Podcasts about dreamworks skg

Jeffrey Katzenburg, Co-Founder of DreamWorks SKG discusses the future of AI video advertising alongside Creatify CEO and Co-Founder Yinan Na. They are both joined by Bloomberg's Romaine Bostick, Alix Steel and Scarlet Fu.See omnystudio.com/listener for privacy information.

Comparing and contrasting Dreamworks SKG's “The Prince of Egypt” with the original scriptures fond in The Torah, The Christian Bible, and the Qur'an.  This podcast contains certain copyrighted works that were not specifically authorized to be used by the copyright holder(s), but which we believe in good faith are protected by federal law and the fair […] The post CSO 019a – The Prince of Egypt Part 1 first appeared on Cinema Story Origins Podcast.

Avec Arnaud Saint-Martin, sociologue. On connait tous la phrase de Neil Armstrong, le premier homme à avoir marché sur la lune, en 1969 : « C'est un petit pas pour l'homme, un pas de géant pour l'humanité ». Depuis 1972, plus aucun homme n’y était retourné. Mais avec la mission Artémis lancée par Donald Trump, les Etats-Unis repartent à la conquête de l’espace. Je dois dire que je n'avais jamais pensé à questionner le bien fondé de ces expéditions, que ce soit pour aller sur la Lune, et pourquoi pas un jour sur Mars. Je me suis toujours dit qu’il devait y avoir d’excellentes raisons scientifiques de le faire. Arnaud Saint-Martin a complètement changé mon regard sur ce sujet. Il est sociologue des sciences au CNRS, spécialiste des activités spatiales et co-auteur avec Irénée Régnauld d’une “Histoire de la conquête spatiale” (La Fabrique, 2024). Leur livre raconte la construction de l’évidence spatiale, et montre comment la communication sur les recherches scientifiques a éclipsé les usages militaires et commerciaux de l’espace. L’exploration humaine de Mars a-t-elle le moindre intérêt scientifique ? Comment s’est affirmé le paradigme de la conquête dans l’histoire spatiale ? A-t-on besoin d’aller dans l’espace ?Un épisode des Idées Larges avec Arnaud Saint-Martin, sociologue. Références : - Arnaud Saint Martin, Irénée Régnauld, Histoire de la conquête spatiale.Des fusées nazies aux astrocapitalistes du New Space, La Fabrique, 2024- Konstantin Eduardovitch Tsiolkovski, lettre à B N. Vorobyev, 1911. Cité in Kévin Limonier, « La pensée de Konstantin Tsiolkovski (1857-1935). Du cosmisme à la conquête spatiale, itinéraires d’une philosophie récupérée », Slavica Occitania, n° 46, 2018- Jean Baudrillard, « La Biosphère II » (ca. 1991),in Felicity D. Scott, Un climat sur mesure. Les colonies de la NASA (1972-1982), B2, 2019- David Harvey, Les Limites du capital, Éditions Amsterdam, 2020. Archives sonores : - NASA - Neil Armstrong - Restored Apollo 11 Moonwalk - Original NASA EVA Mission Video - Walking on the Moon - 1969- PBS NewsHour - WATCH: President Trump announces plan to send NASA back to the moon - 2017- NASA - NASA’s Artemis I Moon Mission: Launch to Splashdown Highlights - 2023- Amblin Entertainment, DreamWorks SKG, Temple Hill Entertainment, Phantasma, Universal Pictures - Damien Chazelle - First Man : Le Premier Homme sur la Lune - 2018 - NASA - President Kennedy's Speech at Rice University - 1962- The Ladd Company - Phillip Kaufman - L'Étoffe des héros - 1983- Walt Disney Animation Studios - Ward Kimball - "Disney Parade" Man in Space - 1955- 20th Century Studios, TSG Entertainment, Scott Free Productions - Ridley Scott - Seul sur Mars - 2015- CBS News - The Late Show with Stephen Colbert - Elon Musk Might Be A Super Villain - 2015- France 3 - "Des Toulousains sur Mars ?" - 2023 Musique Générique :« TRAHISON » Musique de Pascal Arbez-Nicolas © Delabel Editions, Artiste : VITALIC,(P) 2005 Citizen Records under Different Recording licence ISRC : BEP010400190,Avec l’aimable autorisation de [PIAS] et Delabel Editions.  Episode vidéo publié le 8 novembre 2024 sur arte.tv Autrice Laura Raim Réalisateur David Tabourier Son Nicolas Régent Montage Pauline Chabauty Mixage et sound design Jean-Marc Thurier Une co-production UPIAN Margaux Missika, Alexandre Brachet, Auriane Meilhon, Emma Le Jeune et Karolina Mikos ARTE France Unité société et culture

         Terry Press recently joined Amblin Partners in the newly created role of President of Strategy and Communications. Terry oversees the execution of all elements of marketing, publicity, consumer products, and communication for the film and television divisions of Amblin Partners and Steven Spielberg, who said of Terry, “Since the earliest days of DreamWorks, Terry has been a vital part of our DNA, championing our films with her marketing expertise and passion for film. Her reputation in the industry for excellence is well known and we have a long-shared history of great experiences together.”           Terry also continues in her role as a consultant at Turner Classic Movies, where Steven Spielberg, Martin Scorsese and Paul Thomas Anderson advise the channel. Recent movies that Terry has worked on with Mr. Spielberg include: The Fabelmans, West Side Story, Lincoln, The Post, and Amblin/Universal's award-winning 1917.            Previously, Terry was President of CBS Films, where she oversaw the production, marketing, and distribution of such titles as: The Woman in Black, The Duff, Last Vegas, Hell or High Water, At Eternity's Gate, Salmon Fishing in the Yemen, the Coen Brothers' Inside Llewyn Davis, and Ron Howard's documentary, Pavarotti.            Prior to forming the branding, publicity, strategy, and media and digital positioning company, 7570, Inc., Terry served for ten years as the Head of Marketing for DreamWorks SKG where she oversaw the campaigns for all live-action and animated features, including Saving Private Ryan, American Beauty, Gladiator, A Beautiful Mind, and Shrek, which won the first Oscar for Best Animated Feature.            Terry began her career with a nine-year stint at the Walt Disney Company and Walt Disney Studios.For several years, she taught marketing at UCLA (which is her alma mater, and for the record, mine, too). Recently, alongside Scott Feinberg, Terry was a guest instructor at Chapman University, Dodge College.Terry also happens to be married to a favorite StoryBeat guest, the brilliant writer, and photographer, Andy Marx.

Pilar Alessandra is the director of the screenwriting and TV writing program On the Page®, host of the popular On the Page Podcast and author of the top-selling book “The Coffee Break Screenwriter.”Pilar started her career as Senior Story Analyst at DreamWorks SKG and, in 2001, opened the On the Page Writers' Studio in Los Angeles. Her students and clients have written for The Walking Dead, Modern Family, Grey's Anatomy, Lost and Family Guy. They've sold features and pitches to Warner Bros, DreamWorks, Disney and Sony and have won the prestigious Nicholl Fellowship, Austin Screenwriting Competition and Warner Bros. TV Writing Workshop.In addition to her private classes taught out of the On the Page Writers' Studio, Pilar has trained writers at DreamWorks, Disney Animation, ABC, CBS and regularly moderates the Pitch Conference at the American Film Market. Pilar has traveled the world teaching in London, Dublin, Beijing, Warsaw, Lisbon and Cape Town, training writers, animators, producers and show runners in the art of writing, story telling and pitching.This show is part of the Spreaker Prime Network, if you are interested in advertising on this podcast, contact us at https://www.spreaker.com/show/2664729/advertisement

In This Episode:Tyler and Mike welcome to the Richest Men In Town podcast John Garbett. John wastes no time sharing his love for George Bailey and the values that he personifies. It turns out, that John has spent his entire life working with teams of people to tell powerful stories. For 25 years, as an agent of change, John led creative development and production management teams for DreamWorks SKG, MGM/UA, Warner Bros, Universal, Amblin Entertainment and Disney. His projects included “The Disney Sunday Movie”, “Father of the Bride”, “The Frighteners”, “The Matrix” and the Academy Award-winning “Shrek”. In his "fourth act" he has dedicated his life to helping those that struggle with substance abuse and addiction. He created the groundbreaking “12 Steps to Change” addiction recovery video series and other behavioral health-related media and curriculum for the LDS Church. In their time with John, the guys dive deep into all kinds of topics including:Living our values"Congruence"Always seekingCreativityStory-tellingEmpathy and compassionOur perspective changes as we have new experiences and listeners are going to have an unforgettable experience listening and learning from John's rich life. To Kristin and John, thank you for the good that you are doing. It matters so keep going!Show NotesQuotes..."It is not the things we do in life that we regret on our deathbed. It is the things we do not. I assure you I've done a lot of really stupid things, and none of them bother me. All the mistakes, and all the dopey things, and all the times I was embarrassed — they don't matter. What matters is that I can kind of look back and say: Pretty much any time I got chance to do something cool I tried to grab for it — and that's where my solace comes from." -Randy PauschReferences...John's IMDB ProfileCraft Connect Mindful Family SupportDialectical Behavior TherapyRandy Pausch "Last Lecture"Addiction Recover Videos from the Church of Jesus Christ of Latter-Day SaintsHelaman's Stripling Warriors (Book of Mormon story)Psst...Check out our website or visit us on our Facebook and Instagram platforms.

