Podcasts about way you make me feel

Send us a textWelcome to Guess the Year! This is an interactive, competitive podcast series where you will be able to play along and compete against your fellow listeners. Here is how the scoring works:10 points: Get the year dead on!7 points: 1-2 years off4 points: 3-5 years off1 point: 6-10 years offGuesses can be emailed to drandrewmay@gmail.com or texted using the link at the top of the show notes (please leave your name).I will read your scores out before the next episode, along with the scores of your fellow listeners! Please email your guesses to Andrew no later than 12pm EST on the day the next episode posts if you want them read out on the episode (e.g., if an episode releases on Monday, then I need your guesses by 12pm EST on Wednesday; if an episode releases on Friday, then I need your guesses by 12 pm EST on Monday). Note: If you don't get your scores in on time, they will still be added to the overall scores I am keeping. So they will count for the final scores - in other words, you can catch up if you get behind, you just won't have your scores read out on the released episode. All I need is your guesses (e.g., Song 1 - 19xx, Song 2 - 20xx, Song 3 - 19xx, etc.). Please be honest with your guesses! Best of luck!!The answers to today's ten songs can be found below. If you are playing along, don't scroll down until you have made your guesses. .....Have you made your guesses yet? If so, you can scroll down and look at the answers......Okay, answers coming. Don't peek if you haven't made your guesses yet!.....Intro song: More Than Words by Extreme (1990)Song 1: A Hard Day's Night by The Beatles (1964)Song 2: That Moon Song by Gregory Alan Isakov (2009)Song 3: Sunday Bloody Sunday by U2 (1983)Song 4: Another Kind of Green (Live) by John Mayer (2005)Song 5: The Way You Make Me Feel by Michael Jackson (1987)Song 6: Don't Want to Lose You Now by James Morrison (2019)Song 7: Cowboy Like Me by Taylor Swift (2020)Song 8: Babe by Styx (1979)Song 9: Another Brick in the Wall, Pt. 2 by Pink Floyd (1979)Song 10: Crazy Little Thing Called Love by Queen (1979)

Fáilte ar ais chuig eagrán nua de Ar An Lá Seo ar an 9ú lá de mí na Nollaig, liomsa Lauren Ní Loingsigh. I 1985 tharla cruinniu ríthábhachtach chun cosc a chur le cur isteach ar na mbus timpeall mí na Nollaig. Tharla easaontas ar an DART mar sin de fhuaidrigh 140 tiománaithe agus bhí a lán bealach curtha ar ceal. I 1986 chuir agóid Ian Paisley stop le hóráid Margaret Thatcher ag Parlaimint na hEorpa ach dhiúltaigh sí é. I 1998 dhícháiligh CBS Durlas ón Dr Harty Cup de bharr níor aistrigh imreoir ó scoil chuig an scoil eile. Fuair an t-imreoir fionraí ar feadh trí mhí. I 2006 fuair lucht oibre i monarcha i Ros Cré amach go mbeidh an mhonarcha á dhúnadh. Chaill 30 duine a bpost. Sin Michael Jackson le The Way You Make Me Feel – an t-amhrán is mó ar an lá seo I 1987. Ag lean ar aghaidh le nuacht cheoil ar an lá seo I 1988 tháinig suirbhé amach i Meiriceá go raibh amhráin Neil Diamond an ceol is fearr chun a bheith sa chúlra, tháinig Beethoven sa dara háit agus Luther Vandross sa tríú háit. I 2003 chuaigh Ozzy Osbourne chuig an ospidéal tar éis a bhí sé i dtimpiste cuadrothar taobh amuigh de a theach sa Bhreatain. Bhris sé a dealrachán, ocht easna agus a veirteabra ina mhuineál. Agus ar deireadh breithlá daoine cáiliúla ar an lá seo rugadh Felicity Huffman i Nua Eabhrac i 1962 agus rugadh aisteoir Judi Dench sa Bhreatain i 1934 agus seo chuid de na rudaí a rinne sí. Beidh mé ar ais libh amárach le heagrán nua de Ar An Lá Seo.

Welcome to the third episode in a special four-part series of Can't Stop The Pop X CCTV: The Nonstop Pop Show, where we pit Steps against S Club in an almighty pop-off.   Here's how it works: The singles from both acts were paired chronologically from their debut onwards, and we picked our favourite for each round. In this episode, S Club pass the baton to S Club Juniors as we compare and discuss: Deeper Shade Of Blue vs AliveWhen I Said Goodbye vs Say GoodbyeSummer Of Love vs Love Ain't Gonna Wait For YouStomp vs One Step CloserIt's The Way You Make Me Feel vs Automatic High Which act will triumph? Listen to the full series of episodes to find out. You'll be able to check out the next episode over at CCTV: The Nonstop Pop Show.  Follow CCTV: The Nonstop Pop Show on X: @cctvpops, Instagram: @cctvpops and on YouTube: @cctvpops Follow Craig on X: @cantstoppop, Instagram: @cantstop_thepop and TikTok: @cantstop_thepop Follow Matty on X: @matkinsactor , Instagram: @mat_atkins9 and TikTok: @cantstopthepoppodcast

Fáilte ar ais chuig eagrán nua de Ar An Lá Seo ar an 9ú lá de mí na Nollaig, liomsa Lauren Ní Loingsigh. I 1985 tharla cruinniu ríthábhachtach chun cosc a chur le cur isteach ar na mbus timpeall mí na Nollaig. Tharla easaontas ar an DART mar sin de fhuaidrigh 140 tiománaithe agus bhí a lán bealach curtha ar ceal. I 1986 chuir agóid Ian Paisley stop le hóráid Margaret Thatcher ag Parlaimint na hEorpa ach dhiúltaigh sí é. I 1986 bhí dinnéar ag Cumann an Chláir i Manchain. Mhol Frank O'Dea an cúnamh ón phobal agus na h-imeachtaí cultúrtha. Bhí an oíche lán de cheol traidisiúnta. I 1987 scríobh Lorna King ó Rinn na Spáinneach dán darbh ainm The Wave. Mhol na moltóirí an dán ag gradam críonna do scríbhneoireacht chruthaitheach. Sin Michael Jackson le The Way You Make Me Feel – an t-amhrán is mó ar an lá seo I 1987. Ag lean ar aghaidh le nuacht cheoil ar an lá seo I 1988 tháinig suirbhé amach i Meiriceá go raibh amhráin Neil Diamond an ceol is fearr chun a bheith sa chúlra, tháinig Beethoven sa dara háit agus Luther Vandross sa tríú háit. I 2003 chuaigh Ozzy Osbourne chuig an ospidéal tar éis a bhí sé i dtimpiste cuadrothar taobh amuigh de a theach sa Bhreatain. Bhris sé a dealrachán, ocht easna agus a veirteabra ina mhuineál. Agus ar deireadh breithlá daoine cáiliúla ar an lá seo rugadh Felicity Huffman i Nua Eabhrac i 1962 agus rugadh aisteoir Judi Dench sa Bhreatain i 1934 agus seo chuid de na rudaí a rinne sí. Beidh mé ar ais libh amárach le heagrán nua de Ar An Lá Seo.

In this special episode, we sit down with Chester Fisch, the newly crowned winner of Agri's Got Talent 2024, as he takes us behind the scenes of his incredible journey to the top. From performing Michael Jackson's “The Way You Make Me Feel” to a heartfelt rendition of Sam Cooke's “A Change is Gonna Come,” Chester opens up about his song choices and the messages he hopes to inspire within South Africa's agricultural community. Discover how his Agri's Got Talent experience helped him grow as an artist and an individual.We also chat with Thea van Zyl, Agri's Got Talent's Project Manager, about the competition's evolution since it began in 2013. Thea shares insights on how this year's contest became the most challenging one yet and how it continues to empower participants with valuable skills to take back to their communities.

link Трек-лист: 01. Kursiva — Give it to me 02. Kabin Crew, Lisdoonvarna Crew — The Spark 03. Michael Jackson — The Way You Make Me Feel 04. Муся Тотибадзе — Мальчик (Tuba Twooz Sunshine Remix) 05. Hanin Elias — Tie Me to the Wall 06. Vaudeville Smash feat. Les Murray — Zinedine Zidane 07. … Продолжить чтение Lofstrom loop 383 (30.08.2024)

In this episode, we break down the 1988 film Moonwalker, created by the King of Pop, Michael Jackson. The film features many of Michael's unforgettable beats like: "Smooth Criminal" "Billie Jean" "Leave Me Alone" "Bad" "The Way You Make Me Feel" Be sure to like and subscribe to our podcast wherever you listen/watch!

Seems like you're believing in the feeling instead of a god.  ⁠https://podcasters.spotify.com/pod/show/donnathon-dobson/episodes/Challenge-Our-Beliefs-5-Wont-He-Do-What-e2d395e/a-aanmdp3⁠

Happy publication day to The Way You Make Me Feel by Nina Sharma! Listen to editor Juli Kiyan share backstory on the book, and stay tuned for a reading from the book.About the book: A hilarious and moving memoir in essays about love and allyship, told through one Asian and Black interracial relationship.Read more: https://www.penguinrandomhouse.com/books/711680/the-way-you-make-me-feel-by-nina-sharma/Follow us online—Website: https://www.penguin.com/penguin-press-overview/ Instagram: https://www.instagram.com/penguinpress/ Twitter: https://twitter.com/penguinpress TikTok: https://www.tiktok.com/@thepenguinpress Facebook: https://www.facebook.com/PenguinPress/ LinkedIn: https://www.linkedin.com/showcase/10489701/admin/feed/posts/

This week we welcome guest preacher Rev. Carolyn Tatem with a sermon titled "The Way You Make Me Feel."

