British musician
POPULARITY
3 episodes with knopfler
3 episodes with knopfler
2 episodes with knopfler
2 episodes with knopfler
3 episodes with knopfler
2 episodes with knopfler
2 episodes with knopfler
2 episodes with knopfler
2 episodes with knopfler
Plongeons dans les coulisses de la création de l'album culte de Dire Straits, Brothers in Arms, qui fête aujourd'hui ses 40 ans ! Cet épisode retrace l'histoire fascinante de la genèse de ce disque, véritable tournant dans l'industrie musicale.Tout commence en 1978, avec la formation du groupe Dire Straits. À sa tête, un guitariste virtuose du nom de Mark Knopfler, qui va devenir l'unique maître à bord pour la création de Brothers in Arms. Enregistré dans les paradisiaques studios de l'île de Montserrat, cet album est une prouesse technique et artistique. Première particularité : il a été entièrement enregistré de manière numérique, une révolution à l'époque où le format analogique dominait encore. Knopfler, en quête constante de perfection sonore, a fait le choix osé d'embrasser cette nouvelle technologie. Résultat : une production d'une limpidité saisissante, qui va propulser le CD sur le devant de la scène.Car Brothers in Arms va devenir le premier album à se vendre à plus d'un million d'exemplaires dans ce format révolutionnaire. Un véritable tournant, alors que la plupart des auditeurs ne possédaient même pas encore de lecteur CD !
Dans cet épisode de "Music Story", découvrez la genèse de "Money for Nothing" de Dire Straits. Tout commence dans un magasin d'électronique où Marc Knopfler, leader du groupe, entend un vendeur admirer le mode de vie des chanteurs vus sur MTV. Inspiré, Knopfler écrit une chanson sarcastique sur la perception du succès musical. Il invite Sting à chanter le célèbre refrain "I want my MTV". Le clip vidéo, avec son animation avant-gardiste, devient iconique et passe en boucle sur MTV. Plongez dans les coulisses de ce tube intemporel qui a marqué une génération.Notre équipe a utilisé un outil d'Intelligence artificielle via les technologies d'Audiomeans© pour accompagner la création de ce contenu écrit.Distribué par Audiomeans. Visitez audiomeans.fr/politique-de-confidentialite pour plus d'informations.
While Dire Straits were a solid band that had radio hits since their first album was released in 1978, there was nothing to portend the outrageous fortune they would find in 1985 with Brothers in Arms. Their previous album, Love Over Gold, failed to go platinum in the US or produce any big radio hits. Twisting By The Pool from their 1983 EP was catchy but also kitschy and made some wonder if they were trying to parody the oldies instead of creating an homage. While the live album Alchemy was fantastic, it was not a huge seller. Lead singer, lead guitarist and songwriter Mark Knopfler had success in the studio with Steely Dan and Bob Dylan, produced some great movie soundtracks and wrote songs for others like Private Dancer for Tina Turner. But he hadn't made a Dire Straits album that captured the public's imagination. Until they made Brothers In Arms in 1985.... Mark brought in a young keyboard player named Guy Fletcher to give his songs more texture and eventually brought in legendary session drummer Omar Hakim to lay down all the drum parts. The result was an album that hit #1 around the world selling more than 4.5 million in the UK, 9 million in the US and 30 million around the world. The single Money For Nothing topped the charts around the world and featured Sting singing the famous line I Want My MTV. Of course at the time MTV played videos by artists who wrote music and played instruments and between Sting's catchphrase and the cutting edge (at the time) computer animation, it went into heavy rotation and would be heralded as one of the greatest videos for years. But the sound was so crisp on this album it was used to sell CD players in stores and was the first record to sell more on CD than on LP, thanks in large part to recording on digital tape and Knopfler's never ending search for quality sound. Songs like Your Latest Trick and Why Worry may be mellow but you can hear every note. Walk Of Life was fun, upbeat track that featured 2 different videos for the US and UK markets. And while the second side of the album might not have featured the big hits as the first side, Knopfler's lyrics take on more serious notions like war, life and death. the final and title track brought up visions of pain from the Falklands War that had affected so many in the UK and Argentina and is seen as a respectful tribute to those who fought (and often played at military funerals0. You can't tell the story of MTV, the 1980s or Dire Straits without this album and we dug in for an in-depth conversation about its impact at the time and how it sound today. Plus, we have a little audio from Guy Fletcher talking about Dolby Atmos mixes for the upcoming 40th anniversary edition which will include a concert from the Live in 85 tour. This was a big one and we treat it accordingly. Check out our new website: Ugly American Werewolf in London Website Visit our sponsor RareVinyl.com and use the code UGLY to save 10%! Twitter Threads Instagram YouTube LInkTree www.pantheonpodcasts.com Learn more about your ad choices. Visit megaphone.fm/adchoices
While Dire Straits were a solid band that had radio hits since their first album was released in 1978, there was nothing to portend the outrageous fortune they would find in 1985 with Brothers in Arms. Their previous album, Love Over Gold, failed to go platinum in the US or produce any big radio hits. Twisting By The Pool from their 1983 EP was catchy but also kitschy and made some wonder if they were trying to parody the oldies instead of creating an homage. While the live album Alchemy was fantastic, it was not a huge seller. Lead singer, lead guitarist and songwriter Mark Knopfler had success in the studio with Steely Dan and Bob Dylan, produced some great movie soundtracks and wrote songs for others like Private Dancer for Tina Turner. But he hadn't made a Dire Straits album that captured the public's imagination. Until they made Brothers In Arms in 1985.... Mark brought in a young keyboard player named Guy Fletcher to give his songs more texture and eventually brought in legendary session drummer Omar Hakim to lay down all the drum parts. The result was an album that hit #1 around the world selling more than 4.5 million in the UK, 9 million in the US and 30 million around the world. The single Money For Nothing topped the charts around the world and featured Sting singing the famous line I Want My MTV. Of course at the time MTV played videos by artists who wrote music and played instruments and between Sting's catchphrase and the cutting edge (at the time) computer animation, it went into heavy rotation and would be heralded as one of the greatest videos for years. But the sound was so crisp on this album it was used to sell CD players in stores and was the first record to sell more on CD than on LP, thanks in large part to recording on digital tape and Knopfler's never ending search for quality sound. Songs like Your Latest Trick and Why Worry may be mellow but you can hear every note. Walk Of Life was fun, upbeat track that featured 2 different videos for the US and UK markets. And while the second side of the album might not have featured the big hits as the first side, Knopfler's lyrics take on more serious notions like war, life and death. the final and title track brought up visions of pain from the Falklands War that had affected so many in the UK and Argentina and is seen as a respectful tribute to those who fought (and often played at military funerals0. You can't tell the story of MTV, the 1980s or Dire Straits without this album and we dug in for an in-depth conversation about its impact at the time and how it sound today. Plus, we have a little audio from Guy Fletcher talking about Dolby Atmos mixes for the upcoming 40th anniversary edition which will include a concert from the Live in 85 tour. This was a big one and we treat it accordingly. Check out our new website: Ugly American Werewolf in London Website Twitter Threads Instagram YouTube LInkTree www.pantheonpodcasts.com Learn more about your ad choices. Visit megaphone.fm/adchoices
El 2024 fue un año con bastantes noticias relacionadas con Mark Knopfler, uno de mis músicos preferidos. Te cuento alguna de ellas.ENLACES DE INTERÉSEnlace con el resultado de la subastaVideo sobre la exposición de la subasta de ChristiesPágina de Mark Knopfler's Guitar HeroesListado colaboradores Mark Knopfler's Guitar HeroesWe are the WorldLet it be - Ferry AidThe Prince's Trust 1987Dire Straits - Nelson Mandela 1988Dire Straits - Kenbworth 1990Mark Knopfler's Guitar Heroes – Going Home (Theme From Local Hero) (Official Video) Johnson and Knopfler's Music LegendsDire Straits - Brothers in Arms 40th AniversaryINFORMACIÓN Y DATOS DE CONTACTOTwitter: @SansaTwitwww.podcrastinando.eswww.unicorn-st.comwww.genide.comwww.wintablet.infoGrupo Telegram Unicorn SThttp://bit.ly/GrupoTelegramUnicornSTSuscríbete a Podcrastinando, el feed que contiene todos mis podcast (Unicorn ST & Ya Te Digo)https://feedpress.me/sospechososPodcrastinandoPodcast asociado a la red de SOSPECHOSOS HABITUALES.Suscríbete con este feed: https://feedpress.me/sospechososhabitualesPodcast grabado con:Dispositivo: ThinkPad X230 TabletMicro: Behringer XM8500Mesa de mezclas e interfaz: Yamaha AG06 Aplicación de grabación y edición: Reaper