Pilar Alessandra is the director of the screenwriting and TV writing program On the Page®, host of the popular On the Page Podcast and author of the top-selling book “The Coffee Break Screenwriter.”Pilar started her career as Senior Story Analyst at DreamWorks SKG and, in 2001, opened the On the Page Writers' Studio in Los Angeles.Her students and clients have written for The Walking Dead, Modern Family, Grey's Anatomy, Lost and Family Guy. They've sold features and pitches to Warner Bros, DreamWorks, Disney and Sony and have won the prestigious Nicholl Fellowship, Austin Screenwriting Competition and Warner Bros. TV Writing Workshop.In addition to her private classes taught out of the On the Page Writers' Studio, Pilar has trained writers at DreamWorks, Disney Animation, ABC, CBS and regularly moderates the Pitch Conference at the American Film Market.Pilar has traveled the world teaching in London, Dublin, Beijing, Warsaw, Lisbon and Cape Town, training writers, animators, producers and show runners in the art of writing, story telling and pitching.

Kathryn interviews Author Nancy Regan.In her first book, the former television broadcaster, Nancy Regan, gives us a behind-the-scenes account of her experience hosting a newsmagazine with a daily audience of over a quarter million—and interviewing some of the biggest celebrities in the world—all while studiously concealing fear, insecurity, and self-doubt. With remarkable candor, Regan describes how she created the illusion of having it all together because she didn't want anyone to know how close she was to falling apart. Featuring soulful lessons from her conversations with such luminaries as Oprah and bestselling author Elizabeth Gilbert (Eat Pray Love) and serving up some of her favorite practices for staying grounded in presence, she shares with us a powerful roadmap for living a more authentic life. She was the highly rated host of CTV's Atlantic's Live at 5 for fifteen years and as an actor, appeared in tv and film productions such as Haven, Trailer Park Boys, and Reversible Errors.Kathryn also interviews Author Meredith Bagby.In 1978, NASA announced its first class of civilian astronauts, opening its ranks to candidates beyond white male fighter pilots. Among them were: the first American woman, African American, Asian American, Jewish person, mother, LGBTQ+ person, and married couple. Now, Meredith Bagby shares the never-before-told stories of “the new guys,” a class of pioneers who shattered glass ceilings, overcame racial barriers, and literally changed the face of space travel. She researched oral histories, congressional hearings, investigative reports, and had exclusive access to and the cooperation of three of the first American women in space—Kathy Sullivan, Anna Fisher, and Rhea Seddon—and tells their captivating story of the race to be the first woman in space. She was a senior film development executive at DreamWorks SKG, a political reporter and producer for CNN, and a teaching fellow at Harvard's Institute of Politics. Her education includes Columbia Law School and Harvard College.

Kathryn interviews Author Nancy Regan.In her first book, the former television broadcaster, Nancy Regan, gives us a behind-the-scenes account of her experience hosting a newsmagazine with a daily audience of over a quarter million—and interviewing some of the biggest celebrities in the world—all while studiously concealing fear, insecurity, and self-doubt. With remarkable candor, Regan describes how she created the illusion of having it all together because she didn't want anyone to know how close she was to falling apart. Featuring soulful lessons from her conversations with such luminaries as Oprah and bestselling author Elizabeth Gilbert (Eat Pray Love) and serving up some of her favorite practices for staying grounded in presence, she shares with us a powerful roadmap for living a more authentic life. She was the highly rated host of CTV's Atlantic's Live at 5 for fifteen years and as an actor, appeared in tv and film productions such as Haven, Trailer Park Boys, and Reversible Errors.Kathryn also interviews Author Meredith Bagby.In 1978, NASA announced its first class of civilian astronauts, opening its ranks to candidates beyond white male fighter pilots. Among them were: the first American woman, African American, Asian American, Jewish person, mother, LGBTQ+ person, and married couple. Now, Meredith Bagby shares the never-before-told stories of “the new guys,” a class of pioneers who shattered glass ceilings, overcame racial barriers, and literally changed the face of space travel. She researched oral histories, congressional hearings, investigative reports, and had exclusive access to and the cooperation of three of the first American women in space—Kathy Sullivan, Anna Fisher, and Rhea Seddon—and tells their captivating story of the race to be the first woman in space. She was a senior film development executive at DreamWorks SKG, a political reporter and producer for CNN, and a teaching fellow at Harvard's Institute of Politics. Her education includes Columbia Law School and Harvard College.

Kathryn interviews Author Nancy Regan.In her first book, the former television broadcaster, Nancy Regan, gives us a behind-the-scenes account of her experience hosting a newsmagazine with a daily audience of over a quarter million—and interviewing some of the biggest celebrities in the world—all while studiously concealing fear, insecurity, and self-doubt. With remarkable candor, Regan describes how she created the illusion of having it all together because she didn't want anyone to know how close she was to falling apart. Featuring soulful lessons from her conversations with such luminaries as Oprah and bestselling author Elizabeth Gilbert (Eat Pray Love) and serving up some of her favorite practices for staying grounded in presence, she shares with us a powerful roadmap for living a more authentic life. She was the highly rated host of CTV's Atlantic's Live at 5 for fifteen years and as an actor, appeared in tv and film productions such as Haven, Trailer Park Boys, and Reversible Errors.Kathryn also interviews Author Meredith Bagby.In 1978, NASA announced its first class of civilian astronauts, opening its ranks to candidates beyond white male fighter pilots. Among them were: the first American woman, African American, Asian American, Jewish person, mother, LGBTQ+ person, and married couple. Now, Meredith Bagby shares the never-before-told stories of “the new guys,” a class of pioneers who shattered glass ceilings, overcame racial barriers, and literally changed the face of space travel. She researched oral histories, congressional hearings, investigative reports, and had exclusive access to and the cooperation of three of the first American women in space—Kathy Sullivan, Anna Fisher, and Rhea Seddon—and tells their captivating story of the race to be the first woman in space. She was a senior film development executive at DreamWorks SKG, a political reporter and producer for CNN, and a teaching fellow at Harvard's Institute of Politics. Her education includes Columbia Law School and Harvard College.

Kathryn interviews Author Nancy Regan.In her first book, the former television broadcaster, Nancy Regan, gives us a behind-the-scenes account of her experience hosting a newsmagazine with a daily audience of over a quarter million—and interviewing some of the biggest celebrities in the world—all while studiously concealing fear, insecurity, and self-doubt. With remarkable candor, Regan describes how she created the illusion of having it all together because she didn't want anyone to know how close she was to falling apart. Featuring soulful lessons from her conversations with such luminaries as Oprah and bestselling author Elizabeth Gilbert (Eat Pray Love) and serving up some of her favorite practices for staying grounded in presence, she shares with us a powerful roadmap for living a more authentic life. She was the highly rated host of CTV's Atlantic's Live at 5 for fifteen years and as an actor, appeared in tv and film productions such as Haven, Trailer Park Boys, and Reversible Errors.Kathryn also interviews Author Meredith Bagby.In 1978, NASA announced its first class of civilian astronauts, opening its ranks to candidates beyond white male fighter pilots. Among them were: the first American woman, African American, Asian American, Jewish person, mother, LGBTQ+ person, and married couple. Now, Meredith Bagby shares the never-before-told stories of “the new guys,” a class of pioneers who shattered glass ceilings, overcame racial barriers, and literally changed the face of space travel. She researched oral histories, congressional hearings, investigative reports, and had exclusive access to and the cooperation of three of the first American women in space—Kathy Sullivan, Anna Fisher, and Rhea Seddon—and tells their captivating story of the race to be the first woman in space. She was a senior film development executive at DreamWorks SKG, a political reporter and producer for CNN, and a teaching fellow at Harvard's Institute of Politics. Her education includes Columbia Law School and Harvard College.