2:05 Intro 3:14 Wanna Be Startin' Sometin' 8:25 Heartbreak Hotel 13:22 Another Part Of Me 17:30 I Just Can't Stop Loving You 22:25 She's Out Of My Life 26:23 I Want You Back 27:28 The Love You Save 28:29 I'll Be There 33:57 Rock With You 38:03 Human Nature 43:13 Smooth Criminal 50:18 Dirty Diana 57:06 Thriller 1:02:12 Bad Groove 1:15:40 Workin' Day and Night 1:23:27 Beat It 1:30:16 Billie Jean 1:39:25 Bad 1:49:04 Man in The Mirror 1:58:24 The Way You Make Me Feel 2:03:52 I Just Can't Stop Loving You ( Bad Tour Yokohama 1987) 2:10:52 Bad ( Bad Tour Yokohama 1987) All uploads on this channel are for promotional purposes only! The music has been converted before uploading to prevent ripping and to protect the artist(s) and label(s). If you don't want your content here  please contact us immediately via email: allmusiclive@outlook.com and WE WILL REMOVE THE EPISODE IMMEDIATELY! 

The 2nd and final part of Through The Music of Michael Jackson includes such classics as, “Wanna Be Startin' Something”, “Smooth Criminal”, “One Day In Your Life”, “Rock With You” and “The Way You Make Me Feel” plenty of Jackson action going on including duets with Siedah Garrett, Jermaine Jackson, Akon and even Paul McCartney! You can find us on various platforms, Audible, Poddr, Deezer, Podcasts.com, Google Podcasts, Podverse, Amazon Music Podcasts, Pod Friend, Radio Public, Podbay, Audacy, Podcast Index, Boomplay, Podcast Addict, iHeart Radio, Podurama, Goodpods, Poddtoppen, PlayerFM, Podtail, Gaana, Listen Notes, Podchaser, Ivoox, Overhaul FM, Podbean, Mixerbox, Podcast Guru, Castbox FM, Rephonic, Podcast Republic, TuneIn, Pocket Casts, and Apple Podcasts Your kindest donations to my CashApp keep Colzz able to bring more to you.Click Here: CashApp: £djcolzz Enjoy!

In this edition of #JCsMusicology, we explore the real story behind the creation of Michael Jackson's Bad album. It explores the extensive recording sessions at Jackson's home studio, Havenhurst, shedding light on the significant contributions of John Barnes and Bill Bottrell, often overshadowed by the narrative of Jackson's collaboration with Quincy Jones and his "A-Team". Interview Credits: Diane Collins, "The Unauthorised Interview", Ebony/ Hulu, MBC ("Arabic interview"), Bad: Special Edition, Bad 25 (Spike Lee), Private Home Movies, Kingvention (https://www.kingvention.com/), Oceanachine (https://www.youtube.com/channel/UCX6Dp_10ymyAavg3o9NcTsg) and The MJ Cast (https://www.themjcast.com/). Special Thanks: Damien Shields (https://www.amazon.com/Books-Damien-Shields/s?rh=n%3A283155%2Cp_27%3ADamien+Shields), Lucas Cava (https://lucascava.medium.com/), Adez and The MJ Cast. Please note: The audio quality of this episode has been comprimised, due to it's runtime.

We've all seen the videos and the dancing. We can never forget the music and the vocals. No Michael Jackson video or short film would be complete without his iconic dance sequences and signature style. But what becomes of THRILLER without the deafening scream of Ola Ray being cornered by zombies or THE WAY YOU MAKE ME FEEL without the unforgettable chasing and wooing of Tatiana Thumbsten through the streets of L.A.? In honor of Women's History Month, join the Users as we pay homage to MJs Leading Ladies.

Seven work-life snippets from 2022 guests make up this compilation episode.    David Lee, Episode 102, Human Nature  Kirsty Ritchie, Episode 91, Mental Fitness Pete Bearder, Episode 109, Collective Joy Natasha Tomlinson, Episode 103, Just Go For It Kris Lantheaume, Episode 111, Success Dougal Freeman, Episode 92, A Common Goal Robyn Harris, Episode 108, The Answers Are Inside   Wishing all my listeners a joyful and fulfilling 2023   Resources Mentioned: Episode 90 The Way You Make Me Feel 

Episode 110 - Please welcome to the podcast the amazingly talented  Interdisciplinary Artist Redic. His current Art Exhibition- The Prelude to Rubies In The Rubble, The Humanity Chapters of Redic. An empowerment exhibition experience, is now showing at the Shanghai Culture Square, until Chinese new year. Then Redic will take his Art exhibition to tour Europe. The exhibition has been 12 years in the making. Born in Chicago USA, now residing in Shanghai China, Redic graduated at the prestigious Morehouse College. With 20 years experience as an Artist, Redic combines singing, music, poetry to make an original Art display. Redic has been a Visual Artist, Performing Artist, Producer and Designer. He has worked with some of the most high profile celebrities in the music industry. The 2 tracks we heard on the podcast were- "The Way You Make Me Feel" and "A Change Has Come". @theartistryofredic redic@rediceclacticorder.com https://tellcraigyourstory.podbean.com https://www.linktr.ee/tellcraigyourstory @tellcraigyourstory Youtube Channel https://www.youtube.com/channel/UCcCr6P3Ja395SkapnECvOFw?view_as=subscriber #redic #davidredic #chicagousa #atlantausa #interdisciplinaryartist #tellcraigyourstory #shanghaiculturesquare #rubiesintherubble #visualartist #performingartist #steviewonder #achangehascome #thewayyoumakemefeel #redicartistry  #shanghaichina #2nitesinspiration 

"Who's bad?" Michael Jackson, obviously. Charlie and Cory take on the King of Pop and his follow-up to the best-selling album ever in this episode. Hear all the tea on bangers like "The Way You Make Me Feel", "Dirty Diana", and "Smooth Criminal". Of course, you'll also hear about the videos (or short films as Michael called them), the tour and the famous names who showed up for Mr. Jackson in this era. You don't want to miss this one! --- This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app Support this podcast: https://anchor.fm/turntablesandtea/support

Doug and Brent finally take on the ultimate vocalist: Michael Jackson. They discuss the lyrics to "The Way You Make Me Feel" which you think might be pretty straightforward, but boy oh boy, Doug and Brent discover some interesting insights. See omnystudio.com/listener for privacy information.

 | Artist  | Title  | Album Name  | Album Copyright  |  | Mean Mary  | Nine Pound Banjo  | 'Alone' (Release Date - September 18 2020) | Stomping Dave & Lucy Piper  | Money Money Money  | Nothing But Trouble  |   |  | Jake Leg Jug Band  | My Pencil Won't Write No More  | LIve At Audley Theatre [(no chat)] | Guy Davis  | I Thought I Heard The Devil Call My Name  | Be Ready When I Call You  |  | Andres Roots & Red Mouth  | Minor Gripes [feat. Jantso Jokelin]  | Minor Gripes  |   |  | Mavis Staples & Patty Griffin  (Tri-City Singers)  | Waiting For My Child To Come Home | Oh Happy Day]  | Gray Haired Billl  | Gertrude  | Down Home Blues: Chicago 5CD Set CD2  | Weinerworld  |  | Mean Mary  | Big Tour Bus  | 'Alone' (Release Date - September 18 2020) | Sam Chatmon  | Last Chance Shaking in the Bed With Me  | Sam Chatmon-The Mississippi Sheik | Doc Watson and Gaither Carlton  | He's Coming to Us Dead  | Doc Watson and Gaither Carlton  | Smithsonian Folkways | John Henry Hopkins  | Tell Me, Tell Me  | The Hopkins Brothers, Joel, Lightnin' and John Henry (1964) | David Philips & Abel Boquera  | The Way You Make Me Feel  |   |  | Blind Willie McTell  | B & O Blues, No. 2 [#1]  | Complete Recorded Works, Vol. 3 (1933-1935) | Mark Johnson and Emery Lester  | Forked Deer  | Look A Yonder Coming  |  | Joe Bonamassa  | Jockey Full Of Bourbon  | Acoustic Evening at the Vienna Opera House | Lightnin' Hopkins  | Stool Pigeon Blues  | Folk Blues Revival  |   | 

