Podcasts about fiedel

Der Song „Happens To The Heart“ schenkt das Gefühl, als könnte ich für einen klitzekleinen Moment die ganze Welt mit all ihren Tragödien verstehen. Es gibt so ein Gefühl, als ob der Himmel offen ist und sich dieser schwebende Zustand am Ende des Songs einstellt. Happens To The Heart – Selbsterkenntnis, auch wenn sie weh tut, kann den Himmel öffnen  Cohen gelingt es am Ende seines Lebens diese Tragik des Lebens in Text und Ton zu bannen.  „Tut Buße und glaubt an das Evangelium.“ (Mk 1,15) – Das bedeutet: Immer wieder bereit sein, umzudenken, und zwar in Richtung Frohe Botschaft, Ich bin angenommen sein und aus dieser Kraft anderen Menschen annehmen.  Das können wir von Leonard Cohen lernen.  Buße – Umdenken oder auch Neudenken –hat nichts mit Strafe zu tun. Bei Gott gibt es keine Belehrung, was ich alles besser machen kann, sondern eine Umarmung, eine Erlösung eine Befreiung.  Was dem Herzen auf dem Weg durch das Leben passiert: – Bei Cohen schwingt das Pendel hin und her, alles durchdringt sich - der Engel spielt auf der Fiedel des Teufels und der Teufel mit der Harfe des Engels. Das passt gut zu Leonard Cohen, der Lebemann, der es auch mal im Kloster probiert, Mönch und Verführer in einer Person – und dabei immer mit einem sehr nüchternen Blick auf sich selbst. Es ist eine Neu-Orientierung – es bedeutet gemeinsam weinen über verpasste Chancen. Denn ich kann eben nicht schnell mal mein Leben zurückspulen und das verpasste anders machen, sondern das geht erst wieder bei der nächsten Gelegenheit, daher Martin Luthers Satz von der täglichen Buße nichts Schlimmes oder Zerstörendes, sondern etwas heilsames.  In der ersten seiner 95 Thesen steht: Da unser Herr und Meister Jesus Christus spricht: ‚Tut Buße‘ hat er gewollt, dass das ganze Leben der Gläubigen Buße sein soll.  Also flexibel bleiben und sich nicht von dem „Shit“ der passiert unterkriegen lassen, denn das Leben ist nicht perfekt, sondern immer irgendwie bruchstückhaft, fragmentarisch. Also Mut zum Bruchstückhaften haben – und auf die Erlösung vertrauen. – Darauf vertrauen, dass es eine Kraft gibt, die mich ergänzt, die mich komplett macht – ich darf bekennen das ich das nicht alleine schaffe. Foto © Sony Music Canada Homepage: https://7tage1song.de Playlist Podcast und Song: https://open.spotify.com/playlist/20KHRuuW0YqS7ZyHUdlKO4?si=b6ea0b237af041ec Instagram: https://www.instagram.com/7tage1song/ Facebook: https://www.facebook.com/pg/7tage1song/ Kontakt: post@7tage1song.de Link zum Song: https://open.spotify.com/intl-de/track/2DkpoHJ1h88e9dyc6SFIm2?si=7ce080908cb748db Spotify Playlist: https://open.spotify.com/playlist/0M5tOXTC0lM8RVycUBQnjy?si=idKC-CFaRp2ZD992gvWvsQ  

Tony chats with Michael Fiedel, Co-Founder and COO at PolicyFly, a specialty insurance focused policy management platform that is specifically distribution enabled unlike policy management systems of the past that were more back office enabled. It's fully capable of providing a fully digital experience for both underwriters and agents/brokers.Michael Fiedel: https://www.linkedin.com/in/michaelfiedel/PolicyFly: https://www.policyfly.com/Video Version: https://youtu.be/_k1lJrsdkB8The Growth GearExplore business growth and success strategies with Tim Jordan on 'The Growth Gear.Listen on: Apple Podcasts Spotify Out-of-the-box insights from digital leadersDelivered is your window in the minds of people behind successful digital products. Listen on: Apple Podcasts Spotify

In this conversation, Michael Fiedel, co-founder of InsurTech Ohio and PolicyFly, discusses the evolution of the insurance industry and the role of technology in shaping its future. He shares the origins of InsurTech Ohio and how it has become a platform for celebrating innovation and fostering conversation in the industry. Fiedel highlights the impact of COVID-19 on the insurance industry and the importance of specialization and guardrails in InsurTech. He also discusses the role of PolicyFly in helping specialty insurers make their programs digitally accessible and the importance of effective communication and relationship-building in the InsurTech space.  Learn more about InsurTech Ohio: https://www.insurtechoh.io/ Learn more about PolicyFly: https://www.policyfly.com/ Insurtech Ohio Spotlight: https://www.insurtechoh.io/thoughtleadership Learn more about Coterie Insurance: https://coterieinsurance.com/ Follow Coterie on Linkedin: https://www.linkedin.com/company/coterieinsure/ Follow Michael on LinkedIn: https://www.linkedin.com/in/michaelfiedel/ Follow Bobbie on LinkedIn: https://www.linkedin.com/in/bobbiecollies/

TECH CLUBBERS PODCAST W/ FIEDEL Contrast. Objection. Antithesis. This is how you might start an attempt to describe the world. A seemingly chaos of shapes and thoughts that don't belong to each other. An overall image to be found in life and in music. But that's not Fiedel's view of the world. Where others make distinctions, he sees connections, where others find emptiness, he finds rooms full of opportunities. Finding those harmonies, connections and contexts marks out his musical work. The synthesis of apparently opposing music, the interaction and the mix of styles and moods, without loosing the storyline, that makes out the characteristic Fiedel sound. You can say one thing about Fiedel: he is no techno or house stereotype pattern, that you can put randomly on a every evening or club. He is lead by his history, the history of the music and the feeling of the moment to build something new and to capture this very moment. TRACKLIST: Deano - Epoch [ Hardgroove ] Lowerzone - Warehouse Dance [ BEK Audio ] Gary Beck & Klaudia Gawlas - Partenza [ BEK Audio ] Sosak - Thunderbird [ BEK Audio ] Jeff Mills - Berlin [ Tresor ] Jamie_Bissmire - Sound 4 Youth Pt.2 [ Advanced Records ] DJ Ogi - Ruzina [ Compressed ] EAS & Selective Response - Rules Of Attraction [ Clergy ] Slam - Waver [ Soma Records ] Carl Carinci - Castricum [ Hard Electronic ] Tobias Luke ( aka O.B.I. ) - Latin Tool [ Compressed ] DJ Disrespect - Groove Alert ( Alarm Mix ) [ 777 Recordings ] Boris S - Bondage [ Audio ] Diogo Ramos - Hard Shit [ Fiume Beat ] DJ Ali feat. Clair Bai - Cocktail [ Falling Apart ] Clementine - Breaking Point [ Djax-Up-Beats ] Jeanne - The Devil's Not As Black As He Is Painted ( Hard Mix ) [ Falling Apart ] Thomas Bangalter - Rectum ( Bruyant Edit ) [ Kluster ] Follow FIEDEL here: Facebook: https://www.facebook.com/FiedelDJ Instagram: https://www.instagram.com/fiedel.official/ Soundcloud: https://soundcloud.com/fiedelone Bandacamp: https://fiedel.bandcamp.com/ Contact: kavan@ostgut.de

In dieser Folge spricht Mia mit Katharina von Kleine Schritte Yoga. Katharina war einige Jahre an der Kita und ist jetzt an einer Grundschule. Dort praktiziert sie Kinderyoga. Was mir nicht ganz klar war, ist, dass Yoga viel mehr als nur Asanas (also der praktische Teil auf der Yogamatte) ist. Katharina berichtet, wie du ganz niedrigschwellig und wunderschön Yoga in deinen Unterricht einfließen lassen kannst - für alle Altersklassen. Viel Spaß bei dieser inspirierenden Folge! Lass uns bei iTunes eine Rezension da und 5 Sterne - das bedeutet uns sehr viel. Hier ist dein Podcast, der Bildung frei denkt. Lass uns gemeinsam, in Verbundenheit einen Unterschied machen.

When COVID-19 made it more difficult for everyone to leave their homes, the idea of going to the gym  became logistically impossible. However, as a vaccine has been created and people are more comfortable getting back to reality, a new research study from Kantar shows that Americans have  returned to gyms across the country and new memberships are increasing. Anne Fiedel, senior director of strategy and marketing at Zoom Media/GymTV, joins Justin to discuss what these new statistics show and how exciting it is that there is a rise in national gym attendance.

