Podcast appearances and mentions of Jean Gray

Joe from Shit You May Not Have Seen Podcast/the bands Go Down Fighting and Man Must Die, jois us this week. And his pick is somewhat controversial: Immortal Technique's second album second album Revolutionary Vol. 2. In true unsung style, it ends up leading to a massive debate about separating art and artist, all whilst looking closely at his politics and dissemination of conspiracy theories. Felipe Coronel fled Peru's civil war as a child, became a battle rap champion, and built a career on politically charged underground hip-hop - but how much of his "truth-telling" is actually that? We get into the weeds with that and much more. Highlights: [00:02:00] - Fash comments on recent anti-fascist videos [00:04:00] - Joe's hip-hop origin story since 1992 [00:13:00] - Chris's deep-dive into Technique's Peru background [00:30:00] - InfoWars appearance discussion begins [00:33:00] - Sandy Hook moment that disgusts Chris [00:38:00] - COVID conspiracy theories breakdown [00:44:00] - Andrew Tate connection revealed [00:53:00] - Revolutionary Volume Two track-by-track [01:00:00] - Jean Gray vocabulary study tangent [01:18:00] - "Point of No Return" analysis [01:22:00] - "Dance With the Devil" storytelling masterclass [01:33:00] - "You Never Know" - the other narrative banger [01:40:00] - Mark's final verdict on the confrontational tone [01:47:00] - Bonus Peru World Cup conspiracy (Chris's Nexus moment) [01:51:00] - Next week: Casey Chaos compilation with Dave Weaver

Host Y. M. Nelson and author and guest Perry C. talk about what they loved about the continuing series X-Men '97 and what they look forward to in the upcoming seasons.Topics we discuss:Cyclops character changeAnimation style changesNightcrawlerStorm and GambitAdult-friendly dialogueWhy continuation works here instead of a rebootWeek-to-Week formatEPISODE FIVE(!)Rogue's originsSneak PeeksPunk Storm and character historyThe politics of X-MenWhere will the store goRacismEaster EggsGoodreads ratingShow us some love with a text!Get "Star Date" for free when you subscribe to the Nerdy Romantics Newsletter: Go to https://nerdyromanticspodcast.com/subscribe/ Support the show*Note: some links to book recs are affiliate links. This means I receive a small commission when you buy. This does not affect the price you pay.#booktube #movietubeStay in touch with Nerdy Romantics Podcast Get Show notes at https://nerdyromanticspodcast.com Get a FREE romance eBook when you subscribe to my newsletter Be a part of our nerdy romantics community Follow me for show behind the scenes Instagram Facebook TikTok Tell someone about the show!

If You Liked It, You Should've Put a Collar on It Special Guest, Sydette @BlackAmazon, joins the crew to discuss X-Men 97 03:35: New Show! Can Melissa Eat It?  05:52: X-Men 97 First Class? 07:07: Pit Stop for Power Rangers talk 09:18: Overall feelings about season one 12:15: Melissa hates on Jubilee 14:04: Storm sees Sunspot, pops her balloon 26:00: Experience based Deadbeat Dad Call Out by Jamie 29:45: FoH  35:19: Storm rants about Rogue 42:10: JP drags Professor X 54:42: Jean Gray  57:54: The Return of Messy Morph! 59:39: Fight Scenes!  1:02:06: Revenge Rogue 1:05:58: A Tango for Three 1:08:35: Storm losing her powers 1:13:25: Everybody hates Scott? 1:16:30: Death Bird has a point 1:18:41: One thing you hope is addressed in season 2? 1:22:30: Boneless Wolverine 1:28:05: Age gap relationships 1:30:30: More season 2 hopes 1:34:00: Find Us Online! Check out our carrd to see where you can find us!  https://nerdgasmnoire.carrd.co/ Make sure you join our new discord channel and hang out with the community! discord.gg/7DqMZSy ENJOY! Hosts: De, Jamie, JP, Maria, Melissa, Storm Producer: De, Jamie, JP, Maria, Melissa, Storm Writing Team: De, Jamie, JP, Maria, Melissa, Storm Editor: De Audio Production: De Theme Song: Feelin Good provided by Mike (Pound 4 Pound Podcast) & Marion Moore from ALBM Production Design: JP Fairfield Social Media: Melissa, Storm

Welcome to the most anticipated review and reaction video on the greatest 90s sequel revival, X-Men 97'! Join us as we dive into the Marvel universe with the iconic mutants as they return on Disney Plus. This nostalgic trip will explore the breathtaking adventures of our favorite X-Men, including epic showdowns between Magneto and Professor X. Get ready to explore the evolution of storytelling and animation with X-Men 97', setting new standards in the world of superheroes. Don't miss out on this in-depth analysis and reaction to the iconic X-Men revival that has fans buzzing worldwide.You can also listen to the podcast on your favorite platform and visit the Los Wise Guys website below!loswiseguys.comhttps://linktr.ee/loswiseguysAnd be sure to follow the guys at:Dan - @lwg_danrosadoEslam - @lwg_eslamDisco - @emperor.disco#xmen #xmen97 #marvel #disney plus #animated #90s #90scartoons

WHAT?!? Brent's never seen Superman?!? Yes, and to make it better, I've never seen any of the original Superman films! That gets fixed today! Can I find appreciation for the boy scout now that I am not the edgelord I was in my youth? Will Lois Lane fare better with Anita than Jean Gray did last episode? Will Chris ever let go of his anger for the TV Flash not being used in the Flash film? These questions and more get answered from our Fortress of Solitude and we will see if we can believe a man could fly...Back in 1978! Enjoy the show and hey, tell a friend. Or two. Or more! Support The Show On Patreon - https://www.patreon.com/homevideohustle Check Out The Show On Goodpods - https://goodpods.app.link/n2LK61w5eEb More Movie Reviews on LetterBoxd - https://letterboxd.com/hvhpodcast/ Check Out Book Reviews on GoodReads - https://www.goodreads.com/.../168422134-home-video-hustle Watch Us On YouTube - https://www.youtube.com/channel/UCfN67zqLBcbJNJw1cHI0Hlw Get HVH Merch - https://www.teepublic.com/user/hvhpodcast Promo - What Were They Thinking Podcast - https://www.ageofradio.org/what-were-they-thinking/ Music By: @tradevoorhees - http://tradevoorhees.com/ @ageofradioverse Website - https://www.ageofradio.org/homevideohustle/ Learn more about your ad choices. Visit megaphone.fm/adchoices

This week on the Everything Actioncast, Zach and Chris send their minds 10 years into the past to discuss X-Men: Days of Future Past for its 10th anniversary.The follow-up to X-Men: First Class, Days of Future Past combined the new cast introduced in Matthew Vaughn's movie with the OG Fox X-Men cast for a battle across time as Wolverine (Hugh Jackman) gets his consciousness sent back to 1973 to prevent the events that lead to a dark future where mutants (and their human allies) are hunted by the ruthless robots known as Sentinels. Zach and Chris talk about how terrible the Sentinel design is, the still incredible Quicksilver (Evan Peters) slo-mo sequence, the fun bits of alternate history, how exactly Hank's (Nicolas Hoult) serum gives Charles (James McAvoy) back the ability to walk, the Timecopesque implications of the ending scene and more.X-Men: Days of Future Past is available to stream on Max. Next week, we're diving into Walter Hill's "rock n roll fable" Streets of Fire, which is turning 40.We want to hear your comments and feedback. Send them all to contact@everythingaction.com. Also, let us know your suggestions for movies for us to discuss.Please subscribe, rate, and review us on Apple Podcasts, Amazon Music, Spotify, or wherever you get podcasts. You can also find the podcast on YouTube.Check us out on Twitter (@evaction), Facebook (www.facebook.com/everything.action), and Instagram (@everything.action).

You can find our social media pages on Facebook at https://www.facebook.com/JayNbaypodcast/Twitter: @JayNBaypodcastInstagram: jayandbayneighborgamers

Would you stay in a haunted house for a night for $1,000,000? Better question, would you watch this movie for $1,000,000? Actually would I watch this movie for $10? Well, to find out come listen to the new episode of FROM DUSK TILL DON  where we find the true meaning of, having guns, marrying into money and why hallways covered in cobwebs don't always mean scary, or do they?AND THANK YOU FOR LISTENINGPLEASE FOLLOW THE INSTAGRAM:https://instagram.com/fromdusktilldonpodcast?igshid=YmMyMTA2M2Y=     

"JEAN Gray is NOT MY lov-er. She just a girl that, claimed that iiii AM THE one"

Nueva semana y nuevo episodio de Xmen 97, esta vez se resuelve el misterio de las 2 Jean Gray,See omnystudio.com/listener for privacy information.

In today's episode I speak with a friend who has been along the ride with me since the beginning of my artist community building journey. Born and raised in North Carolina, Jean Gray Mohs is an incredible artist and member of her community with an inspiring story. Jean Gray has a BFA in Painting and […]

We discuss why Nick has a GIF problem, why Emily is obsessed with Donald Glover's Swarm, and why people need to be told not to eat their fruit roll up wrappers.See omnystudio.com/listener for privacy information.

For the first time, some of the Sirens Team members talks about their own family and get very personal. Join us as Raven Rollins, Rick Rollins, Jean Gray, and Rick's cousin Bill Shackleford discuss how they all have a cousin who was taken by homicide. Cases discussed: Chelsea Seifried (Ardmore, OK), Scotty Sheffield (Durant, OK), Jake and Luke Shackleford (Connerville, OK), and Lane Scott (Ada, OK). We hope you never join The Cousins Club. We all float down here. Advocacy. Investigation. Prevention. Storytelling. Find out more about us and our episodes, guests, experts, and more on our website! If you're enjoying our podcast, and want to support us: Please consider leaving a rating & review on Apple Podcasts. It helps get us seen by more advocates just like you! Find and follow us on Facebook, Instagram, TikTok, or Twitter. You can always email us at thesirenspodcast@gmail.com. Subscribe to our Newsletter. Purch some Merch. Buy our Digital Magazine. Another great way to support the show is by making a one time donation through BuyMeACoffee, Venmo, or CashApp. In addition to the Patreon, remember you can support the show via Spotify Subscriptions, and by donating monthly via Spotify for Podcasters with your choice of $ amount. Simply click the link below. --- Send in a voice message: https://anchor.fm/thesirenspodcast/message Support this podcast: https://anchor.fm/thesirenspodcast/support

After 50 years of celebrating hip hop, an MC takes the challenge to create his own list of the top labels, female MCs, groups, albums and MCs, but discovers the true challenge is narrowing them down to his own personal favorite. Learn about the Top 10 Greatest Hip-Hop Albums & MCs of All Time from a discussion about celebrating 50 years of hip hop. It included the top labels, female MCs, groups, hip hop albums, and MCs, and the top 10 greatest MCs of all time. My favorite label was independent Huntside Music, and my favorite female MC was Jean Gray. For the greatest rap groups, honorable mentions included The Ghetto Boys, The Roots, and Cypress Hill, with the Wu-Tang Clan being the number one greatest rap group of all time. Finally, the top 10 hip hop albums included The Chronic and Illmatic, and the top 10 greatest MCs of all time included Nas, Rakim, Jay-Z "I believe in me. So now let's get into the top ten. We got at number ten, the label that produced the Lox, DMX, Eve, Dragon, Ruff Riders." In this episode, you will learn the following: 1. Celebrate 50 Years of Hip Hop: Uncover the top labels, female MCs, groups, albums, and MCs that made the list. 2. Discover the Greatest Rap Groups of All Time: From the Fugees to Wu Tang Clan, explore the top ten greatest rap groups of all time. 3. Uncover the Greatest Hip Hop Albums: From Ready to Die to The Realness, explore the top ten greatest hip hop albums of all time. Resources: www.allhiphop.com, www.hiphopdx.com and www.thesourcemagazine.com Other episodes you'll enjoy: Episode-101 Equity featuring She Get's It Podcast, Episode-105 Posse and Episode-108 Urban Love Connect with me: Instagram: https://www.instagram.com/therealrodes Facebook: https://www.facebook.com/rodes live podcast YouTube: https://www.youtube.com/rodes hunt Twitter: https://www.twitter.com/huntsidemusic LinkedIn: https://www.linkedin.com/rodes hunt Website: www.rodesonline.net Loved this episode? anchor.fm/rodes-hunt --- Support this podcast: https://anchor.fm/rodes-hunt/support

On this episode we interview abstract artist Jean Gray Mohs. We talk about the importance of movement and play in the creative process, communicating your personal story through your art, pursuing opportunities based on the work you make, and building objects as totems of resilience and hope. Stay Connected with Jean Gray: Website: www.myfourdots.com Facebook: https://www.facebook.com/jeangraymohsstudio/ Instagram: https://www.instagram.com/jg.fourdots/ TikTok: https://www.tiktok.com/@myfourdots Apply For Jean Gray's Open Call For Art (Open Until Wed, March 8, 2023) - https://www.myfourdots.com/scaffold2023 Episode Blog Link: https://www.jaclynsanders.com/blogpodcastepisodes/podcast096 Sign up for our studio newsletters at: https://www.AmeighArt.com https://www.JaclynSanders.com https://www.levelupartists.com Connect with us on Instagram: https://www.instagram.com/AmeighArt https://www.instagram.com/JSandersStudio https://www.instagram.com/LevelUpArtists Music by: https://www.coreyclaxton.com Watching or listening to one of our earlier episodes? In 2022, the Art Studio Insights podcast was renamed the Level Up Artists podcast!

Last month, our very own DJ Nath got married to Lonely Hearts' Marty, which is just the excuse the Hot Squad needs to compare their wedding to some famous SUPERHERO weddings. Jean Gray and Cyclops! [47:32] Lois Lane and Superman! [1:21:01] How do the dresses, venues, ceremonies and receptions rate? Featuring permanent panelists Isabel, Nathalie, Josée, Shotgun, and Amelie. Listen to Episode oHOTmu or NOT's 1st Wedding Special below (the usual mature language warnings apply), or subscribe to oHOTmu OR NOT? on Apple Podcasts or Spotify! Relevant images and further credits at: oHOTmu or NOT 1st Wedding Supplemental This podcast is a proud member of the FIRE AND WATER PODCAST NETWORK! Visit our WEBSITE: http://fireandwaterpodcast.com/ Follow us on TWITTER: https://twitter.com/FWPodcasts Like our FACEBOOK page: https://www.facebook.com/FWPodcastNetwork Use our HASHTAG online: #FWPodcasts Support us on Patreon: https://www.patreon.com/fwpodcasts Subscribe via iTunes as part of the FIRE AND WATER PODCAST NETWORK. And thanks for leaving a comment.

