Podcasts about Here be dragons

In this special Mother's Day episode, Dr. Kim Kimberling sits down with bestselling author Melanie Shankle to talk about her latest book, Here Be Dragons. Together, they unpack the complexities of generational trauma and explore what it means to break old cycles in order to build a new legacy of healthy relationships. It's a conversation that's honest, refreshing, and full of humor. Whether you're a mother or not, this episode has something for you! Episode highlights include:  Generational trauma affects emotional growth and relationships. Self-worth can be deeply impacted by parental relationships. Humor can be a coping mechanism for deeper issues. Recognizing unhealthy patterns is crucial for personal growth. Parenting requires intentionality and awareness of past traumas. Melanie embraced her daughter's individuality instead of molding her. Healing can come from being the parent you wished you had. True love is built on friendship and authenticity. Identifying generational trauma requires honest self-assessment. Creating a positive legacy is essential for future generations. God's timing is perfect in relationships. Healing is a journey that takes baby steps. There can be beauty in the ashes of our past. Couples Conversation Guide:    Main takeaway:  If you were raised in the midst of unhealthy relationships, take heart—there is hope in Christ for a better future. Healing from past wounds opens the door to the freedom and joy of healthy, life-giving relationships. Along the journey, boundaries will protect your peace, forgiveness will soften your heart, and Christ must remain the foundation of it all.   Questions to Discuss:  What messages or behaviors from our families growing up do we find ourselves repeating—intentionally or not—in our relationship or with our children?   When we face conflict or stress, do our reactions feel like our own—or do they echo how our parents or caregivers responded?   Are there parts of our past—such as experiences of neglect, abuse, shame, or loss—that we haven't fully processed and might be impacting how we show up for each other and our children?   What do you hope your legacy will be?   Quotes from today's episode: "It's okay to not be perfect." “You've gotta have your truthtellers” “There are things we may not see as big, but they become big.”  “I always deflected with humor because I didn't want to feel anything too deeply.”  “They've achieved all these things that the world says is success, but they're still empty.”  “It's so healing to be the thing in someone else's life that you wish you would have had in your own.”  “I didn't get to have that mother, but I get to be that mother.” “There is something so beneficial about having someone who's not your friend, validate some of the experiences you've been through.”  MENTIONED IN THIS EPISODE:   Use our Self Check Up Guide as an opportunity for honest self reflection.  Melanie Shankle's Here Be Dragons Listen to Melanie on her wildly popular podcast The Big Boo Cast If you haven't browsed our site, you've GOT to check out the marriage resources we have over at AwesomeMarriage.com, and browse our online courses at AwesomeMarriageUniversity.com !  Did you know we have resources for families- check those out HERE. Sign up for Dr. Kim's Marriage Multiplier email for practical weekly marriage tips!  

In this special Mother's Day episode, Dr. Kim Kimberling sits down with bestselling author Melanie Shankle to talk about her latest book, Here Be Dragons. Together, they unpack the complexities of generational trauma and explore what it means to break old cycles in order to build a new legacy of healthy relationships. It's a conversation that's honest, refreshing, and full of humor. Whether you're a mother or not, this episode has something for you! Episode highlights include:  Generational trauma affects emotional growth and relationships. Self-worth can be deeply impacted by parental relationships. Humor can be a coping mechanism for deeper issues. Recognizing unhealthy patterns is crucial for personal growth. Parenting requires intentionality and awareness of past traumas. Melanie embraced her daughter's individuality instead of molding her. Healing can come from being the parent you wished you had. True love is built on friendship and authenticity. Identifying generational trauma requires honest self-assessment. Creating a positive legacy is essential for future generations. God's timing is perfect in relationships. Healing is a journey that takes baby steps. There can be beauty in the ashes of our past. Couples Conversation Guide:    Main takeaway:  If you were raised in the midst of unhealthy relationships, take heart—there is hope in Christ for a better future. Healing from past wounds opens the door to the freedom and joy of healthy, life-giving relationships. Along the journey, boundaries will protect your peace, forgiveness will soften your heart, and Christ must remain the foundation of it all.   Questions to Discuss:  What messages or behaviors from our families growing up do we find ourselves repeating—intentionally or not—in our relationship or with our children?   When we face conflict or stress, do our reactions feel like our own—or do they echo how our parents or caregivers responded?   Are there parts of our past—such as experiences of neglect, abuse, shame, or loss—that we haven't fully processed and might be impacting how we show up for each other and our children?   What do you hope your legacy will be?   Quotes from today's episode: "It's okay to not be perfect." “You've gotta have your truthtellers” “There are things we may not see as big, but they become big.”  “I always deflected with humor because I didn't want to feel anything too deeply.”  “They've achieved all these things that the world says is success, but they're still empty.”  “It's so healing to be the thing in someone else's life that you wish you would have had in your own.”  “I didn't get to have that mother, but I get to be that mother.” “There is something so beneficial about having someone who's not your friend, validate some of the experiences you've been through.”  MENTIONED IN THIS EPISODE:   Use our Self Check Up Guide as an opportunity for honest self reflection.  Melanie Shankle's Here Be Dragons Listen to Melanie on her wildly popular podcast The Big Boo Cast If you haven't browsed our site, you've GOT to check out the marriage resources we have over at AwesomeMarriage.com, and browse our online courses at AwesomeMarriageUniversity.com !  Did you know we have resources for families- check those out HERE. Sign up for Dr. Kim's Marriage Multiplier email for practical weekly marriage tips!  

Melanie Shankle—New York Times bestselling author, speaker, and co-host of The Big Boo Cast—joins the podcast to discuss her latest book, Here Be Dragons: Treading the Deep Waters of Motherhood, Mean Girls, and Generational Trauma. Melanie shares her personal journey of navigating complex family dynamics, breaking generational cycles, and raising her daughter while fighting the “dragons” in life.   EPISODE AT A GLANCE: The meaning behind the title of her new book, “Here Be Dragons.” Melanie's personal stories of dealing with mean girl dynamics during her daughter's high school years and recognizing patterns from her relationships with her own mother and grandmother. The steps she took to address and heal from past wounds and the importance of forgiveness, setting boundaries, and seeking wisdom through prayer. Valuable parenting insights into the challenges of raising teenagers and the impact of generational trauma on parenting styles.   RESOURCES & LINKS: Here Be Dragons by Melanie Shankle on Amazon The Big Boo Cast Podcast on Apple Podcasts Melanie's Previous Episode on The SavvyCast on Apple Podcasts and Spotify On the Bright Side by Melanie Shankle on Amazon   CONNECT WITH MELANIE: Instagram: @melanieshankle Website: The Big Mama Blog   LIKED THIS EPISODE? CHECK THESE OUT! A Favorite Foodie Friend (And Author): Sophie Hudson Listen on Apple Podcasts | Spotify | YouTube From Bookstore Owner to Author: Annie B. Jones on Owning The Bookshelf & Her New Book Listen on Apple Podcasts | Spotify | YouTube   RATE & REVIEW: One of the best ways to support Family Savvy & The SavvyCast is by leaving a rating and review on your favorite podcast platform. Thank you for your support!

Melanie Shankle shares how childhood trauma and a “mean girl” mom affected her life, marriage, and motherhood, bringing a message of hope and healing in Jesus Christ. Receive the book Here Be Dragons plus a free audio download of "Healing as a Parent from Childhood Trauma" for your donation of any amount! Plus, receive member-exclusive benefits when you make a recurring gift today. Your monthly support helps families thrive. Get More Episode Resources If you've listened to any of our podcasts, please give us your feedback.

Melanie Shankle shares how childhood trauma and a “mean girl” mom affected her life, marriage, and motherhood, bringing a message of hope and healing in Jesus Christ. Receive the book Here Be Dragons plus a free audio download of "Healing as a Parent from Childhood Trauma" for your donation of any amount! Plus, receive member-exclusive benefits when you make a recurring gift today. Your monthly support helps families thrive. Get More Episode Resources If you've listened to any of our podcasts, please give us your feedback.

While Melanie went to Round Top with Caroline this past weekend, I watched a lot of basketball and Netflix, so we catch up on this episode about all of our respective adventures (on my end of things, to be clear, "adventures" is a super strong word). There's also a post-book club recap of our Here Be Dragons discussion with Perry, which was the 2025 gift we didn't even know we needed.  Also, I share about how I decided to celebrate my mama's birthday this year, and it's my turn for Five Favorites. Hope you enjoy! - Join Us on Patreon - Our Amazon Shop Show Notes: - JunkGypsy and Wander Inn - High Noon Market - Delamora Designs - SaPeyKa Jackets - Fraulein Boots - Round Top Fashion Guide - Auburn vs. Michigan State - Johni Broome's injury and redemption - Adolescence - our Patreon book club with Perry Shankle - Mama's poppyseed dressing recipe is in the Ouida Wednesday digital cookbook - SnapDragon chili crunch ramen - CeramaBryte glass stovetop cleaner - textured Macbook Air case - monogrammed button down - Laneige Glaze Craze lip tint Sponsors: - Branch Basics - use code BIGBOO for 15% off the premium starter kit - OSEA Malibu - use code BIGBOO for 10% off your first order - Hugz - use code BIGBOO for 20% off your first order - Thrive Causemetics - use code BIGBOO for 20% off your first order

Start Artist Song Time Album Year 0:00:56 Blutengel The dark veil 4:23 Dämonen : Sturm 2025 0:05:20 Submarine Silence Zena (Extra Track) 3:07 Atonement of A Former Sailor Turned Painter 2025 0:08:26 Flame Drop Ascending 5:27 Beyond Cosmic Infinity 2025 0:13:53 Avantasia Everybody's Here Until The End (Instrumental) 5:13 Here Be Dragons 2025 0:19:06 Tiktaalika, […]

Sist fredag slapp Avantasia sitt tiende album, Here Be Dragons.Tyskeren Tobias Sammet er mannen bak det symfoniske power metal-prosjektet som samarbeider med store stjerner som Michael Kiske, Alice Cooper, Biff Byford, Rudolph Schenker, Dee Snider, Klaus Meine og våre egne Roy Kahn og Jørn Lande - for å nevne noen få.Hvorfor er det først nå det dukker opp en drage på et Avantasia-cover? Hvor viktig har Iron Maiden vært? Og hvorfor ingen samarbeid med Bruce?Hold deg fast. Energisk type dette, så her går det unna!

What a week it has been! Melanie's book hit #5 on the New York Times bestseller list, I got a new HVAC unit (not as exciting, but still, significant), and Hazel has full-blown PTSD from all the people who have been in and out of our house. Life is a series of highs and lows, right? Anyway, this week we talk about all the Here Be Dragons fun, share our thoughts on some sports developments, and finally get some insight about why A&M serves Pepsi products.  We also talk about my very active TV life, and it's my turn for Five Favorites.  Enjoy, everybody! - Join Us on Patreon - Our Amazon Shop - Fayetteville Live Show Tickets Show Notes: - Melanie's book is #5! - Here Be Dragons by our beloved Melanie - Fabled Bookshop in Waco - The Americas with Tom Hanks - Paradise - American Murder: Gabby Petito - Aerie Easy Street sweatshirt - Old Navy CloudMotion activewear tunic - Hadley buttondown spring shirt - olive wood spurtle (here's another option on Etsy) - Gambino's king cake Sponsors: - Honeylove - use this link for 20% off sitewide - Hugz - use code BIGBOO for 20% off your first order - AG1 - use this link to get a Lululemon belt bag and a welcome kit with your Lululemon membership - OSEA - use code BIGBOO for 10% off your first order

How do we navigate raising children when we were not set a good example by our parents? Melanie Shankle, author of the new book HERE BE DRAGONS, discusses how we can disrupt the harmful parenting patterns that we grew up with and do better by our own children. Melanie Shankle is the New York Times bestselling author of several books, co-host of the podcast, The Big Boo Cast, and creator of The Big Mama blog. Melanie, Amy, and Margaret discuss: What Melanie's relationship with her own mother taught her about parenting When to know if your kids need your help navigating a situation Modeling the importance of female friendships for our kids Here's where you can find Melanie: @Melanieshankle on IG and @BigMama on X https://thebigmamablog.com Listen to Melanie's podcast The Big Boo Cast Buy HERE BE DRAGONS: https://bookshop.org/a/12099/9780593601204 Listen to our Fresh Take with Judith Warner, author of AND THEN THEY STOPPED TALKING TO ME We love the sponsors that make this show possible! You can always find all the special deals and codes for all our current sponsors on our website: https://www.whatfreshhellpodcast.com/p/promo-codes/ What Fresh Hell is co-hosted by Margaret Ables and Amy Wilson. mom friends, funny moms, parenting advice, parenting experts, parenting tips, mothers, families, parenting skills, parenting strategies, parenting styles, busy moms, self-help for moms, manage kid's behavior, teenager, tween, child development, family activities, family fun, parent child relationship, decluttering, kid-friendly, invisible workload, default parent, parental stress, kids stress, brain development, kids anxiety, anxiety, worry, stress, generational trauma, harmful parenting pattern Learn more about your ad choices. Visit megaphone.fm/adchoices

Interview by Angela CroudaceIn our interview with Tobias Sammet, the frontman of power metal giants Avantasia, he revealed exciting insights into the band's upcoming album, Here Be Dragons, and shared his personal experiences shaping the music. With the new record set to be released soon, Sammet spoke candidly about the band's evolving sound, future touring plans, and creative process.Though fans eagerly await news of an Australian tour, Sammet couldn't confirm any dates yet. "There's no hint yet, but I want to go back because the last time was amazing," he said. He acknowledged the strong heavy metal audience in Australia, emphasising that while there are no concrete plans at the moment, a Latin American and North American tour is in the works.One of the standout tracks on Here Be Dragons is Against the Wind, which carries a deeply personal message. Sammet explained that the song was inspired by his reflections on life and the pressures of external expectations. “It's about staying true to yourself and saying, ‘I'll do it my way,'” he revealed. The powerful lyrics, written while Sammet was at the shoreline of Cornwall, embody a spirit of defiance and resilience.In discussing his musical collaborations, Sammet shared his admiration for Kenny Leckremo. He said of the singer's voice, “He's got no limitations… he's a technical prodigy, and he really fits into the Avantasia style.” Sammet's keen ear for unique voices is evident in his choice of collaborators, with Leckremo standing out as a perfect match for Here Be Dragons.As for the album itself, Sammet admitted that it represents a shift from Avantasia's usual concept-driven approach. Rather than being a fully conceptual album, it's a collection of short stories that reflect his creative freedom. “It's a liberating approach," he said, "I just threw myself into the waves of creativity and it worked.”Fans can look forward to Here Be Dragons blending Avantasia's signature style with fresh elements. Sammet's openness to exploring new ideas while staying true to the band's roots promises an album full of musical surprises, ready to captivate fans all over again. Props to Tobias for being such a pleasure to interview, it's hard to not like the guy and the dedication to his craft that drips from every pore. I really hope we see Avantasia on our shores in the near future.Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.

Dans Noiseweek sur Heavy1, Avantasia est à l'honneur avec « Here Be Dragons » : c'est notre album de la semaine. Egalement au programme préparé et animé par Christophe Droit, sa sélection des nouveautés discographiques albums et singles de Architects • The Dead Daisies • Robin McAuley • Fanalo • Enemy Inside • Dirkschneider • Dark Chapel • Brainstorm et Perfect Plan.Une émission réalisée par Jean-Baptiste Lamet - En partenariat avec RIFFX.frHébergé par Ausha. Visitez ausha.co/politique-de-confidentialite pour plus d'informations.

Exciting news for metal fans!