Episode 547: November 14, 2021 playlist: Susanna, "Kjenner du ditt hjerte" (Jeg vil hjem til menneskene - demoer) 2021 self-released Karate, Guns and Tanning, "White Nights" (White Nights) 2021 self-released Mark Eitzel, "Take Courage (Live At The Borderline 17.1.91)" (Songs of Love) 1991 Demon Coil, "Heartworms" (Foxtrot) 1998 Chalice MMM (Errorsmith and Fiedel), "When Does Ghosting End" (On the Edge) 2021 M.M.M. Chrisman, "Ku Mwezi ft. Yunis" (Ku Mwezi) 2021 Hakuna Kuala Luca Formentini, "Molecules" (Intra-) 2021 Subcontinental Orchid Spangiafora + Glands of External Secretion, "Non Quixote" (Couscous Bizarre) 2021 Feeding Tube DJ Lycox, "Eu Mbora Dou Bue Show" (Lycoxera) 2021 Principe Felicity Mangan, "Echo Harp 1 (Hohner Echo Harp)" (Bell Metal Reeds) 2021 One Instrument Monokultur, "Pennan I Handen" (Ormens Vag) 2021 Ever/Never Arthur Russell, "A Little Lost" (Another Thought) 1992 Point / 2021 Be With Records Bitchin Bajas, "Outer Spaceways Incorporated" (Switched on Ra) 2021 Drag City Kristin Hersh, "Hemmingway's Tell" (Wyatt at the Coyote Palace) 2016 Omnibus Press / 2021 Fire Email podcast at brainwashed dot com to say who you are; what you like; what you want to hear; share pictures for the podcast of where you're from, your computer or MP3 player with or without the Brainwashed Podcast Playing; and win free music! We have no tracking information, no idea who's listening to these things so the more feedback that comes in, the more frequent podcasts will come. You will not be put on any spam list and your information will remain completely private and not farmed out to a third party. Thanks for your attention and thanks for listening.

TRS 3695 -- // Fiedel & Rroxymore // ------------------------------------------------ All uploads on this channel are for promotional purposes only! The music has been converted before uploading to prevent ripping and to protect the artist(s) and label(s). If you don't want your content here (that goes for audio or images) please contact me immediately via email: set@trip-records.com and I WILL REMOVE THE EPISODE OR ARTWORK IMMEDIATELY! ------------------------------------------------ ► Are You a Dj? Send Your Video or Dj Set: http://www.trip-records.com/Sets/index.html  ► Subscribe to Trip Records Sets: http://www.youtube.com/c/TripRecordsSets  ------------------------------------------------ Send Your Demo, Trip Records is looking for you ! (Send us a private Soundcloud link) ► demo@trip-records.com ----------------------------------------------- Link Podcast ► https://podcasts.apple.com/it/podcast/trip-records-sets/id1176106514  Unique Podcast Without Service Interruptions

Andrew Daniels, Founder and Managing Director, InsurTech Ohio Andrew Daniels is the Founder and a Managing Director of InsurTech Ohio. Andrew's experience includes leading claims operations, launching new insurtech solutions with a major carrier innovation team, and advising early stage startups. Michael Fiedel, Managing Director, InsurTech OhioMichael Fiedel is a Managing Director of InsurTech Ohio and a co-founder of PolicyFly, a digital policy management system. Michael's expertise in the insurtech space includes leading product strategy and customer success, along with corporate initiatives across business development and marketing. Highlights from the Show InsurTech Ohio is trying to facilitate the community that has existed in Columbus and Ohio more broadly Andrew Daniels had been working in innovation at Allstate, talked to Ilya Bodner, founder of Bold Penguin, and was given access to the network of the InsurTech community in the state to try to build something sustainable to keep the movement going in the state Michael had been elsewhere in the US, and picked Columbus with his wife to settle down and raise their family, and found a very strong Insurance community in the state There seemed to be a growing sense of partnership in the state around helping raise the profile of Columbus and Ohio more broadly in the Insurance community in the US given how much is going on in the state There's a positive camaraderie across all of the geographic InsurTech communities that have been popping up around the US There are three or four reasons why communities exist "I want to be a part of a community" and talk about insurance with people, so sometimes you have to build it yourself if you want that There are some forward thinking carriers out there, and a lot are in Columbus and OH VCs hubbed in specific places, like Columbus What's missing in Ohio versus some other cities is more of an ecosystem of investment and startup coming in and out of the area, like in NYC or SF Things coming down the road 2021-2022 will be the year of embedded insurance and carriers spinning up with a focus on a very specific demographic Every carrier is searching for ways to be accessible across digital channels, and there is an arms race to try to be as accessible as possible; this has expanded to commercial lines, too, and is beyond the quote process Carriers will run through the standard innovation cycles, but more mature levels like at Progressive and AmFam have studios where they are looking at adjacent spaces they might be able to bring insurance solutions to. Commoditization is an interesting challenge that the industry is facing, especially as more things more digital as price becomes more front and center The hesitation from carriers isn't on innovation, it's that they want to build technology, but don't want to challenge their actuarial model The first wave of InsurTechs that have exited could help clarify what it takes to succeed We talked about Amazon since Insurance is about protecting people and things, and Amazon is the mother of all providers of things, so they will be front and center in much of the conversation around embedded insurance and other, similar ways the industry will change Advice for those looking at moving into Insurance or moving forward with a new idea Get involved in your community, and if you don't have one in your area, reach out to the InsurTech Ohio team for help and guidance so you can build one Talk to experts to learn and grow Don't hoard your idea as if you're the only one thinking of it as those who win is based on speed and passion, so anything that can help make it happen is worth it If you are solo, find others to work with you with complementary skills – there are no successful InsurTech startups that were founded by one person alone Don't be insular, engage This episode is brought to you by Medallia (Medallia.com), and the book series, "The Future of Insurance: From Disruption to Evolution" by Bryan Falchuk (future-of-insurance.com). Follow the podcast at future-of-insurance.com/podcast for more details and other episodes. Music courtesy of UPbeat Music, available to stream on Spotify, Apple Music, Amazon Music and Google Play. Just search for "UPbeat Music".  

Dokładnie w trzydziestą rocznicę premiery kultowego Terminatora 2 przyglądamy się początkom całej serii o morderczej wojnie między maszynami/cyborgami a ludzkością! W tym przedostatnim odcinku naszego sezonu o końcach świata w filmach sf oczekiwania i wyobrażenia konfrontują się z rzeczywistością a nostalgiczne wspomnienia, o których istnieniu nawet do końca nie wiedzieliśmy, wychodzą na wierzch… *przeskocz na 9:43, żeby przejść od razu do odcinka i ominąć wstępną dyskusję o nowych komiksach, E.T. (1982) oraz Knives Out (2019). Główne filmy tego odcinka: The Terminator (1984); reż: J. Cameron; scen.: J. Cameron & G. A. Hurd; w rol. gł.: A. Schwarzenegger, L. Hamilton, M. Biehn; muzyka: B. Fiedel; kamera: A. Greenberg; prod.: Canal+, Paramount. Terminator 2: Judgement Day (1991); reż: J. Cameron; scen.: J. Cameron & W. Wisher; w rol. gł.: A. Schwarzenegger, L. Hamilton, E. Furlong; muzyka: B. Fiedel; kamera: A. Greenberg; prod.: Carolco, Canal+. Rekomendacje: Kuba: Kanał na YouTube Your Dinosaurs Are Wrong, który koryguje nasze błędne wyobrażenia o dinozaurach. Damian: 28 Days Later… (2002) niszowy zombie-horror Dany'ego Boyle w mocnym klimacie końca świata. Czytaj więcej: Den of Geek: Why The Terminator is a horror classic Film School Rejects: What Critics Thought About 'The Terminator' in 1984 Plot and Theme: Why “The Terminator” (1984) is the Greatest Terminator Film The Ringer: The Tin Man Gets His Heart: An Oral History of ‘Terminator 2: Judgment Day' Kqed: The Timeless Feminism of Sarah Connor in 'Terminator 2' SyFyWire: Debate Club: Which is better: The Terminator or Terminator 2: Judgment Day? Creditsy: Kuba i Damian wspólnie prowadzą i produkują NERDYCJĘ. Polubcie nas na fejsbuku albo piszcie na nerdycja@gmail.com. Za oprawę graficzną odpowiada Damian (ikonka od Freepik). Obróbką audio zajmujemy się naprzemiennie, w tym odcinku: Kuba. Użyliśmy fragmentów utworów Kevina MacLeoda p.t. Fearless First, Cold Funk, Severe Tire Damage, Cut and Run, Inspired, oraz Electo Cabello dostępnych tutaj na bazie licencji Creative Commons Attribution-ShareAlike 4.0 International.