I've been trying to get today's guest on the show for months. Pilar Alessandra is an author, podcaster, and script consultant. She's the director of the popular writing program On The Page, author of The Coffee Break Screenwriter: Writing Your Script Ten Minutes at a Time and host of the On the Page Podcast.Pilar started her career as Senior Story Analyst at DreamWorks SKG. In 2001, she opened the Los Angeles-based On the Page Writers' Studio dedicated to teaching and consulting with screenwriters and TV writers at all levels.An in-demand speaker, she's taught seminars at DreamWorks, Disney Animation, ABC, CBS, and the AFM and has traveled the world teaching in the UK, China, Poland, Vietnam, Colombia, Portugal, and South Africa.Pilar's greatest accomplishment is the success of her students, many of whom have won top competitions such as the Nicholl Fellowship, are working on TV shows such as “The 100,” “Silicon Valley” and “Grey's Anatomy,” and have sold feature films to major studios.Enjoy my conversation with Pilar Alessandra.

Welcome back to The More We Know! The More we know, the more we grow. Your mentor today is legendary hollywood special effects Guru who worked on the coolest movies like IRON MAN. Raffael Dickreuter is a creative and technology enterpreneur based in Los Angeles, CA. Originally born in Switzerland he has a diverse professional background in film visual effects, design, AR, advertising and photography.He is CEO of Superba AR, a company specializing in Augmented Reality and Machine Learning.As designer he worked on feature films such as Man of Steel, Furious 7,Terminator Salvation, The Incredible Hulk, Iron Man and others and for companies such as Snapchat and DreamWorks SKG.He has worked for directors such as Steven Spielberg, Zack Snyder (300), Martin Campbell (Casino Royale, Goldeneye) and Gore Verbinski (Pirates of the Caribbean).Creations:He founded XSIbase.com in 2002, which became the world's largest social online community for Softimage visual effects software in a time before Facebook.In 2009 he developed a virtual camera system which allows directors to scout virtual film sets and action sequences. It has been used on films such as Green Lantern (2011) and Man of Steel (2013).He created two viral photo projects called “Black Mirror” (2016) and “Iron Man Grounded” (2015) which were featured in the media around the world.In 2017 he founded Superba AR, focusing on Augmented Reality, 3D and Machine Learning.Learn more at www.superba.biz In Los Angeles he is the founder and organizer of the Swiss Hollywood MeetupListen To The More We Know ⇨ https://www.buzzsprout.com/1134704​Subscribe ⇨https://www.youtube.com/channel/UCxvfd5ddf72Btbck8SdeyBwFollow my Instagram ⇨ https://www.instagram.com/sameer.sawaqed/?hl=enFollow my Twitter ⇨ https://twitter.com/commitwithmeer

Jeffrey Katzenberg is an entertainment industry executive and entrepreneur, who throughout his career has repeatedly reshaped the media landscape. Jeffrey co-founded DreamWorks SKG, serving as CEO of DreamWorks Animation, which he grew into the world's largest animation studio, known for Shrek, Kung Fu Panda, Madagascar and more. In 2016, DreamWorks Animation was sold to Comcast for $3.8 billion. Before founding DreamWorks, Jeffrey was Chairman of The Walt Disney Studios, where he took the studio from last place to first at the box office with hits like Three Men and a Baby, Pretty Woman, Father of the Bride and Sister Act. Most recently, Jeffrey co-founded WndrCo alongside Sujay Jaswa and has led WndrCo's investments in Airtable, Frame.io, Quibi, Vise, Placer.ai, NexHealth, Deel, and ID.me. Sujay Jaswa is one of Silicon Valley's leading business innovators. At Dropbox, he created and led the company's global business and finance organizations. Sujay and his teams raised over $1 billion, launched and scaled Dropbox's products for businesses, created partnerships responsible for over 100 million users, executed some 20 acquisitions, and scaled the global business team from two to more than 500 employees in seven global offices. During this period, the company significantly scaled overall revenue from $12 million in 2010 to over $500 million run rate, Dropbox for Business revenue from $1 million to over $200mm run rate, and users from 15 million to 300 million. Most recently, Sujay Jaswa and Jeffrey Katzenberg co-founded WndrCo and Sujay has led WndrCo's investments in Figma, 1Password, Databricks, Pango, Pilot, Rally, Zagat / The Infatuation, and other great companies. In Today's Episode with Jeffrey Katzenberg and Sujay Jaswa: 1.) From Dreamworks and Dropbox to Venture with WndrCo: How did Jeffrey and Sujay both make their way into the world of venture from Dropbox and Dreamworks? What was Jeffrey's single biggest lesson from his time leading Dreamworks and being in Hollywood? What was Sujay's biggest takeaway from being at the helm as COO at Dropbox? 2.) Operating Experience is Irrelevant and Can Be Dangerous: Why does Sujay believe that operating experience is irrelevant? What are the single biggest mistakes that operator investors make when it comes to advising their founders? What do both Sujay and Jeffrey do to try and refresh their operating experience in real time? How did Quibi impact their willingness and desire to take large risk both investing and operating? 3.) Building Teams and Hiring People: What are the single biggest hiring mistakes Jeffrey and Sujay have made? What did Jeffrey mean when he said at Disney, “if you do not come in on Saturday, do not bother coming in on Sunday”. How do Jeffrey and Sujay feel about remote work? Why did it not work for them? What did Alfred Lin @ Sequoia teach Sujay about the question all managers need to ask themselves on questing whether they should let someone go? 4.) Silicon Valley: Dead and Entitled? Why does Jeffrey strongly disagree with the death of Silicon Valley? What will happen to the generation of companies that raised too much with no product-market fit? How will the mass layoffs in the valley change the valley as it is today? Does Sujay agree that millennials are the worst segment to hire from? Are they entitled?  

Marc Levy, parfois orthographié Marc Lévy (né le 16 octobre 1961 à Boulogne-Billancourt) est un romancier français, devenu célèbre dès son premier roman, Et si c'était vrai..., adapté au cinéma en 2005. Son père, Raymond Lévy, connu comme écrivain et résistant, évadé du train de déportés qui les emmenait vers Dachau, est évoqué par Marc Levy dans son ouvrage Les Enfants de la liberté. Après guerre, il travaille dans un magasin avant de reprendre les éditions d'art de son beau-père. Sa mère est agente immobilière. Marc Levy entre à dix-huit ans à la Croix-Rouge française dans les Hauts-de-Seine, tout d'abord comme secouriste, et y reste six ans en prenant notamment des fonctions dans la gestion opérationnelle départementale tout en poursuivant des études de gestion et d'informatique à l'université Paris-Dauphine. En 1983, il crée sa première entreprise avec deux associés (Mickael Bendavid et Xavier Poncin), Logitec France, basée au départ dans les locaux du quai Voltaire à Paris puis à Boulogne-Billancourt (à ne pas confondre avec un certain nombre de sociétés au nom similaire). En 1988, il ouvre une unité chargée de développer une carte de traitement d'images à Sophia Antipolis avec les ingénieurs de la société américaine Spectrum HoloByte. Le projet échoue, ce qui aboutit en 1989 à la perte de contrôle de la société, qui dépose le bilan quelques mois plus tard. Repartant de zéro, à 29 ans, il fonde avec son beau-frère (le frère de sa première femme) un cabinet d'architecture de bureau, Eurythmic Cloiselec. En 2000, après l'immense succès de son premier roman Et si c'était vrai aux Éditions Robert Laffont, Marc Levy démissionne à 38 ans de son cabinet d'architecture et part habiter à Londres pour se consacrer exclusivement à l'écriture. L'ouvrage est traduit dans une quarantaine de langues, publié dans 32 pays et se vend à cinq millions d'exemplaires, restant classé durant deux ans sur les listes de meilleures ventes. DreamWorks SKG en acquiert les droits d'adaptation cinématographique. Le film, intitulé en langue originale Just Like Heaven, réalisé par Mark Waters, interprété par Reese Witherspoon et Mark Ruffalo, se classe premier du box-office américain lors de sa sortie en 2005. Depuis janvier 2017, des histoires de Marc Levy sont proposées, illustrées, chez McDonald's dans leurs menus Happy Meals. Marc Levy est le frère de Lorraine Lévy, auteur de théâtre, scénariste, réalisatrice. Il est le cousin de Julie Andrieu, son grand-père maternel ayant épousé en deuxièmes noces la mère de Nicole Courcel

