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6 episodes with lawmen bass reeves
4 episodes with lawmen bass reeves
4 episodes with lawmen bass reeves
3 episodes with lawmen bass reeves
2 episodes with lawmen bass reeves
2 episodes with lawmen bass reeves
Today on The Luke Branquinho Show, Luke sits down with Jason Rodriguez — a former rodeo cowboy turned professional stuntman. From the arena dirt to the big screen, Jason shares his journey through the rodeo world and how he became the go-to stunt double for Taylor Sheridan's productions, including Yellowstone, 1883, and Lawmen: Bass Reeves. With over 20 years of experience in stunts and a lifetime in the Western way of life, Jason brings a rare authenticity to every project he touches. Tune in as he and Luke talk bull riding, Hollywood, and everything in between.
This week we talk about the actor Val Kilmer. Consumption: Mr. Pold - Derry Girls St. Jimmy - Arcadian, It Stains the Sands Red D'Viddy - Sicario, Reacher season 3, Gangs of London, Lawmen: Bass Reeves season 1, Mobland season 1 Music Provided By: Greg Gibbs / Most Guitars Are Made of Trees Gringo Star / All Y'all Keshco / Got Lot of Stuff
Emmy-nominated composer Chanda Dancy joins us for an inspiring conversation about her remarkable journey in music and film scoring. Known for her work on the acclaimed miniseries "Lawmen: Bass Reeves," Dancy's impressive portfolio includes "Whitney Houston: I Wanna Dance with Somebody," "Devotion," and the documentary "Aftershock." In this captivating interview, Dancy delves into her creative process, discussing the meticulous research and preparation behind crafting the perfect orchestral language for "Lawmen: Bass Reeves." She also shares her profound sense of responsibility when composing for the Whitney Houston biopic. From her early days in Houston, where her classical musician mother introduced her to violin at preschool age, to her pivotal moment at Houston Baptist University where her passion for film scoring ignited, Dancy's story is one of perseverance and "divine timing." We explore how a short film she wrote, directed, and scored became her ticket to USC's prestigious film scoring program. The conversation is peppered with fascinating anecdotes, including a pivotal encounter with legendary composer Mike Post (known for "Law & Order" and "NYPD Blue") during her internship days. Dancy's journey wasn't without challenges - after USC, she found herself serving coffee and working at an internet company. But for this determined dreamer, these humble beginnings were just the prelude to an extraordinary career. Join us as we uncover the story of a talented artist who refused to give up, leading to a snowball of opportunities that shaped her into the acclaimed composer she is today. This episode is a must-listen for aspiring musicians, film enthusiasts, and anyone who believes in the power of perseverance. --- Support this podcast: https://podcasters.spotify.com/pod/show/postinblack/support
Michael, Rob, Pax, and Evan talk about snakes, TV shows and documentaries about politicians, Lawmen: Bass Reeves, sequel novels to Star Trek TOS episodes, Classic Nerd Lunch, Furiosa, Brats, the Beverly Hills Cop movies, Horizon: An American Saga – Chapter 1, The Boys, Cobra Kai, X-Men cartoons, Ripley, space cat novels, Why Didn't They Ask Evans? and other stuff by Agatha Christie, The Acolyte, and much much more.
Actor, director, and producer David Oyelowo feels winningest about being Conan O'Brien's friend. David sits down with Conan to discuss playing Coriolanus at the National Theatre in London, attending boarding school in Nigeria, and serving up something authentic with his new series Lawmen: Bass Reeves. Later, Conan confronts his very own personal Rosebud. For Conan videos, tour dates and more visit TeamCoco.com.Got a question for Conan? Call our voicemail: (669) 587-2847.
Ian Failes from befores & afters chats to 'Lawmen: Bass Reeves' visual effects supervisor Jon Massey about the set extensions, Civil War scenes and more in the show.
Now available on DVD and Blu-ray - LAWMEN: BASS REEVES! The latest series from Taylor Sheridan, co-creator of Yellowstone stars David Oyelowo as legendary lawman Bass Reeves and follows his journey from enslavement to law enforcement as one of the first Black U.S. Deputy Marshals west of the Mississippi. LAWMEN: BASS REEVES DVD and Blu-ray includes over 2 hours of special features and exclusive interviews.
Actor and producer David Oyelowo joins Cortney to talk about his latest passion project, Lawmen: Bass Reeves. The project is a Western television miniseries based on the life of the first African American Deputy U.S. Marshal, Bass Reeves. David and Cortney talk about the hurdles of getting the project made, why Black Westerns are important narratives to tell, and the complexities of playing a Black member of law enforcement in the 19th Century. Cortney also does a dive into Beyonce's latest album “Cowboy Carter,” and analyzes how the record may be particularly impactful during this year's election cycle. Acting Up is all about Black Hollywood, who's making noise, who's making a difference, and how they're moving the needle regarding representation. Cortney Wills has forged deep connections with creatives, actors, directors, producers, writers, executives, and the real decision-makers who shape how our community is represented onscreen, giving Acting Up access to the inner workings of Hollywood.See omnystudio.com/listener for privacy information.
Chad Feehan's parents took him to the movies nearly every single weekend. “They didn't have much of a filter,” he joked about seeing heavy movies at a young age. “In my early teens, Tarantino exploded with Reservoir Dogs and Robert Rodriguez exploded with El Mariachi. I saw that not only did people get paid to make movies, but they could come from Texas.” As a screenwriter, he's known for Paranormal Activity 4, Southland, Rectify, Banshee Origins, Banshee, Ray Donovan and Lawmen: Bass Reeves where he's also the creator. The recent story follows, “Legendary lawman Bass Reeves, one of the greatest frontier heroes and one of the first Black deputy U.S. marshals west of the Mississippi River.” In this interview, Feehan talks about low budget single setting films, going to AFI as a producer with Sam Esmail, getting discovered on the Blacklist, early mentors in the business, understanding the vernacular of Texas, and how shows from people like Taylor Sheridan are tapping into unmet needs for a hopeful, optimistic audience. Want more? Steal my first book, Ink by the Barrel - Secrets From Prolific Writers right now for free. Simply head over to www.brockswinson.com to get your free digital download and audiobook. If you find value in the book, please share it with a friend as we're giving away 100,000 copies this year. It's based on over 400 interviews here at Creative Principles. If you enjoy the podcast, would you please consider leaving a short review on Apple Podcasts? It only takes about 60-seconds and it really helps convince some of the hard-to-get guests to sit down and have a chat (simply scroll to the bottom on your iTunes Podcast app and click “Write Review"). Enjoy the show!
Michael and Pax celebrate the 150th episode of Hellbent with last year's Bass Reeves mini-series starring David Oyelowo, Lauren E Banks, and Forrest Goodluck. And guest-starring Barry Pepper, Shea Whigham, Dennis Quaid, and Donald Sutherland. Pax also talks about his recent guest-appearance on the Authorized Novelizations Podcast discussing Theodore Sturgeon's novelization of The Rare Breed.
“I grew up as a huge fan of Westerns but the reality of the landscape at the time was that it was incredibly diverse. And we've rarely seen that diversity on screen. I feel incredibly fortunate and humbled by the opportunity to show what life was really like in Indian territory in 1875. That it was a melting pot of cultures and races. It speaks to the beauty of Reconstruction,” says Chad Feehan, showrunner for Lawmen: Bass Reeves on Paramount+. The show is part of the highly successful Taylor Sheridan television landscape, that includes shows like Yellowstone and 1883. On today's episode, I speak to Chad about taking on the historical figure of Bass Reeves (played by David Oyelowo), who lived during America's Reconstruction period that is rarely depicted in film or TV. Though Chad and Bass come from very different backgrounds, Chad says he was able to write the character of Bass by focusing on the big emotions the two men shared. He gives this advice about writing people different than yourself: “Tap into your deepest emotions and find a way to relate them to what the character is going through. I think a lot of times when, you start writing, you try to imagine emotions, right? But the range of emotions that we all feel is relatively universal. They just take different shapes and sizes, right? We all know what heartbreak is, we all know what joy is. Tap into that and then transpose it into a situation that the character is also experiencing, if that makes sense. I learned about sudden loss with my mom. I've learned about deep-seated overwhelming love through my children and that emotion is universal,” he says. To hear more about Chad Feehan's background, working on the FX show, Ray Donovan, and his overall writing process, listen to the podcast.
In this conversation recorded for Washington Post Live on Jan. 10, actor David Oyewolo talks about his new series, “Lawmen: Bass Reeves,” in which he plays the eponymous Bass Reeves, the first Black deputy U.S. marshal west of the Mississippi River. Oyelowo also discusses what it was like to work with his wife in a part weighted with personal and historic significance, and why it was important for him to bring Reeves's story to the screen.
Fanliebling und sowas wie das laute, sich nicht benehmende Banausen-Maskottchen Classic Dave macht auch im fünften Jahr nicht davor halt, unsere Mikrofone und eure Ohren und Geschmacksnerven unsicher zu machen. Ab geht´s!
The calendar has flipped to 2024 and the a busy awards season begins with the Golden Globes on Sunday, Jan. 7, at 8 p.m. Eastern. Co-hosts Bruce Miller and Terry Lipshetz break down the big categories and offer predictions on which films, shows and actors will be rewarded by the Hollywood Foreign Press Association. Contact us! We want to hear from you! Email questions to podcasts@lee.net and we'll answer your question on a future episode! About the show Streamed & Screened is a podcast about movies and TV hosted by Bruce Miller, a longtime entertainment reporter who is now the editor of the Sioux City Journal in Iowa and Terry Lipshetz, a senior producer for Lee Enterprises based in Madison, Wisconsin. List of 2024 Golden Globe nominees BEVERLY HILLS, Calif. (AP) — The nominees for next year's Golden Globe Awards have been announced. BEST DRAMA MOVIE “Anatomy of a Fall”; “Killers of the Flower Moon”; “Maestro”; “Oppenheimer”; “Past Lives”; “The Zone of Interest” BEST MOVIE MUSICAL OR COMEDY “Air'; American Fiction''; ”Barbie"; “The Holdovers”; “May December”; “Poor Things” FEMALE ACTOR IN A MOVIE DRAMA Annette Bening, “Nyad”; Lily Gladstone, “Killers of the Flower Moon”; Sandra Huller, “Anatomy of a Fall”; Greta Lee, “Past Lives"; Carey Mulligan, ”Maestro''; Cailee Spaeny, “Priscilla” ACTOR IN A MOVIE DRAMA Bradley Cooper, “Maestro”; Leonardo DiCaprio, “Killers of the Flower Moon”; Colman Domingo, “Rustin”; Barry Keoghan, “Saltburn”; Cillian Murphy, “Oppenheimer”; Andrew Scott, “All of Us Strangers” FEMALE ACTOR IN A MUSICAL OR COMEDY Fantasia Barrino, “The Color Purple”; Jennifer Lawrence, “No Hard Feelings”; Natalie Portman," May December"; Alma Poysti, “Fallen Leaves” Margot Robbie, “Barbie”; Emma Stone, “Poor Things” ACTOR IN A MUSICAL OR COMEDY Nicolas Cage, “Dream Scenario”; Timothee Chalamet, “Wonka”; Matt Damon, “Air”; Paul Giamatti, “The Holdovers”; Joaquin Phoenix, “Beau Is Afraid”; Jeffrey Wright, “American Fiction” FEMALE ACTOR IN A SUPPORTING ROLE Emily Blunt, “Oppenheimer”; Danielle Brooks, “The Color Purple”; Jodie Foster, “Nyad”; Julianne Moore, “May December”; Rosamund Pike, “Saltburn”; Da'Vine Joy Randolph, “The Holdovers” MALE ACTOR IN A SUPPORTING ROLE William Dafoe, “Poor Things,”; Robert DeNiro, “Killers of the Flower Moon”; Robert Downey Jr., “Oppenheimer”; Rya Gosling, “Barbie”; Charles Melton, “May December”; Mark Ruffalo, “Poor Things” ANIMATED FILM "The Boy and the Heron"; “Elemental”; “Spider-Man: Across the Spider-Verse”; “The Super Mario Bros. Movie”; “Suzume”; “Wish” DIRECTOR Bradley Cooper, “Maestro”; Greta Gerwig, “Barbie”; Yorgos Lanthimos, “Poor Things”; Christopher Nolan, “Oppenheimer”; Martin Scorsese, “Killers of the Flower Moon”; Celine Song, “Past Lives.” SCORE “Poor Things”; “Oppenheimer”; “The Boy and the Heron”; “Zone of Interest”; “Spider-man: Across the Spider-verse”; “Killers of the Flower Moon.” ORIGINAL SONG “Addicted to Romance“ from ”She Came to Me", music and lyrics by Bruce Springsteen; “Dance the Night'' from ”Barbie", music and lyrics by: Mark Ronson, Andrew Wyatt, Dua Lipa, Caroline Ailin; “I'm Just Ken'' from ”Barbie'', music and lyrics by Mark Ronson, Andrew Wyatt; “Peaches'' from ”The Super Mario Bros. Movie" music and lyrics Jack Black, Aaron Horvath, Michael Jelenic, Eric Osmond, John Spiker; “Road to Freedom'' from ”Rustin", music and lyrics by Lenny Kravitz; “What Was I Made For?” from "Barbie'', music and lyrics by Billie Eilish O'Connell, Finneas O'Connell. BEST SCREENPLAY Greta Gerwig, Noah Baumbach, “Barbie”; Tony McNamara, "Poor Things"; Christopher Nolan, “Oppenheimer”; Eric Roth, Martin Scorsese, “Killers of the Flower Moon”; Celine Song, “Past Lives”; Justine Triet, Arthur Harari, “Anatomy of a Fall” BEST MOTION PICTURE NON-ENGLISH “Anatomy of a Fall" (France); ”Fallen Leaves" (Finland); “Io Capitano” (Italy); “Past Lives” (USA); “Society of the Snow” (Spain); “The Zone of Interest” (United Kingdom/USA) CINEMATIC AND BOX OFFICE ACHIEVEMENT “Barbie”; “Guardians of the Galaxy Vol 3”; 'John Wick: Chapter 4"; “Mission Impossible - Dead Reckoning Part 1”; “Oppenheimer”; “Spider-Man: Across the Spider-Verse”; “The Super Mario Bros. Movie”; “Taylor Swift: The Eras Tour” TELEVISION DRAMA SERIES “Succession”; “1923”; “The Last of Us”; “The Morning Show”; “The Diplomat”; “The Crown” TELEVISION COMEDY SERIES “Ted Lasso”; “Abbott Elementary”; “The Bear”; “Barry”; “Only Murders in the Building”; “Jury Duty” LIMITED SERIES, ANTHOLOGY SERIES OR MOTION PICTURE MADE FOR TELEVISION All the Light We Cannot See”; “Beef”; “Daisy Jones & the Six”; “ ”Fargo”; “Fellow Travelers″; ”Lessons in Chemistry” FEMALE ACTOR IN A TELEVISION DRAMA Helen Mirren, “1923”; Bella Ramsey, “The Last of Us”; Keri Russell, “The Diplomat”; Sarah Snook, “Succession”; Imelda Staunton, “The Crown”; Emma Stone, “The Curse” MALE ACTOR IN A TELEVISION DRAMA Brian Cox, “Succession”; Kieran Culkin, “Succession”; Gary Oldman, “Slow Horses”; Pedro Pascal, “The Last of Us”; Jeremy Strong, “Succession”; Dominic West, “The Crown". FEMALE ACTOR IN A TELEVISION COMEDY Rachel Brosnahan, “The Marvelous Mrs. Maisel”; Quinta Brunson, “Abbott Elementary”; Ayo Edebiri, “The Bear”; Elle Fanning, “The Great”; Selena Gomez, “Only Murders in the Building”; Natasha Lyonne, “Poker Face. MALE ACTOR IN A TELEVISION COMEDY Bill Hader, “Barry”; Steve Martin, “Only Murders in the Building”; Jason Segel, “Shrinking”; Martin Short, “Only Murders in the Building”; Jason Sudeikis, “Ted Lasso”; Jeremy Allen White, “The Bear" FEMALE ACTOR IN A LIMITED SERIES, ANTHOLOGY SERIES, OR A MOTION PICTURE MADE FOR TELEVISION Riley Keough, “Daisy Jones & The Six”; Brie Larson, “Lessons in Chemistry”; Elizabeth Olsen, “Love & Death”; Juno Temple, “Fargo”; Rachel Weisz, “Dead Ringers”; Ali Wong, “Beef" ACTOR IN A LIMITED SERIES, ANTHOLOGY SERIES, OR A MOTION PICTURE MADE FOR TELEVISION Matt Bomer, “Fellow Travelers”; Sam Claflin, “Daisy Jones & The Six”; Jon Hamm, “Fargo''; Woody Harrelson, ”White House Plumbers"; David Oyelowo, “Lawmen: Bass Reeves”; Steven Yeun, “The Beef" SUPPORTING FEMALE ACTOR IN A TELEVISION SERIES Elizabeth Debicki, “The Crown”; Abby Elliott, “The Bear”; Christina Ricci, “Yellowjackets”; J. Smith-Cameron, “Succession”; Meryl Streep, “Only Murders in the Building”; Hannah Waddingham, “Ted Lasso” SUPPORTING MALE ACTOR IN A TELEVISION SERIES Billy Crudup, “The Morning Show”; Matthew Macfadyen, “Succession”; James Marsden, “Jury Duty”; Ebon Moss-Bachrach, “The Bear”; Alan Ruck, “Succession”; Alexander Skarsgård, “Succession" STAND-UP COMEDY TELEVISION SPECIAL Ricky Gervais, “Armageddon”; Trevor Noah, “Where Was I”; Chris Rock, “Selective Outrage”; Amy Schumer, “Emergency Contact”; Sarah Silverman, “Someone You Love”; Wanda Sykes, “I'm an Entertainer”See omnystudio.com/listener for privacy information.
