Podcasts about Sonata

Hello Beautiful, I'm so grateful you're here with me. Let the gentle notes of a midnight sonata carry you into a peaceful world of calm and serenity. This soothing sleep story for women combines relaxing storytelling, beautiful musical imagery, and gentle narration to quiet racing thoughts and promote deep sleep. Drift effortlessly into restful dreams with every peaceful melody. Love,

Antonio Martínez Aragón Nació en Granada en 1974, residió en Cádiz y se estableció en Málaga desde 1982. Estudió Ingeniería Industrial en Málaga y se licenció en Arquitectura por la Universidad de Granada entre 1996 y 2001. En 2014 defendió su tesis doctoral titulada “El espacio del realismo sucio”. Desde 2001 dirige su propio estudio en Málaga, donde combina arquitectura, escritura y dibujo. Se manifiesta como un profesional con sensibilidad artística: rechaza la perspectiva utilitaria de producir arquitectura de manera masiva durante la crisis, y opta por proyectos con profundidad narrativa y estética. Destaca que “cada edificio debe aportar” su voz al entorno urbano, conectando forma, contexto e historia. En sus propias palabras, aboga por una arquitectura con poesía, vinculada a la literatura, la lectura, la cultura y al realismo sucio – movimientos literarios que definen su tesis y estilo narrativo arquitectónico. Publicó en 2014 su primer libro de relatos y poemas, Diamantes del lodo, que aborda temas como la alienación, la crisis de identidad y la búsqueda de reconciliación con la vida y la gente. En algunos textos también incluye sus propias ilustraciones Junta de Andalucía. Ha declarado que sus influencias literarias van desde Bukowski, Carver y Raymond, al realismo sucio contemporáneo, valorando en particular Los placeres del condenado de Bukowski. También ha publicado Florilegio de un diletante (2023), una recopilación de aforismos, máximas y reflexiones nacidas de su vasta lectura—reflexiones que rayan entre el pensamiento personal, la arquitectura y el arte. Estilo: Arquitectura narrativa con sensibilidad literaria y realismo sucio.

Antonio Rosetti: Sonata for Solo Harp in Eb, Op. 2, no. 2, I. Allegro assaiElizabeth Hainen, harpMore info about today's track: Naxos 8.555791Courtesy of Naxos of America Inc.SubscribeYou can subscribe to this podcast in Apple Podcasts, or by using the Daily Download podcast RSS feed.Purchase this recordingAmazon

I really like getting to tell the stories of interesting banks I find along the way. Sonata Bank is one of those banks that's just a cool story. The CEO, Wendell Bontrager, is an interesting guy and I really enjoyed our chat. I think you will to.

Consider taking out a paid subscription to The Piano Maven podcast via our Substack page (https://jeddistlermusic.substack.com/about), which you also can access by clicking on the "Donate" button here: https://rss.com/podcasts/pianomavenJed enthuses over Francesco Piemontesi's 2023 Pentatone release encompassing Franz Liszt's Twelve Transcendental Etudes and Piano Sonata in B MinorHere are links to listen and purchase:https://www.youtube.com/watch?v=xQJxeAuC-QIhttps://www.youtube.com/watch?v=2lxcjQFNZAQhttps://www.prestomusic.com/classical/products/9513806--liszt-piano-sonata-transcendental-etudes

Henrik Kilhamn unpacks the dense musical matter that makes up the 1st movement of Chopin's 3rd Sonata: heavy marching mixed with ethereal melodies in perfect pianistic balance.Video: https://youtu.be/i9T9I9UHKXI