Part 2 When Thriller was released in November 1982, it didn't seem to have a single direction. Instead, it arguably sounded like many singles. But it became apparent that this was precisely what Michael intended Thriller to be: a brilliant collection of songs meant as hits, each designed for a particular audience in mind. Michael put out "Billie Jean" for the dancers and "Beat It" for the rockers and then followed each jam with amazing videos to enhance his allure and his inaccessibility. These songs had a life of their own. Thriller was almost called “Star Light”. The lyric "thriller" in the track of the same name was originally "star light". The decision to change it was down to marketing appeal.    This wonderful article from Rolling Stone says: "Wanna Be Startin' Somethin'" had the sense of a vitalizing nightmare in its best lines ("You're stuck in the middle/And the pain is thunder. … Still they hate you, you're a vegetable. … They eat off you, you're a vegetable"). "Billie Jean," in the meantime, exposed how the interaction between the artist's fame and the outside world might invoke soul-killing dishonor ("People always told me, be careful of what you do. … 'Cause the lie becomes the truth," Jackson sings, possibly thinking of a paternity charge from a while back). And "Beat It" was pure anger – a rousing depiction of violence as a male stance, a social inheritance that might be overcome. It also almost caught the studio on fire. When Eddie Van Halen recorded his solo, the sound of his guitar caused one of the studio speakers to catch fire. The video for “Beat It” was set in Los Angeles' Skid Row and featured up to 80 real-life gang members from the notorious street gangs the Crips and the Bloods. It cost $100,000 to make.   Thriller's parts added up to the most improbable kind of art – a work of personal revelation that was also a mass-market masterpiece. It's an achievement that will likely never be topped. It was the best-selling album worldwide in 1983 and became the best-selling album of all time in the U.S. and the best-selling album of all time worldwide, selling an estimated 70 million copies. It topped the Billboard 200 chart for 37 weeks and was in the top 10 of the 200 for 80 consecutive weeks. It was the first album to produce seven Billboard Hot 100 top-10 singles. Thriller is still the highest-selling album of all time. Want to know what the top 25 are? Subscribe to our Patreon for our video bonus on the top-selling albums ever! Billie Jean was the first video by an African-American artist to air on MTV. The video revealed Jackson's new look of a leather suit, pink shirt, red bow tie and his signature single white glove. It was a style copied by kids throughout the United States. It caused one school, New Jersey's Bound Brook High, to ban students from coming to class wearing white gloves.   Toto members Keyboardist Steve Porcaro co-wrote Human Nature, and Steve Lukather contributed rhythm guitar on Beat It.   On March 25, 1983, Jackson reunited with his brothers for Motown 25: Yesterday, Today, Forever, an NBC television special. The show aired on May 16 to an estimated audience of 47 million and featured the Jacksons and other Motown stars. Jackson had just performed a medley of greatest hits with his brothers. It was exciting stuff, but for Michael, it wasn't enough. As his brothers said their goodbyes and left the stage, Michael remained. He seemed shy for a moment, trying to find words to say. "Yeah," he almost whispered, "those were good old days. … I like those songs a lot. But especially—" and then he placed the microphone into the stand with a commanding look and said, "I like the new songs."  Then, wearing a white glove decorated with rhinestones, he swooped down, picked up a fedora, put it on his head with confidence, and vaulted into "Billie Jean." He also debuted his moonwalk dance (which became his signature dance). This was one of Michael's first public acts as a star outside and beyond the Jacksons, and it was startlingly clear that he was not only one of the most breathtaking live performers in pop music but that he could mesmerize the audience, something not seen since the likes of Elvis Presley. Michael had initially turned down the invitation to the show, believing he had been doing too much television. But at the request of Motown founder and Icon Berry Gordy, he performed in exchange for an opportunity to do a solo performance. And he killed it.    "Almost 50 million people saw that show," Michael wrote in his book Moonwalk. "After that, many things changed." At this time, Michael Jackson was obviously an immensely talented young man – he seemed shy but ambitious and undoubtedly enigmatic. Nobody knew much about his beliefs or sex life; he rarely gave interviews, but he also didn't land himself in scandals. He did, however, describe himself as a lonely person – especially around the time he made Off the Wall. Former Los Angeles Times music critic Robert Hilburn recently wrote of meeting Jackson in 1981, when the singer was 23, that Jackson struck him as "one of the most fragile and lonely people I've ever met … almost abandoned. When I asked why he didn't live on his own like his brothers, instead of remaining at his parents' house, he said, 'Oh, no, I think I'd die on my own. I'd be so lonely. Even at home, I'm lonely. I sit in my room and sometimes cry. It is so hard to make friends, and there are some things you can't talk to your parents or family about. I sometimes walk around the neighborhood at night, just hoping to find someone to talk to. But I just end up coming home.'"   Jackson's social uneasiness was probably formed by the wounds in his history; the children were insulated from others their age, and Jackson's status as a lifelong star may have left him feeling not just cut off from most people but also alienated from them – as if his experience or his vocation made him extraordinary. "I hate to admit it," he once said, "but I feel strange around everyday people." Not exactly an unusual sentiment for some highly celebrated celebrities, especially former child stars. At the same time, it's a statement full of signals: Michael didn't enjoy the sort of company that might guide him in positive ways. He probably never did throughout his life. Maybe the most troubling passage in his autobiography Moonwalk is when he talks about children in the entertainment world who eventually fell prey to drugs: "I can understand … considering the enormous stresses put upon them at a young age. It's a difficult life."   Thriller placed seven singles in Billboard's Top 10 (presently around 50 million copies). At the 1984 Grammy Awards, Michael finally claimed his due, capturing eight awards, a record he holds with the band Santana, including Album of the Year, Record of the Year, Best Male Pop Vocal Performance, Best Rock Vocal Performance for "Beat It," Best R&B Song, and Best R&B Vocal Performance for "Billie Jean," and he won an award for the E.T. the Extra-Terrestrial storybook. In addition, the album won Producer of the year (Quincy Jones).    At the 11th Annual American Music Awards, Michael won another eight awards and became the youngest artist to win the Award of Merit. He also won Favorite Male Artist, Favorite Soul/R&B Artist, and Favorite Pop/Rock Artist. "Beat It" won Favorite Soul/R&B Video, Favorite Pop/Rock Video, and Favorite Pop/Rock Single. In addition, the album won Favorite Soul/R&B Album and Favorite Pop/Rock Album. Thriller's sales doubled after releasing an extended music video, Michael Jackson's Thriller, seeing Michael dancing with a group of incredibly designed zombies and was directed by John Landis.   Michael had the highest royalty rate in the music industry at that point, with about $2 for every album sold (equivalent to $5 in 2021). The same year, The Making of Michael Jackson's Thriller, a documentary about the music video, won a Grammy for Best Music Video (Longform). At this time, The New York Times wrote, "in the world of pop music, there is Michael Jackson, and there is everybody else."   Oddly enough, On May 14, 1984, then-President Ronald Reagan gave Michael an award recognizing his support of alcohol and drug abuse charities.   In November 1983, Michael and his brothers partnered with PepsiCo in a $5 million promotional deal that broke records for a celebrity endorsement (equivalent to $13,603,408 in 2021).  On January 27, 1984, Michael and other members of the Jacksons filmed a Pepsi commercial. Pyrotechnics accidentally set Jackson's hair on fire during a simulated concert before a whole house of fans, causing second-degree burns to his scalp. Michael underwent treatment to hide the scars and had his third rhinoplasty shortly after. Pepsi settled out of court, and Jackson donated the $1.5 million settlement to the Brotman Medical Center in Culver City, California; its now-closed Michael Jackson Burn Center was named in his honor. Michael signed a second agreement with Pepsi in the late 1980s for $10 million. The second campaign covered 20 countries and provided financial support for Jackson's Bad album and the 1987–88 world tour.  He was making SO much money and was the most significant music star globally.   Then, months later, it was announced that Michael would be setting out on a nationwide tour with the Jacksons. He didn't want to do it but felt obligated. Clearly, Michael was bigger, better, and "badder" than his family's limitations on him. He should have been taking the stage alone at this point in his career.   Jackson's aversion to the Victory Tour was apparent when he sat looking miserable at press conferences.   The Victory Tour of 1984 headlined the Jacksons and showcased Michael's new solo material to more than two million Americans. Following the controversy over the concert's ticket sales, Jackson donated his share of the proceeds, an estimated $3 to 5 million, to charity. What controversy, you ask?    Don King (yeah, boxing promoter Don King), Chuck Sullivan, and Papa Joe Jackson came up with a way to generate extra money from ticket sales. Those wanting to attend would have to send a postal money order for $120 ($310 in current dollars) along with a particular form to a lottery to buy blocks of four tickets at $30 apiece (US$78 in 2021 dollars), allegedly to stop scalpers. Upon receipt, the money was to be deposited into a standard money market account earning 7% annual interest; it would take six to eight weeks for the lottery to be held and money to be refunded to those that didn't win. Since only one in ten purchasers would win the lottery and receive tickets, there would be more money in the bank for that period than there were tickets to sell, and they expected to earn $10–12 million in interest. Obviously, the Jacksons were all for the idea, but Michael wasn't, and he warned them that it would be a public relations disaster. The $30 ticket price was already higher than most touring acts (like Prince and Bruce Springsteen) were charging at the time and was even worse by the requirement to buy four. This put tickets out of reach of many of Michael's African-American fans who were not financially secure. At this time, Michael was already being blasted about his physical look and music separating him from his race.  That community was joined by many commentators in the media in criticizing the Jackson's over the plan. Nevertheless, it worked, and people were lining up to get their newspapers to sign up for the lottery. On July 5, 1984, after receiving a letter from eleven-year-old fan Ladonna Jones, who accused the Jacksons and their promoters of being "selfish and just out for money," Michael held a press conference to announce changes in the tour's organization and also to announce that his share of the proceeds from the tour would be donated to charity. Jones later received VIP treatment at the Dallas concert. The following is Michael's speech at the press conference: "A lot of people are having trouble getting tickets. The other day I got a letter from a fan in Texas named Ladonna Jones. She'd been saving her money from odd jobs to buy a ticket, but with the turned tour system, she'd have to buy four tickets and she couldn't afford that. So, we asked our promoter to work out a new way of distributing tickets, a way that no longer requires a money order. There has also been a lot of talk about the promoter holding money for tickets that didn't sell. I've asked our promoter to end the mail order ticket system as soon as possible so that no one will pay money unless they get a ticket. Finally, and most importantly, there's something else I am going to announce today. I want you to know that I decided to donate all my money I make from our performance to charity. There will be further press statements released in the next two weeks."   Some procedures were modified; however, the ticket price remained unchanged, and at a press conference, Don King justified the $30 fee as appropriate and that he did not blame the promoters for charging that price, adding that "you must understand, you get what you pay for." During the last concert of the Victory Tour at the Dodger Stadium in Los Angeles, Jackson announced his split from The Jacksons during "Shake Your Body".   His charitable work continued with the release of "We Are the World" (1985), co-written with future Icon Lionel Richie, which raised money for the poor in the U.S. and Africa. It earned $63 million (equivalent to $158,728,032 in 2021) and became one of the best-selling singles, with 20 million copies sold. It won four Grammy Awards in 1985, including Song of the Year for Michael and Lionel as its writers.    Michael collaborated with Sir Paul McCartney in the early 1980s and learned that Paul was making $40 million a year from owning the rights to other artists' songs. By 1983, Michael had begun buying publishing rights to others' songs, but he was careful with his purchases, only bidding on a few of the dozens offered to him. Michael's early buys included Sly and the Family Stone's "Everyday People" (1968), Len Barry's "1–2–3" (1965), Dion DiMucci's "The Wanderer" (1961), and "Runaround Sue" (1961).   In 1984, it was announced that the publishing rights to nearly 4000 songs from ATV Music, including most of the Beatles' material, were coming up for sale. In 1981, Paul McCartney was offered the catalog for £20 million ($40 million). Michael submitted a bid of $46 million on November 20, 1984. When Michael and Paul were unable to make a joint purchase, McCartney did not want to be the sole owner of the Beatles' songs, and did not pursue an offer on his own. At first, Michael's team couldn't figure it out and walked away, but then they heard someone else was looking to buy them. Michael's increased bid of $47.5 million (equivalent to $119,675,897 in 2021) was accepted because he could close the deal faster. His purchase of ATV Music was finalized on August 10, 1985.   So, at this time, why was Michael being questioned about his look and his music? As a child, Michael had a sweet, dark-skinned appearance; many early Jackson 5 fans regarded him as the cutest of the brothers. J. Randy Taraborrelli, author of Michael Jackson: The Magic and the Madness, has written, "[Michael] believed his skin… 'messed up my whole personality.' He no longer looked at people as he talked to them. His playful personality changed, and he became quieter and more serious. He thought he was ugly – his skin was too dark, he decided, and his nose too wide. It was no help that his insensitive father and brothers called him 'Big Nose.'" Also, as Jackson became an adolescent, he was horribly self-conscious about acne. Hilburn recalled going through a stack of photos with Jackson one night and coming across a picture of him as a teenager: "'Ohh, that's horrible,' [Jackson] said, recoiling from the picture."   The face Jackson displayed on the cover of Thriller had changed; the skin tone seemed lighter and his nose thinner and straighter. In his book, Moonwalk, Michael claimed that much of the physical overhaul was due to a change in his diet; he admitted to altering his nose and chin, but he denied he'd done anything to his skin. Still, the changes didn't end there. Over the years, Michael's skin grew lighter and lighter, his nose tapered more and more, and his cheekbones became more defined. This all became fair game for mockery to some; to others, it seemed like mutilation – not just because it might have been an act of conceit, aimed to keep him looking child-like, but worse because some believed Michael wanted to transform himself into a white person. Or an androgyne – somebody with both male and female traits.  Michael's art was still his best way of making a case for himself at that time. Then, in 1987, he released Bad, his highly-anticipated successor to Thriller. It may not have been as eventful and ingenious as Off the Wall and Thriller, but Bad was awesome.    It became the first album to produce five U.S. number-one singles: "I Just Can't Stop Loving You," "Bad," "The Way You Make Me Feel," "Man in the Mirror," and "Dirty Diana.", which you can hear our version at the end of this episode. Another song, "Smooth Criminal," peaked at number seven. Bad won the 1988 Grammy for Best Engineered Recording – Non-Classical and the 1990 Grammy Award for Best Music Video, Short Form for "Leave Me Alone". Michael won an Award of Achievement at the American Music Awards in 1989 after Bad generated five number-one singles, became the first album to top the charts in 25 countries, and the best-selling album worldwide in 1987 and 1988. By 2012, it had sold between 30 and 45 million copies worldwide. Oh, and it was considered a "flop." Oh, and The title track for the Bad album was supposed to be a duet with Prince. But the latter walked away from it due to the opening line "Your butt is mine". "Now, who is going to sing that to whom? Cause [he] sure ain't singing that to me, and I sure ain't singing it to [him]," Prince said in a TV interview with American comedian Chris Rock.   Later that year, Michael staged his first solo tour, The Bad World Tour. It ran from September 12, 1987, to January 14, 1989. The tour had 14 sellouts in Japan and drew 570,000 people, nearly tripling the previous record for a single tour. In addition, the 504,000 people who attended seven sold-out shows at Wembley Stadium set a new Guinness World Record.   In 1988, Michael released the autobiography, as mentioned earlier, Moonwalk. It sold 200,000 copies and reached the top of the New York Times bestsellers list. In October, Michael released a film, Moonwalker, which featured live footage and short films starring himself and Goodfella star Joe Pesci. In the U.S., it was released direct-to-video and became the best-selling videocassette. The RIAA certified it as eight-time platinum. In March 1988, Jackson purchased 2,700 acres (11 km2) of land near Santa Ynez, California, to build a new home, Neverland Ranch, at $17 million (equivalent to $38,950,760 in 2021).   In 1991, Michael renewed his contract with Sony for $65 million (equivalent to $129,317,127 in 2021), a record-breaking deal. Also, in 1991, he released his eighth album, Dangerous, co-produced with Mr. Rumpshaker himself, Teddy Riley. It was certified eight times platinum in the U.S., and by 2018 had sold 32 million copies worldwide. In the U.S., the first single, "Black or White," was the album's highest-charting song; it was number one on the Billboard Hot 100 for seven weeks and achieved similar chart performances worldwide, and the video featured a very young Macauley Culkin.  The second single, "Remember the Time," peaked at number three on the Billboard Hot 100 singles chart, and that video featured Eddie Murphy. At the end of 1992, Dangerous was the best-selling album worldwide and "Black or White" the best-selling single of the year worldwide at the BillboardMusic Awards.   Obviously, Michael wanted to tour in promotion of his latest album, and The Dangerous World Tour ran between June 1992 and November 1993 and grossed $100 million (equivalent to $187,583,506 in 2021); Jackson performed for 3.5 million people in 70 concerts, all of which were outside the U.S. A part of the proceeds went to the Heal the World Foundation. In addition, Michael sold the broadcast rights of the tour to HBO for $20 million, a record-breaking deal that still hasn't been broken.   Also, in 1993, Michael performed at the Super Bowl 27 halftime show in Pasadena, California. The NFL wanted a prominent musical artist to keep ratings high during halftime. It was the first Super Bowl where the halftime performance drew higher audience figures than the game. Jackson played "Jam," "Billie Jean," "Black or White," and "Heal the World." Dangerous rose 90 places in the album chart after the performance   In January 1993, Michael won three American Music Awards for Favorite Pop/Rock Album (Dangerous), Favorite Soul/R&B Single ("Remember the Time"), and he was the first to win the International Artist Award of Excellence. In addition, he won the "Living Legend Award" at the 35th Annual Grammy Awards in Los Angeles in February. He attended the award ceremony with Brooke Shields. In addition, "Dangerous" was nominated for Best Vocal Performance (for "Black or White"), Best R&B Vocal Performance for "Jam," and Best R&B Song for "Jam."   In June 1995, Michael released the double album HIStory: Past, Present, and Future, Book I. The album debuted at number one on the charts and certified for eight million sold in the U.S. It is the best-selling multi-disc album of all time, with 20 million copies (40 million units) sold worldwide. In addition, HIStory received a Grammy nomination for Album of the Year. The first single from HIStory was "Scream/Childhood." "Scream" was a duet with Michael's youngest sister Janet, or "Miss Jackson if you're nasty." The single reached number five on the Billboard Hot 100 and received a Grammy nomination for "Best Pop Collaboration with Vocals." Also, at the time, in 1995, it was the most expensive music video ever produced. It had a budget of 7 million dollars. FOR ONE VIDEO!!  His second single, "You Are Not Alone," holds the Guinness world record for the first song to debut at number one on the Billboard Hot 100 chart. In addition, it received a Grammy nomination for "Best Pop Vocal Performance" in 1995.   In November of the same year, Michael merged his ATV Music catalog with Sony's music publishing division, creating Sony/ATV Music Publishing. He kept ownership of half the company, earning $95 million upfront (equivalent to $168,941,909 in 2021) and the rights to a ton more songs.   Michael promoted HIStory with the obviously named HIStory World Tour, from September 7, 1996, to October 15, 1997. He performed 82 concerts in five continents, 35 countries, and 58 cities to over 4.5 million fans, making it his most attended tour. It grossed $165 million, or $302,346,462 today.   In 1997, Michael released Blood on the Dance Floor: HIStory in the Mix, which contained remixes of singles from HIStory and five new songs. Worldwide sales stand at 6 million copies, making it the best-selling remix album ever. It reached number one in the U.K., as did the title track. In the U.S., the album reached number 24 and was certified platinum. Yeah, a remix album going platinum.   From October 1997 to September 2001, Michael worked on his tenth solo album, Invincible, which cost $30 million to record! Invincible was released on October 30, 2001. It was his first full-length album in six years and the last album of original material he would release in his lifetime. It debuted at number one in 13 countries, sold eight million copies worldwide, and went double platinum.   In September 2001, Michael performed in two "30th Anniversary concerts" with his brothers for the first time since 1984. The show also featured Mýa, Usher, Whitney Houston, Destiny's Child, Monica, Liza Minnelli, and Slash.    On January 9, 2002, Michael won his 22nd American Music Award for Artist of the Century.   On November 18, 2003, Sony released Number Ones, a greatest hits compilation. It was certified five-times platinum by the RIAA, and nine times platinum in the UK, for shipments of at least 2.7 million units.   During this time, allegations of child sexual abuse, and the trials that followed, were all over the news. If you're unfamiliar, you can research it for yourself.  Unfortunately, Michael's finances were also coming undone; he had been spending ludicrous sums, and he'd mismanaged his money – which took some doing since he had made such a vast fortune. As a result, the biggest star in the world had fallen from the tallest height. He left the country and moved to Bahrain, where it was announced that Jackson had signed a contract with a Bahrain-based startup, Two Seas Records; nothing came of the deal, and Two Seas CEO Guy Holmes, later said it was never finalized. That October, Fox News reported that Michael had been recording at a studio in County Westmeath, Ireland. It was unknown what he was working on or who had paid for the sessions; his publicist stated that he had left Two Seas by then. After that, Michael was only occasionally seen or heard from. Nobody knew whether he could recover his name or preserve his undeniable music legacy until he announced an incredibly ambitious series of 50 concerts – which he described as the "final curtain call."    The "This Is It" shows were his first significant concerts since the HIStory World Tour in 1997. Michael suggested he would retire after the shows. The initial plan was for 10 concerts in London, followed by shows in Paris, New York City, and Mumbai. Randy Phillips, president, and chief executive of AEG Live, predicted the first 10 dates would earn Jackson £50 million, or close to 63 Million US dollars. After record-breaking ticket sales, the London shows were increased to 50 dates; over one million tickets were sold in less than two hours. The concerts were to run from July 13, 2009, to March 6, 2010. Michael moved back to Los Angeles, where he rehearsed in the weeks leading up to the tour under the direction of choreographer Kenny Ortega, whom he had worked with during his previous tours. Most rehearsals took place at the Staples Center, which was owned by AEG.   It's hard to believe that Jackson, who was so proud of his public performances and so peerless at delivering them, would have committed himself to a project he might fail so tremendously. At the same time, it is not inconceivable that Michael Jackson could have been a man half-hungry and broken in the past few years. All that is certain is that on June 25, in Los Angeles, Michael Jackson met the only sure redemption he might know in the most famous unexpected, and mysterious death in current history. That redemption didn't come because he died, but because his death forced us to reconsider what his life added up to. Less than three weeks before the first This Is It show was due to kick off in London, with all concerts sold out, I repeat; sold out, Michael Jackson died from cardiac arrest caused by a propofol and benzodiazepine overdose. Conrad Murray, his personal physician, had given Michael different medications to help him sleep at his rented mansion in Holmby Hills, Los Angeles. Paramedics received a 911 call at 12:22 pm Pacific time and arrived three minutes later. He wasn't breathing, and the medics performed CPR. Resuscitation efforts continued en route to Ronald Reagan UCLA Medical Center and for more than an hour after Michael's arrival, but were unsuccessful, and Michael Jackson, the king of pop, was pronounced dead at 2:26 pm.   News of his death spread quickly online, causing websites to slow down, crash from user overload, and put unprecedented strain on services and websites, including Google, AOL Instant Messenger, Twitter, and Wikipedia. Overall, web traffic rose by between 11% and 20%. MTV and BET aired marathons of Michael's music videos, and specials aired on television stations worldwide. MTV briefly returned to its original music video format, which is messed up that it took an Icon to die for MTV to actually be MUSIC TELEVISION, and they aired hours of Michael's music videos, with live news specials featuring reactions and interviews from MTV personalities and other celebrities.   His memorial was held on July 7, 2009, at the Staples Center in Los Angeles, preceded by a private family service at Forest Lawn Memorial Park's Hall of Liberty. Over 1.6 million fans applied for tickets to the memorial; the 8,750 recipients were drawn at random, and each received two tickets. The memorial service was one of the most-watched events in streaming history, with an estimated US audience of 31.1 million and an estimated 2.5 to 3 billion worldwide. Mariah Carey, Stevie Wonder, Lionel Richie, Jennifer Hudson, and others performed at the memorial, and Smokey Robinson and Queen Latifah gave eulogies. Reverend Al Sharpton received a standing ovation with cheers when he told Michael's children: "Wasn't nothing strange about your daddy. It was strange what your daddy had to deal with. But he dealt with it anyway." Michael's 11-year-old daughter Paris Katherine, wept as she addressed the crowd. Michael's body was entombed on September 3, 2009, at Forest Lawn Memorial Park in Glendale, California.   Oh, but wait. There's more. But of course there is. It's Michael Jackson!   His doctor was initially charged with involuntary manslaughter and was found guilty. So he was sentenced to four years. Yep... four friggin years.    After his death, Michael was still winning awards. He won 4 awards at 2009's AMA's, bringing his total AMA wins to 26, something no one else has touched.    The documentary "Michael Jackson's This Is It" came out shortly after, and I have seen it and loved it, as sad as it was knowing that he'd never get to perform those concerts. Despite a limited two-week engagement, the film became the highest-grossing documentary or concert film ever, with more than $260 million worldwide earnings.

