Podcasts about schubert

I met Jaden back in the early days of Knife Talk Podcast . He was a young guy starting to learn about knife making and sending us at the podcast a lot of great questions for the show. Over the years we saw him as a growing knife maker, good guy and supporter of the show. A couple of years I saw that he was involved in a horrific car accident that changed his life. Jaden is a remarkable person whose story is an  inspirational story about  drive and optimism and never giving up. His company Fox River Blades is doing great and through it all Jaden is finding happiness. This was a great episode and I'm sure he'll be back to fool around. Many thanks Jaden for your flexibility! All the best, GF Follow Jaden on Instagram:https://www.instagram.com/fox_river_blades?igsh=eTd5cnJrcm1wbWw1Go to his website:Fox River Blades | Handmade from the highest quality materialsLook for Jaden on other social media  All the best- GFThe Full Blast Podcast on Instagram:https://instagram.com/thefullblastpodcast?igshid=YmMyMTA2M2Y=If you want to support my race for the NYC Marathon as I raise money for Parkinson's Research please do here:https://give.michaeljfox.org/fundraiser/6151559 If you want to support Full Blast Support  Feder Knives - ( go buy a shirt )https://www.federknives.com/Go to CMA's website and check out the opportunities: https://centerformetalarts.org/Take a class: https://centerformetalarts.org/Follow CMA on Instagram https://www.instagram.com/centerformetalarts/?hl=enPlease subscribe, leave a review and tell your friends about the show. it helps me out a lot! Welcome aboard Phoenix Abrasives!Phoenixabrasives.com Phoenix abrasives supplies superior abrasive products for every application. Knifemaking, Metal fabrication, glass fab, floor sanding and Crankshaft! Belts, grinding and cutting discs, Flap Discs, surface conditioning FB10 at checkout gets 10% off your order at Check out.Welcome back! Nordic Edge:@nordic_edge on IG Nordicedge.com.auNordic Edge is about the joy of making something with your own hands. our one stop shop for tools, supplies and help when it comes to knife making, blacksmithing, leatherworking, spoon carving and other crafts where you get to take some time out for yourself and turn an idea into something tangible. Nordic Edge also holds hands-on workshops in the “lost arts” of blacksmithing, knife making and spoon carving. Come spend a day with us and go home with new skills and something you made with your own hands. They have the  guidance to help accelerate your creativity and the  Tools, products, supplies to help you manifest your ideas. NordicEdge.com.auThank you Baker Forge & Tool for your beautiful Steel. Go to Bakerforge.com to see all the incredible steels they offer. ‘FullBlast' gets you 10% off your order. CHECK OUT THE NEW ADDITIONS TO THE GATOR PISS LINE - GATOR PISS MAX & GATOR PISS HEAVYWelcome to our new Sponsor- EVENHEAT- Manufacturers of the best heat treating ovens available.  To find your next oven go to Evenheat-kiln.comFollow them on Instagram: Welcome aboard Texas Farrier Supply! For all your forging and knife making supplies go to www.texasfarriersupply.com   and get 10% off your order with PROMOCODE Knifetalk10Brodbeck Ironworks Makers of an Incredibly versatile grinder, with Many different attachmentsLeather sewing equipment and even abrasives Check out Brodbeck Ironworks for yourself:https://brodbeckironworks.com/“Knifetalk10” gets you 10% off Follow Brodbeck Ironworks on Instagramhttps://www.instagram.com/brodbeck_ironworks/Trojan Horse Forge Get your THF Stabile Rail knife finishing vise at https://www.trojanhorseforge.com/And when you use the promo code “FULLBLAST10 you get 10%off everything on the site.Follow them on instagram:https://www.instagram.com/trojan_horse_forge/ TotalBoatAdhesives, paints, primers and polishing compounds.Go to http://totalboat.com/FULLBLASTTo support the podcastG.L. Hansen & Sons On Instagramhttps://instagram.com/g.l._hansenandsons?igshid=MzRlODBiNWFlZA== Gcarta.bigcartel.comG-Carta is unique composite of natural fibers and fabrics mixed with epoxy under pressure and heat Boofa, ripple cut, Tuxini, by Mikie, Mahi Mahi, Radio worm g-cartaPheasant by MikieColorama by MikieHoopla by MikeAmazing colors and razzle dazzle for your project. MARITIME KNIFE SUPPLIESMaritimeknifesupply.CAAll your knifemaking needs, belts abrasive, steals, kilns forges presses, heat treating ovens anvils and everything you need to get started or resupply. Including Dr. Thomas's book:“Knife Engineering”They're in Canada but ship to the US with ease and you can take advantage of the exchange rate The steel selection is always growing and Lawrence just got 3900 lbs. of steel in.10% off on abrasive belt packs of 10 get a hold of https://www.instagram.com/maritimeknifesupply/ and see what the fuss is about.Welcome Tormek as a sponsor to the show. Take your sharpening to a new level. I love these sharpening machines. Waterfed, easy to use. Jigs included. Definitely check out what they have to offer. If you need it sharpened, Tormek is definitely something for you:https://tormek.com/en/inspiration/woodworking--craftsVisit Tormek's website: https://tormek.com/enFollow Tormek on Instagram:https://www.instagram.com/tormek_sharpening/?hl=enFollow Tormek on TikTokhttps://www.tiktok.com/@tormek_sharpening?lang=enGo look at the course curriculum at CMA:https://centerformetalarts.org/workshops/** Taking classes from some of the best in forging at one of the best facilities in the country is an excellent opportunity to propel yourself as a blacksmith. Not to be missed. And with housing on the campus it's a great way to get yourself to the next level. Advertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

