Podcasts about Elia Suleiman

On Truth & Movies this week, we discuss the return of Bridget Jones in Mad About A Boy and the Palestinian refugee thriller To A Land Unknown. Finally, for film club, we revisit Elia Suleiman's Divine Intervention. Joining host Leila Latif are film critics Corinna Antrobus and Fatima Sheriff.Truth & Movies is the podcast from the film experts at Little White Lies, where along with selected colleagues and friends, they discuss the latest movie releases. Truth & Movies has all your film needs covered, reviewing the latest releases big and small, talking to some of the most exciting filmmakers, keeping you across important industry news, and reassessing great films from days gone by with the Truth & Movies Film Club.Email: truthandmovies@tcolondon.comTwitter and Instagram: @LWLiesProduced by TCO Hosted on Acast. See acast.com/privacy for more information.

Elia Suleiman parte dalla sua Palestina per un viaggio a Parigi e a New York, con un interrogativo: qual è il posto che possiamo chiamare casa? Lungo il suo percorso incontra situazioni simili a quelle che si verificano anche nel suo Paese, in una serie di sketch ambientati tra la Ville Lumière e la Grande Mela.See omnystudio.com/listener for privacy information.

El festival de cine más importante de los Balcanes celebra su treinta aniversario. En Sarajevo, el cine sigue siendo vector de resistencia y reconciliación, poniendo el foco en las experiencias personales y colectivas de regiones marginadas.  “En tiempos como los que vivimos tenemos que reforzar la empatía que falta en el mundo estos días y darle al cine la importancia de hacer el mundo inspirador. Gracias al Festival de Cine de Sarajevo, es un honor estar aquí”, agradecía el director de cine palestino Elia Suleiman al ser condecorado con el Corazón de Sarajevo durante la ceremonia de apertura de la treintava edición del Festival de Cine bosnio.En 1995, en plan guerra de Bosnia y mientras su capital vivía el sitio de una ciudad más largo de la historia moderna (casi cuatro años de asedio) cientos de personas se vistieron con sus mejores galas y desfilaron por primera vez sobre la alfombra roja del Festival de Cine de Sarajevo. La antigua Yugoslavia como protagonista En ese momento, Asja Krsmanović, tenía tan solo ocho años: “Creo que fue la cuarta edición de edición del festival, era 1997, y recuerdo que fue el Cine ‘Meeting Point', recuerdo a la gente vestida muy bien, sentados y tratando de hacer algo con todo el entusiasmo posible. Lo recuerdo como una especie de evento social”.Hoy, treinta años más tarde, Krsmanović es una de las organizadoras y la seleccionadora de las cintas de la categoría “películas de estudiantes” del mayor festival de cine de los Balcanes y uno de los más importantes del continente europeo, donde se proyectan más de 250 cintas de las cuales 57 son producciones regionales.“Presentamos una región que no está muy cubierta en otros festivales de cine, que está en el centro de Europa, pero de alguna manera también está al margen de Europa. Estamos fomentando un buen ambiente en la industria cinematográfica de la región, no solo por nuestras selecciones y nuestro mercado de coproducción, sino también porque hemos creado una red de festivales de la región adriática, consiguiendo que esta región de la antigua Yugoslavia esté de vuelta”, explica Krsmanović. Reconciliación y cambio socialUn festival de cine que además de dar visibilidad a la región, usa este arte como herramienta de cambio social. En los noventa fue una manera de resistir, de buscar la normalidad en pleno conflicto. Hoy, es una herramienta de aprendizaje y reconciliación.Davor Dzakula es un joven nacido en Serbia, de madre bosnia y padre croata, quien suele definirse, cuando le preguntan sobre sus orígenes, como “hijo de los Acuerdos de Dayton” y quien siempre ha estado muy conectado con el festival. El joven explica como “en los Balcanes Occidentales, el problema es que siempre tenemos ciertas narrativas que nos vienen de los mayores, y cuando ves que el cine y la cultura en general desafían esas narrativas, eso ayuda mucho a ir hacia el futuro, pero también a lidiar con el pasado”Treinta años después el Festival de Cine de Sarajevo sigue celebrando el poder del cine incluso en los tiempos más oscuros, poniendo el foco en los matices de las experiencias personales y colectivas desde esos márgenes geopolíticos y artísticos, que a menudo se descuidan a la hora de armar el complejo rompecabezas de nuestra realidad global.Por Marta Moreno, desde Bosnia-HerzegovinaLeer también‘Emilia Pérez', el insólito musical queer de Jacques Audiard

We discuss the work of Palestinian Writer/Director/Actor Elia Suleiman. Join the Patreon now for an exclusive episode every week, access to our entire Patreon Episode back catalog, your name read out on the next episode, and the friendly Discord chat: patreon.com/theimportantcinemaclub Subscribe, Review and Rate Us on Apple Podcasts: podcasts.apple.com/us/podcast/the-…ub/id1067435576 Follow the Podcast: twitter.com/ImprtCinemaClub Follow Will: twitter.com/WillSloanESQ Follow Justin: twitter.com/DeclouxJ Check out Justin's other podcasts, THE BAY STREET VIDEO PODCAST (@thebaystreetvideopodcast), THE VERY FINE COMIC BOOK PODCAST (www.theveryfinecomicbookpodcast.com) and NO SUCH THING AS A BAD MOVIE (@nosuchthingasabadmovie), as well as Will's MICHAEL AND US (@michael-and-us).