I have been so inspired to discover the brilliant British-American violinist Tamsin Waley-Cohen's wonderful discography and I so enjoyed this opportunity to talk to her about her creative life. She spoke to me about the debut of her sister's violin concerto and you'll hear about Freya Waley-Cohen's earlier work Permutations. Tamsin has performed and recorded extensively with the great pianist and composer Huw Watkins and you'll also be hearing short excerpts from their album “Reflection” including two works written for Tamsin: Huw's Violin Sonata and the late Oliver Knussen's Reflection. She opened up about postpartum anxiety, depression,and also the creativity parenting requires, and connected to that, her upcoming album with Cordelia Williams “Dreamscapes and Lullabies”. Tamsin is Artistic Director of the Two Moors Festival in the U.K. and she shared her thoughtful curation of their upcoming October programming. We also talked about the satisfaction and intensity of touring and her wholistic approach to playing the violin. Finally, Tamsin shared some powerful musical memories with some of her great mentors. Complete Show Notes with all the LINKS! You can also watch the video on my YouTube, I've also linked the transcript along with Tamsin's website, other suggested episodes, newsletter, podcast merch: LINKS(00:00) Intro(02:13) Freya Waley-Cohen composer and sister, Permutations and Unveil with clips, new concerto(17:05) album Reflection with Huw Watkins with many clips of music by Oliver Knussen, Watkins, Prokofiev, Stravinsky(32:27) C.P.E. Bach sonatas, playing on gut strings(37:04) other suggested episodes and ways to support this podcast(38:05) motherhood, anxiety and depression, matrescence with clip of 3rd mvt Prokofiev F minor Sonata(50:28) new project “Dreamscapes and Lullabies” with Cordelia Williams (56:37) balancing her performance career,(59:28) Two Moors Festival 2026 programs(01:05:53) ECHO award, approach to music making with clip of Stravinsky 5th mvt Duo Concertante(01:13:41) practicing violin, Prussia Cove, András Keller. Ruggiero Ricci, Stephen Kovacevich(01:18:16) Tüür's Memoirs with Colin Currie

Welcome to Secrets of Organ Playing Podcast No. 788! Today's question was sent by Nicolo and he writes:Dear Vidas,I'm an avid listener of your podcast and always enjoy the conversations that you and Ausra have.I'm a beginner located in Colorado (USA) looking to invest in a small practice organ like this residence organ that Bedient makes. I think you know this builder well, so I wanted to get your opinion on this configuration as a practice instrument.Is having an independent pedal necessary for practicing trio sonatas? This organ requires the pedals to be coupled with one of the manuals.Also, are manual couplers useful in a practice instrument or not strictly necessary if one accepts the limited tonal palette?Thank you,NicoloHope you will enjoy our conversation!

When Rafael Nodal and AJ Fernandez team up, the cigar world listens. Following the massive success of the original #1 Cigar of the Year (2019) and the heavily praised Sonata, the duo has returned with the third movement in their musical lineup: the Aging Room Quattro Nicaragua Concerto. Inspired by the intricate balance of classical compositions, Nodal designed the Concerto to mimic a solo instrument playing alongside a grand orchestra. The “soloist” here is a stunning, exclusive hybrid Criollo '98 wrapper grown on Fernandez's Finca La Lilia farm. Underneath, AJ Fernandez orchestrated a blend of deeply aged Nicaraguan tobaccos—some resting for nearly 12 years—to create a complex flavor. Wrapper: Nicaraguan Criollo Hybrid (Finca La Lilia) Binder: Nicaraguan Filler: Nicaraguan Country of Origin: Nicaragua Factory: AJ Fernandez (Factory not specified) Vitola: Toro Size: 6 x 52 Final Score:  89

When Rafael Nodal and AJ Fernandez team up, the cigar world listens. Following the massive success of the original #1 Cigar of the Year (2019) and the heavily praised Sonata, the duo has returned with the third movement in their musical lineup: the Aging Room Quattro Nicaragua Concerto. Inspired by the intricate balance of classical compositions, Nodal designed the Concerto to mimic a solo instrument playing alongside a grand orchestra. The “soloist” here is a stunning, exclusive hybrid Criollo '98 wrapper grown on Fernandez's Finca La Lilia farm. Underneath, AJ Fernandez orchestrated a blend of deeply aged Nicaraguan tobaccos—some resting for nearly 12 years—to create a complex flavor. Wrapper: Nicaraguan Criollo Hybrid (Finca La Lilia) Binder: Nicaraguan Filler: Nicaraguan Country of Origin: Nicaragua Factory: AJ Fernandez (Factory not specified) Vitola: Toro  Size: 6 x 52 Final Score:  89

