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3 episodes with The Starlighters
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2 episodes with The Starlighters
2 episodes with The Starlighters
2 episodes with The Starlighters
Agradece a este podcast tantas horas de entretenimiento y disfruta de episodios exclusivos como éste. ¡Apóyale en iVoox! Éxitos Originales de la Banda Sonora de American Graffiti es el álbum oficial de la película American Graffiti de 1973. Fue certificado triple platino en Estados Unidos, donde alcanzó el puesto número 10 en la lista Billboard 200 . Incluidas en la película, pero no en la banda sonora, están " Ge " de los Crows , " Louie Louie " de Flash Cadillac & the Continental Kids y la interpretación a capela de Harrison Ford en el personaje de " Some Enchanted Evening " (aunque el motivo de la exclusión de las dos últimas es porque esas secuencias no se agregaron a la película hasta el relanzamiento de 1978, estaban ausentes en la versión original lanzada en 1973) Una segunda recopilación, titulada More American Graffiti (MCA 8007) (que no debe confundirse con la secuela cinematográfica de 1979 del mismo nombre ), fue publicada por MCA a principios de 1975 con la aprobación de George Lucas. incluye más éxitos de rock y doo-wop de finales de los 50 y principios de los 60 (solo uno de ellos, «Gee» de The Crows, apareció en la película), junto con diálogos adicionales de Wolfman Jack. Una tercera y última recopilación de clásicos, titulada American Graffiti Vol. III (MCA 8008), también fue publicada por MCA a principios de 1976. Los tres álbumes se lanzaron como conjuntos de dos discos o como cintas de doble duración y actualmente están totalmente agotados. 01. "Rock Around the Clock" - Bill Haley & the Comets 1954/1955 02. "Why Do Fools Fall in Love" - Frankie Lymon & the Teenagers 1956 03. "Runaway" - Del Shannon 1961 04. "That'll Be the Day" - Buddy Holly & The Crickets 1957 05. "The Stroll" - The Diamonds 1957 06. "See You in September" - The Tempos 1959 07. "(He's) The Great Imposter" - The Fleetwoods 1961 08. "At the Hop" - Flash Cadillac & the Continental Kids 1973 08. "She's So Fine" - Flash Cadillac & the Continental Kids 1973 09. "16 Candles" - The Crests 1958 10. "Fannie Mae" - Buster Brown 1959 11. "Almost Grown" - Chuck Berry 1959 12. "Little Darlin" - The Diamonds 1957 13. "Barbara Ann" - The Regents 1961 14. "Smoke Gets in Your Eyes" - The Platters 1958 15. "Peppermint Twist – Part 1" Joey Dee and the Starlighters 1961 16. "The Book of Love" - The Monotones 1958 17. "Maybe Baby" - Buddy Holly 1957 18. "Ya Ya" - Lee Dorsey 1961 19. "The Great Pretender" - The Platters 1955 20. "Party Doll" - Buddy Knox 1957 21. "Ain't That a Shame" - Fats Domino 1955 22. "You're Sixteen" - Johnny Burnette 1960 23. "Love Potion No. 9" - The Clovers 1959 24. "Chantilly Lace" - The Big Bopper 1958 25. "Johnny B. Goode" - Chuck Berry 1958 26. "Come Go with Me" - The Del-Vikings 1956 27. "Since I Don't Have You" - The Skyliners 1958 28. "Get a Job" - The Silhouettes 1958 29. "Do You Want to Dance" - Bobby Freeman 1958 30. "To the Aisle" - The Five Satins 1957 31. "I Only Have Eyes for You" - The Flamingos 1959 32. "A Thousand Miles Away" - The Heartbeats 1957 33. "All Summer Long" - The Beach Boys 1964 34. "Teen Angel" - Mark Dinning 1959 35. "Crying in the Chapel" - Sonny Till & the Orioles 1953 36 ."Only You (And You Alone)" - The Platters 1955 37. "Goodnight, Well it's Time to Go" - The Spaniels 1954😎Escucha este episodio completo y accede a todo el contenido exclusivo de EDITORIAL GCO. Descubre antes que nadie los nuevos episodios, y participa en la comunidad exclusiva de oyentes en https://go.ivoox.com/sq/2313218
RIP DJ Dick Hugg. Covers by: Johnny Tillotson, The Vogues, Elvis Presley, Marvin Berry & The Starlighters, Ghoti Hook, Human Nature, Craig Duncan & The Appalachian Orchestra Tidal playlist here
The fellas get together in a partially lit room in which Tim forgot to turn on Brian's light to discuss whether Facebook poking is a gay thing, the top 5 rated cookies, buying discount baked goods, Joey Dee and the Starlighters, Will Smith's new album, the new Los Angeles tax, Pee Wee's Playhouse, and more! Also, the boys check in with TikTok for the latest dumb videos on this week's episode of UnNecessary Talk with Brian Sturges!Hosted by Brian Sturges @BrianSturges @MrBrianSturgeshttp://www.briansturges.com With Cliff Beach @CliffBeachMusic @BlackCliffBeachhttp://www.cliffbeachmusic.com http://www.californiasoulmusic.com Cliff's book: https://www.amazon.com/Side-Hustle-Flow-Principles-Productive/dp/1915406005/ref=sr_1_1?crid=3K7GDXMDD9O0E&keywords=side+hustle+and+flow&qid=1655746796&sprefix=side+hustle+and+flow%2Caps%2C114&sr=8-1Cliff's New Album: https://open.spotify.com/album/4HaIgObFa5DUo7wJy8970R?si=1q4LHYfNQni3JIfvfgGFgQCliff's New Audiobook: https://www.barnesandnoble.com/w/side-hustle-flow-cliff-beach/1146434583?ean=2940193398844https://www.amazon.com/Side-Hustle-Flow-Shape-Up/dp/B0DKFZLY8T?ref_=ast_author_dphttps://www.audible.com/pd/Side-Hustle-and-Flow-Shape-Up-Audiobook/B0DKG152DK?eac_link=vDLgovIu2n7R&ref=web_search_eac_asin_1&eac_selected_type=asin&eac_selected=B0DKG152DK&qid=RqYKZY0uvG&eac_id=136-4124974-1465107_RqYKZY0uvG&sr=1-2Sometimes Produced by Tim Hall | 1192 Studios @TimothyHallMusic @1192Studios@timhallisabitchProduced by Poor Life Choices Productions @PoorLifeChoicesProductions https://www.PoorLifeChoices.tv@UnNecessaryTalkhttp://www.UnNecessaryTalk.com More UnNecessary Brian Sturges Socials:YouTube | https://www.youtube.com/@BrianSturgesTikTok | https://www.tiktok.com/@briansturgesIMDb | https://www.imdb.me/briansturges Instagram | https://www.instagram.com/mrbriansturges Facebook | https://www.facebook.com/mrbriansturges Twitter | https://twitter.com/briansturges Spotify | https://open.spotify.com/artist/25q56skn2D4RM9l10JITPl Pandora | https://www.pandora.com/artist/briansturges/ARkwjPf2bX92fVV #UNT221 #UNT #UnNecessaryTalk #UnNecessaryTalkPodcast #BrianSturges #BrianSturgesComedy #MrBrianSturges #PoorLifeChoicesTV #PoorLifeChoicesProductions #PoorLifeChoicesComedy #TimothyHallMusic #1192Studios #CliffBeach #CliffBeachMusic #BlackCliffBeach #ComedyPodcast #Comedy #Podcast #fyp
WELCOME TO THE ‘60s JAMBOREE! Featuring the following stars:“COUSIN BRUCIE” MORROW - America's most famous radio personality. He ruled the AM airways in the 1960s as the star of WABC in NYC.GARY LEWIS - of Gary Lewis and the Playboys. Gary and his band had 7 consecutive Top 10 hits starting with “The Diamond Ring”.GARY PUCKETT - of Gary Puckett and the Union Gap. Gary and his band hit the top of the charts with “Woman Woman”, “Young Girl” and a bunch of other hits.TOMMY ROE - known as the Father of Bubblegum. He hit #1 with “Sheila” and “Dizzy” and had a slew of other hits as well.JOEY DEE - of Joey Dee and the Starlighters. Joey had a massive international hit with “The Peppermint Twist”.GEORGE BUNNELL - of the Strawberry Alarm Clock, which had a #1 hit with “Incense And Peppermints”.MARK STEIN - of the Vanilla Fudge. They took the Supremes' hit, “You Keep Me Hangin' On”, slowed it down, psychedelicized it, and hit the top of the charts.Listen as they talk about the ‘60s and their famous careers!—--------------------------------------The Follow Your Dream Podcast:Top 1% of all podcasts with Listeners in 200 countries!For more information and other episodes of the podcast click here. To subscribe to the podcast click here .To subscribe to our weekly Follow Your Dream Podcast email click here.To Rate and Review the podcast click here.“Dream With Robert”. Click here.—----------------------------------------ROBERT'S SINGLES:“SOSTICE” is Robert's newest single, with a rockin' Old School vibe. Called “Stunning!”, “A Gem!”, “Magnificent!” and “5 Stars!”.Click HERE for all links.—---------------------------------“THE GIFT” is Robert's ballad arranged by Grammy winning arranger Michael Abene and turned into a horn-driven Samba. Praised by David Amram, John Helliwell, Joe La Barbera, Tony Carey, Fay Claassen, Antonio Farao, Danny Gottlieb and Leslie Mandoki.Click HERE for all links.—-------------------------------------“LOU'S BLUES”. Robert's Jazz Fusion “Tone Poem”. Called “Fantastic! Great playing and production!” (Mark Egan - Pat Metheny Group/Elements) and “Digging it!” (Peter Erskine - Weather Report)!Click HERE for all links.—----------------------------------------“THE RICH ONES”. Robert's sublime, atmospheric Jazz Fusion tune. Featuring guest artist Randy Brecker (Blood Sweat & Tears) on flugelhorn. Click HERE for all links.—---------------------------------------Audio production:Jimmy RavenscroftKymera Films Connect with the Follow Your Dream Podcast:Website - www.followyourdreampodcast.comEmail Robert - robert@followyourdreampodcast.com Follow Robert's band, Project Grand Slam, and his music:Website - www.projectgrandslam.comYouTubeSpotify MusicApple MusicEmail - pgs@projectgrandslam.com
Ospiti: Jack voce solista del gruppo palermitano "Jack & The Starlighters", Luca Di Stefano cantautore catanese e Michele Mud e Francesco Fry Moneti del duo "Effemme".
