Podcast appearances and mentions of mitch gerards

Chaîne d'Hisokaparker: https://www.youtube.com/@hisokaparker3090Chaîne de ComicsGuardian: https://www.youtube.com/@comicsguardian5182Chaîne de Rucktom: https://www.youtube.com/@RUCKNTOMChaîne de Jules & Nico: https://www.youtube.com/@julesetnicoChaîne Manga Saucisse: https://www.youtube.com/@UCT9uUMZXu1DZKNa1eI-gTsA =======================================Réseaux de la chaîneDiscord: https://discord.gg/6jWpVxPrnrSpotify: https://open.spotify.com/show/6ZwxEAU13PoVLua0JdIYJh?si=23eb9d545b224601Deezer: https://deezer.page.link/QynphwNFRNGQSG9d9Amazon Music: https://music.amazon.fr/podcasts/0964898a-c810-48ff-97ab-f0a6e9e66fa5/d'encre-et-de-bullesApple Podcast: https://podcasts.apple.com/fr/podcast/dencre-et-de-bulles/id1733018809Instagram de Mindphobia: https://www.instagram.com/mindphobia.comics/=======================================D'Encre et de Bulles est votre émission hebdomadaire sur les comics. Tous les mercredis à 21h, l'équipe et ses invités reviennent sur les floppies US lus sortis sur la dernière quinzaine et sur les titres VF surfant ou non sur l'actualité et qu'ils veulent mettre en lumière.Cette semaine encore, l'indépendant à une place forte dans l'émission, même si les big two ne sont pas en reste. En VO nous vous proposerons 4 titres dont un qui a fait surface il y a très peu de temps sur la toile. À savoir 10 Years to Death que nous présentera Tom. Un titre écrit par Aaron Douglas et mis en image par Cliff Richards et sorti il y a quelques temps chez Aftershock Comics. Nous vous parlerons aussi de la suite de Dark Empty Void par Zack Kaplan et Chris Sheehan chez Mad Cave. Pour le DSTLRY de la semaine ce sera One For Sorrow par James McKelvie au scénario et dessin. Enfin le dernier titre VO est un titre dont on vous parle depuis 2 semaines avec Absolute Superman par Jason Aaron et Rafa Sandoval.Pour la VF, deux titres Marvel seront présent ce soir. Tout d'abord Avengers Twilight par Chip Zdarsky et Daniel Acuna. Côté mutant ce sera X-Men Red par Al Ewing et (entre autre) Stefano Caselli. On parlera aussi de A Vicious Circle par Mattson Tomlin et Lee Bermejo et Sheriff of Babylon par Tom King et Mitch Gerards.=======================================Time Code et liens d'achat00:00 Générique + Introduction33:06 One For Sorrow #1 (James McKelvie, DSTRLY) par Hisoka51:17 10 Years to Death One shot (Douglas, Richards, Aftershock) par Tom1:09:43 Absolute Superman #1 (Aaron, Sandoval, DC) par Comicsguardian1:34:40 Dark Empty Void #2 (Kaplan, Sheehan, Mad Cave) par Mindphobia 1:54:31 Stop ou encore (Absolute Batman #2, Carlyle School For Kings #1, Toxic Avengers #2, Batman Dark Age #6, Uncanny X-Men #5, Day of the Dead Girl #1, The Big Burn #2)2:34:13 Vicious Circle tome 3 (Tomlin, Bermejo, Urban Comics par Hisoka(https://www.pulps.fr/item/a_vicious_circle_tome_3_405042)2:49:20 Avengers Twilight (Zdarsky, Acuna, Panini Comics) par ComicsGuardian(https://www.pulps.fr/item/avengers__twilight_405093)3:06:15 X-Men Red tome 1 (Ewing, Caselli, Panini Comics) par Mindphobia 3:28:04 A venir sur YouTube + Générique.=======================================#dencreetdebulles #superman #absolutesuperman #jasonaaron #rafasandoval #dccomics #dc #dcabsolute #10yearstodeath #aarondouglas #cliffrichards #aftershockcomics #oneforsorrow #jamesmckelvie #dstlry #darkemptyvoid #zackkaplan #chrissheehan #madcave #xmen #xmenred #krakoa #alewing #stefanocaselli #marvel #paninicomics #avengers #avengerstwilight #captainamerica #chipzdarsky #danielacuna #viciouscircle #mattsontomlin #leebermejo #urbancomics #sheriffofbabylon #tomking #mitchgerads #indiecomics #comics #comicbooks #critiquecomics Hébergé par Acast. Visitez acast.com/privacy pour plus d'informations.

L'équipe de ComicsDiscovery se réunit une nouvelle fois pour conclure cette saison 8 avec Joker The Winning Card de Tom King et Mitch Gerards chez Urban Comics. Nous vous remercions pour cette nouvelle saison riche en découverte, parfois bonne et parfois plus difficile à lire. Nous vous avons préparé un petit programme pour accompagner votre été et partager toujours avec vous nos lectures. La vocation de ComicsDiscovery est de vous faire découvrir le comics et vous inspirer vos lectures. N'hésitez pas à partager avec nous vos propres lectures. Joker The Winning CardAnnée une, Batman apprend le dur métier de justicier de Gotham. Il se retrouve confronté avec le commissaire Gordon à un dur adversaire. Un joker pas très doué en blague, arpente la ville en déposant un sourire morbide sur ses victimes. Qui est-il ? Que veut-il ? Batman pourra-t-il le vaincre sans dévier de ses convictions ? Trauma cher TraumaChers Fans de Tom King, vous ne serez pas dépaysés, car une nouvelle fois l'auteur de Mister Miracle aborde avec ce titre la thématique du traumatisme et de la dépression. Dans cette Gotham dangereuse et dépressive, il fait du Joker l'incarnation, des traumas de Batman et de sa dépression. Il est son Yang, ce sentiment négatif dont on aimerait se débarrasser, cependant qui fait partie intégrante de notre personnalité. Il est à notre faiblesse ainsi que notre force. Rien de nouveau sous le soleil, cette relation entre Batman et le Joker a été énormément traité sans vraiment y apporter quelque chose de nouveau. Le récit de Tom King est assez paresseux, il reste en surface tout en distillant les phrases clichées. On termine le récit avec un goût de dommage. CauchemarsLe point positif de Joker The Winning Card se situe dans le dessin de Mitch Gerards. Il propose un travail sur le cauchemar en mettant en scène Joker comme un croque mitaine. Il habille le récit d'une palette à dominante bleu et noir. Il ajoute de la texture et de la profondeur en utilisant les codes du film muet et de l'expressionnisme grâce à l'utilisation de panneau et en jouant avec les ombres. Sous ses traits, le Joker prend de l'ampleur pour devenir un outil de panique qui prend à la gorge les personnages pour ne leur laisser aucune échappatoire. Gerards capture l'attention du lecteur ainsi qu'une certaine fascination pour son dessin même si celui-ci fonctionne un peu moins sur les visages des personnages non masqués. Si vous avez aimé Joker The Winning Cardet que vous voulez découvrir d'autres comics.Nous vous conseillons l'écoute de ces épisodes de ComicsDiscovery :ComicsDiscovery S06E26 : Joker Infinite https://jamesetfaye.fr/comicsdiscovery-s06e26-joker-infinite/ComicsDiscovery S06E07 : Trois Jokers https://jamesetfaye.fr/comicsdiscovery-s06e07-trois-jokers/ComicsDiscovery S04E05 : Joker L'homme Qui Rit https://jamesetfaye.fr/comicsdiscovery-s04e05-joker-lhomme-qui-rit/ Le mot de la finComme toujours, nous vous invitons à venir partager votre avis avec nous, que vous soyez d'accord ou non, cela nous fait toujours plaisir d'échanger avec vous. Si vous avez envie de nous écouter en direct, c'est le mardi soir à 20 h sur notre chaîne Twitch. https://www.twitch.tv/jamesetfaye Retrouvez nos chroniqueurs sur leurs réseaux sociaux :Sophie : https://linktr.ee/sophiahautrice?Spades : https://linktr.ee/SpadesOnAirFaye : https://linktr.ee/fayefanel Vous pouvez nous retrouver sur nos réseaux sociaux : Facebook : https://www.facebook.com/ComicsDiscovery/Twitter : https://twitter.com/comicsdiscoveryInstagram : https://www.instagram.com/comicsdiscovery/TikTok : https://www.tiktok.com/@jamesetfaye Vous pouvez nous écouter sur :Spotify : https://spoti.fi/2Qb8ffDAusha : https://podcast.ausha.co/comicsdiscoveryiTunes : https://apple.co/2zw9H1QDeezer : https://www.deezer.com/fr/show/55279 Sans oublier le replay en vidéo sur :YouTube : https://www.youtube.com/@ComicsDiscovery/Twitch : https://www.twitch.tv/jamesetfaye Pour nous soutenir :Tipeee: https://fr.tipeee.com/james-et-faye Vous pouvez venir discuter avec nous sur notre serveur discord :Discord : http://discordapp.com/invite/GsBTkDS Et Retrouvez nos autres productions sur notre site :Le site de James & Faye : https://jamesetfaye.fr/

En 1971 Jack Kirby presentó al personaje de Mister Miracle en la editorial DC tras una serie de problemas que tuvo con Marvel siendo así una forma de sacar su sentir de la situación. Años después en 2017 el escritor Tom King junto al dibujante Mitch Gerards entregan una nueva historia del maestro del escapismo donde vemos un acercamiento más personal a un dios.

-> Découvrez enfin si les poissons sont tous des cons et pourquoi les Sagittaires sont tous des balances dans ASTROLOGIE-> Baptiste se fout officiellement de Christopher avec  BATMAN ONE BAD DAY LE SPHINX-> Un autre arabe du futur avec DISSIDENT CLUBBienvenue dans l'épisode 93 du Gaufrier le podcast BD ! Celle-là, on ne s'y attendait … Continuer la lecture de « LE GAUFRIER, LE PODCAST BD – Épisode 93 : Astrologie – Batman One Bad Day : Le Sphinx – Dissident Club » L'article LE GAUFRIER, LE PODCAST BD – Épisode 93 : Astrologie – Batman One Bad Day : Le Sphinx – Dissident Club est apparu en premier sur Le Gaufrier.

Bienvenidos a un nuevo episodio de Super Humano, segunda temporada. En este nuevo encuentro charlamos sobre One Bad Day: The Riddler, el primer número de la serie, donde cada uno de eestos es dedicado a un villano en la mitologia de Batman. Tom King y Mitch Gerards construyen una historia que revela pasado y presente de Edward Nygma, en su versión más retorcida y megalomana. Para desenredar el ovillo de la historia contamos con la ayuda vía audio del amigo Ezequiel (@ezedkarg) GRAN conocedor de la historia y mitología de Batman, y tenaz coleccionista. Somos Lucas, Fer y Eduardo, muchas gracias por escuchar.

Cette semaine, Simon est de retour après 3 semaines de vacances et nous revient avec les sorties Blu-ray, l'évènement « Inferno » des « X-Men » ainsi que la télésérie québécoise « Lac noir ». Laurent nous parle du prochain film de « La planète des singes », « Crossgen Comics » et du retour de « Goldorak ». De son côté, Benoit discute des répercussions de la fusion Warner Bros. et Discovery sur la série « Batman: The Caped Crusader » et du partenariat signé entre « Top Cow » et « GlobalComix ». En dernière partie d'émission, nous discutons de « Strange Adventures » de Tom King, Mitch Gerards et Evan Shaner. Depuis 16 ans, les Mystérieux étonnants c'est votre balado (podcast) québécois dédié à la culture populaire. Diffusion originale : 29 août 2022 Site web : MysterieuxEtonnants.com © Les Mystérieux Étonnants. Tous droits réservés.

Bienvenidos a un nuevo episodio de Super Humano, en esta oportunidad en un imperdible "team up" junto a Sobredosis de Fandom. En esta oportunidad charlamos sobre Strange Adventures, una historia escrita por Tom King y dibujada por Mitch Gerards y Doc Shaner para el sello Black Label de DC. Adam Strange es el personaje principal de una historia que muestra la fasceta más oscura de la guerra, las relaciones humanas en tiempos caóticos y las decisiones que corren el límite de lo moral hasta desvanecerlo. Somos Lucas, Fer y Eduardo, gracias por escuchar

Cette semaine dans ComicsDiscovery votre podcast comics favoris, nous vous parlons des conséquences de la guerre grâce à Strange Adventures de Tom King, Mitch Gerards et Evan doc Shanner. Le titre est à retrouver chez Urban comics. Comme d'habitude, on commence avec les petites news comics de la semaine :-La plus petite Batnews du monde-Petit hommage à Neal Adams qui nous a quitté la semaine dernière-Franck Miller lance sa propre maison d'édition-Jon Watts quitte la réalisation de Fantastic Four-Le FCBD en france ce week-end-Plusieurs séries du CWverse se font annulées-Seconds de Brian Lee Omaley adaptés en film par Edgar WrightPuis on passe à la checklist des sorties comics de la semaine par Angèle Le titre de la semaine: Strange AdventuresAdam Strange est un héros de guerre, Il a participé au conflit de Rann-Thanagar. Il profite avec sa femme, la belle Alanna, d'une retraite bien mérité sur terre. Alors qu'il est en séance de dédicace pour son autobiographie, il est attaqué par un fan l'accusant d'être responsable de la mort de nombreux innocents. Plus tard, ce même fan est retrouvé mort. Derrière le mytheTom King explore à nouveau un thème qu'il connaît bien, la guerre et ses effets. Il nous emmène à travers le miroir de la gloire pour nous révéler toute la noirceur qui se cache. On retrouve des personnages en proie au doute, à la culpabilité et surtout profondément traumatisés par leur passé. C'est un travail intelligent que nous propose une fois de plus Tom King. Un récit PulpPour illustrer ce récit, on nous propose toute une imagerie très rétro, mettant à l'honneur les héros du Pulp comme John Carter. Vous retrouverez également de nombreuses références cinématographiques liées à l'aventure. Le mot de la fin Comme toujours nous vous invitons à venir partager votre avis avec nous que vous soyez d'accord ou non, ça nous fait toujours plaisir d'échanger avec vous. Si vous avez envie de nous écouter en live, c'est le mardi soir à 20h sur notre chaîne Twitch : https://www.twitch.tv/jamesetfaye Si vous aimez les mangas, n'oubliez pas notre émission MangaDiscovery : https://linktr.ee/mangadiscovery Vous pouvez nous retrouver sur nos réseaux sociaux :Facebook : https://www.facebook.com/ComicsDiscovery/Twitter : https://twitter.com/comicsdiscoveryInstagram : https://www.instagram.com/comicsdiscovery/ Vous pouvez nous écouter sur :Spotify : https://spoti.fi/2Qb8ffDAusha : https://podcast.ausha.co/comicsdiscoveryItunes : https://apple.co/2zw9H1QDeezer : https://www.deezer.com/fr/show/55279 Sans oublier le replay en vidéo sur :Youtube : https://www.youtube.com/c/ComicsDiscoveryTwitch : https://www.twitch.tv/jamesetfaye Si vous voulez nous soutenir vous pouvez le faire sur :Tipeee: https://fr.tipeee.com/james-et-faye Vous pouvez venir discuter avec nous sur notre serveur discord :Discord : http://discordapp.com/invite/GsBTkDS Et pour retrouver tout notre contenu vous avez notre site web :Le site de James & Faye : https://jamesetfaye.fr/

 Platicamos sobre la maxiserie Strange Adventures, de Tom King, Mitch Gerards y Evan "Doc" Shaner.

This week Josh, Kyle, Clay and Daniel discuss Strange Adventures by Tom King, Mitch Gerards and Doc Shaner, published by DC Comics You can watch this episode in FULL on our Youtube Channel and join us for our LIVE Recordings most Sundays 10AM CST We hope everyone stays Safe and Healthy. Please WEAR A MASK & WASH YOUR HANDS!  Check out our Youtube Channel SUBSCRIBE, RATE and REVIEW!  Check out our PATREON for advanced videos and much more Thank you!  Follow us on twitter @nextissuepod Twitch.TV/NextIssue and Facebook  Clay: @Clay_Harrison Kyle: @Kylepedia Adrian: @Adrian_Harry Daniel: @eckospider Josh: @cosmosis

Bienvenidos a un nuevo mini episodio de Super Humano, hoy dedicado a un crossover entre Swamp Thing y Batman. Esta historia, un pequeño arco dentro del extenso run de King, sigue abonando la raíz del gran conflicto por venir aportando grandes diálogos y el arte imposible de Mitch Gerards. Somos Lucas, Fer y Eduardo, gracias por escuchar

En este nuevo episodio abordamos una obra maestra de Tom King y Mitch Gerards, Mr Miracle. Una historia donde lo que parece ser no es, o sí, y donde los significados se apilan en capas que tratamos de analizar en su totalidad. Para ello nos acompaña una gran invitada : Mariana, de El diván de los héroes, canal que recomendamos y seguimos. Somos Lucas, Fer y Eduardo, bienvenidos a Super Humano.

This week we tackle the fantastic book Mister Miracle by Tom King and Mitch Gerards. We talk about everyone's favorite Chris Angel wannabe Mister Miracle. Join us as we witness Darkseids most heinous act, double dipping.Music "Destructing Own Kingdom" by XTaKeRuXAvailable at thttps://freemusicarchive.org/music/XTaKeRuX/2019073141810785/Destructing_Own_Kingdom_1900

On this week's comic book review podcast: Black Panther #25 Marvel By Ta-Nehisi Coates, Daniel Acuña and Brian Stelfreeze Mister Miracle: The Source of Freedom #1 DC Comics Written by Brandon Easton Art by Fico Ossio The Department of Truth #9 Image Comics Written by James Tynion IV Art by Martin Simmonds Reptil #1 Marvel Written by Terry Blas Art by Enid Balám Batman/Superman #18 DC Comics Written by Gene Luen Yang Art by Ivan Reis and Jose Luís Made in Korea #1 Image Comics Written by Jeremy Holt, Ron Chan Art by George Schall, Ron Chan The Other History of the DC Universe #4 DC Comics Written by John Ridley Art by Giuseppe Camuncoli Beta Ray Bill #3 Marvel By Daniel Warren Johnson Strange Adventures #10 DC Comics Written by Tom King Art by Mitch Gerards and Evan “Doc” Shaner Alien #3 Marvel Written by Phillip Kennedy Johnson Art by Salvador Larocca Shadecraft #3 Image Comics Written by Joe Henderson Art by Lee Garbett Stargirl Spring Break Special #1 DC Comics Written by Geoff Johns, Brec Bassinger Art by Todd Nauck, Bryan Hitch, Fred Hembeck Something is Killing the Children #16 BOOM! Studios Written by James Tynion IV Art by Werther Dell'edera Robin #2 DC Comics Written by Joshua Williamson Art by Gleb Melnikov HAHA #5 Image Comics Written by W. Maxwell Prince Art by Gabriel Hernández Walta Harley Quinn #3 DC Comics Written by Stephanie Phillips Art by Riley Rossmo The Goddamned: The Virgin Brides #5 Image Comics Written by Jason Aaron Art by r.m. Guéra Action Comics #1031 DC Comics Written by Phillip Kennedy Johnson, Becky Cloonan and Michael W. Conrad Art by Daniel Sampere, Mike Oeming Ascender #15 Image Comics Written by Jeff Lemire Art by Dustin Nguyen SUBSCRIBE ON RSS, ITUNES, ANDROID, SPOTIFY, STITCHER OR THE APP OF YOUR CHOICE. FOLLOW US ON TWITTER, AND FACEBOOK. SUPPORT OUR SHOWS ON PATREON. Don't forget to go to https://www.Manscaped.com and use the promo code FANSIDED20 to get 20% OFF YOUR ORDER AND FREE SHIPPING! This week's episode is also sponsored by Marvel's M.O.D.O.K., premiering May 21 on Hulu. Support the show: https://www.patreon.com/comicbookclub See omnystudio.com/listener for privacy information.

On this week's comic book review podcast: Black Panther #25 Marvel By Ta-Nehisi Coates, Daniel Acuña and Brian Stelfreeze Mister Miracle: The Source of Freedom #1 DC Comics Written by Brandon Easton Art by Fico Ossio The Department of Truth #9 Image Comics Written by James Tynion IV Art by Martin Simmonds Reptil #1 Marvel Written by Terry Blas Art by Enid Balám Batman/Superman #18 DC Comics Written by Gene Luen Yang Art by Ivan Reis and Jose Luís Made in Korea #1 Image Comics Written by Jeremy Holt, Ron Chan Art by George Schall, Ron Chan The Other History of the DC Universe #4 DC Comics Written by John Ridley Art by Giuseppe Camuncoli Beta Ray Bill #3 Marvel By Daniel Warren Johnson Strange Adventures #10 DC Comics Written by Tom King Art by Mitch Gerards and Evan “Doc” Shaner Alien #3 Marvel Written by Phillip Kennedy Johnson Art by Salvador Larocca Shadecraft #3 Image Comics Written by Joe Henderson Art by Lee Garbett Stargirl Spring Break Special #1 DC Comics Written by Geoff Johns, Brec Bassinger Art by Todd Nauck, Bryan Hitch, Fred Hembeck Something is Killing the Children #16 BOOM! Studios Written by James Tynion IV Art by Werther Dell'edera Robin #2 DC Comics Written by Joshua Williamson Art by Gleb Melnikov HAHA #5 Image Comics Written by W. Maxwell Prince Art by Gabriel Hernández Walta Harley Quinn #3 DC Comics Written by Stephanie Phillips Art by Riley Rossmo The Goddamned: The Virgin Brides #5 Image Comics Written by Jason Aaron Art by r.m. Guéra Action Comics #1031 DC Comics Written by Phillip Kennedy Johnson, Becky Cloonan and Michael W. Conrad Art by Daniel Sampere, Mike Oeming Ascender #15 Image Comics Written by Jeff Lemire Art by Dustin Nguyen SUBSCRIBE ON RSS, ITUNES, ANDROID, SPOTIFY, STITCHER OR THE APP OF YOUR CHOICE. FOLLOW US ON TWITTER, AND FACEBOOK. SUPPORT OUR SHOWS ON PATREON. Don't forget to go to https://www.Manscaped.com and use the promo code FANSIDED20 to get 20% OFF YOUR ORDER AND FREE SHIPPING! This week's episode is also sponsored by Marvel's M.O.D.O.K., premiering May 21 on Hulu. Support the show: https://www.patreon.com/comicbookclub See omnystudio.com/listener for privacy information.

