Podcasts about Sex Pistols

Join us as we say farewell to the year 1976 as we retire it after this episode. We are sending them out with a bang by talking about The Runaways debut album. CW: The Runaways story has some very bad stuff in it, and wanted to warn that we will be discussing SA.Steve Long Go Fund Me: https://www.gofundme.com/f/help-me-cover-divorce-legal-feesCall our voicemail line 202-688-PUNK or send us a voice note at punklottopod@gmail.com to get it played on the showJoin our new $5 Patreon Producer Tier to get your name said on the show every week. You also get access to a Producer exclusive monthly bonus episode discussing a different EP, and you get to vote in the poll that determines what EP we talk about that month.You can also join our $1 tier to get access to all of our weekly bonus audio. We also have a $10 tier where you get to choose the album we discuss on an episode - patreon.com/punklottopodDylan Hensley and the Major Awards Band - majorawards.bandcamp.comMerch Shop - redbubble.com/people/punk-lotto-pod/shopPodcast platforms and social media links at linktr.ee/punklottopodLeave us a review and rating on Apple Podcasts and Spotify.Song clips featured on this episode:Cherry Bomb by The RunawaysThunder by The RunawaysAmerican Nights by The Runaways

Greetings Pop Pickers!If you tuned into the BBC Light programme in September 1961, a new voice was presenting Pick of The Pops. Booming out across the airwaves, delivering this now legendary announcement - Alan 'Fluff' Freeman. The call to teenagers up and down this sceptred isle that sent exciting shockwaves to all who heard it. The Hit parade was here!As the the 1950s had taken leave of the post-war austerity and beckoned in the new decade, 1960 invited in, well, the future.But as the first NME chart of that year was published, there was a lingering feeling of that had been. Crooners, transatlantic heartthrobs and the general sounds of safety were topping the sales positions (often tied too!). British stars like Adam Faith and Anthony Newley were definitely bringing a British sensibility and voice to the radio, but still didn't greatly appeal to the youth of the day.But things were changing - and quickly.Coffee bars crowded with teenagers poured over jukeboxes rather than frothy coffee, and - amongst others - a group of working class lads from the North of England were about to send shockwaves through popular music culture, and change everything.But those shockwaves weren't from Liverpool. Not yet.The Shadows trailblazer their way into the charts with cinematic, instrumental escapism that captured the new found optimism of post war Britain in a blaze of colour. Hotly pursued by the likes of The Tornados, Billy Fury, Marty Wilde and of course Cliff Richard, a touch paper towards the rock and pop world we know today was well and truly lit.And in the 21st century world of variously compiled pop, who better to take us back to rediscover an often lost world of pop pioneers than the team at NOW. The NOW Yearbook presents the 1960s: Volume 1 revisits three years of transformation, awakenings and pop perfection. From Roy Orbison to Frankie Valli, The Everley Brothers to Elvis. The brill building's, er, brilliance of Neil Sedaka and Carole King to the breathless teenage excitement of The Crystals. Pop music would never be the same again.And the perfect guest to step back in time on this voyage back to the 1960s? Award-winning, critically acclaimed writer, pop culture historian, compiler and bonafide pop star in his own right, Bob Stanley.Join us as we not only explore this amazing Yearbook and the legacy of those early pop foundations, but also find out about the final Saint Etienne tour, as well as his new book, The Shadows: The Definitive Story.Along the way we discuss classic compilations, the first saint Etienne gig, why The Shadows are as important as The Beatles and Sex Pistols and generally revel in a plethora of pop memories from a golden period of the last century.To look forward, you have to first look back.Who said that? Hey, kids some crazy cat for sure, Yeah! Hosted on Acast. See acast.com/privacy for more information.

In this episode of the XS Noize Podcast, Mark Millar is joined by Clint Boon to discuss his autobiography, Manchester Chronicles: True Tales of Music, Madness and Mayhem 1976–2006, the rise of Inspiral Carpets and the remarkable highs and lows of his life in music. Clint recalls seeing the Sex Pistols at Manchester's Electric Circus in 1976—the night that convinced him he could form a band. He discusses joining Inspiral Carpets, introducing the Farfisa organ that helped define their sound and building the band independently through homemade recordings, merchandise, visuals and their own studio. Clint also reflects on Noel Gallagher's journey from auditioning to become the Inspirals' singer to joining their touring crew, what Noel learned from watching the band at close range and when his songwriting with Oasis became impossible to ignore. He also remembers recording "I Want You" with Mark E. Smith and reveals what remains on the unfinished fifth Inspiral Carpets album. The conversation becomes more personal as Clint recalls going from Glastonbury and Top of the Pops to signing on, hiding from bailiffs and relying on milk tokens to support his young family. He explains why he continued writing hopeful songs during that difficult period and how surviving a terrifying motorway crash changed his life. Clint also discusses Mani's place in Manchester Chronicles, what success means to him now and what his 17-year-old self would make of the extraordinary life that followed that first Sex Pistols concert. Finally, he looks ahead to Burn Like the Sun, the first new Inspiral Carpets studio album in 12 years. Buy Manchester Chronicles: https://geni.us/manchesterchronicles Watch more XS Noize Podcast interviews: https://www.youtube.com/@thexsnoizepodcast Visit XS Noize: https://www.xsnoize.com/ The XS Noize Podcast is hosted and produced by Mark Millar.

If you've been paying any attention at all to the breeding ground of chaotic, beer-soaked, sweat-drenched rock and roll coming out of the Sydney and Central Coast underground over the last few years, then the name NFÏ should already be permanently tattooed onto your brain. These local punk rock lords have built a reputation as an absolute must-see live experience, tearing up local institutions like the MoshPit Bar and Crowbar Sydney with sets that are as obnoxiously loud as they are brilliantly comedic.They are the definition of proper, no-bullshit Australian punk.Well, guess what? The boys are back, and they are bringing the absolute heat. Following up on the chaotic energy of their previous sonic assaults, NFÏ have just unleashed their blistering new full-length record upon the world. The title? Get Cooked Or Try Dying. And let me tell you, it is an absolute ripper of an album that demands to be listened to with a brutally cold tinny firmly gripped in your hand.Recorded with the absolute legend Jay Whalley of Frenzal Rhomb over at The Pet Food Factory, this new collection of tracks captures the band's signature raw, raucous energy and packages it into a series of anthems about all the stupid, everyday shit that drives us completely mental. From the maddening, soul-crushing experience of getting trapped in a maze of Swedish flat-pack furniture to the sheer, unadulterated joy of public nuisance behavior, NFÏ have managed to perfectly bottle the modern Australian existential crisis and set it to a fast, furious, three-chord punk beat. It's got that classic, driving pub-rock grit infused with the rebellious attitude of the Sex Pistols and The Saints, but with that unmistakably distinct Aussie sense of humor that makes it entirely their own.I had the absolute pleasure of sitting down with Christos from NFÏ to get the full, unvarnished inside scoop on Get Cooked Or Try Dying. We dive deep into the writing process behind these chaotic new tracks, what it's like working with a punk icon like Jay Whalley, and how they manage to survive their own notoriously wild live shows without actually fulfilling the second half of their album title. We also chat about their upcoming tour plans, what keeps the fires burning in the local underground scene, and why they might just be the most honest band in the country right now.So, crack open a cold one, turn your speakers all the way up to eleven, and get ready to dive headfirst into the madness. Ladies and gentlemen, give it up for Sydney's finest purveyors of beautiful noise—here is my chat with the unstoppable NFÏ!Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.

