Podcast appearances and mentions of Mia Farrow

Send us a textWelcome back to the show! This week we are talking about Rosemary's Baby! We are talking about everything from how Mia Farrow was snubbed to how Roman Polanski is a steaming pile of garbage! 

Shakespeare ​famously ​wrote, ​what's ​in ​a ​name? ​ ​But ​let's ​say ​it ​out ​loud. ​ ​Jack ​ ​Lemmon. ​It ​says ​it ​all ​right ​there ​in ​the ​name. ​​Jack. Ordinary, ​​the ​guy ​across ​from ​you ​on ​the ​subway. Lemon. The ​one ​that ​got ​the ​broken ​car. ​ ​The ​bitter ​taste, ​yet ​the ​surprising ​brightly ​colored ​yellow ​sun ​inside ​of ​the ​bad ​luck. ​Jack ​Lemmon, ​arguably ​the ​greatest ​comic ​and ​dramatic ​actor ​to ​ever ​grace ​the ​screen, ​who ​is ​unrivaled ​​as ​the ​everyman ​who ​trips, ​stumbles, ​ ​triumphs ​and ​gets ​the ​girl. ​Or ​in ​the ​case ​of ​Some ​like ​it ​Hot, ​the ​guy. ​ ​Starting ​this ​week ​at ​one ​of ​my ​very ​favorite ​movie ​theaters, ​the ​Film ​Forum ​on ​Houston ​Street, ​Jack ​Lemmon ​turns ​100. ​ Can ​you ​believe ​it? ​And ​the ​Film ​Forum ​is ​opening ​its ​two ​week ​tribute ​on ​Friday, ​May ​16th ​with ​the ​iconic ​story ​of ​opposites, ​the ​Odd ​Couple. ​But ​I'm ​not ​here ​to ​talk ​about ​Mr. ​Lemon's ​legendary ​roles ​in ​Days ​of ​Wine ​and ​Roses, ​Glengarry ​Glen ​Ross ​ ​having ​a ​revival ​on ​Broadway ​now ​with ​Bob ​Odenkirk ​reprising ​Lemon's ​unforgettable ​Shelley ​Levine, ​The ​Front ​Page, ​Mr. ​Roberts, ​Bell, ​Book ​and ​A Candle. ​A ​personal ​favorite ​of ​mine, ​Some ​like ​it ​Hot, ​which ​I ​watched ​on ​VHS ​until ​the ​tape ​broke…I ​am ​here ​to ​talk ​about ​one ​of ​the ​greatest ​comedies, ​if ​you ​can ​call ​a ​film ​about ​a ​mid ​level ​office ​drone ​working ​at ​an ​insurance ​company ​ ​who ​lets ​his ​superiors ​bully ​him ​into ​letting ​them ​have ​his ​apartment ​for ​their ​affairs ​in ​hopes ​of ​him ​getting ​promoted ​and ​the ​suicidal ​elevator ​girl ​who ​whom ​he ​falls ​in ​love ​with. ​A comedy ​​The ​Apartment. ​ Legendary ​director ​Billy ​Wilder, ​coming ​off ​the ​wild ​success ​of ​Some ​like ​it ​Hot ​with ​Marilyn ​Monroe, ​wanted ​to ​keep ​his ​collaboration ​with ​Lemon ​going. ​So ​in ​1960, ​Wilder ​and ​I.A.L ​diamond ​(Come ​on, ​is ​that ​the ​coolest ​name?)​ who ​wrote ​Some ​Like ​It ​Hot ​with ​Wilder ​were ​inspired ​by ​an ​infamous ​Hollywood ​murder ​story ​about ​agent ​Jennings ​Lange ​who ​was ​having ​an ​affair ​with ​actress ​Joan ​Bennett ​in ​an ​underlings ​apartment. ​So ​her ​husband, ​producer ​Walter ​Wanger, ​shot ​and ​killed ​Lange. ​Check ​out ​Karina ​Longworth's ​excellent ​podcast ​Love ​Is A Crime from ​You ​Must ​Remember ​This ​for ​the ​full ​retelling ​to ​you ​and ​I. ​This ​might ​not ​seem ​like ​source ​material ​for ​one ​of ​our ​greatest ​comedies, ​but ​in ​Wilder, ​Lemon ​and ​the ​adorable ​Shirley ​MacLaine's ​Hands, ​it ​was ​a ​box ​office ​smash, ​winning ​five ​Oscars ​out ​of ​ten ​nominations. ​Now ​I ​could ​go ​on ​and ​on ​about ​Billy ​Wilder's ​meticulous ​directorial ​precision, ​Lemon's ​unreal ​​comic ​timing ​and ​turn ​on ​a ​dime ​pathos ​why ​Ving ​Rhames ​spontaneously ​gave ​him ​his ​very ​own ​Golden ​Globe ​in ​1998. ​But I'm actually here to talk about a hat, a haircut, and a mirror. Let's rewind to 1960 - President Kennedy just took office, Roy Orbison's ‘Only The Lonely' was on the radio, and the kids were doing Chubby Checker's ‘The Twist'. The very seriously subversive theme and subject of The Apartment can not be over stated in this climate. The film, shot in gorgeous black & white by Joseph LaShelle of Laura and Marty fame, puts us smack-dab in what I'd call ‘Mad Men' central - a heady swirl of cigarette smoke and ‘Tom & Jerry' cocktail mix, office Christmas parties, wives holding on line 2 while executive husbands scheduled accepted trysts before dinner and kissing the kids goodnight. Lemmon plays ‘C.C. Baxter', a hard-working, well-meaning drone who somehow gets himself turned into a sort of brothel landlord. His neighbors wonder how he can withstand being such a Lothario - the sounds coming through the walls everynight don't match C.C. Baxter's unassuming Brooks Brothers suit with a rumpled white shirt with rounded collars and tie-bar to boot.But Baxter is caught in a hilarious cycle of paying his dues to climb the corporate ladder. This is what you must do. You must get out of bed at midnight to allow your boss to wine and bed his mistress in your Upper Westside apartment even if it involves you sleeping on a park bench in Central Park and catching your death (which Lemmon really did on that particular night shoot on location in the chilly fall of NYC). Lemmon's aspiration is to be ‘the youngest junior executive at Consolidated Insurance' so he MUST climb that corporate ladder to get the accoutrements - the windowed office, the carte blanche phone calls to pass on favors, and the bowler hat!He proudly shows it off to Shirley MacLaine's elevator operator, Fran Kubelik, who regards it as the ultimate symbol of the last ‘nice guy' crossing over the river Styx to the underworld of betrayal. She is happy for Baxter, but her eyes register a cultural sadness - this white male corporate culture is a disease and its got it claws in Baxter, and Baxter is completely oblivious to what he is about to sign on the dotted line for. Fran isn't. Despite her absolutely adorable ‘pixie' hair-cut, she has been groped by the best of them, and seems unreachable by the hordes of executives. Fran is the Snow Leopard, the last big game that hasn't been conquered. You can grab her butt, and she firmly pushes you on your way. There is something modern, forward-leaning in her attitude and appearance, punctuated by that hair-cut representing women's liberation, strength, and independence. ‘I don't need long flowing hair to make you like me, pal.' The pixie cut was popularized by Audrey Hepburn in the late 1950's, followed by the model Twiggy, and reaching its apotheosis with Mia Farrow in Rosemary's Baby in the mid-1960s. But Shirley MacLaine, in my humble opinion, does it best as ‘Fran', the hard-working elevator operator girl who won't fall prey. Fran says in one of the film's most famous lines of dialogue, “When you're alone with a married man, you shouldn't wear mascara.” Shirley MacLaine's tender and deep performance as ‘Fran', lets us - and eventually Baxter - know that all is not well in the corporate system and the culture at large. One of the most ingenious uses of the Hollywood film adage ‘show don't tell' in filmmaking is the use of a simple compact make-up mirror to tell a major plot turn in The Apartment. Baxter's boss, Jeff D. Sheldrake played with brave impunity by silver screen star Fred MacMurray, who was so hated after this performance he would be aaccosted in the street by ladies chasting him for playing such a ‘dirty man'. Sheldrake calls Baxter into his office early in the film for what Baxter thinks is his promotion. Sheldrake says he's heard about Baxter's ‘key' - meaning his revolving brothel. Sheldrake wants in. Baxter obliges as Sheldrake is THE biggest fish. Later, in another summoning to the head honcho's office, Baxter gives him a floral compact he discovered in his couch, assuming it belongs to Sheldrake's mistress. The mirror inside the compact is cracked jagged down the middle splitting the image of whoever opens it in two. Baxter thinks nothing of it until he is modeling his bowler hat - the Junior Executive - for Fran. What do you think? he askes her. “After all, this is a conservative firm. I don't want people to think I'm an entertainer…”. In the midst of this, Fran helpful as ever, opens her compact to show Baxter how the bowler hat looks. To Baxter's deep inner shock, he puts ‘two and two together' and realizes Fran is in fact Sheldrake's mistress. The horror. The one that was ungettable gotten by the biggest fish with a wife and two kids. The shot of Lemmon reacting in the cracked compact is on the of most effective story and visual devices I can think of in cinema. Baxter sees himself split apart - two worlds: the happy go lucky Baxter, and the Baxter that is now privy to some vile stuff involving the one girl he actually likes.Fran sees his reaction and asks ‘what is it? Baxter takes a beat. “The mirror…it's broken.” Then Fran utters one of my favorite lines, “I know. I like it this way…makes me look the way I feel.” WOW. What a subversive revilation! What a profound utterance. Talk about Chekhov. ‘Makes me look the way I feel'. We begin to realize all is not right with Fran. Sheldrake is leading her on. She sets a boundary at the local Chinese restaurant where he apparently takes all his conquests - the back booth. But Sheldrake works her over, and convinces her he WILL leave his wife. After a tryst back at Baxter's apartment on Christmas Eve, Sheldrake must catch his evening train to make dinner with the family. Obviously having forgotten to get Fran anything of real signifigance for Christmas, he opens his wallet and hands her a hudred dollar bill. Even in today's anything goes era, it's a shockingly seedy gesture that is all too real. MacLaine's Fran takes it in stride - just like Baxter leaving his key under the rug for his bosses - and stands to take off her coat and gets ready to disrobe. Fran says something like, ‘well, you already paid for it.' Ugh. My heart broke! For Fran, for Baxter, for the sad inevitablity of it all. Trigger Warning. The last portion of this episode deals with suicide. Listen with care. Fran asks to be left alone. In the bathroom, she finds the hundred dollar bill in her purse, and realizing she will never be able to break this cycle, she sees Baxter's sleeping pills - Seconal - and takes them all. Meanwhile, Baxter is out drowning his sorrows with a hilarious companion, played by actress Hope Holiday. They get drunk and dance, looking for a place to get even closer, they head back to Baxter's apartment - “Might as well go to me. Everybody else does.” Once back at his place, he discovers Fran and races to his jocular doctor neighbor, played by Jack Kruschen (also Oscar nominated for his hilarious supporting role as Dr. Dreyfuss), and Fran narrowly misses checking out. While recovering at Baxter's playing gin rummy (which MacLaine was playing alot of as a peripheral member of the Rat Pack), Fran and him bond, more than bond. They fall into bliss and don't even know it. It's a beautiful chemistry, one that apparently as it evolved dictated the script. Sources say upon commencement of filming, the screenplay was a mere 40 pages, and Wilder liked to work that way and let things evolve. He was also famous for re-shooting after viewing dallies. MacLaine calls him 'sciencentific, brittle and caustic with women but made you better for it'. She tells a story about once such instance during a climactic scene with Fred MacMurray's ‘Sheldrake' where she couldn't get the emotion necessary for their break-up in the Chinese restaurant they frequent. MacLaine's native Canadian accent was coming out literally on the word ‘out.' After viewing the ‘rushes', he concluded they need to re-shoot, even calling MacLaine out in the screening room. MacLaine, much like Fran, didn't buckle under pressure, and they re-shot. On the day, Wilder called ‘Action' and excused himself to give her the privacy to do the scene. She hit it out of the park, uttering the lines from that take that made the final cut, “So you sit there and make yourself a cup of instant coffee while he rushes out to catch the train.”Well, long story short, Baxter and Fran end up together - thank Heavens. I could explain the plot twists to get them there, but I want to leave you with one final remberance of MacLaine's. When asked what it was like to work with Jack Lemmon, she said, “He would say, ‘Magic time!', every time the camera rolled. And then we knew we'd better make some magic.”Check out The Apartment on the big screen at The Film Forum in all its glory this Friday, Saturday and Sunday. And all of Jack Lemmon's ‘Magic time' over the next two weeks. You won't be sorry.More about the series here:JACK LEMMON 100Watch The Apartment here:Look Behind The Look is a reader-supported publication. To receive new posts and support my work, consider becoming a free or paid subscriber. Get full access to Look Behind The Look at lookbehindthelook.substack.com/subscribe