亚洲不仅已经是重要的威士忌市场，也逐渐在成为新兴的威士忌产区。日本威士忌的百年沉浮，以及南亚和东南亚邻居正在发生的变化，或许可以为野心勃勃的国产威士忌带来一些启发和借鉴。 杯弓舌瘾与小圃酿造联名的年货产品——宁夏单一品种红葡萄酒梅兰竹菊系列，现已正式贩售，您可以通过微店「远东播客贸易公司」购买，谢谢支持。 关注「杯弓舌瘾」公众号，或微信搜索bgsyxzs加入听众交流群，欢迎您参与互动。 欢迎你点击订阅，转发分享，随手评论，给你喜欢的节目一点简单的支持！ - 对话成员 - 戴鸿靖（微信公号：@第七酿造所） 钱老板（微信公号：@酒壶和点唱机） - 音乐 - The Way You Make Me Feel（莫文蔚，回家） - 支持我们的赞助商是对我们最好的支持 - JustPod和小红书一起邀请你分享你的播客体验，把任何你喜欢的播客分享给更多的人。4月23日-5月28日，带话题#小红书深读计划 和#我的播客笔记 ，并@JustPod气氛组 或者 @杯弓舌瘾 发布图文/视频原创内容，即有机会获得「忽左忽右」神秘周边、「杯弓舌瘾」拾捌精酿或当当100元读书卡。 - 制作团队 - 后期制作 孙称 节目助理 邓逸轩 节目运营 小米粒 logo设计 杨文骥 - 本节目由 JustPod 出品 ©2022 上海斛律网络科技有限公司 - - 互动方式 - 商务合作：ad@justpod.fm 微博：@杯弓舌瘾TipsyProof 微信公众号：杯弓舌瘾 微博：@JustPod @播客一下 微信公众号：JustPod / 播客一下 小红书：杯弓舌瘾 / JustPod气氛组

