see help - that are keeping the doors open in these small businesses and that are keeping people employed - being directly challenged and Amazon looking to snatch money out of people's hands and the hands of small business is pretty blatant and overt. And people are literally asking, Is this now an Amazon lobbyist? Or is this an organization that represents the biggest, the interest of small businesses in the city? So it'll certainly be interesting to continue to watch how that unfolds.  Erica Barnett: [00:23:46] Yeah, I'll just add one quick thing. I mean, the JumpStart Tax is explicitly designed to go - to have preference for brick and mortar businesses. And a lot of the complaints about what's happening "downtown", and what you're going to see in the latest KOMO propaganda film on Saturday is that there's - is that the downtown is dead, the businesses are boarded up, and there's too many homeless people wandering around, and all that kind of stuff. Well, guess what? This tax pays for brick-and-mortar businesses to help them stay open. It also pays for, specifically for homelessness programs, and homelessness prevention and rental assistance, so that more people don't become homeless. So I would say that even the non-targeted provisions of this legislation would actually help the businesses that are complaining about the state of downtown right now. Crystal Fincher: [00:24:40] Certainly appears to be the case. Now, this week, we also saw SPD have a case ruled against them and they were held in contempt by a judge. What happened with that?  Erica Barnett: [00:24:55] Well, essentially, there were a lot of complaints regarding the protests that started back in June about police use -  indiscriminate use - of weapons, so-called less-lethal weapons, like blast balls and tear gas and pepper spray. And several of those - the judge found several of those to essentially be credible and held them in contempt of this injunction that he issued back in June saying that SPD could not use force against peaceful protestors. So, it's a very, it's a meaningful ruling. I think we'll see what the penalties are and, and whether it has any kind of long-term impact on SPDs practices, but it is unusual for the city to be held in contempt in this way. So it's certainly meaningful in that way.  My reporter Paul Kiefer said that, reported that, the mayor's office couldn't find any similar cases like this in their review. So it's certainly unprecedented and unusual. But we'll see what the penalties are and we'll see what - whether it has any kind of impact on the upcoming police negotiations or on police practices. Crystal Fincher: [00:26:00] That will be interesting to see. And especially with some of the arguments that SPD was making - that as long as they can show that their officers were instructed not to do something - if they do it, then it's not SPDs fault. Even if that appears to be habitual behavior - just the throwing up of hands and say, Well, we told them not to do it. So what - how can we be responsible for that? How are we to expect that an organization currently under a consent decree for an excessive use of force would have officers that do that, despite being told not to several times? So it seems like there is a continuing resistance - none of us are surprised, right - about any kind of accountability, taking any kind of responsibility, for what officers are doing on the ground. And this contempt order also explicitly acknowledged that officers were acting independent of any regard for their own personal safety. So many defenses of this are like, Well, what do you expect if someone tries to assault an officer, which no one is condoning of anyone. But what we have seen several times is that there was no threat - no physical threat, no assault, no feeling scared that something imminent was about to happen - this was just a response and basically, explicitly said, a response to the message Black Lives Matter than to the protestors. Erica Barnett: [00:27:26] Sorry, sorry that I interrupted you there - just to your point - the judge noted that one of the officers ordered an officer to use a blast ball to "create space" between officers and protesters, which is not a response to any kind of use of force or any kind of bad behavior at all from protesters. It's just - it was just kind of indiscriminate - and blast balls are very potentially harmful and damaging weapons.  Crystal Fincher: [00:27:52] Extremely. There are instances of journalists' eyes being put out with blast balls and people of the public's eyes being just exploded by blast balls. There's actually a little support group just for that specific thing throughout protests in the country. It is an alarming and depressing thing. And what a lot of people wonder is, Okay, so a judge has ruled they've been held in contempt. So what happens to them? Is there a penalty? Is there a consequence? Erica Barnett: [00:28:21] I mean, there could be a financial penalty for sure. I think that - that again remains to be seen, but they could have to pay out. There's a lot of plaintiffs in this case, as you might imagine - not just Black Lives Matter of Seattle King County, but the ACLU and a number of individuals who say they were harmed by SPD's use of force. So financial penalties are something that the city is used to dealing with, but they also don't like to pay them. So conceivably that could change officer behavior, but I think, what it's going to come down to ultimately is the police contract, is police leadership. We have an acting police chief right now and ultimately whether we get a mayor, or whether this mayor decides to take a hard political and public stance against some of these actions, which the current mayor has not.  Crystal Fincher: [00:29:14] Got it. But I do want to thank all of you for listening to Hacks and Wonks on KVRU 105.7 FM on this Friday, December 11th, 2020. Our chief audio engineer is, at KVRU, is Maurice Jones Jr. The producer of Hacks and Wonks is Lisl Stadler. And our wonderful co-host today was Seattle political reporter and founder of PubliCola, Erica Barnett. You can find Erica on Twitter @ericabarnett, that's Erica with a C, and on PubliCola.com. And you can buy her book Quitter: A Memoir of Drinking, Relapse, and Recovery on Amazon or through your independent bookseller. You can find me on Twitter @finchfrii, and now you can follow Hacks and Wonks on iTunes, Spotify, or wherever else you get your podcasts - just type Hacks and Wonks into the search bar. Be sure to subscribe to get our Friday almost-live shows and our mid-week show delivered to your podcast feed. And you'll notice in the show notes there are now full text transcripts of the audio shows to further the accessibility of the podcast. So thanks for tuning in and we'll talk to you next time.