Thierry Guedj et Alice Mansion sont nos invités pour leur documentaire "Mia Farrow, en clair-obscur", à voir sur arte.tv jusqu'au 25 juillet. En remontant le temps, ce portrait chemine vers le passé et le mystère d'une star inclassable, incarnation d'une féminité inquiète, voire inquiétante, qui a tourné la page du cinéma pour se consacrer aux enfants déshérités du monde. Merci pour votre écoute Entrez sans Frapper c'est également en direct tous les jours de la semaine de 16h à 17h30 sur www.rtbf.be/lapremiere Retrouvez l'ensemble des épisodes et les émission en version intégrale (avec la musique donc) de Entrez sans Frapper sur notre plateforme Auvio.be : https://auvio.rtbf.be/emission/8521 Abonnez-vous également à la partie "Bagarre dans la discothèque" en suivant ce lien: https://audmns.com/HSfAmLDEt si vous avez apprécié ce podcast, n'hésitez pas à nous donner des étoiles ou des commentaires, cela nous aide à le faire connaître plus largement. Vous pourriez également apprécier ces autres podcasts issus de notre large catalogue: Le voyage du Stradivarius Feuermann : https://audmns.com/rxPHqEENoir Jaune Rouge - Belgian Crime Story : https://feeds.audiomeans.fr/feed/6e3f3e0e-6d9e-4da7-99d5-f8c0833912c5.xmlLes Petits Papiers : https://audmns.com/tHQpfAm Des rencontres inspirantes avec des artistes de tous horizons. Galaxie BD: https://audmns.com/nyJXESu Notre podcast hebdomadaire autour du 9ème art.Nom: Van Hamme, Profession: Scénariste : https://audmns.com/ZAoAJZF Notre série à propos du créateur de XII et Thorgal. Franquin par Franquin : https://audmns.com/NjMxxMg Ecoutez la voix du créateur de Gaston (et de tant d'autres...) Distribué par Audiomeans. Visitez audiomeans.fr/politique-de-confidentialite pour plus d'informations.

Voltámos! Mesmo a tempo de salvar a decadente taxa de natalidade deste país, com o Gu Gu Da Chiclo. O nosso pequeno Chiclo escolheu o género de terror para falar de bebés a afins, trazendo este enorme sucesso comercial e de crítica. E realizado por um senhor nada polémico. Falamos sobre modernidade, Nova Iorque, gravidezes brutalmente não planeadas, e a mania de perseguição por acólitos de satanás. Com tempo ainda para uma dissertação sobre a tia Mia Farrow no nosso imaginário popular. O episódio ideal para ouvir enquanto embalam o recém-nascido.

Send us a textDo you remember Rosemary's Baby? The ultra controversial movie of the 60s. It might not be so controversial now but that doesn't mean we're not excited about watching it. Starring In a role that sky rocketed Mia Farrow to stardom it also had a slew of 60s powerhouse character actors. We admit we do not remember a lot about this movie other than Lady has sex with Satan, Lady gets pregnant, has baby and the world is worse off because of it. So join us as we go back to the 1960s and watch Rosemary's Baby.Do You Remember Liking This Movie?

Episode 198: Baby on board this week, on the road to 200 with Jacqueline's favorite pick in  Rosemary's Baby from 1968. Join us in welcoming back friend of the show, Charlie of the GiveMeBackMyAction&HorrorMovies podcast.Merge with us next week as we cover Hydraberg's favorite pick with John Carpenter's The Thing  from 1982.Become a supporter of this podcast: https://www.spreaker.com/podcast/a-cut-above-horror-review--6354278/support.

In this Farrow vs. Allen Special Subject episode we dig into a strong set of films, The Purple Rose of Cairo (1985), Hannah and Her Sisters (1986), and Radio Days (1987), united by their examination of art, popular culture, and fantasy, the possibilities they offer for transcendence, and the conditions of that transcendence. We also, of course, particularly examine Mia Farrow's role in these films, from Allen avatar to intimidating enigma, wistful waif to materfamilias.  Time Codes: 0h 00m 25s:    THE PURPLE ROSE OF CAIRO (1985) [dir. Woody Allen] 0h 31m 01s:    HANNAH & HER SISTERS (1986) [dir. Woody Allen] 0h 54m 18s:    RADIO DAYS (1987) [dir. Woody Allen]   ++ * Listen to our guest episode on The Criterion Project – a discussion of Late Spring * Marvel at our meticulously ridiculous Complete Viewing Schedule for the 2020s * Intro Song: “Sunday” by Jean Goldkette Orchestra with the Keller Sisters (courtesy of The Internet Archive) * Read Elise's piece on Gangs of New York – “Making America Strange Again” * Check out Dave's Robert Benchley blog – an attempt to annotate and reflect upon as many of the master humorist's 2000+ pieces as he can locate – Benchley Data: A Wayward Annotation Project!  Follow us on Twitter at @therebuggy Write to us at therebuggy@gmail.com We now have a Discord server - just drop us a line if you'd like to join! 

For Episode 423, Jon and Brendan head to Oviedo Bowling Center in ahead of the Second Annual Just Call Moe Celebrity Bowl-o-Rama on Saturday, April 12. This week's topics include the sexiest Val Kilmer movies, a man wakeboarding on Lake Eola, disappearing chickens in Oviedo, two local restaurants making it to the James Beard Finals, a cool new exhibition at the History Center, Legoland layoffs, and Mia Farrow. This week's episode was sponsored by Enzian Theater and JustCallMoe.com. Tune in to Bungalower and The Bus on Real Radio 104.1 FM every Friday at 8 p.m. or catch the podcast to stay in touch with all of the latest headlines, new restaurants, and best-bet events to attend this week.

Tune in every Friday for more WOW Report.10) Rosemary's Baby @01:059) A Nightmare on Elm Street Part 2 @06:528) Alien @12:387) The Bad Seed @19:496) Bad Ronald @24:415) Videodrome @29:344) Halloween @36:003) Black Christmas @41:522) Dawn of the Dead @47:10  1) What Didn't Make the List @53:56 

Movie reviews #49 coming in hot today.
Just 5 70's movies to review, sooooo let's review the review.
1. (The Andromeda Strain 1971) Epic movie Director Robert Wise is at the helm here, with a movie Based on a Michael Crichton novel way before it was a 90's standard thing to do. 
That statement is dead wrong though, there are 9 MC novels or short stories adapted into films in the 70's, 3 in the 80's, and 7 in the 90's. I think it's only because Jurassic Park had the hype of like 6 70's movies, shit, I dunno. This movie is about a deadly element from space, SCIENCE, and a real cool facility that gives you paper clothes.
2. (Boxcar Bertha 1972) Not to jump the shark but I think this one's easy, we all agree that we love Bertha, but not so much this early Martin Scorsese film. Barbara Hershey rules, also Bill of Kill Bill, and the history teacher of Bill and Ted are here. 
3. (In this house of Brede 1975) Don't yuk this bizarre recovering catholic's yum, but here we have Diana Ring as Nun, say no more!
ok just a bit more she is a woman who is sick of all the shitty men and bullshit and goes to the convent to get away from it all and do rad shit in peace, apparently I should read the book too.
4. (Death on the Nile 1978) I'm sorry but I do love me some Peter Ustinov, He is Agatha Christie's Poirot here, along with flippin every one else.
Mia Farrow, Bette Davis, Miss murder she done sat down and wrote, David Niven, Jack Warden, and Professor McGonagall, to name a few. 
This time they are on a boat not a train.
5. (Birth of the Beatles 1979) Waited for the encore tv airing of this so I could record it with a video cassette that I had bought. This one hugely influenced me to want to play music. Wonderful to finally see this again with friends and review. This movie is from the director of Return of the Jedi. 
we out, thanks for listening.

