Podcasts about spranger

#BerichtausBerlin #DieterHapel #DNEWS24 #HofnarrEinfach mal entschuldigen. Judenhasser-Demo wird aufgelöst. Iranische Transfrau wird verurteilt. Überläufer in Mitte. Spranger ist sprachlos. Mehr Arbeitslose in Berlin. Verschleppte Zaunbauabsicht. Am Drachenberg gibt es Baumwilderei.Ausgehtipp der WocheDas Vi Viet am Walter-Benjamin-Platz in Charlottenburg ist eine leckere Adresse für Freunde der originalen und opulenten vietnamesischen Küche.

Stāsta mākslas zinātniece, mākslas muzeja RĪGAS BIRŽA vadītājas vietniece, izstāžu kuratore Vita Birzaka. Mākslas muzeja “Rīgas Birža” greznajā Venēcijas zālē, kur pastāvīgajā ekspozīcijā aplūkojama Eiropas 16. –19. gadsimta māksla, uz marmora sienas izceļas iespaidīga izmēra kompozīcija “Ādams un Ieva”. Īpaši uzmanību piesaista jutekliski gleznotā, proporcijās izstieptā sievietes figūra. Tas ir ievērojamā flāmu manierisma meistara Bartolomeusa Sprangera (Bartholomäus Spranger, 1546–1611) darbs, kurš tapis 16. gs. beigās – 17. gs. sākumā. Sprangera talants un prasmes bija ļoti daudzpusīgas – viņš gleznoja, veidoja skulptūras, zīmēja un radīja apdruku paraugus. Mākslinieka karjera strauji attīstījās, kad Pāvests Pijs V 1570. gadā viņu iecēla par galma gleznotāju, neilgi pēc tam viņu uz Vīni izsauca Svētās Romas imperators Maksimiliāns II. Savukārt Maksimiliāna II pēctecis, viņa dēls Rūdolfs II Hābsburgs 1581. gadā aicināja mākslinieku uz savu galmu Prāgā. Imperatora Rūdolfa II galmā pulcējās vadošie dabaszinātnieki, astrologi, okultisti, arī literāti, gleznotāji un mūziķi. Viņš bija aizrautīgs mākslas un amatniecības priekšmetu kolekcionārs ar iespaidīgāko kolekciju tā laika Eiropā, kā arī atbalstīja jaunu mākslas darbu tapšanu, pasūtot tos – tai skaitā Sprangeram. Daudzi Rūdolfa II pasūtītie mākslas darbi bija izteikti erotiska rakstura, un pastāv versija, ka tajā laikā tas varēja kalpot par vienu no apsūdzībām viņa gāšanas no troņa kampaņā. Bet kā Bartolomesusa Sprangera glezna nonāca Latvijas Nacionālā mākslas muzeja kolekcijā? Savā ziņā šis stāsts ir arī par tagadējā muzeja krājuma veidošanās vēsturi, kurā dažādos laikos saplūda vairāku vairs neeksistējošu muzeju kolekcijas – piemēram, 1920. gadā līdz ar neatkarīgu  Latvijas valsti dibinātā Valsts mākslas muzeja, kura ilggadējais direktors bija tēlnieks Burkards Dzenis. Ievērojamā flāmu manierisma meistara Sprangera gleznu “Ādams un Ieva” toreizējam Valsts mākslas muzejam 1937. gadā pārdeva mākslinieks Alberts Silzemnieks (Mārtiņš Alberts Krūmiņš). Taču, lai nonāktu līdz veiksmīgam darījumam, pagāja septiņi gadi. Latvijas Valsts arhīvā ar fonda numuru 1659 glabājas Valsts mākslas muzeja dokumenti un sarakste par gleznas izvērtēšanu, muzeja nepietiekošajām finansēm, labo gribu un mērķtiecīgo darbu, lai iecerēto realizētu, te atspoguļo arī šodien tik pazīstamo muzeja ikdienu. Starp citu glezna jau no 1926. līdz 1928. gadam bija deponēta un izstādīta Rīgas pilsētas mākslas muzejā, jo direktors Vilhelms Purvītis to uzskatīja par būtisku ekspozīcijas papildinājumu. To ietvēra apgāda “Grāmatu draugs” izdevumā “Mākslas vēsture” (1934), kura oficiālais virsredaktors arī bija Purvītis. Arhīvā saglabājies tēlnieka Teodora Zaļkalna 1930. gada 7. maijā Valsts mākslas muzejam rakstītais apliecinājums, ka flāmu meistara Sprangera gleznu “Ādams un Ieva” Alberts Krūmiņa kungs (Alberts Silzemnieks) pircis Pēterpilī 1921. gadā no krievu kolekcionāra un grafiķa Aleksandra Saharova.  1935. gadā Valsts mākslas muzeja iepirkumu komisija direktora Burkarda Dzeņa, gleznotāju Konrāda Ubāna un Augusta Annusa sastāvā lēma, ka Silzemnieka piedāvātais darbs ir rets 16. gadsimta mākslas paraugs, ko vajadzētu iegūt muzeja kolekcijai. Apstiprinošus rakstiskus atzinumus, ka glezna iekļaujama krājumā, deva Teodors Zaļkalns, Erasts Šveics, Valdemārs Tone un Boriss Vipers. Pēc diviem gadiem, 1937. gadā, kad Izglītības ministrija piešķīra līdzekļus no Ministru kabineta fonda neparedzētiem gadījumiem, muzejs gleznu iegādājās, samaksājot par to 3300 latu, kas tiem laikiem bija milzīga summa. Kopš tā laika Bartolomeusa Sprangera glezna “Ādams un Ieva” gandrīz vienmēr ir bijusi pastāvīgajā ekspozīcijā – gan Valsts mākslas muzejā un pēc tam Ārzemju mākslas muzejā Rīgas pilī, gan tagad mākslas muzejā "Rīgas birža".