El 2024 fue un año con bastantes noticias relacionadas con Mark Knopfler, uno de mis músicos preferidos. Te cuento alguna de ellas.ENLACES DE INTERÉSEnlace con el resultado de la subastaVideo sobre la exposición de la subasta de ChristiesPágina de Mark Knopfler's Guitar HeroesListado colaboradores Mark Knopfler's Guitar HeroesWe are the WorldLet it be - Ferry AidThe Prince's Trust 1987Dire Straits - Nelson Mandela 1988Dire Straits - Kenbworth 1990Mark Knopfler's Guitar Heroes – Going Home (Theme From Local Hero) (Official Video) Johnson and Knopfler's Music LegendsDire Straits - Brothers in Arms 40th AniversaryINFORMACIÓN Y DATOS DE CONTACTOTwitter: @SansaTwitwww.podcrastinando.eswww.unicorn-st.comwww.genide.comwww.wintablet.infoGrupo Telegram Unicorn SThttp://bit.ly/GrupoTelegramUnicornSTSuscríbete a Podcrastinando, el feed que contiene todos mis podcast (Unicorn ST & Ya Te Digo)https://feedpress.me/sospechososPodcrastinandoPodcast asociado a la red de SOSPECHOSOS HABITUALES.Suscríbete con este feed: https://feedpress.me/sospechososhabitualesPodcast grabado con:Dispositivo: ThinkPad X230 TabletMicro: Behringer XM8500Mesa de mezclas e interfaz: Yamaha AG06 Aplicación de grabación y edición: Reaper
El 2024 fue un año con bastantes noticias relacionadas con Mark Knopfler, uno de mis músicos preferidos. Te cuento alguna de ellas.ENLACES DE INTERÉSEnlace con el resultado de la subastaVideo sobre la exposición de la subasta de ChristiesPágina de Mark Knopfler's Guitar HeroesListado colaboradores Mark Knopfler's Guitar HeroesWe are the WorldLet it be - Ferry AidThe Prince's Trust 1987Dire Straits - Nelson Mandela 1988Dire Straits - Kenbworth 1990Mark Knopfler's Guitar Heroes – Going Home (Theme From Local Hero) (Official Video) Johnson and Knopfler's Music LegendsDire Straits - Brothers in Arms 40th AniversaryINFORMACIÓN Y DATOS DE CONTACTOTwitter: @SansaTwitwww.podcrastinando.eswww.unicorn-st.comwww.genide.comwww.wintablet.infoGrupo Telegram Unicorn SThttp://bit.ly/GrupoTelegramUnicornSTSuscríbete a Podcrastinando, el feed que contiene todos mis podcast (Unicorn ST & Ya Te Digo)https://feedpress.me/sospechososPodcrastinandoPodcast asociado a la red de SOSPECHOSOS HABITUALES.Suscríbete con este feed: https://feedpress.me/sospechososhabitualesPodcast grabado con:Dispositivo: ThinkPad X230 TabletMicro: Behringer XM8500Mesa de mezclas e interfaz: Yamaha AG06 Aplicación de grabación y edición: Reaper
El 2024 fue un año con bastantes noticias relacionadas con Mark Knopfler, uno de mis músicos preferidos. Te cuento alguna de ellas.ENLACES DE INTERÉSEnlace con el resultado de la subastaVideo sobre la exposición de la subasta de ChristiesPágina de Mark Knopfler's Guitar HeroesListado colaboradores Mark Knopfler's Guitar HeroesWe are the WorldLet it be - Ferry AidThe Prince's Trust 1987Dire Straits - Nelson Mandela 1988Dire Straits - Kenbworth 1990Mark Knopfler's Guitar Heroes – Going Home (Theme From Local Hero) (Official Video) Johnson and Knopfler's Music LegendsDire Straits - Brothers in Arms 40th AniversaryINFORMACIÓN Y DATOS DE CONTACTOTwitter: @SansaTwitwww.podcrastinando.eswww.unicorn-st.comwww.genide.comwww.wintablet.infoGrupo Telegram Unicorn SThttp://bit.ly/GrupoTelegramUnicornSTSuscríbete a Podcrastinando, el feed que contiene todos mis podcast (Unicorn ST & Ya Te Digo)https://feedpress.me/sospechososPodcrastinandoPodcast asociado a la red de SOSPECHOSOS HABITUALES.Suscríbete con este feed: https://feedpress.me/sospechososhabitualesPodcast grabado con:Dispositivo: ThinkPad X230 TabletMicro: Behringer XM8500Mesa de mezclas e interfaz: Yamaha AG06 Aplicación de grabación y edición: Reaper
Spéciale Dire Straits avec Arnaud Devillard, auteur du livre "Dire Straits - L'Amérique fantasmée" (Le Mot et le Reste). Des enluminures de « Sultans Of Swing » au riff de « Money For Nothing », Dire Straits est d'abord l'écrin de son leader et guitariste, Mark Knopfler. Mais derrière les tubes se cache le paradoxe rare d'un groupe qui a accédé au succès en radicalisant sa vision. Émergeant en pleine frénésie punk avec une musique rêvant d'Amérique et d'espaces, le groupe incarne autant les travers des années quatrevingt – clips, stades, synthétiseurs et saxophones – qu'il s'en méfie. Sa disparition discrète permettra à Knopfler de cheminer auprès de ses héros Chet Atkins et J.J. Cale, aspirant à un calme que son talent lui a longtemps refusé. Merci pour votre écoute Entrez sans Frapper c'est également en direct tous les jours de la semaine de 16h à 17h30 sur www.rtbf.be/lapremiere Retrouvez l'ensemble des épisodes et les émission en version intégrale (avec la musique donc) de Entrez sans Frapper sur notre plateforme Auvio.be : https://auvio.rtbf.be/emission/8521 Abonnez-vous également à la partie "Bagarre dans la discothèque" en suivant ce lien: https://audmns.com/HSfAmLDEt si vous avez apprécié ce podcast, n'hésitez pas à nous donner des étoiles ou des commentaires, cela nous aide à le faire connaître plus largement. Vous pourriez également apprécier ces autres podcasts issus de notre large catalogue: Le voyage du Stradivarius Feuermann : https://audmns.com/rxPHqEENoir Jaune Rouge - Belgian Crime Story : https://feeds.audiomeans.fr/feed/6e3f3e0e-6d9e-4da7-99d5-f8c0833912c5.xmlLes Petits Papiers : https://audmns.com/tHQpfAm Des rencontres inspirantes avec des artistes de tous horizons. Galaxie BD: https://audmns.com/nyJXESu Notre podcast hebdomadaire autour du 9ème art.Nom: Van Hamme, Profession: Scénariste : https://audmns.com/ZAoAJZF Notre série à propos du créateur de XII et Thorgal. Franquin par Franquin : https://audmns.com/NjMxxMg Ecoutez la voix du créateur de Gaston (et de tant d'autres...)
Next up on this action-packed season of Shred With Shifty, country superstar Keith Urban joins Chris Shiflett to walk through some of his most iconic solos and unpack some fine details behind his successful music career. Strapped with the '51 Fender “Nocaster” that he used to record the solo on “Tumbleweed,” Urban walks Shifty through some of his guitar secrets, like how he came to own Waylon Jennings' iconic, leatherbound 1950 Fender Broadcaster (hats off to his wife, Nicole Kidman, for that one). Urban tells avid surfer Shiflett why he never got into surfing while growing up in Australia, and remembers his earliest influences in the country's music scene. Low-gain players like Mark Knopfler, Ray Flacke, and Lindsay Buckingham helped shape Urban's lead-guitar tastes, imprints you can hear in the capoed, drop-D solo on “Stupid Boy.” (Urban says his new solo record, High, features more of these theatrics.) Amid the fretboard analysis, Urban talks about his “love-hate relationship” with his Fractal amp-modeling unit, which he still leaves at home when he plays live—a 100-watt Marshall Super Lead and PRS J-MOD 100 still reign supreme for Urban's concerts. Tune in to learn how Urban's unique pick grip gave his solos some extra percussive edge, how he keeps his chops up, and which artist he'd want to “gunsling” for. Full Video Episodes: http://volume.com/shifty Apple: https://podcasts.apple.com/podcast/id1690423642 Spotify: https://open.spotify.com/show/4B8BSR0l78qwUKJ5gOGIWb iHeart: https://www.iheart.com/podcast/269-shred-with-shifty-116270551/ Pandora: https://www.pandora.com/podcast/shred-with-shifty/PC:1001071314 Follow Chris Shiflett: Facebook: https://www.facebook.com/chrisshiflettmusic Instagram: https://www.instagram.com/shifty71 TikTok: https://www.tiktok.com/@chris.shiflett Twitter: https://twitter.com/chrisshiflett71 Website: http://www.chrisshiflettmusic.com Spotify: https://open.spotify.com/artist/5tv5SsSRqR7uLtpKZgcRrg?si=26kWS1v2RYaE4sS7KnHpag Producer: Jason Shadrick Executive Producers: Brady Sadler and Jake Brennan for Double Elvis Engineering support by Matt Tahaney and Matt Beaudion Video Editor: Addison Sauvan Graphic Design: Megan Pralle Special thanks to Chris Peterson, Greg Nacron, and the entire Volume.com crew.
Dire Straits' self-titled debut album, released in 1978, introduced the world to the band's stripped-down sound and Mark Knopfler's distinctive guitar work. Blending elements of rock, blues, and country, the album was a refreshing contrast to the punk and disco sounds that dominated the late '70s. Its most famous track, "Sultans of Swing," is a storytelling masterpiece, showcasing Knopfler's intricate fingerpicking style and lyrical storytelling. Other tracks, like "Down to the Waterline" and "Wild West End," capture a gritty yet melodic soundscape that reflects life's simpler moments and urban scenes. The album set the stage for Dire Straits' rise as one of the most respected rock bands of the era.Listen to the album on SpotifyListen to the album on Apple MusicWhat did you think of this album? Send us a text! Support the showPatreonWebsitePolyphonic Press SubredditFollow us on InstagramContact: polyphonicpressmusic@gmail.comDISCLAIMER: Due to copyright restrictions, we are unable to play pieces of the songs we cover in these episodes. Playing clips of songs are unfortunately prohibitively expensive to obtain the proper licensing. We strongly encourage you to listen to the album along with us on your preferred format to enhance the listening experience.
