Podcasts about orbison

This week we look at the hysteria around Elon Musk;  Trump Executive's Order for women; Biden on Presidential Pardons; Bill Maher on the LA fires; Country of the Week - Indonesia; The Indonesian Coal Magnate; Dundee's Great Victory; Djokovic controversy in Australia - again!  James O'Brien blaming Amazon and Trump for the Southport Killings; UK police on hate speech; Trains cancelled in the UK because drivers can't walk on snow; Bishop Budde and the Washington sermon; Former Labour minister arrested after attacking Elon Musk; Feedback; and Belmont Christian School  with music from Supertramp, Lee Dorsey, the Fiechters; Dan Fogelberg; Cash, Orbison, Perkins and Lewis; ZZ Top; and Walter Trout

durée : 00:54:41 - Very Good Trip - par : Michka Assayas - Ce soir, Michka Assayas nous entraîne dans un rêve, mais un de ces rêves dont on ne sait trop s'ils sont heureux ou si c'est tout le contraire. - réalisé par : Stéphane Ronxin

On this long-anticipated episode, I got to sit down with singer/songwriter Sam Burton to talk about the role that practices like Tarot and Jungian dream work have played in his personal growth and resulting creative endeavors/artistic career. We also discussed the evolution of his method of reading Tarot for others, and the delicate ethical considerations of this vulnerable but powerful work.Sam's song featured in the episode is “I Can Go With You”Follow Sam's work and various projects here and here!⁠⁠⁠⁠Psyche Magic Website, Socials and more!⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠More on Sam Burton: Born and raised outside of Salt Lake City, Sam Burton moved to LA to pursue music. In the last year he toured with Loving and Jose Gonzalez. He recently wrapped up a three-week residency at Los Angeles' Club TeeGee, and will head out on the road with Weyes Blood and Indigo Sparke in the coming months.To coincide with the news of his signing to Partisan Records, Burton has released the new song “Maria.”“Maria” was produced by Jonathan Wilson (Angel Olsen, Father John Misty, Margo Price) at his Topanga Canyon Studio with some of the best studio players in LA, and perfectly showcases Burton's knack for mining pure Laurel Canyon AM gold. Pastoral string arrangements bloom in the background of Sam's striking honeyed vocals-like a modern-day Campbell, Orbison, or Nilsson.Together, Wilson and Burton achieve a sound that doesn't descend into retro pastiche, but rather becomes an evocative echo, a dream of the past. In scope, the music finds Burton using a far bigger canvas than on his acclaimed 2020 debut I Can Go With You, giving the emotions therein a new sense of urgency and intensity.The Psyche Magic Salon is a reader-supported publication. To receive new posts and support my work, consider becoming a free or paid subscriber. This is a public episode. If you'd like to discuss this with other subscribers or get access to bonus episodes, visit psychemagic.substack.com/subscribe

We had the pleasure of interviewing Åsa Orbison over Zoom video!Originally from Stockholm, Sweden Åsa Orbison had a fondness for music at a young age, where she attended music school in Sweden. Into adulthood, she then transitioned into working in marketing, but later came to the realization that music was always something she ultimately gravitated to and wanted to pursue. Åsa decided to make the move to America when she found love with now husband Roy Orbison Jr! She came back to her musical roots when working together with her husband (whom she collaborated with on her new album). As a huge feat, Åsa received a platinum record award for singing backup vocals on her father-in-law, Roy Orbison's ‘Unchained Melodies” in 2019. The “Blue Bayou” album is Åsa's first album and passion project, recorded at Roy Orbison Jr's "Pretty Woman Studio", Nashville A Team member Wayne Moss' “Cinderella Studio” and Jack Clement's “The Cowboy Arms Hotel And Recording Spa”. "Blue Bayou” album is a stunning representation of Åsa's Jazz/Pop soft, breathy singing style with her top singles "Blue Bayou”, ”Green Eyes” “Unchained Melody”, & “Satin Doll”.Åsa resides in Malibu, California with her 4 adorable children and husband Roy Orbison Jr. In her free time, she enjoys music, running, Pilates and hiking. Åsa is also passionate about supporting causes that are close to her heart including, Music Cares, Operation Smile and BabytoBaby. We want to hear from you! Please email Hello@BringinitBackwards.comwww.BringinitBackwards.com#podcast #interview #bringinbackpod #ÅsaOrbison #RoyOrbison #RoyOrbisonJr #NewMusic #ZoomListen & Subscribe to BiBhttps://www.bringinitbackwards.com/followFollow our podcast on Instagram and Twitter! https://www.facebook.com/groups/bringinbackpodBecome a supporter of this podcast: https://www.spreaker.com/podcast/bringin-it-backwards--4972373/support.

J.D. Souther, John David Souther falleció inesperadamente el pasado martes 17 de septiembre. Y sí: conoces más canciones de lo que imaginas compuestas por este artista, multiinstrumentista, actor (lo vemos en series como “Treinta y Tantos” o “Nashville”) que fue llamado en su día “El Sexto Eagle”, porque grandes clásicos de la banda californiana procedían de su pluma, guitarra y piano: “”New Kid In Town”, Best Of My Love”, “Heartache Tonight”, “The Sad Café, “How Long”, etc. Admirador de Roy Orbison y Thelonius Monk fue quien organizó el tributo a Orbison que contó con Springsteen, Tom Waits, Bonnie Raitt o Elvis Costello entre otros. Souther aparece también en la peli “Always” de S.Spielberg.  DISCO 1 JAMES TAYLOR & JOHN DAVID SOUTHER Her Town Too DISCO 2 J.D. SOUTHER New Kid In Town (ESCA) DISCO 3 J.D. SOUTHER You’re Only Lonely (YOU’RE ONLY LONELY - 1)   DISCO 4 J.D. SOUTHER Heartache Tonight (ESCA) DISCO 5 THE LONGBRANCH PENNYWHISTLE Kite Woman (5) DISCO 6 JOHN DAVID SOUTHER Kite Woman (JOHN DAVID SOUTHER - 8) DISCO 7 SOUTHER HILLMAN & FURAY BAND Border Town (4) DISCO 8 JOHN DAVID SOUTHER Faithless Love (BLACK ROSE - 4) DISCO 9 J.D. SOUTHER If You Don’t Want My Love (Cara 1 Corte 2) DISCO 10 J.D. SOUTHER Go Ahead And Rain On Me (HOME BY DAWN - 2) DISCO 11 J.D. SOUTHER House Of Pride ( IF THE WORLD WAS YOU - 2) DISCO 12 J.D. SOUTHER Best Of My Love (NATURAL HISTORY- 10) DISCO 13 J.D. SOUTHER Something In The Dark (TENDERNESS - 2) BONUS TRACK J.D. SOUTHER Smoke Gets In Your Eyes (ALWAYS - Cara 1 Corte 1)Escuchar audio

Today on Too Opinionated, Åsa Orbison, musician and daughter-in- law of legendary music artist Roy Orbison drops in for a visit.   Best known for being on the popular Bravo series Below Deck: Mediterranean Season, the beautiful Swedish siren is excited to launch her new music endeavor! She most recently released her cover of the hit single “Blue Bayou” on June 15, 2024, produced by her husband Roy Orbison Jr (musician, author/publisher/producer) who rearranged the hit song written by his father, Roy Orbison, in 1963 (and famously covered by Linda Ronstadt in 1977). Åsa's immense talent does not go unnoticed, giving Blue Bayou an updated jazzy feel with a Scandinavian touch. Next, you can listen to her new single ‘Love Is Strange'– a duet with her husband with Wayne Moss on guitar (the man behind the legendary riff on Dolly Parton's ‘Jolene' & Roy Orbison's ‘Pretty Woman') – which recently released on Thursday, July 23rd, followed by ‘Baby I'm Yours' on and finally, a full-length album this September. She is thrilled to share her brand-new songs with the world! Åsa received a platinum record award for singing backup vocals on her father-in-law, Roy Orbison's ‘Unchained Melodies” in 2019.    Want to watch: YouTube Meisterkhan Pod (Please Subscribe)