Welcome to this week's episode of The Video Store Podcast . This week, I'm focusing on animated movies that lean into darker themes and mature storytelling. These aren't your typical Saturday morning cartoons or Disney films. They're imaginative, ambitious, and not afraid to explore the more complicated corners of life.Let's dive into the four films I'm recommending this week.1. Watership Down (1978)This adaptation of Richard Adams' novel is often remembered for its striking animation and unflinching depiction of survival. On the surface, it's a story about rabbits searching for a safe place to call home, but the film works on deeper levels, touching on themes like leadership, sacrifice, and the brutal realities of nature.Director Martin Rosen made the choice to stay true to the novel's tone, which makes this film stand out from other animated projects of the time. The voice cast is strong, John Hurt as Hazel and Richard Briers as Fiver bring a lot of emotion to their roles. The animation is hand-drawn, with detailed backgrounds that create a world that feels both beautiful and dangerous.2. The Last Unicorn (1982)Based on Peter S. Beagle's novel, The Last Unicorn has a dreamlike quality that sets it apart from other animated films of its time. It tells the story of a unicorn searching for her lost kind, encountering both friends and enemies along the way. While the animation was produced by Rankin/Bass, the actual work was done by a Japanese studio that would later become Studio Ghibli, which might explain the film's unique visual style.This voice cast is great. Mia Farrow voices the Unicorn, Jeff Bridges plays Prince Lir, and Christopher Lee is unforgettable as King Haggard. Lee was reportedly a huge fan of the book and even brought his own copy to recording sessions to ensure his performance stayed faithful to the source material.The soundtrack, provided by the band America, gives the movie a melancholy, almost folk-like feel that complements its tone.3. The Secret of NIMH (1982)Don Bluth made his directorial debut with this adaptation of Mrs. Frisby and the Rats of NIMH by Robert C. O'Brien. The film tells the story of a widowed field mouse, Mrs. Brisby, who must save her home and sick child with the help of highly intelligent rats.What makes The Secret of NIMH stand out is how dark and detailed it is. Bluth and his team left Disney to make this film because they wanted to push the boundaries of animation, and it shows. The level of detail in the animation is stunning, especially in the rats' lair, which feels alive with glowing lights and intricate designs.The score by Jerry Goldsmith is sweeping and dramatic, which matches the film's high stakes. And while it's technically a kids' movie, it doesn't shy away from mature themes like death, ethics, and the consequences of human interference with nature.4. Heavy Metal (1981)If you're into sci-fi, fantasy, or anthology storytelling, Heavy Metal is one to check out. It's based on the magazine of the same name and features multiple stories connected by a mysterious glowing orb called the Loc-Nar. The animation is bold, with an unapologetically adult tone. Even though I saw it as a kid, I think this one is definitely not for kids.What's interesting about Heavy Metal is how it pulls from different art styles, with each segment feeling distinct. The soundtrack is packed with rock and heavy metal tracks from bands like DEVO, Black Sabbath, Blue Öyster Cult, and Journey, giving it a unique energy.Each of these films pushes the boundaries of what animated storytelling can do, whether through their themes, visual style, or just their ambition. They're all worth watching if you're looking for something that goes beyond the typical animated fare. That's it for this week's episode of The Video Store Podcast. Thanks for listening, and let me know what you think of these recommendations. Thanks for reading Video Store Podcast! Subscribe for free to receive new posts and support my work. This is a public episode. If you would like to discuss this with other subscribers or get access to bonus episodes, visit www.videostorepodcast.com

EPISODE 76 - “MEMORABLE OSCAR SPEECHES OF THE GOLDEN ERA OF HOLLYWOOD” - 2/24/2025 Winning an Oscar is a dream for most people who work in Hollywood. But you can't just win the Oscar, you have to have a good speech once your name is called and you head to the podium. There have been some great ones — OLIVIA COLEMAN's funny and cheeky speech hit the right tone and who can forget JACK PALANCE's one-arm push-ups or CUBA GOODING's exuberance? There have also been some bad ones — don't we all still cringe a little at SALLY FIELDS' “You like me” speech? As we prepare to celebrate the 97th annual Academy Award ceremony, Steve and Nan look back on some of their favorite Oscar speeches and why they resonate. So put on your tux, don the gown and jewels, pop the champagne, and join us for a fun talk about … well, people talking.  SHOW NOTES:  Sources: “Five Times The Oscars Made History,” January 20, 2017, www.nyfa.edu; “Hollywood History: How World War II Forced the Academy to Rethink the 1942 Oscars,” April 16, 2021, Entertainment Weekly; “Charlie Chaplin vs. America Explores the Accusations that Sent a Star Into Exile,” October 24, 2023, byTerry Gross, www.npr.com; “The Most Memorable Oscar Speeches in Oscar History,” March 6, 2024, by Shannon Carlin, www.time.com;   Wikipedia.com; TCM.com; IMDBPro.com; www.Oscars.org; Movies Mentioned:  Stella Dallas (1938), starring Barbara Stanwyck, John Boles, Anne Shirley, & Alan Hale; Gone With The Wind (1939), starring Vivian Leigh, Clark Gable, Olivia de Havilland, Leslie Howard, Hattie McDaniel, Butterfly McQueen, Thomas Mitchell, & Barbara O'Neil; How Green Was My Valley (1941), starring Walter Pidgeon, Maureen O'Hara, & Donald Crisp; Sergeant York (1941), starring Gary Cooper, Joan Leslie, & Walter Brennan;  The Devil and Miss Jones (1941), staring Jean Arthur Robert Cummings, & Charle Coburn; Here Comes Mr. Jordan (1941), starring Robert Montgomery, Claude Rains, & Evelyn Keyes; Ball of Fire (1942), starring Barbara Stanwyck & Cary Cooper; Double Indemnity (1944), starring Barbara Stanwyck, Fred MacMurray & Edward G Robinson; Key Largo (1948); starring Humphrey Bogart, Lauren Bacall, Edward G Robinson, Claire Trevor, & Lionel Barrymore; All The King's Men (1948), starring Broderick Crawford, John Ireland, Joanne Dru, & Mercedes McCambridge; Pinky (1949), starring Jeanne Crain, Ethel Waters, Ethel Barrymore, Nina Mae McKinney, & Wiliam Lundigan; Marty (1955); starring Ernest Borgnine. Betsy Blair, Joe Mantell, & Esther Minciotti; The King and I (1956), starring Yul Brenner, Deborah Kerr, Rita Moreno, & Rex Thompson; Elmer Gantry (1960), starring Burt Lancaster, Jean Simmons, Shirley Jones, Arthur Kennedy, Dean Jagger, and Patti Page; West Side Story (1961), Natalie Wood, Richard Beymer, Rita Moreno, George Chikiris, & Russ Tamblyn; Lillies of the Field (1963), starring Sidney Poitier;  In the Heat of the Night (1967)l starring Rod Steiger, Sidney Poitier, & Lee Grant; The Producers (1967), starring Zero Mostel & Gene Wilder; Rosemary's Baby (1968), starring Mia Farrow, John Cassavetes, Ruth Gordon, & Charles Grodin; Faces (1968), starring Gena Rowlands, Lynn Carlin, Seymour Cassel, & John Farley;  The Heart is a Lonely Hunter (1968), staring Alan Arkin, Sondra Locke, Cecily Tyson, Stacey Keach, & Percy Rodrigues; The Last Picture Show (1971), starring Timothy Bottoms, Jeff Bridges, Cybill Shepherd, Ellen Burstyn, Ben Johnson, Cloris Leachman, & Eileen Brennan; Murder on the Orient Express (1974), starring Albert Finney, Lauren Bacall, Ingrid Bergman, Sean Connery, Martin Balsam, & Jacqueline Bisset; --------------------------------- http://www.airwavemedia.com Please contact sales@advertisecast.com if you would like to advertise on our podcast. Learn more about your ad choices. Visit megaphone.fm/adchoices

In honor of Valentine's Day, we're answering your burning questions about love, sex, and dating juggalos. Listen at your own risk!

von Hirsch, Mia www.deutschlandfunkkultur.de, Studio 9

„Nemůžete skutečně nic vlastnit, opravdové vlastnictví přichází pouze v okamžiku dávání,“ řekla jednou Mia Farrow a podle toho se snaží žít svůj život. Narodila se 9. února 1945 v Los Angeles a vyrůstala v početné rodině. Svou lásku se ale snažila dávat i mnoha zvířátkům a později celkem čtrnácti dětem. Na svém kontě má přes 45 filmových a TV rolí. Co zažila se Salvadorem Dalí? Jaké bylo její manželství s Frankem Sinatrou? Jak probíhalo první rande s režisérem Woody Allenem?

Love is in the air! This week on PMoN, the boys go back to the Muppet roots with the first Muppet Show pilot episode, The Muppets Valentine Show! For those counting this is ANOTHER pilot separate from the Sex and Violence pilot they discussed in episode 43. This silly holiday romp guest stars the incomparable Mia Farrow, and features some great moments from lesser known characters like Mildred Huxtetter, Crazy Harry ne Crazy Donald, and our big blue loveable friend Thog! Does this pre-kermit/piggy, fling between our favorite frog and the delightful Miss Mousey hold up? You'll just have to listen in to find out! Be warned, this episode does feature some explosive Muppet mating.Join the discussion on our discord! https://discord.gg/JDtWJrhPF6Follow us on twitter @PMoNPodcast and on Instagram and Threads @puppetmastersofnoneFind out more about the puppet masters on our website: https://puppetmastersofnone.wixsite.com/puppetmastersofnoneOriginal Music Composed by Taetro. @Taetro  https://www.taetro.com/Send us a text

It's Makeoverssssss! And after the hairdressers didn't listen to Tyra's specific words ("I specifically said Mia Farrow in Rosemary's Baby") the girls get to dress in their new personal style. We'd choose Ghetto Fabulous as our style, but first remove our nose hair as well, Mr. Jay. During the photoshoot the girls battle against each other in the fields, iconic shots!Get in contact with us: send us a Message.► More Pod, But Make It Fashion on podbutmakeitfashion.buzzsprout.com► Follow @podbutmakeitfashion on Instagram

Miami Rhapsody (1995) is a romantic comedy directed and written by David Frankel. The film stars Sarah Jessica Parker as Gwyn Marcus, a woman who is newly engaged but begins to question the idea of marriage when she learns about the various infidelities in her family. Plot Summary: Gwyn Marcus, a successful advertising executive in Miami, has just gotten engaged to her boyfriend, Matt (Gil Bellows). However, as she starts to observe the crumbling marriages and affairs of her parents (Mia Farrow and Paul Mazursky), her brother (Kevin Pollak), and her sister-in-law (Carla Gugino), she starts doubting whether lifelong commitment is really the right choice for her. She finds herself drawn to Antonio Banderas' character, a charming and passionate man who complicates her emotions even further. As she navigates the romantic turmoil around her, she must ultimately decide what love and marriage mean to her. Cast: • Sarah Jessica Parker as Gwyn Marcus • Antonio Banderas as Antonio • Mia Farrow as Nina Marcus • Paul Mazursky as Vic Marcus • Kevin Pollak as Jordan Marcus • Carla Gugino as Leslie Marcus • Gil Bellows as Matt

