Podcasts about Wakayama

The Krewe gets an exclusive inside look at Expo 2025 Osaka with Sachiko Yoshimura, the Director General of Public Relations & Promotion! We dive into the massive planning behind the event, Japan's rich history with World Expos, what to expect at the event, best times to travel, & of course... the story behind the viral mascot, Myaku-Myaku! A must-listen for potential Expo-goers!------ About the Krewe ------The Krewe of Japan Podcast is a weekly episodic podcast sponsored by the Japan Society of New Orleans. Check them out every Friday afternoon around noon CST on Apple, Google, Spotify, Amazon, Stitcher, or wherever you get your podcasts.  Want to share your experiences with the Krewe? Or perhaps you have ideas for episodes, feedback, comments, or questions? Let the Krewe know by e-mail at kreweofjapanpodcast@gmail.com or on social media (Twitter: @kreweofjapan, Instagram: @kreweofjapanpodcast, Facebook: Krewe of Japan Podcast Page, TikTok: @kreweofjapanpodcast, LinkedIn: Krewe of Japan LinkedIn Page, Blue Sky Social: @kreweofjapan.bsky.social, & the Krewe of Japan Youtube Channel). Until next time, enjoy!------ Support the Krewe! Offer Links for Affiliates ------Use the referral links below & our promo code from the episode!Support your favorite NFL Team AND podcast! Shop NFLShop to gear up for football season!Zencastr Offer Link - Use my special link to save 30% off your 1st month of any Zencastr paid plan! ------ Past KOJ Travel Episodes ------Checking Out Miyagi ft. Ryotaro Sakurai (Guest Host, William Woods) (S5E5)Explore Matsue ft. Nicholas McCullough (S4E19)Travel Hiroshima ft. Joy Jarman-Walsh (S4E4)Travel Aomori ft. Kay Allen & Megan DeVille (S3E17)Hungry For Travel ft. Shinichi of TabiEats (S3E15)Henro SZN: Shikoku & the 88 Temple Pilgrimage ft. Todd Wassel (S3E12)Border Closures Couldn't Stop These Visas! ft. Rob Dyer & Allan Richarz (S3E11)Natsu Matsuri Mania: Summer Festivals in Japan (S3E3)Off the Beaten Path: Kansai ft. Rob Dyer [Part 2] (S2E12)Off the Beaten Path: Kansai ft. Rob Dyer [Part 1] (S2E11)Japan Travel Destination: Hokkaido ft. Kay Allen (S2E7)Japanese Theme Parks ft. Chris Nilghe of TDR Explorer (S2E4)Navigating Nippon: Where to Go in Japan? ft. Kay Allen of JNTO (S1E11)Matsue & New Orleans: Sister Cities ft. Dr. Samantha Perez (S1E2)------ About Expo 2025 ------Expo 2025 WebsiteExpo 2025 on IG------ JSNO Upcoming Events ------JSNO Event CalendarJoin JSNO Today!

The last day on Nakasendō Trail brought some unexpected moments including a sudden change of plans, but that didn't stop us from enjoying every moment. Turn in to hear how the journey wrapped up! This episode's vocab list: 実は actually 歩くのをやめました。I decided not to walk山を越える to cross a mountain きっと surely; certainly 実際 actual condition; in reality; in practiceオフシーズンだったため because it was off-seasonお店があんまり開いていませんでした。Many shops were not open.有名な橋を渡りたかったです。 I wanted to cross the famous bridge予定より時間が余りました。 We had more spare time than planned松本のホテルまで移動する to head up to the hotel in Matsumoto松本の観光 sightseeing in Matsumoto旅行の予定を立てる to make a travel plan臨機応変に depending on the circumstances; flexibly変更できるようにしておく to make it possible to change用意しておきましょう。It's better to be prepared何より more than anything達成感 a sense of achievement熊野古道 Kumano Kodo in Wakayama prefecture四国のお遍路 the pilgrimage in Shikoku island

LET THEM COOK! Over the last 5 months, the Krewe has been hard at work cooking up a massive Season 6 line-up. While the main course will begin being served on May 16, how about an appetizer? Just like the carb-loaded instant yakisoba, this preview is CHOU CHOU CHOU Gigamax packed with sneak peeks at what's to come in Season 6. Some snippets include:- Laughing & learning about the world of Rakugo with master storyteller Katsura Sunshine- Prepping for Expo 2025 with Sachiko Yoshimura, Director General of Public Relations & Promotion for Expo 2025- Studying Japanese via language schools with Nihongo enthusiast Langston Hill- Bridging New Orleans & Japan through music with Jazz Trombonist Haruka Kikuchi- Kicking off 2 episodes on Japan's soccer footprint domestically & worldwide with journalist Dan Orlowitz- Exploring vegan cuisine in Japan with Leonore Steffan of ItadakiHealthy- Diving into social media's role in establishing perceptions of Japan - Revisiting Matsue with Sister City Exchange participants Katherine Heller & Wade Trosclair- Brewing up some craft beer with Chris Madere of Baird Brewing & Chris Poel of Shiokaze BrewLab- Restoring some abandoned homes with Akiya enthusiast & YouTuber Anton Wormann of Anton in JapanThis is only HALF of what's to come this season... the 2nd half is top secret! So stay tuned for our season 6 premiere on May 16, 2025 and stick around for the rest of the season to find out what else we have in store on Season 6 of Krewe of Japan Podcast!!------ About the Krewe ------The Krewe of Japan Podcast is a weekly episodic podcast sponsored by the Japan Society of New Orleans. Check them out every Friday afternoon around noon CST on Apple, Google, Spotify, Amazon, Stitcher, or wherever you get your podcasts.  Want to share your experiences with the Krewe? Or perhaps you have ideas for episodes, feedback, comments, or questions? Let the Krewe know by e-mail at kreweofjapanpodcast@gmail.com or on social media (Twitter: @kreweofjapan, Instagram: @kreweofjapanpodcast, Facebook: Krewe of Japan Podcast Page, TikTok: @kreweofjapanpodcast, LinkedIn: Krewe of Japan LinkedIn Page, Blue Sky Social: @kreweofjapan.bsky.social, & the Krewe of Japan Youtube Channel). Until next time, enjoy!------ Support the Krewe! Offer Links for Affiliates ------Use the referral links below & our promo code from the episode!Support your favorite NFL Team AND podcast! Shop NFLShop to gear up for football season!Zencastr Offer Link - Use my special link to save 30% off your 1st month of any Zencastr paid plan! ------ JSNO Upcoming Events ------JSNO Event CalendarJoin JSNO Today!

Douglas Hamphttp://www.douglashamp.com/Her Seed Brought Forth the Savior; Satan's Seed Will Bring the Destroyer”According to the prophecy of Genesis 3:15, the serpent will one day mix his seed as a counterfeit of the Incarnation. Jesus told us that the last days will be like the days of Noah during which, according to Genesis, fallen angels mixed their seed with humanity.According to the Book of Daniel, we know that “they” will attempt to mingle with the seed of Men. The day of fulfillment for those prophecies is now!Genesis 6:4 we recall that the text said ”The Nephilim were on the earth when the sons of God [DIVINE BEING]were having sexual relations Demons, who are masquerading as “aliens”, are in fact taking people to create Nephilim hybrids, just like in the days of Noah.His ImageAnd it was allowed to give breath to the image of the beast, so that the image of the beast might even speak and might cause those who would not worship the image of the beast to be slain, (Revelation 13:15).Using recombinant DNA, a fully mature man could inject himself with the selected gene or genes of another species. The process which is really just a matter of copying and pasting is explained by T. Wakayama et al., in the July 1998 issue of Nature:Another do not Miss End-Time Radio program as“We are Warning the World as it HAPPENS!”Please visitwww.prophecyhour.comalso visitwww.wichitahomeless.com

Douglas Hamphttp://www.douglashamp.com/LISTEN HERE https://www.podomatic.com/podcasts/branch/episodes/2025-04-24T20_18_09-07_00Her Seed Brought Forth the Savior; Satan's Seed Will Bring the Destroyer”According to the prophecy of Genesis 3:15, the serpent will one day mix his seed as a counterfeit of the Incarnation. Jesus told us that the last days will be like the days of Noah during which, according to Genesis, fallen angels mixed their seed with humanity.According to the Book of Daniel, we know that “they” will attempt to mingle with the seed of Men. The day of fulfillment for those prophecies is now!Genesis 6:4 we recall that the text said ”The Nephilim were on the earth when the sons of God [DIVINE BEING]were having sexual relations Demons, who are masquerading as “aliens”, are in fact taking people to create Nephilim hybrids, just like in the days of Noah.His ImageAnd it was allowed to give breath to the image of the beast, so that the image of the beast might even speak and might cause those who would not worship the image of the beast to be slain, (Revelation 13:15).Using recombinant DNA, a fully mature man could inject himself with the selected gene or genes of another species. The process which is really just a matter of copying and pasting is explained by T. Wakayama et al., in the July 1998 issue of Nature:Another do not Miss End-Time Radio program as“We are Warning the World as it HAPPENS!”Please visitwww.prophecyhour.comalso visitwww.wichitahomeless.com

[Wakayama] บันทึกเสียงพระสงฆ์ไทยอ่านพระสูตรเป็นภาษาไทย ◆写真いっぱいnote↓ https://note.com/shiawase2017/n/nf8a6a8cc0d42 ◇Ｘ（ツイッター） ・部長 https://x.com/shiawase2017 ・たっちゃん https://x.com/hitomishiri2017 ◇おすすめ本 ・カレー移民の謎 https://amzn.to/4fBoWb0 ・ルポ 新大久保 移民最前線都市を歩く https://amzn.to/3SCYEgt ↑室橋裕和 ・移民時代の異国飯 https://amzn.to/3pxpmLw ↑山谷剛史（やまやたけし） ・電車は止まらない https://amzn.to/3g0VmDa ↑松本時代 ・どローカルごはん https://amzn.to/3qdhdGt ↑ワイルドなレシピ本 ・深夜特急 https://amzn.to/39jysxz ↑バックパッカーのバイブル ・オーディブル（Amazon） https://amzn.to/2LW9Tx1 ↑本を聴く！ #旅ラジオ #ポッドキャスト #タイ #タイ寺 #ソンクラン #お祭り

Chiben Wakayama Reaches Koshien Final in Japan High School Baseball Tournament

NYHETERHandelsministrarna från Sydkorea, Japan och Kina möts nu i helgen i Seoul för att diskutera ekonomiskt samarbete och hur länderna ska bemöta de nya strafftullarna som aviserats av Trumpadministrationen. USA. Det är det första mötet mellan ländernas handelsministrar på fem år.Sydkoreas handelsminister Ahn Duk-geun är värd för mötet som äger bara dagar efter att USA:s president Donald Trump tillkännagav att 25 % tullar på import av bilar och vissa bildelar från och med den 3 april.Trump har upprepade gånger beskyllt de tre länderna för att missbruka principen om frihandel. Ett försök från Japans premiärminister Shigeru Ishiba nyligen att övertala Trump att slopa tullarna har hittills fallit för döva öron.De tre asiatiska länderna väntas dessutom diskutera ett internt frihandelsavtal, liksom övriga frågor rörande handeln med USA.—-------Distriktsdomstolen i Shizuoka har beviljat den före detta proffsboxaren Iwao Hakamada 217 miljoner yen, motsvarande 15 miljoner svensk kronor för att han suttit oskyldigt fängslad i över 47 år. Det är den största ersättningen som utdömts i Japan.Den nu 89-årige Hakamada dömdes 1966 till döden för att ha mördat en man, hans hustru och deras två barn. Hans dödsstraff fastställdes 1980, och han satt fängslad i 33 år i väntan på avrättning innan han släpptes 2014.Domaren motiverade beslutet med att Hakamada utsatts för extremt fysiskt och psykiskt lidande. Bevisen som låg till grund för hans tidigare dom hade fabricerats av polisens utredare, enligt domstolen.—-----Tokyos distriktsdomstol har beslutat frånta den så kallade Enighetskyrkan, också känd som Moonrörelsen, dess status som religiös rörelse och därmed skattebefrielse. Beslutet kommer efter en rättsprocess som inleddes efter mordet på Japans tidigare premiärminister Shinzo Abe i juli 2022.Den utpekade mördaren beskyllde Abe för att på olika sätt ha stöttat Enighetskyrkan och dess grundare Sun Myung-Moon. Kyrkan har kritiserats för aggressiva värvningskampanjer och för att ha mer eller mindre tvinga medlemmar att donera stora summor pengar.Kyrkans representanter kallar beslutet ”orättvist” och planerar att överklaga. Domaren i målet menade dock att åtgärden var ”nödvändig” eftersom gruppens metoder orsakat omfattande ekonomiska och emotionella skador.I domen refereras till 32 civila mål där kyrkan dömts till skadestånd på över 2,2 miljarder yen, motsvarande drygt 150 miljoner svenska kronor.—-------Medeltemperaturen i Japan kan öka med 4,5 grader Celsius fram till nästa sekelskifte om inga ytterligare klimatåtgärder vidtas. Det visar en ny rapport som Japans Meteorologbyrån presenterade nyligen. Rapporten, "Climate Change in Japan 2025", varnar för kraftiga temperaturökningar och betydligt tuffare klimatförhållanden.Japans medeltemperatur har stigit med 1,4 grader sedan 1898, och temperaturen i haven som omger Japan runt ökar snabbare än det globala genomsnittet.Om inga åtgärder vidtas, varnar Meteorologbyrån kan Japan få 17,5 fler extremt varma dagar per år och 46 vinterdagar färre. Samtidigt förväntas antalet kraftiga skyfall med nederbörd som överstiger 50 mm per timme tredubblas.—--------TV-bolaget Fuji skakas av en skandal efter att den tidigare medlem i det japanska pojkbandet SMAP anklagats för att sexuellt ha ofredat en kvinna vid en middag arrangerad av företaget.Trots att bandmedlemmen nådde en ekonomisk uppgörelse med den utsatta kvinnan, förnekade han att han skulle ha förgripit sig på henne.Fuji TV kritiserades för att man ska ha känt till anklagelserna men valt att inte agera. Detta ledde till att flera stora annonsörer, bland dem Nissan och Toyota drog in sina reklaminslag. Tidigare i år avgick Fuji TV:s styrelseordförande Shuji Kanoh och VD Koichi Minato från sina poster och nu i veckan lämnade även reklam-TV:s grand old man 87-årige Hisashi Hieda sin plats i företaget.—-------Järnvägsbolaget West Japan Railway (JR West) har uppfört världens första stationsbyggnad med delar framställda med hjälp av en 3D-skrivare. Stationen ligger i Hatsushima i Wakayama län och den planeras öppnas i juli.Själva byggnaden är 2,6 meter hög och har en yta på cirka 10 kvadratmeter. Den består av fyra delar, inklusive tak och väggar ochFormen har skapats med murbruk som printats i en 3D-skrivare, Enligt JR West har byggnaden samma motståndskraft mot jordbävningar som ett traditionell betonghus.Själva uppförandet tog bara två och en halv timme till en totalkostnad på hälften av en traditionell betongbyggnad.JR West överväger nu att använda 3D-skrivarteknik för framtida stationsbyggen.—-------Det 24-årige stjärnskottet Onosato har tagit ännu ett steg mot sumobrottningens högsta rang yokozuna, eller stormästare, då han vann sin tredje turnering gångna helgen.Onosato har varit nästan ostoppbar sedan han blev proffs för två år sedan och har gått som en raket i rankinglistorna och har samtidigt skapa rena sumoboomen i Japan.Skulle han vinna också nästa turnering som äger rum i maj så kommer han att säkra sin plats både som yokozuna och som den mest dekorerade unga sumobrottaren i historien.Därmed över till författaren Erik Masao Eriksson och hans nyligen utkomna roman “Hafu”. Precis som det låter så har Erik japanskt påbrå. Han har en japansk och en svensk förälder - en inte alldeles ovanlig kombination.Vad innebär det att växa upp med två kulturer - två uppsättningar värderingar, två olika sätt att betrakta världen, två språk att hantera från unga år. Blir man “dubbel”, eller blir man kanske “halv”? This is a public episode. If you would like to discuss this with other subscribers or get access to bonus episodes, visit japanpodden.substack.com