It's Here Be Dragons week, and Melanie is gearing up to be out of town a lot while I am gearing up for quick trips to San Antonio and Auburn. On this episode we discuss A&M's new basketball uniforms, college baseball opening weekend, and our critical computer situations (true story: Melanie's headphones wouldn't connect while we recorded, and my microphone didn't, either, so this week's sound isn't great, Bob).  We also talk about what we've been watching, and it's my turn for Five Favorites.  Enjoy, everybody! - Join Us on Patreon - Our Amazon Shop - Fayetteville Live Show Tickets Show Notes: - Here Be Dragons by our beloved Melanie - Melanie's book tour info - Melanie on The 700 Club - A&M's new basketball uniforms - Cade Belyeu at Auburn - Severance - Fiona Davis - The Lions of Fifth Avenue - All Creatures Great and Small - A Place to Call Home - Frasier - Paradise - The White Lotus - The Real Housewives of Beverly Hills - Peet's Cafe Domingo K-cups - Portland Leather Famed Frame Clutch - Apotheke Sea Salt Grapefruit for Pura - OLIPOP Orange Squeeze - Pilates crew socks Sponsors: - AG1 - use this link to get a welcome pack worth $76 - Thrive Market - use this link for 30% off your first order plus a free $60 gift - Honeylove - use this link for 20% off sitewide - Helix - use this link for 27% off sitewide plus two free Dream pillows with mattress purchase

Welcome to the Mental Resilience Series! We're exploring how to get stronger, stand tall in tough times, and build boundaries that help us thrive. It's all about creating resilience that lasts.   Today, we're diving into self-talk with the amazing Melanie Shankle. We'll unpack generational trauma, deal with lingering mean-girl energy, and explore how our relationships with parental figures shape us, which is what she wrote about in her new book, Here Be Dragons. You don't want to miss this one!   Timestamps: (02:16) - Melanie's Story of Resilience and Growth (05:03) - Forgiveness vs. Protection: Walking the Fine Line (13:59) - Mean Girl Behavior : Why It's Still a Thing (18:02) - How Generational Trauma Sneaks Into Our Lives (24:28) - The Truth About Negative Self-Talk (29:32) - Melanie's Must-Have Recommendations   Watch Alli on YouTube!   Links to great things we discussed:  Melanie's Top Skin Care Recommendations - iNN Beauty Project Extreme Clean and Elastic Skin. These help with fine lines and are her new go-tos.  Melanie's Top Make-up Recommendations - Armani Luminous Foundation,  Merit Bronzing Balm, and Merit Flush Balm. She's loving all the light feeling of the Armani foundation and all the Merit products. Melanie's Hair Care Recommendations - Goop Beauty G. Tox Himalayan Salt Scalp Scrub, and Verb Ghost Shampoo. Both are great for dry hair.  Alli on YouTube   I hope you loved this episode!

Have you ever felt powerless watching your child face mean girl drama or generational challenges? In this episode, Colleen O'Grady sits down with New York Times bestselling author Melanie Shankle to discuss the deep waters of motherhood, particularly the struggles of raising teenage daughters. Melanie shares her journey of uncovering generational patterns, healing from past wounds, and guiding her daughter through the painful reality of mean girl culture. As a mother, she discovered that unresolved personal struggles can impact parenting, making it crucial to confront our own "dragons." Through Caroline's experiences, they discuss the importance of self-advocacy, resilience, and the powerful role of a mother's support in shaping a teen's confidence and emotional health. Melanie Shankle is a three-time New York Times bestselling author of Here Be Dragons, Sparkly Green Earrings, The Antelope in the Living Room, and Nobody's Cuter Than You. She speaks at events nationwide and co-hosts the wildly popular podcast, The Big Boo Cast. Melanie and her husband, Perry, live in San Antonio, Texas, and are the parents of Caroline. Three key takeaways from this conversation: First, healing from personal wounds is essential to breaking unhealthy cycles and equipping children with the emotional strength they need. Second, mean girl dynamics can be intense, but teaching teens to set boundaries and stand up for themselves fosters resilience and self-respect. Lastly, moms play a crucial role in helping teens process their experiences by listening, validating their feelings, and guiding them toward positive relationships. Above all, trust that the challenges teens face today can shape them into stronger, more compassionate individuals in the future. 4o Learn more about your ad choices. Visit megaphone.fm/adchoices

Aus Tobias Sammet sprudelt es nur so an Kreativität und neuen Songs heraus - deshalb gibt es auch rund alle drei Jahre ein neues Album von Avantasia, als hätte man den Wecker danach gestellt. Was das neue Album "Here Be Dragons" dieses Mal so besonders macht und wie Tobias die Avantasia Songs live auf die Bühne bringt, erfahrt ihr hier im exklusiven ROCK ANTENNE Interview!

Melanie Shankle, author of Here Be Dragons, joins us to share insights from her complex mother-daughter relationship and discuss how parents can break generational cycles, empower their teens, and handle high school drama with grace.Sponsored by Equip: Eating disorder treatment that works—delivered at home. Visit equip.health/talking for more information, and a free consultation.Full Show NotesParenting teenagers often means we find ourselves navigating uncharted waters, especially when attempting to break away from the generational cycles of how we were raised. As parents, we aim to avoid the pitfalls our parents may have encountered, ensuring that we foster healthy relationships and nurture authentic communication with our children. But with social media, school pressures, and developmental changes, there are always dragons to slay along the way.This week, we're delving into the struggles and joys of raising teens with Melanie Shankle, author of seven books, including her newest release, Here Be Dragons. Melanie opens up about her history with her own mother and how it influenced her journey of motherhood. Her personal experiences and stories have shaped her perspective and allowed her to break the cycle, raising her daughter with intention and resilience.In the conversation, Melanie and I touch on the complex realities of teenage friendships and the competitive pressures that come with them. Melanie reflects on how witnessing mean girl dynamics in her daughter's high school experience inspired her book and highlighted the importance of being a supportive parent without helicoptering. We explore how these teenage social challenges can sometimes echo the emotional turmoil experienced in their parents' childhoods.The Perils of High School FriendshipsTeenage friendships can be fraught with challenges, especially in a social media-saturated world. While everyone feels they need to be part of the group, Melanie notes how social media adds an unprecedented layer of complexity, allowing for relentless bullying that follows teens beyond the schoolyard. Her daughter Caroline's real-life challenges with peer drama serve as a poignant reminder of the importance of teaching resilience and self-care.Melanie's approach involved empowering her daughter to tackle her social challenges with dignity, encouraging Caroline to take decisive actions, whether by confronting her peers or turning to school authorities when necessary. This empowerment not only helped Caroline stand up for herself but also forged life-long skills she continues to use.Fathers as Role ModelsMelanie elaborates on the critical role her father played in shaping her self-worth and stability, despite having a turbulent relationship with her mother. The dynamics with her father shed light on the significant impact fathers have as role models in their daughters' lives. Melanie underscores the perseverance her father showed, being a constant presence despite difficulties, a lesson she passes along to parents on how resilience and love can transcend challenging circumstances.Understanding the complex emotions between parents and children can help foster better relationships, providing teens with a stable and loving foundation even amidst family disruptions.Navigating Generational HealingDrawing from her experiences growing up with a narcissistic mother, Melanie reflects on the crucial steps of breaking generational cycles. From learning to express her own needs in adulthood to creating a household where her child's voice is heard and valued, Melanie's story is Testament to overcoming the shadows of the past.Parents will resonate with Melanie's anecdotes of finding her own voice and her conscious efforts to parent with empathy and openness. Creating an emotionally healthy environment in which parents can communicate openly with their teens lays the groundwork for trust, ensuring a better life for generations to come.In the Episode…Melanie shares more invaluable wisdom throughout the conversation. On top of the discussed themes, we also talk about:How to equip teens for life's hardshipsAddressing teenage drinking attitudesResponding to difficult parental relationshipsTransforming personal struggles into life lessonsCheck out Melanie's latest book Here Be Dragons, and follow her on Instagram @MelanieShankle for more updates. If you enjoyed this episode, don't forget to subscribe and share with others who might benefit from these powerful stories and lessons.Sponsored by Equip: Eating disorder treatment that works—delivered at home. Visit equip.health/talking for more information, and a free consultation.

Hi Readers!  Welcome to Literary Lineup: February 2025 Edition! On this mini-episode, we'll each share three books that we are hoping to pick-up in February. February 2025 Here Be Dragons by Melanie Shankle (Ellie) Witchcraft for Wayward Girls by Grady Hendrix (Traci) Memorial Days by Geraldine Brooks (Ellie) The Snowbirds by Christina Clancy (Traci) Famous Last Words by Gillian McAllister (Ellie) Back After This by Linda Holmes (Traci)  

Have you struggled to break free from generational trauma or sin? Do you find it challenging to help your kids navigate tough situations at school and in sports? Today, author Melanie Shankle joins us to share insights from her new book, Here Be Dragons. Her story is one of both deep trauma and undeniable evidence of God's provision—placing the right people in her life at just the right time. It wasn't until college that Melanie realized her mother-daughter relationship was far from what her friends experienced. That realization set her on a long journey of untangling her past and healing from the wounds of her upbringing. In this conversation, we cover so many important topics, including: The meaning behind Here Be Dragons Mean girls, motherhood, and generational trauma How to become spiritually and emotionally healthy to break toxic cycles What it looks like to set boundaries or cut off a parent as an adult How to recognize when a closed door in your child's life is actually God's protection Join us for an honest, insightful discussion on healing, parenting, and trusting God through life's toughest moments. Connect with Melanie Shankle:  Website:  Big Mama – the big mama blog Podcast: The Big Boo Cast Instagram: 

This week, I'm joined by Melanie Shankle to talk about her book, Here Be Dragons. Our conversation dives deep into important topics like generational trauma, relationships, and the impact of mean girls on young girls. Melanie's focus on healing and boundaries is so powerful, reminding us that the path to raising emotionally healthy kids starts with becoming emotionally healthy ourselves.Here are four key takeaways from this episode:Raising emotionally healthy children starts with doing the work to heal yourself. It's never too late to begin.  Boundaries are essential for protecting your emotional health and that of your family.  Melanie encourages parents to pause and evaluate areas in their lives that need healing or adjustment for their own and their children's benefit.  We discuss the influence of relationships and mean-girl culture on young girls, and how parents can guide them toward healthy connections.  Melanie Shankle is a bestselling author, speaker, and host of The Big Boo Cast podcast. Her latest book, Here Be Dragons, explores the complexities of relationships and the importance of emotional health. Melanie's heartfelt writing and practical advice have made her a trusted voice for parents seeking to raise emotionally resilient children.This episode is filled with both challenges and encouragement, offering actionable steps to prioritize emotional health in your family. I hope you find it as impactful as I did!(02:57) The Evolution of Parenting: Embracing Change(06:03) Healing from Generational Trauma(08:57) Navigating Relationships: The Impact of Motherhood(11:51) Breaking Generational Cycles in Parenting(15:10) The Mean Girl Epidemic: Caroline's Experience(17:59) Understanding the Roots of Mean Behavior(21:00) The Importance of True Friendship(24:00) Finding Grace in Relationships(27:00) Final Thoughts: Embracing God's Plan for Our KidsConnect with MelanieThe Big Mama BlogThe Big Boo Cast podcastInstagramHere be Dragons bookThe Christian Parenting Podcast is a part of the Christian Parenting Podcast Network. For more information visit www.ChristianParenting.orgOur Sponsors:* Check out IXL and use my code TODAY for a great deal: https://www.ixl.comPrivacy & Opt-Out: https://redcircle.com/privacy

Send us a textToday on the PRmoment Podcast we're talking to Paul McEntee, founder of Here Be DragonsHere Be Dragons is a £1.2 million income independent consumer PR firm in London. It has 13 employees and clients include Beavertown Group, Disney and Greggs.It's another one of our birthday shows -  this year marks 10 years of Here Be Dragons.The big news is that the PRmoment Awards 2025 are open.All the categories, the updated entry form and the 2025 entry pack can be viewed on the awards microsite.Thanks so much to the PRmoment Podcast sponsors the PRCA.3 mins Paul reflects on 10 years of Here Be Dragons and how it's been as a solo founder.“Always trust your gut but don't always act impulsively on it.”“Knee jerk reactions from a solo founder never normally end well!”“As the business grows you need to learn to step away.”7 mins What has been Here Be Dragons growth path over the past 10 years.7.30 mins Why did Paul launch his own PR business?“I didn't mean to start an agency. I just wanted to leave (the big agency environment)…It became this machine that I couldn't really stop, so I went with it."9 mins Paul talks about the advantage of being an independent business without investors.12 mins Paul talks about the importance of celebrating milestones in business, including Here Be Dragons' 10 year anniversary.“It's a reflective moment, you've earned that.”16 mins Is Here Be Dragons the latest firm to make the jump into that gang of consumer PR agencies who do a surprisingly high proportion of the most high profile consumer PR work?“It's a harder club to join than to stay in.” Ben Smith18 mins What is Here Be Dragons genre of creative work?20 mins Paul talks about how and why he's created his personal brand on LinkedIn and other channels.“We try to paint a picture of personality.”23 mins Paul talks about his employee programme The Dragons Club.26 mins Paul talks about his future plans for Here Be Dragons.32 mins Who's in Paul's PR Top Trumps: his most respected PR dream team?“That man is a media operator like no other.”

Season 2 comes out of the gate hot, with Charlotte learning about the Magna Carta through Sharon Kay Penman's Here Be Dragons, and Jo (18:50) enraptured by the visions of Nat Turner, Black Prophet, by Anthony E. Kaye and Gregory P. Downs. Then the special and wonderful Anna Fitzpatrick joins (29:00) to discuss boats, scurvy, informal autism diagnoses, radicalizing dads through reading recommendations, and David Grann's The Wager. Also discussed: Anna's Good Girl, Dava Sobel's Longitude, and Sarah Helm's Ravensbrück.Anna Fitzpatrick is the author of the novel Good Girl, a comedy about an aspiring slut with a panic disorder published by Flying Books. She is also the author of the children's book Margot and the Moon Landing.Send questions, requests, recommendations, and your own thoughts about any of the books discussed today to readingwriterspod at gmail dot com. Charlotte's most recent book is An Honest Woman: A Memoir of Love and Sex Work. Learn more at charoshane.comJo co-edits The Stopgap and their writing lives at jolivingstone.com. Hosted on Acast. See acast.com/privacy for more information.

Kate Wolf talks to Danzy Senna about her latest novel, Colored Television. It follows a writer named Jane Gibson who's finally making headway on her second book, a magnus opus her husband calls the “mulatto War and Peace” that's been nearly a decade in the making. Jane's helped along by her family's stay in the tony, Eastside Los Angeles home of a friend of hers—a former fiction writer who long ago sold out to work in TV. Jane and her husband, Lenny, help themselves to this friend's wine and clothes, and Jane yearns for his financial stability. When her novel is rejected by her agent, she decides to try on his career in Hollywood as well. Colored Television is a hilarious unpacking of class, marriage, race, midlife, exploitation, Los Angeles, and what it takes to be an artist when no one cares about your work. Also, Charlotte Shane, author of An Honest Woman, returns to recommend a trilogy of historical novels by Sharon Kay Penman: Here Be Dragons, Falls the Shadow, and The Reckoning.