Join Ant and J in a riveting discussion as they unpack the explosive final episode of Lawmen: Bass Reeves. The stakes are higher than ever as Bass, Billy Crow, and Sherrill engage in a dangerous confrontation with the enigmatic Mister Sundown after a chilling waltz with the devil. Meanwhile, back at the Reeves' farm, trouble brews for Jennie, Sally, and Esme. Tune in as the fellas share their deep appreciation for the series, reflecting on how the narrative reached a boiling point around episode 5. Will Lawmen: Bass Reeves make a triumphant return? Ant and J explore this question and more, offering insightful commentary and speculation about the future of the show. Don't miss out on this passionate discussion about a series that has captured the hearts of many. For exclusive content and even more insights, check out their Patreon at www.patreon.com/thisweekInculture. --- Send in a voice message: https://podcasters.spotify.com/pod/show/thisweekinculture/message Support this podcast: https://podcasters.spotify.com/pod/show/thisweekinculture/support
Lawmen: Bass Reeves finale breakdown
Bass and Esau's finally story finally reaches it end as we're back to talk about the final two episodes of Taylor Sheridans, Anthonlogy on Bass Reaves. Watch it on Paramount / CBS. Support the show and get access to Patreon only recordings: Tv Movie Mistress Support the show: Paypal Mo's Twitter: @BookDreamer01 @TVMovieMistress Juwan's Twitter: @JayTeeDee Facebook Group: www.facebook.com/groups/tvmoviemistress/ Email Address: tvmoviemistress@gmail.com YouTube Channel: https://www.youtube.com/tvmoviemistress
Reese, Kmac, Pam and Alex speak with actress Lauren E. Banks. Lauren E. Banks is a graduate of the Yale School of Drama and Howard University, from which she received her MFA and BFA in acting, respectively. In 2017, Lauren was awarded Yale's Carol Finch Dye Award, whose previous recipients include Frances McDormand and Meryl Streep. Banks is most known for her work as Siobhan Quays in Showtime's drama series City On A Hill." Banks also stars in the hit series Lawmen: Bass Reeves.
Repaso a los estrenos de series del Estrenos del 18 de diciembre al 24 de diciembre Las recomendaciones del programa son de Steven Soto con El Asesino de la luna ,Lawmen:Bass Reeves y no ver El Continental Por otro lado ya hemos abierto la encuesta para votar a las mejores series de año 2023 , puede votar aquí https://forms.gle/R36DVZEauXBhrFhW9 La música que suena es I´m the doctor de Murray Gold. Puedes suscribirte a Repaso en Serie en Ivoox: https://www.ivoox.com/podcast-repaso-en-serie_sq_f1253125_1.html Apple podcast: https://podcasts.apple.com/es/podcast/repaso-en-serie/id1052484238 Spotify:https://open.spotify.com/show/6iraQpiaN4b0cNTxVwEHa5 Amazon:https://music.amazon.com/podcasts/a46f6dbb-b6ce-4267-8a38-395c19fb7357/repaso-en-serie Youtube: https://www.youtube.com/channel/UCMi7PWTOKv_If1kvENsHHvA Siguenos en redes sociales en: Twitter: @repasoenserie Facebook: https://www.facebook.com/repasoenserie Blog:repasoenserie.com Otros podcast donde estamos son: PodTrek, el Podcast que viaja a velocidad de curvatura por el Universo Star Trek Ivoox: https://www.ivoox.com/s_p2_1411193_1.html Spotify:https://open.spotify.com/show/3l41RMpDMCMJmvJ860Q4fK?si=2626449beb344e1d YouTube:https://www.youtube.com/channel/UCMi7PWTOKv_If1kvENsHHvA Chokeslam Podcast , el Podcast de Wrestling, hecho por fanáticos del Wrestling. Twitter: @chokeslampod Ivoox: https://www.ivoox.com/podcast-chokeslam-podcast_sq_f1637415_1.html Spotify: https://open.spotify.com/show/6IqEBPZ7TBzNG8xh44wa8c Youtube: https://www.youtube.com/channel/UC3TzULzxcoG5uy_ENkFjgQw Twitch: https://www.twitch.tv/chokeslampodcast
This week on The Treatment, Elvis welcomes back actor and producer David Oyelowo, who is currently starring on the Paramount+ series Lawmen: Bass Reeves. Next, director Brian Helgeland stops by to talk about his latest film, the crime drama Finestkind. And on The Treat, Pulitzer Prize winning writer Hua Hsu talks about a jazz saxophonist whose music felt like life.
CJ Navas y Juan Francisco Bellón comentan, sin spoilers, los últimos estrenos de series de televisión y documentales. En este programa analizamos Los Farad en Prime Video, la segunda temporada de Todos Mienten que llega a Movistar+, Vestidas de azul, la continuación de Veneno en atresplayer, Lawmen: Bass Reeves en SkyShowtime, la despedida de The Crown en Netflix, junto al documental de Jordi Évole, No me llame Ternera, y recuperamos la serie documental Brawn GP: Una escudería imposible de Disney+. PATROCINADOR Suscríbete a Fueradeseries+ y escucha todos nuestros programas sin publicidad en tu reproductor habitual de podcasts, accede a contenido exclusivo, descuentos en la Tienda Fuera de Series y muchas cosas más. Además, si te suscribes antes de final de año, lo harás en condiciones muy especiales. Hazlo ya en https://fueradeseries.com/plus ENLACES: Lee sobre todo lo que hemos comentado y ve los trailers suscribiéndote de forma gratuita a la Newsletter de Fuera de Series: http://newsletter.fueradeseries.com Únete a nuestro grupo de Telegram: telegram.me/fueradeseries Learn more about your ad choices. Visit megaphone.fm/adchoices
The multi-talented icon also shares the scoop on his latest acting roles in Paramount+'s Lawmen: Bass Reeves and playing Ronald Reagan in the upcoming biopic, Reagan
The multi-talented icon also shares the scoop on his latest acting roles in Paramount+'s Lawmen: Bass Reeves and playing Ronald Reagan in the upcoming biopic, Reagan
This Week in Culture Episode 352: "Lawmen: Bass Reeves S1 Ep7 - Yosemite Sam" Join Ant and J. Johnson in this episode as they delve into the penultimate chapter of #LawmenBassReeves, available on @paramountplus. In S1 Ep7, the hosts dissect the emotional journey of Bass Reeves, exploring the trauma he faces and the toll his past demons are taking on his family. Get ready for a deep dive into the gripping storyline and thought-provoking themes.
Van Lathan and Rachel Lindsay react to the reports coming out of the Jonathan Majors assault and harassment trial (13:51) before discussing a pastor's disdain for gaming (38:14) and the Zeus Network's "Dark Skin Vs. Light Skin" competition (50:00). Then college presidents face pressure to resign following a hearing on antisemitism (1:09:41), and lastly, actor David Oyelowo joins to discuss his role as the legendary Bass Reeves and casting the Black James Bond (1:31:37). Hosts: Van Lathan and Rachel Lindsay Producers: Donnie Beacham Jr. and Ashleigh Smith Learn more about your ad choices. Visit podcastchoices.com/adchoices
Several years have past now and Bass Reeves starts to feel the wear and tear of being a Lawman. Bass Reeves is forced to choose between his oath and family. Sally runs into trouble at the carnival, while Bass confronts an old nemesis. Support the show and get access to Patreon only recordings: Tv Movie Mistress Support the show: Paypal Mo's Twitter: @BookDreamer01 @TVMovieMistress Juwan's Twitter: @JayTeeDee Facebook Group: www.facebook.com/groups/tvmoviemistress/ Email Address: tvmoviemistress@gmail.com YouTube Channel: https://www.youtube.com/tvmoviemistress
Timberwolves PG Mike Conley and Rich discuss the popularity of the NBA's In-Season Tournament with players and fans, what makes talented teammate Anthony Davis so unique on and off the court, what it's like to try to get a shot off against 7'4” Spurs' rookie phenom Victor Wembanyama, what could have been for former Ohio State teammate Greg Oden who went #1 overall in the 2007 NBA Draft ahead of Kevin Durant, and more. Actor David Oyelowo joins Rich in-studio to discuss his new Paramount+ series ‘Lawmen: Bass Reeves,' how he prepared for his memorable role as MLK in ‘Selma,' why he finds the blood and violence of MMA relaxing, and more. TJ offers up his fantasy football advice for NFL Week 14. Learn more about your ad choices. Visit podcastchoices.com/adchoices
We're back again! This time with a "Fall 2023" edition of Good One Bad One, which we started recording pretty late in the season and have finally gotten around to releasing even later. (November hit hard this year, listener.) We've got a great lineup for you this season! Presenting the Good Ones: Apple TV+'s The Buccaneers Hulu's Goosebumps Showtime's The Curse And, of course, our formidable Bad Ones: Paramount+'s Frasier reboot NBC's The Irrational Paramount+'s Lawmen: Bass Reeves
An outbreak of chaos unfolds when gunfire erupts in Checotah, setting the stage for a tumultuous series of events. Bass and Jennie experience a poignant reunion filled with pain, while Bass grapples with an unsettling revelation as the enduring myth of Mister Sundown continues to cast its shadow. --- Send in a voice message: https://podcasters.spotify.com/pod/show/thisweekinculture/message Support this podcast: https://podcasters.spotify.com/pod/show/thisweekinculture/support
Sherri gives her hilarious take on the current headlines! David Oyelowo stops by to tell Sherri about his Paramount+ show, “Lawmen: Bass Reeves,” and his busy 2024 film slate. And baker Jonny Manganello AKA JonnyCakes, demonstrates his baking skills!
It was May 10, 1875, when a former slave stood in front of a judge and was sworn in as a deputy U.S. Marshal. The man was Bass Reeves. Terence Anthony is a writer for the Paramount+ series, “Lawmen: Bass Reeves.” He joins Tavis to explain the storyline of the program.