Debora talks with artist Jean Gray Mohs, who is a narrative, abstract artist, currently running an open studio at Artspace in North Carolina. Selected exhibits include the Contemporary Art Museum in Raleigh, the North Carolina Museum of Art, and the Greenhill Gallery. Her work has been featured in the Atlanta Journal-Constitution, Southern Living, and Traditional Home and has been shown regionally as well as internationally. https://www.myfourdots.com/links www.instagram.com/jg.fourdots www.artistpraxis.com www.instagram.com/artistpraxis

INTRODUCTION:I consider myself a Serial entrepreneur with a multitude of businesses that I invest my time, energy and heart into. I am hailing all the way from the Caribbean, a small island called St. Croix (Pronounced Saint Croix). Additionally, I served 8 years in the United States Navy where I honed and sharpened my skills at a young age while growing into manhood.A CEO a Real Estate Investment firm and Property Management company based in Virginia. Started an investment firm that seeks to achieve higher returns for its investors, board members and market partners threw traditional markets and alternative markets foreign and domestic. Located primary in the 757 area and growing. Currently manages $330K in assets under management.I am also. Podcast Host of a show called Gentleman Style Podcast. A show dedicated to the upliftment, encouragement of our men and woman across the globe. We are bringing fresh VIBES

Today WhenItWasCool.com takes a look back at the classic 1990s X-Men the animated series cartoon. This cartoon aired during the peak of the X-Men's pop culture hype. The comic books were selling gangbusters and the cartoon series aired to both commercial and critical sucess. Let's take a look back at Wolverine, Cyclops, Professor X, Jean Gray, and the whole X-Men gang in this iconic cartoon series.

Our talk show has spent at least $300 on microphones. Mike gets pissed about the show Gmail account. Thanks to our pal Stevie for the kind words about our show. Do you remember who played Sansa Stark in Game of Thrones? She also played Jean Gray in the latest X-Men franchise. Famke Janssen or the other one? John Scott doesn't know a damn thing about Game of Thrones. Are you down with Morrissey or Mick Marrs when it comes to the Smiths? Remember how funny the would you look at that guy was in 2009?! Email time features 3 great emails from all of you! Thank you for the great show fodder everybody! Remember 311? Scott and Mike are down to come clean on how much they enjoyed the band even though it doesn't help them at parties. Mike's girl is big on everything happens for a reason. Are you like this or do you know people like that? We also have to finish the living in a simulation conversation from last week. We learn what everybody fears the most thanks to a sobering email from Danny. What do you fear? John Scott didn't know who Bruce Wayne was or that he is Batman. The show can't end without a complaint about the gas prices. Give us your thoughts on any of this nonsense by emailing isitsafepod@gmail.com

Jean Gray Mohs is an abstract artist that uses inter-disciplinary techniques to create dynamic and colorful sculptures using materials such as wood, threads, cardboard and more. She is based out of North Carolina, is a homeschooling mom, as well as a double lung transplant recipient. In our chat Jean Gray shared her approach to balancing life and work in isolation for the past few years, while still appearing in a staggering and impressive 12 exhibitions in 2021 alone. Be sure to Jean Gray on Instagram @jg.fourdots, and you can see more of Jean Gray's work and information on her website https://www.myfourdots.com/

This week we chat with one of our favorite folks! Chanel Carroll, actress & entrepreneur, hangs out with the pod and talks to us about her journey breaking into the industry as an actress and performer. Not only is she performing her way into commercials and some of our favorite TV shows, but she also is a media maven and knows all things pop culture - which we STAN. AND as the Founder + CEO of Jean Gray Candle Co., Chanel is giving us the gift of CANDLES! Enjoy 10% OFF your favorite Jean Gray candle by using the promo code: CHIT CHAT! Enjoy the episode! #ChatSoon

Do You Expect Us To Talk? returns with the next Wolverine solo movie. This time the series moves forward instead of pointlessly backwards, creating continuity for other future movies to mess up, while blissfully ignoring the last movie. Wolverine finds him self living the woods having dreams of Jean Gray that have no bearing on the rest of plot. When approached by Yukio, a mutant with the power to forsee deaths, asks him to meet an old acquaintance in Japan who is on his death bed. Offering to take away his power and live an normal life so he can protect his granddaughter Mariko as he fears his son, Shingen may have sinister intentions. Logan finds his abilities fade as he protects Mariko from the Yakuza. Join Becca, Dave and Chris as we discuss how Huge Jackman would make a good Bond, Wolverine being toothless, discovering Colonel Moon is in this film, Discovering the most handsome man is in this film and where did the big bloody fight with ninjas go? You can follow Becca, Chris and Dave on Twitter You can find us on iTunes, Spotify, Stitcher and Google Podcasts, all you have to do is search. Also, if you like us leave us a lovely review as it helps us grow. If that wasn't enough, you can even you can follow us on Twitter and like us on Facebook. Do You Expect Us To Talk Will Return with X-Men: Days of Future Past.

Everyone is a Skrull as information for Secret Invasion surfaces. Is Sony making a Madam Webb movie? The Moon Knight trailer broke YouTube records last week. Then we get into a very heated discussion over Cyclops, Jean Gray and Wolverine.

In the eleventh episode of True Believers, Andrew and chrs take a listener request and watch and review the original X-Men movie trilogy. NOTES: https://www.youtube.com/watch?v=tXFqTGBty1whttps://www.independent.co.uk/voices/ivermectin-dewormer-republicans-rand-paul-b1911392.htmlRogue and Captain Marvel have beef because Rogue stole Carol's powers and also took her memories and psyche. She didn't kill her.The diplomats WERE on Ellis Island.https://www.science.org/content/article/how-europeans-evolved-white-skin-rev2calisto and caliban powersIzzo (H.O.V.A.) by Jay-Z   -    "Not guilty, he who does not feel me/Is not real to me,/therefore he doesn't exist/So poof - vamoose, son of a bitch!"kity pryde actors Sumela Kay and Katie Stuart initially played Kitty Pryde in cameos before Elliot Page took over the role in X-Men: The Last Standhttps://www.youtube.com/watch?v=2djx83-4XNQhttps://www.vox.com/culture/2016/10/2/12818984/junot-diaz-in-conversationMusic: “I Domine” by Shane Ivers - www.silvermansound.comalso, we have a unikitout affiliate code for students in the uk: https://www.unikitout.com/?referal=73320497-43198

When Grant Morrison took the helm on the X-Men, everything was bound to change forever. But no one (except Grant Morrison) could have predicted just how bananas the ride would be. We're breaking down some of the craziest elements that made Morrison's run on the New X-Men so groundbreakingly bizarre.

o Fu Manchu, why he is called the "Deadly Hand", and what happens when an evil doctor tries to teach an octopus Kung Fu. Enjoy this episode of the Doombots Podcast!

So who is killing all of Earth's mightiest heroes? Is it Jean Gray, with the candlestick, in the library? How about Foggy Nelson, with the knife, in the conservatory? Rob and Codey dive deep into Marvel's What If... Episode 3 head first to discuss how this episode is shaping the entire series! Strap yourselves in, superfriends, this gets absolutely wild!

