Podcasts about Oil paint

In this episode of "The Truth in This Art," host Rob Lee interviews Tom Sanford, a Harlem-based painter renowned for his "low-brow conceptual art." Tom shares his journey from aspiring finance professional to celebrated artist, influenced by a pivotal college art class. The discussion covers Tom's early artistic influences, his transition from oil to acrylic painting, and his fascination with celebrity portraiture and cultural themes. They also explore the complexities of discussing race and art, the impact of digital media on creativity, and the vibrant, diverse art scene in New York City. Tom concludes by sharing his website and Instagram handle.Episode Highlights:The early days (00:00:10) Introduction and background of Tom Sanford's 30-year career as a Harlem-based painter.Artistic Beginnings (00:04:29) Tom Sanford shares his early experiences with art and drawing, including his childhood memories and influences.Tom Sanford's Artistic Process (00:12:42) Description of Tom Sanford's artistic process, materials, and the evolution of his work over the years.The art gallery exhibition (00:16:17) Tom Sanford is commissioned to create a painting for an NBA playoffs exhibition, leading to recognition and engagement from Knicks fans.Collaboration with a Knicks fan (00:17:07) Tom Sanford's painting of Knicks players catches the attention of the Knicks, leading to a commercial and involvement in the Knicks fan community.Commitment to being an artist (00:29:01) Tom Sanford shares his decision to pursue art over finance, influenced by a college professor and his passion for creating paintings.Tom Sanford's First Exhibition (00:35:07) Tom Sanford talks about his early interest in celebrity portraiture and his first exhibition in Tokyo.Creating Controversial Art (00:36:38) Tom Sanford explains his motivation and process behind creating controversial paintings of gangster rappers and his attempt to transform himself into Tupac Shakur.Reckoning with Racism (00:48:52) Tom Sanford discusses the racial implications of his art and the need to acknowledge complicity in racism for societal progress.The concept of creativity in the current climate (01:02:02) Reflection on the value of creativity in a world saturated with self-proclaimed creatives and the impact of technology on art accessibility and distribution.Key Takeaways1. Follow Your Passion: Tom Sanford's shift from finance to art underscores the importance of pursuing what truly excites you, even if it means breaking away from societal norms.2. Embrace Imperfections: Sanford's acceptance of mistakes in his art highlights how imperfections can add authenticity and depth to your creative work.3. Use Art as a Platform: Sanford's work on controversial topics shows how art can be a powerful medium for sparking important conversations and challenging societal norms.4. Leverage Digital Platforms: While mindful of maintaining authenticity, Sanford's insights remind us to use digital media to reach wider audiences and share our creative expressions.Website and Socials:tomsanford.comX: @uberkunstInstagram: uberkunstHey listeners! If you enjoyed today's episode with the incredible Tom Sanford, don't forget to visit and support his website and follow him on social media for more of his amazing work. Your support means the world to us, so please take a moment to rate and review this episode—it helps us reach more art lovers like you! And if you want to go the extra mile, consider supporting us on Patreon. Your contributions help keep "The Truth in This Art" thriving. Thank you!

Order your exclusive da Vinci BoldBrush paintbrush set!https://brushoffer.com/collections/boldbrushLearn the magic of marketing  with us here at BoldBrush!https://www.boldbrushshow.com/Get over 50% off your first year on your artist website with FASO:https://www.FASO.com/podcast/---As promised, today we are continuing with part 2 of our exciting collaboration with da Vinci brushes! Our guest today is Gregory Daniels, their North American importer who tells us all about the da Vinci watercolor brushes that are all handmade with the highest quality hair, handles, and ferrules. We discuss the anatomy of the brushes, discuss all their different series of watercolor brushes, their incredible travel watercolor brushes, and their innovative synthetic vegan brushes that will leave you wondering how they were able to create a brush that almost perfectly mimics a natural brush. Once again, I urge our listeners to watch the video format of the episode at https://boldbrushshow.com where you will be able to see exclusive clips of the factory, their highly skilled brush makers at work, as well as brush demonstrations of every brush we mention. If you'd like to hear more about the history of da Vinci, I highly recommend listening to our previous episode where we go much more in depth on the founder, the factory, their technology, eco-friendly practices, and of course what sets da Vinci apart from all other brush makers which is their dedication to excellence in brush making. And if you'd like to know more about their oil painting and acrylic brushes, also check out part 1 because that is the main focus of the episode. Finally, we also want to announce that da Vinci brushes and BoldBrush have teamed up to create paintbrush sets for our listeners! Simply visit https://brushoffer.com/collections/boldbrush so you can check out these amazing exclusive sets while you listen to the episode! And now, on with the show!Follow Da Vinci on Instagram:https://www.instagram.com/davinci_artistbrushes_official/https://www.instagram.com/davincibrushes_northamerica/Check out their gorgeous website:https://www.davinci-defet.com/Contact Gregory Daniels to get your catalogue!https://gregorydanielsfinearts.com/greg@gregdaniels.com

Order your exclusive da Vinci BoldBrush paintbrush set!https://brushoffer.com/collections/boldbrushLearn the magic of marketing  with us here at BoldBrush!https://www.boldbrushshow.com/Get over 50% off your first year on your artist website with FASO: https://www.FASO.com/podcast/---We're starting off season 5 with an exciting collaboration with da Vinci brushes! Our guest today is Gregory Daniels, their North American importer. On this episode Gregory tells us all about the history of da Vinci as well as his own personal history growing up as part of a legacy of art material suppliers. He also talks about da Vinci's unyielding commitment to quality and ecology, as well as how the founder of da Vinci, Hansfried Defet, not only succeeded to attain his goal of making the best brushes in the world, but also made advances in technology to create a synthetic fiber that is virtually impossible to knock off. This then allowed the company to produce the highest quality vegan brushes alongside their meticulously crafted natural hair brushes. We also talk about what sets da vinci apart from other brush companies: their dedication to excellence and not cutting corners, or in this case hair, for the sake of profit. Gregory also tells us all about the amazing artisans at da Vinci who make every single brush by hand, and who maintain a high level of quality control to ensure that every brush they make is a work of art in itself. Whether you're a hobbyist or a professional artist, these brushes truly are the best in the world. This is part one of a two part series. In this episode we will be focusing mostly on oil painting brushes both natural bristle, as well as vegan and synthetic brushes. If you're listening to this episode, I highly recommend checking out the video version at boldbrushshow.com, so you can see exclusive clips of the factory as well as brush demonstrations. And finally, we also want to announce that da Vinci brushes and BoldBrush have teamed up to create paintbrush sets for our listeners! Simply visit brushoffer.com/collections/boldbrush so you can check out these amazing exclusive sets while you listen to the episode!Follow Da Vinci on Instagram:https://www.instagram.com/davinci_artistbrushes_official/https://www.instagram.com/davincibrushes_northamerica/Check out their gorgeous website:https://www.davinci-defet.com/Contact Gregory Daniels to get your catalogue!https://gregorydanielsfinearts.com/greg@gregdaniels.com

On the second floor of the Cincinnati Art Museum is an exhibition the museum says was designed to challenge the status quo.