On this week's comic book review podcast, we've got: Beta Ray Bill #1 Marvel Written and art by Daniel Warren Johnson Shadecraft #1 Image Comics Written by Joe Henderson Art by Lee Garbett The Other History of the DC Universe #3 DC Comics Written by John Ridley Art by Giuseppe Camuncoli Silk #1 Marvel Written by Maurene Goo Art by Takeshi Miyazawa Crossover #5 Image Comics Written by Donny Cates Art by Geoff Shaw Strange Adventures #9 DC Comics Written by Tom King Art by Mitch Gerards and Evan Shaner Avengers: Curse of the Man-Thing #1 Marvel Written by Steve Orlando Art by Francesco Mobili The Department of Truth #7 Image Comics Written by James Tynion IV Art by Tyler Boss The Flash #768 DC Comics Written by Jeremy Adams Art by Brandon Peterson, Marco Santucci, David Lafuente Ghost Rider: King in Black #1 Marvel Written by Ed Brisson Art by Juan Frigeri Two Moons #2 Image Comics Written by John Arcudi Art by Valerio Giangiordano Future State: Superman vs Imperious Lex #3 DC Comics Written by Mark Russell Art by Steve Pugh Decorum #7 Image Comics Written by Jonathan Hickman Art by Mike Huddleston Batman/Catwoman #4 DC Comics Written by Tom King Art by Clay Mann SUBSCRIBE ON RSS, ITUNES, ANDROID, SPOTIFY, STITCHER OR THE APP OF YOUR CHOICE. FOLLOW US ON TWITTER, AND FACEBOOK. SUPPORT OUR SHOWS ON PATREON. Full Episode Transcript: Alex:                 What is up y'all? Welcome to The Stack. I'm Alex. Pete:                I'm Pete. Alex:                 And on The Stack we talk about a bunch of books that have come out this week. Kicking it off with one I know that Pete is very excited about. Beta Ray Bill number one from Marvel comics, written and art by Daniel Warren Johnson. Now, D.W.J., As I like to call him, he is the creator of Murder Falcon, which is one of your favorite books ever. Pete:                Yeah. Alex:                 I don't know how you feel about Beta Ray Bill though. So how'd you feel about this book? Pete:                Well, yeah. I'm not the hugest Beta Ray Bill fan, but this was a lot of fun. This was really awesome. Art style [google 00:00:54] gave Beta Ray Bill a grittiness that was nice. Yeah, I very much enjoyed this. This was sad. This was not just badass Beta Ray Bill. Alex:                 You okay? Did you die there for a second? Pete:                Yeah. There's some real pain going on. And yeah. Also, Fin Fang Foom, one of my huge favorites in this as well. So, this was a real treat, this book. And the back matter is magical. Alex:                 This very briefly and tangentially ties into the King in Black storyline, which has symbiotes attacking the Marvel universe here. They attack Asgard, Beta Ray Bill fights them off, kind of. And sparks up, or re-sparks up a little bit of a romance with Lady Sif. But I agree with you, as he did in Murder Falcon, he brings big action with big monsters, but also a deep well of emotion here. It's very sad for Beta Ray Bill. Art is great, the writing is great, the emotion is great. I'm all in on this book. I am a sucker for Beta Ray Bill, and I think D.W.J. does right by him. So, I'm very excited to see this going forward. And like you said, there's a great interview that he does with Walter Simonson in the back of the book, which is super cool as well. Pete:                Yeah. It's nice to see him geek out about this and hear about New York in the seventies and the different kinds of people working on stuff. It was a pretty awesome interview that they put in the back and yeah. I mean, the art, the storytelling is really unbelievable, but Beta Ray Bill… Kind of a cursed character and they're really tugging on that and playing with that. And he's not cool with Thor. It's not a fun relationship right now. So I'm glad they're getting to air that out a little bit. I'm very interested to see how that all unfolds. Alex:                 I agree. Next up, Shadecraft number one from Image comics written by Joe Henderson, art by Lee Garbett. In this new comic book, a girl finds out that shadows aren't quite what they're cracked up to be. It ties into an emotional thing from her past that you find out towards the end of the issue. I really liked the setup. I thought this was a good, fun horror book. The art from Lee Garbett was particularly good. The shadow creatures were interesting. I'm curious to see where this goes going forward, because it feels like it really gets to the setup by the end. But I'm in, what was your take Pete? Pete:                Yeah, I agree. I think the art and the storytelling is fantastic. Setting this up in a very interesting way. I really love the last page reveal twist. Very cool. And yeah, as this kid, I was scared shitless of… if you saw a shadow move by the… or a branch at the window or something. This really plays on that fear of moving shadows and how it's hard, especially at night, to get away from shadows. I mean, that's just… That's tough. Alex:                 I got to be honest, Pete, it sounds like that wasn't just a problem when you were a kid. Pete:                I don't think we have time to get into this, but- Alex:                 No, Pete- Pete:                It's a great book. Alex:                 That's been the long game on this podcast this whole time, is to finally get you to confront this fear that you have. Shadecraft number one, check it out. Next up, The Other History of the DC universe number three from DC comics. Written by John Ridley, art by Giuseppe Camuncoli. The first two issues have dealt with the black American experience in the background of the DC universe. Here, we're dealing with the Asian American experience through the lens of Katana and her whole history. What did you think about this one, Pete? Pete:                This is very powerful, really amazing. I was very moved by it. I thought it was really done well. The storytelling is so powerful. The art… Yeah, just kind of the balance of these stanzas, these powerful stanzas, that really hit you versus the comic book art. Really creates this moving, powerful stuff that DC is doing with these books. I've been really enjoying this series. The Other History of the DC universe stuff has just been really impressive. Alex:                 Giuseppe Camuncoli's layouts in particular, are really excellent. John Ridley's writing is great. It's super, unfortunately, timely, given that we are discussing the Asian American experience and violence towards it, in particular, right now. But it's a necessary- Pete:                Stop Asian hate. Alex:                 Yeah, it's a necessary read, like the other two issues of this book, but also very entertaining and weird in a certain way. I don't know much about Katana's history, necessarily. There are little bits here and there. I was like, “Oh yeah, I guess I do that kind of thing”. But what John Ridley is doing here is, like with X-Men: Grand Design, I think was the name of the book, he's taking the entire history of the character and trying to make narrative sense out of it. Which is nearly impossible, but he does it here in a very emotional way. And that's nice to see. Pete:                Yeah, Katana is one of my favorite characters. Always a big fan of Katana. So it was nice to see, all the different stories paid homage to, with this interesting narrative running throughout all of it. It was really well done. Alex:                 Moving from one timely book to another, in a very different way. Silk number one from Marvel, written by Maureen Goo, art by Takeshi Miyazawa. This is a all-Asian team working on a Korean American superhero, which is something that I don't think we've seen before for Silk, necessarily. I could be wrong. Nobody jump into my mentions if I got that incorrect. But at the very least, it's great to see that, as Silk is in a new status quo here. Working for J. Jonah Jameson, at whatever his latest rag is. But I thought this was really fun. I don't have too much affection, necessarily, for Silk as a character. I'm fine with her. She's been fun before. There's been some good storylines, but I thought this was a really nice, very clear setup with a good supporting cast. And I'm interested to see where it goes in issue two. Pete:                I completely agree. I feel like this is a great use of Silk, the character. I feel like they really do a great job of giving her a lot of fun action splash pages, as well as setting up a very cool, interesting story arc. And the fashion stuff is fun and pulled off well, and what's not to like about sitting down to have tea with a giant cat like creature? I think this is a very interesting, cool book, and I'm excited to see where it goes Alex:                 Next up: Crossover number five from image comics written by Donny Cates, art by Geoff Shaw. In this book, we're getting towards the end of the first arc here, as Madman and Power… house. I don't remember the name of the other team. Basically. It's Donny Cates taking all of his books, mashing them up together with tangentially other books. They're all heading towards this big dome where the crossover event has happened and it's all coming down. What did you think about this issue? Pete:                Well, first off you got- bless you. You got Madman with a giant sword. So what's not to love. This is- Alex:                 A sword. Pete:                It's a lot of action, it's a lot of over-the-top stuff, but also, a lot of intense shit goes on here. Oh man, I don't want to spoil anything, but man, it gets, it gets real dark, but- Alex:                 I want to hear it. Spoiler warning. What was the thing that, you thought in particular, got really dark? Pete:                Where the guy shot the girl? Alex:                 Oh, that hasn't happened yet. That's the cliff hanger at the end of the book. He hasn't necessarily shot her. Pete:                Well… He's crying. It says, “I can”. And it looks like it's seconds before the bullet is released out of the chamber. Alex:                 Yeah. Well, we'll see what happens next issue, I guess. Pete:                Oh my God. Alex:                 I guess we'll see what happens. One thing that I really… that I thought was super fun in the book, is Donny has come up with this concept, where all of these different superheroes have been cut apart and mashed back together by scientists on Earth, quote-unquote. And they're called amalgams, which is very funny to anybody who knows about the Amalgam universe. He's having a blast here and it's so creative and so fun. There's a great splash page laid out that mashes up panels from God Country and Madman comics. Very neat. I liked it quite a bit. Alex:                 Next up, Strange Adventures number nine, from DC comics written by Tom King, art by Mitch Gerads and Evan Shaner. Here, a report has come out about Adam Strange from the Justice League. Not exactly indicating that he is a villain, but certainly not precluding that fact. That's what we're dealing with here. As the Pykkt invasion of Earth continues and lots of questions swirl in the background. I'll tell you what, I think we talked about this with an earlier issue. It's interesting this is coming out now, but it seemed very clear to me that, at least tangentially, King is writing about the Mueller report in this issue. Did you get that sense as well? Pete:                I have no idea what's going on and when it comes to King, ever. But it was crazy to see Superman and Batman in this issue. Alex:                 So, this report comes out and it's the vague sort of indictment that Mueller did in the heavily anticipated Mueller report. Where there were a lot of crimes mentioned, but ultimately there said, “Well, it's up to the people who prosecute to do it”. Right. And that's exactly what happens with Adam Strange here. It's very interesting, particularly given now we're past the Trump presidency, though, obviously not the aftereffects of it. To see him take Adam Strange and put him in that place. To the point… there's a panel late in the issue where they zoom in on Adam Strange's face on a TV screen and it looks almost exactly like Trump on the television. So that was kind of fascinating to me. I think it's sort of part of the publishing schedule that has gotten pushed back so far. But I am curious to see where this hits on, given that it is skirting those ideas. You're looking at me like I'm a crazy person right now. Pete:                I am looking at you like a crazy person, because we're on issue number 9 of 12 and we still don't know what the fuck is going on. Alex:                 Well- Pete:                Nine issues deep. Alex:                 I mean, that's how a mystery works Pete. Pete:                Yeah, but let's talk- Alex:                 Unless it's Columbo, in which case they reveal it first and then he figures out how it happens. Pete:                Okay. But, regardless, just thinking about how great of a writer you have to be that, for nine issues of a story, you have no fucking idea what's going on. That is very impressive. Alex:                 Well, I just got one more question for you, Pete. Pete:                Oh my God. Alex:                 All right. Next up, Avengers: Curse of the Man-Thing number one from Marvel. Written by Steve Orlando, art by Francesco Mobili. In this, we are getting a new threat to Man-Thing who, spoiler, beats Man-Thing right at the beginning and the Avengers have to take him down. This is one of these new formats, limited series that Marvel has been doing, where a new hero is going to interact with Man-Thing or this story in a different way. Here we get the Avengers. Next issue is going to be Spiderman, presumably the X-Men after that and other things. But this is also Steve Orlando moving over to the Marvel universe. What was your take Pete? Pete:                Well, Orlando is always a fun, crazy creative person. So this book, I thought did a great job of representing himself here. Man-Thing, getting ripped apart here was so over-the-top and very interesting. Especially because you realize, these chapter things are like parts of his skin that maybe was ripped off. But I think this is a very interesting, unique kind of cool event that's happening and I'm digging it. Alex:                 I like it too. I thought it was super fun. And it's Orlando doing his regular weird ideas, but infusing them into the Marvel universe. He brings in some fun stuff from Jonathan Hickman's run on X-Men and mixes it in here in a fun way. This is good. I like this. Pete:                I agree. Alex:                 And he seems to be redefining what Man-Thing is in the Marvel universe. That should be interesting to see going forward. Next up, The Department of Truth number seven from Image comics, written by James Tynion IV, art by Tyler Boss. In this- Pete:                You think we should even talk about this, because Justin's not here? You know what I mean, maybe we should- Alex:                 Justin does love this book. Pete:                Maybe we should skip it. Alex:                 So we're getting another flashback this issue as Lee Harvey Oswald continues to find out more about the Department of Truth. Here, we find out about the foil guy, the doc who wears foil on his head. We find out about the men and black and the little gray men and their play into the history of the secret history of America. As usual, great stuff in this book. I am loving it. Pete- Pete:                Yeah, I agree. Alex:                 You took off your headphones, what is going on right now? Pete:                Hey man, sometimes you wear headphones for too long. It can start to get like… Feel like you're [crosstalk 00:14:37] Alex:                 Are you listening to me through your forehead. What is going on here? Pete:                Dude, it's a podcast. Take it easy, all right. I can hear you just fine. Alex:                 All right. Pete:                All right. So I really am like… This is such a kind of thing we've heard about the men in black, we're familiar with this kind of tinfoil thing, but this is done in a way that makes sense. I really appreciate all the details and all this stuff going on in this book. I think it's done in such a kind of way with the stylized flashbacks, with the shading and the info. I think this is really a great mix of genres and telling the story. I'm continued to be impressed with this. It's too bad Justin's not here to get his thoughts on it. I'm having a blast and I might just start wearing a tinfoil hat. Alex:                 Hey, speaking of which, this is more of a note for Pete's forehead than his ears. And Pete's forehead, you're looking great. Don't tell his ears, okay? Because they're looking a little busted, to be honest. Pete:                Don't you say shit about my ears. Alex:                 You couldn't hear that. That was through your forehead man. All right. Moving on to the Flash 768 from DC comics. Written by Jeremy Adams, art by Brandon Peterson- Pete:                Here we go. Alex:                 Marco Santucci… What does that mean, “Here we go”? Pete:                Here we go. The fucking Flash. Alex:                 Well… So we've been talking about these books that have come out of DC Future State. A lot of the teams from Future State were giving previews of what's going on in their main books of their return. So I think it has been interesting to talk about them as they have come back. This one is weird. Pete:                Yeah. Yeah. We're still talking about it. Flash and that tricky Speed Force, man. [crosstalk 00:16:28] Sometimes you run so fast, you run out of your clothes and then that's a whole thing and- Alex:                 It happens. So here's the deal with this book. So the thing that confused me for the first half of this book, is we have the setup of Barry Allen is giving up being the Flash. So we could work with the new multi-verse people and explore what's going on with there, after the fallout from Dark Nights: Death Metal. All makes sense. Now, Wally West is the new Flash, he's been promoted. The first half of this book, reverses on that in a very weird way, where Wally says, “Nope, actually… Forget about that tease. I don't want to be the Flash. Barry Allen. You're the Flash”. Barry's like, “Sounds good. Let's have a race. I'll take all of your speed”. Alex:                 So that's fine, but very confusing, given everything that's happened previously. It isn't until the second half of the book that we get to the real concept. That's where things, in my mind, start to get really fun, where Wally West is lost in time. We basically get this quantum leap thing, where he's jumping to major points in the Speed Force, he's inside of their bodies. Pete:                How are they- Alex:                 And Barry Allen is the Iggy. Is it Iggy from Quantum Leap? Pete? Pete:                I don't know. Alex:                 Ziggy. Ziggy. The Ziggy, Dan Hedaya. Who's like, “Oh man, you've got to turn back, Wally. What are you doing? Ah, if you change this, that'll change everything”. And then Wally says, “Oh boy”. Pete:                That show came out in the fifties, I think, bro. Alex:                 It's a great show, with a perfect finale, and you watch your mouth Pete. Pete:                I'll have to take a time machine back. It was just insane to me that these, all these fucking Flashes and there's the Speed Force, but nobody can figure it out. And it's so tricky yet. They're running the whole time and you got a fucking treadmill, but… I don't know, man. Alex:                 I enjoyed the second half of the issue because I am a sucker for Quantum Leap and I want to see more of that. So we'll see how it goes. Next up, Ghost Rider: King in Black number one, from Marvel. Written by Ed Brisson, art by Juan Frigeri. This is also a very weird, interesting issue because, technically, it's a King in Black tie-in, but really it's tying up everything that's been happening in Ghost Rider for the past couple of years and wrapping a bow on that. It's much more about that to the point that, the Ghost Rider characters, at certain points, are standing in the middle of symbiote-stricken Manhattan being like, “Eh, let's figure out this other stuff instead”. Pete:                Yeah. There's still a crazy amount of standing around talking for all the demons that are trashing the place. Alex:                 But still, pretty fun, I thought. What did you think about this one, Pete? Pete:                Yeah, it was fun. I mean, they're having fun discussions about their names. Mephisto blows, but still, some fun stuff in there with that. Yeah. It was nice to see Ghost Rider up in this… the Penance Stare, with the old damnation stare. That was cool. Fun little twist on trusting, not trusting the devil. It's just fun. It's a good book. You know what you're going to get into with it. And it's over-the-top in all the right ways. Alex:                 Next up, Two Moons number two from Image comics written by John Arcudi, art by Valerio Giangiordino. This book, we love the first issue of. I might be getting this wrong, but I believe it's basically taking indigenous myths and mixing them with the Civil War for a very horrific, supernatural tale. How do you think the second issue held up to the first one? Pete:                It's really tripped out in all the right ways. It's very magical. Spooky, cool. The Native American stuff is amazing. It's very, very well done. Some interesting storytelling stuff. And I really loved where it ended too. Alex:                 This is a absolutely gorgeous book. Absolutely gorgeous. I like the writing, but really, the art in particular and the designs of the… I don't even want to call them monsters. They're more mythical creatures, is stunning throughout. Highly recommend picking this up. This is one that, it feels a little bit like, I don't know. It's very Vertigo to me, I think. And it's the sort of thing that I think would be good to jump in on in the early issues to really get a sense of it because it's that good. Alex:                 Next up, Future State: Superman VS. Imperious Lex, number three from DC comics written by Mark Russell, art by Steve Pugh, not Florence Pugh, like I initially thought. It's Steve Pugh. This is the very last, I believe, of the Future State books. Probably cutting in a little late here, but so fun and such a good story. Love Mark Russell. This is a future Superman, as you could tell, from the title. Battling Lex, who has taken over a planet, as usual. It's very satirical as you'd expect from this team. If you read the first two issues, you know exactly what to expect here, but I loved it. This is one of my favorite Future State books. I'm so glad they got to finish it off, even if it was a late. Pete, you're nodding your head. What's going on? Pete:                I mean, this is just like, what if Lex Luther was stuck in the Wall-E movie? It's a little too crazy for me, but I appreciate what they're doing. Alex:                 It's so funny. The characters are so funny. Louis Lane is so funny. Lex is so funny. It's great. He just sets up these Rube Goldberg machines of ridiculous satire and pays them off in such a fun way. I like it quite a bit. Next up, Decorum number seven, from Image comics. Written by Jonathan Hickman and art by Mike Huddleston. Alex:                 This is really bringing together everything that's been going out in the book in a big way that these weird crystalline creatures that showed up that seemed, at first, unconnected from the Assassin's Academy that was going on in the other side of the book. Last issue, that finally came together, where the crystalline creatures gave a mission to the assassins to find this egg that was being hidden, which I believe was the third element, that was just thrown in there. Here, our main character stumbles on that egg, opens up the egg, finds a hot dude with no head. Very funny. This is great. I can't believe how well this has come together. And Mike Huddleston's art is stunning across the board. The way that he's bringing all of these different art styles together, often on the same page, is ridiculously impressive. Pete:                I agree with you, Alex. It's worth it alone for the art. It's really unbelievable. Sometimes… Just a dude with part of your face. But I think this is really tripped out, weird, in all the right ways. And it's really telling a very interesting story, but the real hero here is the artist. The pages and everything are just amaze balls. Alex:                 And in classic Pete fashion, I got to bring up a book that we didn't throw into the stack, because I didn't want to get into a fight about it. But, X-Men number 19. Also by Jonathan Hickman, it is a master work. It is so good. It's one of the best issues of the series ever, it's amazing. You get the X-Men trapped in this vault, traveling through time. This incredible X-23 Laura story throughout. So good. Read it. Just pick it up right now. Don't listen to whatever Pete has to say. And moving on to our last book- Pete:                Wait, that's so unfair that you didn't even put it out there. Like it was something we could read- Alex:                 Here's the thing, Pete. [crosstalk 00:24:25] I've got to be honest. I'll pull back the curtain here. I got to be honest. I read the book because I was like, “Ah, I want to read it anyway because I liked the X-Men books, but I'm not going to send it out to Pete because Pete's just going to be like, ‘Fuck X-Men. These islands are having sex. Stupid. What's going on? I don't like it'”. That I would just set it out. It would just be a big argument. So I was like, “I won't send it out”, but then I read it. I was like, “This is legitimately one of the best issues of the series ever. Would Pete like this, because it's about Laura X-23, who he loves”. And I was like, “I don't know. I got to weigh that against Pete just yelling because it's X-Men. What do we do here?” Pete:                Why wouldn't you trust me to appreciate a good X-23 story? Alex:                 Trust you? I've known you for 15 years, Pete. Pete:                Oh my God. You're the worst. You didn't believe in it enough to put it out there for us to review. You were like [crosstalk 00:25:20] yeah, you didn't believe in it. So it's hard to take your recommendation after you didn't believe in something enough to send it to me and just- Alex:                 I'll tell you what. I will send it to you. You could read it, and then you can tell me off-air what's going on. Pete:                Okay, great. That'll be great for everybody. Alex:                 I think so. Tell you what, check out our podcast off-air, where you visit me and Pete in person and ask us comic book recommendations. Last but not least, Batman/Catwoman number four from DC comics. Written by Tom King, art by Clay Mann. Pete, sounds like you're loving this. You got to explain to me what's going on. I feel like the Pete of this particular book, because I'm lost. Pete:                Okay. First off, love the bat and cat double page, spread title page, mansion, advent calendar thing, that just sets up the mood for this creepy, fun world that we're in. And then starting off with Batwoman beating up Penguin and wanting to know where mom and the Joker are. What an interesting start, just grabs the reader all the right ways. But bat and cat are fighting. You know, cat's been doing some things without bat's knowledge, she knew he was going to get mad, but she didn't tell him until last minute. Now bat's mad. So how are we going to move forward? I also really loved how the Penguin is drawn like Danny DeVito. That makes me very happy. What do you want to know? I think it's great. Alex:                 Listening to you talk about it is my experience reading it, because I just cannot keep track of the timelines. Pete:                There's like three different timelines happening at once. Alex:                 No, and I know that. You've got the Mask of the Phantasm timeline. You've got the very early bad cat stuff going on. Pete:                Right. Alex:                 And then you've got the future cat stuff where she's killed the Joker and is dealing with it, with Penguin. And there was their kid, who was the new Batman. So I get all that. Pete:                Batwoman. Alex:                 There's the transitions between them that just throw me, and I'm sure there's a point to it. Maybe they're doing something about memory and how memories are very fluid and go from one time period to another- Pete:                Yeah, because it's also like cat and bat always have this thing about a disagreement about when they first met. Alex:                 Yes. So I get all that, but you look at a book like Strange Adventures, also from Tom King, where you have- Pete:                Also confusing. Alex:                 But, even if it jumps between timelines of the same page, you've got Evan “Doc” Shaner and Mitch Gerads. So there's a delineation between the timelines. So you're able to follow, okay. Here's where we are at any given point. It is disorienting for me to read this book, and I still, and I know I'm harping on this. I don't know what the Phantasm has to do with this. Pete:                That's going to be the fun, but also it is going to make sense. And I think it's going to be one of those things where it will be very interesting to get the trade, because there could be… it could make that much more sense, reading it all together. Alex:                 Absolutely. And I'm more than willing to follow it until the end. It's just- Pete:                And you should follow it, because it's amazing art and writing and like such a fun, interesting story with these two characters we know and we've heard stories… for all time about them. Alex:                 I trust these creators. So I'm going to follow it until the end. I'm just having a hard time comprehending it as of now, that's what I'm saying. Alex:                 And that's it for The Stack. If you'd like to support our podcast and other podcasts we do, patrion.com/comic book club. Also, we do a live show every Tuesday night to Crowdcast at YouTube. Pete:                Sure do. Alex:                 Love to chat with you about comic books. iTunes, Android, Spotify, Stitcher, or the app of your choice to subscribe and listen to the show. Comic book club live.com for this podcast and more. Until next time, we'll see you at the virtual comic book shop. But I'm saying that just to Pete's forehead, not to his ears. The post The Stack: Beta Ray Bill, Shadecraft And More appeared first on Comic Book Club. Support the show: https://www.patreon.com/comicbookclub See omnystudio.com/listener for privacy information.