Chris White is a highly respected British saxophonist and multi-instrumentalist, best known for his significant contributions to Dire Straits during the band's most commercially successful era. Born in Bristol, England, Chris's musical journey began at a young age, with a deep appreciation for jazz and blues music. Inspired by saxophone legends like John Coltrane and Charlie Parker, he honed his craft throughout the '70s and early '80s, becoming a sought-after session musician for both jazz and pop artists. His skill on the saxophone, combined with his ability to play multiple instruments, set him apart in the competitive world of session work. Chris White's big break came in '85 when he was invited to join Dire Straits, one of the world's most popular rock bands at the time. He joined the band for the "Brothers in Arms" world tour, a monumental event in rock history that spanned over two years and played to millions of fans across the globe. The tour, which supported the Brothers in Arms album, featured White's distinctive saxophone playing, adding a rich new layer to Dire Straits' signature sound. His solo on "Your Latest Trick" became a fan favourite, showcasing his ability to blend rock with jazz influences seamlessly. The Brothers in Arms album itself went on to sell over 30 million copies, becoming one of the best-selling albums of all time, and Chris's contributions were central to its success. In '91, Chris White was a key figure on Dire Straits' final studio album, On Every Street. His multi-instrumental talents were fully utilised, as he played saxophone, flute, and provided backing vocals, further solidifying his place within the band's sound. The subsequent world tour, supporting On Every Street, once again saw him playing a pivotal role in live performances, where his versatility and dynamic stage presence shone. Despite Dire Straits disbanding in '95, Chris's time with the band left an indelible mark on the music world, and he remains closely associated with their enduring legacy. Beyond his work with Dire Straits, Chris White has built an impressive career as a session and touring musician, working with some of the biggest names in the industry. He collaborated frequently with former Dire Straits frontman Mark Knopfler, contributing to Knopfler's solo projects and tours. White's versatility allowed him to work across various musical genres, and he performed with a wide range of artists, including Paul McCartney, Mick Jagger, Joe Cocker, and Robbie Williams. His ability to adapt to different styles and his reputation as a reliable, talented musician kept him in high demand in the post-Dire Straits years. In addition to performing, Chris White ventured into music production, arrangement, and composition, expanding his influence beyond the stage. He contributed to several film soundtracks and was a member of multiple bands, showcasing his musical diversity. His career has spanned decades, and his contributions to rock, jazz, and pop music have solidified his place among the greats. Chris White's legacy is inseparably linked to his time with Dire Straits, where his saxophone work helped define some of the band's most iconic sounds. His distinctive style, blending rock, jazz, and pop influences, made him a standout musician, and his career has continued to flourish long after his time with Dire Straits. Today Chris leads a band called The Dire Straits Experience, which he co-founded to keep the spirit of Dire Straits' music alive. The band brings together world-class musicians to perform classic Dire Straits songs like "Sultans of Swing," "Romeo and Juliet," "Money for Nothing," and, of course, "Your Latest Trick." The band tours globally, celebrating the legacy of one of rock's most enduring groups. Chris White joins us today to share the story of his incredible rise to fame.
We covered the big commercial hit album "Brothers In Arms" back in episode 154, but many afficianados of Dire Straits consider their finest work to be the album that preceeded this one. Love Over Gold is their fourth studio album, released in late September 1982 and on the charts in June 1983. For this album, prime mover and lead vocalist Mark Knopfler, bassist John Illsley, and percussionist Pick Withers are joined by new members Hal Lindes on guitars and Alan Clark on keyboards. The songs on this album are longer than your standard single, particularly the majestic 14-minute "Telegraph Road." Despite their length, "Private Investigations" was released as a single in the UK and reached number 2on the charts. The shortest song, "Industrial Disease" (still clocking in at 5:50) was released as a single in the US. It would reach number 75 on the Billboard Hot 100, but would be a staple of rock radio stations at the time.A number of songs were written and recorded during the "Love Over Gold" sessions, but subsequently discarded from album release. Amongst these was the song "Private Dancer," which was instead provided to Tina Turner for her comeback album of the same name. Turner would take this song to number 7 on the US charts, and see her career reinvigorated by the success of her "Private Dancer" album."Love Over Gold" was a number 1 album on a number of charts, including Australia, Austria, and the UK, and reached number 19 on the US Billboard 200 albums chart.Rob brings us this outstanding, deep, and thought-provoking album for this week's podcast.Telegraph RoadThis lengthy masterpiece was inspired while Knopfler was riding in his tour bus down the 70-mile road of the same name. The song narrarates the development and history along the road as the decades roll past. It is easy to describe this song as prog rock, but it also contains one of the best guitar solo riffs you will hear. Industrial DiseaseGoodness me, goodness me! We have to highlight the US single from the album. The title comes from a term for work-related illness, and the term in this song references both individual work illness and the decline of British industry in general. The reference to Dr. Parkinson is a British professor and satirist who is famous for the phrase "work expands to fill the time available for its completion." ENTERTAINMENT TRACK:Overture to the Marriage of Figaro by Mozart (from the motion picture “Trading Places”)Eddie Murphy and Dan Aykroyd star in this comedy about a yuppie and a homeless man who are forced to trade places as the result of a bet by two rich stock brokers. STAFF PICKS:Murder By Numbers by The PoliceBruce initiates the staff picks with a dark song about becoming a serial killer. This Police song appears on the cassette and CD version of the album "Synchronicity," but was left off the vinyl due to lack of space. It was written by Sting and Andy Summers, the only collaborative song on the album, and was recorded in a single take. Rock of Ages by Def LeppardLynch brings us a huge song from Def Leppard's "Pyromania" album. Producer Mutt Lange counts off the nonsensical "Gunter Glieben Glauten Globen," to open the song, and the lyrics form an anthem suitable for arena show openers. Joan Jett's "I Love Rock 'n' Roll" was an inspiration to the creation of this anthem.Don't Pay the Ferryman by Chris deBurghWayne's staff pick takes a fantasy approach to the story of Charon and the crossing of the river Styx, advising not to pay until the trip is done. Irish artist Chris deBurgh broke into the US top 40 with this song, peaking at number 34. Lines from Shakespeare's play "The Tempest" can be heard in the bridge to the song.The Walls came Down by The Call Rob finishes the staff picks with a song that is inspired by the Biblical tale of the fall of Jericho. Lead singer Michael Been would pull biblical references into his lyrics, including this song. The Call formed in 1980 in California, and blended rock, New Wave, and post-Punk. U2 and Simple Minds both consider The Call an influence in their music. COMEDY TRACK:My Bologna by "Weird Al" YankovicWe close out with Weird Al's meaty take on "My Sharona by" the Knack. Thanks for listening to “What the Riff?!?” NOTE: To adjust the loudness of the music or voices, you may adjust the balance on your device. VOICES are stronger in the LEFT channel, and MUSIC is stronger on the RIGHT channel.Please follow us on Facebook https://www.facebook.com/whattheriffpodcast/, and message or email us with what you'd like to hear, what you think of the show, and any rock-worthy memes we can share.Of course we'd love for you to rate the show in your podcast platform!**NOTE: What the Riff?!? does not own the rights to any of these songs and we neither sell, nor profit from them. We share them so you can learn about them and purchase them for your own collections.
Shit's about to get weird! Like, Buffalo Bill weird. Not "Hmm, that's a little strange". I mean, just look at the title of track three! Knopfler's journalist trilogy is broken up by one the most menacing songs ever recorded, but what will Corey think of it? This is an album that Kev knows the least from the first five records, so will he be as keen on it as he was the debut? Will Corey conoquer his middle-age ennui? Will Kev think of a single damned interesting thing to say in the episode notes???The only way to find out is to turn on, tune in, and get a bullet in the chest.Songs covered in this episode: "Once Upon a Time in the West", "News", "Where Do You Think You're Going?", "Communiqué"Don't forget to follow us on social media and leave us a rating/review if you're enjoying the show!Facebook: https://www.facebook.com/UltimateCatalogueClashTwitter: https://twitter.com/UCatalogueClashBluesky: https://bsky.app/profile/ucatalogueclash.bsky.social Hosted on Acast. See acast.com/privacy for more information.
What is a Knopfler? How does one Knopfle? Does one need any special equipment to do it? Are there any qualifications required??? Look, this is an avenue of inquiry that needs to be explored, but perhaps now is not the time. We're kicking off this season with plenty of guitar brililance and some low-key vocal performances. We're also getting a little shit-kicky and twangy here and there. Kev brought this band to the podcast, so he's ready to play the Strait man in this double-act, but will Corey be on board with a step back from the heavier stuff we've spent the last few months covering? Will he be wowed by the best-named drummer in rock history? Will he find nice things to say about John Illsley?The only way to find out is to turn on, tune in, and quite your messing around.Songs covered in this episode: "Down to the Waterline", "Water of Love", "Setting Me Up", "Six Blade Knife", "Southbound Again"Don't forget to follow us on social media and leave us a rating/review if you're enjoying the show!Facebook: https://www.facebook.com/UltimateCatalogueClashTwitter: https://twitter.com/UCatalogueClashBluesky: https://bsky.app/profile/ucatalogueclash.bsky.social Hosted on Acast. See acast.com/privacy for more information.
In this episode Ed has a yarn with the singer - songwriter (epic guitarist) Nathan Cavaleri Nathan was first introduced to Australia aged just seven, when the Today show covered his meeting with one of his guitar heroes, Mark Knopfler of Dire Straits. This came about after Nathan was diagnosed with leukemia aged six, a year later (while still undergoing treatment) he was granted his wish to meet Knopfler through the Starlight Foundation. By age eight Nathan was playing guitar on Hey Hey It's Saturday, in front of millions. Since then Nathan's life has had more ups and downs than a roller coaster at Gumbuya world! Enjoy another yarn on the Ed for Breakfast Show 6am-9am Weekdays on Triple M Gippsland.See omnystudio.com/listener for privacy information.