First Draft Episode #344: Sabaa Tahir Sabaa Tahir, #1 New York Times bestselling author of the Ember in the Ashes series talks about her new contemporary YA, All My Rage. Links to Topics Mentioned In This Episode: Don't miss Sabaa's first First Draft interview, and her second First Draft interview! “The Ghosts of Our Motel,” by Sabaa Tahir for Vox The Sky Beyond the Storm by Sabaa Tahir Nina LaCour, Printz-winning author of We Are Okay, and other contemporary YA titles like Everything Leads to You and Hold Still. Host of the Keeping a Notebook podcast and creator of the Slow Novel Lab and Writing Together. Hear Nina's first First Draft interview, and her second First Draft interview. Angie Thomas, #1 New York Times bestselling author of The Hate U Give, On the Come Up, Concrete Rose, and co-author of Blackout. Nicola Yoon, #1 New York Times bestselling author of Everything, Everything and The Sun Is Also a Star talks about her new YA, Instructions For Dancing and her brand new publishing venture: co-publisher of Joy Revolution, a Random House young adult imprint dedicated to love stories starring people of color. Hear her first First Draft interview, and her second First Draft interview. Jandy Nelson, Printz-winning author of I'll Give You the Sun and The Sky is Everywhere. Maurene Goo, author of Somewhere Only We Know, The Way You Make Me Feel, I Believe in a Thing Called Love, and Since You Asked. Hear her first First Draft interview, her second First Draft interview, and her third First Draft interview. Leigh Bardugo, #1 New York Times bestselling author of the Shadow and Bone series, the Six of Crows duology, the King of Scars duology, and adult contemporary fantasy novel, Ninth House. Hear her first First Draft interview here, her second First Draft interview here, and her third First Draft interview here.