DCOCD is the DC Comics events podcast, where we look at every DC event in chronological order from Crisis on Infinite Earths to... we're not quite sure yet. in 2018 we learnt about Sanctuary. A place where heroes can go and work through their problems. What could possibly go wrong? Welcome to HEROES IN CRISIS from creators Tom King, Josh Williamson, Clay Mann, Travis G Moore, Lee Weeks, Mitch Gerards, Jorge Fornes, Clayton Cowles, Tomeu Morey, Arif Prianto, and Jamie S Rich. Paul is joined by the pair of positive podcasting powerhouses Peter Rios and Sean Ross to discuss, dissect and score this event. If you have thoughts, opinions, encouragement or issues, please feel free to contact us via the comments section on this post or at DCOCDCast@gmail.com and on twitter @DCOCDCast KEEP ON EVENTING! Intro/Outro music: No Sanctuary - Unsecret

On this week's comic book review podcast: Riverdale Presents South Side Serpents #1 Archie Comics Story by David Barnett Art by Richard Ortiz Captain Marvel #25 Marvel Written by Kelly Thompson Art by Lee Garbett The Department of Truth #5 Image Comics Written by James Tynion IV Art by Martin Simmonds Firefly #25 BOOM! Studios Written by Greg Pak Art by Pius Bak Future State: Suicide Squad #1 DC Comics Written by Robbie Thompson, Jeremy Adams Art by Javier Fernandez, Fernando Pasarin Future State: Superman vs. Imperious Lex #1 DC Comics Written by Mark Russell Art by Steve Pugh Future State: Dark Detective #2 DC Comics Written by Mariko Tamaki, Joshua Williamson Art by Dan Mora, Giannis Milonogiannis Future State: Legion of Super-Heroes #1 DC Comics Written by Brian Michael Bendis Art by Riley Rossmo Future State: Aquaman #1 DC Comics Written by Brandon Thomas Art by Daniel Sampere Future State: Batman/Superman #1 DC Comics Written by Gene Luen Yang Art by Ben Oliver Post Americana #2 Image Comics Written and art by Dave Skroce Daredevil #26 Marvel Written by Chip Zdarsky Art by Marco Chechetto & Mike Hawthorne Monstress #31 Image Comics Written by Marjorie Liu Art by Nana Takeda The Other History of the DC Universe #2 DC Comics Written by John Ridley Art by Giuseppe Camuncoli Nailbiter Returns #9 Image Comics Written by Joshua Williamson Art by Mike Henderson X-Men #17 Marvel Written by Jonathan Hickman Art by Brett Booth Spawn #314 Image Comics Written by Todd McFarlane Art by Carlo Barberi The Last God #12 DC Comics Written by Phillip Kennedy Johnson Art by Riccardo Federici Something is Killing the Children #14 BOOM! Studios Written by James Tynion IV Art by Werther Dell'edera Strange Adventures #8 DC Comics Written by Tom King Art by Mitch Gerards and Evan “Doc” Shaner An Unkindness of Ravens #5 BOOM! Studios Written by Dan Panosian Art by Marianna Ignazzi Colonel Weird: Cosmagog #4 Dark Horse Comics Written by Jeff Lemire Art by Tyler Crook SUBSCRIBE ON RSS, ITUNES, ANDROID, SPOTIFY, STITCHER OR THE APP OF YOUR CHOICE. FOLLOW US ON TWITTER, AND FACEBOOK. SUPPORT OUR SHOWS ON PATREON. Full Episode Transcript: As Alex:                 What is up everybody? Welcome to The Stack. I'm Alex. Justin:              I'm Justin. Pete:                I'm Pete. Alex:                 And on The Stack, we talk about a bunch of comics that have come out this week, kicking it off with Riverdale Presents: South Side Serpents from Archie Comics, story by David Barnett, art by Richard Ortiz. This is part of a slate of comics that Archie has started releasing that aren't exactly in continuity with the shows, but they include the characters the way they appear on the show. They're kind of like halfway between the monthly comics and the shows themselves. This with a Madam Satan one-shot spinning off and Chilling Adventures of Sabrina that we talked about. This one of course is spinning off of Riverdale [crosstalk 00:00:46]. Pete:                I wish I would've known that before I read it, because I read it and I was like, “Holy shit, everything's going to change.” Alex:                 Yeah. Well, no, it's out of continuity. Pete:                They killed some people in this comic. Alex:                 They straight up killed some people. I got to tell you, I mean, to start there, I was surprised how hardcore this was. Justin:              Me too. This book went hard from beginning to end and I will say, “I like this.” To me, I mean Archie Comics for a decade has been taking big swings with a lot of their choices, a lot of their … especially their one shots like this and they're limited series. But with this like putting it in between Riverdale featuring Toni Topaz here which was great. And then having both Hot Dog show up drawn like Hot Dog from the Double Digest. As well as a murder happening involving Hot Dog, I was like, “Okay, we're going for it here.” Alex:                 So the plot of this book if you haven't picked it up is that Jughead is tasked by FP to go rejuvenate the serpents, FP can see that they're getting older. He wants them to go out, get some young blood in there. Things go very, very wrong. The thing that I think this book did so well is the serpents are way too friendly on the TV show. They're supposed to be the most hardcore biker gang, but they was like, “We're hardcore, we're fucking helping out with community service. And now we're going to assist the police department. Look how hardcore we are.” Here they're an actual biker gag, and they're treated like an actual biker gang. And it works really well to the devastating end of the book. Pete:                Yeah. Justin:              Yeah, I agree. It was also nice to take you back to this time in Riverdale, we're all Riverdale fans, and to sort of position us sort of earlier, this was like season two Riverdale it felt like, was really fun as well. Pete:                Yeah. Alex:                 Good stuff. Definitely check. Oh, go ahead. Justin:              Wait, Pete's going to weigh in. Pete:                I really liked this. I loved all the action, it moves really well. It feels like Riverdale, but it has its own kind of flavor, which is cool for the comic. And I thought the art was great and the storytelling was really impressive how well this moved. I had a great time. Justin:              A lot of biker gangs have a crown that the head of the gang wears. Alex:                 This is true, like the hell's angels. Justin:              Yeah, fairy famously, and some anarchy. Alex:                 [inaudible 00:03:17] biker gang that we can name which is, what is that, Justin? Justin:              That biker game, there's the wheels, the wheelies. Pete:                The Wheelers. Justin:              The wheelers, that's it. Alex:                 Yes. Captain Marvel number 25 from Marvel written by Kelly Thompson, art by Lee Garbett. This is a title that we haven't talked about too much, but as it is hitting an anniversary issue, we do like Kelly Thompson in particular here on the show, I figured it was worth talking about. Captain Marvel is trapped in a post-apocalyptic future where the son of Namor and Amara has lead ways everything, using captain Marvel for his evil plan. As usual with Kelly Thompson book, I thought this is a lot of fun. I had a blast reading this. What about you guys? Pete:                Yeah. I mean, as parents, you have to feel that if your son or daughter stabs a stuffed animal dolphin, you better address that early. Otherwise that's really going to get out of hand and lead you [crosstalk 00:04:14]. Justin:              Well, the question is, at least in my household is it during stabbing practice or is it [inaudible 00:04:19]. Pete:                Oh, oh, oh. Justin:              Because if it's during stabbing practice it's good. Pete:                It's fine. Alex:                 I'll tell you what, quarantine school has been weird. Justin:              Yeah, they're doing a lot of real post-apocalyptic lessons are going around. Obviously Pete you're not a parent, but there is a lot of zombie preparation- Alex:                 Smart. Justin:              … how to, like early cannibalism stuff. Pete:                Is it like machete upkeep and stuff like that? Alex:                 [crosstalk 00:04:44] and the teacher on the Zoom was saying, “Okay first graders, are you distilling your pee properly so you can drink it?” Pete:                Oh my God. That's so creepy. Justin:              That's why it's really important to potty train them, so you don't lose that precious pee. Alex:                 What'd you think about this book, Pete? Pete:                I loved it. Oh, that was gross. Justin:              Precious Pete. Pete:                Oh man, I don't want it. Yeah, I really liked this, a lot of over the top action, which I enjoyed. Fun kind of Namor a story, classic tale of raising somebody who is going to murder their father. It was just classic fun stuff. You guys have to be worried about that, getting murdered by your own kids. That's got to be something that waves on you. Alex:                 You keep throwing this back on us. Pete:                I mean, that's something that you got to be worried a little bit about as a parent that you're raising the person who's going to kill you. Alex:                 I'm much more worried about you killing me Pete than I have my kids at this point. Justin:              100%. Pete:                Oh well, that's smart. Justin:              That's the real threat, keeps us up nights. Alex:                 Speaking of things that are … Oh, go ahead. Pete:                But I love that art. I love the action. This is some great, yeah, the Thor was just fantastic and this is really fun. Justin:              Yeah, Bridget. It's funny reading this alongside Future State over on the DC side of things, because it feels very much like a Future State book in the Marvel Universe. And it's fun, I like books that take us into alternate futures where shits fucked up. Alex:                 Well, let's go to an alternate present where shit is fucked up in The Department of Truth number five from Image Comics written by James Tynion IV, art by Martin Simmonds. This is a big one for anybody who's reading the series. It's about a department that is tasked with taking care of conspiracy theories here. Our main character is finding out a bunch more about the other side, Black Hat, and what's going on with them. Maybe this doesn't change everything, but it certainly comes close to it. How'd you feel about this issue? Justin:              I've not been shy to say I love this series. I think this series is just so present, it's feels so real. It's about how if enough people believe in conspiracy theories, they become real. And like what truth is, it is something I think we as a nation, as a world grapple with literally every day. And so this book does such a good job between the art and the story of really just getting inside my brain. Pete:                Yeah, this is really kind of crazy cool. The conspiracy stuff is one thing, but just the art and the storytelling, unlike how this all kind of unfolds for the main character that we're following here is tripped out in all the right ways. It's just really great kind of like conspiracy story telling that kind of feeds into fears and kind of deep thoughts in all the right ways. I think this is a really creative book that is really doing an amazing job. Alex:                 I feel like we've said this here on the show before, but it struck me with this issue in particular, this feels like a lost Vertigo book down to the art and the writing and everything, and it's awesome. Firefly … Oh, go ahead. Justin:              I was going to say just an excellent Vertigo book. Alex:                 Yeah. A lost Vertigo book that should have stayed lost was what I was saying. Pete:                Whoa. Alex:                 Should've stayed in Karen Berger's drawer. Pete:                Oh, come on, what? You mean drawer? Alex:                 Come on. Pete:                You saying drawer? Alex:                 Yeah, I was trying to say that. Pete:                Okay. Alex:                 Firefly number 25 from BOOM! Studios written by Greg Pak- Pete:                Greg Pak. Alex:                 … art by Pius Bak. We talked about the special, the end of The Blue Sun Rising, just being an awesome Firefly story. Here after all of this prequel stuff, we're moving beyond serenity. We're showing what happens years later. There's a big twists here. I thought this is great. As much as I like the stuff that went before, I'm very excited about this direction for the book. It tells a good story. If you have watched all the Firefly and Serenity, you can jump in right here, you don't have to read anything previous. And that is very exciting. Justin:              Yeah. For Greg Pal to tell a great story that really nails all the characters, but it also feels like it's expanding the universe as a prequel, and then to jump into sort of where the story is continuing from any fan, whatever they've taken in for this show and movie is great, such a smart move, I love that he's guiding this ship. Pete:                I wanted to read something, speaking of fans, a fan of our show reached out to me and was just wondering, we had Fred Van Lente on a bunch, but they're asking me when the fuck Greg Pak is going to be on, so I wanted to kind of turn that over to Alex and just be like, “Hey, when the fuck is Greg Pak going to be on the show so we can talk to him.” Justin:              Let me throw this out to you Pete, are you the fan that reached out to you? Pete:                No. Justin:              Sounds a lot like you. Alex:                 We'll try to have him back on scene, we always love having him of the show. Thanks for writing in, Pete. Let's move over to our Future State block. Here's the issues that came out of Future State this week. Future State Suicide Squad number one, Future State Superman Versus Imperious Lex number one, Future State Dark Detective number two, Legion of Superheroes number one, Aquaman number one, Batman and Superman number one. Now, as we've been doing in the past couple of weeks, instead of talking about absolutely everything, I want to call out what our favorites were, and I'll turn to you Justin first. What was your favorite or favorites from these Future State titles this week? Justin:              Once again, I liked a lot of these books. I feel like they'd been really crushing it, but my favorites were, let me throw it to Superman versus Imperious Lex. Alex:                 Oh, that's what I figured. I say that's what I figured because that was also my favorite. And that's a book, it's written by Mark Russell, who's one of our favorites here on the show, art by Steve Pugh. And it shows a Future State, a future society where Lex has taken over a planet, Superman and Lois come head to head with it. Ridiculous parodied, a lot of fun at the same time, Justin. Justin:              And I do think Mark Russell has done such a good job. He's so good at bringing real issues into his comic book work, famously first on the Flintstones book that he did. And then a bunch of other things that he's done. And this to really weave big interesting ideas about how people, populaces are controlled by their leaders and economics, how economics drives people into a far Future Superman United Planets, Lex Luther story, I think was great. There's a bunch of humor here as well. It's just a book of ideas and I love that. Alex:                 Pete, what about you? What jumped out at you this week? Pete:                I liked Future State Dark Detectives number two. I really liked this kind of like a gritty future Batman. And I also really liked the second story with a Rose, guessing Slade's daughter. But just- Alex:                 That's an in continuity character by the way. That's not just a Future State character. Pete:                Oh, okay. Alex:                 Just for clarification. Pete:                Thank you. Alex:                 But just to mention before you get too far into it, written by Mariko Tamaki and Joshua Williamson, art by Dan Mora, who you love from Once & Future, and Giannis Milonogiannis. And the first story is about Bruce Wayne after he's been “shot and killed” coming back and try to figure out what he is now. The second one is a Red Hood story, which is basically straight up Akira in a very fun way. Justin, what'd you think about this one? Justin:              I like both of these stories. The Bruce Wayne story at the front of this is so good. The art, the Dan Mora art is excellent, and really I would love to see this as just an ongoing series of Bruce Wayne in a future where he has been killed, figuring out what he's going to do next and finding his way back is great. And then the backup story really felt a lot like Nightwing [inaudible 00:13:02] relationship, but put on with Red Hood and Rose, which I thought was a cool sort of mapping, and with the Akira stuff you're talking about as well. Alex:                 The one that I was completely surprised that I loved was Future State Aquaman number one, written by Brandon Thomas, art by Daniel Sampere. I don't usually like Aquaman stories at all, but this one is showing Aqualad all grown up training the daughter of Aquaman and Mera. They accidentally ended up in this conjoining of seas, I think it's called the conjunction or something like that, that travels across different planets. They get trapped, they get separated, Aqualad's been in prison for years. And finally, spoiler, but he gets some hope that the girl he's been in charge with maybe still alive somewhere. This was bad-ass, like we were talking about, this is something that I'm like, “I want to read this book.” And this is such a strong concept right here. I want to see where this goes. I want to see them go through all these seas, go through all these worlds, try to find each other. That's very exciting. And the art from Daniel Sampere- Pete:                Oh my God. Alex:                 … is awesome as well, but fantastic. My jaw dropped, I was so surprised, I like this so much. Pete:                Yeah. And I really liked the Black Manta stuff as well. It was like the right amount of beautiful tripped out colors for all these different kinds of worlds and stuff. I was really impressed by it. Justin:              I also want to throw it out to the Suicide Squad Future State book. This was really great as well. Really surprising, well-written dark take, featuring a ton of characters that I didn't expect to really see together and just really smart observations of these characters. Pete:                The second story, Black Adam really looks like The Rock, it's like holy shit, all right guys, we get it. Alex:                 Yeah, that was a weird one for me. But just to mention the writing team of that, written by Robbie Thompson, Jeremy Adams, art by Javier Fernandez, Fernando Pasarin. And real quick, before wrap up, here are the other ones, Future State Legion of Superheroes number one written by Brian Michael Bendis, gorgeous art as always by Riley Rossmo. And then there's also Batman Superman number one, which is interesting one. Pete:                That's the one I wanted to talk about. Alex:                 Written by Gene Luen Yang and art by Ben Oliver. Because this actually isn't very Future State. This is, if Future State is 10, 15, 20, whatever years down the road, this is five years down the road with our Batman and Superman right before things go wrong, which is a fascinating tack to take, Pete, take it away. Pete:                Yeah, I really thought this was, first off the banter back and forth between Superman and Batman was amazing. I also really liked this kind of false face thing. And then Superman realizing why masks are good was really cool. And I really liked this toad character that was introduced. Yeah, I was really impressed with this. Might not have been that far in the future, but man, this was a really cool book. I really liked it. And I'm trying to think, I also read the Batman: White Knight Presents: Harley Quinn, number four. And that was- Alex:                 Pete. Justin:              Totally [inaudible 00:16:24]. Pete:                I'm just putting it out there, we're doing a quick review thing here. Alex:                 No, no, no, but it's not Future State. Pete:                Well, it is DC. Alex:                 You keep doing this. I send you a list of comics and you are like, I read these five other comics. Pete:                Yeah. Alex:                 I just think that the story is really- Justin:              I just love comics. Alex:                 Great. Pete, when we get to it, I read Amazing Spider-Man as well, so I just want to talk about that. Pete:                Great. I'm just wanting to say real quick though, the Harley Quinn thing at first, the White Knight Presents, I didn't, but now it's really going well and I'm really impressed with it. And I thought it was a really great story and it's worth checking out. Justin:              Really grabbing the mic. Alex:                 How was Usagi Yojimbo, Pete? Pete:                I look forward to checking that out. Alex:                 Wow. Justin:              Wow, shame. Alex:                 What a hater. Post Americana, oh. Justin:              Hold up. One last thing about Future State. I think that DC should do this, pick a month every year, do this. It introduces so many interesting ideas. They could reflect whatever the ongoing stories are in the main titles in their Future State titles, introduce a bunch of new artists and writers into this world. Pete:                I think that's what they're going to do. Justin:              I don't think they're going to do that, but I wish they did. Pete:                I think they are. Alex:                 That's a great idea. I mean it's clearly like it was originally there to give everybody space on the schedule and everything, at least in terms of the writers and artists, but this is great. I'm so happy with all of these books. Pete:                I also wanted to say in the Future State Legion one, the amazing last page, that was a really fun issue. Alex:                 Sure. Justin:              Yes. Alex:                 Post Americana number two from Image Comics written and art by Dave Skroce. This is a wild book, we talked about the first issue of this taking place in post-apocalyptic world. When we left off, our main characters have been captured by cannibals who wear human skin. That's where this issue picks up. Pete, you got to love that, picks up right where it left off basically. Pete:                Huge fan. Alex:                 This book is fucked up at exactly the right way. It's like Crossed, but not as dark I guess, with a little bit more of a mission to it. Justin:              I don't know. It feels a lot just like Crossed. I don't know where you're seeing the less darkness. There's less like coming on bullets before you shoot them at people. Alex:                 Sure, that's fair. Pete:                I would say- Alex:                 But the main lady has no limbs, but she calls her robot limbs and then kicks the ass of the cannibals, so that's pretty fun. Pete:                It's like Iron Man. I would say this is like a really dark version of Wall-E a little bit, like a real fucked up Wall-E. Justin:              Oh, Wall-E, interesting. I don't get that. Alex:                 Well, there's a male character and there's a female character like Eva. Justin:              Oh, interesting. None of them are robots. And there's a lot of other people there and many of them cannibals, which if I remember Wall-E correctly it's very light on cannibalism. Am I wrong there? Pete:                Yeah, it is. Alex:                 Did you watch the director's cut? Pete:                Yeah. Alex:                 It's on Disney plus. Pete:                I was just talking about the people who are on vacation, looking at the news and kind of taking it all in. And that kind of little bit was very Wall-E. Justin:              Oh, I see. Yes. I mean, to be fair, that is reminiscent of Wall-E. That was one panel. Pete:                Still reminded me of Wall-E dickhead. Justin:              You said this book is like a fucked up wall-E, and that is taking one panel and being like, this is … If I heard that description, I was like, “Oh, okay, fucked up Wall-E. I love Wall-E, I wish he was more fucked up. Let me read it.” And I was like, “What's that dude Pete talking about?” Pete:                Because there's one panel that really reminds you of Wall-E. Justin:              Okay, it's hard to argue with you. Alex:                 It's a fictional story like Wall-E. Pete:                Yeah. Justin:              My life's a lot like Wall-E in that I occasionally watch a silent film. Alex:                 This book is insanely over the top odd purpose, but I'm enjoying it two issues in- Pete:                I am too. Alex:                 … and I'm excited to see where it goes. Let's move on to talk about Daredevil number 26 from Marvel written by Chip Zdarsky, art by Marco Checchetto and Meek Hawthorne, Mike Hawthorne. Excuse me, I don't know why it's spelled Meek, like the character for the Guardians of Galaxy, not Guardians of Galaxy, [inaudible 00:20:39], and World War Hulk. Justin:              Yeah, we can just cut this part out of there. Pete:                World War Hulk is right. Alex:                 Mike Hawthorne, this is taking Daredevil who was in prison, mixing it up with King in Black. It is, Ted's fucked up with an amazing last paddle. I'll tell you what, I am vehemently against venomizing everything in the Marvel Universe, yet I love this, and I'm not 100% sure why. Justin:              Well, I think it's just really well handled. There's a sort of kid and parent venomization here that is legit scary. I love the Electra taking over from Daredevils in prison. I love Electra being the Daredevil on the street. That's such a fun story. To see them all having to handle the King in Black stuff is wild. And I loved that it didn't take over, all the characters get to shine still. And this last bit where we … spoiler, but Daredevil gets venomized and you get to be in his head. Pete:                You love that. Justin:              I loved it. I thought it was so smart. Pete:                Yeah, I was really … There's a lot in this comic which is great. A lot of very interesting ideas in this comic, the whole prison scene, and where Daredevil's getting kind of lectured and talking about the difference between white and black. He can just take off the mask and be somebody else, really powerful stuff, really cool. It's very interesting to see Kingpin. I am not tired of this idea of Kingpin being a public figure. And we know him as this evil person and he's like, it's just very … I love this idea and I'm not sick of it. And I hope it continues around Daredevil. Alex:                 One thing that I really loved was getting to see the moment when the mayor of New York finds out that venom symbiotes have attacked the city. I feel like that's something that you'd never really get to see at all in a comic book crossover, because it's always focusing on The Avengers, focusing on the superheroes. You never get to see the government, except later on when captain America is like, “Can you send out the national guard?” And they're like, “Yeah, absolutely.” You never get to see that moment they're like, “Oh, aliens attacking again. You got to get out of here.” Justin:              It's funny too because I feel like I've heard mayor de Blasio talk a lot about them, the venomization of New York. Alex:                 Oh yeah, he always talks about that. Pete:                I'm sick. Justin:              I mean, to be fair, he's often jumping to conclusions. Alex:                 Right. Well, you remember when those venom symbiotes attacked New York, he was like, “Alternate side of the street park [inaudible 00:23:18].” It's very niche content. Pete:                Yeah, it is. Justin:              It is very New York focused content. Alex:                 Great comic though. Let's move on and talk about Monstress number 31 from Image Comics written by Marjorie Liu, art by Sana Takeda. Now we had talked about Monstress: Talk Stories, the two-part book that came out before this, after not talking about Monstress for a very long period of time. I thought those were awesome, so I thought it was worth checking out this book, the main book and seeing how it's going. I still love the art in this. This is such a weird wild world that is fascinating to jump in with, the mythology is so different and interesting to read. But what did you guys think about it? Justin:              Yeah, I agree with you. This is very much to me, and I haven't read a lot of this book, but it's very much to me like all of the cut scenes from Final Fantasy game just sort of put together. And I love that, so I thought this was a fun read. Pete:                The art is really impressive in this book and it's really a lot of fun, the different monsters and stuff and the different kind of animal people that we kind of see in this is very cool and worth checking out alone. But you guys, this has to be a dream of yours. Just sit down and have a father, daughter conversation as you sit on a pile of skulls and just kind of have a father daughter talk or a father son talk, that's got to be something that you guys look forward to as parents. Justin:              Hmm, didn't go where I thought it was. Yeah, sure. I mean, after stabbing practice obviously we do sit on skulls after. Pete:                Obviously after, yeah. Alex:                 Exactly. Let's move on and talk about The Other History of the DC Universe number two from DC Comics, written by John Ridley, art by Giuseppe Camuncoli, where the first issue of this book focused on black lightning, here we're jumping over to the Teen Titans and looking to two characters there. I got to tell you, I mean, this issue was phenomenal as the first issue is phenomenal. Justin:              It's so good. Alex:                 It's fascinating personally reading this for me because I am much more familiar with what happened with black lightning. And there's much more touchstones in that book than here, because I never read Teen Titans growing up. I had no idea what was going on there, the continuity. This is definitely, I understand this feels like the decades, but none of these stories, other than Titans Hunt which we talked about at a live show a couple of months ago, and some of the Deathstroke stuff, none of it really feels familiar with me. But at the same time I love this story and I love the idea of taking two characters who were in Teen Titans showing their diverse opinions, their diverse ideas, views of what was going on throughout the history of the DC Universe. This is such a cool project. It's very exciting. Justin:              It's just so smart the way it takes two characters and really weaves their stories together with observations that … A lot of the things that happen in this from the original comics are ridiculous. But to then weave them into one story with actual commentary of what a real person would think, I think it just works so well, on top of that weaving in like real-world events and the perspective of these two African-American characters in a world where, which they talk about a lot where everyone else is white essentially, it's just really well done. This is necessary reading I think right there. Pete:                Yeah. I didn't know how much I wanted this until it happened, just to have that kind of commentary on the stuff that we know from the years of reading comics is just so rich and great and such a cool idea. Art's amazing. I'm really impressed with the writing and storytelling. It's a must pick up. Alex:                 Great stuff. Let's move on and talk about Nailbiter Returns number nine from Image Comics written by Joshua Williamson, art by Mike Henderson, not Meek Henderson or anything like that. Justin:              No, that would be [crosstalk 00:27:24]. Alex:                 That was so much fun. Justin:              Well, I guess we'll have to cut this out too. Alex:                 Yes. In this book we're finally getting a lot of answers about what has been going on in Buckaroo with the butchers. We get the [inaudible 00:27:38] back on the villain of this series. Another just great issue, like the theology that they keep fleshing out here is so impressive and so much fun. Justin:              And we finally get the eyeball licking that I think we've all been asking. Pete:                Oh, man. Alex:                 Absolutely. I've been begging for it. I've been writing them every week. Where is it? Where is it? Where is it? Pete:                Yeah. You guys are big eyeball lickers, this is right up your alley. This book has started at such a crazy place. And I think every issue like, oh, okay, now I understand. But it keeps getting more and more insane in such a great way. It heightens and makes things even better than you thought. I've been really impressed with the kind of unraveling of the stories, if you will. And man, this is so intense and gross and over the top in all the right ways, the arts fantastic. And man, eyeballs are gross. Justin:              Yeah. But I agree and the amount of sort of dream logic that's been used in this book, I was really surprised by, but it's been great and it really keeps you guessing throughout. Alex:                 Next one, I'm very excited and I mean this earnestly to find out what Pete thought about this book, X-Men number 17 from Marvel Comics, written by Jonathan Hickman, art by Brett Booth. In this issue the X-Men in classic uniforms, X factor uniforms journey to Shi'ar space and have a classic nineties style fight to save [inaudible 00:29:18]. Pete. Justin:              Save Xandra. Alex:                 Oh yes. Justin:              This generation's [inaudible 00:29:24]. Alex:                 Yeah, sorry. Pete, if there is any issue of X-Men, it had to be this issue, right? Pete:                Sure. I mean, it was very kind of like, it was a little nineties art that was a little bit like, holy crap, when does this take place in the timeline? But man, yeah, it was enjoyable. I mean the phone call was a little ridiculous. And there was still something that I was supposed to read that didn't in the middle of it. Alex:                 Oh my God, that was so much fun. [crosstalk 00:30:00] Bobby. Justin:              It was very fun. Pete:                I'll never know. Alex:                 Chilling out having a hilarious time. So funny. Pete:                I mean, it's nineties excellent fun is what it is and all the right ways. And so that part is very cool. Justin:              This to me was such a wild read. Coming off of X of Swords and everything that's been going on in the X-Men books, to read this sort of love letter to the Chris Claremont era of X-Men, drawn by Brett Booth with all this really goofy shit going on between Sunspot and Cannonball. Throughout the whole issue I was like this, it just feels like Jonathan Hickman is like, I'm going to do whatever the fuck I want. And this is what I want to do right now as a palette cleanser after X of Swords, and here it is. Alex:                 It's great. I could not believe where they had that splash page of Jean Gray and psych labs in the X-Force uniforms storm in her classic uniform, just walking out and like posing in [inaudible 00:31:03] field style. That's great. Justin:              There's this panel on page nine or something with storms in the front and then behind you got like Cyclops and Jean just flirting in the background. I was just like, this is so … And I love seeing that. Alex:                 Me too. Justin:              I was like, it's such a flashback. Alex:                 And the other thing that we get a tease of here is there's going to be an actual vote online to choose the new member of the X-Men, which is so fun. I just love the fact that they're having fun. Pete:                You think that's fun? Alex:                 What? Pete:                You think that's fun? Justin:              I do think it's fun. Here, let's list the options here, and then let's hear who everybody thinks. We've got Banshee. Pete:                Can we talk about the … in the middle of this giant epic fight, she calls home for help. And we got to listen to this douchebag talk about a fire sale and how he's making money off of it. Do you guys know what a fire sale is? Do you know what … I mean, this is like, it's very … Alex:                 It's for Sunspot. Justin:              Yeah. Alex:                 That's what he does. Justin:              Yeah. It was fun. It was weird and fun. That's what the point of it was. Pete:                Cool. Alex:                 What is your problem with the X-Men vote, Pete? Is it that you have to use a computer, which you don't know how to use yet? Pete:                Yeah, that's exactly it. Justin:              Let me throw it down. Let me list the X-Men, Banshee, Polaris, Forge, Boom Boom, Tempo, hugely famous Tempo, Cannonball, Sunspot, Strong Guy, Mero, Armor. Pete:                Armor. Justin:              Who's your pick? Alex:                 I do like Armor. Pete:                I go Armor. Alex:                 Wait, who is on it then? Who is already on the team? Because I don't know the list, obviously seen Cyclops, Jean Gray, Storm. Justin:              Yeah, I mean, I don't know either. I think it's sort of up in the air maybe or maybe it's decided. Alex:                 Who's the first batch again? Justin:              Banshee, Polaris, Forge, Boom Boom, Tempo. Alex:                 Ooh, I want to see if Storm is on the team. I want to see Forge on this team. Because I want to see that old nineties tension between them. That'd be fun. Justin:              Yeah, they had a lot of tension. Alex:                 Yeah. Justin:              I'm definitely going for Strong Guy. Pete:                Really? Alex:                 Love it. Justin:              I love Strong Guy. Alex:                 All right. Pete:                No Boom Boom. Justin:              Fun character. Funny character. A lot of pathos underneath his his powers, great, great character. Alex:                 I got to assume Wolverine is the other one, right? It's Wolverine and Storm, Cyclops, Jean Gray and whoever the fifth one is. Justin:              It's a bunch of X-Men. I don't know. We don't know. Remember every other X-Men book has been like, look, a bunch of random experts. Alex:                 It's true. All right. Let's throw it out to Pete the page here with a [inaudible 00:33:49], Spawn number 314 from Image Comics, written by Todd McFarlane, art by Carlo Barberi. In this issue Spawn meets a larger Spawn. Pete:                Yeah. And is immediately confused why this larger spawn would be attacking him. He's like, “Hey, wait, we look similar, we should be on the same size, giant spawn.” Alex:                 What I love about this giant spawn, having not read many issues of Spawn before this, is it is entirely possible this large spawn was introduced prior or this large spawn was just introduced this issue. But either way is fine. Justin:              Let me just throw out there, he fights a larger spawn, is captured, and then that larger spawn is like, “It's time to meet my master, who is the large and even larger spawn.” Pete:                And even larger spawn, because [crosstalk 00:34:39], well, you can't get larger in that spawn. And by the way our spawn is so small in comparison to the large spawn and then even larger one. But what's fun- Alex:                 Here's my question, why do they keep calling each other spawn? Because that's like their designation, right? It would be like, if we kept calling each other a human or something like that. Justin:              Yes. Alex:                 It's weird. Pete:                Well, human. Justin:              It is weird. Yeah, they should have a short hand, because they're all in the spawn business together. Pete:                I really liked this twist at the end where it's like, oh man, you giant spawns are going to get taken down by even smaller spawn. What a twist. Alex:                 Remember that he's not a spawn, I think he's sharp night guy. Pete:                He's night spawn, that's [crosstalk 00:35:24]. Alex:                 Oh, he's night spawn, was that medieval spawn? Pete:                It's medieval spawn. I don't know if it's medieval. It looks like a night spawn. Justin:              I think, and it wasn't introduced in issue six or something crazy, way back in the day. Pete:                What, medieval spawn? Justin:              Yeah. Pete:                That was- Alex:                 Before we move on here- Pete:                No, no, that was a crossover event where medieval spawn was its own comic series for a little, dark ages spawn. Justin:              Yeah, that's right. I'm starting to think this Todd McFarlane guy is trying to sell some action figures. Pete:                Well, he is, he makes a lot of them, and it's smart. Because if I was a kid I would want all the spawns, but the dark ages spawn is where [crosstalk 00:36:01]. Alex:                 But as an adult you know better. Justin:              As an adult you put away childish things. Pete:                That's right. Justin:              And you'd have no interest in having any of these action figures. Alex:                 Pete, before we move on, I just want to ask, did you like this comic book? Pete:                Yeah, what's not to like? Alex:                 Your voice was very high. Justin:              Wow, really high-pitched answer there, Pete. And let's just, for the listener, Pete, is sitting on a pile of spawn action figures as if they were skulls. Pete:                Yes. Alex:                 The Last God number 12 from DC Comics written by Phillip Kennedy Johnson, art by Riccardo Federici. This is wrapping up the first maybe arc of this book. But it definitely wraps up the story that we have here as our friends to try to take down The Last God, I guess. Pete:                Yeah. Alex:                 Big revelations here, some big deaths. What'd you think? How'd you think about this story as a whole over the course of 12 issues? Pete:                Epic. I really love the storytelling, and [inaudible 00:36:58] is like we see them in action, but as the issues go on, we get little bits and pieces of their backstory, I think done so well, while telling a bigger story. The action and the lead-up of the ending of this was just really well done. And I wasn't the biggest fan of songs or whatever, but it really kind of fit. I loved all the back matter and the maps and stuff. This was just a fantastic epic story that I think really 12 issues of just gold. Justin:              It's really beautifully drawn. The story's great. And the fact that it ends with this just great song where we see all the characters, it feels just like a montage at the end of a epic trilogy. I want to see this as a TV series more than I want to see The Lord of the Rings series that's in development at Amazon. Pete:                Wow. Alex:                 Couldn't agree more. Let's move on and talk about Something Is Killing the Children number 14 from BOOM! Studios, art by James Tynion IV, art by Werther Dell'Edera. Here we're getting our hero finally fighting back against the monsters who are the ones killing the children. Justin, I know you've been, frustrated is probably too strong a word, but you've definitely felt like this title needs to get somewhere. Did you feel like it got there with this issue? Justin:              Yes, it does feel like this is the issue that's sort of moving into what this arc is about. When so many of the issues in this arc were very much like we got to fight this stuff, we got to get out there and do this. And we were getting little tidbits. Let me start over, this arc felt like it was going to be this huge backstory arc, really getting us to the next phase. And then it didn't do that. And then this feels like it does it. Alex:                 What about you, Pete? How'd you feel about this issue? Pete:                I disagree a little bit with Justin. I think this continues to be amazing. I didn't think- Alex:                 It's very good. The art is very good. The fight sequences are awesome in this book. Pete:                Yeah. I've just been impressed with it from start to finish, but I think that we do kind of get to see the main girl kind of views her kind of veteran's styles to kind of work her kind of magic a little bit. I'm glad we got to finally see that. And I love the whole bit about her working out some anger issues, oh, that just spoke to me in ways that you can't believe. But I want to get one of those mass to walk around with the light that she has. I think that'd be really cool. But yeah, I can't say enough great things about this book. This is really glorious. Alex:                 It's good staff. Moving on to Strange Adventures number eight from DC Comics written by Tom King, art by Mitch Gerads and Evan Doc Shaner. In this issue the Pykkts finally attack earth. The whole Justice League is on the offensive, Adam Strange of course is caught in the middle. And in the backstory, finding out more about what's gotten with Adam Strange, and it is starting to feel like maybe he's the bad guy here. What do you guys think about what's going on? Justin:              I mean there's … Go ahead. You go. Pete:                Yeah, so I've been a little frustrated with this up until this issue, because I felt like we haven't really had enough information to really kind of piece together what's going on. In this we get a lot of information which is great and much needed. The very crazy cool touching stuff with the daughter here. Yeah, I felt like this finally started to click for me and I was like, “Oh my God. Okay. Now I'm understanding things a little bit more and I want to go back and read it from the beginning.” Justin:              I mean, this book is so good. It's such a stressful read, like a lot of Tom King stuff. The tension in this book, it's just palpable throughout. And we have Adam Strange in the last couple of issues. We found out that he's been tortured basically for a million lifetimes, just absolutely brutalized. And in this issue, it just rephrases him. He's gone through so much trauma. He's like a fully broken person. And Doc Shaner's art like, he still has these perfectly clear blue eyes, but you just see the pain that he's in and how he is just not capable of being a hero. And that adds so much dread to the scenes with his daughter. And then meanwhile, you have Mr. Terrific and Batman trying to sort through with great sequences of Mr. Terrific answering trivia questions from one of his fears. I'm so excited to see where this is going. Alex:                 I am starting to feel despite what I said at the beginning, that this is more about perspectives on war and how nobody is right. That there isn't really a villain. I know I said maybe Adam Strange was the villain, but I think he committed atrocities, the Pykkts committed atrocities. That's what happens in war. We know that Tom King has been in wars. He was in the CIA. He knows how this works. And I think that's what he's writing about here is that from the perspective of your side, of course you're right, but that doesn't mean that you're right for the perspective of the other side. And I think that's what he's playing with here. Justin:              There are no heroes. Alex:                 Exactly. Justin:              It's very hard to have a hero when you're in a war where both sides are fighting to kill and fighting for their lives. And I think that's what we're going to get next issue. Alex:                 Yeah. Next up, An Unkindness of Ravens number five from Boom! Studios written by Dan Panosian, art by Marianna Ignazzi. This is the end of the first arc, first book, whatever you want to call it, of this title. We've had our main characters try to figure out what's going on in this weird small town here, spoiler, but she finds out her mother is alive. She had a twin sister who had some power maybe, but it turns out actually she didn't. It turns out she might have the power. She might be the one that is supposed to complete this coven of witches or whatever is going on here. We were big fans of this from when they started. How did you feel about how it wrapped up? Justin:              I liked this so much. I think it's set up a good mystery. I really, the art is so approachable, it makes you really feel like you're right alongside the main characters. And this last couple of pages reveal is just so sweet. And it does such a good job, especially with the art of being very like Archie or comic books Sabrina. But having more mature themes and more sort of deeper storytelling than those original comics. Alex:                 Pete, what about you? Justin:              I really like this, this continues to be a fantastic book. I've been really impressed with kind of how we're finding out the information as this story is going. And this whole thing about this kind of coven of witches called the ravens. And it's just very cool. And I really liked this kind of mother daughter interaction. I feel like it's very kind of like old timey versus now times. This kind of like, there's a bigger picture and then … But somebody just so caught up in their own shit, they can't kind of see the bigger things going on. I was really impressed with that. The art is glorious. I'm really into it and I'm excited to see how this kind of unfolds what choice she makes moving forward, what team she's going to choose. Alex:                 Good stuff. Last but not least, Colonel Weird: Cosmagog number four from Dark Horse Comics, excuse me, written by Jeff Lemire, art by Tyler Crook. This is also wrapping up this title exploring one of the members of Black Hammer. There's a big emotional catharsis that happens here as he moves forward in his history. I thought this title was awesome. Just Tyler Crooks art is phenomenal. Justin:              So good. Alex:                 The writing is great. We've talked about this before. I've said this before, but it's like Slaughterhouse-Five in space. Good stuff. Justin:              Centered on an Adam Strange type of character. I mean, we've talked a lot about eyeballs in this episode The Stack. Pete:                Yeah, sure have. Justin:              And in this comic like- Pete:                Eyeball heavy stack. Justin:              Yeah, eyeball heavy. I've been just licking these eyeballs, lapping them up. And this, you just see so much pain in the different versions of Colonel Weird throughout time, throughout this book. And it's just so good. It's such a well done story. Pete:                I think the cover says so much. It's like The Little Prince and Outer Space, but sad. Alex:                 That cover is so good. Go ahead, Pete. Pete:                Yeah, it's really unbelievable. I feel like I want to read it all again because it ended and I was like, “Wait, what?” I wasn't sure how great the ending is until I want to go back and read it all again. But it was really cool, very creative and the art's unbelievable. Alex:                 And that is it for The Stack. If you'd like to support our show, patreon.com/comicbookclub. Also we do a live show every Tuesday night at 7:00 PM to Crowdcast and YouTube. Come hang out, we would love to chat with you about comics at Comic Book Live on Twitter, comicbookclublive.com for this podcast, and more iTunes, Android, Spotify, Stitcher, or the app of your choice to subscribe and listen. Until next time, keep supporting Dim Comics. Justin:              Time for stabbing rehearsal. The post The Stack: South Side Serpents, Captain Marvel And More appeared first on Comic Book Club. Support the show: https://www.patreon.com/comicbookclub See omnystudio.com/listener for privacy information.