If last week we had a whole new podcast, this week we have gone through a transformation and turned The Silent Sisters' into a D&D podcast! Just kidding! Though it almost did. Absent LittleWolfBird - who took a mental health day - Blue_Lemons and returning guest DM Steven Stark of Here Be Dragons! dive into House of the Dragon Season 2 Episode 4 "The Red Dragon and the Gold" to discuss Dungeons & Dragons, power dynamics, and effective rulers; determining that good rulers must be decisive and be open to questioning. We've come to the conclusion - yet again - that Alicent (and Viserys!) are (were) shit parents and that Rhaenys is a boss ass bitch who should have been the Queen. Daemon be tripping, the writers make us feel for Aegon when we don't necessarily want to, Ser Willem Blackwood is awesome, Rhaenyra probably should have told someone where she was going last episode - just like Cole should have told someone about his ambush plan this episode (though we understand the need for secrecy at times), Alys Rivers ('nuff said), and we really want to know what Lord Larys Strong's motivations are because Power For Power's Sake in a character is, however realistic in our world, not very exciting in literature. Steven Stark: ⁠Twitter⁠ | ⁠Here Be Dragons! YouTube Channel The Silent Sisters Podcast: ⁠⁠⁠⁠Website⁠⁠⁠⁠ | ⁠⁠⁠⁠Tumblr⁠⁠⁠⁠ | ⁠⁠⁠⁠Twitter⁠⁠⁠⁠ | ⁠⁠⁠⁠BSky⁠⁠⁠⁠ TheBlueLemonTree: ⁠⁠⁠⁠Tumblr⁠⁠⁠⁠ | ⁠⁠⁠⁠⁠Twitter⁠⁠⁠⁠ | ⁠⁠⁠⁠AO3⁠⁠⁠⁠ Recording, editing, and mixing were done by ⁠⁠⁠⁠LittleWolfBird⁠⁠⁠⁠. ⁠⁠⁠⁠Music by Mattstagraham⁠⁠⁠⁠ ⁠⁠⁠⁠Profile Art by Mondongo⁠⁠⁠⁠ Credit to George R. R. Martin's A Song of Ice and Fire, Fire & Blood, and related works; and HBO's Game of Thrones and House of the Dragon. --- Support this podcast: https://podcasters.spotify.com/pod/show/silent-sisters-podcast/support

Episode 193: Here Be Dragons! Show NotesSummary: "Here be Dragons" was a phrase early cartographers (map makers) used on faraway, uncharted corners of the map. It was used to warn people away from dangerous areas where sea monsters were believed to exist. Most view dragons as mythological creatures, but the Bible has a very different view of them, and they are quite real. Let's explore the mystery of dragons!This episode Is brought to you by the following Bible Mysteries Podcast Premium Subscribers or Seekers: Amelia Joan Goodridge, Garrett Thomas, Ian Ayres, Lisa Cattanach, and Jennifer StropeNotes:Dragons: תַּנִּין tannîn (tan-neen') - dragon, serpent, sea monsterdragon or dinosaur sea or river monster serpent, venomous snakeScriptures:All Scripture references are from the King James Version of the Bible. Psalm 148:7-14, Job 30:28-31, Psalm 91:10-13, Genesis 3:15, Isaiah 26:20-27:1, Psalm 44:18-26, Deuteronomy 32:31-34, Ezekiel 29:3-6, Isaiah 51:9-11, Jeremiah 51:33-35, Isaiah 13:19-22, Revelation 18:1-3, Jeremiah 9:1-11, Isaiah 34:1-15, Isaiah 35:3-10, Isaiah 43:19-21, Psalm 74:10-14, Revelation 12:3-4, Revelation 12:7-9, Micah 1:8-9, Revelation 16:12-14, Revelation 20:1-3Takeaway:Dragons are very much real in Scripture and not at all what mythology presents them to be, although there are hints of truth in the legends. Dragons were considered magical creatures and often depicted as winged serpents. In reality, this likely is a distortion of the actual reptilian beings, Seraphim, who, along with Satan, comprise the serpent brotherhood that is at war with humanity and the Lord. Here be dragons, indeed! They will soon be here, cast down and confined to the earth. And woe unto those who will inhabit the earth in that time!Links:https://www.blueletterbible.org/index.cfmInteractive church locator for those looking for a fellowship that teaches certain truths - https://rockharborchurch.net/grow-connect/church-locator/Bible Mysteries Podcast Visit our Website: https://biblemysteriespodcast.com Listen to our Podcast: https://biblemysteriespodcast.comBe a Premium Podcast Subscriber: https://biblemysteries.supercast.comSupport the Ministry: https://secure.subsplash.com/ui/access/BDJH89Contact Us: unlockthebiblenow@gmail.comFollow Us: https://www.youtube.com/c/BibleMysteriesFollow Us: https://www.facebook.com/utbnowFollow Us: https://www.instagram.com/biblemysteries/Follow Us: https://twitter.com/biblemyspodcastFollow Us: https://truthsocial.com/@biblemysteries

Fort Riley sits on the north bank of the Kansas River near Junction City in Kansas. The military installation has a history that stretches back more than 150 years. Early on, the soldiers' missions were to protect the overland trails that settlers were using to move west. Eventually, they protected the railways being built. The fort would eventually become important in training the cavalry and served as a training center for every major war. Today, it still is a working base with several museums dedicated to its history. Many locations reputedly have some strange things happening. Join us as we explore the history and hauntings of Fort Riley! The Moment in Oddity features the Rock and Roll Granny and This Month in History features the birth of Washington Irving. Our location was suggested by Ed Jones. Check out the website: http://historygoesbump.com Show notes can be found here: https://historygoesbump.blogspot.com/2024/04/hgb-ep-533-fort-riley.html  Become an Executive Producer: http://patreon.com/historygoesbump Music used in this episode:  Main Theme: Lurking in the Dark by Muse Music with Groove Studios (Moment in Oddity) "Vanishing" Kevin MacLeod (incompetech.com) Licensed under Creative Commons: By Attribution 4.0 License http://creativecommons.org/licenses/by/4.0/ (This Month in History) "In Your Arms" Kevin MacLeod (incompetech.com) Licensed under Creative Commons: By Attribution 4.0 License http://creativecommons.org/licenses/by/4.0/ Outro Music: Happy Fun Punk by Muse Music with Groove Studios Other music used in this episode: Here Be Dragons by Tim Kulig (timkulig.com) soundcloud.com timkuligfreemusic pixabay.com/users/timkulig-31678821/ Licensed under Creative Commons: By Attribution 4.0 creativecommons.org/licenses/by/4.0/ IMDB: www.imdb.com/name/nm0997280/?ref_=fn_al_nm_1

In this episode of People-Powered Tech, Nick Pericle returns to talk about the MDM conference, which ProfitOptics was able to play a role in. Imagine a world where AI's lineage ensures every decision is traceable back to its data roots. That's the innovative approach a logistics leader brings to the table, which we explore alongside the intriguing notion that English may soon become the most pivotal 'programming language,' thanks to advancements in natural language processing. Our discussion at the MDM conference, complete with a live AI demo, opens your eyes to the practical applications of AI and prompts engineering's crucial role in harnessing the power of OpenAI.

Super episode of Reading With Your Kids featuring four fascinating authors & illustrators. Susanna Lloyd and Patti Donnelly celebrated their book "Here Be Dragons," an interactive story where the text and illustrations tell different narratives. They described developing the hapless knight character and subverting stereotypes. Other authors discussed finding inspiration from everyday experiences. Dazzle Ng shared that her book "When an Elephant Hears No" came from saying no to her son at bedtime. T.L. Macbeth's book "I Am Not the Easter Bunny" was inspired by his mother's silly story idea. The authors emphasized the importance of writing down ideas when they strike. The conversation also touched on cultural differences in children's literature. Books from places like the Philippines and Latin America often incorporate local language and address challenges facing communities. Meanwhile, some authors enjoy playfully subverting expectations through characters like an angry elephant or insistent bunny. Overall, the discussion provided insight into diverse creative processes. The authors emphasized fostering children's creativity through involvement and materials. They look forward to future collaborations that continue exploring emotional intelligence and storytelling from around the world. Click here to visit our website - www.readingwithyourkids.com 

Welcome to "Hold my Beer," a new series hosted by Matt Brown. Matt is joined by regular guests Richard Mulholland & Brent Spilkin Richard Mulholland is the founder of persuasion powerhouse Missing Link and has written three books; Legacide, Boredom Slayer, and his latest; Here Be Dragons. Brent Spilkin, affectionately called “Spillly with 3 Ls” has spent the last 25-odd years discovering what makes him happy besides architecture, driving ambulances, pickling mango achaar, distribution and redeveloping the inner city. He now gets his kicks from growing talented creative individuals and entrepreneurs in their businesses around the world by putting them through his business coaching methodology.Support the show

The next topic from our book up for discussion is old magic steeped in myth and tradition. Katy talks with co-host and co-editor Emily Strand and contributor Lana Whited (Ferrum College) about their chapters "The Real Magic of Christmas in Harry Potter" and "Here Be Dragons and Phoenixes: A Thematic Direction for the Fantastic Beasts Series." Emily looks at the theological roots of magic and Christmas as a time for darkness turning to light - and thus an appropriate season for Harry to have significant experiences where he learns new information, often about the past. Lana discusses the origins of magical creatures in Asian mythology that hold deep significance in both The Crimes of Grindelwald and The Secrets of Dumbledore, which explore the past through prophecy and family history. The wizarding world has a sense of being frozen in time, and journeys into magical worlds often feel like journeys into the past. Part of that is the lack of modern Muggle technology that comes not only from moving into the past but also into nature, which is especially prominent with a magizoologist as the protagonist of the Fantastic Beasts series. Christmas and creatures hold longstanding traditional connotations - ideas of rebirth and resurrection, enchantment and mystery - that come to the forefront when they are mentioned in these stories.

On this episode, we dish about this year's Harry Potter Academic Conference and preview our new book, Potterversity: Essays Exploring the World of Harry Potter (McFarland). Katy and Emily welcome Potterversity producer Laurie Beckoff and technical editor Emma Nicholson, as well as Louise Freeman, Mark-Anthony Lewis, and Lana Whited to talk about HPACs past and present. This year's virtual conference allowed people from all over the world to come together, and we included the comments of other conference attendees in the webinar chat. We reminisce about our first experiences at the conference. Looking back helps us to see the evolution of Potter Studies through the last dozen years. What keeps us coming to the conference? Wonderful discussions, inspiration for new ideas, deep dives into the Potter stories, like-minded people, constructive argument and critique, and a space in which Harry Potter is taken seriously. There is always something new to say and fresh perspectives on the series, as well as the movies and other related works. We all value the friendships we've developed with people from all different disciplines and walks of life. Reflecting on presentations we heard at this year's conference that we found especially illuminating, we made suggestions for what we'd like to hear more about in the future. Katy and Emily also reveal details about the new Potterversity book - currently available from McFarland Publishers - providing an overview and hearing from some of the authors about their chapters. Mark-Anthony talks about his chapter “Uncle Remus's Shack,” about tokenism as portrayed in characters like Lupin, Dobby, and Madame Maxime. Emma shares how she reconstructed Sirius Black's story in “Padfoot Revelio!” and in the process uncovered details that will surprise you and build empathy toward this complex character. Laurie explains her chapter “It's All Fun and Games Until . . . ,” in which she compared the use of games in Harry Potter and Arthurian literature. Louise's “The Weasley Witches” analyzed how Ginny and Molly can be interpreted through the archetypes of the Amazon and the Mother, as well as the significance of Weasley sweaters. Lana explored the mythic significance of fantastic beasts in “Here Be Dragons and Phoenixes.” Emily's chapter investigates the motifs and themes of the holiday season in “The Real Magic of Christmas in Harry Potter,” and Katy ponders transhumanism and cultural appropriation in “Arthur Weasley and the Misuse of Muggle Artefacts.” We also provide hints about other chapters in the volume to whet your appetite for the book chapters and accompanying podcast conversations.

Welcome to "Hold my Beer," a new series hosted by Matt Brown. Matt is joined by regular guests Richard Mulholland & Brent Spilkin Richard Mulholland is the founder of persuasion powerhouse Missing Link and has written three books; Legacide, Boredom Slayer, and his latest; Here Be Dragons. Brent Spilkin, affectionately called “Spillly with 3 Ls” has spent the last 25-odd years discovering what makes him happy besides architecture, driving ambulances, pickling mango achaar, distribution and redeveloping the inner city. He now gets his kicks from growing talented creative individuals and entrepreneurs in their businesses around the world by putting them through his business coaching methodology.Get an interview on the Matt Brown Show: www.mattbrownshow.comSupport the show

Welcome to "Hold my Beer," a new series hosted by Matt Brown.Matt is joined by regular guests Richard Mulholland & Brent SpilkinRichard Mulholland is the founder of persuasion powerhouse Missing Link and has written three books; Legacide, Boredom Slayer, and his latest; Here Be Dragons.Brent Spilkin, affectionately called “Spillly with 3 Ls” has spent the last 25-odd years discovering what makes him happy besides architecture, driving ambulances, pickling mango achaar, distribution and redeveloping the inner city. He now gets his kicks from growing talented creative individuals and entrepreneurs in their businesses around the world by putting them through his business coaching methodology.Get an interview on the Matt Brown Show: www.mattbrownshow.comSupport the show

Welcome to "Hold my Beer," a new series hosted by Matt Brown.Matt is joined by regular guests Richard Mulholland & Brent SpilkinRichard Mulholland is the founder of persuasion powerhouse Missing Link and has written three books; Legacide, Boredom Slayer, and his latest; Here Be Dragons.Brent Spilkin, affectionately called “Spillly with 3 Ls” has spent the last 25-odd years discovering what makes him happy besides architecture, driving ambulances, pickling mango achaar, distribution and redeveloping the inner city. He now gets his kicks from growing talented creative individuals and entrepreneurs in their businesses around the world by putting them through his business coaching methodology.Get an interview on the Matt Brown Show: www.mattbrownshow.comSupport the show

In medieval times, map makers would mark any area that was uncertain or uncharted with three words; Here Be Dragons. Years later, things have not changed; we don't have dragons on maps, but our fear over the unknown remains.  Does it ever feel like God is delayed? Do we grow frustrated when things don't happen […]

Welcome to "Hold my Beer," a new series hosted by Matt Brown.Matt is joined by regular guests Richard Mulholland & Brent SpilkinRichard Mulholland is the founder of persuasion powerhouse Missing Link and has written three books; Legacide, Boredom Slayer, and his latest; Here Be Dragons.Brent Spilkin, affectionately called “Spillly with 3 Ls” has spent the last 25-odd years discovering what makes him happy besides architecture, driving ambulances, pickling mango achaar, distribution and redeveloping the inner city. He now gets his kicks from growing talented creative individuals and entrepreneurs in their businesses around the world by putting them through his business coaching methodology.Get an interview on the Matt Brown Show: www.mattbrownshow.comSupport the show

Welcome to "Hold my Beer," a new series hosted by Matt Brown.Matt is joined by regular guests Richard Mulholland & Brent SpilkinRichard Mulholland is the founder of persuasion powerhouse Missing Link and has written three books; Legacide, Boredom Slayer, and his latest; Here Be Dragons.Brent Spilkin, affectionately called “Spillly with 3 Ls” has spent the last 25-odd years discovering what makes him happy besides architecture, driving ambulances, pickling mango achaar, distribution and redeveloping the inner city. He now gets his kicks from growing talented creative individuals and entrepreneurs in their businesses around the world by putting them through his business coaching methodology.Get an interview on the Matt Brown Show: www.mattbrownshow.comSupport the show

