Podcasts about Coen brothers

The Summer of Jason goes on a long journey as welcome long lost, yet most frequent Escape Hatch recurring guest, co-host of the Cinenauts podcast, ctcher! In preparation for Christopher Nolan's magnum opus The Odyssey next week, we revisit one of the greatest adaptations of Homer's classic work, the Coen Brother's 2000 masterpiece starring George Clooney, O Brother Where Art Thou?Chapters Introduction (00:00:00) Hatch News (00:20:16) O Brother Where Art Thou Roundtable (00:26:51) Your Letters (01:22:45) Notes and Links Check out Escape Hatch Merch! Our all new collection of swag is available now and every order includes a free Cameo style shoutout from Haitch or Jason. Browse our collection now. Join the Escape Hatch Discord Server! Hang out with Haitch, Jason, and other friends of the pod. Check out the invite here. Escape Hatch is a TAPEDECK Podcasts Jawn! Escape Hatch is a member of TAPEDECK Podcasts, alongside: 70mm (a podcast for film lovers), Bat & Spider (low rent horror and exploitation films), The Letterboxd Show (Official Podcast from Letterboxd), Cinenauts (exploring the Criterion Collection), Lost Light (Transformers, wrestling, and more), and Will Run For (obsessed with running). Check these pods out!. See the movies we've watched and are going to watch on Letterboxd Escape Hatch's Breaking Dune News Twitter list Rate and review the podcast to help others discover it, and let us know what you think of the show at letters@escapehatchpod.com or leave us a voicemail at +1-415-534-5211. Follow @escapehatchpod on Bluesky,Instagram, and TikTok. Music by Scott Fritz and Who'z the Boss Music. Cover art by ctcher. Edited and produced by Haitch. Escape Hatch is a production of Haitch Industries.

A good chunk of Supergirl’s DNA can be traced back to True Grit by way of the comics miniseries the film is adapting, which is why we paired it with Joel and Ethan Coen’s 2010 version of that story. But as our discussion of Craig Gillespie’s new entry in James Gunn’s revamped DC Universe details, Supergirl often feels less indebted to its space-western source material than to several other superhero films that preceded it, including some of Gunn’s. That makes it tough to balance a film we all consider okay-at-best against a stone-cold Coens classic, but we attempt to anyway in Connections as we consider these two films’ shared interest in vengeance, western tropes, and really, really bad guys with murky motivations. Then in Your Next Picture Show, we honorTrue Grit’s star-making performance with a recommendation for another Hailee Steinfeld film that’s a favorite of this podcast, The Edge of Seventeen. Please share your thoughts about True Grit, Supergirl, or anything else in the world of film, by sending an email or voice memo to comments@nextpictureshow.net, or leaving a short voicemail at (773) 234-9730. Next Pairing: Christopher Nolan’s The Odyssey and The Coen Brothers’ (yes, again) O Brother, Where Art Thou? This episode is presented by⁠ ⁠⁠⁠⁠⁠⁠⁠Regal Unlimited⁠⁠⁠⁠⁠⁠⁠⁠⁠, the all-you-can-watch movie subscription pass that pays for itself in just two visits. Use code NEXTPIC26 for 15% off.See omnystudio.com/listener for privacy information.

A good chunk of Supergirl’s DNA can be traced back to True Grit by way of the comics miniseries the film is adapting, which is why we paired it with Joel and Ethan Coen’s 2010 version of that story. But as our discussion of Craig Gillespie’s new entry in James Gunn’s revamped DC Universe details, Supergirl often feels less indebted to its space-western source material than to several other superhero films that preceded it, including some of Gunn’s. That makes it tough to balance a film we all consider okay-at-best against a stone-cold Coens classic, but we attempt to anyway in Connections as we consider these two films’ shared interest in vengeance, western tropes, and really, really bad guys with murky motivations. Then in Your Next Picture Show, we honorTrue Grit’s star-making performance with a recommendation for another Hailee Steinfeld film that’s a favorite of this podcast, The Edge of Seventeen. Please share your thoughts about True Grit, Supergirl, or anything else in the world of film, by sending an email or voice memo to comments@nextpictureshow.net, or leaving a short voicemail at (773) 234-9730. Next Pairing: Christopher Nolan’s The Odyssey and The Coen Brothers’ (yes, again) O Brother, Where Art Thou? This episode is presented by⁠ ⁠⁠⁠⁠⁠⁠⁠Regal Unlimited⁠⁠⁠⁠⁠⁠⁠⁠⁠, the all-you-can-watch movie subscription pass that pays for itself in just two visits. Use code NEXTPIC26 for 15% off.Support the show: https://www.patreon.com/join/NextPictureShowSee omnystudio.com/listener for privacy information.

Damn! We're in a tight spot! This week we are seeking treasure with Ulysses Everett McGill and his two companions, Pete and Delmar, in the 2000 Coen Brothers musical comedy O Brother, Where Art Thou? Based loosely upon The Odyssey, this movie was a big hit for The Coens at the time and the soundtrack was massive. But did anyone actually listen to it or was it all just awards hype? Does the early digital colour correction hold up or is it now a bit of an eyesore? Where does this movie rank in the Coen Brothers' filmography? Is it George Clooney's best comedic performance of all time? See you in the funny pages, boys... it's a bushwhack on this week's episode of Film Junk.

We're in a tight spot. This week on Be Kind Rewind, Dave & Cody dig into the Coen Brothers' O Brother, Where Art Thou? (2000), the Depression-era chain gang comedy that's (not so) secretly Homer's Odyssey and accidentally revived an entire genre of American music. We break down what holds up (this is George Clooney's coming out party), the murderer's row of character actors, Roger Deakins making Mississippi look like a sepia dream, and a soundtrack that won Album of the Year at the Grammys as a bluegrass record. We get into what's harder to sit with in 2026, the wild behind-the-scenes stuff (the Coens claim they never read the Odyssey, Clooney said yes without reading the script, the KKK scene is staged like The Wizard of Oz), and a Pastor's Corner on Ulysses Everett McGill as an Ecclesiastes figure who chases every title but bona fide and only finds his knees when the rope comes out. Plus: Adam Sandler officiated the Taylor Swift and Travis Kelce wedding and we have questions, we Muppetize the movie (Dave cheats), and we guess Clooney's top five highest-grossing films, with a number one that made us both genuinely angry.https://linktr.ee/PopCulturePastorPod

Before Christopher Nolan's latest epic retelling of Homer's Odyssey, Let's chat about one of the world's oldest work of literature and review the 2000 loosely based adaptation from the Coen Brothers, O Brother Where Art Thou. Starring George Clooney, John Turturro, and Tim Blake Nelson, with Charles Durning, Michael Badalucco, John Goodman and Holly Hunter in supporting roles.It follows three escaped convicts searching for hidden treasure while a sheriff relentlessly pursues them. Its story is a modern satire which, while incorporating social features of the American South, is loosely based on Homer's epic Greek poem the Odyssey.Hosted on Ausha. See ausha.co/privacy-policy for more information.