Campus Comics Cast 092 The Campus Comics Cast crew discusses which of the scheduled 2021 Superhero movies we are most looking forward to. Then we discuss our thoughts on Ed Brubaker and Steve Epting's Velvet spy thriller. Next, Dan deep dives into some of the good and bad with the DC Universe Infinite service. Finally, we cover the first 6 issues of the Strange Adventures collaboration between Tom King, Mitch Gerards, and Evan Shaner.

For our final live podcast of the year, we're counting down the Best Comic Books of 2020! Featuring guests Tom McClsve and Ben Ciufo Green ("The Blue Podcast") and comedian Keith Lowell Jensen! SUBSCRIBE ON RSS, ITUNES, ANDROID, SPOTIFY, STITCHER OR THE APP OF YOUR CHOICE. FOLLOW US ON TWITTER, AND FACEBOOK. SUPPORT OUR SHOWS ON PATREON. The Best Comic Books of 2020 are: 10. Once and Future Boom! Studios Written by Kieron Gillen Art by Dan Mora 9. Excellence Image Comics Written by Brandon Thomas Art by Khary Randolph 8. Superman Smashes The Klan DC Comics Written by Gene Luen Yang Art by Gurihiru 7. Daredevil Marvel Written by Chip Zdarsky Art by Jorge Fornes, Marco Checchetto, Christopher Mooneyham, Manuel Garcia, Francesco Mobili and Mike Hawthorne 6. Strange Adventures DC Comics Written by Tom King Art by Mitch Gerards and Evan “Doc” Shaner 5. Locke & Key: …In Pale Battalions Go… IDW Written by Joe Hill Art by Gabriel Rodriguez 4. Far Sector DC Comics Written by N.K. Jemisin Art by Jamal Campbell 3. The X-Men Books Marvel Written by Vita Ayala, Ed Brisson, Gerry Duggan, Jonathan Hickman, Tni Howard, Benjamin Percy, Zeb Wells and Leah Williams Art by Mahmud Asrar, Viktor Bogdanovic, Joshua Cassar, Carmen Carnero, Stefano Caselli, Leinil Francis Yu, Carlos Gomez, Pepe Laraz, Matteo Lolli, Phil Noto, Rod Reis, R.B. Silva and Marcus To 2. Immortal Hulk Marvel Written by Al Ewing Art by Joe Bennett, Javier Rodriguez, Nicholas Pitarra, Butch Guice, and Mike Hawthorne 1. Ice Cream Man Image Comics Written by W. Maxwell Prince Art by Martin Morazzo and Chris O'Halloran Support the show: https://www.patreon.com/comicbookclub See omnystudio.com/listener for privacy information.

On this week's Stack we've got reviews for: King in Black #1 Marvel Written by Donny Cates Art by Ryan Stegman Batman/Catwoman #1 DC Comics Written by Tom King Art by Clay Mann Lumberjanes: End of Summer #1 BOOM! Box Written by Shannon Waters & Kat Leyh Layouts by Brooklyn Allen Illustrated by Alexa Bosy & Kanesha C. Bryant The Union #1 Marvel Written by Paul Grist Pencils by Andrea Di Via w/Paul Grist Justice League: Endless Winter #1 DC Comics Written by Andy Lanning & Ron Marz Art by Howard Porter That Texas Blood #6 Image Comics By Chris Condon and Jacob Phillips Fantastic Four: Road Trip #1 Marvel Written by Christopher Cantwell Art by Filipe Andrade Unearth #8 Image Comics Story by Cullen Bunn and Kyle Strahm Art by Baldemar Rivas Batman #104 DC Comics Written by James Tynion IV Art by Ryan Benjamin & Danny Miki, Bengal & Guillem March Backtrack #9 Oni Press Written by Brian Joines Art by Jake Elphick M.O.D.O.K.: Head Games #1 Marvel Written by Jordan Blum & Patton Oswalt Art by Scott Hepburn Buffy the Vampire Slayer #20 BOOM! Studios Written by Jordie Bellaire & Jeremy Lambert Illustrated by Ramon Bachs Far Sector #9 DC Comics Written by N.K. Jemisen Art by Jamal Campbell Dryad #7 Oni Press Written by Kurtis Wiebe Illustrated by Justin Barcelo Black Widow #4 Marvel Written by Kelly Thompson Art by Elena Casagrande and Jordie Bellaire Strange Adventures #7 DC Comics Written by Tom King Art by Mitch Gerards and Evan “Doc” Shaner Inkblot #4 Image Comics Created by Emma Kubert & Rusty Gladd Daredevil #25 Marvel Written by Chip Zdarsky Art by Marco Checchetto The Boys: Dear Becky #7 Dynamite Written by Garth Ennis Illustrated by Russ Braun SUBSCRIBE ON RSS, ITUNES, ANDROID, SPOTIFY, STITCHER OR THE APP OF YOUR CHOICE. FOLLOW US ON TWITTER, AND FACEBOOK. SUPPORT OUR SHOWS ON PATREON. This week's show is sponsored by the Just Been Revoked podcast. Support the show: https://www.patreon.com/comicbookclub See omnystudio.com/listener for privacy information.