Never meet your heroes. At least, not these ones – the dysfunctional megalomaniacs that murder innocents and seed division in Prime Video's The Boys, a show as satirically sharp as it is gore-splattered and gross. Created by our guest today, Eric Kripke, the comic book adaptation debuted in 2019 and has since become one of the most captivatingly timely stories in our pop culture landscape, commenting not just on our current era of superhero saturation but on American society at large. Across four seasons, it's become a funhouse reflection of the way DC and Marvel movies are content machines with often jingoistic messages at their core. It's mirrored the nation's split into two furiously opposed political camps: Homelanders versus Starlighters in the case of the show; MAGA versus liberals in real-life. And along the way, it's done things never seen on TV before. Octopus beastiality. Super-powered sheep. A guy called "Herogasm" whose name kinda says it all. The list goes on.All of which begs the question: with The Boys' final season approaching and America currently reeling from another dramatic election, how will the tale of Billy Butcher, Hughie Campbell and co end? It's a question Eric, previously best known for creating the long-running series Supernatural, has been wrestling with himself. In the wide-ranging conversation you're about to hear, he's honest about the difficulty of “landing the plane” when it comes to beloved TV dramas. And as fans of The Boys know all too well, planes don't often land in this show, so much as they have a habit of exploding in the sky in a fury of laser vision. We talk about the psychology of superheroes – why they continue to appeal, what fantasy they offer audiences in a post-9/11 world. We talk about the story choices in season four, and how they came to be, such as Homelander's rise to near-presidential power. And you'll hear whether season five of this show that's dovetailed through the years with real-life events in American politics, will respond to the fact that Donald Trump has just entered the Oval Office again. Script Apart is hosted by Al Horner and produced by Kamil Dymek. Follow us on Instagram, or email us on thescriptapartpodcast@gmail.com.Support for this episode comes from ScreenCraft, Final Draft, FILMD and WeScreenplay.To get ad-free episodes and exclusive content, join us on Patreon.Support the show
Joey Dee and the Starlighters were Stars of the early 1960s. Joey wrote and sang “The Peppermint Twist”, a #1 song in 1962 that was integral to the worldwide twist dance craze phenomenon. They became the house band at The Peppermint Lounge in NYC, where people lined up each night to get in to rub elbows with the Stars of that era including Jackie Kennedy, Judy Garland and John Wayne.The band went on to have a number of other hits, and the list of famous musicians who played with Joey Dee includes Jimi Hendrix, Ronnie Spector of the Ronettes and Felix Cavaliere of The Rascals.My featured song is my reimagined version of Dobie Gray's hit, “The ‘In' Crowd” from the album PGS 7 by my band, Project Grand Slam. Spotify link.---------------------------------------The Follow Your Dream Podcast:Top 1% of all podcasts with Listeners in 200 countries!For more information and other episodes of the podcast click here. To subscribe to the podcast click here.To subscribe to our weekly Follow Your Dream Podcast email click here.To Rate and Review the podcast click here.“Dream With Robert”. Click here.—----------------------------------------“THE GIFT” is Robert's new single featuring his song arranged by Grammy winning arranger Michael Abene. Praised by David Amram, John Helliwell, Joe La Barbera, Tony Carey, Fay Claassen, Antonio Farao, Danny Gottlieb and Leslie Mandoki.Click HERE for all links.-----------------------------------------“LOU'S BLUES” is Robert's recent single. Called “Fantastic! Great playing and production!” (Mark Egan - Pat Metheny Group/Elements) and “Digging it!” (Peter Erskine - Weather Report)!Click HERE for all links.—----------------------------------------“THE RICH ONES”. Robert's recent single. With guest artist Randy Brecker (Blood Sweat & Tears) on flugelhorn. Click HERE for all links.—---------------------------------------“MILES BEHIND”, Robert's debut album, recorded in 1994, was “lost” for the last 30 years. It's now been released for streaming. Featuring Randy Brecker (Blood Sweat & Tears), Anton Fig (The David Letterman Show), Al Foster (Miles Davis), Tim Ries (The Rolling Stones), Jon Lucien and many more. Called “Hip, Tight and Edgy!” Click here for all links.—--------------------------------------“IT'S ALIVE!” is Robert's latest Project Grand Slam album. Featuring 13 of the band's Greatest Hits performed “live” at festivals in Pennsylvania and Serbia.Reviews:"An instant classic!" (Melody Maker)"Amazing record...Another win for the one and only Robert Miller!" (Hollywood Digest)"Close to perfect!" (Pop Icon)"A Masterpiece!" (Big Celebrity Buzz)"Sterling effort!" (Indie Pulse)"Another fusion wonder for Project Grand Slam!" (MobYorkCity)Click here for all links.Click here for song videos—-----------------------------------------Audio production:Jimmy RavenscroftKymera Films Connect with the Follow Your Dream Podcast:Website - www.followyourdreampodcast.comEmail Robert - robert@followyourdreampodcast.com Follow Robert's band, Project Grand Slam, and his music:Website - www.projectgrandslam.comYouTubeSpotify MusicApple MusicEmail - pgs@projectgrandslam.com
On the newest episode of Comics and Chronic the Baked Potato Boys tackle The Boys Season 4 from Amazon Prime. But first did Jake have a good time celebrating Connie's Birthday? Are the guys and Kendrick Lamar the four sides of a square? Was this the weakest season of The Boys? Does the Uncle Ben Uni-
I'm afraid this episode is just too darn loud. This week the boys dive into the real king of rock 'n' roll, Marty McFly! Covering all things Huey Lewis and The News, Chuck Berry, The Pinheads and Marvin Berry and The Starlighters. PLUS a surprising reveal involving Eddie Van Halen; Dustin challenges Shawn to a guessing game; and how the heck does Police Academy fit into all this? Visit https://fictionradiopod.com for more episodes and links to all our feeds and socials. Contact us at FictionRadioPod@gmail.com with your comments or suggestions for future episodes.
#theboys Six months after the events in Season 3, Band The Boys are a mess: Butcher is out as the leader, and Marvin is in - working under the direction of the CIA. Annie is trying to continue working with the Starlighters, but her refusal to maintain her Starlight persona is having a negative affect on their support. Frenchie is distracted by a new love interest, while Kimiko is trying to come to terms with her past. Meanwhile, at Vought, things are also a mess: Homelander seems to be going through an existential crisis, while also trying to forge a deeper bond with his son - all while on trial for murder. The remainder of The Seven continue to heed to all of Homelander's commands, leaving him frustrated and seeking out a new ally. With tensions between the Hometeamers and Starlighters coming to a head, it's a messy "business as usual" for both sides. --- Send in a voice message: https://podcasters.spotify.com/pod/show/fandomhybridpodcast/message Support this podcast: https://podcasters.spotify.com/pod/show/fandomhybridpodcast/support
Will Ferrel Cameo & Multiplying Splinter Fight Scene! Use code REELREJECTS50 to get 50% OFF your first Factor box plus 20% off your next month at https://bit.ly/3wWWHmH! The Boys Season 4 Full Reaction Watch Along: https://www.patreon.com/thereelrejects Training A-Train! The Boys Reaction, Recap, Commentary, Analysis, Easter Eggs, Spoiler Review, & Ending Explained! In the second episode of The Boys Season 4, titled "Life Among the Septics," the story continues to delve into the complex dynamics between the superheroes and the anti-superhero group led by Butcher. The episode opens with Hughie, who is struggling with his role and the challenges of the mission. Meanwhile, Annie, also known as Starlight, is focused on ensuring the safety of her Starlighters, a group of young superheroes. The episode also explores the father-son relationship between Homelander and Ryan, with both dealing with their own internal conflicts. Homelander is grappling with his image and the pressures of being a superhero, while Ryan is learning to control his powers and navigate the world of staged saves. The main plot of the episode revolves around Butcher's illness and the tension it causes within the group. Butcher reveals his condition to the team, leading to a confrontation with Mother's Milk (MM). The conflict escalates, resulting in a physical fight between Butcher and MM. The fight between the Boys and Splinter's clones takes place at a The Marvelous Mrs. Maisel-themed party, with the clones suffering from pink eye due to Splinter's "salad tossing." The Boys manage to defeat the clones, but the fight highlights the ongoing struggle between the superheroes and their enemies. The episode ends with Butcher disobeying orders and showing up to save the team, impaling the "prime" Splinter with a crowbar. The episode sets the stage for further conflicts and character development in the upcoming episodes. With Election Year gearing up between Donald Trump & Joe Biden, this season seems to be honoring the America we know. The Boys cast & characters consist of Karl Urban as Billy Butcher, Jack Quaid as Hughie Campbell, Antony Starr as Homelander, Erin Moriarty as Starlight/Annie January, Dominique McElligott as Queen Maeve, Jessie T. Usher as A-Train, Laz Alonso as Mother's Milk, Chace Crawford as The Deep, Tomer Capone as Frenchie, Karen Fukuhara as Kimiko, Nathan Mitchell as Black Noir, Claudia Doumit as Victoria Neuman, Colby Minifie as Ashley Barrett, Jensen Ackles as Soldier Boy, Simon Pegg, Rosemarie DeWitt as Hughie's mother, Jeffrey Dean Morgan (The Walking Dead), & Firecracker, an alt right member of the Seven. Follow Coy Jandreau: Tik Tok: https://www.tiktok.com/@coyjandreau?l... Instagram: https://www.instagram.com/coyjandreau/?hl=en Twitter: https://twitter.com/CoyJandreau YouTube: https://www.youtube.com/channel/UCwYH2szDTuU9ImFZ9gBRH8w Support The Channel By Getting Some REEL REJECTS Apparel! https://www.rejectnationshop.com/ Music Used In Manscaped Ad: Hat the Jazz by Twin Musicom is licensed under a Creative Commons Attribution 4.0 license. https://creativecommons.org/licenses/by/4.0/ POWERED BY @GFUEL Visit https://gfuel.ly/3wD5Ygo and use code REJECTNATION for 20% off select tubs!! Head Editor: https://www.instagram.com/praperhq/?hl=en Co-Editor: Greg Alba Co-Editor: John Humphrey Music In Video: Airport Lounge - Disco Ultralounge by Kevin MacLeod is licensed under a Creative Commons Attribution 4.0 license. https://creativecommons.org/licenses/by/4.0/ Ask Us A QUESTION On CAMEO: https://www.cameo.com/thereelrejects Follow TheReelRejects On FACEBOOK, TWITTER, & INSTAGRAM: FB: https://www.facebook.com/TheReelRejects/ INSTAGRAM: https://www.instagram.com/reelrejects/ TWITTER: https://twitter.com/thereelrejects Follow GREG ON INSTAGRAM & TWITTER: INSTAGRAM: https://www.instagram.com/thegregalba/ TWITTER: https://twitter.com/thegregalba Learn more about your ad choices. Visit megaphone.fm/adchoices
6 Fat Dutchmen [00:22] "Minniehaha" 6 Fat Dutchmen RCA Victor LPM-1769 1958 Ooooom-pah! New Ulm's very own 6 Fat Dutchmen blazing up that Midwestern polka scene. Why heck, they played the Nebraska State Fair for 26 straight years, don't ya know. This album has some top-notch cover art by none other than the great Jack Davis (https://en.wikipedia.org/wiki/Jack_Davis_(cartoonist)). Jo Stafford with Paul Weston and his Music from Hollywood, the Norman Luboff Choir, and the Starlighters [02:42] "I've Got My Love to Keep Me Warm" Ski Trails Columbia CL 910 1956 Jo and co. take a fine pass at this Irving Berlin standard. --- [05:05] Nadja [05:46] "Jaguar" Sky Burial Latitudes GMT 0:22 V 2010 A translucent blue excursion into sonic etherealness. --- [24:42] Slapp Happy [25:04] "The Drum" Slapp Happy Virgin V 2014 1974 This album was originally recorded with Faust as a backing band (https://youtu.be/j2m4_KTg-VA?si=qaDjWw1MxOaPkjFl), but was rejected by their German label. After moving to London, the material was recorded with studio musicians. And of course, I came to this song by way of the excellent interpretation by Bongwater (https://youtu.be/7M8uzljiQcc?si=K1yXFGHRhSG7xkB8). Ambitious Lovers [28:25] "Admit It" Slaves of New York Virgin Movie Music 7 91229-1 1989 From a film that was very much of its time based on a collection of short stories by Tama Janowitz (https://youtu.be/YG-EEdHb6Vk?si=yCNAzeWjeu6_9eem), oddly enough a Merchant and Ivory production. of the same title. At least it introduced me to Arto Lindsay (https://youtu.be/yAVr-fP9Dbk?si=rDW4N2c9JRPLYwKt). Nomeansno [32:10] "Junk" Small Parts Isolated and Destroyed Alternative Tentacles VIRUS 63 1988 The third studio album from these Vancouverian musicians. Space junk perhaps? Jimi Hendrix [35:47] "Can You See Me" Smash Hits Reprise Records MS 2025 1969 Stereo Jimi vox on one of my favorite Experience tunes. ---- [38:21] King Oliver's Creole Jazz Band [39:24] "Dippermouth Blues" (1923) Lionel Hampton [41:43] "When Lights Are Low" (1939) Miles Davis Nonet [43:58] "Boplicity" (1949) Thelonious Monk Quintet [46:58] "Criss Cross" (1951) The Smithsonian Collection of Classic Jazz Smithsonian Collection P6 11891 1973 blah --- [49:56] Music behind the DJ: "Swinging Safari" by Bert Kaempfert