Adam and Josh celebrate Fargo's 30th anniversary with a Pantheon Project review (the show’s longest ever) of the Coen Brothers' career-altering 1996 film. Plus, Olivia Wilde's The Invite, David Wain's Gail Daughtry's Celebrity Sex Pass, and listeners choose the best pair of '90s blockbusters. This episode is presented by⁠ Regal Unlimited⁠⁠, the all-you-can-watch movie subscription pass that pays for itself in just two visits. Use code FILMSPOT26 to take 15% off. (Timecodes/chapters may not be precise with ads.) Intro (00:00:00-00:03:33) Fargo at 30 (00:03:34-01:16:58) Filmspotting Family (01:16:59-01:21:34) The Invite (01:21:35-01:25:46) Gail Daughtry’s Celebrity Sex Pass (01:25:47-01:33:56) Polls (01:33:57-01:41:34) Credits / Releases (01:41:35-01:44:08) Links: -Josh’s Fargo Video Essay https://www.youtube.com/watch?v=qaRRXpfTyfU Feedback: -Email us at feedback@filmspotting.net⁠⁠ ⁠⁠⁠⁠-⁠Ask Us Anything⁠⁠⁠⁠⁠ and we might answer your question in bonus content. Support: -Join the Filmspotting Family for bonus episodes and complete archive access. http://filmspottingfamily.com -Filmspotting Shop for T-shirts and more.⁠ ⁠ ⁠https://www.filmspotting.net/shop⁠⁠⁠⁠ Follow: -Watch Filmspotting on YouTube: ⁠https://youtube.com/filmspotting⁠ -Adam/Filmspotting: ⁠Letterboxd⁠ |⁠ Instagram⁠ |⁠ Facebook⁠ | ⁠Bluesky⁠ -Josh/LarsenOnFilm: ⁠Letterboxd⁠ | ⁠Instagram⁠ |⁠ Facebook⁠ | ⁠BlueskySee omnystudio.com/listener for privacy information.

[School of Movies 2026] Following on from the sunny and heartfelt success of James Gunn's 2025 Superman we have the scrappy follow-up by Craig Gillespie, detailing the lifestyle of Kal-El's cousin. Gillespie most likely got the job after two filmic accomplishments in spotlighting grubby, depressed punk girls who nobody likes except the audience; I, Tonya and Cruella. Sharon and I went all out on this, reading the source book, 'Woman of Tomorrow' by Tom King & Bilquis Evely, which itself draws structural and thematic inspiration from specifically the Coen Brothers adaptation of True Grit by Charles Portis. What we are able to do is outline clearly where the film differs from the book and where the book differs from both film and original book to create this turducken of revenge. This episode is totally worth listening to, even if you haven't seen this box office bomb that everyone we talk to seems to like and everyone we don't know personally seems to despise. This week's After School Club: Aquaman 2: The Lost City Next week: EPIC: The Musical

I am the man of constant podcasts   The Becks take some time off from their time off to bring you a brand new episode on the Coen Brothers' 2000 film O Brother, Where Art Thou?, based on Homer's classic epic The Odyssey. Join them as they deep dive into this very The Treatment-coded film, answering questions like: why are there so many cows? what happened to Odysseus' son? and did anyone on set even read the source material? Enjoy!   www.linktr.ee/soonmajorpod   www.ko-fi.com/soonmajorpod   Next Episode Homework: The Odyssey (2026)

This week's archive episode is Adam and Josh's 2018 Sacred Cow review of the Coen Brothers' period gangster film Miller's Crossing. Unlock the full archive, Filmspotting Discord, ad‑free + bonus episodes, and more when you ⁠join the Filmspotting Family⁠.See omnystudio.com/listener for privacy information.

The new Supergirl isn’t an outright adaptation of the comic-book miniseries Woman of Tomorrow, but it retains enough of its shape that it evokes that comic’s own source of inspiration, True Grit. Either of the two film adaptations of Charles Portis’ 1968 Western novel about a young girl enlisting a reluctant, drunken hero to help her enact revenge would have provided plenty of connections to Supergirl, but we opted for Joel and Ethan Coen’s 2010 version starring Hailee Steinfeld and Jeff Bridges. So this week we’re discussing what distinguishes True Grit as both a Coens movie and a Western, the film’s overlapping notions of vengeance and justice, and how it utilizes two frequently abused elements — sincerity and voiceover narration — sparingly and effectively. Then in Feedback, we respond to a listener’s misgivings about accepting Disclosure Day’s premise at a time when conspiracy theories don’t feel as harmless as they once did. Please share your thoughts about True Grit, Supergirl, or anything else in the world of film, by sending an email or voice memo to comments@nextpictureshow.net, or leaving a short voicemail at (773) 234-9730. This episode is presented by⁠ ⁠⁠⁠⁠⁠⁠⁠Regal Unlimited⁠⁠⁠⁠⁠⁠⁠⁠⁠, the all-you-can-watch movie subscription pass that pays for itself in just two visits. Use code NEXTPIC26 for 15% off.See omnystudio.com/listener for privacy information.

The new Supergirl isn’t an outright adaptation of the comic-book miniseries Woman of Tomorrow, but it retains enough of its shape that it evokes that comic’s own source of inspiration, True Grit. Either of the two film adaptations of Charles Portis’ 1968 Western novel about a young girl enlisting a reluctant, drunken hero to help her enact revenge would have provided plenty of connections to Supergirl, but we opted for Joel and Ethan Coen’s 2010 version starring Hailee Steinfeld and Jeff Bridges. So this week we’re discussing what distinguishes True Grit as both a Coens movie and a Western, the film’s overlapping notions of vengeance and justice, and how it utilizes two frequently abused elements — sincerity and voiceover narration — sparingly and effectively. Then in Feedback, we respond to a listener’s misgivings about accepting Disclosure Day’s premise at a time when conspiracy theories don’t feel as harmless as they once did. Please share your thoughts about True Grit, Supergirl, or anything else in the world of film, by sending an email or voice memo to comments@nextpictureshow.net, or leaving a short voicemail at (773) 234-9730. This episode is presented by⁠ ⁠⁠⁠⁠⁠⁠⁠Regal Unlimited⁠⁠⁠⁠⁠⁠⁠⁠⁠, the all-you-can-watch movie subscription pass that pays for itself in just two visits. Use code NEXTPIC26 for 15% off.Support the show: https://www.patreon.com/join/NextPictureShowSee omnystudio.com/listener for privacy information.

We're veering south on SUMMER VACATION to discuss Mitt Romney's favorite movie, the Coen Brothers' O Brother, Where Art Thou? (2000) with Mississippi-based musician Andrew Bryant, founding member of Water Liars. We discuss the film's reimagination of Homer's original vacation narrative, explore the relationship of politics, race, and cultural production, and Devin wonders why more parents aren't naming their kids James. Follow us on Twitter, Instagram, or BlueSky at @youretallpod. Follow Ethan on Twitter at @Mathissippi and Devin on Twitter at @stalecooper. Email us at youretallpod@gmail.com. Follow Andrew Bryant on Twitter at @MagnoliaState and check out his music at https://andrewbryant.bandcamp.com and https://andrewbryantmusic.com. 