Yokohama, Chiben Wakayama Reach Final 4 in Japan High School Baseball Tournament

Welcome back to Open The Voice Gate! Case (https://twitter.com/_inyourcase) and Mike (https://twitter.com/fujiiheya) are back with an update on the comings and goings of Dragongate.Dragongate's annual Memorial Gate in Wakayama (2/24) is in the books and Open The Voice Gate is here to talk about it. They lead off discussing the Memorial Gate presentation, notes from a house show, and Case's ways he'd fix it. From there, they discuss the Triangle Gate Paradox vs Z-Brats Match, the build to YAMATO vs Kzy, Akihiro Sahara's progression, preview the doubleheader in Osaka and Rey De Parejas, and a quick note on GLEAT.Our podcast provider, Red Circle, offers the listeners the option to sponsor the show. Click on “Sponsor This Podcaster” at https://redcircle.com/shows/open-the-voice-gate and you can donate a single time, or set up a monthly donation to Open The Voice Gate!Please Rate and Review Open The Voice Gate on the podcast platform of your choice and follow us on twitter at https://twitter.com/openvoicegate.Advertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

In this episode of the Supernatural Japan Podcast, we explore the mystical Awashima Shrine in Wakayama, Japan—a sacred site renowned for its unique connection to dolls and fertility. Known as the resting place for old or unwanted dolls, the shrine is steeped in spiritual lore and rituals to comfort these inanimate objects believed to harbor souls. Tune in as we uncover the stories and traditions that make Awashima Shrine a truly supernatural destination.Follow the podcast: Instagram: https://www.instagram.com/supernaturaljapanBluesky: https://bsky.app/profile/madformaple.bsky.socialFacebook: https://www.facebook.com/profile.php?id=61551918404228&mibextid=LQQJ4dX: https://twitter.com/MadForMapleEmail: supernaturaljapan@gmail.com Website: https://supernaturaljapan.buzzsprout.com

第37回JPCA近畿地方会が2024.11.17、和歌山城ホールで開催されました．大会長を務められた廣西昌也先生、実行委員長を務められた梶本賀義先生にお越しいただき、学術大会の振り返り、こっそり裏話など、ユーモア交えてお話いただきました．アットホームで、学びのある学術大会の雰囲気が再現!?されています．どうぞお楽しみ下さい♪

第37回JPCA近畿地方会が2024.11.17、和歌山城ホールで開催されました．大会長を務められた廣西昌也先生、実行委員長を務められた梶本賀義先生にお越しいただき、学術大会の振り返り、こっそり裏話など、ユーモア交えてお話いただきました．アットホームで、学びのある学術大会の雰囲気が再現!?されています．どうぞお楽しみ下さい♪

第37回JPCA近畿地方会が2024.11.17、和歌山城ホールで開催されました．大会長を務められた廣西昌也先生、実行委員長を務められた梶本賀義先生にお越しいただき、学術大会の振り返り、こっそり裏話など、ユーモア交えてお話いただきました．アットホームで、学びのある学術大会の雰囲気が再現!?されています．どうぞお楽しみ下さい♪

Voters in Wakayama Prefecture's redrawn No. 2 constituency, traditionally loyal to the Liberal Democratic Party, find themselves divided on which of the two leading candidates in Sunday's general election they should trust with shaping the future of their predominantly rural communities.

Ce mois-ci, nous lançons un tout nouveau format dans Kaiwa : “Aruco”. Pour ce premier épisode, nous accompagnerons Mathieu qui prépare son voyage au Japon l'année prochaine, et Nico l'aidera à s'organiser en partageant son expérience. Dans cet épisode, il s'agira de planifier un voyage dans les meilleures conditions : choisir la bonne saison pour partir en fonction des régions et des préférences, réfléchir à l'option de voyager seul ou à deux, et organiser la durée du séjour pour profiter pleinement du Japon sans se presser. Nous discuterons également des paysages que le Japon a à offrir : des décors qui évoquent les œuvres de Ghibli, bien sûr, mais aussi une diversité naturelle bien au-delà des forêts, avec des montagnes, des bords de mer et des campagnes pittoresques. Le Japon, c'est une variété infinie de paysages à découvrir, allant des villes animées aux lieux plus calmes et inspirants. Sans oublier tous les petits détails pratiques comme les transports et le rythme à adopter pour profiter au mieux de cette aventure. Un épisode plein de bons conseils pour préparer un séjour inoubliable au Japon. Rejoignez-nous pour découvrir comment préparer un voyage serein et réussi, toujours dans l'esprit chaleureux de “Kaiwa”. Les termes japonais de l'épisode :  “ryokou” : voyage “ aruku”: marcher “Shinjuku”, “Ueno”, “Kouenji”: quartiers de Tokyo “matsuri” : festival traditionnel “Awa Odori” : danse traditionnelle originaire de Tokushima “O bon” : fête des morts en août   “Nara” : ville historique dans la région de Kyoto “Tokushima”, “Matsushima” : villes de l'île de Shikoku “Honshu” : île principale du Japon “Mie” : préfecture du centre du Japon “Ise Jingu”: sanctuaire majeur du shintoïsme “Meoto iwa” :  rochers des mariés “Wakayama” : préfecture au sud d'Osaka “Yoshino Kumano” : chemin historique au sud de Wakayama “Takkyubin” : service de livraison de bagage “Kanazawa” : ville historique au bord de la mer du Japon “Bizen” : ville connue pour sa poterie Générique : « tiger & dragon » Crazy Ken Band. Sortie le 8 octobre 2024 #japon #voyage #tokyo #vacances #旅 #旅行 #歩こう #夏休み #フランス語 #日本の旅行

Record Rain Causes Casualties in Ishikawa; New Species of Shrimp Discovered in Wakayama, & more… English news from Japan for September 23rd, 2024. Transcription available at https://japandailynews.com/2024/09/23/news.html

The journey of an artist is a winding one. You make the decision to start, not knowing where it will take you. Over time, if you're fortunate, you build a career from your work while gaining the freedom to explore new forms of expression, with each project becoming an important and affirming part of that journey.   In this episode of The Unfinished Print, I speak with Mariko Jesse, a professional illustrator who has integrated mokuhanga into her artistic practice. Mariko draws inspiration from her life experiences, sharing insights on her family and travels. We discuss how living in San Francisco, Hong Kong, and Japan has shaped her outlook and creative process. Mariko also reflects on her involvement with MI Lab, now based in Echizen, Japan, as well travelling to the International Mokuhanga Conference in April 2024.  Finally, we explore Mariko's collaborations with The Mokuhanga Sisters and wood+paper+box, and how these partnerships shape her own artistic practice. Please follow The Unfinished Print and my own mokuhanga work on Instagram @andrezadoroznyprints or email me at theunfinishedprint@gmail.com  Notes: may contain a hyperlink. Simply click on the highlighted word or phrase. Artists works follow after the note if available. Pieces are mokuhanga unless otherwise noted. Dimensions are given if known. Print publishers are given if known.   Mariko Jesse - website, Instagram   Nagasawa Art Park (MI Lab) Awaji City - Nagasawa Art Park was an artist-in-residence program located in Awaji City, Hyōgo Prefecture, Japan. It was open for 12 years before evolving into MI Lab in 2012. More info, here.    Yoonmi Nam - is a contemporary mokuhanga printmaker, lithographer, sculptor, and teacher, based in Lawrence, Kansas. Her work can be found, here. Her interview with The Unfinished Print can be found, here.   From Yoonmi Nam's exhibition Among Other Things, as seen at The University at Buffalo Art Gallery, Buffalo, NY (2024) photo by me.    Katie Baldwin -  is a contemporary mokuhanga printmaker, illustrator, book maker, and artist based in Huntsville, Alabama.  Her work can be found, here. Her interview with The Unfinished Print can be found, here.    Looking For Different Places to Call Home, from the series Family Tree (2004) 18"x14" mokuhanga and letterpress   Ralph Kiggell (1960-2022) -  was one of the most important mokuhanga practitioners. Originally from England, Ralph lived and worked in Thailand. Ralph pushed the boundaries of mokuhanga with extremely large pieces, jigsaw carving, and by using fantastic colour. He also worked with the International Mokuhanga Conference to promote mokuhanga around the world. He will be greatly missed. Ralph's work can be found, here. His obituary in The Guardian can be found, here. His interview with The Unfinished Print can be found, here.   Leaf Change   linocut -A linocut is a relief or block print type, similar to woodblock printing. The artist carves an image into a linoleum block, printing what's left.    Central Saint Martins - is a renowned art and design college in London, formed in 1989 through the merger of St Martin's School of Art and the Central School of Art and Crafts, both known for their innovative, hands-on teaching methods. It later integrated the Drama Centre London and the Byam Shaw School of Art.  Central Saint Martins continues its tradition of radical art and design education while adapting to modern shifts in its disciplines and teaching approaches.   intaglio printing - is a printing method, also called etching, using metal plates such as zinc, and copper, creating “recessed” areas which are printed with ink on the surface of these "recesses.” More info, here. The MET has info, here.     Into The Garden (mokuhanga printed book)   cat + jug (etching)       A4 paper size - is a size of paper from the ISO 216 standard, with the dimensions of 210x297 mm.    Summer Blooms (2021)     MI Lab - is a mokuhanga residency located in Echizen, Fukui, Japan. More info can be found, here.    The Mokuhanga Sisters - are a mokuhanga collective consisting of Yoonmi Nam, Mariko Jesse, Lucy May Schofield, Melissa Schulenberg, Kate MacDonagh, Katie Baldwin, Mia-O, Patty Hudak, and Natasha Norman. Instagram   Masaban - was the exhibition held at the Udatsu Paper Museum in Echizen, Fukui, Japan in April, 2024. More info can be found, here.  Udatsu Paper & Craft Museum - is a museum dedicated to washi and its history. More information can be found, here.  gomazuri - is a mokuhanga technique where slight pressure is used with pigments too make a “spotty” image, what look like sesame seeds. It can add depth to your prints.  Paul Binnie - Travels with the Master: New York Night T/P 11 3/8" by 8 1/8" Awaji Island - located in the Seto Inland Sea of Japan, has a rich history that dates back to ancient times. It is considered the birthplace of Japan in the *Kojiki* (Records of Ancient Matters), as the first island created by the gods Izanagi and Izanami in Japanese mythology. Historically, Awaji was a strategic point for maritime trade and travel, linking the Kansai region with Shikoku and Kyushu. During the Edo period, it was part of Tokushima Domain under the rule of the Hachisuka clan. Today, Awaji is known for its natural beauty, traditional industries like Awaji Ningyo Joruri (puppet theater), and as the site of the Akashi Kaikyō Bridge, the world's longest suspension bridge, connecting it to mainland Japan. 弁  - is the Chinese character for ben, "dialect." Kansai (関西地方) - is a region located on the main island of Honshu, Japan, which encompasses the Prefectures of Nara, Kyoto, Wakayama, Osaka, Hyōgo, Shiga and Mie. It has the most UNESCO world heritage sites in Japan. For tourist information about Kansai, see here.  sizing paper - at times mokuhanga printmakers will size their paper. Size is made from water, animal glue (rabbit, horse), and alum. What the size does is keep the pigments the artist uses from “bleeding” into the outer edges of the paper. There are many recipes of size, here is one that artist Walter J. Phillips used. Gotō Hidehiko - is a mokuhanga printmaker and baren maker based in Tōkyō, Japan. You can order baren from him, here.  Terry McKenna -  is a mokuhanga printmaker and teacher residing in Karuizawa, Japan. He received guidance in the art form from Richard Steiner, a prominent mokuhanga printmaker based in Kyoto. Terry established the Karuizawa Mokuhanga School, a renowned residency dedicated to mokuhanga education, located in Karuizawa, Japan.  For further details about Terry and his school, here. Additionally, you can listen to Terry's interview with The Unfinished Print, here and Richard Steiner's interview here.  The Western Sky (22.4"x9") 2022 Lucy May Schofield - is a printmaker, photographer, and scroll maker (kakemono, 掛物) and is based in England. More information cane found on Lucy's website, and  Instagram. Lucy's interview with The Unfinished Print can be found, here.  The Last Light series (cyanotype) 2016 Tiffany & Co. - is a luxury jewelry and specialty retailer founded in 1837 in New York City. Known for its iconic blue boxes and high-quality craftsmanship, Tiffany's specializes in fine jewelry, particularly diamond engagement rings, as well as silver, watches, and luxury accessories. Over the years, it has become a symbol of elegance, style, and timeless sophistication. The brand is also known for its collaborations with renowned designers and its presence in popular culture. wood+paper+box - is a collaborative art group made up of Katie Baldwin, Mariko Jesse, and Yoonmi Nam. It is based on their experiences at Nagasawa Art Park, the precursor of MI Lab.  mica - in mokuhanga, mica (kirazuri) is used to add a shimmering, reflective effect to prints. Mica powder is typically mixed with glue and applied to the surface of the print in areas where a subtle sparkle or luminous texture is desired, often to highlight details such as clothing, water, or the sky. This technique gives the print a luxurious quality and enhances the visual depth. Historically, mica was used in ukiyo-e prints to elevate the status of the work, and it continues to be used by contemporary printmakers for its unique aesthetic appeal. © Popular Wheat Productions opening and closing credit - sounds of the Sumida River 2024  logo designed and produced by Douglas Batchelor and André Zadorozny  Disclaimer: Please do not reproduce or use anything from this podcast without shooting me an email and getting my express written or verbal consent. I'm friendly :) Слава Українi If you find any issue with something in the show notes please let me know. ***The opinions expressed by guests in The Unfinished Print podcast are not necessarily those of André Zadorozny and of Popular Wheat Productions.***                      