This Week In Culture Episode 346 (Lawmen: Bass Reeves S1 Ep5): Go Beckon. This week Ant and J. Johnson break down Bass Reeves' latest outlaw hunt, his daughters trip to the carnival and more. They also get a great voicenote from a pod favorite! Click and link and stream the latest episode now! --- Send in a voice message: https://podcasters.spotify.com/pod/show/thisweekinculture/message Support this podcast: https://podcasters.spotify.com/pod/show/thisweekinculture/support
Paramounts new show about the legendary lawman Bass Reeves, one of the greatest frontier heroes and one of the first Black deputy U.S. marshals west of the Mississippi River. From executive producer Taylor Sheridan of Yellow Stone fame starring David Oyelowo, from Selma and The Harder They Fall. Support the show: Paypal Twitter: @BookDreamer01 @TVMovieMistress Juwan: @JayTeeDee Facebook: www.facebook.com/groups/tvmoviemistress/ Keep in touch: tvmoviemistress@gmail.com Support via Patreon: Tv Movie Mistress YouTube: https://www.youtube.com/tvmoviemistress
@trinidadant and @jjohnson313 are back in action on Episode 344 and they're diving deep into the world of the latest Paramount+ western, Lawmen: Bass Reeves. The fellas share their insights on the overall direction of the show. Join the discussion as Ant and J dissect the timeline through the first half of the season, offering their unique perspectives on the unfolding narrative. From character development to plot twists. And for those looking for even more exclusive content and perks, consider joining our Patreon community at Patreon.com/thisweekinculture. Early access, video episodes, and Patreon-exclusive content await our dedicated supporters. Because, let's face it, our listeners are family, and we love you! Tune in, subscribe, and stay up to date on all things TV with "This Week in Culture Podcast."
Dive deep into the latest and greatest in television and culture with @trinidadant and @jjohnson313 . In this recent episode, we've got the scoop on Paramount+'s Lawmen: Bass Reeves. Wondering if it's a binge-worthy masterpiece or if you should pass? Ant and J have you covered. Last week, our Patreon subscribers were the first to hear the duo break down the first three episodes. Yeah, they got the exclusive early access – perks of being part of the inner circle! Haven't checked it out yet? No worries, join the conversation and let us know your thoughts. We value your input! But that's not all— buckle up because right after this, we're dropping the review for the fourth episode. That's right, double the content today! We're committed to keeping you in the loop on the hottest TV shows. And for those looking for even more exclusive content and perks, consider joining our Patreon community at Patreon.com/thisweekinculture. Early access, video episodes, and Patreon-exclusive content await our dedicated supporters. Because, let's face it, our listeners are family, and we love you! Tune in, subscribe, and stay up to date on all things TV with "This Week in Culture Podcast."
Paramounts new show about the legendary lawman Bass Reeves, one of the greatest frontier heroes and one of the first Black deputy U.S. marshals west of the Mississippi River. From executive producer Taylor Sheridan of Yellow Stone fame starring David Oyelowo, from Selma and The Harder They Fall. To support me and the show: Paypal Twitter: @BookDreamer01 @TVMovieMistress Juwan: @JayTeeDee Facebook: www.facebook.com/groups/tvmoviemistress/ Keep in touch: tvmoviemistress@gmail.com Support via Patreon: Tv Movie Mistress YouTube: https://www.youtube.com/tvmoviemistress
In Pilot Club #97, Billy and Drew discuss The Buccaneers, Lawmen: Bass Reeves, NCIS: Sydney and Band of Brothers (for Archive Corner).
Hunter shot in the face by another hunter CO dog stays by master after he dies in the wilderness (8:55) Vegas teen beaten to death by a gang of fellow students (12:10) Near misses with planes in the sky, on the runways & in the towers (22:15) Pope dismisses Texas Bishop (26:30) Fentanyl sent to election offices after elections (30:20) Q Anon Shaman running for Congress in AZ (35:15) The GOP and their physical threats and actions to EACH OTHER/Marjorie Trailer Greene gets a lesson in civics (39:20) Trump - Ellis & Powell's testimony/Again thinks Obama is President (1:02:45) Cunting YouTube ads/Lawmen: Bass Reeves (1:14:20) Next Tuesday - Nino Sciglitano Jr. & our Thanksgiving Special
This week Beth and Wendy discuss the case of Nomia Rosemary Ndlovu, a South African police officer who murdered six people: her lover, her sister, her cousin, her niece and two nephews. She did this in order to cash out on life and funeral policies. This episode was researched & scripted by Wendy & Beth Williams and edited by Minnie Williams. Thanks for listening! This is a weekly podcast and new episodes drop every Thursday, so until next time... look alive guys, it's crazy out there! Shout Outs The Uncanny Counter on Netflix (TV show) Deadloch on Prime (TV show) Lawmen: Bass Reeves on Paramount+ (TV show) Where to find us: Our Facebook page is Fruitloopspod and our discussion group is Fruitloopspod Discussion on Facebook; https://www.facebook.com/groups/fruitloopspod/ We are also on Twitter and Instagram @fruitloopspod Please send any questions or comments to fruitloopspod@gmail.com or leave us a voicemail at 602-935-6294. We just might read your email or play your voicemail on the show! Want to Support the show? You can support the show by rating and reviewing Fruitloops on iTunes, or anywhere else that you get your podcasts from. We would love it if you gave us 5 stars! You can make a donation on the Cash App https://cash.me/$fruitloopspod Or become a monthly Patron through Patreon patreon.com/user?u=11415202 Footnotes: https://fruitloopspod.com/2023/11/16/213-serial-killer-nomia-rosemary-ndlovu/ Music “Abyss” by Alasen: ●https://soundcloud.com/alasen●https://twitter.com/icemantrap ●https://instagram.com/icemanbass/●https://soundcloud.com/therealfrozenguy● Licensed under Creative Commons: By Attribution 3.0 License “Court Cost” by Marlene Miller. Used with permission. Find her Facebook and Instagram under SEMNCHY or marlenemiller138@gmail.com “Drugs” by Arulo Mixkit Stock Music Free License https://mixkit.co/free-stock-music/trap/ “Master Disorder” & “Furious Freak” by Kevin MacLeod Link: https://incompetech.filmmusic.io/song/3791-furious-freak License: http://creativecommons.org/licenses/by/4.0/ https://creativecommons.org/licenses/by/3.0/ http://creativecommons.org/licenses/by/4.0/ Connect with us on: YouTube: https://www.youtube.com/channel/UCQHgsKYPbzsI4AEiMrUgabA Twitter @FruitLoopsPod Instagram https://www.instagram.com/fruitloopspod Facebook https://www.facebook.com/Fruitloopspod and https://www.facebook.com/groups/fruitloopspod Learn more about your ad choices. Visit megaphone.fm/adchoices
Justin and Nicole discuss Rustin and the intricacies of putting together social moviements. We highly enjoyed the performances, particularly Colman Domingo who captured the charisma and passion of Bayard Rustin. We talk about the challenges, the infighting, and the varying approaches to building a social movement. Justin recommends Lawmen: Bass Reeves. Nicole recommends Nature's Premium aloe cream. Website Store YouTube Facebook Group Page
Gut, dass ihr die beiden nicht sehen könnt. Zwar wurden Steven und Tim auf ihrem Wochenendtrip nach Frankfurt gut versorgt, doch geht so ein Event auch nicht spurlos an ihnen vorbei. Aber für - wie Steven es so schön sagt – alles, was kommt, was ist und passiert, ist natürlich Kraft da. Und so geht es um die neue Serie „Deutsches Haus“, die aktueller leider nicht sein könnte, die Geschichte des ersten schwarzen U.S. Marshals, die in der Serie „Lawmen: Bass Reeves“ erzählt wird und die zweite Staffel „Reacher“, auf deren Start Steven und Tim schon sehnsüchtig warten. Worauf sie auch noch warten, ist die Antwort darauf, wo die 250 Millionen US-Dollar geblieben sind, die in die Produktion des „The Marvels“-Films gesteckt worden sind… in die Special Effects jedenfalls nicht. Du möchtest mehr über unsere Werbepartner erfahren? Hier findest du alle Infos & Rabatte: https://linktr.ee/KinooderCouch
Lawmen: Bass Reeves featured a stunning death while Yellowstone included several hundred of them. This week on Dutton Rules, Adison Haager and Billy Dukes discuss (10:30) the big-name actor killed off of Bass Reeves, and (5:30) why his on-screen wife is the best character on the show. Then it
Lawman: Bass Reeves is a new American Frontier western on Paramount+ that dropped Sunday, November 5th with a two-part pilot. Spanning 1863-1875, the first two episodes follow Bass (played by British actor David Oyelowo) as a runaway slave, turned free man, turned lawman, the first African American Deputy Marshal west of the Mississippi River. Tune in as we discuss the pros and cons, the history, and our ultimate rating. Welcome to Today's Episode!
Post Show Recaps: LIVE TV & Movie Podcasts with Rob Cesternino
In this podcast, Chappell (@Chappells_Show) and Jason Reed (@JayR1085) discuss episodes 1 and 2 on The PSR Connect.
In this podcast, Chappell (@Chappells_Show) and Jason Reed (@JayR1085) discuss episodes 1 and 2 on The PSR Connect.
In this podcast, Chappell (@Chappells_Show) and Jason Reed (@JayR1085) discuss episodes 1 and 2 on The PSR Connect.
Thanks to our awesome Patrons, we're proud to present another episode of Mediasplode! Running Time: 01:00:00 This month, Josh Flanagan and Conor Kilpatrick are joined by their original Pick of the Week co-host Ron Richards to discuss… What We've Been Enjoying: 00:01:32 – Ron watched Flora and Son, and is watching The Gold, and Lessons in Chemistry. 00:08:02 – Conor has started Lawmen: Bass Reeves, finished the third season of Lupin, and listened to Strike Force Five. 00:11:09 – Josh also listened to Strike Force Five, and is rewatching The Sopranos, and rewatched The IT Crowd and Black Books. Mail Bag: 00:18:03 – Owen M. from Bray, Co. Wicklow, Ireland wants to know what the guys think about “Now and Then.” 00:23:14 – Scott H. from Portland, Oregon is looking to identify the titles in the iFanboy Film Canon. 00:26:49 – John-Joseph J. from Brooklyn, New York is curious about Josh's return to skateboarding. 00:30:18 – Nick B. from Melbourne, Australia is dipping his toe into David Lynch fandom. 00:33:04 – Ryan S. from Philadelphia, Pennsylvania wonders if iFanboy was to ever do another movies by minute podcast, what would the movie be? And also what are the guys' Top 3 Scorcese pictures? 00:35:56 – Marcus V. has been trying to watch Once Upon a Time in America but is stuck in the middle and doesn't know if he should finish. 00:37:01 – Aaron A. from Houston, Texas doesn't understand why the guys love Once Upon a Time… in Hollywood so much. 00:41:45 – Brian C. from Cincinnati, Ohio is exasperated with how Disney has been managing The Muppets and thinks the solution for success is obvious. 00:45:05 – Greg M. from Philadelphia, Pennsylvania wants to know which other holiday classic film should get the Muppet treatment. 00:47:08 – Dave C. from Buffalo, New York has a grab bag of holiday media (and non-media) questions. SPOILERS ABOVE! What's a Mediasplode? It's a monthly special edition show in which we talk about what we are enjoying in media outside of the realm of comic books. It's like our All Media Year End Round-Up but in a shorter, monthly format. Note: Time codes are subject to change depending on dynamic ad insertion by the distributor. Music: “Rainbow Connection” Kermit the Frog Learn more about your ad choices. Visit megaphone.fm/adchoices
This week we're talking about the newest Taylor Sheridan project, Lawmen Bass Reeves, on Paramount+, the return of Invincible season 2 on Prime, and our three desserts, the season finales of Gen V and Star Trek Lower Decks, and the penultimate Loki! 2:18- 29:20 TV Diaries Main Course: 29:38-42:44 Lawmen Bass Reeves (Paramount+) Side Dish: 49:00-43:01 Invincible (Prime) Desserts: 57:36-1:06:33 Star Trek Lower Decks (Paramount+) 1:06:33-1:14:06 Loki (Disney+) 1:14:06 - GenV (Prime)
(Episode 424)"Lawman: Bass Reeves" Director: Damian Marcano.Director Damien Marcano directs the second half of the new hit Paramount+ series "Lawman: Bass Reeves" (Episodes 4-8). We talk all things Bass Reeves!Bass Reeves is the untold story of the most legendary lawman in the Old West, LAWMEN: BASS REEVES follows the journey of Reeves (Oyelowo) and his rise from enslavement to law enforcement as one of the first Black U.S. Deputy Marshals west of the Mississippi. Despite arresting over 3,000 outlaws during the course of his career, the weight of the badge was heavy,and he wrestled with its moral and spiritual cost to his beloved family. LAWMEN: BASS REEVES is an all-new, standalone anthology series and future iterations will follow other iconic lawmen and outlaws who have impacted history.Many believe that Bass Reeves is the real life Lone Ranger.Welcome, Damien Marcano.https://www.instagram.com/mondaymorni...https://www.tiktok.com/@UCjjhZfRL7uKT...https://www.facebook.com/mondaymornin...www.mmcpodcast.commondaymorningcritic@gmail.com#bassreeves #interview #taylorsheridan #davidoyelowo #fyp #truestory #paramountplus #western #wildwest #history #loneranger #director
Jam-packed with TV recommendations, Adam, Damo, Grace, Izzi and Neil mark 250 episodes by talking about a whole host of shows (no spoilers), including:- Strictly Come Dancing, The Long Shadow, The Good Place, GBBO, Planet Earth 3, Malcom in the Middle, All The Light We Cannot See, Ru Paul's Drag Race UK, The Fall of the House of Usher, The Haunting of Hill House, The Reckoning, Gen V, Time, Loki, Lawmen: Bass Reeves, Yellowjackets, Survivor and The Traitors We reflect on the series we've most enjoyed covering, including Better Call Saul, Happy Valley, Succession and The Bear, plus our favourite TV DNA podcast episode titles. To mark Adam completing his Parks & Recreation watch, we discuss our favourite Pawnee residents and Neil challenges us to a quiz. We also cover these exciting shows coming soon:- The Curse, The Buckaneers, 007 Road To A Million, Culprits, The Southwesterleys, The Santa Clauses, The Newsreader, For All Mankind and NCIS Sydney, Plus the latest news on Fargo, House of the Dragon, Echo, Fool Me Once, The Traitors, a possible Prison Break Reboot and the Yellowston-iverse. Trailers discussed:- Culprits The Buccaneers The Curse 007:Road to a Million Echo We can't wait for you to hear our thoughts on the latest episode and for you to give us yours too. You can find and follow us on all the socials @tvdnapod You can also email us on tvdnapod@gmail.com And, if you listen on Spotify, check out our poll below. Check out our recent specials on Time and Sex Education or catch-up on our weekly spoiler-free watchlist episodes where we discuss the latest TV and upcoming shows. Our back catalogue includes specials on Happy Valley, The Last of Us and Succession. We're on Apple Podcasts, Spotify, Google Podcasts, Pocket Casts, Anchor, Breaker and Radio Public so be sure to subscribe to the pod and please leave us a review. Thanks as always to JComp for our logo and Roman Senyk Music for our theme. Adam, Grace, Neil, Chloe, Damian and Isabel
Lawmen: Bass Reeves debuted last weekend