Our second and third premiere of the day comes from Dublin based label Research, as we feature label head and long standing pillar of the Irish techno scene Aeron X T C, plus equally longstanding Irish producer Mode_1's tracks. This incredible 7 track compilation features a selection of talented Irish electronic artists, who have all submitted tracks to this compilation in aid of supporting the people of Palestine. 100% of the proceeds goes to this very worthy cause. From the label: In Palestine today, land is being stolen from families. Their houses are demolished to make way for illegal settlements. We’ve put together 7 tracks from some of our favourite Irish artists to help the children and innocent civilians in their battle for freedom. Longstanding Subject and Index resident, Mode_1 has garnered a name for himself as one of the most consistent and exciting releasing Irish artists of his time, gaining the respect of Slam & Fiedel to boot along the way. Uncompromising and utterly enthralling, ‘Close’ proves the Dublin native’s acclaim is more than merited. An undulating baseline drives the track with serious intent while an analogue riff dances around it, squirming in and out of the high and low-end of the filter gauge. The release is a true testament to his production skills, with expertly layered elements colluding to construct an engrossing atmosphere; equal parts uplifting and energising while maintaining the menacing and dark qualities of which his sound has become renowned. MODE_1 --------------- SC: @mode_1 FB: www.facebook.com/modeonemusic Four Four Magazine --------------------------- FB: www.facebook.com/FOURFOURDANCE/ IG: www.instagram.com/fourfourmagazine/ Web: www.fourfourmag.com/

We’re back, with Brad Fiedel’s score for 1991’s box office champion, Terminator 2: Judgement Day! How did the improving technology change Fiedel’s approach between the first movie and its sequel? What’s the unexpected provenance of some of the score’s key sounds? And, why are we still talking about Henry Mancini?

This journey invites you to experience House, Techno and Electronic rhythms from behind the DJ console. Your guide is DJ in residence at the world famous techno club Ostgut-Berghain/Berlin. How does he get the audience to dance through a twelve hour set? Finde out and listen to another episode about the power of rhythm.

Welcome to a Cinematic Sound Radio Network Interview Special featuring film composer, musician and writer Brad Fiedel. Raised in Bayville, New York on Long Island on March 10, 1951, Fiedel graduated from The Barlow School. After college, he became a popular and progressive composer, and in the 1980s, he worked on several successful movies, predominantly in the action and thriller genres, and pioneered the use of electronic instruments and synthesizers—almost disappearing from the mainstream at the end of the 1990s. He was the keyboardist for Hall and Oates. He began his career in film in the late 1970s, and wrote extensively for television films and minor cinema releases, until director James Cameron hired him to score the science fiction film The Terminator in 1984, setting the wheels in motion for a successful career. Since then, Fiedel has scored many popular and successful movies, including FRIGHT NIGHT (1985) and its sequel FRIGHT NIGHT PART 2 (1988), THE BIG EASY (1987), THE SERPENT AND THE RAINBOW (1988), THE ACCUSED (1988), BLUE STEEL (1990), TERMINATOR 2: JUDGMENT DAY (1991), BLINK (1994), and TRUE LIES (1994). His last major theatrical score was in 1995, and although he enjoyed a brief period of renewed interest following the release of TERMINATOR 3: RISE OF THE MACHINES in 2003, when Marco Beltrami wrote an orchestral arrangement of his TERMINATOR theme, Fiedel shows no sign of returning to the film music field. In recent years, Fiedel moved on to other creative areas, which has included writing original musicals. His latest is FULL CIRCLE. Based loosely on events from Fiedel’s grandfather’s life. The story centres on Sarah, a teenager who is stuck in her New York City Apartment. She is so sensitive and empathetic that she is no longer able to tolerate going out in public. She absorbs the feelings and thoughts of others so deeply that she loses control of her body movements, causing intolerable pain and embarrassment. The appearance of her mysterious estranged grandfather creates a possibility for them to work together trying to solve a mystery that has haunted the family for years and is the cause of much suffering. Working alone in his home studio, Fiedel was able to assemble various recordings he had of the songs, scenes and narration to create a complete audio experience of the show When plans for this spring fell apart including a trip to London for the premiere of his iconic Terminator score to be played live at the Royal Albert Hall, Brad Fiedel had a lot of time on his hands. “ Stuck at home, I decided to take the opportunity to complete this musical that had been needing my attention for a long time. It’s a project that’s very close to my heart and imagining people at home experiencing it really made the whole process feel worthwhile.” FULL CIRCLE, the two-act musical was released on all digital platforms on June 24th. In June 2020, for the Cinematic Sound Radio Network, Jason Drury talked to Brad Fiedel, via Zoom at his home in Santa Barbara, California. During the interview, we talked extensively about FULL CIRCLE as well as his film music career, his work on the TERMINATOR movies, working with James Cameron and why he decided to retire from film and TV music. Also during the show, we will hear songs from FULL CIRCLE, as well as music from the film scores of Brad Fiedel, in particular, from his 2 iconic scores, THE TERMINATOR and TERMINATOR 2: JUDGMENT DAY. Enjoy! —— Check out our NEW Cinematic Sound Radio TeePublic Store! https://www.teepublic.com/stores/cinematic-sound-radio Cinematic Sound Radio Web: http://www.cinematicsound.net Twitter: http://www.twitter.com/cinsoundradio Facebook: http://www.facebook.com/cinematicsound Cinematic Sound Radio Fanfare and Theme by David Coscina https://soundcloud.com/user-970634922 Bumper voice artist: Tim Burden http://www.timburden.com

Messiahwaits is an electronic music producer raised in Seoul (South Korea), spent a solid amount of time in Berlin, where he honed his production skills and started to produce his own music, During his time in Berlin, Messiahwaits worked closely with German-based record label, GND Records, on which he released his debut track "Digital Spring" in 2014, followed by two EPs, "Flashforward" and "Paranoid State", and he shows no signs of stopping. Messiahwaits released his new remix in early 2017 and released his new original tracks on two local compilations on both September and November in 2017. His very first acid track, ‘Journey to Mars’ on Ameniia records was featured alongside wonderful artists in Fiedel’s Berghain 08 mix which was recorded live in Berghain and released by Ostgut Ton on January 26, 2018. Messiahwaits released his new 4-track solo EP, “BLACKENED” in September worldwide both in the 12” vinyl and digital formats. The “BLACKENED” Remixed EP (incl. Takaaki Itoh, AWB, Hydrangea remixes) released on 24th February, 2019. And, the feedbacks of remixed EP were overwhelmed by many great producers. His new remix of Skóll was released alongside great artists such as Hydrangea, Antonio Vázquez, and Sheol in June. Approaching music as an art form rather than falling into genres and stereotypes, Messiahwaits takes his audience on a musical journey filled with droning atmospheres, repetitive jacking rhythms and a dark, disturbed aura that never fails to send the dance floor into a frenzy. Traklist: @refracted-music - The Drums [ @polegroup ] @viniciushonorio - Rat Race [ @planetrhythmrec ] @ian-axide - Inverse [ Black Codes Experiments ] @wicetechno - Absent ( @refracted-music Remix ) [ @steinlach ] @umwelt-music - Slave To The Rave [ @newfleshrecords ] @dannyskrippofficial - Hexenring @exium - 96.1 Mhz (2019 Mix)[Nheoma] @anethamusic - Virtual Ritual [ @blocaus ] @temudo - Barking Dogs Never Bite? [MHz] @conrad-van-orton - Yhden Lapsen [ @attic-music ] @pfirtermusic & @grindvik - Mind Gone [Leyla Records] @sedvs_vie - Anticipation ( Regis Remix) [ @barehandsvie ] @luke-slater - Beam Riders (Original MIx) [ @mote-evolver ] Track ID - Upcoming track Track ID - Upcoming track Regis - Baptism (Original MIx) [ @fondation-sonore ] Karenn ( @ternesc & @pariah_uk )- Lemon Driddble [ @voamlabel ] Follow Messiahwaits here: https://soundcloud.com/messiahwaits https://megahertz.bandcamp.com/ https://www.instagram.com/messiahwaits/ https://www.facebook.com/Messiahwaits/ ------------------------------------------------------------------------------------------------------------ OUTER DIMENSION https://www.instagram.com/outerdimension/ https://www.facebook.com/OUTERDIMENSION/ Infos & Promos outerdimension.au@gmail.com