The Summer of Jason rolls on and now we're really getting into it as we begin our run of Coen Brothers classics, starting with their first huge breakthrough hit, 1996's thriller Fargo. We're joined by co-host of Nobody Knows Anything, Rob Flaherty.Chapters Introduction (00:00:00) Hatch News (00:25:15) Fargo Roundtable (00:28:46) Your Letters (01:14:37) Notes and Links Check out Escape Hatch Merch! Our all new collection of swag is available now and every order includes a free Cameo style shoutout from Haitch or Jason. Browse our collection now. Join the Escape Hatch Discord Server! Hang out with Haitch, Jason, and other friends of the pod. Check out the invite here. Escape Hatch is a TAPEDECK Podcasts Jawn! Escape Hatch is a member of TAPEDECK Podcasts, alongside: 70mm (a podcast for film lovers), Bat & Spider (low rent horror and exploitation films), The Letterboxd Show (Official Podcast from Letterboxd), Cinenauts (exploring the Criterion Collection), Lost Light (Transformers, wrestling, and more), and Will Run For (obsessed with running). Check these pods out!. See the movies we've watched and are going to watch on Letterboxd Escape Hatch's Breaking Dune News Twitter list Rate and review the podcast to help others discover it, and let us know what you think of the show at letters@escapehatchpod.com or leave us a voicemail at +1-415-534-5211. Follow @escapehatchpod on Bluesky,Instagram, and TikTok. Music by Scott Fritz and Who'z the Boss Music. Cover art by ctcher. Edited and produced by Haitch. Escape Hatch is a production of Haitch Industries.

"C.E. Garcia Month" comes to a close with one of the Coen Brothers' most beloved, and possibly most bewildering films in their catalog: 'Miller's Crossing.' While one host sees it as a masterclass in layered storytelling, dialogue, and double-crosses, the other isn't entirely convinced they understood what happened, why it happened, or whether anyone in this movie actually likes each other.Join us as we untangle the hats, the loyalties, the Irish & Italian mob politics, and the endlessly quotable dialogue to try and figure out if Miller's Crossing is a timeless noir masterpiece, or a film that demands a second (or third... or even fourth) viewing before it finally clicks.Make a film recommendation for an upcoming episode!Thank you for listening! Don't forget to rate & subscribe. New episodes bi-weekly. Also available on YouTube. All new website coming soon!

Whether we choose to admit it or not, we're driven by some level of faith that something lies beyond our current plane of existence. Some of us simply hope so, some profess not to care, others will go wholeheartedly into some form of religion. And the search for God--however you view that particular concept--is a compelling one, especially when you tell a story about someone whose faith is being tested. To that end the Coen Brothers have come up with A Serious Man, the first of two films we'll be looking at in this episode. The Coens are known for cribbing from other stories to create their own tales, and in this case the Coens have come up with a story that will give you echoes of the Biblical story of Job. It's not as direct a pull as their using Homer's Odyssey as the germ of O Brother, Where Art Thou? but you'll still recognize the broader pieces of the tale. In the second half of the episode we'll look at a less-linear story in The Tree of Life.

On this week's episode of ‘The Young Man and the Three,' we welcome New York Knicks shooting guard Landry Shamet and die-hard Knicks fan actor John Turturro!The duo break down each round of the Knicks' 2026 championship, go in-depth on the NBA Finals against the San Antonio Spurs (Victor Wembanyama, Stephon Castle, Dylan Harper), discuss what this championship means to Knicks fans and the city of New York, the obstacles the team overcame, the play of Karl-Anthony Towns, Jalen Brunson, OG Anunoby, and Mikal Bridges, and the dynamics and how strangely similar working on set as an actor with directors like Spike Lee and The Coen Brothers is to playing on a sports team. Let's go!See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

Send us Fan MailIt's our cult classic wrap up! We chat about the unique perspectives of cult classics, including the fact that there are many cults featured in these films. We then question who the leader is in cult fandoms and whether these kinds of followings should be labelled as “cult”.Let us know what you think and chat with us on X: https://twitter.com/WTF_WithUsTheme Music Credit: Ultra Lights by Stefan Kartenberg (c) copyright 2020 Licensed under a Creative Commons Attribution Noncommercial  (3.0) license. http://dig.ccmixter.org/files/JeffSpeed68/61225 Ft: Javolenus

Message us ANONYMOUSLYIt's finally 'Ben's Birthday Bash 4: You Want Some More?!' and we are joined by requested Guest: Jess(ica) Erin Martin to review Ben's pick "O Brother, Where Art Thou?" (2000 Dir. Joel & Ethan Coen). The episode tells a story about a story about a story with a horny toad, a Cyclops, sacred cows, singing into a can, psychos, sirens, suitors, Soggy Bottom GIRL, and how no matter how hard you ride them... Wild Hogs Can't Be Broken. BONUS! - An advance listen to the trailer for Ben's short film "Rough Ways." 6/23!MORE WITH JESSICA:Wild Hearts Can't Be BrokenGremlinsSupport the show**All episodes contain explicit language**Main Artwork - Ben McFadden'Review Review Intro/Outro' Themes - Jamie Henwood"What Are We Watching?" & "Whatcha Been Doin'?" Themes - Matthew Fosket"Fun Facts" Theme - Chris Olds/Paul RootLead-Ins Edited/Conceptualized by - Ben McFaddenProduced by - Ben McFadden & Paul Root ("Shelf Help" - Paul Root)Podcast/Program Concept - Paul Root

Send us Fan MailJoin Eric and Curtis on a journey in Americana, as a new series begins with the Coen Brothers' classic film Oh Brother, Where Art Thou. Curtis has gone on record as saying he enjoys this movie; Eric has not. Let's see how this shakes out! Light up a cigar from the newest OGT Variety release!Bleak Midwinter IV LINK: https://oakglentobacconist.com/product/bleak-midwinter-iv-box-pressed-belicoso-5-5x54/Sign up for the OGT Cigar Society Subscriptionhttps://oakglentobacconist.com/product/ogt-monthly-subscription/

This week on Drink the Movies, we're heading to the frozen, snow-swept landscape of Minnesota for the dark comedy masterpiece, Fargo. We'll discuss the Coen Brothers' knack for blending brutal crime with quirky, polite Midwestern charm and Frances McDormand's iconic turn as the indefatigable Marge Gunderson. To toast to this cold-blooded classic, we're serving up a sharp and icy cocktail appropriately named The Wood Chipper. Grab your parka, mind the snowdrifts, and join us as we raise a glass to the film that proves things in the Midwest aren't always "oh, for cute."⁠⁠Patreon⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Instagram⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Bluesky⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Facebook⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://www.drinkthemovies.com⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠YouTube⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Discord⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠*Please Drink Responsibly*