Ce 21 septembre, Marjorie Hache ouvre une nouvelle semaine de Pop-Rock Station avec Jimi Hendrix, The Stranglers, Gossip, Echo and the Bunnymen, The Sex Pistols, Hole, Cage the Elephant, AC/DC, Roy Orbison, Gemma Hayes, Judas Priest, Del Shannon ou encore Fontaines D.C.. L'animatrice souligne le retour d'Oasis et le 54e anniversaire de Liam Gallagher, avec son titre "D'You Know What I Mean?".Interpol donne le ton des nouveautés avec "Wake Up", extrait de leur dernier disque. Les Lambrini Girls, le groupe australien Datura4 et les métalleux de Architects s'ajoutent à la sélection. La primeur de la soirée offre une collaboration événement, Falling in Reverse s'entoure de Corey Taylor (Slipknot) et de Serj Tankian (System Of A Down) sur "Joseph".L'album de la semaine s'attarde sur "Pylons", le quatrième album de Beabadoobee. La musicienne filipino-britannique dévoile une savoureuse pop grunge avec "Memories", et s'entoure d'une myriade d'invités prestigieux sur ce nouvel album (Hayley Williams de Paramore, Chino Moreno de Deftones...). Enfin pour la reprise du jour la reine du R'n'B Mary J. Blige s'approprie le mythique "Stairway to Heaven" de Led Zeppelin, livrant une version soul envoûtante.Interpol - Wake UpJimi Hendrix - Foxy LadyOasis - D'You Know What I Mean?The Stranglers - No More HeroesGossip - Perfect WorldEcho And The Bunnymen - The Killing MoonBeabadoobee - MemoriesSex Pistols - SubmissionHole - Celebrity SkinArchitects - MachineMary J. Blige - Stairway To HeavenCage The Elephant - Ain't No Rest For The WickedDatura4 - Under A RockAC/DC - For Those About To RockPantera - Fucking HostileLambrini Girls - Bang Bang BangRoy Orbison - Oh, Pretty WomanGemma Hayes - Hanging AroundFalling In Reverse - JosephJudas Priest - Breaking The LawBloc Party - BanquetDel Shannon - RunawayThe 5.6.7.8's - Woo HooFontaines D.C. - MarianneRoger Waters - Comfortably Numb (Roger Waters: The Wall: Live in Berlin)Hébergé par Audiomeans. Visitez audiomeans.fr/politique-de-confidentialite pour plus d'informations.

One song can act like a wrecking ball, not because it's louder than everything else, but because it makes the old rules feel instantly outdated. We go back to Nirvana's “Smells Like Teen Spirit” and talk through why its 1991 rise didn't just create a hit, it helped slam the door on the hair metal era and kick open the 1990s grunge and alternative rock mainstream.We dig into the details that built the myth: the true story behind the title (yes, Teen Spirit deodorant), the way Kurt Cobain's lyrics landed even when you couldn't make out every word, and how the iconic MTV video turned curiosity into obsession. Then we zoom out to Nevermind as a complete album experience, from “In Bloom” and “Lithium” to the sequencing, the songwriting range, and the production choices that fused raw energy with a big, room-filling sound.The conversation turns into a live music travelogue across New York: Drivin N Cryin in Woodstock with Lenny Kaye, an electric Webster Hall night with the Bogmen, and a trip to My Father's Place for Scottish post-punk favorites APB. We finish with “Minute with Jimmy,” featuring the ultimate gig heartbreak: a Sex Pistols show cancelled at the last minute.If you love music history, and real concert stories, subscribe, share the show with a friend, and leave us a review.Learn Something New orRemember Something OldPlease like and follow the Music in My Shoes Facebook and Instagram pagesReach out to us at musicinmyshoes@gmail.comSend us a one-way message. We can't answer you back directly, but it could be part of a future Music In My Shoes Mailbag!!!

We dig into the long-standing (25 years!) unholy alliance between the NEA and the financial firm Security Benefit. It's a relationship that we believe hurts teachers. Dan also talks about meeting Johnny Rotten and seeing his post-Sex Pistols band Public Image Limited the night before recording this episode.  Video of this pod 23 Financial Mistakes You Can't Afford To Make (NEA) Original NEA Valuebuilder Expose (from 12/2001) When NEA Was Sued For Selling High Cost Retirement Products To Its Members NEA and Security Life Disclosures A Tale As Old As Time (podcast about $300,000 Kansas election donation) 403bwise.org 457bwiser.org Learned by Being Burned (short pod series about K-12 403(b) issues) Meridian Wealth Management 403bwise & 457bwiser Facebook Group Nothing presented or discussed is to be construed as investment or tax advice. This can be secured from a vetted Certified Financial Planner (CFP®).

Pat talks about the Punk Rock Scene, like The Sex Pistols and The Ramones, and how a lot of members have turned conservative or politically oriented. More toys in the hall of fame and talk about the viral AI generated photo of Donald Trump kissing his assistant on the golf course.

Episode #328:Longtime Billy Idol guitarist Steve Stevens checks in with Mistress Carrie on a day off during the Billy Idol North American tour with Devo, to talk the Rock Hall induction this November, helping to induct Ozzy Osbourne, his fellow bandmember Billy Morrison. surviving the 80's, going to the Fame school, the origin of his stage name, CBGB's, Max's Kansas City, songwriting, Blondie, the Sex Pistols, Flamenco music, his first guitar, his signature guitar, his first royalty check, playing the Top Gun theme, The Beatles, Paul McCartney, depression, English candy, his marriage, working on new music, and so much more!Episode NotesCheck out the custom playlist for Episode #328 here! Find Steve Stevens Online:FacebookInstagramXWebsiteYoutubeFind Billy Idol Online:WebsiteTwitterFacebookInstagramYoutubeFind Mistress Carrie Online:Official WebsiteThe Mistress Carrie Backstage Pass on PatreonTwitterFacebookInstagramBlueskyThreadsYouTubeTikTokCameoPantheon Podcast NetworkFind The Mistress Carrie Podcast online:InstagramThreads   Learn more about your ad choices. Visit megaphone.fm/adchoices

Jah Wobble joins Ian Prowse and Mick Ord for a fascinating and often hilarious conversation covering Public Image Ltd, John Lydon, the birth of punk, bass playing, Liverpool, creativity and a lifetime spent making music on his own terms.Best known as the original bassist with Public Image Ltd (PiL) alongside John Lydon, Jah Wobble helped create one of the most influential sounds of the post-punk era. But as this conversation reveals, his story stretches far beyond punk.From growing up in London and witnessing the emergence of the Sex Pistols, Malcolm McLaren and Vivienne Westwood's legendary SEX boutique, to finding himself at the centre of one of the most important musical movements of the twentieth century, Wobble reflects on a remarkable career with honesty, humour and insight.

Legs McNeil is a writer who was there for many great moments in the history of music. Now, the co-author of "Please Kill Me," is telling his own story with "Resident Punk." It's a blast.For more information, check out Legs' substack.

When Low-Fi Becomes Audiophile — Are We Improving the Classics?This week on Heavy Metal Tones, I'm getting into a subject that can divide music fans faster than a dodgy guitar solo — re-recording, remixing and remastering classic albums and tracks in the pursuit of better sound.Can you really take a raw, dirty, low-fi classic and make it better without taking away what made it special in the first place?I take a deep dive into Cronos' re-recordings of classic Venom tracks, looking at what happens when one of the architects of extreme metal goes back and revisits the music that helped define the genre.Then I turn the spotlight onto the audiophile pressing of the Sex Pistols' Never Mind the Bollocks, Here's the Sex Pistols. Does improving the sound reveal more detail and power — or does some of the glorious roughness and attitude get lost along the way?This is a very personal look at original recordings versus reworked versions, the audiophile obsession, nostalgia, production choices and that eternal question:Should we really be fixing something that wasn't broken?Turn it up, trust your ears, and join me for Episode 292 of Heavy Metal Tones.Patreon.com/heavymetaltones zVLL3D7STt5lZe4UK2TQSign up at Patreon.com/heavymetaltones to help support the show for just $2 a month this will help keep the lights on and the mic humming Hosted on Acast. See acast.com/privacy for more information.