Raised in small town Indiana on a musical diet of 80s synth pop and punk rock, Noncompliant soon found barnyard raves and warehouse techno parties and (as DJ Shiva) quickly became a fixture of the fabled 90s Midwest USA rave scene. Two decades and a name change later, she is at the top of her techno game. Mixmag named her one of 2017’s Top 20 Breakthrough DJs. She owned a packed and sweaty Boiler Room during Movement Detroit, turned in mindblowing mixes for Slam Radio, Discwoman, and Resident Advisor, and quaked some of the world’s most respected dance floors like Smartbar Chicago, Amsterdam’s DeSchool, Concrete in Paris, and Berlin's legendary Berghain. Her festival appearances include Unsound, Red Bull Music Festival Paris, Movement Detroit, and Whole United Queer Festival. As a producer, her releases and remixes on labels like Valence, Argot, Flash, and Dark Entries have pounded sound systems worldwide, with her tune “Women’s Work” landing on Fiedel’s official Berghain 08 mix and on his label Fiedeltwo. At her core, she is a die-hard techno fan with a deep love for music and a drive to continue honing her craft as a DJ and producer in order to share her favorite music with people on dance floors everywhere. Available in: sptfy.com/medellinstyle youtube.com/medellinstyle apple.co/2NirUXY soundcloud.com/medellinstyledj/sets/podcast www.mixcloud.com/MedellinStyle/ www.deezer.com/es/show/657932 tun.in/pjCgO medellinstyle.com/category/podcast/

**TRACKLIST + a place to discuss and stay up to date with Slam Radio=> bit.ly/SlamRadioGroup Mode_1 is a Dublin based Dj holding residencies at Subject Dublin, District 8, Indexand featuring regularly at festivals such as Life Festival, Electric Picnic and BoxedOff.Having been a resident at Subject for the past 6 years has allowed him to rubshoulders with some of the best in the business, playing alongside the likes of BenKlock, Robert Hood, Dave Clarke to name but a few.At the start of 2018 he had one his tracks “ OÍche” feature on Berghain residentFiedel's Double Mixpack EP named Appendix, which also had tracks featured fromJay Clarke, Ron Albrecht, Noncompliant and Philippe Petit.In January he contributed his track “Twenty7”, alongside producers Tinfoil, Hybrasiland Moduse to commemorate the closure of the infamous District 8.March saw his first debut E.P “Final Approach” on French label Knotweed. Later inthe year he featured his track “Return” on Fiedel's new label Super Sound Tools.2020 see's Mode_1 back on Knotweed with his EP “Mainframe” with support fromthe likes of Marcel Dettemann, Ben Sims and Dax J https://www.facebook.com/modeonemusic/ https://soundcloud.com/mode_1 https://www.residentadvisor.net/dj/mode_1 https://www.instagram.com/modeonemusic/?hl=en Listen to all Slam Radio shows here soundcloud.com/soma/sets/slam-radio facebook.com/Slam.soma instagram.com/slam_djs twitter.com/slamdjs slam-djs.com Subscribe on Spotify: bit.ly/SlamRadioOnSpotify Subscribe on iTunes: itunes.apple.com/gb/podcast/slam-radio/id584845850 Slam Radio is produced at www.glowcast.co.uk For syndication or radio queries, email conor@somarecords.com and contact@syndicast.co.uk

This week, Michael Fiedel from The Body Lock joins the panel to discuss Max Holloway's win over Frankie Edgar at UFC 240 and if the surpassed BJ Penn as the greatest Hawaiian mixed martial artist, the co-main event between Cris Cyborg and Felicia Spencer, where Cyborg's future lies, we play a new game called 'Do you believe Dana White when he says *blank*?', and much more.

What's up guys! This is a fantastic episode that boast Michael Fidel and Ed Gallo. We talk the fantastic card, UFC 238. We also take some time and look at Bellator 222 which happens this weekend! Make sure to follow Ed and Michael on Twitter! @michaelfiedel @edwardgallomma Check out our website for more news and interviews! Fight-Library.com Follow us on the socials! Twitter: @blainehenrymma & @fightlibrarymma Facebook: Kicks and Kimuras Instagram: @fightlibrarymma Twitch: FightLibrary Youtube: Fight Library Today, our outro music is "Loose" by Chaysuh. Also follow Swamp Stank, the best band in the world. They provide our music! And they're some bros! facebook.com/SwampStank --- Support this podcast: https://anchor.fm/fightlibrary/support

368. Around the Cage #9: Eric Bucio, Michael Fiedel, Mike Sloan, Colin Crandall by LoudMouth Network

Liberta Radio 30 with Vinicius Honorio - Fiedel Guest Mix Tracklist: 01. Dez Williams - In The Shadows. DATO 04 02. Anthony Rother - Little Computer People (Karl Bartos Remix). PSI004 03. Assembler Code - Mental Escape. INTLC002 04. Drexciya - Depressurization (Bonus Beats). SVE-7 05. Denise Rabe - Lucy's Dream. RABE003 06. Vinicius Honorio - Before My Eyes (Fiedel Remix). LBRT004 07. Egyptian Lover - Killin' It (Remix). DMSR-1985 08. Mono Junk vs. Goner - Fj. DUM040 09. Zeta Reticula - 13000 AU From Our Sun. ELECTRIX013 10. Clatterbox - Data Stream. FR019 11. Cestrian - Underbite (Jensen Intercepter & Assembler Code Remix). E-BEAMZ027 12. Le Car - Flame Job. MZ004 13. Ectomorph - The Last Days Of Skylab. IT NO.1 14. Shake - Mood Swing. FRCT004 15. Carl Finlow - Romboid Assassin. LR003 16. Dopplereffekt - Telomere. LSR022

Die drei Musikanten aus dem Zillertal prägen die Szene auf ihre Weise und die steht – in der Tat – für sich selbst. Die Brüder Martin und Andreas Brugger, stehen gemeinsam mit ihrem Cousin Manfred Höllwarth seit 25 Jahren auf der Bühne. In unveränderter Besetzung. Da gibt's nix was die drei trennen könnte. Was passt, das passt und bleibt zusammen. Weshalb die Dinge auch ändern, wenn es genau die Kontinuität ist, die es ausmacht. Die Ursprung Buam sind so etwas wie eine Boje im wilden Wasser der volkstümlichen Musikszene. Geht's links und rechts rund, verändern sich die Besetzungen, werden Gruppen gegründet und verschwinden wieder, werden Sounds ausprobiert, wechselt die Mode... alles egal, Martin, Andreas und Manfred juckt das nicht. Ziacha, Fiedel, Gitarre und die Harfe, dazu Martins für sich stehende Stimme, mehr braucht's nicht um noch jeden Saal, jedes Fest, jedes Zelt zum Kochen zu bringen. Volkstümlich bleibt volkstümlich. Polka, Walzer, Boarischer... wer braucht da noch Fox zum Tanzen?