With the crisis in Gaza on our minds, we spend a little time with one of the most acclaimed Palestinian filmmakers, Elia Suleiman, and his lovely film IT MUST BE HEAVEN (2019)."We Cannot Cross Until We Carry Each Other" by Arielle Angel - https://jewishcurrents.org/we-cannot-cross-until-we-carry-each-otherOrder Luke's new book Seeking Social Democracy: Seven Decades in the Fight for Equality coauthored with Ed Broadbent - https://ecwpress.com/products/seeking-social-democracy-ed-broadbentTORONTO: See Luke and Ed Broadbent in conversation at the Toronto Reference Library on October 22 - https://www.eventbrite.ca/e/seeking-social-democracy-a-conversation-with-ed-broadbent-tickets-713793665067VANCOUVER: See Luke and Ed at the Central Library on November 1 - https://vpl.bibliocommons.com/events/650b36ea2d0219cf8b5cf95fMichael and Us is a podcast about political cinema and our crumbling world hosted by Will Sloan and Luke Savage. Hosted on Acast. See acast.com/privacy for more information.

With the crisis in Gaza on our minds, we spend a little time with one of the most acclaimed Palestinian filmmakers, Elia Suleiman, and his lovely film IT MUST BE HEAVEN (2019). * "We Cannot Cross Until We Carry Each Other" by Arielle Angel - https://jewishcurrents.org/we-cannot-cross-until-we-carry-each-other * Order Luke's new book "Seeking Social Democracy: Seven Decades in the Fight for Equality," coauthored with Ed Broadbent - ecwpress.com/products/seeking-s…cracy-ed-broadbent TORONTO: See Luke and Ed Broadbent in conversation at the Toronto Reference Library on October 22 - www.eventbrite.ca/e/seeking-social…ets-713793665067 VANCOUVER: See Luke and Ed at the Central Library on November 1 - vpl.bibliocommons.com/events/650b36e…0219cf8b5cf95f Join us on Patreon for an extra episode every week - https://www.patreon.com/michaelandus

durée : 00:39:59 - Les Nuits de France Culture - Dans l'émission "Microfilms", Humbert Balsan racontait sa pratique, à la fois grave et enjouée, de son métier de producteur de cinéma (avec Youssef Chahine, Claire Denis, etc.). "Le métier d'un jeune producteur, Humbert Balsan", une émission diffusée pour la première fois le 25/10/1987. Son premier travail pour le cinéma, il l'exerça à l'âge de 19 ans, en incarnant le chevalier Gauvain dans le Lancelot du lac de Robert Bresson, dont il dit qu'il "a fait avancer le cinéma". Assistant du metteur en scène sur Le Diable probablement, sorti en 1977, il se lance ensuite dans la production.  * Figure de cette profession qu'il exerçait en indépendant, producteur de 65 films en 25 ans, Humbert Balsan ouvra pour faire exister les films de Youssef Chahine, de Yousri Nasrallah, Elia Suleiman, Philippe Faucon, Claire Denis ou encore Sandrine Veysset.  Humbert Balsan s'est donné la mort en février 2005. En 1987, à 33 ans, il avait déjà produit entre autres Adieu Bonaparte et Le Sixième jour de Youssef Chahine, au micro de Serge Daney il parlait longuement de son métier : La production il faut prendre cela au sérieux, la production cela va jusqu'à la mort, jusqu'au suicide. On a des exemples célèbres d'amis qui se sont perdus dans la production. Cela dit, je pense que la crise du cinéma a été un peu surestimée, ceux qui en parlent sont ceux qui ont été dans un grand confort et un grand luxe commercial. Ce n'est pas mon cas. Moi je suis dans un système de production qui est de faire des films auxquels je crois, le fait qu'un film marche ou qu'il ne marche pas me touche mais ne peut pas me mettre par terre car c'est déjà un miracle que de l'avoir fait. (...) Si un film ne marche pas en salle il y a d'autres possibilités de l'amortir. Le fait d'avoir un film qui ne marche pas est parfois plus dynamisant. Par Serge Daney  Réalisation : Pierrette Perrono Microfilms - Le métier d'un jeune producteur, Humbert Balsan (1ère diffusion : 25/10/1987) Indexation web : Documentation Sonore de Radio France Archive Ina-Radio France

Welcome to Open Form, a weekly film podcast hosted by award-winning writer Mychal Denzel Smith. Each week, a different author chooses a movie: a movie they love, a movie they hate, a movie they hate to love. Something nostalgic from their childhood. A brand-new obsession. Something they've been dying to talk about for ages and their friends are constantly annoyed by them bringing it up. In this episode, Mychal talks to Randa Jarrar (Love Is an Ex-Country) about the 2009 film The Time That Remains, directed by Elia Suleiman and starring Menashe Noy, Elia Suleiman, and Baher Agbariya. Learn more about your ad choices. Visit megaphone.fm/adchoices