Punk was loud, fast, confrontational and impossible to ignore. But beneath the chaos was a movement that changed music, fashion and culture forever.In this episode of Start Here Podcast, Alexis Ffrench is joined by Guardian journalist and critic Alexis Petridis to explore the origins, sound and legacy of Punk.Together, they unpack the roots of punk in 1970s New York and Britain, the rise of bands like the Ramones, Sex Pistols and The Clash, and the DIY ethos that reshaped modern music culture.The conversation explores punk's stripped-back musical language, its relationship with politics and protest, the influence of fashion and youth identity, and the artists who carried its spirit far beyond the original movement.Whether you know punk intimately or are discovering it for the first time, this is a fascinating introduction to one of music's most disruptive and influential genres. Hosted on Acast. See acast.com/privacy for more information.

What College Was Like in the 80's on this episode of Madge Unmuted podcast! Madge shows Chris and Fitz how she dressed in college and told tales of her being a hybrid punk/sorority girl freak in the 80's. Chris tells about his Flock of Seagulls hair and acid-washed jacket. Ew.PLEASE LIKE, SUBSCRIBE, AND SHARE! WE APPRECIATE IT!My Website: https://madgeunmuted.com/Audio podcast: https://www.spreaker.com/show/madge-u.Facebook: https://www.facebook.com/MadgeUnmutedInstagram: https://www.instagram.com/madgeunmutedpodcast/ https://www.instagram.com/madgemadigan/TikTok: https://www.tiktok.com/@madgemadiganBecome a supporter of this podcast: https://www.spreaker.com/podcast/madge-unmuted--4548342/support.

Rock and roll didn't come from nowhere. It came from the blues, which came from the gospel songs sung in the fields during slavery. It crossed the Atlantic, bounced off post-war England, came back to America even bigger, and kept evolving and Led Zeppelin turned it into something visceral and enormous and still traceable back to its roots.Joel, Stu and Tim are continuing the movements conversation. This week the thread runs from the Blitz to the Beatles to the Sex Pistols to the question every church leader needs to sit with: when does contextualising the gospel become syncretising it? And how does the church remain a movement without losing the gospel?Stu's honours thesis on the social implications of strategic bombing. Tim's contextualization sessions at YouthWorks Conference. Christopher Watkins on flour in a baked cake. John Stott on hippies looking for all the right things in the wrong places. And Ecclesiastes 3:11 — God has put eternity in the hearts of men.Discussed on this episodeBecoming Led ZeppelinChristopher Watkins - Biblical Critical TheoryPete Ward - Liquid ChurchAdam Smith - Four Stages of SocietyChess RecordsPrevious episodes in this series:New Wine, Old WineskinsFrom Consumer to ContributorTimestamps00:00 Welcome — Led Zeppelin documentary and favourite songs04:00 Stu's honours thesis — the Blitz and strategic bombing07:00 How Britain baited Hitler into the Blitz10:00 Post-war America and the roots of teenage rebellion13:00 Blues, rhythm and blues, rock and roll — the gospel root16:00 Port cities as the internet — records crossing the Atlantic18:00 The transatlantic bounce — Beatles, punk and amplification20:00 Tim's bridge — contextualisation and why the gospel travels23:00 Flour in a baked cake — Christopher Watkins25:00 The missionary who wouldn't baptise until they learned to farm27:00 The Scottish Enlightenment and how it corrupted the mission29:00 Rock and roll as syncretism31:00 The Reformation as movement33:00 Friendship ecclesiology — contextualisation not export35:00 Can the church preempt a movement?38:00 Pete Ward — being with people where they are40:00 Ecclesiastes 3:11 and John Stott on hippiesSubscribe, leave a review, and send your thoughts to joel@shockabsorber.com.au

This week on The Metro, Rev. Jeff Ivins brings you more 80s songs by the following bands: A-Ha, Martha and the Muffins, The Motels, Tommy Tutone, Japan, Madness, Ministry, Flying Lizards, Bow Wow Wow, Echo And The Bunnymen, The J Geils Band, Sex Pistols, The Jesus And Mary Chain, Rockpile, and finishes off with The […]

In this episode of "The Adventures of the Pipeman" on W4CY Radio, Pipeman sits down at Warped Tour in Montreal with Matt and Patrizio from The Planet Smashers. The group dives into the culture of ska, Warped Tour memories, tales from their punk roots, and upcoming tour dates. The conversation is brimming with humor, nostalgia, and a celebration of music's inclusivity.Main Topics CoveredSka culture at Warped Tour and the unique energy of ska pitsRegional differences in ska and punk scenes (Montreal vs. the U.S.)The Planet Smashers' upcoming tour dates in Florida, Quebec, Ontario, Jersey, Maryland, and the West CoastPersonal stories about getting into music and punk/ska scenesThe evolution of acceptance and inclusivity in punk communitiesIssues with neo-Nazis in punk scenes, and the efforts to push backThe nostalgia for early social media like MySpace and ICQKey Discussions & StoriesThe Vibe of Warped Tour & SkaPipeman reflects on ska's importance to Warped Tour and the positive energy in ska pits 00:46.Matt and Patrizio contrast U.S. and Montreal ska crowds, describing Montreal as a more "punk rock town" 01:43.Personal Music OriginsMatt shares a story about his transition from ELO to punk, thanks to a friend's dramatic introduction to the Sex Pistols 04:04.Patrizio tells of discovering his first records on a turntable that played too fast, making everything sound like "fucking fast" punk 05:04.Club Venues & MemoriesDiscussion about intimate club shows and their greater sense of connection and fun compared to larger venues 03:16.Early Punk Scene & InclusivityPipeman recollects the gatekeeping and rigid divisions in the punk/metal scenes of the past, including being threatened for having long hair in a punk shop 07:25.Matt remembers neo-Nazi presence at shows in the ‘90s and stories from Belgium and Montreal share how skinhead groups sometimes protected shows from Nazis 08:54.The Importance of InclusivityThe group discusses how Warped Tour today is a place of inclusivity where "you can be anybody" 10:28.Both Matt and Patrizio firmly state their opposition to Nazism in any form 09:49.Tour AnnouncementsThe Planet Smashers are slated for shows in Quebec, Ontario, Florida (Propaganda in Lake Worth on October 21st), the West Coast, New Jersey (Sayreville), and Maryland 02:28, 11:22.Social Media NostalgiaA playful moment about the return of MySpace and connecting over old platforms like ICQ 10:39, 10:48.Notable Quotes"Some of the most fun pits are always ska pits." — Pipeman"Montreal, there's a bit more hardcore in the ska pit. Everyone's still nice, but there's a bit more— it's a little more frisky." — Matt"The thing about ska is like, it's gonna get you... totally infectious." — Patrizio"Warped Tour, you can be anybody here, right? Like, this is the inclusive place." — Pipeman"We're also Gentiles and we're also not down with the Nazis." — PatrizioResources & LinksThe Planet Smashers on Instagram: The Planet Smashers (as mentioned by Matt 11:09)Facebook: Search for The Planet SmashersOfficial Website: theplanetsmashers.caUpcoming Shows:Lake Worth, FL @ Propaganda – October 21st (03:06)Gainesville, FL @ Fest/Heartwood Stage and Bo Diddley (02:28)Sayreville, NJ — Thanksgiving (11:30)Become a supporter of this podcast: https://www.spreaker.com/podcast/the-adventures-of-pipeman--941822/support.Click Here to Subscribe for PERKS, BONUS Content & FREE GIVEWAYS!Follow @pipemanradio on all socials & Pipeman Radio Requests & Info at www.linktr.ee/pipemanradioStream The Adventures of Pipeman daily & live Mondays, Tuesdays, Wednesdays at 1PM ET on W4CY Radio & Talk 4 TV. Download, Rate & Review the Podcast at The Adventures of Pipeman, Pipeman Radio, Talk 4 Media, iHeartRadio, Apple Podcasts, YouTube & All Podcast Apps.