The Doors é uma das maiores bandas de todos os tempos e seu vocalista Jim Morrison é sem dúvida um dos maiores poetas da cultura pop. Hoje vamos conversar tudo sobre este lendário e controverso grupo que revolucionou a história da música contemporânea e influenciou gerações. Hoje vamos abrir as portas da percepção em direção ao infinito. "Se as portas da percepção fossem abertas, tudo apareceria como realmente é: infinito". Nossas convidadas de hoje são Meire Viana e Monalyza Vieira - Participantes: Meire Viana e Monalyza Vieira CONTEÚDO DESTE EPISÓDIO: - Começo, infância e adolescência de Jim Morrison - Faculdade de cinema - Venice Beach - Discografia - The Doors (1967) - Ed Sullivan Show - Strange Days (1967) - Waiting for the Sun (1968) - Patricia Kennealy-Morrison - Cliff Morrison - Filho de Jim Morrison - Groupies - Pamela e o conde - Briga com Janis Joplin - Incidente em New Haven - The Soft Parade (1969) - Incidente de Miami (1969) - Cinema: HWY - filme experimental sobre um caroneiro - Desperdício de tempo - Material perdido - Morrison Hotel (1970) - Família - L.A. Woman (1971) - Drogas e bebidas - A real morte de Jim Morrison * - Será que Jim Morrison realmente morreu? - Discos sem Jim Morrison - Other Voices - Full Circle - Discos e livros de poesia de Jim Morrison - 1978 – An American Prayer - Filme do The Doors (1991) - Documentário Ray Manzareck - Material inédito - Shows "The Doors of the 21st Century" - Emoção no túmulo de Jim Morrison - Fantasma de Jim Morrison - Coleção - Jim Morrison Scrapbook - The Golden Scarab (1974) - Filme: Love Her Madly - Robbie Krieger & Friends (1977) - Fofocas e ciúmes - Loja da Pamela - Material de pesquisa - O melhor disco - Pamela no colo do Mick Jagger - Recomendações e muito mais! LINKS COMENTADOS Instagram Meire ► https://www.instagram.com/performances_jim/ Grupo do Facebook Jim Morrison Brasil ► https://www.facebook.com/groups/jim.morrison.br/ Dimitri em Venice Beach ► https://www.youtube.com/watch?v=rpMnSA1zxPE Ray Manzarek in Venice ► https://www.youtube.com/watch?v=eSkllKaA8dE The Doors Live at The Bowl '68 ► https://www.youtube.com/watch?v=s2lo5ZpOqFQ The Unknown Soldier-The Doors-(Official Video) ► https://www.youtube.com/watch?v=Jk-tbX7xVG4 Jim Morrison's Film HWY: An American Pastoral (Film, 1969) ► https://www.youtube.com/watch?v=H2vNXCm13d4 E-MAIL DE CONTATO ► semfreiopodcast@gmail.com CAMISETAS DO DIMITRI ► http://bit.ly/2XS3eeQ COMPRAR AS ARTES DO DIMITRI IMPRESSAS ► http://bit.ly/2O5H4Pl LIVRO "OS CONTOS DAS SOMBRAS DA MENTE" ► https://www.amazon.com.br/dp/B08BTYZ471 APOIE A GENTE pelo PAYPAL e contribua para criação de conteúdo ► http://goo.gl/f4XRLS ACOMPANHE A GENTE: SITE ► http://dimitrikozma.com YOUTUBE ► http://goo.gl/BZ9mA9 SEJA MEMBRO DESTE CANAL E GANHE BENEFÍCIOS ► https://bit.ly/3i4k2W2 INSTAGRAM ► https://www.instagram.com/dimitrikozmaart CANAL DIMITRI KOZMA ART ► https://bit.ly/2A9LgKN SPOTIFY ► https://spoti.fi/2UYEhcj APPLE PODCASTS ► https://apple.co/2Va7f95 GOOGLE PODCASTS ► http://bit.ly/2Jugltq ANCHOR ► http://bit.ly/2VGABAd FEED DO PODCAST ► https://anchor.fm/s/b181680/podcast/rss CANAL É A VIDA, MEUS QUERIDOS ► https://goo.gl/kjxmcG CANAL KOZMA GAMES ► http://goo.gl/K5Ibrb CANADÁ DIÁRIO YOUTUBE ► https://youtube.com/canadadiario GAMES DO DIMITRI KOZMA ► https://dimitrikozma.itch.io/

The Doors guitarist Robby Krieger gives Kyle Meredith a call to talk about the 50th anniversary of Morrison Hotel. Krieger tells us about coming up with the solo to "Peace Frog" and how Lonnie Mac came out of retirement to play bass on "Roadhouse Blues". Then we pull into the present as Krieger discusses his new album, The Ritual Begins At Sundown. The LP has a blues connection to Morrison Hotel in the song "The Hitch" as well as a very strong Frank Zappa connection. Hear about all of that as well as a small tease about next year’s 50th anniversary collection of LA Woman. Follow on Facebook | Podchaser | Twitter --- This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app

Join host Rich Mahan as he welcomes the legendary John Densmore of The Doors to talk about the 50th anniversary of MORRISON HOTEL and his new book THE SEEKERS: MEETINGS WITH REMARKABLE MUSICIANS (AND OTHER ARTISTS)