Welcome to Funky Pearls Radio, where today we're celebrating the life and music of Van McCoy, a true maestro of soul, disco, and R and B. Born Van Allen Clinton McCoy on January 6, 1940, in Washington, D.C., Van's journey into music began early. A child prodigy on the piano and a singer in the Metropolitan Baptist Church choir, Van's love for music was evident from a young age. By 12, he was already performing in local shows and writing his own material. Together with his brother Norman Jr. and friends, Van formed the doo-wop group the Starlighters in high school. Their single 'The Birdland' in 1956 marked their entry into professional music, leading to tours and more recordings. However, the group disbanded as members pursued different paths. Van's musical aspirations continued as he attended Howard University, but he left academia behind to dive fully into the music world. Moving to Philadelphia, he founded Rock'n Records and released his first single 'Mr. DJ' in 1961. This caught the attention of Scepter Records, where Van became a staff writer and A&R representative. The '60s saw Van McCoy's rise as a songwriter, crafting hits like 'Stop the Music' for the Shirelles and working with artists like Chuck Jackson. His collaborations with various labels and artists like Gladys Knight & The Pips and Chris Bartley highlighted his versatility and keen ear for hits. Van's success continued through the '70s. He wrote for and produced the Stylistics and released his own albums, including the influential 'Soul Improvisations' in 1972. But it was in 1975 that Van truly made his mark on the music world with the release of 'Disco Baby' and the global smash hit 'The Hustle'. This song not only topped charts but also won a Grammy, cementing Van's place in disco history. Despite the fame brought by 'The Hustle', Van remained a versatile musician, working across genres and with various artists. He wrote and produced for David Ruffin, including the hit 'Walk Away from Love', and worked on projects with Aretha Franklin, Linda Clifford, and Stacy Lattisaw. Tragically, Van McCoy's life and meteoric career were cut short when he died of a heart attack on July 6, 1979, just shy of his 40th birthday. His passing left a void in the music world, but his legacy lives on. With around 700 song copyrights to his name, Van McCoy's influence stretches far and wide, touching countless artists and music lovers. As we remember Van McCoy on Funky Pearls Radio, we celebrate not just the hits and the fame, but the spirit of a man whose passion for music knew no bounds. From the soulful harmonies of doo-wop to the vibrant beats of disco, Van McCoy was a true innovator, a musical genius whose melodies continue to resonate in our hearts and on dance floors around the world. Hébergé par Ausha. Visitez ausha.co/politique-de-confidentialite pour plus d'informations.
Features music by Artie Shaw, Horace Heidt, The Starlighters and more. We also learn a little bit about Carl Fischer and His Orchestra and how to clean small articles around your house. Consider supporting The Big Band and Swing Podcast by becoming a Hepcat. Learn more at SupportSwing.com. * All music in this podcast are Creative Commons. Artists are credited within the podcast.
In this episode I speak about watching two Broadway Musicals: MJ and Back to the Future! I also speak about watching the HBO series, Succession and wrap it up with another addition to our legendary segment “GOATs doing GOAT $hit” where we celebrate the true champions of greatness and highlight the phenomenal achievements of extraordinary individuals. The Spun Today Podcast is a Podcast that is anchored in Writing, but unlimited in scope. Give it a whirl. Twitter: https://twitter.com/spuntoday Instagram: https://www.instagram.com/spuntoday/ YouTube: https://www.youtube.com/@spuntoday Website: http://www.spuntoday.com/home Newsletter: http://www.spuntoday.com/subscribe Links referenced in this episode: MJ the Musical: https://newyork.mjthemusical.com/ Michael Jackson - Dangerous Diary MTV 1992 HD: https://youtu.be/OWC5uPK93fE?si=MQpzBldf_k9gqxoO Back to the Future the Musical: https://www.backtothefuturemusical.com/new-york/ Succession: https://www.hbo.com/succession/season-1 Rebirth of a Bad Boy: Diddy Explains Handing Over Publishing Rights & Reveals His ‘Total Truth' https://www.msn.com/en-us/music/news/rebirth-of-a-bad-boy-diddy-explains-handing-over-publishing-rights-reveals-his-total-truth/ar-AA1gEX69 Get your Podcast Started Today! https://signup.libsyn.com/?promo_code=SPUN (Use Promo code SPUN and get up to 2-months of free service!) Check out all the Spun Today Merch, and other ways to help support this show! https://www.spuntoday.com/support Check out my Books: Make Way for You – Tips for getting out of your own way & FRACTAL – A Time Travel Tale http://www.spuntoday.com/books/ (e-Book & Paperback are now available). Fill out my Spun Today Questionnaire if you're passionate about your craft. I'll share your insight and motivation on the Podcast: http://www.spuntoday.com/questionnaire/ Shop on Amazon using this link, to support the Podcast: http://www.amazon.com//ref=as_sl_pc_tf_lc?&tag=sputod0c-20&camp=216797&creative=446321&linkCode=ur1&adid=104DDN7SG8A2HXW52TFB&&ref-refURL=http%3A%2F%2Fwww.spuntoday.com%2Fcontact%2F Shop on iTunes using this link, to support the Podcast: https://itunes.apple.com/WebObjects/MZStore.woa/wa/viewTop?genreId=38&id=27820&popId=42&uo=10 Shop at the Spun Today store for Mugs, T-Shirts and more: https://viralstyle.com/store/spuntoday/tonyortiz Background Music: Autumn 2011 - Loxbeats Outro Background Music: https://www.bensound.com Spun Today Logo by: https://www.naveendhanalak.com/ Sound effects are credited to: http://www.freesfx.co.uk Listen on: iTunes | Spotify | Stitcher | Pocket Casts | Google Podcasts | YouTube | Website EPISODE TRANSCRIPT [00:00:00] What up? What up, folks? What's going on? Welcome to the Spun Today podcast, the only podcast that is anchored in writing, but unlimited in scope. I'm your host, Tony Ortiz, and I appreciate you listening. This is episode 243 of the Spun Today podcast. And in this episode, I speak about two Broadway musicals, which I can't believe I took this long to mention them, especially for one in particular. So definitely stay tuned for that. I also speak about watching the Succession Series. An HBO series that I was definitely late to, but had the added benefit of being late in that it allowed me to binge the entire series. And lastly, I wrap it up with another addition to our legendary segment goats doing goat shit where we celebrate the true champions of greatness and highlight the phenomenal achievements of extraordinary individuals. Stay tuned for all that good stuff. But first I wanted to tell you [00:01:00] guys about a. Quick way that you can help support the spun today podcast. Your support is greatly appreciated. Not only can it help out financially to help keep the lights on in good old spun today studios, but it definitely adds fuel to the motivational fire that I rely on to continue putting out episodes. And even more importantly, finding time to write. Nay, making time to write. So thank you. Thank you. Thank you to each and one of you, to each and every one of you that have shown your support to date. And thank in advance to each of you that will show support in the future. Here is one quick way that you can help support the Spun Today podcast. Definitely stay tuned for the outro of the episode where I'll tell you about a bunch of other ways that you can show your support. But here is one of those ways. And we'll jump right into the episode. The first musical that I wanted to tell you guys about was MJ, the [00:02:00] musical. Here is the official synopsis. He's one of the greatest entertainers of all time. Now, Michael Jackson's unique and unparalleled artistry has finally arrived on Broadway in a brand new musical centered around the making of his 1992 dangerous world tour. And created by Tony award winning director, choreographer, Christopher And two time Pulitzer Prize winner Lynn Nottage, MJ goes beyond the singular moves and signature sound of the star, offering a rare look at the creative mind and collaborative spirit that catapulted Jackson into legendary status. I went to check this out with my best friend, Steven. Shout out to Steven's Spun Today alumni, who has been on the pod several times in the past. We thought it would be cool to check out. You know, kid touching and molestation and all that, which has obviously [00:03:00] tarnished Michael Jackson and how we view him, all that aside. And I know in and of itself, it's like a controversial topic where some folks are like, no, they're all 100 percent rumors and nothing like that ever happened. Nothing was ever proven in court. And then the other folks on the other side where say. You know, the rumors have been rumors for decades for a reason. It's all true. It was even worse. I know the audience is split when it comes to that. From an artistic body of work perspective, he's obviously, as the little synopsis says there, one of the most legendary entertainers of all time. Now from attending and, you know, watching this musical, And for someone who likes going to like Broadway plays and musicals and enjoys that genre of art and acting and singing and stuff like that as a consumer, from that perspective, [00:04:00] we had a great time. And Michael Jackson in his heyday, I was a kid for that, a little kid, but I obviously know his music and his body of work and I think you'd be hard pressed not to find. Or to find someone that wasn't aware of any of it, but I obviously never saw him live or anything like that going to see this play, though, the way they did it, you definitely get that experience, albeit at a much smaller scale, but you definitely get the, like, you feel you're watching Michael Jackson. That's how good of a performance, not just the Michael Jackson characters did with it. But just the entire cast and the world that they built and created around it. And from a storytelling perspective, it was interesting how they did it. Because it is this very, and I guess, makes sense. In terms of it being like a deliberate conscious [00:05:00] move to do it this way. So you don't have to bring in a lot of like the things we know about Michael now. The allegations and court cases and... Drug abuse and, and stuff like that. So they didn't have to bring too much of that into the story because again, from a storytelling perspective, it's a very myopic focused view of his time around his 1992 dangerous world tour, which is his biggest tour ever. One of the biggest tours ever. And it was chronicling, the buildup to that, all the practice sessions. And how he was as an artist getting ready for that performance. And in the play, there is an MTV crew that was given access to chronicle this whole thing to do a, a piece on, you know, this very much anticipated world tour, which was based on true events that MTV [00:06:00] piece. Actually exists and I'll link to it in the episode notes for you guys to check out. So we got to see this interesting view of. That MTV camera crew. Trying to put together their creative vision of this documentary. While also getting close enough. Access to Michael Jackson to see his inner workings and stuff like that and picking up on. Certain things like. The beginnings of his drug addictions, which we know now ultimately led to his death in that he had a private doctor giving him shots or like IVs of trim butyral or something like that. I forget the exact medication name of what he ultimately died of, but it's supposed to be a strong ass, sleep aid. And so much so that he was getting that shit [00:07:00] injected on a nightly basis just to be able to try to get some sleep. And ultimately that's what he died of. And the doctor that was prescribing him the medication wanted him to go to jail for a few years and losing his medical license, I believe. But in the play, it shows him getting drugs from his manager or other folks like that were part of the stage team. I think it was his manager. And you get some