Stāsta mākslas zinātniece, mākslas muzeja RĪGAS BIRŽA vadītājas vietniece, izstāžu kuratore Vita Birzaka. Mākslas muzeja “Rīgas Birža” greznajā Venēcijas zālē, kur pastāvīgajā ekspozīcijā aplūkojama Eiropas 16. –19. gadsimta māksla, uz marmora sienas izceļas iespaidīga izmēra kompozīcija “Ādams un Ieva”. Īpaši uzmanību piesaista jutekliski gleznotā, proporcijās izstieptā sievietes figūra. Tas ir ievērojamā flāmu manierisma meistara Bartolomeusa Sprangera (Bartholomäus Spranger, 1546–1611) darbs, kurš tapis 16. gs. beigās – 17. gs. sākumā. Sprangera talants un prasmes bija ļoti daudzpusīgas – viņš gleznoja, veidoja skulptūras, zīmēja un radīja apdruku paraugus. Mākslinieka karjera strauji attīstījās, kad Pāvests Pijs V 1570. gadā viņu iecēla par galma gleznotāju, neilgi pēc tam viņu uz Vīni izsauca Svētās Romas imperators Maksimiliāns II. Savukārt Maksimiliāna II pēctecis, viņa dēls Rūdolfs II Hābsburgs 1581. gadā aicināja mākslinieku uz savu galmu Prāgā. Imperatora Rūdolfa II galmā pulcējās vadošie dabaszinātnieki, astrologi, okultisti, arī literāti, gleznotāji un mūziķi. Viņš bija aizrautīgs mākslas un amatniecības priekšmetu kolekcionārs ar iespaidīgāko kolekciju tā laika Eiropā, kā arī atbalstīja jaunu mākslas darbu tapšanu, pasūtot tos – tai skaitā Sprangeram. Daudzi Rūdolfa II pasūtītie mākslas darbi bija izteikti erotiska rakstura, un pastāv versija, ka tajā laikā tas varēja kalpot par vienu no apsūdzībām viņa gāšanas no troņa kampaņā. Bet kā Bartolomesusa Sprangera glezna nonāca Latvijas Nacionālā mākslas muzeja kolekcijā? Savā ziņā šis stāsts ir arī par tagadējā muzeja krājuma veidošanās vēsturi, kurā dažādos laikos saplūda vairāku vairs neeksistējošu muzeju kolekcijas – piemēram, 1920. gadā līdz ar neatkarīgu  Latvijas valsti dibinātā Valsts mākslas muzeja, kura ilggadējais direktors bija tēlnieks Burkards Dzenis. Ievērojamā flāmu manierisma meistara Sprangera gleznu “Ādams un Ieva” toreizējam Valsts mākslas muzejam 1937. gadā pārdeva mākslinieks Alberts Silzemnieks (Mārtiņš Alberts Krūmiņš). Taču, lai nonāktu līdz veiksmīgam darījumam, pagāja septiņi gadi. Latvijas Valsts arhīvā ar fonda numuru 1659 glabājas Valsts mākslas muzeja dokumenti un sarakste par gleznas izvērtēšanu, muzeja nepietiekošajām finansēm, labo gribu un mērķtiecīgo darbu, lai iecerēto realizētu, te atspoguļo arī šodien tik pazīstamo muzeja ikdienu. Starp citu glezna jau no 1926. līdz 1928. gadam bija deponēta un izstādīta Rīgas pilsētas mākslas muzejā, jo direktors Vilhelms Purvītis to uzskatīja par būtisku ekspozīcijas papildinājumu. To ietvēra apgāda “Grāmatu draugs” izdevumā “Mākslas vēsture” (1934), kura oficiālais virsredaktors arī bija Purvītis. Arhīvā saglabājies tēlnieka Teodora Zaļkalna 1930. gada 7. maijā Valsts mākslas muzejam rakstītais apliecinājums, ka flāmu meistara Sprangera gleznu “Ādams un Ieva” Alberts Krūmiņa kungs (Alberts Silzemnieks) pircis Pēterpilī 1921. gadā no krievu kolekcionāra un grafiķa Aleksandra Saharova.  1935. gadā Valsts mākslas muzeja iepirkumu komisija direktora Burkarda Dzeņa, gleznotāju Konrāda Ubāna un Augusta Annusa sastāvā lēma, ka Silzemnieka piedāvātais darbs ir rets 16. gadsimta mākslas paraugs, ko vajadzētu iegūt muzeja kolekcijai. Apstiprinošus rakstiskus atzinumus, ka glezna iekļaujama krājumā, deva Teodors Zaļkalns, Erasts Šveics, Valdemārs Tone un Boriss Vipers. Pēc diviem gadiem, 1937. gadā, kad Izglītības ministrija piešķīra līdzekļus no Ministru kabineta fonda neparedzētiem gadījumiem, muzejs gleznu iegādājās, samaksājot par to 3300 latu, kas tiem laikiem bija milzīga summa. Kopš tā laika Bartolomeusa Sprangera glezna “Ādams un Ieva” gandrīz vienmēr ir bijusi pastāvīgajā ekspozīcijā – gan Valsts mākslas muzejā un pēc tam Ārzemju mākslas muzejā Rīgas pilī, gan tagad mākslas muzejā "Rīgas birža".