Barry and Abigail discuss Drag by k.d. lang and sample Theoretical Jam, Maduro Brown Ale, and Fancy Papers™ from Cigar City Brewing in Tampa, Florida. Listen to the original versions of the songs that k.d. lang covered on this album! Barry compared the ominous-sounding outro of Don't Smoke In Bed to Goldfinger by Shirley Bassey. We played a bit of The Hollies' version (in Barry's eyes, the definitive version) of The Air That I Breathe. We discussed in depth the lyrics of Steve Miller Band's The Joker, eventually going on a tangent that led to Clap For the Wolfman by The Guess Who and The Letter by The Medallions. Abigail compared k.d. lang's vocal performance in Your Smoke Screen to Shana Cleveland's performance on Manzanita. Barry compared the song to Comfortably Numb by Pink Floyd. Congratulations to Jeff “Jafo” Shettler! At time of episode release, his bonus episode, Bonus: Pink Floyd Leftovers (Pink Floyd and brewLAB Leftovers) is our most listened-to episode of all time. We discussed the incredible backstory of Till the Heart Caves In, which is a “cover” of a Roy Orbison song that was never recorded. lang and Orbison had a previous connection as lang performed in Roy Orbison & Friends - A Black and White Night in 1988. Read more about the special! We believe that Jane Siberry wrote Hain't It Funny specifically for k.d. lang. On Siberry's album, “Hain't It Funny” is preceded by k.d. lang, a series of recorded voicemails between Siberry and lang. Up next… Professional Rapper by Lil Dicky, submitted to our Virtual Jukebox by Dinos Korominas Jingles are by our friend Pete Coe. Visit Anosmia Awareness for more information on Barry's condition. Follow Barry or Abigail on Untappd to see what we're drinking when we're not on mic! Leave us a rating or a review on Apple Podcasts or Spotify! Facebook | Instagram | X | YouTube | Website | Email us | Virtual Jukebox

Wilmington, Delaware's George Thorogood got his start on acoustic blues.  He formed a band called the Delaware Destroyers in 1973, and this would eventually become his band, known as George Thorogood & The Destroyers.  He released his first record in 1977, and received more mainstream notice when he opened for the Rolling Stones in 1981.  The same year his touring schedule included the “50/50 tour” where George Thorogood & the Destroyers toured all 50 states in 50 days.  Thorogood's high energy shows and relentless touring schedule would be a hallmark of the band, creating a dedicated audience worldwide.The 1980's saw a resurgence in interest in blues rock, and this was a benefit for George Thorrogood.  The band would see continued success from their commercial breakthrough album, “Bad to the Bone,” released in 1982.  Albums would consist of both original material and covers of classic blues songs.  Much of their material has a humorous angle, though the blues style is solid and unapologetic, drawing influence from such artists as Elmore James, John Lee Hooker, and Bo Diddley.The George Thorogood Collection showcases some of the biggest hits from the band throughout the 70's and 80's.  It was released in March 1989, and we will be covering several hits from this album today.Wayne takes us through this blues boogie greatest hits album for this week's podcast. I Drink AloneOne of the better known George Thorogood hits, this pun-laden song peaked at number 13 on the Hot Mainstream Rock Tracks, and was an original from Thorogood.  “Now every morning just before breakfast, I don't want no coffee or tea.  Just me and by good buddy Weiser - that's all I ever need.”Bad to the BoneThis is the signature song of George Thorogood and the Destroyers.  Despite failing to crack the Top 100 in the US, it is universally identifiable from commercials, TV shows, movies, and the song itself.  It has been in over 25 films, including the iconic biker scene from “Terminator 2.”Move It On OverWhile this song does not appear on the “Collection,” we had to include it in this look at the band.  It is a cover song originally written and recorded by Hank Williams in 1947, and depicts the struggles of a guy who has come home late and found himself - literally - in the doghouse.Gear JammerThe deeper cut originally came out in 1985, and has become an anthem of truckers everywhere.  It talks about rolling down the road in an 18-wheeler, and looking to make time so the trucker can get home to his baby.  You'll find yourself moving at a high speed if you play this song in your car! ENTERTAINMENT TRACK:Bad Boys by Inner Circle (from the television series “COPS”)This reality-based show premiered in 1989, and had an iconic song with a reggae riff. STAFF PICKS:You're What You Want to Be by Cruel Story of YouthRob launches the staff picks with a deep cut from a lost band.  This Wisconsin foursome produced their only album (self-titled) in 1989).  The song itself is a good one in the alternative music genre, though it seems overproduced to us.  Girl You Know Its True by Milli VanilliBruce risks cancellation from the show for putting this decidedly non-rock travesty on the picks.  Milli Vanilli released the album of the same name, which got them both commercial success and critical recognition via a Grammy award in 1989 despite not singing a note on the album.  No musical survey of 1989 would be complete without acknowledging the Milli Vanilli controversy.Eternal Flame by The BanglesLynch brings us a ballad from Susanna Hoffs from the girl group The Bangles.  They started their career singing 60's rock songs, then incorporated some 70's punk before hitting it big with their own material.  It topped the charts in 9 different countries.  You Got It by Roy OrbisonWayne closes out the staff picks  with a hit posthumously released from Roy Orbison's album "Mystery Girl." It went to number 9 on the Billboard Hot 100.  Fellow Traveling Wilburys alumni Tom Petty and Jeff Lynne co-wrote the song with Orbison, and they play on the single along with an uncredited George Harrison. INSTRUMENTAL TRACK:Ytse Jam by Dream TheaterWe close out with a prog rock instrumental from Dream Theater's debut album. Thanks for listening to “What the Riff?!?” NOTE: To adjust the loudness of the music or voices, you may adjust the balance on your device. VOICES are stronger in the LEFT channel, and MUSIC is stronger on the RIGHT channel.Please follow us on Facebook https://www.facebook.com/whattheriffpodcast/, and message or email us with what you'd like to hear, what you think of the show, and any rock-worthy memes we can share.Of course we'd love for you to rate the show in your podcast platform!**NOTE: What the Riff?!? does not own the rights to any of these songs and we neither sell, nor profit from them. We share them so you can learn about them and purchase them for your own collections.

Joey Ryan and Kenneth Pattengale, the songwriters and musicians behind indie-folk favorites Milk Carton Kids, don't cut corners when it comes to songwriting. Everything gets held under the microscope; everything is subject to change. There's no ego in the room, just pure service of the song.Ryan and Pattengale join hosts Sean Watkins and Peter Harper to talk influences—what gets through into your songwriting, and what do you block out?—before digging into a downtempo plucker built around a timeless, folk-country melodic convention. Once the basic pieces are in place, though, things get interesting. The gang calls this “Burt Bacharach-ing it up;” lashing the essential elements tightly to the deck. Word choices are analyzed and tweaked, melodies are shifted ever so slightly, and chord progressions are optimized, note by note.The quartet settles on a simple, memorable lyrical composition (“An Orbison, one-nugget snapshot”), but that doesn't mean there isn't space for some Adam Sandler vocal influence to counterbalance the Nebraska-era Springsteen solemnity.This episode is sponsored by Berklee Online: https://online.berklee.edu/Join our Patreon: http://patreon.com/beforeyourveryears