insight into the all too common story of, you know, people in positions of power, whether it's in our music, politics, whatever, just having a circle of yes men and women around them that do what they want and don't really check them. And we saw that through the lens of, again, the beginnings of his drug addiction. And we also saw that same dynamic playing out with his financial team and how he wanted to pay for [00:08:00] this over the top concert and do like never before happened things like him being shot out of not a cannon, but something that shoots, shoots him out and onto the stage and him running out of money. And then Pushing his accountant and his financial team to mortgage Neverland Ranch, where he lived just to continue funding this artistic vision that he had, even though all the financial folks around him, lawyers, accountants, financial advisors warned him against it, he still ultimately got his way, i. e. via these yes men. So that was definitely interesting to see. They also showed. A direct correlation between his abusive childhood with how Joseph Jackson, the father was always depicted as, you know, being super, super hard stage dad, forcing them to practice [00:09:00] all the kids when they were the Jackson five for hours and hours on end, no breaks, didn't really have a childhood. You know, they had fame when they were young. So they didn't have a, you know, especially Michael being the youngest. Of them, of the Jackson 5, or second youngest, I believe. But never really having a childhood, or traditional childhood. They showed correlations of that, instilled hard work ethic. And they kind of papered over the, physical abuse in the play. With how hard Michael Jackson was on his crew and the choreographers and everything. And the dance team around him and how they were all exhausted and he would force them to to work hours on end just like his dad did to him and kind of showing that traumatic shift, trauma shift of, you know, him being the recipient of that and then dishing it out as he got older in the same exact way [00:10:00] and then seeing himself as, you know, becoming his father in that sense. But the play did a great job in also showing different. Stages within Michael Jackson's life, they showed him as a child, you know, as a flashback scene, because the entire thing again takes place around him working up to this dangerous world tour and being interviewed by the MTV crew and them filming and interviewing him in between rehearsals, etc. But while they were interviewing him, he would flash back and tell stories of childhood, of his mother and his father, Jackson 5, transitioning, going solo. And you got to see different actors, which did a phenomenal job of playing Michael Jackson. Now we did go on an off day, I think it was like a Tuesday or Wednesday. So every cast member, including Michael Jackson, wasn't necessarily the best. Number ones, if you will. I believe the young Michael [00:11:00] was, but I don't believe the middle Michael that they showed as well as the older Michael Jackson that's being interviewed. I think he was also the understudy, but I mean, these are all top tier phenomenal actors, right? All did an amazing job. And we got to hear all the hits, all Michael Jackson's hits, all Jackson five hits. And it really did feel like a Michael Jackson concert experience as a narrative choice. Again, it does seem to me to have been a deliberate choice to tell this story from a specific point in time. And in doing so not have to, or I guess they had the ability to paper over all the negatives that we know of Michael, like the drug abuse and child molestation allegations, so on and so forth. So you definitely lose something historically. From that perspective, but as a piece of [00:12:00] entertainment, we do wind up enjoying a shitload of music and just how they put the musical together. It was definitely an entertaining watch. And I definitely recommend it. MJ the musical, check it out back to the future. The musical, if you guys know anything about me, I am a huge, Back to the Future fan. I've spoken about the movie multiple times. I've highlighted how the screenplay for Back to the Future 1 is considered a perfect screenplay and I think it's taught in theater classes. It's my personal favorite trilogy of any genre, any movies, all time. And I've also said, controversial to some, that it's one of the rare occasions where the sequel, Back to the Future 2. is even better than the first movie. And I know that's blasphemous for some folks to hear. And even I myself go back and forth [00:13:00] between that thought from time to time. But just from the creativity of it alone to delve back into the first movie through the second movie and find ways to tie into the first movie, And make things that already existed within the first movie, make them that way because of the actions of the second movie, which was filmed and created. I think it was something like five years later. It's just fucking amazing from, from that standpoint. And I'm such a fan that my debut novel fractal Available now, SpunToday. com forward slash books, so you can find all the links of all the different places where you can find it. Back to the Future is an inspiration for that story. It is a time travel tale, as I like to say. Furthermore, I dedicated that book to my first [00:14:00] born Aiden, and the quote, the very first quote after the dedication section of the book, is a quote. From back to the future, part one from George McFly to Marty McFly, stating, if you put your mind to it, you can accomplish absolutely anything in him speaking to writing his first novel. So there's a complete tie in on multiple levels there. I fucking love it. I literally have a life size replica of the hoverboard immediately to my left right now. That said, I signed up, or, like, I follow all the different Back to the Future fan pages, official, unofficial. And I saw months before that they were developing the musical. I also subscribed to a bunch of different newsletters having to do with Back to the Future and the DMC newsletter, even from the DeLorean Motor Company. And I signed up to be alerted when the pre sales went on, [00:15:00] and I bought these tickets months in advance, I think something like seven months in advance. That's how much I was anticipating going. So I copped the tickets and my wife and I, shout out to Zoila, sponsored alum, went to go see it and had an amazing time. Being such a fan holding, I'm both holding the musical to a very high bar. I don't want them to fuck it up while at the same time being completely biased and knowing that I'll find a way to love it some way or another. So holding my love for the story. And the history of the film aside, as much as is humanly possible and attempting to be objective, I personally thought they knocked it out the park. Now they clearly didn't have, I'm not sure if Back to the Future, if it's old enough, I think it came out in 89, where the story itself is public domain or if they actually got the rights to [00:16:00] retell the story in this format. Because I don't believe that Robert Zemeckis and Bob Gale were involved with the musical. I could be wrong, but I don't believe they were. And I wonder if certain choices that they made throughout the musical had to do with not having the full rights, or if they had to do with just trying to retell the story on the stage. Because although it was still very, very, very true to the original Back to the Future 1 film, which was another thing that I was curious about if they were going to try to encapsulate all three films within the musical, but it wasn't. It was just a retelling of the first one. But everything is not, you know, word for word, verbatim, although it does have a lot of the same key scenes. But then... Certain other key, certain other key scenes. For example, the famous skateboard [00:17:00] scene in front of the diner, when Biff and his crew chase Marty and wind up crashing into the manure truck and Marty's getting around the skateboard, they didn't redo that scene, but in its place, they kind of extend the scene of the lunchroom where. Marty first confronts Biff, you know, where they both kind of grab each other and make fists and they're about to punch each other, but then Strickland shows up and breaks it up, essentially. And Biff tells him, why don't you make like a tree and, and get out of here. They elongated that scene instead and made that the chase scene and made it so that Biff was chasing Marty throughout the lunchroom. He was jumping over tables and hitting him with lunch trays and running through the school. And they had an original musical number there. So they took certain liberties that way. I guess it was easier to do [00:18:00] it that way. If it wasn't a licensing issue or concern, it was easier, it must have been easier to put that together versus the actual skateboard scene and having multiple cars and etc. But it was something that I was curious about. It was kind of interactive in that, you know, like they had the enchantment on the the sea dance and during it when Marvin Barry and the Starlighters are playing Earth Angel there were in the actual theater there was Bubbles, there was a bubble machine or something. There was bubbles going all throughout so we were in the first few rows and you know, we could swat the bubbles and that kind of built the atmosphere around around the whole thing And of course he did the Johnny B. Good scene in terms of the cast, all phenomenal. The gentleman who plays doc killed it. Oh, and that was another thing also, they did not do the, you know, terrorist Libyan terrorist [00:19:00] shooting scene, which I guess to make it more PG they made it that doc was using the plutonium for the 1. 21 gigawatt reaction that he needs. Within the flux capacitor to make the time travel possible, but that he was using an old radiation suit, which wasn't completely insulated. And that's how he wound up dying initially versus getting shot by the terrorists. But yeah, the gentleman who played doc amazing, super funny, steals the show. The guy who plays Marty's spot on, did a great job. But the person who played Crispin Glover's character of George McFly dead on balls accurate to quote Marissa Tomei fucking amazing spot on like they could reshoot back to the future drop this gentleman in place of [00:20:00] Kristen Crispin Glover who legend has it was like an absolute asshole on set and that's why he wasn't in part two or three, but. Drop him into that role and you wouldn't tell the difference. He was amazing. Fucking awesome. The guy who played Biff was really good. Really looked the part. Which brings me to the number one star of the show. The DeLorean. They did it so ill that it looked like an actual real DeLorean that was up there. I guess they just, you know, it's just like the outsides or whatever, but it really looked like an actual replica real DeLorean. And it's obviously the moment that all the fans are anticipating the most, you know, when they first see the DeLorean, which they did the big reveal and like the same same way at Twin Pines mall, [00:21:00] which then becomes Lone Pines mall at the end when Marty runs over. Old Man Peabody's Pine Tree. Symbolizing how the littlest change in the past could affect have a ripple effect on the future. But they did an amazing job with the car itself and then with the actual time travel sequence. So the theater, the decor of it, can't also, this is how it also immersed the, the crowd aside from the bubbles thing from, from earlier. The decor. The balconies on the sides, on the left, on the left and the right, they were also part of the decor. Like there weren't people sitting in the seats there. Instead, they had this metal widgets and circuitry spanning all of the balconies. And during the time travel sequence, like when Marty accidentally goes back to 1955, all those start lighting up in different [00:22:00] colors and it's reminiscent of the flux capacitor and the lights around the actual DeLorean, which they also show and really immerse you and bring you into it in that way. And then at the end, which was even more amazing because they could have just done that again. They with like a crane or something, something you couldn't see, but some sort of lift, they lift up the DeLorean. For the scene where, you know, the clock tower scene when he's going back to the future. They lift up the DeLorean and push it forward into the crowd. So it's hovering above us almost. Like above, the first couple rows. Not completely, but just enough for it to be off of the stage. Can you imagine the fucking lawsuit that thing would have fallen or something? But obviously it was secure and it was just so ill the way they did it. And I couldn't have been happier with Back to the Future the musical. I definitely, definitely highly recommend.