I am joined for episode 186 with guest, Dr. Maggie Broderick. Dr. Maggie Broderick is an associate professor at National University, where she serves as a dissertation chair and as a faculty lead for Social Emotional Learning and Curriculum and Instruction. She is also the director of NU's Advanced Research Center and the editor of the International Journal of Online Graduate Education. Dr. Broderick is an active scholar who is passionate about teaching and learning at all levels. The two of us discuss: Embracing SEL: Promoting Student Well-being in Today's Schools Implementing Curriculum and Instruction Strategies in PK-12 Education The Evolution of Higher Education Curriculum: Trends and Challenges Research Trends and Scholarly Pursuits in Academia Exploring the Impact of Experiential Learning in Higher Education Strategies for Teaching Diverse Student Populations and Meeting the Needs of 21st Century Learners She also has many publications Broderick, M. (2024). Servant Scholarship: Weaving a Lasting Tapestry. National University Open Educational Resources (OER) Repository. National University Library. https://repository.nusystem.org/items/aa70abdb-c5c1-4806-abc4-bde25fe3a6e0 Broderick, M. (2024). Building scholarly bridges: Guidance for academics pursuing publications and presentations. In C. Barker-Stucky & K. Elufiede (Eds.), Best Practices to Prepare Writers for Their Professional Paths. IGI Global. Lyn, A. E., & Broderick, M. (Eds.) (2023). Motivation and Momentum in Adult Online Education. IGI Global. Lyn, A. E., Broderick, M., & Spranger, E. (2023). Student well-being and empowerment: SEL in online graduate education. In R. Rahimi and D. Liston (Eds.), Exploring Social Emotional Learning in Diverse Academic Settings, IGI Global. Broderick, M., & Lyn, A. E. (2022). Integrating social emotional learning into the formative development of educator dispositions. In. S. Clemm von Hohenberg (Ed.), Dispositional Development and Assessment in Teacher Preparation Programs. IGI Global. Broderick, M. (2021).  Navigating the school as a smaller fish: Research-based guidance for teachers of less commonly taught content areas.  In K. Pierce-Friedman & L. Wellner (Eds.), Supporting Early Career Teachers with Research-Based Practices. IGI Global. Broderick, M. (2020). Representation in 21st century online higher education: How the online learning culture serves diverse students.  In K. Setzekorn, C. Farrelly, N. Seth & T. Burton (Eds.), Socioeconomics, Diversity, and the Politics of Online Education. IGI Global. You can connect on LinkedIn or follow her website at: https://resources.nu.edu/ARC/home --- Support this podcast: https://podcasters.spotify.com/pod/show/pixelclassroom/support