A supergroup is a band made up of musicians who have already achieved fame either as soloists or members of another band.  One of the most iconic of supergroups would be formed in 1988 and go by the name of The Traveling Wilburys.  In 1987 George Harrison released his album "Cloud Nine" with Jeff Lynne performing a number of instruments and co-producing.  They started talking about forming a group during those sessions, with Harrison talking about bringing in Bob Dylan and Lynne talking about bringing in Roy Orbison.  Tom Petty joined in when Harrison went to his house to pick up a guitar he had left there previously.  The criteria that Harrison had, according to fellow Wilbury Tom Petty, was a group of folks "who you could hang out with."  The group bonded over their appreciation for 50's-style rock n' roll, and their love of the Monty Python comedy troupe.The group took on personas of half-brothers, with George Harrison as Nelson Wilbury, Jeff Lynne as Otis Wilbury, Roy Orbison as Lefty Wilbury, Bob Dylan as Lucky Wilbury, and Tom Petty as Charlie T. Wilbury Jr.  Frequent collaborator Jim Keltner provides percussion work and takes on the name of Buster Sidebury.  The name Wilbury comes from a running joke between Lynne and Harrison.  When some error in the equipment would occur during the production of Harrison's "Cloud Nine" album, Harrison said, “We'll bury 'em in the mix.”The Traveling Wilburys Vol. 1 had to be done in 10 days, because Dylan and Orbison had upcoming tours and projects.  Generally the writing and recording of a song was completed in a single day.  The result was a commercial and critical success, and the album won the Grammy for Best Rock Performance by a Duo or Group in 1990.Bruce presents this supergroup in today's podcast. MargaritaThis track starts with an 80's electronic feel, but quickly moves into a Bo Diddley beat that is more roots rock.  A deeper cut, this song was released as the B-side to the single "Handle with Care."Handle With CareThe big single went to number 45 on the Billboard Hot 100, and number 2 on the Billboard Album Rock Tracks chart.  This song was the impetus to bringing the group together, as it was originally supposed to be an extra track for a B-side of a European single, but the result was deemed too good for a limited release.Not Alone Any MoreThis deeper track finishes off side 1.  It was written mainly by Otis Wilbury for the vocal style of Lefty Wilbury, although all members are credited as songwriters.  The lyrics reflect themes of loneliness, which were Lefty's signature style back in the 60's.End of the LineThis was the band's second single.  It peaked at number 63 on the Billboard Hot 100, but number 2 on the Album Rock Tracks chart.  Roy Orbison died of a heart attack at age 52 after recording the song but before the video was made.  The video features a guitar sitting in a rocking chair in memorial to Orbison ENTERTAINMENT TRACK:Baby Doll by Devo (from the motion picture “Tape Heads”)Despite sporting an all-star cast, this comedy movie bombed at the box office. STAFF PICKS:Big League by Tom Cochrane and Red RiderWayne starts off the staff picks with a bittersweet song.  Cochrane tells a tale of a young hockey star destined for the pros until he lost his life in a car crash.  It was inspired by a true story told to Cochrane by the boy's father.  This song went to number 9 on the American Billboard Rock Tracks chart, and gets frequent airplay on classic rock radio stations in Canada. Didn't Know It Was Love by SurvivorRob's staff pick finds the singer looking back at a relationship he missed, and hoping it isn't too late.  Survivor had their big splash a few years prior with “Eye of the Tiger,” and this is off their seventh album, “Too Hot to Sleep.”  Unfortunately it barely made it onto the Billboard 200 album chart at 187, and the group broke up shortly thereafter.Kokomo by The Beach BoysLynch brings us the first number 1 US hit for the Beach Boys since the 60's.  The song was featured in the Tom Cruise movie “Cocktail,” and the song reflects a relaxed tropical vibe.  This single reinvigorated the Beach Boys, as fans began to look at their catalogue again.What's On Your Mind (Pure Energy) by Information SocietyBruce wraps up the staff picks with the signature song from a Minneapolis synth pop trio.  This song started as a 10-minute instrumental jam, but received minimalist lyrics reflecting the trouble people have communicating for the single release.  It also features sampled lyrics from Star Trek, particularly the repeated "pure energy" lyric from Leonard Nimoy's Mr. Spock. COMEDY TRACK:A Nightmare on My Street by DJ Jazzy Jeff & the Fresh PrinceThis single reflects the Halloween vibe as Will Smith aka The Fresh Prince riffs on Freddy Kruger's horror in “A Nightmare on Elm Street.” Thanks for listening to “What the Riff?!?” NOTE: To adjust the loudness of the music or voices, you may adjust the balance on your device. VOICES are stronger in the LEFT channel, and MUSIC is stronger on the RIGHT channel.Please follow us on Facebook https://www.facebook.com/whattheriffpodcast/, and message or email us with what you'd like to hear, what you think of the show, and any rock-worthy memes we can share.Of course we'd love for you to rate the show in your podcast platform!**NOTE: What the Riff?!? does not own the rights to any of these songs and we neither sell, nor profit from them. We share them so you can learn about them and purchase them for your own collections.

Join Row on Triple M's Gig Review as we dive into Chris Isaak's latest performance at Sydney's iconic State Theatre. For nearly four decades, Isaak has been enchanting audiences worldwide with his distinctive voice, magnetic presence, and timeless good looks. In this episode, we dive into a night where Isaak, now in his late 60s, proves that age is just a number with his pitch-perfect voice and dynamic range that flawlessly complements his signature moody love tunes. Isaak's bond with his Australian audience is undeniable; his affection for the country and its people shines through, reciprocated by the adoring fans who hang on his every word and note. Discover how Isaak and his band Silvertone, including beloved bandmates Kenney, Rowland, and Hershel, deliver a performance filled with emotional depth, from heart-wrenching ballads like "Somebody's Crying" and "Wicked Game" to the upbeat rhythms of "Baby Did a Bad Bad Thing." Experience the unique blend of humor, intimacy, and musical genius that defines a Chris Isaak show, including spontaneous interactions with the audience and unforgettable Orbison covers. Row provides an insider's look into a night of musical magic, inviting listeners into the world of live music that touches the soul. Whether you're a long-time Isaak fan or new to his music, this episode on the LiSTNR app is your backstage pass to one of the most memorable gigs of the year.See omnystudio.com/listener for privacy information.

Interview with singer Asa Orbison - The Culture News

Label: Monument 421Year: 1960Condition: M-Price: $25.00With this song, Roy Orbison announced that a major new talent had hit the big time. And not only would he knock us dead, he would do it with a voice that simply blew away the competition. It's hard to listen to Orbison without feeling simple awe at his vocal talent. By the way, this single's B side is a non-album cut. Note: This beautiful copy has Mint labels. The vinyl (styrene) has a few light scuffs, and the audio sounds Near Mint with a little underlying surface noise.

The Below Deck Boys are back for a dramatic episode of Below Deck Med Season Eight. Hosts John Farley and Sean Cole breakdown this Season's sixth chapter which features Natayla finally hooking up with Luka, only for it be ruined by her boyfriend calling. Also, the boys discuss: positive reinforcement fixing Max; Natalya putting on an impressive treasure hunt for the Orbison family; and Chef Jack making out with a local on the crew night out. John and Sean also hand out episode awards and decide whether we need Kyle to create more drama in order for this season to be interesting. Follow @OverBoard_Pod on Twitter to keep up on all the Below Deck Action.

More Dish about Mauricio and Kyle, while Lauren Manzo announces divorce. Then Angela Quintana and I enjoy smooth seas recapping BDM. The non-chaotic Orbison's bring the fun while Max seems like he's on the french chopping block. Now that Tumi and Nat are getting along we think that they will dethrone the boat gossip in the upcoming eps. For more Drama Darling subscribe to patreon.com/dramadarling Get bonus content on Patreon Hosted on Acast. See acast.com/privacy for more information.

Merriam-Webster's Word of the Day for October 20, 2023 is: dubious • DOO-bee-us • adjective A dubious person lacks a definite opinion or is doubtful about something; this sense of the word is usually used with about. Dubious can also describe something that causes doubt, uncertainty, or suspicion. In phrases like “dubious honor” and “dubious distinction” it functions ironically to describe something bad or undesirable as if it were an honor or achievement. // I was dubious about the chances that our gamble would pay off. // Jesse made the dubious claim that he could eat a whole watermelon in one sitting; then we sat in awe and watched him do it. See the entry > Examples: “A professional thrift shopper claims that a rare assortment of VHS tapes could help people pay off their debt—and now her video is going viral. ... She goes on to cite such tapes as a 1983 VHS of ‘Rocky,' a 1986 VHS of ‘Back to the Future,' the first three ‘Chucky' movies and a first print VHS of ‘Star Wars'—all of which sold, she claims, for thousands of dollars in ‘legitimate' eBay sales. However, many TikTok commenters were dubious of these listings and their sales.” — Cassie Morris, InTheKnow.com, 8 Sept. 2023 Did you know? Pop music pop quiz—which musical act had a hit with the song “Ooby Dooby”: 1950s rock-and-roll legend Roy Orbison or 1970s soft rock groovers the Doobie Brothers? Perhaps you're dubious that the Doobies would do “Ooby Dooby.” Too obvious. On the other hand, Orbison may represent the more dubious choice if you're an “Ooby Dooby” newbie. Regardless of which way you waffle, however, we think you'll appreciate dubious as a word that does double duty, meaning both “uncertain or doubtful” (as in “dubious that the Doobies would do…”) and “giving rise to uncertainty as to outcome, quality, or nature” (as in “dubious choice”). And we know without a doubt that dubious comes from the Latin verb dubare, meaning “to hesitate in choice of opinions or courses,” which in turn shares roots with the Latin word duo, meaning “two.” Oh, and if you're still of two minds about our music quiz, the answer is Orbison.