When it comes to classic films that have left an indelible mark on pop culture, few stand out as vividly as The Princess Bride (1987). Directed by Rob Reiner and adapted from William Goldman's novel of the same name, this film is a rare gem that effortlessly blends adventure, romance, and comedy into a story that continues to captivate audiences across generations. In the latest episode of Born to Watch, Whitey and Damo are joined by our great American mates from the Middle Aged Movie Podcast to explore what makes this film such a cherished piece of cinematic history. It's clear that The Princess Bride is much more than just a fairy tale; it's a cinematic masterpiece that remains as relevant and enchanting today as it was over three decades ago.A Genre-Defying StoryThe Princess Bride defies easy categorisation. At its core, it's a love story between the beautiful Buttercup (Robin Wright) and her devoted farmhand, Westley (Cary Elwes). But describing it merely as a love story would be a disservice to its richness of narrative. The film is a tapestry woven with fantasy, adventure, comedy, and satire elements. It masterfully parodies the tropes of traditional fairy tales while embracing them, creating a unique, sincere and self-aware tone. The film's brilliant use of a framing device—a grandfather (Peter Falk) reading a book to his sick grandson (Fred Savage)—immediately sets the stage for a tale that is both nostalgic and timeless. This storytelling method allows the film to break the fourth wall and engage the audience directly, making it feel like we, too, are being told a story by a beloved family member. This technique highlights the film's storytelling theme as a powerful and enduring form of connection, resonating deeply with viewers of all ages.Iconic Characters and PerformancesOne of the most memorable aspects of The Princess Bride is its cast of unforgettable characters, brought to life by an ensemble of actors who deliver some of the most iconic performances in cinematic history. Cary Elwes as Westley perfectly embodies the quintessential hero—charming, witty, and endlessly resourceful. His journey from farm boy to the legendary Dread Pirate Roberts is one of the film's most satisfying arcs, and Elwes' performance balances swashbuckling action with deadpan humour, making Westley both a classic and a modern hero. In her film debut, Robin Wright plays Buttercup with a delicate balance of strength and vulnerability. While her character is often the damsel in distress, Wright's portrayal adds depth to Buttercup, making her more than a passive love interest. She gracefully embodies the film's central love story, making the audience root for her and Westley's reunion.Mandy Patinkin's Inigo Montoya, the vengeful Spaniard seeking to avenge his father's death, delivers one of the most famous lines in film history: “Hello, my name is Inigo Montoya. You killed my father. Prepare to die.” Patinkin's portrayal infuses the character with a passion and sincerity that make Inigo's quest one of the film's most emotionally resonant subplots.Wallace Shawn as Vizzini, the cunning Sicilian whose overconfidence leads to one of the most entertaining battles of wits ever captured on film, is hilarious and memorable. His repeated exclamations of “Inconceivable!” have become a catchphrase that has outlived the movie.And, of course, André the Giant as Fezzik, the gentle giant with a heart of gold, is another standout. André's natural charisma and physical presence make Fezzik one of the film's most endearing characters, providing comic relief and emotional warmth.A Perfect Blend of Humour and HeartIts seamless blend of humour and heart sets The Princess Bride apart. William Goldman's screenplay is filled with sharp, witty dialogue that keeps the audience laughing, but it never sacrifices the story's emotional core. The humour is often self-referential and playful, poking fun at the conventions of the genre while also delivering genuine moments of tenderness and affection.The film's pacing is another key factor in its enduring appeal. At a brisk 98 minutes, The Princess Bride never overstays its welcome. Each scene serves a purpose, whether advancing the plot, deepening the characters, or delivering a memorable line that will be quoted for years to come. The balance of action, romance, and comedy ensures something for everyone, making it a perfect family film that appeals to both children and adults.Cinematography and Score: Enhancing the FantasyThe visual and auditory elements of The Princess Bride play a significant role in creating its fairy-tale atmosphere. The cinematography by Adrian Biddle captures the beauty and whimsy of the film's various settings, from the rolling hills of Florin to the foreboding Cliffs of Insanity. The use of practical effects and on-location shooting gives the film a timeless quality that CGI-heavy movies often lack.Mark Knopfler's score further enhances the film's enchanting mood. The music is both romantic and adventurous, perfectly complementing the tone of the story. Knopfler's theme for The Princess Bride is instantly recognisable, its gentle melodies evoking the nostalgia and magic that defines the film.A Cultural PhenomenonSince its release, The Princess Bride has grown from a modest box-office success to a full-fledged cultural phenomenon. Its influence can be seen in countless other films, TV shows, and even video games that have drawn inspiration from its blend of romance, adventure, and humour. The film's dialogue has become so ingrained in popular culture that even those who haven't seen it can often recognise its most famous lines.Moreover, The Princess Bride has inspired a fiercely loyal fan base that spans multiple generations. Its appeal lies in its universal themes of love, bravery, and the triumph of good over evil. These themes resonate with audiences of all ages, making it a film that parents are eager to share with their children, ensuring its legacy for years.Conclusion: A Tale for the AgesThe Princess Bride (1987) is more than just a movie; it's an experience that transports viewers into a world where true love conquers all, where heroes are brave and resourceful, and where even the most diabolical villains have a touch of humour. Its perfect blend of romance, adventure, and comedy, combined with unforgettable characters and iconic dialogue, makes it a timeless classic that continues to enchant audiences nearly four decades after its release.At Born to Watch, we believe that in a cinematic landscape often dominated by franchises and reboots, The Princess Bride stands out as a reminder of the power of original storytelling. It's a film that doesn't rely on spectacle or special effects but on the strength of its characters, the wit of its script, and the sincerity of its heart. For these reasons and many more, The Princess Bride remains a beloved favourite, a movie that future generations will cherish.For those who have yet to experience the magic of The Princess Bride, there's no better time than now. And for those who have already fallen under its spell, it's always worth revisiting, if only to remind yourself that true love, as Westley famously declares, “is the greatest thing in the world.”Please follow the Podcast and join our community at https://linktr.ee/borntowatchpodcasthttps://www.borntowatch.com....
Guy Edward Fletcher (born 24 May 1960) is an English musician, best known for his position as one of the two keyboard players in the rock band Dire Straits[1] from 1984 until the group's dissolution, and his subsequent work with Dire Straits frontman Mark Knopfler for his many solo releases. Fletcher was inducted into the Rock and Roll Hall of Fame as a member of Dire Straits in 2018.[2] Biography Guy Edward Fletcher was born into a musical family and is the namesake of his uncle, Guy Fletcher, who wrote several hit songs for other artists with composing partner Doug Flett.[3] His mother Barbara was a session singer; his father Ted Fletcher, an audio designer, created a line of audio equipment named after Joe Meek with whom he had worked.[4] Fletcher is also the cousin of children's television presenter Justin Fletcher.[3] Whilst learning a trade as an audio engineer at DJM Studios in London at the age of 15, Fletcher also had a succession of his own bands and learned to play keyboards, guitars, and a variety of stringed instruments. He joined and toured with Steve Harley & Cockney Rebel in 1979 and in 1981, and with Roxy Music for their Avalon world tour during 1982 and 1983. In 1983, Fletcher was recruited by Dire Straits' lead guitarist Mark Knopfler to work on the music for the films Cal and Comfort and Joy. He joined Dire Straits as a full time member in 1984, his first album with them being their most successful, 1985's Brothers in Arms, which put the band in a global spotlight, and remained with the band until their 1995 disbanding. In 1986, Fletcher co-produced Belouis Some's album Belouis Some with Gary Langan.[5] In 1996, Fletcher toured as part of Bryan Ferry's band on his Mamouna world tour. Fletcher performing in 2005 Following the disbanding of Dire Straits, Fletcher continued his association with band founder Mark Knopfler as a core member of his band after launching his solo career. In 2005, Fletcher completed a world tour promoting Knopfler's 2004 solo album, Shangri-La, and in 2006 rounded off the duets tour with Knopfler and Emmylou Harris. Fletcher co-produced and played keyboards on his Knopfler's album, Get Lucky, and was again part of his subsequent world tour in 2010.
A (relatively) in-depth analysis of singer, songwriter and musician Mark Knopfler (in just under 15 minutes). As the front man of Dire Straits and later a composer of film soundtracks and solo artist, Knopfler is exceptionally skilled on the guitar, celebrated for his trademark fingerstyle technique and distinctive sound. As a songwriter, he is known for his unique blend of folk, roots, pub rock and country music.In April 2024, Knopfler released his tenth solo album, One Deep River. The album was followed by a standalone EP for Record Store Day called The Boy, containing four exclusive songs composed around the theme of boxing and fairgrounds.According to Spotify 'Mark Knopfler is an acclaimed singer, songwriter, and guitarist whose distinctive blend of rock, country, blues, and other roots traditions bears a sonic stamp all his own.'https://www.markknopfler.comIn this episode I am in conversation with Dr. Andrew Webber.I hope you enjoy this podcast.Mathew Woodall
An entertaining, opinion-filled, and eclectic blast every time, this time filled with high-level all-star collaborations, painful missteps, new realeses and more. Highs and lows with Taylor Swift, The Beatles, Courtney Love, Justin Timberlake, Billy Joel, Slash, Mark Knopfler, Huey Lewis, The Baseball Project, and more. Enjoy!
También a ‘La Cultureta Gran Reserva' llegan los ecos de la película ‘La boda de mi mejor alcalde', que se ha convertido en la comedia romántica de la temporada después de que José Luis Martínez Almeida y Teresa Urquijo montaran un lío bueno aquí en la capital de los líos. En el capítulo ‘libros', el Criticón se acerca a la próxima novela del maestro Stephen King, ‘Cuelgamuros'. Y también televisión: este semana David Broncano, Antonio García Ferreras, Vicente Vallés… de todo. En el territorio musical, se callan todos ya mismo y se ponen en pie para escuchar con atención y respeto el nuevo álbum de Mark Knopfler, que es ALUCINANTEMENTE FLIPANTE. En la pieza de esta semana degustamos un adelanto del álbum, titulado ONE DEEP RIVER. Buen provecho. Ciao.
También a ‘La Cultureta Gran Reserva' llegan los ecos de la película ‘La boda de mi mejor alcalde', que se ha convertido en la comedia romántica de la temporada después de que José Luis Martínez Almeida y Teresa Urquijo montaran un lío bueno aquí en la capital de los líos. En el capítulo ‘libros', el Criticón se acerca a la próxima novela del maestro Stephen King, ‘Cuelgamuros'. Y también televisión: este semana David Broncano, Antonio García Ferreras, Vicente Vallés… de todo. En el territorio musical, se callan todos ya mismo y se ponen en pie para escuchar con atención y respeto el nuevo álbum de Mark Knopfler, que es ALUCINANTEMENTE FLIPANTE. En la pieza de esta semana degustamos un adelanto del álbum, titulado ONE DEEP RIVER. Buen provecho. Ciao.
También a ‘La Cultureta Gran Reserva' llegan los ecos de la película ‘La boda de mi mejor alcalde', que se ha convertido en la comedia romántica de la temporada después de que José Luis Martínez Almeida y Teresa Urquijo montaran un lío bueno aquí en la capital de los líos. En el capítulo ‘libros', el Criticón se acerca a la próxima novela del maestro Stephen King, ‘Cuelgamuros'. Y también televisión: este semana David Broncano, Antonio García Ferreras, Vicente Vallés… de todo. En el territorio musical, se callan todos ya mismo y se ponen en pie para escuchar con atención y respeto el nuevo álbum de Mark Knopfler, que es ALUCINANTEMENTE FLIPANTE. En la pieza de esta semana degustamos un adelanto del álbum, titulado ONE DEEP RIVER. Buen provecho. Ciao.
