Podcasts about Coen brothers

This week we're heading north to break down Fargo, the Coen Brothers' pitch-black crime comedy where a mild-mannered car salesman (William H. Macy) hires two bumbling criminals (Steve Buscemi and Peter Stormare) to kidnap his wife, and a very pregnant, very polite police chief (Frances McDormand) follows the trail of bodies through the snow. It's a real good time, you betcha, with a whole lot of 'oh jeez' and 'yah, no, for sure' on the way to some of the coldest murders in the movies. Grab a hotdish, bundle up, and join us.

Are you too old to reinvent yourself? The answer is no.Wendi Knox is a professional uplifter, author, and artist. In her past life, she was the only female Senior Vice-President/Creative Director at one of the largest advertising agencies in Los Angeles, creating multimedia ad campaigns for brands like Honda and Acura. Her award-winning commercials have been directed by the Academy Award-winning Coen Brothers, starred William Wegman's famous Weimaraners, and were profiled in The New York Times.At 50, Wendi lost her job and found herself sobbing in her backyard, asking the Universe, “Am I too old to reinvent myself?” Her answer came in the form of hundreds of red dragonflies filling her backyard with magic (for four days)! Learning that dragonflies don't fly until later in life sparked a new purpose for Wendi and inspired her to create a unique paradigm for transformation as we age.Today, she's on a mission to help women see aging not as a decline, but as an opportunity to grow new wings. Through her “Breaking Out of the Age Cage” illustrated talks and inspiring workshops, Wendi is working to rebrand aging as an opportunity for Becoming More of Who We Are, Not Less of What We Were.Like the dragonfly, she is soaring later in life, having her first book, From Muck to Magic, published and her first solo art show at 65. It is a beautiful picture book for adults that celebrates each person's inner child. Now at 72, she has published her second book, The Way of the Dragonfly: Flight Instructions to Transform the Way We Age. The book is a soulful, witty, and deeply empowering guide for women ready to rise above our youth-obsessed culture and embrace aging on their own terms.Inspired by her life-changing encounter with hundreds of red dragonflies, Wendi reframes the aging process. Blending personal storytelling, spiritual insight, tools, exercises and “Dragonflying Lessons,” this book invites readers to shed old ageist beliefs, reveal their true colors, and soar with purpose and joy at any age.In this episode, we discuss Wendi's book and work, but also get into her experience with a loved one dealing with the devastating effects of marijuana and cannabis induced psychosis. She recommends that anyone whose lives are touched by this situation go to EveryBrainMatters.org.Wendi has so much wisdom to share with us. She talks about the fetches (the word for a gathering of dragon flies) she organizes for women in the Ojai area, making "I've done" lists instead of "to do" lists, talking back to her "bitch Edna" negative voice in her head, how intuition is the voice of her heart and soul, how tears are like rainwater that help your metaphorical garden to grow, and more. One of my favorite quotes of Wendi's, a former executive in the advertising world: "Marketing a book is a pain in the algorithm!" So true!These days, Wendi is blessed to live in magical Ojai with her husband Will (she followed her intuition and married this extraordinary man after only dating him for two months, a decision that may be one of the best she's made, given what I know about him), fur baby Blossom and a colorful assortment of dragonflies. To find out more about Wendi and her work, fly over to WendiKnox.com.Follow Wendi:https://wendiknox.com/ (where there are links to buy her book on her landing page)Instagram: @wendiknoxuplifter: https://www.instagram.com/wendiknoxuplifter/?hl=enFacebook: @WendiKnoxAuthorhttps://www.facebook.com/wendiknoxauthor/LinkedIn: Wendi Knoxhttps://www.linkedin.com/in/wendiknox/Featured Profile in Ageist Magazine:https://www.ageist.com/profile/wendi-knox-71-soaring-after-midlife/Essay in Maria Shriver's Sunday Paper:https://mariashriver.com/time-to-break-out-age-cage/Interview on Mariel Hemingway's Podcast:https://www.youtube.com/watch?v=WBT_WO7e9F4Interview on NPR's 51%:https://www.youtube.com/watch?v=b7vjVk_ZQPY

From classic Westerns to Emmy-nominated TV and modern-day hit streamers, Barry Corbin is the go-to-pro actor who adds his signature country charm to project after project, upstaging the leads and creating quotable TV and movie memories!Barry joins Weezy to reflect on a remarkable career that began with a childhood dream inspired by movie cowboy Wild Bill Elliott. But Barry understood early that he had no interest in being the cowboy. He wanted to be the actor who plays the cowboy.We revisit Urban Cowboy, discussing the film's enduring cultural impact and how  younger generations still continue discovering it. Barry shares that Uncle Bob's memorable closing monologue was subject to his own rewrite, at the behest of director James Bridges.The conversation turns to Barry's beloved role as retired astronaut Maurice Minnifield on Northern Exposure, which earned him back-to-back Emmy nominations. He discusses the show's willingness to explore social issues long before those conversations became commonplace. He identifies Maurice as a man shaped by his era, and recounts a hilarious visit to the Smithsonian that ended with museum staff having to pry him out of John Glenn's Mercury capsule after an ill conceived photo op.Barry also looks back on the landmark miniseries Lonesome Dove, sharing backstage  stories about adapting Larry McMurtry's sprawling novel for television and the production's memorable budget battles. He recalls learning to drive a six-horse stagecoach for Conagher in just two days, talks about a devoted One Tree Hill fan who had Coach Whitey's quotes tattooed up and down her arms, and confesses to some scene-stealing moments opposite Sylvester Stallone in Tulsa King.Plus, Barry previews his latest project, the Apple TV+ comedy Brothers, starring Matthew McConaughey and Woody Harrelson. And in IMDb Roulette, Barry reveals that Wargames offered another opportunity to add some key lines to the final cut and he takes us behind his memorable scene in No Country For Old Men where the Coen Brothers had no notes for him or Tommy Lee Jones saying, “If you cast it right. There's no need.”In media recommendations --Weezy: The Docuseries Murder 101, streaming on PrimeEngineer, Mason: (In honor of Barry), the book Lonesome Dove by Larry McMurtryProducer, Dina: Netflix original sitcom, LeannePath Points of Interest:Barry CorbinBarry Corbin's Texas HistoryBarry Corbin on IGBarry Corbin on IMDbBarry Corbin on WikiChris Corbin Watching My Dad's MoviesBrothers on Apple TV+Murder 101Lonesome Dove by Larry McMurtryLeanne