Reform, Rebellion, and Rats!  And all in less than a year!  This episode we continue to look at the Taika era and the reforms that bear the era's name.  We are still covering, though, just the first year or so from the start of the era--through 645 and very early 646.  And yet there is a lot going on, some of it as part of the reforms and some of it just the normal international and domestic politics. For more check out https://sengokudaimyo.com/podcast/episode-109 Rough Transcript   Welcome to Sengoku Daimyo's Chronicles of Japan.  My name is Joshua and this episode 109: Radical Reforms, Resourceful Rats, and Precarious Princes. ----------------- Prince Furubito no Ohoye looked out over the changing autumn leaves of Yoshino.  Where the mountains had been painted pink in cherry blossoms just seven months earlier, the mountains were now covered in garments of red, yellow, and orange.  Seven months.  A lot could happen in seven months.  Seven months ago, Prince Furubito had been in line for the throne.  His main contender for the position was dead, and he had the support of the most powerful men in the court.  Then it had all come crashing down in an instant. After the turmoil of the court earlier in the year, life in the countryside was no doubt a welcome respite.  The former Crown Prince had narrowly avoided sharing in the fate of his Soga relatives, who had been killed in front of him.  Furubito was no stranger to the literally cutthroat politics of the day.  Soga no Iruka had killed Yamashiro no Ohoye, son of Shotoku Taishi, ostensibly to place Furubito on the throne, no doubt with the expectation that the Soga descended prince would be easier to control.  Furubito himself had not been entirely out of the loop on that whole thing, either, specifically advising Iruka that he should make sure to send subordinates to do the dirty work and keep himself out of harm's way.  Now Furubito's seemingly untouchable supporters, Soga no Iruka and his father, were, themselves, dead at the hands of Furubito's younger brother, Prince Naka no Ohoye.  Their mother, Takara, had immediately abdicated, and Prince Furubito was suddenly in the crosshairs, potentially standing between his murderous brother and the throne.  And so he took himself out of the picture and retired, becoming a monk at a temple in Yoshino, a mostly wild area south of Asuka and the traditional heartland of Yamato, where sovereigns of the past had sometimes gone to get away. Furubito had spent the last several months there in the mountains, out of the political center, but that didn't mean he was completely on his own.  Not everyone was against him, and he still had people bringing him news.  He may have retired from the world, but he wasn't without his resources.  And there were those still in his camp, who thought he should be on the throne.  They just had to keep it under wraps until it was too late for Prince Naka and his cohorts to do anything about it.   So, with that little snapshot of life in Yoshino, let's get into it.  We're talking about the Taika era, so let's first start out with a recap of last episode and some things to keep in mind, and then continue with the story of the reforms, looking at what else was happening in that first year, as well.   We'll talk about the diplomatic missions from the Korean peninsula, the edicts focused on the Yamato elite and the clergy, as well as the strategic use of the change in the capital.  We'll also address just what happened with the “other” crown prince, Furubito no Ohoye. First off, let's quickly recap: So last episode we started talking about the Taika era and the Taika reforms.  In particular, we looked at how the governance of the archipelago had changed—as best as we can tell, at least, from the evidence available to us—and we looked at some of the very first edicts that went out.  According to the Nihon Shoki, things started with the appointment of the Ministers of the Left and Right, the Sadaijin and the Udaijin.  As later institutions were created, these ministers would each take a portion of those institutions into their portfolio, effectively dividing the management of the government.  Although the Sadaijin, or Minister of the Left, was considered senior to the Udaijin, the Minister of the Right, at least in later years, it should be noted that this system would prevent, at least on paper, a single prime minister from taking the reigns of the entire government, as the Soga seem to have largely done.  Presumably this meant that the sovereign, as head of state, would have the ultimate authority over the realm. Still, from the very get-go, we see that there are positions set up outside of this dynamic.  For one thing, you have the creation of the seemingly nebulous “Naidaijin”.  This is interpreted as the Minister of the Interior, meaning inside the royal house, and it was first granted to Naka no Ohoye's bro and best bud, Nakatomi no Kamatari—the co-conspirator who had helped make all this possible in the first place.  While the Sadaijin and Udaijin nominally had most of the power—and we see them referenced executing that power on a not infrequent basis—the position of Naidaijin appears to be almost extra-numerary, and is rarely mentioned, and yet he seemed to have wielded considerable power and influence.  This pattern of creating or using positions to exalt a singular individual, who would effectively run the affairs of state, is something that we'll see repeated multiple times in the future.  Whether this positionwas something like dajo daijin or kampaku, powerful individuals would often find their way, regardless of the bureaucratic norms. In addition to the Naidaijin, however, the position of the royal princes—especially the Crown Prince—seem to be untouched.  These were another class of elites often with wealth and influence, but who are largely outside the system of court ministers.  In fact, the bureaucratic system of government only really covered those positions by the so-called “commoner” families—elite families that nonetheless were not considered to be in a direct line of succession for the throne.  These were the members of the various be and uji corporate families that were created to serve the Yamato government.  After all, you don't hear of Royal princes taking on the position of a minister or anything similar, and presumably they managed their own affairs and estates as members of the extended royal family, with the sovereign as the familial head.  And then there were the peasants—the agricultural workers and truly common people who were so far removed from court business that they weren't even part of an uji clan or official familial unit other than their village, serfs or semi-free people—as free as anyone was in those days, though they were likely tied to the land by tradition and necessity—who owed service to some group of elites.  One of the things we are seeing in these reforms is a move to redirect the responsibilities of those serfs and semi-free people more directly to the state, with edicts directly addressing their status and their responsibilities.  That's something we'll talk about more as it comes up. But before that, let's get caught up on some other things happening in the first few months of the Taika era.  Sure, Naka no Oe and Kamatari were working closely with our sovereign, Karu—aka Koutoku Tennou—to get their reforms in place. As we talked about last episode, they were sending out governors, hanging bells outside of the palace, and otherwise trying out all kinds of new stuff.  However, as that was going on, they still had to deal with the day to day of the government.  Life didn't just stop while they ramped up their transition to a new, bureaucratic monarchy. One such routine event for a new reign was the designation of Karu's wife, Hashibito, as the queen.  In the fine Yamato tradition of keeping it all in the family, Hashibito was Karu's niece, the daughter of Karu's sister, Takara, aka Kougyoku Tennou, and her late husband, the sovereign Tamura, aka Joumei Tennou.  That made Hashibito a sister to Prince Naka no Oe, who was now his uncle's brother-in-law and, since he was named Crown Prince, his heir.  Probably don't think about it too much. There was also the matter of foreign envoys.  As you may recall, the murder of Soga no Iruka and his father, known to us as the Isshi Incident, kicked off during a court reception for peninsular envoys.  Two months later, we are told that envoys from Baekje, Goguryeo, and Silla all arrived with tribute.  These appear to be separate from those who had witnessed Naka no Oe's bloody coup d'etat, and given the time it took to travel, they may have already been on their way when everything went down.  They arrived in the 7th month of the year, not quite a full month since Karu had taken the throne. This might have been a regular visit, but we get some interesting information from the Chronicles about it.  Kose no Tokuda no Omi addressed the envoys, at least those of Goguryeo and Baekje.  Although it is also noted that Silla envoys arrived as well, communications with them are not recorded.  There was also a slight problem in that one of the envoys (whose name Aston transcribes as “Chaphyong Yonbok”, suggesting that he was actually the Minister of the Left, Yonbok) apparently traveled all the way to Yamato just to come down with an illness.  He stayed at Naniwa and rested while the other envoys made the journey onward, presumably to the palace in Asuka, where the court received the tribute. As for Goguryeo, Kose notes that Yamato and Goguryeo had not had formal relations for very long.  This is unsurprising, given that Goguryeo was on the far north of the peninsula, and would have had to go through either Silla or Baekje controlled territory to get to Yamato, and they weren't always on the best of terms with either of the other countries on the peninsula.  There were some attempts to reach the archipelago by landing on the northern edge of Honshu, along the Japan sea coast, landing near Tsuruga, on the western edge of the land of Koshi, but still, Yamato's relationship with Goguryeo does not appear to have been as old or as consistent as Yamato's dealings with their less distant neighbors.  Tokuda, the Yamato officer addressing the Goguryeo envoys, wished for long and continued interactions, but that was about it. Baekje, though, was another story, and a bit of a conflicting one.  The speech that Tokuda gives according to the Chronicles is likely heavily edited to sound more regal and to be in line with the Chroniclers' ideas of Japan's place in the world, but it is also possible that they were just using flowery, continental style pronouncements.  It starts off with the somewhat audacious statement that Karu is a God-incarnate, which tracks with the idea that he is descended from the Heavenly Grandson, who came down from Takama no Hara.  This same language was used with Goguryeo, earlier.  Then Tokuda repeats the claim that Baekje is a vassal state of Yamato, claiming that they were considered an “internal Miyake”, likely referring to a land that was supposed to be directly controlled by Yamato.  One is left to wonder just how Baekje felt about all of this, but then again, things may have been lost in translation from one court to the other. Finally, Baekje was admonished for not bringing sufficient tribute from Nimna, since it had theoretically been placed under Baekje's care. And here's where I see some conflicting information.  After all, we know that Silla had absorbed Nimna well before this period, and Silla had been made to bring two ships during tribute missions or to meet the Yamato delegation with two ships to preserve at least the fiction that Nimna was still an independent country and ally to the archipelago.  That was all back in the reign of Kashikiya Hime, aka Suiko Tennou, or earlier .  Of course Baekje would not have any tribute from Nimna, and yet the Yamato court seem to have expected something unless, of course, they were just putting on some kind of show for Silla's sake?  It seems like the matter of Nimna, which was no longer a going concern on the peninsula, was still something that Yamato was keeping front and center in their mind.  Whatever the logic, Tokuda says that the sovereign pays special attention to the tribute from Nimna, and as it was deficient, they returned the tribute back to Baekje until they could bring the expected amount. There is plenty of ink that has been spilt on the subject of the diplomatic tribute systems that were set up across East Asia, largely as part of or in imitation of those systems set up by dynasties like the Han and the Tang.  As we understand it, diplomats were expected to come to a foreign sovereign's courts as petitioners, bringing with them “tribute”—basically trade goods—to grease the wheels of international relations.  The receiving country would reciprocate with lavish gifts on the envoys, in turn, often in excess of the “tribute” they had brought—at least, that is how the central Sinic dynasties operated.  In this way, diplomatic missions were not only profitable for international relations, but also for acquiring elite goods that could not easily be otherwise obtained, and for that, envoys were willing to go along with the polite fiction that they were truly subordinate to the power they entreated.  It is unclear whether or not this went both ways.  I suspect that the Han or Tang dynasties  would not have accepted the idea that their own ambassadors would be bringing tribute to any “lesser” nation.  However, amongst nations like Yamato, Baekje, Silla, and Goguryeo, were there similar concerns?  Unfortunately, we don't really have a clear, contemporary record of these interactions, and can only make assumptions based on what sources do exist.  I suspect, however, that Baekje, though willing to indulge Yamato's fantasies, did not actually consider itself an “inner miyake” of Yamato—though they were a trusted ally.  Most of the time. Which makes me wonder how they took such a snub.  Unfortunately, both Baekje and Yamato sources appear to be quiet on that front. The envoys did not leave empty-handed, however.  They sent away the wife and children of a man identified as “Wisa”—likely hostages being held at the Yamato court as part of the other diplomatic system between Baekje and Yamato.  We are not told why, however, so we are left only to speculate on what actually happened. Later that month, and into the next, the reforms were really kicked off, sending out the governors to the eastern provinces and proclaiming some of the early edicts we talked about last month And while the court was waiting for news to come back from those governors, there was another issue that they were tackling, and that was further incorporating the Buddhist clergy and temples into the state government.  Yeah, if you hadn't already guessed, Yamato at this time didn't exactly have a principle of the separation of church—or in this case temple—and state.  In fact, quite the opposite.  For a little over two decades at this point the court had assumed the authority to appoint individuals at the head of the Buddhist clergy, presumably to keep them in line ever since that one incident with the axe—and if you want a reminder, check out Episode 102. And so a messenger was sent from the court to Kudara-dera to gather all of the clergy there.  That was the temple near where Tamura had built his palace, Kudara no Miya, and it reportedly had an absolutely jaw-dropping pagoda, so perhaps little wonder that it was a central location.  After recounting the history of Buddhism in the archipelago, the court representative appointed chief priests to ten different temples, as well as the chief priest of Kudara-dera.  They then made a promise that the Sovereign—which is to say the State—would pay for the repairs of any of the temples built by the Tomo no Miyatsuko; the courtly families.  At the same time, the court also appointed temple commissioners, and expected them and the chief priests to report out the number of priests and nuns, as well as acreage of cultivated temple land.  Interestingly, these commissioners were to report directly to the state, rather than through the local governors, indicating that the temples appear to have been somewhat exempt from the local civil authorities, though still under the thumb of the sovereign and the national government.  This was likely done through the “Houtou”, or “heads of the Law”, another set of positions for people appointed to oversee Buddhist practice. In the following month, the court moved on from the clergy and focused on the courtiers: the Omi, Muraji, and the Tomo no Miyatsuko, and not in a fun way:  These leading families were called to the carpet for what was seen as a host of offenses.  They were accused of compelling their own vassals to labor at their pleasure, and appropriating land for their own private use, denying it to the people.  This included mountains, hills, ponds, and even portions of the sea, which they turned into their own private hunting and fishing reserves.  They would take prime rice-lands—land that could be brought under cultivation—and use it purely for themselves.  They would take portions of the public land, divvy it up, and sell it off as if it were their own.  Or they would just rent it out, so that they would collect rent on the property and those who farmed it wouldn't actually own anything, making them a kind of tenant farmer or even something like a sharecropper.  Furthermore, when they collected taxes from those in areas they oversaw, they were accused of taking a portion off the top for themselves before turning over the rest to the government. And finally, they would take their own people and build palaces for themselves.  This practice, though probably nothing new, went against the direction the new state was headed, and if it was allowed to continue, it would potentially reduce the number of laborers available for government projects. To be clear, not all of the noble families were doing this, but enough that a broad edict was required.  This edict not only called out these practices, but specifically banned the private sale of land—likely meaning that it was up to the State to decide how land was apportioned—and it forbade anyone making themselves into a landlord. Now for anyone who has been following along—or simply looked at human history—the way that the elites had been concentrating power is hardly surprising.  History books are filled with examples of those in power using it to aggregate more and more to themselves, especially without some kind of regulation.  While the Taika edict treats this like an aberration of the way things should be, it is more likely that this is actually how the system had been designed to work up until this point.  There were elites who operated at different levels in an hierarchical structure.  Those above provided legitimacy and preferential treatment to those they considered their vassals.  Those vassals were left to largely run things as they saw fit at the lower levels, as long as they maintained an expected flow of tribute up the chain.  As long as things didn't get out of hand—no rebellions, famine, etc.—then there was little reason for those at the top to be concerned. Here, though, we are seeing a different imagining of the state: one where the governance of the state truly does flow from the sovereign down to the people.  Those who had been studying the Buddhist and Confucian canons from the continent had been introduced to new ideas of what a state ought to be, and now that they were in power, they were determined to implement those ideas. One has to imagine that this ruffled more than a few feathers, and I have to wonder if it didn't contribute, at least in some way, to what else was happening around the same time.  Remember, all of this—the tribute missions, the governors, the gathering of the clergy, and dressing down the courtiers—all happened in the first three months of the new reign—the Taika era.  But in the ninth month, the court's attention was also turned to another matter, when a man named Kibi no Kasa no Omi no Shidaru came to Naka no Ohoye with a confession:  He claimed he had been party to a meeting in Yoshino with none other than Prince Furubito no Ohoye, along with members of the Soga, the Yamato no Aya, and the Yechi no Hata.  They were all disillusioned with this new reign and how they got here, and were plotting to put a stop to it by overthrowing Karu and putting Prince Furubito on the throne. So, yeah, this is where we circle back to where we started the episode – imagining Prince Furubito, hanging out in the mountains of Yoshino, enjoying his near escape and contemplating his retirement.  Things weren't quite that peaceful. I'd note that another source claims that the guy who spilled the beans, Kibi no Kasa no Omi, instead went to the Daijin, the Great Ministers, Abe no Oho-omi and Soga no Oho-omi, the ministers of the Right and Left.  Regardless of who he spoke to, he ratted out all of his co-conspirators. The details are sparse on just how everything unfolded from there, but we know that Naka no Ohoye appointed two generals to go and arrest—by which I'm pretty sure he meant assassinate—Prince Furubito no Ohoye.  Whether or not the Prince had actually kicked off discussions or had even participated in any significant way, Naka no Ohoye's brother was too dangerous as a symbol around which anyone discontented with the new order could try and rally.  And it's not at all surprising to imagine that there are those who were not exactly happy with where things were going.   The throne was exerting greater control than it had in some time—perhaps more than it ever had, at this scale.  The foreign ideas that had come in the way of books and learning may have, at first, been just another way for the elite to demonstrate their own superiority, but now these ideas were starting to affect the way they, themselves, had to operate.  You could either accept it as the way forward or you could resist.  Those who would resist, though, needed someone to rally around.  Since the Sovereign and the Crown Prince were both pushing for change, anyone opposed would need to find a new sovereign to uphold their own ideas.  To that end, Furubito no Ohoye must have been an enticing figure.  He really was from the old school. Sure, that was a Soga dominated school, drenched in the blood of other members of the royal family, but it was still something that those who wanted to conserve their old way of life could use to legitimize their position. And that made Furubito no Ohoye dangerous, regardless of whether or not he encouraged such individuals or not. And so Uda no Yenomuro no Furu and Koma no Miyachi departed with a sizeable force to take out the Prince.  Which, spoiler alert: they did. There are some conflicting accounts on this.  Some records claim that the attack force didn't set out until more than two months later, on the 30th day of the 11th month.  Others say that the generals were actually Kosobe no Omi no Abe and Sahekibe no Komaro, at the head of only thirty men.  It is possible that both accounts are correct in some way, or that various family records retroactively  claimed credit for the attack.  It may also be that the time from the conspiracy's discovery to the eventual resolution—the killing of Furubito and his household—took a little over two months to complete; a not unreasonable situation. This whole event is often talked about as Furubito no Ohoye's revolt, and if we take the Chronicles at face value, that is largely accurate.  However, we don't have many actual details, and we do know about Naka no Ohoye—we know that he hadn't been afraid to kill Soga no Iruka in broad daylight, in the middle of the court.  Would it have really been too much for him to manufacture a conspiracy to provide him an excuse to take out his older brother and thus prepare his own eventual rise to the throne?  On things like this, the Chronicles are largely silent, and we can only speculate as to what was actually going on.  Still, I have to wonder. Following the death of Furubito no Ohoye, and the suppression of the rebellion in his name, the sovereign, Karu, announced that he had settled on a location for his new palace.  While most of the edicts at this time broke new ground, this one did not, following a tradition that, if we believe the Chronicles, had been around for centuries.  Each new sovereign would designate a location for their new palace, moving out of the palace of their predecessor.  Usually this would beannounced at the very start of a reign, but as we've seen, this reign had gotten off to a busy start, and so we don't see mention of the new palace until the twelfth month. The tradition of moving out of an old palace and into a new one is thought to have typically been due to the ritual pollution, or tsumi, attached to the palace of a sovereign who has died -- often in the palace itself, if they were lucky enough to pass away in their sleep.  Of course, in this case the throne didn't pass on the occasion of the sovereign's death, but there had certainly been plenty of blood spilled in the palace, recently, so I imagine that moving the palace was to be expected. Less expected was exactly where he moved the palace to, since Karu decided not to stay put in the Asuka region, and instead chose to move the palace to the port of Naniwa, where the continental envoys came. There are numerous examples throughout Japanese history where a change was made to move the capital, or at least the seat of government, to somewhere new.  In many cases, this was to get away from various political forces that had become entrenched in the capital region.  Courtiers and their retinue would settle near the palace, and soon an entire area was controlled, physically and politically, by a few powerful families or institutions.  The Asuka region, for example, had started out as the ancestral stronghold of the Soga clan, and for the past century had operated as the seat of Soga controlled sovereigns.  Tamura, or Jomei Tennou, had seemingly tried to move a little ways outside, near the site of Kudaradera, but his wife and successor, no doubt with the assistance and counsel of Soga no Emishi, had moved back into the Asuka valle, proper. Moving to Naniwa would have been quite the undertaking, as it didn't just mean moving the palace, but it meant moving the whole infrastructure of the government.  Granted, this wasn't exactly on par with the size and complexity of the Imperial dynasties in what we now know as China, but it did mean that the powerful families would need to make sure that they had a residence of some sort near the new capital if they wanted to be close to the reins of power.  That meant that they would need to also expend some of their own resources, as well. Also, it would be a good time to provide a sense of renewal for the era.  The Chroniclers added a line, taken from various Chinese histories, that shortly after the announcement of the new capital's location, rats were seen moving across the countryside in the direction of Naniwa.  At its most basic level, this likely recognized that when the people abandon a capital for a new city, that new city quickly has its own population.  No doubt it was felt that the rats had simply followed the people there.  The migration of rats would figure into several other movements during this reign, as well.  It was apparently a popular trope. The movement started in the twelfth month of the first year of Taika, or 645, and would be completed in the third month of the following year, 646.  That was around the same time that word was coming back from the lands in the east about just how things were going with the newly appointed governors.  Giventhe killing of Furubito no Ohoye in the 11th month of 645, as well as everything else that was now happening, the capital would be the catalyst for a fresh new slate in more ways than one.  The building of the new palace, and the need to entreat the kami, that would be used as an excuse to issue a general amnesty -- the “Get out of jail free” card for the governors and others who hadn't quite gotten on board, which we talked about last episode.  They were shown the stick, but offered a carrot.  While not explicitly stated, this may have also been a time to bury the hatchet for the pro-Furubito faction as well, giving them a chance to move on.   And there was a lot of movement to be had.  We are told that there was a proclamation in the first month of 646—a proper edict of reforms.  These are laid out in four articles, and are perhaps the closest we have to a true “code” of the reforms from this era.  And warning: this is where the reforms get really radical. The first article was on land ownership and allocation.  Specifically, it abolished the various royal Miyake and the previously established “representatives of children”—which I'm guessing refers to the various families that were tasked with supporting some of the various royal princes and other royal descendants.  It also abolished various farmsteads of serfs and abolished the bonds of those serfs who owed their service to various royal families; the ministers, the Omi and the Muraji; and general courtiers, the Tomo no Miyatsuko; as well as the various lords of the lands, the Kuni no Miyatsuko, and even down the villages, to the level of the Mura no Obito. In place of these mechanisms of bringing in rice and other goods, various fiefs were created out of the previously held land and redistributed to various princes and officials on a descending scale, with those at the top of the courtly rank system getting the most productive, and less for those further down.  To sweeten this deal, gifts of cloth were also given at the time of the edict, likely as a way to offset any harsh feelings. In the end, this article completely rewrote how land was owned in the archipelago, at least in principle.  The land belonged to the sovereign, who apportioned it out as required.  The fiefs would then supply incomes to government officials, effectively providing them a salary.  Those higher in the court system, which is to say those with a higher court rank, would have a larger stipend.  Some version of this system, which wasn't always as strictly enforced, would continue right up until it was abolished in the early Meiji era. The second article of the reforms largely targeted the capital and the “Home Provinces”, recognized, today, as the area from modern Iga city in the east; to Mt. Seyama, in Wakayama, to the south. It extended westward past modern Kobe to the Akashi area, and north to Afusakayama, on the southwestern shores of Lake Biwa, due east of modern Kyoto city.  These correspond largely to the areas that were traditionally under Yamato's direct rule, and where many of the noble families had their base of operations.  Actual governors were appointed to the home provinces, like Kii, Kawachi, Harima, Yamashiro, etc., with various roads, barriers, outposts, and more created to secure the home territories.  Post horses were included, and this is the first mention of the creation of bell tokens, a kind of bronze amulet with various round “bells” incorporated into the design.  These bell tokens would become a kind of badge of office for anyone traveling, as they would be used at government posts along the road to determine what kinds of and how many horses a given official was entitled to during their official travel. The area within the capital itself was divided into “wards”, or “Bo”.  Each ward would have an “wosa” appointed from the population.  Aston translates this as “alderman”, though it feels like “magistrate” is more appropriate.  For every four wards, an unagachi, or chief magistrate, was appointed.  These wosa and unagachi were charged to watch over the people and investigate criminal matters.  They were supposed to be people of “good character and solid capacity”, and if nobody in the ward could serve, then someone could be chosen from an adjoining ward, instead. Throughout the rest of the home provinces, the land was divided up into “townships” (RI or Sato), rather than wards, and townships would be gathered into “districts” (GUN or Koori).  Large districts were those with over forty townships.  Middle districts were those with anywhere from four to thirty townships.  And districts of three or fewer townships were considered Lesser Districts.  The Japanese for these would be Tai-gun, Chuu-gun, and Shou-gun, but I should note that it is unclear whether that was the actual term used or just the way to write it in the Sinitic style of the Chronicles.  The governors of these areas were the Tairei and Sharei, glossed in Japanese as the Koori no Miyatsuko and the Suke no Miyatsuko, though Aston suggests those were just translations, and the Yamato court was probably using the On'yomi for the names as this was an attempt to copy continental governance.  For these positions, you were expected to be not just good, but of “unblemished” character.  They were assisted by clerks and others who were skilled in writing and arithmetic.  I suspect a lot of this was also applied to the governors discussed in the previous episode, though we did not see such a clear list of qualifications for them and their staff at the time. So that set up the governance of the capital and the capital region, in a model that would be followed elsewhere. The third of the four articles provided for drawing up accounts of the land and people—much as the governors were doing in the east.  They also create The Books, as in the accounting books for the government.  These were to record the state of, well, the State.  How many people, what land was out there, in what condition, and to whom did it belong.  It would be the official register of receipts telling everyone what land belonged to whom. It also defined the townships, or Ri, as being made up of 50 households, with one magistrate per township, as above.  However, given that these townships were in the countryside, the magistrate was also responsible for the direction of sowing the crops and the cultivation of mulberry trees, used primarily for silk production.  It also fell to the magistrate to enforce the payment of taxes, both in rice and forced labor. And here we see just how much those taxes were.  Rice fields were measured by “tan”, sometimes translated as “kida”, which was an area of thirty paces by twelve paces.  That comes out to somewhere between 9,000 to 11,000 square feet, depending on the size of the pace—a modern “tan” is figured at 10,800 square feet, or a little over one thousand square meters or a bit under one quarter of an acre.  From there, ten tan would make a CHO, the largest land unit mentioned here.  All of this was only true of flat land, however.  For steep and wooded land, the various officials in charge would need to make special arrangements.  Afterall, a thousand square meters of cliff face wasn't exactly producing a ton of rice—or mulberry trees, for that matter.  The tax for each tan of cultivated land  was 22 bundles of rice on the stalk.  A single bundle was the amount that a person could reasonably grasp in one hand.  Ten bundles made up a sheaf, so actually it was 2 sheafs and 2 bundles.  The edicts then laid out the math to verify that for a CHO it was 22 sheafs, or ten times that of a TAN.  And all of this can be pretty boring and, well, academic, but it starts to get us a glimpse into life outside of the elite courtiers.  We can see that they assumed a community was about 50 households in rural areas, and you likely would have gotten to know your neighbors, as they were the ones you were planting and harvesting with.  While I'm not sure that a TAN was equivalent to a single field, we can see that four TAN would have been roughly an acre of land—an acre itself being an agricultural unit that was about as much land as a single individual could work in a day. What isn't clear from all of this is what was the expected gross yield of the field—in other words, how much of the crop would the farmers themselves be able to keep?  In later centuries, farmers often couldn't afford to keep their own crop of rice, and had to settle for eating millet and other, cheaper grains, with almost all of the rice they grew going to pay their taxes Besides taxes on the fields, there were also other taxes to be considered, but these were dealt with in the fourth and final article of the reforms of 646.  Up front, this article abolished any earlier taxes that may have been imposed, clearing the way for a new tax structure.  From there, it first laid out a series of alternatives to rice for paying your taxes.  One was the ability to pay in cloth, so for instance, if you had a single TAN of land, you could pay the 2 sheafs and 2 bundles of rice OR you could pay 10 feet of fine silk, 2.5 feet in width—the width of most home looms at the time.  Alternatively there were conversions into coarse silk (double it to 20 feet) or another bast fiber cloth (double again, to 40 feet).  Silk thread or silk floss are not mentioned as a substitute for the rice tax on land. But: this Article also laid out additional taxes to those on the fields.  Each household would have to also produce at least 12 shaku—roughly 12 feet—of bast fiber cloth each year.  There were also other taxes such as salt, etc., all depending on what was locally produced.  And on top of that, for every 2 townships of 100 people, they had to produce a single horse for the government.  A particularly fine horse could be used to cover the taxes for up to 4 townships.  And if they could not produce a horse, they would need to provide up to 12 feet of cloth per household to offset the cost of the government buying one.  That is 12 feet of cloth in addition to what they already had to pay. In addition to that, every person was expected to supply a sword, armor, bow and arrows, a flag, and a drum.  This may have only been for those able-bodied men called up for service, though—it isn't exactly clear. And then, when there were public works to be done, each township had the responsibility to offer up a single, able-bodied individual, and to provide 22 feet of cloth and 5 masu of rice for their service, to keep them clothed and fed.  This was actually an improvement on previous corvee labor requirements, which required one person per thirty households, who were all supposed to support them. Finally, there is a note about Uneme—the handmaidens at the court.  Uneme were drawn from the sisters or daughters of district officials of the rank of shorei and upwards.  Each Uneme was expected to be furnished with one male and two female servants to attend to their needs.  They would be provided cloth and rice similar to laborers, except that the cost was to be spread out across one hundred households, not just fifty. Again, we get a glimpse of what life under the new regime was like—or at least what it was supposed to be like.  We saw mention of taxes and other such things early on in the Chronicles, but this is the first time we really get to see what kinds of taxes would be levied on the common households.  A single agricultural household would likely be responsible for some portion of the town's field-tax, as well as a tax of cloth on their own home, and possibly supporting a laborer or even the purchase of a government horse.  Finally, they could also be responsible for providing for one of the handmaidens of the court. It was clear that the state was extending its reach in new ways.  In some cases this would have clearly been an improvement: there was a reduction in the amount of labor that people had to provide, and things were being standardized.  There were bureaucratic lines being built from the townships and wards up through to the sovereign, providing a clear connection between sovereign and vassal.  On the other hand, this trod on the ancestral traditions of certain groups.  We saw the attempted revolt around Prince Furubito no Ohoye, but after his death, the opposition didn't really have a central figure to rally around.  And so the reforms would continue. Although the reforms at the start of 646 may have been some of the most formal, there is still a lot of change to come and we'll deal with that in the next few episodes. Until then, thank you for listening and for all of your support. If you like what we are doing, please tell your friends and feel free to rate us wherever you listen to podcasts.  If you feel the need to do more, and want to help us keep this going, we have information about how you can donate on Patreon or through our KoFi site, ko-fi.com/sengokudaimyo, or find the links over at our main website, SengokuDaimyo.com/Podcast, where we will have some more discussion on topics from this episode. Also, feel free to reach out to our Sengoku Daimyo Facebook page.  You can also email us at the.sengoku.daimyo@gmail.com.  Thank you, also, to Ellen for their work editing the podcast. And that's all for now.  Thank you again, and I'll see you next episode on Sengoku Daimyo's Chronicles of Japan.