Hop into your big rigs and get ready for a wild ride! In this episode, we're going to be talking about U.S. 1, Marvel's licensed series about a long-haul trucker who also happened to be a superhero.----more---- Episode 12 Transcript [00:00:00] Mike: If you're a middle-aged white guy, maybe trying to sit there and write about the troubles that indigenous people from other countries face, maybe don't do that. Just my ten cents. Welcome to Ten Cent Takes, the podcast where we hand-wave plot holes like it's nobody's business, one issue at a time. My name is Mike Thompson and I am joined by my cohost of chaos, Jessika Frazer. Jessika: Well, hello.  Mike: Hello. Jessika: How are you doing?  Mike: Uh, I am doing a lot better now that I am not on jury duty anymore. So. Jessika: Woo.  Mike: I mean, don't get me wrong. It's a [00:01:00] civic duty that we should all be happy to perform, but it's really nice when you don't have to do it. Jessika: I've been on a jury before.  Mike: Was it, a cool case? Jessika: No, it was a disturbing, unsettling case, but it was still a civic case? It was just, Yeah. It was, it was not great. And I couldn't talk about it. So let's just say I, I took out a lot of my angst with a tennis racket against the wall. Not, not the racket itself, but hitting the ball against the wall a lot. Mike: Yeah,  Jessika: But, civic, duty, it is. So I was 19 at the time.  Mike: I think the last time I had to report for jury duty in person I was 25, give or take. Jessika: Mm.  Mike: And then I got dismissed because they asked me if I would believe a teenager's word over a cop, and at the time I was like, hell no. And these days. Jessika: Yeah. Different opinions now.  Mike: Yeah. [00:02:00] Tangent aside, the reason that we're here on this podcast is because we like to look at and talk about comic books in ways that are both fun and informative. We like to look at the weirdest, silliest, strangest, and coolest moments, and examine how they have been woven into pop culture and history in general.  In this episode, we're hitting the open road of the Marvel Universe and looking at U.S. 1, a 1980s maxi-series about a superhero big rig trucker. But before we go down that road, what is one cool thing that you have read or watched lately? Jessika: So, I had a suggestion made to me by Lauren, from Outer Planes in Santa Rosa. Hey Lauren. And she told me about a comic that is set in the same universe as the Alice in Leatherland that I started reading and I've had on my pull list now.  Mike: Yeah, the one that you mentioned a couple episodes ago?  [00:03:00] Jessika: Yeah. Yeah, exactly. And so it was also from Black Mask and it's called Destiny, NY.  I'm on issue one, which is a veritable chonker,  it's absolutely awesome. There are two girls kissing in a closet within the first three pages, so you know I'm already in. And it's cool because it's set in a version of New York where magic exists, and follows a school for kids that have been told by one seer or another that they have a destiny or a prophecy to fulfill. And the students have different abilities and visual characteristics, like one has a third eye and she's supposed to like, see the greatest lie out of the truths or something like that. And she's like, but I don't even know what that is.  It's all super vague, like these poor kids. And I've grabbed the first five issues, and I will be tearing through these and no [00:04:00] time. I'm sure, cause it's already super fun.  Mike: Yeah, that sounds fantastic, to be completely honest. There was a book that I read about a year ago called Magic for Liars, which is a boarding school for magic users. And then the sister of, one of the faculty is called in to investigate a death, and it's really cool because she's not a magic user, but her sister who is part of the faculty is so it's, it was cool. I liked it a lot. Jessika: That's neat.  Mike: But yeah, that was a cool book.  Jessika: Nice.  Mike: Yeah. Jessika: Well, what about you? What you've been reading, watching, listening to?  Mike: All right. So I'm always mildly embarrassed to admit that I'm a Conan fan, mainly because I think so many people just associate them with Arnold Schwarzenegger and those middling to not-good movies that they made with him in the eighties. Um, yeah, but I really fell in love with his Comics back in 2005 or so,  when they were being done by Dark Horse and they were really, really good. They were these wonderfully dark, low fantasy stories that always seem to [00:05:00] balance like action and tragedy and comedy really well. And Marvel got the character back a couple of years ago, so they've been doing really cool work with them lately.  The new Conan series is really fun and feels really true to the original stories, but they've also displaced him through time, and now they've got them hanging out in the mainstream Marvel Universe via this series.  Jessika: Oh, interesting.  Mike: Yeah. And it's in the series called the Savage Avengers.  It's wild. It's written by Gerrry Duggan, who, he wrote, arguably the best Conan story that I've ever read in Conan 2099, which is they took that Spider-Man 2099 universe, and then they slapped him right in the middle of it.  Jessika: Oh.  Mike: It it's great, like the way that it was written was so perfect. And it's one of those books where anybody who sits there and even if they say they're not a Conan fan, I just say, you need to read this. It's wonderful.  But anyway, so Savage Avengers features him going on adventures with characters like Wolverine [00:06:00] Deadpool, the Punisher and Electra. It's so dumb, but it's so much fun. Like, early on in the series,  he gets a Venom- symbiate joined with them, but it's really weak. So it can only form weapons for him.  Jessika: Okay.  Mike: It's just it, it's great. It's an absolute guilty pleasure, and I refuse to apologize for this. So it was unfortunately not available in Marvel Unlimited, which is probably why I hadn't heard about it, but the back issues are all pretty cheap, and I grabbed a ton of them from Brian's comics on my last run, and I've just been having a blast reading them. We probably should do an episode actually, where we talk about the fact that Conan has been in comics for almost 50 years. And  Jessika: Oh.  Mike: He started at Marvel originally, and now he's back at Marvel, but there was a long hiatus. Jessika: Ooh. I want to hear that arc. Absolutely.  Mike:  All right. Moving right along.  So as tempting as it is to just dive right [00:07:00] into U.S. 1 the comic and its strangeness, I don't think we can talk about it without covering some background info first. So, have you ever heard the term trucking culture before? Jessika: I've absolutely heard of trucking culture, but I'm not too familiar with the intricacies.  My uncle drove a truck for years, but I think he's retired at this point.  Mike: Okay. I think it's something that a lot of people aren't really aware of, or they hear about it and then they start making jokes. Like, I got some glimpses of it when one of my photography gigs have me living on a tour bus for a few months. So, we would visit a lot of legit truck stops in the middle of nowhere. And I'm not talking gas stations, I'm talking full rest stops where restaurants served truckers before other patrons,  the bathrooms had shower stalls and all of the stores felt like kind of miniature Walmarts. They were just massive. And they had anything that you could think of you might need on a long road trip. [00:08:00] It's this side that, if you live in an urban environment folks, aren't really going to see or understand, and it's the staggeringly huge thing that most people never even seem to think about. But I mean, trucking is this major part of the United States and its industry  as noted in this factoid from the American trucking associations, if you would be so kind. Jessika: Nearly every good consumed in the U S is put on a truck at some point. As a result, the trucking industry hauled 72.5% of all freight transported in the United States in 2019, equaling to 11.84 billion tons. The trucking industry was a $791.7 billion industry in that same year representing 80.4% of the nation's freight bill.  Mike: Yeah. It's I was actually, I was really surprised actually to see that it was that much. I assumed that trains [00:09:00] and shipping were at least a little bit bigger. Jessika: No, because we don't here's the problem is that because of the auto industry in the United States, we stifled the ability to make all the train tracks necessary, to get the things to all the places we need. And now it's horrendously expensive to go on a train. Yeah. I don't know that people know that about the United States. So for our international listeners: you can't take trains here, it's very expensive.  Mike: Yeah. First of all, there's no real national rail system. And, and second, the rail system that does exist is prohibitively expensive, unless you are a not far distance commuter.  Like I took Amtrak for a couple, for about a year traveling between Sacramento and San Francisco a couple of times a week. And it was great. It was less expensive to do that a couple of times a week than it was to drive down. But [00:10:00] yeah, it's prohibitively expensive for most people.  Jessika: Yeah. And there are some cities in the United States that do have a decent transportation system. Portland has a decent one in New York, obviously that there are other places to Chicago, yeah.  But I mean, for the most part across country, especially because we're such a large country,  and we are of course expected to share things. California has to share everything. Listen to me, I sound so greedy. Mike: I know. Yeah. What does it, we have the, I think it's like it's top five or top 10 economies in the world. Jessika: We're the top sixth economy in the world by ourselves. Yeah. Yeah. Yeah, So if we just dumped off everyone else, the rest of the states would be screwed. Actually a few would hold their own, but those middlin' states. Mike: Yeah. Jessika: Suffering.  Mike: Well, as big as it is, the trucking industry, as we know it, [00:11:00] isn't even a hundred years old. Uh, yeah, so really, trucks were first used extensively by the military in WWI, and then trucking became prominent in the 1930s because of the increased construction on paved roads. So, it didn't take long after that, before truckers became a part of American pop culture. They started having songs and movies about them. And as noted by Shane Hamilton in his book, Trucking Country: the Road to America's Walmart Economy, there was this mythology that almost lionized truckers.  Jessika: Hmm.  Mike: If you would, uh, do us all the favor of reading out the section that I found that describes it pretty well. Jessika: The image of the respectable trucker circulated outside the world of Hollywood in the 1950s. As truckers became known as the Knights of the Road for helping stranded motorists, and using their blinkers and [00:12:00] headlights as courtesy signals. This image was further reinforced by the standard driver's uniform of the era: trim, neat pants and button shirt, and the chauffeur's cap. The masculine mythologies of trucking moved increasingly into a wider cultural world in the 1950s and 1960s. As the image of the truck driving man was reflected back to truckers by movies and music.  Mike: Yeah. So the 1970s were when trucking hit, it's kind of Zenith point and pop culture. They wound up being presented as kind of this modern version of cowboys, you know, wandering nomads who rebelled against the oppressive rule of law while still operating under their own kind of honor code. There were a ton of movies and songs during this decade that romanticized the trucker life. And a lot of these have since faded into obscurity, but this was the period when we got that song Convoy by CW McCall, which also inspired a movie with a very young shirtless Kris Kristofferson, um, [00:13:00] uh, Smokey in the Bandit came out in 1977 and it was the number three grossing movie of the year behind Star Wars. And there's also a really bad Chuck Norris action Flint called Breaker Breaker. Like it was a moment in pop culture. Jessika: Are you really going to say that a Chuck Norris movie was bad? What if he's right behind you?  Mike: I mean, yeah. Jessika: It's always a threat. Don't don't deny it.  Mike: Man. Remember when we all used to like Chuck Norris and we thought he was cool before we went off the deep end and it turned out he's just the worst. Remember those days? Jessika: Oh no. We have a nefarious character, nefarious character alert.  Mike: Yeah. What a shock.  Jessika: Oh, not on our podcast.  Mike: I know. All right. Well, okay. So the [00:14:00] eighties, this all started to change in the eighties when truckers started being portrayed more villainously, or at least poorly in media, like Thelma and Louise, you've seen Thelma and Louise, right?  Jessika: Yeah.  Mike: Yeah. You remember how there's that gross trucker who keeps on harassing them. Jessika: Yes.  Mike: Yeah. And, the eighties, it was starting to decline, but it wasn't quite there yet. The nineties was when it really picked up and we'll discuss that in a little bit,  Jessika: Hmm.  Mike: But at the time that this comic project started, big rig truckers were still on the high side of public opinion. So we've talked in previous episodes about how Marvel wound up undergoing a commercial Renaissance in the early eighties, under the guidance of Jim Shooter. Particularly, you know, with Saturday morning cartoons and all that stuff.  Jessika: Mm.  Mike: One of the major sources of the success came in the form of toy companies, partnering with the publisher for licensed comic adaptations and arguably, the biggest example of this kind of success came from [00:15:00] partnerships with Hasbro when Marvel created the characters and lore for both Transformers in G.I. Joe. So U.S. 1 was a comic that came about from another partnership, but this one was with a different toy company. It was called Tyco Toys and Tyco wanted to do a licensed comic based on their U.S. 1 brand of slot truck toys.  Jessika: Oh, so this was all based on the Tyco truck, even. truck even.  Mike: Yes, it's a little bit different than the standard Tyco truck, and we'll talk about that in a second, but you know, Tyco probably doesn't sound familiar to people that are younger than us these days, but they were a company that originally made model trains for hobbyists. And then they started making slot car toys in the 1960s, which are the cars that you press the trigger and they go around a track and you can build out the track how you want. So, by the eighties, this brand was the one that was dominating that particular section of the market, the slot car toy section. [00:16:00] And at this point, they decided to create some slot truck toys. It was branded U.S. 1 Electric Trucking, and it launched in 1981. And it was based on the earlier racing sets, but it had a couple of unique features. You could drive the trucks in both forward and reverse, and you could also have the trucks pick up and deliver loads of, and this is the quote, action accessories with that direct interaction from the person operating it. And the tagline was “you control the action”. So I've got this commercial that I found on YouTube, because YouTube has everything and it's actually really cute. You want to give it a shot? Jessika: Sure thing. [00:17:00] Oh, this is really exciting. Oh! That's actually a really fun.  Mike: Right. Jessika: No, that's super freaking fun. That is that's super fun.  Mike: Yeah. So Tyco came to Marvel and they said that they were interested in having a comic adaptation done. And, the comic wound up being written by Al Milgrim, who's actually, he's a pretty interesting dude in comic history, he worked as a writer, and editor and inker, and a penciler during his career. And he was particularly known for this long tenure editing Marvel Fanfare, where I think he edited it for like a decade.  Also the real reason that he's an industry legend though, is because Marvel actually fired him after he hid some messaging in a panel background where he was badmouthing Marvel Harris. The then recently departed editor in chief of Marvel. [00:18:00] Jessika: Oh, damn. That's cold.  Mike: Yeah, it was actually really funny and you can look it up, where he basically wrote some messages vertically on the spines of books in the background of a Spider-Man comic. And there's some weird happenstances about how, I think the editor caught them and had the wording removed. And then, through some error, that image got used instead and went to publish and yeah, it's, it's kind of amazing, but he was actually a full-time employee, which was really rare for one of the people who was actually creating the comics. And so it's this, you know, he was, he was actually fired by Marvel. Jessika: Wow. yeah, From what I've read, most of them were freelance, so that's actually super interesting.  Mike: Yeah.  It's an interesting story. And it's one I would love to talk to him about someday, which we'll discuss that later. I legit love that story about how Milgrim got, let go, because it's totally a move that I would pull. [00:19:00] And then the series was originally drawn by this other long-time Marvel artists named Herb Trimp.  he'd made a name for himself with the Incredible Hulk, and also he is known as the first artist to actually draw Wolverine for publication because he drew the, he drew the issue. John Romita came up with the character design in sketch, but he was the one who actually first drew him in a comic, which was cool. Jessika: That's super neat. Mike: Yeah. And so Trimp also, wasn't a stranger to projects like this. He had recently worked on G.I. Joe. He wound up penciling the first two issues, and then Frank Springer came in to finish out the series, and Springer was another reliable artist from Marvel and he had also been involved with G.I. Joe and Transformers. Milgrim actually has an essay at the end of the first issue called In the Driver's Seat, where he talks about the comics. And it starts with how Tyco asks for the common treatment and then goes into his first meeting with Jim Shooter about the projects. And I kind of love this description where he talks about how he wasn't [00:20:00] really sold on the idea originally. Jessika: Frankly, I wasn't sure. Nobody had ever done anything with trucks and comics before. When I voiced the concern to Jim, it was as if I had slapped his face and challenged him to a duel. Exactly! He exploded. Nobody has done it before. Maybe nobody thinks it can be done. There may even be a lot of resistance to the idea, but we can do it and do it well. I got caught up in the challenge, Jim and I did not fight a duel to the death, lucky for him. Instead, we began discussing the idea of a truck driving hero. We talked about the romance of driving a truck, the dedication of those self-sufficient loners who drive the big rigs, we got swept up in the notion, began to solidify the concept of a trucker with a mission, a goal, a quest.  Mike: Yeah, it's kind of charming to hear how enamored he got with the project during that first meeting. [00:21:00]  The essay also mentions that Marvel's animation division, which as we've also covered in that episode about Saturday morning cartoons, was a thing that they had, was working on what sounded like a TV show pitch. And there might be some toys and animated series in the future, but spoiler, that never happened. I'm curious, how would you summarize this comic series? Jessika: A lot happened. So a lot happened. This series was wild from start to finish. It starts with introductions to Ulysses Solomon Archer, or USA, and his brother, Jefferson, or Jeff after their parents who are truck drivers die in an accident, US and Jeff are raised by Wide Load,. Who's a woman, and Poppa, who are the owners of a truck stop named Shortstop. Mike: We need to stop this for a second. You need to, you need to acknowledge them by their full [00:22:00] names. Jessika: I'm sorry. Remind me what Poppa's name is.  Mike: Poppa Wheelie, and it's Wide Load Annie, and Wide Load Annie. Jessika: Okay. Let me re say that. Okay. Excuse me.  Mike: I'm sorry. It's just it's too good. Jessika: No, you're right. I'm not even going to cut any of this. I'm just going to leave it. No, you're right. I couldn't, you know what, honestly, because I couldn't remember what their full names were when I was writing this out. I was like, this is good enough. So, so yeah, they're the owners of a truck stop called Shortstop and US is this All-American blonde haired, white boy, who has it all going for him. He's literally good at everything without trying. And he's encouraged by Wide Load Annie and Poppa Wheelie to get a college education, even though he knows he wants to be a truck driver, just like his folks, and his adoptive parents and his big brother, Jeff, who he idolizes. [00:23:00] And Jeff is your classic, dark haired boy who just can't seem to keep up with US's successes, and also becomes a truck driver obviously, and seemingly mostly as a backup profession, which is kind of interesting how they they're both like encouraging and disparaging of truck drivers inparts. And I'm like, it's kind of strange. There's a give and take. I don't know what it is. I don't know if you felt that too.  Mike: It's the whole thing of, he is not good. Jefferson is billed as being not good at school, but US is. And so they're like, no, you have to go to college, you have to make something of yourself. And Poppa and Wide Load and Jefferson all support him and send him to school. And Jefferson is doing it via job in trucking. Yeah, they talked about how expensive colleges in those days. And I'm like, my dudes, it's 1980. You could literally go to college on a minimum wage job. And it talks about how also, I think he had scholarships and. Jessika: Cause he was good at [00:24:00] everything.  Mike: and he double majored in computer  Jessika: Electronics. Yeah, exactly.  Mike: Electrical engineering, I think. And then, and then. Jessika: Computer sciences. Yeah. Uh, Yeah. it was a whole thing.  