On this week's Stack we've got reviews for: King in Black #1 Marvel Written by Donny Cates Art by Ryan Stegman Batman/Catwoman #1 DC Comics Written by Tom King Art by Clay Mann Lumberjanes: End of Summer #1 BOOM! Box Written by Shannon Waters & Kat Leyh Layouts by Brooklyn Allen Illustrated by Alexa Bosy & Kanesha C. Bryant The Union #1 Marvel Written by Paul Grist Pencils by Andrea Di Via w/Paul Grist Justice League: Endless Winter #1 DC Comics Written by Andy Lanning & Ron Marz Art by Howard Porter That Texas Blood #6 Image Comics By Chris Condon and Jacob Phillips Fantastic Four: Road Trip #1 Marvel Written by Christopher Cantwell Art by Filipe Andrade Unearth #8 Image Comics Story by Cullen Bunn and Kyle Strahm Art by Baldemar Rivas Batman #104 DC Comics Written by James Tynion IV Art by Ryan Benjamin & Danny Miki, Bengal & Guillem March Backtrack #9 Oni Press Written by Brian Joines Art by Jake Elphick M.O.D.O.K.: Head Games #1 Marvel Written by Jordan Blum & Patton Oswalt Art by Scott Hepburn Buffy the Vampire Slayer #20 BOOM! Studios Written by Jordie Bellaire & Jeremy Lambert Illustrated by Ramon Bachs Far Sector #9 DC Comics Written by N.K. Jemisen Art by Jamal Campbell Dryad #7 Oni Press Written by Kurtis Wiebe Illustrated by Justin Barcelo Black Widow #4 Marvel Written by Kelly Thompson Art by Elena Casagrande and Jordie Bellaire Strange Adventures #7 DC Comics Written by Tom King Art by Mitch Gerards and Evan “Doc” Shaner Inkblot #4 Image Comics Created by Emma Kubert & Rusty Gladd Daredevil #25 Marvel Written by Chip Zdarsky Art by Marco Checchetto The Boys: Dear Becky #7 Dynamite Written by Garth Ennis Illustrated by Russ Braun SUBSCRIBE ON RSS, ITUNES, ANDROID, SPOTIFY, STITCHER OR THE APP OF YOUR CHOICE. FOLLOW US ON TWITTER, AND FACEBOOK. SUPPORT OUR SHOWS ON PATREON. This week's show is sponsored by the Just Been Revoked podcast. Full Episode Transcript: Alex:                 What is up, everybody? Welcome to The Stack. I'm Alex. Justin:              I'm Justin. Pete:                I'm Pete. Alex:                 And in The Stack we talk about a bunch of big comic books that have come out right here at the beginning of December. Very exciting times to be alive in. Everybody is very happy, excited, doing a great job. Justin:              We're all doing a great job. Let's take a second and chill. Pete:                I don't know. Let's not pat ourselves on the back. Alex:                 Pete, you're doing a great job. Pete:                No, don't patronize me, all right? Fuck you. Alex:                 No. Man, you are. Justin:              Don't patronize him. Alex:                 Do you know who else is doing a great job? The King in Black. He's really just really putting himself out there in the Marvel Universe, really inventing a bunch of stuff with his wet dragons, I like to call them. Justin:              They are moist dragons. Pete:                He's not doing anything moist during- Alex:                 King in Black#1 from Marvel written by Donny Cates, art by Ryan Stegman. This of course is the … I don't know if it's the final storyline, but it's certainly the peak of everything that they've been building up over the past couple of years, through Venom and other storylines. Pete:                … Venom. Alex:                 As the King in Black, Knull, the god of the symbiotes invades earth. And man, it goes basically about as bad as things could go. And I don't know that I have read a kickoff to an event where the heroes lose so thoroughly as they do in this issue, which in my mind was very impressive. Justin:              Yeah, I agree. The way they go hard here. The Donny Cates goes hard with this story. It's a ton of big emotional beats and then heroes just losing, every plan failing instantly. And setting up Knull as this like truly terrifying villain, despite the fact that he's fighting with wet dragons. Pete:                Yeah, what an entrance the King made here. I think it was a great start with the nicest building and everything that's been going on. And then the twist where you think, “All right, he's after Venom,” and it's like, “No Venom's kid,” and it's like, “Oh, shit.” Justin:              Oh, shit. Pete you're riding with the King, is what you're saying? You love the King and- Pete:                Yeah, I'm riding with King. Alex:                 Yeah, I got to be honest. Even though I've really enjoyed what Donny and Ryan had been doing on this title, I was a little trepidatious about this event just because Knull to be the design of it, it was like, “Ah, he was very big teeth.” I don't like that. And the whole Venom thing I always feel reticent about in general just because Venom is not my favorite character, but I should have known better. Pete:                Venom. Alex:                 Venom. Justin:              … You like a drier character like Sandman. Alex:                 Yeah, like a nice dry character. Like a Sandman is more my style. Justin:              Yes. Alex:                 But I should have known better, because they'd been, like you said, Justin, they've been doing emotionally based work on this title throughout the entire time. This is based on Eddie Brock's relationship with his son, that is the emotional crux of the issue, even though there's a good Tony Stark stuff in here, there's some good other character stuff in here. But it's great. I am also fascinated to see what happens over the course of five issues because this is, like we said, as bad as it can get, and it seems like there's four more issues where it's only going to get worse. Justin:              Yeah. What Donny Cates does a great job at is really including a bunch of other aspects of the Marvel Universe, like you were saying, Alex, and they feel very real. It feels very current. We get some X-Men in here and it feels like they just stepped out- Pete:                Oh yeah, that was fun. Justin:              … of the current X-Men books. It's really good. And touching on continuity where all the characters know about what's going on in their universe, which I think is rare in comics to have a real deep understanding of continuity for something that is a standalone event like this. Pete:                I'm glad you brought that up, Justin, because I was very excited when I saw the X-Men show up and still be kind of like heroes. They're not just island fucking. You know what I mean? They're not just trading swords and half-assing a bunch of games, they're actually still stepping up and being heroes. Justin:              It would have been great if there was just a cutaway in this to a bunch of X-Men having sex on an island. I would have loved where they were like, “Wait, what did you say?” Pete:                I would have lost it. Alex:                 It's weird that they saw that much black goo and do nothing. This is prime fucking material. Justin:              “This is fucking material,” says Alex. A couple of follow-up questions I'm going to ask off-mike. Before we go too much further, I do think the fact that Pete and I are agreeing so hard on this book, there will be one book later on I predict where Pete and I will have a subtle disagreement. Pete:                … Yeah, it will be very hard to tell. Justin:              See if you can spot it. Pete:                Yeah, it will be tough to tell. Alex:                 Let's wait and see. Next up, Batman/Catwoman #1 from DC Comics written by Tom King, art by Clay Mann. This is the continuation of Tom King's abbreviated run on Batman, now focusing or continuing to focus on the Batman/Catwoman relationship. It's a little hard to tell whether this is a direct continuation or they rejiggered it in any way to make a new title. But regardless, we're jumping around in time periods here. Spoilers, we're introducing the Phantasm from Mask of the Phantasm into the main Batman continuity. Pete:                Yes. Alex:                 That's big stuff happens here. We talked about this a little on live show. I got to tell you, it took me a little while to hook into this because I could not remember the rhythm of the Batman book the way they did it. But there is a point, and this is a big spoiler, but the page, the reveal of the Joker about halfway, three quarters of the way through the issue was such a classic Clay Mann page. So terrifying that it immediately sucked me back in emotionally. And that was the point- Pete:                You're talking about- Alex:                 … where I started to feel like, “Okay, I'm really on board with this book again.” Pete:                … Yeah, but it wasn't just regular Joker, that was Miami Vice Joker. Did you see the way the wind was taking his shirt and he had the over the kind of shoulder holsters rocking? Come on, that was like- Alex:                 He could feel it coming in the air tonight, that's all I'm saying. Pete:                … Yeah, and that's what I'm saying. People talking about three Jokers, there's a fourth one and that's Miami Vice Joker and he's the best one. Justin:              See, I would consider him more Miami-Dade County Retirement Home Joker. Sure. Pete:                Oh wow, shots fired. Alex:                 Trump voter Joker. Justin:              Exactly, this dude votes Trump. Clay Mann's art in this issue is so, so good. All of Tom King's work I feel like is so writer-driven, but man, he works with such great artists, and this one, and this issue specifically I feel like is so, so good. And I love the pace and the way that he's telling the story is really rooted in the romance. Justin:              There's so many big romantic splash panels in this, and it's great, and it's still setting up a bunch of mystery elements and great action. Just so much going on in a great way. And it's romance, it's sexy, it's horrifying. And then the Phantasm reveal, it's like … I feel like this book is just doing everything all at once in the best way. Pete:                Yeah, I agree. I'm really just happy to have T King back on Batman. Justin:              T King. Pete:                I'm excited to see how this story unfolds. And I also was really impressed at how much was in this first issue. There was so much going on. But it was also cool the way kind of Nightwing gave us, instead of it being like flashbacks to see somebody's story, to see kind of Nightwing telling the story of the Ghost-Maker was really kind of a cool discovery. Alex:                 Ragnarok. Pete:                Oh, my bad. Alex:                 That's Batman, this is Batman/Catwoman. Pete:                Ah, my fault. Alex:                 It's okay. Pete:                I'll wait for it. Justin:              Good idea. Pete:                We talked a lot about the art. Just that first title page, really setting up the different cadence, the different kind of art that really focuses the story, I think it's very interesting. And I'm very excited for Mask of the Phantasm, my favorite Batman movie of all times, so I'm very excited about this. Alex:                 Not Batman Forever? Pete:                No. Alex:                 Hmm. All right. Let's move on and talk about Lumberjanes: End of Summer #1 for Boom! Box, written by Shannon Watters and Kat Leyh, art layouts by Brooklyn Allen, illustrated by Alexa Bosy and Kanesha C. Bryant. I figured this was really worth talking about because of the last issue of Lumberjanes, a book that we've only sporadically reviewed, and I've always appreciated, but always personally had a little bit of a hard time hooking into. What did you think about this issue, and how do you think about it as a wrap-up to the Lumberjanes saga? Pete:                I was really impressed with this issue. I thought they really did a great job of wrapping things up. But also we see so many different ways of characters struggling with the, “I don't want to kill. This person should die, but why is it on me?” I felt like this was kind of handled in an interesting way. And the art does a great job of really telling this story. The art is so good. There's a ton of action, but it's a little cartoony to give it that heart that the kind of story has. Pete:                I just really impressed with the characterizations. And it's a lot of over the top fun, but also it's got a lot of deeper meaning stuff going on. And yeah, I mean, just, it goes back and forth between these absolutely hideous, evil looking things and these adorable characters, and they all fit into the same realm. Lumberjanes is a great read, it's really creative. I feel like there's something for everybody. This is a good book. Justin:              Yeah, it's very fun. It dips into some wild sort of fantasy realms in a series of different ways. And I'm sort of in the Alexa's boat where I'm like, “Oh, right. Oh, yes. Okay.” And then the way it's sort of, to Pete's point, is sort of everything at once. Sometimes it's a little flashy, but it is also very fun and a great read. Alex:                 I agree. And I appreciate the fact that it exists, even if I don't quite get it all the time, because I know so many people who love this book so much. I believe it's also being adapted into an animated series by Noelle Stevenson who also did the She-Ra series that was phenomenal, so I'm very excited to see that. Even if I don't quite get the comic, I'm glad it exists, and I'm excited that it wrapped up on its own terms. Alex:                 Next up, The Union #1 from Marvel, written by Paul Grist, pencils by Andrea Di Vito with Paul Grist. This is a bunch of British superheroes getting together and then ultimately crashing straight into the King in Black event. This reminded me a lot or felt a lot to me like a Garth Ennis book that was not written by Garth Ennis. And I made that complimentarily. What did you guys think about this one? Justin:              Yeah, this reminded me of, and I feel like maybe I made this comparison already recently, of the Ultraverse book, The Exiles. Do you remember that back in the day, where a team of superheroes gets just straight up murdered in the first issue and then reforms in a sort of different way? And this has that same vibe of like a doomed team. And the fact that it's crashing into a big event makes me wonder what this book actually means. It's a fun book that's a good story. I like the characters. Union Jack is very cool. And there's a little bit of a mystery here. I was surprised by how much I liked this in relation to what kind of book it is. Pete:                Yeah, I agree with Justin, this is a fun book. Some great action, some cool stuff is happening and it ties in. Not like a must read for everything that's going on, but very cool kind of dealing with stuff kind of from the fallout of the X of Swords or 10 of Swords. Alex:                 Wait, what? How is this a fallout of 10 of Swords? Pete:                Because of the Britain, the choosing of the kind of who's going to be the next kind of- Alex:                 It's a different character. It's a different character, Pete. Pete:                … Cool. Justin:              You're killing his vibes. Pete:                I'm killing it today. Alex:                 You're doing a great job. Yeah, it is interesting that it ties in, particularly given we had Dennis Hallum on the live show last week, I think at this point. And he was talking about how Spider-Woman was stuck in the Spider-Verse event, and I couldn't help but think about this the entire time where I was like, “You're launching a book, but it ties into King of Black, kind of, but not really.” Alex:                 But it was cheeky enough and sort of skewering of superheroes enough that I'm intrigued to check out a second issue of this. Next one, Justice League: Endless Winter #1 from DC Comics written by Andy Lanning and Ron Marz, art by Howard Porter. Alex:                 A bunch of seasoned vets getting together for a Justice League event, where as you could probably tell from the title they fight a frost giant and the entire world is plunged into non-stop winter. I liked this kickoff a lot more than I thought I would, and I think that is all to the fact that Andy Lanning, Ron Marz and Howard Porter all know what they're doing around a superhero event. Justin:              Yeah, I agree completely. There's a bunch of stuff in here where they're like, “How do you really manage your work-life balance?” Alex:                 Yeah, that was weird where the flashing Green Lantern and like, “Work-life balance is a hard thing, right?” In the middle of this event, we got time to talk about it. Justin:              But I appreciated it. It felt like a Marvel book featuring DC heroes in a good way. And I got to the end and I was like, “Oh, this is an event. Right. Where is this going to go?” Because to me it felt a little bit like a one-shot, like a classic DC one-shot for the holiday season. And I do think that DC goes to the whole the earth is freezing a lot, where the sun gets extinguished, was a few years ago, so I was like, “Oh yeah.” But it was a good read for this again. Alex:                 I mean, I don't want to jump on your spot and everything, but the whole sun gets extinguish thing was several decades ago. Justin:              That was a long time ago, but I feel like there was another thing after that. There was like- Pete:                Stop not flexing on us. Jesus Christ. Alex:                 Yeah, that's true. Let's … Oh, go ahead, Pete. Pete:                I was just going to say I really loved the last page. I think this does a good job of really getting you excited for more. And yeah, the kind of reveals of who else is in this is very exciting. Alex:                 Also fun stuff with like Secret Six types super villains that could feel disposable in terms of like they could have brought in the Royal Flush Gang and just have them do their thing where they get beat up in the Justice League, but more fun that. I had a good time reading this comic book, much more fun than I thought I would have. What happens when a robotic overlord imprisons a rant god and a humble narcissist? Alex:                 You get this week's sponsor of the Comic Book Club, The Just Been Revoked Podcast. Join Chris G, Tom Legaci and Mr. Rhace as they discuss the origins, the ends and everything in between of all things film. Episodes are released weekly on Apple, Spotify and all other major podcast platforms. Looking for a film podcast that has fun and doesn't take things too seriously, then check them out at justbeenrevoked.com. Alex:                 Next up, That Texas Blood, excuse me, #6 from Image Comics, by Chris Condon and Jacob Phillips. This is the end of the first arc. It is as bloody and as sad as you might expect. I really liked how this tied up. How did you guys feel? Pete:                I've really been loving this book, but they've been giving us like little bits. It was crazy to get so much in this issue. I almost felt like, “Whoa, this is too much information,” because it's been so little, but now we really kind of get the who done it kind of stuff behind it. So it was a little bit of a shell shock for that. But you can't say enough about the art and writing, this continues to be a really great series. I'm excited to see where it goes. Justin:              … Yeah, I agree. This is good. It feels very … I mean, there's a bunch of sort of mentions of this in the back matter. It feels very of the place of Texas where the story takes place. It's right in the title. And it's just a series of sort of tragic mistakes by so many different people. A lot of the characters feel very real, there's some nice emotional moments here. It's a great first start. Alex:                 Very good stuff. Either pick up the individual issues or pick up the collection when it comes out. And it should be back next year. I'm very excited and intrigued to see how they continue it, particularly given Chris Condon told us this was initially a movie script that now he is doing into, not an ongoing, but at least continuing it for a little while, so that will be curious to see. Next up, let's talk about my favorite book of the week, Pete. Fantastic Four: Road Trip #1- Pete:                Come on. Justin:              Yes. Pete:                You are not serious. Alex:                 … from Marvel. I'm 100% serious. Pete:                This was- Alex:                 Written by Christopher Cantwell, art by Filipe Andrade. This is a one-shot that shows the immortal Hulkazation, I think, of … Hulkamania if you will- Justin:              Yeah, [crosstalk 00:18:01] Alex:                 … of the Marvel Universe, as we get a absolutely horrific story involving the Fantastic Four taking a road trip to the Grand Canyon of the [crosstalk 00:18:09] title gone horribly wrong. They literally start falling apart. Love the metaphor here, love the art. I screamed out loud several times reading this book, it was so horrific, but great. Just fun to read, horror story involving with Fantastic Four like nothing that I had read before. So exciting. Justin:              This was also one of my favorite books of the week. Agree with everything you're saying, like we get to see all of the tropes of the Fantastic Four used against them in the best way, especially Read. The art was fantastic. It's truly I was worried for the gang here. The cover I- Alex:                 This is- Justin:              … was like, “Oh, that's a fun sort of horror cover.” And then you read the book and it's like, “Holy shit, this is way more horrifying than you ever saw it before.” It was great. Pete:                … This is everything I hate about the Fantastic Four all in one issue. The things that happen to our characters are just awful to watch. Justin:              No, they really come together as a family to save the day. Pete:                They literally like glue together, and it's creepy. I don't want to see two kids melting into each other, that's so creepy on so many levels. Alex:                 … My kids do that all the time. You don't have kids, you don't understand. Pete:                Nobody asked you about your goddamn kids, all right? Alex:                 They do that, and I respect them and their choices. Pete:                Wow. That's good for you. Justin:              All right, unmelt, it's time for bed. You sleep in separate beds. Pete:                Now, and then it's just Reed Richards is being a fucking awful father, an awful husband, the shit is just ridiculous. At one point even as soon as like, “Yeah, you're a horrible person. I'm going to go do the good things in life while you sit there by yourself just ignoring your family and making something worse.” Just, ah, this issue drove me nuts because the art amplified how much I don't like this family in the way they're kind of put together in all the wrong ways. And it was just not only a stressful read, but horrifying. Don't pick up this book. Don't encourage this shit. Justin:              You hate how this family is put together? Pete:                I hate the fact that you have- Justin:              They're the first family of the Marvel Universe. Pete:                … you have someone who's very smart, but then treats his family like shit. And then you've got a beautiful person in Sue Storm, who's ignored mostly by her husband and post aside. And then you've got- Alex:                 Okay. I see where this is coming from. You think you could be a better husband to Sue Storm than Reed Richards. Pete:                No, I'm not trying to- Alex:                 And you want to marry Sue Storm. Justin:              Exactly. Pete:                … No, that's not … Don't try to shrink me you fucking piece of shit. Justin:              Don't shrink me. Let me say this, Pete, let me put it in this perspective. Don't you think that to your cat you're the Reed Richards who's too busy recording his podcasts to spend time with the cat, and maybe the cat needs a little bit more attention? How does it feel to be the Reed Richards of your cat? Alex:                 It is kind of interesting not to backup Justin's point, but your goopy arm is in a bucket right now, Pete. What do you have to say about that? Pete:                I think you guys are assholes and I can't believe I've done a show with you for this many years. That's what I have to say there. Justin:              We're the first family of the Comic Book Club Universe. Alex:                 I'm the Valeria. Justin:              Oh, interesting choice. Pete:                Wow. Alex:                 Great book, definitely pick it up. Next up, Unearth #8 from Image Comics, story by Cullen and Kyle Strahm, art by Baldemar Rivas. I think we talked about the first issue of this which was like, “Ooh, going into cave and other monsters of the cave,” it's evolved since then. Justin:              Yes. There's a lot of different things happening in this book, really like the art. It's just like a series of vignettes from a horror TV show or like an outer limits type TV show. Alex:                 Yeah, it feels very like Clive Barker Books of Blood to me. Justin:              Yeah. But it's good, I'm into it. Pete:                Yeah, it's scary. The arts, the real hero, very cool issue, kind of sets things up. I thought it was solid. Alex:                 All right. Let's move on to a book with the thing that happened that Pete mentioned earlier, Batman 104 from DC Comics written by James Tynion IV, art by Ryan Benjamin and Danny Miki, Bengal and Guillem March. This is the book where Nightwing fills in Bad Girl about everything that's been going on with Ghost-Maker. Pete, what did you think about this one? Pete:                Yes, thank you. Sorry about earlier, but I thought it was- Alex:                 No, it's all good. It's funny we talked about in the live show, how do you keep all the books straight, sometimes it's hard. Justin:              Sometimes we don't. Pete:                … Sometimes we don't. Yeah. Sometimes you think you're talking about one book, but you're actually talking about another. But yeah, like I had mentioned, I thought it was really cool the way we kind of got Ghost-Makers backstory from the perspective of Nightwing. Also really cool, kind of scary moment where Batman wakes up in Arkham. Pete:                And I love the kind of like moment where they're like, “The plants told us …” I loved that. I love the Bad Girl's joke. Yeah, and I also liked this kind of trap. Our heroes get stuck in the trap and you're like, “Ergh,” but this is very interesting to see how this is going to work between Clownhunter and Harley Quinn, and how this is all going to kind of go down. But yeah, great issue of Batman, amazing art. This whole kind of Ghost-Maker thing is very interesting. Justin:              I have a question for you, Pete. There are so many different artists in this issue, does that bother you? That often bothers you when a single issue has multiple artists. Pete:                Yeah, but when they're woven into the story in a way where it's like if you're kind of showing something that's back in time or whatever, I think it can work if it's done well and it doesn't feel too jarring. Justin:              I agree with you. And it's done really well here, because I do think it works. And when I read the number of artists on the page, on the title page, I was like, “Huh.” And then it really flowed nicely, which is weird because these artists are pretty distinct when stylistically. But I thought it really worked. And I agree, this book is fun. Pete:                Yeah. Alex:                 Good stuff. Next up, Backtrack #9 from Oni Press, written by Brian Joines, art by Jake Elphick. We're getting towards the end here, I believe this is the penal explanation of the book. If you haven't been picking it up, it is a car race through time here. We're leaving pirate times and finally getting some answers about what's been going on in the back. Definitely a exposition issue, but I think it was well done and tied into the characters. I continue to enjoy this book. This is going very well in my mind. How did you guys feel? Pete:                Yeah, I really am impressed because a lot of times, sometimes I feel like when characters are standing around talking about their feelings and past and stuff, it can get a little not enjoyable, but this has done really well. And I really liked where we have a character kind of talk about the stuff that she's going through and she's like, “You know what? I'm going to stay here. I'm going to live the life that I want to lead.” And I thought that was really cool, and I thought this issue ended really well. I'm very excited to see how this all wraps up. So far this has been a really fun book. Justin:              Yeah. I mean, every issue of this, I feel like this feels like a movie, it feels like sort of a sci-fi Fast & the Furious just ready to be made and- Pete:                Too fast. Justin:              … Too fast. Pete:                [inaudible 00:25:59] Justin:              Oh, interesting. Jump right to the sequel. That's the move, it's to make the sequel first. Pete:                First. Yeah, exactly. Justin:              But yeah, this feels ready-made for that. Alex:                 I 100% agree. Let's move on to something that is going to be a TV show, kind of. M.O.D.O.K.: Head Games #1 for Marvel, written by Jordan Blum and Patton Oswalt. Pete:                Head Games. Alex:                 Art by Scott Hepburn. This is very clearly setting up the new M.O.D.O.K. show that's going to be coming to Hulu with Patton Oswalt doing the voice of M.O.D.O.K. I don't know how much it ties into that necessarily, but this is a fun lack with MODOK. He's having some weird memories that are popping up in him, and he is fighting with the rest of A.I.M. As the same time as I say it's a fun lack, much more serious than I expected personally. Justin:              Yeah, I liked that M.O.D.O.K. is really given some emotional underpinnings in this, and he's … The sort of premises that he's struggling with some memories, because he has a bunch of different memories from all the different lives that he's had because he's a genetically engineered being. And there's this one where he seemed to be a happy family man, and I'm curious where that's going to go. I really liked that sort of heartfelt background to this, and it feels like M.O.D.O.K., you have sympathy for him and he's trying to just his shit figure out. Pete:                Yeah. I mean, first off the title made me think there was going to be maybe some Locke & Key tie in, but that didn't happen so I was a little disappointed. But I thought this was fun. I really liked the kind of M.O.D.O.K. falling into an armory where he gets to kind of play with all the cool, that was really fun. But because we see Patton Oswalt's name on it, I wanted it to be funnier, I wanted it to be heavier on the jokes. It was a good story, so maybe I kind of put that on that too much. But yeah, I thought it was good. Alex:                 I bet Patton Oswalt listens to this podcast and says, “I wish Pete was funnier and more on jokes.” Pete:                He could say that and that would be fair. That man is a professional comedian. Justin:              But you would say, “I'm a journalist and I don't … I'm not some sort of clown.” Pete:                No, I would never, never say that. Justin:              Huh. Alex:                 You write an editorial every week for the New York Times, Pete. What are you talking about? Pete:                It still doesn't count. Alex:                 All right, fair enough. Justin:              Yeah, when people write a letter to the editor of the New York Times, Pete's the one that reads it. Alex:                 Buffy the vampire Slayer from Boom! Studios, written by Jordie Bellaire and Jeremy Lambert, illustrated by Ramon Bachs. I just realized I didn't mention the number of the issue here. Pete:                20. Justin:              20. Alex:                 20. Thank you very much. There you go. But in this issue, the Scooby Gang is dealing with multiple new slayers, Xander who is a vampire and lots of other things going on. We've checked in on this book now and again. Justin, I know you've been a little back and forth on it. So what do you think about this one and where we are at now? Justin:              I do think I'm sort of on the downside of it a little bit. I like when they get away from the sort of continuity a little bit in a deliberate way, and this feels a little like all over the place to me. But again, I'm not a crazy Buffy head that is like, “I got to know what happens,” I just want to read a fun story and this feels like it's a little lost in the middle. Pete:                Yeah, I agree. I'm not sure if it's in between seasons or trying to touch on something and be its own thing. I kind of was hoping we'd be past this little bit, but I feel like it's interfering with the storytelling and I just kind of want to get this thing off and running. It feels like a lot of standing around talking and then people kiss, and I'm like, “Who are these people? What is happening?” Yeah. Alex:                 It sounds like I liked it a little bit more than you guys. Particularly I think what they're doing with Xander is interesting, turning him into a vampire. The emotional step between him and Willow is really nice. Also the twist at the end is cool, there's a new villain that I don't think we've seen before. That's pretty interesting, given a motivation that is very different than we've seen on the TV show, which is good. Alex:                 The one downside to your point is there are a lot of slayers going on at this point, which potentially needs to downsize. But maybe they're being set up as cannon fodder, so I guess we'll have to wait and see. Next up, Far Sector #9 from DC Comics, written by N.K. Jemisin and art by Jamal Campbell, AKA the best Green Lantern title going on. Pete:                Hell, yeah. Alex:                 We have kind of wrapped up the first mystery of the book or at least part of it and are moving on to a new mystery evolving the digital world that our Green Lantern is finding out more about. Pete, what's going on? Pete:                Well, I just wanted to say I love this book, but one of the negative things I have to say about this is I was really grossed out by this digital food. If this is what's going to happen in the future where people are eating food digitally and not real food, I'm not going to fucking do it. All right? I'm not going to be a part of your fucking evil future with your fucking robots running shit. Go fuck yourself. That was really upsetting to watch that happen. Other than that though- Justin:              Oh, sorry, Pete. We're actually we're downloading lunch today. If you're not going to have any, then I guess you just won't get to eat anything. Pete:                … Yeah, because you're- Alex:                 Yeah, I downloaded you a cobb. Pete:                … Yeah, well, you can fuck your cobb salad. Alex:                 All right. Justin:              Actually don't worry too hard about it, Pete, because I feel like subway meatball sandwiches will be one of the last downloaded foods. Alex:                 I will say I loved the joke that they've created downloadable food that feels like food and stimulates your taste and so it tastes like food. Pete:                Awful. Alex:                 But it tastes terrible because it's made by robots that don't know what things taste like. So fun. Pete:                No, it's not fun. This is where we're headed and it's awful. Justin:              Well, we're a couple of beats away from that, I think, as a culture, as a people. But I think that example is so indicative of just how imaginative the series is, and how there's so many great details, and the world itself is so fully understood by the writer and the artist that it makes for just such a great read. Especially, this issue goes off on a totally new place that we don't- Pete:                Yeah, it's a new read, it's very exciting, a crazy last page. I can't say enough about the art, it's the real hero of this. And the story just keeps getting better. It doesn't kind of set in a pattern and stay there, it keeps exploring it, it's as creative as it looks. I'm just constantly impressed by this. It was great. Justin:              … It reminds me a little bit of the comic book Die, the Kieron Gillen book in a good way. So if you're a fan of that book and aren't reading this, which seems crazy, you should come check it out. Pete:                Yeah, read more comics. Alex:                 Let's move on to another fantasy sci-fi book, Dryad #7 from Oni Press, written by Kurtis Wiebe, illustrated by Justin Barcelo. This is dealing with the massive twist from the last issue, turn away if you don't want to know, that the kids that we've been following the entire time are in fact adopted, is to put it lightly. Basically they were discovered in tubes by their parents and then speared away from there. They're dealing with that ramification. The parents are dealing with the fallout as well. In particular what I loved about this issue is the kids finally embracing and moving on with their lives and finding a fun time in the cyberpunk city. I thought- Justin:              Finding other teens. Alex:                 … And finding other teens. Just a fun montage sequence that I enjoyed quite a bit. Pete:                Yeah. I mean, it's tough to find out you're a tube kid, that's got to be tough. I felt like they handled it well. But yeah, this continues to be like every time you get an issue of this book, you have no idea where it's going to go, what it's going to do, it's very creative. The storytelling is very interesting and fresh. Yeah, this continues to surprise in a good way. Justin:              Yeah, I liked this book a lot too. It's a common, it's almost a cliche at this point that, oh, science and magic, they're the same thing, man, just different energies man. And- Pete:                Yeah, everybody knows that, man. Justin:              … I feel like it's all tubes, man. Everything is a tube. Your body is a tube. Pete:                Sweeping tubes earlier, man? Justin:              A sub is just a tube. A beer can is a tube with beer in it that you open on one end and drink out of the inner tube of the outer tube. Pete:                What? Justin:              So anyway, what was I talking about? No. Pete:                Dryad #7. Justin:              Yes. No, this book really walks the walk of science and magic being the same thing in a way that other books sort of tell, but don't show. And this book really feels like one of the first books I've read where science and magic are the same thing, and these characters are trying to use them and control those two, those singular forms of energy and failing a lot. Alex:                 Yeah. Great stuff, definitely pick up this book. Next up, Black Widow #4 from Marvel, written by Kelly Thompson, art by Elena Casagrande and Jordie Bellaire. This title has been phenomenal from the get-go. Justin:              So good. Alex:                 … As Black Widow had her memory wiped, we finally find out exactly what happened in the past in this issue. She's been captured by Arcade working for shadowy cabal of Black Widow's enemies, given a husband, given a baby. And this issue she's finally trying to take it all back. As usual, Kelly Thompson's book equal mounts of characterization and absolute heartbreak by the end. This has been a Banner run on Black Widow and I cannot get enough. Justin:              It's a Bruce Banner run and I- Alex:                 Yes. Pete:                Come on. Justin:              … I agree, this is my other favorite book of the week. So good. The art's fantastic. The covers by Adam Hughes, both the cover of this issue and the next issue cover, I was blown away by. And yeah, the story is just excellent. It's- Pete:                I mean, this is just- Justin:              … You really feel for the characters. Pete:                … It's just Marvel being smart, like, “Okay, we got Black Widow movie coming out, let's put some great talent on the Black Widow book and get people excited.” It's just a phenomenal story. The art's unbelievable, storytelling is fantastic. It's really great. Alex:                 Such a good book. Next up, Strange Adventures #7 from DC Comics, written by Tom King, art by Mitch Gerads and Evan ‘Doc' Shaner. In this issue, we're dealing with a little bit of the fallout that it turns out that Adam Strange's wife might not actually be the bad guy of the story as we have suspected for most of this time. It turns out it might actually be Adam Strange himself. Alex:                 And in this issue, we get the usual dual timelines for the book. We see Adam Strange being tortured by an agent of the Pykkts. And in the present he reveals that he's made some mistakes, but maybe doesn't reveal all his mistakes. Man, again, such a great issue, gorgeous art throughout, but it really changes a lot what I personally thought about what was going on in this series. And like a lot of Tom King's stuff, it makes me feel like, “Okay, I've got to have to read this and then go back and read the entire thing again to really get what has been going on.” Pete:                You got- Justin:              Yeah, this is my other favorite book, I think. I feel like this issue really sort of pops the cork on the series, I think. In a way, Tom King is often … You don't quite know what sort of emotional or psychological area he's exploring for a bit, it's like, “Oh, this person is dealing with some sort of trauma.” This gets compared to Mister Miracle a lot, where Mister Miracle was sort of depressed, but his adventures gave him the next emotional truth that he needed. Justin:              And it feels like this is almost the opposite where Adam Strange has been so hardened by his adventures that he may have become a villain. And I think it's about trauma, it's about what it's like to actually be in war. This feels like it takes some of the themes from Heroes in Crisis and maybe uses them in an easier to deploy way, a more clean way as opposed to that book which a lot of people criticized for being a little obvious, I guess. Pete:                … Yeah. I mean, a lot of crazy things happen in this issue. You want to talk about the tubes, this gets real trippy in this issue. And- Alex:                 I would love to talk about tubes. Yeah, let's do it. Pete:                … Well, make sure they're milky. If you're going to do it, make it a milky tube. But yeah, the Batman, I don't care, the tyranny line was unbelievable. Justin:              Are you talking about an ice cream cone? The milky tube? Pete:                No, I'm not talking about an ice cream cone. Justin:              Rocket pop. Pete:                No. And I'm not talking about Choco Taco either, just to cut you off there. Justin:              But yeah- Pete:                Are you talking about Choco Taco … Oh, yeah. Got you. Justin:              … But yeah, there's a lot of snapping necks in this issue, which I appreciated, a lot of action that we finally kind of get some information that really turns the story on its head, if you will. That's a snap a neck joke. This continues to be weird in all the right ways and keeps you wanting more, that freaking T. King, I tell you. Alex:                 T. King. “Spill your tea, King,” that's what I always say. Next up, Inkblot #4 from Image Comics, created by Emma Kubert and Rusty Gladd. I got to say, I've been warming to this book after not initially liking it that much. Love the art. Thought that the character design of the cat was great. But understanding that each issue is kind of its own adventure involving the cat has made me appreciate the book more. And in this one, a bunch of dudes are fighting as fags, I guess. But it's fun. It has a nice, weird light tone throughout. And I know it took me four issues to come around, but I'm enjoying quite a bit more. Pete:                Wow, that's funny because it's like the reveal on this was kind of almost a letdown for me because it was like, we kind of got a little bit more of what the cat stealer is in this issue. And I liked it kind of being its own thing, so I was almost a little disappointed when it made a little sense, so that's funny that it got better for you. But yeah, the art is unbelievable. The cat is just super cute and fun to watch go on adventures. Justin:              Pete, do you think, and I'm theorizing about your cat a lot, but do you think that this is what … When you're ignoring your cat and being like a bad cat husband- Pete:                First off, how dare you? I am a fantastic cat husband. Justin:              … No, you're being the Reed Richards. Your cat looks over at you and is like, “Oh, there he goes again with his podcasting experiments, trying to solve the podcasting mysteries.” Alex:                 His goopy arm is in a bucket, as usual. Justin:              His arm in a bucket. And then your cat travels through time and encounters different adventures of their own. Pete:                It would be quite amazing. I mean, it would explain why my cat is so tired all the time. Justin:              There you go. I like this book as well. Alex:                 Great. Moving on to Daredevil #25 from Marvel, written by Chip Zdarsky and art by Marco Checchetto. Daredevil is in prison and Elektra is not happy about it. We're kicking off the next arc here as Elektra has a plan of her own of course as to what she needs Daredevil for. Big stuff goes down here. Pete, I know you were a little mixed about the last issue, how did you feel about this one? Pete:                I like this. I really like getting the kind of Elektra Natchios side of things and like … Sometimes when she's written, it feels like it's not a real person, but I kind of liked this perspective in her trying to be Daredevil for Daredevil. I thought that a was very cool take. I mean, of course the art's unbelievable, but I'm really getting into Daredevil more, and I'm hoping Chip does Foggy right. Justin:              Foggy seems to be losing his spot, and I think the sun is finally coming up and drying up the fog, which I'm fine with. Pete:                No. Justin:              Marco Checchetto's art is excellent. You got that wild Elektra hair. This lady's hair is going every which way. Pete:                Yeah. Justin:              She's got zero-G hair. It's a lot of flyaways, which she needs some Pantene Pro V. This podcast, as always, is brought to you by Pantene Pro V. Alex:                 By Pantene Pro V. Pete:                Wow, dude. Alex:                 You got flyaways, Pantene Pro V. Justin:              What I give Chip Zdarsky credit for with the writing of this book is moving past the parts we've sort of done a bunch before. Like Daredevil putting himself in jail and going into court and all that, we've seen that a lot in the past couple 15 years say. So he sort of moves past it and Daredevil is in jail, leaving Elektra on the streets to become sort of a new Daredevil, and setting up this new sort of hand mystery, getting back with Stick. There's a [crosstalk 00:43:47] Pete:                Yeah, the Stick comeback. Justin:              This is a lot of fun. Great pivots, and a book I've really been enjoying lately. Alex:                 Last but not least let's talk about The Boys: Dear Becky #7 from Dynamite, written by Garth Ennis, illustrated by Russ Braun. This is the last issue of this new The Boys series focusing on Wee Hughie as he finds out an unknown tale of Butcher's past, specifically the death of Becky, his wife, as you could probably figure it out, and how he dealt with that and how he became the Butcher that we know when The Boy starts. What did you think about this wrap up here? Pete:                It's an interesting take on Thanksgiving. Justin:              Yeah. Pete:                Really kind of like I know I'm not the only one who's kind of felt that way of like you just wish you could take an axe to a table full of people you don't like. But I think The Boys does a great job of giving you a little bit of heart and then fucking around and being insane. And Garth Ennis is twisted in all the right ways, and this is kind of a crazy fun read. Justin:              That's a life motto I think we all stick by, a little bit of heart and fucking around. All right, Pete? It was very chatty. I was surprised by how much of this book was about exploring the backstory of Butcher in a way that didn't feel … Maybe watching the TV show has sort of tried this territory already that we're covering here. Not necessarily in the content, but in the performances and the way they sort of play these roles, that I wasn't surprised by but I love the information in it. I wanted a little bit more out of just the storytelling in general, I wanted more to happen. Alex:                 Yeah, I could see that. I think as usual with Garth Edison stuff, he writes great dialogue, he does good characters. I don't think this takes away from The Boys in any way. It's not one of those sequels, prequels, whatever that feels like, “Ah, why did you go back to the [inaudible 00:45:53]?” It's something that if I read through The Boys I would be happy to read this volume as well. Alex:                 And in fact, it might read better as a complete story verses in the individual issues. And Russ Braun's art is very good, it fits in well with Derek Robinson's art. So that was nice to see. All in all I think this was a solid series. To your point, not 100% necessary with The Boys, but it doesn't take away from it either. Justin:              Indeed. Pete:                Agreed. Alex:                 All right. We're all- Justin:              Agreed. Indeed. Agreed, agreed, indeed. Alex:                 … Agreed. Indeed. Agreed, agreed, indeed. And if you want to hear more of this song that we're singing- Pete:                No. Alex:                 … patreon.com/comicbookclub- Pete:                Don't. Alex:                 … to support the show and other shows we do. We also do a live show every Tuesday night at 7:00 PM at Crowdcast in YouTube. Come hang out, we'll chat with you about comic books. iTunes, Android, Spotify, Stitcher, or the app of your choice to subscribe and listen to the show. @comicbooklive on Twitter, comicbookclublive.com for this podcast and many more. Until next time, this has been Comic Book Club, goodbye. The post The Stack: King In Black, Batman/Catwoman, And More appeared first on Comic Book Club. Support the show: https://www.patreon.com/comicbookclub See omnystudio.com/listener for privacy information.