[00:23:00] If I have the chance to see it again, I definitely will. Tickets should be a lot more reasonable now. That's the only issue I had with it. Although I was willing to pay, so whatever. But apparently it's not doing well, or as well as anticipated. And the. Ticket prices. I checked the day of for my same seat and it Was like 40 percent less in terms of the actual pricing But that aside it was an amazing experience. I Loved every bit of it. If you're back to the future fan as I am you will too Back to the future the musical Check it out HBO's original series succession Is a series that ran from 2018 to 2023. Like I mentioned in the intro, I didn't start watching the series until 2023. Literally while the final season was, was airing. [00:24:00] So, that came with the benefit of being able to binge it and see it all the way through. But in terms of sharing some of my personal takeaways and tidbits here. It's it shows a bit out of the zeitgeist. And some references might be dated, but we'll share them nonetheless for posterity. Here is the official synopsis. The Roy family is known for controlling the biggest media and entertainment company in the world. However, their world changes when their father steps down from the company. And as we like to do here on the Spun Today podcast, I wanted to shout out each and every one of the writers, starting with the show's creator, Jesse Armstrong. Followed by Jamie Carragher, Susan Soon Hee Stanton, Alice Birch, Miriam Batty, She a Batty, she knows she a 10. Georgia Pritchett, Tony Roche, Nathan Elston, Callie Hirshaway, [00:25:00] John Brown, Will Tracy, Lucy Preble, Jonathan Glaser, Ted Cohen, Anna Jordan, Mary Laws, and Will Arbery. Shout out to each and every one of the writers on Succession who put together an amazing show. And I particularly want to shout out the, the writers in this particular series, because they took what is the embodiment of quote unquote evil rich people, you know, just like the vile borderline sociopathic Narcissistic archetype of, you know, the greedy, quote, unquote, greedy, rich people. And they made us, the viewers, through the strong characters that they created, that the writers created, and that the actors, which were phenomenal, and I'll speak to it in a minute, brought to life. They made us, as the audience, connect [00:26:00] with those characters, and in some cases, in a lot of cases, actually root for them to win. Which, if you take a step back and look at the ruthlessness with how they navigate the world with little to no care of who or how they affected others. When you look at it objectively through that lens, it's like, fuck these people. But since they're developed so richly as characters, and it's such a character driven show in my opinion. we still connect with them and root for them on a human level. And that I think is a testament again to just amazing writing. So shout out again to the writers there. Now the cast absolutely killed it. Kieran Culkin is one of my favorite characters. He plays Roman Roy, the youngest of the four children. Brian Cox is the matriarch, the Rupert Murdoch like character who [00:27:00] created this Conglomerate multi billion dollar company. He's just amazing. Tom Wombs Gans played by Matthew McFadden. Such a cool character. Very selfish. It turns out as, as all of them have traits of selfishness, but he was in it for himself from the jump and. He plays possum throughout, so much so that he's married to Shiv Roy, the daughter, played by Sarah Snook, also does a great job, but she's like a, you know, princess, always gets what she wants, kinda has the quote unquote trophy husband, cheats on him, and he just takes it all, and his character is such that you hate him at first, so. because he's such a pushover and you're like yo stand up for yourself you fucking pussy then you wind up rooting for [00:28:00] him then you wind up finding out that either he's been running a game the entire time or he just got caught up in it and began running a game somewhere along the line and became fed up great characters both in real life British I believe it's a good job with the American accents there Same as Logan Logan Roy's character, Brian Cox. And by British, that's just my dumb American interpretation of their accent. You know, it could be Australian, Zealand, or who knows. Conroy, the eldest half brother played by Alan Ruck. Shout out to Ferris Bueller's Day Off. Really cool character. Shout out to the Conheads out there. Jeremy Strong. Not the eldest, but the eldest of the full siblings of the three, you know, Kieran Culkin's character, Sarah Snook's character, and himself, Kendall Roy. He was the heir to the throne, if you will. And in the very [00:29:00] first episode, which sets the stage for the entire series, the first half of the episode is him going through The process of getting ready to take over the company because the father had announced his retirement. He was gonna step down Kendall Roy is gonna take over and in that very first episode the father winds up Literally fucking him over and saying nah, I changed my mind. He's like, wait, what my You changed your mind. I'm supposed to take over next week. He was like now let's give it a couple more years I decided to stay on He was like, but we announced it to the world and the, you know, it's a publicly traded company and the stock and this and that and blah blah blah. He was like, yeah, that's all bullshit. Don't worry about it. And you have this tension within the family always throughout the entire series of the son trying to take over from the father, the father trying to maintain control, the father getting sick, the other siblings trying to vie for control, sometimes being on the same page with each other, most of the time not, and just like this complete [00:30:00] dysfunction. And it was such an interesting, family dynamic that really keeps you hooked. I also thought it was particularly interesting the way that the show was shot. And I got this from some of the, not behind the scenes, but the extras of the show where they, you know, interview different characters and they also have a podcast, et cetera. So I don't remember if it's from one of the extras or from the actual podcast, but one of the directors, I think the main one Mark Millard. Maybe it was Jesse Armstrong, the creator of the show, but they were breaking down how they shot in a way where they zoom in to the actual characters for emotional exclamation points. So they called it. And you notice that throughout the entire series where they'll, you know, they'll shoot a scene and then. For the character reaction, they'll zoom in to the character's face, which is pretty interesting. And he also mentioned that on set, they [00:31:00] always kept live cameras around so that the art, the actors themselves, they didn't know when they were being shot or not. So it forced them essentially to stay in character. And he likened it to filming theater, similar to when you go see a play. How all the characters, as long as they're on stage, they're in character, you know, that whether they're the main focus of a scene or not, or a background character, they're always doing something. They're always on, if you will, then I'm going to jump to in season two, episode 10, I jetted down here. There was a dope line that Logan Roy said again, the matriarch of the family played by Brian Cox, and he was speaking to money and wealth and how most things don't exist. Or companies rather. And he said that the Ford motor company hardly exists. He said that it's just a time saving expression for a collection of financial [00:32:00] interests. Again, all the Ford motor company was to this psychopath was just a time saving expression for a collection of financial interests. I thought that was such an interesting way, such a financially motivated lens to view the world through. And I just love the way that was phrased. All the four Ford Motor Company is, is just a time saving expression for a collection of financial interests. Jesus. There's a lot of double crossing in the show the siblings with each other, the father to the, to the kids, the kids to the father. There's a point in the season two finale where you think Kendall is going to rise to the occasion and, you know, be the heir to the throne that the father, [00:33:00] you know, wants him to be, that is grooming him to be. But he winds up double crossing his father again, as he did multiple times throughout the series. And I thought it was interesting that he had a lot of ups and downs, you know, he had addiction issues in the show. They reference all the time that he had a stint in rehab. And just from a mindset perspective, he was always either completely out of it and crying and in the dumps or completely manic and on the fucking ball. He reminded me a lot of Kanye. And or the public version of Kanye that we've been seeing in. You know, recent news and media cycles and all the drama around the Kardashians and all that shit and his manic episodes. That's what he was reminiscent of to me. I loved the relationship between two main characters, both outsiders of the family in their own right, which was Tom Wamskantz, which I [00:34:00] mentioned earlier, which was the husband of the daughter, Shiv Roy. His relationship with Greg Hirsch, played by Nicholas Braun, which is a second cousin, extended cousin to the family that they barely know, but that works his way into the fold and Tom brings him under his wing kind of because he sees himself in, in Greg in some ways, you know, being an outsider of the family, but also because he wants to have someone to have power over. And he finally found someone lower than him on the totem pole, if you will, within this family structure. And they just have a back and forth, funny, quippy, really interesting dynamic throughout the entire series. And I'll wrap it up with a, a line of dialogue from Alan Ruck's character, Connor Roy, when it spoiler alert, this happened in season four, episode seven. But Connor, who decides to run for president, out of all things, of the [00:35:00] United States, and Kieran Culkin's character, Roman Roy, hilariously tells him, don't you think you should try for something smaller first? You know, maybe like running a CVS or something? But Connor gets himself in a position where... essentially his actual, you know, the two rivals for, for president, the Democrat and the Republican running, they're neck and neck, like razor sharp, you know, 49 percent to 49 percent margins. And Connor is polling at like 1 percent or something like that. It's something, something sick that pretty much put him in a position to make a deal with one of the other guys where he would drop out of the race and His supporters would vote for that person, and that person would essentially become the, the president. And he's trying to see what he can get, you know, what position he could get from the person that would ultimately win. And one of them offers him to be the diplomat of Alman, which is a [00:36:00] country that I had never heard of. And he tells him that it's an interesting thought. He'll, he'll definitely mull it over. And that Oman is the poor man's Saudi Arabia and the rich man's Yemen. And again, I just thought what an interesting way to view the world and view things. But yeah, yo succession dope show. I definitely recommend you guys check it out if you're into that type of thing. It's supposed to be loosely based on Rupert Murdoch and you know, Fox news, that type of billion dollar conglomerate company and the tension and dynamics. Within his children, for example Rupert Murdoch, I think I've spoken about here on the past. One of them is like liberal, liberal leaning, which is kind of like Shiv's character in succession. And the other one is very conservative. Then they're both vying for succession of Fox, for example. So this show is loosely based on that, or at the very least, it's like one of those are imitates life imitates art type of things. [00:37:00] But that is my little recap and review on Succession, streaming now on HBO Max. Check it out. Goat doing goat shit. And I want to create a drop for, specific to this segment of the podcast because it is a recurring one. And I have some things that I've been tinkering with and working on. But speaking it aloud to see if I can hold myself to task because I've been meaning to do that, , forever. I just haven't gotten around to it, but the goats doing goat shit segment is a segment where I like to celebrate the true champions of greatness and highlight the phenomenal achievements of extraordinary individuals, especially when they do things that they do not have to do. And in this episode's edition of goats doing goat shit, I'd like to welcome none other Then Sean P. Diddy Combs to the list. Now, for the longest time, and