De CIEN AÑOS DE SOLEDAD", y "LOS CACHORROS" a "ANNIE HALL". STAR WARS" JAMES BOND y "LA ISLA DE LA FANTASIA" De BOWIE, TIMBERLAKE y ELTON JOHN a MADONNA, JACKSON o MEGHAN TRAINOR y BEATLES De SANTANA, ORBISON, S.WONDER y HOMBRES G a ILLAN, MONTANER, MELISSA, DAVILA, LOS MELODICOS y ROBERTO ROENA De CHUBBY CHEQUER y DAMIRON a PRESLEY, EVERLY BROTHERS,TITO RODRIGUEZ, LA SERIE y BENNY MORE --- Support this podcast: https://podcasters.spotify.com/pod/show/genteenambiente/support

De COOLIO, MARIAH CAREY y STEVIE WONDER a GUNS N' RODSES, CREAM, GUALBERTO IBARRETO, OLGA GUILLOT y SANDRO De los ROLLING STONES, ELVIS, CHUCK BERRY, LITTLE RICHARD y ORBISON a AEROSMITH, FOUR SEASONS, ANDY GIBB, BOWIE, JOSE LUIS o ARETHA De HECTOR LAVOE, ISMAEL RIVERA a OSCAR DE LEON Del "SUPER AGENTE 86", "STAR WARS" a "LOS ANGELES DE CHARLIE" a "EL EMBAJADOR" de Morris West o "EL CUARTETO DE ALEJANDRIA" de Lawrence Durrel... y mucho mas! Que de recuerdos! --- Support this podcast: https://podcasters.spotify.com/pod/show/genteenambiente/support

"Multicloud is the new bacon" e eles estão aqui para provar isso!

As part of our Unholy Passion effort, we're bringing you a “Classics” edition. Ralph and I discuss two artists that have produced music that can be considered crucial.  Roy Orbison was the original Man in Black and Townes Van Zandt explored the dark worlds of despair that both of us seem to gravitate to.  We discuss a lot of music in this episode. Most of the tracks will be represented on the accompanying Playlist.   Intro:     “Late Night Drive” – Mike Hill Outro:   “In Dreams” – Roy Orbison

We listen to one of Brett's favorite albums, Jeff Wayne's prog-concept album War of the World's. There's some Orbison chat and music from our friends The Mariners. Some sound issues with Cliff's mic - sorry! Hosted on Acast. See acast.com/privacy for more information.

Sam Paddor and Charlie McCoy discuss Charlie's time playing with legends like Bob Dylan, Elvis Presley, Roy Orbison and more on their songs "Desolation Row", "Oh, Pretty Woman" and more. Charlie McCoy's Website: https://www.charliemccoy.com My Back Pages Website: https://www.mybackpages.org

Hello there, and welcome to A Brit talks Vintage TV, with me Jamie Dyer. 2021 marked the 85th anniversary of the birth of the man known as 'The Big O' and I can't get enough of him. Last year, my family and I spent a week in a static caravan. This was due to electrical works that were to take place at our property. While wondering what to do with ourselves, we turned on a documentary about the late, great Roy Orbison., I reviewed a new vinyl collection of Sun Records-era Orbison, collated by Bear Family Records. Little did I know that this review would set me up for a viewing of a famous Roy Orbison concert entitled Black And White Night. To say it was strange to see a performance recorded in the 1980s in old-fashioned monochrome is an understatement. However, it suited the intended mood perfectly. I am not sure that, when the pioneers of television were first laying down their television pictures in glorious 405-line, they would have considered it a stylistic choice when colour had long been the standard. Although, saying that, they may have appreciated it has its merits when compared to colour. In a similar train of thought, I wonder what they would have thought of colourisation; The process of taking something originally made in black and white and...well you know the rest. The concept of colourising black and white media has always been something that divides fans. However, it has come a long way since the likes of Ted Turner began colouring in old movies to show on TV. Utilizing computer software and a bit of manual quality control can produce pretty decent results. We saw it a few years back when CBS showed colourised episodes of The Dick Van Dyke Show and I Love Lucy. While Black and White grounded them in the past, colour made them seem new again. The same can be said for the work on Network's latest release, Presented in SuperColorisation. A selection of six episodes from Gerry Anderson's Supermarionation series originally made in black and white, restored and colourised in high definition. The three series featured on the set are: One episode of Four Feather Falls, a western series starring the voices of Nicholas Parsons and Kenneth Connor. Two episodes of Supercar: A visually impressive yet strange series about a flying and swimming supercar, its driver, a professor, a child and a monkey. It's pretty funny too. And three episodes of Fireball XL5: A show my son thought was Supercar, but wasn't. I'm not as familiar with this show, but I do know it has a following. So what about the quality of the colourisation? How is it? To be completely honest with you...it's marvellous. The amount of detail in the work makes Anderson's magnificent stunt execution even more breathtaking. Explosions, water, falling rocks and so much more, are even more impressive. Narratively the inclusion of colour changes the mood somewhat, but I don't necessarily think that's a bad thing. Now do I think everything should be colourised? No. There are just some things that work best in their intended medium. The moody look of monochrome suits the vibe. Colourise it and you change that. People sometimes have an issue with the effect that colourisation has on the product. The Anderson set, for example, has instances where strings and other limitations are much more visible in colour due to the change in contrast to achieve the desired effect. Aside from Four Feather Falls, which I think suits black and white best, the shows have a whole new life ahead of them in colour. Presented in Supercolorisation is available to pre-order from NetworkOnAir.com, and will be released on the 12th of December 2022. Roy Orbison's Black and White Night can be found either on BBC4 or Sky Arts.

Is it true that, up until now, Paul Derringer has resisted covering the legendary Roy Orbison simply because Paul has trouble saying Orbison's first name?  Is it also true that Jeremy Lublin of Jeremy & The Harlequins from Brooklyn, New York, forced Paul's hand by requesting to be paired with Orbison for this episode? Listen in and find out as Paul makes his midnight confession out loud for all to hear! In this episode, Laura, Alton, Dave, and Paul (a.k.a. Team Derringer) utilize Spotify to conduct a witty, fast-paced, fact-based, snippet-filled countdown of Roy Orbison's All-Time Top Five songs.  Along the way, members of Team Derringer invoke the mysterious Derringer Handbook whenever it suits their needs, even though Laura Derringer questions the Handbook's very existence. Next, citing their personal favorites and culminating with the #1 choice by the Turnip Tillers (i.e., special Derringer Discoveries listeners) as featured on the Turnip Music Radio Top 25 playlist, Team Derringer reveals the Top Five songs by Jeremy & The Harlequins.  For each song revealed, front man Jeremy Lublin (a.k.a. Jeremy Fury) offers exclusive insight into each song's lyrics and background. If you are a fan of Jeremy & The Harlequins, you will gain new appreciation for their songcraft and hypnotic delivery.  If you have not yet heard of them, we predict that you will fall in love with their infectious songs. The time to grab on is now as they are about to embark on their next tour, starting September 2022. If, after hearing this episode, you do not immediately find yourself spontaneously and joyously exploring the catalogs of these two impeccable artists (Orbison and Jeremy), then we - Team Derringer - have failed in our never-ending quest to help you discover and re-discover the best of what music has to offer! We believe that, if you listen to this episode, you will want to dance! You will want to sing! You will want to dive in! Join us as we take you on this adventure - a musical adventure!  And let us know if we failed or succeeded!  Send your opinions (comments, remarks, judgments, or pronouncements) to feedback@derringerdiscoveries.com.  Send any positive comments to Alton's attention and address all negative comments to Paul.