Julian, Emilio and Madeline welcome back Brendan McDonald, former producer of the medium-defining podcast WTF with Marc Maron, to kick off a new episode cycle comprising Comfort Movies from the 1990s with a "View-nanimous" discussion on one of the decade's definitive films, The Big Lebowski. From the iconic brother team of Joel and Ethan Coen, this 90s classic focuses on a worldly, middle-aged Los Angeles slacker known as the Dude, who casually falls into the role of detective when a case of mistaken identity interrupts his unassuming existence, and sends him through a unique cascade of events and strange personalities. A beloved film by many, including all four participants in this conversation, the group dig into the story's many ins and outs, such as its distinct-yet-broad sense of time and place, the many ironies held within its characters and themes, and how the Coens' script simultaneously subverts and holds up the traditions of hard-boiled detective novels and movies, accompanied by numerous Lebowski-related personal stories along the way. Abiding amongst the motifs of bowling, White Russians, and classic rock as it all happens, our four conversationalists revel in the wealth of anecdotes provided by The Big Lebowski to result in this podcast's longest episode yet!Listen to the WTF archives and look back on the podcast's legacy at wtfpod.comPre-order the graphic novel "WTF is a Podcast with Marc Maron" at z2comics.comIf you enjoy our podcast, please rate and review us on your podcast platform of choice.  This really helps us find new listeners and grow!We have a monthly newsletter!  Subscribe at sleeplesscinematicpod.substack.comFollow us on IG and TikTok: @sleeplesscinematicpodSend us an email at sleeplesscinematicpod@gmail.comOn Letterboxd? Follow Julian at julian_barthold and Madeline at patronessofcats  

Send us Fan Mail In this episode, Marty gives Clif the movie Inside Llewyn Davis to watch and Clif gives Marty the movie The American Friend to watch.First up is The American Friend, Wim Wenders' 1977 crime drama starring Dennis Hopper and Bruno Ganz. Clif and Marty dig into this strange, visually striking adaptation of Patricia Highsmith's Ripley novel, following a picture framer who gets pulled into a world of art forgery and murder. They talk about Wenders' deliberately paced visual style, the film's sparse score, it's international cast and Dennis Hopper's fascinating performance as Tom Ripley.Then it's off to Greenwich Village in 1961 for Inside Llewyn Davis, the Coen Brothers' melancholy, darkly funny look at a struggling folk musician trying to find his way through the New York music scene. Clif and Marty examine Oscar Isaac's performance, the film's looping structure, it's gorgeous cinematography and Llewyn's seemingly limitless ability to sabotage himself. They also debate whether he's a tortured artist, a grieving man who can't move forward or simply a guy who desperately needs somebody to tell him to get his shit together.Along the way: Dennis Hopper's cowboy hat, Wim Wenders fighting with a film lab, Criterion releases, Bob Dylan and highway hypnosis.Support the showFind our films here:The Love Song of William H ShawRevenge of ZoeWriting Fren-ZeeMaking Pondo on FacebookBlueskyInstagramMaking Pondo on Letterboxd:Season OneSeason TwoSeason ThreeSeason FourTheme Song "The Rain" by Russ PacePhotos by Geoffrey Notkin

Continuing Issue 76 of Double Reel, the monthly magazine podcast for the discerning film nerd. This is the Remakes Tribunal where we put two films up for judgement. Continuing this month's Heist movie theme, our Remake on Trial is the 1999 update to The Thomas Crown Affair. Can Rene Russo and Pierce Brosnan match up to the iconic original pairing of Steve McQueen and Faye Dunaway? Then we have a Parole Board for a film which didn't work the first time and see if a remake would fix its problems. This time it's the disastrous Ben Affleck-Charlize Theron vehicle Reindeer Games. The first two parts of the issue are out already - Double Reel Monthly and Classics & Hidden Gems - and we will have a Spotlight on the Coen Brothers next week. Check out DE Fox's author page here: DE Fox Author And check out Alan's author page here: Alan Bayles Author And check out reviews of films on physical media on Maximum Disc   

Braga, King, and Ski close out Coen Brothers month with the movie that put them on the map, Fargo. It's a grizzly murder story set in snowy and polite Minnesota that helped establish the Coen's style and won them an Oscar for best original screenplay. Wood chippers, bored prostitutes, and a weird lookin fella. Is it any good?

Braga, King, and Ski talk about the most acclaimed Coen Brothers movie, No Country For Old Men. It finally won them best picture and director Academy Awards, and Javier Bardem's portrayal of Anton Chigurh was deemed the most realistic psychopath in film history. It's well shot, well written, and everyone dies. Is it any good? Listen!

What makes an image unforgettable? How can light, movement, and a single frame make us feel the heart of a story long after the screen goes dark? Tune in for an inspiring discussion with two-time Academy Award® winning cinematographer Sir Roger Deakins and creative partner James Ellis Deakins on their visual memoir, Reflections: On Cinematography. Moments with Marianne Radio Show airs in the Southern California area on KMET1490AM & 98.1 FM, an ABC Talk News Radio Affiliate!  https://www.kmet1490am.com Roger A Deakins CBE, ASC, BSC, is one of today's most honored cinematographers, renowned for his vast and varied body of work. He has been nominated for an Oscar 16 times and won the award twice for the films Blade Runner 2049 and 1917. He has also received 17 nominations for the top honor awarded by the American Society of Cinematographers and has been nominated 11 times for the BAFTA award, winning five of them. Some of his other Oscar nominations are for: Denis Villeneuve's Prisoners and Sicaro; The Coen Brothers' Fargo; Martin Scorsese's Kundun; The Reader; Sam Mendes' Skyfall; and Angelina Jolie's Unbroken, just to name a few. https://www.rogerdeakins.com James Ellis Deakins is the creative work partner of Roger Deakins. Born on the east coast of the United States, she double majored in college in Latin and Greek, doing a graduate course in Latin as an undergraduate. Once out of school, she began her film work in New York City as a film lab technician at DuArt Film Laboratories and then as a script supervisor in production. After moving to Los Angeles, she met Roger Deakins on a film set and their creative collaboration began. https://teamdeakins.libsyn.com To learn more about the show and interview opportunities contact us at: https://www.mariannepestana.com #cinematography #film #movies #academyawards #filmmaker #creative #filmlover #gotothemovies #movie 

This week, we continue with our Coen Brothers kick. Their third film moves from the dark noir of Blood Simple and the Looney Tunes style live-action comedy of Raising Arisona to something in between. This film is the first of the Coen's career that melds genres in a way that few others can. Miller's Crossing (1990), directed by the Coen Brothers.