A cidade de Briançon, no coração dos Alpes franceses, se prepara para acolher a 20ª edição do Festival Violoncelles en Folie, que será realizada de 9 a 16 de agosto de 2025. Criado pelo violoncelista brasileiro Fernando Lima, o evento nasceu do desejo de oferecer um espaço dedicado ao encontro e à criação em torno do instrumento. Vinte anos depois, o evento tornou-se uma referência, reunindo artistas consagrados, jovens talentos e um público fiel que compartilha a paixão pelo violoncelo. “Esse ano o Violoncelles en Folie completa 20 anos. Ele nasceu nos Alpes, em torno de Briançon, como um pequeno encontro de violoncelistas”, recorda Fernando Lima. “Hoje, reúne cerca de 130 músicos e atrai mais de 4.000 espectadores. Tornou-se uma referência para o violoncelo na Europa”, completa. Segundo o idealizador, desde o início o objetivo foi cultivar a excelência artística em um ambiente de liberdade criativa e alegria. “Queríamos um espaço de expressão, onde a busca pela qualidade fosse acompanhada de leveza, de prazer em fazer música.” O Brasil ocupa um papel de destaque nessa trajetória. “Sempre teve um lugar especial no festival, porque tem um lugar especial para mim”, afirma Lima. “Ao longo desses 20 anos, cerca de 40 jovens músicos brasileiros passaram por residências em Briançon. Alguns ficaram e hoje são professores e artistas do festival.” Entre os nomes que construíram essa ponte cultural entre Brasil e França, estão o clarinetista Alison Pereira, os violoncelistas Diego Coutinho e Diego Cardoso, e o compositor Kali Akel, presidente no festival desde 2018. “Ele contribui de forma importante para enriquecer o repertório contemporâneo do violoncelo”, destaca. Para marcar a data, a programação de 2025 aposta em encontros musicais inspiradores. Ao lado de artistas franceses de prestígio — como o violoncelista Victor Julien-Laferrière e a violinista Manon Galy, vencedores do prêmio Victoires de la Musique — o festival receberá o virtuoso cavaquinista brasileiro Matheus Donato, em uma celebração da diversidade estética que marca o espírito do evento. “São concertos variados, com música clássica, jazz, música brasileira e sons do mundo inteiro. É um festival de encontros — e de muito amor pela música”, resume Lima. Entre os destaques da programação estão o Trio Zeliha, o duo formado por Julien-Laferrière e Théo Fouchenneret, o Tansman Cello Quartet, além de apresentações coletivas com artistas residentes que interpretarão repertórios que transitam de Schubert a Piazzolla, de Brahms ao tango contemporâneo. Uma experiência musical nas alturas Durante o dia, a Académie Violoncelles en Folie transforma Briançon e seus arredores em um laboratório vivo de formação musical. Crianças, jovens e adultos de diferentes níveis participam de aulas individuais, oficinas criativas, ensaios coletivos e projetos de música de câmara. No final da semana, os alunos dividem o palco com artistas consagrados. A experiência se desdobra entre 1.500 e 1.800 metros de altitude, integrando música, natureza e patrimônio arquitetônico local. O clarinetista Alison Pereira, um dos músicos brasileiros que passaram pela residência do festival e hoje atua como professor convidado, será protagonista de dois momentos especiais. Na programação oficial, participa de um trio ao lado do violoncelista Diego Coutinho e do acordeonista Jérémy Vannereau, com repertório que une Piazzolla, Chico Buarque e composições autorais de Vannereau. “Será um belo concerto, misturando estilos e timbres, do canto à música instrumental”, adianta. Pereira também assina o concerto de encerramento, no dia 16 de agosto, à frente de um grupo festivo criado especialmente para a ocasião. “É com muita felicidade que vejo chegar esse aniversário de 20 anos. O festival sempre contou com artistas brasileiros de renome e encanta o público com esse universo sonoro que traz à região. Agora é a nossa vez de contribuir com uma gota de alegria nesse grande vaso musical. Vamos fechar com festa: músicas dos anos 1980, Gilberto Gil e companhia, para todo mundo dançar”, celebra. O violoncelo e a voz humana O violoncelista Diego Cardoso participa das comemorações pelos 20 anos do festival, evento que acompanha sua trajetória artística desde 2007. Ao longo desses anos, Cardoso passou de aluno a professor, artista residente e convidado, consolidando uma relação duradoura com o festival. “Comecei como aluno e, com o tempo, retornei como professor, violoncelista em residência e artista convidado”, relata o músico. Entre os momentos marcantes de sua participação, destaca colaborações com o grupo Ansombro Nemesis, a equipe do Tempo de Brasil e o pianista César Birchner, além de outras experiências musicais e humanas que considera inesquecíveis. Cardoso também reflete sobre a natureza expressiva do violoncelo, instrumento que, segundo ele, se destaca por sua proximidade com a voz humana, tanto em tessitura quanto em timbre. “Quando a gente toca, ele vibra com o nosso corpo, e essa vibração cria uma conexão muito forte, como se os dois corpos, o do músico e o do instrumento, virassem um só”, explica. Para o músico, essa característica torna o violoncelo especialmente capaz de "transmitir emoções de forma direta e sensível ao público". Além de sua expressividade, o violoncelo é, segundo Cardoso, um instrumento versátil: “Pode cantar, acompanhar, fazer acordes, ser rítmico, até percussivo. É possível explorar muitos estilos e sons com ele”. Ainda assim, ele ressalta que a verdadeira magia do instrumento está na sua capacidade de "ressonar com quem toca e com quem escuta". Neste ano, sua participação no festival ganha um significado especial. Como artista residente, Cardoso está envolvido em diversas frentes: ensaios, aulas, concertos e interações com alunos e público. Um dos destaques será a estreia mundial de uma obra inédita do compositor Kali Akel, escrita especialmente para ele e para o festival. A peça, para violoncelo solista e orquestra de violoncelos, será apresentada pela primeira vez durante o evento. Acessibilidade e espírito comunitário Com ingressos a preços acessíveis — 20 €, com descontos para jovens e estudantes — o festival reafirma seu compromisso com a democratização do acesso à música de qualidade. Crianças de até 12 anos têm entrada gratuita, e há também a opção de passes semanais com tarifas sociais. A 20ª edição do Festival Violoncelles en Folie segue até 16 de agosto, em Briançon.