Is it true that, up until now, Paul Derringer has resisted covering the legendary Roy Orbison simply because Paul has trouble saying Orbison's first name?  Is it also true that Jeremy Lublin of Jeremy & The Harlequins from Brooklyn, New York, forced Paul's hand by requesting to be paired with Orbison for this episode? Listen in and find out as Paul makes his midnight confession out loud for all to hear! In this episode, Laura, Alton, Dave, and Paul (a.k.a. Team Derringer) utilize Spotify to conduct a witty, fast-paced, fact-based, snippet-filled countdown of Roy Orbison's All-Time Top Five songs.  Along the way, members of Team Derringer invoke the mysterious Derringer Handbook whenever it suits their needs, even though Laura Derringer questions the Handbook's very existence. Next, citing their personal favorites and culminating with the #1 choice by the Turnip Tillers (i.e., special Derringer Discoveries listeners) as featured on the Turnip Music Radio Top 25 playlist, Team Derringer reveals the Top Five songs by Jeremy & The Harlequins.  For each song revealed, front man Jeremy Lublin (a.k.a. Jeremy Fury) offers exclusive insight into each song's lyrics and background. If you are a fan of Jeremy & The Harlequins, you will gain new appreciation for their songcraft and hypnotic delivery.  If you have not yet heard of them, we predict that you will fall in love with their infectious songs. The time to grab on is now as they are about to embark on their next tour, starting September 2022. If, after hearing this episode, you do not immediately find yourself spontaneously and joyously exploring the catalogs of these two impeccable artists (Orbison and Jeremy), then we - Team Derringer - have failed in our never-ending quest to help you discover and re-discover the best of what music has to offer! We believe that, if you listen to this episode, you will want to dance! You will want to sing! You will want to dive in! Join us as we take you on this adventure - a musical adventure!  And let us know if we failed or succeeded!  Send your opinions (comments, remarks, judgments, or pronouncements) to feedback@derringerdiscoveries.com.  Send any positive comments to Alton's attention and address all negative comments to Paul.

Dream Weaver - Gary Wright, China Girl - David Bowie, One Night in Bangkok - Murray Head, Cult of Personality - Living Colour, You Dropped a Bomb on Me - The Gap Band, Roy Orbison

On last episode, we discussed the power of Self Talk. This week are blessed to have an amazing guest with us who presents a unique perspective on how the power of self talk played an instrumental part in their growth journey.  Welcome Bonnie Orbison, incredibly talented young indie author and podcast host of Bonnie's Legends!!Check out Bonnie Orbison on Instagram at @bonnieorbison and @bonnieslegendsIntro by: Derek KrykewyczInstagram@stopthinking_startdoing@blooming.brewerYouTubehttps://youtube.com/channel/UC-BbMyaxZp6D0amuhUt71ewPurchase your Journal here https://stopthinkingstartdoing.org/Mighty Network https://stop-thinking-start-doing.mn.co/landing?from=https%3A%2F%2Fstop-thinking-start-doing.mn.co%2Fgroups%2F6660906%3Futm_source%3Dmanual

ras aquellas gafas negras de pasta y ese matojo de pelo se escondía una de las voces más fascinantes de la música y un artista con una sensibilidad especial que fue capaz de cantar desde una vulnerabilidad sorprendente para un tipo nacido en Texas en los años 30.Pero Roy Orbison cantaba con el corazón en la mano y la verdad por delante. La triste muerte de su mujer, seguida por la doble pérdida de sus dos hijos en un incendió marcó para siempre la vida de Orbison.Tras unos años ochenta perdido, como la mayoría de pioneros de su generación, Orbison se reencontró de la mano de Jeff Lynne, líder de la ELO, y fue parte de aquel fabuloso experimento de los Traveling Wilburys, banda que lo juntó con Bob Dylan, George Harrison, Tom Petty y el propio Lynne. De todos ellos, Orbison era el que se encontraba en un momento más complicado de su carrera y el que más fortalecido salió de aquel viaje.Pero fue en ese periodo cuando Orbison regresó también al estudio para grabar un álbum propio después de varios años. Lo hizo con los Hearthbreakers, la banda de Petty, como escuderos y con canciones escritas para él por tipos como Elvis Costello o Bono y The Edge de U2.'Mystery Girl' iba a ser el álbum que consagrase de Orbison como un artista vigente, actual y con futuro, pero Roy no llegó a verlo en las tiendas. Tras unos tiempos de molestias en el pecho le confesó a Johnny Cash que estaba asustado y le prometió ir al médico. Murió unos días después.Con el tiempo aquel disco póstumo del enorme Roy Orbison se ha ido olvidando, pero volver a escucharlo sabiendo su historia es una experiencia fascinante que merece la pena y para la cual nos acompañan Fernando Neira y Lucía Taboada.

Label: Monument 851Year: 1964Condition: M-Last Price: $40.00. Not currently available for sale.Both sides of this classic 45 are credited to Roy Orbison and The Candy Men. It's worth noting that this single is on both the Dave Marsh (#39) and Rolling Stone magazine's (#224) "top 45s" lists. An essential single for a complete collection, for sure ... and this is perhaps the nicest, reference-Mint copy I've run across yet. This copy's audio is so gorgeous I had to make an mp3 file for the "jukebox"... so have a listen! Nothing like the audio on this original 45. I wish Orbison had actually joined a band like the Candymen. He needed a great rock band behind him, but never really found one until the Traveling Wilbury's sessions shortly before he died. Note: This beautiful copy comes in a vintage Monument Records factory sleeve. It has pristine Mint sound. (This scan is a representative image from our archives.)

Here Comes the Sun - The Beatles, All Right Now - Free, It's Over - Roy Orbison, The Miracle - Queen, Papa Don't Preach - Madonna, Brand New Day - Sting

Pet Sounds was the eleventh studio album by the Beach Boys.  The album revolutionized music production, helped establish the album as the dominant form of music, and made the recording studio an instrument.  The Beach Boys at this time are Brian Wilson, Carl Wilson, Dennis Wilson, Bruce Johnston, Al Jardine, and Mike Love.Some consider Pet Sounds to be a Brian Wilson solo project.  He stopped touring with the Beach Boys a year prior to producing this album, and most of the Beach Boys had not heard the songs until they came into the recording session after the tour.  Additionally, the album contained a lot of departures from standard Beach Boys fare.  Wilson had moved them away from the surfing focus over the course of several albums, but this was deeper, more art rock, and inorporated jazz and other genres which just couldn't be duplicated in concert with a standard small rock set used on Beach Boys tours.Brian Wilson wanted this to be the greatest rock album ever made, and wanted it to be a cohesive work with no filler songs.  Some consider it a concept album, but it is more like a curated art work - the songs hang together but don't focus on a single theme.  While the album has become recognized as one of the greatest rock albums ever written, it was not initially received that way either commercially or critically.  This really hurt Wilson, as he considered it a public rejection of his artistry.  Even later when folks would tell him how great the album was, he didn't want to hear it.  He was already starting to breakdown mentally and psychologically.Bruce brings us this iconic album. Wouldn't It Be NiceThe opening track to the album was released as a single in July 1966.  It describes a young couple fantasizing about being older, married, and free.  It peaked at number 8 on the Billboard Hot 100.  Brian Wilson and Tony Asher wrote it (with Mike Love getting writing credits after a 1994 court case), and Brian Wilson is on lead vocals.Don't Talk (Put Your Head on My Shoulder)The instrumentation here features a string sextet, and is really complex.  The lyrics are about non-verbal communication, and Brian Wilson is the only Beach Boy on the song.  There's a 12 string electric guitar in this song which is played by a session musician named Glen Campbell.Caroline, NoThis really was a Brian Wilson solo song, released as his debut solo record in March 1966.  The lyrics are about an old flame who grows older, or maybe the relationship grows older, and loses a lot of its allure.  There are a lot of jazz chords in this piece..God Only KnowsThis track leads off side two of the album, and was pretty controversial.  At the time it was taboo to have the word “God” in a non-religious song.  The key is somewhat ambiguous, varying between E major and A major in different sections.  Paul McCartney considered it "the greatest song ever written," and it has received numerous accolades from lots of singers and songwriters.   ENTERTAINMENT TRACK:Main theme from the television series "Perry Mason"The now famous detective series completed its 9-season run in May of 1966. STAFF PICKS:Time Won't Let Me by the OutsidersWayne starts the staff picks with Cleveland's own Outsiders, and the Cleveland Indians used this song when bringing in relief pictures.  It hit number 5 on the charts.  The jingle is used in many commercials, as the message about not waiting carries over well from relationships to commercial applications.Eight Miles High by the ByrdsBrian brings us an acid rock song - often considered the first acid rock song - inspired by an airplane flight.  At least that was the story the band used to avoid concerns about drug references getting the track banned from radio stations.  The drug concerns were not overcome, causing the song to quickly drop off the charts. Twinkle Toes by Roy OrbisonRob's staff pick is from Orbison's 9th album.  This was Orbison's last top 40 hit, appearing at number 39 on the charts.  Roy Orbison had 22 top 40 hits between 1960 and 1966, and would enjoy more success in the 1980's when several of his songs were covered.  He died at 52 years old in 1988, and his final top 10 single, "You Got It" would appear on the charts posthumously.Strangers In the Night by Frank SinatraBruce concludes the staff picks with Sinatra's first number 1 hit in 11 years.  While this song would win multiple Grammys and remain on the charts for 15 weeks, Frank Sinatra hated it.  Glen Campbell played rhythm guitar on the studio recording of this song. INSTRUMENTAL TRACK:Let's Go Away for Awhile by the Beach BoysWe get in a little double-dipping with this instrumental from Pet Sounds, performed by an uncredited group of session musicians later known as the Wrecking Crew. 