Ian Hunter has spent four decades building miniatures, supervising visual effects and thinking like a filmmaker on some of the most demanding productions in Hollywood. In this episode, he traces a career that began in a garden shed with a punched-up piece of German black velvet and ended up — via James Cameron, Tim Burton, the Coen Brothers, and Christopher Nolan — on some of the most iconic screens in the world.Ian grew up surrounded by art. His father painted oils and acrylics, played music and did pastel portraits, and encouraged his three sons to make things — even when those things destroyed the materials he'd given them. The moment that really clicked, Ian recalls, was being handed a model kit as a kid and taking to it immediately. That creative instinct only grew stronger. In high school, he and his brothers were making Super 8 films, scratching laser effects onto the film with a pin and blowing up overloaded resistors for explosions. One of those films required them to fake-rob a local bank — and the encounter that followed, with the surprisingly enthusiastic vice president of the Monrovia Wells Fargo, led to a meeting with the mother of Rick Baker, whose work Ian had recently encountered in a traveling special effects exhibition and been completely floored by.After drifting away from an aerospace course at Cal Poly Pomona and working in an acid bath plastics factory, Ian answered a classified ad looking for model makers — and on the strength of a modest portfolio, was hired the same day. His first feature was The Abyss. He and fellow model maker Jim McGee built the flooded engine room of the Montana submarine with almost no direction beyond James Cameron's bare-bones description, and shipped it to South Carolina having never seen a frame of the live action. The production was not without its disasters — Ian found himself entangled in the notorious wax crane fiasco, and talks about the valuable early lesson of knowing when to call something out before it goes wrong.From there, a friend pointed him toward Boss Film, Richard Edlund's company in Marina del Rey, where a chance encounter with departing model supervisor Mark Stetson changed everything. What was supposed to be a one-week favour on a music video turned into six years. Working with Stetson took Ian from being a junior model maker building things in isolation to visiting sets, talking directly with directors, and understanding that miniature work only succeeds when it becomes invisible — just more shots in a movie, telling the story rather than showing off the technique.Among the projects from that period, Ian talks at length about Total Recall — including the behind-the-scenes chaos of a scale miscommunication on the final day of shooting, a scene involving a little person that nobody had accounted for, and the moment he glued a Coke can to a model building because they were running out of time. That Coke can, dressed up and shot from the front, made it into the finished film. So did one in Waterworld. And Inception. And Interstellar. And, after the story apparently got around, director Fede Álvarez greeted Ian on Alien: Romulus by asking exactly where he was planning to hide it.Ian built the suburb for Edward Scissorhands — deliberately making it more bland and mundane than real life — and talks about one of his proudest in-camera shots: the final view through the bedroom window and out over the snow-dusted neighbourhood, achieved with a 1:24 scale model and real snow shakers on the night. On Batman Returns he built the Penguin's zoo, and describes receiving one of his all-time favourite compliments from Tim Burton — who, after watching a pyrotechnics test, asked simply: "Where did you shoot this?" Not realising he was looking at a miniature. The zoo also gave Ian one of his best examples of a happy accident: a polar bear sculpture that was supposed to explode but instead toppled slowly sideways with flames coming out of its feet. Tim Burton loved it. The entire subsequent engineering challenge was figuring out how to recreate the mistake.On the X-Files movie, Ian and his partner Matthew Gratzner built a collapsing federal building on a tight budget, referencing Oklahoma City bombing photographs for the detail of damaged concrete and exposed floors. The late Roger Ebert reviewed the finished film and said the sequence should have been cut — because it was too reminiscent of real tragedy. Ian reflects on that as a marker: they'd gotten past the technique and into the emotion.The conversation turns to Christopher Nolan, with whom Ian has worked across multiple films. Ian describes Nolan as collaborative but definitive, someone who discusses a shot in depth and then tells you exactly what he wants. He talks about the liberation Nolan offered on Interstellar when he told the crew to stop following the previs — pre-vis is just a guy at a computer on a Friday trying to get the shot out the door, Nolan told them; if you can see a better angle, do that instead. The result was that the miniature crew started shooting faster, and a number of shots that had been planned as digital moved across to the physical side. Ian also describes the meticulous sun-angle calculation that went into matching the Inception hospital sequence — setting up models in a parking lot at a precisely calculated skewed angle to hit the exact quality of light that had been captured in Calgary on a specific date.On First Man with Damien Chazelle, Ian had drawn storyboards before the first meeting proposing a documentary approach — cameras attached to the spacecraft, nothing sweeping or cinematic, everything either very close or very wide as if shot from another ship. Chazelle walked in and described exactly the same idea. They spent twenty minutes together going through the sequence, working to an animatic cut to music, and Ian went off and shot it. That shorthand — that moment of being in sync before the conversation has really started — is something Ian describes as central to how he has survived in an industry where so many practical effects houses have not. He's a model maker, yes. But more than that, he's a filmmaker.This podcast is completely independent and made possible by listener support. If you'd like to help me keep making these episodes, you can join my Patreon community here: https://patreon.com/jamiebenning Watch more on YouTube:Check out the Filmumentaries YouTube channel for behind-the-scenes clips and extra content: https://youtube.com/filmumentariesAll my links

We aren't men of constant sorrow, but we ARE Bros of Constant ROFL-ing! We are so excited to be jumping into the Coen Brothers' bluegrass, deep-South-meets-Ancient-Greek epic, O Brother, where art thou? Along the way, we discuss excellent screams, pivots into surrealism, and the fascinating camp of river baptisms. Head to our PATREON for the full video episode!

This week on Peanuts and Popcorn, the peanuts are downright rotten as both the Cubs and Tigers continue to spiral, though Pete Crow‑Armstrong at least supplied a few sparks along the way.In Popcorn, we've got two terrific films on deck. We start with Tom's pick, Henri‑Georges Clouzot's The Wages of Fear (1953), the white‑knuckle thriller that became the blueprint for decades of action cinema. Then we pivot to Leo's choice, the Coen Brothers' first commercial feature, the lean, moody neo‑noir Blood Simple (1984).Next Show's Films:Tom's Pick: Carnal Knowledge (1971)Leo's Pick: The Battle of Algiers (1966)

Today on Episode 243, the guys continue their Western Retrospective with another episode in which they discuss an original and a remake. True Grit is on the docket today. Will the guys prefer the classic John Wayne version or the modern Coen Brothers take on this story? Tune in to find out.Be Sure to Follow The Hosts on X and Blue Sky!Kevin “OptimusSolo” Thompson and Dan “The Comic Concierge” Clark!#UNLEASHTHECINEMAGEEKINYOU!!! #CinemaGeeks #Westerns #WesterRetrospective #TrueGrit #OriginalvsRemake

This Postmodern Realities episode is a conversation with JOURNAL author Philp Tallon about his article, “The Life Metamodern with Wes Anderson”. https://www.equip.org/articles/the-life-metamodern-with-wes-anderson/This is also our 500th episode and Philp was our very first guest on Episode 001 with The Films of Quentin Tarantino. and the article Reservoir Gods: Quentin Tarantino's Premodern Theology. Please see more of Philip's work below.One way you can support our online articles and podcasts is by leaving us a tip. A tip is just a small amount, like $3, $5, or $10, which is the cost of a latte, lunch out, or coffee drink. To leave a tip, click here. Please see related articles and podcasts below:Mission Impossible FilmsEpisode 450: The Living Manifestation of Destiny: The Meaning in the Mission: Impossible Movies“The Living Manifestation of Destiny: The Meaning in the Mission: Impossible Movies”Christopher Nolan Films Episode 400: Rage Against the Dying of the Light: Christopher Nolan's Fighting FilmographyRage Against the Dying of the Light: Christopher Nolan's Fighting FilmographyHorror Movies: Episode 350 Possession and Exorcism Movies in a Modern AgeThe Power of the Devil Compels Us: Possession and Exorcism Movies in a Modern AgeSherlock Holmes Episode 243: The Fall of Sherlock: Investigating the Victorian Detective in a Modern AgeThe Fall of Sherlock: Investigating the Victorian Detective in a Modern AgeSteven Spielberg Movies:Episode 139 Clear Skies, Hurt Hearts, Can't Lose: Why Spielberg's Aliens Help Make us More HumanClear Skies, Hurt Hearts, Can't Lose: Why Spielberg's Aliens Help Make us More HumanAlfred Hitchcock films:Episode 100: A. Hitchcock FilmsThe Coen Brother's Films:Episode 050: O Father, Where Art Thou? The Coen Brothers and the Riddle of Existence“O Father, Where Are Thou? The Coen Brothers and the Riddle of ExistenceThe Films of Quentin Tarantino:Episode 001: The Films of Quentin Tarantino“Reservoir Gods: Quentin Tarantino's Premodern Theology  Don't miss an episode; please subscribe to the Postmodern Realities podcast wherever you get your favorite podcasts. Please help spread the word about Postmodern Realities by giving us a rating and review when you subscribe to the podcast. The more ratings and reviews we have, the more new listeners can discover our content.