In this episode, we revisit the iconic horror classic, Rosemary's Baby, directed by Roman Polanski and starring Mia Farrow. Last episode, we touched on this chilling tale alongside its prequel, Apartment 7A. But Rosemary's Baby deserved an episode all to itself. Join us as we explore the eerie Bramford building, where newlyweds Rosemary and Guy Woodhouse find themselves entangled in a web of paranoia and supernatural dread. Discover the sinister intentions of their mysterious neighbors, the Castevets, and the spine-tingling revelation that Rosemary's baby is at the heart of a demonic cult's plans. We're uncovering missed details, analyzing key scenes, and sharing listener theories and thoughts. Get ready for a detailed analysis of the psychological horror, thematic elements, and lasting impact of Rosemary's Baby. Subscribe and stay tuned for more chills and thrills! Keep up with all things cool about Steve here: https://stevegergleyauthor.wordpress.com/ To check out more information about That Horrorcast, take a look at our website: ⁠⁠⁠⁠⁠https://thathorrorcast.com⁠⁠⁠⁠⁠ Twitter: ⁠⁠⁠⁠⁠https://twitter.com/horrorpod666⁠⁠⁠⁠⁠ Mallory Smart's writing and random publishing projects can be checked out here: ⁠⁠⁠⁠⁠https://mallorysmart.com⁠⁠

Our Special Subject this month is the start of a series on the cinematic collaboration of Mia Farrow and Woody Allen. In this first episode we look at A Midsummer Night's Sex Comedy (1982), Zelig (1983), and Broadway Danny Rose (1984), paying particular attention to the relationship between the Allen and Farrow characters and to the question of what each partner in the collaboration brings to the other's career. Both of these areas of inquiry yielded some surprises for us; plus, Dave gets to wax lyrical about Broadway Danny Rose, one of his favourite Allen movies. We also have a revival of Fear and Moviegoing in Toronto thanks to the TIFF Lightbox Cinematheque's Marco Bellocchio retrospective, briefly discussing Good Morning, Night (2003), Dormant Beauty (2012), and My Mother's Smile (2002). Discussion of the latter occasioned many mentions of David Lynch, as often happens on the pod, although we did not know at the time that he would be taking leave of this plane of existence.  Time Codes: 0h 00m 25s:    Intro: Farrow v. Allen 0h 06m 53s:    A Midsummer Night's Sex Comedy (1982) [dir. Woody Allen] 0h 23m 09s:    Zelig (1983) [dir. Woody Allen] 0h 31m 58s:    Broadway Danny Rose (1984) [dir. Woody Allen] 0h 48m 29s:    Fear & Moviegoing in Toronto – Another Year (2010) by Mike Leigh; part 1 of TIFF Cinémathèque's Marco Bellocchio retrospective: Good Morning, Night (2003), Marx Can Wait (2021), Dormant Beauty (2012) and My Mother's Smile (2002)   +++ * Listen to our guest episode on The Criterion Project – a discussion of Late Spring * Marvel at our meticulously ridiculous Complete Viewing Schedule for the 2020s * Intro Song: “Sunday” by Jean Goldkette Orchestra with the Keller Sisters (courtesy of The Internet Archive) * Read Elise's piece on Gangs of New York – “Making America Strange Again” * Check out Dave's Robert Benchley blog – an attempt to annotate and reflect upon as many of the master humorist's 2000+ pieces as he can locate – Benchley Data: A Wayward Annotation Project!  Follow us on Twitter at @therebuggy Write to us at therebuggy@gmail.com We now have a Discord server - just drop us a line if you'd like to join! 

'Liza: A Truly Terrific Absolutely True Story' chronicles the highs and lows of an extraordinary career in show business. Filmmaker Brian David Klein captures multiple perspectives on Liza Minelli from longtime friends including Michael Feinstein, Mia Farrow and Ben Vereen. 

Roman Polanski adapts Ira Levin's 1967 novel into this 1968 film, though adapts may not be the right word. Transcribes, maybe? The original cut was a very faithful transference of the source material into the film medium, perhaps more faithful than any novel to film adaptation has ever been. Then he let someone else edit it down to a reasonable movie. Mia Farrow is great in it, perhaps because her personal life married to Frank Sinatra was pretty close to Rosemary's story. John Cassavetes is great in it despite Polanski's best efforts to reign him in. And I know have a least favorite cinematic satan to add to the list.

Luigi Mangione, now facing murder charges in New York, sees his folk hero status climb. Despite the alleged violence, he's being cheered. Now, he has a high powered attorney joining his fight. Concerns are rising about the polio vaccine. There is word that RFK Jr.'s lawyer is trying to get the clearance of this vaccine revoked. That is bringing calls of concern from Mitch McConnell to Mia Farrow, both of whom remember the world with polio.We'll talk to iHeart television and radio political analyst Gary Dietrich about those issues and more. Our favorite British, Anthony Davis, returns to the show to talk politics.Oh, and Mark Thompson returns! The Mark Thompson Show 12/16/24Patreon subscribers are the backbone of the show! If you'd like to help, here's our Patreon Link:https://www.patreon.com/themarkthompsonshowMaybe you're more into PayPal.  https://www.paypal.com/donate/?hosted_button_id=PVBS3R7KJXV24And you'll find everything on our website: https://www.themarkthompsonshow.com#Trump #polio #Luigi #Politics #Political #PoliticalAnalysis #RFKJr #GaryDietrich #AnthonyDavis #UnitedHealth #Animals #KarenDawn

This week on the Exciting & New podcast, Jason, Andy and Dana discuss the 1984 superhero movie Supergirl.  In this lousy spin-off to the Superman frachise, the legend of Billie Jean stars as Supergirl with a pretty stellar supporting cast of older actors who all look like they would rather be anywhere else on the plantet (or Argo City) than be in this moive.  Mia Farrow decided one scene was enough for her,and she was going back to Woody Allen at this point.  That's right.  She would rather spend more time with Woody Allen than be in this movie for more than one scene.  Anyway, as we stumble to the end of the year, we still have some good movies lined up and 1985 will be even better.  Enjoy the podcast.

When Mickey-Jo was last in New York he saw more than 20 Broadway and Off-Broadway shows, including a handful of plays. In this roundup of reviews, he will be sharing his thoughts on: - THE ROOMMATE, by Leigh Silverman and starring Patti LuPone and Mia Farrow at the Booth Theatre. - THE HILLS OF CALIFORNIA, by Jez Butterworth which transferred from the West End to New York's Broadhurst Theatre. - YELLOW FACE by David Henry Hwan in a new production directed by Leigh Silverman, starring Daniel Dae Kim. - OH, MARY! by and starring Cole Escola in a riotous, queer retelling of the life of Mary Todd Lincoln which has become one of Broadway's hottest tickets. Stay tuned for Mickey-Jo's thoughts on each of these plays and don't forget to share your own perspective on them in the comments! • 00:00 | introduction 03:21 | The Roommate 08:14 | The Hills of California 15:21 | Yellow Face 19:28 | Oh, Mary! • About Mickey-Jo: As one of the leading voices in theatre criticism on a social platform, Mickey-Jo is pioneering a new medium for a dwindling field. His YouTube channel: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠MickeyJoTheatre⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ is the largest worldwide in terms of dedicated theatre criticism, where he also share features, news and interviews as well as lifestyle content for over 60,000 subscribers. Since establishing himself as a theatre critic he has been able to work internationally. With a viewership that is largely split between the US and the UK he has been fortunate enough to be able to work with PR, Marketing, and Social Media representatives for shows in New York, London, Edinburgh, Hamburg, Toronto, Sao Pãolo, and Paris. He has also twice received accreditation from the world renowned Edinburgh Festival Fringe. His reviews and features have also been published by WhatsOnStage, for whom he was a panelist to help curate nominees for their 2023 and 2024 Awards as well as BroadwayWorldUK, Musicals Magazine and LondonTheatre.co.uk. He has been invited to speak to private tour groups, at the BEAM 2023 new musical theatre conference at Oxford Playhouse, and on a panel of critics at an event for young people considering a career in the arts courtesy of Go Live Theatre Projects. Instagram/TikTok/X: @MickeyJoTheatre

Captain Kronos – Vampire Hunter is a 1974 British swashbuckling action horror film, written and directed by Brian Clemens in his directorial debut. Clemens was celebrated for his work as a screenwriter, particularly for his contributions to British television series. Prior to Captain Kronos, he wrote and produced Dr. Jekyll and Sister Hyde for Hammer. Other films he wrote that fall into and circle around our areas of interest include And Soon the Darkness (which he wrote with Dalek creator Terry Nation), See No Evil (the 1971 Mia Farrow film,), The Golden Voyage of Sinbad, The Watcher in the Woods (one of Disney's forays into horror and one of Ross's all-time favorites), and one of the most bizarre sequels of all time—Highlander II: The Quickening. According to his son Samuel, Clemens' last words were, "I did quite a good job," spoken after watching an episode of The Avengers.In Captain Kronos, the titular character is played by Horst Janson, famous in Germany for his role in Salto Mortale, where he portrayed a trapeze artist. He later became familiar to younger audiences as "Horst" in Sesamstrasse, the German adaptation of Sesame Street, which he hosted from 1980 to 1983. The Captain's voice was dubbed in this film due to Janson's strong German accent, with Julian Holloway taking on the task. Holloway, who featured in eight Carry On films before moving into voice-over work, has recently voiced Prime Minister Almec and Admiral Kilian in Star Wars: The Clone Wars. He also appeared in Doctor Who's last story of the classic era, Survival. In 1976, he had a brief relationship with Tessa Dahl, daughter of Patricia Neal and Roald Dahl, which produced one daughter, the author and former model Sophie Dahl, who was born the following year. The supporting cast includes John Carson as Dr. Marcus, a physician who enlists Kronos's help to investigate strange deaths in his village. Carson, often noted for his voice that bears a striking resemblance to James Mason's, was a Hammer regular with appearances in Taste the Blood of Dracula and The Plague of the Zombies. Caroline Munro appears as Carla, a Romanian girl who becomes Kronos's feisty sidekick. Known for her glamorous looks, Munro rose to fame as the "Lamb's Navy Rum" poster girl, a role she held for ten years. She initially caught Hammer's attention through her work on The Abominable Dr. Phibes, where she played Vincent Price's silent, deceased wife, and its sequel Dr. Phibes Rises Again (check out episode 10 for our review of the first of those two "classics"). As well as this film, she of course appeared in the subject of our very first podcast episode, Dracula A.D. 1972. Outside Hammer, Munro went on to play the slave girl Margiana in The Golden Voyage of Sinbad, the princess in At the Earth's Core, and the deadly Bond girl Naomi in The Spy Who Loved Me, turning down the role of Ursa in Superman to accept it. The film's score was composed by Laurie Johnson, who, from the 1960s to the 1980s, composed over fifty themes and scores, including the theme used on This Is Your Life (entitled "Gala Performance"), The Avengers (from 1965), Animal Magic (entitled "Las Vegas"), Jason King, The New Avengers, and The Professionals. Though Captain Kronos was shot in 1972, it was delayed and eventually released in 1974. The film was intended to kick off a series featuring Kronos and his companions, but no sequels were made—although there have been a number of follow up comic book adventures. Get bonus content on PatreonSupport this show http://supporter.acast.com/general-witchfinders. Hosted on Acast. See acast.com/privacy for more information.