Mike: It's a thing. Exactly. Jessika: So during a drive with a young US, Jeff's big rig is run off the road by a devilish figure he calls the high women just prior to driving off a cliff. The truck explodes and Us is gravely injured in such a way that he evidently needs a skull replacement? Mike: You know? Sure.  Jessika: Have you heard of that? Mike: No. Jessika: Usually with a skull replacement, you're going to be a lot worse off than just, like, gonna in a pop awake in a couple minutes after you put something metal back on there,  Mike: Yeah. It's, uh, I believe they worded it as, oh, is this experimental treatment and I'm like, what? Okay.  Jessika: Which already was so [00:25:00] sus.  Mike: Yeah. And they, basically replace his skull with it's, in this comic, it's implied that it's like just the top part of his skull that like, you know, protects the brain. Later comic appearances, it is very strongly hinted that they basically do a brain transplant into, or, that they basically just give him a metal skull of some kind. It's like, there's no bone to be seen, but. Jessika: Like a new head completely? Lord. Goodness gracious. Well, so after that, he vows to find his brother who he's like, I couldn't find him in the crash. It's like, bro, like you kind of couldn't look for him. You had a concussion, like you're not an expert in finding bodies in an explosion. I don't know how he just definitively was like, well I guess everybody else told him that, that he, the body was never found or whatever, [00:26:00] but. Mike: Yeah, that's true. Jessika: Yeah. So he decided he's gonna find his brother as well as the mysterious Highwayman that he yelled about right before. And he quickly finds out that he can pick up CB radio waves from his fancy new skullcap, and somehow has truck becomes self-aware and he can communicate directly with it? And it's making its own decisions. Inexplicably. It's not well explained, once again.  Mike: It's so truck originally, he builds a remote control into like a half dollar, so he can drive it really like, like a precision driver with his remote. But then later on, I think there's, it was like some kind of like a lightning strike or something or electrical overload that then allowed him to directly interface with the truck. And then the truck is also self-aware at times where it's providing narration for an entire issue. And we'll talk about that, too. Jessika: Yeah, that's what I was going to say. [00:27:00] It was the weirdest thing.  I was kinda on board with most of it. And then the truck was having its own inner monologue. And I was like, wait a second, guys.  Mike: Yeah. Jessika: Oh, goodness gracious. And then there's also a spy planted within the truck stop in the form of a mind-controlled waitress, Mary McGrill, which their names, all their names.  Mike: The alliteration and stuff and puns. It's great. Jessika: Exactly. It's so cheese. I love it. And she uses this wacky mind control whip, and there's drama about the truck stop being foreclosed upon and being sold to make condos. And, and then DUN DUN DUN! Jeff turns out to be the Highwayman! And they are aliens looking for the best person, read trucker, you know, of course on earth to be some kind of space ambassador? Mike: Yeah. It's not well explained.  [00:28:00] I think it had something to do with they wanted people to pilot their star ships,  because they were like accustomed to like long bouts of being on their own and stuff.  Jessika: Yeah, it was, it was a whole thing too. And then apparently all humans look alike to the aliens.  Mike: I thought that was funny as fuck. That was.  Jessika: I thought that was hysterical  Mike: Because the aliens are so weird looking. Jessika: Yeah. Yeah. And so apparently they had been scoping US this whole time, cause he's like the golden child, but then they accidentally swooped Jeff instead, because they made a mistake and Jeff was just like, yeah, I'm going to go with it. So once they figured out their mistake, they felt really bad about wasting all of their time and effort on this, this putz. And so then they of course had to have a race to make sure who was the best one to be the space ambassador, whether it was [00:29:00] going to be US, who dun dun dun the aliens gave him the skullcap!  Mike: Yup.  Jessika: Or his brother who has been working with the alien tech and has, like, a time advantage and a training advantage. So it's of course, US wins. I mean, come on. So of course they just get sent up into space? And he gets to take the whole truck stop with him? And all of the people? Mike: Yup. Jessika: It's the Rapture? Mike: Yeah. And then the greedy bankers who are left behind, who are going to take the property that the truck stopped. I think they, they wind up getting dosed with some kind of radiation. Jessika: Yeah, the, they were going to build condos on the land and then it ended up being radioactive. And so the buyer ended up pulling out. Mike: Yeah, Jessika: Like right there, because that's how that works.  Mike: Yeah. Jessika: So yeah.  The end. That's it. Mike: Oh yeah. [00:30:00] And then the other thing is that for the first half of the series,  we are given to believe that the Highwayman is demonic in origin. Like they do a whole thing where,  he's got his own mind-controlled, big rig that runs them off the road or whatever. And, he's surrounded by devils when he's looking down triumphantly on the wreckage and there's, you know, it's the mythology of the open road where they're like, oh, he was this trucker who, apparently, couldn't keep up anymore with the younger truckers and their newer rigs. So we cut a deal with the devil and it was, I actually kind of dug it. It was ridiculous. And over the top, but it was great. And then it turns out it was just, I don't know, some disguise that he put on just the fuck with everybody. Jessika: He did the Scooby Doo unveiling where he pulled a rubber mask off of his face, and I about lost my mind.  Mike: Yeah. Okay. What was your overall impression of the series? Jessika: It was a fucking [00:31:00] wild ride, but it was fun. I liked that it was so random at times. It legitimately kept me guessing the whole way. The topics though, they were not subtle with the overbearing American patriotism and the overt disdain for neo-Nazis, which obviously I'm behind. Mike: I mean, whatever that was fine. Jessika: that was great when they dropped the, the neo-Nazis in Televiv. Mike: Oh God. Well, and the funniest part was they were, so  one of the  antagonists for us is Baron VonBlimp, who pilot, he, he looks like, he looks like kind of this weird aristocrat from like turn of the century, Europe. No, he's I think he even has a monocle. And then towards the end, when he shows up in his blimp, he drops out and he's got a bunch of Nazis with them and, you know, they've got the swastika, armbands and everything, and then it's revealed they're not actually Nazis and he's not even German. He just liked how the uniforms looked. And then the aliens are like, whatever we're [00:32:00] done with this. And they literally hand wave them away into Israel. And I was like, that's, that's just magnificent. Just chef's kiss. Jessika: Oh, yeah, I did actually really like that. So, so what about you? What did you think about this?  Mike: I mean, it's one of those comics where I never expected to enjoy it as much as I did, but there's something so silly and pure about this entire story. It feels like the kind of thing that a five or six year old kid would come up with while playing with their trucks, you know, like monsters and aliens and races against air ships. And then you hand wave away things when you want to change the narrative. And it  somehow kind of works actually. Like, I don't know how, but it kind of does.  I really loved, like I talked about, I love Baron VonBlimp, I thought he was just so weird.  And then I liked how the Shortstop is essentially the Mos Eisley Cantina, but it's got better coffee. [00:33:00] And it seemed like every time that we first visited the place, someone was getting thrown through a window, which was of. Jessika: Absolutely. There was always a fight scene. It reminded me of a saloon, like one of those old-timey saloons with  people getting thrown out double doors and things crashing.  Mike: Yeah. And then we talked about how US' his truck was self-aware, but, but I love the bit where Papa refers to it as a she and the trucks that there and says I'm not ashamed, but I'm secure enough in myself. That it's fine.  Jessika: Yeah.  Mike: I was like, that is weirdly topical through a 2021 lens, but this is also really good. And also every cover to this comic, it is a work of art.  Like, like the styles vary, but they're really cool looking and they're just really weird. Yeah, I mean, it was just, it was a blast. Were there any highlights for you, or any lowlights. Jessika: So I have to say my eyes just about rolled out of my [00:34:00] head, where the aliens showed up and needed chicken parts to make their ship work correctly. And the rivalry between the two female characters was pretty contrived. Mike:  I did like how  they were trying to sit there and spin it so you didn't know who was the sleeper agent? I thought that was kind of cool, but yeah, they were, you know, they were fighting over Us and that was dumb, but it's also, you know, it's the 1980s. What are you gonna do? Jessika: Exactly. Had to have some sort of, you know, forced love triangle of some nature. But I have to say I was oddly charmed at the editing notes from Ralph Macchio, all people? Mike: Uh, editor with the same name as the, yeah. Jessika: Oh, okay. All right. Wow. Goodness gracious. Cause I was like giving that guy a lot of credit.   Mike: Nope. Jessika: I did like that though. I did like the little comments, the little editing notes,  it was a little much [00:35:00] sometimes, but I love that he was throwing shade at the writers sometimes, or reminding the reader about the previous events or where you could read about them. And it was interesting how in depth they recapped each issue, but it must've been nice for the readers who weren't starting from issue one.  Mike: Yeah. And especially because it was a maxi series and then it started in mid 1983 and then it ended in late 1984. So, it went from monthly to bi-monthly, and it was not a big name comic in the first place, so it makes sense that they would sit there and provide that background for readers. And I also really appreciated that it was all the same characters over and over again, so that it wasn't doing anything crazy new, but at the same time, each of those issues you could pick up except for the last couple. Pretty easy to understand. Jessika: Yeah. I would say so.  Mike:  I mentioned earlier that  this was another licensed comic that was designed to help promote a toy line, but as [00:36:00] opposed to G.I. Joe and transformers, though, this wasn't nearly as successful. Comichron, which is a site that tracks sales data for comics doesn't have 1983 data in place yet, but the site comic book, historians has this incredible online community. And I actually wound up posting there and asking if anyone had any insight into how the comics sold and Al Milgrim himself wound up chiming in if you would be so kind.  Jessika: I'm sorry, what? That's cool as heck.  Mike: Yeah.  Jessika: Wow.  Mike: Yeah.  Jessika: Okay. Well, I got a, sorry, I got a little nervous. Oh sure. I think the first issue sold around 160,000 or so, not great for a first issue, but respectable. Marvel only contracted with the toy company to do a dozen issues. I'm sure the sales went downhill from there. Still think the book was some good silly fun though (I may be [00:37:00] biased).  Mike: Yeah, I was really stunned. This, the comic book historian group actually has a lot of amazing industry professionals involved in it. I've seen writers like Mark Wade chime in, the owner of Mile High Comics routinely posts about comic book history as well. They have a podcast and a YouTube series. They did a long series of interviews with Jim Shooter that was really cool, which actually, I think did a lot to kind of redeem his character a bit because a lot of people viewed him as a villain in the comic book and yeah.  Jessika: Oh.  Mike: But yeah, Milgrim was super cool to chime in on that. And I wound up talking to him briefly afterwards and he said, he'd be open to doing an interview with us at some point. So maybe there'll be a  Part two to the U.S. 1 episode.  Jessika: That's exciting.  Mike: Yeah.  The comic series ran for roughly a year and a half and it ended in October of 1984, the U.S. 1 toys were moderately more successful, they lasted until 86. And then after this trucking and pop culture continued to undergo this shift. [00:38:00] And it feels like the nineties, as I said, was when things really started to significantly change. We talked about Thelma and Louise. There was that Kurt Russell trucking movie called Breakdown, where the villains were truckers. And then. I mean, it's kind of still how they're portrayed these days  in media. I really don't think it helps that the FBI released this five-year study back in 2009 that linked long haul trucking to serial killers. Jessika: Oh. Wow.  Mike: Yeah. And it's one of those things where it's not saying all long haul truckers are a majority of long haul, truckers are serial killers, but that there are a number of serial killers who are long haul truckers. And it makes sense because there's a lack of supervision. And also you can pick someone up in one state, killed them in another and then drop them off, dump the body in a third. And also a lot of times the people that they pick up are people that no one really misses. Jessika: Yeah. Yeah.  Mike: On that high note.  [00:39:00] The funny thing is that this isn't where Ulysses S. Archer's story ends. So even though this was a licensed comic book for a company that was eventually acquired by Mattel,  it seems like Marvel still owns the rights to the characters themselves because Ulysses pops up every now and then he's usually like the supporting character but sometimes it's as to this one-off deep cut. So he appeared in a couple of issues of John Burns, Sensational She Hulk in the early nineties, he was supporting the She Hulk for a few issues. There was a brief cameo and the 2010 series new Avengers where he applied to be a babysitter for Luke Cage and Jessica Jones' daughter  Jessika: Oh, geez.  Mike: It was, it was actually pretty funny. He wound up helping out Rocket Raccoon in this backup story of a 2011 series called the Annihilaters, and then he also teamed up with Deadpool around the same time. And that's the issue where you see, it looks like he's actually got a fully replaced skull made out of metal. They, they, they do one of those like cross section cuts where you see [00:40:00] where you see underneath the scan, it looks like he's got just an all-metal skull. Jessika: Yeah.  Mike: Yeah. And then after that,  we haven't heard much about him in the Marvel Universe, but weirdly his brother Jefferson has appeared a bit too. So, he was listed as a character in the Dark Reign files, which was a who's who guide to various Marvel villains in 2009. And it actually retcon his story. Basically it claims that the highway man, after staying on earth wound up actually cutting a deal with Satan, in quotes, whoever that is. And then he wound up fighting against ghost writer. And then aside from the issue where Deadpool teamed up with his brother, he winds up fighting against Deadpool again in 2016 or so. Jessika: That's super random.  Mike: Yeah. And now we're in 2021 and it's been a few years since we've seen Ulysses and his friends show up. But I personally think that we're kind of overdue to have them come back like. Jessika: I [00:41:00] want to see Poppa Wheelie in something.  Mike: Right.  I would love to see him show up as a strong support character in one of those like heroes on the run stories where, whatever hero of the book is being pursued by,  the government or something like that. And then he basically winds up providing kind of a mobile base of operations or something like that. And then he helps them keep our heroes one step ahead of the law.  Jessika: Yeah. Like he floats down on the Shortstop, like space station or something. Yeah. That'd be cool as heck.  Mike: Yeah or something,  I mean, there's so many different ways you could go, you could have him come back to earth and he just winds up working as a trucker again, because that's what he really likes. He misses driving through the natural beauty of America, something like that. You know, I think there could be some really fun opportunities.  And I really hope that Marvel brings him back at some point, because he was just this really fun, weird character. And it was strange and it was silly, but it was also very sweet. So that is U.S. 1 in a nutshell, [00:42:00] what are your final thoughts on it? Jessika: I think it was a lot of fun. It was bananagrams, you know, all the way to the top, but  it was fun.  Mike: Yeah.   All right. It is now time for that part of the episode called Brain Wrinkles, which is when we like to discuss things that are Comics related that are just sticking in our head and won't get out. Do you mind if I go first?  Jessika: Oh, please do.  Mike: All right. I was going to talk about the recent news that Marvel's hired someone to direct Blade, but I'm actually way more excited about something else. There's this podcast called Comic Book Couples Counseling, which is this absolutely rad show. It's hosted by married couple, Brad and Lisa Gullickson, and they take relationships between comics characters, and then examine them through the lens of different self-help love gurus.   So they've been super supportive of us so far. Like they've actually retweeted [00:43:00] our stuff and their show is really fun. But, I was recently reading through a whole bunch of nineties Valiant comics that I managed to pick up from the Bat Cave in Santa Rosa when they have this blind box sale. And one of the series contained in these boxes is called the Second Life of Dr. Mirage. And it's one of the series that I collected when I was a kid it's about this married couple named Hwen Fong and Carmen Ruiz, who were his pair of psychologists. Hwen is this kind of like nebbish little guy, and Carmen is this bruiser, like, she's the bad-ass of the pair. There's this early scene where she winds up saving him from zombies because she's a master of Kappa Wera, which is, you know, it makes sense, cause she's from Brazil. And then in the first issue, they run a foul of Valiance resident necromancer named master dark and he kills Hwen, but then Hwen comes back as a ghost, sort of a ghost kind of a thing. Jessika: Hm.  Mike: But I was reading through the series and I was really struck how this was a superhero comic that actually focused on an [00:44:00] adult relationship and relationship issues that come along with the supernatural stuff, like early on Carmen has a pretty heartfelt talk with her undead husband about how difficult it is for her emotionally, because he's still with her, but she can't touch him. Jessika: Oh my god.  Mike: And anyway, so I wound up tweeting about it, cause I thought the couple would make a good topic for Comic Book Couples Counseling, and they wound up picking up all the back issues like that day. And they're going to do an episode about the characters. So I'm super excited to listen to this.  Jessika: Oh, that's super fun.  Mike: Yeah, Jessika: See, and I was going to talk about the same thing.  Mike: I'm sorry, I stole your thunder. Jessika: No, that's okay though. They're so good. So I'm that person who has to start from episode one, because. Mike: They've got a lot of episodes too. Jessika: They do they're back to 2018. So  I just went all the way back and it's so [00:45:00] fun though. I like to get that rapport. I like to make sure I have that parasocial, you know, relationship really hooked in there with all the podcasts I listen to. So, the first section that they did cause they always do kind of like a month at a time, focused on one set of characters. The first one was the relationship facets of Jean Gray and Scott Summers from the X-Men. And I love the X-Men. So, it was really neat to hear all of the different ways that they had a relationship and then they were comparing it to a book about relationships. It was very interesting. It was very topical, and I liked that they also are very sweet and introspective about their own relationship. Mike: It's really lovely.  Jessika: Yeah. And like what they can do, what they can take out of it to apply to their own marriage, which is it's so sweet. So thank you guys. You guys are great.  Mike: Yeah. Comic Book Couples Counseling, Brad and [00:46:00] Lisa, absolutely friends of the podcast.  Jessika: Absolutely.  Mike: And you know, if they ever want to come on here, they are more than welcome and we will talk about whatever they want to talk about.  Jessika: Open invitation. I'll even read a I'll even. I'm not in a couple, but I'll read a self-help book. Like if that's what it takes.  Mike:  All right. I think that's all from us. we'll be back in two weeks and until then, we'll see you in the stacks.  Thanks for listening to Ten Cent Takes. Accessibility is important to us, so text transcriptions of each of our published episodes can be found on our website.  This episode was hosted by Jessika Frazer and Mike Thompson written by Mike Thompson and edited by Jessika Frazer. Our intro theme was written and performed by Jared Emerson- Johnson of Bay Area Sound, our credits and transition music is Pursuit of Life by Evan MacDonald, and was purchased with a standard license from PremiumBeat. Our banner graphics were [00:47:00] designed by Sarah Frank. You can find on Instagram as @lookmomdraws. Jessika: If you'd like to get in touch with us, ask us questions or tell us about how we got something wrong, please head over to tencenttakes.com, or shoot an email to tencenttakes@gmail.com. You can also find us on Twitter, the official podcast account is @tencenttakes. Jessika is @jessikawitha, and Jessika is spelled with a K, and Mike is @vansau, V A N S A U. Mike: If you'd like to support us, be sure to download, rate and review wherever you listen. Jessika: Stay safe out there.  Mike: And support your local comic shop.