342. Around the Cage #3: Michael Fiedel, Mike Heck, Marcel Dorff, Drake Riggs by LoudMouth Network

Acousmatique Recordings - "Breathe in through tightly pursed lips" David Byrne - "What time is it? No time to look back" - True Stories [over Acousmatique Recordings] Acousmatique Recordings - "Breathe in through tightly pursed lips" Bea T'cha - "If you ask nicely" [over Acousmatique Recordings. Includes French monologue] Neil Amsterdam - "Neutral Strings #2" - Magic Kingdom WEDway Peoplemover Music Loop [over Bea T'cha, Acousmatique Recordings] George Bruns - "Monorail Song" - Magic Kingdom WEDway Peoplemover Music Loop [over other Magic Kingdom, Bea T'cha] Bea T'cha - "Evening of Light" [over other Bea T'cha, Neutral Strings #2] George Bruns - "Nation on Wheels" - Magic Kingdom WEDway Peoplemover Music Loop [with Bea T'cha, Acousmatique Recordings, other Magic Kingdom] Neil Amsterdam - "Industry in Motion #1" - Magic Kingdom WEDway Peoplemover Music Loop [with Bea T'cha, Acousmatique Recordings, other Magic Kingdom] Ken - "Intro / let go" [over Bea T'cha if you ask nicely and Nation on Wheels] Bea T'cha - "If you ask nicely" [Includes many unidentified sound sources] George Winston - "Tamarack Pines" [over Bea T'cha] Slowdive - "Brighter" [over George Winston, Bea T'cha] Ken - "It's uncomfortable (explanation/intro)" [over Slowdive, George Winston, Bea T'cha] Slowdive - "Brighter" [over George Winston, Bea T'cha] Chicago - "Remember the Feeling" - Chicago 17 [Piano loop over Bea T'cha, Slowdive, George Winston] Chicago - "Remember the Feeling" - Chicago 17 [with George Winston] Chicago - "Colour My World" [Intro looping, with Remember the Feeling and George Winston] Chicago - "Colour My World" [with other copy of Colour My World] Chicago - "Remember the Feeling" Brad Fiedel - "Come to Me" - Fright Night s.t. [With Remember the Feeling] Tax advice - "Track 15" [with Brad Fiedel, Remember the Feeling] Louis Armstrong - "We Have All the Time in the World" [with Brad Fiedel] Cowboy Junkies - "Cold Tea Blues" [with brad Fiedel, Louis Armstrong] Snap! - "The Power" [Loops, with Brad Fiedel, Louis Armstrong, Cowboy Junkies] Cowboy Junkies - "Cold Tea Blues" [with Snap!] Tiffany - "I Think We're Alone Now" [Loops, with Cowboy Junkies, Snap!] Tiffany - "I Think We're Alone Now" [Loops] Les Nesman - "Black Americans' contributions to US culture" - WKRP in Cincinnati, season 3 episode 12 [over Tiffany loops. Scratch an Allman Brother, and you have black] Tiffany - "I Think We're Alone Now" [Loops] Billy Corgan, Alex Jones - "The fascist war machine" [over Tiffany loops] Tiffany - "I Think We're Alone Now" Richard E. Grant - "People buy hydrogen bombs because they have an added new ingredient: Peace" - How to Get Ahead in Advertising [over Tiffany] Tiffany - "I Think We're Alone Now" Richard E. Grant - "Roads represent a fundamental right of man to have access to the good things in life" - How to Get Ahead in Advertising [over Tiffany. The right to smoke one's chosen brand would be denied] Tiffany - "I Think We're Alone Now" [Loops] Richard E. Grant - "Packaging would vanish from the face of the earth" - How to Get Ahead in Advertising [over Tiffany] Tiffany - "I Think We're Alone Now" Richard E. Grant - "I'm not a communist, you want to take everyone's car away" - How to Get Ahead in Advertising [over Tiffany] Tiffany - "I Think We're Alone Now" Pinback - "Anti-hu" [Loops, over Tiffany] Tame Impala - "Promo for Currents Collectors Edition" [over Pinback, Tiffany] Tame Impala - "Promo for Currents Collectors Edition" [over Tiffany] Acousmatique Recordings - "Breathe in through tightly pursed lips" [over Tame Impala, Tiffany] mathblaster - "Achromatic" [over Tame Impala] mathblaster - "Achromatic" Snap! - "The Power" [Loops, over mathblaster] Brad Fiedel - "Dream Window" - Fright Night s.t. [over Snap!, mathblaster] Tycho - "Awake" [over Snap!, mathblaster, Brad Fiedel] Tycho - "Awake" [over Snap!, mathblaster, Tiffany] Tycho - "Awake" [over Tiffany, Snap!] Tycho - "Awake" [over Snap!] Snap! - "The Power" [Loops, over Tycho] The Echelon Effect - "First Fall" [over Snap!, Tycho] Chicago - "Colour My World" [over Snap!, Tycho, The Echelon Effect] Acousmatique Recordings - "Breathe in through tightly pursed lips" [over The Echelon Effect] The Echelon Effect - "First Fall" [over Beat T'cha, Acousmatique Recordings] Acousmatique Recordings - "Breathe in through tightly pursed lips" [over The Echelon Effect] Stone Roses - "Elephant Stone" [loops, over The Echelon Effect and Acousmatique Recordings] Estiva - "Lifting Leaves" [over Stone Roses, The Echelon Effect, Acousmatique Recordings] Ken - "Everything has always been there" [over Estiva, Stone Roses, The Echelon Effect, Acousmatique Recordings (eventually just Estiva) It's all there - everything. Everything is always all there. And everything has always been there. Whether you're looking, whether you knew where to look... Everything has always been there. Everything has always been this way. It's been all these ways all at once. You can choose what you look at, what you focus on, what you see, what patterns you notice. All the things are always happening altogether, and you tune in, and you tune out, and you tune... and you see what you are, and you see what you see, and you see what you recognize. And you see what creates interference patterns, what seems discordant. And you don't notice other things. You don't notice them until they're pointed out. You don't notice them until you grow that part of yourself. You don't notice them because you don't have a name for them, your language doesn't have a way. You don't notice them because they conflict with what you've been taught, because you don't believe in them, because you've been taught to be afraid of them. You don't notice them because they're in opposition to everything you believe in. But they're still all there. They're still all around you. The thing you just learned about, it's always been there. That new change in yourself, it's always been there. Things that seem good, things that seem evil, things that attract you. It's always been there. Nothing has ever changed. Except your awareness, and your awareness is going to keep changing. It's going to keep arcing, and developing, and looping, all the way 'til the end. And the only thing that's changing in the world is everyone's awareness. All the matter, the matter, the bits, they're the same. It might be in a different order, but they're the same. So, you can change your awareness. You can notice the awareness of others. Change... you can change, you can change others' awareness. You can't change. You can't change. You can't change anything. And everything that's happening, everything