Written by: Rev. Laurel Gray Music by: Kala Farnham Hosted and Edited by: Amanda Hall

Unlocking the Power of Temperature in Your Paintings with Stefan Baumann, Today is your lucky day! Finally some common sense advice on making temperatures, how to look at them, how to understand them, and how to paint them, With artist Stefan Baumann as your guide the mystery of temperatures will no longer exist. Travel with Stefan as he lifts the veil of secrecy that has covered the rules of temperature for 100 years. Finally with Stefan as your leader, your coach, and your advisor, temperatures will no longer be a secret, and after watching this video you will be hooked on learning more about temperature is plus all the other secrets and Stefan Baumann reveals Natalie in this video but all of his secrets he shares with his coaching students, his Patreon students, and yet the secrets are still a mystery to thousands and thousands of painters out thereSupport the showFor more information go to www.StefanBaumann.com https://www.stefanbaumann.com/Free Book For painting, coaching call me on my phone at 415-606-9074

This demo on how I paint using marble dust mixed into linseed oil instead of using solvents is for my listeners who've asked to see a demonstration after watching my interview with internationally acclaimed artist and author Kimberly Brooks in Passionate Painter Podcast episodes 70 and 71.Kimberly is the author of The New Oil Painting: Your Essential Guide to Materials and Safe Practices. Her book is a how-to on clearing out your studio of dangerous toxins, with tons of useful advice.I've been painting with minimal use of gambol solvent since reading the book, and I'm pleased with the results. The only time I use it these days is if I need to give my brushes a cleaning swoosh before their final wipe when I'm done with my painting session, and I'm phasing out even these brief instances as well.After posting 70 and 71, I was surprised that my interview with Kimberly generated so much controversial buzz. Many questions about whether using marble dust is in fact less safe than using solvent.For myself, I am comfortable using it, and this demo will show you how I use it in what I consider a safe manner. That said, I recommend Kim's book for a thorough explanation of the process. You can also reach out directly to Kim with questions through the contact page of her website at https://www.kimberlybrooks.com/about/contactNow before we get started, disclaimer:I am not an expert on the use of marble dust and linseed oil as a substitute for solvents. I am showing you how I personally use them and the precautions I take because you, my listeners are asking for a demo.I am not a hazardous materials expert and cannot tell you that marble dust is 100% safe. You should be careful not to stir the dust into the air where you may breathe it in, as it is not safe to inhale.This video is purely for informational and entertainment purposes, to provide some recommendations on keeping its use as safe as possible.As we get started please note that I am wearing an N95 face mask, just as a precaution, and you will see I am careful not to stir up the dust or use it in large quantities.I am also wearing gloves, as I always do. This is unrelated to using marble dust, however, it is because I am keeping my hands away from the paint, which is likely to trigger a reaction on my skin due to allergies.In addition to the mask, I do keep an air purifier in my studio to help keep the air as clean and safe as possible. My model is a wind PlasmaWave 5500-2 with HEPA Filter, designed to Reduce VOCs or volatile organic compounds, such as solvents, as well as to catch airborne particles. I got mine at winixamerica.com, which I'll link to in the show notes. This is not an affiliate link — I am simply sharing my satisfaction with this product. You can also purchase them from amazon.com and other online marketplaces.Having this filter doesn't mean I can be careless in stirring up stone dust or leaving solvents uncovered. I am still cautious with both whenever I use them, and I do recommend this type of air purifier when in a studio in which VOCs and/or stone dust or other particles you won't want to breathe are present.Read the complete transcription of this video at passionatepainterpodcast.com/episode96Until Next time, Go make something.#passionatepainterpodcast#kimberlybrooks#solventfreeoilpainting

Each type of painting media that an abstract artist uses has specific qualities that make it suitable for certain approaches-- and less so for others. As part of your studio practice, it's important to understand and work with the qualities of different media rather than trying to push against their nature. And it is also exciting to explore outside your typical media to see what each has to offer. Today we'll look at several media used for abstract painting—oil, acrylic, encaustic, watercolor, and mixed media approaches and touch on the benefits and challenges of each. A basic art theory concerns the idea that each art media has unique characteristics to explore and exploit. There is also plenty of middle ground; various media lend themselves to layering, for example. But in exploring various media for different purposes, you may discover new ideas and directions for your work. Water based media tend to offer possibilities for spontaneity, while oil painting offers special luminosity of color. The material qualities of various paints also play a special role in abstraction, when color, line, and physical texture can be important be an important presence for their own sakes. Along with choosing painting media that is in line for your intentions, the tools associated with the medium are a consideration. Experimenting with tools that are outside traditional choices can be exciting, but if you are truly a brush painter, for example, you would probably work best with a fluid media like oil, acrylic, watercolor, and gouache rather than thicker media like oil mixed with cold wax medium, or encaustic. Exploring these different media is exciting, and often leads to a cross-pollination of ideas. For example, you might work through several iterations of an image using water-based media that sets up quickly, and then moving some of those ideas into oil. Or you might increase the scale of a small acrylic study to a large mixed media piece. A shape that you play with in acrylic may take on more depth or dimensionality when you build it up in layers of oil paint. Each medium has distinct effects and potential. Thanks to everyone who has been sharing the show and donating! If you would like to donate to the Messy Studio Podcast donate here (https://www.paypal.com/donate?token=Yyrf7Ht1DYfkYzAaWNoW8zuvCpTryLYsxY2VAj4qGZ3o2o4F7xHGv4VmDDef7kFxuvbgpz_z4jUa-z7F). ​ When you buy art supplies at Blick remember to use our affiliate link to support the podcast! Bookmark this link and then you don't even have to think about it again. This is one of the best ways to support the show. It takes a few seconds and costs you nothing! The Blick website works exactly the same way, but we earn 10% every time you buy art supplies. www.messystudiopodcast.com/blick What's new At Cold Wax Academy? Rebecca and Jerry are wrapping up their winter quarter of online sessions at Cold Wax Academy, where as always members have access to in-depth and varied content for learning, growth, and support. Their Winter quarter included presentations by guest authors Eric Maisel (may-ZEL) and Shaun McNiff, a painting clinic for works in progress, and live sessions on procrastination, tips on photographing your artwork, and source ideas for your paintings. All of these sessions and many more are available as video recordings in the member library. As a member, you can also access the private Facebook page and the community there of informed and supportive artists who post paintings, ask questions and initiate discussions. It's never too late to join Cold Wax Academy! Stay tuned for a list of topics to be covered in the upcoming Spring Quarter and please visit http://www.coldwaxacademy.com for more information as well as basic information about using cold wax medium. Please visit http://www.coldwaxacademy.com for more information. Here is what a member named Sandy has to say about her own experience with Cold Wax Academy: "Rebecca and Jerry have presented the most professional, authentic and structured approach to a creative activity I have ever come across. Their selfless sharing of all their knowledge and encouragement is a gift in my life unsurpassed." Also-- please visit https://www.espacioart.org to learn about Rebecca and Jerry's newest project, Espacio, dedicated to providing beautiful living and working spaces for artists and writers. Espacio's first offering is Casa Clavel, a modern, fully equipped house opening this September in the beautiful cultural city of San Miguel de Allende, Mexico. A few booking openings are still available in 2023, so please incquire if you are interested. Have an art related product, service, or event you would like to advertise on the Messy Studio Podcast? Email Ross at rticknor.core@gmail.com (mailto:rticknor.core@gmail.com) for current mid-roll advertising rates. ​ For more from The Messy Studio: www.messystudiopodcast.com www.facebook.com/messystudiopodcast ​ For more from Rebecca Crowell: www.rebeccacrowell.com www.coldwaxacademy.com ​ The Messy Studio Podcast is a Tick Digital Media Production.