This Sunday Kelley Schubert, one of our Elders here at Resonate, delivers a message on how God has “divine blueprints” for each of our lives. Meaning He has unique plans and wisdom that He is eager to share with each of us, like He did for Moses, David, and Solomon, if we will only ask! Our part is to approach Him with humility, ask for wisdom, and wait for His Spirit to move. When we do, we become agents of change—altering atmospheres, building healthy communities, and pointing people to Jesus.

Ein deutscher Arzt kauft ein Haus in den Dolomiten. Bei der Renovierung wird eine Leiche gefunden. Das Wappen auf dem Ring des Toten führt zum venezianischen Geschlecht der Lorenzonis. Commissario Brunetti hat es mit "edlem Geblüt" zu tun. | Von Donna Leon | Mit Uta Hallant, Götz Schubert, Krista Posch, Gunter Schoß u.a. | Komposition: Henrik Albrecht | Regie: Leonhard Koppelmann | SWR 2000 | Podcast-Tipp: Kein Mucks!: https://1.ard.de/keinmucks

If you “get” Gundula Janowitz, then you really get her, and this birthday tribute will be a delectable treat. If, however, you don't get her, or don't think that you get her, you might want to give this episode a try, anyway, for it focuses on her work as a Lieder singer. It is my contention that she was one of the very finest song recitatlists of the late 20th century. Like Grace Bumbry, Margaret Price, Helen Donath, and a number of others, she balanced her work in opera with superlative work on the recital stage. To support my informed opinion, I have found a number of rare live recordings from Amsterdam, Tokyo, and Athens, in which the beloved soprano performs (with her pianists Irwin Gage, Charles Spencer, and Peter Waters and conductor Rudolf Barshai), songs of Strauss, Schubert, Liszt, Wagner, and Hindemith. The episode is supplemented by music by Haydn, Bach, and Robert Stolz, the last an early-career Janowitz performance of his obscure opera Die Rosen der Madonna. In these works, she is heard in duet with Waldemar Kmentt and last week's featured singer, Hermann Prey. Herzliche (aber nachträgliche) Geburtstagsgrüße an unsere geliebte Frau Kammersängerin! Countermelody is a podcast devoted to the glory and the power of the human voice raised in song. Singer and vocal aficionado Daniel Gundlach explores great singers of the past and present focusing in particular on those who are less well-remembered today than they should be. Daniel's lifetime in music as a professional countertenor, pianist, vocal coach, voice teacher, and journalist yields an exciting array of anecdotes, impressions, and “inside stories.” At Countermelody's core is the celebration of great singers of all stripes, their instruments, and the connection they make to the words they sing. By clicking on the following link (https://linktr.ee/CountermelodyPodcast) you can find the dedicated Countermelody website which contains additional content including artist photos and episode setlists. The link will also take you to Countermelody's Patreon page, where you can pledge your monthly or yearly support at whatever level you can afford.

10.07.2025 - Eberhard Schubert (Nr. 1942) by Mecklenburgischer Gemeinschaftsverband (MGV)

24.07.2025 - Beate Schubert (Nr. 1956) by Mecklenburgischer Gemeinschaftsverband (MGV)

02.06.2025 - Eberhard Schubert (Nr. 1904) by Mecklenburgischer Gemeinschaftsverband (MGV)

15.06.2025 - Beate Schubert (Nr. 1917) by Mecklenburgischer Gemeinschaftsverband (MGV)

Professor Dr. Dr. Christian Schubert ist Arzt, Psychologe, Psychotherapeut und Professor für Psychoneuroimmunologie (PNI) an der Medizinischen Universität Innsbruck und blickt auf eine 25-jährige Forschung zurück inklusive des Aufbaus eines Labors für PNI ab 1995. Der Schwerpunkt seiner Tätigkeit liegt auf dem Gebiet, wie Psyche, Körper und menschliches Immunsystem zusammenarbeiten, um holistische, medizinische Fortschritte zu erlangen.Die allgemeinmedizinische Lehre orientiert sich strikt am materialistischen Weltbild, nach welchem Ärzte und Psychologen nach wie vor ausgebildet werden. Jedoch geht Schubert mittlerweile von einem anderen Menschenbild aus, und zwar von einem, das weniger eindimensional ist. Denn dass die Psyche, das soziale Umfeld, menschliche Berührungen, Beziehungen und Kontakte, seelische Kräfte und Kreativität Heilwirkung besitzen, wird so gut wie gar nicht gelehrt.Würde man aber die Erkenntnisse der Psychoneuroimmunologie in alle medizinischen Berufe einbringen, wären sich die Menschen deutlich bewusster, wie sie selbst ihre Gesundheit verbessern könnten mit dem Ergebnis, dass der Mensch Gesundheit leben könnte.Es wäre ein Wechsel in der Medizin möglich – weg von der Pathogenese (Krankheitsentstehung) hin zur Salutogenese (Gesunderhaltung). Ob sich aber die Pharmaindustrie ebenfalls in eine andere Richtung drehen würde, wäre fraglich. Denn bisher spült Krankheitserhaltung erheblich mehr Geld in die Kassen als Gesunderhaltung. Darin nur böse Absicht zu unterstellen, wäre zu einfach. Schließlich geht dieses Dilemma zurück auf den Philosophen Rene Descartes, der den Geist vom Körper trennte und die materielle Empirie als alleinige wissenschaftliche Methode einführte. Das Seelische sollte fortan dem Klerus überlassen bleiben.Die damalige Trennung von Geist und Körper wurde bis heute fortgeführt und mündet nun im Transhumanismus. Der Mensch ist eine Maschine, die man mit den Mitteln der Medizin und der digitalen Technokratie verbessern kann; so lautet das Weltbild der westlichen Menschheit – im Grunde eine Geisteskrankheit pandemischen Ausmaßes, deren Ursprung und Ursache der Materialismus ist.Mit seiner Forschung und seinen Ideen steht Christian Schubert in der Wissenschaft für mehr Menschlichkeit sowie für mehr Respekt und Achtung für den ganzen Menschen.Der Mensch ist keine Deus ex Maschina (antike Übersetzung), die der Traum der Transhumanisten ist (Gottkomplex). Der Mensch ist ein holistisches Lebewesen mit Geist, Empathie, Gefühlen und einem in diese Welt eingebundenen Spirit.Mehr über Professor Dr. Dr. Christian Schubert hier: http://www.christian-schubert.at+++ Ihnen gefällt unser Programm? Machen wir uns gemeinsam im Rahmen einer "digitalen finanziellen Selbstverteidigung" unabhängig vom Bankensystem und unterstützen Sie uns bitte mit der: Spenden-Kryptowährung „Nackte Mark“: https://apolut.net/unterstuetzen/#nacktemark oder mit Bitcoin: https://apolut.net/unterstuetzen#bitcoin Informationen zu weiteren Unterstützungsmöglichkeiten finden Sie hier: https://apolut.net/unterstuetzen/+++ Bitte empfehlen Sie uns weiter und teilen Sie gerne unsere Inhalte in den Sozialen Medien. Sie haben hiermit unser Einverständnis, unsere Beiträge in Ihren eigenen Kanälen auf Social-Media- und Video-Plattformen zu teilen bzw. hochzuladen und zu veröffentlichen.+++ Hosted on Acast. See acast.com/privacy for more information.