Japanese language programs in a non-university setting are a rarity in Louisiana, but fortunately for some students in the Greater New Orleans area, one school has them covered! The Krewe sits down with Dr. Tara Sanchez to discuss how she established a Japanese language program at Chalmette High School and how that program is providing opportunities not only for language learning but cultural exchange!------ About the Krewe ------The Krewe of Japan Podcast is a weekly episodic podcast sponsored by the Japan Society of New Orleans. Check them out every Friday afternoon around noon CST on Apple, Google, Spotify, Amazon, Stitcher, or wherever you get your podcasts.  Want to share your experiences with the Krewe? Or perhaps you have ideas for episodes, feedback, comments, or questions? Let the Krewe know by e-mail at kreweofjapanpodcast@gmail.com or on social media (Twitter: @kreweofjapan, Instagram: @kreweofjapanpodcast, Facebook: Krewe of Japan Podcast Page, TikTok: @kreweofjapanpodcast, LinkedIn: Krewe of Japan LinkedIn Page, Blue Sky Social: @kreweofjapan.bsky.social, & the Krewe of Japan Youtube Channel). Until next time, enjoy!------ Support the Krewe! Offer Links for Affiliates ------Use the referral links below & our promo code from the episode (timestamps [hh:mm:ss] where you can find the code)!Liquid IV Offer Link  to save 20% Off your Entire Order! (00:04:00)Zencastr Offer Link - Use my special link to save 30% off your 1st month of any Zencastr paid plan!  (00:53:30)------ Chalmette High & Kakehashi Project Links ------St. Bernard's Article on Kakehashi Project TripKakehashi Project Information------ Past KOJ Episodes on Language ------Japanese Language Journeys ft. Saeko-Sensei (S1E4)Immersion Learning ft. MattvsJapan (S1E10)Language through Literature ft. Daniel Morales (S2E8)Pitch Accent (Part 1) ft. Dogen (S2E14)Pitch Accent (Part 2) ft. Dogen (S2E15)Language Through Video Games ft. Matt of Game Gengo (S3E4)Prepping for the JLPT ft. Loretta of KemushiCan (S3E16)Heisig Method ft. Dr. James Heisig (S4E5)Learn the Kansai Dialect ft. Tyson of Nihongo Hongo (S4E14)Japanese Self-Study Strategies ft. Walden Perry (S5E4)------ JSNO Upcoming Events ------JSNO Event Calendar2024 Matsue-New Orleans Sister City Exchange Application