You can't always control what people do with your art once it's out in the world -- something Mark Knopfler of Dire Straits may have learned the hard way with both the original "Money For Nothing" AND Weird Al's re-imagining of the song via a dream sequence in UHF. Essential references versus essential songs, 20th-century TV's preoccupation with yokels, and resting Don Henley face...they're all in this episode, so finish up that microwave-oven install and listen. Our intro is by Andrew Byrne, and our outro is by the Allman Brothers Band. For more information/to become a patron of the show and hear all episodes of this season, visit patreon.com/mastas. SHOW NOTES "What...is this thing?" Start at the beginning! The "Money For Nothing" video Weird Al vs. Everybody Episode 9: "I Lost On Jeopardy" George's Beverly Hillbillies dream Knopfler and Harris in concert
durée : 00:54:02 - Very Good Trip - par : Michka Assayas - Ce soir, nous allons célébrer un maître discret de la guitare, de retour dans l'actualité. Et qui est aussi un chanteur attachant, quoique un peu sous-estimé, peut-être.
Super Bowl Sunday turned out to be the perfect opportunity to sit down and share some music and reconnect before kickoff. Enjoy! Full track Spotify playlist here: https://bit.ly/4bLM9qf
En la música abundan los hermanos. Los hermanos cabrones. Los que se odian, insultan y compiten. Los lazos de sangre que han impulsado el rock. Los Davies, los Gallagher, los Knopfler o los Allman. Luego están ellos, los Young, los exiliados escoceses que crecieron marginados en Australia y que se conjuraron para vivir siempre por y para el rock and roll. George, Malcolm y Angus crearon ACDC y convirtieron esa banda en la más grande del rock y siguieron juntos, hermanados. Hasta que, como los buenos matrimonios, la muerte los fue separando.ACDC irrumpió en la música con la idea de ir a por todas, de no dejarse nada dentro. En 21 meses grabaron sus cuatro primeros discos y luego llegaron a Europa y más tarde a EEUU para comerse el mundo. Cuando mejor estaban, cuando tras mucho trabajo, las cosas se ponían de cara, murió su cantante. “Al principio no sabíamos qué hacer, no queríamos a nadie que lo imitase, cuando Brian apareció nos voló la cabeza”, contaba Angus en una entrevista de la época. La muerte de Bon Scott llegó con la banda irrumpiendo en EEUU, país que conquistaron a base de giras y más giras. "En un año hicimos más que los Rolling Stone en toda su carrera", bromeaba el grupo. A pesar del duro golpe, ACDC se levantó rápido. Unos meses después de la muerte de Scott volvían al estudio junto a su nuevo cantante para grabar Back in Black, su tributo al amigo caído.Con aquel disco los hermanos Young tocaron el cielo, vendieron millones de copias impulsados en parte por el morbo y en parte porque habían firmado una colección de canciones que se ganarían la eternidad y que pasarían a ser recitadas de memoria. Esta semana dedicamos el Sofá Sonoro a recordar esa historia y esas canciones de la mano de Toni Castarnado y Lucía Taboada.
This episode we go out to Nashville and talk with American Drummer Chad Cromwell!In 1987, Cromwell began a collaboration with songwriter Neil Young. The initial sessions became Neil Young & The Bluenotes. Since then he has recorded and toured with Young on several occasions, and appears on albums such as Freedom (1989), Prairie Wind (2005) Living with War (2006) and Chrome Dreams II (2007). He has also appeared in Heart of Gold, a documentary capturing the debut of Neil Young's album, Prairie Wind (along with other Young classics). This was filmed at the Ryman auditorium and directed by Jonathan Demme.Cromwell is also known for his contributions to Mark Knopfler's solo albums Golden Heart (1996), Sailing to Philadelphia (2000), The Ragpicker's Dream (2002) and Shangri-La (2004). He was also part of Knopfler's band during the tours of his first solo albums.Cromwell toured with Crosby, Stills, Nash & Young in the summer of 2006He has also worked with many other artists including Dave Stewart, Vince Gill, Amy Grant, Lady Antebellum, Diana Krall, Willie Nelson, Jackson Browne, Boz Scaggs, Wynonna, Trisha Yearwood, Miranda Lambert, Bonnie Raitt, Peter Frampton, Allison Moorer, Chris Knight, Joss Stone, Rodney Crowell, Marty Stuart, and Stevie Nicks.In the mid-2000s, Cromwell formed the band Fortunate Sons along with Michael Rhodes, Ga
☕️Buy me a coffee: https://www.everyonelovesguitar.com/support
Mark Knopfler has a song featuring a who's who of legendary guitar players for the Teen Cancer Fund, a crazy wax figure that's supposed to be Beyonce, Zelda Williams' new movie, and the rock we can see on Super Bowl ads.
On this Iconic Series episode Matt, Rob & Gabor choose six guitarists known for crafting unique tones. Zappa, The Edge, Santana, Stevens, Knopfler and May all get a run with honourable mentions to Young, Slash and an excellent list of suggestions from GSP listeners. Rob Rhodes - www.rhodetripent.com Gabor Josika - SuperFunAwesomeHappyTime Pedal Show This episode is brought to you by Fretboard Biology Fretboard Biology - the online guitar college created by Joe Elliott, ex Head of Guitar at GIT and McNally Smith Music College. www.fretboardbiology.com Guitar Speak Podcast #146 - Joe Elliott - ex guitar head of GIT - launches Fretboard Biology Guitar Speak Podcast Links PayPal Tip Jar Visit us at guitarspeakpodcast.com Subscribe and find previous episodes at: Apple Podcasts Spotify Stitcher ...and wherever you find podcasts!
01. Been Stellar - The Poets 02. Anti-Flag - American Attraction 03. REDDSTAR - Outlawz 04. Lizzie and The Makers - Dear Onda Wahl 05. Paul McCartney, Linda McCartney - Monkberry Moon Delight 06. Ask Carol - Mountains of Cash 07. Dire Straits - Where do you think you're going 08. The Police - Every Breath You Take 09. Solo Banton, Run Tingz Cru, Lady Fyah - Took My Breath 10. Phil Collins - Dance Into The Light 11. Smokie - Don't Play Your Rock'n'Roll To Me
01. Sting - Soul Cake 02. Austin Meade - Happier Alone 03. Sting - Morning Is Coming 04. The American Love Story - Lost on This Train 05. Dire Straits - Brothers In Arms 06. Mark Knopfler - I Dug Up A Diamond 07. Fastball - The Way 08. Phil Collins - In The Air Tonight 09. Smokie - Living Next Door to Alice 10. Sting - Desert Rose 11. Paul McCartney - My Valentine
Join us on an exhilarating journey into the heart of one of the most iconic guitar riffs in musical history. In this episode, we uncover the fascinating story behind the creation of 'Money for Nothing' by Dire Straits, released in 1985.In the mid-80s, Dire Straits was a global sensation, yet struggled to gain traction in the USA. Enter MTV, the gateway to American success. Discover how the band's management received a pivotal piece of advice from the music channel, sparking an ingenious plan for their breakthrough.As Mark Knopfler diligently studied MTV for days on end, a revelation struck him while observing ZZ Top's video on heavy rotation. Tune in to learn how Knopfler ingeniously harnessed the thick, rich sound of ZZ Top as the key to Dire Straits' American triumph.Furthermore, the mysterious encounter between Knopfler and ZZ Top's guitarist, Billy Gibbons, adds an intriguing layer to the narrative. Gibbons remains tight-lipped about the secrets behind the distinctive guitar sound, leaving Knopfler to unravel the mystery on his own.Tune in to discover the hidden stories and secrets that shaped this iconic track and propelled Dire Straits to the forefront of the American music scene.