Prošao je put od djeteta festivala do “savršenog stranca”, kako ga je opisao palestinski reditelj Elia Suleiman. Odlikuju ga koherentnost, upornost, skromnost, efikasnost, racionalnost i strateški pristup. Kakav će biti taj pristup po pitanju razvoja festivala? Na koji način će SFF, koji je i sam nastao kao vid otpora na okrutnost, ubijanje i opsadu grada Sarajeva, odgovoriti na agresiju Rusije na Ukrajinu? Šta je njegova najvažnija poruka mladim ljudima koje podučava? Kako je izgledalo odrastanje u izraelskom kibucu? Može li se biti sposoban i podoban? Vidi li svoje troje djece u budućnosti u svom Sarajevu i šta ga u gradu najviše raduje, a šta ljuti – neka su od pitanja za Jovana Marjanovića.

John David Washington tries to bring an end to a war being waged on those in the present by people in the future in Christopher Nolan's TENET. In recommendations, Mark Pfeiffer selects Palestinian filmmaker Elia Suleiman's four features (CHRONICLE OF A DISAPPEARANCE, DIVINE INTERVENTION, THE TIME THAT REMAINS, and IT MUST BE HEAVEN) and Columbus, Indiana's architecture and tours, as seen in Kogonada's drama COLUMBUS. Paul Markoff picks director Michael Showalter's romantic comedy THE BIG SICK starring and co-written by Kumail Nanjiani. Send your comments, questions, and feedback to filmboundpod@gmail.com. Twitter: @filmbound Facebook: https://www.facebook.com/filmboundpod/ TENET clip courtesy Warner Bros. THE BIG SICK clip courtesy Lionsgate Home Entertainment Music: "Parasail" by Silent Partner Recorded October 11, 2021.

Velkommen til femte og sidste oplæg fra dette års Arabian Nights!   Denne gang handler det om den palæstinensiske filminstruktør Elia Suleiman, der med sine karakteristiske film har markeret sig som en af Mellemøstens helt store kunstnere. June Dahy, lektor ved Institut for Tværkulturelle og Regionale Studier på Københavns Universitet, vil fortælle mere om filminstruktøren i dagens afsnit.   God fornøjelse!

Mark and Simon are joined by Ben Wheatley who talks about his new film In the Earth. Mark also reviews new Disney animation Luca, about an unlikely but strong friendship between a human being and a sea monster disguised as a human on the Italian riviera; Monster Hunter from director: Paul W.S. Anderson, based on the CapCom computer game; The Reason I Jump, based on the book by Naoki Higashida, which explores the experiences of non-speaking autistic people around the world; It Must Be Heaven by Elia Suleiman; In The Heights, Jon M. Chu‘s film version of the Broadway musical in which Usnavi, a sympathetic New York bodega owner, saves every penny every day as he imagines and sings about a better life; and Ryan Reynolds, Salma Hayek, Gary Oldman, Morgan Freeman and Samuel L. Jackson in action crime comedy The Hitman's Wife's Bodyguard. Plus Mark and Simon's Movie Road Trip continues into Manitoba. They also talk you through the best and worst films on subscription-free TV next week, and recommend a home entertainment purchase in DVD of the Week. Send us your sub 20 second instant reaction to any film attached to an email to mayo@bbc.co.uk for our feature ‘Lobby Correspondents'. 00:26:48 Celebrating Cinema 00:30:33 Digital Releases 00:32:25 Box Office Top 10 00:46:37 Ben Wheatley interview 01:06:20 In The Earth review 01:13:14 In The Heights review 01:20:00 Monster Hunter review 01:26:03 North American Movie Road Trip 01:30:52 The Reason I Jump review 01:37:28 Luca review 01:42:55 The Hitman's Wife's Bodyguard review 01:48:28 TV Movies of the Week 01:51:55 It Must Be Heaven review 01:59:13 DVD of the Week Download our podcast from the Baby Sea Clowns app. We welcome your contributions: Email: mayo@bbc.co.uk Twitter: @wittertainment

This month, Cinetopia founder Amanda Rogers is joined with show regulars Marc Nelson and Clara Strachan. Together they review Emma Seligman's debut film, SHIVA BABY, Magnus von Horn's SWEAT, and Elia Suleiman's IT MUST BE HEAVEN. The team also covers the 2021 edition of the Sheffield Doc/Fest, including in-depth reviews of SUMMER OF SOUL (...OR, WHEN THE REVOLUTION COULD NOT BE TELEVISED) directed by Ahmir-Khalib “Questlove” Thompson, THE STORY OF LOOKING by Mark Cousins and ALL LIGHT, EVERYWHERE by Theo Anthony. ----------------------- 03:05 - Shiva Baby (Dir: Emma Seligman) 13:28 - Sweat (Dir: Magnus von Horn) 23:03 - It Must Be Heaven (Dir: Elia Suleiman) 38:57 - Sheffield Doc/Fest

