Podcasts about Sonata

"I love this field recording - its evocation of place and water and also the complexity of the sounds the water makes. If I had the skills I would extract some of the tones and make a three-voiced fugue out of them; as it is I've tried to respond to the different streams with the human sounds they suggest, celebrating the affinities between people and wild water in a version of sonata form. Stream in Gradec, Croatia reimagined by Maria Margaronis.

View the Show Notes Page for This Episode Become a Member to Receive Exclusive Content Sign Up to Receive Peter's Weekly Newsletter In this episode, Peter dives into the pharmacology of sleep, exploring where sleep medications fit within the broader framework of achieving healthy, restorative sleep. He explains why sleep is a biological imperative, why behavioral and environmental interventions must remain the foundation of good sleep, and how medications can serve as useful tools when carefully matched to a person's specific sleep problem. Peter examines the major classes of prescription sleep medications, including how they work, their effects on sleep architecture, their duration of action, side effects, and risks of tolerance and dependence. He also discusses the dangers of using sleep drugs without a clear understanding of the underlying problem being treated, the role of medications as short-term bridges during periods of acute stress, pain, or anxiety, and the promise that newer drugs like DORAs may hold for Alzheimer's prevention in high-risk individuals. Finally, Peter reviews the evidence for select off-label medications and supplements commonly used for sleep. We discuss: The biological foundations of sleep, the major drivers of sleep dysfunction, and the role sleep medications can play when appropriately matched to specific sleep problems [1:00]; Sleep hygiene, circadian alignment, and the medical causes of insomnia: building the foundation for effective sleep treatment [7:15]; Understanding insomnia: hyperarousal, CBT-I, paradoxical insomnia, and why different sleep problems require different treatments [12:45]; The difference between sedation and physiologic sleep: sleep architecture, restorative sleep stages, and matching medications to specific sleep problems [17:00]; Benzodiazepines for insomnia: mechanisms, effects on sleep architecture, and the risks of long-term use [18:45]; Z-drugs for insomnia: how Ambien, Sonata, and Lunesta work, and the ongoing risks of sleep medications targeting GABA systems [23:00]; Dual orexin receptor antagonists (DORAs) and the future of sleep medicine: orexin signaling, sleep architecture, and the emerging connection between sleep and Alzheimer's disease [27:15]; Melatonin for circadian timing: how timing signals differ from sedatives in the treatment of sleep disorders [36:30]; Trazodone for insomnia: preserving deep sleep while minimizing the risks of traditional sedative-hypnotics [42:00]; First-generation antihistamines for sleep: short-term sedation, anticholinergic risks, and concerns about long-term cognitive health [44:00]; Sleep supplements and the evidence behind them: glycine, magnesium, ashwagandha, phosphatidylserine, and more [45:45]; Takeaways: supplement quality, individualized sleep treatment, and the importance of matching interventions to the biology of insomnia [52:00]; and More. Connect With Peter on Twitter, Instagram, Facebook and YouTube

This episode of The Other Side of the Bell, featuring historical, classical and jazz trumpeter Brian Shaw, is brought to you by Bob Reeves Brass. This episode also appears as a video episode on our YouTube channel, you can find it here: "Brian Shaw Trumpet Interview" And, find the expanded show notes, transcript and more photos here --- Whether it's big band jazz, classical baroque, or any number of styles in between, Brian Shaw's trumpet career is a reflection of the word, "versatility." Brian is the type of musician who, when having trouble deciding whether to major in classical or jazz, decided to simply do both! Hence a double major in jazz studies and classical performance, which yes, did result in him having to do two senior recitals. But Brian embraced the challenge, just as he did in finishing his doctorate in one year instead of three, so that he would have more time to pursue all the various avenues he wanted to explore. Today, Brian pursues teaching, writing, performance, arrangement and more from his home base near Seattle, WA. And, as you'll know from our recent "Kenny Wheeler Special," he and Nick Smart recently collaborated on a biography of inspirational trumpeter Kenny Wheeler, Song For Someone: The Musical Life of Kenny Wheeler, which added published author to Brian's resume as well. Brian joins us today to talk about his early inspirations coming from a non-musical family in small town southern Illinois, to being the first in his family to attend college, taking control of your musical education, and the various stops and projects he's pursued along his trailblazing journey. About Brian Shaw: Brian Shaw is an active performer, arranger, and educator known for his versatility. He is one of the few trumpet players in the world equally comfortable in early music, orchestral, jazz, and commercial settings on modern and period instruments, and enjoys an international performing career as a modern and historical trumpet soloist. He holds principal positions with the Dallas Winds, Santa Fe Pro Musica, Spire Baroque Orchestra. He is also a regular guest instructor of Historical Trumpet at the Eastman School of Music. From 2007-2021, he was Professor of Trumpet and Jazz Studies at Louisiana State University and was Principal Trumpet of the Baton Rouge (Louisiana) Symphony from 2014-2021. Brian has also served as guest Principal Trumpet of the Oregon Symphony, Kansas City Symphony, St. Louis Symphony, and Pacific Northwest Ballet Orchestra (US). A noted Baroque trumpet player, Shaw's 2008 recording Virtuoso Concertos for Clarino includes some of the most difficult pieces ever written for the instrument. Early Music America observed: "Shaw's tone is beautiful, and his playing unfailingly musical… His is a voice that will make a major mark on Baroque trumpet playing." His critically-acclaimed 2014 solo trumpet recording redshift was accompanied by the Dallas Wind Symphony and conductor Jerry Junkin. Brian has also released a collaborative album of classic recital pieces with pianist Jan Grimes called Sonatas and Fantasies: A Century of Standards for Trumpet and Piano, and has just completed another recording project called Virtuosic Versatility, outlining the history of the trumpet, from early music to modern jazz.  As a jazz musician, Brian plays solo and lead trumpet professionally in the Seattle area and leads a big band in Baton Rouge every December, which released a holiday-themed album titled Christmas at the Manship! in 2017. He is in demand as an arranger as well, with many scores for jazz band, brass ensemble, studio orchestra, and wind ensemble to his credit. Brian Shaw lives near Seattle with his wife Lana, their sons Thomas and Elliot, and their dog, Ernie. Episode Links: www.brianshawmusic.com YouTube: https://www.youtube.com/user/bshawmusic Apple Music: https://music.apple.com/us/artist/brian-shaw/1564984803 Kenny Wheeler book: https://www.equinoxpub.com/home/song-someone-musical-life-kenny-wheeler/ Bob Reeves Brass Events and Appearances: William Adam Trumpet Festival July 9-12, Southern Illinois University, Carbondale, Ill. Book your trumpet alignment here: https://trumpetmouthpiece.com/products/william-adam-trumpet-festival-valve-alignment-presale Podcast Credits: "A Room with a View" - composed and performed by Howie Shear Podcast Host - John Snell Photo Credits - Courtesty Brian Shaw and Equinox Publishing Audio Engineer - Ted Cragg