2:24:59 – Frank in New Jersey, plus the Other Side. Topics include: Ingress, Pokémon GO, old beige computers, USB, SCSI chain, Pokémon TCG Pocket, Phantom of the Paradise (1974), 209 “holiday” 11/19, drought and wildfires, Planta Queen, The Roommate (with Mia Farrow and Patti Lupone), Sexy Sadie, Jake Paul vs. Mike Tyson, Superlistening, community theater, commercial […]

2:24:59 – Frank in New Jersey, plus the Other Side. Topics include: Ingress, Pokémon GO, old beige computers, USB, SCSI chain, Pokémon TCG Pocket, Phantom of the Paradise (1974), 209 “holiday” 11/19, drought and wildfires, Planta Queen, The Roommate (with Mia Farrow and Patti Lupone), Sexy Sadie, Jake Paul vs. Mike Tyson, Superlistening, community theater, commercial […]

Icons Mia Farrow and Patti LuPone are sitting down with Drew to talk about the key to their thirty-year friendship and starring in a Broadway play together.See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

In today's Hot Topics, the co-hosts weigh in on a new ad from a political nonprofit telling women it's okay to vote in your own self-interest instead of following the lead of their husbands. ABC News political contributor Chris Christie weighs in on Donald Trump suggesting Liz Cheney be put in the line of fire as he criticized her as a "war hawk." Plus, he says Donald Trump's display of confidence for the election is a "setup": "If he wins, he can say, 'We're geniuses...' If he loses, he can say, 'See, it was stolen.'" Patti LuPone joins to weigh in on the election, she talks starring in Broadway's “The Roommate” alongside Mia Farrow and rooming with her co-star Aubrey Plaza. Learn more about your ad choices. Visit podcastchoices.com/adchoices

Chris and Taylor are doing a double potential pick review covering Apartment 7A / Rosemary's Baby. In the 2024 psychological horror film, Apartment 7A, directed by Natalie Erika James from a screenplay she co-wrote with Christian White and Skylar James. It serves as a prequel to Rosemary's Baby (1968). Julia Garner, Dianne Wiest, Jim Sturgess, and Kevin McNally star. In the 1968 psychological horror film, Rosemary's Baby, written and directed by Roman Polanski, based on Ira Levin's 1967 novel. The film stars Mia Farrow as a newlywed living in Manhattan who becomes pregnant, but soon begins to suspect that her neighbors are members of a Satanic cult who are grooming her in order to use her baby for their rituals. The film's supporting cast includes John Cassavetes, Ruth Gordon, Sidney Blackmer, Maurice Evans, Ralph Bellamy, Patsy Kelly, Angela Dorian, and Charles Grodin in his feature film debut. Follow us on: Instagram: https://www.instagram.com/thepotential_podcast/ X: https://x.com/thepotentialpod TikTok: https://www.tiktok.com/@thepotentialpodcast Support us on Patreon: patreon.com/thepotentialpodcast Thanks to our sponsor: LetsGetChecked:  Get 25% off your health test at trylgc.com/potential and enter promo code POTENTIAL25

We had to do a scary one! Ty conned Rach into subjecting herself to the front stage and backstage horror that is Rosemary's Baby. We get into the Rosemary curse on this film, Mia Farrow's personal horror in her love life, and Ty's scary obsession with John Cassavetes. The biggest reveal of all is that Rach actually enjoyed the scary movies Ty picked this year. So much so that she has promised to watch scary movies all year long. Send your submissions to her personally. The scarier the better.

SITC is back with the long-awaited second installment of our horror series just in time for Halloween. Hot or not? You decide.  Body horror brings on the heat thanks to Jeff Goldblum's insectile sex symbol Seth Brundle in David Cronenberg's classic remake of THE FLY (1986). Julie Christie and Donald Sutherland prove graphic sex can have narrative value in Nicolas Roeg's enigmatic meditation on grief DON'T LOOK NOW (1973). Mia Farrow gets down with the devil and suffers the ultimate perversion of pregnancy in Roman Polanski's legendary ROSEMARY'S BABY (1968). 

The Omen (2006) Screams After Midnight, a horror movie podcast. The Omen Remake is directed by John Moore and stars Julia Stiles, Liev Schreiber, Mia Farrow, David Thewlis, Pete Postlethwaite patreon: https://www.patreon.com/mildfuzztv all links: https://linktr.ee/mildfuzz discord: https://discord.gg/8fbyCehMTy email: mftvquestions@gmail.com Audio version: https://screams-after-midnight.pinecast.co/