Do You Expect Us To Talk? returns with the next Wolverine solo movie. This time the series moves forward instead of pointlessly backwards, creating continuity for other future movies to mess up, while blissfully ignoring the last movie. Wolverine finds him self living the woods having dreams of Jean Gray that have no bearing on… Read the full article

Jean is an ordinary person who survived ritual and sadistic abuse. She came forward as a witness to the kind of abuse that is real and to support others who have been through similar situations. Jean is working toward an LCSW, (Licensed Clinical Social Worker), so that she can counsel those who have lived through trauma.Important Topics-Her experience being trafficked by her family-What are the coping mechanisms that she had then and still uses now as an adult to move past fear-How her grandmother was supporting her-Disempowering moments and experiences that she had growing up-Her experience when her mother killed her twin -On her having Dissociative Identity Disorder (DID)-What she remembers when her mother killed a boy-What are the coping skills that helped her get through an abusive childhood-What Dialectical Behavior Therapy (DBT) is and how to do it-What her favorite room is and why-What people can do to support survivors-What people should do if they suspect a sign of abuse-How is she a Force For Good in the worldQuotes“Stand up and speak out. Even if you only think it might be happening. Stand up and speak out!”“Every religion has its bad eggs and every religion has people who are being abused.”“I'm being a Force For Good by speaking for those who still cannot.”Connect with Jean:Send me an email and I will forward to Jean for you two to connect.Diane@DianeHalfman.comOther links and resources:Free Gift from Diane (5 Moves to RESET Your Power) - https://ResetYourPowerGift.comFree Gift from Diane (Life RESET Quiz) - https://LifeResetQuiz.comBANKCODE - https://MyBankCode.com/VictoryDiane Halfman's website - http://www.DianeHalfman.comWant to know more about yourself?Some people ask me how to RESET their life.Some people ask me how to be more sensual.Others are wondering how to make more money.How to be more successful.How to start a business.All of these questions and more are what I answer in my programs!Come see me at http://www.DianeHalfman.com

X-Men: The Last Stand -- Directed By: Brett Ratner -- Written By: Simon Kinberg & Zak Penn -- Starring: Hugh Jackman-- Halle Berry-- Ian McKellen-- Patrick Stewart-- Famke Janssen-- Anna Paquin-- Kelsey Grammer-- James Marsden-- Rebecca Romijn-- Shawn Ashmore-- Aaron Stanford-- Vinnie Jones-- Elliot Page-- Daniel Cudmore-- Ben Foster-- --The human government develops a cure for mutations, and Jean Gray becomes a darker uncontrollable persona called the Phoenix who allies with Magneto, causing escalation into an all-out battle for the X-Men.-- Give us a follow on Twitter & Instagram @nerdinion And, give a 5-star review anywhere you can! Cheers!

Big Chuck, Tim and Dan discuss their playthrough of the Magneto Ultimate Encounter (spoiler alert they got a bunch of stuff wrong!) as well as ruin their friendship over the Jean Gray Card Reveal and the Omega Red Panel 2 Play. Make sure to tune in to get your own player copy of the League Kit! Twitch: Twitch.tv/professionalcasualnetwork Youtube: https://www.youtube.com/channel/UCfUOaJjpMfgRFWL7Z996lyQ A special thanks to our Patreon backers who helped support us at Patreon.com/professionalcasual :Thank you! Joe J., Zachary D., Jared S., Michal N., Taylor M., George F., Philippe B., BroadCastle, Tom M., Nicholas W., Frost Father, Jonathan L., Simon P, Gareth G., MadDormouse, Jacob Y., GM James, Sir Allanon, David R., Bryan Y., Stephen, William B, Sean s, Bryan Y, Travis F, William S., Path!, William P, Teemo, Marc G., Simon W., Jake C., Heber R., Theo A., Bennett E., Ben R., Jacob P., Darren M., Vaughan A., Lemmy, Craig G., Kevin C., WreckMyPodcast, Charlie S., Jarrod C., Anthony R., Michelle A., Sarah B., Emily, Dan C., Chris C., Adam D., Lars, , Connor, Blairin, RC, Dani, Lars, Throlash, Daniel S., Andrew M., and Lindsay F. Use Code 'professionalcasual' for 15% off RAZE Energy: https://reppsports.com/?rfsn=5472644.3e7a1c&utm_source=refersion&utm_medium=affiliate&utm_campaign=5472644.3e7a1c Drive-Thru RPG: https://www.drivethrurpg.com/browse.php?affiliate_id=3002007 Professional Casual Gear: https://teespring.com/stores/professionalcasual Bearded Dragon Games (Pick up all your gaming needs): BeardedDragonGames.Online (use code 'PCME10' for 10% off your order!) Built Bar (Use link or use code 'professionalcasual' at checkout for 10% discount): https://builtbar.com#?baapp=PROFESSIONALCASUAL Skillshare (get 2 months free, or 30% off the annual sunscription): skillshare.eqcm.net/Q5mR9 Our Giveaways: Professionalcasual.com/giveaways

This week,The first and only Female coach in NFL history joins the guys.Ray, Psycrotes, & Matt Fischer from Scissorfist talk to Dr. Jen Welter.Jen speaks about what it was like to be on madden, her career playing, being the first female coach in NFL history. She also talks about rugby songs and more. Plus out OH THE HUMANITY! Segmentwww.thehhpod.com

This week I'm joined by Lindsay from the Schlock and Awe podcast to discuss an early 90s curio starring Famke Janssen. Before she was Jean Gray, she was Lady X, a role she would probably like to forget about. But we won't! Follow this podcast on Twitter @CAWPodcast, FB, IG, or YouTube under Customers Also Watched, Letterboxd under AlsoWatched, or email customersalsowatched@gmail.com. Part of the Prescribed Films Podcast Network (www.thepfpn.com). Follow Lindsay's podcast on Twitter and Instagram @schlockandawe1

In this episode Jake and Eli discuss Jean Gray aka Marvel Girl aka Phoenix aka Dark Phoenix and explain their top five least favorite heroes some of which are not bad, some that are disgraces, *cough Deadpool cough* and some that should be ERASED FROM EXISTENCE! --- This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app

This week we read the 2011 comic X-men Age of Apocalypse. Join us as we travel to this non-canon monochromatic world. New movie episodes every Monday. New comic episodes every Thursday. 

TV & Movie Reviews: X-Men: Last Stand (2006) The guys are back to finish the original X-Men trilogy with Last Stand. Chris and Dave both saw this at the cinema but does it hold up? Plot Summary: The human government develops a cure for mutations, and Jean Gray becomes a darker uncontrollable persona called the Phoenix who allies with Magneto, causing escalation into an all-out battle for the X-Men. If you want to contact the show please get in contact on our social media channels: www.twitter.com/comicsinmotionp thecomicsinmotionpocast@gmail.com --- Send in a voice message: https://anchor.fm/comics-in-motion-podcast/message Support this podcast: https://anchor.fm/comics-in-motion-podcast/support