Braga, King, and Ski talk The Big Lebowski. It became a cult classic despite being viewed as a disappointment on the heels of Fargo. It introduced us to The Dude and is so culturally significant that it's in the Library of Congress. We've all seen it a billion times, but does it hold up? Is it any good? Listen!

Homer adaptations. Sarah Watt, Jeremy Downing and William Chen discuss The Odyssey (2026) and O Brother, Where Art Thou? (2000), two adaptations of Homer's epic poems The Illiad and The Odyssey. We allude to the artistry of Christopher Nolan and Joel and Ethan Coen, aka The Coen Brothers - writer and directors of the two films. We discuss the music of both films, namely the O Brother, Where Art Thou album and the score of The Odyssey by Ludwig Göransson. Our conversation focuses on our reactions to The Odyssey, with general enjoyment found across the three hosts. We compare the archetypes across both films, discussing what each adaptation brings to the core characters, settings and ideas. We spend some time talking about O Brother, Where Art Thou's creative flourishes. We return to The Odyssey and laude Samantha Morton's performance as Circe, including the practical visual effects used in her scenes. We then move on to talk about the stacked cast in The Odyssey, including: Matt Damon, Tom Holland, Anne Hathaway, Robert Pattinson, Elliot Page, Himesh Patel, Mia Goth, Logan Marshall-Green, Charlize Theron, Zendaya, Jon Bernthal, Lupita Nyong'o, Benny Safdie and John Leguizamo.

This week, we continue with our Coen Brothers kick. Their second film moves from the dark noir of Blood Simple to a Looney Tunes style live-action comedy. Some critics originally criticized this films over-the-top nature, but if you can get past the non-realism and complete genre change from the brothers, this is one hilarious ride. Also one of Nic Cages best, most reined in performance. Raising Arizona (1987), directed by the Coen Brothers.

Braga, King, and Ski start off Coen Brothers month with True Grit. It kicked off Hailee Steinfeld's career and got everyone excited for the Coens and Jeff Bridges reuniting for the first time since The Big Lebowski. Matt Damon struggles a bit, but does it hurt the movie? Does it live up to Coen standards? Is it any good? Listen!

What's the rumpus? Joel and Ethan Coen have written, directed, and edited 18 films together, and Alex and Nick are in their element when discussing them. From “Blood Simple” to “Buster Scruggs,” here's a breakdown of two of the most singular, hysterical, and intelligent voices in modern film.Visit waywpodcast.comJoin WAYW Bonus Features on PatreonBuy WAYW MerchSupport the show

Love or hate Christopher Nolan's take on The Odyssey? Agree or disagree with changes he made? It's certainly not the most radical revision of this ancient story, as this Coen Brothers' classic does (not to mention Wishbone). However, this is a great example of how (intentional or not) our narratives often have similarities with different window dressing. Revisit this beloved version set in 1930s Mississippi with OG hosts Richard and David. Originally released Dec 5, 2017. #theodyssey #coenbrothers #obrotherwhereartthou #georgeclooney #FaithAndFilm #MoviePodcast #FilmReview #ChristianPodcast #MediaLiteracy #reformedtheology  Intro Music by Ross Bugden: https://youtu.be/Bln0BEv5AJ0?si=vZx_YiHK3hNxaETA

Tom and Jenny discuss the Coen Brothers’ wonderful 2010 adaptation of the 1968 Charles Portis novel (which was previously adapted to film in 1969 and starred John Wayne). This version stars Jeff Bridges, Hailee Steinfeld, Matt Damon, and Josh Brolin. Thanks to GramtharsHammer for renting the movie for us! Audio version: https://archive.org/download/Movie-Time-True-Grit-2010/Movie%20Time_%20True%20Grit%20%282010%29.mp3 Video version: Please support … Continue reading Movie Time: True Grit (2010)

Join me (Anna Stone) and guest host Kevin LeClaire as we discuss 2007's No Country For Old Men directed by the Coen Brothers. In this episode, we consider the themes of the film, share our thoughts about the limited soundtrack, and spend an inordinate amount of time talking about Javier Bardem's character's haircut. Follow on Instagram @stonestoptens.Email stonestoptens@gmail.com KeywordsNo Country for Old Men, film analysis, themes, cinematography, character study, morality, tension, movie review, podcast, Anna Stone film analysis, No Country for Old Men, character performances, movie soundtrack, modern casting, film critique, cinematography, costume design, dialogue, tension

This is the 11th time a Coen Brothers film has been discussed on Have You Ever Seen, although this black comedy is slyer than many of the others. There's also a lot of violence and horror in Barton Fink. It's covering a lot of ground. John Turturro plays the title character, a Broadway playwright who's hired to write a wrestling picture in 1941 Hollywood. After dealing with writer's block for what seems like weeks on end, his script gets meta...and things get weird. John Goodman plays a complicated character with a lot of wit and devilishness while John Mahoney, Judy Davis, Jon Polito and Steve Buscemi contribute their quirks to this one too. Joel & Ethan have Barton talking a lot about the common man in this very uncommon dramedy. T'is a theme. So take your head-box to the beach and contemplate your dark future in California as I fill out close to an hour of talk time in this 756th episode with a look into Barton Fink. Well, Actually: in the "So I Got Thinkin'" about some of the summer's big releases, Milly Alcock was misidentified Milly "Adcock." Subscribe to Have You Ever Seen in your podcast application. Rate the show and review it as well. Find me on Letterboxd (RyanHYES). I tweet (@moviefiend51) and lurk on Bluesky (ryan-ellis). Email is "haveyoueverseenpodcast@gmail.com).