Explore how trauma shapes our relationship with food and coping mechanisms. In this episode, Lesley and Brad dive into conversation with trauma-informed emotional eating coach, Lisa Schlosberg. Lisa shares her holistic approach to healing disordered eating and emotional challenges by addressing the underlying root cause that often shapes our coping mechanisms. Tune in to discover how working through discomfort can lead to lasting changes in your unhealthy habits.If you have any questions about this episode or want to get some of the resources we mentioned, head over to LesleyLogan.co/podcast. If you have any comments or questions about the Be It pod shoot us a message at beit@lesleylogan.co. And as always, if you're enjoying the show please share it with someone who you think would enjoy it as well. It is your continued support that will help us continue to help others. Thank you so much! Never miss another show by subscribing at LesleyLogan.co/subscribe.In this episode you will learn about:How restrictive diets can reinforce unhealthy coping mechanisms.The importance of trauma-informed approach to healing emotional eating.Techniques to navigate discomfort without compromising your sense of safety.Strategies to replace harmful eating patterns with healthier, supportive habits.Steps to reconnect with your most resourceful and authentic self.Episode References/Links:Cambodia February 2025 RetreatFlashcards WaitlistPilates Studio Growth AcceleratorOPC Winter TourCreate, Sell and Lead your Own Profitable RetreatLisa Schlosberg WebsiteLisa Schlosberg InstagramLisa Schlosberg TikTokLisa Schlosberg YouTubeOut of the Cave PodcastEp. 5 ft. Amy Ledin If you enjoyed this episode, make sure and give us a five star rating and leave us a review on iTunes, Podcast Addict, Podchaser or Castbox. DEALS! DEALS! DEALS! DEALS!Check out all our Preferred Vendors & Special Deals from Clair Sparrow, Sensate, Lyfefuel BeeKeeper's Naturals, Sauna Space, HigherDose, AG1 and ToeSox Be in the know with all the workshops at OPCBe It Till You See It Podcast SurveyBe a part of Lesley's Pilates MentorshipFREE Ditching Busy Webinar Resources:Watch the Be It Till You See It podcast on YouTube!Lesley Logan websiteBe It Till You See It PodcastOnline Pilates Classes by Lesley LoganOnline Pilates Classes by Lesley Logan on YouTubeProfitable Pilates Follow Us on Social Media:InstagramThe Be It Till You See It Podcast YouTube channelFacebookLinkedInThe OPC YouTube Channel Episode Transcript:Lesley Logan 0:00  So many women are so obsessed with either eating or not eating, or what they look like and how they're eating or not eating is going to help them that they are not being it until they see it because their brain is so hyper-focused on this thing that is taking away their brain space. Lesley Logan 0:18  Welcome to the Be It Till You See It podcast where we talk about taking messy action, knowing that perfect is boring. I'm Lesley Logan, Pilates instructor and fitness business coach. I've trained thousands of people around the world and the number one thing I see stopping people from achieving anything is self-doubt. My friends, action brings clarity and it's the antidote to fear. Each week, my guest will bring bold, executable, intrinsic and targeted steps that you can use to put yourself first and Be It Till You See It. It's a practice, not a perfect. Let's get started. Lesley Logan 0:59  Welcome back to the Be It Till You See It interview recap where my co-host in life, Brad, and I are going to dig into the eye-opening convo I have with Lisa Schlosberg in our last episode. If you haven't yet listened to that one, you missed out. We had a lot of fun. She's great. (inaudible) I know. I know. I, also, I was on her podcast, and she has the most amazing intuitive I thought she was like fucking followed me around high school and knew too much about me. It was amazing. It's so good. Lesley Logan 1:25  Okay, today is Thursday, October 24th and it is World Polio Day. So, you guys, a lot of people think that Polio is gone, but it is not gone. It's gone in a lot of places where the vaccine was very much welcomed, but there are some places that haven't had the vaccine, or there's some people who have been concerned about vaccinations, but there's no cure for polio. The only way to prevent you getting Polio is to have the vaccine. Brad Crowell 1:51  Literally. My uncle is in his 80s and he's had polio since his 40s, so he literally got it in his 40s which is crazy. Lesley Logan 2:01  Yeah, he survived. Brad Crowell 2:02  Yeah, he and he didn't let it stop him. He's a badass, but still, that sucks. Lesley Logan 2:06  I'm pretty sure Mia Farrow had polio and survived it and it was really rare. I watched the whole documentary on it. Anyway, and then she went around the world trying to help out with preventing polio. So, you guys, let me tell you a little more about this day. But World Polio Day is now annually observed on October 24th. This day commemorates global efforts towards a polio-free future as well as selfless sacrifices of those working on the front line of the battle to eradicate polio from every corner of the world. Polio is contagious through the ease with which the polio virus spreads. Although the virus is now exceedingly rare because of modern interventions, it can impair the brain regions that govern respiration, resulting in death. Polio has no recognized therapy, can only be avoided through vaccination. So make sure that people around you and wherever you live in this world are aware, because we know that we have people living who listen to this in many countries and so, you know. Brad Crowell 2:54  Well, yeah, I mean, they just sent in a bunch of peacekeepers to vaccinate kids in the war zone over in the Middle East right now. Also, there was cases in 2022 in New York State from people who are, you know, from someone who (inaudible) vaccine, so. Lesley Logan 3:10  And there's a lot of different reasons. We don't need to get a debate on this, but we're going to tell you that the science says on this. And if you are able to, you should, should understand what you're looking at, and then make sure that, if you feel really strongly about this, support the efforts of those people who are going around the world to help people in places where it has not been eradicated. So yeah, it's World Polio Day. Brad Crowell 3:31  It's World Polio Day. Lesley Logan 3:32  All right, you guys, we are back from Cambodia. We are gearing up for our next couple of amazing weeks, and we've got a lot going on, but you can still come join us in Cambodia, if you're like, oh my god, I had so much FOMO. I looked at Lesley's Instagram, and this, everything looks so beautiful, and I want to go there. You can, you can come in February. So go to crowsnestretreats.com do snag one of the last few spots. I'm going to be in Arizona in a couple weeks, and I'm gonna come home, and I'm gonna be in LA for a week because we're doing the Accessories Deck photo shoot. We're doing the photo shoot earlier because the team hated that we did it later last time. So we're doing it earlier, which means I have to be on top of my my strength game to being able to do these photos, because we don't even have one of the pieces of equipment that I'm doing things on. So that's why I'm gonna be in LA all week, truly cramming. Truly cramming. So you want to go to opc.me/flashcardwaitlist. If the accessories deck is something you're interested in.Brad Crowell 4:26  What is going to be included in the Accessories Deck? Lesley Logan 4:28  So there's a marble exercise, which you obviously you don't have to go buy a Pilates marble. You can just use marble. There's towel exercises. You can use a dish towel. There's toe corrector exercises. You can actually use rubber bands. There are push-up devices. We are going to actually figure out how to make a pair of those with PVC pipes, so that we can teach you how to do this. Because the beautiful wood ones are hand spun wood. And you know what they originally were, and we have these babe, you know, those wooden weights, so that's what they originally were. He took those wooden weights and drilled a hole into and make a base. And so now they just make these beautiful hand-spun wood and that's why they're like $700. Brad Crowell 5:08  Yeah, they're not cheap. Lesley Logan 5:08  We're gonna show you how make PVC ones. We got to work on that still. But at any rate, we'll have a foot corrector. You can't make that. You have to get that. We have the Ped-O-Pul. That one people, like I said (inaudible). Brad Crowell 5:18  You can have it made but it's complicated. Lesley Logan 5:20  It's complicated. It really depends on if you have access to the length of the metal. But it's also not that expensive. What else we're gonna have? We made two by four. You can make that. Sandbag. You can make that. So my goal is that more than 50% of this deck you can make, I have to count if I can get it to like 70% you can make, and then the rest is just these, like three random pieces. I'm so, so proud of myself. So that's what's in the Accessories Deck. It's all the tools that help you build yourself up to exercises you can't do yet. Brad Crowell 5:43  Yeah, love it. Well, next up. If you are a Pilates studio owner or home studio owner or you're renting space, come join me for a free webinar called the Pilates Studio Growth Accelerator. I'm going to be helping you hurdle how do you increase your income? We're going to be covering how to double your income over the next 12 months. We're going to basically be talking about three big secrets that Lesley and I have figured out after we've coached more than 2000 fitness businesses just like yours, literally, just like ours. I mean, this is something that we had to go through, and then we've been able to help people through and we know that we can help you through this as well, where it is absolutely possible for you to instead of barely keeping your head above water, you can actually make the money that you need to make so that you can take a deep breath and you can actually enjoy running your own business. I know that it can be super stressful, and this webinar will help you along that path, and we'd love to have you come join us for free. So join me by going to prfit.biz/accelerator. That is profit without the O, prfit.biz/accelerator. And then after that, come join Lesley and I on the road. We're going to be driving around the country during the winter. We're leaving at the beginning of December. We are going to be driving all the way to the East Coast, all the way up to Maine, and then all the way down to Florida, Miami, and then back along through the South, and we're going to be doing pop-up classes, over 8000 miles, 23 locations, almost 50 events. It's going to be amazing. We'd love to come meet you in person. So if you're going to be traveling for the holidays, maybe it lines up. Lesley Logan 7:15  We might be where you are. Brad Crowell 7:16  Yeah, come hang out. Go to opc.me/tour, opc.me/tour for tickets and merch. We got shirts. We got fun shirts. You get to come meet our pups, and it's gonna be a great time. We can't wait to meet you. So, yeah. Brad Crowell 7:29  All right, before we go any further, we do have an audience question. This one was from, don't mention my name. Anonymous. That's fair. Yeah, you can write in too and say, hey, love you. Please don't mention my name, but here's my question. Question is this, Hey Lesley, I read an article you wrote about running retreats. Would you feel comfortable if I asked a few questions? I recently was asked by my employer to help teach at our retreat. I had flights and accommodations paid for. Do you ever run retreats with employees (instructors)? And do you pay them for their role? My role far exceeded just being a Pilates instructor at the retreat, and I'm struggling to move past that. I feel like I should ask for compensation but I also want to be fair. Thanks for your time.Lesley Logan 8:16  I love the inflection on this question. Way to go, babe. You did a great job. You could you could read more questions. Nailed it. Yeah. So I don't answer questions like this in DM, so I answer them here, unless you are an agency or a member or agency on demand member, that's where we answer questions. Brad Crowell 8:30  Yeah. So thanks for asking the question. Lesley Logan 8:32  And also, I just want to say why I would never get him work done. The amount of questions we get asked that's why we do them here. For those who are non-members and I really appreciate that you trust us with this answer. So here's the deal. The mistake was made in that I can't decide because you said our retreat, but I can't decide as if you two designed this retreat together and then, but because you work as an employee, that there was a different compensation. So I can't decide that. Brad Crowell 8:55  That's not how I took it. I took it as if she's hired as at the studio, as a teacher. Lesley Logan 8:59  Yeah, so, and that's just as an employee. So then I was like, well, are you salaried? Do you have like, you always work 20 hours a week, and they pay you a salary. So no matter how much you work, you're paid. Brad Crowell 9:09  Somehow I find that unlikely. Lesley Logan 9:11  Okay, but do you see how, like, this is why.Brad Crowell 9:13  There are a lot of it. There's a lot of potential caveats here (inaudible). Lesley Logan 9:17  So let's just say you are paid hourly. This was their retreat. Brad Crowell 9:20  They probably pay, they pay based on how much you teach at your studio. That's typical.Lesley Logan 9:25  And you were paid by the class, or paid by the hour, whatever it is. And then they sold this retreat and they're bringing you on to teach the classes. What they should have done is said, we are going to pay for your flights and accommodations in exchange for you to teach at this retreat, because that is actually quite normal. Now, you can get mad at me and say, we're not paying someone for their time or (inaudible). Brad Crowell 9:46  But I think that's not the question. So it seems like it was more than just teaching at the retreat, as if that was the understanding then I think that's fair. Lesley Logan 9:54  Right. So this is another this is, so I'm not gonna, I'm not there yet. So, had the conversation been had, hey, Jessica, the people who are coming, they love you the most. We want you to be the one teaching the classes. So, this retreat is paid for and so your flights. All you have to do is teach the classes. By the way, this is how a lot of resorts work. A ton of resorts won't even pay for your flights. They'll just pay for your accommodations. Brad Crowell 10:19  Your food and accommodations. Lesley Logan 10:20  And you get to be at the resort, and you get to live at the resort for free, and eat for free, and work a couple hours a day in exchange for you teaching some classes. Now, obviously, as we get to that, your role far exceeded just teaching Pilates. I think you should actually have an honest conversation with them. Brad Crowell 10:39  I totally agree.Lesley Logan 10:40  I think you should feel comfortable doing that and just saying, hey, you know, when we talked about X, my understanding was that you are going to pay for X, Y and Z, and I was going to do B and D. However, I think we can both agree that at the retreat, I actually was doing what, I was doing B and D and. Brad Crowell 10:57  Probably client coordination, facilitating, making sure you're running around, prepping things, or go run an errand real quick.Lesley Logan 11:04  Yeah. And I would just say, like, I feel less comfortable with the agreement that we had, because I feel like I should have been paid for those extra roles, or those extra roles should have been something I was asked to do ahead of time.Brad Crowell 11:18  Yeah, because, you know, like, I understand this. If I'm going to show up to teach, then I probably have envisioned the rest of the retreat experience that I'm going to have and then to have that hijacked by, oh, can you be my, you know, executive assistant while I'm on the road, is frustrating. So I totally get that. I do think that it is reasonable to say, hey, something's been bothering me. I would love to sit down and talk with you about this. The way that it all unfolded at the retreat was not my expectation based on what we talked about before. Lesley Logan 11:50  Yeah, but I would be really specific. What did you guys talk about? What was your understanding, and then what did you specifically do that was outside of that understanding? Brad Crowell 11:58  Yeah, and it may be because you probably have a really close relationship with the studio owner or your employer, I mean, and it may be that you say, listen, I just really need to talk to you about this because I can't do it again that way next time. And if that's the extent of it, then you can tell them, you know, listen, I'm gonna let it go, but I have to have this problem. Or maybe the answer is, I need you to pay me for that. Lesley Logan 12:22  I think when you do this in person or at least over Zoom like you want facial, you want it, you want expressions there, you want to get a read, I would just say I need to get this off my chest, because it is making me uncomfortable here. And I just want to get your thoughts on it. And if they say, oh, this is what we agree to, and if they don't offer to immediately pay you, and if they like, go well, this is what we thought, you can just say okay, next time, I won't go under those conditions. You can say, I will teach, I will do this, but I won't do those other things. You have a right to say what you will or won't do. You