This next guest has a newer independent film out called “Death's Sonata”  which is a psychological thirller where a psychiatrist tries to find an unstable patient before he commits the unthinkable but might be to late already. This next guest has been in the game is 2004, but let's welcome Douglas Downing III!Douglas Downing IIIIG: https://www.instagram.com/dcdowning3/Crazy Train RadioFacebook: facebook.com/realctradioInstagram:  @crazytrainradioX/Twitter:  @realctradioBlueSky:  @crazytrainradio.bsky.socialWebsite: crazytrainradio.usYouTube:  youtube.com/crazytrainradio

Adagio (Sonata I) Felix Mendelssohn (1809-1849) - Robert Griffith, organ by First Community Church

Pianist Stephen Siek served as a professor of music at Wittenberg University in Springfield, Ohio, where he taught piano, music history, American music, the aesthetics of music, and film music. He is currently Director of the Emeritus College Academy for Continued Learning at Arizona State University. He has performed and lectured at piano conferences for organizations such as the Historical Keyboard Society of America and the American Liszt Society. Siek is a specialist in the keyboard music of the Federalist Era American composer Alexander Reinagle. Reinagle was born in Edinburgh and immigrated to America in 1786, first briefly to New York before settling in Philadelphia and later Baltimore, where he died in 1809. He quickly became an important figure in the musical life of Philadelphia, where he performed at the 1787 Constitutional Convention and attracted the attention of George Washington. Siek will visit the Bay Area to perform the music of this little-known early American on Monday, July 20, 2026, the 240th anniversary of Reinagle's first performance in the United States, at Littlefield Concert Hall at Mills College at Northeastern University in Oakland. Siek joins the podcast to talk about the life and work of this underrecognized American composer.Music: Sonata in D I. Allegro con Brio, Sonata in E II. Adagio, Variations On "Steer Her Up And Had Her Gawn," Sonata in C II. Adagio, and Variations On "Lee Rigg" by Alexander Reinagle, performed by Stephen Siek (Titanic Records)pianosage.netFollow us on Instagram and Facebook.otherminds.orgContact us at otherminds@otherminds.org.The Other Minds Podcast is hosted and edited by Joseph Bohigian. Outro music is “Kings: Atahualpa” by Brian Baumbusch (Other Minds Records).

The time has come, dear listeners. The end of June Gloom 2: Down to Frown. We hope you enjoyed this annual, well, bi-annual -okay, occasional - trip into the dark abyss of the "saddies" released by New World Pictures. And for our closing film, do we have a sad film for you: 1978's AUTUMN SONATA aka HÖSTSONATEN, written and directed by Ingmar Bergman, and starring Ingrid Bergman, Liv Ullmann and Lena Nyman. It's a real Bergman-off, with double your Bergmans for all your crying (and whispering) pleasure!How did New World get their hands on this? We explain! How well did the Bergmans (not related) get along during filming? We'll tell you! What's the best elixir for get deep into conversation with you mom? You may know already, but we discuss, and imbibe! Was Bergman a "bro," we explore! And do you want stories about piano lessons from our actual life? You just lucked out! Trust us, 'ol Berg put together a wild movie, and so our episode follows suit, as we discuss the business Bergie should have dived into, delve into Berg Berg's personal life, and hey, are those pizza bites ready yet? Did the timer go off? Are we wrapped for the day or do we have to film more close-ups? Trust us, this is the episode of Bergman you don't want to miss! For more about the New World Pictures Podcast, including previous episodes, t-shirts, mugs, sweatshirts, other merch and more, we DARE YOU to head here: https://newworldpicturespodcast.com/For all the shows in Someone's Favorite Productions Podcast Network, head here:  https://www.someonesfavoriteproductions.com/ 