The Coen Brothers' American take on "The Odyssey" left an indelible mark on film and music alike, but how does it hold up as an adaptation? In episode 391, join Luke Elliott & James Bailey as the geek out about Roger Deakins, debate what makes for an effective politician, unpack the role of race in this Depression-era epic, and finally cast their votes for which they preferred, the book, the movie, or Christopher Nolan's version! Join our Discord channel https://discord.gg/yQpgu9jYB2 Pickup The Odyssey or any of the books they've covered at the Ink to Film Bookshop https://bookshop.org/shop/inktofilm Support Ink to Film on Patreon for bonus content, merch, and the ability to vote on upcoming projects https://www.patreon.com/inktofilm Ink to Film's Facebook, Instagram, Bluesky (@inktofilm) Home Base: inktofilm.com Intro/outro music: "Rapture" by Ross Bugden  https://youtu.be/vja87ZXejyk?si=PJlByfDXNemtqJMo Luke Elliott Website: www.lukeelliottauthor.com Social Media: https://www.lukeelliottauthor.co... Writing: https://www.lukeelliottauthor.co... James Bailey Bluesky: https://bsky.app/profile/jamebail.bsky.social IG: https://www.instagram.com/jamebail/

We love it when our interests align with a pop culture moment! We're taking this opportunity to dig deep into The Odyssey - maybe you've heard of it? We touch on Emily Wilson's text and the lingering cultural impact of this millennia-old myth, as well as Nolan's specific take and some other adaptations. Homework for the episode: The Odyssey (Homer, translated by Emily Wilson); The Odyssey (2026, dir. Christopher Nolan); Contempt (1963, dir. Jean-Luc Godard), O Brother, Where Art Thou? (2000, dir. the Coen Brothers)

Paul and Amy head down to the Mississippi Delta with O Brother, Where Art Thou?, the Coen Brothers' Depression-era odyssey that transformed Homer's epic into a bluegrass-fueled American fable. They unpack George Clooney's career-defining comedic turn, the film's groundbreaking digital look, and the skillful way the Coens balance myth, music, and absurdity. You can join the Unspooled conversation on Paul's Discord at https://discord.gg/ZwtygZGTa6 Follow Paul and Amy on Letterboxd for more of their movie hot takes! https://letterboxd.com/paulscheer/ https://letterboxd.com/theamynicholson/ Paul's book Joyful Recollections of Trauma is out now! Find it at https://www.harpercollins.com/products/joyful-recollections-of-trauma-paul-scheer Check out more of Paul's writing on his Substack https://substack.com/@paulscheer Episodic Art by Kim Troxall: https://www.unspooledart.com/ Learn more about the show at Unspooledpod.com, follow us on Twitter @unspooled and on Instagram @unspooledpod, and don't forget to rate, review & subscribe to us on Apple Podcasts, Spotify or where you listen to podcasts. Learn more about your ad choices. Visit megaphone.fm/adchoices

This week, we are doing the Coen Brothers! We are starting at the very beginning and going through their filmography until we hit the films we've seen. We start with their debut film, which has actor Francis McDormand's first role, as well as Barry Sonnenfeld's first time behind the camera. Blood SImple (1984), directed by the Coen Brothers.

In 2007, the Coen Brothers made a thriller set in 1980 that somehow captured an American dread that hadn't fully arrived yet. Critic Hugo Emmerzael and academic Dan Hassler-Forest return to No Country for Old Men — the coin toss, the deaths that happen offscreen, the sheriff who solves nothing — to ask how a film everybody already loves quietly called the next twenty years.Hugo and Dan get into the film's nihilism, its collapse of the Western hero and detective who restores order, and the strange afterlife of Javier Bardem's iconic Anton Chigurh: from Oscar winner to right-wing meme. JD Vance has even used Chigurh's monologue in a political speech, while Pete Hegseth apparently mistook Pulp Fiction for the Bible.And what does No Country for Old Men have in common with Euphoria? What felt like a disturbing vision of a society emptied of values in 2007 can now feel less like a warning than a description of everyday life.Get tickets to ⁠⁠Cine Of The Times: No Country For Old Men⁠⁠ @ LAB111A LAB111 production. Edited and produced by Elliot Bloom, co-produced by Laura Gommans. Music by Hugo Emmerzael. Artwork by Studio FFF.

Jaws is host Eric Vespe's favorite movie of all time, so it's only fitting that we get the nerdiest possible deep dive into the 1975 blockbuster with special guest Ian Nathan. Ian's an author and documentarian who has produced books on The Coen Brothers, Tim Burton, and Guillermo del Toro as well as produced truly epic documentaries on John Carpenter's The Thing and James Cameron's Aliens. His next project up is Jaws Explored, a documentary that goes into the minutiae of the film, its legacy, and why it's just so damned good. It's hard to get Vespe to shut up about Jaws, so brace yourself for an uber-nerdy conversation that discusses the three leading characters, the reality behind the making of the movie, and a deep dive into the color theory of the film. More information on Jaws Explored can be found at www.jawsexplored.com. Learn more about your ad choices. Visit megaphone.fm/adchoices

ODYSSEY-MANIA comes to M:TM:TP as we discuss its 2000 Coen Brothers adaptation, "O Brother, Where Art Thou?" with theater person Leanne Dinverno (The Coil Project). We unpack all the important questions like, is this really an adaptation of "The Odyssey"? Is this even a musical?? Andy talks about seeing this soundtrack... live in concert?? Steph details which artist from this soundtrack she started a lifelong love affair with. Leanne shares her favorite "Odyssey" meme! Listen to this when you're in a tight spot!check out our patreon at patreon.com/dumbfuncheck out our No Skips playlist on Spotify at https://open.spotify.com/playlist/6NWZ1ETlRqC9s7gcVIoTFW Hosted on Acast. See acast.com/privacy for more information.