Send us Fan MailWe're back with our eighth installment of the Oh Brother Criterion Collection reviews, and this one is our fourth Coen Brothers entry — the 2001 neo-noir masterpiece, The Man Who Wasn't There, celebrating its 25th anniversary.Billy Bob Thornton plays Ed Crane, a laconic small-town barber who speaks little but observes everything. When he discovers his wife Doris is having an affair with her boss Big Dave, Ed hatches a blackmail scheme to fund an investment in a dry cleaning operation — setting off a chain of events that spirals far beyond his control. It's classic Coen Brothers territory: crime, consequence, absurdity, and a richly drawn moral vacuum at the center of it all.We break down the full cast, including Frances McDormand as Doris, James Gandolfini as Big Dave, a scene-stealing Tony Shalhoub as attorney Freddie Riedenschneider, a very young Scarlett Johansson, and the always reliable John Polito. We also dig into Roger Deakins' stunning black-and-white cinematography — shot in color and reprinted in monochrome — and some of the film's most memorable sequences, including a brilliant tracking shot through an apartment hallway, a hubcap rolling down a hillside, and UFO imagery woven throughout Dennis Gassner's production design.On the Criterion side, we cover the full supplement package: the Coen Brothers' commentary track from 2004, a new 2025 interview with the brothers conducted by Megan Abbott, the Roger Deakins interview, and more. We also share our thoughts on whether the 4K upgrade is worth it if you already own the Blu-ray.The Man Who Wasn't There was a box office non-event in its time — roughly $19 million worldwide — but by any other measure it holds up as a quietly remarkable piece of filmmaking. Worth seeking out if you haven't seen it, and worth revisiting if you have.Support the showOh Brother Podcast:Support the Show! (Be The First to Listen with Early Access)Listen on all podcast platformsSubscribe on YouTubeFollow us on Instagram

This week on Geekstorians, Dave from Geektown looks at three films that did not behave the way Hollywood expected.‘The Rocky Horror Picture Show' arrived as a box office failure before midnight audiences turned it into a ritual. ‘Blade Runner' opened to confusion, studio interference and mixed reactions before becoming one of science fiction's most debated landmarks. And ‘The Big Lebowski' drifted into cinemas as a modest Coen Brothers oddity before fans turned The Dude into something far bigger, stranger, and, somehow, semi-spiritual.This is not a story about films that were secretly massive hits all along. It is about what happens when something strange, difficult or badly timed finds the people who need it later. Through late-night screenings, VHS, cable, DVD, festivals, quotes, costumes and arguments that refuse to die, these films became more than movies. They became communities.Season Two of Geekstorians has been about things that did not go to plan. This episode asks what happens when failure is not the end of the story, but the beginning of the cult.Presented by Dave from Geektown.For more on TV, film, gaming and geek culture, head to Geektown.co.uk, and check out Geektown Radio for the latest entertainment news, reviews and UK air dates.Support this show http://supporter.acast.com/geektown. Hosted on Acast. See acast.com/privacy for more information.

Even we are impressed at the ground covered in only 74 minutes this week by your friends in podcasting! They start by going deep into the improvisational jazz of Sun Ra and dissecting comments Sonny Rollins made in a podcast about jazz being “ a music of freedom”. The Coen Brothers' 1991 masterpiece Barton Fink […]

Original Release Date: Monday 1 June 2026    Description:   Even we are impressed at the ground covered in only 74 minutes this week by your friends in podcasting! They start by going deep into the improvisational jazz of Sun Ra and dissecting comments Sonny Rollins made in a podcast about jazz being “ a music of freedom”.  The Coen Brothers' 1991 masterpiece Barton Fink gets revisited at 35 and is found to be better than ever. The film genre of neo-noir gets analyzed, and the all-too-overlooked Hickey & Boggs (directed by Robert Culp and co-starring Culp and Bill Cosby) gets championed as an outstanding exemplar of that genre. The death of certain kinds of horror tropes are foremost on Dean's mind after seeing Scream 7, whereas Phil is intrigued by the new generation of horror exemplified by the current box office sensations Backrooms and Obsession. Then, Dean and Phil switch genres yet again, and examine cinematic comedy through two documentaries (Mel Brooks: The 99 Year Old Man! and Marty, Life is Short), one all-time classic (Some Like it Hot) and two current releases in theaters (I Love Boosters and The Sheep Detectives).

Welcome to The Reel Schmooze with ToI film reviewer Jordan Hoffman and host Amanda Borschel-Dan, where we bring you all the entertainment news and film reviews a Jew can use. This week, we learn that famed actress and chanteuse Barbra Streisand received an honorary Palme D’Or at the Cannes Film Festival. Borschel-Dan, who is reading the artist's massive memoir, calls on all podcast fans to send in the names of their favorite Streisand films for a future episode. We then turn to the monumentally Jewish movie, "A Serious Man," written, produced, edited and directed by Joel and Ethan Coen in 2009. Set in 1967 Minnesota, the film focuses on the Gopnik family: father Larry, mother Judith, kids Danny and Sarah, and uncle Arthur. On the surface, the middle-class family appears to be merrily rolling along, anticipating Danny's approaching bar mitzvah. And then everything falls apart and it becomes a very funny retelling of the Book of Job. However, before the movie takes off, the audience is treated to a quote from the great rabbinic sage Rashi and is shown a Yiddish-only shtetl ghost story short -- just... because. Stay tuned for our duo's thoughts on the much-recommended Coen brothers' film, "A Serious Man." The Reel Schmooze is produced by Ari Schlacht and can be found wherever you get your podcasts.See omnystudio.com/listener for privacy information.

From Oscar Gold to Fiction Filmmaking: Daniel Roher on Tuner How do you follow up winning an Academy Award? If you are Daniel Roher (Navalny), you resist the pressure to stay in your lane, take a leaf out of Bob Dylan's book, and make a massive leap into fiction! This week on The Filmmakers Podcast, Dom Lenoir sits down with Daniel to discuss his debut narrative feature, Tuner. Starring Leo Woodall, Dustin Hoffman, Havana Rose Liu, Lior Raz, and Jean Reno, the film is a brilliant blend of character drama and heist thriller. Daniel pulls no punches in this candid conversation about the realities of the industry. He shares how the Oscar opened doors, but why even at his level, the rejection never stops. He also breaks down the craft behind the film, explaining why he wrote the sound design into the script from day one, what it was like collaborating with master sound designer Johnny Burn, and his baptism of fire directing actors for the very first time.