Stephen Kovacevich is one of the  most celebrated concert pianists of his generation. Since his Wigmore Hall debut in 1961 he has been known for his interpretations of Beethoven, Brahms, Mozart and Schubert. Stephen and I look back over his career and discuss his experiences as a soloist, chamber musician, recording artist and conductor, collaborating with many of the world's leading performers and orchestras. He and pianist Martha Argerich will be performing at the Wigmore Hall in October 2025 in a concert to celebrate his 85th birthday.

Frank Schubert - a native of Staten Island - spent 43 years as a keeper and caretaker at Coney Island Light Station in New York. When he passed away in 2003, he was the last person who had served as a keeper under the old U. S. Lighthouse Service. He originally joined the Lighthouse Service as a seaman on the tender Tulip in 1937. Coney Island Light Station, New York. Photo by Jeremy D'Entremont. Frank Schubert He moved in as keeper at Coney Island in 1960. Frank, along with his wife and three children, enjoyed giving tours to schoolchildren and scout troops, and having a wonderful time every day. Our conversation today is with Greg Goldstein, grandson of Frank Schubert. Greg's wife Lisa also took part in the conversation. To learn more about Frank Schubert, click here.

Der Dirigent Jan Willem de Vriend weiß, wie Orchester ticken, denn schon als junger Geiger spielt er im Concertgebouw Orchester in Amsterdam mit. 1982 gründete er dann sein eigenes Ensemble, das Combattimento Consort Amsterdam, das er von der Geige aus leitet. Heute glänzt er auch mit seinen Interpretationen der Musik von Mendelssohn oder Schubert und begeistert Orchester in Wien, Kyoto oder Zürich mit seiner Energie, seiner Freude und seinem Wissen.

Senior Times Classical Collection More Musical Masterworks Including works by Haydn, Mozart, Beethoven, Mahler, Schubert, Rossini, Handel and more Introduced by John Low. Produced by Conor O'Hagan

Kurz vor den Sommerferien wurde überraschend doch noch ein Haushalt für Sachsen beschlossen, ich spreche in dieser Folge mit Franziska Schubert über die Inhalte. Ich wünsche euch allen eine gute Sommerpause.

durée : 01:28:45 - Sabine Meyer, soliste et chambriste exceptionnelle - par : Aurélie Moreau - Pour son nouvel enregistrement du Concerto de Mozart dirigé par Giovanni Antonini, Sabine Meyer a choisi la clarinette de basset, instrument soliste initial (Digital, Alpha Classics). Au programme aujourd'hui, et Schubert, Krommer, Debussy, Milhaud… Vous aimez ce podcast ? Pour écouter tous les autres épisodes sans limite, rendez-vous sur Radio France.

Der Podcast mit Tricks, Tipps und Hilfe für Ihre Herausforderungen und HR Strategien. Experten und spannende Persönlichkeiten aus der HR Branche verraten Euch Ihre Hacks aus den Bereichen: Recruiting, Talentmanagement, Employer Branding, Staffing, Personalwesen, HR Tech [HR Technologie und HR Innovationen], Personalführung, Weiterbildung, eLearning, Leadership & HR Management, internationales Human Resource Management, Learning & Development, Retention [Mitarbeiterbindung & Employee Benefits], Leadership. Payroll, Lohn & Gehalt, Entgeltabrechnung, Corporate Health, Arbeitsrecht.

For some inspiring summer listening we are re-sharing some of our favorite episodes on the power of science and chemistry. This is a special musical episode with Nuno Maulide, a brilliant chemist AND award winning pianist. Enjoy this discussion about the link between music and science, and his beautiful performance of Bach, Mozart, Chopin and more. And stay tuned for our next season featuring our customers and partners starting in September!**This episode was first released in January 2024.-------------Did you know that there's a strong connection between music and science? Ilham speaks with award winning chemist and pianist Nuno Maulide about the science behind the classical music of the greatest composers. He talks about the musical talent of brilliant scientists such as Albert Einstein and Max Planck, what scientists and business leaders can learn from music, and beautifully plays pieces by Bach, Mozart, Schubert, Chopin, Rachmaninoff and Debussy. Listen and be inspired! Nuno Maulide is a professor and head of the Institute for Organic Chemistry at the University of Vienna. Nuno studied piano and chemistry in his hometown in Lisbon and then went on to earn his PhD at the University of Louvain in Belgium. He has studied at universities in Louvain-la-Neuve, Paris and at Stanford University, and started his independent work as a Group leader at Germany's Max Planck Institute for Carbon Research. He has received numerous prestigious awards in both chemistry and music throughout his career.  For additional details about the podcast, show notes, and access to resources mentioned during the show, please visit https://www.syensqo.com/en/podcast