A wealth of experience in the animation industry and as an independent filmmaker allows Dr. Patricia Beckmann-Wells, assistant professor in Interactive Media Arts (IMA), the opportunity to give students a unique industry-oriented perspective of the field. Beckmann-Wells teaches animation, game and toy design, virtual reality production and emerging technologies at Irvine Valley College (IVC). ​Dr. Beckmann-Wells brings 15 years of industry experience to her teaching role. Prior to IVC, she worked as an animator for Warner Brothers Digital and was executive in charge of training for Walt Disney Animation studios and Dreamworks SKG.

The “comedy juggernaut” season inevitably arrives at the nihilistic kids movies of early-2000s Dreamworks SKG. Shark Tale is one of our most polarizing selections, and raises more questions than answers: is this film okay or a desecration of everything you’ve ever loved? Why do the fish use elevators? Why did Ziggy Marley agree to play a Jamaican jellyfish? How many races can you stereotype in an animated film about fish? If Aaron Sorkin was a fish, what would Studio 60 have been called? Why did they make one of the fish super hot? Does Tony have a heart? How many times does this episode go off the rails from one or both of the hosts cracking up? Are the Italians at it again (they definitely are)? Our theme music is “Hey Allison!” by Jeff Rosenstock, distributed under a Creative Commons Attribution-Noncommercial-Share Alike 3.0 license, and available at quoteunquoterecords.com. Today’s outro music is Rose Royce’s “Car Wash” as covered by Bailey Pelkman.

Guest: Kathy Mandato, CHRO Email: ksmandato@gmail.com Hosts: Rosalene Glickman, PhD and Bill Brewer, CCP Overview: Entertainment industry chief human resources executive Kathy Mandato discusses how to optimize workforce innovation and direction with hosts, Rosalene Glickman and Bill Brewer. About Kathy Mandato: With more than 25 years' experience in Human Resources, Kathy Mandato builds strong cultures, elevates talent, while scaling and transforming companies. Her background includes serving as the Chief Human Resources Officer for WarnerMedia Entertainment and Direct-to-Consumer. Prior to joining WarnerMedia, Kathy advised technology startups including Snap, Inc. where she served as the VP of Human Resources. Before joining Snap, Kathy was at NBCUniversal for six years, serving as Executive Vice President, Human Resources for NBC Entertainment, Universal Television Studio, Universal Cable Productions, and HR Shared Services. She joined NBC in 2011 from Comcast Entertainment Group where she served as SVP of HR for three prominent cable networks. Previously Kathy was Head of Human Resources for DreamWorks SKG and was part of the team that took the animation division public in 2004. She then served as Head of Human Resources for DreamWorks Animation for three years before joining Comcast and E! Entertainment. Kathy began her career with agencies including BBDO Worldwide where she served as VP of New Business Development and Communications for the Los Angeles, San Francisco, and Atlanta offices. Kathy received her B.S. degree in journalism and mass communications with a minor in public relations from Kansas State University. She lives in Los Angeles. Why You Have to Check Out This Podcast - How to optimize goal setting and progress updates with employees and the entire team. - Why you must coach each direct report to bring out their best. - How to ensure all employees understand their role and responsibilities. - Leverage innovation as you prepare HR for where the organization will be in five years. - What it means to have “work athletes” who will optimize valuable change and disruptive innovation. - Respectful leadership styles that value expertise, encourage creativity, and achieve responsible team performance. - Optimize the labor force while carefully balancing technology with employee empowerment. - Understand how an organization deploys a voice of reason as it moves through its challenges.

The most successful studio made out of spite and smash mouth --- This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app

The second feature-length computer-animated film ever made, after Pixar's groundbreaking Toy Story, Antz is an oddball. A public feud between Jeffrey Katzenberg and then-CEO of Disney, Michael Eisner, led to Katzenberg founding Dreamworks SKG and subsequently feuding with Pixar's John Lasseter, who was making the suspiciously similar - and ultimately more successful - A Bug's Life. Pixar is the historically more successful and well-regarded studio, and the direct comparison between these two films usually sees Antz considered inferior, but Mike's long been fond of it, and in revisiting it we discuss both how far it shows us animation has come in the last twenty years, and its many qualities, including its rather grown-up tone and references, imaginative and expressive visual design and cinematography, and witty dialogue. Oh, and we try to work out how children think. Recorded on 18th October 2020.

Adam Goodman, Co-Founder of Invisible Narratives and former President of Paramount Pictures and Dreamworks SKG, discusses disrupting the current Hollywood production model amidst COVID shooting restrictions and theater shutdowns. Hosts: Carol Massar and Kailey Leinz. Producer: Paul Brennan Learn more about your ad-choices at https://www.iheartpodcastnetwork.com

Adam Goodman, Co-Founder of Invisible Narratives and former President of Paramount Pictures and Dreamworks SKG, discusses disrupting the current Hollywood production model amidst COVID shooting restrictions and theater shutdowns. Hosts: Carol Massar and Kailey Leinz. Producer: Paul Brennan

En 1994, Jeffrey Katzenberg patron de la branche cinéma de Disney claque la porte du studio. Il fonde alors avec Steven Spielberg et David Geffen producteur de musique sa propre société de production indépendante :  Dreamworks SKG. Très vite, les trois hommes créent une division spécialisée dans l’animation : Dreamworks Animation. De Fourmiz au succès phénoménal de Shrek, comment ce petit studio est-il devenu en quelques années un sérieux concurrent de Disney?

En 1994, Jeffrey Katzenberg patron de la branche cinéma de Disney claque la porte du studio. Il fonde alors avec Steven Spielberg et David Geffen producteur de musique sa propre société de production indépendante : Dreamworks SKG. Très vite, les trois hommes créent une division spécialisée dans l’animation : Dreamworks Animation. De Fourmiz au succès phénoménal de Shrek, comment ce petit studio est-il devenu en quelques années un sérieux concurrent de Disney?

En 1994, Jeffrey Katzenberg patron de la branche cinéma de Disney claque la porte du studio. Il fonde alors avec Steven Spielberg et David Geffen producteur de musique sa propre société de production indépendante : Dreamworks SKG. Très vite, les trois hommes créent une division spécialisée dans l’animation : Dreamworks Animation. De Fourmiz au succès phénoménal de Shrek, comment ce petit studio est-il devenu en quelques années un sérieux concurrent de Disney?

En 1994, Jeffrey Katzenberg patron de la branche cinéma de Disney claque la porte du studio. Il fonde alors avec Steven Spielberg et David Geffen producteur de musique sa propre société de production indépendante : Dreamworks SKG. Très vite, les trois hommes créent une division spécialisée dans l’animation : Dreamworks Animation. De Fourmiz au succès phénoménal de Shrek, comment ce petit studio est-il devenu en quelques années un sérieux concurrent de Disney?

En 1994, Jeffrey Katzenberg patron de la branche cinéma de Disney claque la porte du studio. Il fonde alors avec Steven Spielberg et David Geffen producteur de musique sa propre société de production indépendante : Dreamworks SKG. Très vite, les trois hommes créent une division spécialisée dans l’animation : Dreamworks Animation. De Fourmiz au succès phénoménal de Shrek, comment ce petit studio est-il devenu en quelques années un sérieux concurrent de Disney?