Best known for his unforgettable turn as Jackie Chiles, the fast-talking, high-powered attorney Kramer turns to in Seinfeld, actor Phil Morris joins us for a thoughtful, funny, and full-circle conversation about legacy, identity, and the unexpected paths that lead to a life in show business!Phil shares how his portrayal of the character, famously inspired by Johnnie Cochran, took on a life of its own, leading to national commercial campaigns and even a memorable Honda spot directed by the Coen Brothers. He recalls his Seinfeld audition, in Jerry's office with Johnnie Cochran's  rhythms and intonations fresh in his mind since they shared the same barbershop!But as Jackie Chiles' spotlight brightened, the line between inspiration and frustration blurred, culminating in an unexpected cease and desist letter from Johnnie Cochran himself and an awkward barbershop encounter in which Johnnie had to concede that Phil is very funny!Our conversation also explores Phil's remarkable Hollywood lineage. As the son of Greg Morris, star of the original Mission: Impossible, Phil reflects on how his father's network TV starring role suddenly transformed their family's life, and handed them all the weight of being a uniquely high profile example of black representation on television at the time. He shares how a single appearance by his father on The Dick Van Dyke Show helped pave the way for what would eventually become The Cosby Show, and how his own path into acting began almost by accident while working on set as a production assistant.Phil went on to work alongside his father in the Mission: Impossible reboot, and today continues to bring depth to his roles across mediums, from live action to voice work. A devoted comic book fan with an extensive collection, he discusses how his love of superheroes informs performances like his portrayal of Silas Stone in Doom Patrol.Phil also offers a behind-the-scenes look at the unique process of voice acting, whether collaborating in a room full of actors or performing solo, “opposite” himself, plus the emotional impact of meeting fans at conventions who credit his work with making a real difference in their lives. Then we get into an IMDB Roulette that delves deep into some roles while requiring discretion in discussing others!In current recommendations --Weezy: Movie, Remarkably Bright Creatures in theaters and streaming on NetflixLisa: Netflix documentary series, Should I Marry A Murderer?Path Points of Interest:Phil Morris IMDBPhil Morris on WikipediaPhil Morris on InstagramPhil Morris on FacebookPhil Morris on CameoRemarkably Bright CreaturesShould I Marry A Murderer?

GREEN ROOM (2015) Director: Jeremy Saulnier Cast: Anton Yelchin, Imogen Poots, Alia Shawkat, Patrick StewartA punk band walks into a Nazi bar. No, that's not the setup for a joke — it's the setup for one of the most suffocating, nerve-shredding thrillers of the last decade. This week on Dewey Pod Monster, Sean and John dig deep into Jeremy Saulnier's 2015 siege film Green Room, where a broke touring punk band witnesses a murder backstage and suddenly finds itself trapped in a standoff with a very organized, very murderous gang of neo-Nazi skinheads. Spoiler: the dogs are not friendly.In this episode, we discuss:Captain Picard's Cold-Blooded Era — Patrick Stewart plays Darcy, the calculating Nazi ringleader, with such chilling charisma that both hosts can't stop talking about it. He's warm, persuasive, and absolutely terrifying — and apparently has been acting since the 1760s, so he's had time to practice.Would a Real Punk Band Actually Do This? — John goes full music nerd and calls out the movie's two biggest logical leaps: why any self-respecting anti-Nazi punk band would knowingly play a neo-Nazi club, and how they survived long enough to open with Nazi Punks Fuck Off without getting murdered on stage. Sean defends the film. John is unconvinced.The Art of Doing More With Less — Shot on a $5 million budget with basically three sets, Green Room delivers a masterclass in compressed, claustrophobic tension. The hosts debate whether it's a horror film, a thriller, or just a really unpleasant Tuesday night — and explore how Saulnier's visual style echoes David Fincher's color palette and controlled camera work.One-Handed Shotgun Detour — The conversation takes a brief detour to John's other watch this week, The Rip (Netflix), starring Ben Affleck and Matt Damon in a cop drama that almost holds together — right up until Affleck fires a shotgun with one hand out a moving SUV window. John has thoughts.We Also Talked About:Long Shot (1981) (Internet Archive) — A Leif Garrett teen heartthrob vehicle about a high school soccer star who plans to fund his European football dreams by winning a foosball tournament. It is exactly as good as that sounds.Long Gone (1987) (Youtube) — An HBO baseball film set in 1957 following the fictional Tampico Stogies minor league team, starring William Petersen and Dermot Mulroney. A discovered gem to some; "it was fine" to Sean.The Lowdown (2025) (Amazon) — An FX series starring Ethan Hawke as a truth-chasing freelance journalist in Tulsa investigating what may or may not be a murder. Coen Brothers vibes, from the director of Reservation Dogs. Sean's wife kept interrupting him.Disco Lunch by The Boy Detective (Youtube) — A southeastern Michigan ska-horror-punk album that John is furious he didn't listen to sooner. Available on streaming and in vinyl variants at Pinkerton Records.Unlocked (Netflix) — A real-jail social experiment show where prisoners are allowed to semi-govern themselves. John watched Season 2 and found himself unable to sympathize with a single person in it.Blue Ruin (2013) — Saulnier's previous film and the first entry in his loose "revenge trilogy." Essential viewing if Green Room is your entry point.Rebel Ridge (2024) — The unofficial third film in Saulnier's spiritual trilogy. Mentioned as context for why Sean has been tracking this director for years.New episodes of the Dewey Pod Monster podcast drop every week. We're proud members of the YouRun Podcast Network.

Simon Helberg is best known for playing Howard in the hit sitcom "The Big Bang Theory" for 12 seasons, but he has also built a notable and varied film career working with people like Leos Carax, the Coen Brothers, and a stand-out performance opposite Meryl Streep in "Florence Foster Jenkins." For his latest, he returns to television in Jonathan Glatzer's Silicon Valley series "The Audacity" on AMC. On this episode, he talks about why he's "precious" about the first read of a script, ponders the paradox of character vs. self, shares some tidbits he gleaned from Ms. Streep, sums it all up with three important words: "Expect and Affect," plus much more! Back To One is the in-depth, no-nonsense, actors-on-acting podcast. In each episode, host Peter Rinaldi invites one working actor to do a deep dive into their unique process, psychology, and approach to the craft.  Subscribe to Back To One on Substack Follow Back To One on Instagram

Our exit today has us stepping through the door and we're floating in a most peculiar way. This week, we are talking about Mr. Deeds, written by Tim Herlihy and directed by Steven Brill. And we have brought along our most frequent passenger, Mitchell Beaupre!Along the way, we of course compare the film to Tripp's beloved 1936 original, talk a lot of Adam Sandler and Winona Ryder, think about the purpose of remakes, and even talk The Coen Brothers, Charles Laughton, John Woo, Richard Pryor, Billie Eilish, shoplifting, DVD collecting, Tripp's childhood goldfish, and a little David Bowie.And listen to some behind the scenes exploits where we finally learn if Ross actually listens to what Tripp is saying!Theme music by Jonworthymusic.Powered by RiversideFM.⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠CFF Films⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ with Ross and friends.⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Movies We've Covered on the Show⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ on Letterboxd.⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Movies Recommended on the Show⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ on Letterboxd.