that's going on right now, it's never going to end, it's never going to start. You can try to own it, you can try to make it. You can be frustrated with it, you can walk away from it, you can not look at it, but it's still going to be there. This is here. This is in the air, and you can tune into the frequency that it's vibrating at, and you can choose to resonate with it, or you can lock into different frequencies. You can turn down your consciousness. You can overdose on something. But it's still going to be here, because it's here. It's here now. You can never get away from your past. It's here now in the frequency. You can look away. Just keep looking away. Keep looking at things to help you look away. If you focus on this point, you don't have to see that one. Keep turning things up louder and louder. The hair follicles in your eardrums...everything can be used up. You can use it all up. Or you can make it as healthy as it can be. And you can responsibly choose which things you look at, and what you think about. You can realize that your attention is your own. You can think about the responsibilities you have to use it. And you can actually make everything better. And there goes the world, getting better and better, thanks to you. Thank you.] Estiva - "Lifting Leaves" [over The Echelon Effect] Tracey Chattaway - "Light the Night" [over Estiva, The Echelon Effect] Stone Roses - "Elephant Stone" [over The Echelon Effect, Tracey Chattaway] The Echelon Effect - "First Fall" [over Tracey Chattaway] Henrik Neilsen - "Outdoor Life #2" - Magic Kingdom WEDway Peoplemover Music Loop [over The Echelon Effect, Tracey Chattaway] The Echelon Effect - "First Fall" [over Tracey Chattaway] Ken's Last Ever Radio Extravaganza - "In Between Dates (choices all around you)" - Show #505, from Oct. 1, 2014 [Live on stage in Baltimore with Neil Diamond-America loops, and The Echelon Effect, Tracey Chattaway] Ken's Last Ever Radio Extravaganza - "In Between Dates (choices all around you)" - Show #505, from Oct. 1, 2014 [Live on stage in Baltimore with Neil Diamond-America loops, and The Echelon Effect] Ken's Last Ever Radio Extravaganza - "In Between Dates (choices all around you)" - Show #505, from Oct. 1, 2014 [Live on stage in Baltimore with Neil Diamond-America loops and other unnamed sample sources.] Neil Diamond - "America" - The Jazz Singer [Loops] Ken - "The housekeeper is going to put everything back where it belongs / Identification" [over Neil Diamond loops. They know you're going to take care of them] Ken - "I don't know why I..." [over Neil Diamond loops. Everything is always in its right place.] Ken - "Thanks" [over Neil Diamond loops] Neil Diamond - "America" - The Jazz Singer [Loops] Billy Bragg - "The Unwelcome Guest" [over Neil Diamond] Cowboy Junkies - "Brothers Under the Bridge" [over Neil Diamond, Billy Bragg (briefly)] Cowboy Junkies - "Brothers Under the Bridge" [Loop, over Neil Diamond loops] John Mellencamp - "Pink Houses" [more America, Over Cowboy Junkies, Neil Diamond] Cowboy Junkies - "Brothers Under the Bridge" [loop, with Neil Diamond loops] Tom Petty & The Heartbreakers - "American Girl" [Loops, with Cowboy Junkies and Neil Diamond] Schoolhouse Rock - "Preamble" - America Rock [with Tom Petty, Neil Diamond, Cowboy Junkies] Ken's Last Ever Radio Extravaganza - "The Great Communicator (Ronald Reagan)" - Show #317, from 6/8/2004 [with Vivaldi cello concerto (2004) and Tom Petty (2019). It's morning again in America. We can leave our children with an unrepayable massive debt.] Richard E. Grant - "They're entitled to important new ingredients" - How to Get Ahead in Advertising [with Ken's Last Ever Reagan, Tom Petty] Ken's Last Ever Radio Extravaganza - "The Great Communicator (Ronald Reagan)" - Show #317, from 6/8/2004 [with Vivaldi cello concerto (2004) and Tom Petty (2019)] Richard E. Grant - "They're going to get it bigger and brighter and better" - How to Get Ahead in Advertising [with Ken's Last Ever Reagan, Tom Petty] Ken's Last Ever Radio Extravaganza - "The Great Communicator (Ronald Reagan)" - Show #317, from 6/8/2004 [with Vivaldi cello concerto (2004) and Tom Petty (2019). Union busting] Cowboy Junkies - "Cold Tea Blues" [with Tom Petty] Tom Petty & The Heartbreakers - "American Girl" [No loops, with Cowboy Junkies] Cowboy Junkies - "Brothers Under the Bridge" [Loop, with Tom Petty] Chevrolet - "The American Look" - The American Look [With Cowboy Junkies Brothers loop, Tom Petty] Michael Crichton - "Decisions about life and death. Society isn't deciding. Society is leaving it up to us, the experts, the doctors" - Coma movie [with The American Look, Tom Petty, Cowboy Junkies Brothers] Michael Crichton - "A whole nation of sick people turning to us for help" - Coma movie [with Cowboy Junkies] George C. Scott - "Medical failure. People are sicker than ever" - The Hospital [with Cowboy Junkies] A real doctor - "Complications of lipsuction" - The Girl Next Door (documentary) [with Cowboy Junkies] Albert Brooks and James Spader - "You don't need a living will. Just make sure you don't have money for healthcare" - Critical Care [with Cowboy Junkies] Michael Crichton - "You probably think I'm beautiful, but I have lots of defects to fix" - Looker [with Cowboy Junkies] Ken - "You can take responsibility for your own healing, you can insist on being healthy from within" [with Cowboy Junkies loop] Ken - "Inching my way towards the door of this party. I appreciate that you invited me" [with Tom Petty, Cowboy Junkies, then just Cowboy Junkies] Ken - "We can move in together" [with Cowboy Junkies, and a dial tone] Cowboy Junkies - "Brothers Under the Bridge" [Loop] Neil Diamond - "America" [Loops, with Cowboy Junkies] INXS - "Mediate" - Kick [Loops, with Cowboy Junkies, Neil Diamond] Lemon Jelly - "Page One" [Loops, with INXS, Neil Diamond] INXS - "Mediate" [No loops, with Lemon Jelly] Billy Corgan, Alex Jones - "Was it a just purpose, they divide and conquer, wounded warriors" - Alex Jones Show 6/26/12 [with INXS, Lemon Jelly] Billy Corgan, Alex Jones - "GMO pesticides in their system, you can ask the questions" - Alex Jones Show 6/26/12 [with INXS] INXS - "Mediate" - Kick [Loops, 2 copies] David Byrne - "Since this mall opened, they'll go wherever the bargains are. They're wise to advertisers' claims" - True Stories [with INXS. The shopping mall has replaced the town center] War On Drugs - "Burning" - Lost in the Dream [Loops, with David Byrne, INXS] War On Drugs - "Burning" - Lost in the Dream [Loops] Ken - "You only have one chance to do it. We're full of hope, and we're giving up" [with War On Drugs] War On Drugs - "Burning" - Lost in the Dream [Loops] https://www.wfmu.org/playlists/shows/83624