On this week's comic book review podcast: Rorschach #1 DC Comics Written by Tom King Art by Jorge Fornés Commanders in Crisis #1 Image Comics Written by Steve Orlando Art by Davids Tinto The Immortal Hulk #38 Marvel Written by Al Ewing Art by Joe Bennett The True Lives of the Fabulous Killjoys: National Anthem #1 Dark Horse Comics Story by Gerard Way & Shaun Simon Art by Leonardo Romero Dark Nights: Death Metal #4 DC Comics Written by Scott Snyder Art by Greg Capullo Stealth #6 Image Comics Written by Mike Costa Art by Nate Bellegarde The Vain #1 Oni Press Written by Eliot Rahal Illustrated by Emily Pearson The Avengers #37 Marvel Written by Jason Aaron Art by Javier Garrón Once & Future #12 BOOM! Studios Written by Kieron Gillen Art by Dan Mora DC The Doomed and the Damned #1 DC Comics Written by John Arcudi, Saladin Ahmed, Kenny Porter, Amanda Deibert, Marc Wolfman, Amedeo Turturro, Alyssa Wong, Brandon Thomas, Travis Moore and Garth Ennis Art by Mike Perkins, Leonardo Manco, Riley Rossmo, Daniel Sampere, Tom Mandrake, Max Fiumara, Dominike “Domo” Stanton, Baldemar Rivas, Travis Moore and PJ Holden Redneck #28 Image Comics Written by Donny Cates Art by Lisandro Estherren Amazing Spider-Man #50 Marvel Written by Nick Spencer Art by Patrick Gleason Strange Adventures #6 DC Comics Written by Tom King Art by Mitch Gerards and Evan “Doc” Shaner Marvel Zombies: Resurrection #3 Marvel Written by Phillip Kennedy Johnson Art by Leonard Kirk Seven Secrets #3 BOOM! Studios Written by Tom Taylor Illustrated by Daniele Di Nicuolo Hellions #5 Marvel Written by Zeb Wells Art by Carmen Carnero New Mutants #13 Marvel Written by Ed Brisson Art by Rod Reis Cable #5 Marvel Written by Gerry Duggan Art by Phil Noto SUBSCRIBE ON RSS, ITUNES, ANDROID, SPOTIFY, STITCHER OR THE APP OF YOUR CHOICE. FOLLOW US ON TWITTER, AND FACEBOOK. SUPPORT OUR SHOWS ON PATREON. Support the show: https://www.patreon.com/comicbookclub See omnystudio.com/listener for privacy information.