Let's kick things off in the risky side of the financial universe. For this analysis I look to the S&P500 and Crude oil as increases in their prices tends to signal an increased appetite for risk assets. Equities for example, reflect improving expectations for the economic outlook while Oil reflects improving expectations for economic activity. When the price of risky assets increase, financial markets are awash with optimism while the opposite is true when prices are falling. The S&P started its slide in right out of the gate in January 2022, while oil didn't turn lower until later that year in June. Stocks eventually bounced off of a bottom made in October 2022 while oil prices began trading sideways between about $93/bl on the upper-side and $70/bl on the lower-side. Safe-haven assets were also trending very consistently for most of 2022 as well, the dollar was the only instrument an investor could have bought that appreciated for much of last year, until October when it too pivoted. Tied to the move in the dollar was a commensurate move in US10YR Treasuries as the bonds sold off to reflect the rising interest rates that were fueling the steady move higher in the dollar. Gold was an interesting vehicle to watch last year, despite a $440 swing in price from as high as $2,065 to as low as $1,625 gold began 2023 at roughly the same price as it began 2022, though it also experienced a sharp pivot in October.So now let's link market expectations to macro-economic implications. The S&P500 found support around the 3500 level in October, and risk sentiment improved as news of China reopening and ending the zero COVID policy they've had in place since to start of the pandemic. Interestingly enough, the oil market hasn't reflected the enthusiasm. With escalating risk of interruptions of Russian oil as NATO ramps up military support for Ukraine, and OPEC all but promising more production cuts, oil should be trending higher. The lack of positive impulse in the energy market suggests some underlying deterioration of demand outside of southeast Asia as the China re-open is surely putting upward pressure on prices. Relative weakness in economic activity outside of Asia probably means relative equity underperformance as well. Last October into November, safe-haven assets made a U-turn as well, which roughly corresponded to what can be considered “peak Fed hawkishness”. The falling dollar is signaling investors expecting the Fed to pivot policy and stimulate before inflation falls to their 2% target, which was reflected in rising gold prices. The rally in the US10YR corroborates that idea, as a Fed pivot to rate cuts would mean investors demand for bonds at current rates increases. These market trends can continue, and indeed accelerate if when faced with a slowing or shrinking economy and rising unemployment, the Fed decides to change its narrative. If the Fed however, decides to stay the course and focus on bringing inflation back to it's target, market dynamics could reverse quickly.The direction of the dollar and the direction of oil could be the most telling indicators of both economic sentiment and activity. Equity markets are discounting mechanisms and so, try to look through the near-term and price for the medium-term, which doesn't paint a very accurate picture in a rapidly changing economic environment. Demand for dollars is a little more immediate, as it measures liquidity needs, which are much harder to look through. So when demand for dollars increases, if sentiment turns negative from a drop in activity reflected in oil prices, investors will sell their stocks and even their gold to get their hands on more dollars. As a sidenote, this is the type of environment needed to force stocks and bonds back to an inverse relationship, undoing the last of the residual effects of the response to the Great Financial Crisis of 2008. Investors will buy bonds as the elevated nominal...

After entertaining young and old alike on the idiot box for more than a decade. the iconic animated heroes – Bade and Chote will now infiltrate the podcast scene with their brand of nonsensical ‘bakwaas' that is guaranteed to make your day!

Ngano man ka nag-art-art? Look who's back, mga Uwak! Naka-kape na mi sa perfect coffee so we're so awake and ready for another episode of muraging and koreking—this time in the realm of one of the most elusive, most evanescent, and most ephemeral concepts known to man—the art of Kublai. Ay! Unsa ba diay? Sorry sa glitch! Sudden gravitas sa spacetime continuum. Anyway! Welcome to Episode 2 (Part 1) of Season 2— Confirming our Humanity: Art Appreciation (?) 101 from Mesopotamia to Mindanao "Art2” So we sort of skimmed through Western Visual Art History (who's gonna listen to an eight-hour podcast?) and then primed on Mindanao Art (the carnival) to get a drop of hint and so to form a better and informed canvass of art's most existential question—why do we need art? Focal points and leading lines: · Carrying out the instinctive Divine Creation · Na-bored ang humans sa Mesopotamia · Bezalel the GOAT · Beauty and Aesthetics x Intelligence and Intention · Nganong dili pwede gunitan ang visual art · The Renaissance, The Oil Paint, and The Painter/Chronicler Vasari (nga di kaayo maayo mu-paint ug mu-chronicle) · The Catholic Church made art accessible · The Teenage Mutant Ninja Turtles · Savonarola critiqued art (we forgot his name on the podcast hehe) · Light is the best segue to Impressionism · What art is not is a better telling of what art is · Art requires a third space · What to look for in an art piece · The most undervalued element of art · The technical aspects enrichen the art · Quick techniques in judging the technical aspect of an art · Realism, Semi-abstraction, and abstraction · Monet painting light en plein air · Who really painted the Guernica? · Balikbayan: Experiencing the beautiful and blossoming Mindanao Art · Listen to Abhai's struggle (haha) · Rehashing and failing technicalities of artworks · The price tag of Mindanao art · Listen to Abhai's request (haha) · Insults in Mindanao Art · Why should Mindanao Art be talked about . . . critically · Famous Mindanao “artists” should raise the bar · Stale Mindanao art scene · Local writers are not critiquing the local art · Mindanao art needs critics · The Hegelian lens to art history · Art is Dead? · Among ganahan nga mga artists · The End of History of Art (Mimesis, Expression, and Danto) · Murag AI na sa part 2 kay hapit na ma-Moby Dick ang episode Lot 38 Presents: Mga Murag Korek—Art and why we need it. Available whichever platform you get your podcasts.

In this episode, Lauren and Chris talk about money! If you've ever wondered how artworks are priced or how your own work should be priced, this is the episode for you. Lauren brings the gallerists' perspective, while Chris brings the artist's perspective.Check out Lauren's Patreon at:https://www.patreon.com/laurenstarotCheck us out on Instagram at:@laurenpiemont@chrisclampart@avartclubEmail us at:avartclubpodcast@gmail.com

Christopher Lehmpfuhl crafts his art outdoors in extreme weather conditions. The wilder the environment, the more powerful the art. The painter applies up to 50 kilos of oil paint directly to the canvas with his hands.