Today's Mystery: A man asks Simon to investigate a case where a talented pianist's life is endangered by Beethoven, but then is murdered himself.Original Radio Broadcast Date: June 18, 1950Originating from HollywoodStarring: Vincent Price as Simon Templar; Alice Frost; Fritz Feld; Tony Barrett; George NeiseSupport the show monthly at patreon.greatdetectives.netPatreon Supporter of the Day: BookGeek28, Patreon Supporter since December 2021Support the show on a one-time basis at http://support.greatdetectives.netMail a donation to: Adam Graham, PO Box 15913, Boise, Idaho 83715Take the listener survey at http://survey.greatdetectives.netGive us a call at 208-991-4783Follow us on Instagram at http://instagram.com/greatdetectivesFollow us on Twitter @radiodetectivesJoin us again tomorrow for another detective drama from the Golden Age of Radio.

Domenico Scarlatti: Keyboard Sonata in G Major, K.424/L.289/P.374Alon Goldstein, pianoMore info about today's track: Naxos 8.574196Courtesy of Naxos of America Inc.SubscribeYou can subscribe to this podcast in Apple Podcasts, or by using the Daily Download podcast RSS feed.Purchase this recordingAmazon

TANSMAN: Sonata para violín y piano nº 2 (18.15). K. Sahatçi (vl.), G. Koukl (p.). Suite en modo polonico (24.23). A. Segovia (guit.)Escuchar audio

We'll focus on the Violin Sonata in A Major, Op. 30, No. 1, and the Violin Sonata in C Minor, Op. 30, No. 2.  

We'll focus on two piano sonatas, No. 28 in A Major, Op. 101, composed in 1816, and No. 29 in B-flat Major, Op. 106 (“Hammerklavier”) completed two years later.

We'll focus on piano sonatas No. 26 in E-flat Major, Op. 81a, completed in 1810, and No. 27 in E Minor, Op. 90, completed in 1814.

We're going to focus on Piano Sonata No. 24 in F-sharp Major, Op. 78, and Piano Sonata No. 25 in G Major, Op. 79, but we'll also take a quick look at the two piano sonatinas of Op. 49.

We'll focus on Beethoven's “Kreutzer” Sonata for Violin and Piano, with a little bit of the backstory concerning two well-known violinists of the day—George Augustus Bridgetower and Rodolphe Kreutzer, along with one great 19th century Russian author—Leo Tolstoy.  

We'll look at two piano sonatas from Op. 31: No. 2 in D Minor (“Tempest”) and No. 3 in E-flat Major (“Hunt”).

We'll focus on Violin Sonata No. 1 in D Major and No. 2 in A Major.

We'll focus on Op. 27, No. 1 in E-flat Major and No. 2 in C-sharp Minor (“Moonlight”)

We'll look at two sonatas from Op. 10: No. 5 in C Minor and No. 6 in F Major.

We'll focus on the Cello Sonata in F Major, Op. 5, No. 1 and the String Trio in G Major, Op. 9, No. 1.

We'll look at two of the sonatas from Op. 2: Sonata No. 1 in F Minor, and Sonata No. 3 in C Major.  

Mit der ersten Sprengung haben am Mittwoch in Ingenbohl die Ausbrucharbeiten für den Morschacher Tunnel begonnen. Das Projekt ist Teil der neuen Axenstrasse, welche die Kantone Schwyz und Uri im Auftrag des Bundes bauen. Weiter in der Sendung: · BE: Ein ehemalige Finanzverwalter der Gemeinde Vechingen wird angeklagt - es geht um Betrugsvorwürfe über vier Millionen Franken. · VS: Das Walliser Kantonsparlament will keinen Mindestlohn einführen, nun entscheidet das Stimmvolk. · LU: Am Baldeggersee sollen die drei Wasserbüffel Tarlinde, Gaba und Sonata dafür schauen, dass sich Vögel, Amphibien und Insekten wohler fühlen.