*We're skipping ep 23 given the relevance of ep 24 to this month's releases - normal service will resume in 2 weeks!* This week, our guest is Anna Smith, leading film critic and broadcaster and host of the popular podcast Girls On Film. Our focus is women as lead characters in sexually-charged noir films from the 90s to the present day - to the new spate of films that belong to what Anna calls Bubblegum Noir, using Emerald Fennell's Promising Young Woman as a starting point. We also discuss new release Gillian Wallace Horvat's I Blame Society. You can follow Anna on Twitter @annasmithjourno.  Anna's pick of the week is Joanna Scanlan's new film After Love, which is currently on the big screen. Abla's picks include Palestinian arthouse director Elia Suleiman's filmography, available for free for a limited period as an entertaining, moving and actually very informative way into understanding Palestine and the history of Palestinians. As this is limited in time, another release worth flagging is Abby Martin's hugely powerful film Gaza Fights For Freedom, which is now free to watch online! And a series worth watching (if you still haven't been convinced by all the good publicity) is HBO dark crime drama Mare of Easttown, starring Kate Winslet with yet another impeccable performance. 

In an essay on the militant films of the Palestine Film Unit for The New York Review of Books, the critic Kaleem Hawa writes that, “Palestinian cinema has always been saddled with the psychic weight of colonization. (...) Film offers liberatory possibilities, then: with the projection of moving images onto a screen, a people can imagine something different, something other.” This week on the podcast, FC editors Devika Girish and Clinton Krute sat down with Kaleem (who's also a Film Comment contributor) to discuss our recent home-viewing—which, as it turned out, included a lot of Palestinian cinema. From the agit-prop of Mustafa Abu Ali's 1974 film They Do Not Exist, to the diasporic longing of Basma AlSharif's Home Movies Gaza, to the biting satire and media criticism of Elia Suleiman, our conversation covered a lot of fascinating ground. Links to the movies are in our show notes at https://www.filmcomment.com/blog/the-film-comment-podcast-at-home-palestinian-cinema-edition/.

This is a conversation with my dear friend, Palestinian- Lebanese Writer & Academic Joey Ayoub We discuss the situation on the ground in Palestine, how all of us can (and need) to stand in solidarity with Palestine, and why Israel - a nation founded on 'never again' - is engaging in ethnic-cleansing and the systemic extermination of the Palestinian people. For more resources on Palestine, Joey recommended the following: Palestine +100 The book of Gaza Larissa Sansour (her films) Elia Suleiman (her films) The Holocaust and the Nakba: A New Grammar of Trauma and History And for a comprehensive list of resources, please check out The Fire These Times reading list on Palestine: https://thefirethisti.me/readinglist-israelpalestine/ Matt (Asia Art Tours) highly recommends the following: Joey's Podcast Interview with Maya Schkolne on Israel and Paelstine: https://thefirethisti.me/2021/05/16/special-episode-a-conversation-on-israel-palestine/ Jasbir Puar's: Right to Maim Achille Mbembe's: Necropolitics For more with Joey please follow him at the Fire These Times, his immersive project of global solidarity that takes the form of podcasts, newsletters and other forms of media: https://thefirethisti.me/about/ Music is by Eskot! https://www.youtube.com/c/ESKOTbeats/videos?view=0&sort=p&flow=grid

Welcome back to OLL OBOUT OVID! (pronounced "All About Ah-vid"), the podcast series from B Peterson and Witney Seibold dedicated to the arthouse cinema available through the Ovid.tv streaming service! In Episode 2, Witney and B talk Lav Diaz's 338-minute meditative epic FROM WHAT IS BEFORE (2014), the visceral Palestinian war documentary from Mohamed Jabaly AMBULANCE (2016), the infamously explicit Italian romance DEVIL IN THE FLESH (1986) by Marco Bellocchio, and even more besides. We hope you enjoy, and thank you for your time. Here is a link to where you can watch Palestinian director Elia Suleiman's entire filmography for free through May 30th (Also, in case this episode's messaging is too vague, #FreePalestine): https://watch.eventive.org/arabfilmseries/play/607dd205cae17e0084781786 Twitter: https://twitter.com/ScreensMargins Patreon: https://www.patreon.com/ScreensMargins

We zone in on the really exciting space that is Arab cinema, meeting the makers behind three wonderful films from 2020 - Palestinian filmmaker Elia Suleiman; Maryam Touzani from Morocco, and Tunisian director Mehdi Barsaoui.

We zone in on the really exciting space that is Arab cinema, meeting the makers behind three wonderful films from 2020 - Palestinian filmmaker Elia Suleiman; Maryam Touzani from Morocco, and Tunisian director Mehdi Barsaoui.

We zone in on the really exciting space that is Arab cinema, meeting the makers behind three wonderful films from 2020 - Palestinian filmmaker Elia Suleiman; Maryam Touzani from Morocco, and Tunisian director Mehdi Barsaoui.

We zone in on the really exciting space that is Arab cinema, meeting the makers behind three wonderful films from 2020 - Palestinian filmmaker Elia Suleiman; Maryam Touzani from Morocco, and Tunisian director Mehdi Barsaoui.

We zone in on the really exciting space that is Arab cinema, meeting the makers behind three wonderful films from 2020 - Palestinian filmmaker Elia Suleiman; Maryam Touzani from Morocco, and Tunisian director Mehdi Barsaoui.