Hace 50 años, medio siglo, The Doors publicaron su quinto elepé, "Morrison Hotel". Para celebrarlo se publica una edición 50 aniversario en diversos formatos. Lo más significativo es que se ha masterizado de nuevo y en un segundo cedé han añadido un montón de tomas diferentes de algunas canciones. Ayer oimos el disco tal y como se editó; hoy vamos con los extras, donde se puede oír a Jim Morrison dando instrucciones sobre cómo quiere las canciones y haciendo gorgoritos diversos. También oímos a los tres músicos solos sin el cantante. - Roadhouse Blues, tomas 14, 1 y 2. - Peace Frog (sin letra)/Blue Sunday, toma 4 - Queen of the Highway, tomas 1,5,6,7,12 y 14, algunas muy jazzy sin Morrison. En una de ellas Ray Manzarek cita el "Concierto de Aranjuez". Bloque inédito de Blues: - I Will Be Untrue (Jimmy Reed) - Money (libre improvisación) - Rock me Baby (Muddy Waters) De final otra versión de la censurada, en su momento, "Peace Fog" como desagravio histórico. ¡Que se fastidie la censura! Escuchar audio

Hace 50 años, medio siglo, The Doors publicaron su quinto elepé, "Morrison Hotel". Para celebrarlo se publica una edición 50 aniversario en diversos formatos. Lo más significativo es que se ha masterizado de nuevo y en un segundo cedé han añadido un montón de tomas diferentes de algunas canciones. Mañana iremos con los extras, hoy escuchamos íntegro el viejo elepé remasterizado. Os cuento mis vivencias con ese disco que compré con 17 años y relato que barbaridad hizo la censura con "Peace Frog", que fue autorizada en la primera edición de CBS y cercenada en la segunda de Hispavox un año después. Como anticipo del programa de mañana escuchamos hoy una versión instrumental de "Queen of the Highway". El disco es obra maestra y cincuenta años después suena fresco y poderoso. En el perfil corporativo de Discópolis en fb tenéis cumplido detalle del caos discográfico de la edición española del grupo. https://m.facebook.com/story.php?story_fbid=4143195265691758&id=625659100778743 Escuchar audio

Más Rock sinfónico y progresivo. El nuevo disco de Pineapple Thief se llama "Visions of the Truth", es fenomenal. Oimos tres temas del mismo. El de Ozric Tentacles me gusta más. Hoy elijo otros dos temas. Recordad que se llama "Space the Earth". Siguen los griegos Guppy Fish con otro tema de su disco de debut "The Fall of Man". Después de tanto Sinfo vamos con un poco de Prog a cargo de los clásicos Deep Puple renovados de los últimos tiempos. Su disco de 2020 se llama "Whoosh!" que ningún latino sabemos traducir. Todavía no tengo el nuevo, "The Sin", de los polacos Millenium, por eso os pongo dos canciones del anterior, "The Web", para acabar el programa. Mañana 50 años del "Morrison Hotel" de The Doors. Escuchar audio