TANSMAN: Concierto para piano y orquesta nº 2 (25.34). D. Greilsammer (p.), Orq. Fil. de Radio Francia. Dir.: S. Sloane. Sonata para violoncello y piano nº 2 (15.53). M. Dmochowski (vc.), G. Jackson (p.).Escuchar audio

A long awaited conversation with Montgomery Whitley. It cannot be described as going "well". Content Warnings: Discussion of death and grief, depictions of homophobia and misogyny, depiction of someone in great pain, discussion of murder, threats of violence, refusal to use chosen name.. Transcript: https://tellnotalespod.com/transcript-s2-e17-a-despicable-man/ Written and produced by Leon Egan. In this episode you heard the voices of Asher Amor-Train as Frank Williamson, Phil Thompson as Riley Matkins, Leon Egan as Leo Quinn, Shannon Kelly as Julia Wilde, and Marlon Dance-Hooi as Montgomery Whitley. Intro and outro music by Lumehill The conveniently public doman music from today's episode was The Danse Mabre by Camille Saint-Saëns. Performance sourced from Kevin Macleod at freemusicarchive.org and Sonata for Solo Violin No.2, Danse des ombres by Eugène Ysaye. Performance sourced from MKsenia at imslp.org Sound effects sourced from Epidemic Sound and Soundsnap Art by Ana Balaci Find more info on our website tellnotalespod.com or at @tellnotalespod on Tumblr Distributed by Twin Strangers Productions Support Tell No Tales by contributing to their tip jar: https://tips.pinecast.com/jar/tell-no-tales This podcast is powered by Pinecast.

Join Insider Travel Report's James Shillinglaw and Oceania Cruises' Chief Sales Officer Nathan Hickman, as they dive into the latest developments shaping the future of Oceania Cruises. Their conversation highlights the debut of the all‑new Sonata Class ships and growth of the fleet, representing a new era of luxury for guests, the vision behind the “Joy of Traveling Well” campaign, standout destination offerings and the introduction of the Oceania Club Ambassador Program. Learn more, visit www.oceaniacruises.com.  All our Insider Travel Report video interviews are archived and available on our Youtube channel  (youtube.com/insidertravelreport), and as podcasts with the same title on: Spotify, Pandora, Stitcher, PlayerFM, Listen Notes, Podchaser, TuneIn + Alexa, Podbean,  iHeartRadio,  Google, Amazon Music/Audible, Deezer, Podcast Addict, and iTunes Apple Podcasts, which supports Overcast, Pocket Cast, Castro and Castbox. 

Tapetenwechsel für den Kopf: Mozart komponiert seine C-Dur-Klaviersonate in einer Zeit des Umbruchs. Sie ist ein Meisterwerk der musikalischen Ökonomie und eine Herausforderung - selbst für Profis! Von Christoph Vratz.

Show Notes: John Milbauer explains that, although he didn't graduate from Harvard, his education and career followed a unique path involving music and academia. John reflects that his focus has been a combination of music and ideas, but the structure of academia often separates the two. He mentions his role as Dean of the School of Music at DePaul University in Chicago where they are bringing the two together to provide musicians with a more holistic approach to creative development and expression. Choosing a Career Path At 17 John was accepted into both Harvard Summer School and Aspen Music Festival, and he had to choose which one to attend. He chose Harvard after the advice that young musicians should not pursue music if they can pursue a career in a different field that offers a better chance at success. He describes his love for music and his initial excitement at Harvard, including taking calculus and expository writing. John applied to Harvard's admissions in seventh grade; to him it represented a world of ideas, culture, sophistication and globalism that small town Wisconsin did not offer. Leaving Harvard for a Conservatory John recounts his childhood in northern Wisconsin and his early musical training with Joan Moffitt. He explains how many music instructors tend to teach students bad habits that have to be unlearned later. He explains that he needed purely technical training and he realized that Harvard wasn't set up to provide technical training in music studies, and so, in the middle of his sophomore year, John left Harvard for a conservatory. He details his educational journey from Harvard to Eastman to Juilliard, highlighting the importance of technical training, and the relationship between the mind and body when pursuing creative development.  A Career As a Pianist John pursued his career as a pianist. He talks about his time at the Hungarian Liszt Academy on a Fulbright. He explains the challenges of being a musician in their 30s, including the need for a stable job with benefits. John shares his experience as a piano faculty member at three universities, including the University of Arizona. He describes his decision to pursue a mid-career Master's in Public Administration at the Kennedy School of Harvard, influenced by his 25th reunion. Moving to a Career in Higher Education Administration John talks about going back to Harvard at 49. He realized he needed  broader knowledge, particularly about developing economies, and goes on to explain his decision to pursue a career in higher education administration, influenced by his Kennedy School education. John describes his role as Dean of the School of Music at DePaul University and his efforts to integrate music and academia. He highlights the importance of combining his musical skills with his understanding of economics and government, and shares three key takeaways from his Kennedy School education: economic complexity, the importance of imagination, and the need to resist quantifying good deeds. He explains how these lessons have influenced his work at DePaul, including his approach to growing the school's programs. Harvard Reflections John discusses the importance of imagination in music and the arts, influenced by his class with Roberto Unger. He highlights the role of values in his work, influenced by his class with Rohit Deshpanda at Harvard Business School. John also recounts a special performance with Steve Balderston, a long-time faculty member at DePaul, which helped build trust within the community, and shares a memorable performance of John Cage's Sonatas and Interludes for Prepared Piano, which attracted a full house.   A Vision for DePaul School of Music John discusses the importance of revealing the beauty in music rather than imposing his own interpretation. He outlines his vision for the DePaul School of Music, including its role as a top orchestral training institution. He emphasizes the importance of diversifying the curriculum to include recording arts and performing arts management. John discusses the need for conservatories to focus on specialized training while maintaining a broad educational approach, and he highlights the potential for DePaul to become a leader in complex and diversified higher education in the arts. Timestamps: 05:14: Early Musical Training and Harvard Experience 10:27: Career in Music and Academia 16:02: Transition to DePaul University  21:55: Impact of Kennedy School Education  28:01: Personal and Professional Highlights 34:04: Vision for DePaul School of Music  Links: Faculty: https://www.depaul.edu/faculty/john-milbauer Spotify: https://open.spotify.com/track/43vQxUUaMmzDFTKBND7u2B?si=34e1d0776d604cfb DePaul University:  https://magazine.depaul.edu/s/1906/23/interior.aspx?sid=1906&gid=2&pgid=4425   This episode on The 92 Report:  https://92report.com/podcast/164-john-milbauer-pianist-and-conservatory-leader/ *AI generated show notes and transcript  