In Part 2 of our episode we look at Barry Levinson's Liberty Heights, from 1999. This was the fourth time that Levinson went to the well of life in Baltimore, and the second we've looked at (we still need to get to Tin Men and Avalon). The film is not a response to any of his Baltimore films, but was a response to his portrayal of Dustin Hoffman's character in the film Sphere, which got him thinking about his youth and led to the story seen here. COMING ATTRACTIONS: In our next episode we'll be looking at some men who are searching for God in their own way. We start with A Serious Man (2009), directed by the Coen Brothers, and move on to The Tree of Life (2011), directed by Michael McCracken. Join us, won't you?

Chris Paul and Burning Bright tackle the 2007 Coen Brothers masterpiece No Country for Old Men, adapted from Cormac McCarthy's novel and starring Tommy Lee Jones, Javier Bardem, Josh Brolin, and Woody Harrelson. The guys agree it's a modern American classic, and dig into why a film with such a stripped-down setting and plot manages to carry such enormous philosophical weight. The conversation moves through Sheriff Ed Tom Bell's opening monologue about not wanting to "put his soul at hazard" against an evil he doesn't understand, the nature of psychopathy and whether inherent evil exists, and Anton Chigurh's coin-flipping determinism versus Carla Jean's stark refusal to play his game. They unpack Carson Wells as a coward who depends on the rules of the system, the off-screen death of Llewelyn Moss as a deliberate breaking of storytelling rules, and why Chigurh, not Bell or Moss, is arguably the true protagonist whose arc actually changes. From there they zoom out to the dark night of the soul, systemic evil, why the enemy lost its mandate after World War II, the gas pump sticker meme, and how moral relativism quietly leads good people into advocating for monsters.

As a comedic crime thriller set in snowy Minnesota and featuring a sheriff protagonist, it would be pretty tough for the new Bob Odenkirk-starring shoot-em-up Normal to avoid comparisons to Fargo, and since we will never pass up an opportunity to discuss the Coen Brothers' 1996 classic, that's precisely what we will be comparing it to next week. But first we'll spend this week discussing why Fargo remains so discussable even after multiple viewings, what makes Marge Gunderson — or maybe Jerry Lundegaard — such an effective protagonist, and how the film's unusual structure and tonal shifts can take even the most seasoned viewer by surprise. Then in Feedback, we keep The Drama going with an encore presentation of our disagreement about that film's ending. Please share your thoughts about Fargo, Normal, or anything else in the world of film, by sending an email or voice memo to comments@nextpictureshow.net, or leaving a short voicemail at (773) 234-9730. This episode is presented by⁠ ⁠⁠⁠⁠⁠Regal Unlimited⁠⁠⁠⁠⁠⁠⁠, the all-you-can-watch movie subscription pass that pays for itself in just two visits. Use code NEXTPIC26 for 15% off. Learn more about your ad choices. Visit megaphone.fm/adchoices

Our journey through some of the wackier Coen Brothers capers continues this week as we take on The Hudsucker Proxy, a star-studded, over-the-top affair that is equal parts His Girl Friday and Roadrunner cartoon, and is every bit as ungainly as that description makes it sound.CHAPTERS:(00:00:00) - The Nextlander Watchcast Episode 175: The Hudsucker Proxy (1994)(00:00:20) - Intro.(00:01:28) - Our movie this week: The Hudsucker Proxy!(00:10:49) - How this movie got made, and discussion of its ill box office fortunes.(00:25:03) - Break!(00:25:26) - We're back, and it's time to tell the tale of Norville Barnes.(00:35:04) - Everything's going great at Hudsucker Industries, until it isn't.(00:40:04) - Let's hatch a stock scam.(00:44:22) - Mailroom mayhem, and the introduction of the Blue Letter.(00:57:17) - A perfect patsy is born, but one ace reporter smells a bunko scam.(01:05:20) - A fabricated meet-cute at the diner, and Amy becomes a Muncie gal.(01:10:20) - Taking a letter, and the fancy dress ball.(01:21:02) - The dawn of the extruded plastic dingus.(01:28:29) - The stock scam is in shambles, and Norville is tripping on his own dingus.(01:32:20) - Norville's dancing dreams, and the downfall.(01:42:25) - Long way down (one more thing).(01:54:14) - The epilogue, and our final thoughts.(02:02:13) - Our film for next week is a killer one: Raising Arizona!(02:03:48) - Outro.

Our exit today has us trying to diffuse a bomb using seating at Madison Square Garden. This week, we are talking about Bad Company, written by Gary M. Goodman, David Himmelstein, Jason Richman, and Michael Browning and directed by Joel Schumacher.Along the way, we talk a lot about Anthony Hopkins and Joel Schumacher, along with Die Hard, the Coen Brothers, Hamlet, the World Trade Center, action comedies, and a fun game about 2002 trailers!Theme music by Jonworthymusic.Powered by RiversideFM.⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠CFF Films⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ with Ross and friends.⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Movies We've Covered on the Show⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ on Letterboxd.⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Movies Recommended on the Show⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ on Letterboxd.

This week, we discuss the Coen Brothers' stylish satire of the Golden Age of Hollywood, Hail, Caesar!SPOILER ALERT We will be talking about this movie in its entirety, including the mystery of "The Future" and the ultimate resolution of Baird Whitlock's kidnapping. If you haven't seen this film, we strongly suggest you watch it before listening to our takes.A Universal Pictures and Working Title Films production. Released on February 5, 2016. Directed, written, produced, and edited by Joel and Ethan Coen. Starring Josh Brolin, George Clooney, Alden Ehrenreich, Ralph Fiennes, Jonah Hill, Scarlett Johansson, Frances McDormand, Tilda Swinton, and Channing Tatum. Cinematography by Roger Deakins. Music by Carter Burwell.The story follows a single, chaotic day in the life of Eddie Mannix (Josh Brolin), a "fixer" for Capitol Pictures in 1951. Mannix spends his days (and nights) suppressing scandals and managing the fragile egos of the studio's stars. His world is thrown into disarray when the studio's biggest star, Baird Whitlock (George Clooney), is kidnapped from the set of the prestige Roman epic Hail, Caesar! Tales of the Christ by a mysterious group calling themselves "The Future." As Mannix juggles a pregnant starlet's image, a singing cowboy's transition into high-society drama, and a persistent pair of rival gossip columnists (both played by Tilda Swinton), he must also weigh a lucrative, low-stress job offer from Lockheed against his grueling but soul-stirring devotion to the magic of the movies.

Miller's Crossing is a lesser loved Coen Brothers but we find a lot to think on as we get deep in on mob movies and the greatness that is Jon Polito. We talk about: Wild At Heart, Gentleman Prefer Blondes, Of The Devil, Netrunner Divorce, Cash Cleaner Simulator, Clerks, Coens Run, The Strap, Air Bud Villains, The Rumpus, Bernie The Little Birthday Boy, Comedy Fat Son, Lio Is So Good At Shooting, Tom Destroys So Many Friendships, Chasing Hats, The Dane Is Cool, John Turturro Is Confusing, Finding A Body, Sam Raimi Suit, Buscemi Is Doomed To Die, What Heart, Hard Men With Sad Eyes, High Hats, Big Hats, Evil Villain Finance,

We've never read a Supergirl comic and it's time to change that! We're taking a look at Tom King & Bilquis Evely's 8-issue miniseries, Supergirl: Woman of Tomorrow, which also serves as the inspiration behind her new movie. But is it secretly a Coen Brothers movie in disguise??? Then we're continuing The Ultimates with issue #8 where we meet some new cast members! Next Time: We celebrate April Fool's Day with Marvel's Smallville parody, Marville (2002)!