“Los Domingos, sobre todo por la tarde y si estás solo, abren una brecha en el tiempo. Solo hay que deslizarse por ella” Patrick Modiano - Domingos de Agosto A lo largo de este programa vamos a intentar desentrañar el Extraño caso del Domingo, haciendo una disección de este día de la semana que consiga explicar por qué un día en origen tan luminoso, de ancestral culto al Sol, llega a convertirse para muchos en un momento deprimente y denostado de la semana. EL EXTRAÑO CASO DEL DOMINGO PRÓLOGO - Pink Floyd - Alan’s Psychedelic Breakfast / Álbum: Atom Heart Mother - 1970 / - Queen - Lazing On a Sunday Afternoon / Álbum: A Night at the Opera (Deluxe Edition) - 1975 / - Tommy Guerrero - White Sands / Álbum: Road to Knowhere (Bonus Version) - 2018 / - Frank Sinatra - Sunday / Álbum: Swing Easy! - 1954 / CAPÍTULO 1: SATURDAY NIGHT FEVER - Bee Gees - Stayin' Alive / Álbum: Saturday Night Fever - 1977/ - Ginebras - Con altura / Álbum: Dame 10:36 Minutos - 2019/ CAPÍTULO 2: RESACA ESPIRITUAL - Vinicius de Moraes - O Dia Da Criação / Álbum: En Mar de Plata - 1971/ - Plácido Domingo - ‘O sole mio / Álbum: Lo Mejor de los Tres Tenores - 1990/ -The Velvet Underground & Nico - Sunday Morning / Álbum: -The Velvet Underground & Nico - 1966/ -Tommy Guerrero- Silent Miles (fragmento) / Álbum: Road to Knowhere (Bonus Version) - 2018 / - Soundgarden - Black Hole Sun / Álbum: Superunknown - 1994/ - Paquita la del Barrio - Rata de dos patas / Álbum: Taco Placero - 2004/ - La Bien Querida (Yung Beef Remix) - Ojalá Estuvieras Muerto / Álbum: Premeditación, Nocturnidad Y Alevosía (Remixes) - 2016/ - Tommy Guerrero- Headin' West (fragmento) / Álbum: Road to Knowhere (Bonus Version) - 2018 / CAPÍTULO 3: EL CONFESIONARIO - The Edwin Hawkins Singers - Oh Happy Day (fragmento) / Álbum:Oh Happy Day: The Best of the Edwin Hawkins Singers - 2001 / - Sunday Service Choir (Kanye West) - Revelations 19:1 / Álbum: Jesus Is Born - 2019/ - Aretha Franklin - I Say a Little Prayer / Álbum: Soul Queen - 1968/ - Etta James - A Sunday Kind of Love / Álbum: At Last! - 1960/ CAPÍTULO 4: DOMINGUITOS - Tranquilitos - Dominguitos / Álbum: Héroes de los 80: Tranquilitos - 1989/ - Mim Malía ft. Alcione - Faz uma Loucura por Mim / Álbum: Escuta - 2019/ - Tommy Guerrero - Highway Hustle (fragmento) / Álbum: Road to Knowhere (Bonus Version) 2018/ - The Kinks - Sunny Afternoon / Álbum: The Ultimate Collection - 1966/ - Tommy Guerrero - Slow Roll (fragmento) / Álbum: Road to Knowhere (Bonus Version) - 2018/ - Fabio Concato - Domenica bestiale / Álbum: La Storia - 1982/ - Tommy Guerrero - Black Dust (fragmento) / Álbum: No Mans Land (Deluxe Version) - 2014/ - Mexrrissey - Cada día es Domingo / Álbum: No Manchester - 2016/ CAPÍTULO 5: SAUDADE - The Doors - Blue Sunday / Álbum: Morrison Hotel - 1970 / - Maria Schneider - The Thompson Fields / Álbum: The Thompson Fields - 2015 / - Elvis Costello & Marian McPartland - Gloomy Sunday / Álbum: Marian McPartland's Piano Jazz Radio Broadcast (With Elvis Costello) - 1978 / - Ana Frango Elétrico - Saudade / Álbum: Little Electric Chicken Heart - 2019 / - Tommy Guerrero - A Distant Closeness (fragmento) / Road to Knowhere (Bonus Version) - 2018 / CAPÍTULO 6: FICCIÓN - Rita Pavone - La partita di pallone / Álbum: I grandi successi originali: Rita Pavone - 1964 / - Chubby Checker & California Jubilee - Let's Twist Again / Álbum: It's Pony Time / Let's Twist Again - 1961 / - Nick Cave & The Bad Seeds - Red Right Hand / Álbum: Red Right Hand - 1994 / - Maria del Mar Bonet - El Cant de la Sibil·la / 2010 / - Tenorio Jr. - Fim de Semana Em Eldorado / Álbum: Embalo - 1964 / CAPÍTULO 7: RENACIMIENTO - Putirecords - Hazme el Amor / Álbum: Que No Muera el Cabaret Erótico - 2005 / - Tommy Guerrero - Sidewalk Soul (fragmento) / Road to Knowhere (Bonus Version) - 2018 / - Kase.O Jazz Magnetism - Renacimiento / Álbum: Kase.O Jazz Magnetism - 2011 / BONUS TRACK: JORIS - Sun Ra - Sun Song / Álbum: Jazz by Sun Ra - 1956 / - Gelu - Siempre es domingo / Álbum: EGB: Las tardes de guateque - 1962 /

Legendary guitarist Robby Krieger checks in to chat about the 50th Anniversary of Morrison Hotel, playing with Slash, Scott Weiland, and what The Doors mean to a younger generation. Then, "Van Halen Rising" author Greg Renoff discusses the impactful loss of Eddie Van Halen.

Pat and Murray select their favorite songs from The Doors first 6 classic albums.

My guest  Leah Moore is the daughter of Alan Moore who is known for such titles as V for Vendetta, The Killing Joke, Swamp Thing and From Hell. Leah has written comic series with her husband John Reppion including The Trial of Sherlock Holmes and Sherlock Holmes-The Liverpool Demon (Dynamite Entertainment). Leah is writing the graphic novel Morrison Hotel, a celebration of The Doors album by the same name. The book is due for released in October. The anthology is written in collaboration with the surviving members of The Doors Robby Krieger and John Densmore. Artists from around the world including Colleen Doran, Marguerite Sauvage and more are illustrating the book. Leah describes her reaction as a teenager in the early 90s listening to The Doors music she discovered among her parent’s vinyl record collection. Co-founding member of The Doors Ray Manzarek once said, “Jim Morrison wasn’t a showman, he was a shaman.”  Leah Moore describes what made Jim Morrison and The Doors distinct among rock bands of the 1960s and how they were at the forefront the decade’s a social and cultural revolution. We also talk about how the album Morrison Hotel was a departure from their previous album The Soft Parade. Morrison Hotel was a return to their earlier roots as a blues rock band playing at clubs such as The Whiskey a Go-Go. Leah explains how the Morrison Hotel GN is a concerted effort to go beyond simply translating each track into its own short story. Stories include will also provide historical context for the songs included on Morrison Hotel. As we conclude our interview I Kick Back with The Creator and ask Leah about her favorite birthday, beverage of choice and if she could, the one question she would ask Jim Morrison.   The Doors Song Clips: “People Are Strange”- Strange Days “Wishful Sinful” – The Soft Parade “You Make Me Real” – Morrison Hotel “Peace Frog” – Morrison Hotel “Roadhouse Blues” – Morrison Hotel   Creator Talks Theme Song: "Jazz Relax" from LoopsLab  Creator Talks logo by The Design Punk   Please rate and review Creator Talks on Apple Podcasts   About Leah Moore   About the Morrison Hotel GN      