Watch the best scene reading: https://www.youtube.com/watch?v=DLrcCUBi10A Facing death due to different illnesses, three patients find themselves playing a made up game called The Mortality Game to experience life one last time risking it all. www.instagram.com/thevelamonster Get to know the writer: What is your screenplay about? It's about 116 pages! Sorry, I just had to get one “Dad Joke” in, even though I'm NOT a Dad (that I know of). “The Mortality Game' is in essence a story of life as seen through the lens of impending death. It's about how we as humans face the “final act” of the stage play of our lives. In the case of my three headed lead: Schubert, Halada and Tugger face it in their own differing, yet quirky ways. Ultimately deciding to take a final road trip across the country while playing a game where they do dangerous things to challenge and defy death, since they have nothing to lose. What genres does your screenplay fall under? Character Driven Dramedy for the most part, as it has elements of Comedy and Drama, with a bit of Coming of Age mixed in for good measure. Why should this screenplay be made into a movie? Because the characters are as diverse in age and attitude as they are strong in development and memorability. Because the story, about how we face death is an important one to tell, since that is a situation that none of us can avoid. Because it explores letting go as well as fighting back, finding the joy in the dreaded, and allowing yourself to feel what you feel facing the end, whether it's understandable or not, expected or not, appropriate or not. Subscribe to the podcast: https://twitter.com/wildsoundpod https://www.instagram.com/wildsoundpod/ https://www.facebook.com/wildsoundp

„Diese Spirale dreht sich hoffentlich immer weiter nach oben“, sagt Rainer Falk über das wachsende Selbstbewusstsein der queeren Szene auch im Bereich der klassischen Musik. In SWR Kultur spricht der Herausgeber von „Casta Diva – Der schwule Opernführer“ über schwule Komponisten von Schubert über Tschaikowsky bis Britten und Bernstein, über queere Klassik-Influencer von heute und seine Empfehlungen für einen entspannten Umgang mit Queerness auch in der Klassik.

durée : 00:07:12 - Musique matin - par : Max Dozolme - Ecoutons La Parisienne, Wolfgang et moi, L'Impromptu de Schubert. Signées Marie-Paule Belle, ces trois chansons tantôt tendres, parfois très drôles ont toutes en commun d'être inspirées de grands airs classiques ! Vous aimez ce podcast ? Pour écouter tous les autres épisodes sans limite, rendez-vous sur Radio France.

This is the third episode in Alex Jonker and Peter Schubert's five-episode mini-series on “idiomatic improvisation” as a pedagogical technique in the music theory and aural skills classroom. This episode is the only one in the series where the improvisation uses notation, asking students to harmonize a chant melody with a very limited set of rules in order to introduce unfamiliar sounds, like parallel perfect fourths.This episode was produced by Amy Hatch & Katrina Roush along with Team Lead Caitlin Martinkus. Special thanks to peer reviewers Phil Duker and Joseph Straus. SMT-Pod's theme music was written by Maria Tartaglia, with closing music by Yike Zhang. For supplementary materials on this episode and more information on our authors and composers, check out our website: https://smt-pod.org/episodes/

This is the first episode in a five-episode mini-series on “idiomatic improvisation” as a pedagogical technique in the music theory and aural skills classroom. In this episode, Alex Jonker and Peter Schubert invite students to improvise doo-wop songs which take place in a simple harmonic context while offering a lot of freedom, and a lot of fun!This episode was produced by Amy Hatch & Katrina Roush along with Team Lead Caitlin Martinkus. Special thanks to peer reviewers Phil Duker and Joseph Straus. SMT-Pod's theme music was written by Maria Tartaglia, with closing music by Yike Zhang. For supplementary materials on this episode and more information on our authors and composers, check out our website: https://smt-pod.org/episodes/

This is the second episode in Alex Jonker and Peter Schubert's five-episode mini-series on “idiomatic improvisation” as a pedagogical technique in the music theory and aural skills classroom. In this episode, students improvise a melody over a longer ground bass progression, now in a standard common practice harmonic context including some chromatic harmony.This episode was produced by Amy Hatch & Katrina Roush along with Team Lead Caitlin Martinkus. Special thanks to peer reviewers Phil Duker and Joseph Straus. SMT-Pod's theme music was written by Maria Tartaglia, with closing music by Yike Zhang. For supplementary materials on this episode and more information on our authors and composers, check out our website: https://smt-pod.org/episodes/

This is the fourth episode in Alex Jonker and Peter Schubert's five-episode mini-series on “idiomatic improvisation” as a pedagogical technique in the music theory and aural skills classroom. In this episode, students improvise a Renaissance first-species canon with Peter, teaching them to listen, think, and sing all at the same time in a simple diatonic context.This episode was produced by Amy Hatch & Katrina Roush along with Team Lead Caitlin Martinkus. Special thanks to peer reviewers Phil Duker and Joseph Straus. SMT-Pod's theme music was written by Maria Tartaglia, with closing music by Yike Zhang. For supplementary materials on this episode and more information on our authors and composers, check out our website: https://smt-pod.org/episodes/

This is the final episode in a five-episode mini-series on “idiomatic improvisation” as a pedagogical technique in the music theory and aural skills classroom. In this episode, Alex Jonker and Peter Schubert ask students to improvise classical phrase continuations that modulation to the dominant, drawing on basic musical instincts about phrase lengths and tonality.This episode was produced by Amy Hatch & Katrina Roush along with Team Lead Caitlin Martinkus. Special thanks to peer reviewers Phil Duker and Joseph Straus. SMT-Pod's theme music was written by Maria Tartaglia, with closing music by Yike Zhang. For supplementary materials on this episode and more information on our authors and composers, check out our website: https://smt-pod.org/episodes/

Consider making a donation to The Piano Maven podcast by subscribing to our Substack page (https://jeddistlermusic.substack.com/about), which you also can access by clicking on the "Donate" button here: https://rss.com/podcasts/pianomavenJed discusses a very rare all-Schubert disc with live performances by Steven de Groote (Claremont GSE 1527)

Daniel Katz is a renowned art dealer, collector and gallery owner who has very much beaten his own path through the tangled forests of the art world. Although he left school at the age of 14, his energetic curiosity brought him early success, making a profit of £15 on the first bronze he bought, and discovering something quite unexpected inside a grandfather clock. Danny is an expert on European sculpture, but has also branched out into new fields, including antiquities, Old Masters, Impressionist paintings and Modern British Art. He's worked closely with museums, exhibitions and libraries around the world. Danny's choices include Schubert, Debussy, Sibelius and Bernstein.