On this week's comic book review podcast: Riverdale Presents South Side Serpents #1 Archie Comics Story by David Barnett Art by Richard Ortiz Captain Marvel #25 Marvel Written by Kelly Thompson Art by Lee Garbett The Department of Truth #5 Image Comics Written by James Tynion IV Art by Martin Simmonds Firefly #25 BOOM! Studios Written by Greg Pak Art by Pius Bak Future State: Suicide Squad #1 DC Comics Written by Robbie Thompson, Jeremy Adams Art by Javier Fernandez, Fernando Pasarin Future State: Superman vs. Imperious Lex #1 DC Comics Written by Mark Russell Art by Steve Pugh Future State: Dark Detective #2 DC Comics Written by Mariko Tamaki, Joshua Williamson Art by Dan Mora, Giannis Milonogiannis Future State: Legion of Super-Heroes #1 DC Comics Written by Brian Michael Bendis Art by Riley Rossmo Future State: Aquaman #1 DC Comics Written by Brandon Thomas Art by Daniel Sampere Future State: Batman/Superman #1 DC Comics Written by Gene Luen Yang Art by Ben Oliver Post Americana #2 Image Comics Written and art by Dave Skroce Daredevil #26 Marvel Written by Chip Zdarsky Art by Marco Chechetto & Mike Hawthorne Monstress #31 Image Comics Written by Marjorie Liu Art by Nana Takeda The Other History of the DC Universe #2 DC Comics Written by John Ridley Art by Giuseppe Camuncoli Nailbiter Returns #9 Image Comics Written by Joshua Williamson Art by Mike Henderson X-Men #17 Marvel Written by Jonathan Hickman Art by Brett Booth Spawn #314 Image Comics Written by Todd McFarlane Art by Carlo Barberi The Last God #12 DC Comics Written by Phillip Kennedy Johnson Art by Riccardo Federici Something is Killing the Children #14 BOOM! Studios Written by James Tynion IV Art by Werther Dell'edera Strange Adventures #8 DC Comics Written by Tom King Art by Mitch Gerards and Evan “Doc” Shaner An Unkindness of Ravens #5 BOOM! Studios Written by Dan Panosian Art by Marianna Ignazzi Colonel Weird: Cosmagog #4 Dark Horse Comics Written by Jeff Lemire Art by Tyler Crook SUBSCRIBE ON RSS, ITUNES, ANDROID, SPOTIFY, STITCHER OR THE APP OF YOUR CHOICE. FOLLOW US ON TWITTER, AND FACEBOOK. SUPPORT OUR SHOWS ON PATREON. Full Episode Transcript: As Alex:                 What is up everybody? Welcome to The Stack. I'm Alex. Justin:              I'm Justin. Pete:                I'm Pete. Alex:                 And on The Stack, we talk about a bunch of comics that have come out this week, kicking it off with Riverdale Presents: South Side Serpents from Archie Comics, story by David Barnett, art by Richard Ortiz. This is part of a slate of comics that Archie has started releasing that aren't exactly in continuity with the shows, but they include the characters the way they appear on the show. They're kind of like halfway between the monthly comics and the shows themselves. This with a Madam Satan one-shot spinning off and Chilling Adventures of Sabrina that we talked about. This one of course is spinning off of Riverdale [crosstalk 00:00:46]. Pete:                I wish I would've known that before I read it, because I read it and I was like, “Holy shit, everything's going to change.” Alex:                 Yeah. Well, no, it's out of continuity. Pete:                They killed some people in this comic. Alex:                 They straight up killed some people. I got to tell you, I mean, to start there, I was surprised how hardcore this was. Justin:              Me too. This book went hard from beginning to end and I will say, “I like this.” To me, I mean Archie Comics for a decade has been taking big swings with a lot of their choices, a lot of their … especially their one shots like this and they're limited series. But with this like putting it in between Riverdale featuring Toni Topaz here which was great. And then having both Hot Dog show up drawn like Hot Dog from the Double Digest. As well as a murder happening involving Hot Dog, I was like, “Okay, we're going for it here.” Alex:                 So the plot of this book if you haven't picked it up is that Jughead is tasked by FP to go rejuvenate the serpents, FP can see that they're getting older. He wants them to go out, get some young blood in there. Things go very, very wrong. The thing that I think this book did so well is the serpents are way too friendly on the TV show. They're supposed to be the most hardcore biker gang, but they was like, “We're hardcore, we're fucking helping out with community service. And now we're going to assist the police department. Look how hardcore we are.” Here they're an actual biker gag, and they're treated like an actual biker gang. And it works really well to the devastating end of the book. Pete:                Yeah. Justin:              Yeah, I agree. It was also nice to take you back to this time in Riverdale, we're all Riverdale fans, and to sort of position us sort of earlier, this was like season two Riverdale it felt like, was really fun as well. Pete:                Yeah. Alex:                 Good stuff. Definitely check. Oh, go ahead. Justin:              Wait, Pete's going to weigh in. Pete:                I really liked this. I loved all the action, it moves really well. It feels like Riverdale, but it has its own kind of flavor, which is cool for the comic. And I thought the art was great and the storytelling was really impressive how well this moved. I had a great time. Justin:              A lot of biker gangs have a crown that the head of the gang wears. Alex:                 This is true, like the hell's angels. Justin:              Yeah, fairy famously, and some anarchy. Alex:                 [inaudible 00:03:17] biker gang that we can name which is, what is that, Justin? Justin:              That biker game, there's the wheels, the wheelies. Pete:                The Wheelers. Justin:              The wheelers, that's it. Alex:                 Yes. Captain Marvel number 25 from Marvel written by Kelly Thompson, art by Lee Garbett. This is a title that we haven't talked about too much, but as it is hitting an anniversary issue, we do like Kelly Thompson in particular here on the show, I figured it was worth talking about. Captain Marvel is trapped in a post-apocalyptic future where the son of Namor and Amara has lead ways everything, using captain Marvel for his evil plan. As usual with Kelly Thompson book, I thought this is a lot of fun. I had a blast reading this. What about you guys? Pete:                Yeah. I mean, as parents, you have to feel that if your son or daughter stabs a stuffed animal dolphin, you better address that early. Otherwise that's really going to get out of hand and lead you [crosstalk 00:04:14]. Justin:              Well, the question is, at least in my household is it during stabbing practice or is it [inaudible 00:04:19]. Pete:                Oh, oh, oh. Justin:              Because if it's during stabbing practice it's good. Pete:                It's fine. Alex:                 I'll tell you what, quarantine school has been weird. Justin:              Yeah, they're doing a lot of real post-apocalyptic lessons are going around. Obviously Pete you're not a parent, but there is a lot of zombie preparation- Alex:                 Smart. Justin:              … how to, like early cannibalism stuff. Pete:                Is it like machete upkeep and stuff like that? Alex:                 [crosstalk 00:04:44] and the teacher on the Zoom was saying, “Okay first graders, are you distilling your pee properly so you can drink it?” Pete:                Oh my God. That's so creepy. Justin:              That's why it's really important to potty train them, so you don't lose that precious pee. Alex:                 What'd you think about this book, Pete? Pete:                I loved it. Oh, that was gross. Justin:              Precious Pete. Pete:                Oh man, I don't want it. Yeah, I really liked this, a lot of over the top action, which I enjoyed. Fun kind of Namor a story, classic tale of raising somebody who is going to murder their father. It was just classic fun stuff. You guys have to be worried about that, getting murdered by your own kids. That's got to be something that waves on you. Alex:                 You keep throwing this back on us. Pete:                I mean, that's something that you got to be worried a little bit about as a parent that you're raising the person who's going to kill you. Alex:                 I'm much more worried about you killing me Pete than I have my kids at this point. Justin:              100%. Pete:                Oh well, that's smart. Justin:              That's the real threat, keeps us up nights. Alex:                 Speaking of things that are … Oh, go ahead. Pete:                But I love that art. I love the action. This is some great, yeah, the Thor was just fantastic and this is really fun. Justin:              Yeah, Bridget. It's funny reading this alongside Future State over on the DC side of things, because it feels very much like a Future State book in the Marvel Universe. And it's fun, I like books that take us into alternate futures where shits fucked up. Alex:                 Well, let's go to an alternate present where shit is fucked up in The Department of Truth number five from Image Comics written by James Tynion IV, art by Martin Simmonds. This is a big one for anybody who's reading the series. It's about a department that is tasked with taking care of conspiracy theories here. Our main character is finding out a bunch more about the other side, Black Hat, and what's going on with them. Maybe this doesn't change everything, but it certainly comes close to it. How'd you feel about this issue? Justin:              I've not been shy to say I love this series. I think this series is just so present, it's feels so real. It's about how if enough people believe in conspiracy theories, they become real. And like what truth is, it is something I think we as a nation, as a world grapple with literally every day. And so this book does such a good job between the art and the story of really just getting inside my brain. Pete:                Yeah, this is really kind of crazy cool. The conspiracy stuff is one thing, but just the art and the storytelling, unlike how this all kind of unfolds for the main character that we're following here is tripped out in all the right ways. It's just really great kind of like conspiracy story telling that kind of feeds into fears and kind of deep thoughts in all the right ways. I think this is a really creative book that is really doing an amazing job. Alex:                 I feel like we've said this here on the show before, but it struck me with this issue in particular, this feels like a lost Vertigo book down to the art and the writing and everything, and it's awesome. Firefly … Oh, go ahead. Justin:              I was going to say just an excellent Vertigo book. Alex:                 Yeah. A lost Vertigo book that should have stayed lost was what I was saying. Pete:                Whoa. Alex:                 Should've stayed in Karen Berger's drawer. Pete:                Oh, come on, what? You mean drawer? Alex:                 Come on. Pete:                You saying drawer? Alex:                 Yeah, I was trying to say that. Pete:                Okay. Alex:                 Firefly number 25 from BOOM! Studios written by Greg Pak- Pete:                Greg Pak. Alex:                 … art by Pius Bak. We talked about the special, the end of The Blue Sun Rising, just being an awesome Firefly story. Here after all of this prequel stuff, we're moving beyond serenity. We're showing what happens years later. There's a big twists here. I thought this is great. As much as I like the stuff that went before, I'm very excited about this direction for the book. It tells a good story. If you have watched all the Firefly and Serenity, you can jump in right here, you don't have to read anything previous. And that is very exciting. Justin:              Yeah. For Greg Pal to tell a great story that really nails all the characters, but it also feels like it's expanding the universe as a prequel, and then to jump into sort of where the story is continuing from any fan, whatever they've taken in for this show and movie is great, such a smart move, I love that he's guiding this ship. Pete:                I wanted to read something, speaking of fans, a fan of our show reached out to me and was just wondering, we had Fred Van Lente on a bunch, but they're asking me when the fuck Greg Pak is going to be on, so I wanted to kind of turn that over to Alex and just be like, “Hey, when the fuck is Greg Pak going to be on the show so we can talk to him.” Justin:              Let me throw this out to you Pete, are you the fan that reached out to you? Pete:                No. Justin:              Sounds a lot like you. Alex:                 We'll try to have him back on scene, we always love having him of the show. Thanks for writing in, Pete. Let's move over to our Future State block. Here's the issues that came out of Future State this week. Future State Suicide Squad number one, Future State Superman Versus Imperious Lex number one, Future State Dark Detective number two, Legion of Superheroes number one, Aquaman number one, Batman and Superman number one. Now, as we've been doing in the past couple of weeks, instead of talking about absolutely everything, I want to call out what our favorites were, and I'll turn to you Justin first. What was your favorite or favorites from these Future State titles this week? Justin:              Once again, I liked a lot of these books. I feel like they'd been really crushing it, but my favorites were, let me throw it to Superman versus Imperious Lex. Alex:                 Oh, that's what I figured. I say that's what I figured because that was also my favorite. And that's a book, it's written by Mark Russell, who's one of our favorites here on the show, art by Steve Pugh. And it shows a Future State, a future society where Lex has taken over a planet, Superman and Lois come head to head with it. Ridiculous parodied, a lot of fun at the same time, Justin. Justin:              And I do think Mark Russell has done such a good job. He's so good at bringing real issues into his comic book work, famously first on the Flintstones book that he did. And then a bunch of other things that he's done. And this to really weave big interesting ideas about how people, populaces are controlled by their leaders and economics, how economics drives people into a far Future Superman United Planets, Lex Luther story, I think was great. There's a bunch of humor here as well. It's just a book of ideas and I love that. Alex:                 Pete, what about you? What jumped out at you this week? Pete:                I liked Future State Dark Detectives number two. I really liked this kind of like a gritty future Batman. And I also really liked the second story with a Rose, guessing Slade's daughter. But just- Alex:                 That's an in continuity character by the way. That's not just a Future State character. Pete:                Oh, okay. Alex:                 Just for clarification. Pete:                Thank you. Alex:                 But just to mention before you get too far into it, written by Mariko Tamaki and Joshua Williamson, art by Dan Mora, who you love from Once & Future, and Giannis Milonogiannis. And the first story is about Bruce Wayne after he's been “shot and killed” coming back and try to figure out what he is now. The second one is a Red Hood story, which is basically straight up Akira in a very fun way. Justin, what'd you think about this one? Justin:              I like both of these stories. The Bruce Wayne story at the front of this is so good. The art, the Dan Mora art is excellent, and really I would love to see this as just an ongoing series of Bruce Wayne in a future where he has been killed, figuring out what he's going to do next and finding his way back is great. And then the backup story really felt a lot like Nightwing [inaudible 00:13:02] relationship, but put on with Red Hood and Rose, which I thought was a cool sort of mapping, and with the Akira stuff you're talking about as well. Alex:                 The one that I was completely surprised that I loved was Future State Aquaman number one, written by Brandon Thomas, art by Daniel Sampere. I don't usually like Aquaman stories at all, but this one is showing Aqualad all grown up training the daughter of Aquaman and Mera. They accidentally ended up in this conjoining of seas, I think it's called the conjunction or something like that, that travels across different planets. They get trapped, they get separated, Aqualad's been in prison for years. And finally, spoiler, but he gets some hope that the girl he's been in charge with maybe still alive somewhere. This was bad-ass, like we were talking about, this is something that I'm like, “I want to read this book.” And this is such a strong concept right here. I want to see where this goes. I want to see them go through all these seas, go through all these worlds, try to find each other. That's very exciting. And the art from Daniel Sampere- Pete:                Oh my God. Alex:                 … is awesome as well, but fantastic. My jaw dropped, I was so surprised, I like this so much. Pete:                Yeah. And I really liked the Black Manta stuff as well. It was like the right amount of beautiful tripped out colors for all these different kinds of worlds and stuff. I was really impressed by it. Justin:              I also want to throw it out to the Suicide Squad Future State book. This was really great as well. Really surprising, well-written dark take, featuring a ton of characters that I didn't expect to really see together and just really smart observations of these characters. Pete:                The second story, Black Adam really looks like The Rock, it's like holy shit, all right guys, we get it. Alex:                 Yeah, that was a weird one for me. But just to mention the writing team of that, written by Robbie Thompson, Jeremy Adams, art by Javier Fernandez, Fernando Pasarin. And real quick, before wrap up, here are the other ones, Future State Legion of Superheroes number one written by Brian Michael Bendis, gorgeous art as always by Riley Rossmo. And then there's also Batman Superman number one, which is interesting one. Pete:                That's the one I wanted to talk about. Alex:                 Written by Gene Luen Yang and art by Ben Oliver. Because this actually isn't very Future State. This is, if Future State is 10, 15, 20, whatever years down the road, this is five years down the road with our Batman and Superman right before things go wrong, which is a fascinating tack to take, Pete, take it away. Pete:                Yeah, I really thought this was, first off the banter back and forth between Superman and Batman was amazing. I also really liked this kind of false face thing. And then Superman realizing why masks are good was really cool. And I really liked this toad character that was introduced. Yeah, I was really impressed with this. Might not have been that far in the future, but man, this was a really cool book. I really liked it. And I'm trying to think, I also read the Batman: White Knight Presents: Harley Quinn, number four. And that was- Alex:                 Pete. Justin:              Totally [inaudible 00:16:24]. Pete:                I'm just putting it out there, we're doing a quick review thing here. Alex:                 No, no, no, but it's not Future State. Pete:                Well, it is DC. Alex:                 You keep doing this. I send you a list of comics and you are like, I read these five other comics. Pete:                Yeah. Alex:                 I just think that the story is really- Justin:              I just love comics. Alex:                 Great. Pete, when we get to it, I read Amazing Spider-Man as well, so I just want to talk about that. Pete:                Great. I'm just wanting to say real quick though, the Harley Quinn thing at first, the White Knight Presents, I didn't, but now it's really going well and I'm really impressed with it. And I thought it was a really great story and it's worth checking out. Justin:              Really grabbing the mic. Alex:                 How was Usagi Yojimbo, Pete? Pete:                I look forward to checking that out. Alex:                 Wow. Justin:              Wow, shame. Alex:                 What a hater. Post Americana, oh. Justin:              Hold up. One last thing about Future State. I think that DC should do this, pick a month every year, do this. It introduces so many interesting ideas. They could reflect whatever the ongoing stories are in the main titles in their Future State titles, introduce a bunch of new artists and writers into this world. Pete:                I think that's what they're going to do. Justin:              I don't think they're going to do that, but I wish they did. Pete:                I think they are. Alex:                 That's a great idea. I mean it's clearly like it was originally there to give everybody space on the schedule and everything, at least in terms of the writers and artists, but this is great. I'm so happy with all of these books. Pete:                I also wanted to say in the Future State Legion one, the amazing last page, that was a really fun issue. Alex:                 Sure. Justin:              Yes. Alex:                 Post Americana number two from Image Comics written and art by Dave Skroce. This is a wild book, we talked about the first issue of this taking place in post-apocalyptic world. When we left off, our main characters have been captured by cannibals who wear human skin. That's where this issue picks up. Pete, you got to love that, picks up right where it left off basically. Pete:                Huge fan. Alex:                 This book is fucked up at exactly the right way. It's like Crossed, but not as dark I guess, with a little bit more of a mission to it. Justin:              I don't know. It feels a lot just like Crossed. I don't know where you're seeing the less darkness. There's less like coming on bullets before you shoot them at people. Alex:                 Sure, that's fair. Pete:                I would say- Alex:                 But the main lady has no limbs, but she calls her robot limbs and then kicks the ass of the cannibals, so that's pretty fun. Pete:                It's like Iron Man. I would say this is like a really dark version of Wall-E a little bit, like a real fucked up Wall-E. Justin:              Oh, Wall-E, interesting. I don't get that. Alex:                 Well, there's a male character and there's a female character like Eva. Justin:              Oh, interesting. None of them are robots. And there's a lot of other people there and many of them cannibals, which if I remember Wall-E correctly it's very light on cannibalism. Am I wrong there? Pete:                Yeah, it is. Alex:                 Did you watch the director's cut? Pete:                Yeah. Alex:                 It's on Disney plus. Pete:                I was just talking about the people who are on vacation, looking at the news and kind of taking it all in. And that kind of little bit was very Wall-E. Justin:              Oh, I see. Yes. I mean, to be fair, that is reminiscent of Wall-E. That was one panel. Pete:                Still reminded me of Wall-E dickhead. Justin:              You said this book is like a fucked up wall-E, and that is taking one panel and being like, this is … If I heard that description, I was like, “Oh, okay, fucked up Wall-E. I love Wall-E, I wish he was more fucked up. Let me read it.” And I was like, “What's that dude Pete talking about?” Pete:                Because there's one panel that really reminds you of Wall-E. Justin:              Okay, it's hard to argue with you. Alex:                 It's a fictional story like Wall-E. Pete:                Yeah. Justin:              My life's a lot like Wall-E in that I occasionally watch a silent film. Alex:                 This book is insanely over the top odd purpose, but I'm enjoying it two issues in- Pete:                I am too. Alex:                 … and I'm excited to see where it goes. Let's move on to talk about Daredevil number 26 from Marvel written by Chip Zdarsky, art by Marco Checchetto and Meek Hawthorne, Mike Hawthorne. Excuse me, I don't know why it's spelled Meek, like the character for the Guardians of Galaxy, not Guardians of Galaxy, [inaudible 00:20:39], and World War Hulk. Justin:              Yeah, we can just cut this part out of there. Pete:                World War Hulk is right. Alex:                 Mike Hawthorne, this is taking Daredevil who was in prison, mixing it up with King in Black. It is, Ted's fucked up with an amazing last paddle. I'll tell you what, I am vehemently against venomizing everything in the Marvel Universe, yet I love this, and I'm not 100% sure why. Justin:              Well, I think it's just really well handled. There's a sort of kid and parent venomization here that is legit scary. I love the Electra taking over from Daredevils in prison. I love Electra being the Daredevil on the street. That's such a fun story. To see them all having to handle the King in Black stuff is wild. And I loved that it didn't take over, all the characters get to shine still. And this last bit where we … spoiler, but Daredevil gets venomized and you get to be in his head. Pete:                You love that. Justin:              I loved it. I thought it was so smart. Pete:                Yeah, I was really … There's a lot in this comic which is great. A lot of very interesting ideas in this comic, the whole prison scene, and where Daredevil's getting kind