We zone in on the really exciting space that is Arab cinema, meeting the makers behind three wonderful films from 2020 - Palestinian filmmaker Elia Suleiman; Maryam Touzani from Morocco, and Tunisian director Mehdi Barsaoui.

It must be heaven is a comic, almost surreal fable, set in three cities - Nazareth, Paris and New York - by Palestinian director Elia Suleiman.

Film critic Graeme Tuckett reviews The Mystery of Henri Pick Directed by Rémi Bezançon and It Must Be Heaven Directed by Elia Suleiman.

O realizador palestiniano Elia Suleiman regressa com “O Paraíso, Provavelmente” e mantém o olhar mordaz e a coleção de absurdos. Também já está nos cinemas “A Verdade”, com Catherine Deneuve.

Jason speaks with the directors of three films releasing in cinemas this week, Tunisian director Mehdi Barsaoui, British satirist Armando Iannucci and Palestinian filmmaker Elia Suleiman.

Jason speaks with the directors of three films releasing in cinemas this week, Tunisian director Mehdi Barsaoui, British satirist Armando Iannucci and Palestinian filmmaker Elia Suleiman.

Jason speaks with the directors of three films releasing in cinemas this week, Tunisian director Mehdi Barsaoui, British satirist Armando Iannucci and Palestinian filmmaker Elia Suleiman.

Jason speaks with the directors of three films releasing in cinemas this week, Tunisian director Mehdi Barsaoui, British satirist Armando Iannucci and Palestinian filmmaker Elia Suleiman.

Jason speaks with the directors of three films releasing in newly reopened cinemas this week......Tunisian director Mehdi Barsaoui, British satirist Armando Iannucci and Palestinian filmmaker Elia Suleiman.

Nyhetssändning från kulturredaktionen P1, med reportage, nyheter och recensioner.

Filmpodcast 641 Woche 12 2020  – Kino im Kopf – mit Michael Sennhauser. Kino zuhause, heisst es seit dieser Woche für uns alle. Wir haben mit Studiokinobetreibern und einem Filmverleiher gesprochen. Und mit dem grossen Filmemacher Elia Suleiman, dessen jüngster Film nun bis auf weiteres nicht zu sehen ist. Das Gespräch lohnt sich trotzdem, der Mann macht Filme seit vielen Jahren. Unsere Kurztipps verlagern wir nun auch ins Stubenkino, immerhin haben wir in der Schweiz neben den grossen Streaming Anbietern auch diverse lokale und spezialisierte zur Verfügung, wie cinefile.ch, filmingo.ch oder myfilm.ch Die springen in die Bresche und retten, was sie können.

«What is human?» fragt eine Theaterperformance rund um das Konzept «Familie». Quilts sind nicht bloss handgemachte Steppdecken, sie können auch Kunst sein. Und der palästinensische Filmemacher Elia Suleiman demonstriert einmal mehr seine Nähe zu Buster Keaton. Das performende Duo fleischlin/meser geht in seiner neuen Produktion der Frage nach, wie Menschen das Bedürfnis nach Zugehörigkeit in eigene Abmachungen und neue Lebensformen giessen. Im Zentrum steht die Familie als gesellschaftliches Konstrukt und also die Auseinandersetzung mit persönlichen Definitionen von Familie als Ort grösster sozialer Geborgenheit. In «what is human?» kommen Performer*innen mit unterschiedlichen familiären Hintergründen mit dem Publikum zusammen. Gemeinsam werden neue Verwandtschaftsverhältnisse gedacht, entwickelt und an Ort und Stelle erlebt. Quilts nur als kunstvoll genähte und bestickte Decken abzutun, greift zu kurz. Mit der Quilt-Technik lässt sich durchaus Kunst machen. Das beweisen Künstlerinnen an der 7. Quilt-Triennale im Textilmuseum St. Gallen. Kuratorin Ilona Kos erklärt beim Ausstellungsbesuch, woher das Quilten kommt und warum es noch immer meist in Frauenhand ist. Und Künstlerin Judith Mundwiler, die mit dem Doris Winter-Gedächtnispreis für Innovation ausgezeichnet wurde, spricht in ihrem Atelier in Sissach über Faszination und Inspiration des Quiltens. Der palästinensisch-israelische Regisseur Elia Suleiman wurde bekannt mit leise komischen Filmen zum Palästina-Konflikt wie etwa «Divine Intervention» von 2002. Auch sein jüngster Film bleibt am Thema, weitet es aber aus: Palästina ist überall. Überall, wo die Menschen sich absurd benehmen. In Paris, wo plötzlich eine Reihe von Panzern durch eine Strasse fährt. Im Park, wo die Menschen mit den herumstehenden Metallstühlen, von denen es immer zu wenige hat, ein Echtleben-Reise-nach-Rom-Gebalge veranstalten. Im Gespräch erklärt der Regisseur unter anderem, warum seine Filmfigur stumm bleibt. Weitere Themen: - Familie ist menschlich oder wie man zu Verwandten wird - Quiltkunst – mehr als nur gesteppte Decken aus Reststoffen - Vom Giessen des Zitronenbaums: Elia Suleimans «It Must Be Heaven»