如果只能推荐一个人的「历史小说」作品，那我一定会选何大草。因为他从不给自己的创作设限，因为他不止写人物故事、历史传说，更写出了「人」的筋骨，写出了城市和时代的一种独特的气魄。这个春天，我们非常有幸与何大草老师进行了一次畅快的聊天！我们从他小时候的阅读、大学读历史系的故事，聊到为什么离开历史研究，转而去做小说创作，在历史的真实和虚构之间，怎么突破心里的那道坎，也围绕着我最感兴趣的两个人——荆轲和吴道子，聊了聊何大草老师到底是怎么把脑洞开这么大？当然那，我们还聊了聊访古的事儿！整个聊天过程，我都像再一次跟着何大草老师在他的历史创作宇宙里尽情遨游了一番，又像他的那本旅行随笔的名字「顺着水走」一样，彻底放下了提前准备好的提纲，顺着水流，慢慢聊，慢慢走。欢迎你在这期节目中，和我们一起去看看历史里那些不彻底、不成功甚至可以说失败的人，也看看人可以活出怎样的自由、长出怎样硬朗的筋骨。本期嘉宾：何大草，1962 年生于成都少城，1979 -1983 年就读于四川大学历史系。曾供职于《成都日报》、四川师范大学中文系。代表作有长篇小说《春山：王维的盛唐与寂灭》《金桃：吴道子的世代与风尚》《如梦令：李清照南渡》《崇祯皇帝·盲春秋》，历史小说集《夜行者：从荆轲到铸剑》，长篇小说《隐武者》《拳》，以及话剧《大慈寺》等。以写作、讲授写作为业，兼事绘画。樱园何大草写作工坊指导老师。录制场地支持：成都-屋顶上的樱园本期节目你将听到：[01:26] 何大草作品中最触动我的人——荆轲，一个和《史记》里完全不同的荆轲[02:47] 在「古典文人三部曲」里，我们会看到三个「颠覆想象」的古人：王维、吴道子、李清照[06:51] 为什么对古人这么感兴趣？为什么总喜欢写古人的故事？[11:48] 大学选择历史学专业，是为了离历史更近？还是为了重写历史？[15:53] 我决定重新写一个自己理想版本的「荆轲刺秦王」[19:14] 历史学专业和新闻从业经历中对「真实」的强调，会不会成为小说创作的障碍？怎么迈过去？[23:51] 当故事的细节足够丰富，你已经不在执着于分辨真假[26:04] 能把「画圣」吴道子和颜真卿、颜季明、《祭侄文稿》、李白、阿倍仲麻吕串联到一起，这脑洞怎么开的？[28:59] 但最初想写吴道子，是因为孔子！[36:37] 创作就是这样的过程：一点点累积，可能完美，可能失败，一定会有煎熬，但终归充满乐趣[41:21] 受到齐白石「衰年变法」的启发，开始转变自己的写作风格和新的探索[46:00] 文学创作其实需要强大的理性，比如《红楼梦》《战争与和平》[51:43] 何大草笔下的「人」为什么总是不彻底的？从王维到李清照[1:03:29] 为什么更偏爱写一些历史上「失败」的人？成功的人都是相似的，但退缩的人却更有况味。[1:09:42] 想要写一个历史人物，一定要去他曾经生活过的地方看看吗？[1:13:05] 创作中要给自己设限吗？可以冒犯大众吗？敢去挑战大众的「常规认知」吗？[1:16:28] 如果在虚构小说中都不能实现自己想要的自由，那又何必选择文学？[1:21:58] 当一个写历史小说的人去访古，他都看些什么？[1:26:00] 站在骊山上眺望秦始皇的墓，一个绿色的三角，引发无限想象[1:33:28] 文学可以给人带来安慰吗？文学可以治愈我们对时间流逝的恐惧吗？ ▲ 何大草最新作品「古典文人三部曲」▲ 何大草和他在成都樱园写作工坊的学生们【节目主播/制作】主播/制作：VC微博：@VividCrystal 小红书：@午夜飞行VC 【节目互动】微博：@午夜飞行Official 公众号：午夜飞行【商务合作】商务合作联系邮箱：hello@marcastmedia.com或添加微信：hellomarcast 【欢迎加入听友群】入群方式 A：微信添加小助手 Amber (ID: hellomarcast)，拉你入群入群方式 B：关注公众号「午夜飞行」 ，回复「听友群」三个字，即可获取入群通道 【本集音乐】1. First Impressions - 马友友 2. Variations on a Theme from Gioacchino Rossini's MosesVariationen ber - 马友友3. Piano Sonata No.30 in E, Op.1093. Gesangvoll, mit innigster Empfindung (Andante molto cantabile ed espressivo) - 内田光子 4. In A Notebook - Goldmund 5. Sonata for Piano and Violin in E minor, K.3042. Tempo di minuetto - 内田光子,Mark Steinberg 【封面图片】何大草最新作品「古典文人三部曲」【节目出品】本节目由 Marcast 播客厂牌制作出品，也欢迎你订阅收听 Marcast 旗下的其他播客节目，你可以通过以下方式找到我们：- 小红书：@Marcast - 公众号：Marcast - 微博：@Marcast - 进听友群请添加微信：hellomarcast- 一键订阅 Marcast 制作出品的节目：https://www.xiaoyuzhoufm.com/collection/podcast/68775bfa2524d1e7dc6fc41d- 欢迎订阅「Beads 英文播客洞察」：每周为你从国外优质播客中提取、总结、延伸那些 90% 的人听不到的、隐藏在声音里的一手信息、经验、知识、工具、趣味和审美，和你一起拓展认知视野。订阅地址：https://t.zsxq.com/uEiXJ © 2026 Marcast Media