Well howdy there! The gang here talk about The Ballad of Buster Scruggs. It's a collection of western tales and as of right now the last film by those Coen Brothers as a duo. Guess everyone gets to the end of the trail. Well see here this here podcast posse have a lot of thought on this here film and how it highlights of them there failings of the brothers. We talk about: Wrath of the Righteous, Pre-Nationals Netrunner, Light Side of The Ring, Racing Games, Molly Moving, Fear & Loathing, Cut A Segment, Why Does This Look Like Shit, Singing Cowboy, Dead Man's Hand, The Meme One, Native Representation, Noah Hawley Is A Better Writer Than The Coens, We Watch A Boring Show, Longest Movie, Kinda Nice And Kinda Evil, CGI Deer, Oregon Trail Adaptation, Uncertainty, Reapers, Their Worst Movie?, Anthology Films,

O is for O Brother, Where Art Thou?   This week we get together to discuss Ashlyn's pick, the 2001 Coen Brothers comedy O Brother, Where Art Thou?   In the deep south during the 1930s, three escaped convicts search for hidden treasure while a relentless lawman pursues them.

This week, we keep the Odyssey kick going with a more loose adaptation (if you can even call that). This film holds up, carried by beautiful cinematography, hilarious characters, and of course the sound track. O Brother, Where Art Thou (2000), directed by the Coen Brothers.

❄️ This week, Naomi finally crossed another legendary movie off her list—Fargo! Ohhh, ya? You're darn tootin'! For the first time ever, she experienced the Coen Brothers' dark comedy/crime classic completely spoiler-free - she had no idea about the wood chipper scene - and let's just say... she had plenty of thoughts! ❄️ Plus, an AI teacher gets expelled, a Clueless sequel, $5 ice cubes, and old school struggles that we're happy to be rid of!

This week I talk with screenwriter and director Andrew Zuckerman, and actress Sari Lennick about their new movie Good Sport, which is premiering at the Edina Mann Theatre August 13-20. We have a wide-ranging discussion about filmmaking in Minnesota, how Zuckerman took his shot at introducing himself to Lennick at a Minneapolis bar, Lennick's experience working for the Coen Brothers in A Serious Man. Tickets: https://manntheatres.com/movie/107748863/89/Good-SportEach screening will be followed by a live Q&A with members of the cast, producers, and crew, offering audiences a behind-the-scenes look at the making of this Minnesota-grown film.The Who The Folk?! Podcast is part of the Jewfolk Podcast Network, a product of Jewfolk, Inc. Episodes are produced by Jewfolk editor-in-chief Lonny Goldsmith. If you have questions, comments, or a guest to nominate, send an e-mail to editor@jewfolk.com. For more information, go to TCJewfolk.com/podcast

The SUMMER OF JASON continues as we finally cover the Coen Brothers' 1991 Hollywood writer's block nightmare starring John Turturo and John Goodman, Barton Fink. Joining us is the showrunner of Veep, writer/director (Seinfeld, Curb Your Enthusiasm, White House Plumbers) and co-host of The Stuff Dreams Are Made Of, Dave Mandel. We discuss San Diego ComicCon's biggest highlights, DNC missteps, and this fantastic film.ChaptersIntroduction (00:00:00)Hatch News (00:23:48)Barton Fink Roundtable (00:38:11)Your Letters (01:25:22)Notes and LinksCheck out Escape Hatch Merch! Our all new collection of swag is available now and every order includes a free Cameo style shoutout from Haitch or Jason. Browse our collection now.Join the Escape Hatch Discord Server! Hang out with Haitch, Jason, and other friends of the pod. Check out the invite here.Escape Hatch is a TAPEDECK Podcasts Jawn! Escape Hatch is a member of TAPEDECK Podcasts, alongside: 70mm (a podcast for film lovers), Bat & Spider (low rent horror and exploitation films), The Letterboxd Show (Official Podcast from Letterboxd), Cinenauts (exploring the Criterion Collection), Lost Light (Transformers, wrestling, and more), and Will Run For (obsessed with running). Check these pods out!.See the movies we've watched and are going to watch on LetterboxdEscape Hatch's Breaking Dune News Twitter listRate and review the podcast to help others discover it, and let us know what you think of the show at letters@escapehatchpod.com or leave us a voicemail at +1-415-534-5211.Follow @escapehatchpod on Bluesky,Instagram, and TikTok.Music by Scott Fritz and Who'z the Boss Music.Cover art by ctcher.Edited and produced by Haitch.Escape Hatch is a production of Haitch Industries.

In true "Odyssey" fashion, we're adding a few more stops to this Homeric kick. Today, it's the Coen Brothers' 2000 adaptation of "The Odyssey" — a banjo-picking romp full of scoundrels, sirens, and Depression-era commentary on the battle between newness and nostalgia. My sister Grace is here to discuss why "O Brother Where Art Thou?" was one of our childhood touchstones, flex some translation knowledge, and play a disturbing album sales game.

Christopher Nolan’s The Odyssey approaches Homer’s epic from a much more literal vantage point than O Brother Where Art Thou, but that doesn’t mean it’s a dutiful, beat-by-beat adaptation. So this week we’re talking through the ways in which Nolan put his personal stamp on one of the most well-known stories in all of literature, from the film’s non-linear structure and preoccupation with time, to the physicality and humanity Nolan brings to this big-screen spectacle about a time of apparent magic. Then in Connections, we look at how these two very different films approach their shared source material, not just in direct character and narrative parallels, but also their interest in the oral tradition and eras coming to an end. Then in Your Next Picture we return to the subject of O Brother ’s music with a recommendation for the 2000 concert film Down From the Mountain. Please share your thoughts about O Brother, Where Art Thou?, The Odyssey, or anything else in the world of film, by sending an email or voice memo to comments@nextpictureshow.net, or leaving a short voicemail at (773) 234-9730. Next Pairing: Matt Johnson’s Tony and Brad Bird’s Ratatouille This episode is presented by⁠ ⁠⁠⁠⁠⁠⁠⁠Regal Unlimited⁠⁠⁠⁠⁠⁠⁠⁠⁠, the all-you-can-watch movie subscription pass that pays for itself in just two visits. Use code NEXTPIC26 for 15% off.See omnystudio.com/listener for privacy information.