Florida: Jim and Them are a little over a month away from heading into the COVID hotbed of Florida, will Jeff get vaxxed?Galactic Cruiser: There are more details about the upcoming Star Wars hotel, is it too much!?FREE BRITNEY?: We pose the idea that maybe we should not free Britney, maybe lock her up?PAID FOR THE COKE!, DEAD MYTHOLOGY!, DRUGS ARE FOR STOCKBROKERS!, MICHAEL JACKSON!, THE WAY YOU MAKE ME FEEL!, ROAD TO 700!, YOUR DICK IS A MILKSHAKE!, LIPS!, THERE WILL BE PUD!, MAGA JIM!, GOING VIRAL!, FOUND MY AUDIENCE!, PRESIDENT BIDEN!, TRUMP!, DISNEY!, HALL OF PRESIDENTS!, CORNPOP!, DUB!, SPEECH!, SHARED!, TRUMPJEW2!, GRANT SMITH BUMP!, MAGA GAMERS!, ORTHODOX!, LIBSOFTIKTOK!, VACCINES!, COVID NUMBERS!, FLORIDA!, 1 IN 5!, UNVAXXED!, AVERAGE!, PER CAPITA!, NEVADA!, LAS VEGAS!, VACCINE PASSPORT!, PAPERWORK!, SUMMERSLAM!, SECURITY!, ENFORCE MASKS!, MASK MANDATE!, STADIUM!, GETTING SICK!, FOLLOW THE RULES!, JAPAN!, DE BLASIO!, KEY TO NEW YORK CITY PASS!, MIRACULOUS PLACE!, THE KEY!, ON PRINCIPLE!, AMSTERDAM!, GALACTIC STARCRUISER!, INTERNATIONAL!, STAR WARS HOTEL!, CRUISE!, PS5!, XBOX SERIES X!, BUNDLE!, RICH!, THEME PARKS!, ITENERARY!, TWI'LEKS!, COCKTAILS!, MUSTER!, CAPTAIN'S QUARTERS!, STORY MOMENT!, FIRST ORDER!, JEDI!, LIGHTSABERS!, FINALE!, DAD!, FLIP FLOPS!, IN SPACE!, SPACE PORN!, DICK'S LAST RESORT!, CLOSED!, LESS LOCATIONS!, TOUR!, HORROR NIGHTS!, FREE BRITNEY!, CONSERVATORSHIP!, PANDORA'S BOX!, WACKADOO!, IPAD!, GEEKING!, INSTAGRAM!, WEIRDO!, CRAZY EYES!, MEDICATED!, GREED!, TAKE CARE OF ME ENERGY!, FAVORITE CLOTHING STORE!, J CREW!, FAVORITE MILEY CYRUS SONG!, CHOOSE A POTATO CHIP!You can find the videos from this episode at our Discord RIGHT HERE!

Discorola se acerca esta semana a finales de los 80 con el álbum "Bad" de Michael Jackson. Editado en 1987, supone la continuación del mítico "Thriller" y todo un hito en la experimentación de la producción musical además de contener canciones míticas como "Smooth Criminal", "Bad" o "The Way You Make Me Feel".

Discorola se acerca esta semana a finales de los 80 con el álbum "Bad" de Michael Jackson. Editado en 1987, supone la continuación del mítico "Thriller" y todo un hito en la experimentación de la producción musical además de contener canciones míticas como "Smooth Criminal", "Bad" o "The Way You Make Me Feel".

Kicking off a food themed June, Eunice and Teffer review The Way You Make Me Feel by Maurene Goo, a delicious story of food trucks, family, and falling in love. We talk about hot dads, best friends, and the risk that comes with opening your heart. Resources: https://docs.google.com/document/d/1hp7nlP5UcH63FEl1kpPgxdO7Qw7iagcCTBfOPfPLuMg/edit?usp=sharing Support us on Patreon! https://www.patreon.com/yapodcast Merch! https://www.teepublic.com/stores/up-for-discusssion?ref_id=2539 To suggest a book, email theyapodcast@gmail.com or tweet at us @yapodcast Hosted by: Teffer Adjemian: @tefferbear Bailey: @thebailzasaurus Kadi Diop: @kadi__d Eunice Hong: @theeunicornreadsabook Great Bear Music! greatbearmusic.bandcamp.com/ www.andrewvannorstrand.com www.upfordnetwork.com Send us books! Upford Network ℅ Tom Zalatnai PO Box 22585 Monkland PO Montreal, Quebec H4A 3T4 Canada

In this episode: 80's voice actors doing high pitched voices, our incredibly bland, generic Presidental election response, followed by the Vince McMahon election response, remembering our buddy Frankie V. of the Digital Press Podcast, and avid fan and collector of Transformers and video games (news), also remembering Atari historian and homebrewer Curt Vendel (news), new discovery of NES Double Dribble voice samples being corrected (YouTube), did Michael Jackson's "The Way You Make Me Feel" rip off Tommy James "Dragging The Line", Mortal Kombat on the Atari Lynx (link), the miserable Baseball Stars 2 NES sequel, celebrity deaths (Joe Ruby, Bonnie Pointer, Ken Osmond, Sam Lloyd, Thomas L. Miller, Bill Withers, Eddie Van Halen, Ruth Bader Ginsburg), Rob-review of Nathan for You, the Comedy Central 2013-17 TV series, starring Nathan Fielder. 95 minutes - http://www.paunchstevenson.com

Michael Joseph Jackson1​ (Gary, Indiana; 29 de agosto de 1958-Los Ángeles, California; 25 de junio de 2009) fue un cantante, compositor, productor discográfico, bailarín, actor y filántropo estadounidense.2​3​4​ Conocido como el «Rey del Pop»,5​ sus contribuciones y reconocimiento en la historia de la música y el baile, así como su publicitada vida personal, lo convirtieron en una figura internacional en la cultura popular durante más de cuatro décadas. Es reconocido como la estrella de música pop más exitosa en el mundo.6​ No obstante, su música incluyó una amplia acepción de subgéneros como el rhythm and blues (soul y funk), rock, disco y dance.6​ Comenzó su carrera artística a mediados de los años 1960 en la agrupación musical The Jackson 5, en la cual publicó, junto con algunos de sus hermanos, diez álbumes hasta 1975. En 1971 inició su carrera como solista, aunque siguió perteneciendo al grupo. A principios de la década de 1980, Jackson se convirtió en una figura dominante en la música popular. Sus vídeos musicales, entre los que se destacan «Beat It», «Billie Jean» y «Thriller», de su álbum de 1982 Thriller, son acreditados como una ruptura de las barreras raciales y la transformación del medio en una forma de arte y herramienta promocional. La popularidad de estos ayudó a llevar a la cadena televisiva MTV a la fama. El álbum Bad (1987) produjo el número uno de los sencillos «I Just Can't Stop Loving You», «Bad», «The Way You Make Me Feel», «Man in the Mirror» y «Dirty Diana» en el Billboard Hot 100, por lo que se convirtió en el primer álbum en tener cinco sencillos número uno en ese ranking. Continuó innovando con vídeos como «Black or White» y «Scream» a lo largo de la década de 1990, y forjó una reputación como artista solista en varias giras. A través de sus presentaciones en escena y en vídeo, Jackson popularizó una serie de técnicas de baile complicadas, como el robot y el moonwalk, a las cuales dio el nombre. Su sonido y estilo distintivos han influido en numerosos artistas de diversos géneros musicales

Part 2 of this 2 part series, brings the conclusion of Chelsie's dating trials & tribulations with her current beau. Enjoying the show? Be sure to rate us 5 stars! The post Reasons Why I'm Single – Episode 163 The Way You Make Me Feel first appeared on PodcastDetroit.com.

Stephanie Mills first came to fame as "the little girl with the big voice" as the star of the hit Broadway play, The Wiz, an adaptation of L. Frank Baum's classic book; "The Wizard of Oz." She had many R&B hits such as "I Have Learned to Respect the Power of Love," "I Feel Good All Over," "(You're Puttin') A Rush on Me," "Something in the Way (You Make Me Feel)," and "Home," along with one certified, million-selling single, "Never Knew Love Like This Before." In addition, she also had five gold albums: Whatcha Gonna Do with My Lovin', Sweet Sensation, Stephanie, If I Were Your Woman, and Home.  “A Date with Destiny” is designed to help motivate, inspire and EMPOWER you to live your life in the highest context of love, peace and joy! It will help you to take a closer look within yourself and discover the great, “I AM” that dwells there. It will help you to have a better understanding of the Laws of the Universe-“God's Laws,” and how it was designed just for YOU to have all you could ever want.Visit us: www.yourdestinyawaits.net;  Tune in as we talk with Stephanie about her new single, "Afraid to Love" featuring singer K-Ci of K-Ci and JoJo, the latest Wiz and so much more!  

###Discussion points being personally offended by humidity; feminizing gendered signifiers in the Peanuts AU; the second Brazil reference of the season; Mandatory Smooching Day in 7 Year-Old Land; grade school square dances and other theme days; a blur of conscripted smooches. Maurene Goo is the author of several acclaimed books for young adults, including I Believe in a Thing Called Love and (her latest) The Way You Make Me Feel. She lives in Los Angeles with her husband and cat, Maeby. maurenegoo.com Blandishment by Ken Plume. Podcast art by Lar DeSouza. It's Your First Kiss, Charlie Brown is available for your home viewing on Amazon. Peanuts Gallery is a proud member of Waffle Media.