To honor the 250th anniversary of America, Tyler Cowen plays Rick patriotic music from the United States and around the world in this special listening episode. In addition to his work as an economist, professor, and bestselling author, Tyler Cowen is a longtime music enthusiast with an expansive repertoire in classical and choral music, rock n' roll, and world music.  Moving from John Philip Sousa's vision of classic patriotism and Country Joe and the Fish's antiwar satire to the Andrews Sisters, Franz Liszt, Béla Bartók, Antonín Dvořák, and the Sex Pistols, Cowen explores how music can express, question, and reimagine what it means to love one's country. PLAYLIST ------ Thank you to the sponsors that fuel our podcast and our team: AGZ ⁠⁠https://DrinkAG1.com/tetra⁠⁠ ------ Squarespace ⁠⁠https://Squarespace.com/tetra⁠⁠ Use code 'TETRA' ------ Athletic Nicotine ⁠⁠https://www.AthleticNicotine.com/tetra⁠⁠ Use code 'TETRA' ------ Lectio 365 ⁠⁠https://Lectio365.com⁠⁠ ------ Sign up to receive Tetragrammaton Transmissions ⁠⁠https://www.tetragrammaton.com/join-newsletter

From the heart of "mossy, briny, piss-colored" 1970s Times Square to the heights of MTV News and the A&R suites of Atlantic Records, Tim Sommer has lived a dozen lives in the service of music. Dispatches From the Kingdom of Outsiders is a defiant, soulful map of the ephemeral nation built by the lonely and the weird young people who found their first true home in a Sex Pistols 45 or a picture of David Bowie. Part memoir, part high-octane cultural criticism, this collection documents a vanished era when knowledge was precious currency and a T-shirt was a flare sent up to find fellow survivors. Whether he's trying to get the Clash to sign a picture of the Beatles, sitting in a dorm room with U2 or explaining why "Wooly Bully" is the heaviest song in history, Sommer writes with the infectious "bizarrely certain" passion of the 16-year-old office boy he once was. This is more than a book about rock and roll, it is a celebration of the "Kingdom" where admission is free, and outsiders finally belong.Become a supporter of this podcast: https://www.spreaker.com/podcast/arroe-collins-unplugged-totally-uncut--994165/support.

Happy Tuesday rockaholics! Straight from the horse's mouth.

Sid Vicious became the face of punk rock rebellion, but behind the chaos was a shy kid whose rise to fame quickly spiraled into addiction, violence, and tragedy. We look back at his unlikely path into the Sex Pistols, his volatile relationship with Nancy Spungen, the mystery surrounding her murder, and Sid's fatal overdose at just 21 years old. Learn more about your ad choices. Visit megaphone.fm/adchoices

The Damned's Captain Sensible talks vinyl rarities, back catalogue, scented records, chasing the "perfect album," and what may be their final Australia and New Zealand tour dates. Topics Include: Captain Sensible is a record nerd - Still plays childhood favorites: Groundhogs, Pretty Things, Moody Blues, loves Bee Gees' first album Grew up around his dad's pub singing, informally musical Paper round savings meant records played obsessively, analyzed deeply Cites Shane Fenton's "I'm a Moody Guy" as formative Joe Meek's Telstar and tiny Holloway Road studio praised Recalls magical Motown Hitsville USA studio tour in Detroit "Sonar Deceit" track was band's Motown tribute song Lyric inspired by marine biologist's whale-stranding sonar theory Describes uncanny ability to instantly recall and replay songs Hosted radio challenge replaying requested songs live for charity New Rose confirmed as first UK punk single release Stiff Records signed them with a bribe of cheeseburgers Beating the Sex Pistols to release still amuses him Sydney Opera House gig ironic given past band bannings Royal Albert Hall sent rejection letters into the 1980s Mentions unlikely celebrity fans, including Australia's prime minister Recalls Barney Bubbles' art department and album cover mishap First pressing's mismatched back cover became a collector's item Says he collects 60s psych, not punk records himself Discusses Brian James tribute covers album made after his death Five reunion shows almost didn't happen, no live release planned Loves live show chaos, unpredictability, and Rat Scabies' drumming Confirms no hidden unreleased Damned tracks remain in vaults Notes band rarely controls or profits from its own catalog Explains "Strawberries" album concept and its scented vinyl insert Describes love of vinyl artwork, liner notes, and physical ritual Talks pursuit of first editions and test pressings today Names rare Cowsills albums as his current collecting holy grail Tells story of Sid Barrett nearly producing their second album Recalls haunted, sleepless sessions recording Machine Gun Etiquette Reflects on creative bond and offstage humor with Dave Vanian Closes with tour dates, S.F. Sorrow recommendation, and one-step vinyl talk High resolution version of this podcast is available at: www.Patreon.com/VinylGuide Apple: https://tinyurl.com/tvg-ios Spotify: https://tinyurl.com/tvg-spot Amazon Music: https://tinyurl.com/tvg-amazon Support the show at Patreon.com/VinylGuide

The Jeremy White Show welcomes Sex Pistols drummer Paul Cook!We discussed the band's upcoming tour performing "Never Mind The Bollocks" in its entirety, with a show scheduled for September 22nd at the Olympia in Montreal. Paul shared stories about the band's formation, including how they obtained their cymbals through Steve Jones's theft from David Bowie's equipment during a concert at the Hammersmith Odeon. They discussed the recording of the iconic album, with Paul explaining his simple drum kit setup and approach to playing. The conversation also covered Paul's work with Phil Collin's project Man Rays, and his advice for up-and-coming musicians to be relentless and passionate about their craft.

Beat Migs! And Steve Jones from the Sex Pistols joins us!

YUH 268 - AAA - "Tox Populi" by Disturbance with Terry and Herman from Cheap and Nasty - Our favorite punk rockers from the Netherlands are back to break down the 2018 comeback album "Tox Populi" by punk rock soldiers Disturbance. If you browse this band online, you may be disappointed in the amount of biographical information. What you will not be disappointed in is the music, especially if you are a fan of such bands as The Clash, The Germs, The Sex Pistols or the Damned. Terry and Herman have brought a lot of energy and international flavor to the talk soup we are brewing at Yeah Uh Huh. Please check out their song "No More Violence (on TV) on the 2025 compilation "Nederpunk (The Early Years - 1977-1982) #disturbance #toxpopuli #cheapandnasty #siouxsieandthebanshees #punkrock #sparkyphillips #netherlandpunk #feedbackYUH Theme by David T and Mojo 3https://www.amazon.com/Insanity-Sobri...Anti Social Network on Youtubehttps://www.youtube.com/channel/UC1NrDN795E7qwmKL5wS6z7wNederpunk (The Early Years 1977-1982) on Spotiryhttps://open.spotify.com/album/7zd8qghtXLRlmPAckTMZOeDisturbance Tox Populi on Spotifyhttps://open.spotify.com/album/0ODUvNfdFzJrUWe3utlPhv?si=lBty_ZRYQmGqTIhC_vIUZwDisturbance Officialhttps://www.disturbance.nl/Yeah Uh Huh Social Stuff:Yeah Uh Huh on TikTokhttps://www.tiktok.com/@yeahuhhuhpodYeah Uh Huh on Facebookhttps://facebook.com/YeahUhHuhPodYeah Uh Huh on Twitterhttps://twitter.com/YeahUhHuhPodYeah Uh Huh on Spotifyhttps://open.spotify.com/show/7pS9l716ljEQLeMMxwihoS?si=27bd15fb26ed46aaYeah Uh Huh on Apple Podcastshttps://podcasts.apple.com/us/podcast/yeah-uh-huh/id1565097611Yeah Uh Huh Website:https://yeah-uh-huh.wixsite.com/yeahuhhuhpod