Host and conductor Devin Patrick Hughes welcomes pianist David Korevaar to One Symphony for a rich conversation on Beethoven's piano sonatas and Korevaar's newly released complete recording of the cycle on Prospero Classical. Together they explore why Beethoven still feels so relevant today, how the sonatas trace his artistic evolution, and why they can feel like the closest thing we have to a musical autobiography. The conversation moves from the familiar nicknamed sonatas — including the Moonlight, Tempest, and Les Adieux — into the deeper world of Beethoven's middle and late periods, from the symphonic scale of works like the Appassionata to the daring vastness of the Hammerklavier and the transcendent farewell of Op. 111. Along the way, Korevaar reflects on Beethoven's sonatas as a compositional laboratory, the challenge of hearing beyond the famous openings, the role of patrons and titles, recommended entry points for new listeners, and the enduring mystery of Beethoven's metronome markings. All music featured in this episode is composed by Ludwig van Beethoven and performed by David Korevaar from his newly released recording, Beethoven: The Complete Piano Sonatas, available on Prospero Classical.

ReferencesNature 2024 volume 628, pages 154–161Cell Stem Cell. 2022 Aug4;29(8):1197–1212.Transl Neurodegener.2024 Jul 30;13:38Guerra, Dj.2026 Unpublished LecturesSchubert, F piano Sonatas 959 and 960https://music.youtube.com/playlist?list=OLAK5uy_nfQQU2ubL5bfBrqFNPebxFMydXv13sbMA&si=0ycKMbi8hjulstIN

The Unnamed Automotive Podcast has a couple of car reviews this week to share, but not before discussing things like wet keyfobs, pond entry/exit, and Canadian Tire clearance sales! The show eventually gets to the point and Benjamin reviews the 2026 Chevrolet Equinox. Not the electric one, but the gas model that faces off against a meaty segment full of favorites like the Toyota RAV4, Honda CR-V and Ford Bronco Sport. Benjamin has a lot to say about Chevy's plucky crossover, and Sami has a few things to add, but is this oft-forgotten rival worth checking out in such a crowded segment? Then Sami shares his review of the 2026 Hyundai Sonata Hybrid, one of the few sedans out there, and with its own fair share of pros and cons. How can one reasonably pick this over something like the Camry or Accord? Sami explains where the Sonata sings and where it falls flat. Thanks for listening!

Allyson Devenish picks her favourite recording of Beethoven's Waldstein Sonata Op.53.

Needing Car Repair Advice? We give it all for free. Under The Hood is America's Favorite Car Talk Show. Free Car Repair Advice given to anyone who needs it. You can save money on car repairs and get your car going faster. Three guys hanging out talking cars and any repair problem you may have. Check us out on youtube too!  Thanks for Tuning in and Tuning Up! Here are todays callers. Can I use e20 in my 2018 Silverado? Can I remove my own steering wheel in a Subaru? How can I make my 2011 Ram 1500 last longer? Why won't my 19 Silverado transmission move only sometimes? 15 Sonata won't accelerate well always 15 Mazda 3 transmission slips

At the age of 31, shortly after giving birth to her son Diego, Kisha Stewart experienced a life-threatening heart attack caused by a rare and often under-recognized condition called SCAD. What started as what she thought was normal postpartum fatigue quickly turned into chest pain, dizziness, and nausea — symptoms that could have been easily dismissed. In this episode, Kisha opens up about that terrifying night, the role her intuition played in getting the care she needed, and the challenges of navigating gender bias in the healthcare system. She also shares her journey of rebuilding both her physical health and trust in her body, and offers vital insight into warning signs every woman should know. This is a story of resilience, awareness, and empowerment that every listener can learn from. About Kisha Stewart: Kisha Stewart, a nurse and mother of three, survived a near-fatal "widowmaker" heart attack (SCAD) at age 31, just two weeks after giving birth. Despite having a medical background, her symptoms were initially dismissed as anxiety. Now a Go Red for Women advocate, she shares her story to highlight postpartum risks, racial disparities in care and the need for self-advocacy. She documented her experience in the book "Sonata for a Damaged Heart: A Young Mother's Journey of Survival After a Near Fatal Heart Attack. Keep up with Kisha: Read her story at the American Heart Association: https://www.goredforwomen.org/en/about-heart-disease-in-women/class-of-survivors/kisha-stewart IG - https://www.instagram.com/kishaandscad/ Book - https://www.amazon.com/Sonata-Damaged-Heart-Expanded-Survival-ebook/dp/B0CLKZJKW6 Stay Connected: Is there a topic you'd like covered on the podcast? Submit it to hello@flourishheights.com Subscribe to our quarterly newsletters: Flourish Heights Newsletter Visit our website + nutrition blog: www.flourishheights.com Follow us on social media: Instagram: @flourishheights / Women's Health Hub: @hersidebyfh / @valerieagyeman Youtube channel: https://www.youtube.com/@flourishheights Want to support this podcast? Leave a rating, write a review and share! Thank you!