If you're currently a stay-at-home mom (or want to be one soon) and have been debating starting a business to help support that dream… today's episode is for you!!! Today we're chatting with the incredible Maddy Spranger, one of our very own Heart and Hustle podcast listeners.. Maddy is a 28-year-old wife and mother as well as a virtual assistant who embarked on her entrepreneurial journey just last year while juggling the very full plate that belongs to a stay-at-home mom. --------------------------------- Show notes: https://theheartuniversity.com/372-starting-a-side-hustle-as-a-sahm-with-little-kids-at-home-with-maddy-spranger --------------------------------- Shopify: www.shopify.com/heart --------------------------------- Contracts: www.theheartcontracts.com Use the link above for 10% off! --------------------------------- The Heart Shop: www.theheartuniversity.com/shop --------------------------------- Follow along with Maddy:  www.instagram.com/sprangervasolutions www.instagram.com/maddyleespranger Website: sprangervasolutions.com --------------------------------- Watch on YouTube: https://youtube.com/@theheartuniversitychannel?si=33lzxpBA9UxKlgTE --------------------------------- If you want to connect with us and other listeners in the Heart and Hustle community join our Facebook group here. --------------------------------- PODCAST10 for 10% off anything from The Shop! www.theheartuniversity.com/shop --------------------------------- Follow along: www.instagram.com/mrslindseyroman www.instagram.com/evierupp www.instagram.com/theheartuniversity  

Eduard Spranger gehört zu den philosophischen Begründern einer wissenschaftlichen Pädagogik. Während der NS-Zeit gerieten ihm seine Ideale zum realpolitischen Dilemma. 1963 starb er hochverehrt. Heute ist Spranger umstritten.Arp, Doriswww.deutschlandfunk.de, KalenderblattDirekter Link zur Audiodatei

Aquarium burst 1933 book burning BER job fair New Senate pt. 4 – Iris Spranger ** Please check out the show notes for the links to our sources. Donate: https://www.berlinbriefing.de/donate/ Twitter: @berlinbriefing Facebook: https://www.facebook.com/BerlinBriefing/ Mastodon: https://podcasts.social/@berlinbriefing/ Mail: berlinbriefing@gmail.com

With bias in the workplace costing companies billions of dollars, Diversity, Equity and Inclusion (DE&I), is no longer a catchphrase, it is an imperative. During this show, your hosts Vernon Williams and Aly Sharp are joined by the Senior Diversity Officer of the Carlson School of Management at University of Minnesota, Dr. Angela Spranger as they discuss the rewards and positive impact of working in DE&I, as well as the challenging and changing times that helped inspire inclusive initiatives.Follow/subscribe to Career Compass on your favorite listening platform; rate and review on Apple Podcasts. Hear more podcasts from SHRM.shrm.org | Facebook | LinkedIn | Twitter | Instagram

Anita Schnetzer-Spranger erzählt Ute und Susanne von ihrer beruflichen Vergangenheit als Marketingmanagerin bei einem großen Kosmetikkonzern. Heute setzt sie ihre Begeisterung und Tatkraft nicht mehr beruflich ein, aber dafür umso mehr für Zonta. Sie war eine der jüngsten Zontians im Mainzer Club und hat seither viele Ämter übernommen: Präsidentin, internationale Direktorin, Mitglied im Endowment-Committee und viele mehr. Sie habe darüber gelernt, wie toll die Internationalität von Zonta ist und wie wertvoll diese Gelegenheit ist, sich mit anderen zu verbinden, mit denen man sich sonst nicht verbinden könnte. Welche internationale Wirkung Zonta haben kann, berichtet Anita anhand ihrer Erfahrung im Europarat. Wie der Europarat arbeitetet und was Zonta dort bewirken kann? Hört selbst!

Iris Spranger (SPD), neue Innensenatorin von Berlin, im Gespräch mit Christine Richter, Chefredakteurin der Berliner Morgenpost.

Im Podcast BJA032 "Agile Führung - ein Überblick" sprechen Andrea Spranger und André Friedrich über Agile Führung. Was ist eigentlich Führung im Agilen? Passiert das nur noch im Team? Braucht es noch Führungskräfte und wenn ja, wofür? Diese und weitere Fragen beschäftigen aktuell viele Organisationen, die dabei sind, agile Zusammenarbeit in der ganzen Organisation oder in größeren Teilen der Organisation einzuführen. Andrea und André schauen auf verschiedene Aspekte, die dabei auftreten und tauschen sich dabei über ihre Erfahrungen aus, die die beiden als Führungskräfte gemacht haben. Dies ist der erste Podcast einer kleinen Serie, die die BERATUNG JUDITH ANDRESEN in der nächsten Zeit in unregelmäßigen Abständen zum Thema Agile Führung veröffentlichen wird. Wir freuen uns auf Eure Gedanken und Euer Feedback!