rWotD Episode 2522: Kumano River Welcome to random Wiki of the Day where we read the summary of a random Wikipedia page every day.The random article for Saturday, 30 March 2024 is Kumano River.The Kumano River (熊野川, Kumanogawa) is a river in the Kii Peninsula of central Japan, located in Nara, Wakayama and Mie Prefectures. It is 183 kilometres (114 mi) long and has a watershed of 2,630 square kilometres (1,020 sq mi). The river rises from Mount Ōmine in the Yoshino-Kumano National Park in Tenkawa, Nara and follows a generally southward course to drain into the Pacific Ocean on the border between Shingū, Wakayama and Kihō, Mie. The river is part of the Sacred Sites and Pilgrimage Routes in the Kii Mountain Range, a UNESCO World Heritage Site which incorporates nature scenery of the Kii peninsula with numerous Buddhist temples and Shinto shrines forming a pilgrimage route.Municipalities through which the river passes are:Nara PrefectureTenkawa, NaraGojō, NaraTotsukawa, NaraWakayama PrefectureTanabe, WakayamaShingū, WakayamaMie PrefectureKumano, MieKihō, MieThis recording reflects the Wikipedia text as of 00:26 UTC on Saturday, 30 March 2024.For the full current version of the article, see Kumano River on Wikipedia.This podcast uses content from Wikipedia under the Creative Commons Attribution-ShareAlike License.Visit our archives at wikioftheday.com and subscribe to stay updated on new episodes.Follow us on Mastodon at @wikioftheday@masto.ai.Also check out Curmudgeon's Corner, a current events podcast.Until next time, I'm Joey Standard.

Ever wanted to learn Japanese and just not know where to start? The Krewe sits down with Walden Perry, a Louisiana native who prior to 2020 had zero Japanese language experience. What started as a personal challenge during the pandemic became a multi-year self-study language learning adventure. And as with all adventures, there are ups and downs. Tune in here for some tips and suggestions on how to get started tackling language study on your own, what mistakes to avoid, and how to take your Japanese to the next level.------ About the Krewe ------The Krewe of Japan Podcast is a weekly episodic podcast sponsored by the Japan Society of New Orleans. Check them out every Friday afternoon around noon CST on Apple, Google, Spotify, Amazon, Stitcher, or wherever you get your podcasts.  Want to share your experiences with the Krewe? Or perhaps you have ideas for episodes, feedback, comments, or questions? Let the Krewe know by e-mail at kreweofjapanpodcast@gmail.com or on social media (Twitter: @kreweofjapan, Instagram: @kreweofjapanpodcast, Facebook: Krewe of Japan Podcast Page, TikTok: @kreweofjapanpodcast, LinkedIn: Krewe of Japan LinkedIn Page, Blue Sky Social: @kreweofjapan.bsky.social, & the Krewe of Japan Youtube Channel). Until next time, enjoy!------ Support the Krewe! Offer Links for Affiliates ------Use the referral links below & our promo code from the episode (timestamps [hh:mm:ss] where you can find the code)!Liquid IV Offer Link  to save 20% Off your Entire Order! (00:01:06)Zencastr Offer Link - Use my special link to save 30% off your 1st month of any Zencastr paid plan!  (01:03:12)------ Self-Study Links ------Walden's Year 1 Benchmark VideoWalden's Year 2 Benchmark VideoWalden's WorldWalden's World DiscordAnkiJapanese from Zero! Website------ Past KOJ Episodes on Language ------Japanese Language Journeys ft. Saeko-Sensei (S1E4)Immersion Learning ft. MattvsJapan (S1E10)Language through Literature ft. Daniel Morales (S2E8)Pitch Accent (Part 1) ft. Dogen (S2E14)Pitch Accent (Part 2) ft. Dogen (S2E15)Language Through Video Games ft. Matt of Game Gengo (S3E4)Prepping for the JLPT ft. Loretta of KemushiCan (S3E16)Heisig Method ft. Dr. James Heisig (S4E5)Learn the Kansai Dialect ft. Tyson of Nihongo Hongo (S4E14)------ JSNO Upcoming Events ------JSNO Event Calendar2024 Matsue-New Orleans Sister City Exchange Application

The Space, Astronomy & Science Podcast.SpaceTime Series 27 Episode 36*The Precise Mass of Neutron Stars UnveiledAstronomers have pinpointed the exact upper mass limit for non-rotating neutron stars, providing a critical piece to the puzzle of black hole evolution. The study, detailed in Physical Review D, reveals that the heaviest non-rotating neutron stars weigh about 2.25 solar masses. This breakthrough in nuclear physics and astrophysics could refine our understanding of the stellar life cycle and the transition from neutron stars to black holes.*Japan's Aspirations for Private Spaceflight Go Up in SmokeJapan's first privately operated space launch provider, Space One, faced a fiery setback as its new solid-fuel rocket exploded seconds after liftoff. The ill-fated Karaos rocket, carrying a government test satellite, disintegrated over the Wakayama region, underscoring the harsh realities of space exploration. The incident highlights the challenges faced by emerging private space companies in the competitive launch market.*NASA's PACE Satellite Embarks on a Climate OdysseyNASA's PACE satellite has successfully launched aboard a SpaceX Falcon 9 rocket to begin its mission of monitoring Earth's changing oceans and atmosphere. The $948 million mission will utilize hyperspectral imaging to study the planet's plankton, aerosols, clouds, and ocean ecosystems with unprecedented detail. PACE aims to enhance weather predictions, track climate change, and uncover the intricate balance of our global environment.*Dark Matter Data Retrieved from the StratosphereNASA's mission to map dark matter around galaxy clusters has been salvaged thanks to an innovative data recovery system from the University of Sydney. Despite a rough landing in Argentina that damaged the balloon-based telescope, the system successfully retrieved over 200GB of valuable data. This mission underscores the innovative approaches to overcoming the challenges of high-altitude astronomical research.Plus, we delve into the story of how climate change is affecting polar bears, the decline in humpback whale populations, and the origins of chocolate as revealed by ancient vessels. And we explore the curious case of the "alien mummies" that turned out to be quite earthly in origin.For more SpaceTime and show links, visit https://spacetimewithstuartgary.com and access our universal listen link at https://spacetimewithstuartgary.com/listen. Don't forget to support the show at https://www.spreaker.com/podcast/spacetime-with-stuart-gary--2458531/support and follow us for more space and astronomy updates at our HQ at https://bitesz.com.

In 1864, on a midsummer's day, Kawai Koume, a 60-year old matriarch of a samurai family in Wakayama, makes a note in her diary, which she had dutifully written in for over three decades. There are reports of armed clashes in Kyoto. It's said that the emperor has ordered the expulsion of the foreigners, and it's also said that a large band of vagabond soldiers has gathered in Senju in Edo. It's said that in Edo people are wearing their [winter] kimono linings, and in Nikko it has been snowing. I don't know if it's true. But really, every day we hear nothing but disturbing rumors. The Meiji Restoration, which ousts the shogun and restores the emperor's power, happens four years later. Koume's diary is the central document in Simon Partner's latest book Koume's World: The Life and Work of a Samurai Woman Before and After the Meiji Restoration (Columbia University Press, 2023) In this interview, Simon and I talk about Kawai Koume, her diary, and everything she witnessed in the decades covered by her journal. Simon Partner is professor of history at Duke University. He is the author of three previous books that chronicle modern Japanese history through the lives of ordinary people such as farmers, shopkeepers, and housewives, including most recently The Merchant's Tale: Yokohama and the Transformation of Japan (Columbia University Press: 2018). You can find more reviews, excerpts, interviews, and essays at The Asian Review of Books, including its review of Koume's World. Follow on Twitter at @BookReviewsAsia. Nicholas Gordon is an editor for a global magazine, and a reviewer for the Asian Review of Books. He can be found on Twitter at @nickrigordon. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

In 1864, on a midsummer's day, Kawai Koume, a 60-year old matriarch of a samurai family in Wakayama, makes a note in her diary, which she had dutifully written in for over three decades. There are reports of armed clashes in Kyoto. It's said that the emperor has ordered the expulsion of the foreigners, and it's also said that a large band of vagabond soldiers has gathered in Senju in Edo. It's said that in Edo people are wearing their [winter] kimono linings, and in Nikko it has been snowing. I don't know if it's true. But really, every day we hear nothing but disturbing rumors. The Meiji Restoration, which ousts the shogun and restores the emperor's power, happens four years later. Koume's diary is the central document in Simon Partner's latest book Koume's World: The Life and Work of a Samurai Woman Before and After the Meiji Restoration (Columbia University Press, 2023) In this interview, Simon and I talk about Kawai Koume, her diary, and everything she witnessed in the decades covered by her journal. Simon Partner is professor of history at Duke University. He is the author of three previous books that chronicle modern Japanese history through the lives of ordinary people such as farmers, shopkeepers, and housewives, including most recently The Merchant's Tale: Yokohama and the Transformation of Japan (Columbia University Press: 2018). You can find more reviews, excerpts, interviews, and essays at The Asian Review of Books, including its review of Koume's World. Follow on Twitter at @BookReviewsAsia. Nicholas Gordon is an editor for a global magazine, and a reviewer for the Asian Review of Books. He can be found on Twitter at @nickrigordon. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/history

In 1864, on a midsummer's day, Kawai Koume, a 60-year old matriarch of a samurai family in Wakayama, makes a note in her diary, which she had dutifully written in for over three decades. There are reports of armed clashes in Kyoto. It's said that the emperor has ordered the expulsion of the foreigners, and it's also said that a large band of vagabond soldiers has gathered in Senju in Edo. It's said that in Edo people are wearing their [winter] kimono linings, and in Nikko it has been snowing. I don't know if it's true. But really, every day we hear nothing but disturbing rumors. The Meiji Restoration, which ousts the shogun and restores the emperor's power, happens four years later. Koume's diary is the central document in Simon Partner's latest book Koume's World: The Life and Work of a Samurai Woman Before and After the Meiji Restoration (Columbia University Press, 2023) In this interview, Simon and I talk about Kawai Koume, her diary, and everything she witnessed in the decades covered by her journal. Simon Partner is professor of history at Duke University. He is the author of three previous books that chronicle modern Japanese history through the lives of ordinary people such as farmers, shopkeepers, and housewives, including most recently The Merchant's Tale: Yokohama and the Transformation of Japan (Columbia University Press: 2018). You can find more reviews, excerpts, interviews, and essays at The Asian Review of Books, including its review of Koume's World. Follow on Twitter at @BookReviewsAsia. Nicholas Gordon is an editor for a global magazine, and a reviewer for the Asian Review of Books. He can be found on Twitter at @nickrigordon. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/east-asian-studies

In 1864, on a midsummer's day, Kawai Koume, a 60-year old matriarch of a samurai family in Wakayama, makes a note in her diary, which she had dutifully written in for over three decades. There are reports of armed clashes in Kyoto. It's said that the emperor has ordered the expulsion of the foreigners, and it's also said that a large band of vagabond soldiers has gathered in Senju in Edo. It's said that in Edo people are wearing their [winter] kimono linings, and in Nikko it has been snowing. I don't know if it's true. But really, every day we hear nothing but disturbing rumors. The Meiji Restoration, which ousts the shogun and restores the emperor's power, happens four years later. Koume's diary is the central document in Simon Partner's latest book Koume's World: The Life and Work of a Samurai Woman Before and After the Meiji Restoration (Columbia University Press, 2023) In this interview, Simon and I talk about Kawai Koume, her diary, and everything she witnessed in the decades covered by her journal. Simon Partner is professor of history at Duke University. He is the author of three previous books that chronicle modern Japanese history through the lives of ordinary people such as farmers, shopkeepers, and housewives, including most recently The Merchant's Tale: Yokohama and the Transformation of Japan (Columbia University Press: 2018). You can find more reviews, excerpts, interviews, and essays at The Asian Review of Books, including its review of Koume's World. Follow on Twitter at @BookReviewsAsia. Nicholas Gordon is an editor for a global magazine, and a reviewer for the Asian Review of Books. He can be found on Twitter at @nickrigordon. Learn more about your ad choices. Visit megaphone.fm/adchoices

In 1864, on a midsummer's day, Kawai Koume, a 60-year old matriarch of a samurai family in Wakayama, makes a note in her diary, which she had dutifully written in for over three decades. There are reports of armed clashes in Kyoto. It's said that the emperor has ordered the expulsion of the foreigners, and it's also said that a large band of vagabond soldiers has gathered in Senju in Edo. It's said that in Edo people are wearing their [winter] kimono linings, and in Nikko it has been snowing. I don't know if it's true. But really, every day we hear nothing but disturbing rumors. The Meiji Restoration, which ousts the shogun and restores the emperor's power, happens four years later. Koume's diary is the central document in Simon Partner's latest book Koume's World: The Life and Work of a Samurai Woman Before and After the Meiji Restoration (Columbia University Press, 2023) In this interview, Simon and I talk about Kawai Koume, her diary, and everything she witnessed in the decades covered by her journal. Simon Partner is professor of history at Duke University. He is the author of three previous books that chronicle modern Japanese history through the lives of ordinary people such as farmers, shopkeepers, and housewives, including most recently The Merchant's Tale: Yokohama and the Transformation of Japan (Columbia University Press: 2018). You can find more reviews, excerpts, interviews, and essays at The Asian Review of Books, including its review of Koume's World. Follow on Twitter at @BookReviewsAsia. Nicholas Gordon is an editor for a global magazine, and a reviewer for the Asian Review of Books. He can be found on Twitter at @nickrigordon.