On this week's comic book review podcast: Rorschach #1 DC Comics Written by Tom King Art by Jorge Fornés Commanders in Crisis #1 Image Comics Written by Steve Orlando Art by Davids Tinto The Immortal Hulk #38 Marvel Written by Al Ewing Art by Joe Bennett The True Lives of the Fabulous Killjoys: National Anthem #1 Dark Horse Comics Story by Gerard Way & Shaun Simon Art by Leonardo Romero Dark Nights: Death Metal #4 DC Comics Written by Scott Snyder Art by Greg Capullo Stealth #6 Image Comics Written by Mike Costa Art by Nate Bellegarde The Vain #1 Oni Press Written by Eliot Rahal Illustrated by Emily Pearson The Avengers #37 Marvel Written by Jason Aaron Art by Javier Garrón Once & Future #12 BOOM! Studios Written by Kieron Gillen Art by Dan Mora DC The Doomed and the Damned #1 DC Comics Written by John Arcudi, Saladin Ahmed, Kenny Porter, Amanda Deibert, Marc Wolfman, Amedeo Turturro, Alyssa Wong, Brandon Thomas, Travis Moore and Garth Ennis Art by Mike Perkins, Leonardo Manco, Riley Rossmo, Daniel Sampere, Tom Mandrake, Max Fiumara, Dominike “Domo” Stanton, Baldemar Rivas, Travis Moore and PJ Holden Redneck #28 Image Comics Written by Donny Cates Art by Lisandro Estherren Amazing Spider-Man #50 Marvel Written by Nick Spencer Art by Patrick Gleason Strange Adventures #6 DC Comics Written by Tom King Art by Mitch Gerards and Evan “Doc” Shaner Marvel Zombies: Resurrection #3 Marvel Written by Phillip Kennedy Johnson Art by Leonard Kirk Seven Secrets #3 BOOM! Studios Written by Tom Taylor Illustrated by Daniele Di Nicuolo Hellions #5 Marvel Written by Zeb Wells Art by Carmen Carnero New Mutants #13 Marvel Written by Ed Brisson Art by Rod Reis Cable #5 Marvel Written by Gerry Duggan Art by Phil Noto SUBSCRIBE ON RSS, ITUNES, ANDROID, SPOTIFY, STITCHER OR THE APP OF YOUR CHOICE. FOLLOW US ON TWITTER, AND FACEBOOK. SUPPORT OUR SHOWS ON PATREON. Full Episode Transcript: Alex:                 What's up, everybody? Welcome to The Stack. I'm Alex. Pete:                What's up? I'm Pete. Alex:                 And we are talking about comics. What? What? Pete:                It just sounds like you're barely making it, man, you're like “What's up everybody, this is the fucking Stack?” Alex:                 “Oh, God, week 52 of our comic book review.” We actually have a ton of titles queued up for you today, kicking it off with a big one from DC Comics. Rorschach #1 written by Tom King and art by Jorge Fornes. This is a highly anticipated slash, highly dreaded, I think, comic book because it is- Pete:                Highly dreaded? Alex:                 Highly dreaded, it's following up on Watchmen which is always a dicey proposition. Pete:                Okay, I see what you're saying now. Alex:                 In this book we get introduced to a very Manchurian Candidate type scenario. As a Rorschach, I don't want to say the Rorschach, but a Rorschach and somebody else try to assassinate a presidential candidate, maybe. There's an investigator who's looking into it. And by the end, spoiler, three, two, one, but it seems like this assassin may be none other than Walter Kovacs, AKA Rorschach himself. That out of the way, what do you think about this book, Pete? What was your takeaway? What were your thoughts? Pete:                Well, I think it did a great job of grabbing the reader. It starts off with Rorschach kind of getting murdered, which is interesting jumping on point. And then you kind of… It's the classic kind of Tom King storytelling where you're getting little pieces of information as you go along. But he does it so well. And yeah, I mean, I think it's… It's weird to say I'm a fan of Rorschach. But there are aspects of Rorschach that I like, and I love the “Where's your gun moment?” I thought that was really awesome. I mean, it's great art, interesting story. I think it's just kind of the election balloons and the stuff with everything that's happening right now. I think it's a very well timed book. And I'm on board. But I was going to be on board when you had a Rorschach #1, so I'm not upset about it. I'm very much enjoying it. I'm looking forward to more. Alex:                 Jorge Fornes's art, and I believe it's Steve Stewart's colors are great throughout the book. Just very, very good across the board. Clearly delineate what's happening in the past versus what happens in the present. There are a couple of things that I think are kind of fascinating about this book. The biggest one is that Tom King has so clearly been influenced by Watchmen and Alan Moore, down to his panel grids. The way that he lays them out. But he purposefully avoids the nine panel grid here in this book, to the point where there's one page that I think is like a 12 panel grid, or maybe a 15 panel grid or something like that. Alex:                 But he never goes into that basic Watchmen breakdown of the page at any point, which almost seems like a no brainer for somebody who has built a lot of their career on building his work off of what Alan Moore did. So that's curious to me, the other thing that's curious to me, is the choice of setting. Because it very purposely feels like The Manchurian Candidate meets All the Presidents bad down to the feathered hair that everybody has, and the fashion they're wearing. It seems like it said in the 70s. But Watchmen itself was set in the 1980s. So, when is it set is my question. This is supposed to be now, but have fashions come around to the 70s? Again, what's going on? Are they only doing it because it's supposed to feel like a 70s conspiracy thriller? There's something about that and the lack of clarity there in the world, though I'm sure King, because he's meticulous writer, has thought through it. And we'll find out eventually. I'm just not quite sure with this first issue, there's a wall there for me in terms of where it's at. Pete:                Okay, well, it's a weird thing to get hung up on, but I understand what you're saying. But it's just weird to me, because Tom King is kind of famous for, “You're going to have to keep reading to figure out the story.” Alex:                 Sure. But I think that's important because we're dealing with Watchmen and we're dealing with an ongoing world and we know this is continuing. There are things that are teased here and thrown into the background, whether it's through billboards or advertisements or other things that let us know, “Okay, this is kind of where the world got to from 1985 to here.” And interestingly, some of the things whether it's quite sensitive Not dovetail with Watchmen the TV series. Alex:                 So that only raises further questions in my mind of is this in continuity with the comic book? Is it going to continue with the TV show? Is it in continuity with the both? Is it's own continuity? And I know that's not the only thing I should be thinking about, I know I should be concentrating on the story which taken on its own, totally divorced from Watchmen is a good conspiracy thriller story. But those are the sort of things that I do think are important to understand, in some sense, when you're saying here, “This is a continuation of Watchmen.” Pete:                Yeah, just you kind of sound like me when we were talking about Tom King's Vision. I was hung up on one little thing, and you guys were like, “Hey, get over it.” Alex:                 I think this is a big thing, though. I think this is a big important thing. It is a big thing. Pete:                That will be explained. Sure, but it will be explained. Tom King is piecemealing- Alex:                 It's a gorgeous comic book, like the best of Before Watchmen, which was a dicey project to begin with, but still had some good comics come out of it. Yeah, this is a dicey project that still seems like a good comic. So I'm happy to follow it along. But I have questions. Pete:                My question is, do you know if this is monthly or weekly? Because the election's coming up? And I need to know. Alex:                 I assume it's monthly. Pete:                Oh man, we're in trouble. Alex:                 All right, let's move on then to the second comic, we're going to talk about, Commanders in Crisis #1 from Image Comics written by Steve Orlando. Art by David Tinto. We talked to Steve about this on the live show a couple of weeks back. And it is basically him doing a Crisis comic book, but with totally original characters. What do you think? Did it pay off on the premise that he sold us on, on the pitch, Pete? Pete:                I think it did. I think, I'm in. This is very interesting. This is a cool team. It's fun to kind of see his take on a big crossover event like this. It's fantastic art. I like the team that is kind of in this thing. And there's like a cool kind of like superhero moment where we had the kiss. That was great. Yeah, I'm on board. I think these characters are interesting enough that even if I don't… It's not like a Avengers crossover event where I know every single person, I got enough here to go by. And yeah, I'm excited to see where this goes, it seems like he did a good job of selling it and I'm in. Alex:                 What's really fascinating about this, to me, is that it avoids any of the archetypes. I expected going in with it, we'd get a Superman, a Wonder Woman, a Batman etc. We don't get any of that these are completely as far as I can tell original characters. There's no analogues from any particular universe. And that only makes Steve Orlando's job harder going into this. But it does make it more interesting to read because their powers are so weird and so interesting. And the hook of it, which he talked about on the show, this is the reveal at the end of the issue. So if you don't want to know turned away, but I still think it's fair to talk about because he mentioned to us is the death of Empathy, which is going to be an interesting thing to see going forward. The other detail that is so weird, but such an interesting specific thing is all the members of the team in the book are from different parallel universes where they were all presidents. Pete:                President. Alex:                 Which is very weird. Pete:                Commander in Crisis. Yeah. Alex:                 Commanders in crisis, they are commanders. They were all like the first Latinx president, the first woman president, the first, etc. resident. But it's a bunch of presidents with superpowers fighting a crisis, which is such a bizarre detail, but it makes so much sense for the title. And yeah, I'm definitely on board. I think like he's set up a weird, interesting, very different world here. Pete:                Yeah. And it's even like when you get the kind of splash page introduction of the superheroes it's like “Prizefighter, as strong as the crowd hopes he is.” I was like, “What?” And then it's like “Sawbones, Action Surgeon.” I've never seen those two words next to each other, action surgeon. What is that? Yeah so it's very interesting. Alex:                 It's intriguing. Pete:                Yeah, it really does a good job of like, kind of sucking you in. And then there's the fun kind of like, oh these minions aren't very smart. They have their brains in a backpack. Okay, this is crazy. It's doing a great job. And I think this really ought to be interesting to see how this unfolds. Alex:                 I agree. Let's move on. Talking about the Immortal Hulk # 38 from Marvel written by Al Ewing art by Joey Bennett. In this issue, the Leader is dominating the Hulk and all of his allies. He is in the Hulk's mind-scape and controlling things from outside when a rogue element comes in and turns around the balance of power. Pete, I know you've been down on this book, but this issue by the end like in the right way, personally, I was like, “What the fuck is happening here?” Oh my God. Pete:                Yeah, this is great. This is really great. You got a lot of the kind of horror aspects that's been happening, but this like really gets into kind of the story and action. I'm very happy with this issue. It's really impressive. Very cool. It's got a lot of twists and reveals but man, it's glorious. It really is a great issue of comic book. Alex:                 Yeah, it's still horrifying, everything that's going on and the visuals that Joe Bennett draws. But everything that Al Ewing has been building up over the past 38 issues is really finally coming to crest here. It feels like the Leader is probably the sub-villain that we need to deal with in this run. But it's still such a good Leader story. And it's such a good Hulk family story that it feels dangerous in the right way. Just great. Gross. Pete:                It's really impressive how this book has grown and changed and done so many different things. It's really… I can't imagine the pitch meeting for this fucking thing. Alex:                 “Okay, so get this. Rick is very long.” Pete:                It's a horror hulk. Alex:                 Yeah, Rick is long, and he kind of bends in a weird way. And that's the pitch. Pete:                Has the grossest neck you've ever seen. Alex:                 Just it's horrible. It's absolutely horrible. Yeah, a great book. Moving on to the True Lives of the Fabulous Killjoys, National Anthem #1, from Dark Horse comic, story by Gerard Way and Shaun Simon, art by Leonardo Romero. If you've never read this book, this is basically about a bunch of folks. It's sort of like an extrapolation of, what was the movie? Them. The Kurt Russell movie where he puts on this… No, Rowdy Roddy Piper, puts on the sun glasses, and could see the truth about the world. It's essentially that, but in comic book form, and here, they've beaten the bad guys, they have one as far as they know. And then things start to go horribly wrong from there. Really good book. I like this, it's esoteric and strange, as most of Gerard Way stuff is. If you read Doom Patrol, if you read Umbrella Academy, but it still feels very prescient and timely in terms of the storytelling, which I like quite a bit. Pete:                Yeah, it's really impressive. The art and the storytelling is gorgeous and fantastic, and really moves the story very… It moves through this kind of crazy world. And you're kind of really piecing it together. But it's very unique. And just when you think you've got a handle on it just kind of surprises you again. And I love all the different groups that they kind of break down in the middle of it. Yeah, I think this is a great issue that really kind of gets you excited for more in this world, it really sets things up and gets you wanting more. I think it's a great first issue. Alex:                 And I think you could understand it even if you haven't read the first series, you could jump right in here and go ahead with it. Obviously you're going to have a richer experience, but it's good stuff regardless. Next up, this is what we talked about in the live show a little bit, Dark Knights Death Metal #4 from DC Comics. Written by Scott Snyder art by Greg Capullo, wild stuff happening in this issue. This is bringing together a bunch of the one shots and miniseries that have been running along. We find out what's been going out with the Flash Team, we find out what's been going on with Wonder Woman, Batman and Superman as they sink deeper into the Crisis Dark multi verses, and things- Pete:                And- Alex:                 Yeah, Pete. Pete:                It still starts with Uncle Rock in this one. But, you know. Alex:                 Sergeant Rock. Pete:                Sarge Rock. Alex:                 You call him Uncle Rock. Pete:                [crosstalk 00:14:48]. Yeah, I call him uncle Rock. That's what he calls himself in this, which is a funny moment. Alex:                 He married your aunt. Pete:                Yeah that's how that technically works. You're right. But yeah, I mean, this is just amazing art, over the top fun. Darkseid in that chair is unbelievable. It's like Green Lantern's ring chair. So that means the Green Lantern has to sit there and keep thinking about the size and weight of that chair. That's a very intense little thing that doesn't get much attention. It's just they're killing this. This is just so much fun. Each one of these books is really fun to see what mashups of characters they're going to use, and how crazy it's going to look, and it hasn't disappointed yet. Alex:                 This entire book feels like the dialogue break in a metal song. When somebody's like, “And then Superman is sunk into a pit of fire as Darkseid watched.” The whole thing. Just it's absolutely, really ludicrous. The whole thing is crazy. We talked about it on the show, but it ends with the Darkest Knight aka Batman who laughs winning, turning the universe into the Last 52, a bunch of dark multiverses, it's only going to go from there. Who knows how they're going to win. But it's funny for the insanely highest stakes, that is, honestly just fun the entire time. Pete:                It really is. Alex:                 Let's move on to something that's a little bit grimmer but in the right way, Stealth #6 from Image Comics, written by Mike Costa and art by Nate Bellegarde. We've been loving this series on the show. Pete:                It's too bad Justin didn't want to talk about this book. Alex:                 He got out of here, was like “No thanks. Don't want to talk about Stealth.” Pete:                Yeah, he was like, “Listen, guys, I love Stealth. I said it was my pick. But I'd rather watch a football game right now. So fuck all, y'all.” Alex:                 I don't think that's what's happening. But the other Stealth, if you haven't been reading the book, it's about a guy who's in sort of a all powerful armor [inaudible 00:17:01], who also may or may not have dementia. He's been fighting against a guy called the Dead Hand who can kill people by touching them with his hand. Everything is revealed in this issue. They loop everything back. We finish it up. This is the end of the miniseries. What did you think about the conclusion, Pete? Pete:                I was really impressed with this. Like this kind of started and it was like, “Wait, what's happening?” I love the story. I love the action, the art's unbelievable. But I was kind of like, “But man, does this all come together in such an amazing way.” It's one of those books where you read it. And at the end, you're like “God, I want to go back and read it all over again.” It's really great. Really impressive. And I can't compliment the art enough. Alex:                 In a surprising way too, it's nothing that I think you could have predicted from the first five issues, but it makes total sense at the same time when it's explained, which is a difficult feat to go through. Pass off, whatever the word is. Pete:                Yeah, especially us, we've read so many comics, it's hard to surprise us. And this really did a great job of that. Alex:                 This is a great miniseries, definitely pick it up when it's in trade or individual issues. Next up The Vain, #1 from Oni Press, written by Eliot Rahal, illustrated by Emily Pearson. This is about a bunch of vampires around the turn of World War II who are robbing blood banks. Get it? Pete:                You see what they're doing? Alex:                 And when war breaks out with the Nazis, and then everything changes. I was very surprised and impressed by this book. I thought this is a really fun concept. The characters were good. I liked how the world was laid out. And there's a good nice twist at the end. How'd you feel Pete? Pete:                Yeah, I really liked it. I thought it was very cool. Kind of like bank heist, but they're robbing a blood bank. And also like, fun kind of like, the way the vampires kind of handled the crowd and fuck with them a little bit, very enjoyable. And what's also nice is even the undead are like “You know what's really fucked up? Nazis, man. Racism is awful. I'm a fucking undead vampire. But I know this is wrong. So let's go end this.” That was great. Alex:                 It's a little shaggy in terms of that because it feels like okay, the concept is bank robbing vampires. I get it. And then next issue it's going to be like, okay, it's vampires fighting Nazis, I get it. So I'm wondering if it's going to change every single issue and that's going to be the rhythm of the book. Or if it is something else. Whatever it is, I'm definitely onboard. I had a fun time reading this. I think it's a fun take on vampires. Like I said the characters are good. So definitely willing to follow it. And Emily Pearson's character designs are very good as well. Pete:                Yeah. Alex:                 Next up the Avengers #37 from Marvel written by Jason Aaron, art by Javier Garron. This is kicking off the end of the Age of Khonshu. Pete:                Yes, the Age of Khonshu. And this is the finale. Alex:                 This is the finale. So Khonshu, who is the God of Moon Knight has taken the powers of the rest of the Avengers. This issue they're fighting back as well as Moon Knight who now the Phoenix Power is fighting back. This is playing with toys in the best sense of the phrase. Pete:                Well yeah, and that's a great way to put it. Because you do have like a super baby here who is like, “Yo, give me back my toys.” So that was kind of well put there. But yeah, this is a fantastic art. And it kind of reminds me of Snyder's just over the top fun, where a lot of different characters are getting to play with different powers and stuff like that. And I think this is a great kind of finale. And it's cool to kind of see somebody get powered up like this, and then kind of like spoiler, but de-powered, and where those powers go. So it's, again, a writer and artist, having a lot of fun with the different kind of powers and different perspectives. So yeah, I really enjoyed this. I thought it wasn't a huge kind of event. It was just kind of big enough. And I thought it was great. Alex:                 Yeah, it's playground rules. It feels like every page, and I say this in the best sense, because it's fun to read. But it's the sort of thing where somebody is like, “Oh you're going to attack my pyramid. Well, my wolf men and my mummies are going to attack you.” And they're like, “Fine. Well, now I have the Iron Fist…” That's great. Like, there's not enough of that in comics, where it just feels like people playing and having fun. It all has to mean something. It all has to lead to the next thing. This is the sort of thing where it's like, and I'm probably mis-remembering this, where She Hulk can very briefly get the Iron Fist, and it has no bearing on anything whatsoever, other than a fun splash page that they draw. And that's fine. It's refreshing to read something like that. Alex:                 Here's another thing that is almost the opposite, where it's fun, but everything means something. Once and Future #12 from Boom Studios by Kieron Gillen, art by Dan Mora. Pete I know you love this series. This is wrapping up the Beowulf arc. Listen, I think textually pretty big revelations for the mythology of the book, as teased to us by Kieron Gillen when we chatted with him a couple of weeks back. How'd you feel about this one? Pete:                This just continues to be one of my favorite things on the stands. Art is unbelievable. You have these unbelievable monsters these great kind of stories and fables intertwined here, and then you just got one badass grandma who's not going to take shit from nobody. And this is just such a glorious comic book that is worth your time and money. And it's entertaining, it's smart, it's touching. It's stories that you've kind of know, that kind of are told in this new kind of messed up way and it's very, very enjoyable. Alex:                 Yeah, Dan Mora's art and character designs and monster designs in particular are so good across the board. But this issue is Kieron Gillen doing his Kieron Gillen thing and wrapping stories together, figuring out how they fit together, figuring out how the mythology of England as an entity fits together. And it's fascinating to read, but it's nowhere near as dense as say Die, for example, but just good, good stuff and so much fun to read. Alex:                 Let's move on to an anthology DC the Doomed and the Damned #1 from DC Comics, written by John Arcudi, Saladin Ahmed, Kenny Porter, Amanda Deibert, Marv Wolfman, Amedeo Turturro, Alyssa Wong, Brandon Thomas, Travis Moore and Garth Ennis. Art by Mike Perkins, Leonardo Manco, Riley Rossmo, Daniel Sampere, Tom Mandrake, Max Fiumara, Dominike “Domo” Stanton, Baldemar Rivas, Travis Moore and PJ Holden. As you can probably guess, from how I introduced it, as well as the lineup this is a series of short stories teaming up DC Comics characters in spooky situations. As usual, how'd you feel about this one, Pete? And were there any stories that jumped out to you? Pete:                Yeah, this was a really nice collection. I had a lot of fun with this. I mean, the Batman versus the kind of monster in the mirrors is great. This is what I want Halloween comics to be like. I want to see heroes taking on the kind of monsters. And this is the classic like if you say a name in the mirror three times, so it was cool to see that. The Raven Wonder Woman story was great. I'm a sucker for a Grundy story. I love the look of Superman in that one store. I thought like he really looked fantastic with the Swamp Thing. It was just super fun. I think there was a lot of cool stuff and even the Green Lantern team up I enjoyed. Alex:                 Yeah, I like this as well. I mean, if you can't tell from the title this is riff on Brave and the Bold but Doom and [inaudible 00:25:31] instead. So it's a team up book- Pete:                Oh, I just put it together. Alex:                 Which it gives it a very different flavor from other anthologies. I think it gives it more focus, particularly because you usually get a non-supernatural character teaming up with a supernatural character. The best one for me, which you mentioned, is Saladin Ahmed's story, which I just… I love Batman dealing with the supernatural because he does it all the time. But he never believes it. He's always like, “Scientific explanation for this. I got to figure this one out.” And it's great here. He deals with essentially like a Candyman, Beetlejuice type figure, except in Gotham City. And it's a lot of fun. But this is a good collection if you want to pick it up. Next up Redneck #28 from Image Comics written by Donny Cates, art by Lisandro Estherren. This is a title we have not checked out that much, I think, right, Pete? Pete:                Well, so this is weird because I saw Redneck and I thought it was Jason Aaron's book called Redneck and it's not. This is a different kind of redneck, not what you think because it's about vampires. Alex:                 No, Jason Aaron wrote another book. I don't remember what it's called. But it's not Redneck. Pete:                Okay. Alex:                 No, he's, what is it? Southern Bastards. That's what he wrote. Pete:                Oh. Right, right, right. Yeah. I thought… But anyways, so this is a very kind of… The art is really fantastic. I love the way they kind of draw the action. And a very interesting, kind of like tale throughout time here that we're dealing with. And I love the way it kind of ended on this cliffhanger for more. I think this is very interesting book, very kind of unique and creative. And I didn't know what I was getting into. And I was pleasantly surprised. Alex:                 So Donny talks about this in the end matter a little bit, but it is wild reading the first couple of issues of this books, which I think I read the first couple and I just got away from it for no particular reason. But it was what the title said, it was about a bunch of swamp folks dealing with vampires. I was like, “Okay, I get it. Rednecks cool. I'm on it, I get the concepts of this book.” To here where we're like Dracula war, which is a very different sort of thing. Alex:                 But Lisandro's art in particular is epic throughout the book. As you mentioned, it spans through different time periods. I enjoyed this quite a bit. And it's certainly the sort of thing that makes me want to be like, “Okay, I read the first collection, I read this issue. Now I actually need to read what happened in between, because clearly, I missed a lot.” Alex:                 Next up Amazing Spider-Man #50 from Marvel, written by Nick Spencer, art by Patrick Gleason. This is picking up right on the last issue, but kicking off a new storyline, where we finally learn the identity of Kindred as well as why he has it out for Spider-Man. Why he has it out for Norman Osborn, what happens to the Sin Eater? Big things happened in this issue. Spider Man is a very dire straits. We're definitely going to get into spoilers here. So Pete, as you feel about this reveal, what do you think about this? Pete:                Cool. I mean, when I saw the tombstone reveal, I was like, “All right.” Alex:                 But so let's walk through this and this is spoiler time. But Kindred pulls up the tombstone, you're supposed to think as a reader, “Oh, okay is he Captain Stacy?” Gwen Stacy's dad. But he's not. Instead, what Kindred has done is he's pulled up the corpses of Captain Stacy and Gwen Stacy, and put them at a dinner table for Spider-Man, classic villain behavior. But it turns out the Kindred is none other than Harry Osborn. Pete:                Yeah, at the end there's another twist, where you think, “Okay, we don't know, here's the reveal of the tombstone. That's who he is.” But then at the end, it's like, “He's my son.” And then you're like twist again. Alex:                 I don't love that. I feel like we're going to have to do a lot of explanation to get why Harry Osborn is this. Pete:                Especially when Spider-Man sits down to that dinner and he sees the two dead people. And then he's like, “Wait, but what's this got to do with Harry Osborn?” You know what I mean? Alex:                 Yeah, I mean, first of all, indoor dining very dangerous right now. Second of all, if you ever get in that situation, just be like, “Check, please.” Pete:                Yeah, also, you got to put masks on those corpses, you know what I mean? You can't just [crosstalk 00:30:16]. Alex:                 I mean come on. Absolutely. They could spread disease. Pete:                They're inside. Alex:                 Yes. Think of the servers. Pete:                Yeah, exactly. Alex:                 This is a good issue. Nick Spencer is doing an intriguing job of the storyline. But like I said, I think though this fills in a lot of holes in what's been going on I need to get to how this happened, which I assume is going to happen soon. This seems to be a big storyline. But why is Harry Osborn Kindred? What does that mean? How did he become Kindred? Are all big open questions here but we're just at the beginning of this storyline right now. Alex:                 Next up, another Tom King book Strange Adventures #6 from DC Comics written by surprise Tom King art by Mitch Garads and Evan ‘Doc' Shaner. In this issue, as usual, we're jumping back and forth between the planet Ron and what's happening on Earth, as Mr. Terrific investigates the death of Adam Strange and Alanna's daughter. In this issue Mr. Terrific Alanna kind of go on a date a little bit, and parry and check each other out and sort of probe each other's weaknesses. Ends in a very different, very interesting place. I like this issue quite a bit, particularly, because it made me doubt Alanna being the bad guy of this series. How'd you feel about it Pete? Pete:                Yeah, yeah. Also, we had a little Seth Meyers sighting. Little talk show clip here. And as we all know, Seth Meyers came on Comic Book Club, big fan of the show. So it's nice to see that. Alex:                 It was nice to see it finally pay off for him. Pete:                Yeah, yeah. Really nice to see Seth Meyers get his due, poor guy, he works really hard. But yeah, I mean, this is just waiting, each Tom King book, you get a little bit more information, a little bit more information. You're trying to piece together this whole story. So it's unbelievable, Tom King, kills it as a writer. And I'm excited to see how this unfolds, and we get a little bit more. And I love the Terrific stuff in this. So yeah, I can't wait until the final kind of domino falls, I can kind of look back and see what we've done here. Alex:                 I agree. This is definitely a mystery book. It's going to make you reevaluate everything when we finally get to the end there. But every issue just gorgeous to read and gut wrenching and heartbreaking across the board. Another one, very sad Marvel Zombies Resurrection #3 from Marvel written by Phillip Kennedy Johnson art by Leonard Kirk. Spider-Man is taking Franklin and Valeria to the Galactus hive to try to find a cure for the zombie virus that has afflicted the Marvel Universe. Things go predictably, very, very wrong, including a favorite of Pete's, who gets caught in the struggle. I love the twist that Philip gives to the whole Marvel Zombies thing here. It's so smart. So well done. I'm a little hesitant to spoil it. But every issue of this is so dangerous, so harrowing. And it's amazing that he has found a totally different twist on the zombie mythology in the Marvel Universe. How'd you feel Pete? Pete:                Yeah, this was really crazy and intense to kind of like, have these kind of reveals of kind of like how this all unfolded. Love the Galactus stuff. Magic stuff is really cool. The character that we're not talking about I was like… All right, but- Alex:                 We can talk about him. We can spoil it. Pete:                I think it's- Alex:                 We spoiled so much this podcast. Pete:                This continues to be a really fun book and if you would have said- Alex:                 It's Wolverine. Pete:                Wolverines. Wolverine. But yeah, I mean, you would think like okay, Marvel Zombies all right, how long we doing this, but this really is a fresh take on it. And it's very enjoyable. Alex:                 I agree. I'm very nervous, concerned about what will happen at the last issue when we get to that. Moving on to Seven Secrets #3 from Boom Studios written by Tom Taylor illustrated by Daniela De Nicolo. This issue we're following who we still think is our main character but we're not 100% sure, as they go on a mission to become the new secret keeper for this organization. Still don't know what the secrets are, still don't know what's going on. Pete:                Yeah. Alex:                 We just know somebody evil is gunning straight for them. Another great issue of this book as Tom and company continued to build out the mythology. How'd you feel Pete? Pete:                Yeah, I liked this. Again, we kind of don't know. I mean, if I'm risking my life over a briefcase, I might take a peek. But I think that this is very creative in the way that it kind of tells his story as it unfolds and the touching like 15 gifts from the father for the 15 years he wasn't there. That got me, that got me a little bit. That was pretty awesome. I've been really impressed with the characters in the book and their story and kind of how this is all moving forward. A lot of great action. Yeah, this continues to impress. Alex:                 Yeah, great book and Daniela De Nicolo's art is also real good, it's very anime… Excuse me, manga inspired. Yeah, but it feels like the halfway point way point. Pete:                The mustache guy reminds me of the guy from Voltron. The new Voltron [crosstalk 00:36:07]- Alex:                 Interesting. I don't know what you're talking about, but I appreciate it regardless. Before we wrap up here, let's do it. Let's get into the X/10 of Swords block. Three issues out this week. Hellions #5, written by Zeb wells and art by Carmen Carnero. New Mutants #13 written by Ed Price and art by Rob Price. Cable #5 written by Jerry Duggan and art by Phil Noto. Versus last week, where we got a little more of an overarching story each one of these is very much its own thing. Alex:                 In Hellions we get that team heading off into other world to basically cheat the whole sword contest that's going on by stealing Arakko's swords. In New Mutant's we find out how Cypher is dealing with fact that he's supposed to be a sword bearer. Answer is not very well. And in cable, he is dealing with a sword of his own. When the last we left him, he was with Cyclops and Jean Grey on Sword, the actual space station the people, we find out what happened to them, and what happens next. This is great. I was a little worried that this crossover was going to be just one thing after another just following up on it. But I love that each one of these individual interweaving stories, and I thought each of these issues was a ton of fun all on its own. Pete I know you liked last week's issues. How'd you feel about this one? Pete:                I did. I really liked the break from the stacking insane idea on top of insane idea and like here we're just going to have like a showdown you bring your best, we'll bring our best, bring a sword, let's settle this. But this gets a little derailed by the Lollipop Guild where they sit around a table and makes insane decisions like “Hey, we're going to do this big battle to the death, but why don't we cheat? Right? Because we're on our own island by playing by the rules so fuck it let's just cheat, and just throw a wrench in the whole fucking thing.” Alex:                 So this is in Hellions by the way just to clarify what's going on here. I love this issue. Zeb Wells writes the crap out of these characters. His Empath is such a horrible asshole in a hilarious way. Mr. Sinister is great. Pete:                The cape bit is just glorious. It's really fun. Alex:                 Oh my god. So funny. Just, it's a funny book. And I appreciate that in the middle of this like… Particularly coming off of, I think, the last issue was Storm being like, “I need to potentially destroy a relationship with my husband because it's the head of the world and I need to invade Wakanda.” And then this issue, Mr. Sinister's like wrestling with a horse most of the issue is great. That you could have these different tones of this world is so much fun. Pete:                Yeah, it's all right. Alex:                 And then of course, there's New Mutants, which is I think one of the greatest issues of all time that really just really digs in on Cypher as a character. One of the greatest characters of all time. Gives him his due in the sun, shows up what was going on with Warlock, trains with Krakoa, plays on his insecurities, but in the right way, and fleshes out his relationship with Krakoa, just a great issue across the board. And I know I'm using a sarcastic voice, but I also actually think that. Pete:                The art in this book is glorious. The Krakoa, trying to stop him and talk to them but like “If something happens to you I won't be able to…” I thought that was great. But at this point, I'm like, “Okay, guys, a lot of build up to the sword fight. Can we get to this goddamn sword fight.” Like, do I got to sit there and see everybody's origin story to how they got their sword. Alex:                 There's 10 swords. They're not even halfway through. They'll get halfway through, they'll have all the swords and then they'll have a bunch of fights. Pete:                Yeah. Alex:                 Come on. Pete:                Now hopefully I make a [crosstalk 00:40:12]- Alex:                 And Cable, also fun with like some terrifying weird alien enemies, that was super fun as well. Just a fun month across the board. Right Pete? Pete:                Sure. Yeah. What a month. What a year. Everybody's having a blast. Good times. Alex:                 Yeah, I just ordered a shirt online, actually, they said “2020 having a blast.” Pete:                Oh, man. Yeah, I mean, I'll look forward to hopefully getting to the fight. Just, I don't know, I think the last month with the three titles or last week, whatever it was, I thought was better, getting me hyped for this thing, but after this week, I'm kind of like, “All right, get me there already.” But hey, people like reading stuff in between their comic books pages, apparently, because man, they're doubling the fuck down on that. Alex:                 Oh my gosh. Pete:                And at this point I'm just to do it. Alex:                 Well, I liked these quite a bit. I had a fun time this week. And I'm glad to read all three of them. Pete:                Did you like reading about the sword instead of seeing it? Just reading about how much it weighs and that kind of stuff? Alex:                 You know what they say, do you bring an essay to a sword fight? Pete:                Ah right, right. Alex:                 If you'd like to support this podcast, patreon.com/comicbookclub. Also we do a live show every Tuesday night at 7:00 PM. Pete:                We sure do. Alex:                 We do Crowdcast and YouTube, come hang out and check it out. iTunes, Android, Spotify, Stitcher or the app of your choice to subscribe and listen to the show. At Comic Book live for this pod. You can, I don't know, socially or whatever. ComicBookClublive.com for this podcast and many more. Until next time, we'll see you at the virtual comic book shop. The post The Stack: Rorschach, Commanders In Crisis And More appeared first on Comic Book Club. Support the show: https://www.patreon.com/comicbookclub See omnystudio.com/listener for privacy information.