In this episode, Lauren and Chris circle back and talk about their recent trip to Charleston. Tune in to hear their thoughts on William Eggleston, Bo Bartlett and alternative gallery models.Robert Lange Studios@rlsartRobert Lange on John Dalton's Gently Does It Podcast:https://podcasts.apple.com/us/podcast/john-dalton-gently-does-it/id730106108?i=1000486891884Gibbes Museum of Art@thegibbesmuseumBo Bartlett@thebobartlettCheck out Lauren's Patreon at:https://www.patreon.com/laurenstarotCheck us out on Instagram at:@laurenpiemont@chrisclampart@avartclubEmail us at:avartclubpodcast@gmail.com

In this episode, Lauren and Chris tie up some loose ends from the previous portfolios episode. Then they get into the do's and mostly don'ts of soliciting galleries for representation. Tune in for more helpful tips and a little bit about Lauren and Chris's recent pilgrimage to Charleston, SC to see yet more Bo Bartlett paintings.Oh, and the hotel rhymes with the great Jedi, Mace Windu.Check out Lauren's Patreon at:https://www.patreon.com/laurenstarotCheck us out on Instagram at:@laurenpiemont@chrisclampart@avartclubEmail us at:avartclubpodcast@gmail.com

In the second installment of A/V Art Club's Art Galleries 101, Lauren and Chris discuss art photography and how to present yourself professionally as an artist. Whether you're applying for juried shows or grants, or looking for commercial representation, there is something to be learned in this episode. Come for the art photography tips and tricks, no matter your experience level or resources, and stay for Lauren's sassy don'ts when it comes to submitting your work.Check out Lauren's Patreon at:https://www.patreon.com/laurenstarotCheck us out on Instagram at:@laurenpiemont@chrisclampart@avartclubEmail us at:avartclubpodcast@gmail.com

This episode kicks off A/V Art Club's Art Galleries 101 series where we share advice for artists on how to get their work in galleries and navigate gallery relationships. In this episode, Lauren and Chris discuss the importance of consistent bodies of work, materials and professional presentation.Check out Lauren's Patreon at:https://www.patreon.com/laurenstarotCheck us out on Instagram at:@laurenpiemont@chrisclampart@avartclubEmail us at:avartclubpodcast@gmail.com

This week we cozy up in the bath with Austyn Weiner, who we finally had the pleasure of hosting at her first Secular Sabbath earlier this summer. Austyn found herself fully immersed in our sensory soundscape on Shabbat. Now, she's back for a more intimate conversation where we get to know her: a deep-thinking, witty-humored, large-scale oil painter. We dive into her thoughts on art, philosophy, and self-exploration. We discover what elements of connection have an impact in her life. From refining her creative practices to reshaping her outlook on the intricacies of familial relationships, this moment in time is full of change as Austyn realizes she's entering a significant new phase in her life. Austyn discovered her passion for creating when a middle school teacher saw her need to channel emotion into physical form by giving her clay and receiving it back in the form of a deranged object - her heightened emotions mysteriously settled once that the energy was transferred into an object form. From that point on, Austyn found that creating art was nearly a form of therapy. It was an outlet for intense self-expression, which manifested itself in how she creates today. Austyn has discovered her need to create is perpetual, as she thinks about painting, the elements of paint, and the way oil works all while trying to relax on a vacation. Art has become larger than life to her, both physically and metaphorically. Her paintings themselves have grown to be large-scale works of art in a larger-than-life studio. This large format method brings her back to a humble state of dwarfing herself in comparison to the canvas; her works become autobiographical in this way. Austyn aims to eliminate the stigma of good or bad art, instead asking the viewer to reimagine finished artworks as expressions of emotion that reflect the artist's tangible experience.Growing up in a Jewish family allowed for a heightened sense of intimacy for Austyn, with instated practices to best spend time together. Austyn's Jewish upbringing tied not only her immediate family together, but linked them with a worldwide cultural community. With the pros and cons of any religion, she chooses to focus on the softness that comes from generations before her. She finds beauty in Judaism and is in awe of all of the many ways in which one can be Jewish, loving the ways in which rituals develop idiosyncratically from one family to the next, one denomination to another, and even country to country. Relishing in the beauty of difference and a curiosity for the dynamics of people, this throughline is also prevalent in her work. It is also what initially drew her to Secular Sabbath and our  thread of connection we share in our upbringing within the culture of Judaism. Seeing the building blocks of community and creative freedom happening in front of her eyes at our Summer Soiree, she felt an immediate understanding of our desire to awaken the sensory self in everyone just as she's been exploring her own journey of rediscovery. She finds the Secular Sabbath approach lovable with inclusive day-of-rest practice, outside of religious, spiritual, or agnostic belief systems.Full of wisdom, energy, and expanding ideas, Austyn shares with us a world from which she's come, and leads us to where she's going. So please enjoy this tiny window into a big soulful inner landscape that exists within Austyn Weiner.To join Secular Sabbath membership, you can find us at secular-sabbath.com/membership. Joining grants you access to our Inner Circle community of sensory-exploring like-minded people, where you can gather with us locally in LA for monthly meet-up experiences, and pop-up events around the globe, and partake in our exclusive ambient online community. Ready to dive into the dialogue deeper? Join us on our Discord channel.See what we get up to at @secularsabbath.

Aged 18 Jennifer Baker packed her bags and moved from Florida to New York City to study at the School of Visual Arts, one of the best art schools in the US. It was the 1980s and she says that the school and the experience moulded her as an artist and as a person, but she couldn't live there forever. After graduating Jennifer had no clue of how to make art her profession, although she did try. She loved to travel and moved to Italy with her husband, where she ran a successful translating business for 20 years – but there was no time, or space, for painting.So, how is it that Jennifer has just returned from a gallery show in Florida, with more lined up in Italy and the US? What prompted Jennifer to pick up her paintbrush and beloved oil paints again, and what happened when she did? ‘I'm so glad I took the leap and started painting again. It's my passion and I love doing it.'CreativityFound.co.ukInstagram: @creativityfoundpodcastFacebook: @creativityfoundpodcastPinterest: @creativityfoundTwitter: @creativityfounClubhouse: @clairewaitebrown and Creativity Found Connect club Music: Day Trips by Ketsa Undercover / Ketsa Creative Commons License Free Music Archive - Ketsa - Day TripsArtworks: Emily Portnoi emilyportnoi.co.ukSupport the show