Youtube Video Link of this live broadcast: #100: Valerie Bertinelli + Lee Majors VS William Shatner + Orbison + Bill Murray + Magic Rocks + DQ - YouTube WELCOME TO THE NOSTALGIC PODBLAST #100: Valerie Bertinelli + Lee Majors VS William Shatner + Orbison + Bill Murray + Magic Rocks + Peanut Buster Parfait + Barbra Streisand is 80 + Robert Morse.....Plus a whole lot more! * * * * Clips galore & much more fun!!!! **** "Like"/join the Facebook group to receive a notification when we are rolling LIVE on video most Sundays at 7:00 PM Eastern (Atlanta, GA) time! ***** FACEBOOK GROUP LINK: https://www.facebook.com/groups/505690109979643/?epa=SEARCH_BOX We stream Saturdays & Sundays 2-6 pm eastern time on FISTFULOFRADIO.COM and shows are archived on that website. Search NOSTALGIC PODBLAST or THE NOSTALGIC PODBLAST on Spotify, Stitcher, Soundcloud, Apple, TuneIn, etc. or on this very YOUTUBE channel NOSTALGIC PODBLAST on video. Enjoy ! ~ #VALERIEBERTINELLI #EDDIEVANHALEN #BARBRASTREISAND #LEEMAJORS #MAGICROCKS #SOFSERVEICECREAM #DAIRYQUEEN #THESIXMILLIONDOLLARMAN #COZI #CAROLBURNETT #THENANNY #BILLMURRAY #KINGKONG1976 #JESSICALANGE #TOOTSIE #ROBERTMORSE #IMDBTV #GAMESHOW #CLASSIC #APRILMUSICHISTORYNEWS #BUZZR #GAMESHOWNETWORK #ACTOR #WRITER #DIRECTOR #EDUCATIONAL #BIOGRAPHY #CULT #JEOPARDY#MovieHistory #MGM #LivePodcast #TheNostalgicPodblast #Podcast #Celebration #ChanceBartels #PopCulture #AMCMOVIETHEATERS #History #INTERVIEWS #RARE #PopCultureHistory #Atlanta #AtlantaHistory #AtlantaMovieTheaters

On April 23, 1936, Roy Kelton Orbison was born in Vernon, Texas. For y'all that don't have the map of Texas tattooed on your brain, Vernon is up in Wilbarger County near the Red River, about 50 miles west of Wichita Falls. One of my favorite history professors, Hunt Tooley, was from Vernon too. Not sure when his birthday is.  Whether Dr. Tooley was an Orbison fan or not is not known, but I can pretty confidently say that Mr. Orbison was one of the great singers and songwriters to hail from Texas and he was and still is loved by thousands of folks. One thing I should point out is that I always thought Mr. Orbison was blind. He was famous for always having dark sunglasses on. As it turns out, he was not blind, but he did have very, very, very bad eyesight. He grew up in Wink, Texas, even more west than Vernon. Wink is way out west in Winkler County near Monahans and Pecos, about a hundred miles southeast of Carlsbad. He got his first guitar when he was six and since then music became a central part of his life and Roy started his first band, the Wink Westerners, there when he was attending Wink High School. After high school, Roy attended North Texas State College in Denton, Texas for a while. That's just north of Dallas and Fort Worth in Denton County and on I-35. North Texas State College is now the University of North Texas and they have a world famous music program there. He then went to Odessa Junior College. In Odessa, the Wink Westerners changed their name to the Teen Kings. He, and they, had their first hit after he left college in 1956. The song is Ooby Dooby and it was released by none other than the legendary Sun Records. You know Sun Records. They were the company that also released music by Elvis Presley, Charlie Rich, Jerry Lee Lewis, Carl Perkins, and Johnny Cash, to name a few. Kind of like an early version of 301 Productions with its current lineup of great Texas musicians. Roy went on to have several hits. Twenty-two Orbison singles reached the Billboard Top 40 between 1960 and 1966. He wrote or co-wrote almost all of his Top 10 Hits: "Only the Lonely" in 1960, "Running Scared" in 1961, "Crying" 1961, "In Dreams" 1963, and "Oh, Pretty Woman" (1964). If you haven't heard one of these or any Roy Orbison songs then you need to crawl out of the rock you've been under and get a little culture. Your ears will thank you. Because of his greatness, Orbison was inducted into the Rock and Roll Hall of Fame, the Nashville Songwriters Hall of Fame, the Songwriters Hall of Fame, and the Musicians Hall of Fame and Museum. He also was recognized with a Grammy Lifetime Achievement award along with five actual Grammy Awards. He co-founded the great supergroup, Traveling Wilburys in 1988 with George Harrison, Bob Dylan, Tom Petty, and Jeff Lynne. Sadly, Orbison died of a heart attack in December 1988 at age 52, a month before the release of his song "You Got It." It was his first hit to reach the US & UK Top 10 in nearly 25 years. So here's to the memory of Roy Orbison, born on April 23, 1936. The Texas History Lessons Theme song, Walking Through History, was written and recorded by Derrick McClendon. Listen to his new album, Interstate Daydreamer! Available everywhere you find good music. Thank you Derrick! Twitter: @dmclendonmusic If you are enjoying Texas History Lessons, consider buying me a cup of coffee by clicking here! Help make Texas History Lessons by supporting it on Patreon. And a special thanks to everyone that already does. Website: texashistorylessons.com email: texashistorylessons@gmail.com Twitter: @TexasHistoryL Texas History Lessons Spotlight Artists Jerrod Flusche Rosmand – Mando Salas Zach Welch Seth Jones Derrick McClendon Kade Anson Randy Hoyet on Spotify Robert Herrerra Jacob Charles Chris Cunningham Podcast Recommendations: Wild West Extravaganza Podcast The History Cafe Podcast Hymns of the Highway Podcast Off Mic, Off the Record Podcast Texas River Tonk Podcast TXRiverTonk Podcast Learn more about your ad choices. Visit megaphone.fm/adchoices

Jeff Slate is an ASCAP award winning singer-songwriter from New York City. He co-founded the 1980's mod/punk band the Mindless Thinkers, and in the mid-90's released The Townshend Tapes, on which The Who's Pete Townshend acted as executive producer. He later opened for Sheryl Crow on her “Tuesday Night Music Club” tour before founding the band The Badge in 1997, who released three albums and countless singles, EPs and live “bootleg” sets, two “best of” compilations, and went on to become darlings of the UK/European “mod” scene in the 2000's. In 2010 Slate released the solo single “Dreamtime,” which featured Earl Slick (Lennon, Bowie) and Carlos Alomar (Bowie, Lennon), as well as other alums of David Bowie's bands. Birds of Paradox, his first solo album of original material, was released in 2012. It was followed in November 2013 by Imposters & Attractions, and his contribution to the Pete Quaife Foundation Kinks tribute album Shoulder To Shoulder in 2015, which honored the band's late bassist. His 2016 album Secret Poetry was another all-star affair, lauded by critics and fans alike. A video of the song “Letter From Paris (Showed Me The Way)” featuring Slate and Slick, was directed by Patrick McGuinn.Jeff's music has appeared in advertising and films and on television, including in the hit show Gossip Girl. Over the past decade Slate has been a regular contributor to the Wall Street Journal, The New Yorker, Esquire, Rolling Stone, and many other publications, writing about music and culture, and has appeared on television and radio numerous times, including on former-Sex Pistol Steve Jones's Los Angeles drive time show Jonesy's Jukebox, and SiriusXMs Volume channel, where Slate is also a guest host, as well as the BBC numerous times. He is the co-author of the 2017 book The Authorized Roy Orbison, written with the late legend's sons, and has written liner notes for albums by Orbison, the Small Faces, Shawn Colvin, for the Stax Records 60th anniversary reissue series and for The Beatles' 50th anniversary edition of Sgt. Pepper's Lonely Hearts Club Band. In 2018 Slate wrote the 10,000+ word essay included in Bob Dylan's More Blood, More Tracks, the 14 edition of his long-running Bootleg Series. In 2019 Slate appeared onstage at the first World Of Bob Dylan conference in Tulsa, Oklahoma, sponsored by the Bob Dylan Center there, where he interviewed The Byrds' Roger McGuinn and performed with the legend. He also performed at all-star concerts celebrating The Clash's album London Calling in New York and L.A. In 2020, and Slate appeared at a show in Los Angeles fronting the band from the “Echo In The Canyon” film, as well as at an all-star concert at New York City's Town Hall honoring the 80th birthday of the Woody Guthrie song “This Land Is Your Land.”During the 2020 lockdown, Slate performed over forty Facebook Live and Instagram Live streaming concerts to thousands of fans each week, including one for the Martin Guitars series “Jam In Place,” and released the live album Lockdown Live taken from those performances. He also released the single and animated video “Heartbreak,” which featured Slick, Duff McKagan and other rock and roll luminaries, and contributed a cover of the Traveling Wilburys' song “Handle With Care” with his band to the official celebration of Tom Petty's 70th birthday.Slate proudly plays a Martin OM-28E Retro Acoustic Guitar with Martin Strings, as well as Hofner basses and Vox amps.Photo credit: Rachel NaomiLearn More about Lyte Hosted on Acast. See acast.com/privacy for more information.