Bei Paramount+ könnt ihr jetzt die Serie „Lawmen: Bass Reeves“ streamen, die die Geschichte des ersten afroamerikanischen Sheriffs der USA erzählt. In der ZDF-Mediathek geht die Doku-Serie „Terra Xplore“ in eine neue Staffel, in der sich alles ums Leben und Sterben dreht. Bei Mubi könnt ihr den Thriller „Widows — Tödliche Witwen“ von Star-Regisseur Steve McQueen streamen. Hier entlang geht's zu den Links unserer Werbepartner: https://detektor.fm/werbepartner/was-laeuft-heute >> Artikel zum Nachlesen: https://detektor.fm/kultur/was-laeuft-heute-lawmen-bass-reeves-terra-xplore-ueber_leben-widows-toedliche-witwen
Bei Paramount+ könnt ihr jetzt die Serie „Lawmen: Bass Reeves“ streamen, die die Geschichte des ersten afroamerikanischen Sheriffs der USA erzählt. In der ZDF-Mediathek geht die Doku-Serie „Terra Xplore“ in eine neue Staffel, in der sich alles ums Leben und Sterben dreht. Bei Mubi könnt ihr den Thriller „Widows — Tödliche Witwen“ von Star-Regisseur Steve McQueen streamen. Hier entlang geht's zu den Links unserer Werbepartner: https://detektor.fm/werbepartner/was-laeuft-heute >> Artikel zum Nachlesen: https://detektor.fm/kultur/was-laeuft-heute-lawmen-bass-reeves-terra-xplore-ueber_leben-widows-toedliche-witwen
Bei Paramount+ könnt ihr jetzt die Serie „Lawmen: Bass Reeves“ streamen, die die Geschichte des ersten afroamerikanischen Sheriffs der USA erzählt. In der ZDF-Mediathek geht die Doku-Serie „Terra Xplore“ in eine neue Staffel, in der sich alles ums Leben und Sterben dreht. Bei Mubi könnt ihr den Thriller „Widows — Tödliche Witwen“ von Star-Regisseur Steve McQueen streamen. Hier entlang geht's zu den Links unserer Werbepartner: https://detektor.fm/werbepartner/was-laeuft-heute >> Artikel zum Nachlesen: https://detektor.fm/kultur/was-laeuft-heute-lawmen-bass-reeves-terra-xplore-ueber_leben-widows-toedliche-witwen
La dernière arrivée de l'univers de Taylor Sheridan intègre David Oyelowo, Dennis Quaid et Donald Sutherland dans sa liste de stars. Il en est le producteur exécutif tandis que Chad Feehan en est le créateur. Parallèlement à 1883, Lawmen: Bass Reeves se déroule fin des années 1880. C'est qui ce Bass Reeves ? On dit qu'il était une source d'inspiration possible derrière The Lone Ranger. Et ce n'est pas étonnant. En tant que premier Marshal noir des États-Unis à l'ouest du fleuve Mississippi, Reeves a procédé à quelque 3000 arrestations sans jamais subir la moindre blessure. La mini-série débute ce 5 novembre avec deux épisodes sur huit sur Paramount+. https://youtu.be/x3XFsQEoJZI?si=CUn3y-L9PKMz17ml Un premier épisode qui nous plonge directement dans la guerre de Sécession américaine (avec clairement des références à la comédie musicale Hamilton même si on n'est pas dans le bon siècle) avec un Bass esclave au service d'un corporal. Mais ce n'est que le début de son chemin vers la liberté. Il va se construire une vie à partir de rien si ce n'est ses compétences au colt. À partir de ses débuts d'esclave, il passera quelques années avec les Amérindiens avant d'obtenir un poste d'adjoint au shérif quelques années plus tard. Là où la série est bien faite, c'est que malgré les ellipses temporelles, on suit avec intérêt l'évolution de Bass et on a envie de continuer à connaître sa vie pour obtenir cette aura de légende. Pourtant, ce n'était pas gagné d'avance vu qu'avec l'Histoire justement, son nom a été effacé petit à petit (whitewashing quand tu nous tiens). En tant que western, toutes les cases du genre sont cochées avec des courses poursuites à cheval, des duels et autres villes désertiques. Certes notre héros parle peu, et correspond assez au cliché du cowboy taciturne, mais sa compassion le distingue. David Oyelowo s'en sort avec brio et confirme à nouveau qu'il a un charisme de héros d'action. On notera que les personnages féminins s'en sortent mieux que dans d'autres séries du Sheridan verse, la femme et la fille de Reeves notamment bénéficient d'arcs narratifs qui ne reposent pas entièrement sur le personnage principal. Le traitement des Amérindiens est également fait avec respect. Enfin, la photographie de la série est un peu différente de celle de 1883 qui plus fiction tandis que Bass Reeves se veut plus authentique avec des couleurs plus naturelles. [bs_show url="bass-reeves"] Le titre Lawmen est intéressant, en fait il lance une série d'anthologies avec de futures itérations à suivre mettant en vedette d'autres hommes de loi et hors-la-loi emblématiques qui ont marqué l'histoire. Retrouvez les deux premiers épisodes ce 5 novembre sur Paramount+.
Welcome to the weekly bonus episode of Hot off the Wire, where we look back at some of the top headlines from the week in the world of sports and entertainment. As always, be sure to check out our latest episode of Streamed & Screened, a podcast dedicated to movies and television. This week Bruce Miller and I discuss “Lawmen: Bass Reeves,” the new anthology series on Paramount+. Listen to the latest episode of Streamed & Screened here. This week's top headlines include: The Texas Rangers won a World Series for the first time in franchise history after defeating the Arizona Diamondbacks in five games. There were several notable deaths including legendary college basketball coach Bobby Knight, “Friends” actor Matthew Perry and “Night Court” favorite Richard Moll. And multiple players were on the move ahead of the NFL's trade deadline. Those stories and more from The Associated Press. But first, Bruce Miller and I talk about “Lawmen: Bass Reeves” on the latest episode of Streamed & Screened. — Compiled and narrated by Terry Lipshetz from Associated Press reports About this program Host Terry Lipshetz is a senior producer for Lee Enterprises. Besides producing the daily Hot off the Wire news podcast, Terry conducts periodic interviews for this Behind the Headlines program, co-hosts the Streamed & Screened movies and television program and is the producer of Across the Sky, a podcast dedicated to weather and climate. Lee Enterprises produces many national, regional and sports podcasts. Learn more here.See omnystudio.com/listener for privacy information.
Support the show: http://www.newcountry963.com/hawkeyeinthemorningSee omnystudio.com/listener for privacy information.
Sofia Coppola's Priscilla, starring Cailee Spaeny and Jacob Elordi as Priscilla and Elvis Presley, hits theaters. Annette Bening and Jodie Foster star in Nyad, about long-distance swimmer Diana Nyad. David Oyelowo stars in Lawmen: Bass Reeves as the legendary U.S. Marshall. The Boys spinoff Gen V wraps up its first season. Selling Sunset heads to Mexico for its new season. Plus, Hollywood trivia, our Sound Bite of the Week from the trailer for Good Burger 2, and entertainment headlines, including a premiere date for the final season of Yellowstone and info about two new spinoffs, HBO boss gives an update on Euphoria season 3, Superman & Lois to end after season 4, and Nicolas Cage on that cameo in The Flash. More at ew.com, ew.com/wtw, and @EW on X (formerly Twitter) and @EntertainmentWeekly everywhere else. Host/Writer/Producer Gerrad Hall (@gerradhall); Editor: Samee Junio (@it_your_sam); Writer: Dustin Nelson. Learn more about your ad choices. Visit megaphone.fm/adchoices
Die heutige Folge steht ganz im Zeichen von Romanverfimungen, allen voran die Netflix-Miniserie "Alles Licht, das wir nicht sehen" (6:40), die auf einem Pulitzer-Preis-gekrönten Roman von Anthony Doerr basiert. Mit Mark Ruffalo, Hugh Laurie und "Dark"-Hauptdarsteller Louis Hofmann starbesetzt, sorgt der Vierteiler dennoch bei Buchkenner Michael und Neuling Rüdiger für heftige Diskussionen, in deren Verlauf zumindest einer von uns leicht seine Meinung ändert. Bei Amazons "Die Therapie" (28:09) gehen wir ebenfalls mit unterschiedlichen Voraussetzungen ran - wobei Rüdiger im Verlauf der Serie exakt die Entwicklung durchmacht, die Michael beim Lesen des Buches hatte. Denn zur Mitte der sechs Teile macht die Miniserie einen tonalen und erzählerischen Shift, der das Publikum auf dem falschen Fuß erwischen könnte. Auch die Wow-Serie "Unwanted" (44:31) über ein Kreuzfahrtschiff, das im Mittelmeer Flüchtlinge aufnimmt. Reicht es, wenn eine Serie ein gutes Anliegen hat? Oder darf man sich trotzdem über "Traumschiff"-artige Handlungsstränge aufregen? Und glauben die Macher ernsthaft, nur weil jemand aus Afrika kommt, hätten sie noch nie einen Fernseher gesehen? Und schließlich kommt mit "Lawmen: Bass Reeves" (58:55) eine neue Western-Serie aus dem Taylor-Sheridan-Stall, die sich dem bereits in "Watchmen" und "The Harder they Fall" thematisierten Schwarzen U.S. Marshal widmet. Ist die Serie so faszinierend wie das wahre Leben von Bass Reeves? Und vor allen Dingen: Kann man einem von Sklaverei über den Bürgerkrieg und einem Aufenthalt bei den Ureinwohnern bis zu Jahrzehnten als U.S. Marshal geprägten Leben in acht Folgen gerecht werden? Ihr habt noch bis zum 12.11. Zeit, Eure Besten Serien aller Zeiten an Serienweise (at) web.de zu schicken. Gerade in der zweiten Hälfte der Top 10 ist es noch sehr eng, sodass jede Liste einen Unterschied machen könnte. Cold-Open-Frage: "Was war das Amüsanteste am ,Rolling Stone'-Artikel über HBO"
La settimana seriale passa in secondo piano davanti alla morte di Matthew Perry, che ha fatto parte di un momento fondamentale per tutti noi impallinati di serie tv. Anzi, di telefilm. Iniziamo da lì, per poi affrontare le poche serie in arrivo e le tante news scovate dal segugio Castelli. Ecco cosa arriva: Venerdì 3 novembre -Invincible stagione 2 (prime Video) Domenica 5 novembre -Lawmen: Bass Reeves (paramount+) Mercoledì 8 novembre -The Buccaneers (Apple Tv+)
Taylor Sheridan is the actor and director who has probably become best know as the co-creator of the epic Paramount Network series "Yellowstone" and its prequels "1883" and "1923." His newest project is serving as executive producer for "Lawmen: Bass Reeves," a Paramount+ anthology series that launches Nov. 5 that feels like it should be part of the "Yellowstone" arc but is separate entity. "Lawmen: Bass Reeves" is a passion project of star David Oyelowo, who takes on the title role, and tells the story of the first Black U.S. Marshal, Bass Reeves. The show also stars Donald Sutherland, Dennis Quaid, Lauren E. Banks and Demi Singleton. In this week's episode, co-host Bruce Miller has interviews with showrunner Chad Feehan and Damian Marcano, one of the directors. Where to watch and more coverage "Lawmen: Bass Reeves" on Paramount+ (Nov. 5) "Yellowstone" on CBS "Yellowstone" on Paramount Network "1883" on Paramount+ "1923" on Paramount+ Contact us! We want to hear from you! Email questions to podcasts@lee.net and we'll answer your question on a future episode! About the show Streamed & Screened is a podcast about movies and TV hosted by Bruce Miller, a longtime entertainment reporter who is now the editor of the Sioux City Journal in Iowa and Terry Lipshetz, a senior producer for Lee Enterprises based in Madison, Wisconsin. Episode transcript Note: The following transcript was created by Headliner and may contain misspellings and other inaccuracies as it was generated automatically: Terry Lipshetz: Welcome, everyone, to another episode of Streamed & Screened, an entertainment podcasts about movies and TV from Lee Enterprises, I'm Terry Lipshetz, a senior producer at Lee and co-host of the program. Bruce Miller, editor of the Sioux City Journal and a longtime entertainment reporter. Well, howdy, partner. I reckon we have a show set in the wild, Wild West we're going to be talking about this week. Bruce Miller: I'm, fixing to come in here anytime now. And can you put me two fingers of whiskey on the counter? And we should be fine. Terry Lipshetz: I got my can of beans heating. Bruce Miller: Up over the open flame now. It sounds like Blazing Saddles. I think we've done. Terry Lipshetz: We have, yeah. All right. Bruce Miller: Yeah. 'Lawmen: Bass Reeves' is an epic miniseries Bruce Miller: It's Western week because there's this huge miniseries, and I'm not kidding you, it is, a grand effort called Lawmen, M-E-N Bass Reeves. So you go lawmen. There's only one. What's the deal? And what this is hopefully going to be is a series of profiles of various and sundry law men over the course of time. But Bass Reeves was a kind of a passion of David O. Yellowo, the star of the limited series. And he had always wanted to do this story because he thought it was so rare. He's the first black deputy US. Marshal west of the you, know, is there one east of the Mississippi? I have no. But it's a fascinating look at this man and his standards. It really is a lot know, what he does is what he thinks is right, and right becomes the driving force behind all of this. And you see Bass in a lot of situations. It is epic. An epic, epic limited, series. There are huge battle scenes. There are huge kind of roundups. There's a lot of violence. I'm giving you that right away. There's a lot of violence in this thing. And there's a lot of intimate moments where you see him one on one with his family, with others, with people that used to be in charge of his life. And it's a fascinating look at a period that I really didn't realize I needed to know more of. I thought most of these stories were already told, but Bass Reeves story is one that's been out there for years that people have wanted to do, but nobody has gotten the ability to do it. And what we learned is that it took, you know, when you've got somebody behind Yellowstone, saying, yeah, I think we should do this, they suddenly pop too, and decide that they're going to do it, too. People were wrongly saying that this was another 'Yellowstone' series Terry Lipshetz: Yeah. Now, I have a question for you about that, because I saw Taylor Sheridan is an executive producer, and I saw this show. It is coming to Paramount Plus. But this is not part of the Yellowstone universe. Correct. Bruce Miller: No, there was talk, and I think you'll see when we play the interviews, that there is a connection or was a connection and they couldn't make it, the time frame was wrong. And so people were wrongly saying that this was another Yellowstone series. It's not okay. It has a vague time reference, kind of lap over with 1883, but that's as close as it comes. It's a standalone thing that just happens to come from that factory known as Taylor Sheridan, but his name is on it. He isn't necessarily the writer of this, he isn't necessarily the director of this, but he is an executive producer. So he's kind of a mentor that helps get this done. Terry Lipshetz: So he's a cog in the wheels here. He's helping getting this thing going. Bruce Miller: You know, he looked at all the scripts and, you know, he saw the film and he says, yeah, we should do this or we should do that. I think the most telling thing was they would throw out ideas and there was money for it. a lot of times when you do these big westerns, they're not cheap to do because there are so many other things that progress has gotten in the way of shooting a good Western these days. And so you either have to build the community or you have to find towns that were relatively untouched, so you could just cover up some of the things that are there. But, yeah, it was expensive film to make, and I think it shows when you look at it on the screen, you go, wow, this isn't just we're not closing in on two people and looking very tightly at what's going on. Terry Lipshetz: And there's some big names attached to