Kimberly Brooks is a contemporary American artist known for her portraits and landscapes in series addressing history, memory, and identity. Her work has been showcased in numerous juried exhibitions among museum curators including the Whitney Museum of American Art, The Museum of Modern Art (MOMA). Her recent solo show, “Painting Architecture”, at the Museum of Art and History Lancaster featured large interiors and landscapes collapsing in on one another.Throughout her thirty-year career, Brooks has focused on the medium of oil with occasional integrations of gold and silver leaf.  in 2008, Brooks started to feel increasingly suspicious about the fumes she inhaled as a part of her practice.  Coinciding with modern science and historical manuscripts, Brooks created an ultimate guide for oil painters illuminating why solvents aren't necessary when you oil paint. Learn more about Kimberly and how to contact her in the show notes for this episode at passionatepainterpodcast.com/episode70

This is part 2 of my interview with Kimberly Brooks. Don't miss out on another jam-packed episode about just how you really can oil paint without relying on solvents to clean your brushes.Kimberly Brooks is a contemporary American artist known for her portraits and landscapes in series addressing history, memory, and identity. Her work has been showcased in numerous juried exhibitions among museum curators including the Whitney Museum of American Art, The Museum of Modern Art (MOMA). Her recent solo show, “Painting Architecture”, at the Museum of Art and History Lancaster featured large interiors and landscapes collapsing in on one another.Throughout her thirty-year career, Brooks has focused on the medium of oil with occasional integrations of gold and silver leaf.  in 2008, Brooks started to feel increasingly suspicious about the fumes she inhaled as a part of her practice.  Coinciding with modern science and historical manuscripts, Brooks created an ultimate guide for oil painters illuminating why solvents aren't necessary when you oil paint. Learn more about Kimberly and how to contact her in the show notes for this episode at passionatepainterpodcast.com/episode71

Cliterati! We have a very exciting guest today that we've been wanting to have on the show for awhile! You may have seen some of our oil paintings on our IG @clittalkshow. She is a sex positive artist, oil painter & body painter. She says “Female sexuality is power and I will use that power to get your attention.” And boy does she! Please welcome to the studio, Nicolette Spear! Sign up for Nicolette's newsletter and receive 4 free female empowerment art screensavers. https://www.nicolettespear.art/We have a gift for you in honor of our 200th episode anniversary! FREE AUDIO TRAINING:CLIT TALK CLIFF NOTES  - Click HEREAfter over 4 years & 200+ episodes, we're giving you our best highlight reel. Sign up for our FREE audio training for a quick quantum shift in you both your Communication & Sex Life. VISIT http://clittalkshow.com/guide to sign up and get access.Click HERE to subscribe to our YouTube.Sign up for our waitlist for the latest news of our upcoming free workshops at www.clittalkshow.com/waitlistShop Pleasure Positive Products | https://clittalkshow.com/pleasure-store Join our Patreon: Clit Talk Confidential  | https://www.patreon.com/ClitTalkConfidential Follow us on Instagram | https://www.instagram.com/clittalkshow/ Discounts | https://clittalkshow.com/discounts 

During this full episode which will launch on March 3, 2022, we talk to artist Dutch artist Jade van der Mark. This voice bite expresses why she prefers to use oil vs acrylic paint. Cover Art: Jade van der Mark, Share and Rule, 2021, Oil on Linen

Teresa discusses plans for an upcoming series of thickly decadent oil paintings. An online cake painting class is scheduled. Flights of fancy are contemplated. The House Of Oaxaca Podcast- https://www.houseofoaxaca.com/podcastTeresa Oaxaca- https://www.teresaoaxaca.com/Online Cake Painting Class- https://www.teresaoaxaca.com/product-page/painting-small-creatures-october-18-2021-12-6-pm-est

There come moments when we hear our own, calm voice reassure us that what we are doing is where we are meant to be. Sometimes it is hard to hear that with such clarity when the world is filled with the chaos of the going-ons of life, but we can still hear it when we take those gentle moments to listen.What exactly is the concept of a life's work, and how do we find our purpose in what we do? These are questions I have been asking myself as of late. How do I know that the work I am creating leaves behind a legacy that I am proud of, and one that makes a difference for those who may need it.Explore all of this and more on today's episode of Creator's Playbook.Today also marks the beginning of NaNoWriMo. To learn more about the National Novel Writer's Month, please visit: https://nanowrimo.org/Twitter: @CreatorsPBPodFacebook: Creator's PlaybookEpisode Hashtag: #cppodcast081Website: http://www.creatorsplaybook.com/

This episode is a~~~sErIouS~~~ interview with Armando Cabba who discusses his artwork, his role in the figurative erratic art scene of today's art world, how Paris has affected his oil paintings, and the vast ways art is being censored now a days while also sprinkling in fun travel stories, old art school horror stories, and a few mishaps along the way (there may be taints, titties, forchettes, Lady Gaga, Jahvist Witnesses, and toothed vaginas mentioned in this episode). For more info, check out below: Jul: www.juluncensored.com IG: @juluncensored Armando: www.armando-cabba.com/ IG: @armandocabba Only Fans: armandocabba --- This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app --- Send in a voice message: https://anchor.fm/juluncensored/message Support this podcast: https://anchor.fm/juluncensored/support

The GYSP students explore the Burj Khalifa and have a bittersweet reunion with a friend. One of the students gets released from the program and gives a cryptic message as she goes. Episode 14 features:Lydia Brauer (Kaia Smith)Katherine Hilton (Dilani)Emmett Prough Richter (Neith)David Merrill (Josh)Aya Fouad (Zia)Rachel Hunter (Rachel)Henry Mitchel Bibelheimer (Kiran)Jenni Ovenstone-Smith (Dr Calleo)Josiah Dykstra (Dr Grigori)Music was composed and arranged by Pan Conrad.The chimes effect used in this episode is "Ambience, Wind Chimes, A.wav" by InspectorJ (www.jshaw.co.uk) of Freesound.org.  Thanks also to the makers of these effects on Freesound.org: "Unforgiven", CCMixter #14847, (CCBY-NC 3, 0), excerpt remixed by Timber https://freesound.org/people/Timbre/sounds/178364/; Remodeling: Crash Bang and Drilling by ultradust https://freesound.org/people/ultradust/sounds/167750/; Destruction, Wooden, A.wav" and "Air Extractor Fan, Public Toilets, A.wav" by by InspectorJ (www.jshaw.co.uk) of Freesound.org, https://freesound.org/people/InspectorJ/sounds/352513/, https://freesound.org/people/InspectorJ/sounds/403664/; sas_ouverture.WAV by Velvorn,  https://freesound.org/people/Velvorn/sounds/95773/.Thank you for listening! 

Louise Luton was a teacher for 20 years, but after realizing she was in burnout she took the difficult decision to leave the profession and embark on a new life with oil paints.CreativityFound.co.ukInstagram: @creativityfoundpodcastFacebook: @creativityfoundpodcastClubhouse: @clairewaitebrown and Creativity Found Connect clubMusic: Day Trips by Ketsa https://ketsa.uk/under Creative Commons Licensehttps://freemusicarchive.org/music/Ketsa/Raising_Frequecy/Day_TripsArtworks: Emily Portnoi emilyportnoi.co.ukOther podcasts cited: She Means Business and Seize the DaySupport the show (https://ko-fi.com/creativityfoundpodcast)

In this episode, Stacy asks Natalie Yon-Eriksson from Earth and Flax all the linseed oil paint questions she’s been wondering about over the years. Is it easy to use? How is it made? What are the benefits and limitations of linseed oil paint? Natalie has the answers to all of those questions and plenty more. Also, Stacy and Alex from Old Town Home discuss the best first project to tackle when you buy an old house. 