This Week Josh ,Clay, Kyle, and Daniel discuss DCU and the CW's Stargirl (Spoilers)  We hope everyone stays Safe and Healthy. Please WEAR A MASK & WASH YOUR HANDS!    Previously on Next Issue [1:00 - 33:00] Comics Mentioned: Year of the Villain: Hell Arisen James Tynion IV, Steve Epting (Illustrator), Javier Fernández.  March: Book One by John Lewis, Andrew Aydin art by Nate Powell (Artist). Death Metal #2 Scott Snyder, Greg Capullo, Jonathan Glapion, Francisco Palencia. Strange Adventures #3 Tom King, Mitch Gerards, Doc Shaner  Titans Together DC comics Digital First Spider-Woman #2 by Karla Pacheco & Pere Perez  Avengers #33 by Jason Aaron & Javier Garron Giant Size X-Men: Magneto by Jonathan Hickman & Ramon Perez The Movie Palm Springs on HULU briefly discussed, Non Spoilers talk   Main Topic [33:00 - 01:14:00]   Stargirl Episode 1 through 9 Full Spoiler conversation  Stargirl Theories for the rest of the season Stargirl Wish list   News update [01:14:00 - 01:18:00] Possible Gotham Central TV Show Batwoman casting news   Recommendations [01:18:00 - End]  Josh: March Vol 1-3 by John Lewis, Andrew Aydin art by Nate Powell (Artist). Pathfinder 2E Humble Bundle!   Clay: Mad as Hell: The Making of Network and the Fateful Vision of the Angriest Man in Movies   Kyle: Crisis on Multiple Earths collections  Daniel: Cursed on Netflix based on the book by Tom Wheeler Illustrated by Frank Miller colored by Tula Lotay. The Old Guard Movie based on the comic by Greg Rucka & Leandro Fernandez  SUBSCRIBE, RATE and REVIEW!  Thank you!  Follow us on twitter @nextissuepod Twitch.TV/NextIssue and Facebook  Clay: @Clay_Harrison Kyle: @Kylepedia Adrian: @Adrian_Harry Daniel: @eckospider Josh: @cosmosis

Isaac de la Rocha y Valentín García dan un vistazo a Mister Miracle (2017), la maxi-serie de 12 números escrita por Tom King e ilustrada por Mitch Gerards. Además: Orígenes. Mister Miracle y los Nuevos Dioses de Jack Kirby, y otras series del Hombre Milagro. Autores: Un breve repaso por la carrera de Tom King. FICHA COVACHA Mesa: Valentín García e Isaac de la Rocha. Set: Isaac de la Rocha. Edición: Valentín García. Perriita: Meru. Apoyo Técnico: Izcohatl Morales. Fecha de grabación: 9 de julio, 2020.

This Week Daniel, Clay, Josh and Kyle discuss comics based on pre-existing properties.  Note - We recorded remotely and the first few minutes the audio is not up to par but it gets better Previously on Next Issue Segment [1:00 - 13:00] Daniel - Wonder Twins Vol.1 Activate! By Mark Russell / Steven Byrne Josh -  Strange Adventures #1 by Tom King, Mitch Gerards, Evan Shaner Kyle - Flash 750, Star Wars, Anime - Bakuman Clay - Strange Academy Main Topic [13:00 - 36:00] Comics based on pre-existing properties Mentioned Mortal Kombat Planet of the Apes Comics Youtube video mentioned by Clay HERE Transformers Power Rangers Dungeons and Dragon Rick & Morty vs DnD Recommendations [36:00 - End] Josh - Humble Bundle: Doctor Who Comics and Audiobooks Clay - Planet of the Apes: Visionaries by Dana Gould, Rod Serling, Pierre Boulle, Chad Lewis & Paolo Rivera Kyle - Transformers / GI JOE Omnibus Daniel - Naomi Season One by Brian Michael Bendis, David Walker & Jamal Campbell SUBSCRIBE, RATE and REVIEW!  Thank you!  Follow us on twitter @nextissuepod Twitch.TV/NextIssue and Facebook  Clay: @Clay_Harrison Kyle: @Kylepedia Adrian: @Adrian_Harry Daniel: @eckospider Josh: @cosmosis Hail Beebo!

Vous adorez la dépression, les syndromes post traumatiques c’est votre passion et vous ne lisez que des comics avec des personnages torturés ? Vous allez adorer la bd dont on parle cette semaine, Heroes in crisis de Tom King qui joue les psy pour les personnages de chez DC comics.Mais comme d’habitude on commence avec les news :- Les gens qui continuent à forcer sur la Snyder Cut- Panini Comics qui publie le reboot de Buffy chez Boom Studio- Le retour du Lyon Comic Gone en 2020- Une série en préparation sur Sin City Puis on passe au titre de la semaine : Heroes in crisisLe comics dont nous parlons dans cet épisode, Heroes in crisis est écrit par Tom King. Le scénariste anciennement membre de la CIA à qui on doit The Vision (dont on a déjà parlé dans l’épisode 33 de la saison 01) ou encore Mister Miracle (dont on a aussi parlé dans l’épisode 38 de la saison 03). Dans Heroes in crisis, il invente le sanctuaire un endroit où les héros peuvent aller pour réparer les traumatismes de la vie super héroïque. Il va arriver quelque chose et les héros en crise vont devoir enquêter sur cet événement. Tous ça sublimé par les dessins de Clay Mann et Mitch Gerards. Si vous voulez nous rejoindre pour le récap de Watchmen rendez-vous mercredi à 21H sur notre discord.Vous pouvez aussi nous envoyer vos avis et théories par mail: jamesetfaye@gmail.comSi vous êtes sur Montpellier et que vous avez envie de rejoindre l'équipe n'hésitez pas à nous contacter. Vous pouvez nous retrouver sur nos réseaux sociaux :Facebook : https://www.facebook.com/ComicsDiscovery/Twitter : https://twitter.com/comicsdiscoveryInstagram : https://www.instagram.com/comicsdiscovery/ Vous pouvez nous écouter sur :Spotify : https://spoti.fi/2Qb8ffDAusha : https://podcast.ausha.co/comicsdiscoveryItunes : https://apple.co/2zw9H1QDeezer : https://www.deezer.com/fr/show/55279 Sans oublier le replay en vidéo sur :Youtube : https://www.youtube.com/c/ComicsDiscovery Venez discuter avec nous sur Discord:discordapp.com/invite/GsBTkDS Si vous voulez nous soutenir vous pouvez le faire sur :Tipeee:https://fr.tipeee.com/james-et-faye Et pour retrouver tout notre contenu vous avez notre site web :Le site de James & Faye : https://jamesetfaye.fr/

107: Just Another Fanboy - Heroes in Crisis This is the episode in which I talk about Heroes in Crisis from Tom King, Clay Mann, Mitch Gerards, Travis Moore, and Jorge Fornes.There's a new kind of crisis threatening the heroes of the DC Universe, ripped from real-world headlines by CIA operative turned comics writer Tom King: How does a superhero handle PTSD?Welcome to Sanctuary, an ultra-secret hospital for superheroes who've been traumatized by crime-fighting and cosmic combat. But something goes inexplicably wrong when many patients wind up dead, with two well-known operators as prime suspects: harley Quinn and Booster Gold! It's up to the DC Trinity of Superman, Wonder Woman and Batman to investigate -- but can they get the job done in the face of overwhelming opposition? This collected edition features the entire nine-issue miniseries!. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . The theme song used in each episode is Night Drive by The Oldfield Victory. Find them and their music at theoldfieldvictory.bandcamp.comWant to help support the show? You can do that in a number of ways:First, just spread the word. Tell a friend, tell two friends, tell your father, mother, sister, brother, neighbor, coworker, plumber, and even the guy or girl who cuts your hair.Beyond that you can support Steeven and the show for as little as a dollar a month on Patreon: www.patreon.com/steevenrorrOr, if the idea of a monthly payment doesn't appeal to you and you just want to throw the show a one time payment, visit ko-fi.com/steevenrorr and buy Steeven and the show a coffee for as little as $3, but as high as you want to go.Here is the address to complain to: feedback@steevenorrelse.comJust Another Fanboy is a proud member of the Comics Podcast Network. Find it and more great comic book podcasts at comicspodcasts.com

Episode Notes This is the episode in which I talk about Heroes in Crisis from Tom King, Clay Mann, Mitch Gerards, Travis Moore, and Jorge Fornes.There's a new kind of crisis threatening the heroes of the DC Universe, ripped from real-world headlines by CIA operative turned comics writer Tom King: How does a superhero handle PTSD?Welcome to Sanctuary, an ultra-secret hospital for superheroes who've been traumatized by crime-fighting and cosmic combat. But something goes inexplicably wrong when many patients wind up dead, with two well-known operators as prime suspects: harley Quinn and Booster Gold! It's up to the DC Trinity of Superman, Wonder Woman and Batman to investigate -- but can they get the job done in the face of overwhelming opposition? This collected edition features the entire nine-issue miniseries!. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . The theme song used in each episode is Night Drive by The Oldfield Victory. Find them and their music at theoldfieldvictory.bandcamp.comWant to help support the show? You can do that in a number of ways:First, just spread the word. Tell a friend, tell two friends, tell your father, mother, sister, brother, neighbor, coworker, plumber, and even the guy or girl who cuts your hair.Beyond that you can support Steeven and the show for as little as a dollar a month on Patreon: www.patreon.com/steevenrorrOr, if the idea of a monthly payment doesn't appeal to you and you just want to throw the show a one time payment, visit ko-fi.com/steevenrorr and buy Steeven and the show a coffee for as little as $3, but as high as you want to go.Here is the address to complain to: feedback@steevenorrelse.comJust Another Fanboy is a proud member of the Comics Podcast Network. Find it and more great comic book podcasts at comicspodcasts.com

GoBots with Tom Scioli and how he has evolved past being a Kirby knockoff. Alex Toth and Jack Kirby. Facetasm by Gary Panter and Charles Burns. Tom joins us after a while and talks Mr. Miracle by Tom King and Mitch Gerards. Umbrella Academy on Netflix as well as the comic by Gerard Way and Gabriel Ba. Doom Patrol on DC Unlimited. Marvel Netflix shows and their possible future at Disney. Weatherman by Jody Leheup and Nathan Fox, and much more.  

¡Ya está aquí! ¡En Viajeros del Infinito! ¡El superescapista más prodigioso de todos! ¡MR.MILAGRO! En este programa viajaremos al Cuarto Mundo de Jack Kirby para hablar de esa creación suya que son los Nuevos Dioses. Hablaremos de todas esas series y cabeceras posteriores seguidas por otras de los continuistas John Byrne, Walter Simonson y Grant Morrison hasta llegar al pelotazo de Tom King y Mitch Gerards. Coger vuestra caja madre y viajar con nosotros a Nueva Génesis, a los pozos del infierno de Apokolips, al “Fourth World”. No dejeis que se os escape este programa. DARKSEID ES.

¡Ya está aquí! ¡En Viajeros del Infinito! ¡El superescapista más prodigioso de todos! ¡MR.MILAGRO! En este programa viajaremos al Cuarto Mundo de Jack Kirby para hablar de esa creación suya que son los Nuevos Dioses. Hablaremos de todas esas series y cabeceras posteriores seguidas por otras de los continuistas John Byrne, Walter Simonson y Grant Morrison hasta llegar al pelotazo de Tom King y Mitch Gerards. Coger vuestra caja madre y viajar con nosotros a Nueva Génesis, a los pozos del infierno de Apokolips, al “Fourth World”. No dejeis que se os escape este programa. DARKSEID ES.

Segundo programa de la tercera temporada, episodio que pertenece al mes de febrero de 2019. Programa ya canónico con todas las secciones habituales y el equipo titular al completo. Además de hablar de las mejores lecturas del mes, de lo que está por llegar, de cómics estadounidenses que lo van a petar en un futuro y del mundo independiente; viajaremos al Cuarto Mundo de Jack Kirby para analizar con detalle al personaje de DC conocido como Mister Milagro y desgranar como se merece, en una gran tertulia-debate, la serie limitada de doce números de Tom King y Mitch Gerards de 2017. Y te lo querías perder... ¡Poder cósmico, heraldos! Contenido (febrero de 2019) _______________________________ 00) Intro+Sintonía 01) Presentaciones 02) ¿Qué estamos leyendo? (Mini Reseñas) - Holy Dragon Imperator (Dibbuks/Amok) - Capitán América, la edad dorada (Panini/SD) - El método Gemini (Autsider) - Blackhand & Ironhead (Astiberri) 03) ¡Viva la grapUSA! - Snaglepuss Chronicles (TPB) - Sword Daugther TPB (1-3) - Die #1 (Image) 04) Las cosas que vienen 4.1 IDW: John Byrne's Fantastic Four artists select 4.2 IDW: Dick Tracy forever 4.3 Dynamite: KISS The End 4.4 Valiant: Nueva serie de Punk Mambo 4.5 Grafito: Vampi 2 en marzo 4.6 GP Ediciones: Abraxas 2 ya está en proceso. 05) Pendiente del Indie: -The waves that break -Haunter 06) El cómic del mes: Mister Milagro (DC Comics/ECC Ediciones) 07) Despedida y cierre Síguenos en Twitter: @heraldogalactus, en Instagram: @heraldogalactus9 y no olvides visitar nuestra página web: www.heraldodegalactus.com

The first episode with Jaimie & Iann together is a DOOOZY! In this episode the boys check out everything from a new Conan, to a lost Frankenstein to a disappointing Dark Knight. Along the way they discover the joy of BBQ Black Metal, the end of punk rock, the worst way to find a lady skinhead, mace and moshing and much more. Books include: Conan #1 by Jason Aaron & Mahmud Asrar, Avengers #12 by Jason Aaron & Ed McGuiness, Batman #62 by Tom King & Mitch Gerards, Savage Dragon #242 by Erik Larson, Murder Falcon #4 by Daniel Warren Johnson, House Waxwork #3 by various, Dick Briefers Frankenstein, The Fearsome Doctor Fang by The Chun, Mike Weiss, & Dan Mcdaid, and more!

Another awesome episode in the can! This week: Jaimie learns the difference between Cenobites and Symbiotes. We also talk Batman #59 by Tom King & Mikel Janin, Savage Dragon #240 by Erik Larson, Black Hammer Age Of Doom #7 by Jeff Lemire & Rich Tommaso, Carnage Born #1 by Donny Cates & Danilo S. Beyruth, Venom by Donny Cates & Iban Coello, Murder Falcon #2 by Daniel Warren Johnson, Mister Miracle #12 by Tom King & Mitch Gerards, Black Order #1 by Derek Landy & Philip Tan plus a discount bin dive with Swamp Thing & Tigra! All that and so much more!

It has been a month sense the court last met for their signature "Main-Cast" and what a month it has been. Drew, Ben, & Sledge convene to see if they still know how to make a podcast (spoiler alert: just barely). This week they tackle: Will they go see a PG-13 Deadpool, and why does such a thing exist? Speak in platitudes about Tom King and Mitch Gerards and the ending of Mister Miracle Talk about why Ben & Sledge should never have a working light saber. Why the answer to the question: "Should we kill Jason Todd?" needs to always be yes. And finally Ben and Drew will wrap up Grand Rapids Comic Con coverage Happy Thanksgiving Nerds!

Today, Graeme McMillan and Jeff Lester have a hefty two and a half-hour installment where we cover the recent spate of comics news, a look at the first few parts of the No Surrender storyline in Avengers, Mister Miracle by Tom King and Mitch Gerards, a discussion of characters as opposed to takes, the Netflix adaptation of The End of the Fucking World by Charles Forsman, a very spoiler-filled discussion about Star Wars: The Last Jedi and our good old pal much, much more! Comments on the show are available at waitwhatpodcast.com, we welcome your questions at WaitWhatPodcast@gmail.com, and we invite you to look out for us on Twitter, Tumblr, and Patreon!

Today, Graeme McMillan and Jeff Lester return with two hours and forty-five minutes of comic book chit-chat, including a twitter interview conducted by Jeff with the talented and generous Gisele LaGace of Menage a 3; a New York Comic Con report by Graeme; Marvel and the Terrible, Horrible, No Good, Very Bad Convention; discussion about third issues of Metal and Mister Miracle by Scott Snyder and Greg Capullo and Tom King and Mitch Gerards, respectively, and much, much, really very much more. Comments on the show are available at waitwhatpodcast.com, we welcome your questions at WaitWhatPodcast@gmail.com, and we invite you to look out for us on Twitter, Tumblr, and Patreon!

My thoughts on the first issue of the DC Comics maxiseries Mister Miracle by Tom King and Mitch Gerards.

Welcome to Comics from the Multiverse, our DC comics podcast starting with DC Rebirth where we discuss and review the major new DC comic books every week! Our special 52nd episode includes each of our top 10 DC characters. Plus the final issue of The Button and the announcement of Doomsday Clock. Comics discussed this week: 08:38 - The Flash #22 (Joshua Williamson and Howard Porter) 48:39 - Teen Titans #8 (Benjamin Percy, Dan Abnett & Christopher Priest and Khoi Pham) 56:59 - Batman #23 (Tom King and Mitch Gerards) 42:59 - Superman #23 (Peter J Tomasi & Patrick Gleason and Doug Mahnke) 1:14:32 - Green Arrow #23 (Benjamin Percy and Juan E Ferreyra) 1:24:15 - Nightwing #21 (Michael McMillan and Christian Duce) 1:33:57 - Green Lanterns #23 (Sam Humphries and Eduardo Pansica) 1:41:11 - Batwoman #3 (Marguerite Bennett & James Tynion IV and Steve Epting) 1:49:43 - Super Sons #4 (Peter J Tomasi and Jorge Jimenez) 1:55:59 - Trinity #9 (Francis Manapul) 2:03:35 - Best art, cover and books of the week. 2:16:26 - Our Top 10 DC Characters patreon: https://www.patreon.com/mildfuzztv twitter: https://twitter.com/Mild_Fuzz facebook: https://www.facebook.com/mildfuzznetwork

El Comic por Julián Clemente, José Bravo, Joan Rovira y C.J. Navas Slumberland es posible gracias a Nuestros Mecenas en mecenas.podstar.fm. Oyentes como tú que nos ayudan comprando en nuestras tiendas afiliadas. CONTENIDO [01:34] Follow Up: [03:29] Noticias: Joan: Wonder Woman. El Feminismo como SuperPoder. Publicación de un Ensayo de Elisa Mccausland. Residencia de novela Gráfica en la Maison Des Auteurs Angouleme 2017-2018. Candidaturas hasta el 15 de mayo. Nueva vuelta de tuerca al museo del Cómic Principales revistas científicas sobre cómic (mundo hispanófono, europa y américa) Bernie Wrightson. La Expresión del Horror. de Yexus (Jesús García Sierra) Bravo: El estreno de Spider-man Homecoming se retrasa del 7 al 28 de Julio Edición coleccionista de Marvel vs Capcom Infinite 19 de Mayo ya tenemos Injustice 2. Nueva serie de Tom King y Mitch Gerards, basada en el Cuarto Mundo. Omnibus de Cuarto Mundo. Julián: Relanzamiento en R de Hellboy. Anya Taylor-Joy y Maisie Williams confirmadas para The New Mutants. Habrá teleserie de Juez Dredd. Y animada de Masacre. Cancelada Powerless. Faltan tres episodios por emitir. Agentes de SHIELD ha renovado, todavía falta el último episodio iZombie, SÍ YA ESTÁ CONFIRMADA., pero Rob Thomas está convencido que sí. Gotham tendrá cuarta. ¿Por qué suena esto? Series y estrenos: Los Upfronts 2017/18 en Series basadas en Comics. Mecenas y oyentes: [40:46] Recomendaciones: Bravo: Spidey Julián: ¡Universo! De Albert Monteys Joan: Corto Maltes. Fábula en Venecia. Y tb la Venecia secreta de Corto Maltés. CJ: El Club FDS / Revista SFX CONTACTO ¡Contacta con Slumberland por e-mail, Twitter y Facebook, y suscríbete a nuestro canal de Telegram! No te pierdas ningún episodio suscribiéndote en: iTunes / Overcast / PocketCasts / iVoox / Spreaker / Soundcloud / Stitcher / RSS.