still, [00:38:00] Puffy is known as being a ruthless businessman, if you will. Someone who hustled and busted his ass and built and created bad boy entertainment, which has brought us countless acts and music that we all love to this day. And many, many artists, but one thing that he did in building his empire from the ground up was recreate the, what some may say myself included, archaic, traditional, let's call them music artist deals, where the label that signs an artist winds up owning their publishing their masters, essentially making the lion's share of the money that is to be made from the art created by the actual artist. And the artist is often times in doing this type of bad business left fending for scraps. And music artists, [00:39:00] historically, this has happened to across different genres since the beginning of time. Some but few and far between have had more savvy, you know, teams and lawyers and sound financial advice around them and just the foresight of ownership. of your creation, being able to reap the benefits of it in perpetuity versus, you know, taking a bigger bag up front, but then never being able to profit from it down the line. So that's definitely been the biggest knock, in my opinion, on, on Puffy over the years in this respect. As of September of 2023, it became public that Puffy was returning his publishing rights. Which, by the way, he did not legally have to do. Returning the publishing rights to the artists and songwriters that helped him build Bad Boy Entertainment. Folks like Ma$e, which was the most vocal, [00:40:00] and actually recently dropped, and by recently I mean within the last year or two, diss tracks and did a lot of interviews and references to all of this, which are actually pretty good. Faith, The Locks, which is another vocal components of, you know, Puffy's business practices, 112, and the estate of Biggie, the Notorious B. I. G. They are all getting, or have gotten, their publishing back because the paperwork and agreements have all been signed and are actually finalized. And according to Puffy, in an interview that he gave to Billboard. He had a lot of offers back in like 2021 when, you know, like folks like Justin Timberlake and Shakira and a lot of folks were selling their, their publishing, their, their catalogs for like a hundred million dollars, $300 million, et cetera. He got an offer, an alleged nine figure [00:41:00] offer. To purchase his catalog, which included all the publishing that he owned, owned legally from all these artists. And that's when he supposedly decided to not sell and give the publishing back to the respective artists. It just took a lot of time between then and now to actually execute the legal documentation, etc. But I thought that was a dope move. It wasn't something that he had to legally do. Did Puffy make, over the decades, a shitload of money off everybody's catalog? Yes, of course he did. Was he legally correct to do so? Yes, he was. Whether it was ethical or moral or not, and hypocritical in some sense, those are all valid criticisms in my opinion, but he wasn't technically or legally... it wasn't something he had to do. So I definitely applaud him for doing [00:42:00] so. I'm always of the mentality of just own your shit and be of the mindset that if someone, a publishing company, a label, if you're in music, a publishing company, if you're in, you know, writing or creating different types of art, a platform, et cetera, if they're coming to you with a bag, To purchase outright, whatever it is that you created big bag, small bag, whatever. They would also pay you for just licensing it. It'll be a smaller bag, but in my opinion, and I'm not the fucking Messiah here, but in my opinion, if you're offering me a big bag to just own my shit outright, it's because you from a financial standpoint, believe that you're going to make that money back and more over time. So it would also be a sound business move from your perspective to license [00:43:00] it for a smaller bag for a shorter period of time, because you will also make your money back within that shorter period of time. And then some, and in that type of scenario, you keep your shit then afterwards, license it out to someone else, make money off of it yourself, maintain the ownership. So you could do whatever it is that you want with it in the future. Turn your book into a movie, turn it into a TV series after that, do both at the same time, turn it into a fucking VR spectacle that hasn't even been created yet, but will exist in 10, 15 years. And since you have the ownership of your IP, you could do that instead of handing it over for a bit bigger bag now, and then the company that purchased it from you. Maintains that ability moving forward. So again, with that said, I'd like to welcome Sean P. Diddy Combs officially onto the Spuntoday goats doing goat shit list. [00:44:00] And that folks was episode 243 of the Spuntoday podcast. Thank each and every one of you very much for listening. I really, really appreciate it. Before I let you go, just wanted to tell you guys about a Few quick ways that you can help support the spun today podcast. If you so choose, you continue support is amazing. I appreciate it very, very much. Whether you're using my affiliate link to shop on Amazon, which you can find that spun today. com forward slash support, or you're buying t shirts or coffee mugs or my books sponsored. com forward slash books, or using any of my affiliate links that all can be found that spun today. com forward slash support. Which will get you a discount on whatever said thing that it is that you're looking for that I have an affiliate link for. Whichever way you choose to support, it means a ton. I really, really appreciate it and just wanted to say thank you. Here's a breakdown of a few of the different ways you can help support the [00:45:00] Spun Today podcast if you so choose. And I'll check you all out next time. Peace.
1 - Magic Island - Bob Haring Orchestra - 19292 - Coney Island Washboard - The Mills Brothers: Four Boys and a Guitar - 19323 - Kun-Yi-Land - Eli Basse with Bobby Kroll and his Orchestra - 19474 - On a Cocoanut Island - Louis Armstrong and The Polynesians - 19365 - Glen Island Special - Glenn Miller and his Orchestra - 19446 - Hi-Tiddley-Hi-Ti Island - George Formby - 19387 - He's a Latin from Staten Island - Ford Leary with Charlie Barnet and his Orchestra - 19408 - Greek Island Maidens - Perpiniades - 19429 - Far Away Island - Phil Brito - 194610 - Kokomo Island - Al Dexter and his Troopers - 194611 - Island Moon - Sydney McEwan with Gerald Moore at the piano - 194812 - Hush-A-Bye Island - Frank Sinatra with the Axel Stordahl Orchestra - 194613 - On the Sandwich Isles - Peerless Quartet - 191614 - Island Serenade - Lani McIntire and his Hawaiians - 194115 - Island Queen - Johnny Mercer with the Starlighters and Paul Weston and his Orchestra - 194916 - Cunailante Bella (Beautiful Coney Island) - Eduardo Migliaccio
Features vintage recordings by Charlie Spivak, Andy Kirk, Johnny Mercer and The Starlighters. Pack your bags and don't forget your headphones. Consider supporting The Big Band and Swing Podcast by becoming a Hepcat. Learn more at SupportSwing.com. * All music in this podcast are Creative Commons. Artists are credited within the podcast.
Welcome to our ‘60s Jamboree! We assembled an incredible group of 1960s stars and had them all talk together in a very special episode. Nothing like this has ever been done before in podcasts! The stars are:“Cousin Brucie” - America's most famous radio personality who ruled the AM airways in the 1960s as the star of WABC in NYC.Gary Lewis - of Gary Lewis and the Playboys. Gary and his band had 7 consecutive top 10 hits starting with “The Diamond Ring”.Gary Puckett - of Gary Puckett and the Union Gap. Gary and his group hit the top of the charts with “Woman Woman”, “Younger Girl” and a bunch of other hits.Tommy Roe - known as the Father of Bubblegum. He hit #1 with “Sheila” and “Dizzy” and had a slew of other hits as well.Joey Dee - of Joey Dee and the Starlighters. Joey had a massive international hit with “The Peppermint Twist”.George Bunnell - of the Strawberry Alarm Clock, which had a #1 hit with “Insence And Peppermints”.Mark Stein - of the Vanilla Fudge. They took the Supremes' hit, “You Keep Me Hangin' On”, slowed it down, psychedelicized it, and hit the top of the charts.Listen as they talk about the ‘60s and their famous careers!—--------------------------------------The Follow Your Dream Podcast:Top 1% of all podcasts with Listeners in 200 countries!For more information and other episodes of the podcast click here. To subscribe to the podcast click here.To subscribe to our weekly Follow Your Dream Podcast email click here.To Rate and Review the podcast click here.“Dream With Robert”. Click here.—----------------------------------------“BOBBY M AND THE PAISLEY PARADE” is Robert's new album. Featuring 10 songs and guest appearances by John Helliwell (Supertramp), Tony Carey (Rainbow) and international sitar sensation Deobrat Mishra. Produced by Tony Carey. Called "ALBUM OF THE YEAR!" by Indie Shark and “One of the great rock sets of the year!” by Big Celebrity Buzz. "Catchy and engaging with great tunes!" - Steve Hackett (Genesis)"This album has life and soul!" - John Helliwell (Supertramp)"Bobby M rocks!" - Gary Puckett (Union Gap)"Nice cool bluesy album!" - Jim McCarty (The Yardbirds)"Robert really really really rocks!" - Peter Yarrow (Peter Paul & Mary)"Great songs. Great performances. It's a smash!" - David Libert (The Happenings)Click here for all streaming links. Download here.LIVE AT STEELSTACKS is the 5-song EP by Robert and his band, Project Grand Slam. The release captures the band at the top of their game and shows off the breadth, scope and sound of the band. The EP has been highly praised by musicians and reviewers alike. “Captivating!” Elliott Randall (Steely Dan) “PGS burns down the house!” Tony Carey (Rainbow)“Full of life!” Alan Hewitt (The Moody Blues) “Virtuoso musicians!” (Melody Maker) “Such a great band!” (Hollywood Digest) The album can be streamed on Spotify, Amazon, Apple and all the other streaming platforms, and can be downloaded at The PGS Store.ALL OF THE TIME is Robert's recent single by his band Project Grand Slam. It's a playful, whimsical love song that's light and airy and exudes the happiness and joy of being in love. “Pure bliss…An intimate sound with abundant melodic riches!” Melody Maker/5 Stars) “Ecstasy…One of the best all-around bands working today!” (Pop Icon/5 Stars) “Excellence…A band in full command of their powers!” (Mob York City)Watch the video here. You can stream “All Of The Time” on Spotify, Apple or any of the other streaming platforms. And you can download it here.THE SHAKESPEARE CONCERT is the album by Robert's band, Project Grand Slam, recorded "live" in the studio. It's been praised by Mark Farner (Grand Funk Railroad), Jim Peterik (Ides Of March), Joey Dee (Peppermint Twist), Elliott Randall (Steely Dan) and Sarah Class (British composer). Reviews: “Perfection!”, “5 Stars!”, “Thrilling!”, and “A Masterpiece!”. The album can be streamed on Spotify, Apple and all the other streaming services. You can watch the Highlight Reel HERE. And you can purchase a digital download or autographed CD of the album HERE. THE FALL OF WINTER is Robert's single in collaboration with legendary rocker Jim Peterik of the Ides Of March and formerly with Survivor. Also featuring renowned guitarist Elliott Randall (Steely Dan/Doobie Brothers) and keyboard ace Tony Carey (Joe Cocker/Eric Burden). “A triumph!” (The Indie Source). “Flexes Real Rock Muscle!” (Celebrity Zone). Stream it on Spotify or Apple. Watch the lyric video here. Download it here.FOLLOW YOUR DREAM HANDBOOK is Robert's Amazon #1 Bestseller. It's a combination memoir of his unique musical journey and a step by step how-to follow and succeed at your dream. Available on Amazon and wherever books are sold. Audio production:Jimmy RavenscroftKymera Films Connect with the Follow Your Dream Podcast:Website - www.followyourdreampodcast.comFacebook - www.facebook.com/followyourdreampodcastEmail Robert - robert@followyourdreampodcast.com Listen to the Follow Your Dream Podcast on these podcast platforms:CastBoxSpotifyApple Follow Robert's band, Project Grand Slam, and his music:Website - www.projectgrandslam.comInstagramPGS Store - www.thePGSstore.comYouTubeFacebook - www.facebook.com/projectgrandslamSpotify MusicApple MusicEmail - pgs@projectgrandslam.com
Features vintage Big Band music by Duke Ellington, The Pied Pipers, Buddy Clark and The Starlighters. We also listen to an old radio spot for Postum. Consider supporting The Big Band and Swing Podcast by becoming a Hepcat. Learn more at SupportSwing.com. * All music in this podcast are Creative Commons. Artists are credited within the podcast.