My dad talks me through his painting of Jesus' famous parable. The artwork is an aerial view of the whole story, tracking the son as he leaves - then returns - home. Be sure to check out the painting on neilthorogood.com to see what we're chatting about! Want to support this podcast? Here's a fun way to do that: https://www.buymeacoffee.com/pilgrimpitstop

Walker reflects on her early days as an artist and what it means to not have the ability to create today.Music & sound in this episode: License type: http://creativecommons.org/licenses/by/3.0/Paris Ballade by Dana BouléLink: https://freemusicarchive.org/music/Dana_Boule/Songs_For_ParisCue 6 ... (The Everlasting Embrace) by SoularflairLink: https://freemusicarchive.org/music/Soularflair/CUES_for_film_TV_games_etc_SAD/Cue_6_-_Emotive-Sad-Beatiful-Jangly_delayed_guitar__all_instruments_The_Everlasting_EmbraceJingle004 by CydonLink: https://freesound.org/people/cydon/sounds/133054/Wondrous 1l61 by SetunimanLink: https://freesound.org/people/Setuniman/sounds/269275/Dreamy background 0d_28mi2b by SetunimanLink: https://freesound.org/people/Setuniman/sounds/141185/License type: http://creativecommons.org/licenses/by/4.0/Short Xylophone Jig by Metrostock99Link: https://freesound.org/people/metrostock99/sounds/514699/Wanderermalletloop by PlagasulLink: https://freesound.org/people/plagasul/sounds/253383/Guitar arrpeggio 6 by KaponjaLink: https://freesound.org/people/kaponja/sounds/54215/

The great painting medium showdown. What type of paint is right for you? On today's episode of Self Taught Artist, we dive into the specifics of oil paint, acrylic paint, watercolors, and gouache. Each medium has advantages and disadvantages that are worth exploring. As a new painter, it can be hard to understand the difference between these types of paints and what you can do with them. I try to demystify paint types as much as possible with this simple primer.

Stephanie Dueñas and Russell Shoemaker, your artist sherpas, answer all of your itching syphilis-ridden questions and discuss Dominant Curve; a vibrant, athletic, and abstract painting by Wassily Kandinsky from 1936. Our Art Pantry entry of the week is Oil Paint. Our Art Assignment is to make an abstract composition, with whatever materials you have (including your cat), based on an instrumental musical composition. In this episode, we discuss what this podcast is all about. Topics include: Was Kandinsky a low-key cult leader? What is the Bow Wow Haus? Positive vibes and finding that Haystack Feelin’ in the face of a global pandemic, Turkish Airlines’ ridiculously cramped seats, the best pizza in Florence, and of course, the art: A really fantastic painting by Wassily Kandinsky.

In this final episode of season 1 of Paint Stories, Mark reminisces about the first year in business for Golden Artist Colors - From cutting holes in the floor to fit the mixer, to the genesis of the hand-painted swatch, to failing at retail and taking paint directly to artists.

I spend some time with my dad in his studio as he plans a painting of a famous biblical scene. He gives me an insight into his creative process and talks about why art has been such a big part of his life. Be sure to check out his work when you've finished listening! Want to support this podcast? Here's a fun way to do that: https://www.buymeacoffee.com/pilgrimpitstop

Mark tells two new stories about breaking bread with both artist friends and family in celebration of the Thanksgiving holiday.

Join Mark as he talks to friend and artist, David Headley, about his artist journey.

Rachel Jennie has developed a close-knit Instagram community with her oceanic oil paintings and a gorgeous room full of plants and light. In this episode, we talk all about how she started painting oceans, the other ways she loves to create, being an artist on a budget, how she stays inspired to paint, her goals for the future, selling her art, and more. Not only is Rachel an incredible artist, but she is also just a beautiful and creative human being. In so many ways, she truly is just lovely. She is a great example of perseverance, creativity, life, and friendship. Her art is also absolutely breathtaking and worthy of so much attention! This all-around is just a very inspiring interview for emerging artists and anyone who needs a little inspiration today to be creative!You can follow Rachel on Instagram @racheljennieartYou can follow us on Instagram @morethanamuse.podcast

The Paint Stories podcast will return next Tuesday with part 2 of Mark's conversation with friend and artist Ronnie Landfield. Today, however, the most important thing is that we get out and vote!

In today’s podcast, Mark Golden is joined by a long-time friend and paint collaborator, Ronnie Landfield.

Join Mark Golden in this week’s Paint Stories podcast as he talks with good friend and brilliant painter, John Griefen. They take a walk down memory lane reminiscing about studio visits early on in Golden Artist Colors’ history.

Mark continues his conversation with his brother, Tom Golden, who shares some of his recollections of meeting a number of artists while working first at Bocour, and then Golden Artist Colors.

The idea for the Podcast – Paint Stories – came about as we were gearing up to celebrate our 40th year of Golden Artist Colors, I had begun to gather information in various forms, most recently for a lecture at the Midland Center for the Arts in Midland, Michigan. As we moved into March and realized that much of our plans would have to be scrapped and with some unexpected time on my hands, I decided that since everyone was home bound right now, what a wonderful opportunity to connect with many of the folks that helped create the success of Golden Artist Colors! I was also able to put the earlier history of my Dad and Great Uncle Leonard Bocour into some greater context and with stories from my brother Tom, who actually worked at the shop in Manhattan, and later, joined us at Golden Artist Colors.I couldn’t be more delighted with the response from the artists that were willing to share their stories and connections to both Bocour and Golden Artist Colors. It has brought back so many wonderful memories.  About Golden Artist Colors, Inc.Golden Artist Colors, Inc. is a manufacturer of artist quality materials including colors and mediums for painting in acrylics, oils and most recently, watercolor. With two locations, a 100,000-square-foot facility in rural Columbus, N.Y., and a 45,000-square-foot commercial warehouse and distribution center in Norwich, N.Y., the company’s 224 full-time employees are committed to producing materials that encourage exploration of form and concept, while assuring archival integrity. The GOLDEN brand of acrylics is known for quality and archival integrity as well as being the most innovative and extensive system available. The company also owns Williamsburg Handmade Oil Colors, which is known for its quality and extensive palette of colors including genuine Italian and French earth colors. QoR®, a new, thoroughly modern watercolor is made with an exclusive Aquazol binder, providing more pigment in every brushstroke, as well as color strength, range and versatility unmatched in the history of watercolors. Furthermore, the Custom Lab at GOLDEN serves artists and organizations by formulating materials to fit their needs and purposes. Not only committed to its customers and local community, GOLDEN is dedicated to its employee owners as well. In April 2010, GOLDEN employees became the majority owners of the company and in 2008, the company became a 100% Tobacco Free Campus for staff and visitors. To learn more, call 1-800-959-6543 or visit www.goldenpaints.com, www.williamsburgoils.com or www.qorcolors.com. 