Stephanie Mills first came to fame as "the little girl with the big voice" as the star of the hit Broadway play, The Wiz, an adaptation of L. Frank Baum's classic book; "The Wizard of Oz." She had many R&B hits such as "I Have Learned to Respect the Power of Love," "I Feel Good All Over," "(You're Puttin') A Rush on Me," "Something in the Way (You Make Me Feel)," and "Home," along with one certified, million-selling single, "Never Knew Love Like This Before." In addition, she also had five gold albums: Whatcha Gonna Do with My Lovin', Sweet Sensation, Stephanie, If I Were Your Woman, and Home.  “A Date with Destiny” is designed to help motivate, inspire and EMPOWER you to live your life in the highest context of love, peace and joy! It will help you to take a closer look within yourself and discover the great, “I AM” that dwells there. It will help you to have a better understanding of the Laws of the Universe-“God's Laws,” and how it was designed just for YOU to have all you could ever want.Visit us: www.yourdestinyawaits.net;  Tune in as we talk with Stephanie about her new single, "Afraid to Love" featuring singer K-Ci of K-Ci and JoJo, the latest Wiz and so much more!      

Nueva temporada de Cultura Pop, lo mejor de los clásicos de los 80's, 90's y los nuevos clásicos del siglo XXI. EFEMERIDES 1931 Nace Sam Cooke en Clarksdale (Misisipi, EE UU), una de las más grandes voces de la música negra, que mezcló como nadie las influencias del blues, el rock, el gospel y el soul. Fue sin duda uno de los Reyes del Soul, que escribió grandes canciones, hoy clásicos del género, como “You send me” o “Wonderful world”. Murió trágicamente, tiroteado en el motel Hacienda de Los Ángeles (California, EE UU) el 11 de diciembre de 1964. Tenía 33 años. 1960 Nace Michael Hutchence, Fue miembro fundador y cantante de INXS, banda que nació en Sidney en 1977. En 1989 comenzó su carrera en solitario con Max Q, aunque continuó en el grupo. Murió a los 37 años, meses después de que Michael grabase su primer disco como solista, aunque saldría a la venta en 1998, tras los últimos arreglos. 1969 The Beatles comienzan a grabar ‘Let it be' Sería su último disco conjunto y en él participó el teclista Billy Preston, porque su amigo George Harrison le convenció de ello. En el álbum se incluían títulos como el que le da nombre, Get back, The long and winding road, I've got a feeling, I, me mine y Maggie mae, entre otros. 1977 ‘I wish', nº 1 de Billboard La canción era un tema de Stevie Wonder. En concreto, fue el primer sencillo del álbum Songs in the key of life (1976). I wish no fue el único éxito del citado disco. 1988 The Way You Make Me Feel de Michael Jackson ocupaba la Nº 1 del HOT 100 de la revista Billboard. Incluida en su séptimo álbum de estudio, Bad (1987).

Stephanie Mills first came to fame as "the little girl with the big voice" as the star of the hit Broadway play, The Wiz, an adaptation of L. Frank Baum's classic book; "The Wizard of Oz." She had many R&B hits such as "I Have Learned to Respect the Power of Love," "I Feel Good All Over," "(You're Puttin') A Rush on Me," "Something in the Way (You Make Me Feel)," and "Home," along with one certified, million-selling single, "Never Knew Love Like This Before." In addition, she also had five gold albums: Whatcha Gonna Do with My Lovin', Sweet Sensation, Stephanie, If I Were Your Woman, and Home.  “A Date with Destiny” is designed to help motivate, inspire and EMPOWER you to live your life in the highest context of love, peace and joy! It will help you to take a closer look within yourself and discover the great, “I AM” that dwells there. It will help you to have a better understanding of the Laws of the Universe-“God's Laws,” and how it was designed just for YOU to have all you could ever want.Visit us: www.yourdestinyawaits.net;  Tune in as we talk with Stephanie about her new single, "Afraid to Love" featuring singer K-Ci of K-Ci and JoJo, the latest Wiz and so much more!  

Abstract: In Part 2: 8 Years - 8 Short Films, Karin and Elizabeth discuss The Way You Make Me Feel and Speed Demon. Also Happy Birthday to our Journal (3 years) and to Elizabeth (30 years). REFERENCE AS: Merx, Karin, and Elizabeth Amisu. “Episode 27 – Part 2: 8 Years, 8 Short Films” Michael Jackson's Dream Lives On: An Academic Conversation 4, no. 1 (2017). Published electronically 21/07/17. http://sya.rqu.mybluehost.me/website_94cbf058/episode-27/ The Journal of Michael Jackson Academic Studies asks that you acknowledge The Journal of Michael Jackson Academic Studies as the source of our Content; if you use material from The Journal of Michael Jackson Academic Studies online, we request that you link directly to the stable URL provided. If you use our content offline, we ask that you credit the source as follows: “Courtesy of The Journal of Michael Jackson Academic Studies.” Episode 27 – Part 2: 8 Years - 8 Short Films by Karin Merx & Elizabeth Amisu Karin Merx BMus, MA, is editor of The Journal of Michael Jackson Academic Studies, and author of  ‘A festive parade of highlights. La Grande Parade as evaluation of the museum policy of Edy De Wilde at the Stedelijk Museum Amsterdam'. Find out more about Karin here. Elizabeth Amisu, PGCE, MA, is editor of The Journal of Michael Jackson Academic Studies and author of The Dangerous Philosophies of Michael Jackson: His Music, His Persona, and His Artistic Afterlife. Find out more about Elizabeth here. All Our References and Where to easily Find Them 1. Michael Jackson, The Way You Make Me Feel,  YouTube. Original long version on Michael Jackson's Vision. 2. Michael Jackson's Dream Lives On: An Academic Conversation, ‘Episode 4 – Michael Jackson And Monochromatic Cinematography‘, The Journal of Michael Jackson Academic Studies (2016). 3. Elizabeth Amisu, Bad 1987, The Journal of Michael Jackson Academic Studies (2014). 3. Michael Jackson, Speed Demon, YouTube. Original version available on Michael Jackson's Vision. 4. Jermaine Jackson, You Are Not Alone Michael: Through a Brother's Eyes (Harper Collins, 2011). 5. Adrian Grant, Michael Jackson: A Visual Documentary 1958-2009 The Tribute Edition (Omnibus Press, 2009). 6. Elizabeth Amisu, "Instrument of Nature": The Voice of Michael Jackson, The Dangerous Philosophies of Michael Jackson: His Music, His Persona, and His Artistic Afterlife (Praeger, 2016), pp. 60-65.

Stephanie Dorthea Mills[9][10] (born March 22, 1957)[1][11] is an American Grammy award–winning singer, songwriter and Broadway stage actress. Mills rose to stardom as "Dorothy" in the original Broadway run of the musical The Wiz from 1975 to 1977. The song "Home" from the show later became a Number 1 U.S. R&B hit for Mills and her signature song. During the 1980s, Mills scored five Number 1 R&B hits, including "Home", "I Have Learned to Respect the Power of Love", "I Feel Good All Over", "(You're Puttin') A Rush on Me" and "Something in the Way (You Make Me Feel)". Mills' won a Grammy Award for Best Female R&B Vocal Performance for her song "Never Knew Love Like This Before" in 1981. The Wiz (1975) and later success[edit]Mills's career took a rise when she portrayed Dorothy in the Broadway musical The Wiz, an African-American adaptation of The Wonderful Wizard of Oz. Her song "Home" from the show would become her signature tune for years, and would be covered later by Diana Ross for the movie adaptation three years later. Commercial success in the music industry remained elusive until 1979, when she signed to the 20th Century Fox Records label. There, Mills found her niche in mainly disco music, recording songs such as "Put Your Body In It", "You Can Get Over", and "What Cha' Gonna Do With My Lovin'". The resulting album, What Cha' Gonna Do with My Lovin', was Mills's first gold record and the first major hit for the James Mtume-Reggie Lucas production team. She quickly followed the success with 1980's Sweet Sensation, which featured Mills's hit "Never Knew Love Like This Before". The single became a #12 R&B and #6 Pop hit in 1980, as well as reaching #4 in the UK Singles Chart.[13] 1981's Stephanie featured a top hit for her and Teddy Pendergrass entitled "Two Hearts", while her 1983 album, Merciless, featured her hit cover of Prince's "How Come You Don't Call Me Anymore?", as well as the #3 dance chart hit "Pilot Error", which was her first dance hit in the U.S. In 1984, Mills had her third UK hit with "The Medicine Song" (#29),[13] which also reached #1 on the U.S. dance chart and #8 on the R&B chart. On May 24, 1984, Mills returned to theater to star in a short-lived touring revival of The Wiz. The production closed on June 3, after 13 performances and 7 previews.[citation needed] In 1985, Mills's recording of "Bit by Bit (Theme from Fletch)" was featured in the Chevy Chase film, Fletch, and reached #52 on the Hot R&B/Hip-Hop Singles & Tracks chart and #78 on The Billboard Hot 100.[14]Success for Mills had peaked until 1986, when her version of the Angela Winbush-penned "I Have Learned to Respect the Power of Love", hit #1 on the R&B singles chart. Mills truly returned, however, with her next release, If I Were Your Woman in 1987 under MCA Records, which she was now signed. The hits from the album include the title track, originally a hit for Gladys Knight & the Pips in 1971; a three-week #1 R&B hit, "I Feel Good All Over" (a song her label mate Patti LaBelle did not wish to cover); and "You're Puttin' a Rush on Me", to name a few of the songs released. The album reached platinum status. That same year, she appeared in the NBC TV special, Motown: Merry Christmas along with other musical artists and actors, performing the song, "Christmas Everyday", which was written by actor/comedian Redd Foxx. Mills's success continued with 1989's Home album. The hits from that album include "The Comfort of a Man", the title track, a cover of her old standard from The Wiz and another song penned by Winbush titled "Something in the Way You Make Me Feel". It became another platinum record for Mills. See acast.com/privacy for privacy and opt-out information.