Acousmatique Recordings - "Breathe in through tightly pursed lips" David Byrne - "What time is it? No time to look back" - True Stories [over Acousmatique Recordings] Acousmatique Recordings - "Breathe in through tightly pursed lips" Bea T'cha - "If you ask nicely" [over Acousmatique Recordings. Includes French monologue] Neil Amsterdam - "Neutral Strings #2" - Magic Kingdom WEDway Peoplemover Music Loop [over Bea T'cha, Acousmatique Recordings] George Bruns - "Monorail Song" - Magic Kingdom WEDway Peoplemover Music Loop [over other Magic Kingdom, Bea T'cha] Bea T'cha - "Evening of Light" [over other Bea T'cha, Neutral Strings #2] George Bruns - "Nation on Wheels" - Magic Kingdom WEDway Peoplemover Music Loop [with Bea T'cha, Acousmatique Recordings, other Magic Kingdom] Neil Amsterdam - "Industry in Motion #1" - Magic Kingdom WEDway Peoplemover Music Loop [with Bea T'cha, Acousmatique Recordings, other Magic Kingdom] Ken - "Intro / let go" [over Bea T'cha if you ask nicely and Nation on Wheels] Bea T'cha - "If you ask nicely" [Includes many unidentified sound sources] George Winston - "Tamarack Pines" [over Bea T'cha] Slowdive - "Brighter" [over George Winston, Bea T'cha] Ken - "It's uncomfortable (explanation/intro)" [over Slowdive, George Winston, Bea T'cha] Slowdive - "Brighter" [over George Winston, Bea T'cha] Chicago - "Remember the Feeling" - Chicago 17 [Piano loop over Bea T'cha, Slowdive, George Winston] Chicago - "Remember the Feeling" - Chicago 17 [with George Winston] Chicago - "Colour My World" [Intro looping, with Remember the Feeling and George Winston] Chicago - "Colour My World" [with other copy of Colour My World] Chicago - "Remember the Feeling" Brad Fiedel - "Come to Me" - Fright Night s.t. [With Remember the Feeling] Tax advice - "Track 15" [with Brad Fiedel, Remember the Feeling] Louis Armstrong - "We Have All the Time in the World" [with Brad Fiedel] Cowboy Junkies - "Cold Tea Blues" [with brad Fiedel, Louis Armstrong] Snap! - "The Power" [Loops, with Brad Fiedel, Louis Armstrong, Cowboy Junkies] Cowboy Junkies - "Cold Tea Blues" [with Snap!] Tiffany - "I Think We're Alone Now" [Loops, with Cowboy Junkies, Snap!] Tiffany - "I Think We're Alone Now" [Loops] Les Nesman - "Black Americans' contributions to US culture" - WKRP in Cincinnati, season 3 episode 12 [over Tiffany loops. Scratch an Allman Brother, and you have black] Tiffany - "I Think We're Alone Now" [Loops] Billy Corgan, Alex Jones - "The fascist war machine" [over Tiffany loops] Tiffany - "I Think We're Alone Now" Richard E. Grant - "People buy hydrogen bombs because they have an added new ingredient: Peace" - How to Get Ahead in Advertising [over Tiffany] Tiffany - "I Think We're Alone Now" Richard E. Grant - "Roads represent a fundamental right of man to have access to the good things in life" - How to Get Ahead in Advertising [over Tiffany. The right to smoke one's chosen brand would be denied] Tiffany - "I Think We're Alone Now" [Loops] Richard E. Grant - "Packaging would vanish from the face of the earth" - How to Get Ahead in Advertising [over Tiffany] Tiffany - "I Think We're Alone Now" Richard E. Grant - "I'm not a communist, you want to take everyone's car away" - How to Get Ahead in Advertising [over Tiffany] Tiffany - "I Think We're Alone Now" Pinback - "Anti-hu" [Loops, over Tiffany] Tame Impala - "Promo for Currents Collectors Edition" [over Pinback, Tiffany] Tame Impala - "Promo for Currents Collectors Edition" [over Tiffany] Acousmatique Recordings - "Breathe in through tightly pursed lips" [over Tame Impala, Tiffany] mathblaster - "Achromatic" [over Tame Impala] mathblaster - "Achromatic" Snap! - "The Power" [Loops, over mathblaster] Brad Fiedel - "Dream Window" - Fright Night s.t. [over Snap!, mathblaster] Tycho - "Awake" [over Snap!, mathblaster, Brad Fiedel] Tycho - "Awake" [over Snap!, mathblaster, Tiffany] Tycho - "Awake" [over Tiffany, Snap!] Tycho - "Awake" [over Snap!] Snap! - "The Power" [Loops, over Tycho] The Echelon Effect - "First Fall" [over Snap!, Tycho] Chicago - "Colour My World" [over Snap!, Tycho, The Echelon Effect] Acousmatique Recordings - "Breathe in through tightly pursed lips" [over The Echelon Effect] The Echelon Effect - "First Fall" [over Beat T'cha, Acousmatique Recordings] Acousmatique Recordings - "Breathe in through tightly pursed lips" [over The Echelon Effect] Stone Roses - "Elephant Stone" [loops, over The Echelon Effect and Acousmatique Recordings] Estiva - "Lifting Leaves" [over Stone Roses, The Echelon Effect, Acousmatique Recordings] Ken - "Everything has always been there" [over Estiva, Stone Roses, The Echelon Effect, Acousmatique Recordings (eventually just Estiva) It's all there - everything. Everything is always all there. And everything has always been there. Whether you're looking, whether you knew where to look... Everything has always been there. Everything has always been this way. It's been all these ways all at once. You can choose what you look at, what you focus on, what you see, what patterns you notice. All the things are always happening altogether, and you tune in, and you tune out, and you tune... and you see what you are, and you see what you see, and you see what you recognize. And you see what creates interference patterns, what seems discordant. And you don't notice other things. You don't notice them until they're pointed out. You don't notice them until you grow that part of yourself. You don't notice them because you don't have a name for them, your language doesn't have a way. You don't notice them because they conflict with what you've been taught, because you don't believe in them, because you've been taught to be afraid of them. You don't notice them because they're in opposition to everything you believe in. But they're still all there. They're still all around you. The thing you just learned about, it's always been there. That new change in yourself, it's always been there. Things that seem good, things that seem evil, things that attract you. It's always been there. Nothing has ever changed. Except your awareness, and your awareness is going to keep changing. It's going to keep arcing, and developing, and looping, all the way 'til the end. And the only thing that's changing in the world is everyone's awareness. All the matter, the matter, the bits, they're the same. It might be in a different order, but they're the same. So, you can change your awareness. You can notice the awareness of others. Change... you can change, you can change others' awareness. You can't change. You can't change. You can't change anything. And everything that's happening, everything that's going on right now, it's never going to end, it's never going to start. You can try to own it, you can try to make it. You can be frustrated with it, you can walk away from it, you can not look at it, but it's still going to be there. This is here. This is in the air, and you can tune into the frequency that it's vibrating at, and you can choose to resonate with it, or you can lock into different frequencies. You can turn down your consciousness. You can overdose on something. But it's still going to be here, because it's here. It's here now. You can never get away from your past. It's here now in the frequency. You can look away. Just keep looking away. Keep looking at things to help you look away. If you focus on this point, you don't have to see that one. Keep turning things up louder and louder. The hair follicles in your eardrums...everything can be used up. You can use it all up. Or you can make it as healthy as it can be. And you can responsibly choose which things you look at, and what you think about. You can realize that your attention is your own. You can think about the responsibilities you have to use it. And you can actually make everything better. And there goes the world, getting better and better, thanks to you. Thank you.] Estiva - "Lifting Leaves" [over The Echelon Effect] Tracey Chattaway - "Light the Night" [over Estiva, The Echelon Effect] Stone Roses - "Elephant Stone" [over The Echelon Effect, Tracey Chattaway] The Echelon Effect - "First Fall" [over Tracey Chattaway] Henrik Neilsen - "Outdoor Life #2" - Magic Kingdom WEDway Peoplemover Music Loop [over The Echelon Effect, Tracey Chattaway] The Echelon Effect - "First Fall" [over Tracey Chattaway] Ken's Last Ever Radio Extravaganza - "In Between Dates (choices all around you)" - Show #505, from Oct. 1, 2014 [Live on stage in Baltimore with Neil Diamond-America loops, and The Echelon Effect, Tracey Chattaway] Ken's Last Ever Radio Extravaganza - "In Between Dates (choices all around you)" - Show #505, from Oct. 1, 2014 [Live on stage in Baltimore with Neil Diamond-America loops, and The Echelon Effect] Ken's Last Ever Radio Extravaganza - "In Between Dates (choices all around you)" - Show #505, from Oct. 1, 2014 [Live on stage in Baltimore with Neil Diamond-America loops and other unnamed sample sources.] Neil Diamond - "America" - The Jazz Singer [Loops] Ken - "The housekeeper is going to put everything back where it belongs / Identification" [over Neil Diamond loops. They know you're going to take care of them] Ken - "I don't know why I..." [over Neil Diamond loops. Everything is always in its right place.] Ken - "Thanks" [over Neil Diamond loops] Neil Diamond - "America" - The Jazz Singer [Loops] Billy Bragg - "The Unwelcome Guest" [over Neil Diamond] Cowboy Junkies - "Brothers Under the Bridge" [over Neil Diamond, Billy Bragg (briefly)] Cowboy Junkies - "Brothers Under the Bridge" [Loop, over Neil Diamond loops] John Mellencamp - "Pink Houses" [more America, Over Cowboy Junkies, Neil Diamond] Cowboy Junkies - "Brothers Under the Bridge" [loop, with Neil Diamond loops] Tom Petty & The Heartbreakers - "American Girl" [Loops, with Cowboy Junkies and Neil Diamond] Schoolhouse Rock - "Preamble" - America Rock [with Tom Petty, Neil Diamond, Cowboy Junkies] Ken's Last Ever Radio Extravaganza - "The Great Communicator (Ronald Reagan)" - Show #317, from 6/8/2004 [with Vivaldi cello concerto (2004) and Tom Petty (2019). It's morning again in America. We can leave our children with an unrepayable massive debt.] Richard E. Grant - "They're entitled to important new ingredients" - How to Get Ahead in Advertising [with Ken's Last Ever Reagan, Tom Petty] Ken's Last Ever Radio Extravaganza - "The Great Communicator (Ronald Reagan)" - Show #317, from 6/8/2004 [with Vivaldi cello concerto (2004) and Tom Petty (2019)] Richard E. Grant - "They're going to get it bigger and brighter and better" - How to Get Ahead in Advertising [with Ken's Last Ever Reagan, Tom Petty] Ken's Last Ever Radio Extravaganza - "The Great Communicator (Ronald Reagan)" - Show #317, from 6/8/2004 [with Vivaldi cello concerto (2004) and Tom Petty (2019). Union busting] Cowboy Junkies - "Cold Tea Blues" [with Tom Petty] Tom Petty & The Heartbreakers - "American Girl" [No loops, with Cowboy Junkies] Cowboy Junkies - "Brothers Under the Bridge" [Loop, with Tom Petty] Chevrolet - "The American Look" - The American Look [With Cowboy Junkies Brothers loop, Tom Petty] Michael Crichton - "Decisions about life and death. Society isn't deciding. Society is leaving it up to us, the experts, the doctors" - Coma movie [with The American Look, Tom Petty, Cowboy Junkies Brothers] Michael Crichton - "A whole nation of sick people turning to us for help" - Coma movie [with Cowboy Junkies] George C. Scott - "Medical failure. People are sicker than ever" - The Hospital [with Cowboy Junkies] A real doctor - "Complications of lipsuction" - The Girl Next Door (documentary) [with Cowboy Junkies] Albert Brooks and James Spader - "You don't need a living will. Just make sure you don't have money for healthcare" - Critical Care [with Cowboy Junkies] Michael Crichton - "You probably think I'm beautiful, but I have lots of defects to fix" - Looker [with Cowboy Junkies] Ken - "You can take responsibility for your own healing, you can insist on being healthy from within" [with Cowboy Junkies loop] Ken - "Inching my way towards the door of this party. I appreciate that you invited me" [with Tom Petty, Cowboy Junkies, then just Cowboy Junkies] Ken - "We can move in together" [with Cowboy Junkies, and a dial tone] Cowboy Junkies - "Brothers Under the Bridge" [Loop] Neil Diamond - "America" [Loops, with Cowboy Junkies] INXS - "Mediate" - Kick [Loops, with Cowboy Junkies, Neil Diamond] Lemon Jelly - "Page One" [Loops, with INXS, Neil Diamond] INXS - "Mediate" [No loops, with Lemon Jelly] Billy Corgan, Alex Jones - "Was it a just purpose, they divide and conquer, wounded warriors" - Alex Jones Show 6/26/12 [with INXS, Lemon Jelly] Billy Corgan, Alex Jones - "GMO pesticides in their system, you can ask the questions" - Alex Jones Show 6/26/12 [with INXS] INXS - "Mediate" - Kick [Loops, 2 copies] David Byrne - "Since this mall opened, they'll go wherever the bargains are. They're wise to advertisers' claims" - True Stories [with INXS. The shopping mall has replaced the town center] War On Drugs - "Burning" - Lost in the Dream [Loops, with David Byrne, INXS] War On Drugs - "Burning" - Lost in the Dream [Loops] Ken - "You only have one chance to do it. We're full of hope, and we're giving up" [with War On Drugs] War On Drugs - "Burning" - Lost in the Dream [Loops] http://www.wfmu.org/playlists/shows/83624