En 1994, Jeffrey Katzenberg patron de la branche cinéma de Disney claque la porte du studio. Il fonde alors avec Steven Spielberg et David Geffen producteur de musique sa propre société de production indépendante : Dreamworks SKG. Très vite, les trois hommes créent une division spécialisée dans l’animation : Dreamworks Animation. De Fourmiz au succès phénoménal de Shrek, comment ce petit studio est-il devenu en quelques années un sérieux concurrent de Disney?

En 1994, Jeffrey Katzenberg patron de la branche cinéma de Disney claque la porte du studio. Il fonde alors avec Steven Spielberg et David Geffen producteur de musique sa propre société de production indépendante : Dreamworks SKG. Très vite, les trois hommes créent une division spécialisée dans l’animation : Dreamworks Animation. De Fourmiz au succès phénoménal de Shrek, comment ce petit studio est-il devenu en quelques années un sérieux concurrent de Disney?

En 1994, Jeffrey Katzenberg patron de la branche cinéma de Disney claque la porte du studio. Il fonde alors avec Steven Spielberg et David Geffen producteur de musique sa propre société de production indépendante : Dreamworks SKG. Très vite, les trois hommes créent une division spécialisée dans l’animation : Dreamworks Animation. De Fourmiz au succès phénoménal de Shrek, comment ce petit studio est-il devenu en quelques années un sérieux concurrent de Disney?

En 1994, Jeffrey Katzenberg patron de la branche cinéma de Disney claque la porte du studio. Il fonde alors avec Steven Spielberg et David Geffen producteur de musique sa propre société de production indépendante : Dreamworks SKG. Très vite, les trois hommes créent une division spécialisée dans l’animation : Dreamworks Animation. De Fourmiz au succès phénoménal de Shrek, comment ce petit studio est-il devenu en quelques années un sérieux concurrent de Disney?

En 1994, Jeffrey Katzenberg patron de la branche cinéma de Disney claque la porte du studio. Il fonde alors avec Steven Spielberg et David Geffen producteur de musique sa propre société de production indépendante : Dreamworks SKG. Très vite, les trois hommes créent une division spécialisée dans l’animation : Dreamworks Animation. De Fourmiz au succès phénoménal de Shrek, comment ce petit studio est-il devenu en quelques années un sérieux concurrent de Disney?

En 1994, Jeffrey Katzenberg patron de la branche cinéma de Disney claque la porte du studio. Il fonde alors avec Steven Spielberg et David Geffen producteur de musique sa propre société de production indépendante : Dreamworks SKG. Très vite, les trois hommes créent une division spécialisée dans l’animation : Dreamworks Animation. De Fourmiz au succès phénoménal de Shrek, comment ce petit studio est-il devenu en quelques années un sérieux concurrent de Disney?

En 1994, Jeffrey Katzenberg patron de la branche cinéma de Disney claque la porte du studio. Il fonde alors avec Steven Spielberg et David Geffen producteur de musique sa propre société de production indépendante : Dreamworks SKG. Très vite, les trois hommes créent une division spécialisée dans l’animation : Dreamworks Animation. De Fourmiz au succès phénoménal de Shrek, comment ce petit studio est-il devenu en quelques années un sérieux concurrent de Disney?

En 1994, Jeffrey Katzenberg patron de la branche cinéma de Disney claque la porte du studio. Il fonde alors avec Steven Spielberg et David Geffen producteur de musique sa propre société de production indépendante : Dreamworks SKG. Très vite, les trois hommes créent une division spécialisée dans l’animation : Dreamworks Animation. De Fourmiz au succès phénoménal de Shrek, comment ce petit studio est-il devenu en quelques années un sérieux concurrent de Disney?

A Dreamworks surge com o diretor e produtor Steven Spielberg, o executivo musical David Geffen e o ex-executivo da Disney Jeffrey Katzenberg fundaram a DreamWorks SKG. Seu primeiro filme é o The prince of Egypt. Para falar que não tivemos cu, dá uma olhada no disco Todos os Olhos do Tom Zé e veja a capa, a música Cademar tem 45 segundos. Twitter: @guilhermeafonso e @a_laurasoares Instagram: @guilhermeafonso e @laurasoaresramos Este programa foi produzido pela Estalo Podcasts

Quibi is the latest innovation in entertainment content deliver. The Quibi app for your phone is live now and available for a monthly subscription fee. Mogul Jeffrey Katzenberg is the man behind Quibi which combines elements of YouTube, traditional television and movies into what the creators call Quick Bites or Quibis. These are series or movies broken up into episodes or chapters from 7 to 10 minutes long. They feature new creative content from some of the biggest stars in Hollywood including Kevin Hart, Chris Hemsworth, Jennifer Lopez, Idris Elba and Chrissy Teigan. We talked to Jeffrey Katzenberg about the founding and launch of Quibi which is offering a three month free trial but only if you sign up by the end of today, April 30th, 2020. For those unfamiliar with Jeffrey Katzenberg, he was the K in Dreamworks SKG alongside Steven Speilberg and the man behind Shrek in his time as a Producer and Creator. He oversaw some of the biggest innovations in the history of animation in his time at Disney and now he's the man behind Quibi.

I’ve been trying to get today’s guest on the show for months. Pilar Alessandra is an author, podcaster, and script consultant. She’s the director of the popular writing program “On The Page,” author of “The Coffee Break Screenwriter” and host of the “On the Page Podcast.”   Pilar started her career as Senior Story Analyst at DreamWorks SKG. In 2001, she opened the Los Angeles-based On the Page Writers’ Studio dedicated to teaching and consulting with screenwriters and TV writers at all levels.   An in-demand speaker, she’s taught seminars at DreamWorks, Disney Animation, ABC, CBS, and the AFM and has traveled the world teaching in the UK, China, Poland, Vietnam, Colombia, Portugal, and South Africa.   Pilar’s greatest accomplishment is the success of her students, many of whom have won top competitions such as the Nicholl Fellowship, are working on TV shows such as “The 100,” “Silicon Valley” and “Grey’s Anatomy,” and have sold feature films to major studios.    Enjoy my conversation with Pilar Alessandra.

We spoke with the former CFO and COO of Dreamworks SKG, Bruce Daitch. Mr. Daitch was involved in the creation of iconic films such as Shrek, Kung Fu Panda, Ants, and How to Train Your Dragon. We spoke about what it was like to work with Jeffrey Katzenberg, how Mr. Daitch got the Dreamworks job (he wrote a letter to Steven Spielberg), and other fascinating film industry topics. This episode was recorded in February 2019. Check out Truth Serum History to learn more about the show and get access to all of Truth Serum's content. Truth Serum aims to educate Americans about our shared history.

This is the episode where we take a deep dive into getting that first job. Where do you even start? What's the deal with internships? How do I get my foot in the door? We are going to try and answer all of these questions and get you started on your path. Featured guests: Michael Figari – Manager, Producers Program, UCLA; Eve Honthaner – Deputy Director, California Film Commission; Parker Lamal-Brown – Intern, eOne; Assistant, Topple; Laurie Luh – Human Resources Consultant; Andrea McCall – Head of Story, DreamWorks SKG

with Jeffrey Katzenberg, Meg Whitman (@MegWhitman), and Marc Andreessen (@pmarca) In this episode of the a16z Podcast, based on a discussion that took place at our annual a16z Summit, Marc Andreessen interviews Jeffrey Katzenberg -- formerly CEO and co-founder of DreamWorks SKG (and chairman of Walt Disney Studios during some of its biggest hits), now co-founder of tech holding company WndrCo -- and Meg Whitman -- former President and CEO of Hewlett Packard Enterprise, and now CEO of Quibi ("quick bites"), focused on short-form mobile video. Both Katzenberg and Whitman have known each other for years, but they resided in two different worlds -- entertainment and software -- which are now merging, not only through their current venture but more broadly, given fundamental shifts in the entertainment and media landscape. In this conversation, Andreessen probes them on where Hollywood comes in (or doesn't); the intersection of software and new media, including how content creation changes as platforms evolve; and what’s next for entertainment. Along they also touch on their unique working relationship, and leadership lessons learned...