El Coordinador Regional de Mercado en Sumitomo Chemical Latam dialogó con Daniel Aprile en Palabra de Campo por Radio 10. Conversó acerca de las recomendaciones para productores en épocas de sequía y de los nuevos lanzamientos y productos que prepara Sumitomo. Vale recordar que recientemente la empresa anunció el lanzamiento de un nuevo Fungicida, presentado en jornadas a campo EXCALIA MAX, que estará disponible comercialmente para la próxima campaña y un nuevo herbicida Terbyne Max. Ambos productos se suman al robusto portfolio de Sumitomo Chemical para aportar soluciones al productor.

¡Escucha el último episodio de nuestra 1era. temporada! En esta ocasión escucharás en la ¨Playlist del día¨ canciones para salir de viaje, esas canciones que nos acompañan hacia nuestro destino o lugar favorito. En ¨Muestra tu talento¨ la Dra. Estela Solís, Coordinadora de Posgrado e Investigación de la Facultad de Ciencias Humanas nos hablará sobre una actividad que disfruta realizar, que es el tallado en madera y en ¨Fanáticos¨ el Dr. Fausto Medina Esparza nos contará sobre el descubrimiento del Psicólogo y Filósofo Eduard Spranger, que aunque no tuvo el gusto de conocerlo en persona, definitivamente marcó su vida profesional por sus grandes enseñanzas. ¡Únete y sé parte de esta comunidad!

Im BJA Podcast 028 "Das neue Normal: Einfach machen!" sprechen Judith Andresen und Andrea Spranger über Hindernisse auf dem Weg dabei ins Machen zu kommen und welchen Weg Teams einschlagen können, um sie zu überkommen. Auch hier wirkt die Magie der kleinen Schritte.

Lauri brings the story of the OG Karen, Detroit's county clerk, Karen Spranger-- who is a sick amalgamation of every beloved TV show character ever. Sorry for the technical difficulties on this one, we were in tunnels. Resident Guest: Kash Abdulmalik IG: @hashtagkashtag Host: Maria Felix IG: @mariafelix.la Host: Lauri Roggenkamp IG: @lauriuliar @BloodyPodcast on all social media. www.patreon.com/bloodypodcast PLEASE SUBSCRIBE, RATE & REVIEW!

Link to bioRxiv paper: http://biorxiv.org/cgi/content/short/2020.09.10.291203v1?rss=1 Authors: Friedrichs, K., Spranger, M., Palaniappan, S. Abstract: The rapid growth of scientific publications every year makes it infeasible to keep pace with and survey manually, even for a specific field. Keeping up with literature and gaining a birds-eye view in a timely manner is crucial to the pursuit of scientific discovery and innovation. To help gain a clearer understanding of the state and progress of science and the nature of discovery, one can encode key information from these publications and represent them as a network. Observations on the structural evolution of these graphs can offer valuable insights on the dynamics at play. This work describes the construction and analyses the temporal evolution of a knowledge network of keywords (specifically focusing on genes/proteins, diseases and chemicals) from publications in the biomedical sciences domain. We compare and contrast the representations and evolution of these keyword networks types and find significant differences in the network growth, largely corresponding to our intuition. Furthermore, we focus on the formation and evolution of new links, which we argue corresponds to new scientific discoveries. Our findings suggest that these links are progressively formed in short network distance, leading to clusters of extensively studied keywords. This strategy, however, seems to impede ground-breaking innovation, which could be beneficial for research progress. Copy rights belong to original authors. Visit the link for more info

This week, I got to talk to professional filmmaker and film teacher Dawn Spranger. From directing to screenwriting, post production to teaching, Dawn has immersed herself in her love of film and storytelling. Tune in to learn how to start your film career, popular misconceptions about working in Hollywood, and where the future of film is headed (and how she met Will Smith!).Check out her latest short film on Instagram @danda_filmproductions: http://www.instagram.com/danda_filmproductions!And share your thoughts on this interview with the #thebrighteyedpod on Instagram!

Im BJA Podcast sprechen André und Andrea von der Beratung Judith Andresen dieses Mal mit Uwe König von Conterra über Erfahrungen und Learnings mit Remote-Arbeit.