O The Doors passava por maus bocados no final dos anos 60, principalmente por conta dos excessos do vocalista Jim Morrison. As loucuras do "Rei Lagarto" resultaram no cancelamento de vários shows e boicote nas rádios. Como se não bastasse, eles lançaram o "The Soft Parede" em 1969, que tinha uma sonoridade bem diferente e não teve uma boa aceitação do público. Quando tudo parecia perdido, a banda lançou em 1970 o "Morrison Hotel", disco que representou uma volta ao blues-rock e causou impacto com músicas como "Roadhouse Blues" e "Peace Frog". O álbum acabou de completar 50 anos e, por isso, convidamos Daniel Iserhard, do podcast Crazy Metal Mind, para tomar uma e falar sobre o MORRISON HOTEL. Esta é a versão podcast para um de nossos videos. Para assistir, acesse www.youtube.com/tomaruma Nos siga nas redes sociais: Twitter: @iurimoreira / @rafael2099 Instagram: @iurimoreira / rafaelaraujo2099

Se me ponen los pelos de picos pardos al ver las portadas de esta selección de discos anglosajones que este año cumplen medio siglo. A estas alturas esta música popular es clásica en sí misma. Los protagonistas de este programa crearon escuela y tendencias más allá de la cultura rock. Y eso que estaba naciendo el hard-rock, el rock sureño, el rock sinfónico o la generación bittersweet de cantantes-compositores. Sus nombres se manifiestan por sí mismos: Jimi Hendrix, Aretha Franklin, Stevie Wonder, Simon & Garfunkel, James Taylor, Carole King, David Bowie, The Kinks, The Allman Brothers, Led Zeppelin, Joni Mitchell, Cat Stevens, Crosby, Stills, Nash & Young, Randy Newman, Dusty Springfield, Pink Floyd, Santana, The Doors, Jethro Tull, Poco, Genesis, Ry Cooder, Traffic, Carpenters… Aquí va el capítulo de artistas norteamericanos. DISCO 1 SANTANA Samba Pa Ti (Cd 2 - 13) Abraxas DISCO 2 JIMI HENDRIX Changes (3) Band Of Gypsys DISCO 3 THE DOORS Roadhouse Blues (4) Morrison Hotel DISCO 4 JONI MITCHELL Big Yellow Taxi (3) Ladies From The Canyon DISCO 5 JAMES TAYLOR Steamroller (4) Sweet Baby James DISCO 6 CAROLE KING Up On The Roof (3) Writer DISCO 7 RANDY NEWMAN Mama Told Me Not To Come (Cd 1 - 9) 12 Songs DISCO 8 SIMON & GARFUNKEL Cecilia (3) Bridge Over Trouble Waters DISCO 9 CROSBY STILLS NASH & YOUNG Teach Your Children (4) Déjà Vû DISCO 10 NEIL YOUNG Don't Let It Bring You Down (7) DISCO 11 POCOYou Better Think Twice (Cara 1 Corte 2) DISCO 12 LINDA RONSTADT Long Long Time (Ordenador) Silk Purse DISCO 13 RY COODER How Can a Poor Man Stand Such And Live (CD 1- 5) Ry Cooder DISCO 11 STEVIE WONDER Signed, Sealed And Delivered (18) Signed, Sealed And Delivered DISCO 12 ARETHA FRANKLIN  Don’t Play That Song (1) Spirit In The Dark DISCO 13 CARPENTERS They Long To Be (Close To You) (12) Close To You DISCO 14 THE ALLMAN BROS BAND Midnight Rider (3) Idlewild South Escuchar audio

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Neste Episódio, trago pra vocês A nova loja personalizada que os Stones estão inaugurando em Londres, a edição especial de 50 anos do álbum Morrison Hotel do The Doors, a morte de Jack Sherman, ex-guitarrista do Red Hot Chili Peppers e também uma dica de leitura, o livro: Revolução dos Bichos, do inglês George Orwell.

Metallica announces national Drive-In performance, UK has first socially distanced concert this week, Morrison Hotel virtual performances this weekend, New Scorpions boxset to include actual piece of the Berlin Wall, Duff McKagan & Lily Cornell open up about mental health, Track listing revealed for Bill & Ted soundtrack, New albums coming soon from Mastodon, Garbage & Serj Tankian, Stone Sour on indefinite hiatus PLUS On This Day in music history trivia, this week's new releases, weekly WTF & more! All links up at www.thegaragerockshow.com $upport our podcast - anchor.fm/thegaragerockshow/support www.instagram.com/garagerockshowpodcast/ www.facebook.com/garagerockshowpodcast --- Support this podcast: https://anchor.fm/rocknewsweekly/support

EL año 1970, declarado como Año Internacional de la Educación por la Organización de las Naciones Unidas, además de producirse el natalicio de uno de los conductores del programa, sucedieron cosas mucho más importantes. Aprovechando el número redondo repasamos aquellos discos más destacados que se publicaron en 1970 y que cumplen o estan cumpliendo actualmente 50 años, tales como Black Sabbath (Behind de wall), McCartney (Maybe I'm Amazed), John Lennon/Plastic Ono Band (God), All Things Must Pass de George Harrison (Isn't It a Pity), Eric Clapton (Blues Power), Supertramp (Nothing to show), Atom Heart Mother de Pink Floyd (Summer 68), In Rock de Deep Purple (Speed King), Led Zeppelin III "Galospow", UFO (Boogie), Morrison Hotel de The Doors (Peace Frog), Manal (Avenida Rivadavia) y Treinta minutos de vida de Moris (Ayer nomas).

Actress Kaitlyn Dever in Talks for Dear Evan Hansen, The Doors “Morrison Hotel” Album gets Graphic Novel, Actor Danny Trejo Shows off Animal Crossing Island, Boomerang Greenlights Taffy Season 2 Cartoon. See acast.com/privacy for privacy and opt-out information.