this also. I saw this. Bruce Miller: Yeah, there are big names that are kind of like, Sam Elliott. They're kind of the bait that'll get you in to look at this. But there's another story there that's much bigger than what their stories are. Terry Lipshetz: Sure. But it's also, with all of these, even though it's not a Yellowstone project, the one piece that all of those Yellowstone programs had or know, because they're still on is they have like, your Kevin Costner or Harrison Ford or somebody that has a name and is pulling you in. So there's definitely this isn't some no name project of people. Bruce Miller: David Oyelowo, you may remember him from Selma. He played Martin Luther Jr. And, I put him in the same league as Chadwick Boseman, where he is somebody who can play just about everything, but doesn't always get the opportunity. And you can see why he would spend eight years trying to get this thing made, because it does tell a story that we, don't know, we haven't heard, and he gets a great acting part. Now, some of the things I would have protested, I would have said, do we need to do this? Do I need to be dragged through fire? And do I need to have somebody beat me up? And should we really have to mess with all those animals, but he wanted it to be as realistic as it could be. So he was willing to do just about anything to make sure that it came through to the audience. Because he doesn't think that it's a story about it isn't a historic story, necessarily, as much as it is story about a person's inner self and what they're really like. Terry Lipshetz: Got it. I, saw the trailer even before you had mentioned that this was coming up and you had some interviews tied to just I was watching something and the trailer popped up for the show and I was like, whoa, I need to subscribe to Paramount Plus. Because, first of all, I've never seen any of the Yellowstone programs because it's just again, and we've talked about this with like Apple TV Plus and a few others where I'll just kind of come and go and pick my battles because I just can't have 35 different subscriptions. But I feel like between this program and then maybe going back and watching some of those Yellowstone programs, this is what's going to push me over the edge to finally subscribe. Bruce Miller: Yellowstone is being run or rerun on CBS now, so you will be able to see those without having to pay extra. But this is definitely a Paramount Plus project and so I don't think we're going to see that slip over. So spend the bucks. Go for it. Terry Lipshetz: Have you been able to watch any, did you get any screeners? Bruce Miller: The first three of it? I saw the first three, yeah. And it sets up the story and you see how he gets his freedom and what he does with it and where he goes from there. And then they offer him this job, this job of being a deputy marshal. And then you see how he interacts with the Native Americans or the natives and how he can speak their languages. And, he becomes a very valuable asset to be able to find out what's going on in this part of the world. Terry Lipshetz: How does this stack up with other kind of recent Westerns, either movies or TV shows that you've seen? Because I'm always fascinated by Westerns as a genre, especially. I'm not even talking about the old ones with John Wayne, but I'm m even talking about just the new ones because I feel like this planet, it's expanding so much that it's so hard now to film anything because you make a left, you make a right, and you're running into civilization. So does it feel like you're back out in the west? Bruce Miller: Oh, most definitely, because it looks so great. The visuals are just spot on in all these places. You sense what they valued at that time. And what, matters is there's a scene in there where this one woman I don't want to detail too much of it for you because I don't want to spoil it, but she really wants a piano. and you can see how we've changed. And we don't realize what something which seems simple becomes this huge deal for them. So, yeah, there are many kind of flashpoint moments where you go, okay, I get it. What happened was Star Wars came in to play and started doing westerns. Basically, they're Westerns, right? Terry Lipshetz: Space westerns. Bruce Miller: So that's where they think we got to spend all of our time and our money is making more space epics. But really, do we need more of those? And I know you love them, so forgive me, but this is just a way of telling those same kinds of stories but in a different period. And maybe we're able to, approach some of their lessons a little better because we see that it's removed from us, but then you realize we're not that far away from what they're talking about. Terry Lipshetz: I really feel like I'm definitely going to go ahead and watch this, because the genre, just in general, I love it. Deadwood on HBO was one of my favorite series of all time. and I did like that movie that came out a couple of years ago. It was about ten years after the TV series, and it sort of tied up the loose ends that they couldn't quite get to before the show went off the air. But this past summer, we made a trip out to the Badlands, and I did insist that we do a day trip to we were we went to downtown Deadwood, and we're checking out all the modernized old timey places that were named after characters on the show because griswold yeah. Bruce Miller: Did you go to the graves and. Terry Lipshetz: Look at all that or we went, and it was kind of interesting. the grave for Wild Bill Hickok and Calamity Jane, they're right next to each other, not too far into the main cemetery in town, which is up on a hill. So we had to drive up this really tall hill. But then I also want to see the grave for Seth Bullock, who is kind of the marshal of the town and kind of the first lawmen. And they're like, well, it's up around the corner. So we all start walking up the hill and it's like, not part of the cemetery, so it's like part of the old cemetery. So we're walking, walking, walking. And then this family is coming down and they're like, you going up to see Seth Bullock? And we're like, yeah, how bad is it? And they're laughing, it's not that bad. So my wife and one of my daughters kind of just sat down there and then my other daughter and we we trekked up to the top and saw it and caught our breath. Bruce Miller: So the Von, traps worked up the mountain. Is that the deal you were I. Terry Lipshetz: Did make it up to the top. It was a spectacular view of Deadwood from the top of that hill. But yeah, it was a bit of a hike to the top. Bruce Miller: Did you go down then and gamble at Morningstar? Terry Lipshetz: No, we had the kids and those places are all 18 plus. But it was fascinating. There was one place in town which did, a brothel tour, and you had to be 16 to go in. Bruce Miller: So we sound like, I know this. Terry Lipshetz: We didn't go in because my daughters are under 16 and just didn't feel as appropriate anyway. But, I found it fascinating because they had a sign outside the place. And the brothel was formed in 1870 something. And it didn't get shut down until 1980. 1980? Wow. Bruce Miller: This is like the Bunny Ranch outside of Vegas. Terry Lipshetz: Yes, exactly. Yeah. Bruce Miller: It's amazing how they really are good at capturing a piece of time. When you go out to the Badlands, it's really OOH. Is this really what it was like? And yes, it was. And it's, the land that Time forgot. You can just go there and feel like you're back in the Old West. Terry Lipshetz: It was fun. It was fun. It was a good time. Chad Feehan is the showrunner behind ‘Bass Reeves' Terry Lipshetz: So you had a couple interviews here. the first one up was, Chad Feehan. Right? Bruce Miller: Chad is the writer, the showrunner, and the executive producer behind Bass Reeves. And he was the one who sat down with David and kind of picked his brain. And then they did the research on how are we going to tell this story? Is it going to be a movie? That was initially the thought is it be a movie, a standalone movie. And he is there throughout the whole run of this. And he got a chance to do things that maybe he has never done before. It's so big. He said he has never had a project that sweeping. Yeah. So, he's the showrunner, the person behind every episode of the film. And he was the one who helped David get this off the ground and find the point of all of it. Bruce Miller: Well, what is it like not having David around during this kind of the selling of the show when it's his passion project, for God's sakes? Chad Feehan: I am, the reluctant spokesman, because this is his show, and he's been pursuing it for eight years. And it truthfully breaks my heart that he's not here, with me, leading the charge, to communicate all of his passion for the story. Bruce Miller: How did he involve you in that? Mean, I'm sure that Bass reads was not one that you would I've got to, I've got to write this. Until somebody sparked it in you right. Chad Feehan: Yeah. I mean, I grew up in Texas. I grew up in Fort Worth, Texas. And I heard stories about Bass as a kid. but they were sort of this mythical Glenn Sling and lawman. And it did embed itself in my consciousness, so I was aware of it. and then Taylor, who I've orbited around for years, recommended me to David. And David invited me to dinner. And I anticipated that dinner lasting an hour, an hour and a half, and it lasted 4 hours. and first and foremost, we developed sort of an immediate kinship, that has developed into a very special friendship that I think will last for the rest of our lives. But we also gravitated toward the same things that we wanted to communicate to an audience the triumph of the human spirit, the universality of the human condition. and then he was able to educate me on where fact and fiction converged with separated from the reality of who Bass Reeves was as a man. Bruce Miller: How much of it is factual? Is it 90%, 75%? Chad Feehan: It's hard to answer with a percentage. what I would say is that there are these similar moments we know about Bass's life that we use as pillars for the foundation of our story. but it's impossible to know, for example, what he experienced right before or right after the moment he was sworn in as a Deputy US. Marshal. We have the transcript of him being sworn in, but we don't know what happened before and we don't know what happened after. So our job as storytellers, was to imagine and create the most compelling narrative that we could. Bruce Miller: How difficult was it to conjure this world? Is it difficult? Or do you just get outside and you start thinking, this must be what it's like? Or how do you handle that? Chad Feehan: I had, the benefit of having grown up where I grew up, so the language was easier for me to wrap my head around. we had this great source material that provided an, excellent launching pad. And then I had amazing collaborators, wide array of voices, from a wide array of backgrounds, writers, to, I mean, Wyn Thomas, our production designer, that really educated me on the things I didn't know and didn't understand and helped guide me through that process. Bruce Miller: So does David ever say no, I'm not doing that. Does he have that kind, of I can put up a barrier here because I know more about this. This is mine. Chad Feehan: That is, antithetical to who David Oyelowo is. if I could use one word to embody him, it would be grace. so he's incredibly giving, graceful, compassionate. If there was something that he was unsure about, it would always be a conversation. And he would never say, no, I can't do that. Bruce Miller: He would say, you put him through a lot of stuff. Chad Feehan: Yeah. His commitment to his craft is incredible. Bruce Miller: Yeah. then, ah, being as broad as this is, I did not believe that you could have all those animals, truthfully, the buffalo, all that stuff. Do you say, I want this, and then it just happens? Or how do you make sure that it's that big that kind of lavish. Chad Feehan: I was shocked. This is by far the biggest thing I've ever done and the hardest production I've ever been through. But I would ask the opening Civil War battle, I'd be like, Are you sure I can write this? And to Paramount and 100 and one's credit, the answer was always yes. we'll find a way, we'll figure it out. Write the best story you can write. and I've shied away from that earlier on in my career, and I'm glad that I asked the questions and was given the authority to chase those epic. Bruce Miller: As a writer, that must be really, a, disconnect, because you're used to them having somebody saying, rein it in a little bit. We can't be spending this much money, and this looks like the sky's the limit. Chad Feehan: Yeah. Paramount 101. Very gracious, Taylor. That's the power of Taylor Sheridan. As, know, we didn't get every single thing. We know nothing in life works that way. but we got the majority of what we wanted, and the support that we had, was incredible. Bruce Miller: When it's labeled lawmen, that suggests that there are more have you already started thinking about the more and what that would be? Chad Feehan: I have a few different, historical figures that I'm interested in that I think are worthy of following in the footsteps of Bass Reeves. I don't know who it will be, and I'm not, going to speculate on who it will be, because we have to talk to the studio and the network. but I'm excited about the prospect of doing another, because this does fall. Bruce Miller: During the same time period as 1883, would there ever have been any kind of crossover or connection or not? Chad Feehan: Yeah, we briefly talked about it, and then when I sort of figured out that our story took place from roughly 1862 to 1877, and then also with the knowledge that Bass Reeves operated primarily in Indian territory, it didn't seem, organic to try to make that connection. But we had those conversations, and I was given the opportunity to make that connection if it serviced the story. Bruce Miller: So how does Bass change you personally as a writer? Chad Feehan: I was just talking about, know, the thing about the universality of the human condition was the thing that I wanted to really, really communicate to our audience. And it's something that I've intellectualized for a very long time, but now I feel like it's become part of my DNA based on the experience of I've made this show, and I hope to continue that in future, endeavors that I pursue. Bruce Miller: Ah, that's so great. Well, thank you so much, and thank you. Congratulations. And when you see David, tell him congratulations. Chad Feehan: I will. Thank you so much. Damian Marcano directs three episodes of ‘Bass Reeves' Terry Lipshetz: All right, Bruce, thanks for that interview. And then you had one other with, Damian Marcano, and here's the deal with that. Bruce Miller: Is that they had to have more than one director for these because they were shooting and you'll hear this, they were shooting episodes simultaneously. So in the morning they would do one episode, in the afternoon they'd do another. So the first three episodes are directed by one person. And then Damian took over four, five, and, there are eight altogether. And, you'll see that it was just a lot of work. And he was not familiar with the Western world either. He calls himself a Rasta