RC takes us on a wild raft ride on the wave of the Bonneville Megaflood while describing sites for an upcoming tour, and then scoffs at the idea that we are currently in the midst of a 6th Great Mass extinction event. Especially since it's supposedly being caused by humans and our output of CO2, which even more papers he shares support as beneficial to the biosphere. Links to warming after the Little Ice Age spurs the discussion of “how to start an ice age” and the similar factors that would occur from an ice and/or ocean -based series of impacts from exogenic objects. Also interjected are the numerous examples of giant boulders and pothole formations throughout the southern Appalachians bottomlands, and the strong community that is being formed to usher in a new paradigm of history. Winding as Randall does, but expertly weaved into an synthesized podcast. Kosmographia Ep097 of The Randall Carlson Podcast, with Brothers of the Serpent – Kyle and Russ, Normal Guy Mike, and GeocosmicREX admin Bradley, from 3/20/23  In the name of liberty and freedom, we are moving this podcast to our new partner platform! Please join us here: https://www.howtube.com/channels/RandallCarlson LINKS: Activities Board: https://randallcarlson.com/tours-and-events/ RC's monthly updates on science news and his activities:  https://randallcarlson.com/newsletter “The Randall Carlson” socials: https://randallcarlson.com/links For this episode: TIME Magazine 1974 https://content.time.com/time/subscriber/article/0,33009,944914,00.html Search: “Newsweek and TIME magazine 1975 Global cooling” "Here Be Dragons" livestream 7/14/23: https://howtube.com/14574  Video on Demand ongoing full access to 20 hours of Cosmic Summit '23:  https://howtube.com/RCCS23   Malcolm Bendall presents on MSAART Plasmoid Revolution: https://www.howtube.com/channels/StrikeFoundationEarth  RC with Tucker Carlson (missing from his TC Today page) https://www.youtube.com/watch?v=YOqzLhxzd6s   Mysterious Origins of Halloween and the Ancient Day of the Dead Festivals (Video on Demand $18) https://www.howtube.com/Dh4nrIFWkiSc?f=yt  Sacred Geometry introductory workshop (Video on Demand $72) https://howtube.com/SGwithRC  Plato's Atlantis – 7 hours of deep-dive (Video on Demand $33) https://www.howtube.com/12513   Cool Kosmographia and RC gear:  https://randallcarlson.com/shop   New university/village “Sanctuary Project” : https://project.randallcarlson.com  Contact at the Cabin Tours:  https://contactatthecabin.com/ Randall with Rogan ep1772  https://open.spotify.com/episode/190slemJsUXH5pEYR6DUbf RC with Graham JRE 1897 “Ancient Apocalypse” Netflix series and new technology announcement: https://open.spotify.com/episode/2xvmTo09BFMd6tJfJPmmvT  Full listing of scientific papers about the Younger Dryas Impact Hypothesis: https://cosmictusk.com   CBD RECOMMENDED - “CBD from the gods” for the Kosmographia audience - you GET FREE SHIPPING on your order!  Use code: “RCshipsFREE” (not case sensitive) when you check out at https://www.cbdfromthegods.com  Support Randall Carlson's efforts to discover and share pivotal paradigm-shifting information! Improve the quality of the podcast and future videos. Allow him more time for his research into the many scientific journals, books, and his expeditions into the field, as he continues to decipher the clues that explain the mysteries of our past, and prepare us for the future...  Contribute to RC thru howtube: https://www.howtube.com/channels/RandallCarlson#tab_donate   Make a one-time donation thru PayPal, credit/debit card or other account here: https://www.paypal.com/cgi-bin/webscr?cmd=_s-xclick&hosted_button_id=8YVDREQ9SMKL6&source=url Contribute monthly to receive bonus content and perks:  https://patreon.com/RandallCarlson   http://www.RandallCarlson.com has the podcast, RC's blog, galleries, and products to purchase! T-shirts, variety of MERCH here: https://randallcarlson.com/shop/    Podcast crew email: Kosmographia1618@gmail.com Info on upcoming trips with Randall and the crew: TOURS@RandallCarlson.com Offer your time/services/accommodations here: VOLUNTEER@RandallCarlson.com Add to the expanding library of evidence here: RESEARCH@RandallCarlson.com Specific questions may get answered online: QUESTIONS@RandallCarlson.com   Small class lectures "Cosmography 101" from '06-'09 on Brad's original channel: https://youtube.com/geocosmicrex       Kosmographia logo and design animation by Brothers of the Serpent. Check out their podcast: http://www.BrothersoftheSerpent.com/ ep108 with RC and Bradley: https://www.youtube.com/watch?v=HZC4nsOUxqI Theme “Deos” and bumper music by Fifty Dollar Dynasty: http://www.FiftyDollarDynasty.net/ Video recording, editing and publishing by Bradley Young with YSI Productions LLC (copyrights), with audio mastered by Kyle Allen and Chris James.   CBD FROM THE GODS LINK:  http://www.cbdfromthegods.com          COUPON CODE: RCshipsFREE #RandallCarlson #Kosmographiapodcast #YoungerDryas #Catastrophe #Extinctionevents #Apocalypse #Pleistocene #Holocene #ClimateChange #CarbonDioxide #MassExtinction #GreenNewDeal #Appalachians #potholes #boulderstreams #Tuckasegee #SmokyMountains #BonnevilleFlood #Hell'sCanyon #SnakeRiver #SaltLake #IceAge #albedo #Comets #Cabinetgorge #Pocatello #treerings #biosphere #Climatedenier #CosmicSummit #EarthOrigins #newparadigm #HolyGrail #losttechnology #Toreva #pluvial #mega-rains #HurricaneCamille #HopiLands #geology #astronomy #geomorphology #greenhousegas #CumberlandFalls #imbrication #CosmicWinter #DustBowl #photosynthesis #LittleIceAge #climatecontroversy

Bronwyn Williams & Rich Mulholland | The Small Print In this episode, Bronwyn speaks to entrepreneur Rich Mulholland. They discuss the joys of reading, Rich's journey to veganism, the tradeoffs between values, the philosophy of antinatalism, the dangers of audience capture and reflexive contrarianism, the problem of political polarisation, and the importance of self-reflection. Bronwyn Williams is a futurist, economist, trend analyst and host of The Small Print. Her day job as a partner at Flux Trends involves helping business leaders to use foresight to design the future they want to live and work in. You may have seen her talking about Transhumanism or Tikok on Carte Blanche, or heard her talking about trends on 702 or CNBC Africa where she is a regular expert commentator. When she's not talking to brands and businesses about the future, you will probably find her curled up somewhere with a (preferably paperback) book. She tweets at @bronwynwilliams. Twitter Flux Trends Website Richard Mulholland is an author, keynote speaker, and entrepreneur. He is the founder of presentation powerhouse Missing Link, as well as the co-founder of 21Tanks, HumanWrit.es and The Sales Department. He has written three books, Legacide, Boredom Slayer, and Here Be Dragons. He was voted top 40 under 40, and top 300 South Africans to take to lunch. Mostly though he's a husband, father, son, brother, and uncle. Website LinkedIn Twitter Missing Link Subscribe to our Substack.   Follow us on Social Media: YouTube LinkedIn Facebook Twitter Instagram   Subscribe to the Discourse ZA Podcast: iTunes Stitcher Spotify RSS feed  