WEBER: Sonata para piano núm. 1 en Do Mayor J 138 (28’37”). G. Ohlssohn (p.). Invitación a la danza. Rondó brillante para piano (transcripción para orq.) (10’29”). Orq. Fil. de Berlín. Dir.: H. Von Karajan. Andante con variazioni J 12 (2’50”). L. Marrucci (p.), M. Galli (p.).Escuchar audio

WEBER: Concierto para piano y orquesta núm. 2 en Mi bemol Mayor J 155 (26’09”). M. Drewnowski (cl.), Orq. Sinf. Nac. de la Radio Polaca. Dir.: A. Wit. Andante y Rondó húngaro para viola y orquesta (9’52”). P. Zuckerman (vla.), Orq. de Cámara Inglesa. Dir.: P. Zuckerman. Sonata para violín y piano núm 5 en Fa Mayor J 103 “Sonata progresiva op. 10 núm. 5” (versión con fl. y p. en La Mayor) (5’52”). E. Pahud (fl.), E. Le Sage (p.).Escuchar audio

*** 本期节目由太原万象城 × 午夜飞行共同呈现 *** 这期节目非常特别，是在山西太原录制的。作为精神山西人的 VC 邀请到了土生土长的太原人、文博专业出身、同时也是知名红楼解读者的张志浩老师，一起聊了聊山西的古建筑、古老的中国文化，以及那些「血脉觉醒」的瞬间。我们从北齐壁画博物馆、张志浩老师学生时代下古墓的经历、山西村子里那些还在使用的古戏台，聊到了山西这片土地上的人气、人情和从未中断过的朴素民间信仰，也聊到了苏轼在庐山找不到「真面目」的故事，聊到古建筑如何缓解现代人的时间焦虑，以及《红楼梦》和古建筑在「构建精神空间」上的共通之处。中国大地上那些迷人古建筑不是用来打卡的，是用来感受的。站在千年建筑面前，你会发现，我们拥有独属于中国人的一份浪漫！厚土无疆，我们可以在这片土地上，发现和讲述新的故事。▲ 太原万象城「厚土新风」VC 对话张志浩现场本期节目你将听到：01:36 张志浩：文博专业出身，下过古墓，讲过红楼06:02 新书封面设计灵感之一，就来自「妇人启门图」08:43 第一次进云冈石窟音乐窟：震撼到说不出话10:43 善化寺门口的叔叔阿姨：古建融入日常，全国独一份14:26 山西广大农村里的古建筑：不需要刻意保存，它就在那活着20:34 开化寺：从小以为叫「开化市」，直到在郊县遇到另一个开化寺23:22 太原双塔寺：太原小学生扫墓、郊游的地方，后来才知道那是古迹26:38 芮城连三舞台：三个戏台连一起，给不同神明唱戏27:41 山西古建保存完好的最重要原因之一，其实是「人情味」30:01 晋祠水母娘娘的故事：姥姥和奶奶讲的同一个传说33:08 研究生时收集水利碑，发现民间信仰和「人变成神」的传统35:47 传统戏曲和山西紧密相连：从元代杂剧到苏三起解40:21 浊漳河谷的午后：大爷大妈绕庙坐着聊天，古建有灵魂41:30 苏轼在庐山：一直找不到「真面目」，直到在寺庙聊了一晚「无情话」45:38 做访古的播客节目，最终希望大家带着耳朵去现场，亲自感受47:46 访古如何缓解了我的时间焦虑？52:20 苏轼的困惑也是我们的：景观化和网红化，让我们离真实更近还是更远？56:02 贾樟柯电影里的古建：文峰塔、城墙，另一种风味58:03 推荐 1949-1966 年的老电影：古建没有被景观化之前的真实样子59:27 胡金铨、张彻的武侠片：斗拱和风铃外化了侠客的心境01:01:33 红楼和古建的共通之处：它们构建了一个独特的属于中国人的精神空间01:08:59 我们这代人，终于走到了能认出它们的时候本期提及作品与地点：书籍： 《红楼时代》（张志浩 著）纪录片： 《大同市长》影视作品： 《主角》《站台》《山河故人》《早春二月》人物： 苏轼、曹雪芹、常总禅师、胡金铨、张彻地点：- 山西太原：北齐壁画博物馆、开化寺、永祚寺（双塔寺）、晋祠- 山西大同：云冈石窟、善化寺- 山西芮城：连三舞台、永乐宫、广仁王庙- 山西平顺：龙门寺- 山西汾阳：文峰塔- 山西忻州：九原岗北朝壁画墓- 山西晋东南地区的二仙庙▲ 太原万象城「厚土新风」系列展览现场【节目制作】主播/制作：VC ( 微博：@VividCrystal / 小红书：@午夜飞行VC )运营：Amber视觉：李马克【节目互动】微博：@午夜飞行Official 公众号：午夜飞行【商务合作】添加微信：hellomarcast或联系邮箱：hello@marcastmedia.com【欢迎加入听友群】入群方式 A：微信添加小助手 Amber (ID: hellomarcast)，拉你入群入群方式 B：关注公众号「午夜飞行」 ，回复「听友群」三个字，即可获取入群通道【本集音乐】1. 遠古秦琴~续 - 许明 2. Sonata for Piano and Violin in F K.3761. Allegro - Hilary Hahn,Natalie Zhu 【封面图片】Photos by 太原万象城【节目出品】由播客厂牌 Marcast® 制作出品，也欢迎你订阅收听 Marcast 旗下的其他播客节目。你可以通过以下方式找到我们：- 小红书：@Marcast - 公众号：Marcast - 微博：@Marcast - 进听友群请添加微信：hellomarcast- 一键订阅 Marcast 制作出品的节目：https://www.xiaoyuzhoufm.com/collection/podcast/69e8996f7c9a3ea695fec9e8- 欢迎订阅「Beads 英文播客洞察」：每周为你从国外优质播客中提取、总结、延伸那些 90% 的人听不到的、隐藏在声音里的一手信息、经验、知识、工具、趣味和审美，和你一起拓展认知视野。订阅地址：https://t.zsxq.com/uEiXJ © 2026 Marcast Media