Pilar Alessandra is the director of the screenwriting and TV writing program On the Page®, host of the popular On the Page Podcast and author of the top-selling book “The Coffee Break Screenwriter.” She started her career as Senior Story Analyst at DreamWorks SKG and, in 2001, opened the On the Page Writers’ Studio in Los Angeles where she directs her screenwriting and TV writing program On the Page®. Her students and clients have written for The Walking Dead, Modern Family, Grey’s Anatomy, Lost and Family Guy. They’ve sold features and pitches to Warner Bros, DreamWorks, Disney and Sony and have won the prestigious Nicholl Fellowship, Austin Screenwriting Competition and Warner Bros. TV Writing Workshop. In addition to her private classes taught out of the On the Page Writers’ Studio, Pilar has trained writers at ABC, Disney Animation, CBS and hosted the 2016 Pitch Conference at the American Film Market. Learn more about Pilar’s work at www.onthepage.tv You can connect with Laura at www.laurapowers.net, on Facebook @thatlaurapowers, on Twitter @thatlaurapowers, and on Instagram @laurapowers44.

Pilar Alessandra is the director of the screenwriting and TV writing program On the Page®, host of the popular On the Page Podcast and author of the top-selling book “The Coffee Break Screenwriter.” She started her career as Senior Story Analyst at DreamWorks SKG and, in 2001, opened the On the Page Writers’ Studio in Los Angeles where she directs her screenwriting and TV writing program On the Page®. Her students and clients have written for The Walking Dead, Modern Family, Grey’s Anatomy, Lost and Family Guy. They’ve sold features and pitches to Warner Bros, DreamWorks, Disney and Sony and have won the prestigious Nicholl Fellowship, Austin Screenwriting Competition and Warner Bros. TV Writing Workshop. In addition to her private classes taught out of the On the Page Writers’ Studio, Pilar has trained writers at ABC, Disney Animation, CBS and hosted the 2016 Pitch Conference at the American Film Market. Learn more about Pilar’s work at www.onthepage.tv You can connect with Laura at www.laurapowers.net, on Facebook @thatlaurapowers, on Twitter @thatlaurapowers, and on Instagram @laurapowers44.

Pilar Alessandra is the director of the screenwriting and TV writing program On the Page®, host of the popular On the Page Podcast and author of the top-selling book “The Coffee Break Screenwriter.” She started her career as Senior Story Analyst at DreamWorks SKG and, in 2001, opened the On the Page Writers’ Studio in Los Angeles where she directs her screenwriting and TV writing program On the Page®. Her students and clients have written for The Walking Dead, Modern Family, Grey’s Anatomy, Lost and Family Guy. They’ve sold features and pitches to Warner Bros, DreamWorks, Disney and Sony and have won the prestigious Nicholl Fellowship, Austin Screenwriting Competition and Warner Bros. TV Writing Workshop. In addition to her private classes taught out of the On the Page Writers’ Studio, Pilar has trained writers at ABC, Disney Animation, CBS and hosted the 2016 Pitch Conference at the American Film Market. Learn more about Pilar’s work at www.onthepage.tv You can connect with Laura at www.laurapowers.net, on Facebook @thatlaurapowers, on Twitter @thatlaurapowers, and on Instagram @laurapowers44.

Eleven-year-old Cerys is no normal little girl. The orphaned daughter of a fifth century Welsh king and queen, her only friends in the island kingdom of Môna are her old Pictish caregiver and a young chambermaid. The new queen wants nothing to do with her-- instead doting on her own son, who will one day rule Môna in place of Cerys. The people of Môna, royal and commoner alike, barely remember she even exists.It’s hard being a young princess without a kingdom or even a mother and a father. It’s even harder for Cerys because in addition to her other troubles, she was born mentally impaired. She lives her life in a perpetual fog of loss and regret, wishing more than anything to be like everyone else…to be normal.Then Cerys meets a new friend, one whose thoughts are as clear to her as speech, and she finds her own previously muddled thoughts growing clearer. It seems like a miracle to Cerys and the small circle of people who care for her. Now that her thoughts are clearer though, she knows she can’t ever tell anyone how she came by her incredible cure. In fact, she knows that if anyone found out her friend’s identity, it would surely lead to death for both of them. Like Cerys, her new friend is different from everyone else in the world.About the author:In the 1990’s and 2000’s, Guy Donovan worked in both television and feature films as an animator and storyboard artist/designer for Marvel Films, Hanna-Barbera, Sony Pictures, DreamWorks SKG, and Warner Bros Feature Animation, among others. Now he works at a government job in North Dakota in return for a steady paycheck and job security, allowing him to continue his wasteful habits of eating and providing for my wife and daughter.Creatively starved by his job, Guy turned to writing at the advice of his wife, a fellow Hollywood expatriate who writes both screenplays and novels. That led to his current obsession with 5th century Wales, which is the setting of his “Dragon’s Treasure Series." The first three novels, “The Forgotten Princess of Môna,” “A Cold, White Home,” and “Songs of Autumn” are currently available as eBooks for the Kindle. The final installment, “Memories so Distant and Brief,” will follow in winter of 2018.

As I look at a list of every movie coming out in the first half of 2017, hear me talk about the parallels between U.S. presidents and movie Batmans, a disturbing cluster of returning 2002 franchises, the filmographies of M. Night Shyamalan and Gore Verbinski, which live action Disney adaptation was better than the animated original, movies based on old crappy cop shows, the sexual dynamics of the Smurfs village, the origins of Dreamworks SKG, and an addendum to this podcast's ultimate mission statement.

Pilar Alessandra started her career as Senior Story Analyst at DreamWorks SKG. In 2001, she opened the Los Angeles-based On the Page Writers’ Studio dedicated to teaching and consulting with screenwriters and TV writers at all levels. She’s the author of the top-selling scriptwriting book, “The Coffee Break Screenwriter,” and host of the popular “On the Page Podcast.” An in-demand speaker, she’s taught seminars at Disney Animation, ABC, CBS and MTV, and traveled the world teaching in the UK, China, Poland, Vietnam, Columbia, Portugal and South Africa. Pilar’s greatest accomplishment is the success of her students, many of whom have won top competitions like the Nicholl Fellowship, are working on TV shows such as “The 100,” “The Walking Dead” and “Grey’s Anatomy,” and have sold scripts and pitches to studios including DreamWorks, Warner Bros. and Disney. We discussed screenwriting versus web series and tv writing. For more information about Pilar, her classes, consultations, book and podcast, go to www.onthepage.tv. For more information on Pilar, please visit her web page at: www.onthepage.tv. To connect with Laura Powers, please do so at: www.laurapowers.net. You can, also, connect with Laura on facebook and follow her on twitter @thatlaurapowers.

Ever felt like the speed of life can strip away quality of life? Social media historian, Allison Graham, takes on all things tech...including the downsides like internet addiction, technology addiction, and cell phone addiction. Allison is a graduate of Southern Methodist University and has worked all over the country and globe bringing the written word to life on the big screen. She has worked for Artisan Entertainment, Universal Studios, Paramount Pictures, Warner Brothers, New Line Cinema, 20th Century Fox, Miramax and Dreamworks SKG as Assistant Director, Production Manager, and Producer working with such titans as Jerry Bruckheimer, Michael Bay, Timur Bekmamvetov and Tim Burton. She was one of the key business strategists behind The Blair Witch Franchise marketing campaigns, leading the team responsible for revolutionizing the way the Internet and film marketing were viewed. Allison also gave a landmark TED talk entitled, "How Social Media Makes Us Unsocial." Learn more about author and host, Sarah Raymond Cunningham, at sarahcunningham.org.  