director because he's not from Texas. He doesn't have that shorthand that the others might have. But he also know everything is just so fast paced. And so who knows what based on the weather. You have to be willing to adapt very quickly. Bruce Miller: What is this like to be part of somebody's passion project? Is that hard to kind of fit in there, or how do you view it? Damian Marcano: No, man. Easy for me to fit in everywhere. I'm a roster man. So, we always find our beat in the whole thing, man. Bruce Miller: Do you talk with David? And now what do you want to do with this? What are you looking to do? And what do you want people to learn from this? Damian Marcano: well, my style of directing is let's go do it and get it wrong. So I never ask questions ahead of time. I just say, let's just go. and then some way and somewhere through because even the actor who is so well rehearsed at this point, it is something when you're actually doing it against your scene partner. And then your scene partner might give you a new little ingredient. And then that's when the discussions happen on set. So we may have locked into a master or a way that we like this set, or a way that we're finding our way into this part of the story. and then once we do that, we say, well, okay, now it's time to sort of make the music right? And for know, the music is the silence in between the notes. and when you work with someone as far as David, and you also put the supporting cast around David, as they have brilliantly done in this show, it just gets scene after scene that you're like, can it get better? Bruce Miller: But you're also dealing with some, real variables, like animals. How do you plan for that? Damian Marcano: You don't. yeah, animals are easy. The weather is the tough part. Bruce Miller: Weather. Damian Marcano: Yeah. We have probably some of the best animal handlers that I haven't had to work with this many animals in my career. Right. So I think this definitely makes them the best. I remember seeing everything from a camel, to a lynx cat that was brought in for one of my episodes. yeah, if the script called for it, we went out, we found it. but like I said, there was the Texas of it. So being there for my portion of this show, which was five and a half to six months, just to film three episodes, that's to tell you the detail, that we went in multiple visits to every location. I mean, we rebuilt a city at one point, and still Texas would still say, not today. I'm going to give you some golf ball sized hail today. Tomorrow there's going to be an actual tornado. and maybe you can shoot that on Thursday. So, you had to lean into your optimistic side on this shoot to figure out on days, and that's with very much respect to our Ad department, they would sort of have to go on the fly. Like, call sheet would be sent out the night before, this is what we're shooting. Not anymore. and that was sort of the only way we got through this. The nice thing about it, however, through it all, you get to watch these brilliant dailies that you work on from time to time, and you say, you know what? I got it. Because if this all comes and cuts together, well, we got something, because we have some pretty special people here, and we have done a great job of capturing it. Bruce Miller: When you get three episodes in a row, it must be like doing a, large film, right? Damian Marcano: It is. Bruce Miller: So then what do you do with the first three? Do you talk to Christina and say, okay, what are you planning here? Damian Marcano: So that I well, we were shooting them simultaneously. so it's really hard on our talent, because in the morning, David is playing one version of Bass, and in the afternoon, it might be twelve years later. All right? So that is the difficulty of it. That is why so much credit has to be given to the Ad department, because those are our eyes and ears, right? They tell us what we can, and they have way much more of a finger on what each department is prepared for and what they can actually do that meets the level of quality that we've been mailing in. So this was a six month affair of just non stop shooting. and we would shoot what we could, when we could. sometimes it was based on the location being ready. Had we built the location, if this called for, the bywater store out in the middle of nowhere, had we built the bywater store in the middle of nowhere, and Wynn Thomas, our production designer, there were just so many talented people that I could look around and see that we had on this project. Bruce Miller: The sets look like actual buildings. They look like ones that you would see in a historic setting. Damian Marcano: They were this was not the example of going over to one of our large studios, that we have in town and saying, oh, you see that backdrop, sort of like the older version of the Western, right, where just the front of the facade was sort of painted. No. There was a set that we had in Strawn, Texas, in which we obviously could not get rid of Strawn's Bank, and the actual bank was there. So we built our set on their main intersection. I remember a day I was there location scouting and just talking with my DPS to how we do something. And an actual person from Strawn, Texas, had just walked out from cashing her check. And she stopped and looked at us, and then we stopped and looked at her, and we're here's. And it was just everything. It was everything colliding. It was, here she is in this small town, and Hollywood's coming town, but on top of that, here we are, making this thing back to its glory. Know? Bruce Miller: Wow. Were you familiar with Bass Reeves? Damian Marcano: Not before doing the project. I couldn't tell you who Bass Reeves was before I did this. I fell in love with a script about a man that was one of the only black men with a gun and a badge at the time. And just the oddities of doing that job while following some type of creed, some kind of mantra, whatever you will, as to how he just wouldn't stop doing that job, and his faith, what he thought, how it would affect his family. All of those things for me, were just like, okay, history is usually depicted from this wide lens way back. We say something happened to a group of people, something happened to another group, and this group was bad. This group, this was like 4D history. So this was like, this actually happened and this is how it happened. And there's no definite answer. So you, as, the viewer in 2023, can make your own mind up. Bruce Miller: That's a great way of viewing it then. Are there more after this run? How far do we get his life? Damian Marcano: well, I do know this first season of Lawmen is anthology series, so I think the other iterations will cover other, does. I'm not sure I couldn't tell you the specificity of how many years this is in Bass's life, but I do know Chad and the team tried to encompass as much of the story as you could know. Essentially, we've made, ah, eight hour film here that we're just cutting up, into episodics. Bruce Miller: Well, it looks like a million bucks, so Westerns must be you. I think they're your thing. Damian Marcano: I would have never thought that growing up, man. But they have become pretty special to me. And I am seriously I don't know, I'm having like this weird missing feeling of Texas, man, because as a creative, it was just really nice to be able we do so much stage work and all the stuff's great, and all our production designers are great, but it was just something to see your entire film. Crew kind of be like childlike again. And we were just all with our boots on out in those fields and Random Cow was doing something over there. And I don't know, it was just a bunch of kids that came together to play. Bruce Miller: Again, thank you so much. It's great. Damian Marcano: Thank you. Bruce Miller: Have a good one. Chad Feehan: You too. Damian Marcano: Thanks for the time. Terry Lipshetz: All right, Bruce, thank you for those two great interviews. As I said, it sounds like a real fascinating program and something that is going to probably push me over the edge to get Paramount. Bruce Miller: Plus now, November 5, mark it on your calendar that's when they start. You'll get episodes the first night and then it will spill out beyond that. Terry Lipshetz: Excellent. Excellent. Movies need two weeks of theater exposure before they're considered Oscar potential Terry Lipshetz: So what do we have on tap next week? Bruce Miller: Oh, we're starting to get into that Oscar season now. All those kind of films that you start kicking yourself and saying, how come they have them all, all those good ones right at once. Well, they're starting you're going to start seeing the Oscar beta, as I like to refer to it. The Holdovers had a sneak last night or this last weekend, and it'll be coming out in November. And that's the one with Paul Giamatti, directed by Alexander Payne and set in the 1970s. And we'll talk about that. NIAD is the story of Diana Nayad and how she tried to swim 100 and some miles off Florida from Cuba, right? Terry Lipshetz: It was Cuba to Florida. Bruce Miller: And that's coming up. So there are a whole bunch of these ones that are just lining up, waiting to get into theaters. They have to have two weeks of theater exposure before they can be considered an Oscar potential film. They changed the rules this year so that it wasn't just that's on streaming. It's okay. They need to have this window of opportunity that they're in theaters before they can be officially considered, a candidate for the Academy Awards. So, as a result, they're getting a little better at showcasing them in theaters before the end of the year. in years past, it was usually Los Angeles and New York, and they had a week there or something. Now the rest of the world is actually getting to see these films before January, February, March, whatever it might be. Terry Lipshetz: Yeah, I was going to say because there was a period of time where it was almost like you would come out and it would be, as you said, New York, La. And you might get a couple of these art house theaters around that might get it over a course of a weekend, a long weekend, and then they'd be gone until you maybe caught it on, a red box or streaming or something. Bruce Miller: Now everybody gets a chance to kind of play the Oscar game where we all can see those films that you always go, what was that one? And now we get an opportunity to. Terry Lipshetz: See know, I feel like if you want to be considered for an Oscar, you have to be in a movie theater for the masses for at least a period of time, as you said. Is it two weeks? If that's the bare minimum, I think that's fine. You got to be able to get out there. You got to go into theaters. You got to allow for people to go in and see you on that giant screen with the giant bucket of popcorn just because it doesn't feel right otherwise. Bruce Miller: Well, I think when you watch it on TV, it does diminish it right. As big as your screen might be at home, it's not the same. And if you can hold an audience on a theater, screen, then that must say something about your film. But when it's reduced to the size of a TV set, I don't know if it's there, but did you get to Killers of the Flower Moon? Terry Lipshetz: Not Harry. Bruce Miller: That's one of the ones we've got to see, because I know it's figuring in the, I've already started to make lists of who could possibly be nominated for each of the categories. Terry Lipshetz: Okay. Bruce Miller: That figures in a lot. Terry Lipshetz: Okay. Yeah, I got to get there. It's gotten a lot tougher of late just because the kids activities ah. Have increased. I'm coaching basketball again. Bruce Miller: Don't blame the kids for this. This is not their problem. This is your problem. Terry Lipshetz: It is. I'm just deflecting you put that down. Bruce Miller: On your list that you're going to go see the, Killers to the Flower Moon, and you're going to subscribe to Paramount plus I am. Bruce: How big exactly is your TV?Bruce: 60 inches Terry Lipshetz: Bruce, one other thing before we depart here. We've never had this conversation before, and it is a little bit personal, but how big exactly is your TV? Bruce Miller: It's not that big. No, it's not big. It's 60 inches. Terry Lipshetz: 60? That's it? Yeah, I'm 65. Bruce Miller: Oh, well, see, I'm used to watching most things on a laptop. That's how they send it. You can't always transfer, it to your TV set. Terry Lipshetz: All you need is that HTM. I need to be your technical support. Bruce, I will come to your house because I can get it from your computer on your laptop onto running on you. Okay. Bruce Miller: The door is open. I will bring snacks. We'll be good. You can watch anything you want to see because I think I probably have it around the house somewhere. Terry Lipshetz: On that note, thank you again for listening to this week's episode, and we will see you again next week on another episode of streamed and screened. Bruce Miller: So long, partner. Bye.See omnystudio.com/listener for privacy information.
In this week's episode of Bingeworthy, our TV and streaming podcast host Mike DeAngelo saddles up to discuss Paramount+'s latest Taylor Sheridan-produced series, “Lawmen: Bass Reeves.” The show follows Bass Reeves (David Oyelowo) on his journey from Civil War-era slave and forced Confederate soldier to the first Black U.S. Marshal in history and one of the greatest frontier heroes of all time. The show also stars Dennis Quaid, Donald Sutherland, Barry Pepper, Lauren E. Banks, and more. Joining Bingeworthy to discuss the eight-episode series is showrunner Chad Feehan ('Ray Donovan,' 'Rectify,' 'Banshee'). During the chat, Feehan talks about his journey to being hand-picked by Bass Reeves himself, David Oyelowo (“Selma,” “Silo," “The Water Man”), to helm the show, working with Taylor Sheridan and much more. --- Send in a voice message: https://podcasters.spotify.com/pod/show/theplaylist/message Support this podcast: https://podcasters.spotify.com/pod/show/theplaylist/support
Jan und Eric fragen sich diesmal, was aus der guten alten RomCom, der Romantic Comedy, geworden ist. Aktueller Anlass ist die britische Sky-Serie "The Lovers". Danach zurück in die Realität oder zu dem, was man im Reality-TV Realität nennt: Jans Lieblings-TV-Phänomen "7 vs. Wild", das 200 Millionen Aufrufe beim Piratensender YouTube hatte und nun mit der neuen Staffel bei Amazon Freevee (kostenlos mit Werbung) gelandet ist. Danach geht es in den (etwas längeren) Kurzbesprechungen häufiger um die Frage, ob sensationell gute Geschichten auch gute Serien zur Folge haben und wenn nicht - ja, warum denn nicht? Auf dem Programm stehen die Westernserie "Lawmen: Bass Reeves" bei Paramount+ und "Unwanted" bei Sky. Eine Serie, in der Geflüchtete von einem Luxus-Kreuzfahrtschiff aufgenommen werden. Dann dreimal Netflix: das Biopic "Nyad" mit Annette Bening und Jodie Foster über die Langstreckenschwimmerin Diana Nyad, die Miniserie "Alles Licht, das wir nicht sehen" mit u.a. Lars Eidinger und die britische Coming-of-Age-Serie "Everything Now", bei der es zwischen Jan und Eric hoch hergehen könnte. Rausgehen wird "Och eine noch!" heute mit zwei deutschen Serien, die auf ein großes Publikum schielen: "Club Las Piranjas" mit Hape Kerkeling bei RTL+ und "Sebastian Fitzeks Die Therapie" bei Amazon Prime.