WEBER: Sonata para piano núm. 3 en Re menor J 206 (25’12”). S. Richter (p.). Oberon (Obertura) (8.55). Orq. Sinf. de la Radio de Baviera. Dir.: R. Kubelik. Sonata para violín y piano núm. 1 en Fa Mayor J 99 “Sonata progresiva op. 10 núm 1” (versión con fl. y p.) (5’50”). E. Pahud (fl.), E. Le Sage (p.).Escuchar audio

Bet you didn't expect us. But here we are, back in our glory with more adventures to share. Return to Sonata as Fred, Ashe, and Connie attempt to complete their heist. Be prepared for a bombastic climax to their cat burglary, here on The Forever DMs!TRIGGER WARNING- Arachnophobia 3:35-4:02 (Thanks Evin.) Hosted on Acast. See acast.com/privacy for more information.

Puntata a cura di Jacopo Bulgarini d'Elci e Livio Pacella.A 25 anni dal suo debutto (3 giugno 2001) riparliamo di una delle più belle serie di sempre, in Italia ora disponibile su HBO Max: Six Feet Under. Premiatissimo show che ha avuto il coraggio di mettere al centro del racconto la morte, e cioè il grande tabù del nostro tempo. Nonostante sia proprio la morte a definire la vita, come ci insegnano le 63 puntate (per 5 stagioni) di questa magnifica serie di Alan Ball (True Blood, Banshee).Puntata registrata nell'autunno 2021.Accompagnamento musicale in tema, con la celebre “Marcia funebre” di Fryderyk Chopin, terzo movimento della Sonata per pianoforte n. 2 (1837-1839).“1 classico in 2” è uno dei format del podcast di Mondoserie: conversazioni a due voci su serie che hanno segnato l'immaginario.Parte del progetto: https://www.mondoserie.it/  Iscriviti al podcast sulla tua piattaforma preferita o su: https://www.spreaker.com/show/mondoserie-podcast  Collegati a MONDOSERIE sui social:https://www.facebook.com/mondoserie https://www.instagram.com/mondoserie.it/   https://www.youtube.com/channel/UCwXpMjWOcPbFwdit0QJNnXQ  https://www.linkedin.com/in/mondoserie/ 