THE RASCALS were the pinnacle of '60s blue-eyed soul. It's been said that they were the first rock band in the world. Led by FELIX CAVALIERE, the band drew much of its inspiration from British Invasion bands, psychedelic rock, gospel, and even a bit of jazz and Latin music. They were at their best on classic singles like "Good Lovin'," "How Can I Be Sure," "Groovin'," and "People Got to Be Free." This week my special guest is keyboardist/singer Felix Cavaliere who shares tales of his musical journey. Felix talks about starting out with Joey Dee and the Starlighters, how the Beatles opened the door for musicians to write their own songs and about his and George Harrison's involvement with gurus who kept them grounded. It's a fascinating story that highlights the fact that while others in his profession became synonymous with sex, drugs and anything goes, Felix Cavaliere reached the highest peaks on a message of peace, love and understanding. This songwriter could have been made for A Breath of Fresh Air … he promises to make you feel great. To learn more about Felix and his Rascals head for https://www.felixcavalieremusic.com/ To contact me with feedback or suggestions for who you'd like to hear interviewed, send me a message through my website https://abreathoffreshair.com.au/
Hello Basmenteers...here we go with another X-mas show yes we just keep putting them on this year.Here we go with more Christmas song for the season....Intro: Jingle Bells-The Ventures 1. Christmas Is My Time Of Year-The Christmas Spirit2. What Child Is This-The Fab 43. Christmas Party-The Monkees4. A Surfers Christmas List-The Safaris5. A Christmas To Remember-Any Grant6. Rockin' Around The Christmas Tree-The Partridge Family7. Christmas Carol-Barry McLoughlin8. Snow White Rock Christmas-Vibra Corporation 9. 3 Wishes-The Harptones10. Who's That Knocking-The Genies11. Please Come Home For Christmas-Charles Brown12. It May Be Winter Outside-Felice Taylor13. Man With All The Toys-Brian Wilson14. White Christmas-Baby Washington15. I'll Be Home For Christmas-Linda Ronstadt16. Christmastime-Bryan Adams17. Make Someone Happy-Seal18. Oil In My Lamp-The Ska Kings19. Christmastime Is Here Again-Ringo Starr20. Bring My Baby Back-Chicago21. A Christmas Carol-Tom Leher22. God Ye Rest Gentlemen-The Fab 423. Love For Christmas-The Gems24. Winter Wonderland-The Blue Notes25. Joy To The World-Aretha Franklin26. Tit For Tat Don't Talk Back-James Brown27. Rockin' Around The Christmas Tree-Bill Haley28. Merry Twistmas-The Miracles29. Christmas In The Caribbean-Jimmy Buffett30. Tropical Christmas-Santa & The Mighty Elf's31. Spirit Of Christmas-The Waltons32. Baby Sittin' Santa-Barry Richards33. Heavenly Father-The Quintones34. Nothing For Christmas-Stan Freeberg35. Jingle Bells-The Fab 4Outro: Ram Bunkshus-Jory Dee & The Starlighters
A Conversation With Taylor Haase PIT@BUF 11/02/22Today on the podcast I'm joined by the always-excellent Taylor Haase, of DK Pittsburgh Sports. Taylor covers the Penguins as well as the Wilkes Barre Scranton “Baby Pens,” appears as co-host of ‘Podcast On Fifth Avenue,' and is a great Penguins-centric follow on Twitter (@TaylorHaasePGH). We talk a little about the reverse retro jerseys the Penguins will be wearing tonight, the playoff hopes of the NHL hockey team Taylor covers for a living, and, like Marty McFly famously advised Marvin Berry and the Starlighters' rhythm section to do, I try to keep up.Link to video chat I had with Tip Of The Ice Burgh Podcast's Nick Brlansky, earlier today: https://youtu.be/xwhy66w-L_kFollow @penspod on Twitter, @flypenguinsfly on Instagram, and subscribe to our YouTube Channel,https://bit.ly/3fw0IWt for video editions of the conversations you hear on the podcast!Enjoy tonight's road game versus Blades the Bruin and… his… Bruins? …and of COURSE:LET'S GO PENS!!JEFF TAYLOR
Noche de Halloween, día de difuntos, el momento perfecto para abrir el candado que lleva a nuestra cripta y volver a ofrecerte un capítulo de la serie más terrorífica de la radio. Un encuentro con monstruos, fantasmas, vampiros, zombis y otros seres más muertos que vivos, con melodías que te harán bailar mientras tiemblas de terror. Playlist; (sintonía) MESSER CHUPS “Temolo from the crypt” MERV GRIFFIN “House of horrors” BARON DAEMON “Ghost guitars” HOLLYWOOD FLAMES “Frankenstein’s den” BOBBY PLEASE “The monster” THE ROCKIN’ CONTINENTALS “Count Dracula” BILL BUCHANAN “Beware” ORCHESTRA BRUNO MARINO “Dracula cha cha” THE UPPERCLASSMEN “Cha cha with the zombies” THE SALMAS BROTHERS “Zombie” HAROLD McNAIR “Zombie jamboree” THE DUPONTS “Screamin’ ball (at Dracula’s hall)” LORD ROCKINGHAM XI “Lord Rockingham meets the monster” BELA LA GOLDSTEIN “Old Boris” THE NIGHTMARES “The Nightmare” THE MARK IV “Dante’s inferno” HUTCH DAVIE “Gwendolyn and the Werewolf” JIM BURGETT “The living dead” SALTY HOLMES “The ghost song” THE POETS “Dead” THE SPOOKS “The Spook walks” JOHNNY FRASER and THE REGALAIRES “It” THE STARLIGHTERS “Creepin’” HORROR CHARLY “Horror Horror dance” Escuchar audio
Some historical discrepancies have led one fan to theorize that Marvin Berry and the Starlighters from Back to the Future are time travelers. Want a FTQ shirt, mug, phone case, or many other products? Shop our merch store! 15% off with promo code "BADMATH" - https://www.fantheoryqueries.com/merch/ For exclusive bonus content, FTQ Discord theory discussion channel, and the ability to view live recording sessions, support us on Patreon: https://www.patreon.com/fantheoryqs Advertisers: please contact sales@advertisecast.com if you would like to advertise on Fan Theory Queries. Fan Theory Queries is part of the Airwave Media podcast network. Visit AirwaveMedia.com to listen and subscribe to their other fine shows. Learn more about your ad choices. Visit megaphone.fm/adchoices
They were the first white group signed to Atlantic Records, the Rascals blazed a trail with what became known as “blue-eyed soul,” with legendary hits like “Good Lovin,” “Groovin,” and “How Can I Be Sure,” but also created songs like “People Gotta Be Free,” which are still socially relevant more than 50 years after they were written. At the heart of the band was singer and organist Felix Cavaliere, who has just written a book - Memoir of a Rascal: From Pelham, NY to the Rock n' Roll Hall of Fame. He talks about his early days in Joey Dee & the Starlighters, how the Rascals got signed to Atlantic Records, and how they found "Mustang Sally" before Wilson Pickett.
Boy Meets World Tour
On 60's Sensations today, Peter brings you music from Joey Dee and The Starlighters, Burt Bacharach, Percy Sledge, The Everly Brothers and many more!
Hello Basementeers ...Yes this is a new show added this year to the Christmas playlist. We have new songs we have not played yet and can't wait to get to them. We feel it was time to do a new Christmas show, so here it is.On this show we have songs from: The Fab 4 / Bryan Adams / Bill Haley / Chicago / The Quintones / The Blue Notes / Brian Wilson and many more.So let's get into the Christmas spirit and enjoy this time of year.Intro:Jingle Bells-The Ventures1. Christmas Is My Time Of Year-The Christmas Spirit2. What Child Is This-The Fab 43. Christmas Party-The Monkees4. A Surfer's Christmas List-The Safaris5. A Christmas To Remember-Amy Grant6. Rockin' Around The Christmas Tree-The Partridge Family7. Christmas Carol-Barry McLaughlin 8. Snow White Rock Christmas-The Vera Corporation9. Three Whishes-The Harptones10. Who's That Knockin'-The Genies11. Please Come Home For Christmas-Charles Brown12. It May Be Winter Outside-Felice Taylor13. The Man With All The Toys-Brian WIlson14. White Christmas-Baby Washington15. I'll Be Home For Christmas-Linda Ronstadt16. Christmas Time-Bryan Adams17. Make Someone Happy-Seal18. Oil In My Lamp-The Ska Kings19. Christmastime Is Here Again-Ringo Starr20. Bring My baby Back-Chicago21. A Christmas Carol-Tom Leher22. God Rest Ye Gentlemen-The Fab 423. Love For Christmas-The Gems24. Winter Wonderland-The Blue Notes25. Joy To The World-Aretha Franklin26. Tit For Tat-James Brown27. Rockin' Around The Christmas Tree-Bill Haley28. Merry Twistmas-The Marcels29. Christmas In The Caribbean-Jimmy Buffett 30. Tropical Christmas-Santa & The Mighty Elves 31. Spirit Of Christmas-The Waltons32. baby Sittin' Santa-Barry Richards33. Heavenly Father-The Quintones34. Nothin' For Christmas-Stan Freeberg35. Jingle Bells-The Fab 4Outro: Ram Bunk Shus-Joey Dee & The Starlighters
On 60's Sensations today, Peter brings you music from Joey Dee and The Starlighters, Burt Bacharach, Percy Sledge, The Everly Brothers and many more!
John Michael Montgomery began his major-label solo career in 1992. He has had more than 30 singles on the Billboard country charts, of which seven have reached number one. Here he presents some of his best. From the 60's the sound of Joey Dee and the Starlighters brought so many hits to the forefront. Who are the Starlighters? His wife and son. Grady brings laughter in only the way Grady can. Enjoy!