Gianfranco Brunelli"Ulisse. L'arte e il mito"Forlì, Musei San DomenicoFino al 31 ottobre 2020https://www.mostraulisse.it/Il più grande viaggio dell'arte mai raccontatoQuanti Ulisse! E quante Odissee! Il protagonista dell'Odissea è il più antico e il più moderno personaggio della letteratura occidentale. Egli getta un'ombra lunga sull'immaginario dell'uomo, in ogni tempo. L'arte ne ha espresso e reinterpretato costantemente il mito. Raccontare di Ulisse ha significato raccontare di sé, da ogni riva del tempo e raccontarlo utilizzando i propri alfabeti simbolici, la propria forma artistica, attribuendogli il significato del momento storico e del proprio sistema di valori.Dall'Odissea alla Commedia dantesca, da Tennyson a Joyce e a tutto il Novecento, di volta in volta, Ulisse è l'eroe dell'esperienza umana, della sopportazione, dell'intelligenza, della parola, della conoscenza, della sopravvivenza e dell'inganno. E' “l'uomo dalle molte astuzie e “dalle molte forme”.Dopo la Guerra di Troia, quando affronta le sue avventure nel viaggio del lungo ritorno, egli è già un personaggio famoso. Ma quel viaggio è anche la faticosa riconquista di sé, della propria identità, attraverso il recupero narrativo della sua vicenda alla corte di Alcinoo, attraverso la memoria del ritorno. Così come accade all'arte, che narra narrandosi, che racconta l'oggetto e la sua forma stilistica.La nuova grande esposizione ai Musei San Domenico di Forlì presenta oltre 200 opere tra le più significative di ogni tempo. Dall'antico al Novecento. Pittura, scultura, miniature, mosaici, ceramiche, arazzi e opere grafiche ricomprendono il viaggio di Ulisse come viaggio dell'arte.Fin dall'antichità gli artisti non hanno cercato di illustrare in forma puramente didascalica l'intera Odissea. Se l'età arcaica privilegia gli episodi di Polifemo, di Circe, di Scilla e delle Sirene, l'età classica aggiunge gli incontri e i riconoscimenti: l'incontro con Tiresia, Atena, Nausicaa e Telemaco, il dolore e l'inganno della tela di Penelope, il riconoscimento della nutrice Euriclea, la strage dei Proci. L'ellenismo aggiunge l'incontro domestico e commovente con il cane Argo, l'abbraccio e il riconoscimento tra Ulisse e Penelope, l'arte romana infine, oltre a ripetere i modelli precedenti, raffigura, quale epilogo consolatorio, l'abbraccio tra Ulisse e il padre Laerte. L'arte antica non è interessata a mettere in scena il poema epico, quanto un uomo che attraverso le sue molteplici e dolorose esperienze ha imparato a conoscere se stesso.Dante, che scrive 2000 anni dopo Omero, usa gli autori latini che sottolineano le qualità di Ulisse. Così nel canto XXVI dell'Inferno egli conferisce a Ulisse una nuova e diversa centralità. L'Ulisse di Dante non è spinto dalla nostalgia del ritorno, né, come l'Enea virgiliano, è mosso da una missione, egli è un viandante spinto dall'ardore “a divenir del mondo esperto / e de li vizi umani e del valore”, e si lancia “per altro mare aperto”, verso il “folle volo”.L'influsso di Dante sull'arte non riguarda solo codici e miniature, capitelli e disegni, ma giunge fino ad artisti come Botticelli e la sua rilettura illustrata della Commedia, Signorelli e Federico Zuccari, per poi immergersi in un lungo silenzio fino a William Blake e all'Ottocento. Mentre le narrazioni omeriche sopravvivono nei cassoni fiorentini dipinti del Quattrocento, che appartengono ancora al gusto epico-cortese, con pittori come lo Scheggia e Apollonio di Giovanni. Per rifiorire poi nei disegni e nelle opere di Filippino Lippi o del Parmigianino.Le diverse interpretazioni della figura di Ulisse si fanno sentire anche nei cicli figurativi del Cinquecento, che si diffondono nelle regge e nei palazzi di mezza Europa. Con un carattere non solo illustrativo o decorativo, ma in una sintesi integrata tra valori formali e valori morali espressi da artisti quali Nicolò dell'Abate, Primaticcio fino alle tele di Beccafumi, Dossi, Spranger. In questo ambito Ulisse è l'uomo virtuoso che affronta e vince le prove, personali e pubbliche. Il Seicento di Rubens, Lorrain, Jordaens, Cornelis, tra natura e teatro ne raffigura e diffonde il mito fin nelle manifatture.Col classicismo di Canova, Mengs e Füssli, il Settecento _ anche per la ripresa degli studi omerici e delle nuove scoperte archeologiche _ si mostra come un secolo omerico, mentre il romanticismo di Hayez avvia un ulteriore rinnovamento. Il XIX secolo ritrova nel mito del viaggiatore e del viandante (da Foscolo a Tennyson, dal Romanticismo a Nietzsche), qualcosa di odissiaco nel destino dell'uomo moderno. I Preraffaelliti, e in generale le inquietudini allusive del Simbolismo, attraverso le raffigurazioni di soggetti quali Calipso, Circe, Penelope o le Sirene vagheggiano la visione onirica di un mondo che oramai sfugge al desiderio di bellezza ed è sopraffatto dalla realtà quotidiana, ma non rinunciano a un contenuto artistico che trascenda l'esperienza ordinaria e porti l'esistenza quotidiana dell'individuo su un piano universale.Il XX secolo _ sulla scorta dei capolavori letterari di Eliot, Kafka, Pascoli, Pavese, Primo Levi, Kavafis e soprattutto l'Ulisses di Joyce _ fa di Ulisse il prototipo dell'uomo contemporaneo: inquieto, alienato, irrimediabilmente diviso nel proprio io. Per questo più che un ritorno integrale al mito, al suo racconto, l'arte celebra ritratti isolati e parziali dell'eroe. Frammenti. Da Böcklin a De Chirico, da Savinio a Cagli, da Meštrović a Martini, assistiamo alla definizione di un'arte come ricerca e rappresentazione di un varco, di una via d'uscita possibile che altrimenti si nega all'eroe divenuto uomo.L'Ulisse del Novecento non riesce di fatto a ritrovare Itaca. Il suo ricordo del ritorno si è perduto. E «scordare il ritorno», significa scordare la forma del proprio destino. Il viaggio attraverso un universo così straordinariamente ricco e diversificato, che questa mostra propone, consente di cogliere i tratti più caratteristici di singoli segmenti della tradizione figurativa, nonché il rispecchiamento della propria ricerca esistenziale tra poesia e storia.IL POSTO DELLE PAROLEascoltare fa pensarehttps://ilpostodelleparole.it/