Bella Ramsay, Jodie Whittaker and Tamara Lawrence star in season 2 of BBC prison drama, Time. We had down our spoiler-free sentence (spoiler-filled thoughts coming in a Time special very soon), plus Grace returns to keep reality (and Adam and Damo) in check with all things MAFS UK, Strictly and Bake Off. Plus thoughts on The Greatest Show Never Made, The Enfield Poltergeist, Three Little Birds, Reservation Dogs, Bodies, Boiling Point, Silo and more. We preview upcoming shows - All the Light We Cannot See, Invincible and Lawmen:Bass Reeves, discuss the latest news and pay tribute to Matthew Perry. Trailers/links discussed:- All The Light We Cannot See Invincible season 2 Lawmen:Bass Reeves Boat Story The Crown season 6 The Lazarus Project season 2 Culprits The Curse And first look images for Domino Day Finally, video of Matthew Perry talking about addiction. We can't wait for you to hear our thoughts on the latest episode and for you to give us yours too. You can find and follow us on all the socials @tvdnapod You can also email us on tvdnapod@gmail.com Check out our recent specials on Sex Education and The Woman in the Wall or catch-up on our weekly spoiler-free watchlist episodes where we discuss the latest TV and upcoming shows. Our back catalogue includes specials on Stranger Things, The Last of Us and Succession. We're on Apple Podcasts, Spotify, Google Podcasts, Pocket Casts, Anchor, Breaker and Radio Public so be sure to subscribe to the pod and please leave us a review. Thanks as always to JComp for our logo and Roman Senyk Music for our theme. Adam, Grace, Neil, Chloe, Damian and Isabel
Episode 423."Lawman: Bass Reeves" Creator, Writer, Showrunner and EP.Chad Feehan.Chad Feehan stops in to talk Lawman: Bass Reeves, the new show premieres November 5th on Paramount Plus. Bass Reeves is the untold story of the most legendary lawman in the Old West, LAWMEN: BASS REEVES follows the journey of Reeves (Oyelowo) and his rise from enslavement to law enforcement as one of the first Black U.S. Deputy Marshals west of the Mississippi. Despite arresting over 3,000 outlaws during the course of his career, the weight of the badge was heavy, and he wrestled with its moral and spiritual cost to his beloved family. LAWMEN: BASS REEVES is an all-new, standalone anthology series and future iterations will follow other iconic lawmen and outlaws who have impacted history.Many believe that Bass Reeves is the real life Lone Ranger.Welcome, Chad Feehan.https://www.instagram.com/mondaymorni...https://www.tiktok.com/@mondaymorning...https://twitter.com/mdmcritic?lang=enhttps://www.facebook.com/mondaymornin...www.mmcpodcast.commondaymorningcritic@gmail.com#bassreeves #interview #taylorsheridan #davidoyelowo #fyp #truestory #paramountplus #western #wildwest #history #loneranger
It's usually a busy time for television programming, but the ongoing actors strike has continued to slow things down. Yes, late night talk shows have resumed. And sure, "Saturday Night Live" is back on the air. But unless programming was completed and ready to go, there is not much else besides sports and some unscripted shows that don't need actors. And when there are shows to promote, the stars can't speak with media. But there are a few cases where celebrities can talk. Take Sting, legendary musician and frontman for The Police. He is out promoting "Message in a Bottle," which is coming to PBS and features his music. Tennis legend Billie Jean King is also talking about her projects, along with pickleball. So the co-hosts talk about that limited programming, the movie theater as an event and the state of the strike. And they look ahead to next week's episode where they will discuss "Lawmen: Bass Reeves," which is coming soon to Paramount+. Where to watch and more coverage "Message in a Bottle" on PBS 'Message in a Bottle' finds new meaning in Sting songs Contact us! We want to hear from you! Email questions to podcasts@lee.net and we'll answer your question on a future episode! About the show Streamed & Screened is a podcast about movies and TV hosted by Bruce Miller, a longtime entertainment reporter who is now the editor of the Sioux City Journal in Iowa and Terry Lipshetz, a senior producer for Lee Enterprises based in Madison, Wisconsin. Episode transcript Note: The following transcript was created by Headliner and may contain misspellings and other inaccuracies as it was generated automatically: Terry Lipshetz: Welcome, everyone, to another episode of Streamed and Screened and entertainment podcast about movies and TV from Lee Enterprises, I'm Terry Lipshetz, a senior producer at Lee and co-host of the program with Bruce Miller, editor of the Sioux City Journal, longtime entertainment reporter. And I suspect he's bringing us a little message in the bottle this week. What do you say about that? Bruce Miller: Message in the bottle? Yes, our dear friend Sting. But, I got to tell you, this is the strangest time. We talk about the actors striking and they're not working, and everybody's worried about that. We're not getting content. But there also is a whole other area that's being ignored, and that's the selling of all these shows. We don't get those actors doing interviews about the product that they do have out there, because that's part of the deal with the guild, is that you are not going to promote something that will bring money into the producers until they settle this strike. So, as a result, they don't offer up, actors to me to interview like they have in the past. It'll be people like producers, directors, costume designers, a whole raft of people that you probably don't hear from, which is great. It's interesting. It's a new wrinkle in all of this. But it does hurt some of those people who have spent a long time working on something. David Oyelowo has been trying to get a passion project about Bass Reeves done for eight years. And he got the money from Taylor Sheridan, the Yellowstone producer who's behind all of this. And no, it is not connected with any of the Yellowstone series. People, want to say that it's 1883, it's tied in, it's not. But he got his support in this. They hired a writer. They have other directors and producers and people behind it. And he is kind of the galvanizing force behind this whole thing. And now, because they're selling this, this is coming out the early part of November, he can't say anything, which I just isn't that just disheartening here? You your life working on this, and then others have to talk about it for you. And all those people are very open and generous about giving him credit for what he did and what he wants to say with this. It has a very special message. But this is like down the line. You are seeing different series like this where they'll offer up people to talk to you. There's a movie, coming out limited, this month, and then wide in November, the, Holdovers It stars Paul Giamatti and Da'Vine Joy Randolph, and it's directed by Alexander Payne. And this is going to be a big Oscar contender. The actors, they're not talking, they're not able to say anything about this. But again, that's one of those says, you know, it just kills me that I can't talk with them here and they can hear all these things because they're not available to promote the film. And so I think that's one of the things we don't think know. You see Entertainment Tonight on TV at night, and they're raving about something, or Taylor Swift is running around and she's doing things know Travis Kelsey. And it looks like things are normal, and, they're not. But what that also does do is open the door for other people to get a little attention. And one of the ones I did get to talk to was, yeah, it's, a dance show called Message in a Bottle. It's based on his music. Sting, in case you didn't know, did not want to have a Jukebox musical written about his music. He thinks that's a dumb idea. It's a horrible idea. And if anybody suggested that, he'd just say, no, I'm not going to be a part of that. But they asked him if they could use his music for a dance show in London. And they would tell a story through dance with him singing in the background. It would be his voice over this overarching story that's all told in dance. And he thought, you know, that's an idea that sounds interesting. And they did a couple of numbers, pitched it to him and showed it to him. And he said, I'm in this I could do, because it's nothing I considered. It's not like all these other shows. It's something new and different. And for him, it was, a very moving experience. He said, I cried when I saw it the first time. Just me. And then he said, when I saw it with an audience, I cried again because I saw how emotional it was for them. But so, as a result, we're getting to talk to people like Sting. Come on, that's not bad, because he's not directly involved in it as a participant. Yes, they use his, Voicing tracks over this. But he's not sitting there singing. He's not a performer. He's, a subject of this. And then Billie Jean King has a series where she pairs up women in sports to talk about the struggle that they've had. And I got to talk to Billie Jean King. And that was fun. That's on PBS as well. So you're seeing this kind of shift to people behind the cameras maybe getting attention. And this is a good idea. Bruce Miller: This is good to give them that kind of attention. Fargo is coming out, and they've offered up people in Costuming and hair and makeup. And you go, who cares about the hair and makeup in Fargo, right? It has a very important part of this year's episodes, and I wish I could tell you more about that. But they won't be bad people to talk to because it's very involved. There are things that happen in the new series of Fargo that involve hair and makeup and Costuming that you go, wow, how did they pull that off. Yeah. So they will be interesting people to talk to that we probably wouldn't if they said, well, we've got John Hamm to interview. Would you like to talk to John Hamm? And you go, of course I want to talk to Jon Hamm. But maybe this will be a wakeup call for those who are scheduling these things into looking, up beyond the star names and down the line a little bit more. Because a lot of people put a lot of effort into these films and series and whatnot, and they don't get any attention whatsoever. Maybe during the time of awards, where there's a category, you might see one of the trade papers do a special edition about costuming, and then they talk to the costume designers of the top ten films and maybe they'll get a nomination for something. But for the most part, those people toil in anonymity they don't get a chance to get the spotlight. So we'll see what happens. But it is fascinating for the time. But I don't want to go two, three, four years talking to editors and composers and directors when easily the actors are there and they can talk about their contributions. Terry Lipshetz: At least with someone like Sting, who is very well known as a solo artist with the Police Rock and Roll Hall of Fame. He did act also. He was in, I think, Dune, in the 80s. So he is a very well known subject. So he can speak very well to that type of program. And then you get someone like Billie Jean King, who, of course, one of the greatest tennis players of all time. Getting someone like her on the record, it's like getting an A list actor, of course. Bruce Miller: And she's fun because I said, what do you think of pickleball? Come on. Isn't pickleball kind of trying to edge tennis out of the way? And she says, oh, Pickleball. She said, I hate the sound of the ball hitting the racket. She said, there's something so marvelous about hearing a tennis racket and a tennis ball. But, a pickleball, it's hard. The racket is hard. And she says, you just hear this in your head all the time, and it drives you crazy. But she said they also have more injuries in pickleball than they do in anything else. Terry Lipshetz: Really? Bruce Miller: Yeah. She said a lot of her friends she said it's good that they're trying it because they're getting active and they're moving, but they're not, reducing injuries at all. Terry Lipshetz: Wow. Because I've heard quite the opposite that pickleball is a good way to keep seniors active. I know even my mom, who's had both knees replaced and I think a hip as well. She's joined the pickleball phenomena as well. Bruce Miller: There you go. Terry Lipshetz: Everybody's doing pickleball. Bruce Miller: Billie Jean's worried about her. Terry Lipshetz: I'll let her know with the Billie Jean King, is that getting into the battle of the sexes? Bruce Miller: Because that's it's the anniversary of Title IX or beyond the anniversary of Title IX. And she thought it would be a great idea to pair up other kind of pioneers in different fields to find equality and what they had to go through. And she talks to the, soccer players that were Olympic medalists and what their lives were like. And they talk about the things like, we were getting $10 a day to play soccer. And that's basically just our food money. And what can you buy for $10? You'll be eating junk food. SUNY Lee, who is, a gold medalist from the last Olympics, and she talks about her challenges and what she faced after she came home, as an Olympic gold medalist. So you have these pairs of people who are kind of weighing in on what the situation has been. And if it goes well, I think it's two episodes. If it goes well, that will then maybe lead to a frequent series of face offs between different people. Where is streaming going? What is the benefit of going to the theater Bruce Miller: This weekend, there is a film that's, premiering on Peacock that also is in theaters. And so you're seeing this again. We're wondering, where is streaming going? What is happening with all of this? How many times will I go to theater? What will I go to the theater for? What is the benefit of going to the theater? And I don't know if you have had any remodeling done at theaters near you, but I have near mine. And all of the seats are recliners that are heated. And they have, like, a full menu of food, which I don't remember when I was growing up at all, the only place you could get food was at a drive in theater. And now you don't find drive in theaters anymore. But the drinks that they're offering, it's a bar. And at my theater, they end up the kids who are under 18 or under 21 or whatever age they need to be to be able to serve beverages, adult beverages suddenly can't stand over by the liquor. They can't be near that in any way. And so there's like, the kid who's chosen to be the liquor kid. And so if you order popcorn and a drink, they've got to go call on the guy who is the liquor guy, and he has to do the drink for you. So I find that just kind of fascinating because it will change. And then in the lobby, there are so many games, there are so many claws that you're grabbing at for it's like a carnival. It's a carnival. Yeah. Terry Lipshetz: It feels like movie theaters today. They're almost going toward becoming like an arena or a stadium for a sporting event. And we've talked about this in the past, where movies are going to be more of an event. Right. You'll pick and choose which ones you're going to go to. Kind of like a sporting event. I'm a huge baseball fan. I probably watch 100 plus baseball games a season from my couch. But I only go to the stadium two, three, four times a year. Kind of like going to a movie theater at this point for me as well. So then you're going to spend okay, I'm going to spend $1015 per ticket, and I'm going to spend on pizza and, maybe a hamburger and a chicken sandwich. Then it becomes more than just getting a bucket of popcorn and the Raisinets, which I hate. I hate Raisinets. Bruce Miller: Yeah, I don't like those either. No, I don't like Milk Duds either. So if you're a Milk Dud person. Terry Lipshetz: Sorry, do you like those little the Sno-Caps? The nonpareils? Bruce Miller: No, that's an old person's thing. I am. But there you are. But that would be one like, mom would get it and you go, oh god, this is not I don't care for it. Thank you. You can have them. I'm good. Yeah, I'm of the era where we brought the candy to the. Terry Lipshetz: Know. You talk about the remodeling. I'm actually really worried about the AMC Theater. That's literally 2 miles from my house, maybe even less a mile, because it's older and it feels like they never will. And even during COVID when a lot of places were shut down, theaters were shut down, a lot of people would complain to the Village because they were letting their parking lot get overgrown. Now, they still seem to be doing okay. I mean, I drove by last weekend when the Taylor Swift movie opened, and that place was packed and every Showtime was sold out. But a lot of times when I go there, it's in a weird place. It's not near Milwaukee. It's not near Madison. It's kind of in the middle of the suburbs. And it feels like it may not survive. And I might have to drive 30 minutes to a theater. Bruce Miller: We had an AMC here that they did four screens to see what would it be like? And they remodeled the four screens and it went well. And then they went and did another four. So it kept going in increments. And finally they got it all remodeled. So it could be just their time. It isn't their time yet. But I think look at the Taylor Swift movie that is a pure example of all of this AMC was they, made a direct deal with Taylor Swift. Right. And to get that in and two weeks in a row, number one movie. Now, come on. And again, it goes back to my philosophy is it has to be an event. If it's an event thing, you are going to go out of your comfort zone. And you're not going to sit at home and watch it on some streaming channel. You are going to go out. You want to see that. You want to be a part of that event. And as I noticed, they're spending money. If I'm sitting. 