In 1864, on a midsummer's day, Kawai Koume, a 60-year old matriarch of a samurai family in Wakayama, makes a note in her diary, which she had dutifully written in for over three decades. There are reports of armed clashes in Kyoto. It's said that the emperor has ordered the expulsion of the foreigners, and it's also said that a large band of vagabond soldiers has gathered in Senju in Edo. It's said that in Edo people are wearing their [winter] kimono linings, and in Nikko it has been snowing. I don't know if it's true. But really, every day we hear nothing but disturbing rumors. The Meiji Restoration, which ousts the shogun and restores the emperor's power, happens four years later. Koume's diary is the central document in Simon Partner's latest book Koume's World: The Life and Work of a Samurai Woman Before and After the Meiji Restoration (Columbia University Press, 2023) In this interview, Simon and I talk about Kawai Koume, her diary, and everything she witnessed in the decades covered by her journal. Simon Partner is professor of history at Duke University. He is the author of three previous books that chronicle modern Japanese history through the lives of ordinary people such as farmers, shopkeepers, and housewives, including most recently The Merchant's Tale: Yokohama and the Transformation of Japan (Columbia University Press: 2018). You can find more reviews, excerpts, interviews, and essays at The Asian Review of Books, including its review of Koume's World. Follow on Twitter at @BookReviewsAsia. Nicholas Gordon is an editor for a global magazine, and a reviewer for the Asian Review of Books. He can be found on Twitter at @nickrigordon. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/asian-review

In 1864, on a midsummer's day, Kawai Koume, a 60-year old matriarch of a samurai family in Wakayama, makes a note in her diary, which she had dutifully written in for over three decades. There are reports of armed clashes in Kyoto. It's said that the emperor has ordered the expulsion of the foreigners, and it's also said that a large band of vagabond soldiers has gathered in Senju in Edo. It's said that in Edo people are wearing their [winter] kimono linings, and in Nikko it has been snowing. I don't know if it's true. But really, every day we hear nothing but disturbing rumors. The Meiji Restoration, which ousts the shogun and restores the emperor's power, happens four years later. Koume's diary is the central document in Simon Partner's latest book Koume's World: The Life and Work of a Samurai Woman Before and After the Meiji Restoration (Columbia University Press, 2023) In this interview, Simon and I talk about Kawai Koume, her diary, and everything she witnessed in the decades covered by her journal. Simon Partner is professor of history at Duke University. He is the author of three previous books that chronicle modern Japanese history through the lives of ordinary people such as farmers, shopkeepers, and housewives, including most recently The Merchant's Tale: Yokohama and the Transformation of Japan (Columbia University Press: 2018). You can find more reviews, excerpts, interviews, and essays at The Asian Review of Books, including its review of Koume's World. Follow on Twitter at @BookReviewsAsia. Nicholas Gordon is an editor for a global magazine, and a reviewer for the Asian Review of Books. He can be found on Twitter at @nickrigordon. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/japanese-studies

Welcome back to Open The Voice Gate! Case (https://twitter.com/_inyourcase) and Mike (https://twitter.com/fujiiheya) are back with an update on the comings and goings of Dragongate.Dragongate's kicked off their February and Open The Voice Gate is back to discuss Memorial Gate in Wakayama (2/4) as well as an exciting Korakuen Hall show main evented by the All Out War Z-Brats vs Natural VIbes 10-Man Tag and the final M3K match. As well, Case and Mike discuss the return of the Dragongate Six Man to Mania Weekend, preview a bit of Rey De Parejas and a whole lot more!Our podcast provider, Red Circle, offers the listeners the option to sponsor the show. Click on “Sponsor This Podcaster” at https://redcircle.com/shows/open-the-voice-gate and you can donate a single time, or set up a monthly donation to Open the Voice Gate!Please Rate and Review Open The Voice Gate on the podcast platform of your choice and follow us on twitter at https://twitter.com/openvoicegate.Advertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

On part en balade dans la préfecture de Wakayama cette semaine pour vous faire découvrir des petits coins fort sympathique (surtout pour les fans de miso) Pour soutenir le podcast et avoir accès a du contenu bonus : https://www.patreon.com/explorejaponPour voir mes photos et des reel en direct du japon : https://www.instagram.com/ngeeet aussi présent sur thread https://www.threads.net/@ngeeet sur twitter : https://www.twiter.com/KitsuneDandypour ceux qui veulent aller voir les vidéos ma chaine youtube se trouve ici : https://www.youtube.com/@KitsuneDandyBonne écoute à tous Voir le contenu bonus sur Patreon ! Hébergé par Acast. Visitez acast.com/privacy pour plus d'informations.

((ระดับความ disturb : 3 กะโหลก)) ธัญวัฒน์ อิพภูดม นำเคสแปลกที่เกิดอาการท้องเสียขึ้นที่ชุมชนในวาคายามะ จนมีผู้เสียชีวิตหลายราย จากการสอบสวนทำให้เจ้าหน้าที่และสื่อมวลชนหมายตาไปที่คุณแม่ของครอบครัว Hayashi อย่าง มาสุมิ ฮายาชิ ที่ตกเป็นผู้ต้องสงสัยว่าเป็นคนวางยาเบื่อในแกงกะหรี่ นำมาสู่การตีความจาก เชฟโน้ต-อธิป สโมสร ที่ทำเมนู แกงกะหรี่ไก่ทอดคาราอาเกะ กับ ขนมโดรายากิ จากเรื่องนี้ พร้อมมาเล่าแรงบันดาลใจจากเรื่องราวให้ฟัง บันทึกการเล่าสดจากกิจกรรม The Untold Recipe ที่ร่วมกับ TCDC Commons ซีคอนสแควร์ ศรีนครินทร์  #SalmonPodcast #UntitledCase #ยชธัญ #TCDCCOMMONS #SeaconSquare #CreativeFood #LocalIngredient #TrueCrime #UCTheUntoldRecipe Learn more about your ad choices. Visit megaphone.fm/adchoices

((ระดับความ disturb : 3 กะโหลก)) ธัญวัฒน์ อิพภูดม นำเคสแปลกที่เกิดอาการท้องเสียขึ้นที่ชุมชนในวาคายามะ จนมีผู้เสียชีวิตหลายราย จากการสอบสวนทำให้เจ้าหน้าที่และสื่อมวลชนหมายตาไปที่คุณแม่ของครอบครัว Hayashi อย่าง มาสุมิ ฮายาชิ ที่ตกเป็นผู้ต้องสงสัยว่าเป็นคนวางยาเบื่อในแกงกะหรี่ นำมาสู่การตีความจาก เชฟโน้ต-อธิป สโมสร ที่ทำเมนู แกงกะหรี่ไก่ทอดคาราอาเกะ กับ ขนมโดรายากิ จากเรื่องนี้ พร้อมมาเล่าแรงบันดาลใจจากเรื่องราวให้ฟัง บันทึกการเล่าสดจากกิจกรรม The Untold Recipe ที่ร่วมกับ TCDC Commons ซีคอนสแควร์ ศรีนครินทร์  #SalmonPodcast #UntitledCase #ยชธัญ #TCDCCOMMONS #SeaconSquare #CreativeFood #LocalIngredient #TrueCrime #UCTheUntoldRecipe Learn more about your ad choices. Visit megaphone.fm/adchoices

Ramen Pharmacist's most recent hunting expedition took him to Wakayama, an underrated spot in the Ramen wilderness. This was a great chance to get him and other fans of Wakayama Ramen on the pod.  Joined by Keizo Shimamoto as well as first time guest and Kansai based hunter, The Gourmet Bear.Keizo shares some updates, including a rare appearance of the Ramen Burger. We dive deep into the OG shops in Wakayama, and the fellas share some tips for navigating your way in this part of KansaiShops mentioned in the pod:Ide Shouten　井出商店Marutaka　本家アロチ 丸高 中華そばUrashima Shokudo　うらしま食堂Seino　和dining 清乃本店Marutaka Kobe Branch　丸高中華そば神戸二宮店Birdman BIRDMANFukumimi 中華そば ふくみみShibata　中華そば しば田Macchibo　紀州和歌山ラーメン まっち棒溝の口店Noriya Shokudo　のりや食堂Yamatame Shokudo　山為食堂Marumiya　元車庫前まる宮本店Guest links:Ramen PharmacistKeizo ShimamotoThe Gourmet Bear

This week on Krewe of Japan Podcast... HAJIME! The Krewe sits down with Alexander Bennett, 7th Dan in Kendo, to take a deep dive into the way of the sword. From the historical context of how kendo came to be to the ins and outs of being a kendo practitioner, this episode will open your eyes to this intense martial art! And don't forget... KI... KEN... TAI... ICHI! (Gotta listen to get that reference!)------ About the Krewe ------The Krewe of Japan Podcast is a weekly episodic podcast sponsored by the Japan Society of New Orleans. Check them out every Friday afternoon around noon CST on Apple, Google, Spotify, Amazon, Stitcher, or wherever you get your podcasts.  Want to share your experiences with the Krewe? Or perhaps you have ideas for episodes, feedback, comments, or questions? Let the Krewe know by e-mail at kreweofjapanpodcast@gmail.com or on social media (Twitter: @kreweofjapan, Instagram: @kreweofjapanpodcast, Facebook: Krewe of Japan Podcast Page, TikTok: @kreweofjapanpodcast, LinkedIn: Krewe of Japan LinkedIn Page & the Krewe of Japan Youtube Channel). Until next time, enjoy!------ More Info on Alexander Bennett, Kendo & Kenjutsu  ------Budo BooksAlexander Bennett on InstagramShogun Martial ArtsNew Orleans Kendo Club

This week on Krewe of Japan Podcast... the Krewe explores the Japanese language in a different way... by studying the Kansai Dialect with Japanese tutor Tyson of Nihongo Hongo! Learn new phrases & words while discovering the differences between standard Japanese & the Kansai Dialect.------ About the Krewe ------The Krewe of Japan Podcast is a weekly episodic podcast sponsored by the Japan Society of New Orleans. Check them out every Friday afternoon around noon CST on Apple, Google, Spotify, Amazon, Stitcher, or wherever you get your podcasts.  Want to share your experiences with the Krewe? Or perhaps you have ideas for episodes, feedback, comments, or questions? Let the Krewe know by e-mail at kreweofjapanpodcast@gmail.com or on social media (Twitter: @kreweofjapan, Instagram: @kreweofjapanpodcast, Facebook: Krewe of Japan Podcast Page, TikTok: @kreweofjapanpodcast, & the Krewe of Japan Youtube Channel). Until next time, enjoy!------ More Info on Tyson & Nihongo Hongo  ------Nihongo Hongo on InstagramNihongo Hongo on YouTube

This week on Krewe of Japan Podcast... discover the life and legacy of Jokichi Takamine and his lasting impact on the city of New Orleans with regards to New Orleans-Japan relations. Is he the first ever Japanese to visit New Orleans? What makes this man such a treasure? Find out these answers AND MORE right here with special guest Stephen Lyman of the Japan Distilled Podcast.------ About the Krewe ------The Krewe of Japan Podcast is a weekly episodic podcast sponsored by the Japan Society of New Orleans. Check them out every Friday afternoon around noon CST on Apple, Google, Spotify, Amazon, Stitcher, or wherever you get your podcasts.  Want to share your experiences with the Krewe? Or perhaps you have ideas for episodes, feedback, comments, or questions? Let the Krewe know by e-mail at kreweofjapanpodcast@gmail.com or on social media (Twitter: @kreweofjapan, Instagram: @kreweofjapanpodcast, Facebook: Krewe of Japan Podcast Page, TikTok: @kreweofjapanpodcast, & the Krewe of Japan Youtube Channel). Until next time, enjoy!------ More Info on Stephen Lyman, Japan Distilled Podcast, & More  ------JSNO Event w/ Honkaku Spirits: Spirited Away: A Taste of Whiskey, Shochu, & More Event Registration PageJSNO Event w/ Honkaku Spirits: Spirited Away: A Taste of Whiskey, Shochu, & More Facebook Event PageJapan Distilled Podcast on TwitterJapan Distilled Podcast on InstagramJapan Distilled Podcast WebsiteHonkaku SpiritsJapan Distilled Podcast (Episode 52) - The Improbable Journey of Jokichi Takamine, Pt. 1Japan Distilled Podcast (Episode 52) - The Improbable Journey of Jokichi Takamine, Pt. 2Jokichi Takamine website 

This week on Krewe of Japan... The Krewe talks with former JET Program participant Rachel of Travel Bug Art to discuss how she taps into her surroundings in Kyoto, Japan for limitless inspiration for her art. Rachel specializes in sketching and watercolor of Japan's historical and natural landscapes. As an artist and instructor, she shares tips that every aspiring artist (or anyone with interest in art) should hear, from approaches to art in Japan & the tools available to seeking inspiration in your surroundings (Japan or elsewhere)! ------ About the Krewe ------The Krewe of Japan Podcast is a weekly episodic podcast sponsored by the Japan Society of New Orleans. Check them out every Friday afternoon around noon CST on Apple, Google, Spotify, Amazon, Stitcher, or wherever you get your podcasts.  Want to share your experiences with the Krewe? Or perhaps you have ideas for episodes, feedback, comments, or questions? Let the Krewe know by e-mail at kreweofjapanpodcast@gmail.com or on social media (Twitter: @kreweofjapan, Instagram: @kreweofjapanpodcast, Facebook: Krewe of Japan Podcast Page, TikTok: @kreweofjapanpodcast, & the Krewe of Japan Youtube Channel). Until next time, enjoy!Spirited Away Event Registration Link: Register Here------ More Info on Rachel (Travel Bug Art) ------Travel Bug Art WebpageTravel Bug Art InstagramSustainable Daisen Art for Salamanders Donation Page