London based Venice Calypso has spent the last 4 years disrupting the status quo of the city's close-knit techno community. Stylistically innovative and aesthetically bleak, Venice has played in multiple spaces from intimate, sweaty basements to more vast surrounds of London's leading nightclubs. With a sound that swoops from blistering techno to murkier, melancholic rhythms, Venice couldn't be more fitting for our Christmas Fiasco with Ostgut Ton's Fiedel, London's Dahc Demur VIII & more on Saturday, 15th December at the club. Ahead of the night, Venice shares a taster with us of what's to come on the night...

Inhalt: mit Illustrationen von Bärbel Busch Fidel ist ein Kuscheltier. Pssssst, das hört der Fidel gar nicht gerne. So richtig ein Kuscheltier ist Fidel nämlich nicht. Die meisten Menschen sehen in ihm zwar nur ein Kuscheltier für Kinder. Aber: Er lebt, ja, er lebt, und zwar so richtig. Und er lebt nicht einfach nur, nach…

Picturing the early beginnings of a veteran DJ conjures the classic image of turntables and crates full of vinyl. But Michael Fiedler – better known as Fiedel, Berghain’s longtime resident DJ – began on tapes.

Cover by ©FRANZ ZÜNKLER [franz.zuenkler@t-online.de] ✘ CASIO (Motion // Dresden)(https://soundcloud.com/casio-dj) presents Afterhour Sounds Podcast Nr.115 Für unsere #115 haben wir uns mit CASIO einen der wichtigsten und zugleich aktivsten Akteure der Dresdner Technoszene eingeladen. Seit 2011 nun widmet sich der Wahldresdner mit voller Hingabe der Thematik des Auflegens und konnte in dieser Zeit schon unglaublich viel bewegen und Erfahrungen sammeln, das sowohl vor als auch hinter dem Pult. Als Mitbegründer des Kollektivs Pangaea, welches seit 2012 in der Dresdner Szene für ihre aufwendigen Dekorationen und qualitativ hochwertigen Bookings bekannt und geschätzt wird, erhielt er erste Einblicke in die Organisation von Club- u. Openairveranstaltungen. In dieser Zeit arbeitete er mit den verschiedensten Crews und Clubs zusammen, was ihn nach und nach zu einem wichtigen und gefragten Player der heimischen Technoszene machte. In 2015 gründet er schließlich sein eigenes Projekt ‘Motion’ das mit seinen eigenen Veranstaltungen an ausgewählten Locations bereits so namhafte Acts wie FJAAK, Daniel Bortz, Leon Licht, Elliver, Pauli Pocket, Fiedel und Ida Daugaard in die sächsische Elbmetropole holen konnte. Des Weiteren versteht sich ‘Motion’ auch als DJ-Kollektiv, das mittlerweile 5 Akteuren aus den verschiedenen elektronischen Genre ein musikalisches zu Hause bietet. Seit Oktober 2015 gestaltet er zudem aktiv das Geschehen des Dresdner TBA Clubs, wo er nicht nur als Resident sondern auch als Booker in Erscheinung tritt. In den 6 Jahren hinter den Decks hat er gefühlt schon in jedem Dresdner Club seine Finger am Mixer gehabt. Hinzu kommen etliche Gigs in Clubs und Festivals im In- u. Ausland. Von der Station Endlos in Halle, über dem SO&SO und Elipamanoke in Leipzig, dem Mensch Meier, Birgit & Bier und Kosmonaut in Berlin, bis hin zum Most Open Air in Kiew oder dem Natürlich Irre Festival wird er für seinen treibenden und abwechslungsreichen Sound geschätzt. Dabei hat er eines immer ganz fest im Blick - die tanzende Crowd - die es gilt bei jedem seiner Gigs zu verzaubern. Mit seinem Podcast beweist er einmal mehr die unendlichen Weiten seines musikalischen Spektrums und nicht zuletzt deshalb freuen wir uns wirklich außerordentlich mit CASIO einen Tausendsassa der elektronischen Musik in unserer Reihe begrüßen zu dürfen. Maximalste Unterhaltung wird auf das maximalste garantiert. ✘ CASIO (Motion // Dresden) https://soundcloud.com/casio-dj www.soundcloud.com/cosia_dresden www.facebook.com/casio.tba ✘ MOTION www.soundcloud.com/motion-one www.facebook.com/motion.one

Covering the Americas prior to Columbus, we destroy some myths about native American peoples, including how they arrived and the size of native American population. Some of the resources used to create this episode:Charles Mann, 1491. Stuart J. Fiedel, “The Peopling of the New World: Present Evidence, New Theories, and Future Directions” in Journal of Archeological Research, Vol. 8, No. 1, 2000. Robert Remini, A Short History of the United States.

mixed by Fiedel

Die Drehleier ist ein Streichinstrument, dessen Form meist der einer Fiedel oder Laute ähnelt. Zur Klangerzeugung aber dient ihr ein Rad, das im Inneren des Instruments, im Korpus fixiert ist.

mixed by Fiedel

mixed by Fiedel

mixed by Fiedel

mixed by Fiedel

Die zweite Ausgabe des Lautsprechers widmet sich den Themen Schallausbreitung, Mikrofonierung und Echtzeit-Signalbearbeitung bei der Aufnahme. Mein Ko-Moderator in dieser Folge ist Fiedel, der unter anderem mit dem Bau von Tonstudios Erfahrung hat.

Nella prima sala dell‘antica Camera delle argenterie e dei servizi da tavola di corte, con le bacheche di quercia originali dell‘epoca, vedete alcuni pezzi unici o parti di servizi delle antiche manifatture viennesi, ungheresi e boeme e sanitari in porcellana boema bianco e oro. Da notare anche i bei servizi di bicchieri di diverse molature della ditta Lobmeyr di Vienna. Nei bicchieri color verde si servivano i vini del Reno. Nella vetrina al centro della sala sono esposte le posate d‘argento imperiali, tuttora utilizzate nei banchetti ufficiali durante le visite di stato. Stephan Mayerhofer fornì il primo grande servizio prima del 1837, in seguito l‘incarico fu affidato alla ditta Mayerhofer und Klinkosch, e infine passò al fornitore di corte Joseph Karl Klinkosch. Si noti il motivo sui manici delle posate, un decoro detto „Fiedel- und Fadenmuster“ filettato a forma di violino, tuttora molto diffuso. www.hofburg-wien.at | Download Tour-Guide (PDF)© by Schloß Schönbrunn Kultur- und Betriebsges.m.b.H.

Im ersten Raum der Alten Hofsilber- und Tafelkammer mit den noch aus der Monarchie stammenden Eichenvitrinen sehen Sie Einzelstücke oder Teile von Alt-Wiener, ungarischen und böhmischen Servicen sowie Beispiele von weiß-goldenem Sanitärporzellan aus Böhmen. Bemerkenswert sind die schönen Gläserserien mit verschiedenen Schliffvariationen aus dem Hause Lobmeyr/Wien. Die grünen Gläser wurden für Rheinweine verwendet. Im Schaukasten im Zentrum des Raumes ist das kaiserliche Silberbesteck ausgestellt, das heute noch für Staatsbesuche verwendet wird. Die erste große Garnitur lieferte Stephan Mayerhofer noch vor 1837, später gingen die Aufträge an dessen Nachfolgefirma Mayerhofer und Klinkosch und schließlich an den Hoflieferanten Joseph Karl Klinkosch über. Eine Besonderheit ist die Verzierung an den Seiten des Besteckes, das bis heute beliebte „Fiedel- und Fadenmuster“. www.hofburg-wien.at | Download Tour-Guide (PDF)© by Schloß Schönbrunn Kultur- und Betriebsges.m.b.H.

mixed by Fiedel

Erik & Fiedel "Donna" Little Big Man "Slam Dunk" Pete Le Freq "Indecisive" 62 Mile High Club (Inland Knights) "The Money" Broadway & Wilson "Sunny Point Five Mix" Shur-i-kan "String Killer" Vernon & DaCosta "High Wire" Short Bus Kids "Freestyle" Rescue "Can't do Love" Vernon & DaCosta "As Darkness Falls (Pablo J Light Time Mix)" Motorcity Soul "Deliver Me" Castillo & Face feat Jennifer Perryman "Funky Little Dots" Crazy P "Lie Lost - Uabombers Vocal Mix" Tom Drummond "Let's Dance"

mixed by Fiedel