Aja Hammerly, Developer Relations Manager at Google Cloud, joins Corey on Screaming in the Cloud to discuss her unexpected career journey at Google and what she's learned about improving the developer experience throughout her career. Aja and Corey discuss the importance of not only creating tools for developers that are intuitive and easy to adopt, but also cater to different learning styles. Aja describes why it's so important to respond with curiosity when a user does something seemingly random within a piece of software, and also reveals why she feels so strongly about the principle of least surprise when it comes to the developer experience. About AjaAja lives in Seattle where's she's a Developer Relations Manager at Google. She's currently excited about developer experience, software supply chain security, and becoming a better manager and mentor. In her free time she enjoys skiing, kayaking, cooking, knitting, and spending long hours in the garden.Links Referenced: Google Cloud: http://cloud.google.com/developers Personal Website: https://www.thagomizer.com TranscriptAnnouncer: Hello, and welcome to Screaming in the Cloud with your host, Cloud Economist at The Duckbill Group, Corey Quinn. This weekly show features conversations with people doing interesting work in the world of cloud, thoughtful commentary on the state of the technical world, and ridiculous titles for which Corey refuses to apologize. This is Screaming in the Cloud.Corey: Welcome to Screaming in the Cloud. I'm Corey Quinn and I am joined today by Aja Hammerly, who's a Developer Relations Manager over at a small company called Google Cloud. Aja, thank you for joining me.Aja: Thank you for having me. I've been looking forward to this for quite a while.Corey: You have been at Google for, well, let's call it eons because that's more or less how it feels when you're coming from my position of being great at getting yourself fired from various companies as a core skill. How long have you been there now? And what is your trajectory been like over that time?Aja: So, I've been in there a little over eight years. And the funny part of that is that it was intended to be a two-year gig for me. I moved from consulting developer working on, you know, building out websites for other people to Google's like, “Hey, you want to do this advocacy [unintelligible 00:01:19] relations thing?” And I'm like, “Sure.” And at the time, I'm like, there's no way I'm going to last more than two, three years in this. I hadn't really held the job much longer than that.Turns out, I like it. And then they're like, “Hey, do you want to manage people doing this job?” And I'm like, “That sounds like fun. Let's try that.” And it turns out, I like that just as much if not more. Because I haven't picked a major in tech yet and so managing people doing a bunch of different things is a fantastic way for me to keep my squirrel brain engaged in all the different topics and, you know, always bouncing around. So, it's been great. Cloud's been—well, I started, Cloud was very, very, very small back in 2014 compared to what it is now. Google Cloud is way bigger.Corey: Google Cloud, if you take a look at its entire portfolio, I'm probably one of the only people in the world who looks at it and says, “Yeah, that seems like a reasonably small number of services,” just because I eat, sleep, and breathe in the firehose of AWS announcing every feature as a service. But let's be clear here, Google Cloud is fairly broad in terms of what it does and what it offers. Where do you start and where do you stop? Because increasingly, the idea of, “Oh, I am responsible for talking about everything that Google Cloud does,” is a—it's clearly a fantasy.Aja: Yeah. No, there's too much for any one person to be an expert on. I could give you a list of products, but that's not interesting, quite frankly, because I would prefer that people don't think about it as a set of products. Because—Corey: Why is this such a rare perspective to have? It drives me nuts whenever I go to a cloud conference, and okay, here's the database track, and here's the container track, and here's the storage track. It doesn't matter if I'm building Hello World, let alone anything more complicated. I have to think about all of it.Aja: Yeah. So, I don't know why it's a rare perspective, but at least within my—the folks that I look up to, the folks that I consider mentors internally, we tend to think more about audiences or problems. And the problem that I care the most about—I cared about this well before Google, and Google just pays me to care about it, which is awesome—I care about developers. I one hundred percent want to help people build cool stuff, ideally efficiently, as quickly as possible.I worked at a startup and as part of that experience, I learned that sometimes you just need to get something out quick. I wanted tools that would let me do that. When I worked in consulting, the whole gig was to get something out quick that folks could look at, folks could touch, then we could do feedback, we could iterate, we could come back. And so, I want to make developers successful and I want to get out of their way. And I've always liked tools like that as a developer; I don't want to have to read your 10,000-page manual in order to learn your product.So, when I come to Google Cloud, I'm focused on the products that help developers build stuff quickly. And by developers, I mean, developers. I mean, the people who are hands-on-keyboard with Python, with Go, with Java, building it out features for their employer or, you know—Corey: What about really crappy bash? Does that count?Aja: Sure. If you're going to build some sort of application, a really crappy bash. Awesome.Corey: You'd be surprised. My primary development stack usually is a combination of brute force and enthusiasm.Aja: Yeah. Honestly, there are days that I feel that way, too. And I was working on some demo stuff over the weekend and I'm like, “Well, I could sit down and actually read this code or I could just run it, fix the first bug, and then run it again and fix the next bug. Yeah, let's do it that way.” Brute force is fine.Corey: I think the iterative development.Aja: Yeah, iterative development and/or brute force. Whatever. It works. And, you know, if people want to build cool stuff, cool. Let's help them do that. That's what I get to do every day is figure out how I can make it easier for developers to build cool stuff.Corey: The thing that keeps confusing me, for lack of a better term, is that I see a bunch of companies talking in similar directions of, “Yeah, we want to talk to developers and we want to meet them across the stack about the problems they're having.” “Great, so what's your answer?” And then they immediately devolve it into industry verticals. As if the finance company is going to have problems that the healthcare company could never fathom happening. It's, you get that you to look an awful lot alike, right, and things that work for one of you are going to map them at least 80, if not 90 percent of what the other is doing? But nope, nope, completely separate audiences; completely separate approaches. And I find myself increasingly skeptical about that model.Aja: Yes. I think—I see that too. I have sometimes behave that way. And I think it's because… it's a combination of factors. One is people want to believe that their problems are unique and special. I've worked in edtech, I've worked on real estate stuff, I've worked in… a lot of different fields. As I said, haven't picked a major over my career.I've done a lot of different jobs, worked on a lot of different fields. I have passing knowledge of the electrical industry from an early, early job. And yeah, it's all code. At the end of the day, it's all code. But people like to believe that their problems are unique and special because they want to be unique and special. And cool. People can be unique and special. I am there to support that.I also think that different altitudes see the problems differently. So, if you're someone fairly high up and you're at a healthcare company versus a finance company, you're going to be thinking about things like your different regulatory requirements, your different security requirements. And some of those are going to be imposed by you by law, some of those are going to be imposed by you by your company policies, ethics, I would hope. But if you're the actual developer, I need to store some stuff in a database. Like, down at the lower level where you're actually writing code, getting your hands on keyboard, getting dirty, the problems all start looking roughly the same after a while.And so, you need different people to tell those stories to the different audiences because the higher level folks thinking about regulatory requirements or thinking about efficiencies, they're going to just have a different perspective than the folks I like to go chat with who are the ones banging out features.Corey: I'll take it one step further. Whenever I'm building something and I'm Googling around and talking to people in the community about how to do a certain thing and everyone looks at me like I've lost it, that is a great early warning sign that maybe I'm not doing something the right way. Now, yes, the ultimate product that I'm developing at the end of the day, maybe that's going to be different and differentiated—or at least funnier in my case—but the idea of, well, then I need to write that value back to a database, and people look at me like, “Writing data to a database? Why would you do such a thing?” Like, that's an indication that I might be somewhat misaligned somewhere.The other failure mode, of course, is when you start Googling around—because that's what we do when we're trying to figure out how to do something with a given service—and the only people ever talking about that service are the company who has built that thing. That's also not a great sign. There, at least for my purposes, needs to be a critical mass of community around a particular product where I can at least be somewhat reassured that I'm not going to be out twisting in the wind as the only customer of this thing.Aja: Yeah. No, a hundred percent agree as someone who's, in past lives, evaluated, you know, which APIs, which products, which companies we're going to work with. Having really great developer docs, having really great materials was always important. And I don't tend to read docs, so when I say materials, I like stuff that's interactive because I'm just going to dive in and fix the issues later. That's just how my brain works.But you know, people are different. Everyone has different learning preferences. But if there is a community, that means that you have lots of ways to get help. And you know, super concretely, I'm not a Kubernetes expert, I did some talks on it back in 2015 when it was brand new and shiny, I can use it and understand it, but I'm not an expert. I have other people on my team who have had the time to go deep.When I need help with Kubernetes, even though I work at Google, I've actually gone to my local community. I go to my local DevOps Slack, or I go to my local Kubernetes groups and stuff to get help. And I like that because it gives me all those different perspectives. I also know that if I'm asking you a question that no one understands—and I've had that experience [laugh] numerous times—either I'm doing something wrong, or the actual thing that I found more often is I'm explaining it in words that people don't understand. And that's always a challenge is figuring out the right words to go search for, the right phrasing of something so that everyone else understands the terms you're using. And that's a huge challenge, especially for folks that don't speak English as their primary language or their first language. Because we have lots of different ways to say the same thing, especially when it comes to code.Corey: I've noticed that. There are almost too many ways to do certain things, and they're all terrible and different ways, let's be clear. But that does mean that whenever I'm trying to find something that's 90% done on GitHub or whatnot, I will often find something that fits pretty well, and it's, “Well, I guess I'm learning TypeScript today because that's”—Aja: Yep.Corey: —“What it's written in,” versus building it in the language I have a bit more familiarity with, like, you know, crappy bash.Aja: Yep. Nope, I think that's a problem that anyone who's been developing on a deadline or, you know, spending a lot of time doing proof-of-concept stuff is super familiar with. And I think sometimes folks who haven't worked in those environments, at least not recently, forget that that's our reality. Like, “Cool. Okay, I guess today I'm learning Elastic,” was definitely a day I had when I was consulting. Or, “Cool. Okay. Swift is new”—because that's how long ago that was—“I guess we're all learning swift this afternoon.”Corey: I've been banging on for a fair bit now about the value of developer experience from my point of view. But given that you work with developers all the time, I'm betting a you have a more evolved position on it than I do, which distills down to, the better the developer experience, the happier I am, which is generally not something you can measure super effectively. Where do you stand on the topic?Aja: So, this is one of my passion points. I feel very strongly that tools should fit the workflows that developers have; developers shouldn't alter themselves to work toward their tools. I also think there's kind of a misunderstanding of the nature of developer experience that I've seen, especially from some of… a lot of different companies. Developer experience is not actually tools. Developer experience is the experience you as a developer have while using those tools.So, APIs: I like things that don't have surprises; I like things to get out of my way. I know that we joke about there being 9000 ways to run containers, or you know, five different ways to do this other thing, but you know, if that means it's faster to get something done, and you know, most of those are equally bad or equally good, I'm okay with it because it gets out of my way, and lets me ship the thing I want to ship. I enjoy coding; I think computers are rad, but what I enjoy more is having something finished that I can show to other people, that I can use, that I can make better. So, some of the things I feel super strongly about with developer experience is principle of least surprise. I was a Rubyist for years and years and years.Haven't written a lot of Ruby the last two, three years—management, I'll do that to you—but… I loved that once you understood some of the underlying concepts behind Ruby, stuff generally worked the way you expected. I know a lot of people find the very nature of Ruby surprising, but for those of us who learned it, stuff generally worked the way I expected. So, I like it when APIs do that. I like it when it's super easy to guess. Consistent naming schemes, you know?If you're going to call… you're going to call the way to list a set of services ‘list' in one place, don't call it ‘directory' in another. Keep things consistent. I like it when APIs and the cloud companies all—I've had many thoughts about all of the big cloud companies in this—when their APIs that they provide a fit the language. If you're making me write TypeScript like C because your APIs are really just designed by C programmers and you've loosely skinned them, that's not a great experience, that's not going to make me happy, it's going to slow me down. And quite frankly, my tools should speed me up, not slow me down. And that's kind of the underlying theme behind all of my feelings about developer experience is, I don't want to be angry when I'm writing code unless I'm angry at myself because I can't stop writing bugs.Corey: I don't really want to bias for that one either, personally.Aja: Yeah. And then the other one is, I don't want my tools to be something that I have to learn as a thing. I don't want there to have to be a multi-week experience of learning this particular API. Because that is interesting, potentially, but I'm not being paid to learn an API, I'm being paid to get something done. So, all of the learning of the API needs to be in service of getting something done, so it should go as quickly as possible. Stuff should just work the way I expect it.We're never going to do that. This I acknowledge. No company is ever going to get that right no matter where I work because turns out, everyone's brains are different. We all have different expectations. But we can get closer. We can talk to folks, we can do UX studies. Everyone thinks about UI and UX and design is very much focused on the visual.And one of the things I've learned since I've had the opportunity to hang out with some really amazing UX folks at Google—because big companies have advantages like that, you have lots of people doing UX—is that they can actually help us with our command line interfaces, they can help us with how we name things in an API, they can do studies on that and turn, you know, “It feels good,” into numbers. And that is fascinating to me and I think something that a lot of developers who are building tools for other developers don't realize is actually up there as an option.I spend a lot of time reading UX studies on developer experience. Managers working at big companies, you get to have access to data like that going back years. And I've spent a lot of time reading about this because I want to understand how we turn, “Feels good,” into something that we can develop against, that we can design against, and we can measure.Corey: One of the things that I've always viewed as something of a… a smell or a sign that ‘Here Be Dragons' are when I'm looking for a tool to solve a problem and there's a vendor in the space, great, awesome, terrific. Someone has devoted a lot of energy and effort to it. I want the problem solved; I don't necessarily need to do it for free or cheap. But I'm looking through their website and they talk about how awesome their training programs are and here's how you can sign up for a four-day course, and et cetera, et cetera, et cetera. That feels to me like in most cases, someone has bungled the interface. If I need to spend weeks on end learning how a particular tool works in order to be effective with it, on some level, you reach a point, fairly quickly for anything small, where the cure is worse than the disease.Aja: Yep. This is an interesting thing for me because I, my personal feelings are very similar to yours. I don't want to take a class. Like, if I have to take a class, we have failed. I don't really want to read extensive documentation.I want to get in, get dirty, try it, see, you know, watch the errors, come back and learn from the errors, that kind of thing. If there's code to read and it's a language, I know, I will actually often go read code as opposed to reading docs, which… is weird. The interesting thing to me is that, as I've managed folks, as I've, you know, spent time working with customers, working with folks who I, you know, think would benefit from some of Google Cloud's products, there are some folks who really, really want that formal training, they want that multi-day course before they dig in. And so, while in the past, I definitely would have agreed with you, if it's the only thing, maybe, but if it's one of many different ways to get started, I just keep telling myself, “Hey, that's how someone else needs to learn this.” Isn't my preference, but my preference isn't necessarily better.It's just, this is the brain I got and the tools that came with it. And it doesn't do well for four days in a classroom learning all of the intricacies of this because I need to learn this stuff in context, otherwise, it doesn't stick. Whereas I have people that work for me, I've had people who I've worked with who are like, “No, I actually need to go read the book.” And I'm like, “Let's make sure that there's both a book.”Corey: Everyone learns differently.Aja: Yeah. I just constantly reminding myself, both as a manager and also as someone who works in developer relations, all of the above is the correct option for how are we going to teach this? How are we going to help people? We really need to offer as much as possible all of the above because we need to be able to reach everyone in a way that works for them.Corey: It's the height of hubris to believe that everyone thinks, processes, learns, et cetera, the same way that you do. This is a weird confession for someone who hosts a podcast. I don't learn very well by listening to podcasts. I find that when I'm trying to absorb something if I can read it, it sticks with me in a way that listening to something or even watching a video doesn't.Aja: Yeah, and I'm actually very much the opposite. I take most of my information and learn best through hearing things. So, while I don't particularly like watching video, relatively often, I'll actually have video if I'm just doing like email or something running in the background and I'm listening to the audio as I'm learning the concepts. I adore learning stuff from podcasts, I love audiobooks, but I don't retain stuff as well when I read it. And it's just because, you know, human beings are interesting and weird and not consistent, in all sorts of delightful and confusing ways.Which, you know, as an engineer sometimes drives me nuts because I really wish there was one right way to do stuff that worked for everyone, but there just isn't. There are all sorts of interesting problems. And just like there are multiple valid ways to solve problems, there are multiple valid ways to learn, and we have to support all of them. And we have to support engineers with all of those styles too. People often will say, “Oh, sure. There's lots of learning, different learning styles, but you know, most engineers are like X.” No. There is no ‘most engineers.'Corey: Early on in my career, one of the things I noticed—in myself as well, let's be clear here, I was no saint—that, oh, if people don't learn the way that I learned, then clearly they're deficient in some way. Of course that's not true. Everyone learns differently. And that, among other things, was part of the reason that I stopped being as dismissive as I was about certifications, for example, or signing up for a planned classroom experience. There is tremendous value to folks who learn well from that type of structured learning.I am just barely contained chaos. And for whatever reason, that doesn't resonate with me in the same way. If anything, I'm the one that's broken. The trick is, is making sure that when you're trying to drive adoption, no matter what method people learn best from, you need to be there with something that approximates that. One area that I think resonates with something you said earlier is this idea that the best way for me to learn something, at least is to sit down and build something with it. Bar none, that's what I actually want to experience. And that is only slightly informed by the unfortunate reality that I've been through too many cycles of an exec in a keynote getting on stage and making grandiose promises that the service does not backup.Aja: Yep. And I actually do have a bias here that I will own. I don't believe in anything until I can touch it. And by ‘touch it,' I mean, use it. And that also includes I don't believe in my own learning or the learning of others until I can see it practically applied.And so, even when I have folks on my team who are like, “Hey, I want to go read a book, take a class,” I'm like, “Cool. What else are you going to do with that? How are you going to know that you can actually take what you learned and apply it to a novel situation?” And this has been based on mentors I had early in my career who I'm like, “Hey, I just read this book.” And they're like, “That's awesome. Can you write anything with what you learned?”And I'm like, “Yes. Let me do that and prove it to myself.” So, I do have a bias there. I also have a bias, having worked in the industry for 20-plus years now, that a lot of people say a lot of things that are either theoretically true or true through, you know, a happy path lens. And I started my career as a tester and compu—I always joke computers run in fear of me because if there's a way to cause something to error out in a confusing and unknown way, I will find it. I will find it on accident. And when I can't find it on accident, I will find it on purpose.So, that's the other reason I don't believe stuff until I touch it. It doesn't matter if it's at a keynote, doesn't matter if it's a blog post, I want to know that this works beyond that happy case that you just showed me. And part of this is also that I've built some of those keynote demos and I know that they're explicitly designed so that we can fit in the timeframe allowed to avoid any possible dragons that might be lurking in the background. So, I always go get dirty with things, new products, new features. It's one of the things I actually love about my job is I get to try stuff before anyone else does.And I'm like, “Hey, so, um… I did this thing. You probably didn't expect anyone to do this thing, but I did this thing. Can we talk about whether this thing that I did is actually a valid use case? Because it made sense to me, but you know, I might have been thinking about this backwards, upside down, in purple, so let's back the truck up and have a discussion.”Corey: Yeah, I get to moonlight occasionally as something that looks vaguely like an analyst at a variety of different companies. And as a part of that, I'm often kicking the tires on something that they're going to be releasing soon. And a very common failure mode is that, for obvious reasons, no one has ever really looked at this thing from the perspective of I've never seen this before or heard of this before. Let me approach this as someone who's learning about it for the first time. The documentation is always treated as an afterthought at those stages where it's, “Oh yeah, just spin it up and do it. And you do the thing that we all know about, right?” “Well, okay, assume I don't have that shared understanding. What's the experience?” And, “Oh.” Yeah, if I'm not on the path of a few pre-planned test cases, then everything falls off pretty quickly. I think I share that somewhat special ability to cause chaos and destruction to all about me [laugh] when I start trying to do something in good faith on the computer.Aja: Yeah. No, it's both a blessing and a curse. It's really annoying when like, I managed to brick my work laptop on the morning that I have, you know, a super important talk and I call up, you know, internal tech support at Google and they're like, “You did what, and how?” But it's also great because I know that… I know that I get to—because I started my career in tests working at other companies, I've always done some informal testing no matter where I've worked, everything I find we at least know about, even if we don't have time to fix it. We at least know about it, so if someone else runs into it, we can at least help them untangle whatever crazy stuff they did.And I'm also just not afraid of breaking computers either, which means that I'm very willing to go off happy paths. If I see a tutorial that's close, you know, if all of the steps that work, and I'll guess on the others. And that's a thing that I don't actually see a ton of folks being always willing to do because they're afraid of breaking it. And I'm like, “It's software.”Corey: And a lot of products are designed though, that once you deviate from the happy path, well, now you've broken it and you get to keep all the pieces. There's little attention paid towards, okay, now you've done something else and you're bringing something back into the happy path. It feels like if you haven't been here for every step of the way, well, your problem now. I have work to do. Go away kids, you're bothering me.Aja: Yeah, I've seen that. And I've seen that open-source frameworks, too, when people—when I talk about, you know, deviating from the happy path—and this will date me—using multiple databases with Rails was one of the ones that I ran into numerous times. Just was not designed for that in the beginning. Did not work. There was also some easy security stuff, ages and ages ago, that you often wanted to do, but was not at that point integrated into the framework, so it was clunky.And so, anyone would come to, like, a Ruby meetup or something like, “Hey, I want to use three databases with my Rails application,” we'd be like, “So, you can… but you may not actually want to do it that way. Can we interest you in some microservices so that you can go one-to-one?” And that wasn't always the right choice. I worked on an app for years that had multiple databases in Rails, one was a data warehouse, one was our production database. And it was clunky.And eventually, you know, the Rails community got better. Eventually, people do improve, but people are weird. They do weird things. Like, and I don't think people truly understand that. One of my jobs at various points was I was working in education tech and I was working on an application for kindergarteners.And I don't have kids, but I think kindergarteners are just [unintelligible 00:24:44]. And until you see five-year-olds use software, I don't think people get a true appreciation for how random human beings can actually be when given a textbox or when given a mouse. And, like, we like to think that, you know, engineers and adults are better. We're not. We just, you know, have a different set of five-year-old tools available to us.So, we do have to at least acknowledge that people are going to go do weird stuff. And some of that weird stuff probably makes sense in the context they're living in, and so, the best step is not to say, “Hey, stop doing weird stuff.” The best thing to then say is, “Okay, why did you do it that way?” Because everyone has good reasons for the decisions they make most of the time. And understanding those is important.Corey: Yeah. It's very rare—not entirely unheard of, but at least rare—that when someone shows up and says, “Okay, I'm making a bunch of choices today. What are the worst ones I can possibly make that I'm going to be tripping over for the next five years and leave is my eternal legacy to every engineer who ever works at this company after I do?” But it happens all the time, for better or worse.Aja: Yeah.Corey: Never intentional, but it always hits us.Aja: Yeah. Well, one of the things that I learned in the last-ten ish years, and one of the things that I tried to bring to all of my developer relations, all my developer education work, is, “It made sense at the time.” Now, it may have been that they made a assumption six years ago, that led them down the path of chaos and sadness and now that they're deep into this, they're going to have to back up to that decision six years ago and undo it. But based on the knowledge they had, the assumptions they were making—which may or may not have been true, but you know, were likely made in good faith—they're doing their best. And even when that's not true, I haven't found a situation where, assuming that with regards to technical decisions is harmful.Assume that people are relatively intelligent. They may not have the time to go learn all of your tools, the intricacies and use things exactly the way that you want them to be used because time is a limited resource, but assume that they're relatively intelligent and they're doing their best. And then try to understand why. What assumptions, what skills, what previous knowledge led them down this crazy path? And you know, then you can start having a conversation about okay, well, what should the tools do? How should the tools work together? Just because I wouldn't make that decision doesn't mean that their version of it is necessarily bad. It may not be the most efficient way to get stuff done, but if it works, eh, okay.Corey: So, as we wind up coming towards the end of this episode, one thing that I want to explore a little bit is, you've been with Google Cloud for eight years now. How have you seen the organization evolve during that time? Because from my perspective, back then it was oh, “Google has a cloud? Yeah, I guess they do.” It's a very different story, but all of my perspective is external. How have you seen it?Aja: Oh, that's an interesting question. And I'll caveat that appropriately with I only see the parts I see. One of the hard parts of big companies is, I don't actually dig in on some of the areas particularly deeply. I don't go deep on data analytics, I don't go deep on AI/ML. And I will also [laugh] own the fact that when I started, I'm like, “Oh, Google has a cloud? Huh. Okay, yeah, sure, I'll work on that.”I didn't even know the list of products my first day. I knew about App Engine and I knew that it didn't work with my preferred languages so I had a sad. Some of the things that I've seen. I've seen a real focus on how we can help people with real big problems. I've seen a real focus on listening to customers that I really like.I've learned a lot of techniques that we've been shared out, things like empathy sessions, friction logging. If you're not with the community of developer relations about how we make sure that, as an engineering team, we're thinking about real customer problems. I've seen a lot of maturing thoughts around how we maintain products; how we make sure that we've got updates where we need them, as much as we can; how we talk about our products; how we listen to customers and take, you know, direct feature requests from them.The other big thing is, I've just seen us grow. And that's the big thing is that there's just so many more people than when I started. And I've never worked at a company this big before and just getting my head around the number of people who are actively trying to make cloud better, and spending every day doing their best to improve the products, to add the features that are missing, to make sure that we're keeping stuff up to date where we can, it's kind of mind-boggling. Like, when I go look at the org chart, I'm like, “Wait, there are how many people working on what?” And that in and of itself is a story because that, to me at least shows that we care about getting it right. Google cares about getting it right.I'm not Google, of course, but I feel like from the inside, I can say that Google cares about getting it right as much as we can. And you know, sometimes it's not a hundred percent what people want, which is why we iterate. But we've also had a couple of things that I'm particularly happy with Cloud Run, I think landed pretty well.Corey: I'd say that I would agree with what you're saying. I've had nothing but positive experiences when I've been building admittedly very small-scale shitposting-style stuff on top of Google Cloud. There have been times where the biggest criticism I have is, “It's not the particular flavor of broken that I'm used to coming from AWS-land.” But that's hardly a fair criticism. I think that by and large, it is a superior platform coming from the perspective of developer experience.And people don't like it when I say that and they often like it even less when I say, “And thus, it has better security than something that does not have better user experience because simplicity is everything in that space.” But it's true. It is foundationally and fundamentally true.Aja: I agree with you. Obviously, it's my employer. But I do think you actually were onto something interesting with, “My particular flavor of broken.” I've talked to a lot of folks who are migrating and sometimes they struggle because there are particular magic incantations or other things that they learn to work with a different tool. It's the same thing is when you're learning a new language, a new programming language, or a new framework. You're like, “Wait, I don't have to do this thing. But I'm really good at doing that thing.”And so, I do think there is to some degree, everything—nothing's perfect and it happens to be, you know, it's hard for some folks. And I think some folks resist the better developer experience because it isn't what they're used to. And that's okay, too. Like, if I was a developer, I wouldn't want to have to relearn everything from scratch, so I get that and I think that that is a valid piece of feedback.[unintelligible 00:31:22] it make it familiar to folks working from other clouds, we're working on it. There's stuff coming out of DevRel. There's other things that we do to try to make it easier. But no, I do think, and I'm very grateful I get to work with a lot of teams to do this, we want to make developers like working with Google Cloud. I want to make developers like working with Google Cloud.Like, at the end of the day, if I had to say the most important thing for me is I want to make developers enjoy their time using Google Cloud to get other stuff done. I don't need to live in a world of people who are like, “You know, I really just want to go spend some time on Google Cloud today,” but I want it to be something that they enjoy using or at least gets out of their way, out their way to doing the stuff that they actually want to do: you know, add features, build shitposting websites, whatever it ends up being.Corey: As someone who does an awful lot of that, thanks. It's appreciated. I really want to thank you for spending so much time talking to me. If people want to learn more, where's the best place to find you?Aja: Oh. That's the best place to find me right now is www.thagomizer.com. Thagomizer is the spiky part of the end—at the end—Corey: Of a Stegosaurus.Aja: —of a Stegosaurus.Corey: Yes.Aja: It is. That is my website and it has my most recent social, et cetera on it. That's also where I theoretically blog, although it's been about a year. I've got, as I said, as I mentioned before the show, I've got several blog posts three-quarters of the way done that I'm going to hopefully try to get out over the next couple of weeks… on various topics.Corey: I have a pile of those myself, that for some reason, it never quite ends up happening when you hope it will.Aja: Yeah, exactly.Corey: And we'll, of course, put links to all of that in the [show notes 00:32:47]. Thank you so much for being so generous with explaining your point of view I appreciate it.Aja: Yeah. And thank you for having me. This was lovely.Corey: Likewise. Aja Hammerly, Developer Relations Manager at Google Cloud. I'm Cloud Economist Corey Quinn, and this is Screaming in the Cloud. If you've enjoyed this podcast, please leave a five-star review on your podcast platform of choice, whereas if you've hated this podcast, please leave a five-star review on your podcast platform of choice along with an angry comment telling me exactly which four-week course I need to sign up for to understand that comment.Corey: If your AWS bill keeps rising and your blood pressure is doing the same, then you need The Duckbill Group. We help companies fix their AWS bill by making it smaller and less horrifying. The Duckbill Group works for you, not AWS. We tailor recommendations to your business and we get to the point. Visit duckbillgroup.com to get started.