of lectured and talking about the difference between white and black. He can just take off the mask and be somebody else, really powerful stuff, really cool. It's very interesting to see Kingpin. I am not tired of this idea of Kingpin being a public figure. And we know him as this evil person and he's like, it's just very … I love this idea and I'm not sick of it. And I hope it continues around Daredevil. Alex:                 One thing that I really loved was getting to see the moment when the mayor of New York finds out that venom symbiotes have attacked the city. I feel like that's something that you'd never really get to see at all in a comic book crossover, because it's always focusing on The Avengers, focusing on the superheroes. You never get to see the government, except later on when captain America is like, “Can you send out the national guard?” And they're like, “Yeah, absolutely.” You never get to see that moment they're like, “Oh, aliens attacking again. You got to get out of here.” Justin:              It's funny too because I feel like I've heard mayor de Blasio talk a lot about them, the venomization of New York. Alex:                 Oh yeah, he always talks about that. Pete:                I'm sick. Justin:              I mean, to be fair, he's often jumping to conclusions. Alex:                 Right. Well, you remember when those venom symbiotes attacked New York, he was like, “Alternate side of the street park [inaudible 00:23:18].” It's very niche content. Pete:                Yeah, it is. Justin:              It is very New York focused content. Alex:                 Great comic though. Let's move on and talk about Monstress number 31 from Image Comics written by Marjorie Liu, art by Sana Takeda. Now we had talked about Monstress: Talk Stories, the two-part book that came out before this, after not talking about Monstress for a very long period of time. I thought those were awesome, so I thought it was worth checking out this book, the main book and seeing how it's going. I still love the art in this. This is such a weird wild world that is fascinating to jump in with, the mythology is so different and interesting to read. But what did you guys think about it? Justin:              Yeah, I agree with you. This is very much to me, and I haven't read a lot of this book, but it's very much to me like all of the cut scenes from Final Fantasy game just sort of put together. And I love that, so I thought this was a fun read. Pete:                The art is really impressive in this book and it's really a lot of fun, the different monsters and stuff and the different kind of animal people that we kind of see in this is very cool and worth checking out alone. But you guys, this has to be a dream of yours. Just sit down and have a father, daughter conversation as you sit on a pile of skulls and just kind of have a father daughter talk or a father son talk, that's got to be something that you guys look forward to as parents. Justin:              Hmm, didn't go where I thought it was. Yeah, sure. I mean, after stabbing practice obviously we do sit on skulls after. Pete:                Obviously after, yeah. Alex:                 Exactly. Let's move on and talk about The Other History of the DC Universe number two from DC Comics, written by John Ridley, art by Giuseppe Camuncoli, where the first issue of this book focused on black lightning, here we're jumping over to the Teen Titans and looking to two characters there. I got to tell you, I mean, this issue was phenomenal as the first issue is phenomenal. Justin:              It's so good. Alex:                 It's fascinating personally reading this for me because I am much more familiar with what happened with black lightning. And there's much more touchstones in that book than here, because I never read Teen Titans growing up. I had no idea what was going on there, the continuity. This is definitely, I understand this feels like the decades, but none of these stories, other than Titans Hunt which we talked about at a live show a couple of months ago, and some of the Deathstroke stuff, none of it really feels familiar with me. But at the same time I love this story and I love the idea of taking two characters who were in Teen Titans showing their diverse opinions, their diverse ideas, views of what was going on throughout the history of the DC Universe. This is such a cool project. It's very exciting. Justin:              It's just so smart the way it takes two characters and really weaves their stories together with observations that … A lot of the things that happen in this from the original comics are ridiculous. But to then weave them into one story with actual commentary of what a real person would think, I think it just works so well, on top of that weaving in like real-world events and the perspective of these two African-American characters in a world where, which they talk about a lot where everyone else is white essentially, it's just really well done. This is necessary reading I think right there. Pete:                Yeah. I didn't know how much I wanted this until it happened, just to have that kind of commentary on the stuff that we know from the years of reading comics is just so rich and great and such a cool idea. Art's amazing. I'm really impressed with the writing and storytelling. It's a must pick up. Alex:                 Great stuff. Let's move on and talk about Nailbiter Returns number nine from Image Comics written by Joshua Williamson, art by Mike Henderson, not Meek Henderson or anything like that. Justin:              No, that would be [crosstalk 00:27:24]. Alex:                 That was so much fun. Justin:              Well, I guess we'll have to cut this out too. Alex:                 Yes. In this book we're finally getting a lot of answers about what has been going on in Buckaroo with the butchers. We get the [inaudible 00:27:38] back on the villain of this series. Another just great issue, like the theology that they keep fleshing out here is so impressive and so much fun. Justin:              And we finally get the eyeball licking that I think we've all been asking. Pete:                Oh, man. Alex:                 Absolutely. I've been begging for it. I've been writing them every week. Where is it? Where is it? Where is it? Pete:                Yeah. You guys are big eyeball lickers, this is right up your alley. This book has started at such a crazy place. And I think every issue like, oh, okay, now I understand. But it keeps getting more and more insane in such a great way. It heightens and makes things even better than you thought. I've been really impressed with the kind of unraveling of the stories, if you will. And man, this is so intense and gross and over the top in all the right ways, the arts fantastic. And man, eyeballs are gross. Justin:              Yeah. But I agree and the amount of sort of dream logic that's been used in this book, I was really surprised by, but it's been great and it really keeps you guessing throughout. Alex:                 Next one, I'm very excited and I mean this earnestly to find out what Pete thought about this book, X-Men number 17 from Marvel Comics, written by Jonathan Hickman, art by Brett Booth. In this issue the X-Men in classic uniforms, X factor uniforms journey to Shi'ar space and have a classic nineties style fight to save [inaudible 00:29:18]. Pete. Justin:              Save Xandra. Alex:                 Oh yes. Justin:              This generation's [inaudible 00:29:24]. Alex:                 Yeah, sorry. Pete, if there is any issue of X-Men, it had to be this issue, right? Pete:                Sure. I mean, it was very kind of like, it was a little nineties art that was a little bit like, holy crap, when does this take place in the timeline? But man, yeah, it was enjoyable. I mean the phone call was a little ridiculous. And there was still something that I was supposed to read that didn't in the middle of it. Alex:                 Oh my God, that was so much fun. [crosstalk 00:30:00] Bobby. Justin:              It was very fun. Pete:                I'll never know. Alex:                 Chilling out having a hilarious time. So funny. Pete:                I mean, it's nineties excellent fun is what it is and all the right ways. And so that part is very cool. Justin:              This to me was such a wild read. Coming off of X of Swords and everything that's been going on in the X-Men books, to read this sort of love letter to the Chris Claremont era of X-Men, drawn by Brett Booth with all this really goofy shit going on between Sunspot and Cannonball. Throughout the whole issue I was like this, it just feels like Jonathan Hickman is like, I'm going to do whatever the fuck I want. And this is what I want to do right now as a palette cleanser after X of Swords, and here it is. Alex:                 It's great. I could not believe where they had that splash page of Jean Gray and psych labs in the X-Force uniforms storm in her classic uniform, just walking out and like posing in [inaudible 00:31:03] field style. That's great. Justin:              There's this panel on page nine or something with storms in the front and then behind you got like Cyclops and Jean just flirting in the background. I was just like, this is so … And I love seeing that. Alex:                 Me too. Justin:              I was like, it's such a flashback. Alex:                 And the other thing that we get a tease of here is there's going to be an actual vote online to choose the new member of the X-Men, which is so fun. I just love the fact that they're having fun. Pete:                You think that's fun? Alex:                 What? Pete:                You think that's fun? Justin:              I do think it's fun. Here, let's list the options here, and then let's hear who everybody thinks. We've got Banshee. Pete:                Can we talk about the … in the middle of this giant epic fight, she calls home for help. And we got to listen to this douchebag talk about a fire sale and how he's making money off of it. Do you guys know what a fire sale is? Do you know what … I mean, this is like, it's very … Alex:                 It's for Sunspot. Justin:              Yeah. Alex:                 That's what he does. Justin:              Yeah. It was fun. It was weird and fun. That's what the point of it was. Pete:                Cool. Alex:                 What is your problem with the X-Men vote, Pete? Is it that you have to use a computer, which you don't know how to use yet? Pete:                Yeah, that's exactly it. Justin:              Let me throw it down. Let me list the X-Men, Banshee, Polaris, Forge, Boom Boom, Tempo, hugely famous Tempo, Cannonball, Sunspot, Strong Guy, Mero, Armor. Pete:                Armor. Justin:              Who's your pick? Alex:                 I do like Armor. Pete:                I go Armor. Alex:                 Wait, who is on it then? Who is already on the team? Because I don't know the list, obviously seen Cyclops, Jean Gray, Storm. Justin:              Yeah, I mean, I don't know either. I think it's sort of up in the air maybe or maybe it's decided. Alex:                 Who's the first batch again? Justin:              Banshee, Polaris, Forge, Boom Boom, Tempo. Alex:                 Ooh, I want to see if Storm is on the team. I want to see Forge on this team. Because I want to see that old nineties tension between them. That'd be fun. Justin:              Yeah, they had a lot of tension. Alex:                 Yeah. Justin:              I'm definitely going for Strong Guy. Pete:                Really? Alex:                 Love it. Justin:              I love Strong Guy. Alex:                 All right. Pete:                No Boom Boom. Justin:              Fun character. Funny character. A lot of pathos underneath his his powers, great, great character. Alex:                 I got to assume Wolverine is the other one, right? It's Wolverine and Storm, Cyclops, Jean Gray and whoever the fifth one is. Justin:              It's a bunch of X-Men. I don't know. We don't know. Remember every other X-Men book has been like, look, a bunch of random experts. Alex:                 It's true. All right. Let's throw it out to Pete the page here with a [inaudible 00:33:49], Spawn number 314 from Image Comics, written by Todd McFarlane, art by Carlo Barberi. In this issue Spawn meets a larger Spawn. Pete:                Yeah. And is immediately confused why this larger spawn would be attacking him. He's like, “Hey, wait, we look similar, we should be on the same size, giant spawn.” Alex:                 What I love about this giant spawn, having not read many issues of Spawn before this, is it is entirely possible this large spawn was introduced prior or this large spawn was just introduced this issue. But either way is fine. Justin:              Let me just throw out there, he fights a larger spawn, is captured, and then that larger spawn is like, “It's time to meet my master, who is the large and even larger spawn.” Pete:                And even larger spawn, because [crosstalk 00:34:39], well, you can't get larger in that spawn. And by the way our spawn is so small in comparison to the large spawn and then even larger one. But what's fun- Alex:                 Here's my question, why do they keep calling each other spawn? Because that's like their designation, right? It would be like, if we kept calling each other a human or something like that. Justin:              Yes. Alex:                 It's weird. Pete:                Well, human. Justin:              It is weird. Yeah, they should have a short hand, because they're all in the spawn business together. Pete:                I really liked this twist at the end where it's like, oh man, you giant spawns are going to get taken down by even smaller spawn. What a twist. Alex:                 Remember that he's not a spawn, I think he's sharp night guy. Pete:                He's night spawn, that's [crosstalk 00:35:24]. Alex:                 Oh, he's night spawn, was that medieval spawn? Pete:                It's medieval spawn. I don't know if it's medieval. It looks like a night spawn. Justin:              I think, and it wasn't introduced in issue six or something crazy, way back in the day. Pete:                What, medieval spawn? Justin:              Yeah. Pete:                That was- Alex:                 Before we move on here- Pete:                No, no, that was a crossover event where medieval spawn was its own comic series for a little, dark ages spawn. Justin:              Yeah, that's right. I'm starting to think this Todd McFarlane guy is trying to sell some action figures. Pete:                Well, he is, he makes a lot of them, and it's smart. Because if I was a kid I would want all the spawns, but the dark ages spawn is where [crosstalk 00:36:01]. Alex:                 But as an adult you know better. Justin:              As an adult you put away childish things. Pete:                That's right. Justin:              And you'd have no interest in having any of these action figures. Alex:                 Pete, before we move on, I just want to ask, did you like this comic book? Pete:                Yeah, what's not to like? Alex:                 Your voice was very high. Justin:              Wow, really high-pitched answer there, Pete. And let's just, for the listener, Pete, is sitting on a pile of spawn action figures as if they were skulls. Pete:                Yes. Alex:                 The Last God number 12 from DC Comics written by Phillip Kennedy Johnson, art by Riccardo Federici. This is wrapping up the first maybe arc of this book. But it definitely wraps up the story that we have here as our friends to try to take down The Last God, I guess. Pete:                Yeah. Alex:                 Big revelations here, some big deaths. What'd you think? How'd you think about this story as a whole over the course of 12 issues? Pete:                Epic. I really love the storytelling, and [inaudible 00:36:58] is like we see them in action, but as the issues go on, we get little bits and pieces of their backstory, I think done so well, while telling a bigger story. The action and the lead-up of the ending of this was just really well done. And I wasn't the biggest fan of songs or whatever, but it really kind of fit. I loved all the back matter and the maps and stuff. This was just a fantastic epic story that I think really 12 issues of just gold. Justin:              It's really beautifully drawn. The story's great. And the fact that it ends with this just great song where we see all the characters, it feels just like a montage at the end of a epic trilogy. I want to see this as a TV series more than I want to see The Lord of the Rings series that's in development at Amazon. Pete:                Wow. Alex:                 Couldn't agree more. Let's move on and talk about Something Is Killing the Children number 14 from BOOM! Studios, art by James Tynion IV, art by Werther Dell'Edera. Here we're getting our hero finally fighting back against the monsters who are the ones killing the children. Justin, I know you've been, frustrated is probably too strong a word, but you've definitely felt like this title needs to get somewhere. Did you feel like it got there with this issue? Justin:              Yes, it does feel like this is the issue that's sort of moving into what this arc is about. When so many of the issues in this arc were very much like we got to fight this stuff, we got to get out there and do this. And we were getting little tidbits. Let me start over, this arc felt like it was going to be this huge backstory arc, really getting us to the next phase. And then it didn't do that. And then this feels like it does it. Alex:                 What about you, Pete? How'd you feel about this issue? Pete:                I disagree a little bit with Justin. I think this continues to be amazing. I didn't think- Alex:                 It's very good. The art is very good. The fight sequences are awesome in this book. Pete:                Yeah. I've just been impressed with it from start to finish, but I think that we do kind of get to see the main girl kind of views her kind of veteran's styles to kind of work her kind of magic a little bit. I'm glad we got to finally see that. And I love the whole bit about her working out some anger issues, oh, that just spoke to me in ways that you can't believe. But I want to get one of those mass to walk around with the light that she has. I think that'd be really cool. But yeah, I can't say enough great things about this book. This is really glorious. Alex:                 It's good staff. Moving on to Strange Adventures number eight from DC Comics written by Tom King, art by Mitch Gerads and Evan Doc Shaner. In this issue the Pykkts finally attack earth. The whole Justice League is on the offensive, Adam Strange of course is caught in the middle. And in the backstory, finding out more about what's gotten with Adam Strange, and it is starting to feel like maybe he's the bad guy here. What do you guys think about what's going on? Justin:              I mean there's … Go ahead. You go. Pete:                Yeah, so I've been a little frustrated with this up until this issue, because I felt like we haven't really had enough information to really kind of piece together what's going on. In this we get a lot of information which is great and much needed. The very crazy cool touching stuff with the daughter here. Yeah, I felt like this finally started to click for me and I was like, “Oh my God. Okay. Now I'm understanding things a little bit more and I want to go back and read it from the beginning.” Justin:              I mean, this book is so good. It's such a stressful read, like a lot of Tom King stuff. The tension in this book, it's just palpable throughout. And we have Adam Strange in the last couple of issues. We found out that he's been tortured basically for a million lifetimes, just absolutely brutalized. And in this issue, it just rephrases him. He's gone through so much trauma. He's like a fully broken person. And Doc Shaner's art like, he still has these perfectly clear blue eyes, but you just see the pain that he's in and how he is just not capable of being a hero. And that adds so much dread to the scenes with his daughter. And then meanwhile, you have Mr. Terrific and Batman trying to sort through with great sequences of Mr. Terrific answering trivia questions from one of his fears. I'm so excited to see where this is going. Alex:                 I am starting to feel despite what I said at the beginning, that this is more about perspectives on war and how nobody is right. That there isn't really a villain. I know I said maybe Adam Strange was the villain, but I think he committed atrocities, the Pykkts committed atrocities. That's what happens in war. We know that Tom King has been in wars. He was in the CIA. He knows how this works. And I think that's what he's writing about here is that from the perspective of your side, of course you're right, but that doesn't mean that you're right for the perspective of the other side. And I think that's what he's playing with here. Justin:              There are no heroes. Alex:                 Exactly. Justin:              It's very hard to have a hero when you're in a war where both sides are fighting to kill and fighting for their lives. And I think that's what we're going to get next issue. Alex:                 Yeah. Next up, An Unkindness of Ravens number five from Boom! Studios written by Dan Panosian, art by Marianna Ignazzi. This is the end of the first arc, first book, whatever you want to call it, of this title. We've had our main characters try to figure out what's going on in this weird small town here, spoiler, but she finds out her mother is alive. She had a twin sister who had some power maybe, but it turns out actually she didn't. It turns out she might have the power. She might be the one that is supposed to complete this coven of witches or whatever is going on here. We were big fans of this from when they started. How did you feel about how it wrapped up? Justin:              I liked this so much. I think it's set up a good mystery. I really, the art is so approachable, it makes you really feel like you're right alongside the main characters. And this last couple of pages reveal is just so sweet. And it does such a good job, especially with the art of being very like Archie or comic books Sabrina. But having more mature themes and more sort of deeper storytelling than those original comics. Alex:                 Pete, what about you? Justin:              I really like this, this continues to be a fantastic book. I've been really impressed with kind of how we're finding out the information as this story is going. And this whole thing about this kind of coven of witches called the ravens. And it's just very cool. And I really liked this kind of mother daughter interaction. I feel like it's very kind of like old timey versus now times. This kind of like, there's a bigger picture and then … But somebody just so caught up in their own shit, they can't kind of see the bigger things going on. I was really impressed with that. The art is glorious. I'm really into it and I'm excited to see how this kind of unfolds what choice she makes moving forward, what team she's going to choose. Alex:                 Good stuff. Last but not least, Colonel Weird: Cosmagog number four from Dark Horse Comics, excuse me, written by Jeff Lemire, art by Tyler Crook. This is also wrapping up this title exploring one of the members of Black Hammer. There's a big emotional catharsis that happens here as he moves forward in his history. I thought this title was awesome. Just Tyler Crooks art is phenomenal. Justin:              So good. Alex:                 The writing is great. We've talked about this before. I've said this before, but it's like Slaughterhouse-Five in space. Good stuff. Justin:              Centered on an Adam Strange type of character. I mean, we've talked a lot about eyeballs in this episode The Stack. Pete:                Yeah, sure have. Justin:              And in this comic like- Pete:                Eyeball heavy stack. Justin:              Yeah, eyeball heavy. I've been just licking these eyeballs, lapping them up. And this, you just see so much pain in the different versions of Colonel Weird throughout time, throughout this book. And it's just so good. It's such a well done story. Pete:                I think the cover says so much. It's like The Little Prince and Outer Space, but sad. Alex:                 That cover is so good. Go ahead, Pete. Pete:                Yeah, it's really unbelievable. I feel like I want to read it all again because it ended and I was like, “Wait, what?” I wasn't sure how great the ending is until I want to go back and read it all again. But it was really cool, very creative and the art's unbelievable. Alex:                 And that is it for The Stack. If you'd like to support our show, patreon.com/comicbookclub. Also we do a live show every Tuesday night at 7:00 PM to Crowdcast and YouTube. Come hang out, we would love to chat with you about comics at Comic Book Live on Twitter, comicbookclublive.com for this podcast, and more iTunes, Android, Spotify, Stitcher, or the app of your choice to subscribe and listen. Until next time, keep supporting Dim Comics. Justin:              Time for stabbing rehearsal. The post The Stack: South Side Serpents, Captain Marvel And More appeared first on Comic Book Club. Support the show: https://www.patreon.com/comicbookclub See omnystudio.com/listener for privacy information.