Earlier this year the Gramophone Podcast passed 1 million downloads. Now we've reached another milestone: our 500th episode. Launched before podcasting's current popularity, the series steadily built a following, which grew substantially once we adopted a weekly schedule and set formats. Those formats include: interviews with major artists on new albums; in-depth composer discussions; reflections with senior musical figures; and conversations with a new generation of musicians rethinking the artist's role today. In a special celebratory edition, James Jolly, Martin Cullingford, Tim Parry and Hattie Butterworth each choose a standout: Julian Bream on a life in music; William Christie on Mondonville; Richard Wigmore on the enduring brilliance of Schubert and Fatma Said on collaboration.

durée : 01:28:53 - Le Quatuor de Jérusalem, la tradition de l'excellence - par : Aurélie Moreau - 2025 marque les 30 ans du Quatuor de Jérusalem qui a très vite acquis une renommée mondiale, jouant avec passion, précision et chaleur un large répertoire. Aujourd'hui : Chostakovitch, Brahms, Haydn, Dvořák, Schubert, Debussy, Schumann et Korngold. Vous aimez ce podcast ? Pour écouter tous les autres épisodes sans limite, rendez-vous sur Radio France.

Today may be my final episode for Pride Month 2025, but it is most certainly not my final episode celebrating and affirming Pride and all our glorious forebears who preceded us! Today's episode is a belated birthday tribute to British tenor Peter Pears (22 June 1910 – 03 April 1986), most celebrated for his long-standing romantic and musical partnership with Benjamin Britten. However, as with my recent episode celebrating the artistry of Pierre Bernac apart from his performances of the music of Francis Poulenc, in today's episode, there is not a note of Britten's music to be heard. There is no question that Britten was a formative figure in Pears' artistic development, but throughout their lives together, he performed a wide range of music, from Pérotin to Lutosławski as an independent and enormously versatile artist. In this episode, I offer selections by Webern, Handel, Copland, Couperin, Stravinsky, Dowland, Tippett, Mozart, Holst, Bach, Copland, Berkeley, Schubert, Walton, Schütz, Debussy, Handel, Nordheim, Schumann, and David Bedford, among others, to offer a surprising portrait of this fascinating singer. Even if you have not (yet) acquired a taste for this (sometimes) controversial singer, I urge you to give it a listen, for not only does it present Pears in all his varieties, it also highlights his musical partnerships with Joan Sutherland, Sviatoslav Richter, Murray Perahia, Dennis Brain, Viola Tunnard, George Malcolm, Martha Mödl, Gré Brouwenstijn, Imogen Holst, and Noel Mewton-Wood (as well as a few clips with with his life-partner Britten at the piano). Countermelody is a podcast devoted to the glory and the power of the human voice raised in song. Singer and vocal aficionado Daniel Gundlach explores great singers of the past and present focusing in particular on those who are less well-remembered today than they should be. Daniel's lifetime in music as a professional countertenor, pianist, vocal coach, voice teacher, and journalist yields an exciting array of anecdotes, impressions, and “inside stories.” At Countermelody's core is the celebration of great singers of all stripes, their instruments, and the connection they make to the words they sing. By clicking on the following link (https://linktr.ee/CountermelodyPodcast) you can find the dedicated Countermelody website which contains additional content including artist photos and episode setlists. The link will also take you to Countermelody's Patreon page, where you can pledge your monthly or yearly support at whatever level you can afford.

This Sunday is a pivotal day at Resonate! We add Kelley and Robin Schubert to our Eldership team, hear from all of our elders about the heart and vision of Resonate, and officially take up our pledges for the Making Room For The Harvest Campaign.

Luis Herrero habla cine con Inocencio Arias, José Luis Garci y Luis Alberto de Cuenca. El programa comienza con una referencia musical y la intervención de varios tertulianos que debaten sobre viajes espaciales y temporales, comparando la ciencia ficción con la realidad tecnológica actual. Se menciona la influencia de la serie Star Trek y cómo conceptos como la teletransportación podrían ser la solución a los problemas de distancia y tiempo. La conversación deriva hacia el cine y la cultura, recordando películas y series relevantes, y se hace una pausa para escuchar música. Posteriormente, se aborda el tema de los museos y la experiencia de visitar uno en Viena. Se destaca la música de Schubert y la conexión con la historia y el arte. El debate continúa con reflexiones sobre la película Tiburón, su impacto cultural y cómo ha influenciado la percepción pública sobre los escualos. Se comparan las sensaciones que provoca la película con el miedo real y se discute sobre el peligro que representan los tiburones. Finalmente, se retoman las cuestiones tecnológicas y de cine, comentando la posibilidad de taxis voladores y la evolución del transporte. Se cierra el programa con una reflexión sobre la música y cómo esta puede evocar recuerdos y emociones, vinculándola con las experiencias personales de los participantes.