can. If they agree to pay you, you can say thank you. But what I would just say is, like, really map out, be very specific, because if you are not, it doesn't go well. And everyone's like, what else did you, like, you know what I mean? I think you need to be really specific.Brad Crowell 13:06  And specific on the things that you didn't expect to be asked to do (inaudible). Lesley Logan 13:10  Yeah, so you also asked if I hire teachers for my retreats. I don't. And there's a few reasons for that. One, we sell the retreat as I'm the teacher. So there's that. We have brought people on our team to help us with retreats and it's very clear we're going to pay for X, Y and Z and you are going to have to do these roles at the retreat, and then the rest of the time is yours. So we brought our project manager last time, and she is a salaried employee, so therefore, you know, like that was just part of her work week. But we were also very clear, here's all the time you have off, here's all the things that you get to do, here's what we're paying for. Brad Crowell 13:49  And she came with her husband, and her husband was like, put me to work, man, I'm here to hang and I'm here to help out. And I was like, okay, cool. But he volunteered and so, you know, instead of being volun-told, not fun. Lesley Logan 14:00  Yes, it's not fun. And also, for anyone listening, this is why have conversations beforehand. You have to normalize talking about money and go what am I? What do you expect me to do here? What are your expectations of me on this retreat? Because it's very, it's very possible that they actually thought that you would be doing all the things you do at the studio. So, so this sounds like a miscommunication and also, employers, can you see how it's not cool to not be honest with your team members in like, what their expectations are? Like?Brad Crowell 14:30  Not even, I can't imagine that the employer was trying to pull a one, one-over, pull the wool over their eyes. I feel like this is just bad communication. Lesley Logan 14:38  Bad communication. Yeah, yeah. No, I agree. I agree with that completely. So here's the deal, we do have a course on how to create, sell and plan retreats. It's about 90 minutes. And I highly recommend that if you're wanting to do retreats. I also did a talk on Pilates anytime they asked me about marketing retreats and some things to think about. And so if you use LLogan, you'll get a 30-day trial and you can check out that course, and then you can buy our course, and it goes into much more detail about margins and how to plan things out. But I do not do joint retreats because the margins aren't really you have to sell even more people in it for the margins to be there. Retreats are not paid vacations to me, and when I do anything with anyone on my team, I am 100% doing my very best to make sure it is very clear. Here's what I expect of you, here's what you can expect of me. Now, does that? Is that perfect all the time? No. And that is where reflection is important, as the person who's hosting the thing, what could we've done better? And also trying to be a person where they can come to me and say, hey, I actually worked more than I anticipated. We also actually tell our people, you can only work X amount. We actually max it so that if they are running against a time clock, they don't run up the time clock before they talk to us. They can say, hey, I need more time to do this project and here's why. So, you know.Brad Crowell 15:58  Well, anyway, great question. Thanks for asking. That's a tough one. I love questions like that. Lesley Logan 16:02  Fingers crossed. Let's see how it goes. Brad Crowell 16:04  So if you have a question, just reach out. You know, text us at 310-905-5534 or you can hit us up on Instagram or YouTube or wherever, and we'd love to answer your question. Stick around. We'll be right back. We're going to talk about Lisa Schlosberg in just a second. Brad Crowell 16:21  Okay let's talk about Lisa Schlosberg. Lisa is a trauma-informed, emotional eating coach, licensed social worker and former personal trainer. She now helps people struggling with their relationship with food, body image and eating habits, offering a holistic approach to healing. Lisa's personal journey of overcoming obesity and disordered eating deeply informs her work today. Lesley Logan 16:44  So I don't like to do a lot of diet type things on here, but this is not about dieting. It's actually about emotional eating and disordered eating, and I really appreciate her approach to that, because she's not trying to get everyone to lose weight. We have friends who focus on macros, and everyone's just trying to lose weight, and she's not like that at all. She's really, like you said, holistic and trauma-informed about this kind of stuff and she is actually saying that a lot of times, people do a lot of things to restrict, like, you can't eat these things, you can't eat these things, and that actually, the restricting, can be a coping mechanism. So your food is a coping mechanism. That's why you're emotionally eating. And then by restricting food, that's a new coping mechanism so we're actually not solving any problems. And so she actually doesn't like to focus on restriction. She actually wants to get to the root of the cause. What is making you actually have these struggles with eating? And because if it wasn't eating, it would be something else. Brad Crowell 17:36  She said for her, when she was going through her personal journey of weight loss, she had been eating as a coping mechanism to deal or hide or numb the thing, whatever the thing was. And she didn't get into the specifics, but the reality is, she just postponed dealing with the thing until later on in life, when she was finally willing to tackle that thing. She says it still came up. She still had to deal with it. It just, it was like a postponement.Lesley Logan 18:06  Amy Ledin, episode five, that is similar stories. She lost all the weight but didn't actually deal with the thing, and that's why it came back. And so she was like, I, where, she doesn't want to remove coping mechanism without offering something in return. So she says she is, with her trauma-informed way of doing things, and it doesn't have to be with her, but, like, if anything, you have a coping mechanism with what you can, have to think about is, I'm not going to just remove that. I have to actually have a life jacket so that I don't feel like I'm drowning as I'm trying to remove the coping (inaudible).Brad Crowell 18:38  Yeah, what she was talking about was the food, you know, like for her, the food was the life jacket. And so she said, a lot of people that come into work with her, actually one person specifically said, I signed up for your program, and then I immediately started binge eating, because I was afraid that when we started the program, you were going to take all my food away from me. So before I lost it all, I was going to have the last little bit that I possibly could. I remember the, when I quit smoking cigarettes, I smoked two packs the day I quit because I was like, this is the end of the cigarettes (inaudible). Lesley Logan 19:10  That might have helped you get, like, sick of them.Brad Crowell 19:13  Yeah. But she said no, actually, when you come through my program, I'm not taking your food away. That's not what we're doing here. We are trying to identify the thing that you're avoiding or the thing that you're numbing by doing the action that you're taking, whether that is eating or drinking or whatever. She shared a pretty powerful mantra. She said, you're uncomfortable, you're not unsafe. Yeah, right, you're uncomfortable, you're not unsafe. I'm gonna say one more time, you're uncomfortable, you're not unsafe, right? She explained that our animal, this is really interesting, she said, we're an animal, we're a spiritual being living in a Lesley Logan 19:48  Animal's brain? Brad Crowell 19:49  She said we're a spiritual being with a body that eats food, with an animal brain. And I was like, this is really amazing, the way that she said those four things I can't remember exactly how she said that. Lesley Logan 19:59  Yeah, no, I think that's, I think you're pretty close. Brad Crowell 20:01  She said our animal brain is designed to keep us safe and it resists change and new habits because what it knows today is keeping us we are currently safe. That's why we're uncomfortable. We're not unsafe. So our brain thinks today you're not dying or you're safe, right? Lesley Logan 20:19  Well, also, people who have an emo, have a coping mechanism, which is food, the food makes them feel safe. And she is also saying it is okay to be uncomfortable. You have to tell yourself you're not unsafe. So you are uncomfortable, you're not on, you're not unsafe. Brad Crowell 20:33  Yeah, and so, well, the point is that while you might logically know that binge eating isn't going to be beneficial in the long run, even the idea of changing from that which you know is detrimental for you in the long run, your brain is going to say, but in this moment, I'm safe, so we're just going to keep doing what we're doing. I don't want to change. Right? And so what she said is by having this mantra, I'm uncomfortable, but I'm not unsafe, she's slowly training her subconscious, her animal mind, brain, to begin to relinquish that control, that fear of making the change. And she said that well, first off, she says she interprets this stepping outside of her comfort zone as potentially life-threatening danger even when it might not be right. And she emphasized the importance of using conscious thought to remind ourselves that discomfort is survivable. So that's another one. While we're uncomfortable, we're not unsafe. Discomfort is survivable is like another way to look at that same sense, and she said we need to leverage the power of our conscious mind by saying, I know this is scary, I know this is uncomfortable, but we're not going to die here. We are going to breathe through this. I know this is scary, I know this is uncomfortable, but we're not going to die here. We're going to breathe through this. And if this were me, I probably would have to put that on, (inaudible) cards all over the place to just continuously remind myself. Lesley Logan 21:56  I think you can do it for any coping mechanism. And so that's why I really like Lisa so much. And the other thing I want to say is, like so many women, are so obsessed with either eating or not eating, or what they look like, and how they're eating or not eating is going to help them that they are not being it until they see it, because their brain is so hyper-focused on this thing that is taking away their brain space. And so I really love that mantra. And I think you guys can use it for anything.Brad Crowell 22:24  Yeah, you know. And some people use Pilates as their coping mechanism, right? Because they can control it, and everything has to be perfect, and all this kind of a thing and then.Lesley Logan 22:34  And then they meet me and we take away the perfection, and I get to go, you're uncomfortable, you're not unsafe. And that's a hey, Jay said it ugly but not dangerous. Brad Crowell 22:42  That's right. That's exactly right. Ugly Pilates is okay.Lesley Logan 22:45  Dangerous Pilates never.Brad Crowell 22:46  Dangerous Pilates never. That's exactly right. These are great. I really love these concepts. Really great things to chew on. Stick around. We'll be right back as we're gonna dig into the Be It Action Items in just a minute. Brad Crowell 22:57  All right, so finally, let's talk about those, be it action items, what bold, executable, intrinsic or targeted action items can we take away from your convo with Lisa Schlosberg? She said, step one, identify the person that you want to be. Who is that person that you want to be in quality, right? What is the energetic blueprint of this human being that you are aspiring to be? Focus on qualities like being brave or compassionate or patient, rather than surface-level traits like thin or muscular, strong or whatever. I can't remember her story actually about this now, but she, she said for her, it was about being brave, and she had to focus on being brave. And I, I thought that was really cool. It's a clever way to kind of flip the script here on this like, just, I think she was talking about the restriction concept, and how restriction can just be just as controlling as the binging. Yeah. Focus on qualities like being brave, compassionate and patient. Step two, what would that energetic blueprint of a human that you're aspiring to be, what would they do? So imagine the actions that the person that you are aspiring to become, what would they actually do? With that energy and those qualities, what would they do in the situation that you are in or you are trying to navigate? And finally, step three, how do I do that. Right? Consider how you can embody those actions today, right now. And what does it look like, you know? What does it look like for me?Lesley Logan 24:23  I love this because it's like, we all give our friends the best advice for the highest place of love and light. And then when we are talking to ourselves, like, I can't do that, but she's asking to, like, take up a different view of yourself and then plan it out. And then go, okay, now it's my turn. I'm gonna do it. Brad Crowell 24:37  Yeah. And I would say this. I would pull out a piece of paper or a journal and I would write it down. And I would say write down step one, who do I want to be? Describe that person. You know? Who are they? What are the qualities of that person? What is that energetic blueprint? And then step two, write down, what would they do? And step three, how can I take a small step towards doing that today?Lesley Logan 24:58  All right, I. Love that. And then this.Brad Crowell 25:00  So what about you?Lesley Logan 25:01  Okay, so this is another thing you can put on a post it that you can repeat. So when you're facing a tough choice, she said ask yourself how do I want to show up in my life at this moment? So how do I want to show up in my life at this moment? And then she ex, she outsources the answer to her higher self, and she says what would the most resourceful version of me do right now? The most resourceful, I can't think of a better be it till you see it question, what would the most resourceful version of me do right now? And she said I connect to the highest, wisest, most resourceful version of me and have that kind of guidance. So if you were the most resourceful version of yourself with all the answers, and you're like, okay, I went to the person to ask for the advice, and it would just have to be the most resourceful version of you. Then you give yourself the best advice, and then you can go, you can solve that problem. I love it. I think it's great. Brad Crowell 25:51  I love it. Awesome. Lesley Logan 25:52  I can't, I mean it's a be it till you see it. So Lisa's so fun. I'm hoping we're gonna see her on tour, actually, she's gonna be at the Bushwick area, so that is really cool. And you know, whether or not I'm not saying everyone like that, you, you listening here have binge eating issues, but I do think we all have coping mechanisms. And I think you can insert your coping mechanism here when she's talking about it, and start to see, like, how am I doing? What am I doing? Why am I doing that? And then just make sure you find someone who's trauma-informed always to work with who understands. But Lisa's amazing. So thank you, Lisa. And are you guys gonna go listen to my story on her podcast? Out of the Cave?Brad Crowell 26:26  Oh yeah, Out of the Cave? Yeah, yeah, that's what it's called. Lesley Logan 26:29  Yeah. I'm Lesley Logan. Brad Crowell 26:31  And I'm Brad Crowell. Lesley Logan 26:32  Thank you so much for joining us today. How are you gonna use these tips in your life? You know, send this to a friend who you think is struggling with this. You don't have to be given one. Give some advice list, you can do it, and then they'll hear that we told you to do that, so that's how it goes. But please do. That's how this podcast helps more and more people and until next time, Be It Till You See It. Brad Crowell 26:48  Bye for now. Lesley Logan 26:51  That's all I got for this episode of the Be It Till You See It Podcast. One thing that would help both myself and future listeners is for you to rate the show and leave a review and follow or subscribe for free wherever you listen to your podcast. Also, make sure to introduce yourself over at the Be It Pod on Instagram. I would love to know more about you. Share this episode with whoever you think needs to hear it. Help us and others Be It Till You See It. Have an awesome day. Be It Till You See It is a production of The Bloom Podcast Network. If you want to leave us a message or a question that we might read on another episode, you can text us at +1-310-905-5534 or send a DM on Instagram @BeItPod. Brad Crowell 27:33  It's written, filmed, and recorded by your host, Lesley Logan, and me, Brad Crowell. Lesley Logan 27:38  It is transcribed, produced and edited by the epic team at Disenyo.co.Brad Crowell 27:43  Our theme music is by Ali at Apex Production Music and our branding by designer and artist, Gianfranco Cioffi.Lesley Logan 27:50  Special thanks to Melissa Solomon for creating our visuals.Brad Crowell 27:53  Also to Angelina Herico for adding all of our content to our website. And finally to Meridith Root for keeping us all on point and on time.Support this podcast at — https://redcircle.com/be-it-till-you-see-it/donationsAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