Check it out at patreon.com/lilstinkers You voted and we listened! And watched! For this month's installment of Lil Stinkers go to the Movies, we watched the Coen Brothers' 1996 classic, Fargo. It's about a pathetic weasel who hires two criminals to pull off a fake kidnapping of his wife so he can get money from his FIL and the plan goes off the rails. And it's all just dripping with midwestern politeness. Stay warm and enjoy!

Christopher Nolan’s The Odyssey approaches Homer’s epic from a much more literal vantage point than O Brother Where Art Thou, but that doesn’t mean it’s a dutiful, beat-by-beat adaptation. So this week we’re talking through the ways in which Nolan put his personal stamp on one of the most well-known stories in all of literature, from the film’s non-linear structure and preoccupation with time, to the physicality and humanity Nolan brings to this big-screen spectacle about a time of apparent magic. Then in Connections, we look at how these two very different films approach their shared source material, not just in direct character and narrative parallels, but also their interest in the oral tradition and eras coming to an end. Then in Your Next Picture we return to the subject of O Brother ’s music with a recommendation for the 2000 concert film Down From the Mountain. Please share your thoughts about O Brother, Where Art Thou?, The Odyssey, or anything else in the world of film, by sending an email or voice memo to comments@nextpictureshow.net, or leaving a short voicemail at (773) 234-9730. Next Pairing: Matt Johnson’s Tony and Brad Bird’s Ratatouille This episode is presented by⁠ ⁠⁠⁠⁠⁠⁠⁠Regal Unlimited⁠⁠⁠⁠⁠⁠⁠⁠⁠, the all-you-can-watch movie subscription pass that pays for itself in just two visits. Use code NEXTPIC26 for 15% off.Support the show: https://www.patreon.com/join/NextPictureShowSee omnystudio.com/listener for privacy information.

Get out the half and half and pour yourself a White Russian because we're talking about The Big Lebowski with returning guest, author Paul Tremblay (Horror Movie, The Cabin at the End of the World)! We chat about our own connections to the film, the Coen Brothers' oeuvre, why the film is a cult classic, and how it holds up in 2026. Then we have a spoiler-free Q and A with Paul about his latest novel, Dead But Dreaming of Electric Sheep, which is a truly unique and exciting read. Read along for our next Bookpisode about All Us Saints by Katherine Packert Burke on August 4. Then join us for another fun Othersode with Clay McLeod Chapman. We'll talk about the film Fallen and then we'll interview him about his new novel, Devil Inside, on August 18. We'd loooooove for our listeners to leave us a rating and review on Apple Podcasts! Next time you see a video of Jimothy, let that be a reminder to you to write a little review for your gals over at Book Squad Goals.TOC::30– Welcome, Paul! 15:30–Movie Intro17:00–Previous experience with the Dude24:30–How familiar are we with Raymond Chandler and do we see the connection with his work29:20–The Coen Bros34:00–Why is this a cult classic?40:45–How does this movie work in 2026?50:33–Interview with Paul Tremblay!1:31:17–What's on the blog? What's up next?

The Summer of Jason goes on a long journey as welcome long lost, yet most frequent Escape Hatch recurring guest, co-host of the Cinenauts podcast, ctcher! In preparation for Christopher Nolan's magnum opus The Odyssey next week, we revisit one of the greatest adaptations of Homer's classic work, the Coen Brother's 2000 masterpiece starring George Clooney, O Brother Where Art Thou?Chapters Introduction (00:00:00) Hatch News (00:20:16) O Brother Where Art Thou Roundtable (00:26:51) Your Letters (01:22:45) Notes and Links Check out Escape Hatch Merch! Our all new collection of swag is available now and every order includes a free Cameo style shoutout from Haitch or Jason. Browse our collection now. Join the Escape Hatch Discord Server! Hang out with Haitch, Jason, and other friends of the pod. Check out the invite here. Escape Hatch is a TAPEDECK Podcasts Jawn! Escape Hatch is a member of TAPEDECK Podcasts, alongside: 70mm (a podcast for film lovers), Bat & Spider (low rent horror and exploitation films), The Letterboxd Show (Official Podcast from Letterboxd), Cinenauts (exploring the Criterion Collection), Lost Light (Transformers, wrestling, and more), and Will Run For (obsessed with running). Check these pods out!. See the movies we've watched and are going to watch on Letterboxd Escape Hatch's Breaking Dune News Twitter list Rate and review the podcast to help others discover it, and let us know what you think of the show at letters@escapehatchpod.com or leave us a voicemail at +1-415-534-5211. Follow @escapehatchpod on Bluesky,Instagram, and TikTok. Music by Scott Fritz and Who'z the Boss Music. Cover art by ctcher. Edited and produced by Haitch. Escape Hatch is a production of Haitch Industries.

A good chunk of Supergirl’s DNA can be traced back to True Grit by way of the comics miniseries the film is adapting, which is why we paired it with Joel and Ethan Coen’s 2010 version of that story. But as our discussion of Craig Gillespie’s new entry in James Gunn’s revamped DC Universe details, Supergirl often feels less indebted to its space-western source material than to several other superhero films that preceded it, including some of Gunn’s. That makes it tough to balance a film we all consider okay-at-best against a stone-cold Coens classic, but we attempt to anyway in Connections as we consider these two films’ shared interest in vengeance, western tropes, and really, really bad guys with murky motivations. Then in Your Next Picture Show, we honorTrue Grit’s star-making performance with a recommendation for another Hailee Steinfeld film that’s a favorite of this podcast, The Edge of Seventeen. Please share your thoughts about True Grit, Supergirl, or anything else in the world of film, by sending an email or voice memo to comments@nextpictureshow.net, or leaving a short voicemail at (773) 234-9730. Next Pairing: Christopher Nolan’s The Odyssey and The Coen Brothers’ (yes, again) O Brother, Where Art Thou? This episode is presented by⁠ ⁠⁠⁠⁠⁠⁠⁠Regal Unlimited⁠⁠⁠⁠⁠⁠⁠⁠⁠, the all-you-can-watch movie subscription pass that pays for itself in just two visits. Use code NEXTPIC26 for 15% off.See omnystudio.com/listener for privacy information.