Dennis McCarthy is a writer, historian, and independent researcher who, in the process of tracing Hamlet's origin, ended up unwinding the entire legend of Shakespeare. Digging deeper into the history of Shakespeare's plays alongside collaborators June Schlueter and Michael Blanding, McCarthy uncovered evidence that all but two of Shakespeare's plays were written by Sir Thomas North, an English translator, lawyers, and justice of the peace. We dig into the evidence for the overlap between the two figures, unpack the myth of the lone genius, and seek to understand how the origin of ideas is driven by the sum total of the biogeographic connections that impinge on a given time and place. Support DemystifySci & Dennis McCarthy while getting learned: https://amzn.to/3xTPels Support the scientific revolution by joining our Patreon: https://bit.ly/3lcAasB Tell us what you think in the comments or on our Discord: https://discord.gg/MJzKT8CQub #genius #shakespeare #demystifysci (00:00) Go! (00:10:13) Of Politics and Plays (00:15:12) Are North and Shakespeare the same Person? (00:20:38) Myths of Lone Genius (00:25:24) Shifting Cultural Frames (00:34:43) An Idea is Fine, but a Theory is Too Much (00:39:57) How Many of the Plays are North's? (00:43:48) Biogeography & The Spread of Ideas (00:52:52) No True Origin Stories (01:02:44) How Much Did North Know? (01:12:30) Here Be Dragons (01:17:16) Artistic Explosions (01:24:30) Archetypal Tendencies (01:33:33) Convergent Evolution of Stories (01:40:34) Getting Published by Oxford (01:51:26) Does the Opposition Ever Chill? (01:54:51) Physics (02:11:26) The Source of Motivation (02:16:48) Close Check our short-films channel, @DemystifySci: https://www.youtube.com/c/DemystifyingScience AND our material science investigations of atomics, @MaterialAtomics https://www.youtube.com/@MaterialAtomics Join our mailing list https://bit.ly/3v3kz2S PODCAST INFO: Anastasia completed her PhD studying bioelectricity at Columbia University. When not talking to brilliant people or making movies, she spends her time painting, reading, and guiding backcountry excursions. Michael Shilo also did his PhD at Columbia studying the elastic properties of molecular water. When he's not in the film studio, he's exploring sound in music. They are both freelance professors at various universities. - Blog: http://DemystifySci.com/blog - RSS: https://anchor.fm/s/2be66934/podcast/rss - Donate: https://bit.ly/3wkPqaD - Swag: https://bit.ly/2PXdC2y SOCIAL: - Discord: https://discord.gg/MJzKT8CQub - Facebook: https://www.facebook.com/groups/DemystifySci - Instagram: https://www.instagram.com/DemystifySci/ - Twitter: https://twitter.com/DemystifySci MUSIC: -Shilo Delay: https://g.co/kgs/oty671

In this week's show we feature our 2015 Interview with conspiracy expert Brian Dunning. He is an American writer and producer who focuses on science and skepticism.He has hosted a weekly podcast, Skeptoid, since 2006, and he is an author of a series of books on the subject of scientific skepticism, some of which are based on the podcast. Skeptoid has been the recipient of several podcast awards such as the Parsec Award. Dunning has also created the Skeptoid.org spin-off video series, inFact, and The Feeding Tube both available on YouTube. Dunning has produced two educational films on the subject of critical thinking: Here Be Dragons in 2008, and Principles of Curiosity in 2017.His podcast is available at the following website: https://skeptoid.com

Episode 155 Notes and Links to Robert Jones Jr.'s Work       On Episode 155 of The Chills at Will Podcast, Pete welcomes Robert Jones, Jr., and the two mainly discuss, among other things, the festive national Book Awards 2022, his early reading of comic books, his life-changing exposure to James Baldwin's work, his incredible Son of Baldwin platform, a dearth of representation for Black queer people that led him to write the book he wanted to read, the wonderful literary community and its inspiration for his work, and the work of art that is The Prophets, with its myriad standout lines, memorable characters, and structure that makes it a true classic and work of art.    Robert Jones, Jr., is the author of The New York Times bestselling novel, The Prophets, which won the 2022 Publishing Triangle Edmund White Award for Debut Fiction and the 2022 NAIBA Book of the Year Award for Fiction. It was also a finalist for the 2021 National Book Award for Fiction and was named a notable book by The New York Times and one of the best books of 2021 by Time, Entertainment Weekly, USA Today, NPR, The Boston Globe, and The Washington Post, among many others. His writings have been featured in The New York Times, Essence, and The Paris Review, as well as in the critically acclaimed anthologies Four Hundred Souls and The 1619 Project. Subscribe to his newsletter Witness at robertjonesjr.substack.com. Buy The Prophets   Join Witness, Robert Jones, Jr.'s Substack   Robert Jones, Jr.'s Website   July, 2022, from NPR's All Things Considered-“Son of Baldwin — a place for discussions of race, sexuality and gender — retires” 2021 Review of The Prophets from The Guardian-by Holly Williams: "The Prophets by Robert Jones Jr review – outstanding debut"     At about 7:10, Robert describes the incredible experience he had at the recent National Book Awards    At about 8:10, Robert outlines his early reading and writing influences, and the indelible mark left by comic books, libraries, and Wonder Woman   At about 11:30-15:50, Robert's response to Pete's question about representation in what Robert read growing up connects to ideas of connectedness and internalized and external ideas of queerness, acceptance, and inspiration for his own writing    At about 15:50, Robert discusses loneliness versus uniqueness and the ideas of “polic[ing] gender”   At about 18:40, Pete wonders about James Baldwin's impact on Robert-Robert talks about being introduced to Baldwin “rather late” but being swept away by “Here Be Dragons,” among many other of Baldwin's works, and how a quote from James Baldwin's brother in the documentary, The Price of the Ticket  was the catalyst for the Son of Baldwin platform   At about 22:35, Pete talks about how closely Son of Baldwin and James Baldwin have been linked in recent years, including an incorrect attribution of an important quote   At about 25:15, Robert lists and describes some of the countless people to whom he gives credit and love for their inspiration and encouragement, as seen in his book's extensive Acknowledgments    At about 27:50, Pete and Robert sing the praises of Kiese Laymon, and Robert speaks so highly of Kiese tremendous help in getting Robert and his book    At about 30:05, Robert talks about contemporary writers like Deesha Philyaw, Dawnie Walton, Maisy Card, Mateo Askaripour, Jason Mott, and Xochitl Gonzalez whose work thrills and inspires and challenges him, and he shouts out an outstanding upcoming 2023 book from Jamila Minnicks    At about 32:50, Robert gives background on research for The Prophets, the time spent writing it, and the seeds for the books that largely came from his university studies   At about 37:25, Robert responds to Pete wondering what Robert was able to do by making his book fiction and not nonfiction    At about 39:00, Robert and Pete discusses connections between the invasion of African countries by Europeans, and how the forced religiosity connects to an encroaching and new homophobia and white supremacy    At about 41:50, The two discuss Amos from The Prophets and the “conundrum” that he faces with regards to Isaiah and Samuel, as well as Amos' role as preacher and Christian convert, as well as connections to modern preachers   At about 45:25, the two discuss Isaiah and Samuel, the book's protagonists, and their love and their backstories and their shared knowledge of being alone and “loaded onto a wagon like stuff”   At about 47:55, Robert responds to historical ideas of homosexuality sometimes seen as a tool to disrupt Black communities and explains how Paul, the book's slavemaster, sees Isaiah and Samuel's relationship and a “threat to capitalism”   At about 50:40, The two connect the hypocrisy of Paul and his philandering and    At about 51:45, Pete cites the book's unique/Biblical structure and talks about the book's starting with “the ancestors”; he asks Robert about the “you” to whom the ancestors spr   At about 53:10, Robert describes a dream that was hugely influential and transformative for his book   At about 55:00, Robert discusses the ways in which Isaiah and Samuel are unified, and how they are rendered as distinct    At about 58:25, Robert talks about the importance of names for enslaved peoples and for the slave owners, and he talks specifically about Isaiah's original name, its significance, and its importance in his relationship with Amos   At about 1:01:00, Robert and Pete discuss tovo and toubab, Beninese and Wolof words, respectively, and their connections to early African encounters with European invaders   At about 1:02:35, the two discuss the book's parallel storyline that involves Isaiah's familial lineage in Kasongo, a mythical kingdom in Africa; Robert homes in on the vastly-different ideas of gender identity in pre-colonial Africa   At about 1:05:30, Pete wonders about the role of Timothy in the book and Robert expands upon ideas of rapists and rape   At about 1:07:45, Robert discusses sympathy and writing characters who are seemingly 100% detestable, and ideas of oppression and oppressors and their connections with Timothy, Ruth, James, and Paul    At about 1:11:00, Pete focuses on Paul's behavior and his rush to justify his evil behavior through the Bible and Christianity; a scene from the book involving Adam, Paul's son, is highlighted    At about 1:12:35, The two discuss a scene of degradation and Robert highlights it as a scene where a lot is happening behind the scenes/under the surface with the crafty Essie and Maggie    At about 1:14:00, Pete highlights the incredibly-skillful ways in which Robert homes in on individual stories to draw the reader's attention and sympathy/empathy   At about 1:15:20, Robert talks about an exciting upcoming project, a second novel     You can now subscribe to the podcast on Apple Podcasts, and leave me a five-star review. You can also ask for the podcast by name using Alexa, and find the pod on Stitcher, Spotify, and on Amazon Music. Follow me on IG, where I'm @chillsatwillpodcast, or on Twitter, where I'm @chillsatwillpo1. You can watch other episodes on YouTube-watch and subscribe to The Chills at Will Podcast Channel. Please subscribe to both my YouTube Channel and my podcast while you're checking out this episode.  Sign up now for The Chills at Will Podcast Patreon: it can be found at patreon.com/chillsatwillpodcastpeterriehl     Check out the page that describes the benefits of a Patreon membership, including cool swag and bonus episodes. Thanks in advance for supporting my one-man show, my DIY podcast and my extensive reading, research, editing, and promoting to keep this independent podcast pumping out high-quality content! This is a passion project of mine, a DIY operation, and I'd love for your help in promoting what I'm convinced is a unique and spirited look at an often-ignored art form. The intro song for The Chills at Will Podcast is “Wind Down” (Instrumental Version), and the other song played on this episode was “Hoops” (Instrumental)” by Matt Weidauer, and both songs are used through ArchesAudio.com.    Please tune in for Episode 156 with Namrata Poddar. Namrata writes fiction and nonfiction, serves as Interviews Editor for Kweli, and teaches literature and writing at UCLA. Her work has appeared in several publications including Poets & Writers, Literary Hub, Longreads, The Kenyon Review, and The Best Asian Short Stories. Her debut novel, Border Less, was a finalist for Feminist Press's Louise Meriwether Prize.    The episode will air on December 13.

On this episode of For Mac Eyes Only: Mike and Eric continue the discussion on bringing new life to older Macs no longer supported by Apple through the use of an open source tool called OpenCore Legacy Patcher. They cover supported models, the required research and prep work, grey areas of using tools like OpenCore to install macOS on older Apple manufactured hardware, as well as the pitfalls (aka Here Be Dragons!), benefits, and potential consequences of doing so.

Rich Mulholland is the Founder of Missing Link, a presentation powerhouse. He is a rock and roll roadie-turned-entrepreneur who knows firsthand the impact that memorable presentations can make. He now works with executives and speakers from around the world, helping them to deliver unforgettable presentations that activate audiences and generate income. Rich is also the Author of three books including Legacide, Boredom Slayer, and his latest, Here Be Dragons.  In this episode of the Smart Business Revolution Podcast, John Corcoran interviews Rich Mulholland, the Founder of Missing Link, about his transition from being a rock and roll roadie to becoming an entrepreneur and speaker coach. Rich talks about his background doing sales and working as a roadie, the entrepreneurial lessons he has learned over the years, and how different coaches and peers have impacted his career.