"Sailing Through Sounds: JRad's Revelations & Dylan Surprises"Larry Mishkin discusses JRad (Joe Russo's Almost Dead) December 1st concert at the Riviera nightclub in Chicago. He talks about the band's unique covers, including Grateful Dead songs, and their ability to recreate the sound of the original artists. He highlight the performance of "Foolish Heart" during a previous show, describing its musical construction and its significance in the Grateful Dead's live repertoire.Delving into the band members' backgrounds, emphasizing their musical talents and contributions to JRad. It provides detailed information about each member's musical history and collaborations, discussing Joe Russo's drumming, Marco Benevento's keyboards, Dave Drywitz's bass, Tom Hamilton's guitar, and Scott Metzger's diverse musical styles.He also reviews JRad's surprise performances, such as their rendition of Bob Dylan's "Tell Me Mama," a song exclusively performed during Dylan's 1966 world tour. Larry expresses surprise at how JRad, despite being younger and not following Dylan in 1966, managed to perform the song so well.Additionally, he briefly touches on the issue of marijuana prohibition on cruise ships, by criticizing the strict enforcement against cannabis use, considering the changing attitudes toward marijuana. The discussion also touches upon ticket availability for concerts by bands like Phish and rumors surrounding potential performances..Produced by PodConx Deadhead Cannabis Show - https://podconx.com/podcasts/deadhead-cannabis-showLarry Mishkin - https://podconx.com/guests/larry-mishkinRob Hunt - https://podconx.com/guests/rob-huntJay Blakesberg - https://podconx.com/guests/jay-blakesbergSound Designed by Jamie Humiston - https://www.linkedin.com/in/jamie-humiston-91718b1b3/Recorded on Squadcast JRADDecember 1, 2023The Riviera NightclubChicagoJoe Russo's Almost Dead Live at The Riviera on 2023-12-01 : Free Download, Borrow, and Streaming : Internet Archive Episode title: JRAD Rocks The Riv in Chicago on 12.1.2023: channel Dylan and Dire Straits Happy Birthday Keith Richards (80!) INTRO: Foolish Heart Track #3 5:45 – 7:17 SHOW No. 1: Tell Me, Momma Track #4 0:57 – 2:33 Tell Me, Momma is a song written by Bob Dylan and performed exclusively during his 1966 World Tour with the Band (then known as the Hawks). It was used to introduce the second half of a concert, when Dylan switched from an acoustic solo performance to an electric performance backed by a band. The song was not recorded on a studio album, nor was it ever performed again by Dylan in concert.Dylan's May 17, 1966 live performance of the song was released in 1998 on The Bootleg Series Vol. 4: Bob Dylan Live 1966, The "Royal Albert Hall" Concert.[1] In 2016, all Dylan's recorded live performances of "Tell Me, Momma" from 1966 were released in the 36-CD boxed set The 1966 Live Recordings, with the May 26, 1966 performance released separately on the album The Real Royal Albert Hall 1966 Concert. The boxed set contains all the live versions of "Tell Me, Momma" ever performed by Dylan and his band. SHOW No. 2: Fire On The Mountain Track #7 0:30 – 2:05 SHOW No. 3: Before They Make Me Run Keith Richards ROLLING STONES: Before They Make Me Run (Promo - 7" Single Version) (youtube.com) 1:54 – 3:21 Today Keith turned 80. Cannot let that milestone go unnoticed. Richards was born in and grew up in Dartford, Kent. He studied at the Dartford Technical School and Sidcup Art College. After graduating, Richards befriended Jagger, Bill Wyman, Charlie Watts, and Brian Jones and joined the Rolling Stones. As a member of the Rolling Stones, Richards also sings lead on some Stones songs. Richards typically sings lead on at least one song a concert, including "Happy", "Before They Make Me Run", and "Connection". Outside of his career with the Rolling Stones, Richards has also played with his own side-project, The X-Pensive Winos. He also appeared in three Pirates of the Caribbean films as Captain Teague, father of Jack Sparrow, whose look and characterisation was inspired by Richards himself.In 1989, Richards was inducted into the Rock and Roll Hall of Fame and in 2004 into the UK Music Hall of Fame with the Rolling Stones. Rolling Stone magazine ranked him fourth on its list of 100 best guitarists in 2011. In 2023, Rolling Stone's ranking was 15th.[1] The magazine lists fourteen songs that Richards wrote with Jagger on its "500 Greatest Songs of All Time" list.My favorite “Keith tune” in the Stone's songbook. 1978 version. "Before They Make Me Run" is a song by English rock band the Rolling Stones, featured on their 1978 album Some Girls.English musician, songwriter, singer and recording producer who is an original member, guitarist, secondary vocalist, and co-principal songwriter of the Rolling Stones. His songwriting partnership with the band's lead vocalist Mick Jagger is one of the most successful in history. His career spans over six decades, and his guitar playing style has been a trademark of the Rolling Stones throughout the band's career. Richards gained press notoriety for his romantic involvements and illicit drug use, and he was often portrayed as a countercultural figure.Written by guitaristKeith Richards, the song is a response to his arrest for heroin possession in Toronto in February 1977. The criminal charges and prospect of a prison sentence loomed over the Some Girls recording sessions and endangered the future of the Rolling Stones.[2]In the lyrics, Richards reflects unapologetically on his lifestyle up to that point. The line "it's another goodbye to another good friend" in the first verse can be interpreted as referring to Gram Parsons, Richards's close friend who died in 1973 from a drug overdose,[3] and/or to heroin itself: Richards had sought medical treatment for heroin addiction following his arrest in Toronto, and his resolution to overcome his addiction would be a significant factor in his upcoming trial.[4]Richards recorded the song in five days without sleeping.[5] Originally entitled "Rotten Roll", the song was recorded in a Paris studio in March 1978 during one of Mick Jagger's absences from the Some Girls sessions.[6] The completed track, "a high-energy rock & roller",[7] features Richards on lead vocals, acoustic and electric guitars, and bass; Ronnie Wood on pedal steel guitar, slide guitar and backing vocals; Charlie Watts on drums; and Jagger on backing vocals.Richards first performed the song in concert on the New Barbarians' tour of North America in 1979; it was not until the Steel Wheels Tour in 1989 that it entered the Rolling Stones' concert repertoireSHOW No. 4: Romeo and Juliet Track #13 1:54 – 3:21 "Romeo and Juliet" is a rock[1][4][5] song by the British rock band Dire Straits, written by frontman Mark Knopfler. It first appeared on the 1980 album Making Movies and was released as a single in 1981.[6] The song subsequently appeared on the Dire Straits live albums Alchemy and On the Night, and later on Knopfler's live duet album with Emmylou Harris, Real Live Roadrunning (though Harris does not perform on the track). The song itself, written by Knopfler, was inspired by his failed romance with Holly Vincent, lead singer of the short-lived band Holly and the Italians. The song speaks of a Romeo who is still very much in love with his Juliet, but she now treats him like "just another one of [her] deals". Knopfler has both stated and implied that he believes Vincent was using him to boost her career. The song's line, "Now you just say, oh Romeo, yeah, you know I used to have a scene with him," refers to an interview with Vincent, where she says "What happened was that I had a scene with Mark Knopfler and it got to the point where he couldn't handle it and we split up. OUTRO: Hard To Handle Track #17 5:00 – 6:45 Otis Redding recorded Hard to Handle in late 1967, shortly before his death. It was released as a single in June 1968. By 1969, it was being covered by a number of people, and surprisingly, the Dead seem to have been one of the first. If anyone were to think of the least likely groups in ‘69 to cover some funky new R&B, the Dead would probably be on that list. They hadn't shown any interest in picking up new R&B covers since mid-1967, when they started doing Lovelight – since then, they had focused on their original ‘acid-rock' material. Many old covers dropped out of their setlists, and from summer '68 through winter '69, their shows were almost exclusively devoted to Anthem & Live/Dead suite material, with a few new Aoxomoxoa songs dropped in.But by March 1969, they seem to have felt the need for something new – the Live/Dead album was in the can, and their repertoire had not varied much in months. Aside from a couple sluggish, misbegotten renditions of Hey Jude that winter, Hard to Handle was their first new cover song in over a year. Over the course of the spring, they would gradually bring in more cover tunes, bringing back many songs they had stopped playing in previous years, and the shows would start to reflect a wider set of influences.Pigpen probably emulated Otis, and of course this song would have matched his strutting stage persona; it may have been his idea to cover it. The Dead must have known they could not recapture the tight, snappy Stax horn sound of Redding's original, and they didn't even try. Instead they adapted it to their loud, heavy, lumbering two-drum, two-guitar style – of course adding a big guitar solo. Pigpen had a set way of singing the song from the start, closely following Redding's phrasing, which would vary little over the next couple years; but the band would go through some dramatic changes in the way they played the song. (The next year, a bit lighter on their feet, they would also attempt James Brown's ‘Man's World' – not one of his funkiest efforts – but would only play it for about five months.) The Dead had long been fans of Otis Redding – in 1966-67, Pigpen was performing his ‘63 song ‘Pain in My Heart.' (Though the impetus to cover it may have come from the Rolling Stones' version.)Redding came to the Fillmore in December '66 – musicians were clamoring to Bill Graham that he needed to book Otis. When he came, according to Graham, “Every artist in the city asked to open for Otis. The first night, it was the Grateful Dead. Janis Joplin came at three in the afternoon the day of the first show to make sure that she'd be in front… Every musician then into music came.” *The Dead opened for Redding on 12/20/66; the next two nights, other bands opened. (The Dead went to play in Santa Clara.) Bill Graham was permanently impressed: “By far, Otis Redding was the single most extraordinary talent I had ever seen. There was no comparison, then or now... That was the best gig I ever put on in my entire life.” * Janis also mentioned that Otis was a particular inspiration to her. (I believe Ralph Gleason also wrote a review of one of the shows for the Chronicle, which I'd like to see.)When Garcia & Lesh appeared on Tom Donahue's FM show in April '67, they played Otis' cover of ‘Day Tripper' and reminisced about the show. Otis had an 18-piece band with him, and Garcia recalled that Otis did his standard show, “where the band would get up and play some numbers, and a girl singer would come up” and warm up the audience before Otis appeared.Lesh: “It was kind of scary to work with Otis… He tore it up!”Garcia: “Otis is really heavy… He tore the place apart… When he came on stage, it was like the whole place got about six times as big, and the band just got real snappy – it was so fine, and the music was really good.” The Dead debuted Hard to Handle at the Black & White Ball (Hilton Hotel, S.F.) , 3/15/69 – the very first song of the show! In their eagerness to tackle it, they perhaps neglected to rehearse it a few more times… They have trouble keeping together in the precise arrangement, and sometimes stumble around erratically before syncing up again. Garcia plays swooping slide throughout, but seems to have little idea what to do with it, so there's not much of a solo and they just sort of stagger forward aimlessly for a while. Pigpen is also a little confused about the verses. At the end the band thinks Pigpen's finished, but he continues with another verse, so they bring it to an abrupt end. Last played on December 31, 1982 at the Oakland Civic Auditorium. Played it a total of 120 times. Other stories:Cruise Ships have a very strict NO CANNABIS rule. That sucksPhish tix for the Sphere are out. Did you get any? .Produced by PodConx Deadhead Cannabis Show - https://podconx.com/podcasts/deadhead-cannabis-showLarry Mishkin - https://podconx.com/guests/larry-mishkinRob Hunt - https://podconx.com/guests/rob-huntJay Blakesberg - https://podconx.com/guests/jay-blakesbergSound Designed by Jamie Humiston - https://www.linkedin.com/in/jamie-humiston-91718b1b3/Recorded on Squadcast
KGMI's Dianna Hawryluk and Adam Smith chat about Mozart's old estate in Austria going up for sale, and Mark Knopfler from Dire Straits putting some of his guitars up for auction.
Mark Knopfler is a British musician, singer-songwriter, and guitarist known for his distinctive guitar playing and his role as the lead vocalist and guitarist for the classic rock staple, Dire Straits. The band is best known for the classic song Sultans of Swing and the album Brothers In Arms, featuring Money For Nothing with Sting."Sailing to Philadelphia" is one of Mark Knopfler's solo albums released in 2000. The album features a fusion of folk, rock, and country elements and showcases Knopfler's knack for crafting vivid narratives through his lyrics. The title track, "Sailing to Philadelphia," is a collaboration with James Taylor and is a standout piece on the record. The album also delves into historical themes."Shangri-La" is another solo album by Mark Knopfler, released in 2004. Most interesting of all, there is a track inspired by the cut throat quotes of the "founder" of McDonald's, Ray Kroc.