Stéphane Lissner mettra fin à son mandat de directeur de l’Opéra de Paris en décembre prochain, il sera remplacé par Alexander Neef. Le Festival de Lacoste, festival d’art lyrique et de théâtre se tiendra comme convenu du 12 au 22 août. À l'inverse, l'édition 2020 du Festival de Coachella est annulée. À l’occasion du 50e anniversaire du mythique album Morrison Hotel sorti en 1970, le groupe va faire donc l’objet d’un roman graphique qui retracera l’histoire de l’album. Brian May, le guitariste de Queen, a été élu meilleur guitariste rock de tous les temps par le magazine Total Guitare.

Stéphane Lissner mettra fin à son mandat de directeur de l’Opéra de Paris en décembre prochain, il sera remplacé par Alexander Neef. Le Festival de Lacoste, festival d’art lyrique et de théâtre se tiendra comme convenu du 12 au 22 août. À l'inverse, l'édition 2020 du Festival de Coachella est annulée. À l’occasion du 50e anniversaire du mythique album Morrison Hotel sorti en 1970, le groupe va faire donc l’objet d’un roman graphique qui retracera l’histoire de l’album. Brian May, le guitariste de Queen, a été élu meilleur guitariste rock de tous les temps par le magazine Total Guitare.

Esta semana dedicamos el Sofá Sonoro a recordar Morrison Hotel, un álbum que llegó con la banda desatada, Morrison en medio de un proceso penal por exhibicionismo y cierta sensación de fracaso tras el escaso éxito de su anterior álbum. Un viaje musical por su historia, contexto y canciones de la mano del músico y productor Guille Mostaza y los reportajes de Lucía Taboada.

Esta semana dedicamos el Sofá Sonoro a recordar Morrison Hotel, un álbum que llegó con la banda desatada, Morrison en medio de un proceso penal por exhibicionismo y cierta sensación de fracaso tras el escaso éxito de su anterior álbum. Un viaje musical por su historia, contexto y canciones de la mano del músico y productor Guille Mostaza y los reportajes de Lucía Taboada.

Louis Bertignac prévoit de célébrer la Fête de la Musique le 21 juin prochain en organisant un "marathon rock". Pour le 50e anniversaire de l’album "Morrison Hotel", l’auteur Leah Moore, grande fan des Doors depuis son plus jeune âge, écrira une BD attendue pour le 13 octobre prochain. Les Doobie Brothers ont partagé une version de leur classique "Listen to the Music" depuis chez eux --- Classic 21 vous informe des dernières actualités du rock, de Belgique et de partout ailleurs. Le Journal du Rock, chaque jour à 18h30 et le lendemain à 7h30.

February 1965, 1970 and 1975 Anniversaries

Als "Morrison Hotel" im Jahr 1970 erscheint, sind sich alle einig: Die echten Doors sind zurück, so wie die Fans sie lieben.

The Doors returned to crunching, straightforward hard rock on Morrison Hotel, an album that, despite yielding no major hit singles, returned them to critical favor with hip listeners.  For as much as they returned I don't know that the Doors were ever the same.

In this episode, I speak with Lynne Zombie about Jim Morrison and The Doors. Jim Morrison and The Doors alike, have been elevated to cult status during the past few decades and seem to divide music fans all over the world. We discuss the cult of Jim Morrison, the man versus the myth ⁠—and what the music of The Doors means to us. We discuss his forays into the occult, spirituality, groupies⁠, free love and his demise due to drink and excess. Scripted, Edited and Hosted By Jennifer Quigley My guest was Lynne Zombie @lynnezombieSocial MediaFacebook: www.facebook.com/ilovethisbandpodInstagram: @ilovethisbandpodMusicMiles Beyond by Quincas Moreira Under a Creative Commons Attribution License 4.0https://creativecommons.org/licenses/by/4.0https://www.youtube.com/watch?v=NtWmOWu_g3QThere's Probably No Time By Chris ZabriskieUnder a Creative Commons Attribution License 4.0https://creativecommons.org/licenses/by/4.0/https://chriszabriskie.com/

After four albums in just three years, the Doors lost their way a bit. With the dawn of a new decade, it was time to go back to their blues roots, and that's what they did with their fifth album "Morrison Hotel," released on this date, February 1, 1970. Allan looks back in today's Classic Rock Calendar... Image: Terry Thompson / PR Photos

Episode 5 of ‘Art of Rock with Kosh & Friends’ finds Henry Diltz in conversation with Kosh. While they have known each other for decades they only worked together once, but crossed paths constantly with similar clients. Henry Diltz is a legendary photographer and musician active since the 1960’s. He is famous for capturing the laidback Laurel Canyon scene of the early 1970’s, the cover of The Doors album, ‘Morrison Hotel’ and the Woodstock music festival, where he was dubbed the “official photographer”. He got his professional start meeting the Monkees, photographing them and actually playing on a few of their tracks. First recognized as a musician for the Modern Folk Quartet, where he began shooting pictures of the group to shooting album covers for James Taylor’s Sweet Baby James and The Eagles, Desperado albums, as well as over 200 others. Henry is still working and is co-founder of the Morrison Hotel Gallery (Los Angeles, Maui, New York). Check out his new exhibit “Listening Through the Lens: The Music Photography of Henry Diltz at NAMM’s Museum of Making Music in Carlsbad California, now through October 28th, 2018. Details here: https://www.museumofmakingmusic.org/exhibits/diltz More on Henry: http://www.henrydiltz.com/ Buy Henry's Photos: https://www.morrisonhotelgallery.com/default.aspx museumofmakingmusic.org

Henry Diltz is a legendary photographer and musician active since the 1960’s. He is famous for capturing the laidback Laurel Canyon scene of the early 1970’s, the cover of The Doors album, ‘Morrison Hotel’ and the Woodstock music festival, where he was dubbed the “official photographer”. He got his professional start meeting the Monkees, photographing them and actually playing on a few of their tracks.