Gabriel Zuchtriegel is the director of Pompeii, one of the world's most important ancient historical sites. It sits at the base of Mount Vesuvius, the still active volcano which erupted in 79AD and buried the city under volcanic ash and pumice, preserving a unique snapshot of life there nearly 2000 years ago.Gabriel grew up in Germany, where ruins and ancient myths first sparked his interest in our ancient past, and led him to study archaeology. Prior to Pompeii he oversaw Paestum, a site about 60 miles south of Vesuvius, celebrated for its three ancient Greek temples, dating back to about 500 BC. More recently, he has written a book called The Buried City: Unearthing the Real Pompeii - and new finds continue to be unearthed, as around a third of the site is still buried.Gabriel's music choices include Schubert, Mozart, Vivaldi and Bach.

durée : 01:58:34 - Alfred Brendel, les enregistrements des années soixante - par : Philippe Cassard - Celui qui, né en 1931 et s'est retiré de la scène en 2008, a été sans doute le grand interprète des classiques viennois (Haydn, Mozart, Beethoven) et de Schubert, a, dans ses jeunes années, joué la musique du XXème siècle et Liszt de manière transcendante. - réalisé par : Davy Travailleur Vous aimez ce podcast ? Pour écouter tous les autres épisodes sans limite, rendez-vous sur Radio France.

Elegant and imperial yet vibrantly modern, Vienna is a city where, like the beloved Danube itself, history and creativity flow together.For over four centuries, Vienna was the heart of the Habsburg Empire – a mecca for musicians, artists, architects and intellectuals. Today, its grand palaces, museums and concert halls still captivate, while the legacy of composers such as Mozart, Beethoven and Schubert continue to shape the city's rich musical and cultural identity.In this episode, art historian and music specialist Christopher Menz discusses the remarkable legacy of this timeless city, from its musical heritage to its architectural splendour.Academy Travel is a leading specialist in small-group cultural tours, allowing you to travel with like-minded companions and learn from internationally renowned experts. Like our podcast, our tours are designed to appeal to travellers with a strong interest in history, archaeology, architecture, the visual arts and the performing arts.Learn more here - https://academytravel.com.au/

1824 ist kein gutes Jahr für Schubert: Zoff unter Freunden, ein Opern-Flop und eine schwere Infektion. Er ist näher am Tod als am Leben – auch musikalisch. Er komponiert das Streichquartett in d-Moll – auch bekannt unter dem Titel: "Der Tod und das Mädchen" ... Von Ben Süverkrüp.

We all know about art forgeries, but why write fake classical music? In Forgery in Musical Composition: Aesthetics, History, and the Canon (Oxford University Press, 2025), Dr. Frederick Reece investigates the methods and motives of mysterious musicians who sign famous historical names like Haydn, Mozart, and Schubert to their own original works. Analyzing a series of genuinely fake sonatas, concertos, and symphonies in detail, Dr. Reece's study exposes the shadowy roles that forgeries have played in shaping perceptions of authenticity, creativity, and the self within classical music culture from the 1790s to the 1990s.Holding a magnifying glass to a wide array of phony works, Forgery in Musical Composition explains how skillful fakers have succeeded in the past while also proposing active steps that scholars and musicians can take to better identify deceptive compositions in the future. Pursuing his topic from case to case, Dr. Reece observes that fake historical masterpieces have often seduced listeners not simply by imitating old works, but rather by mirroring modern cultural beliefs about innovation, identity, and meaning in music. Here forged compositions have important truths to tell us about knowing and valuing works of art precisely because they are not what they appear. This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda's interviews on New Books with Miranda Melcher, wherever you get your podcasts. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

We all know about art forgeries, but why write fake classical music? In Forgery in Musical Composition: Aesthetics, History, and the Canon (Oxford University Press, 2025), Dr. Frederick Reece investigates the methods and motives of mysterious musicians who sign famous historical names like Haydn, Mozart, and Schubert to their own original works. Analyzing a series of genuinely fake sonatas, concertos, and symphonies in detail, Dr. Reece's study exposes the shadowy roles that forgeries have played in shaping perceptions of authenticity, creativity, and the self within classical music culture from the 1790s to the 1990s.Holding a magnifying glass to a wide array of phony works, Forgery in Musical Composition explains how skillful fakers have succeeded in the past while also proposing active steps that scholars and musicians can take to better identify deceptive compositions in the future. Pursuing his topic from case to case, Dr. Reece observes that fake historical masterpieces have often seduced listeners not simply by imitating old works, but rather by mirroring modern cultural beliefs about innovation, identity, and meaning in music. Here forged compositions have important truths to tell us about knowing and valuing works of art precisely because they are not what they appear. This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda's interviews on New Books with Miranda Melcher, wherever you get your podcasts. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/history

Biochim Biophys Acta Biomembr. 2017.May;1859(5):813-823iNature Communications 2023. volume 14, number: 794Langmuir 2019 35.30 9944-9953.Page, J. 1970 "Tangerine" Led Zepplinhttps://music.youtube.com/watch?v=KaFjxLMsOuo&si=tNw2PksrxevyVAQ9Gouldman , G. 1965. "For Your Love" Yardbirdshttps://music.youtube.com/watch?v=wWGUjcaMxLs&si=IzlI4ThOVfh1txDvSchubert, F. 1822. Symphony 8 in B Minor . D. 759. and assorted brilliant piano sonatas as only Schubert could have done.https://music.youtube.com/playlist?list=OLAK5uy_mAqAfsCyzNPtNVDxtUUmZdSUY9Ojk6vkE&si=g-GlU4mKjSkivkEA

We all know about art forgeries, but why write fake classical music? In Forgery in Musical Composition: Aesthetics, History, and the Canon (Oxford University Press, 2025), Dr. Frederick Reece investigates the methods and motives of mysterious musicians who sign famous historical names like Haydn, Mozart, and Schubert to their own original works. Analyzing a series of genuinely fake sonatas, concertos, and symphonies in detail, Dr. Reece's study exposes the shadowy roles that forgeries have played in shaping perceptions of authenticity, creativity, and the self within classical music culture from the 1790s to the 1990s.Holding a magnifying glass to a wide array of phony works, Forgery in Musical Composition explains how skillful fakers have succeeded in the past while also proposing active steps that scholars and musicians can take to better identify deceptive compositions in the future. Pursuing his topic from case to case, Dr. Reece observes that fake historical masterpieces have often seduced listeners not simply by imitating old works, but rather by mirroring modern cultural beliefs about innovation, identity, and meaning in music. Here forged compositions have important truths to tell us about knowing and valuing works of art precisely because they are not what they appear. This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda's interviews on New Books with Miranda Melcher, wherever you get your podcasts. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/performing-arts