In this episode, Charles sits down with TJ Horn, a Boston-area drummer who has played with several bands — most notably the critically acclaimed Walter Sickert and the Army of Broken Toys. Beyond his drumming career, TJ is a passionate live music fan who set a personal record in 2025 by attending 75 concerts in a single year. He's also known in certain Boston circles for his live readings of erotic fan fiction. It's a wide-ranging conversation about music, performance, and what it means to love live shows. TJ traces his passion for live music back to a 1994 Depeche Mode concert at the Blockbuster Pavilion in Glen Helen, California — a show his uncle brought him and his family to when he was just 12 years old. That night sparked a lifelong obsession. That same year, his uncle also took him to Metallica, Nine Inch Nails, and the legendary Lollapalooza '94 — where TJ saw the Smashing Pumpkins, Beastie Boys, L7, and a then-unknown Green Day, just weeks before they exploded in popularity. Over the years, TJ has accumulated remarkable concert stories: chatting with Fred Durst for 40 minutes at Ozzfest while watching Tool, seeing Porno for Pyros perform a surprise acoustic set on a walkway at Lollapalooza '95, and stumbling upon a tiny 40-person Touché Amoré show after standing in the snow for a wristband. His 75-show year in 2025 came about naturally — fueled by a wide network of friends with different musical tastes, a work schedule that freed up his evenings, and a simple philosophy of saying yes when a cheap ticket or a spare invite came along. On the music-making side, TJ is a self-taught drummer who got his start playing along to Green Day and the Ramones in his bedroom as a military kid who had just moved to Boston. He's gone on to play with bands spanning punk, hardcore, and art-rock, including The Martyrs and a rock opera project featuring Amy Winehouse's saxophonist and members of The Replacements. His longest creative relationship has been with Walter Sickert and the Army of Broken Toys — a theatrical "steam crunk" band known for elaborate costumes, steampunk conventions, annual RPM Challenge albums, and now an upcoming horror sci-fi film directed by Walter himself. TJ also speaks fondly of the erotic fan fiction readings that made him unexpectedly famous in Boston's burlesque and cosplay scene — a side gig that started with dramatic readings of bad dating app messages and turned into a crowd-favorite variety act. For more from TJ, find him on Instagram at @tjbrokenproton. BANDS: A Tribe Called Quest, Amy Winehouse, Beastie Boys, The Boredoms, Boy's Life, The Breeders, Bridgit Calls Me Baby, Coal Chamber, Converge, Cyndi Lauper, Deftones, Depeche Mode, Dropbear, Eagles of Death Metal, Elastica, Emperor Norton's Stationary Marching Band, Face to Face, Fight, George Clinton, Green Day, Hole, Jack White, Jay-Z, L7, Lady Gaga, Less Than Jake, Letters to Cleo, Limp Bizkit, Metallica, Ministry, Motörhead, My Life With The Thrill Kill Kult, Nick Cave, Nine Inch Nails, Ozzy Osbourne, Porno for Pyros, Ramones, Red Hot Chili Peppers, The Replacements, Rosalía, Salt-N-Pepa, sapling, Sex Pistols, Smashing Pumpkins, Shonen Knife, Soulfly, Stellastar, Stereolab, Suicidal Tendencies, The Killers, Tool, Touché Amoré, Walter Sickert and the Army of Broken Toys. VENUES: Blockbuster Pavilion (Glen Helen, CA), Boston Garden, The Middle East (Boston), San Diego State University's Aztec Bowl. LINKS: TJ Instagram: @tjbrokenproton. Walter Sickert movie "Ashwire": https://www.fangoria.com/ashwire-trailer/ PATREON:https://www.patreon.com/SeeingThemLivePlease help us defer the cost of producing this podcast by making a donation on Patreon.WEBSITE - BECOME A GUEST:https://seeingthemlive.com/Visit the Seeing Them Live website and click on the link to fill out a form so we can consider you as a guest on the show.INSTAGRAM:https://www.instagram.com/seeingthemlive/FACEBOOK:https://www.facebook.com/profile.php?id=61550090670708

From the heart of "mossy, briny, piss-colored" 1970s Times Square to the heights of MTV News and the A&R suites of Atlantic Records, Tim Sommer has lived a dozen lives in the service of music. Dispatches From the Kingdom of Outsiders is a defiant, soulful map of the ephemeral nation built by the lonely and the weird young people who found their first true home in a Sex Pistols 45 or a picture of David Bowie. Part memoir, part high-octane cultural criticism, this collection documents a vanished era when knowledge was precious currency and a T-shirt was a flare sent up to find fellow survivors. Whether he's trying to get the Clash to sign a picture of the Beatles, sitting in a dorm room with U2 or explaining why "Wooly Bully" is the heaviest song in history, Sommer writes with the infectious "bizarrely certain" passion of the 16-year-old office boy he once was. This is more than a book about rock and roll, it is a celebration of the "Kingdom" where admission is free, and outsiders finally belong.Become a supporter of this podcast: https://www.spreaker.com/podcast/arroe-collins-like-it-s-live--4113802/support.

Originally recorded July 15, 2026: Steve Gorman and Sex Pistols' Steve Jones go deep on their love of the World Cup and discuss the injury that sidelined last year's tour, the youthful energy that Frank Carter brings to the Anarchy in the U.K. tour and more. See omnystudio.com/listener for privacy information.

Hey Streetwalkers. This is a throwback episode with guest Jeremy Swift. Jeremy first appeared on the show on 9.25.23.It was such a compelling & fun episode, l decided it needed to be re-visited!Enjoy this throwback episode, tell a friend, and thanks for listening!Jeremy SwiftTake a walk with me down Fascination Street as I get to know Jeremy Swift. You may know Jeremy from Downton Abbey, Apple TV's Ted Lasso, or the Wachowski Siblings' epic Jupiter Ascending. But you may not know that Jeremy is arguably a more talented musician, than he is an actor.Just kidding. He is superb in both endeavors!In this episode, we chat about how he came to be an actor, and some of his first roles. I mean he toured with a cabaret troupe that played shows in various prisons! Holy Moly! Of course, we discuss some of his experiences on the previously listed projects, and a couple of others. I ask him what it is like to work with his wife on set, and he spills the beans on Ted Lasso season 4!Jeremy also shares the story of why he chose to get his Sag / Aftra card, and his upcoming film: "Descendants 4: The Rise of Red". Next we get into music. Jeremy started playing music at a very early age, and we definitely dive into that aspect of his creativity. Jeremy shares stories of his punk phase, seeing The Sex Pistols live, and his thoughts on the "Oi!" movement of the late 70's. Jeremy has a new album out called "Songs of Escape and Endless Night", which is catchy as hell. We discuss a couple of the tracks from that album, and he lets me play my favorite song from it. Jeremy shares his love for David Bowie, building synthesizers with his dad, and Christo Fernandez working on Jeremy's new album.Follow Jeremy Swift everywhere.See Jeremy Swift in everything.Listen to Jeremy Swift on Spotify.