During the early days of the COVID-19 Pandemic, being at home with my thoughts, I kept busy by researching mokuhanga. And one of my many discoveries was the exhibition at the Portland Art Museum held from September 24, 2020, to June 13, 2021, called Joryū Hanga Kyøkai, 1956-1965: Japan's Women Printmakers and curated by Japan Foundation Associate Curator of Japanese Art and Interim Head of Asian Art Jeannie Kenmotsu. It was an exhibition of mokuhanga, etchings, and lithography of a group of printmakers I didn't know much about. Individually I may have heard their names but as a group? I needed to learn more.    History is an essential part of mokuhanga; to search out those printmakers who have come before us to understand what they did and how they did it. I have learned so much from the past that I can use it in my own work for my present and future.        On this episode of The Unfinished Print, I speak with Jeannie Kenmotsu, Ph.D., about the Joryu Hanga Kyokai and, the road to this exhibition, the work that went behind it. We explore how the Joryu Hanga Kyokai showed a different face of printmaking in Japan. We discuss Tokyo during the 1950s and 1960s, the mokuhanga and print culture of the time, internationalism, and how this exhibition could catalyze more research on this incredible group.  Please follow The Unfinished Print and my own mokuhanga work on Instagram @andrezadoroznyprints or email me at theunfinishedprint@gmail.com  Notes: may contain a hyperlink. Simply click on the highlighted word or phrase. Artists works follow after the note. Pieces are mokuhanga unless otherwise noted. Dimensions are given if known. Joryū Hanga Kyōkai, 1956-1965: Japan's Women Printmakers - was an exhibition curated by Jeannie Kenmotsu from September 24, 2020 - June 13, 2021, at the Portland Art Museum. It is the first step in understanding and education on the subject of women in Japanese printmaking in modern Japan. Members of the group were  Romanesque Architecture - is a style developed in the north of Italy, parts of France, and the Iberian Peninsula in the 10th century. Evolving from thick walls, no sculpture, and ornamental arches into towering round arches, massive stone and brickwork, small windows, thick walls, and an inclination for housing art and sculpture of biblical scenes.  For more information abbot Romanesquwe architecture you can find that, here.  Portland Art Museum - established in 1892, the PAM has established itself as one of the preeminent art musuems on the West coast of the United States. The musuem has 40,000 pieces of art and art objects. More information about PAM can be found here.  The Royal Ontario Museum - also known as The ROM, is an art, world culture, and natural history museum in the city of Toronto, and is one of the oldest museums in the city. More info, here.  mokuhanga in the 1950's and 1960's - Japanese woodblock printmaking became quite popular after World War II. With Japan growing exponentially post war, through industry and art, the independent philosphy that the West perpetuated began to filter into the Jpaanese art world. Sōsaku hanga became increadingly popular where there is only one carver, printer and draughtsman. These prints touched on various themes, but especially in the abstract. Artists such as Shigeru Hatsuyama (1897-1973), and Kiyoshi Saitō (1907-1997) spring to mind, who created a new kind of mokuhanga by using various techniques, colours, and sizes  that were unique and expressive. Oliver Statler's book, written in 1956, Modern Japanese Prints : An Art Reborn, was published because the art form was growing so quickly. It is a great summary  on the sōsaku hanga movement during that time.  Edo Period prints - woodblock prints of the Edo Period (1603-1867) were predominantly of kabuki actors (Sharaku), and courtesans (Harunobu) beginning in the middle of the 18th century. The traditional system of production came into play when making ukiyo-e of this period, designer,  carver, printer, and publisher. Famous designers of the day were Hiroshige (1797-1858), Hokusai (1760-1849). Lewis and Clark Centennial Exposition - was an international fair in 1905 held in Portland, Oregan, USA from June 1 - October 15 and attracted over 1 million visitors. It helped to showcase Portland and its environs, promoting the movement and expansion West by settlers. The Portland Art Museum began shortly after the Exposition as The Portland Art Association needed its own space to showcase art pieces from the Exposition.  The Metropolitan Museum of Art - is the largest art museum in North and South America. It began to be assembled by John Jay (1817-1894) in the late 19th century. Incorporated in 1870, the museum has collected many essential pieces, such as the works of Henri Matisse (1869-1954) and Pierre-Auguste Renoir (1841-1919). For more information about the MET, you can find it here. Adolphe Braun (1812-1877) - was a German-born photographer who helped to establish photography as an art form. His work with the reproduction of art furthered art history throughout the world. Chizuko Yoshida (1924-2017) - was the wife of painter and printmaker Hodaka Yoshida. Beginning as an abstract painter, Chizuko, after a meeting with sōsaku hanga printmaker Onchi Kōshirō (1891-1955), Chizuko became interested in printmaking. Chizuko enjoyed the abstraction of art, and this was her central theme of expression. Like all Yoshida artists, travel greatly inspired Chizuko's work. She incorporated the colours and flavours of the world into her prints. Rain B (1953) 14 3/4 x 9 7/8" Yoshida Hiroshi (1876-1950) - a watercolorist, oil painter, and woodblock printmaker. Is associated with the resurgence of the woodblock print in Japan, and in the West. It was his early relationship with Watanabe Shōzaburō, having his first seven prints printed by the Shōzaburō atelier. This experience made Hiroshi believe that he could hire his own carvers and printers and produce woodblock prints, which he did in 1925.  Osaka Castle (1935) Fujio Yoshida (1887-1997) - the wife of Hiroshi Yoshida and the mother of Tōshi Yoshida (1911-1995) and Hodaka Yoshida. Fujio was so much more than a mother and wife. She had a long and storied career as a painter and printmaker. Fujio's work used her travels and personal experiences to make her work. Subjects such as Japan during The Pacific War, abstraction, portraits, landscapes, still life, and nature were some of her themes. Her painting mediums were watercolour and oil. Her print work was designed by her and carved by Fujio.  Yellow Iris (1953)  Hodaka Yoshida (1926-1995) - was the second son of woodblock printmaker and designer Hiroshi Yoshida (1876-1950). Hodaka Yoshida's work was abstract, beginning with painting and evolving into printmaking. His inspirations varied as his career continued throughout his life, but Hodaka Yoshida's work generally focused on nature, "primitive" art, Buddhism, the elements, and landscapes. Hodaka Yoshida's print work used woodcut, photo etching, collage, and lithography, collaborating with many of these mediums and making original and fantastic works. Outside of prints Hodaka Yoshida also painted and created sculptures.     Dawn At Sea (1969) - silkscreen 25 5/8" x 19 3/8" (AP) Tōshi Yoshida (1911-1995) - was the second child of Hiroshi Yoshida and Fujio Yoshida, although the first to survive childhood. Beginning with oil paintings and then apprenticing under his father with woodblock cutting. By 1940 Tōshi started to make his mokuhanga. After his father's death in 1950, Tōshi began to experiment with abstract works and travel to the United States. Later travels to Africa evolved his prints, inspiring Tōshi with the world he experienced as his work focused on animals and nature.  Irises and Ducks - 19 5/8" x 11 3/4" Ayomi Yoshida - is the daughter of Chizuko and Hodaka Yoshida. She is a visual artist who works in mokuhanga, installations and commercial design. Ayomi's subject matter is colour, lines, water, and shape. Ayomi's lecture referred to by Jeannie at PAM can be found here. She teaches printmaking and art. You can find more info here.  Black Marks (1999) 20 1/2 × 20 1/8 in (AP) Guide to Modern Japanese Woodblock Prints: 1900-1975 - is a book published by the University of Hawai'i in 1995. It is a reference book describing artists, publishers, and carvers. It contains no images but is a valuable resource for the mokuhanga academic.  Uchima Toshiko (1918-2000) - was a Manchurian-born Japanese artist who worked in mokuhanga, liothography, assemblages and collage. She was one of the founders of the Joryū Hanga Kyōkai in 1955/56. She lived most of her life in the United States, specifically New York City.  Package From Italy - collage 19.8"x16.8" in Ansei Uchima (1921-2000) - was a mokuhanga printmaker in the sōsaku hanga style of Japanese printmaking. He was the translator for Japanologist Oliver Statler (1915-2002). Way For Hakone (1966) 13 3/4 x 21 in Oliver Statler (1915-2002) -  was an American author and scholar and collector of mokuhanga. He had been a soldier in World War 2, having been stationed in Japan. After his time in the war Statler moved back to Japan where he wrote about Japanese prints. His interests were of many facets of Japanese culture such as accommodation, and the 88 Temple Pilgrimage of Shikoku. Oliver Statler, in my opinion, wrote one of the most important books on the sōsaku-hanga movement, “Modern Japanese Prints: An Art Reborn.” Iwami Reika (1927-2020) - was a Japanese-born artist and one of the founders of the Joryū Hanga Kyōkai. For a short video about Iwami Reika's work, check out Artelino.com. Round Shadow C (1957) sōsaku-hanga - or creative prints, is a style of printmaking which is predominantly, although not exclusively, prints made by one person. It started in the early twentieth century in Japan, in the same period as the shin-hanga movement. The artist designs, carves, and prints their own works. The designs, especially in the early days, may seem rudimentary but the creation of self-made prints was a breakthrough for printmakers moving away from where only a select group of carvers, printers and publishers created woodblock prints.  Yoseido Gallery - is a fine print gallery located in the Ginza district of Tōkyō, Japan since 1953. More information can e found, here. Francis Blakemore (1906-1997) - was an American-born artist, writer, philanthropist and curator of modern Japanese mokuhanga. She lived in Japan for over fifty years and helped to support the burgeoning sōsaku hanga print movement of the 1950s. Blakemore worked in mokuhanga (collaborating with Watanabe Shōzaburō) and making self-printed and carved prints. She also worked in oils.  Far Eastern Madonna (1939) white line woodblock print  Japanese Economy of the 1950's - from 1945-1991 Japan had its most prosperous period of economic growth. By 1955 the economic began to grow twice as fast as prior to '55. According to The Berkley Economic Review the advancement of technologies, accumulation of capital, increased quantity and quality of labor, and increased international trade were the main reasons that strenghtend Japan. For more information regarding the begining of this growth you can find the BER article here.  intaglio printing - is a printing method, also called etching, using metal plates such as zinc, and copper, creating “recessed” areas which are printed with ink on the surface of these "recesses.” More info, here. The MET has info, here.   Minami Keiko (1911-2004) - was a Japanese-born artist and a founder of the Joryū Hanga Kyōkai. Keiko's work is abstract, whimsical and youthful. She lived mainly in Paris, France, where she studied aquatint etching under Johhny Friedlaender (1912-1992). More information about Minami Keiko's art and life can be found here.  House With Sun and Trees : watercolour and gouache 14 3/4x11 in. Yōzō Hamaguchi (1909-2000) - was a Japanese-born mezzotint printmaker who lived in Paris, France, for most of his life. He was the husband of Minami Keiko.  Bottle With Lemons and Red Wall (1989) mezzotint 30 x 24 in. mezzotint - is a style of printmaking which uses a copper plate, “rocked” with a tool called a rocker, and then burnished with various devices. A good video showing the entire process from start to finish of a mezzotint print can be found here by the artist Julie Niskanen Skolozynski. Kobayashi Donge - is an aquatint etching artist who's subject is generally women and literature.  Roses Go Well With Mount Fuji (1993) etching with hand colouring on paper Tokyo University of the Arts (Geidai) - founded during the merger of the Tokyo Fine Arts School and the Tokyo Music School in 1949, TUA offers Masters's and Doctorate degrees in various subjects such as sculpture, craft and design as well as music and film. It has multiple campuses throughout the Kantō region of Japan. More information regarding the school and its programs can be found here.  担当者 - is a Japanese word which means “person in charge." Nihon Hanga Kyōkai - is the Japanese Printmakers Association. It was created in 1918, focusing on the new sōsaku hanga print movement. It evolved into a modern print organization covering various types of printmaking, such as relief, intaglio, planographic (lithography and offset printmaking), and stencil. You can find more information on their website in Japanese and English here. First Thursday Society (一木会) - was created by printmaker Onchi Kōshirō (1891-1955). The group brought artists and collectors to discuss the growing sōsaku hanga (creative print) movement to collaborate, share their work, and it acted as a mentorship program.  Un'ichi Hiratsuka (平塚 運一) - (1895-1977) - was one of the important players of the sōsaku hanga movement in mokuhanga. Hiratsuka was a proponent of self carved and self printed mokuhanga, and taught one of the most famous sōsaku hanga printmakers in Shikō Munakata (1903-1975). He founded the Yoyogi Group of artists and also taught mokuhanga at the Tōkyō School of Fine Arts. Hiratsuka moved to Washington D.C in 1962 where he lived for over thirty years. His mokuhanga was multi colour and monochrome touching on various subjects and is highly collected today.  Landscape (1934)  College Women's Association of Japan - was started by the alumnae of Mount Holyoke College from Massachusetts. Later expanding to other universities and colleges in the US, the CWAJ  established Japanese women to study abroad through travel grants and scholarships, thereby promoting Japanese culture. What began as a fundraising program from 1956 onward, the annual print show has become one of the most essential print shows in the world, showcasing prints of all types. It is the largest juried print show in Japan. More information about the CWAJ and its print show can be found here.  Kantō (関東地方) - is a region located on the main island of Honshu, Japan, which encompasses the Prefectures of Gunma, Tochigi, Ibaraki, Saitama, Tōkyō, Chiba and Kanagawa. The Kantō Regional Development Bureau of the Ministry of Land Infrastructure, Transport and Tourism oversees these prefectures. More information can be found here.  Kansai (関西地方) - is a region located on the main island of Honshu, Japan, which encompasses the Prefectures of Nara, Kyoto, Wakayama, Osaka, Hyōgo, Shiga and Mie. It has the most UNESCO world heritage sites in Japan. For tourist information about Kansai, see here.  Jun'ichirō Sekino (1914-1988) - was a Japanese mokuhanga printmaker of the sōsaku hanga creative prints movement. Sekino's works are landscapes and portraits and are black and white and colourful. Sekino studied under Onchi Kōshirō. He was invited to the United States several times as a visiting professor at Oregon State University, the University of Washington, and Penn State University in 1963, where he taught classes on mokuhanga. You can find more information about Sekino and his work and life on his website here.  U.S Army Officer (1948)  24"x18.8" in. Munakata Shikō (志功棟方) - (1903-1975) arguably one of the most famous modern printmakers; Shikō is renowned for his prints of women, animals, the supernatural and Buddhist deities. He made his prints with an esoteric fervour where his philosophies about mokuhanga were just as interesting as his print work.  Night Birds (The Fence of...) 7.4"x11.5" in. Aomori (青森県) - is a prefecture in north Japan. Located about an hour and a half from Tōkyō, Aomori is known for its incredible nature, festivals, sports and outdoor activities in all four seasons. More information can be found here.  Kobe, Japan - is the capital city of Hyōgo Prefecture in Japan. One of the few ports open to Western trade, Kobe has always had a great vibe. With a lot to visit and see, Kobe has many attractions, such as its harbour, Mount Rokkō, and various museums and mansions on the hill; its proximity to Osaka and Kyoto makes it an ideal place to visit. For more information about Kobe, Japan, see here.  Shirokiya - was a department store company which started in Japan with various stores throughout Japan and Hawai'i. It was founded in Tōkyō in 1662 and went out of business in 2020. The store was famously depicted in a Hiroshige print, View of Nihonbashi Tori-itchome 1858.  Sarah Lawrence College - is a liberal arts college in Yonkers, New York.  Founded in 1926, Sarah Lawrence has been dedicated to the education process and inclusivity of its student body since its inception. For more information about the school and their work can be found here. Pratt Institute - is a private university located in Brooklyn, New York. Established in 1887 and founded by American business magnate Charles Pratt (1830-1891), the Pratt Institute focuses on the liberal arts such as architecture, art and design, shaping leaders of tomorrow. For more information about TPI, you can look here.  Elise Grilli (d.1969) - was an art critic and author who wrote for the Japan Times. She lived in Japan throughout the 1940's into the 1960's. Her book The Art Of The Japanese Screen is considered a classic.  Charles Terry (1926-1982) - was an author and translator of Japanese in Tōkyō for Harry J. Abrams.  James A Michener (1907-1997) - a Pulitzer Prize winning writer, scholar and academic who wrote on Japanese prints, amongst many more topics. Shima Tamami (1937-1999) - was a mokuhanga printmaker who joined the JHK when they had already established themselves. Her career was short, moving to the United States in the 1960s. Her mokuhanga depicts Japanese aesthetics and themes producing still lives. Her work was featured in James Michener's book, The Modern Japanese Print: An Appreciation, in 1962. For more information and images of Tamami Shima's work, please check out the Viewing Japanese Prints site here. Bird B (1959) 11.9"x16.3" in. Noriko Kuwahara - is a scholar, curator, and author of Japanese art in Japan.  PoNJA-GenKon - is an online listserve group which means Post-1945 (Nineteen Forty Five) Japanese Art Discussion Group Geidai Bijutsu Kondankai. It was established in 2003 to bring together specialists in Japanese art in the English speaking world. For more information about what PoNJA-GenKon does search here. Philadelphia Museum of Art - originating with the Centennial Exhibition of 1876, the PMA has over 200,000 pieces of art and objects and is one of the preeminent museums in the US. More information can be found here. Sakura City Museum of Art -  is a fine art museum located in Sakura City, Chiba, Japan. It is dedicated to the arts of those form Sakura City and Bosho. More information in Japanese here.  Ao no Fūkei (Landscape in Blue) - is a mokuhanga print created by Chizuko Yoshida in 1972.  Futurism - is an art movement which began in Italy. It was established in the early 20th Century by artists Filippo Tommaso Marinetti (1876-1944), Umberto Boccioni (1882-1916), and Carlo Carrà (1881-1966), amongst others. The idea of Futurism was to reject the past and celebrate the speed and power of the present, of industrialization and modernity through art. Futurism influenced other artistic communities around the world.  The Endless Manifesto - Started by Tommaso Marinetti's original manifesto on Futurism called Manifesto of Futurism, the Futurists wrote many manifestos about their ideas on art, history, politics, literature, music, among other topics, until 1914, as well as books, articles in literary journals, magazines and newspapers. The MoMA has written a good article on the Futurists and their manifestos and writings here. © Popular Wheat Productions opening and closing musical credit - Joe Chambers "Ruth" released on Blue Note Records (2023) logo designed and produced by Douglas Batchelor and André Zadorozny  Disclaimer: Please do not reproduce or use anything from this podcast without shooting me an email and getting my express written or verbal consent. I'm friendly :) Слава Українi If you find any issue with something in the show notes please let me know. ***The opinions expressed by guests in The Unfinished Print podcast are not necessarily those of André Zadorozny and of Popular Wheat Productions.***                    