“Peppermint Twist” by Joey Dee & the Starlighters plays as Curt drives around with his ex-girlfriend Wendy and her friend Bobbie. Hilary Barraford from Equal Standard and Kevin Can F*** Himself joins Rachel to talk about Curt “the Go Along Kid”, Bobbie's role as an Uber driver before there were Uber drivers, and that Lynne Marie Stewart is still a total badass.Come hang out at Mel's Listeners' Drive In on Facebook and @vcrprivileges on Twitter and InstagramArtwork by Alex RobinsonMusic by Chris Frain
1 - Shave and a Haircut-Shampoo - Swing and Sway with Sammy Kaye – 19392 - Hey! Barber - "Butch" Stone and Jane Dover with Van Alexander and his Orchestra – 19393 - Flat-Top - Your Ol'e Hillbilly Buddy Dave Farley – 19514 - Poco Pelo - Tony Molina with Jose Curbelo and his Orchestra - 19565 - El Barbero (The Barber) - Hermanas Malagon con Ricardo Rico y su Orquesta - 1950's6 - The Barber ('O Barbiere) - Ralph Pedi7 - I'm Gonna Wash That Man Right Out of My Hair - Jo Stafford with the Starlighters and Paul Weston's Orchestra – 19498 - Close Shave - John Kirby and Orchestra -9 - Who Clipped Samson's Hair - Deuce Spriggens with Tex Williams' Orchestra – 195010 - Black Beauty - Cootie Williams and his Rug Cutters – 193911 - Hooheno Keia No Beauty (The Beauty Hula) - Johnny Kaonohi Pineapple and his Native Islanders - 194412 - There's Beauty Everywhere - Herman Chittison Trio – 194513 - Alberta Let Yo' Hair Hang Low - Conrad Thibault - 194614 - Tchoobchik (Tuft of Hair) - The Gypsy Wanderers15 - With the Wind and the Rain in Your Hair - Dick Todd - 194016 - The Daughter of Jeanie (With the Light Brown Hair) - Tommy Taylor with Mitchell Ayres and his Fashions-In-Music - 194117 - Galway Rambler, Red Haired Lass - Paddy Cronin and Frank Neylon18 - When Your Hair Has Turned To Silver - Joe Morgan Orchestra - 193119 - Memories of That Silver Haired Daddy of Mine - Gene Autry and Jimmy Long – 193420 - Red hair and Freckles - Ted Bartell Orchestra - 192921 - Red Hair and Freckles - The Charleston Chasers – 192922 - The Lady with Red Hair - Chet Bruce with Gray Gordon and his Tic-Toc Rhythm - 194023 - Nobody Knows What A Red Head Mama Can Do - Ray Miller and His Orchestra – 192424 - The Girl with the Light Blue Hair - Raymond Scott Quintet - 193925 - Bald Head Woman - Billy Mitchell with Joe Morris' Blues Cavalcade – 195126 - Hairy Joe Jump - Harlan Leonard and his Rockets – 194027 - Little Curly Hair in a High Chair - Helen O'Connell with Jimmy Dorsey And His Orchestra - 194028 - Little Curly Hair in a High Chair - Fats Waller and his Rhythm – 194029 - Lille Krøltop (Little curly-Hair) - Victor Cornelius -30 - The Girl with the Pigtails in Her Hair - Bing Crosby with John Scott Trotter and His Orchestra – 194031 – The Big Moustache – Dragnet - 1954
Amici Miei,Ecco la Seconda parte dello speciale dedicato ai Viaggi nel Tempo. In questo episodio prendiamo in esame il cosiddetto "paradosso del nonno" e vedremo come funzionano le trame di film come "Ritorno al Futuro", "L'Esercito delle 12 Scimmie" e "Donnie Darko".ASCOLTA, COMMENTA, CONDIVIDI!TRACK LIST01. PROLOGUE / THE BACK TO THE FUTURE THEME TUNE - di Alan Silvestri (dalla saga di Film “Back To The Future”)02. EARTH ANGEL - dei Penguins, nella versione di Marvin Berry and the Starlighters (dal Film “Ritorno al Futuro”)03. NIGHT TRAIN - di Jimmy Forrest, nella versione di Marvin Berry and the Starlighters (dal Film “Ritorno al Futuro”)04. JOHNNY B. GOODE - di Chuck Berry, nella versione di Marvin Berry and the Starlighters (dal Film “Ritorno al Futuro”)05. DOCTOR WHO THEME - di Ron Grainer, nella versione “Twelfth Doctor” di Murray Gold (dalla serie “Doctor Who”)06. HEAD OVER HEELS - dei Tears for Fears (dal film “Donnie Darko”)07. 12 MONKEYS THEME - di Paul Buckmaster (dal film “L'Esercito delle 12 scimmie”)CORRELATOEpisodio 03 - Viaggio Nel Tempo - Prima Partehttps://www.spreaker.com/user/baccassino/episodio-003-viaggio-nel-tempo-prima-par
Did you know that The Ronettes were almost cast in a movie with Joey Dee and the Starlighters? --- This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app Support this podcast: https://anchor.fm/kindarispicturespodcast/support
Leo Feathers a self taught guitar player began playing in Tulsa Bands and Night Clubs at 15 years old. He would play with fellow legends, Leon Russell, David Gates, J.J. Cale, Chuck Blackwell and others. He would become an A list Nashville Session player along with playing in the Leon Russell Band.
Brent got the Super Flu – Crowell P.D. Trouble/XFL 2.0 – Died Doing What You Loved – Caught Bread Handed – Enchantment Under the Sea Dance – Sting and the Laser Pointers – Bryan Adam’s New Song Outro Song: “Earth Angel” by Marvin Berry & the Starlighters
Berk Reviews Top Five Movies episode 077 - Movie Bands There have some amazing soundtracks over the years, but the ones with bands made for the movie are among the best. Episode 077 features Jonathan, Corey, and Michael discussing their favorite Movie bands, that is bands made for the movie. There are tons to choose from and the trio made sure to lay the rules down in advance for this one. As usual, we discuss the elements of the movies that we love so spoiler warning. Jonathan's list: 5. The lone rangers - Airheads (1994) 4. A.D.D - The Rocker (2008) 3. the Ain't Rights - Green Room (2015) 2. Guy's studio band - Once (2007) 1. Rudderless - Rudderless (2014) Michael's list: 5. Marvin Berry and The Starlighters from Back to the Future (1985) 4. Josie and the Pussycats from Josie and the Pussycats (2001) 3. Figrin D'an and the Modal Nodes from Star Wars - Episode IV A New Hope (1977) 2. Big Fun from Heathers (1988) 1. Buckaroo Banzai and the Hong Kong Cavaliers from The Adventures --- Support this podcast: https://anchor.fm/berkreviewscom-moviecasts/support
Joey Dee and The Starliters ~ Joey Dee (Joseph DiNicola), The Godfather of The Twist – Joey is a “Jersey Boy”, born in Passaic, New Jersey. An Icon, Living legend and International Star – An American popular music group. Best known for their successful multi-million selling recording and dance, Peppermint Twist™ (1961), the group was started by Joey Dee. And universally known for performing at The World FamousPeppermint Lounge™ – NYC – The most popular night club in the world. (also credited as Joey Dee and the Starlighters). Joey Dee has firmly established his place in pop culture and the music industry. Actively performing over 50 years later, Joey Dee will surely be remembered generations down the line. Over the years, other members of the group included: Alvin Morse, Richard Costiera, Paul Bauman, Billy Suppa, David Lavender, Louie Russo, Renee Cardona, Craig van Tillbury, Kenny Kaufman, Joey Amato, and Ron Grieco on the sax, Ricky Mendoza, Jim Carling, Benny Troy, Tommy Davis, Steve Benson and many others… Oscar Winner Joe Pesci played the guitar in the band with Joey Dee and The Starliters. Joe Pesci the actor in his first bit part dancing the Peppermint Twist in the feature movie “Hey Let's Twist” starring Joey Dee & The Starliters. What a head of hair! For more information on Joey Dee, please visit his website: http://www.joeydee.com --- Send in a voice message: https://anchor.fm/themichaelcalderinshow/message
SDConCast - The Official Podcast of the San Diego Comic-Con Unofficial Blog
Forget everything you’ve heard about June Gloom. We’ve got big news about our Enchantment Under the SDCC party. In case you’ve been hiding all weekend, we’ll give you all the details. We’ll be discussing that and all the other SDCC news from the past week – like exclusives (SO MANY EXCLUSIVES), badge news, hotel waitlist updates (finally!), and so much more.
Marty performs “Johnny B. Goode” with the Starlighters as Marvin snaps along from the sidelines. Guest: Mike O’Gorman
George kisses Lorraine causing Marty to return to existence and agree to play another song with the Starlighters. Guest: Mike O’Gorman
Marty begins to disappear from the photograph as he joins Marvin Berry and the Starlighters on stage to play “Earth Angel”. Guest: Chelsi Kern of Geek By Night
Marty is trapped in the trunk of a car owned by the Starlighters, while George begins to enact his part of the plan. Guest: Chelsi Kern of Geek By Night
Marty puts his letter into Doc’s coat pocket as Marvin Berry and the Starlighters take the stage. Guest: Amanda Haas
Ep. 124: With the 30th anniversary, America's going "Back to the Future" crazy, and The Movie Guys want in, welcoming Harry Waters, Jr. and Don Fullilove to The Admiral's Club for a rousing interview (Waters, Jr. & Fullilove played Marvin Berry and Goldie Wilson in the classic movie). Plus, previews of new movies "Scouts Guide to the Zombie Apocalypse", "Our Brand is Crisis" and "Burnt". The Movie Guys are Paul Preston, Karen Volpe, Adam Witt & Bart Kias Like good movie talk? Please subscribe! www.themovieguys.net @TheMovieGuys Vimeo.com/themovieguys iTunes: bit.ly/1l0hCpG Tumblr: themovieguys.tumblr.com/ Instagram.com/themovieguys Youtube.com/user/TheMovieGuysOnline
Host Sheryl Matthys welcomes Joey Dee of Joey Dee and the Starliters. Joey Dee and The Starliters (also credited as Joey Dee and the Starlighters) is an American popular music team. Best known for their successful million-selling recording "Peppermint Twist" (1961), the group was initiated by Joey Dee. As of 2009 Joey Dee and The Starliters consists of Dee sometimes performing with Bob Valli (brother of Frankie Valli) and original Starliter David Brigati and at other times with the original Soul Survivors Charlie and Richie Ingui, with the three singers taking the lead and performing their own hits as well as covers. Joey's son Ronnie DiNicola often plays saxophone and sings back up vocals for his father. More details on this episode MP3 Podcast - Well You Like It Like This, The Peppermint Twist on Pet Life Radio Enter the code: PAWS and get 10% off your order + Free shipping at Shoebuy.com!
DANYCAST Trilha Sonora deste mês está super especial! Duas trilhas sonoras de dois filmes campeões da Sessão da Tarde: De Volta Para o Futuro e Curtindo a Vida Adoidado! Músicas deste episódio: 1- The Power of Love(Huey Lewis and The News); 2- Earth Angel(Marvin Berry and The Starlighters); 3- Johnny B. Goode(Chuck Berry); 4- Love […] Lista completa das músicas no blog do Danycast!
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