Jeff Slate is an ASCAP award winning singer-songwriter from New York City. He co-founded the 1980's mod/punk band the Mindless Thinkers, and in the mid-90's released The Townshend Tapes, on which The Who's Pete Townshend acted as executive producer. He later opened for Sheryl Crow on her “Tuesday Night Music Club” tour before founding the band The Badge in 1997, who released three albums and countless singles, EPs and live “bootleg” sets, two “best of” compilations, and went on to become darlings of the UK/European “mod” scene in the 2000's. In 2010 Slate released the solo single “Dreamtime,” which featured Earl Slick (Lennon, Bowie) and Carlos Alomar (Bowie, Lennon), as well as other alums of David Bowie's bands. Birds of Paradox, his first solo album of original material, was released in 2012. It was followed in November 2013 by Imposters & Attractions, and his contribution to the Pete Quaife Foundation Kinks tribute album Shoulder To Shoulder in 2015, which honored the band's late bassist. His 2016 album Secret Poetry was another all-star affair, lauded by critics and fans alike. A video of the song “Letter From Paris (Showed Me The Way)” featuring Slate and Slick, was directed by Patrick McGuinn.Jeff's music has appeared in advertising and films and on television, including in the hit show Gossip Girl. Over the past decade Slate has been a regular contributor to the Wall Street Journal, The New Yorker, Esquire, Rolling Stone, and many other publications, writing about music and culture, and has appeared on television and radio numerous times, including on former-Sex Pistol Steve Jones's Los Angeles drive time show Jonesy's Jukebox, and SiriusXMs Volume channel, where Slate is also a guest host, as well as the BBC numerous times. He is the co-author of the 2017 book The Authorized Roy Orbison, written with the late legend's sons, and has written liner notes for albums by Orbison, the Small Faces, Shawn Colvin, for the Stax Records 60th anniversary reissue series and for The Beatles' 50th anniversary edition of Sgt. Pepper's Lonely Hearts Club Band. In 2018 Slate wrote the 10,000+ word essay included in Bob Dylan's More Blood, More Tracks, the 14 edition of his long-running Bootleg Series. In 2019 Slate appeared onstage at the first World Of Bob Dylan conference in Tulsa, Oklahoma, sponsored by the Bob Dylan Center there, where he interviewed The Byrds' Roger McGuinn and performed with the legend. He also performed at all-star concerts celebrating The Clash's album London Calling in New York and L.A. In 2020, and Slate appeared at a show in Los Angeles fronting the band from the “Echo In The Canyon” film, as well as at an all-star concert at New York City's Town Hall honoring the 80th birthday of the Woody Guthrie song “This Land Is Your Land.”During the 2020 lockdown, Slate performed over forty Facebook Live and Instagram Live streaming concerts to thousands of fans each week, including one for the Martin Guitars series “Jam In Place,” and released the live album Lockdown Live taken from those performances. He also released the single and animated video “Heartbreak,” which featured Slick, Duff McKagan and other rock and roll luminaries, and contributed a cover of the Traveling Wilburys' song “Handle With Care” with his band to the official celebration of Tom Petty's 70th birthday.Slate proudly plays a Martin OM-28E Retro Acoustic Guitar with Martin Strings, as well as Hofner basses and Vox amps.Photo credit: Rachel NaomiLearn More about Lyte

Folks, (Hershall is in the studio so I have to type to someone else) we had a service that was in true Pod'N Me style. We started with a throwback to last week when Brad brought Orbison, Willie & Hall in for some tempting Christmas tunes to see if the Deacon would be placed under conviction.... Did I mention in a previous episode that December episodes leading up to Christmas would NOT be serious?? Well, full disclosure, today's episode was no exception. Somewhere along the way the Deacon made a 3-string guitar sound with is mouth and proceeded to sing a bit in Spanish... we think?? That little bit kept coming up over and over but in the meantime (offensive sounding word), we opened some very nice fan-mail, read reviews and had a all around time of good cheer.... If you would like to send feedback to us, you may do so at devin@podnme.org and follow us on Instagram @podn_me.  

BOO! AH! EEEEEK! This 2FRE Halloween Special will have you on the knife's edge daring you to make sense of it all! Up is down! Right is left! Vlap is derp! Comedy naturally ensues. Round and round and round we go.... Credits: Imagined and performed by Steve Jura and Ashley North. Thank you to soundbible.com, freesound.org, commons.wikimedia.org for all of our sound effect and ambient music needs. Instrumental karaoke version of "Love Story" originally written and performed by Taylor Swift. "Something Evil Approaches, A.wav" by InspectorJ (www.jshaw.co.uk) of Freesound.org Closing music is “Goodbye My Love Goodbye,” by Demis Roussos, from the album Forever and Ever, produced by Leo Leandros, written by Leo Leandros and Klaus Munro. Our logo is made by the inimitable Chris Lombardi.

After striking out on a hot date with Lady Justice, Pete resurrects Roy Orbison from the dead in a botched attempt to win her back

Cancel Culture, Institutional Racism And More Explained by Attorney Melvin C. Hall | Institutional Racism And More | Justice For All Ep.7 | LegalShield Join @LegalShield CEO Jeff Bell as he speaks with Attorney Melvin C. Hall of Riggs, Abney, Neal, Turpen, Orbison & Lewis. You won't want to miss their conversation about cancel culture, institutional racism, racial violence, the Tulsa race massacre, immigration, cannabis legalization and more. Watch, listen, and subscribe on YouTube or wherever you get your podcasts. Read more about the LegalShield mission at https://bit.ly/2Wx69uD. Head over to our website to learn more about the different ways LegalShield can help you! https://bit.ly/3iaoNko. Follow Us on Social Media:  --- Facebook |

In the first part of Gangplank's interview with the Orbison family, Roy Jr gave a lot of great behind the scenes perspective of both of their stints on Below Deck Med. In Part 2 there's a little more of that and you get to hear from Asa, Roy III, and Bo too! Get to know this lovely and warm family and smile and laugh along with us! If you missed Part 1 be sure to go back and check it out!

Super fans come in all varieties, even celebrity charter guests! That's the case this week as Adrienne and Jen get a chance to talk to Roy Orbison Jr, his beautiful wife Asa, and his adorable sons Roy III, and Bo. Roy Jr. gives us a lot of behind the scenes scoop, including a mind-blowing reveal about how long their "one night" charter really was. The Orbisons were so generous with their time that we had to make this a two-parter. Hope you enjoy Part 1!

The crew parties it up in the master cabin on their night off and Courtney and Zee share a kiss, but it ends up being a case of "Kiss and DON'T tell" because they aren't bringing it up to each other the day after. We get a return visit from the adorable Orbison family and get to see a rowdier version of Roy Jr. Katie shakes up the shifts and Lexi is none too pleased. We're left with a cliffhanger at our first night docking, and the previews for next week have us wanting more!