We all know about art forgeries, but why write fake classical music? In Forgery in Musical Composition: Aesthetics, History, and the Canon (Oxford University Press, 2025), Dr. Frederick Reece investigates the methods and motives of mysterious musicians who sign famous historical names like Haydn, Mozart, and Schubert to their own original works. Analyzing a series of genuinely fake sonatas, concertos, and symphonies in detail, Dr. Reece's study exposes the shadowy roles that forgeries have played in shaping perceptions of authenticity, creativity, and the self within classical music culture from the 1790s to the 1990s.Holding a magnifying glass to a wide array of phony works, Forgery in Musical Composition explains how skillful fakers have succeeded in the past while also proposing active steps that scholars and musicians can take to better identify deceptive compositions in the future. Pursuing his topic from case to case, Dr. Reece observes that fake historical masterpieces have often seduced listeners not simply by imitating old works, but rather by mirroring modern cultural beliefs about innovation, identity, and meaning in music. Here forged compositions have important truths to tell us about knowing and valuing works of art precisely because they are not what they appear. This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda's interviews on New Books with Miranda Melcher, wherever you get your podcasts. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/intellectual-history

We all know about art forgeries, but why write fake classical music? In Forgery in Musical Composition: Aesthetics, History, and the Canon (Oxford University Press, 2025), Dr. Frederick Reece investigates the methods and motives of mysterious musicians who sign famous historical names like Haydn, Mozart, and Schubert to their own original works. Analyzing a series of genuinely fake sonatas, concertos, and symphonies in detail, Dr. Reece's study exposes the shadowy roles that forgeries have played in shaping perceptions of authenticity, creativity, and the self within classical music culture from the 1790s to the 1990s.Holding a magnifying glass to a wide array of phony works, Forgery in Musical Composition explains how skillful fakers have succeeded in the past while also proposing active steps that scholars and musicians can take to better identify deceptive compositions in the future. Pursuing his topic from case to case, Dr. Reece observes that fake historical masterpieces have often seduced listeners not simply by imitating old works, but rather by mirroring modern cultural beliefs about innovation, identity, and meaning in music. Here forged compositions have important truths to tell us about knowing and valuing works of art precisely because they are not what they appear. This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda's interviews on New Books with Miranda Melcher, wherever you get your podcasts. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/music

The gifted young Hungarian/American pianist Julia Hamos presents Ellis Island, one of the most impressive solo piano debut releases in recent memory, featuring works by Kurtag, Bartok, Ligeti, Meredith Monk, Charles Mingus and Schubert. Promotional video - https://www.facebook.com/reel/621337480674569Ligeti's Fanfares - https://www.youtube.com/watch?v=tItbf6F-M3ALink to purchase - https://www.prestomusic.com/classical/products/9759948--ellis-island?srsltid=AfmBOorpob-cx3Rc0JrrcaEg1sIz9QHIn6gnHJQ7ssacJ2q_cgF5Irm-

So weit hat sich der katalanische Altmeister Jordi Savall mit seinem Originalklang-Orchester Le Concert des Nations noch nie in die Romantik vorgewagt: Nach Beethoven, Schubert und Mendelssohn präsentiert er jetzt Raritäten von Schumann und Bruckner. Das Album "Vergessene Symphonien" ist bei Jordi Savalls eigenem Label AliaVox erschienen.

Astronomen och gymnasieläraren Anders Nyholm blir tamburmajor i marschens taktfasta historia när vi lyssnar på Wagner, Schubert, Lumbye, Alfvèn, Wollter, Ramel, Python, Demert och Alfredson. Begrepp att ta med sig: domänförlust och absolut musik. Lyssna på alla avsnitt i Sveriges Radio Play.

Want to Start or Grow a Successful Business? Schedule a FREE 13-Point Assessment with Clay Clark Today At: www.ThrivetimeShow.com   Join Clay Clark's Thrivetime Show Business Workshop!!! Learn Branding, Marketing, SEO, Sales, Workflow Design, Accounting & More. **Request Tickets & See Testimonials At: www.ThrivetimeShow.com  **Request Tickets Via Text At (918) 851-0102   See the Thousands of Success Stories and Millionaires That Clay Clark Has Helped to Produce HERE: https://www.thrivetimeshow.com/testimonials/ Download A Millionaire's Guide to Become Sustainably Rich: A Step-by-Step Guide to Become a Successful Money-Generating and Time-Freedom Creating Business HERE: www.ThrivetimeShow.com/Millionaire   See Thousands of Case Studies Today HERE: www.thrivetimeshow.com/does-it-work/  

Esteban Batallán, the CSO's principal trumpet since 2019, makes his much-anticipated debut as a soloist with the Orchestra in a pair of brilliant, high-flying concertos. Riccardo Muti frames the program with Joseph Haydn's tempestuous Symphony No. 48 and Schubert's Haydn-inspired Tragic Symphony. Learn more: cso.org/performances/24-25/cso-classical/muti-and-esteban-batallan

This week, MI5 started a search for a chippy, Sunta tried something new that wasn't disgusting, it was alright, and you slept through a whole host of things.Hear Johnny on Radio X every weekday at 4pm across the UK on digital radio, 104.9 FM in London, 97.7 FM in Manchester, on Global Player or via www.radiox.co.uk

What piece of music sparks a memory for you? This week's podcast continues our journey into the fascinating world of music and the brain. A teen flute duo speaks about how they connect music with memories. A pianist returns to the show to perform Barber and chat about her research on dementia as a neuroscience student at USC. And finally, we hear from a talented 19-year-old baritone who sings Schubert. This podcast was recorded at the Brain and Creativity Institute at the University of Southern California.Learn more about sponsor message choices: podcastchoices.com/adchoicesNPR Privacy Policy