Today we're dissecting Metal Box/Second Edition by Public Image Limited (or PiL for short). Formed by John Lydon (formerly Johnny Rotten) directly after leaving the Sex Pistols, PiL is an ever-changing beast of a band that continued to push the boundaries of rock music in strange and unexpected ways. Metal Box is one of the most influential albums of all time and even now, it's an album unlike any other.   Intro 00:00 PiL Origins 00:22 Leaving Punk Behind 3:15 What Is Metal Box? 6:08 Recording the Album 7:37 The Songwriting  8:31 The Sound of the Album 11:03 Accidents on the Record 13:11 Swan Lake/Death Disco 13:51 Album Review 15:56 American Bandstand 18:10 Second Edition 19:27 After the Album 20:52 Death of Nora Foster and Eurovision 21:04 Closing Thoughts/Outro 22:11 ---------------------------------------------------------------------------------------------------------- My Top 77 Album Recommendations: https://every-album-ever.kit.com/0ee90183d0   Join the Patreon, it rules: https://www.patreon.com/everyalbumever   Mike's music: Pander Monkey on Bandcamp, Spotify, Apple,   Mike on Instagram @pandermonkey Tom on Instagram @tomosmansounds   Tom Osman's stuff: Music on Spotify, Apple, Website Podcast on Spotify, YouTube     ----------------------------------------------------------------------------------------------------------  

Neil Richter from The Rock & Roll History Show joins Linda and Brian for a special rock and roll episode.

Paths of Rhythm is a Remote-CTRL production. If you're looking for audio or video production, then check out https://remote-ctrl.co.uk to see how they can help.Other ways to support the showFollow the show on Spotify or Apple PodcastsAny feedback or questions? Hit up https://www.instagram.com/pathsofrhythmpodcast/This week's guest is a Yorkshireman I'd heard whispered about by more than one person in the scene before I ever got him on the mic — David Piccioni. Born to an Italian father and South African mother and raised in Huddersfield, David got his real education in a punk scene that had him sneaking into soundchecks before he'd even worked out he wanted to DJ. A few years later, economics and politics at Liverpool University led him straight into throwing his own parties and playing American import records at Liverpool's Wednesday night club nights — and by 1986 he'd saved up for a one-way flight to New York with £300 in a bag and no contacts waiting for him.What followed is the kind of story you can only get firsthand: getting schooled at Paradise Garage under Larry Levan, soaking up David Mancuso's Loft, and becoming one of the biggest DJs in the city within two years. When he came home to London, David co-owned Black Market Records with Nicky Blackmarket — the shop that helped break UK jungle and drum & bass upstairs while he ran the house side — before founding Azuli Records, a label that got away with pretending to be American for years, broke Afro Medusa's "Pasilda" and Spiller's "Groove Jet," and put out the Late Night Tales and Choice compilation series. When digital killed the vinyl business, David didn't look back — he moved to Ibiza and built a restaurant instead. This one's full of stories you won't find written down anywhere else.Topics covered:Growing up in Huddersfield and sneaking into gigs during its punk sceneMissing the Sex Pistols at Ivanhoe's on Christmas DayThe move to Liverpool University and falling into DJing by accidentSaving up for a one-way flight to New York in 1986Getting schooled at Paradise Garage by Larry Levan, and David Mancuso's LoftComing home to co-own Black Market Records with Nicky BlackmarketBuilding Azuli Records — and the fake American label trick that fooled the industry for yearsBreaking Afro Medusa's "Pasilda" and turning down Spiller's "Groove Jet"Curating the Late Night Tales and Choice compilation seriesWhy Azuli couldn't survive the shift from vinyl to digitalTrading the dancefloor for a restaurant on a clifftop in Ibiza

Az előfizetők (de csak a Belső kör és Közösség csomagok tulajdonosai!) már szombat hajnalban hozzájutnak legfrissebb epizódunk teljes verziójához. A hétfőn publikált, ingyen meghallgatható verzió tíz perccel rövidebb. Itt írtunk arról, hogy tudod meghallgatni a teljes adást. Bede Márton vállalja. Nyíltlevélreneszánsz. Orbán János Dénes vs. Kylian Mbappé. Cucurella a 12. kerületben. A Sex Pistols-karaoke (konyókrityó). Rendőrállam-revival. Stravinszkíj: Manók tánca. 00:00 Tartalomjegyzék. Orbán Viktor megtér az SZDSZ-hez.01:46 Ne menj bankba a Blahán! Az ügyfél, akihez rendőr kellett.05:38 Az államkincstárral sem egyszerű. Harc életre-halálra a Központi Azonosítási Ügynökkel.11:09 Uj Péter nem vállalja, Bede Márton és Heal Edina frankón, kajakra. A macska is extasyzna a Kolorádón. A Várnegyed belégkondizása.14:24 A nagy nyíltlevél-reneszánsz. A divatszakma követelései. Amikor Nagy Tímea még fideszes volt. Kokó pálfordulása. Kokó és Hadházy.18:40 Magyar Péter első nagy hibája. Eurovízó, konklávé, elnökválasztás. Nyilvános meghallgatást mindenhova! A Polgár Judit-doksi. Végre lehetett zsidózni.24:23 Orbán János Dénes és Kylian Mmmmmmmbappé. Még tart a vévéhőemelkedés. Kicsinálták Cucurellát a 12. kerületben. Magyarországon nincs hidratációs szünet. Magyarországon börtönválogatott van.30:22 Sex Pistols erőszakból. Dead Kennedys tévedésből. Fémdetektor a Budapest Parkban. A HVG koncertkrityója. Bede Márton 2008-as krityója.36:23 Steve Jones is megöregedett. Paul Gray visszaemlékezése a Dr. Feelgood 1986-as budapesti koncertjére. A Közhír kritikája. UFO Zsolti, a kerítő. VHK a Wikipedián. 43:46 Autósüldözés - Liechtenstein drift. A közmédiáról még egyszer, remélhetőleg utoljára. Egyszázalékot a közmédiának! Stravinszkij: Manók tánca.See omnystudio.com/listener for privacy information.

[Attention, certaines scènes racontées peuvent heurter la sensibilité des personnes fragiles.] Plongez dans l'histoire de l'un des couples les plus fantasmés de l'histoire du rock : le bassiste des “Sex Pistols” Sid Vicious et sa petite amie Nancy Spungen. Pourtant, tout était loin d'être rose entre eux. Le couple s'est épanoui sur fond d'addiction et de manipulations qui ont précipité sa fin… Presque 50 ans plus tard, découvrez l'histoire des Roméo et Juliette du mouvement punk. La fuite des amants maudits 8 janvier 1978, San Antonio, Texas. Sur la scène du Randy's Rodeo, une salle des fêtes transformée en club pour l'occasion, les Sex Pistols performent. Ils enchaînent leurs tubes, “God Save The Queen” ou “I Wanna Be Me”. Pourtant, l'ambiance générale est au mécontentement. Les spectateurs lancent des canettes de bières et du pop-corn sur le groupe. En retour, Johnny Rotten, le chanteur, les insulte. Un podcast Bababam Originals Ecriture : Lola Bertet Voix : François Marion, Lucrèce Sassella Learn more about your ad choices. Visit megaphone.fm/adchoices

Just looking at the music you've gathered over the years can give you insight into who you are and what you're about.   Whenever the hosts of "How We Heard" dig into their music collections, they always seem to find out more about themselves - sometimes more than they're expecting.   The guys are at it again on this week's episode, which prompts a free-flowing conversation about everything from old jazz to electronic dance music, from the glory to the pitfalls of live albums to the vague joy and uncertainty of rediscovering old albums they don't quite remember.   They discuss artists ranging from Radiohead and Beck to Santana and Ravi Shankar and focus on far-flung singer-songwriters including Aimee Mann and Ron Sexsmith.   Hosts Chuck Campbell and Wayne Bledsoe, both veteran music critics, also talk about how they handled reviews of Christian rock for the mainstream media as well as how they dealt with artists who used obscenities in their names or song/album titles.   And they dive into the past of Ryan Murphy, acclaimed Emmy-winning producer/director/screenwriter of TV's "Glee," "Nip/Tuck," "American Horror Story" and other shows as well as film adaptations of "Running With Scissors," "Eat, Pray, Love," "The Normal Heart" and "The Prom." Wayne explains what Murphy was doing in Knoxville, Tennessee, in the 1980s and what was he like back then.   When was the last time you really looked at your music collection? It could take you places you don't expect to go.