Oggi è la volta di fabio che spolvera un musicista tanto eccentrico quanto discusso: Wolfagang von Spranger. I suoi detrattori lo chiamano truffatore, ma i suoi ammiratori dicono che è stato più innovativo di John Cage! A voi il giudizio!I link per approfondire:► https://johncage.org/► http://www.cdu-ballrechten-dottingen.de/seiten/2014gm_wahl/spranger.htm► https://musiclab.chromeexperiments.com/Song-Maker/song/5408873886253056Trovi fake ed altri podcast interessanti sulle Officine► https://officine.me

Interview de Patrice FABART (à retrouver sur www.laboiteauximages.com/) fondateur de la méthode Arc-en-Ciel DISC.  À l'issue de l'une de ses formations certifiantes, l'auteur de Révélez le manager qui est en vous !  revient sur son modèle de développement de la personne en quatre étapes.  Une approche humaniste, nourrie par la philosophie grecque ainsi que par les apports de Jung, Marston et Spranger.  De fait, l'ouvrage tient autant du livre de sagesse que du manuel de management. Je m'en inspire en coaching de dirigeants et formations à l'oral. D'où ma dernière question pour aborder la prise de parole en public.   Envie d'aller plus loin ? Découvrez ma formation en ligne  sur le langage universel des couleurs. Elle comprend un profil Arc-en-Ciel DISC que je vous débriefe via Zoom.

Craig sits down with Nancy Derringer and Violet Ikanomova of Deadline Detroit to talk about the stories that our readers cared about this week.  

Dr. Markus Krall spricht sonst hauptsächlich über das Geldsystem und dessen kommenden Crash. Auf der eigentümlich frei Konferenz 2019 auf der Insel Usedom hat er über die darunterliegende Ideologie des Zerfalls gesprochen. Zu seiner Person: Als Risikomanager ist Dr. Markus Krall für zahlreiche Top 20 Finanzdienstleister, Regulatoren, Zentralbanken und supranationale Institutionen wie die europäische Kommission tätig. Nach Stationen bei der Allianz, Boston Consulting Group, als Senior Partner und Leiter der Risikopraxis bei McKinsey sowie als Senior Partner bei Roland Berger ist der promovierte Diplom-Volkswirt heute als Managing Director von goetzpartners verantwortlich für den Bereich Risk Management und Financial Institutions.