"It Must Be Heaven" (2019) de Elia Suleiman, el cine de Jacques Tourneur y la filmografía de Chantal Akerman. --- Send in a voice message: https://anchor.fm/sonidofilme/message

Vu sur Chronique d’une disparition… Voici en nouvelle diffusion, dans une nouvelle version, l’interview du cinéaste Elia Suleiman enregistrée en 1996 en compagnie de Jean François Maurel , Laurent Mareschal avec la complicité d’un traducteur suppléant, interview réalisée à l’occasion de la programmation à Nantes dans le cadre du Festival des trois continents de « Chronique d’une disparition »… Une émission de […] Cet article provient de Radio AlterNantes FM

Handelt der Sinn des Lebens etwa VOM GIEßEN DES ZITRONENBAUMS? …philosophiert Elia Suleiman in seiner neusten Schöpfung, während für Will Smith und Martin Lawrence längst klar ist, worum es geht: BAD BOYS FOR LIFE! Im Jahre 1917 wird hingegen das Überbringen einer Nachricht zur Kriegsheldentat. Udo rät uns aktuell allen – und vor allem auch sich selbst: LINDENBERG! MACH DEIN DING.Unsere allgemeinen Datenschutzrichtlinien finden Sie unter https://art19.com/privacy. Die Datenschutzrichtlinien für Kalifornien sind unter https://art19.com/privacy#do-not-sell-my-info abrufbar.

[Oh Abram-Alas que Eu Quero Agradar] É chegada a hora de encerrar mais uma trilogia, e finalmente sabem os segredos por trás Rey e Kylo Ren. As polêmicas envolvendo Star Wars: A Ascensão Skywalker (10:11) não param, vamos falar do filme, dos limites do fan service, de JJ Abrams e muito mais. Será que o filme ficou, caiu, ou se pendurou na Varanda? Fernando Meirelles está de volta, e com chances na Corrida do Oscar. Dois Papas (45:34) chega à Netflix e coloca Jonathan Pryce e Anthony Hopkins, lado a lado, num embate teológico e comportamental entre os últimos papas da Igreja Católica. Ainda há tempo para Elia Suleiman e o seu O Paraíso Deve Ser Aqui (1:04:31), uma esquete em que o diretor questiona o não pertencimento palestino e quanto os países civilizados não estão tão distantes de sua terra natal cheia de conflitos. [Oh O Boletim do Oscar (1:30) dá uma geral nos principais filmes e suas chances para indicação ao Oscar de Melhor Filme. O Puxadinho da Varanda com o filme sueco E Então Nós Dançamos. No Cantinho do Ouvinte os comentários dos varandeiros sobre o episódio anterior. Bom Podcast! E não esqueçam de participar da votação do Varanda Awards, segue o link para participar: https://tinyurl.com/qqxqao6

Greenpeace France vient de dévoiler un rapport analysant les politiques mises en place pour lutter contre la pollution de l'air dans 12 agglomérations parisiennes. Réalisé en coopération avec l'UNICEF et le réseau action climat, il classe Paris en première place en terme d'efforts de réduction de pollution. Cela ne veut pas pour autant dire que la capitale soit un exemple. L'air y demeure très pollué malgré les efforts mis en oeuvre. Alexandra Thieyre, militante Greenpeace, a répondu à nos questions. Ensuite, deux reportages par Louis et Félix portant respectivement sur l'oeuvre de François Liétout et le film "It must be heaven", du cinéaste Elia Suleiman. La compagnie de théâtre Art me Up, qui fait venir sur scène des étudiants, clôture la Matinale en proposant un suivi de leur aventure participative et interdisciplinaire. Présentation :  Pitoum / Réalisation : Antonin Simard / Co-interview : Clément Follet / Reportages : Félix Pavia & Louis Pierre-Lacouture  /  Zoom, Web & Coordination : Jules Benveniste

Beschwat ginn dës Woch: Motherless Brooklyn vun a mam Edward Norton; It must be heaven vum Elia Suleiman an Le meilleur est à venir vum Matthieu Delaporte an Alexandre de la Patellière

https://premium.badtaste.it ➡ Sostieni BadTaste.it: diventa nostro sottoscrittore e ottieni la tua t-shirt esclusiva disegnata da Mirka Andolfo! Francesco Alò ci parla di Il paradiso probabilmente il film diretto da Elia Suleiman e interpretato da Elia Suleiman, Ali Suliman, François Girard, Gael García Bernal, in uscita il 5 dicembre 2019