Allegro maestoso e vivace (Sonata II) Felix Mendelssohn (1809-1849) - Robert Griffith, organ by First Community Church

"I love this field recording - its evocation of place and water and also the complexity of the sounds the water makes. If I had the skills I would extract some of the tones and make a three-voiced fugue out of them; as it is I've tried to respond to the different streams with the human sounds they suggest, celebrating the affinities between people and wild water in a version of sonata form. Stream in Gradec, Croatia reimagined by Maria Margaronis.

The trumpet is the most distinctive sound in the book of Revelation, more even than the harp. It has a long historical association with the divine, and has often been used to represent the voice of God and His angelic hosts. In the Baroque period, when this piece was written, the distinction between secular and sacred music was becoming more fluid, and pieces like this glorious sonata were soon adapted and played by the trumpet and organ during church services and religious processions. Let's use this brilliant Sonata for Trumpet and Strings by Henry Purcell, beautifully played by Anthony Thompson, to declare afresh the victory of the coming Kingdom of God.

WEBER: Quinteto para clarinete y cuerda en Si bemol Mayor, Op. 34 J 182 (26.54). C. Neidich (cl.), V. Beths (vl.), L. Van Dael (vl.9, J. Kussmaul (vla.), A. Bylsma (vc.). Sonatas progresivas Op. 10, nº 2, 3, 4 (versión para fl. y p.) (13.23). E. Pahud (fl.), R. Le Sage (p.).Escuchar audio

View the Show Notes Page for This Episode Become a Member to Receive Exclusive Content Sign Up to Receive Peter's Weekly Newsletter In this episode, Peter dives into the pharmacology of sleep, exploring where sleep medications fit within the broader framework of achieving healthy, restorative sleep. He explains why sleep is a biological imperative, why behavioral and environmental interventions must remain the foundation of good sleep, and how medications can serve as useful tools when carefully matched to a person's specific sleep problem. Peter examines the major classes of prescription sleep medications, including how they work, their effects on sleep architecture, their duration of action, side effects, and risks of tolerance and dependence. He also discusses the dangers of using sleep drugs without a clear understanding of the underlying problem being treated, the role of medications as short-term bridges during periods of acute stress, pain, or anxiety, and the promise that newer drugs like DORAs may hold for Alzheimer's prevention in high-risk individuals. Finally, Peter reviews the evidence for select off-label medications and supplements commonly used for sleep. We discuss: The biological foundations of sleep, the major drivers of sleep dysfunction, and the role sleep medications can play when appropriately matched to specific sleep problems [1:00]; Sleep hygiene, circadian alignment, and the medical causes of insomnia: building the foundation for effective sleep treatment [7:15]; Understanding insomnia: hyperarousal, CBT-I, paradoxical insomnia, and why different sleep problems require different treatments [12:45]; The difference between sedation and physiologic sleep: sleep architecture, restorative sleep stages, and matching medications to specific sleep problems [17:00]; Benzodiazepines for insomnia: mechanisms, effects on sleep architecture, and the risks of long-term use [18:45]; Z-drugs for insomnia: how Ambien, Sonata, and Lunesta work, and the ongoing risks of sleep medications targeting GABA systems [23:00]; Dual orexin receptor antagonists (DORAs) and the future of sleep medicine: orexin signaling, sleep architecture, and the emerging connection between sleep and Alzheimer's disease [27:15]; Melatonin for circadian timing: how timing signals differ from sedatives in the treatment of sleep disorders [36:30]; Trazodone for insomnia: preserving deep sleep while minimizing the risks of traditional sedative-hypnotics [42:00]; First-generation antihistamines for sleep: short-term sedation, anticholinergic risks, and concerns about long-term cognitive health [44:00]; Sleep supplements and the evidence behind them: glycine, magnesium, ashwagandha, phosphatidylserine, and more [45:45]; Takeaways: supplement quality, individualized sleep treatment, and the importance of matching interventions to the biology of insomnia [52:00]; and More. Connect With Peter on Twitter, Instagram, Facebook and YouTube