Mon, 10 Sep 2018 22:06:00 +0000 https://auf-gehts-der-reha-podcast.podigee.io/164-auf-geht-s-der-reha-podcast-folge-164-unterversorgung-in-der-neurologischen-ambulanten-behandlung 1b13cc225db53431642552325910e522 Heute geht es um ambulante neurologische Behandlungsmöglichkeiten nach einem Unfall. Für eine vollständige Heilung nach beispielsweise einem Schädel-Hirn-Trauma ist eine solche Behandlung essentiell. Leider werden nicht immer alle neurologischen Unfallfolgen als solche erkannt. Zu den neurologischen Unfallfolgen kommen dann oftmals auch noch neuropsychologische Unfallfolgen. Dieses Thema hatte der „Auf geht’s – der Reha-Podcast!“ ja schon in seinen Sendungen mit Frau Sokoll-Potratz und Frau Armgardt aufgegriffen. Auf diesem Fachgebiet herrscht ein großer Mangel an nieder- und zugelassenen Neuropsychologinn/en, vor allem auf dem Land. Prof. Dr. med. Matthias Spranger berichtet im Gespräch über seine Arbeit und Probleme in der Behandlung. Prof. Dr. med. Matthias Spranger ist einer der drei Betreiber des Neuropsychatricum Bremens und ehemaliger Chefarzt des NRZ Friedehorst. Früher hatte Herr Prof. Dr. Spranger als Behandlungsschwerpunkt die Rehabilitation von Kindern und Jugendlichen. Mit dem Neuropsychatricum konnte Herr Prof. Dr. Spranger seine Spezialisierung auf die Behandlung von Erwachsenen erweitern. Neurologen gibt es in Deutschland in einer ausreichenden Zahl. Jedoch gibt es kaum Neuropsychologinn/en. „Das wird im Studium gar nicht behandelt“ so Professor Spranger. Auch in der Ausbildung wird das Thema nicht oder nur unzureichend angesprochen. Als Folge dessen gibt es in Deutschland kaum Neuropsychologinn/en. „In Bremen gibt es zwei zugelassene Neuropsychologen für vielleicht eine Million Menschen“. Und in ländlichen Gegenden gibt es oftmals gar keine. Trotzdem ist das Thema bei der Rehabilitation nach einem Unfall absolut wichtig. Dabei können bei der Behandlung Komplikationen vor allem bei jungen Leuten auftreten. Denn diese haben oftmals mehr Probleme ihr Leben mit der Behandlung und Rehabilitation zu vereinbaren. Ein weiteres Problem sind die akuten und ambulanten Behandlungen direkt nach einem Unfall. Diese sind zahlreich und wichtig können aber den Arzt, welcher die Nachbehandlung durchführt verwirren. Deshalb ist es als Patient absolut wichtig seine eigene Fallakte mitzubringen. https://images.podigee.com/0x,scARrR66ERUYeWOSqqrXjkeqKKwQKqv99Z0HU74lrO70=/https://cdn.podigee.com/uploads/u6213/88093881-7030-4658-b73f-717fdff91b3f.jpg Auf geht-s–der Reha-Podcast Folge 164 Unterversorgung in der neurologischen ambulanten Behandlung? https://auf-gehts-der-reha-podcast.podigee.io/164-auf-geht-s-der-reha-podcast-folge-164-unterversorgung-in-der-neurologischen-ambulanten-behandlung 164 full no

This is your Daily Detroit News Byte For Wednesday, March 28, 2018. -A Detroit man wrongly spent 45 years in jail -Vehicle sales are up -We break down new data on parking rates in the city -Quicken Loans is going to award a million bucks to entrepreneurs -Stephen Clark comes out of a short retirement -Boxed Water benefiting Belle Isle -We talk weekend plans with our 5 picks for things to do in the city of Detroit this weekend -And we talk with M I Tech newses Mike Brennan about an upcoming Internet of Things conference.

This is your Daily Detroit News Byte For Tuesday, March 27, 2018. Macomb County Clerk Karen Spranger removed by a judge Governor Rick Snyder talks transit, roads Belle Isle might get a boat launch Wayne State is expanding the Hilberry Theatre Ford has a car vending machine in China Carhartt has new Tigers hats Comerica is helping connect low-income families with prom dresses Bookstock is coming to Livonia

El amor pedagógico de Spranger

The POWER of video in your marketing has now become a "Must Do" in your Fitness Business... ...I believe that if your not using video, and connecting with your audience, customers and clients through video - you are missing out and leaving money on the table. My mission to deliver to you is the worlds best insights, advice and steps to get you the business, income, freedom and lifestyle you want -- exactly why I bring on with me in this episode Ryan Spranger. An absolute genius when it comes to producing and using video to the best ability possible for your business growth. Listen to this episode to the end and make sure to be taking notes and you are going to want to use every last drip Ryan and I have for you here.

Mon, 1 Jan 1990 12:00:00 +0100 https://epub.ub.uni-muenchen.de/8686/1/8686.pdf Thoenen, Hans; Heumann, Rolf; Meyer, Michael; Hengerer, Bastian; Spranger, Matthias; Bandtlow, Christine; Lindholm, Dan ddc:610, Medizin

Mon, 1 Jan 1990 12:00:00 +0100 https://epub.ub.uni-muenchen.de/8676/1/regional_and_cellular_codistribution_of_interleukin_1beta_8676.pdf Thoenen, Hans; Heumann, R.; Spranger, M.; Lindholm, D.; Meyer, Michael; Bandtlow, C. E.