Check us out on YouTube!www.youtube.com/user/mylittlehomesteadJoin us for a chit chat about your awesome pigment ideas, talk about ideas for future foundries & other fun Weekly Peek stuff! We'd love to have you :)Coloring Pages: https://mylittlehomestead.com/ColoringPage.htmlT-shirts & Merch: mylittlehomestead.com/store.htmlOptions if you'd like to Contribute to MyLittleHomestead:One time Contribution: www.paypal.me/MyLittleHomesteadMonthly Contribution: www.patreon.com/MyLittleHomesteadAmazon Gift Wish List: www.amazon.com/gp/registry/wishlist/RCEPKNS51360Mailing Address: Little Homestead, LLC, 304 S. Jones Blvd #3933Las Vegas, NV 89107Other Links:www.twitter.com/MyLilHomesteadwww.facebook.com/TheRealMyLittleHomesteadwww.mylittlehomestead.comwww.instagram.com/therealmylittlehomesteadwww.patreon.com/MyLittleHomesteadBree: https://twitter.com/Slow_SilverGaren: www.youtube.com/MrOffAndOnBryson: www.youtube.com/ScienceMadeFunnerShae: www.youtube.com/myscriblsFree Use Music: Valley_Drive_by_The_Whole_OtherSupport the show (https://www.patreon.com/MyLittleHomestead)

Check out Jodi and Shawns new comic books at http://www.divideddistrictstudios.com Jodi Dareal was born in Brooklyn, New York in 1989. Art has always been a major component in her life. From a young age, she began drawing wildlife pictures and as the years progressed her curiosity grew. While attending Urban Academy Lab High School, she focused on her Trinidadian heritage. Her paintings featured bright colors, symbols and traditional folk tales from Trinidad and Tobago. Jodi graduated from high school in 2008 and moved on to Penn State Altoona. While there she developed a new style using various shading techniques. After college, she moved to Staten Island where she continued to experiment with different mediums. Oil Paint, Acrylic Paint, Pencil Sketches and now comic book illustrations. She has also completed a series of murals located in many parts of Staten Island as well as some locations in Brooklyn. Over time the focus of her work also changed. In 2017, she started to focus more on feminist concepts. Staten Island comic book illustrator, and CEO of Divided District Studios, Shawn McArthur started off just like any other child in the 90's. being highly influenced by Anime, comic books, movies and video games, he wanted to be involved with being a part of the magic of storytelling. Since the age of 5, he was always found drawing his favorite heroes and making comics of his own. For someone who sharpens his craft outside of school, Shawn prides himself on collecting most of his knowledge of drawing from technique books and YouTube. From penciling to coloring his own pages, he pushes towards being able to work both traditional and digital mediums of sequential art. Challenging himself to try something new and never backing away from difficult tasks.

In this episode of Ask an Artist Peter and Laura are in conversation with Michael Harding. Michael makes paints! Some of the finest on the market and is uncompromising about the quality of his products. He started to make paints whilst still at Art School because he wanted to be able to achieve some of the effects that he saw in the works of painters from the past, these were impossible with the commercial paints that were available to him so he sought to remedy that in the paints he made. Michael Harding Paints now have a high reputation and in this conversation you will hear some of what has driven Michael's business.

This part 2 of my Process covers the 4 fundamental concepts in painting that help me create a traditional oil effect in Procreate. You will learn about the brushes I use, how to create the thick oil paint effect and how to prepare your canvas without having to import a photo of a real canvas.

Most artists will have some relationship with colour, wether it be ink, paint, pencil or paper. The colours you choose are important for many reasons, for their colour for one, but also for their longevity, their intensity, their opacity, their sheen, their ability to work on top or underneath other colours - I'm really only scratching the surface of the subject. Today's guest lives and breaths colour, he is managing director of Cranfield Colour who make printing inks for intaglio and relief printers including the very popular Caligo range of 'safe-wash' inks which are oil-based but can be washed up with water and a little soap! Cranfield Colour also make oil-paints for the professional market. Michael talks to Laura and Peter about some of the science, and why choosing your materials well is so important.

She makes fantastic, creative and artistic backgrounds, with Neocolor II, pastels, acrylic paint, and lately, even oil paint.  In this episode you´ll meat Irini Malliora (@irini.arts on Instagram), from Greece, who love to experiment with backgrounds in the coloring books. We talk about how it started, how she have become so good, what "Stars coloring team" is, how she change the pictures from the books before she´s starting a new page and a lot more! Happy listening! / Isabell

The guys discuss their favorite car hacks for Topic Tuesday, based upon questions from Matt S. in Dhaka, Bangladesh! They also debate ‘teenage glory days’ cars for Garrett E., who has a Miata and needs a hauler. Social media questions include the guys’ opinons about whether SUVs or cars are better for road trips, what cars are fun at slow speeds, and which "condiments" on cars make or break the design… Season 5 is available on Amazon Prime and Vimeo worldwide. Please rate and review the podcast on iTunes, the Everyday Driver show on IMDB and Amazon, and write to us with your Topic Tuesday discussions and podcast debates at everydaydrivertv@gmail.com or everydaydriver.com. Thanks for listening and share the podcast with your fellow car enthusiast friends!

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HOUSE TALK RADIO - UPDATING YOUR KITCHEN CABINETS WITH HOST WENDY & TONY GAMBONE: You might not be ready for a full kitchen remodel, but you can still spruce up the look of your kitchen with a fresh coat of paint for your cabinets. The process is simpler and less costly than installing all new cabinets, and it's within the abilities of most homeowners. If you choose the right paint for kitchen cabinets, it can transform the look of your space while covering up dull, dingy surfaces. Open the door to new possibilities by painting your kitchen cabinets in a bold fresh color or opt for a classic look with a crisp shade of white. Whatever color you choose, you’ll need to pay special attention to what type of paint is best for kitchen cabinets and which finish will be the longest-lasting and easiest to clean. Oil Paint vs. Latex Paint Wondering whether you should reach for old-school oil paint or widely-available latex paint for your kitchen cabinets? The short answer is that latex paint is best for cabinets. Oil paint makes a case for itself with its reputation for easy application and a long-lasting finish that can be scrubbed and cleaned regularly, but latex paint is the best choice for most cabinets since it offers lower levels of volatile organic compounds (VOCs) and is quicker to dry. Oil-based paints are known for their resilient finish, and so they might be your first thought as the best paint for kitchen cabinets. If you open the cabinet with sticky or greasy hands, you can scrub away any residue without worrying about wearing away the paint or dulling the surface. However, oil paints have some flaws that become especially hard to ignore when painting cabinets. https://www.thespruce.com/best-paint-for-kitchen-cabinets-4686963