"Army Wives", "Scandal", "Criminal Minds" and "NCIS" star Wendy Davis stops by to talk about her many projects. Dial 347.884.8997 to ask a question. From imdb: Wendy recently completed seven seasons (117 episodes) of Lifetime Television's hit series "Army Wives". she was nominated for several awards for her portrail of Col. Joan Burton. Of her work on Dreamworks SKG pilot "High Incident" The "Hollywood Reporter" wrote, "The large and strikingly good cast all make outstanding first impressions, and Wendy Davis is magnificent as a cop's widow". She is from Joppatown Maryland and has a BFA in theatre from Howard University. 2016 NCIS (TV Series), Navy Captain Kensington Bloom 2014 Criminal Minds (TV Series), Dr. Kathleen Benedict 2014 Castle (TV Series), Lt. Delia Burton 2007-2013 Army Wives (TV Series), Joan Burton 2012-2013 Scandal (TV Series), Kimberly Mitchell 2005 Grey's Anatomy (TV Series), Holly Adams

JON WILLIAM LOPEZ Jon William Lopez is a student of New Thought spirituality, metaphysics, and a professional licensed spiritual counselor and prayer practitioner with the Centers for Spiritual Living. A cartoon animator, illustrator and professional photographer, his career spans over 40 years, during which he worked at Disney Feature Animation, Dreamworks SKG, Turner Feature Animation, Film Roman (for 3 seasons of “The Simpsons”) and dozens of other studios and production houses. He has exhibited and sold his photography in New Mexico where he and his partner co-owned an art gallery, Morning Calm Gallery. He was born and raised in Puerto Rico and has also lived in Michigan, Brazil, New York, Texas, Georgia and New Mexico. He and his partner also taught English for a year in South Korea. Always interested in metaphysics, Lopez was introduced to New Thought ideas in the mid-1980s and has since had direct personal experience with the spiritual principles that beliefs, thoughts and words create reality, and that there is one Universal Mind and Intelligence of which we are a part and can use in our daily life. Using these principles, Jon has, along with attracting his life partner (now his spouse), manifested his dream job, increased financial prosperity.  He is author of a book, “Perfect Praying: 5 Simple Steps That Make Prayers Work.” Though not raised in any formal religion, Jon has always had a keen interest in and fascination for metaphysics, spirituality, the paranormal and UFOs. In the 1980s, while living in Brooklyn, NY, he had a lucid, out-of-body experience involving UFOs, so vivid and real, he remembers it as though it happened yesterday. His favorite movie of all time is “Close Encounters of the Third Kind”, which he has seen more times than he will ever disclose. He and his spouse now live in retired bliss in Tucson, Az, where he continues his photography and spiritual practice.

CEO and co-founder of DreamWorks speaks exclusively about creating, leading and inspiring the world's largest animation studio in this rare one-off Australian event. A must-see for filmmakers, animators, fans and would-be moguls of tomorrow, hosted by Channel 10's Executive General Manager, Russel Howcroft (best known as The Gruen Transfer's advertising media personality). Katzenberg began his career at Paramount Pictures before moving to Walt Disney Pictures where he is credited with turning the ailing animation studio around. Under his management, Disney produced some of their most critically acclaimed and highest grossing features to date, including The Little Mermaid and The Lion King. He also secured a successful partnership with Pixar Studios and helped bring Miramax Films to Disney. Katzenberg eventually joined forces with Steven Spielberg and David Geffen to start DreamWorks SKG. Under Katzenberg's leadership, DreamWorks has become the largest animation studio in the world releasing 28 animated feature films, which have enjoyed both critical and commercial success, earning nine Academy Award® nominations, twice winning Best Animated Feature. In 2013, Katzenberg was awarded the prestigious Jean Hersholt Humanitarian Award by the Academy of Motion Picture Arts and Sciences for his outstanding contributions to humanitarian causes. Together with his wife Marilyn, Katzenberg provides support and leads fundraising efforts focused predominately on healthcare, education, the arts and the environment. Recorded 10/4/2014

Kevin Du Toit, speaks out about his experience in front of the camera on Discovery Channel's newest reality series, Tethered.  Listen in as Kevin discusses his experience in front of the camera, his success as an iconic realtor with beach-front properties along the California coast, and glamorous stories behind the scenes of some of Hollywood's biggest movies.  Learn more about Tethered:  http://www.discovery.com/tv-shows/tethered.    A little more about Kevin Du Toit - Kevin’s film career began in the late 90’s for Roger Corman. In 1998, he Directed “Bug Night,” winning awards and placing him in the GUINNESS BOOK OF WORLD RECORDS 2002.  That year Kevin joined Steven Spielberg’s new Film Studio, DreamWorks SKG.  Among many of the industry accomplishments, Kevin contributed to film as director/producer winning awards and bringing attention to many of his short films and indie productions.  Kevin spent eight months in Editorial on director John Moore’s, “Flight of the Phoenix” (20th Century Fox) starring Dennis Quaid and Tyrese Gibson (Transformers). *This episode was pre-recorded.

Kevin Du Toit, speaks out about his experience in front of the camera on Discovery Channel's newest reality series, Tethered.  Listen in as Kevin discusses his experience in front of the camera, his success as an iconic realtor with beach-front properties along the California coast, and glamorous stories behind the scenes of some of Hollywood's biggest movies.  Learn more about Tethered:  http://www.discovery.com/tv-shows/tethered.    A little more about Kevin Du Toit - Kevin’s film career began in the late 90’s for Roger Corman. In 1998, he Directed “Bug Night,” winning awards and placing him in the GUINNESS BOOK OF WORLD RECORDS 2002.  That year Kevin joined Steven Spielberg’s new Film Studio, DreamWorks SKG.  Among many of the industry accomplishments, Kevin contributed to film as director/producer winning awards and bringing attention to many of his short films and indie productions.  Kevin spent eight months in Editorial on director John Moore’s, “Flight of the Phoenix” (20th Century Fox) starring Dennis Quaid and Tyrese Gibson (Transformers). *This episode was pre-recorded.

Kadir Nelson appears at the 2013 Library of Congress National Book Festival, 9/21/2013. The works of award-winning artist Kadir Nelson have been exhibited worldwide. He is a two-time winner of the Caldecott Honor Award as well as a Coretta Scott King Award. His clients include Coca-Cola, the U.S. Postal Service, Major League Baseball and Dreamworks SKG. His debut as a writer, "We Are the Ship: The Story of Negro League Baseball," won the Coretta Scott King Award. Nelson has just published a picture book biography, called "Nelson Mandela." For captions, transcript, and more information visit http://www.loc.gov/today/cyberlc/feature_wdesc.php?rec=6055

In this episode, I have the honor of chatting with producer/development executive/digital media guru/filmmaker Josh Feldman. What happens when someone is equally passionate about both technology and storytelling? You get 2-time Streamys winner Josh Feldman. Josh's credits include: "Halo 4, Forward Unto Dawn," "Electric City," "Larry Crowne," and "Koreatown." His work on the web series "Halo 4: Forward Unto Dawn," was viewed over 50 million times. We talk about everything from shooting on 16mm film at Ithaca College to working with Tom Hanks to bringing the Master Chief to a live action format. JOSH FELDMAN'S BIO Josh Feldman has consistently been at the intersection of storytelling and technology. Most recently, he served as Executive Producer on HALO 4: FORWARD UNTO DAWN, helping to package and manage creative development on a five-part live-action digital series for Microsoft and 343 Industries. FORWARD UNTO DAWN represents the most ambitious live-action incarnation of the hugely popular Halo franchise. Josh creatively managed a custom-designed pre-release viral campaign. To-date, FORWARD UNTO DAWN has amassed over 50 million views. Prior to his association with Microsoft, Josh spent five years at Tom Hanks and Gary Goetzman’s film/TV company, Playtone. Josh worked in a variety of development and production capacities for the company's diverse slate of films, HBO miniseries and on-going series. Josh formed the first digital media strategy for Playtone, resulting in original YouTube content from Tom Hanks, a 16 episode talk show parody in partnership with Lexus, and ELECTRIC CITY, a 20 episode animated series in partnership with Reliance Entertainment and Yahoo. Josh developed and co-wrote ELECTRIC CITY with Tom Hanks. In addition, Josh project-managed and co-wrote a companion digital graphic novel and episode viewer app for iOS and Android devices. During his time at Playtone, Josh worked as a production executive on LARRY CROWNE, written and directed by Tom Hanks, starring Hanks, Julia Roberts and Bryan Cranston. He was also involved in the design and construction of a new state-of-the art editorial facility for the companies' projects. Previously, Josh worked in several positions at DreamWorks SKG including marketing of live-action and animated films. Upon the conversion to an all CGI infrastructure, Josh segued to feature animation production for DreamWorks Animation. Beginning his career in live theater, Josh spent three seasons in audio/media design for the Lincoln Center Festival in New York City. Josh worked on dozens of theatrical productions, including the multi-venue, multi-format THE ANGEL PROJECT for director Deborah Warner. Josh wrote and directed the short film KOREATOWN, which won the 2010 audience award at the DancesWithFilms Festival in Los Angeles. He has written and performed live storytelling monologues at an assortment of venues, including the annual Los Angeles Times Festival of Books. Josh has taught classes, written about digital media for The Hollywood Reporter, spoken on industry panels and sits on the advisory board of RX Laughter, a non-profit organization which studies and utilizes humor and media to treat seriously ill patients. He has master’s degree in writing from USC. Josh is currently working on a new, confidential intellectual property for Microsoft Studios.