It's another edition of our Epic X-Men (Re)Read, where Tyler and I re-explore the classic Claremont material, with Fariha reading it FOR THE FIRST TIME! In this episode we discuss the first truly massive development in Claremont's run - the death and rebirth of Jean Gray in Uncanny X-Men (1963) #100-101, as well as a pair of stories he inserts around that in back-ups from Classic X-Men (1986) #8-9. If you want us to continue this series in the long term, we need to keep hearing that you're watching and reading along. We've shot a complete "pilot season" to get us to the M'kraan Crystal and back, but whether we return for the introduction of Wolverine's Canadian backstory in UX #109 is up to you. Our conversation includes some minor spoilers for House of X and Powers of X!

This week we are honoured to be joined by Dr. Jean Gray, a 2020 inductee into the Canadian Hall of Fame. Dr. Gray is being honored for her work surrounding pharmacotherapeutics, evidence-informed practice, and advocacy for women’s mentoring in medicine. Thank you Dr. Gray for joining us, and thank you to the CMHF for the opportunity to collaborate on this new series!

Episode 93 - Women lead men on more than men lead women on - browser history or sex tape - Jean Gray's definition of a fuck boy - Cheat and tell - friendzone endzone - Smooth's highway of love - and so much more!

The Ones remember Kelly Preston and Haruma Miura, they talk Birdbox Sequel, Top Gun Maverick, Old Guard & Atomic Blonde sequel talk, Tenet delays, Star Wars TV shows on Disney+, scrapped ideas and casting for the first X-Men film, Netflix Top Ten movies, movie delays, trailers and more!

In this episode, Chris welcomes his co-host from the “Marvel Alliance” podcast and host of the “GeekVerse” podcast Travis Snell to look at one of his favorite comic book arcs, “Ultimate X-Men: The Tomorrow People”. Writer Mark Millar with pencilers Adam and Andy Kubert ushers in one of the biggest reboots for the X-Men where you may see familiar characters, but they are not always the way you remember them because this is the Ultimate Universe! In the inaugural arc, the government begins building and releasing Sentinels to hunt mutants after the Brotherhood of Mutant Supremacy declares war against humans. Charles Xavier sends Jean Gray on a scouting mission to find mutants with powerful abilities to help launch a positive face on mutant-kind before Magneto and his brotherhood of mutants can provoke an all-out war.•Geek Ultimate Alliance on Twitter: @GUAPodNetworkWFTB on Twitter: @FinestBelieversWFTB Email: worldsfinesttruebelievers@gmail.comChris on Twitter: @ChrisBalgaTravis on Twitter: @TravisBSnellGeekVerse Podcast on Twitter: @GeekVerseCastGeekVerse: https://geekverse.ca Marvel Alliance Podcast on Twitter: @MarvelAPodcast

"Listen you little wiseacre. I'm smart; you're dumb. I'm big; you're little. I'm right; you're wrong. And there's nothing you can do about it." - Parents to their kids during the 2020 quarantine. Actually, that's a Danny DeVito rant from "Matilda," a charming movie adaptation of the Roald Dahl children's book. Most of the adults in this movie are just awful to poor little Matilda, an adorable six-year-old played by the quintessential adorable 90s kid, Mara Wilson ("Mrs. Doubtfire," the "Miracle on 34th Street" remake). The adults should probably stop messing with her though, because Matilda has Jean Gray-level telekinesis. She can move classroom objects with her mind! Oooooh, ahhh! That's how it always starts. But then later there's running and.. and.. screaming... Danny DeVito directed the movie and also plays Matilda's absentee dad, who is only half as deplorable as Frank Reynolds (still bad), though he and mom Rhea Pearlman are saints compared to Principal Trunchbull (Pam Ferris). Trunchbull throws mouthy kids into a pokey torture chamber and throws little girls across campus by the pigtails. It'd all be deeply disturbing if not for that distinct Dahl whimsy (and some cartoonish stylistic choices). Old Millennials Remember Matilda podcast Angela and Tyler discuss their history with "Matilda" and all the reasons why the film has endured over the years. What makes the story so appealing to kids? Are they aware of Miss Honey's agonizingly tragic backstory? And can impatient and exasperated parents learn a few lessons about how not to treat young children? Or are we all, at some level, as awful as the Wormwood parents? Hey, in our defense, we think we'd at least be able to tell the difference between cops and boat salesmen. Also, remember that kid who dances with Drew Barrymore in "The Wedding Singer?" He gets to eat a giant cake in this movie. That kid rules. Also discussed in this episode The Lovebirds (2020) The Last Dance documentary series (2020) Riverdale TV series  

We are still all about the quarantine life, guys.  Where every day is Wednesday and we are finally diving into the X-Men universe! Would you take the cure? Fair warning, everything Brandy knows about the X-Men comes from years of working at KB Toys. So many love triangles....  Wolverine, Jean Grey, Laser Eyes.... Iceman, Juno, and Sookie.....  and possibly Professor X, Magneto, and Jean Gray......   Why doesn't Storm just electrocute everyone and make the fights quicker?  You have a cool power Storm, use it!  Magneto - the worst Oprah ever. Holy reverse aging Professor X.  Screw you, bad dad.  Find us in all of the places:   Twitter   Facebook  Instagram  Email

Episode 98. We're taking our first good look at X-Men this week and reading the 2012 graphic novel X-Men: Season One, from writer Dennis Hopeless and artist Jamie McKelvie. In this contemporary re-telling of the original comics, teenage telekinetic Jean Gray is upset about leaving her normal home and school behind to live at Charles Xavier's School for Gifted Youngsters. She doesn't want to be trained for battle, even if it is to help mankind and show them that mutants can be heroes. It's also stressful being the new kid and the only girl on the team. Jean, Cyclops, Angel, Iceman, and Beast are learning to be heroes and successful young adults in this great intro book for new X-Men fans!The Whatnauts present The Review Show, a weekly book club style podcast for all sorts of pop culture. We cover a variety of genres and mediums — movies, TV shows, comics, anime, manga, audio dramas — picking out a specific piece of entertainment that we can cover in a week's time. Every episode, your intrepid co-hosts Kyle and Melissa dive into the media of the week (with a spoiler warning!), give recommendations, and take turns pitching the next topic. For one episode a month, we check in with continuing coverage on a longer title, like a full TV series or comics run, and follow it all the way to the end. Join us for fun discussions on a wild variety of entertainment you should know!Check out our other podcasts here, or wherever you get your podcasts. If video is more your thing, then check our YouTube channel. And if you like what we do, support us on Patreon to unlock early access to most of our podcasts as well as exclusive episodes and more. You can find us on Twitter and we would love to have you join us on our Discord server as well.

Director Bryan Singer is back to take the X-Men to the '80s for a totally tubular fight against Apocalypse! The film debuts the fan-favorite mutant villain on film. It also features the return of classic movie X-Men Cyclops, Jean Gray, and Nightcrawler. Is the result boss or bunk? Join Arnie, Jakob, and Stuart to find out! {DC Comics Series} {Comic Book Movie Series} {Batman Series} {DC Movie Universe} {Superman Series} {DC Teams Series}

1. Choosing Commitment Love isn't just about feelings. It's a decision. A commitment to put your relationship above everything else gives you an immediate edge. While commitment isn't as “sexy” a concept as romance or passion, it is undeniably the sturdy foundation for lasting relationships. 2. Making No Room for Self-Centeredness Unlike your job, your relationship decisions are not made in the boardroom where you have to constantly fight for your position or promotion.  3. Practice Honest Communication Admit it – we're easily irritated when our partner doesn't get it. We would assume that after being in the relationship for so long, our partner would just pick up on unspoken signs that we're tired, irritated or hurt. If your partner isn't Professor X or Jean Gray from the X-Men, then that could not be further from the truth. 4. Show Appreciation and Give Thanks One of the basic human desires is to be appreciated. Many couples agree that they can always do with a little bit more affirmation from their partners and they also agree that they can afford to develop a habit of showing more appreciation too. 5. Don't Just Reminisce about Old Memories, Create New Ones Studies have shown that boredom can inflict harm on relationships. So be proactive about adding some color to your love life! 6. Apologize and Forgive Forgiving is an act that liberates you from anger, so seeking fo

It's Three's Company time, so we welcome in friend of the show Douglas Mangum from UncannyXMen.net.   In On Shelves Now we review Legacy 300, X-Men 10 and 11, X-Factor 2 and 3, Uncanny Avengers 18, Wolverine and the X-Men 1, and finish the Trial of Jean Gray with All New X-Men 24 and Guardians of the Galaxy 13.  We then answer your questions in a Fastball Special before finishing out X-Tinction Agenda in Retro Reviews.