Avec en invitée, Mélanie du podcast Ils se confient ..... Bonne écoute ;) Temporalité de l’épisode : 02:30 Jumanji : Next Level de Jake Kasdan avec Dwayne Johnson, Jack Black, Kevin Hart, Karen Gillan, Danny Glover, Danny DeVito, Awkafina... 10:41 Brooklyn Affairs de Edward Norton avec Edward Norton, Gugu Mbatha-Raw, Alec Baldwin, Willem Dafoe, Bruce Willis, Bobby Cannavale… 18:08 La Famille Addams (2019) de Conrad Vernon et Greg Tiernan avec les voix de Kev Adams, Mélanie Bernier, Alessandra Sublet, Oscar Isaac, Charlize Theron, Chloë Grace Moretz, Finn Wolfhard, Snoop Dogg... 27:32 Seules les bêtes de Dominik Moll avec Denis Ménochet, Laure Calamy, Damien Bonnard, Nadia Tereskiewicz, Valeria Bruni Tedeschi... 34:09 It must be Heaven de Elia Suleiman avec Elia Suleiman, Gael García Bernal, Tarik Kopty… 39:45 Le Meilleur reste à venir de Matthieu Delaporte et Alexandre De La Patellière avec Fabrice Luchini, Patrick Bruel, Zineb Triki, Pascale Arbillot... 45:29 Last Christmas de Paul Feig avec Emilia Clarke, Henry Golding, Michelle Yeoh, Emma Thompson... 1:04:54 Conclusion Podcasts cités : CLAAC À Couteaux Tirés (Ft. Adapte-moi si tu peux) - Chanson Douce - Proxima - The Irishman Crédits :  Émission animée par Thomas Bondon, Thierry de Pinsun, Hera Laskri, Carl Vincent. Générique original : Kostia R. Yordanoff (tous droits réservés)  Retrouvez aussi Certains l’aiment à chaud sur :  Facebook : @claacpodcast Instagram : @claacpodcast Twitter: @CLAACpodcast Ausha  Itunes / Apple Podcast  Spotify  Deezer  Stitcher  Podmust  Podcloud 

Nouvelle sélection de films des sorties de la semaine du 4 décembre 2019 avec deux policiers et une comédie décalée. "Seules Les Bêtes", un drame policier de Dominik Moll, "Brooklyn Affairs", drame policier américain de et avec Edward Norton et la pépite décalée "It Must Be Heaven", de et avec Elia Suleiman. Et retour sur le grandiose "The Irish Man" de Martin Scorses, sur Netflix. Très bonne semaine à tous !

Dans cet épisode de CINECAST, on vous parle de « Brooklyn Affairs », le film noir de et avec Edward Norton. Il sera aussi question du conflit Israélo-Palestinien avec « It Must Be Heaven » de Elia Suleiman. On terminera par « Atlantique » de Mati Diop, Grand Prix au dernier Festival de Cannes. Bonne écoute !  CONCOURS UGC – Participez sur cinecast.be/concours Tous les films et séances dans votre cinéma UGC sur UGC.be

durée : 00:34:08 - La Grande table idées - par : Olivia Gesbert, Maja Neskovic - Le réalisateur Elia Suleiman, Buster Keaton ou Jacques Tati palestinien qui croit aux vertus de l'absurde, de l'humour, de la poésie et de l'amour, revient avec "It Must Be Heaven" (en salle le 4 décembre). - réalisation : Eric Lancien, Gilles Blanchard - invités : Elia Suleiman Cinéaste et acteur palestinien

Ouça os destaques do Caderno 2 deste sábado (26/10/19)See omnystudio.com/listener for privacy information.

Palestinian director Elia Suleiman talks about his latest film It Must Be Heaven, an elegant, inventive work and the opening night film at the Palestinian Film Festival. Lauren and Jason on the stunning season finale of HBO's grand melodrama Succession. A lookback at the last decade in film with the editors of the Senses of Cinema film journal, and a review of Gurinder Chadha's coming of age film Blinded by the Light.

Palestinian director Elia Suleiman talks about his latest film It Must Be Heaven, an elegant, inventive work and the opening night film at the Palestinian Film Festival. Lauren and Jason on the stunning season finale of HBO's grand melodrama Succession. A lookback at the last decade in film with the editors of the Senses of Cinema film journal, and a review of Gurinder Chadha's coming of age film Blinded by the Light.

Palestinian director Elia Suleiman talks about his latest film It Must Be Heaven, an elegant, inventive work and the opening night film at the Palestinian Film Festival. Lauren and Jason on the stunning season finale of HBO's grand melodrama Succession. A lookback at the last decade in film with the editors of the Senses of Cinema film journal, and a review of Gurinder Chadha's coming of age film Blinded by the Light.

Palestinian director Elia Suleiman talks about his latest film It Must Be Heaven, an elegant, inventive work and the opening night film at the Palestinian Film Festival. Lauren and Jason on the stunning season finale of HBO's grand melodrama Succession. A lookback at the last decade in film with the editors of the Senses of Cinema film journal, and a review of Gurinder Chadha's coming of age film Blinded by the Light.

durée : 00:58:33 - Plan large - par : Antoine Guillot - Plan Large sur la compétition du 72ème Festival de Cannes, avec la cinéaste Justine Triet et l'actrice Virginie Efira pour Sybil, le cinéaste italien Marco Bellocchio, pour Il Traditore et le cinéaste palestinien Elia Suleiman pour It Must Be Heaven. - invités : Justine Triet, Virginie Efira, Marco BELLOCCHIO, Elia SULEIMAN, Michel Ciment - Justine Triet : Cinéaste Virginie Efira : Actrice Marco Bellocchio : Cinéaste et producteur italien Elia Suleiman : Cinéaste et acteur palestinien Michel Ciment : écrivain, universitaire, critique de cinéma et journaliste - réalisé par : Massimo Bellini