We've entered 1970, and The Doors are back in the critical spotlight with their penultimate album, Morrison Hotel. Both a critical and fan favorite, this album saw The Doors moving (mostly) away from the pop and psychedelic sounds that dominated their last couple of albums, in favor of a rawer blues-influenced rock and roll sound. We take you track-by-track through the album, from the rollicking opener "Roadhouse Blues" through the ending of "Maggie M'Gill".Cosmic America reviews artists and their records, and we do it by going album-by-album through their careers. Be sure to subscribe on iTunes or Stitcher.

We've reached the end of our Doors odyssey — we're not doing the non-Morrison albums that followed this one, and we're also not doing American Prayer for reasons that should be obvious if you listen to any of those titles. But that's okay, because this is a tremendous high point upon which to leave. LA Woman, released in 1971, represented a sort of full circle for the band, who returned to more spontaneous studio performances after the perfectionism of the previous three albums. The songs are even bluesier than those on Morrison Hotel, and the album contains two bona fide rock and role classics.If you enjoy these and other Cosmic America podcasts, be sure to subscribe to Cosmic America on iTunes or Stitcher, and consider reviewing the podcast on either of those sites. Tell your friends, and let us know what you think via social media — you can catch us at @doctorgc and @akmccarthy.

Où l’on parle de Tino Rossi, mais pas que. Références du morceau : «Break on through (to the other side)», The Doors (composition John Densmore, Robby Krieger, Ray Manzarek, Jim Morrison), album The Doors (1967). Quelques liens vers des morceaux incontournables des Doors : - «Who do you love», reprise du morceau de Bo Diddley sur l’album en concert Absolutely Live (1970)- «Light My Fire», album en concertAlive she cried (1983), version studio sur l’album The Doors (1967)- «The End», album The Doors (1967)- «Spanish Caravan», album Waiting For The sun (1968)- «Roadhouse Blues», album In Concert (1991), version studio sur l’album Morrison Hotel (1970)- «L.A. Woman», album L.A. Woman (1971)- «Riders On the Storm», album L.A. Woman (1971).

Maria Milito is joined by Susan Brandt, founder of Rational Animal. We talk about Rational Animal's past projects, and its current campaign to prevent dog stealing. Rational Animal has a new PSA to raise awareness about dog stealing (and how to prevent it). The PSA premieres this Saturday, Aug. 26th, National Dog Day, at The Morrison Hotel, and it will air on local TV.Please subscribe and #AdoptDontShop!

Join Holly Stephey & Spencer Drate as we talk to our friend Aaron Zych who is at the Morrison Hotel Gallery in NYC.Morrison Hotel Gallery® is the world leader in fine art music photography representing over 100 of the most highly acclaimed music photographers -- those who made, and continue to make, an indelible mark on music culture with photographic portrayals of the industry’s most influential artists.Morrison Hotel Gallery was founded by former record company marketing executive Peter Blachley; music retail industry professional Richard Horowitz; and legendary music photographer Henry Diltz. The concept of Morrison Hotel Gallery originated with the Diltz archive and the eponymous Morrison Hotel album cover taken by Diltz in 1969 for The Doors. With it’s flagship gallery in Soho, New York City, the gallery has always maintained a strong presence in Los Angeles, and is now suitably housed in the rockstar’s hotel, Sunset Marquis Hotel – this incarnation the brainchild of world-renowned author, director and photographer Timothy White. White, the gallery’s newest partner, is well known for documenting the charisma of an astounding list of Hollywood royalty.In 2016, Morrison Hotel Gallery joined forces with Fleetwood Mac founder and rock icon Mick Fleetwood to open our newest gallery in Fleetwood’s General Store in Lahaina, Maui. Morrison Hotel Gallery curates hundreds of the world’s most exceptional collections of rare and iconic music photography for international exhibition and sale. 

Annie Muddiman is a Ohio born and bred teacher and music fan.  She also happens to be my wife!  We sit down to discuss the 1970 album Morrison Hotel by The Doors.  As always go check out the record!!!