In 1978, the US saw the debut of one of the greatest guitar heroes of all time, Eddie Van Halen, However, across the pond another guitar god was releasing his first record as well - Mark Knopfler of Dire Straits. With his folksy songwriting, authentic vocal style and masterful, finger-picking guitar style, Dire Straits 1978 debut showed us what this little band from the north of England were made of. Not as flashy as a Van Halen or maybe as intricate as a Steve Howe but every bit as passionate, Mark Knopfler established himself as one of the premier guitar players of his generation. Whether picking on his Fender Stratocaster or the steel acoustic Old National, Knopfler creates country, folk and rock soundscapes with inspired guitar work and a storytelling style that is very relatable. You may not be able to hear this album and think that in 7 short years they'd have a worldwide success in Brothers in Arms but you can see the foundational talent that would allow them to grow into that kind of achievement. What kind of characters do you see walking around London? A drunken old sailor? A snobby watitess? A ten pence band with a million pound name? Knopfler's rich stories create images that transport you to another time and place yet allow you to relate to them on a very personal level.Ugly American Werewolf in London Website Twitter Instagram YouTube LInkTree www.pantheonpodcasts.com Visit RareVinyl.com and use the code PODCAST to save 10%! Learn more about your ad choices. Visit megaphone.fm/adchoices
In 1978, the US saw the debut of one of the greatest guitar heroes of all time, Eddie Van Halen, However, across the pond another guitar god was releasing his first record as well - Mark Knopfler of Dire Straits. With his folksy songwriting, authentic vocal style and masterful, finger-picking guitar style, Dire Straits 1978 debut showed us what this little band from the north of England were made of. Not as flashy as a Van Halen or maybe as intricate as a Steve Howe but every bit as passionate, Mark Knopfler established himself as one of the premier guitar players of his generation. Whether picking on his Fender Stratocaster or the steel acoustic Old National, Knopfler creates country, folk and rock soundscapes with inspired guitar work and a storytelling style that is very relatable. You may not be able to hear this album and think that in 7 short years they'd have a worldwide success in Brothers in Arms but you can see the foundational talent that would allow them to grow into that kind of achievement. What kind of characters do you see walking around London? A drunken old sailor? A snobby watitess? A ten pence band with a million pound name? Knopfler's rich stories create images that transport you to another time and place yet allow you to relate to them on a very personal level. Ugly American Werewolf in London Website Twitter Instagram YouTube LInkTree www.pantheonpodcasts.com Visit RareVinyl.com and use the code PODCAST to save 10%! Learn more about your ad choices. Visit megaphone.fm/adchoices
לעילי נשמת ר׳ שמחה יעקב בן ר׳ מאיר יחיאל זצ״ל
Shiur from Rabbi Knopfler and Rabbi Esrig from Yeshivas Imrei Binah at the end in Growth by Rabbi Daniel Kalish
En 1978 la música de los años setenta estaba cambiando. Aquel año los Sex Pistols dieron su último concierto, en enero la banda sonora de Fiebre del Sábado Noche llegó al número 1 en EEUU y se mantuvo en lo más alto hasta el verano. Los Grammy coronaron el Rumours de Fleetwood Mac y el Hotel California de los Eagles. En Jamaica se celebró el recordado concierto por la paz de Bob Marley. The Band también editó su último Vals. Los temas más exitosos en Reino Unido venían con la forma de los Bee Gees, John Travolta junto a Olivia Newton John, los Village People o Boney M.Aquel año también debutaron Van Halen, Kate Bush, los Buzzcocks, Prince o nuestros protagonistas de esta semana: Dire Straits.El debut de la banda inglesa costó 12.500 libras y vendió millones lanzando al estrellato a la banda de los hermanos Knopfler, que tras años de trabajo en la sombra vieron cómo su música se expandía por el mundo gracias a un sonido fresco, potente, de buenas guitarras e impulsados por el éxito de ese eterno Sultans of Swing, que fue un sencillo arrollador a ambos lados del Atlántico.Dire Straits fueron de las bandas claves de los años 80, un grupo que llenó estadios, conquistó medio mundo y dejó a una generación marcada por sus canciones convertidas en himnos, para muchos fueron la mejor banda de la década y para otros, un grupo sobrevalorado. Hace unos años dedicamos un programa de verano a recorrer su viaje, pero esta semana queríamos recordar su primer el paso, la primera etapa de su viaje de la mano de Fernando Neira y Lucía Taboada.
John Illsley is the bass guitarist of the band Dire Straits. He has received multiple BRIT and Grammy Awards, and a Heritage Award. As one of the founding band members, with guitarist brothers Mark and David Knopfler, and drummer Pick Withers, Illsley played a role in the development of Dire Straits' sound. By the time the group disbanded in 1995 changes in personnel meant that Illsley and lead singer Mark Knopfler were the only two original band members remaining. Illsley was inducted into the Rock and Roll Hall of Fame as a member of Dire Straits in 2018. In this episode, John speaks with Jack about his thoughts on The Beatles, their influence on him and Dire Straits, Paul McCartney's bass playing, whether or not there will be a biopic about Dire Straits, and his favorite Dire Straits record. Check out John's recent solo album, VIII: https://open.spotify.com/album/4VVX7O3Jc8yJ0wJih8jTXf?si=qlKyeTrARSaN2RoXTbB0Hw You can also buy John's book, "My Life in Dire Straits", here: https://www.amazon.com/My-Life-Dire-Straits-Biggest-ebook/dp/B08WBXZCQ1 If you like this episode, be sure to follow this podcast! Follow us also on Twitter and Instagram. Or click here for more information: Linktr.ee/BeatlesEarth ------------------------------- The Beatles were an English rock band, formed in Liverpool in 1960, that comprised John Lennon, Paul McCartney, George Harrison and Ringo Starr. They are regarded as the most influential band of all time and were integral to the development of 1960s counterculture and popular music's recognition as an art form. Rooted in skiffle, beat and 1950s rock 'n' roll, their sound incorporated elements of classical music and traditional pop in innovative ways; the band later explored music styles ranging from ballads and Indian music to psychedelia and hard rock. As pioneers in recording, songwriting and artistic presentation, the Beatles revolutionised many aspects of the music industry and were often publicised as leaders of the era's youth and sociocultural movements. Led by primary songwriters Lennon and McCartney, the Beatles evolved from Lennon's previous group, the Quarrymen, and built their reputation playing clubs in Liverpool and Hamburg over three years from 1960, initially with Stuart Sutcliffe playing bass. The core trio of Lennon, McCartney and Harrison, together since 1958, went through a succession of drummers, including Pete Best, before asking Starr to join them in 1962. Manager Brian Epstein moulded them into a professional act, and producer George Martin guided and developed their recordings, greatly expanding their domestic success after signing to EMI Records and achieving their first hit, "Love Me Do", in late 1962. As their popularity grew into the intense fan frenzy dubbed "Beatlemania", the band acquired the nickname "the Fab Four", with Epstein, Martin and other members of the band's entourage sometimes given the informal title of "fifth Beatle". By early 1964, the Beatles were international stars and had achieved unprecedented levels of critical and commercial success. They became a leading force in Britain's cultural resurgence, ushering in the British Invasion of the United States pop market, and soon made their film debut with A Hard Day's Night (1964). A growing desire to refine their studio efforts, coupled with the untenable nature of their concert tours, led to the band's retirement from live performances in 1966. At this time, they produced records of greater sophistication, including the albums Rubber Soul (1965), Revolver (1966) and Sgt. Pepper's Lonely Hearts Club Band (1967), and enjoyed further commercial success with The Beatles (also known as "the White Album", 1968) and Abbey Road (1969). Heralding the album era, their success elevated the album to the dominant form of record consumption over singles; they also inspired a greater public interest in psychedelic drugs and Eastern spirituality, and furthered advancements in electronic music, album art and music videos. In 1968, they founded Apple Corps, a multi-armed multimedia corporation that continues to oversee projects related to the band's legacy. After the group's break-up in 1970, all principal members enjoyed success as solo artists and some partial reunions have occurred. Lennon was murdered in 1980 and Harrison died of lung cancer in 2001. McCartney and Starr remain musically active. The Beatles are the best-selling music act of all time, with estimated sales of 600 million units worldwide.[4][5] They hold the record for most number-one albums on the UK Albums Chart (15), most number-one hits on the US Billboard Hot 100 chart (20), and most singles sold in the UK (21.9 million). The band received many accolades, including seven Grammy Awards, four Brit Awards, an Academy Award (for Best Original Song Score for the 1970 documentary film Let It Be) and fifteen Ivor Novello Awards. They were inducted into the Rock and Roll Hall of Fame in 1988, and each principal member was inducted individually between 1994 and 2015. In 2004 and 2011, the group topped Rolling Stone's lists of the greatest artists in history. Time magazine named them among the 20th century's 100 most important people. Dire Straits were a British rock band formed in London in 1977 by Mark Knopfler (lead vocals and lead guitar), David Knopfler (rhythm guitar and backing vocals), John Illsley (bass guitar and backing vocals) and Pick Withers (drums and percussion). They were active from 1977 to 1988 and again from 1990 to 1995. Their first single, "Sultans of Swing", from their 1978 self-titled debut album, reached the top ten in the UK and US charts. It was followed by hit singles including "Romeo and Juliet" (1981), "Private Investigations" (1982), "Twisting by the Pool" (1983), "Money for Nothing" (1985), and "Walk of Life" (1985). Their most commercially successful album, Brothers in Arms (1985), has sold more than 30 million copies; it was the first album to sell a million copies on compact disc[4][5] and is the eighth-bestselling album in UK history. According to the Guinness Book of British Hit Albums, Dire Straits have spent over 1,100 weeks on the UK albums chart, the fifth most of all time. Dire Straits' sound draws from various influences, including country, folk, the blues rock of J. J. Cale, and jazz.