Episode 75: We sit down with Geoff Smith, tour guide at the Legendary Sun Studio in Memphis and he tells us the history of Sam Phillips and Sun Records! Howlin' Wolf, The Prisonaires, Elvis, Cash, Perkins, Jerry Lee Lewis, Orbison, Prine and more!  Geoff's Guilty Pleasure song The Suffering by Coheed and Cambria More from Geoff Instagram: @geoffsmythe & @campfiresandsynthesizers Soul Shaker for Star and Micey The Wealthy West Dream Crusher Hope Smasher   Special THANK YOU Chuck Savage & Eddie Hawkins: Intro music Sara Wessling: Guilty Pleasures vocals Jeremy Essig: Six Degrees of Tommy Stinson   **********   We have a Patreon Page! https://www.patreon.com/rockthecashbar   If you would like to help support Rock the Cash Bar we have some fun perks for becoming a Patreon member! For $5 a month Patreon members will have a private community, receive some awesome Rock the Cash Bar swag and once a month we draw one Patreon member's name and let them choose a song for us to cover! We also have a Spotify Playlist where we add each song of the week plus the guilty pleasures songs.    Website: https://www.rockthecashbarpodcast.com   PLEASE rate and leave us a review! It really helps!! Thank you!

My friend Dan Barrero, of Destroy Orbison, joins me on this very special episode. We discuss his recent life changes due to a type 2 diabetes diagnosis and so much more!  Check out Destroy Orbison: https://destroyorbison.bandcamp.com/ Art by Kat Lanser hatemail.bigcartel.com https://www.instagram.com/_hatemail_ Animation by Bradley Thomas Turner http://bradleythomasturner.com/ https://www.instagram.com/bradleythomasturner/ Music by Brady Turner https://www.bradyturnermusic.com/ https://www.instagram.com/bradyturnermusic You Had Options socials https://www.instagram.com/youhadoptions https://www.twitter.com/youhadoptions youhadoptions@gmail.com  

The Rock n Roll Archaeologist does some actual digging with the help of two veteran journalists, Bryan Reesman and Jeff Slate, as they discuss two recent re-releases from the rock n roll golden age, 1965's POP GEAR and 1973's That'll Be the Day.Without a doubt one of the most ambitious pop group films ever produced, POP GEAR features Britain's top 16 groups and solo acts of the day, from The Beatles to The Animals to Herman's Hermits. Directed by Frederic GoodeThat'll Be the Day. Jim MacLaine is 18-years old and studying for his advanced level exams, beginning to find his work increasingly irksome. He packs a suitcase, hitches a lift to the coast, and starts a new life with a new job. While working at a fairground, he's invited to a university dance by his old friend Terry, where he meets Terry's sister, Jeanette. They fall in love, marry, and when their first child is born, Jim seems content. But it is not long before he once again walks out in search of freedom and irresponsibility. Directed by Claude Whatham.Jeff Slate's music has appeared on the BBC and in shows like Gossip Girl and One Tree Hill. Jeff writes about music for the New Yorker, Wall Street Journal, Esquire, Rolling Stone, NBC News, and many other publications, contributed liner notes to the 50th anniversary edition of The Beatles' Sgt. Pepper's Lonely Hearts Club Band and is the author of The Authorized Roy Orbison, a biography of the legend, with Orbison's sons. In 2018, Jeff wrote the liner notes for Bob Dylan's The Bootleg Series, Vol. 14: More Blood, More Tracks.Jeff is a regular visitor to SiriusXMs Volume, has appeared on Jonesy's Jukebox, and numerous podcasts -- such as Roadie Free Radio and the Rockonomics Podcast, as well as numerous Bob Dylan- and Beatles-themed shows -- and local TV and radio shows. He has been profiled in publications around the world.Veteran entertainment journalist BRYAN REESMAN has interviewed countless pop culture luminaries from around the world. He has test driven a Corvette with Rob Halford, visited Lemmy's apartment, and been an on-camera interviewer of celebrities like Oprah Winfrey and Hugh Jackman. He has contributed to the New York Times, Playboy, Grammy, American Way, MSN Movies, and over 100 other media outlets and written extensive liner notes for rock icons including Judas Priest, Black Sabbath, and AC/DC.A graduate of New York University's Tisch School of the Arts, Bryan is the author of the biography "Bon Jovi: The Story" (Sterling). And of course he is the host of Pantheon Podcast's own “Side Jam”!https://jeffslatehq.comhttp://www.bryanreesman.comhttps://www.kinolorber.comThis show is part of Pantheon Podcasts.

The Rock n Roll Archaeologist does some actual digging with the help of two veteran journalists, Bryan Reesman and Jeff Slate, as they discuss two recent re-releases from the rock n roll golden age, 1965's POP GEAR and 1973's That'll Be the Day.Without a doubt one of the most ambitious pop group films ever produced, POP GEAR features Britain's top 16 groups and solo acts of the day, from The Beatles to The Animals to Herman's Hermits. Directed by Frederic GoodeThat'll Be the Day. Jim MacLaine is 18-years old and studying for his advanced level exams, beginning to find his work increasingly irksome. He packs a suitcase, hitches a lift to the coast, and starts a new life with a new job. While working at a fairground, he's invited to a university dance by his old friend Terry, where he meets Terry's sister, Jeanette. They fall in love, marry, and when their first child is born, Jim seems content. But it is not long before he once again walks out in search of freedom and irresponsibility. Directed by Claude Whatham.Jeff Slate's music has appeared on the BBC and in shows like Gossip Girl and One Tree Hill. Jeff writes about music for the New Yorker, Wall Street Journal, Esquire, Rolling Stone, NBC News, and many other publications, contributed liner notes to the 50th anniversary edition of The Beatles' Sgt. Pepper's Lonely Hearts Club Band and is the author of The Authorized Roy Orbison, a biography of the legend, with Orbison's sons. In 2018, Jeff wrote the liner notes for Bob Dylan's The Bootleg Series, Vol. 14: More Blood, More Tracks.Jeff is a regular visitor to SiriusXMs Volume, has appeared on Jonesy's Jukebox, and numerous podcasts -- such as Roadie Free Radio and the Rockonomics Podcast, as well as numerous Bob Dylan- and Beatles-themed shows -- and local TV and radio shows. He has been profiled in publications around the world.Veteran entertainment journalist BRYAN REESMAN has interviewed countless pop culture luminaries from around the world. He has test driven a Corvette with Rob Halford, visited Lemmy's apartment, and been an on-camera interviewer of celebrities like Oprah Winfrey and Hugh Jackman. He has contributed to the New York Times, Playboy, Grammy, American Way, MSN Movies, and over 100 other media outlets and written extensive liner notes for rock icons including Judas Priest, Black Sabbath, and AC/DC.A graduate of New York University's Tisch School of the Arts, Bryan is the author of the biography "Bon Jovi: The Story" (Sterling). And of course he is the host of Pantheon Podcast's own “Side Jam”!https://jeffslatehq.comhttp://www.bryanreesman.comhttps://www.kinolorber.comThis show is part of Pantheon Podcasts.

The Wreck continues their weekly podcast with Episode #54, welcoming special guest Ben Ringel (Boy Orbison, The Delta Saints). Steve turns 35, music from Boy Orbison and Faces, the gang tells stories from the road, discusses guitar arsenals and Ben's Top 5, and much more! Follow Ben on Instagram here! Follow Boy Orbison on Instagram here! Check out all the amazing bands on the Teenage Head Music roster here! Check out Boy Orbison on Spotify here! Follow Henry's History Playlist on Spotify here! Listen to music from The Delta Saints on Spotify here!

Susan Bennett never set out to land what has become "a gig of a lifetime." In fact, she had no idea she was creating one of the most famous phone characters in the world of AI: The voice of Siri for the Apple iPhone. Sonny caught up with her at her home in Atlanta to chat about her fascinating career as a jingle performer, singer (she sang backup for the great Roy Orbison, voice over artist and how she landed the job, she never knew she had. Siri also makes an appearance! Show notes: https://SonnyRadio.com/Siri  

Joey Farber is one of the younger statesmen of Brooklyn garage rock n roll. He plays guitar and sings in The Jeanies and Greasy Hearts, both of whom are tearing it up on the King Pizza label. He's been a prolific songwriter since day one, and he brings us a sampling of early cuts, featuring some Orbison-esque balladry, dark synth punk, and grimy psych.