The Documentary "Who Killed Nancy?"The 1986 biopic Sid and Nancy largely frames their deaths around a tragic, drug-fueled descent. However, if you are looking into the real-world investigation, the 2009 documentary Who Killed Nancy? directed by Alan G. Parker re-examined NYPD evidence and interviewed 182 people, heavily arguing that Vicious was physically incapable of the crime and pointing the blame back toward the missing money and independent dealers. The true identity of who killed Nancy Spungen remains officially unresolved, though her boyfriend and Sex Pistols bassist, Sid Vicious, was the prime suspect and charged with her murder. On October 12, 1978, Spungen bled to death from a single stab wound to the abdomen in Room 100 of the Hotel Chelsea in New York City. Because Vicious died of a heroin overdose less than four months later while out on bail, the case never went to trial and was legally closed. Over the decades, three primary theories have dominated the mystery:1. Sid Vicious Killed HerThis is the official police theory. The weapon used was a hunting knife owned by Vicious. He gave conflicting statements, initially confessing by saying, "I did it... because I'm a dirty dog," before later recanting and claiming he had been asleep after taking heavy doses of sedatives. 2. A Robbery and Drug Deal Gone WrongThe Hotel Chelsea was highly chaotic that night, with numerous drug dealers and visitors drifting in and out of Room 100. A substantial stack of cash belonging to the couple went missing from the room. Many of Vicious's peers—including Sex Pistols manager Malcolm McLaren—strongly believed Sid was passed out from drugs and that a thief stabbed Nancy when she caught them stealing. [1, 2, 3, 4, 5]3. Actor and Drug Dealer Rockets RedglareA prominent alternative theory points to Rockets Redglare, a late actor, stand-up comedian, and drug dealer who served as Vicious's bodyguard. Redglare had delivered drugs to the room hours before the body was found. According to some investigators and punk rock historians, Redglare allegedly killed Spungen during a struggle when he tried to rob the apartment. RedglareBecome a supporter of this podcast: https://www.spreaker.com/podcast/the-opperman-report--1198501/support.

Hosts Nate Wilcox and Justin Bankston continue our series on rock documentaries with a discussion of two very different takes on the Sex Pistols story, -- The Great Rock & Roll Swindle and The Filth and the Fury -- both films directed by Julien Temple. This episode originally dropped in 2022. GO TO THE LET IT ROLL SUBSTACK TO HEAR THE FULL EPISODE⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ -- The final 15 minutes of this episode are exclusively for paying subscribers to the Let It Roll Substack. Also subscribe to the LET IT ROLL EXTRA feed on Apple, Spotify or your preferred podcast service to access the full episodes via your preferred podcast outlet. We've got all 350+ episodes listed, organized by mini-series, genre, era, co-host, guest and more. Please consider becoming a paid subscriber to support the show. Thanks! Email ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠letitrollpodcast@gmail.com⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Follow us on Twitter.⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Let It Roll is proud to be part of ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Pantheon Podcast⁠s⁠⁠⁠⁠⁠⁠ Learn more about your ad choices. Visit megaphone.fm/adchoices

1976 was supposed to belong to disco, soft rock, and singer‑songwriters. Yet in the shadows of “Disco Lady,” “A Fifth of Beethoven,” and “Silly Love Songs,” guitar bands were quietly rebuilding what hard rock and metal could be. Boston's basement‑crafted debut exploded onto Epic Records, Thin Lizzy dropped Jailbreak and Johnny the Fox in the same year, and Judas Priest, Scorpions, Rainbow, and Rush started sketching out the next decade of heavy music.In this roundtable, we go deep into the albums of 1976 that still matter for 70s and 80s metal and hard rock. We talk Kiss' double‑punch of Destroyer and Rock and Roll Over, the strange transitional energy of Zeppelin's Presence and Sabbath's Technical Ecstasy, and the way Ramones, Sex Pistols, and Blondie cracked open a punk and new wave future while classic rock giants were already burning out.If you love Boston, Thin Lizzy, Judas Priest, Aerosmith, or any corner where 70s hard rock collides with early punk and European deep cuts, this episode is for you.Highlights:• 02:30: Billboard's 1976 snapshot vs the albums we care about• 12:10: The accidental birth of Johnny the Fox• 24:10: Kiss in hi‑gloss and raw form, in one year• 29:20: Gasolin' and Solid Ground, Scandinavian heaviness in 1976Subscribe to Dig Me Out at digmeoutpodcast.com | Join the community at dmounion.com This is a public episode. If you'd like to discuss this with other subscribers or get access to bonus episodes, visit www.digmeoutpodcast.com/subscribe

There were many bands that were part of that first wave of Punk Rock, but slovenly and pointed, The Sex Pistols, cracked the egg, and opened the door a bit, including for many other bands, some who were already working at it. An integral part of both Markus' and Ray's musical paths, the guys highlight the band's role for them, and try to show their current relevance! Hit 'em with your feedback at imbalancedhistory@gmail.com All episodes always available at: imbalancedhistory.com Learn more about your ad choices. Visit megaphone.fm/adchoices

There were many bands that were part of that first wave of Punk Rock, but slovenly and pointed, The Sex Pistols, cracked the egg, and opened the door a bit, including for many other bands, some who were already working at it. An integral part of both Markus' and Ray's musical paths, the guys highlight the band's role for them, and try to show their current relevance! Hit 'em with your feedback at imbalancedhistory@gmail.com All episodes always available at: imbalancedhistory.com Learn more about your ad choices. Visit megaphone.fm/adchoices

Stewart Copeland, legendary drummer of The Police, joins for an in-depth conversation about the band's creative tensions and why they work better apart than together. He shares stories from his home studio (which he calls the Sacred Grove) where he's jammed with everyone from Snoop Dogg to Neil Peart and Taylor Hawkins. Stewart offers surprising advice to drummers about playing quieter for better sound and career longevity, discusses his views on AI in music creation, and promotes his upcoming speaking tour 'Have I Said Too Much?'. After that, Glen Matlock, original bassist and songwriter for the Sex Pistols, opens up about his new documentary 'I Was a Teenage Sex Pistol,' which chronicles both the band's revolutionary impact and his personal journey. He reveals surprising influences on punk rock, including The Faces, Small Faces, and even ABBA's role in creating 'Pretty Vacant.' To wrap it up, John Corabi stops by to discuss his new solo album 'New Day' and the incredible lineup he's assembled for touring. He opens up about the realities of being a rock vocalist in his 60s and how he's adapted his approach to performing classic material. Corabi shares insights about touring with Tom Keifer, praising his friend's remarkable vocal recovery and dedication. The conversation touches on his memoir, his relationship with former Mötley Crüe bandmates, and his uncertain status with The Dead Daisies. Catch Eddie Trunk every M-F from 3:00-5:00pm ET on Trunk Nation on SiriusXM Faction Talk Channel 103.And don't forget to follow Eddie on X, Instagram & TikTok!Follow the link to get your free 3-month trial of SiriusXM: http://siriusxm.com/eddietrunk Find all episodes of Trunk Nation: https://siriusxm.com/trunknation Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

Met vandaag: Heeft boerenprotest invloed op het Tweede Kamer debat over stikstof? | Moet Nederland het voortouw nemen voor een internationale garantiemacht in Oekraïne? | Wat hoopt Amerika te bereiken met een basis op de maan in 2030? | Sex Pistols documentaire over de geboorte van punk | Presentatie: Winfried Baijens.   