Support the show! http://patreon.com/magicmics  Visit our sponsor: http://www.coolstuffinc.com/  Check out the twitch channel: http://twitch.tv/magicmics  Visit our subreddit: http://www.reddit.com/r/magicmics  Follow us on Twitter: http://twitter.com/magicmicscast  Like us on Facebook: http://facebook.com/magicmics    Co-Sponsors:  http://www.cardhoarder.com/  http://www.alteredsleeves.com/ (use code MAGICMICS )  http://www.cubeks.com/   AirDate - 6/16/2022 First Pick   Double Masters Roundup Collector Booster Delays: https://magic.wizards.com/en/articles/archive/news/double-masters-2022-collector-booster-delays-2022-06-15 https://twitter.com/MissouriMTG/status/1537170838247682049?s=20&t=au6XTtldmUyTKyUsLXZoYQ Pauper Playables in MTGO Treasure Chests: https://twitter.com/MagicOnline/status/1537482206045605888?s=20&t=0ExeIZWI0MLVtDqaFBCJ9w https://twitter.com/GoatBots/status/1537177954106605568 Product Overview: https://magic.wizards.com/en/articles/archive/feature/collecting-double-masters-2022-and-product-overview-2022-06-16 Seeing Double (Masters 2022): https://magic.wizards.com/en/articles/archive/making-magic/seeing-double-masters-2022-06-16 Secondhand Cryptic Spires: https://twitter.com/misterorange/status/1537481598282526720?s=20&t=uKowVs5lfUo7u8wzkhDi9A Cryptic Spires Policy: https://blogs.magicjudges.org/telliott/2022/06/16/cryptic-spires/ https://twitter.com/chriskmooney/status/1537512771360722944?s=21&t=4lrJg2XqtsQT4NIzEQ5SwQ   Gather the Townsfolk   Secret Lair Roundup June Superdrop: https://secretlair.wizards.com/?utm_source=daily_mtg&utm_medium=article_announcement&utm_campaign=june-superdrop-2022 Here Be Dragons: https://magic.wizards.com/en/articles/archive/news/secret-lair-x-beadle-grimms-here-be-dragons-drop-2022-06-13 Volkan Baga's Patron Wizard: https://cdn.discordapp.com/attachments/410942703623208960/986239124010848266/unknown.png   Magic 30: https://magic.gg/news/save-the-date-magic-30-is-a-party-three-decades-in-the-making   Arena Announcements: https://magic.wizards.com/en/articles/archive/magic-digital/mtg-arena-announcements-june-15-2022   Pauper Format Check-In: https://twitter.com/GavinVerhey/status/1536734150916329472   Carmen Promoted: https://twitter.com/Em_TeeGee/status/1537531717518381056?s=20&t=E1wFl3RlV8nwxUQeLnH4sw https://twitter.com/Em_TeeGee/status/1537532126622470144?s=20&t=E1wFl3RlV8nwxUQeLnH4sw   Rhino's Brain Surgery: https://twitter.com/mtg_youngmage/status/1537248919704379392?s=20&t=Mdb0XEheySQDfI0dpInUtw   CommandFest Philly COVID Requirements: https://twitter.com/Card_Titan/status/1537588281546010626?s=20&t=yYohBSc9OuwV5usKBr9bRw Arena Format Popularity: https://twitter.com/saffronolive/status/1537042490691399681?s=21&t=Mlc3CJtK3dCBahs1YtzdbA https://cdn.discordapp.com/attachments/410942703623208960/986645898178232350/Captura_de_ecra_2022-06-15_155749.png   Post Malone Paid $800k for Signed Black Lotus Proof: https://www.reddit.com/r/magicTCG/comments/vbyuth/post_malone_paid_800000_usd_for_a_magic_the/   SPBKASO Buried in Previews: https://twitter.com/SaffronOlive/status/1536660737317289984?t=rpC30oIgHRlaEGfkKSIpUw&s=19   D&D's Accusations of Bullying and Blacklisting: https://www.thefandomentals.com/bullying-blacklisting-satine-phoenix-jamison-stone/?fbclid=IwAR1VH6zh1EmJGzJhEwI96XAbW9XsQFxMtAmlVwopHY396ugIAJcEiM3pRf0&fs=e&s=cl https://twitter.com/RobertGReeve/status/1534581626272890880 D&D In a Castle Cuts Ties: https://twitter.com/dndinacastle/status/1536742772694298625?s=20&t=lbdeS0W594V-0KI2jbIfGA (Related) - Origins Safety Update: https://tabletop.events/conventions/origins-game-fair-2022/update/safety-update?fbclid=IwAR0j7J27-7AFK1_bEm1k8Ull30T90mPVyTSke2_kjy7hcUmO9_06iUunkBQ&fs=e&s=cl https://cdn.discordapp.com/attachments/410942703623208960/985723003553849395/IMG_5913.png   The Rising Tide: https://twitter.com/volrathxp/status/1537104398924521473   GIVEAWAY & THANKS https://streamlabs.com/dashboard#/subscribers 

After a daring rescue operation at the Conspiracy; the survivors manage to escape thinking their safety is in the bag, only to discover it is something far more sinister. Kenon Pearce as DM and Various NPCs Jordache Richardson as Chaz and Brad Nikki Richardson as Talice  ISHNAR/KALCRIN HOMEBREW SETTING by Kenon Pearce   Sound editing and design by Kenon Pearce and Nikki Richardson   Kenon Pearce @mr_fugufish Jordache Richardson @jdash24 Nikki Ri @nikkirivo   Website: totrpodcast.com Twitter: @totrcast Facebook: @topoftheround Instagram: @topoftheround THANK YOU HONORARY PRODUCERS! Gail Yadon Beth/Dee20 Koebaebeefboo David Biggs Dawn Prewett Holden Ray Corey Pfautsch Wanna talk to the cast? Check out our private Discord! https://discord.gg/qshNJJfKRr Or check out our channel on the CastJunkie Discord Server! https://discord.gg/napQ3Cb   Go to our website for MERCH! https://www.totrpodcast.com/merch-store.html#/   Find/Review us on Podchaser: https://www.podchaser.com/podcasts/top-of-the-round-808056   Support us on Patreon: https://www.patreon.com/topoftheround Buy us a cup of coffee on Ko-fi: https://ko-fi.com/topoftheround Join our Facebook Group! https://www.facebook.com/groups/476203760792265/   TOTR WIKIPEDIA! https://topoftheround.fandom.com/wiki/Top_of_the_Round_Wiki   LIGHT OF THE HOPELESS BY NICK HIGHAM https://www.nickjhigham.co.uk/   Breaking News by NoiseWorld licensed through AudioJungle/Envato - Music Broadcast and Standard License - https://audiojungle.net/licenses/terms/music_standard/2.0  https://audiojungle.net/licenses/terms/music_broadcast_ten_million On Entering The 9th Circle by Brian Holtz Music Link: https://filmmusic.io/song/9269-on-entering-the-9th-circle License: https://filmmusic.io/standard-license Disoriented In The Woods by Tim Kulig Link: https://filmmusic.io/song/9298-disoriented-in-the-woods License: https://filmmusic.io/standard-license Here Be Dragons by Tim Kulig Link: https://filmmusic.io/song/8523-here-be-dragons License: https://filmmusic.io/standard-license Heavy Suspense by Alexander Nakarada Link: https://filmmusic.io/song/8457-heavy-suspense License: https://filmmusic.io/standard-license Pursuit In The Outback by Tim Kulig Link: https://filmmusic.io/song/8730-pursuit-in-the-outback License: https://filmmusic.io/standard-license Atmospheres #10 - Hotseat by Brian Holtz Music Link: https://filmmusic.io/song/7704-atmospheres-10-hotseat License: https://filmmusic.io/standard-license Executioner by Alexander Nakarada Link: https://filmmusic.io/song/8436-executioner License: https://filmmusic.io/standard-license Chased By A Demon by Tim Kulig Link: https://filmmusic.io/song/9299-chased-by-a-demon License: https://filmmusic.io/standard-license Fracture Intro by Horst Hoffmann Link: https://filmmusic.io/song/9317-fracture-intro License: https://filmmusic.io/standard-license Mega Boss Fight by Alexander Nakarada Link: https://filmmusic.io/song/8421-mega-boss-fight License: https://filmmusic.io/standard-license The Vikings by Alexander Nakarada Link: https://filmmusic.io/song/5106-the-vikings License: https://filmmusic.io/standard-license Very Low Note by Kevin MacLeod Link: https://filmmusic.io/song/4581-very-low-note License: https://filmmusic.io/standard-license Heavy Traffic by Tim Kulig Link: https://filmmusic.io/song/9130-heavy-traffic License: https://filmmusic.io/standard-license Long note One by Kevin MacLeod Link: https://filmmusic.io/song/3992-long-note-one License: https://filmmusic.io/standard-license Afterlife by Alexander Nakarada Link: https://filmmusic.io/song/7047-afterlife License: https://filmmusic.io/standard-license The Moment Of Self Awareness by Tim Kulig Link: https://filmmusic.io/song/9145-the-moment-of-self-awareness License: https://filmmusic.io/standard-license Soundbed#3 by Lilo Sound Link: https://filmmusic.io/song/6358-soundbed-3 License: https://filmmusic.io/standard-license Spring Thaw by Kevin MacLeod Link: https://filmmusic.io/song/4409-spring-thaw License: https://filmmusic.io/standard-license Dark Times by Kevin MacLeod Link: https://filmmusic.io/song/3611-dark-times License: https://filmmusic.io/standard-license Lightless Dawn by Kevin MacLeod Link: https://filmmusic.io/song/3982-lightless-dawn License: https://filmmusic.io/standard-license "Ghostpocalypse - 4 Temptress" Kevin MacLeod (incompetech.com) Licensed under Creative Commons: By Attribution 4.0 License http://creativecommons.org/licenses/by/4.0/ Sunset at Glengorm by Kevin MacLeod Link: https://filmmusic.io/song/4437-sunset-at-glengorm License: https://filmmusic.io/standard-license Atmosphere Of Intrigue by Brian Holtz Music Link: https://filmmusic.io/song/7084-atmosphere-of-intrigue License: https://filmmusic.io/standard-license Horned Confusion by Tim Kulig Link: https://filmmusic.io/song/9322-horned-confusion License: https://filmmusic.io/standard-license Dead Spaces by Tim Kulig Link: https://filmmusic.io/song/9319-dead-spaces License: https://filmmusic.io/standard-license Knew You In Another Life by Tim Kulig Link: https://filmmusic.io/song/9323-knew-you-in-another-life License: https://filmmusic.io/standard-license Headless Horseman by Alexander Nakarada Link: https://filmmusic.io/song/6740-headless-horseman License: https://filmmusic.io/standard-license Landscape03 by Lilo Sound Link: https://filmmusic.io/song/8184-landscape03 License: https://filmmusic.io/standard-license Cockroaches by Alexander Nakarada Link: https://filmmusic.io/song/4728-cockroaches License: https://filmmusic.io/standard-license Long Note Two by Kevin MacLeod Link: https://filmmusic.io/song/3994-long-note-two License: https://filmmusic.io/standard-license Chalkboard Daggers by Tim Kulig Link: https://filmmusic.io/song/9296-chalkboard-daggers License: https://filmmusic.io/standard-license Monster Reveal by Dave Deville Link: https://filmmusic.io/song/8936-monster-reveal License: https://filmmusic.io/standard-license Holy Train Robbery by Tim Kulig Link: https://filmmusic.io/song/8871-holy-train-robbery License: https://filmmusic.io/standard-license Volatile Reaction by Kevin MacLeod Link: https://filmmusic.io/song/5014-volatile-reaction License: https://filmmusic.io/standard-license Background #3 103 by Lilo Sound Link: https://filmmusic.io/song/7555-background-3-103 License: https://filmmusic.io/standard-license Wrath by Alexander Nakarada Link: https://filmmusic.io/song/4972-wrath License: https://filmmusic.io/standard-license Little Troll 2 by Frank Schröter Link: https://filmmusic.io/song/9315-little-troll-2 License: https://filmmusic.io/standard-license Lockdown by Sascha Ende® Link: https://filmmusic.io/song/7658-lockdown License: https://filmmusic.io/standard-license Thinking Music by Kevin MacLeod Link: https://filmmusic.io/song/4522-thinking-music License: https://filmmusic.io/standard-license Bent by Brian Holtz Music Link: https://filmmusic.io/song/6966-bent License: https://filmmusic.io/standard-license The Path of the Goblin King v2 by Kevin MacLeod Link: https://filmmusic.io/song/4502-the-path-of-the-goblin-king-v2 License: https://filmmusic.io/standard-license Dissonance by Tim Kulig Link: https://filmmusic.io/song/9321-dissonance License: https://filmmusic.io/standard-license Voices From The Depths by MusicLFiles Link: https://filmmusic.io/song/7468-voices-from-the-depths License: https://filmmusic.io/standard-license Dragonsong by Alexander Nakarada Link: https://filmmusic.io/song/9301-dragonsong License: https://filmmusic.io/standard-license One of Them by Kevin MacLeod Link: https://filmmusic.io/song/4169-one-of-them License: https://filmmusic.io/standard-license "Shadowlands 3 - Machine" Kevin MacLeod (incompetech.com) Licensed under Creative Commons: By Attribution 4.0 License http://creativecommons.org/licenses/by/4.0/ Freedom by Alexander Nakarada Link: https://filmmusic.io/song/4881-freedom License: https://filmmusic.io/standard-license Cinematic Suspense Series Episode 002 by Sascha Ende® Link: https://filmmusic.io/song/5789-cinematic-suspense-series-episode-002 License: https://filmmusic.io/standard-license Suspenseful Cinematic Ambient by MusicLFiles Link: https://filmmusic.io/song/6195-suspenseful-cinematic-ambient License: https://filmmusic.io/standard-license Dark Hollows by Alexander Nakarada Link: https://filmmusic.io/song/7120-dark-hollows License: https://filmmusic.io/standard-license Dark Secret by Mikael Hellman Link: https://filmmusic.io/song/5878-dark-secret License: https://filmmusic.io/standard-license Dark Dance by Kevin MacLeod Link: https://filmmusic.io/song/3604-dark-dance License: https://filmmusic.io/standard-license Anxiety by Kevin MacLeod Link: https://filmmusic.io/song/3374-anxiety License: https://filmmusic.io/standard-license "Ghostpocalypse - 6 Crossing the Threshold" Kevin MacLeod (incompetech.com) Licensed under Creative Commons: By Attribution 4.0 License http://creativecommons.org/licenses/by/4.0/ Moonlight Hall by Kevin MacLeod Link: https://filmmusic.io/song/4077-moonlight-hall License: https://filmmusic.io/standard-license Behold The Beast by Tim Kulig Link: https://filmmusic.io/song/9295-behold-the-beast License: https://filmmusic.io/standard-license Pariah, The Encounter, March of Midnight, Emergent, and Iwalk withghosts by Scott Buckley License: http://creativecommons.org/licenses/by/4.0/ https://www.scottbuckley.com.au/library/   Music: https://www.purple-planet.com :   Two Silly Monkeys, Diabolus, Evil Around, and Rabbit Run Electric Cellos and Hidden Place by Rafael Krux, Orchestralis.net Ground Line and Green Eyes by Sergey Cheremisinov License: http://creativecommons.org/licenses/by/4.0/  Free Music Archive: Sergey Cheremisinov