Register your feedback here. Always good to hear from you!This is an encore episode. The original "Piano" episode appeared first in Season 5, Episode 256, on February 27, 2024.The piano, perhaps more than any other instrument, changed the way music is played. As with a lot of things I tried as a child, I'd be a better person now if I had worked harder at it. Today we'll discuss where the piano got its name and what it has in common with God; the challenge for an American trying to buy a piano in Paris; the pressure that comes from playing the toughest music in the world, and how to overcome it; and a game that won't fit in my house but that I would gladly play – especially with Tom Hanks.  Check out Hal on YouTube at https://www.youtube.com/@halhammons9705Hal Hammons serves as preacher and shepherd for the Lakewoods Drive church of Christ in Georgetown, Texas. He is the host of the Citizen of Heaven podcast. You are encouraged to seek him and the Lakewoods Drive church through Facebook and other social media. Lakewoods Drive is an autonomous group of Christians dedicated to praising God, teaching the gospel to all who will hear, training Christians in righteousness, and serving our God and one another faithfully. We believe the Bible is God's word, that Jesus died on the cross for our sins, that heaven is our home, and that we have work to do here while we wait. Regular topics of discussion and conversation include: Christians, Jesus, obedience, faith, grace, baptism, New Testament, Old Testament, authority, gospel, fellowship, justice, mercy, faithfulness, forgiveness, Twenty Pages a Week, Bible reading, heaven, hell, virtues, character, denominations, submission, service, character, COVID-19, assembly, Lord's Supper, online, social media, YouTube, Facebook.  

„Kai kartais dejuojama dėl smulkmenų, norisi pasikviesti žmones pas mus į skyrių“, – sako vaikų onkohematologė, Vilniaus universiteto Medicinos fakulteto doc. Sonata Šaulytė-Trakymienė. 20 metų gydanti vaikų vėžį ir kraujo ligas, gydytoja teigia, jog požiūris į šias ligas net medicinos moksle yra pasikeitęs - vaikus siekiame išgyti kiek įmanoma mažiausia sveikatos kaina, minimalizuojant chemoterapijos toksiškumą kitoms organų sistemoms. Kaip per 20 metų keitėsi požiūris į vėžį? Kaip atrodo gydytojo kasdienybė, dirbant su sunkiai sergančiais vaikais?Ved. Ignas Klėjus

“Karl Barth fue, para muchos, el gran terremoto teológico del siglo XX. Frente al liberalismo religioso y frente a toda tentativa de domesticar a Dios, levantó una voz poderosa: Dios habla, Dios se revela, Dios no es producto de nuestras ideas. Hoy vamos a recorrer su pensamiento y a examinar las críticas que su obra sigue provocando.” ÍNDICE 1. LA TEOLOGÍA DE BARTH 2. CRÍTICA DESDE EL HEGELIANISMO Y ESPIRITUALISMO. Música de la época: Sonata para violín de Dmitri Shostakovich compuesta en 1968, año del fallecimiento de Karl. Imagen: Karl Barth (Basilea, 10 de mayo de 1886-Basilea, 10 de diciembre de 1968) fue un influyente teólogo protestante calvinista, considerado uno de los más importantes teólogos del siglo xx. Pulsen un Me Gusta y colaboren a partir de 2,99 €/mes si se lo pueden permitir para asegurar la permanencia del programa ¡Muchas gracias a todos!

Topics:  ChatGPT, Shock Jock, Freak Out, Teens/Phones, Trusting God, NFL, Better To Have God, Hot Take, Prayer, Hansen 2038, Doom Scroll BONUS CONTENT: Brant Speaking Engagements   Quotes: "We love being affirmed." "If we want to follow Jesus, we must stay in the mode of repentance. (Willing to acknowledge wrong)" "We probably should have our minds blown." "Everything is about becoming more childlike." "I don't want to have a curated personality." "Trusting God simplifies things...a lot." "There's nothing better than conversing with God through the day." "You have the freedom to NOT have peace it." . . . Holy Ghost Mama Pre-Order! Want more of the Oddcast? Check out our website! Watch our YouTube videos here. Connect with us on Facebook!