[7] Their stripped-down sound contrasted with punk rock and demonstrated a roots rock influence that emerged from pub rock. There were several changes in personnel, with Mark Knopfler and Illsley being the only members who lasted from the beginning of the band's existence to the end. After their first breakup in 1988, Knopfler told Rolling Stone: "A lot of press reports were saying we were the biggest band in the world. There's not an accent then on the music, there's an accent on popularity. I needed a rest." They disbanded for good in 1995, after which Knopfler launched a solo career full-time. He has since declined numerous reunion offers. Dire Straits were called "the biggest British rock band of the 80s" by Classic Rock magazine; their 1985–1986 world tour, which included a performance at Live Aid in July 1985, set a record in Australasia. Their final world tour from 1991 to 1992 sold 7.1 million tickets. Dire Straits won four Grammy Awards, three Brit Awards (Best British Group twice), two MTV Video Music Awards, and various other awards. They were inducted into the Rock and Roll Hall of Fame in 2018. Dire Straits have sold over 120 million units worldwide, including 51.4 million certified units, making them one of the best-selling music artists. Brothers Mark and David Knopfler, from Newcastle in northeast England, and friends John Illsley and Pick Withers, from Leicester in the east midlands, formed Dire Straits in London in 1977. Withers was already a 10-year music business veteran, having been a session drummer for Dave Edmunds, Gerry Rafferty, Magna Carta and others through the 1970s; he was part of the group Spring, which recorded an album for RCA in 1971. At the time of the band's formation, Mark was working as an English teacher, Illsley was studying at Goldsmiths' College, and David was a social worker. Mark and Withers had both been part of the pub rock group Brewers Droop at different points in and around 1973. The band was initially known as the Café Racers. The name Dire Straits was coined by a musician flatmate of Withers, allegedly thought up while they were rehearsing in the kitchen of a friend, Simon Cowe, of Lindisfarne. In 1977, the group recorded a five-song demo tape which included their future hit single, "Sultans of Swing", as well as "Water of Love" and "Down to the Waterline".[18][19] After a performance at the Rock Garden in 1977, they took a demo tape to MCA in Soho but were turned down. They then went to DJ Charlie Gillett, presenter of Honky Tonk on BBC Radio London.[20] The band simply wanted advice, but Gillett liked the music so much that he played "Sultans of Swing" on his show. Two months later, Dire Straits signed a recording contract with the Vertigo division of Phonogram Inc. In October 1977, the band recorded demo tapes of "Southbound Again", "In the Gallery" and "Six Blade Knife" for BBC Radio London; in November, demo tapes were made of "Setting Me Up", "Eastbound Train" and "Real Girl". The original Dire Straits line-up in Hamburg, Germany (1978); L to R: John Illsley, Mark Knopfler, Pick Withers and David Knopfler The group's first album, Dire Straits, was recorded at Basing Street studios in Notting Hill, London in February 1978, at a cost of £12,500. Produced by Muff Winwood, it was first released in the United Kingdom on Vertigo Records, then a division of Phonogram Inc. It came to the attention of A&R representative Karin Berg, working at Warner Bros. Records in New York City. She felt that it was the kind of music audiences were hungry for, but only one person in her department agreed at first. Many of the songs on the album reflected Mark Knopfler's experiences in Newcastle, Leeds and London. "Down to the Waterline" recalled images of life in Newcastle; "In the Gallery" is a tribute to Leeds sculptor/artist Harry Phillips (father of Steve Phillips); "Wild West End" and "Lions" were drawn from Knopfler's early days in the capital. That year, Dire Straits began a tour as opening band for Talking Heads, after the re-released "Sultans of Swing" finally started to climb the UK charts. This led to a United States recording contract with Warner Bros. Records; before the end of 1978, Dire Straits had released their self-titled debut worldwide. They received more attention in the US, but also arrived at the top of the charts in Canada, Australia and New Zealand. Dire Straits eventually went top 10 in every European country. The following year, Dire Straits embarked on their first North American tour. They played 51 sold-out concerts over a 38-day period. "Sultans of Swing" scaled the charts to No. 4 in the United States and No. 8 in the United Kingdom.[24][26] The song was one of Dire Straits' biggest hits and became a fixture in the band's live performances. Bob Dylan, who had seen the band play in Los Angeles, was so impressed that he invited Mark Knopfler and drummer Pick Withers to play on his next album, Slow Train Coming. Recording sessions for the group's second album, Communiqué, took place in December 1978 at Compass Point Studios in Nassau, Bahamas. Released in June 1979, Communiqué was produced by Jerry Wexler and Barry Beckett and went to No. 1 on the German album charts, with the debut album Dire Straits simultaneously at No. 3. In the United Kingdom, the album peaked at No. 5 in the album charts. Featuring the single "Lady Writer", the second album continued in a similar vein to the first and displayed the expanding scope of Knopfler's lyricism on the opening track, "Once Upon a Time in the West".[28] In the coming year, however, this approach began to change, along with the group's line-up.
Shine On You Crazy Diamond - Pink Floyd, Purple Haze - Jimi Hendrix, My Father's Eyes - Eric Clapton, While My Guitar Gently Weeps - The Beatles, Cat's In the Cradle - Harry Chapin, What It Is - Mark Knopfler
David Agius speaks to the Guitar Speak Podcast on the release of his debut EP "Journey Without Destination". The EP features David's stellar guitar playing - merging the influences of SRV, Sayce, Knopfler and Moore - killer vocals and sharply honed songwriting chops. https://davidagius.me/ This episode is brought to you by Fretboard Biology - the online guitar college created by Joe Elliott, ex head of guitar at GIT and McNally Smith Music College. Fretboard Biology Guitar Speak Podcast #146 - Joe Elliott - ex guitar head of GIT - launches Fretboard Biology Guitar Speak Podcast #40 - Joe Elliott Guitar Speak Podcast Links PayPal Tip Jar Visit us at guitarspeakpodcast.com Subscribe and find previous episodes at: Apple Podcasts Spotify Stitcher Follow us on Facebook & Instagram Buy a T-Shirt! Contact us at guitarspeakpodcast@gmail.com
It's The Whisp Turlington Morning Show! With Whisp Turlington and... Greg? Whisp and Geoff are interrupted by Val Verde City Inspector Tracy Chapman (Mike Cabellon), no relation! Will 108.9 The Hawk have to shut everything down or will the City Inspector find a new calling? Blue Collar Comedian Denny Snood stops by to promote his weekend stand at Dingbats and his new Val-Mart exclusive record, "There's No Need For That, Vol. 1!" Brought to you by Shetland Creameries, Bron-Yr-Aur Stone, Jeff Skunk Baxter's Ponytail Warehouse, DJ Tony Toni Tearsinheaven: Wedding DJ and Buckingham & Knopfler's Fantastic Fingerfood Feastery! Guest Starring: Mike Cabellon (NBC's Mr. Mayor, Story Pirates, Orange Is The New Black) as Tracy Chapman, no relation! Please tell your friends to listen to the dumbest comedy podcast about classic rock radio! Get all things 108.9 The Hawk at our brand new website: 1089thehawk.com! GET THAT 108.9 THE HAWK MERCH: http://tee.pub/lic/goodrockshirts SOCIAL SIGHTS: https://twitter.com/1089thehawk https://twitter.com/goodrockfacts https://instagram.com/goodrockfacts
John Illsley knew he wanted more out of life than a safe career working in the logging industry. His life took a major turn when he met the Knopfler brothers; Mark and David. With John taking the bass, and Pick Withers on drums, the band Dire Straits was formed. Through various lineup changes, John Illsley and Mark Knopfler remained the core members throughout the band's career. Dire Straits went on to win four Grammy Awards, three Brit Awards, and two MTV Video Music Awards. They've sold an estimated 100 million units worldwide, making them one of the biggest bands of the 80s. John documents it all in his memoir, My Life In Dire Straits. We cover it all, including their awkward entry into the Rock and Roll Hall of Fame in 2018.Listen to the entire Dire Straits catalogue with a free month of Amazon Music courtesy of your friends at What Difference Does It Make. We are a proud member of Pantheon Podcasts.
John Illsley knew he wanted more out of life than a safe career working in the logging industry. His life took a major turn when he met the Knopfler brothers; Mark and David. With John taking the bass, and Pick Withers on drums, the band Dire Straits was formed. Through various lineup changes, John Illsley and Mark Knopfler remained the core members throughout the band's career. Dire Straits went on to win four Grammy Awards, three Brit Awards, and two MTV Video Music Awards. They've sold an estimated 100 million units worldwide, making them one of the biggest bands of the 80s. John documents it all in his memoir, My Life In Dire Straits. We cover it all, including their awkward entry into the Rock and Roll Hall of Fame in 2018.Listen to the entire Dire Straits catalogue with a free month of Amazon Music courtesy of your 80s music aficionados at What Difference Does It MakeWe are a proud member of Pantheon Podcasts.
Dire Straits' “Money For Nothing” went to #1 in the US and Canada in 1985. Driven by frontman Mark Knopfler's strong guitar riff and an iconic guest vocal from Sting, it was incredibly popular on the new music television channel, MTV. This was not only because of its groundbreaking animated video but also because it name-dropped MTV in the lyrics. Inspired by a conversation Knopfler heard at an electronics store and written in a persona, the song also features a nasty homophobic slur that you may or may not hear in the version your local radio station plays today. Check out the Money For Nothing video, featuring the “F word.” Here's the song's “Clean Radio Edit” which removes the problematic verse altogether. Check out the original MTV commercial featuring Sting and The Police that inspired the opening line/chorus of the song: “I want my MTV!”. Recommendations: Private Dancer from Tina TurnerAlone on The History Channel Levon Helm's Dirt Farmer Video Donny & Marie punch up Reelin' in the Years Sha Na Na Welcomes Chuck Berry***AND***Visit our website at www.sickburnspod.com to leave a comment or a voicemail!Instagram @Sick_Burns_PodTwitter @Sick80sFacebook https://www.facebook.com/SickBurnsPodcastEmail us at Burningthe80s@gmail.com
© 2020-2025 Ivy Podcast Discovery LLC