YDirector Barry Sonnenfeld joins Jason Alexander and Peter Tilden on this episode of the Really? no Really? Podcast with more true stories from his career as both a Hollywood director and cinematographer. Peter discovered a TED Talk that Barry did called How to Get People to Do What You Want, that was fascinating, funny and very informative. Barry also has a new book out called, Best Possible Place, Worst Possible Time: True Stories from a Career in Hollywood, that's filled with fascinating stories spanning his whole career in Hollywood. From starting off as a cinematographer for the Coen Brothers to directing blockbuster movies like Men In Black, The Addams Family and Get Shorty. Barry will share some pretty entertaining stories. Some of our favorite stories include a scene from Get Shorty that needed to be cut for budget purposes but was also the head of MGM's favorite scene. Plus, you'll want to hear about his story working with Tommy Lee Jones and Rip Torn on Men In Black. They truly hated he each other. Learn more about your ad choices. Visit megaphone.fm/adchoices

Welcome back folks to the Man Cave Movie Review, the podcast where we review the good, the bad, and the ugly of movies for men and women. Thanks for joining us tonight for episode 380, The Big Lebowski, starring Jeff Bridges, John Goodman, Steve Buscemi, Julianne Moore, John Titoro, Tara Reed, David Huddleston, Philip Seymour Hoffman. And I'm just gonna stop there with Sam Elliott because quite honestly, I could just keep going. But it's really an all-star cameo cast of people that are in a Coen Brothers movie. Thanks for tuning in and apologies for the delay in our podcast. Things have been fluid around here. Sit back and listen as Ken and Jeff tell you about the best part of this movie and it ain't the dude!!

Film buffs around the world know the North Dakota city of Fargo thanks to the 1996 classic by the same name. The Coen Brothers filmed their darkly comedic, crime drama in Minnesota and filled it with scenes of bitter cold and exaggerated accents to represent their home state. The film turned 30 in March around the same time that Fargo's movie theater celebrated 100 years. The theater is commemorating both those birthdays Tuesday with a screening of Fargo and a Q&A event with Swedish actor Peter Stormare. He played the bleach-blonde, silent kidnapper Gaer Grimsrud, who's most infamous for his dealings with a woodchipper at the end of the film. Stormare talked with MPR News Fargo/Moorhead reporter Tadeo Ruiz Sandoval about the film's 30th anniversary.

You betcha! Jay and Shua head up to the snowy Midwest to celebrate the 30th anniversary of Fargo and explore the wonderfully weird world of the Coen Brothers. From woodchippers to wild film trivia, we dig into dark comedies, sci-fi fun, and some seriously enjoyable pop culture picks.   News A Ready Player One graphic novel adaptation is arriving this fall with a Target-exclusive release ahead of a wider 2027 launch.   Spaceballs 2 is officially set for April 23, 2027, bringing back Mel Brooks, Rick Moranis, and more for a long-awaited sequel.   The original stars of Charlie's Angels reunited at PaleyFest LA to celebrate the show's 50th anniversary.   Check out our TeePublic store for some enjoyable swag and all the latest fashion trends What we're Enjoying Shua is fired up about the Artemis II mission and the excitement it's generating around science, exploration, and human achievement. He highlights how inspiring it is to see the world come together around discovery and encourages everyone to embrace curiosity and learning. Jay has been enjoying Mike & Nick & Nick & Alice, a time-travel comedy on Hulu starring Vince Vaughn. A fun, entertaining ride with plenty of humor and a chance to see Vaughn stretch his performance in double the ways.     Sci-Fi Saturdays -  This week on Sci-Fi Saturdays Jay looks into Bumblebee (2018), diving into why it stands out in the Transformers franchise. Is it the emotional core of the film? Maybe the character-driven storytelling elevates it beyond typical robot battles. Both John Cena and Hailee Steinfeld bring depth and authenticity to a story about connection and growth. Read his article on RetroZap.com. And make sure to play around with the interactive map on MCULocationScout.com. This week he's added some new locations from Daredevil: Born Again season 2. Plus, you can tune in to SHIELD: Case Files where Jay and Shua talk about great stuff in the MCU.   Enjoy Chicken Fricasee!  Jay and Shua bundle up and head into the snowy cinematic world of the Coen Brothers, and the 30th anniversary of Fargo. Along the way, they explore the early years of Joel and Ethan Coen, breaking down how their unique storytelling style evolved through crime dramas, comedies, and genre-bending films.   From the gritty beginnings of Blood Simple to the quirky chaos of Raising Arizona and the award-winning brilliance of Fargo, the discussion is packed with humor, insight, and appreciation for the brothers' unmistakable voice. It's a fun, fast-paced look at a decade-plus of filmmaking that changed indie cinema forever.   Have you been to Fargo? Do you know what the guys looked like? Let us know! First person that emails me with the subject line, "Kinda funny lookin'" will get a special mention on the show.  Let us know. Come talk to us in the Discord channel or send us an email to EnjoyStuff@RetroZap.com 

Kenny Carman and Anthony Lima analyze the filmography of Paul Thomas Anderson and the Coen Brothers, debating which director's style matches their own. They also discuss the value of NFL Combine metrics versus game tape and Kadyn Proctor's potential as a draft prospect. 02:14 - Movie Director Comparison 07:13 - Film Perspectives Evolving 14:36 - Lebowski And John Goodman 17:20 - Tape Versus Combine 23:13 - Mock Draft Plans

Amy Landecker has been in a TON of stuff we're fans of from the best Coen Brothers film A Serious Man to Transparent to The Handmaid's Tale plus episodes of everything from Mad Men to Curb Your Enthusiasm, and that's barely scratching the surface of her career. While doing press for her new film For Worse, which she WROTE DIRECTED and STARS in (and which is IN THEATERS NOW for NY and LA folks and expanding across the country THIS FRIDAY), Amy stopped by the ol' Zoom CT couch to talk about how the idea of gender identity has changed between her and her child's generations, life in sobriety, meeting her second husband, the list about cats and dogs, hanging out on a Pride float with Bradley's manager and SO MUCH MORE! PLUS, obvi, we answer YOUR advice questions! If you'd like to ask your own advice questions, call 323-524-7839 and leave a VM or just DM us on IG or Twitter!Andy's latest essay can be found here! Also, we're in culture critic and Vulture writer Sean Malin's book The Podcast Pantheon: 101 Podcasts That Changed How We Listen!ALSO BUY A SUPER CUTE "Open Your Hearts, Loosen Your Butts" mug! And:Support the show on Patreon (two extra exclusive episodes a month!) or gift someone a Patreon subscription! Or get yourself a t-shirt or a discounted Quarantine Crew shirt! And why not leave a 5-star review on Apple Podcasts? Or Spotify? It takes less than a minute! Follow the show on Instagram! Check out CT clips on YouTube!Plus some other stuff! Watch Naomi's Netflix half hour or Mythic Quest! Check out Andy's old casiopop band's lost album or his other podcast Beginnings!Theme song by the great Sammus! Hosted on Acast. See acast.com/privacy for more information.