*** 本期节目由「宁德时代」冠名播出 ***我们将和杰西卡·罗森教授的作品《厚土无疆》一起，开始一场早期中国文明的壮游。这也是《午夜飞行》第一次非常细致地去讲一本书。原因只有一个，就是这本书实在太好看，也太有启发意义和实用价值了！杰西卡·罗森教授通过这本书，给我们带来了一双「新眼睛」，更给我们带来了一整套新的看展览、参观博物馆的思路，我愿称之为「能够帮我们梳理清楚全中国99%博物馆底层逻辑的实用手册」！它回答了博物馆里最核心、最普遍、却最少被解答的那个问题：这片土地上建立的这座博物馆，究竟是关于什么的？为什么这些东西会出现在这里？️ 本期节目由充电超快续航超长的「宁德时代」冠名播出 ️声音陪伴日常，满电跨越山海~ 感谢「宁德时代」，和我们一起开启 2026 年的飞行之旅！希望本期节目和这本书，像哈利·波特魔法世界里的「门钥匙」，带我们穿过三千年的厚土，进入一个又一个奇特的世界，站在一个全新的视角去感受，古老的文明其实从未离开，他们就在脚下；他们来自远方，也汇入了一条宽广绵延的文明之河，这条河至今仍然在滋养着我们，也会继续带着我们流向更远的地方。本期节目你将听到：[00:43] 为什么会一再细读《厚土无疆》这本书？[03:08] 早期中国文明的一场壮游[05:49] 两座墓葬，两种文明。但，为什么会是这样？[11:14] 杰西卡·罗森是谁？为什么说她带来一双「新眼睛」？[18:11] 你真的关注过我们脚下的这片「黄土」吗？[24:42] 没有黄土，或许就没有精致的青铜器纹饰，也没有兵马俑[31:55] 不要只听传说，我们好好看看那些「器物」！[34:56] 我们真的理解三星堆吗？理解不了，该怎么办？[40:25] 从墓葬遗址里看见文明的流动与交融：北京延庆玉皇庙、安徽蚌埠双墩钟离国墓、甘肃马家塬遗址[43:46] 河北平山中山王墓：手把手教我看懂河北省博！[48:56] 看懂中国博物馆的底层解码手册[54:30]《厚土无疆》带给我们的三个通用的看展新视角，mark！△《厚土无疆：古代中国的今生与来世》△ 杰西卡·罗森教授△ 我们因为太过熟悉而时常忽略的黄土△ 北京延庆玉皇庙遗址出土的草原风格青铜短剑△ 马家塬遗址出土金虎形车饰△ 马家塬车舆博物馆展出的战国晚期金车轮饰△ 错金银虎噬鹿屏风座△ 双翼神兽【本集拓展讲座】杰西卡·罗森《中国古建筑的独特性——考古发现的新视角》https://www.bilibili.com/video/BV14n6PBdEbU/【节目主播/制作】主播/制作：VC微博：@VividCrystal小红书：@午夜飞行VC【节目互动】微博：@午夜飞行Official公众号：午夜飞行【商务合作】商务合作联系邮箱：hello@marcastmedia.com或添加微信：hellomarcast【欢迎加入听友群】入群方式 A：微信添加小助手 Amber (ID: hellomarcast)，拉你入群入群方式 B：关注公众号「午夜飞行」 ，回复「听友群」三个字，即可获取入群通道【本集音乐】1. 烟雨云台 - 何天程2. Sonata for Piano and Violin in E minor, K.3042. Tempo di minuetto - 内田光子,Mark Steinberg3. Beau Soir - 马友友,Kathryn Stott4. 12 Ländler, D. 790No. 6 in G-Sharp Minor - 内田光子,Franz Schubert5. 乌夜啼(古琴独奏,据《神奇秘谱》改编) - 群星6. 旧梦~巩金瓯&颂龙旗 - Dark Moon7. Prince Setne - Derek Fiechter,Brandon Fiechter8. Distant Green Valley - The Silk Road Ensemble,马友友 【封面图片】黄土 Photo by VC【节目出品】本节目由 Marcast 播客厂牌制作出品，也欢迎你订阅收听 Marcast 旗下的其他播客节目，你可以通过以下方式找到我们：小红书：@Marcast公众号：Marcast微博：@Marcast进听友群请添加微信：hellomarcast一键订阅 Marcast 制作出品的节目：https://www.xiaoyuzhoufm.com/collection/podcast/68775bfa2524d1e7dc6fc41d欢迎加入 3000+ 朋友一起订阅 Beads Newsletter 每周一封精选英文播客内容分享，为你提取、总结那些 90% 的人听不到的、隐藏在声音里的一手信息、知识、经验、工具、趣味和审美，和你一起拓展认知和视野，每周一上午发送，订阅地址：https://beads.beehiiv.com© 2026 Marcast Media

Sparks fly when 9-year-old pianist Alexander Zhou takes the keys. Orli Shaham hosts this episode where we also hear from a teenage violist performing Rebecca Clarke's beautiful viola Sonata.To manage podcast ad preferences, review the links below:See pcm.adswizz.com for information about our collection and use of personal data for sponsorship and to manage your podcast sponsorship preferences.Learn more about sponsor message choices: podcastchoices.com/adchoicesNPR Privacy Policy