Abstract: In this episode Elizabeth and Karin talk about the function of black and white (monochrome/chiaroscuro) cinematography in the short films, Bad (dir. Martin Scorsese, 1987) and Stranger in Moscow (dir. Nicholas Brandt, 1996). Taking their academic essays on two of Jackson's most monochromatic short films as source material, they consider how Jackson used cinema language to communicate with his audience in a way that was both subtle and resonant. REFERENCE AS: Merx, Karin, and Elizabeth Amisu. "Episode 4 - Michael Jackson and Monochromatic Cinematography." Podcast, Michael Jackson's Dream Lives On: An Academic Conversation 2, no. 2 (2016). Published electronically 1/03/16. http://sya.rqu.mybluehost.me/website_94cbf058/the-dream-lives-on-4-black-and-white-in-bad-and-stranger-in-moscow/. The Journal of Michael Jackson Academic Studies asks that you acknowledge The Journal of Michael Jackson Academic Studies as the source of our Content; if you use material from The Journal of Michael Jackson Academic Studies online, we request that you link directly to the stable URL provided. If you use our content offline, we ask that you credit the source as follows: “Courtesy of The Journal of Michael Jackson Academic Studies.” Episode 4 - Michael Jackson and Monochromatic Cinematography By Karin Merx & Elizabeth Amisu 'This is a big contrast to the celebrated Michael Jackson, and musician, and the one who was condemned because of false allegations at that time... vilified and humiliated... I think it's a very underestimated song and short film.' - Karin Merx Stranger in Moscow: https://youtu.be/pEEMi2j6lYE Bad (Long Version): http://dai.ly/xvdho All Our References and Where to Easily Find Them 1. Karin Merx, “From Throne to Wilderness: Michael Jackson's ‘Stranger in Moscow' and the Foucauldian Outlaw.” The Journal of Michael Jackson Academic Studies 1, no. 4 (2015). 2. Elizabeth Amisu, "Bad(1987)." The Journal of Michael Jackson Academic Studies 1, no. 2 (2014). 3. Jeremy Gilbert, "The Real Abstraction of Michael Jackson." In The Resistible Demise of Michael Jackson, edited by Mark Fisher, 137-49: Zero Books, 2009. 4. Joseph Vogel, Man in the Music: The Creative Life and Work of Michael Jackson. Sterling, 2011. 5. Michael Jackson, Moonwalk. (London: Heinemann, 1988). 6. Richard Donner, "Superman." Dovemead/Film Export A.G./International Film Productions, 1978. 7. Spike Lee, "Bad 25." Optimum Productions, 2013. 8.  Elizabeth Amisu, Willa Stillwater, Lisha McDuff, and Karin Merx. "A Look at Neo-Noir in Michael Jackson's Short Films." (2016). Published electronically 28 January. 9. Mark Romanek, "Scream." 1995. 10. Joe Pytka, "The Way You Make Me Feel." 1987. (Full Version) 11. Black and white films today. 12. German Expressionism. Karin Merx BMus, MA, is editor of The Journal of Michael Jackson Academic Studies, and author of  ‘A festive parade of highlights. La Grande Parade as evaluation of the museum policy of Edy De Wilde at the Stedelijk Museum Amsterdam'. Find out more about Karin here. Elizabeth Amisu, PGCE, MA, is editor of The Journal of Michael Jackson Academic Studies and author of The Dangerous Philosophies of Michael Jackson: His Music, His Persona, and His Artistic Afterlife. Find out more about Elizabeth here. www.michaeljacksonstudies.org facebook.com/michaeljacksonstudies twitter.com/mjas29 instagram.com/elizawriter instagram.com/karinmerx You May Also Like:

Stephanie Mills first came to fame as "the little girl with the big voice" as the star of the hit Broadway play, The Wiz, an adaptation of L. Frank Baum's classic book; "The Wizard of Oz." She had many R&B hits such as "I Have Learned to Respect the Power of Love," "I Feel Good All Over," "(You're Puttin') A Rush on Me," "Something in the Way (You Make Me Feel)," and "Home," along with one certified, million-selling single, "Never Knew Love Like This Before." In addition, she also had five gold albums: Whatcha Gonna Do with My Lovin', Sweet Sensation, Stephanie, If I Were Your Woman, and Home.  “A Date with Destiny” is designed to help motivate, inspire and EMPOWER you to live your life in the highest context of love, peace and joy! It will help you to take a closer look within yourself and discover the great, “I AM” that dwells there. It will help you to have a better understanding of the Laws of the Universe-“God's Laws,” and how it was designed just for YOU to have all you could ever want. Tune in as we talk with Stephanie about her new single, "Afraid to Love" featuring singer K-Ci of K-Ci and JoJo, the latest Wiz and so much more!  

Q and Jamon discuss Tito Jackson’s latest performance (with a little help from UK journalist Charles Thomson), new footage of Michael Jackson from his The Way You Make Me Feel short film Continue Reading →

Throughout the 1970s, '80s, and '90s, Stephanie Mills established herself as a versatile powerhouse just as at home sultrily conveying a quiet-storm ballad as she was belting out gospel-rousing lines on the Broadway stage. Even now, her live shows draw captive audiences longing to hear favorites ranging from her signature number, "Home" (from Broadway's The Wiz),to late '70s/early '80s soul-disco gems ("Never Knew Love Like This Before," "Sweet Sensation," "Two Hearts") and late-'80s/early-'90s anthems ("I Feel Good All Over," "Something in the Way You Make Me Feel," and "Comfort of a Man"). One important phase of Mills' career, 

Throughout the 1970s, '80s, and '90s, Stephanie Mills established herself as a versatile powerhouse just as at home sultrily conveying a quiet-storm ballad as she was belting out gospel-rousing lines on the Broadway stage. Even now, her live shows draw captive audiences longing to hear favorites ranging from her signature number, "Home" (from Broadway's The Wiz),to late '70s/early '80s soul-disco gems ("Never Knew Love Like This Before," "Sweet Sensation," "Two Hearts") and late-'80s/early-'90s anthems ("I Feel Good All Over," "Something in the Way You Make Me Feel," and "Comfort of a Man"). One important phase of Mills' career, however, has been frequently overlooked in both the history books and the singer's own concerts. From 1982 to 1984, the sophisticated chanteuse released three albums for the late Neil Bogart's Casablanca label, commencing with Tantalizingly Hot and concluding with I've Got the Cure. 

Welcome back, don't call it a comeback, to the live music podcast episode 68.  It has been quite some time since the last show and without going into too many details it was a break that was needed but it is good to be back.  After such a long time is was going to take a very special concert to get me going again and I think that is what I have in store for you on this show. The music I will be featuring is the first tribute concert to be featured on the livemusicpodcast and it will be a tough one to follow up on for any others.  I heard about a Michael Jackson tribute concert in April from a friend of mine and without knowing any of the bands involved thought it was a safe enough bet for a good time.  I didn't have a lot to be worried about since there was plenty of buzz going around about the potential that this show would have given the collection of talented Kansas City musicians involved.  The main group organizing it was the experimental world-jazz band Diverse but rotating in throughout the night was an eclectic group of musicians from various backgrounds.  Its hard to truly appreciate the difficulty of pulling off a great MJ tribute show without descending into bad karaoke.  You really get the sense of the singing talent that MJ possessed when you see how many different singers it really takes to match his vocal range and also the number of instruments on stage to create the full sound that a lot of his songs require.  Seeing it firsthand these musicians from Kansas City were able to pull it off that night and I'm guessing MJ would have been very pleased.  The release of this episode marks the 2 year anniversary of his passing so hopefully he would be pleased by my humble tribute to the king of pop as well.  Please enjoy. Michael Jackson Tribute - Kansas City, MO - 4/15/11 The BandsDiverseThe Good FootHearts of DarknessBobby WatsonReach Song Listing 1) The Way You Make Me Feel 2) They Don't Really Care About Us 3) Human Nature 4) Bad 5) Never Can Say Goodbye 6) Thriller 7) Billie Jean 8) Earth Song 9) Rock With You 10) You Are Not Alone 11) Beat It Bonus Song Listing 1) Black Or White 2) Man In the Mirror 3) I Can't Help It 4) Don't Stop 'Till You Get Enough 5) The Girl Is Mine 6) Remember the Time 7) Rock With You Off the Wall   The Essential Michael Jackson   Number Ones   More... Purchase on Itunes   Purchase on Itunes   Purchase on Itunes   More from Itunes...      

Brian Hopkins, Lead Pastor, delivers a message entitled "This is It #5; The Way You Make Me Feel"