Criada por Steven Spielberg, Jeffrey Katzenberg e David Geffen, a DreamWorks SKG nasceu com a proposta de ser uma mega corporação multimídia. A partir dela, nasceu a DreamWorks Animation, um dos principais estúdios de animação de todos os tempos. Como foi a origem? Quais os principais filmes? Alguma animação da empresa faz frente aos produzido pela Pixar? Jurandir Filho (@jurandirfilho), Thiago Siqueira (@thiagosiqueiraf), Fábio Barreto (@soshollywood) e Lully (@lullylucky) fizeram um raio-x na empresa. A partir de quando eles perceberam que o futuro seria com a animação 3D e não 2D? Quais os frutos da parceira com a produtora de stop-motion Aardman Animations? Shrek é o grande carro chefe? Quais filmes da empresa são considerados obras de arte? Qual a maior diferença entre a DreamWorks e a Pixar?

Criada por Steven Spielberg, Jeffrey Katzenberg e David Geffen, a DreamWorks SKG nasceu com a proposta de ser uma mega corporação multimídia. A partir dela, nasceu a DreamWorks Animation, um dos principais estúdios de animação de todos os tempos. Como foi a origem? Quais os principais filmes? Alguma animação da empresa faz frente aos produzido pela Pixar? Jurandir Filho (@jurandirfilho), Thiago Siqueira (@thiagosiqueiraf), Fábio Barreto (@soshollywood) e Lully (@lullylucky) fizeram um raio-x na empresa. A partir de quando eles perceberam que o futuro seria com a animação 3D e não 2D? Quais os frutos da parceira com a produtora de stop-motion Aardman Animations? Shrek é o grande carro chefe? Quais filmes da empresa são considerados obras de arte? Qual a maior diferença entre a DreamWorks e a Pixar?

Após o excelente programa falando sobre a Pixar Animation Studios e o especial da semana passada falando sobre os animados da Dreamworks SKG, finalmente chegou a vez do estúdio que primeiramente investiu em longa-metragem de animação a 70 anos atrás. Isso mesmo, um especial sobre os estúdios de Walt Disney, mas como é impossível falar desse estúdio que há anos vem trazendo histórias encantadoras e outras que não agradaram muito, resolvemos falar apenas das princesas Disney, já que essa semana chega aos cinemas a primeira princesa do estúdio que vai sair dos contos de fadas e invadir o mundo real. Jurandir Filho (o Juras), Raphael Santos (o Ph), Maurício Saldanha (o Mau) e Léo Francisco (o Léo) falaram das principais princesas do estúdio, as que estão presentes na linha oficial e as que infelizmente não ganharam seu devido destaque. Como já é de costume, quando estão conversando sobre cinema, sempre tem discórdias e quando um bate o pé, você já sabe no que vai dar, não é? Brigas. Mais um quebra pau entre os participantes. Branca de Neve (Branca de Neve e os Sete Anões), Feline (Bambi), Cinderela (Cinderela), Aurora ou Rosa (A Bela Adormecida), Ariel (A Pequena Sereia), Bela (A Bela e a Fera), Jasmine (Aladdin), Nala (O Rei Leão), Pocahontas (Pocahontas), Mia Thermopolis (O Diário da Princesa), Giselle (Encantada), Tiana (A Princesa e o Sapo) e Rapunzel (Rapunzel) são as princesas que ganharam destaque nesse especial que falará o porquê a linha princesas faz tanto sucesso em todo mundo. É tanto sucesso que a Disney já tem planos para novas princesas e até mesmo a PIXAR deverá lançar sua primeira princesa em breve. Divirtam-se.

Após o excelente programa falando sobre a Pixar Animation Studios e o especial da semana passada falando sobre os animados da Dreamworks SKG, finalmente chegou a vez do estúdio que primeiramente investiu em longa-metragem de animação a 70 anos atrás. Isso mesmo, um especial sobre os estúdios de Walt Disney, mas como é impossível falar desse estúdio que há anos vem trazendo histórias encantadoras e outras que não agradaram muito, resolvemos falar apenas das princesas Disney, já que essa semana chega aos cinemas a primeira princesa do estúdio que vai sair dos contos de fadas e invadir o mundo real. Jurandir Filho (o Juras), Raphael Santos (o Ph), Maurício Saldanha (o Mau) e Léo Francisco (o Léo) falaram das principais princesas do estúdio, as que estão presentes na linha oficial e as que infelizmente não ganharam seu devido destaque. Como já é de costume, quando estão conversando sobre cinema, sempre tem discórdias e quando um bate o pé, você já sabe no que vai dar, não é? Brigas. Mais um quebra pau entre os participantes. Branca de Neve (Branca de Neve e os Sete Anões), Feline (Bambi), Cinderela (Cinderela), Aurora ou Rosa (A Bela Adormecida), Ariel (A Pequena Sereia), Bela (A Bela e a Fera), Jasmine (Aladdin), Nala (O Rei Leão), Pocahontas (Pocahontas), Mia Thermopolis (O Diário da Princesa), Giselle (Encantada), Tiana (A Princesa e o Sapo) e Rapunzel (Rapunzel) são as princesas que ganharam destaque nesse especial que falará o porquê a linha princesas faz tanto sucesso em todo mundo. É tanto sucesso que a Disney já tem planos para novas princesas e até mesmo a PIXAR deverá lançar sua primeira princesa em breve. Divirtam-se.

Este foi um programa bastante pedido pelos leitores, principalmente após um grande podcast que fizemos sobre a sua principal concorrente da Dreamworks: Pixar Animation Studios. Os entusiastas da divisão de animação da Dreamworks SKG (não sabe o que significa essa sigla?) podem ficar satisfeitos, pois fizemos um grande programa que promete agradar os fãs das animações 2D e 3D da empresa. Jurandir Filho (o Juras), Maurício Saldanha (o Mau) e Beatriz Diogo (a Bia) fizeram um raio-x em todos os filmes animados do estúdio. O bate-papo não se limitou aos filmes, já que foram discutidos pontos em relação a criação da Dreamworks, a dublagem dos animados, a política de produção etc. Esta edição teve duas apresentações ilustres: uma é o DJ Macaco, nosso responsável pelas vinhetas do programa, e o outro é o nosso gato de estimação. Ele chegou no estúdio de gravação para ficar. Será nosso bichinho de estimação, porém, ele ainda não tem nome. Cabe a você, ouvinte do podcast e leitor do Cinema com Rapadura, escolher um bonito nome para ele.

Este foi um programa bastante pedido pelos leitores, principalmente após um grande podcast que fizemos sobre a sua principal concorrente da Dreamworks: Pixar Animation Studios. Os entusiastas da divisão de animação da Dreamworks SKG (não sabe o que significa essa sigla?) podem ficar satisfeitos, pois fizemos um grande programa que promete agradar os fãs das animações 2D e 3D da empresa. Jurandir Filho (o Juras), Maurício Saldanha (o Mau) e Beatriz Diogo (a Bia) fizeram um raio-x em todos os filmes animados do estúdio. O bate-papo não se limitou aos filmes, já que foram discutidos pontos em relação a criação da Dreamworks, a dublagem dos animados, a política de produção etc. Esta edição teve duas apresentações ilustres: uma é o DJ Macaco, nosso responsável pelas vinhetas do programa, e o outro é o nosso gato de estimação. Ele chegou no estúdio de gravação para ficar. Será nosso bichinho de estimação, porém, ele ainda não tem nome. Cabe a você, ouvinte do podcast e leitor do Cinema com Rapadura, escolher um bonito nome para ele.