WEBER: Misa en Mi bemol Mayor J 224, Op. 75 “Missa Sancta nº 1” (37.15). Z. Marasova (sop.), R. M. Ysas (con.), J. Ruiz Xorset (ten.), D. Mas (bar.), Coro Canturía del Colegio Alemán de Barcelona, Coro de Cámara Ars Animae, Orquesta Ars Medica. Dir.: H. Beig. Sonata para violín y piano nº 6 en Do Mayor J 104 “Sonata progresiva Op. 16, nº 6” (arr. para fl. y p.) (7.22). E. Pahud (fl.), E. Le Sage (p.).Escuchar audio

WEBER: Sonata para piano nº 2 en La bemol Mayor J 199 (27.39). E. Gilels (p.). Concierto para fagot y orquesta en Fa Mayor J 127 (16.23). K. Thunemann (fg.), Academy of St Martin in the Fields. Dir.: N. Marriner.Escuchar audio

This episode of The Other Side of the Bell, featuring historical, classical and jazz trumpeter Brian Shaw, is brought to you by Bob Reeves Brass. This episode also appears as a video episode on our YouTube channel, you can find it here: "Brian Shaw Trumpet Interview" And, find the expanded show notes, transcript and more photos here --- Whether it's big band jazz, classical baroque, or any number of styles in between, Brian Shaw's trumpet career is a reflection of the word, "versatility." Brian is the type of musician who, when having trouble deciding whether to major in classical or jazz, decided to simply do both! Hence a double major in jazz studies and classical performance, which yes, did result in him having to do two senior recitals. But Brian embraced the challenge, just as he did in finishing his doctorate in one year instead of three, so that he would have more time to pursue all the various avenues he wanted to explore. Today, Brian pursues teaching, writing, performance, arrangement and more from his home base near Seattle, WA. And, as you'll know from our recent "Kenny Wheeler Special," he and Nick Smart recently collaborated on a biography of inspirational trumpeter Kenny Wheeler, Song For Someone: The Musical Life of Kenny Wheeler, which added published author to Brian's resume as well. Brian joins us today to talk about his early inspirations coming from a non-musical family in small town southern Illinois, to being the first in his family to attend college, taking control of your musical education, and the various stops and projects he's pursued along his trailblazing journey. About Brian Shaw: Brian Shaw is an active performer, arranger, and educator known for his versatility. He is one of the few trumpet players in the world equally comfortable in early music, orchestral, jazz, and commercial settings on modern and period instruments, and enjoys an international performing career as a modern and historical trumpet soloist. He holds principal positions with the Dallas Winds, Santa Fe Pro Musica, Spire Baroque Orchestra. He is also a regular guest instructor of Historical Trumpet at the Eastman School of Music. From 2007-2021, he was Professor of Trumpet and Jazz Studies at Louisiana State University and was Principal Trumpet of the Baton Rouge (Louisiana) Symphony from 2014-2021. Brian has also served as guest Principal Trumpet of the Oregon Symphony, Kansas City Symphony, St. Louis Symphony, and Pacific Northwest Ballet Orchestra (US). A noted Baroque trumpet player, Shaw's 2008 recording Virtuoso Concertos for Clarino includes some of the most difficult pieces ever written for the instrument. Early Music America observed: "Shaw's tone is beautiful, and his playing unfailingly musical… His is a voice that will make a major mark on Baroque trumpet playing." His critically-acclaimed 2014 solo trumpet recording redshift was accompanied by the Dallas Wind Symphony and conductor Jerry Junkin. Brian has also released a collaborative album of classic recital pieces with pianist Jan Grimes called Sonatas and Fantasies: A Century of Standards for Trumpet and Piano, and has just completed another recording project called Virtuosic Versatility, outlining the history of the trumpet, from early music to modern jazz.  As a jazz musician, Brian plays solo and lead trumpet professionally in the Seattle area and leads a big band in Baton Rouge every December, which released a holiday-themed album titled Christmas at the Manship! in 2017. He is in demand as an arranger as well, with many scores for jazz band, brass ensemble, studio orchestra, and wind ensemble to his credit. Brian Shaw lives near Seattle with his wife Lana, their sons Thomas and Elliot, and their dog, Ernie. Episode Links: www.brianshawmusic.com YouTube: https://www.youtube.com/user/bshawmusic Apple Music: https://music.apple.com/us/artist/brian-shaw/1564984803 Kenny Wheeler book: https://www.equinoxpub.com/home/song-someone-musical-life-kenny-wheeler/ Bob Reeves Brass Events and Appearances: William Adam Trumpet Festival July 9-12, Southern Illinois University, Carbondale, Ill. Book your trumpet alignment here: https://trumpetmouthpiece.com/products/william-adam-trumpet-festival-valve-alignment-presale Podcast Credits: "A Room with a View" - composed and performed by Howie Shear Podcast Host - John Snell Photo Credits - Courtesty Brian Shaw and Equinox Publishing Audio Engineer - Ted Cragg