Hoy escuchamos: Megadeth- Tornado of souls, Helloween- Savior of the world, Accept- Fast as a shark, Primal Fear- I am alive, Powerwolf- Blessed and possessed, Orden Ogan- Conquest, Sex Pistols con Frank Carter- Anarchy in the UK, The Offspring- Bad habit, Bad Religion- 21st century, La Polla Records- Ni descanso ni paz, Dünedain- Fénix, Testament- Shadow people, Napalm Death- Contagion.Escuchar audio

Rachel Bolan sits down with Eddie Trunk at the Jersey Shore to dive into his debut solo album, Gargoyles of the Garden State. The two share stories about growing up in New Jersey, from winning records on the boardwalk to sneaking into bars underage. Rachel opens up about the creative process behind the album, working with producer Nick Raskulinecz, and featuring guests like Corey Taylor, Nuno Bettencourt, and Danko Jones. They also discuss the ongoing search for Skid Row's next singer, reflect on the band's 35-year legacy since Slave to the Grind, and touch on underappreciated albums like Thickskin. After that, Phil Collen from Def Leppard sits down with Eddie to reflect on what he considers two of the best shows in the band's 44-year career during their Vegas residency. Phil opens up about Joe Elliott's three-hour vocal warmups, the band's renewed chemistry, and why they're still getting better after all these years. The conversation shifts to Man Raze, Phil's power trio with Sex Pistols drummer Paul Cook and Simon Laffy, as they release a comprehensive box set called Lock, Stock and Barrel. Phil also reveals he's been working with legendary producer Mutt Lange again on a Crossbone Skully track, discusses Delta Deep, and shares his thoughts on potentially playing the Sphere.  Catch Eddie Trunk every M-F from 3:00-5:00pm ET on Trunk Nation on SiriusXM Faction Talk Channel 103.And don't forget to follow Eddie on X, Instagram & TikTok!Follow the link to get your free 3-month trial of SiriusXM: http://siriusxm.com/eddietrunk Find all episodes of Trunk Nation: https://siriusxm.com/trunknation Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

Original Sex Pistol Glen Matlock celebrates the recent release of a new documentary and dives into the Pistols' upcoming tour with Frank Carter.

The 50th anniversary of the famous Sex Pistols concert at the Lesser Free Trade Hall in Manchester has just passed. We discuss punk rock, how it started, and what it has become. Help support The Next Track by making regular donations via Patreon. We're ad-free and self-sustaining so your support is what keeps us going. Thanks! Show notes Sex Pistols at the Lesser Free Trade Hall - Wikipedia ‘I knew it was over for us': the bands who got left behind when punk exploded - The Guardian Elisha Cook Jr. (Wilmer) - Wikipedia ‘People are still isolated and obsessive': De Niro, Scorsese, Foster and Schrader reunite for Taxi Driver at 50 - The Guardian Épater la bourgeoisie - Wikipedia Super Black Market Clash - Wikipedia Hot Tuna (album) - Wikipedia Caoilfhionn Rose on The Next Track Our next tracks: The Durutti Column: Renascent Blood, Sweat & Tears: Blood, Sweat & Tears If you like the show, please subscribe in Apple Podcasts or your favorite podcast app, and please rate the podcast.

In this fantastic Bonus episode, Phil Collen and Simon Laffey of Manraze join us to discuss their brand new career-spanning box set, Lock, Stock & Barrel. Phil and Simon's friendship goes back over 40 years to the glam rock band Girl. Then Def Leppard recruited Phil and you know how that went. About 20 years ago, Phil and Simon decided to make some music together and recruited Sex Pistols drummer Paul Cook to join them. This box set includes both studio albums as well as instrumentals, a live show, remixes, and new songs. Check it out! www.patreon.com/c/thehustlepod

The opening riff of “White Wedding” is instantly recognizable—a skittering, syncopated guitar line quickly swallowed by pummeling drums. But the song itself is a bit of an enigma. Is it rock? Pop? New wave? Rockabilly punk? Like much of Billy Idol's career, the song exists somewhere in between. Idol was a shape-shifter, blurring genre lines in pursuit of bigger hooks, bigger audiences and, eventually, pop stardom.Raised near London and running with the Sex Pistols' inner circle, Idol arrived with genuine punk bona fides. But with the rise of MTV and the explosion of new wave, he refashioned himself as the bleach-blond, leather-clad rock crooner who sneered his way to the top of the charts.Join Chris Molanphy as he traces the rise, reinvention and Rock Hall canonization of an original MTV icon.Get more Hit Parade with Slate Plus! Join for bonus episodes of "The Bridge" and ad-free listening across all your favorite Slate podcasts. Subscribe directly from the Hit Parade show page on Apple Podcasts or Spotify. Or, visit slate.com/hitparadeplus to get access wherever you listen.Need to set up your Slate Plus feed? If you subscribed through Slate.com, check out our FAQ at slate.com/podcastfaqs for easy instructions. Members subscribed via Apple Podcasts get automatic access—no setup required. Hosted on Acast. See acast.com/privacy for more information.

The opening riff of “White Wedding” is instantly recognizable—a skittering, syncopated guitar line quickly swallowed by pummeling drums. But the song itself is a bit of an enigma. Is it rock? Pop? New wave? Rockabilly punk? Like much of Billy Idol's career, the song exists somewhere in between. Idol was a shape-shifter, blurring genre lines in pursuit of bigger hooks, bigger audiences and, eventually, pop stardom.Raised near London and running with the Sex Pistols' inner circle, Idol arrived with genuine punk bona fides. But with the rise of MTV and the explosion of new wave, he refashioned himself as the bleach-blond, leather-clad rock crooner who sneered his way to the top of the charts.Join Chris Molanphy as he traces the rise, reinvention and Rock Hall canonization of an original MTV icon.Get more Hit Parade with Slate Plus! Join for bonus episodes of "The Bridge" and ad-free listening across all your favorite Slate podcasts. Subscribe directly from the Hit Parade show page on Apple Podcasts or Spotify. Or, visit slate.com/hitparadeplus to get access wherever you listen. Hosted on Acast. See acast.com/privacy for more information.

The opening riff of “White Wedding” is instantly recognizable—a skittering, syncopated guitar line quickly swallowed by pummeling drums. But the song itself is a bit of an enigma. Is it rock? Pop? New wave? Rockabilly punk? Like much of Billy Idol's career, the song exists somewhere in between. Idol was a shape-shifter, blurring genre lines in pursuit of bigger hooks, bigger audiences and, eventually, pop stardom.Raised near London and running with the Sex Pistols' inner circle, Idol arrived with genuine punk bona fides. But with the rise of MTV and the explosion of new wave, he refashioned himself as the bleach-blond, leather-clad rock crooner who sneered his way to the top of the charts.Join Chris Molanphy as he traces the rise, reinvention and Rock Hall canonization of an original MTV icon.Get more Hit Parade with Slate Plus! Join for bonus episodes of "The Bridge" and ad-free listening across all your favorite Slate podcasts. Subscribe directly from the Hit Parade show page on Apple Podcasts or Spotify. Or, visit slate.com/hitparadeplus to get access wherever you listen. Hosted on Acast. See acast.com/privacy for more information.