A good chunk of Supergirl’s DNA can be traced back to True Grit by way of the comics miniseries the film is adapting, which is why we paired it with Joel and Ethan Coen’s 2010 version of that story. But as our discussion of Craig Gillespie’s new entry in James Gunn’s revamped DC Universe details, Supergirl often feels less indebted to its space-western source material than to several other superhero films that preceded it, including some of Gunn’s. That makes it tough to balance a film we all consider okay-at-best against a stone-cold Coens classic, but we attempt to anyway in Connections as we consider these two films’ shared interest in vengeance, western tropes, and really, really bad guys with murky motivations. Then in Your Next Picture Show, we honorTrue Grit’s star-making performance with a recommendation for another Hailee Steinfeld film that’s a favorite of this podcast, The Edge of Seventeen. Please share your thoughts about True Grit, Supergirl, or anything else in the world of film, by sending an email or voice memo to comments@nextpictureshow.net, or leaving a short voicemail at (773) 234-9730. Next Pairing: Christopher Nolan’s The Odyssey and The Coen Brothers’ (yes, again) O Brother, Where Art Thou? This episode is presented by⁠ ⁠⁠⁠⁠⁠⁠⁠Regal Unlimited⁠⁠⁠⁠⁠⁠⁠⁠⁠, the all-you-can-watch movie subscription pass that pays for itself in just two visits. Use code NEXTPIC26 for 15% off.Support the show: https://www.patreon.com/join/NextPictureShowSee omnystudio.com/listener for privacy information.

Damn! We're in a tight spot! This week we are seeking treasure with Ulysses Everett McGill and his two companions, Pete and Delmar, in the 2000 Coen Brothers musical comedy O Brother, Where Art Thou? Based loosely upon The Odyssey, this movie was a big hit for The Coens at the time and the soundtrack was massive. But did anyone actually listen to it or was it all just awards hype? Does the early digital colour correction hold up or is it now a bit of an eyesore? Where does this movie rank in the Coen Brothers' filmography? Is it George Clooney's best comedic performance of all time? See you in the funny pages, boys... it's a bushwhack on this week's episode of Film Junk.

We're in a tight spot. This week on Be Kind Rewind, Dave & Cody dig into the Coen Brothers' O Brother, Where Art Thou? (2000), the Depression-era chain gang comedy that's (not so) secretly Homer's Odyssey and accidentally revived an entire genre of American music. We break down what holds up (this is George Clooney's coming out party), the murderer's row of character actors, Roger Deakins making Mississippi look like a sepia dream, and a soundtrack that won Album of the Year at the Grammys as a bluegrass record. We get into what's harder to sit with in 2026, the wild behind-the-scenes stuff (the Coens claim they never read the Odyssey, Clooney said yes without reading the script, the KKK scene is staged like The Wizard of Oz), and a Pastor's Corner on Ulysses Everett McGill as an Ecclesiastes figure who chases every title but bona fide and only finds his knees when the rope comes out. Plus: Adam Sandler officiated the Taylor Swift and Travis Kelce wedding and we have questions, we Muppetize the movie (Dave cheats), and we guess Clooney's top five highest-grossing films, with a number one that made us both genuinely angry.https://linktr.ee/PopCulturePastorPod

Before Christopher Nolan's latest epic retelling of Homer's Odyssey, Let's chat about one of the world's oldest work of literature and review the 2000 loosely based adaptation from the Coen Brothers, O Brother Where Art Thou. Starring George Clooney, John Turturro, and Tim Blake Nelson, with Charles Durning, Michael Badalucco, John Goodman and Holly Hunter in supporting roles.It follows three escaped convicts searching for hidden treasure while a sheriff relentlessly pursues them. Its story is a modern satire which, while incorporating social features of the American South, is loosely based on Homer's epic Greek poem the Odyssey.Hosted on Ausha. See ausha.co/privacy-policy for more information.

Adam and Josh celebrate Fargo's 30th anniversary with a Pantheon Project review (the show’s longest ever) of the Coen Brothers' career-altering 1996 film. Plus, Olivia Wilde's The Invite, David Wain's Gail Daughtry's Celebrity Sex Pass, and listeners choose the best pair of '90s blockbusters. This episode is presented by⁠ Regal Unlimited⁠⁠, the all-you-can-watch movie subscription pass that pays for itself in just two visits. Use code FILMSPOT26 to take 15% off. (Timecodes/chapters may not be precise with ads.) Intro (00:00:00-00:03:33) Fargo at 30 (00:03:34-01:16:58) Filmspotting Family (01:16:59-01:21:34) The Invite (01:21:35-01:25:46) Gail Daughtry’s Celebrity Sex Pass (01:25:47-01:33:56) Polls (01:33:57-01:41:34) Credits / Releases (01:41:35-01:44:08) Links: -Josh’s Fargo Video Essay https://www.youtube.com/watch?v=qaRRXpfTyfU Feedback: -Email us at feedback@filmspotting.net⁠⁠ ⁠⁠⁠⁠-⁠Ask Us Anything⁠⁠⁠⁠⁠ and we might answer your question in bonus content. Support: -Join the Filmspotting Family for bonus episodes and complete archive access. http://filmspottingfamily.com -Filmspotting Shop for T-shirts and more.⁠ ⁠ ⁠https://www.filmspotting.net/shop⁠⁠⁠⁠ Follow: -Watch Filmspotting on YouTube: ⁠https://youtube.com/filmspotting⁠ -Adam/Filmspotting: ⁠Letterboxd⁠ |⁠ Instagram⁠ |⁠ Facebook⁠ | ⁠Bluesky⁠ -Josh/LarsenOnFilm: ⁠Letterboxd⁠ | ⁠Instagram⁠ |⁠ Facebook⁠ | ⁠BlueskySee omnystudio.com/listener for privacy information.