Today's Mystery: A man asks Simon to investigate a case where a talented pianist's life is endangered by Beethoven, but then is murdered himself.Original Radio Broadcast Date: June 18, 1950Originating from HollywoodStarring: Vincent Price as Simon Templar; Alice Frost; Fritz Feld; Tony Barrett; George NeiseSupport the show monthly at patreon.greatdetectives.netPatreon Supporter of the Day: BookGeek28, Patreon Supporter since December 2021Support the show on a one-time basis at http://support.greatdetectives.netMail a donation to: Adam Graham, PO Box 15913, Boise, Idaho 83715Take the listener survey at http://survey.greatdetectives.netGive us a call at 208-991-4783Follow us on Instagram at http://instagram.com/greatdetectivesFollow us on Twitter @radiodetectivesJoin us again tomorrow for another detective drama from the Golden Age of Radio.

Domenico Scarlatti: Keyboard Sonata in G Major, K.424/L.289/P.374Alon Goldstein, pianoMore info about today's track: Naxos 8.574196Courtesy of Naxos of America Inc.SubscribeYou can subscribe to this podcast in Apple Podcasts, or by using the Daily Download podcast RSS feed.Purchase this recordingAmazon

We'll look at two of the sonatas from Op. 2: Sonata No. 1 in F Minor, and Sonata No. 3 in C Major.  

We'll focus on the Cello Sonata in F Major, Op. 5, No. 1 and the String Trio in G Major, Op. 9, No. 1.

We'll look at two sonatas from Op. 10: No. 5 in C Minor and No. 6 in F Major.

We'll focus on Violin Sonata No. 1 in D Major and No. 2 in A Major.

We'll focus on Op. 27, No. 1 in E-flat Major and No. 2 in C-sharp Minor (“Moonlight”)

We'll focus on the Violin Sonata in A Major, Op. 30, No. 1, and the Violin Sonata in C Minor, Op. 30, No. 2.  

We'll look at two piano sonatas from Op. 31: No. 2 in D Minor (“Tempest”) and No. 3 in E-flat Major (“Hunt”).

We'll focus on Beethoven's “Kreutzer” Sonata for Violin and Piano, with a little bit of the backstory concerning two well-known violinists of the day—George Augustus Bridgetower and Rodolphe Kreutzer, along with one great 19th century Russian author—Leo Tolstoy.  

We're going to focus on Piano Sonata No. 24 in F-sharp Major, Op. 78, and Piano Sonata No. 25 in G Major, Op. 79, but we'll also take a quick look at the two piano sonatinas of Op. 49.

We'll focus on piano sonatas No. 26 in E-flat Major, Op. 81a, completed in 1810, and No. 27 in E Minor, Op. 90, completed in 1814.

We'll focus on two piano sonatas, No. 28 in A Major, Op. 101, composed in 1816, and No. 29 in B-flat Major, Op. 106 (“Hammerklavier”) completed two years later.

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