歡迎留言告訴我們你對這一集的想法： https://open.firstory.me/user/cl81kivnk00dn01wffhwxdg2s/comments 每日英語跟讀 Ep.K574: Panasonic delays production of Tesla's 4680 battery cells for performance improvements Panasonic, the Japanese supplier for Tesla, announced on Wednesday that it will delay the commercial production of its 4680 battery cells until the April to September period in 2024, as it aims to enhance their performance. The company had previously planned to begin volume production for Tesla between April 2023 to March 2024. The delay is due to the introduction of performance improvement measures that will enhance competitiveness, according to Panasonic's earnings presentation materials. 作為特斯拉的日本供應商，松下宣布將推遲4680電池的商業生產至2024年4月至9月期間，以提高其性能。公司此前計劃在2023年4月至2024年3月期間為特斯拉開始量產。根據松下的收益報告材料，此次推遲是為了引入性能改進措施，進一步提高競爭力。 The 4680 battery cells are key to making cheaper and compelling electric cars and have been championed by Tesla CEO Elon Musk. Although Tesla is already producing the cells at its California and Texas factories, the carmaker struggled to meet its targets for production and performance. Tesla executive Drew Baglino revealed in a recent conference call that the company plans to steadily ramp production of the cells ahead of Cybertruck production next year, with over 1,000 cars per week produced by the end of 2022. 4680電池是製造更便宜且引人注目的電動汽車的關鍵，也是特斯拉執行長馬斯克（Elon Musk）所強推的計畫。儘管特斯拉已經在其加州和德克薩斯州工廠生產這些電池，但該公司在生產和性能方面遇到了困難。特斯拉高管德魯巴格利諾（Drew Baglino）在最近的一次電話會議上透露，該公司計劃在明年Cybertruck生產之前逐步提高電池的生產量，到2022年底每周生產超過1,000輛車。 Panasonic is currently running a pilot 4680 production line at its Wakayama factory in Japan. Tesla uses the cells in its base Model Y, and LG Energy Solution, Tesla's South Korean supplier, also plans to set up a new 4680 production line at its domestic factory by the end of this year. However, the company has not announced when the batteries will start volume production. 松下目前正在日本的和歌山工廠進行4680電池的試產。特斯拉在其基本款Model Y中使用這些電池，而特斯拉的韓國供應商LG能源解決方案也計劃在年底前在國內工廠設立新的4680生產線，然而，該公司目前尚未宣布這種電池何時開始量產。 Reference article: https://www.reuters.com/technology/panasonic-delays-production-new-tesla-battery-improve-performance-2023-05-10/ Powered by Firstory Hosting

Árið 1998 átti sér stað skrýtinn atburður í Wakayama héraði í suðvestur Japan. Fólk lést eftir að hafa borðað karrírétt með hrísgrjónum en enginn vissi hvað hafði gerst fyrr en rannsókn á málinu leyddi ýmislegt í ljós. Í þessum þætti fjalla ég um karrímorðin í Wakayama og fólkið á bakvið þann myrka atburð. Kæri hlustandi, þessi þáttur er í opinni dagskrá en ég minni á Patreon appið fyrir þau ykkar sem viljið fullan aðgang að öllum þáttum sem og að styðja við bakið á þessu hlaðvarpi. Takk fyrir að hlusta!

Welcome back to Open The Voice Gate! Case (https://twitter.com/_inyourcase) and Mike (https://twitter.com/fujiiheya) are back with an update on the comings and goings of Dragongate.It's Dragongate's Memorial Gate 2023 Week and Open The Voice Gate is here to talk all about it. They lead off the show discussing March 18th's Wakayama special including the Open The Twin Gate championship with Kzy and Big Boss Shimizu defending the titles against the Father and Son team of Masaaki Mochizuki and Mochizuki Jr! They then preview the big show the next day in Nagoya as Dragongate starts on their road to DEAD OR ALIVE! From there, they discuss their comps for the Class of 2022, and play Remember This Guy!Our podcast provider, Red Circle, offers the listeners the option to sponsor the show. Click on “Sponsor This Podcaster” at https://redcircle.com/shows/open-the-voice-gate and you can donate a single time, or set up a monthly donation to Open the Voice Gate!Please Rate and Review Open The Voice Gate on the podcast platform of your choice and follow us on twitter at https://twitter.com/openvoicegate.Advertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

En la prefectura de Wakayama hay una línea rural de tren muy peculiar, con un tren temático precioso llamado Tamaden. En este episodio te contamos sobre este tren y la excursión que puedes hacer. En realidad, la línea de la que hablamos cada vez iba peor y una gata salvó a la empresa de la quiebra, por motivos que te contamos en el episodio. Se convirtió en jefa de estación y se volvió muy muy popular. Y posteriormente, se crearon trenes con diseños gatunos en la línea, el Tamaden (tren de Tama, que es como se llamaba la gatita). Más adelante también se renovó la estación final de la línea para darle apariencia gatuna. Y tiempo después, se añadieron otros trenes temáticos, que te contamos en el episodio. Si estás volviendo (o yendo) de visitar Kumano Kodo, te queda de camino y es una excursión muy curiosa. En el Japonismo mini, más que hablar, divagamos, porque este episodio se emite cuando estamos en Japón y hemos tenido que grabarlo con suficiente antelación. Pero no podía faltar la palabra japonesa, claro, que en este caso, es la que hace referencia a "tren" (qué sorpresa, ¿eh?). Dale al play y verás cómo hay dos palabras diferentes para tren. Mata ne! ¿Quieres colaborar con el programa? - Colabora en Patreon - Únete a la Comunidad Japonismo - Reserva hoteles en Japón (y en todo el mundo) - Consigue seguro de viajes (¡no sólo para Japón!) - Busca los mejores vuelos - Lleva Internet (pocket wifi o SIM) - JR Pass para viajes ilimitados en tren ---- Continúa la conversación en: - Web: https://japonismo.com - Discord: https://discord.gg/hZrSa57 - Facebook: https://facebook.com/japonismo - Twitter: https://twitter.com/japonismo - Instagram: https://instagram.com/japonismo - Pinterest: https://pinterest.com/japonismo - Newsletter semanal: http://eepurl.com/di60Xn

For this episode we have the lovely Felicity from Australia who is currently living in Kyoto join us to share with us their experiences as a filmmaker and their unique experiences of living in Japan! During 2020, Tiffany met Felicity in an online filmmakers community event where they connected and have gotten to collaborate since.  Tiffany begins by asking how Felicity found herself in Japan and started her journey as a filmmaker.  We learn that Felicity first lived in Wakayama prefecture, and this connects to Felicity's experience living in the “Koya san” with Japanese Monks for seven months where she shares the behind the scenes such as the misconceptions of living as a Monk, the expectations, the reality of working at a temple, the drama, and so on. The conversation continues to cover the rural countryside lifestyle in Japan, Felicity's filmmaker projects, what she has learnt from “culture kids” which refers to people who grow up in a country that is not the passport of their parents and her thoughts on identity and belongingness. Moreover, Felicity is currently working on a new project which involves a tiktok series called “disconnected” a musical with the theme of technology and how it both can bring us close together yet create misunderstandings. Lastely,  we get to hear Tiffany and Felicity discuss the Kyoto photoshoot that was taken in November and the wonderful locations they visited in Kyoto. Felicity Tillack is an Australian writer, editor and filmmaker based in Japan since 2006. Her blog and Youtube channel, Where Next Japan, showcases Japan, its culture and lifestyle. She also wrote and directed a feature film, Impossible to Imagine, in 2019, which is now streaming on Amazon Prime. Felicity loves living in Japan, though she misses Australian snacks (and her family). You can follow Felicity's work below; www.wherenextjapan.com www.instagram.com/wherenextjapan www.youtube.com/wherenextjapan Mentioned in the episode: HIMEYUKI Kimono Obi Accessories Instagram Link ~ https://www.instagram.com/himeyuuki_obi/ HIMEYUKI Official Website ~ https://himeyuki.net/en/collections/all Leave our podcast a review, comment and ratings; Spotify ~ https://open.spotify.com/show/52ySZU9QRQOkkCfM2pJaiz?si=96fc6105f4e44a93 Apple Podcast (scroll further down in provided link to rate the episode) ~ https://podcasts.apple.com/jp/podcast/breakfast-with-tiffany-show/id1524300778Support the showBreakfast With Tiffany Show Official Facebook Page ~ https://www.facebook.com/breakfastwithtiffanyshow Tiffany's Instagram Account ~ https://www.instagram.com/tiffanyrossdaleofficial/ For coaching sessions & programs with Tiffany, check out her official page ~ https://www.tiffanyrossdale.com Breakfast With Tiffany Show Youtube Channel ~ https://bit.ly/3vIVzhE Breakfast With Tiffany Show Official Page ~ https://www.tiffanyrossdale.com/podcast For questions, requests, collaborations and comments, feel free to reach us via our e-mail~breakfastwithtiffanyshow@outlook.com

Episode 124. Week in and week out, our standard gear for tasting and evaluating sake is a simple wine glass. This works really well and almost everybody has one nearby. But in Japan, there are a wide variety of shapes, materials and sizes used to make cups for drinking sake. That got us wondering if we should take some other cups out for a test drive and compare them to our usual stemware. This week we are exploring an industry standard sake cup - the "kikichoko".  A larger relative of the standard ochoko, Kikichokos have a blue and white bullseye design inside the cup. To learn all the secrets of the kikichoko and to see how it stacks up against our trusty wine glass, listen now to this week's sake vessel smackdown! #sakerevolution Support the show

Cette semaine on va se balader et découvrir la ville de Wakayama qui est à 1h / 1H30 environ de Osaka !L'insta de la semaine : https://www.instagram.com/mossi._.upa/ La boutique de la semaine : Favorite Coffee - WakayamaLe coup de coeur : Les vinyl ! Voir le contenu bonus sur Patreon ! Hébergé par Acast. Visitez acast.com/privacy pour plus d'informations.

The Krewe is BACK! Season 3 kicks off June 17th at 12p CST with a deep dive into the music genre of enka! Jenn & Doug sit down with Jerome White Jr, more famously known in Japan as ジェロ/Jero. Jero is the first African-American enka artist in Japan and his hit "Umi Yuki" soared to the top of the Oricon Charts back in 2008. Jerome shares his personal journey into becoming an enka singer, what attracted him to enka from the get-go, and how he made an impact on the genre not only in Japan but around the world. Oh yeah, and turns out that this is his first ever podcast appearance too! #KreweExclusive Don't miss out on this fantastic conversation with Jerome!------ About the Krewe ------The Krewe of Japan Podcast is a weekly episodic podcast sponsored by the Japan Society of New Orleans. Check them out every Friday afternoon around noon CST on Apple, Google, Spotify, Amazon, Stitcher, or wherever you get your podcasts.  Want to share your experiences with the Krewe? Or perhaps you have ideas for episodes, feedback, comments, or questions? Let the Krewe know by e-mail at kreweofjapanpodcast@gmail.com or on social media (Twitter: @kreweofjapan, Instagram: @kreweofjapanpodcast, Facebook: Krewe of Japan Podcast Page, & the Krewe of Japan Youtube Channel). Until next time, enjoy!------ More Info on ジェロ ------Jero Artist Page (Victor Entertainment) Jero's Official WebsiteTop Hit "Umi Yuki" Music VideoJero's TwitterJero's Cameo

In this episode, we talked about spending the Golde Week, a Japanese holiday week. We went to Wakayama and Nara and had a fun time! Enjoy! --- Send in a voice message: https://anchor.fm/hiro-japanese/message

We return. We get back up. We are on the horse. In the return of the podcast now heading towards the coveted 100 episodes we've got a few interesting topics. I had somehow avoided reading and any of Haruki Murakami's books, that was, until now. I have completed "Hard Boiled Wonderland And the End Of the World" it was great and ever a testament to not judging something until you've completed it. Further beyond the topic of reading, I've done some amazing travel recently around the Kansai region of Japan which took me to the Onsen town of Kinosaki and Koyasan, the most beautiful place I've ever been in Japan.