Sonata is back, Hagane has a new single, Lovebites delivers a new album, and Fer joins Kyle in the "Galneryus live more than once" club. Also Greyhawk, Induction, and other non power metal live shows and movies because we like those too.   For the Impatient: 00:00:00 Intro 00:00:14 Sup Nerds 00:03:27 Sonata Arctica - Freedom Concept 00:08:40 Hagane - Black Diamond 00:13:51 Lovebites - Outstanding Power 00:23:06 Greyhawk - Warriors of Greyhawk 00:25:06 Induction - Love Kills! 00:29:21 Castlesmash - Battle Mace 00:32:56 Supporting deep Bandcamp 00:35:43 Galneryus Live (again!) in Chile 00:40:56 The Ricardo Cruz JAM Project Tangent 00:42:06 Back to Galneryus in Chile 00:45:13 The mishaps 00:49:19 But it was the best show ever 00:59:14 Galneryus should be doing world tours 01:05:55 Savage Master Live 01:10:52 Other shows Fer went to 01:11:03 My Chemical Romance - The Black Parade 2026 Tour 01:16:04 Alesana - The Emptiness Live 01:18:50 Live music is the best 01:19:26 Silent Movies with Live Music 01:20:37 The Cabinet of Dr Caligari - 1920s German Expressionism 01:28:16 We are starved for the real 01:29:13 Nirvana the Band the Show the Movie 01:33:35 Wrapping Up Support us on Patreon!https://www.patreon.com/powerfulpodcast Follow us! Spotify, Apple Podcasts, etc - powerful. a power metal podcastFacebook - https://www.facebook.com/powerfulpodcastInstagram - https://www.instagram.com/powerfulpodcastTwitter - https://twitter.com/powerfulpm Music by Fernando ReyEdited by Fernando Rey

This episode explores two major developments shaping cruising's future: Norwegian Cruise Line Holdings locks in three new ships with Fincantieri through 2037, including a 227,000-ton megaship for NCL, an Oceania sister to the Sonata, and a Regent ultra-luxury vessel, all with methanol-ready designs. Meanwhile, AIDA becomes the third Carnival Corporation brand to schedule a call at Celebration Key, the private Bahamian destination, sending AIDAluna on a 14-night repositioning voyage from New York in November 2027.

02.22.26 11am Service Prelude- Adagio from Organ Sonata #1 by Felix Mendelssohn (1809-1847) by First Community Church

ReferencesStem Cell Res Ther. 2018 Dec 7;9:342Developmental Cell. 2024. V.59, Issue 2:211-227.e5January 22, Cell Commun Signal. 2023 Sep 19;21:244.Cell Discov 2024. 10, 71.Baker/Taylor. 1968 Passing the Time Cream WoFhttps://open.spotify.com/track/7wxd5oR50LKSTtqqJQxYSX?si=4e7a91cc8f6e463cPisendel, JG. 1717. Sonata in G Minorhttps://music.youtube.com/watch?v=beAdy0DoWEk&si=CCs2BQwfundJ65-u

ReferencesGuerra, DJ. 2026. Unpublished lecturesGuerra. DJ. 2022. J of Disease and Global Health Volume 15 [Issue 3]:22-47.Essays Biochem. 2018 Jul 20;62(3):341–360J Am Chem Soc. 2025 Jul 8;147(28):24258–24274.Bach, JS 1726. Partita for Clavier in D Major BMV828https://music.youtube.com/watch?v=M3k0gSDSYPM&si=m3ANN3qws1OEI67hTelemann , GP. 1720 (?) Sonata in F Minor for trombonehttps://music.youtube.com/watch?v=cfal1EV64gs&si=ET_6TxL2xQ_vpoL6

Florence Price: Sonata for Piano in E minor by Clipper Erickson Clippererickson.com Florence Price: Sonata for Piano in E minor! Clipper Erickson brings commanding insight to Florence Price's 1932 Wanamaker Prize-winning masterpiece. Symphonic in scope yet tightly woven, the sonata draws its poewr from the fusion of grand Romantic form with the melodic and rhythmic language of African American spirituals and dance. Erickson illuminates every nuance of Price's writing, revealing its vitality, lyricism, and structural ingenuity. Clipper Erickson, Pianist, Soul, Passion, Color, and Spirituality. Throughout his long career, Clipper has sought to uplift the music of under-represented voices in classical music, both old and new, alongside the great works of the past. His artistry continues to receive international critical accaim through recordings and performances in major concert halls. As a musical explorer and educator, he shares his insight and love through commentary along with performance.

https://www.livingstonescrc.com/give Register for the Estuary/Cleanup Weekend https://lscrc.elvanto.net/form/94f5e542-facc-4764-9883-442f982df447 Paul Vander Klay clips channel https://www.youtube.com/channel/UCX0jIcadtoxELSwehCh5QTg https://www.meetup.com/sacramento-estuary/ My Substack https://paulvanderklay.substack.com/ Bridges of meaning https://discord.gg/VPaK2vCX Estuary Hub Link https://www.estuaryhub.com/ There is a video version of this podcast on YouTube at http://www.youtube.com/paulvanderklay To listen to this on ITunes https://itunes.apple.com/us/podcast/paul-vanderklays-podcast/id1394314333  If you need the RSS feed for your podcast player https://paulvanderklay.podbean.com/feed/  All Amazon links here are part of the Amazon Affiliate Program. Amazon pays me a small commission at no additional cost to you if you buy through one of the product links here. This is is one (free to you) way to support my videos.  https://paypal.me/paulvanderklay Blockchain backup on Lbry https://odysee.com/@paulvanderklay https://www.patreon.com/paulvanderklay Paul's Church Content at Living Stones Channel https://www.youtube.com/channel/UCh7bdktIALZ9Nq41oVCvW-A To support Paul's work by supporting his church give here. https://tithe.ly/give?c=2160640 https://www.livingstonescrc.com/give

Asus pauses phone production, new OpenAI hostnames reference “Sonata”, Anna's Archive faces new pressure in the U.S. MP3 Please SUBSCRIBE HERE for free or get DTNS Live ad-free. A special thanks to all our supporters–without you, none of this would be possible. If you enjoy what you see you can support the show on Patreon,Continue reading "OpenAI CFO Sarah Friar Says Compute Hit 1.9 GW in 2025 – DTH"