​​All the Colours and Beyond - Tetrachromacy with Concetta Antico ​​ Kim Interviews Concetta Antico. Artist, art teacher and true tetrachromat. Concetta can see up to 100 million more colours than almost anyone else in the world. Concetta’s abilities have been verified scientifically, and researched for six years, at the time of this interview. Support Art Supply Posse and get bonus episodes Concetta has been using her unique gift for 25 years to teach others how to see more colours and to paint in oils. Most people have three colour receptors. We are generally trichromats. Tetrachromacy is a genetic mutation, resulting in a fourth colour receptor. However, having the fourth colour receptor does not make someone a true tetrachromat. Among the very few tetrachromats there are differences as to how many colours each person perceives. Concetta also has an extraordinarily high luminance factor, meaning she sees a lot more light. She sees more colours in low light, or semi darkness. The physical ability is only the beginning. As Concetta explains, most of her extraordinary colour perception results from her environment and “visual training” as an artist. She has been painting continuously since the age of six. Originally from Australia, Concetta shares her time between San Diego, California and Australia. Concetta mainly works in oils because she finds she can mix greater nuances of colour with oil paints. Concetta didn’t discover her tetrachromacy until her daughter started reporting signs of colour deficiency. Tetrachromats can genetically pass on their fourth colour receptor, as Concetta’s mother presumably did to Concetta and her sister, but it can also result in colour deficiency, as with Concetta ‘s daughter. Concetta tells the fascinating story of how she started realising she might not be like everyone else and how that lead to university research studies being done today. Kim and Concetta also discuss how tetrachromacy is part genetics, part learned and environmental. Become a Patron and get bonus episodes Support Art Supply Posse monthly on Patreon Episode Topics Oil painting Oil paints and tetrachromacy Tetrachromacy, life, and science Discovering tetrachromacy Early support Teaching colour based on light values Teaching, art shows, and press Seeing tetrachromacy in other artists' work Artistic “style” versus actually seeing colours differently Could trichromats ("normal people") learn to use colour like a true tetrachromat? How living in both US and Australia has affected her art Advice to new oil painters Contact information and final words Website https://concettaantico.com/ Facebook https://www.facebook.com/ConcettaKAntico/ Instagram https://www.instagram.com/concettaantico/ Scientific information on tetrachromacy The mystery of tetrachromacy Credits Interview by Kim Cofield. Audio editing, show notes and intro by Marcus Clearspring Show notes by Ylva Staberg Discuss art supplies in the forum ASP Forum

Welcome back to KDOI Podcasting, Season 2 Ep 5 Oil Painting project. This is probably the most personalized project you will do in this season. It is is the most difficult because you have to wait for the paint to dry between steps.  Lets start with the story and then we will get into the project. I am a self taught painter, I have only taken elementary painting classes and recently I took a "class" about 1.5 years ago where the teacher was around providing paint, brushed and tools to paint. We had to provide the inspiration and the canvas. I decided this would be a great opportunity to give a gift to my wife for Xmas so I took a picture of our trip to Paris where we kissed in front of the I Love You Wall and I dove into the class. It took 3 sessions of 2 hours each and walla, I had the best Xmas present ever, an attempt to recreate that  moment in time.    Naturally for this season I wanted to do that again, so I took a picture of my twins hugging each other in their bedroom before bed. This was very hard for me as I had no one to help me out with this project, so it is not as successful as my original project. Here is the picture I was going for. I know this is my greatest achievement in life, and it was challenging to get this on canvas.    Here is what you will need Canvas I like 11x14 but you can choose your own size for whatever you need Brushes - I recommend getting brushes that are cheaper especially if this is your first time and synthetic brushes if you can get them. I got a variety pack and was very happy Paint knives - these aren't sharp, but they will help in tight spots Turpinetine to thin out the paints and clean off the brushes and knives Oil Paint get a variety pack that has a color wheel Rags to clean up Soap for cleaning the brushes easel to put the canvas on while you are painting pencil to sketch your painting           Step 1 sketch the painting Step 2 decided how you want to approach this painting, what areas you want to do first, second and last Step 3 begin mixing colors Step 4 begin painting each section Let it dry between sessions Step 5 let it dry and apply sealant on it so it will stay dry and safe forever   Lessons learned 1. Take your time do it in layers, stop painting like oil is acrylics 2. Get help early on from someone who has more experience 3. Plan out your sections better and be okay with doing smaller sections and taking your time   Send us what you did and let us know what your story is  email kdoipodcasting@gmail.com twitter @kdoi_podcasting  

Chatting With Sherri welcomes back fine artist;  Sasha T. ! "I am often asked how I go about painting on metal. It always starts the same way. I purchase stainless steel panels from my local metal supply company, and then have the sheets cut down to my desired size. I then distress the metal by using a grinder and a sanding pad. Not only does that technique create a surface for the paint to stick onto, but also allows the light to play off the metal once the painting is complete. Considering that the metal is as much an integral part of my paintings, as is the oil paint - I make sure to leave as much of the metal showing through as I can. When light strikes the metal it creates the illusion of a 3D effect. As the viewer moves around the art it appears as if the reflecting light is dancing across the painting. I primarily paint in my studio which is located in the historical Gaslamp Quarter in Down Town San Diego. My paintings are mostly a collage of ideas and images that I bring together to form a work of art. I use a thick oil medium that allows my brush strokes and colors to weave together seamlessly - much like water. The combination of all these factors give my paintings a dreamlike quality. My images are like a snapshot of time and place." To help Sasha get his art in Space go to his; Go Fund Me page.  https://www.gofundme. com/Firstartshowinspace

Cheryl Kelley is an artist who was classically trained in oil paint and has taken her passion and love of cars, muscle cars, and put her own stamp on the subject matter. She started painting at the age of ten and grew up in the formative 60s. She often paints on aluminum that plays well to the reflections on the surfaces of automobiles allowing the viewer to go deeper and to see something more in the form. The quality and mystery of these reflections take the viewer out of the mundane and in to a dream world. The nostalgia of the American dream along with cars makes her art unique and Cheryl adds her own feminine stamp on the subject matter taking the beauty of the object and going beyond the surface.  

Curator Linda Stark and artist and former owner of Art Placement, Robert Christie. Hosted by Alejandro Romero.

HJRP1414 Your Hosts: Stu, Stork, CADave and HosierRob This episode is sponsored by easyrollerdice.com. You can get 105 high-quality dice (that's 15 complete sets) for under $25. And if you use the promo code HAPPYJACKS at checkout you'll get an additional 10% off PLUS free shipping. Show Notes: Bakomusha ask when to yes and and when to say no. We discuss. Niklas asks us about fear (and PC's reaction to it) in RPGs. Learn to Oil Paint clues us in a bit on play by forum games. He also asks us about how to handle character death and what to do about the experience level. He also asks us about over arching stories. Michael tells us his gaming horror stories about himself.