1989. Was that what the ticket price was? Terry Lipshetz: Right. Bruce Miller: Like that because of her album, right? Okay, so I'm in for $20. Then we're making an event of it. So I'm not going to just sit there and say, no, I'll have water. You're not going to do that. You'll get a beverage. And if you're an adult that has to bring a bunch of little girls with you'll, get the adult beverage from the kid able to handle that for you. Yeah. And so you're going to make a little more of it, but you probably won't go as often. That's the real stickler of this. In my day, we would go at least twice a week to the movies because there'd be more than two movies that were new each week. And I would, usually go on a Friday and go on a Sunday. And that is so out of the realm of anything today. If I go once a week to a movie theater as just a regular patron, that's saying something. And I'm one who goes to all of the movies because they don't have that much content available. Hallmark has started the Christmas movies Bruce Miller: Or if they do have the content, I can get it in an easier form. I don't need to see it at a theater. But I do think they're stepping up their game and they're making it more attractive. You know how you always would complain it's kind of dark, like they need a new bulb in their project, or, it's fuzzy, they didn't focus it. Or I'm sticky on the floor. Those things you don't see that much anymore. And, they do make a big effort of bringing in the blow guns and everything and cleaning up the place before you get in there. But then you also don't have the ability to sit all day long. I remember going to a theater and you'd say, I want to see this again. And you just sit still, and it start in, like, ten minutes. Terry Lipshetz: Right? Bruce Miller: So that doesn't happen. Terry Lipshetz: No. Bruce Miller: Hear you out, and they make sure that you're out of there. But it is a shift, and I'm wondering what's going to happen now. We're getting into the big Oscar movie, period. I mean, there is a lot that's on the agenda that's supposed to be coming in the next two months, and big, big names and the idea that they're going to muzzle these people. They have to get this solved quickly. It's almost like finding the speaker of the House. It's like it has to happen. This is too much. Terry Lipshetz: It's weird, too, because there's a lot of competing forces. Because all of a sudden, after the writer strike ended, we knew, obviously, that late night TV would come, know Jimmy Fallon was back, john Oliver was back. But then all of a sudden, Saturday Night Live came back, and I had to do a double take, like, well, wait a second. How is Saturday Night Live back? Because these are actors. And it turns out that the show well, it's covered by a different contract. It's more like late night it's under the late night TV game show, whatever weird. But it's not these are actors acting. So how can we have these actors? So are we going to get nothing but a bunch of variety shows now? But it's really strange. And it just feels like, this has got to get worked out soon because you can't and then I know actors, too, can go overseas because there's certain obviously in Europe there's different contracts, there's different mean. You know, production of films in the UK. Or EU haven't necessarily shut down like they have over here. Bruce Miller: Could you really call bad Bunny an? I mean, but yeah, look at, the talk shows at night. They aren't asking people from films or TV shows to come and be their guests. They've been doing a lot of Broadway people. I noticed that Josh Groban has been making the rounds and he's in Sweeney Todd on Broadway. And, that's not covered. We've seen the cast, Daniel Radcliffe. Jonathan Groff. So you'll see those people kind of they're actors, but they're not in a film. They're not in a so you're and you'll see athletes and musicians. They're going to make, hey, well, this is all going on, but who knows what will happen? The other thing that I think you did not realize is that we have started the Christmas movies. Hallmark is like hardcore. And I think they have new movies every Thursday, Friday, Saturday, maybe Sunday. I don't know. Do you have to get stuck into that? Terry Lipshetz: No, my wife doesn't watch those Hallmark Christmas movies. Or at least I don't think if she does, she's watching them without me because I get stuck in the kids ones. We will watch whatever ones come out on Netflix or Hulu or TV or but, but even, at least with them, they're middle schoolers now. So some of that stuff is just baby stuff. It's little kids stuff. So we're not going to watch that. But it is coming on fast. I know my wife and one of my daughters went just to Kohl's the other day to do clothing shopping. And they came back and they said Christmas music was playing in the store. You got to be kidding me. It's not even Halloween. Bruce Miller: We had Christmas in July. Remember that? They were allowed buying all those Christmas movies in July. And now suddenly it's the real time. But Christmas is not that far away. If you add up the days, it's not like that long from now. So they're getting deep into it with the Hallmark Channel. And nothing stops those people. I'm sure they're making them in Yugoslavia or God knows where, just to make sure that they can get like 153,000,000 Christmas films done all, on basically the same set, saying the same things with just different people. Who were in a different career. It's always somebody comes home to a small town and realizes that, oh, I really do kind of like it here. I don't need to be a high paced business person in New York City. I can live in East Overshoot, Tennessee, and I can be a know who's happy here. With whomever? The local cobbler. I will marry the local cobbler and that'll be my life. Terry Lipshetz: And Reba McIntyre is your mother. Bruce Miller: I have found that with those, I'll sit and start watching one and I fall asleep and I wake and it's a different one and it's the same thing. So if you worry about, the resolution, no problem. It's there. When would the actors strike end? Terry Lipshetz: My biggest concern right now is when we had this discussion several months ago regarding when would the actor strike end and you were a little bit more optimistic about it than I was. No, I'm starting to think like I might be right on, on this one. I don't remember the exact date, but I thought it was going to be like late November is when they would nail it down. Because at that point everyone would head into freak out mode knowing that NFL is about to end, college football is about to then, you know, there's nothing. It's, it's NBA, NHL, and not a whole lot else until baseball season resumes. And those aren't exactly huge, TV drivers either. We're running out of and CW. Bruce Miller: Look at the CW. They are grabbing everything from every country. They've just announced a couple of new series from, you know, aren't those always on BBC or BBC America or something? So we see them somewhere else, but now they're picking up whatever strays they can find and they're sticking it on the CW. And so I think until the content runs out, you know, we're going to see Korean shows and we're going to see just everything until they're ready to blink. And when they blink, I don't know what will happen. The folks in New York say that Broadway is suffering because it's too expensive and people are not seeing that as an. You know, you always thought, well, maybe they could film some of those things and throw them on some streaming service, whatever. But that doesn't seem to be like another pool for them to pick from. So the bottom line is they've got to get this stopped. Otherwise we're going to run out of talent. Talent will switch to something else. I don't know if you follow these things, but a lot of actors that you might have seen on some shows realize they can't get work and they end up becoming real estate salespeople. And so the actor that you liked in whatever sitcom is suddenly selling real estate now in Los Angeles and probably making more money is more secure than he was ever before. And you think, wow, you would turn on this thing that was your lifelong dream. Because everything's going bust in your business. And I think that's one of the things they'll look at. You will lose actors that you were fond of because they can't find the place to go. Next week, we talk about a new series from Taylor Sheridan called Lawmen: Bass Reeves Terry Lipshetz: On that note, anything else? We have Sting. We have Billie Jean King. I know we'll look forward in the coming weeks to things like Fargo. Bruce Miller: Yeah. Next week, I do want to introduce you to the people from Lawman, Bass Reeves. It's a new series, a limited series that's from the Taylor Sheridan kind of house. Terry Lipshetz: Right. Bruce Miller: And in there, we are able to talk to, one of the directors. One of the directors who considers himself a reggae director oh, nice. And how he brings that sensibility to the series. And then also the guy who wrote the series. And he worked very closely with David in terms of what do you want to say with this and what is coming out of this. They had a lot of research. They went down the road about everything they could find about Bass Reeves, and then they decided, okay, but there's got to be another kind of overriding story that we're going to tell with this. And what is that overriding story? And you'll hear from them next week. But I do want you to get into this because it's going to be a big thing, Paramount Plus. And, they do talk about where does it fit with Yellowstone. Terry Lipshetz: Okay. Yeah. And that's good, because we'll talk more about that next week because my wife, she signed up for something. And we do have, like, a 30 day trial if we want, of Paramount Plus. And I did see that Bass reuse trailer, and I thought, that looks kind of interesting. And I have not seen any of the Yellowstone series. So is it maybe worth my time? So maybe we could talk about that next week. Bruce Miller: When you see it, you're going to go, wow, look how lavish this is. It really looks like a huge movie, huge cast, great sets, a lot of buffalo, if you can believe that. Terry Lipshetz: yeah. Bruce Miller: And so we'll talk more about it because I want that one to hit your radar. I want you to think about that, and then we'll talk about some of the other new movies and things that are coming out. Terry Lipshetz: Sounds good. All right, well, on that note, thanks again, and we will see you again next week on another other episode of, Streamed and Screened.See omnystudio.com/listener for privacy information.
Jimmie Tramel called Reservation Dogs, "the most Oklahoma thing on television so far." With shot-in-Oklahoma movie "Killers of the Flower Moon" recent release, it has been a big year for Indigenous storytelling through film and TV. Tramel and James Watts also talk about the next major media project with an Oklahoma focus, “Lawmen: Bass Reeves.” A former slave, Reeves was the first African American U.S. deputy marshal west of the Mississippi River. Reeves, who worked primarily in Oklahoma (then Indian Territory) and Arkansas, was responsible for 3,000-plus arrests and spent the twilight of his life as a police officer in Muskogee. Related Killers of the Flower Moon: See all our coverage going back to when scenes were shot here to reaction to the movie 'Prey' producer, 'Reservation Dogs' actors among guests at Native-themed SkasdiCon Actor David Oyelowo 'incredibly proud' of upcoming Bass Reeves series Best bets: Things to do this week Tulsa's top Halloween season entertainment options Contact us Scene Writer Jimmie Tramel: Email | Twitter | Follow his stories Scene Writer James Watts: Email | Twitter | Follow his stories Subscribe to this podcast on: Apple | Google | SpotifySupport the show: https://tulsaworld.com/See omnystudio.com/listener for privacy information.
There is a lot of buzz about Taylor Sheridan's newest television series Lawmen: Bass Reeves, and this week's guest, Old West author and historian Art T. Burton, is here to separate fact from fiction. He tells us about the exploits of this legendary Deputy U.S. Marshal, not only one of the first African-American marshals in United States history, but arguably the greatest lawman of his era. Art Burton's book is called "Black Gun, Silver Star: The Life and Legend of Frontier Marshal Bass Reeves". More about the author and his book can be found at his website here: https://www.artburton.com/ The author's Facebook page: https://www.facebook.com/profile.php?id=100004081261210 This episode is sponsored by Hello Fresh. Order here and get 50% off plus free shipping! http://www.hellofresh.com/50notorious Learn more about your ad choices. Visit megaphone.fm/adchoices
Bill Dawes joins the show and recalls Adam choosing a bad walk-up song last time they performed in Nashville together. Adam pays tribute to his late friend Suzanne Somers, who passed away on Sunday at the age of 76, and compliments the loving relationship he witnessed between her and her husband Alan Hamel. Adam then shares a stressful experience while attending the 20th Anniversary screening of Windy City Heat and the guys laugh about some key scenes and memories from the movie. Next, the guys pull up some of Bill's recent tweets for a round of “tweet-splaining,” which leads to lively discussions about pedophiles, AOC, and parenting. Lastly, Chris reports some stories that have been dividing the internet - including CEO's wanting to blacklist Harvard students who blame Israel for the Hamas attacks, Rolling Stone's 250 Greatest Guitarist List, and a car not coming to a complete stop at a stop sign in Washington DC. For more with Bill Dawes: ? Follow Bill on X and Instagram @BillDawes ? Lawmen: Bass Reeves premieres on Paramount+, November 5 ? See Bill at The Laugh Factory in Hollywood every Tuesday night at 10pm ? He headlines the Tropicana in Las Vegas, November 13 - 19 Thank you for supporting our sponsors: ? http://SimpliSafe.com/Adam ? http://Business.LandsEnd.com/Adam, Promo code: Adam ? http://OReillyAuto.com
The trailer for Lawmen: Bass Reeves dropped and it looks fantastic. This week, (3:14) everything you need to know about this new Taylor Sheridan drama. Plus, Adison Haager and Billy Dukes discuss (17:30) Beth Dutton
Hello and welcome back to another episode of Breakfast with Mom!Today I want to tell you about Bass Reeves, a lawman from the late 1800's. In light of the new series coming out on Paramount sometime this year. The series will be called Lawmen: Bass Reeves, created by Chad Feehan. This series will be part of the Taylor Sheridan production portfolio. Bass Reeves, born in July 1838, was an African American lawman who became a legendary figure in the American Wild West. His remarkable career as a deputy U.S. Marshal spanned over three decades, during which he apprehended more than 3,000 outlaws and brought them to justice. Reeves' unparalleled bravery, sharpshooting skills, and unwavering commitment to upholding the law made him one of the most respected and feared lawmen of his time.Please remember to subscribe and leave us a rating and review on Apple Podcast, Spotify or Amazon Podcast. May your break be hot and your coffee strong, cheers!All the things:Resources: https://www.okhistory.org/publications/enc/entry.php?entry=RE020https://collider.com/lawmen-bass-reeves-true-story/https://www.legendsofamerica.com/we-bassreeves/https://www.britannica.com/biography/Bass-Reeveshttps://encyclopediaofarkansas.net/entries/bass-reeves-1747/Say what: https://www.npr.org/2023/08/21/1195016459/monster-hunters-largest-search-for-the-loch-ness-monster-in-50-yearsCredits:Music: "A Sip of Coffee to Relieve Stress" by Katzen TupasLogo Artwork: Strawbeary Studios https://www.youtube.com/@StrawbearyStudios/featuredEpisode was researched, written and edited by ShanoaSocial Media: https://www.facebook.com/profile.php?id=100090200010112Twitter: @breakfastmompodEmail: breakfastwithmompodcast@gmail.comWebsite: https://breakfastwithmompodcast.com/
0:00 - Intro 2:18 - DragonCon Recap Teaser 7:44 - What We Done Had Watched This Past Week 20:12 - New New Trailers 21:10 - Loki S2 https://www.youtube.com/watch?v=dug56u8NN7g 23:10 - Monarch: Legacy of Monsters https://youtu.be/Qc-xevGu8PU?si=EvdA9ezQ2_jY3qqV 25:29 - Good Burger 2 https://youtu.be/2e0OfrRSbcc?si=vabTRBE6EO29xlMA 27:15 - The Changeling https://youtu.be/O8UkEiAxOdo?si=J4d4MYtVTlKn4MXB 29:32 - Lawmen: Bass Reeves https://youtu.be/SEgOdJp6NLA?si=6pgfmDtPhwjOnFL7 31:19 - One Life https://youtu.be/RYN7r4y-RlQ?si=N02azJJO6s3XogeM 32:27 - Our Flag Means Death s2 (redband) https://youtu.be/1S3MmHQBS5s?si=YpUOh2edNFZ8ZceR 35:40 - Rebel Moon https://youtu.be/rE-uc78LisE?si=nomc_qBqYvH5diVy 39:52 - Fall of the House of Usher https://youtu.be/YvzXgo1rQYU?si=6M6wOK8NRYjycJa4 42:27 - Frasier reboot https://www.youtube.com/watch?v=oz--6tGukuw 46:06 - The Wonderful Story of Henry Sugar https://www.youtube.com/watch?v=dVkTUunub6w 49:11 - Goosebumps https://www.youtube.com/watch?v=PsOu7P09Pyk 50:38 - Lessons in Chemistry https://www.youtube.com/watch?v=Wqm_sbl3xfA 52:54 - Bloodthirst https://www.youtube.com/watch?v=lwsRGic14z0 54:43 - Aquaman 2 https://www.youtube.com/watch?v=SU4Nr0OsYG0 54:49 - In which we try to remember the actual name of the Aquaman 2 movie 1:00:53 - How to get in touch with us 1:02:09 - Quick Mickey 1:03:47 - The VidYoGames ¼ Portion 1:09:41 - FF7 rebirth release date trailer https://www.youtube.com/watch?v=lNVL-ygqw3w 1:10:33 - Aliens Dark Descent https://www.youtube.com/watch?v=ae2311F3xC0 1:11:33 - Every reveal from Nintendo Direct https://www.youtube.com/watch?v=dRuUKZb3AXg
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