Natacha Atlas - Yalla Chant Edit By Petko Turner Most of Natacha Atlas' earlier albums were produced by Tim Whelan and Hamilton Lee from Transglobal Underground. Diaspora (1995), Halim (1997) (in honour of Egyptian singer Abdel Halim Hafez), Gedida (1998) and Ayeshteni (2001). Atlas has always spoken her mind about the way both she and Transglobal Underground were seen by the UK press back in the late 90s/early 2000. "Someone from the New Musical Express rang us about a feature we're to do with them and said 'We don't want it to be about the multi-cultural angle'. In other words that fad is over. And I'm personally insulted... what other angle is there for us?! I get sick of it all." In 1999, Atlas collaborated with David Arnold on the song "One Brief Moment". The single featured a cover version of the James Bond theme song from the film You Only Live Twice. Two years earlier, Atlas had collaborated with Arnold on the album Shaken and Stirred, recording the song "From Russia with Love" for the eponymous film(originally performed by Matt Monro). Also in 1999, she collaborated with Jean Michel Jarre for the track "C'est La Vie" on his album Métamorphoses. The track was released as a single. In 2003, Atlas provided vocals for the Kolo folk dance song "'Ajde Jano" on Nigel Kennedy and Kroke's album, East Meets East. In 2005, Atlas contributed the song "Just Like A Dream" (from Something Dangerous) to the charity album Voyces United for UNHCR. Her music has been used in a number of soundtracks. Her song "Kidda" was featured on the Sex and the City 2 soundtrack and in the 2005 video game Grand Theft Auto: Liberty City Stories on Radio del Mundo. In 2003, her voice is heard in Hulk in the song "Captured“. Additionally, her song "Bathaddak" is one of the songs included in the 2007 Xbox 360 exclusive video game Project Gotham Racing 4. Her cover of I Put a Spell On You was used in the 2002 film Divine Intervention by Palestinian director Elia Suleiman. Atlas was originally billed to star in and provide the soundtrack to the film Whatever Lola Wants, directed by Nabil Ayouch. However, shooting delays caused Atlas to only be involved in the film's soundtrack. Her song "Gafsa" (Halim, 1997) was used as the main soundtrack during the Korean film Bin-Jip (also known as 3-Iron) (2004) by Kim Ki-Duk. She participated in the piece "Light of Life (Ibelin Reprise)" for the soundtrack of Ridley Scott's Kingdom of Heaven. In 2007, Atlas collaborated with Belinda Carlisle for Belinda's seventh album Voila. She contributed additional vocals on songs "Ma Jeunesse Fout Le Camp," "La Vie En Rose", "Bonnie et Clyde" and "Des Ronds Dans L'Eau." Voila was released via Rykodisc in the U.K. on 5 February 2007 and in the U.S. the following day. The 2007 film Brick Lane features four songs with vocals by Atlas, "Adam's Lullaby", "Running Through the Night", "Love Blossoms" and "Rite of Passage". On 23 May 2008 Atlas released a new album, Ana Hina, which was well received by critics. In 2008, two of Atlas' songs, "Kidda" and "Ghanwa Bossanova", were used in Shamim Sarif's romantic comedy about two women, I Can't Think Straight. In 2008, she sang lead in the song "Habibe" from Peter Gabriel's long-awaited album and project, Big Blue Ball. On 20 September 2010 Atlas released Mounqaliba. Co-produced by Samy Bishai, it explored classical instrumentation, jazz and traditional Arabic styles and was inspired by the poems of Indian poet Rabindranath Tagore. She is also composing the music for Francoise Charpat's upcoming film. In May 2013, Natacha Atlas released Expressions: Live in Toulouse, an album which showcased her expressive voice using largely orchestral arrangements augmented by Middle Eastern percussion.

Steven Salaita (former Associate Professor of English at Virginia Tech) and Sherene Seikaly (UCSB Assistant Professor in History) discuss writer-director Elia Suleiman’s The Time That Remains. Winner of the Jury Grand Prize at the Asia Pacific Screen Awards, and nominated for a Palme d’Or at the Cannes Film Festival, the film is an intimate semi-biographical portrait of Palestinians living as a minority in their own homeland between 1948 and the present day. Inspired by his father’s diaries, letters his mother sent to family members who had fled the Israeli occupation, and the director’s own recollections, the film recounts the saga of the filmmaker’s family in subtly hilarious vignettes. Series: "Carsey-Wolf Center" [Public Affairs] [Humanities] [Show ID: 29622]

Steven Salaita (former Associate Professor of English at Virginia Tech) and Sherene Seikaly (UCSB Assistant Professor in History) discuss writer-director Elia Suleiman’s The Time That Remains. Winner of the Jury Grand Prize at the Asia Pacific Screen Awards, and nominated for a Palme d’Or at the Cannes Film Festival, the film is an intimate semi-biographical portrait of Palestinians living as a minority in their own homeland between 1948 and the present day. Inspired by his father’s diaries, letters his mother sent to family members who had fled the Israeli occupation, and the director’s own recollections, the film recounts the saga of the filmmaker’s family in subtly hilarious vignettes. Series: "Carsey-Wolf Center" [Public Affairs] [Humanities] [Show ID: 29622]