[School of Movies 2026] Following on from the sunny and heartfelt success of James Gunn's 2025 Superman we have the scrappy follow-up by Craig Gillespie, detailing the lifestyle of Kal-El's cousin. Gillespie most likely got the job after two filmic accomplishments in spotlighting grubby, depressed punk girls who nobody likes except the audience; I, Tonya and Cruella. Sharon and I went all out on this, reading the source book, 'Woman of Tomorrow' by Tom King & Bilquis Evely, which itself draws structural and thematic inspiration from specifically the Coen Brothers adaptation of True Grit by Charles Portis. What we are able to do is outline clearly where the film differs from the book and where the book differs from both film and original book to create this turducken of revenge. This episode is totally worth listening to, even if you haven't seen this box office bomb that everyone we talk to seems to like and everyone we don't know personally seems to despise. This week's After School Club: Aquaman 2: The Lost City Next week: EPIC: The Musical

This week's archive episode is Adam and Josh's 2018 Sacred Cow review of the Coen Brothers' period gangster film Miller's Crossing. Unlock the full archive, Filmspotting Discord, ad‑free + bonus episodes, and more when you ⁠join the Filmspotting Family⁠.See omnystudio.com/listener for privacy information.

The new Supergirl isn’t an outright adaptation of the comic-book miniseries Woman of Tomorrow, but it retains enough of its shape that it evokes that comic’s own source of inspiration, True Grit. Either of the two film adaptations of Charles Portis’ 1968 Western novel about a young girl enlisting a reluctant, drunken hero to help her enact revenge would have provided plenty of connections to Supergirl, but we opted for Joel and Ethan Coen’s 2010 version starring Hailee Steinfeld and Jeff Bridges. So this week we’re discussing what distinguishes True Grit as both a Coens movie and a Western, the film’s overlapping notions of vengeance and justice, and how it utilizes two frequently abused elements — sincerity and voiceover narration — sparingly and effectively. Then in Feedback, we respond to a listener’s misgivings about accepting Disclosure Day’s premise at a time when conspiracy theories don’t feel as harmless as they once did. Please share your thoughts about True Grit, Supergirl, or anything else in the world of film, by sending an email or voice memo to comments@nextpictureshow.net, or leaving a short voicemail at (773) 234-9730. This episode is presented by⁠ ⁠⁠⁠⁠⁠⁠⁠Regal Unlimited⁠⁠⁠⁠⁠⁠⁠⁠⁠, the all-you-can-watch movie subscription pass that pays for itself in just two visits. Use code NEXTPIC26 for 15% off.See omnystudio.com/listener for privacy information.

The new Supergirl isn’t an outright adaptation of the comic-book miniseries Woman of Tomorrow, but it retains enough of its shape that it evokes that comic’s own source of inspiration, True Grit. Either of the two film adaptations of Charles Portis’ 1968 Western novel about a young girl enlisting a reluctant, drunken hero to help her enact revenge would have provided plenty of connections to Supergirl, but we opted for Joel and Ethan Coen’s 2010 version starring Hailee Steinfeld and Jeff Bridges. So this week we’re discussing what distinguishes True Grit as both a Coens movie and a Western, the film’s overlapping notions of vengeance and justice, and how it utilizes two frequently abused elements — sincerity and voiceover narration — sparingly and effectively. Then in Feedback, we respond to a listener’s misgivings about accepting Disclosure Day’s premise at a time when conspiracy theories don’t feel as harmless as they once did. Please share your thoughts about True Grit, Supergirl, or anything else in the world of film, by sending an email or voice memo to comments@nextpictureshow.net, or leaving a short voicemail at (773) 234-9730. This episode is presented by⁠ ⁠⁠⁠⁠⁠⁠⁠Regal Unlimited⁠⁠⁠⁠⁠⁠⁠⁠⁠, the all-you-can-watch movie subscription pass that pays for itself in just two visits. Use code NEXTPIC26 for 15% off.Support the show: https://www.patreon.com/join/NextPictureShowSee omnystudio.com/listener for privacy information.

The Summer of Jason rolls on and now we're really getting into it as we begin our run of Coen Brothers classics, starting with their first huge breakthrough hit, 1996's thriller Fargo. We're joined by co-host of Nobody Knows Anything, Rob Flaherty.Chapters Introduction (00:00:00) Hatch News (00:25:15) Fargo Roundtable (00:28:46) Your Letters (01:14:37) Notes and Links Check out Escape Hatch Merch! Our all new collection of swag is available now and every order includes a free Cameo style shoutout from Haitch or Jason. Browse our collection now. Join the Escape Hatch Discord Server! Hang out with Haitch, Jason, and other friends of the pod. Check out the invite here. Escape Hatch is a TAPEDECK Podcasts Jawn! Escape Hatch is a member of TAPEDECK Podcasts, alongside: 70mm (a podcast for film lovers), Bat & Spider (low rent horror and exploitation films), The Letterboxd Show (Official Podcast from Letterboxd), Cinenauts (exploring the Criterion Collection), Lost Light (Transformers, wrestling, and more), and Will Run For (obsessed with running). Check these pods out!. See the movies we've watched and are going to watch on Letterboxd Escape Hatch's Breaking Dune News Twitter list Rate and review the podcast to help others discover it, and let us know what you think of the show at letters@escapehatchpod.com or leave us a voicemail at +1-415-534-5211. Follow @escapehatchpod on Bluesky,Instagram, and TikTok. Music by Scott Fritz and Who'z the Boss Music. Cover art by ctcher. Edited and produced by Haitch. Escape Hatch is a production of Haitch Industries.

On this week's episode of ‘The Young Man and the Three,' we welcome New York Knicks shooting guard Landry Shamet and die-hard Knicks fan actor John Turturro!The duo break down each round of the Knicks' 2026 championship, go in-depth on the NBA Finals against the San Antonio Spurs (Victor Wembanyama, Stephon Castle, Dylan Harper), discuss what this championship means to Knicks fans and the city of New York, the obstacles the team overcame, the play of Karl-Anthony Towns, Jalen Brunson, OG Anunoby, and Mikal Bridges, and the dynamics and how strangely similar working on set as an actor with directors like Spike Lee and The Coen Brothers is to playing on a sports team. Let's go!See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.