show#647 06.18.16 44th Ball Hogs Anniversary !!! John Mayall - Long Summer Days from Find A Way To Care 2015 (3:52) Jim Suhler & Monkey Beat - Restless Soul from "Live At The Kessler Theater" 2016 (7:49) Boo Boo Davis - Blues On My Mind from One Chord Blues 2014 (5:33) Too Slim and the Taildraggers - Twisted Rails from Blood Moon 2016 (7:14) Albert Castiglia - Somehow from Big Dog 2016 (6:16) Dennis Jones - The Machine from Both Sides of the Track 2016 (6:22) Guy Davis - Bumble Bee from Kokomo Kidd 2015 (4:57) Johnny Drummer - Gonna Sell My Cadillac, Buy Myself A Mule from Angels Sing The Blues 2015 (5:19) Rivherside - Need to Speed from Electraw Blues Album 2016 (2:57) Breezy Rodio - When My Heart Beats Like A Hammer from So Close To It 2015 (4:40) Cash Box Kings - Walking Blues from Black Toppin' 2013 (5:07) Dave Riley And Bob Corritore - Snuff Dippin' Woman from Hush Your Fuss! 2013 (5:49) Soul Box - 3 More Days, 2 More Nights from SoulBox 2016 (3:21) Janis Joplin - Move Over from Pearl 1971 (3:38) The Doors - The Spy from Morrison Hotel 1970 (4:17) Rolling Stones - Confessin' the Blues from Five By Five EP 1964 (2:42) Allman Brothers - Stormy Monday from At Fillmore East 1971 (8:36) Cream - Toad from Fresh Cream 1966 (5:05) Jimi Hendrix - Born Under A Bad Sign [1969] from Blues 1994 (7:37) Paul McCartney - Shake A Hand from Run Devil Run 1999 (3:52) Harry Truman - playing piano from May 3 1952 (0:32)

ALDOUS HARDING. STOP YOUR TEARS – 5:35 Aldous Harding, Lyttleton records, 2014 THE CHILLS. WET BLANKET – 2:45 The BBC Sessions, Fire records, 2014 HOUSE OF LOVE. PINK FROST – 3:25 The Girl With The Loneliest Eyes (EP), Fontana, 1991 THE DOORS. THE SPY – 4:15 Morrison Hotel, Elektra, 1970 THE dB's. MOVING IN YOUR […] Cet article Errance #45 : De Aldous Harding à Skip James est apparu en premier sur Eldorado.

The Morrison Hotel® gallery is about people. Founded in 2001 by former record company executive and producer Peter Blachley, music industry professional Richard Horowitz, and music photographer Henry Diltz, The Morrison Hotel® Gallery, which represents world renowned photographers, has grown to become the place to purchase fine art music photography. As you view some of the most inspiring and iconic images of music and musicians photographed over the last fifty-plus years, think about the people who existed on both sides of the lens. The photographers had no idea what they were creating or how historic the imagery would become. It is a one-second click of the shutter that creates a timeless moment in our lives.   From a very early age Aaron has had a deep understanding and appreciation of photography. Not only has he been with Morrison Hotel Gallery for 10 years, but he has been instrumental in the curation of over a hundred shows here.  Aaron works hand and hand with each of the represented photographers to cultivate the emotional experience that the art deserves. He is closely involved with the overseas markets creating the same real time experience as if one was standing in the actual SOHO gallery space.  Before settling down in New York, Aaron was on the West Coast immersed in its diverse art scene. He now lives in Brooklyn with his wife. Morrison Hotel Gallery - SoHo, NYC 116 Prince Street, 2nd Floor New York, NY 10012 phone: 212.941.8770 Morrison Hotel Gallery - West Hollywood, CA Sunset Marquis Hotel 1200 Alta Loma Road West Hollywood, CA 90069 phone: 310.881.6025 

About Aaron! From a very early age Aaron has had a deep understanding and appreciation of photography. Before settling down in New York, Aaron was on the West Coast immersed in its diverse art scene. In addition to fine art music photography, he has a passion for photojournalism and has varied musical tastes the run the gamut from Indie Rock to Jazz. The Morrison Hotel® gallery is about people. Founded in 2001 by former record company executive and producer Peter Blachley, music industry professional Richard Horowitz, and music photographer Henry Diltz, The Morrison Hotel® Gallery, which represents world renowned photographers, has grown to become the place to purchase fine art music photography. As you view some of the most inspiring and iconic images of music and musicians photographed over the last fifty-plus years, think about the people who existed on both sides of the lens. The photographers had no idea what they were creating or how historic the imagery would become. It is a one-second click of the shutter that creates a timeless moment in our lives.   NYC Soho Gallery 116 Prince Street New York, NY 10012 212-941-8770 212-941-8815 fax Hours: 11:00 – 6:00 (Mon - Thur) 11:00 – 7:00 (Fri - Sat) 12:00 - 6:00 (Sun) Los Angeles Gallery The Sunset Marquis Hotel Lobby 1200 Alta Loma Road West Hollywood, CA 90069 (310) 881-6025 Hours: 10:00 - 7:00 (Mon - Sat) 11:00 - 6:00 (Sun)

Morrison Hotel Gallery is proud to present the photography of Barry Feinstein. Barry Feinstein's photography creates a world of imagery spanning music and Hollywood's most extraordinary artists. His work has appeared in Life, Look, Time, Esquire, Newsweek and scores of other magazines and album covers. His photographs of Bob Dylan, George Harrison Janis Joplin and others are considered "classics" of the genre. His Hollywood work in the '50s and '60s has a timeless viewpoint unequalled in today's "quick-shoot and get-it-there" digital world. Enjoy the ride!!

Morrison Hotel Gallery is proud to present the photography of Herb Greene. Herb Greene photographed the rock musicians and other members of San Francisco's cultural milieu during the height of its creative productivity. Greene, a friend of many of San Francisco's most influential musicians, worked as few photographers have: not as a documenter from the outside, but as a participant within the music scene he was photographing. Many of his photographs have become signature portraits of these musicians. His revealing portraits of The Jefferson Airplane, Jeff Beck, The Pointer Sisters, The Grateful Dead, Janis Joplin, Led Zeppelin, Carlos Santana, Rod Stewart and many others helped create astonishing family album for an entire generation.