Chaz rushes to inform Talice of what he witnessed so that they can mount an emergency rescue. Kenon Pearce as DM and Various NPCs Jordache Richardson as Chaz and Brad Nikki Richardson as Talice  ISHNAR/KALCRIN HOMEBREW SETTING by Kenon Pearce   Sound editing and design by Jordache and Nikki Richardson   Kenon Pearce @mr_fugufish Jordache Richardson @jdash24 Nikki Ri @nikkirivo   Website: totrpodcast.com Twitter: @totrcast Facebook: @topoftheround Instagram: @topoftheround THANK YOU HONORARY PRODUCERS! Gail Yadon Beth/Dee20 Koebaebeefboo David Biggs Dawn Prewett Holden Ray Corey Pfautsch Wanna talk to the cast? Check out our private Discord! https://discord.gg/qshNJJfKRr Or check out our channel on the CastJunkie Discord Server! https://discord.gg/napQ3Cb   Go to our website for MERCH! https://www.totrpodcast.com/merch-store.html#/   Find/Review us on Podchaser: https://www.podchaser.com/podcasts/top-of-the-round-808056   Support us on Patreon: https://www.patreon.com/topoftheround Buy us a cup of coffee on Ko-fi: https://ko-fi.com/topoftheround Join our Facebook Group! https://www.facebook.com/groups/476203760792265/   TOTR WIKIPEDIA! https://topoftheround.fandom.com/wiki/Top_of_the_Round_Wiki   LIGHT OF THE HOPELESS BY NICK HIGHAM https://www.nickjhigham.co.uk/   Breaking News by NoiseWorld licensed through AudioJungle/Envato - Music Broadcast and Standard License - https://audiojungle.net/licenses/terms/music_standard/2.0  https://audiojungle.net/licenses/terms/music_broadcast_ten_million Blackout by Frank Schröter Link: https://filmmusic.io/song/9278-blackout License: https://filmmusic.io/standard-license Long note One by Kevin MacLeod Link: https://filmmusic.io/song/3992-long-note-one License: https://filmmusic.io/standard-license Damn It, I'm Being Followed by Horst Hoffmann Link: https://filmmusic.io/song/8568-damn-it-i-m-being-followed License: https://filmmusic.io/standard-license The Wandering King by Alexander Nakarada Link: https://filmmusic.io/song/4918-the-wandering-king License: https://filmmusic.io/standard-license DollArmy by Lilo Sound Link: https://filmmusic.io/song/6442-dollarmy License: https://filmmusic.io/standard-license Never Again by Lilo Sound Link: https://filmmusic.io/song/5559-never-again License: https://filmmusic.io/standard-license Very Low Note by Kevin MacLeod Link: https://filmmusic.io/song/4581-very-low-note License: https://filmmusic.io/standard-license News of Sorrow by Kevin MacLeod Link: https://filmmusic.io/song/4123-news-of-sorrow License: https://filmmusic.io/standard-license Closing In by Mikael Hellman Link: https://filmmusic.io/song/9003-closing-in License: https://filmmusic.io/standard-license Epic Intro by Tim Kulig Link: https://filmmusic.io/song/8697-epic-intro License: https://filmmusic.io/standard-license Here Be Dragons by Tim Kulig Link: https://filmmusic.io/song/8523-here-be-dragons License: https://filmmusic.io/standard-license Boss Fight by Alexander Nakarada Link: https://filmmusic.io/song/8422-boss-fight License: https://filmmusic.io/standard-license ExitTheVoid by Lilo Sound Link: https://filmmusic.io/song/7315-exitthevoid License: https://filmmusic.io/standard-license Night Runner by Tim Kulig Link: https://filmmusic.io/song/8863-night-runner License: https://filmmusic.io/standard-license Cinematic Building Strings Med 100 by Tim Kulig Link: https://filmmusic.io/song/8724-cinematic-building-strings-med-100 License: https://filmmusic.io/standard-license RunningColors by Lilo Sound Link: https://filmmusic.io/song/6533-runningcolors License: https://filmmusic.io/standard-license In Pursuit Of A Pirate by Tim Kulig Link: https://filmmusic.io/song/8520-in-pursuit-of-a-pirate License: https://filmmusic.io/standard-license Crimson Sky by WinnieTheMoog Link: https://filmmusic.io/song/8515-crimson-sky License: https://filmmusic.io/standard-license Supernatural by Mikael Hellman Link: https://filmmusic.io/song/5724-supernatural License: https://filmmusic.io/standard-license Smoking Gun by Kevin MacLeod Link: https://filmmusic.io/song/4378-smoking-gun License: https://filmmusic.io/standard-license Dhaka by Kevin MacLeod Link: https://filmmusic.io/song/3646-dhaka License: https://filmmusic.io/standard-license Long Note Two by Kevin MacLeod Link: https://filmmusic.io/song/3994-long-note-two License: https://filmmusic.io/standard-license Adversarial Cues by Tim Kulig Link: https://filmmusic.io/song/9128-adversarial-cues License: https://filmmusic.io/standard-license Thinking Music by Kevin MacLeod Link: https://filmmusic.io/song/4522-thinking-music License: https://filmmusic.io/standard-license TensionUnderneath by Lilo Sound Link: https://filmmusic.io/song/6583-tensionunderneath License: https://filmmusic.io/standard-license Blockbuster Atmosphere 4 (Tension) by Sascha Ende® Link: https://filmmusic.io/song/132-blockbuster-atmosphere-4-tension- License: https://filmmusic.io/standard-license Distant Tension by Kevin MacLeod Link: https://filmmusic.io/song/3661-distant-tension License: https://filmmusic.io/standard-license Cityscape05(intense) by Lilo Sound Link: https://filmmusic.io/song/8154-cityscape05-intense- License: https://filmmusic.io/standard-license Umbrella Pants by Kevin MacLeod Link: https://filmmusic.io/song/4559-umbrella-pants License: https://filmmusic.io/standard-license Final Battle of the Dark Wizards by Kevin MacLeod Link: https://filmmusic.io/song/3752-final-battle-of-the-dark-wizards License: https://filmmusic.io/standard-license "Shadowlands 3- Machine" Kevin MacLeod (incompetech.com) Licensed under Creative Commons: By Attribution 4.0 License http://creativecommons.org/licenses/by/4.0/ On Entering The 9th Circle by Brian Holtz Music Link: https://filmmusic.io/song/9269-on-entering-the-9th-circle License: https://filmmusic.io/standard-license Executioner by Alexander Nakarada Link: https://filmmusic.io/song/8436-executioner License: https://filmmusic.io/standard-license Pursuit In The Outback by Tim Kulig Link: https://filmmusic.io/song/8730-pursuit-in-the-outback License: https://filmmusic.io/standard-license Disoriented In The Woods by Tim Kulig Link: https://filmmusic.io/song/9298-disoriented-in-the-woods License: https://filmmusic.io/standard-license Ancient Awakening by Tim Kulig Link: https://filmmusic.io/song/9297-ancient-awakening License: https://filmmusic.io/standard-license Gathering Darkness by Kevin MacLeod Link: https://filmmusic.io/song/3798-gathering-darkness License: https://filmmusic.io/standard-license Panic Room Trailer  by Horst Hoffmann Link: https://filmmusic.io/song/8257-panic-room-trailer- License: https://filmmusic.io/standard-license Heavy Suspense by Alexander Nakarada Link: https://filmmusic.io/song/8457-heavy-suspense License: https://filmmusic.io/standard-license Mega Heavy Suspense by Alexander Nakarada Link: https://filmmusic.io/song/8456-mega-heavy-suspense License: https://filmmusic.io/standard-license Rising Tide (faster) by Kevin MacLeod Link: https://filmmusic.io/song/5028-rising-tide-faster- License: https://filmmusic.io/standard-license "Shadowlands 2 - Bridge" Kevin MacLeod (incompetech.com) Licensed under Creative Commons: By Attribution 4.0 License http://creativecommons.org/licenses/by/4.0/ Horror Clock by Horst Hoffmann Link: https://filmmusic.io/song/8969-horror-clock License: https://filmmusic.io/standard-license Time Is Running Out by Frank Schröter Link: https://filmmusic.io/song/8750-time-is-running-out License: https://filmmusic.io/standard-license Big Drum Orchestration by Tim Kulig Link: https://filmmusic.io/song/8693-big-drum-orchestration License: https://filmmusic.io/standard-license Chalkboard Daggers by Tim Kulig Link: https://filmmusic.io/song/9296-chalkboard-daggers License: https://filmmusic.io/standard-license Night Ambience by Tim Kulig Link: https://filmmusic.io/song/8622-night-ambience License: https://filmmusic.io/standard-license Chased By A Demon by Tim Kulig Link: https://filmmusic.io/song/9299-chased-by-a-demon License: https://filmmusic.io/standard-license The Omen by Frank Schröter Link: https://filmmusic.io/song/6915-the-omen License: https://filmmusic.io/standard-license Music: https://www.purple-planet.com :   Two Silly Monkeys Final Step, Mothership, Running Away, Comedy Short 1, and Comedy Short 2: Composed by Rafael Krux, Orchestralis.net

Chaz and Zek'kar rush to brace for impact before they find themselves deeper in battle with Dalmund than they ever imagined. Kenon Pearce as DM and Various NPCs Jordache Richardson as Chaz and Brad Nikki Richardson as Talice  ISHNAR/KALCRIN HOMEBREW SETTING by Kenon Pearce   Sound editing and design by Jordache and Nikki Richardson   Kenon Pearce @mr_fugufish Jordache Richardson @jdash24 Nikki Ri @nikkirivo   Website: totrpodcast.com Twitter: @totrcast Facebook: @topoftheround Instagram: @topoftheround THANK YOU HONORARY PRODUCERS! Gail Yadon Beth/Dee20 Koebaebeefboo David Biggs Dawn Prewett Holden Ray Corey Pfautsch Wanna talk to the cast? Check out our private Discord! https://discord.gg/qshNJJfKRr Or check out our channel on the CastJunkie Discord Server! https://discord.gg/napQ3Cb   Go to our website for MERCH! https://www.totrpodcast.com/merch-store.html#/   Find/Review us on Podchaser: https://www.podchaser.com/podcasts/top-of-the-round-808056   Support us on Patreon: https://www.patreon.com/topoftheround Buy us a cup of coffee on Ko-fi: https://ko-fi.com/topoftheround Join our Facebook Group! https://www.facebook.com/groups/476203760792265/   TOTR WIKIPEDIA! https://topoftheround.fandom.com/wiki/Top_of_the_Round_Wiki   LIGHT OF THE HOPELESS BY NICK HIGHAM https://www.nickjhigham.co.uk/   Breaking News by NoiseWorld licensed through AudioJungle/Envato - Music Broadcast and Standard License - https://audiojungle.net/licenses/terms/music_standard/2.0  https://audiojungle.net/licenses/terms/music_broadcast_ten_million Sunstorm Trailer by Sascha Ende® Link: https://filmmusic.io/song/9232-sunstorm-trailer License: https://filmmusic.io/standard-license Little Trolls by Frank Schröter Link: https://filmmusic.io/song/8104-little-trolls License: https://filmmusic.io/standard-license Halloween The Pumpkin Head by Frank Schröter Link: https://filmmusic.io/song/6663-halloween-the-pumpkin-head License: https://filmmusic.io/standard-license Cinematic Suspense Series Episode 009 by Sascha Ende® Link: https://filmmusic.io/song/8224-cinematic-suspense-series-episode-009 License: https://filmmusic.io/standard-license Here Be Dragons by Tim Kulig Link: https://filmmusic.io/song/8523-here-be-dragons License: https://filmmusic.io/standard-license Pursuit In The Outback by Tim Kulig Link: https://filmmusic.io/song/8730-pursuit-in-the-outback License: https://filmmusic.io/standard-license Epic Intro by Tim Kulig Link: https://filmmusic.io/song/8697-epic-intro License: https://filmmusic.io/standard-license Mega Boss Fight by Alexander Nakarada Link: https://filmmusic.io/song/8421-mega-boss-fight License: https://filmmusic.io/standard-license ExitTheVoid by Lilo Sound Link: https://filmmusic.io/song/7315-exitthevoid License: https://filmmusic.io/standard-license The Omen by Frank Schröter Link: https://filmmusic.io/song/6915-the-omen License: https://filmmusic.io/standard-license The Wandering King by Alexander Nakarada Link: https://filmmusic.io/song/4918-the-wandering-king License: https://filmmusic.io/standard-license Runner by Brian Holtz Music Link: https://filmmusic.io/song/7104-runner License: https://filmmusic.io/standard-license Steel and Seething by Kevin MacLeod Link: https://filmmusic.io/song/4417-steel-and-seething License: https://filmmusic.io/standard-license Evening of Chaos by Kevin MacLeod Link: https://filmmusic.io/song/3723-evening-of-chaos License: https://filmmusic.io/standard-license Cinematic Logo 10 by TaigaSoundProd Link: https://filmmusic.io/song/8345-cinematic-logo-10 License: https://filmmusic.io/standard-license Rhythm Beds 1 by Brian Holtz Music Link: https://filmmusic.io/song/7856-rhythm-beds-1 License: https://filmmusic.io/standard-license Night Runner by Tim Kulig Link: https://filmmusic.io/song/8863-night-runner License: https://filmmusic.io/standard-license Night Terrors 2 by Tim Kulig Link: https://filmmusic.io/song/8727-night-terrors-2 License: https://filmmusic.io/standard-license Alone Ambience by Tim Kulig Link: https://filmmusic.io/song/8571-alone-ambience License: https://filmmusic.io/standard-license Music: https://www.purple-planet.com :   Two Silly Monkeys Rabbit Run "radio static" by gowlermusic (https://freesound.org/people/gowlermusic/) Licensed under Creative Commons: By Attribution 3.0 License https://creativecommons.org/licenses/by/3.0/ After The Blast by Tim Kulig Link: https://filmmusic.io/song/8485-after-the-blast License: https://filmmusic.io/standard-license Children Eating Corn by Tim Kulig Link: https://filmmusic.io/song/8487-children-eating-corn License: https://filmmusic.io/standard-license Executioner by Alexander Nakarada Link: https://filmmusic.io/song/8436-executioner License: https://filmmusic.io/standard-license Tense Soundscape  by chilledmusic Link: https://filmmusic.io/song/9068-tense-soundscape- License: https://filmmusic.io/standard-license Cityscape05(intense) by Lilo Sound Link: https://filmmusic.io/song/8154-cityscape05-intense- License: https://filmmusic.io/standard-license Ivory by Luca Fraula Link: https://filmmusic.io/song/8312-ivory License: https://filmmusic.io/standard-license Resolution by Alexander Nakarada Link: https://filmmusic.io/song/4895-resolution License: https://filmmusic.io/standard-license Lost In A Nebula by Tim Kulig Link: https://filmmusic.io/song/8508-lost-in-a-nebula License: https://filmmusic.io/standard-license Ancient Basement by Tim Kulig Link: https://filmmusic.io/song/8486-ancient-basement License: https://filmmusic.io/standard-license Imagefilm 009 by Sascha Ende® Link: https://filmmusic.io/song/261-imagefilm-009 License: https://filmmusic.io/standard-license Armageddon 2012 by Sascha Ende® Link: https://filmmusic.io/song/103-armageddon-2012 License: https://filmmusic.io/standard-license All This by Kevin MacLeod Link: https://filmmusic.io/song/3351-all-this License: https://filmmusic.io/standard-license Chase by Kevin MacLeod Link: https://filmmusic.io/song/3489-chase License: https://filmmusic.io/standard-license Darkling by Kevin MacLeod Link: https://filmmusic.io/song/3616-darkling License: https://filmmusic.io/standard-license Prelude and Action by Kevin MacLeod Link: https://filmmusic.io/song/4236-prelude-and-action License: https://filmmusic.io/standard-license Static Motion by Kevin MacLeod Link: https://filmmusic.io/song/4414-static-motion License: https://filmmusic.io/standard-license Colossus by Kevin MacLeod Link: https://filmmusic.io/song/3525-colossus License: https://filmmusic.io/standard-license "We Got Trouble" Kevin MacLeod (incompetech.com) Licensed under Creative Commons: By Attribution 4.0 License http://creativecommons.org/licenses/by/4.0/ "Dangerous" Kevin MacLeod (incompetech.com) Licensed under Creative Commons: By Attribution 4.0 License http://creativecommons.org/licenses/by/4.0/ Find Them by Alexander Nakarada Link: https://filmmusic.io/song/4878-find-them License: https://filmmusic.io/standard-license Crossroads by Alexander Nakarada Link: https://filmmusic.io/song/4866-crossroads License: https://filmmusic.io/standard-license Heavy Traffic by Tim Kulig Link: https://filmmusic.io/song/9130-heavy-traffic License: https://filmmusic.io/standard-license Suspense Strings by Tim Kulig Link: https://filmmusic.io/song/8866-suspense-strings License: https://filmmusic.io/standard-license Holy Train Robbery by Tim Kulig Link: https://filmmusic.io/song/8871-holy-train-robbery License: https://filmmusic.io/standard-license Damn Road To Hell by Horst Hoffmann Link: https://filmmusic.io/song/8689-damn-road-to-hell License: https://filmmusic.io/standard-license Star Destroyer by Tim Kulig Link: https://filmmusic.io/song/8504-star-destroyer License: https://filmmusic.io/standard-license Epic by Ramol Link: https://filmmusic.io/song/7073-epic License: https://filmmusic.io/standard-license Stalker by Brian Holtz Music Link: https://filmmusic.io/song/7043-stalker License: https://filmmusic.io/standard-license Begin The End by Euan Ford Link: https://filmmusic.io/song/6889-begin-the-end License: https://filmmusic.io/standard-license They Are Here (the Chase) by Lilo Sound Link: https://filmmusic.io/song/5570-they-are-here-the-chase- License: https://filmmusic.io/standard-license Wretched Destroyer by Kevin MacLeod Link: https://filmmusic.io/song/5017-wretched-destroyer License: https://filmmusic.io/standard-license Futuristic Chase Scene by Tim Kulig Link: https://filmmusic.io/song/8748-futuristic-chase-scene License: https://filmmusic.io/standard-license Horror Clock by Horst Hoffmann Link: https://filmmusic.io/song/8969-horror-clock License: https://filmmusic.io/standard-license The Countdown (Loopable) by Dave Deville Link: https://filmmusic.io/song/8235-the-countdown-loopable- License: https://filmmusic.io/standard-license Goliath and Pariah by Scott Buckley License: http://creativecommons.org/licenses/by/4.0/ https://www.scottbuckley.com.au/library/