The Dames interrogate one of the more controversial of the great horror films: 1968's Rosemary's Baby, starring Mia Farrow and John Cassavetes, and directed by Roman Polanski. A complicated, multi-faceted film that's not always easy to talk about, both for its content and the feelings surrounding its director, there's no doubt that we have a lot to say about this one...including whether it might, maybe, be feminist (or not). We'll be back next week with Episode 300, talking The Babadook with a special guest!

Join Jay & Keith and their special guest Erin Casteneda as they discuss the 1971 thriller See No Evil starring Mia Farrow!

It's Kevin and Lauren this week and they talk Agatha All Along, Blink Twice, The Penguin, The Uglies, Happy Death Day, and The Roommate. The show kicks off classy with Lauren taking us to Broadway again. She talks about the new Mia Farrow and patty Lupone play, The Roommate. It's a great story of two women, late in their lives and with very different experiences, coming together to form a special bond. Definitely gives soem Grace and Frankie vibes. Kevin uses his excellent skills for transition to move the topic to Agatha All Along, using Patty Lupone as the bridge. Disney+ dropped the first two episodes at once so it was a great starting off point. The new show uses what Wandavision started, but quickly begins moving in it's own direction, showing Agatha's journey out from under Wanda's spell. Next, Lauren takes us to the movies with the new thriller, Blink Twice, starring Channing Tatum. It's a solid mind bender and the directorial debut of Zoe Kravitz. The film deserves it's trigger warning, as it's a take on the Jeffrey Epstein saga. It's a great new turn for Tatum's career and well worth the watch, if you can handle the subject matter. In an even less artful transition than the first one, Kevin uses Zoe Kravitz to segue to The Penguin on HBO. It stars Colin Ferrell, reprising his role from The Batman. This series gives him the opportunity to flesh out the character in a way that the movie couldn't. Ferrell does an amazing job disappearing into this character, as does the shockingly good (bad?) Cristin Milliotti. This one is going to be a solid watch. Like last week, Lauren's final contribution of the episode is a bit of a roast. She caugh The Uglies on Netflix and it's... not good. This one is getting wrecked on Rotten Tomatoes and Lauren struggled to find a reason to recommend it. At least she watched it so you don't have to! Kevin closes out the show with a bit of a flashback with the Happy Death Day movies. They'd always been on his spooky movie watch list, so he took the chance to jump in this season. They are more comedy slasher than horror, but they are fantastic movies! Jessica Rothe is fantastic and these movies belong on everyone's Halloween watch list! As always, thank you for watching. If you haven't already, don't forget to Like & Subscribe. We love new viewers! Also, leave us comments and let is know how we are doing and what we can be doing better. Enjoy the episode and have a great week! Facebook: @apncpodcast Twitter: @APNCPodcast Instagram: AllPopNoCulture

In this episode, we pull back the curtain on Broadway's latest, "The Roommate," starring the legendary Mia Farrow and Patti LuPone. Join us as we unpack this intriguing tale of reinvention and identity, exploring the unexpected chemistry between two powerhouse performers. We'll dive deep into the plot's twists and turns, analyze the production's strengths and weaknesses, and debate whether the play lives up to its star-studded billing. From surprising performances to questionable directorial choices, we leave no stone unturned in our quest to bring you the ultimate insider's perspective on this production. Is "The Roommate" a triumphant return for Mia Farrow? Does Patti LuPone's character get the spotlight she deserves? And why are audience reactions so divided? Tune in for our hot takes, behind-the-scenes insights, and a lively discussion that will make you feel like you're right there in the theater with us. Follow and connect with all things @HalfHourPodcast on Instagram, and YouTube. Share your thoughts with us on THE ROOMMATE on our podcast cover post on Instagram. Learn more about your ad choices. Visit megaphone.fm/adchoices

Chelsea welcomes actor and filmmaker Armida López to unpack Mia Farrow's memoir, “What Falls Away.” They explore Mia's life, from her Hollywood upbringing as the daughter of director John Farrow and actress Maureen O'Sullivan to her high-profile relationships with Frank Sinatra, André Previn, and Woody Allen. And then as I'm sure you guessed the last half of the episode is all about Woody and Mia's court case that set out prove or disprove allegations of his child abuse, and Chelsea yells a lot. A content warning: this episode contains discussions of sensitive topics including sexual abuse. Take care while listening and find helpful resources here. Where to order Chelsea's book: Bookshop.org Find other places to order Follow Chelsea: Instagram @chelseadevantez Join the cookie community: Become a member of the Patreon Show Notes: HBO docuseries “Allen v. Farrow” Netflix documentary "Victim/Suspect"  Where to find our guest: Armida López Instagram *** Glamorous Trash is all about going high and low at the same time— Glam and Trash. We recap and book club celebrity memoirs, deconstruct pop culture, and sometimes, we cry! If you've ever referenced Mariah Carey in therapy... then this is the podcast for you. Thank you to our sponsors: Visit Brooklinen.com and use code TRASH to get $20 off your order of $100 or more. Libro.fm - Click here to get 2 audiobooks for the price of 1 with your first month of membership using code TRASH. Learn more about your ad choices. Visit megaphone.fm/adchoices

Actress and singer Patti LuPone has left an indelible mark on the world of theater. Known for her breakthrough roles in musicals such as Evita and Les Misérables, and for collaborating with the likes of David Mamet and Stephen Sondheim, LuPone has equally stunned audiences with her voice and acting chops. With a new show on Broadway, The Roommate costarring Mia Farrow, and a role in the new Marvel series Agatha All Along, she speaks with Dan about her early days in a traveling theater group, whether or not she's seen a ghost in a haunted theater, what she learned from Mamet, and much more. Hosted on Acast. See acast.com/privacy for more information.

EPISODE 53 - “Tribute to Gena Rowlands” - 09/16/2024 ** This episode is sponsored brought to you by BetterHelp. Give online therapy a try at betterhelp.com/BENEATH and get on your way to being your best self.” ** When screen legend GENA ROWLANDS passed away last month at the age of 94, she left behind a film and TV legacy that will undoubtedly influence artists for decades to come. She was an acting titan who changed the way modern audiences looked at acting. From her historic independent movies with husband JOHN CASSAVETES to mainstream Hollywood to powerful performances in iconic television films, Rowlands' performances were always honest, complicated, and emotionally raw. There was just no one like her; and there never will be again. This week, we pay tribute to her endearing legacy on and off the screen. SHOW NOTES:  Sources: Cassavetes on Cassavetes (2001), by Ray Carney; In The Moment: My Life As An Actor (2004), by Ben Gazzara; “Family First, Says Pretty Blonde,” November 16, 1963, The Tribune (South Bend, IN); “I Want It All…Husband…Children…Career!” June 1975, by Ronald Bowers, Photoplay; “NBC Offers Drama About AIDS,” November 11, 1985, by John J. O'Connor, The New York Times; “To Mom With Love: Gena Rowlands' Son Directs Her Latest Film,” February 23, 1997, by Terry Lawson, Detroit Free Press; “Idol Chatter: Gena Rowlands,” 1999, by Al Weisel, Premiere Magazine; “Shop Talk: Actress Gena Rowlands, Not Much of a Shopper, Tells Tales,” February 15, 2002, by Gwen Davis, The Wall Street Journal; “Gena Rowlands On Pioneering The Indie Film Movement With Her Late Husband John Cassavetes,” November 13, 2015, by Scott Feinberg, The Hollywood Reporter; “Oscar Goes To Gena Rowlands,” November 14, 2015, by Susan King, Los Angeles Times; “And The Honorary Oscar Goes To…” November 20, 2015, by Scott Feinberg, The Hollywood Reporter; “The Notebook's Gena Rowlands Has Alzheimer's, Is in Full Dementia,” June 25, 2024, by Cara Lynn Shultz, People Magazine; “Gena Rowlands, Actress Who Brought Raw Drama To Her Roles, Dies at 94,” August 14, 2024, by Anita Gates, New York Times; TCM.com; IBDB.com; Movies Mentioned:  The High Cost of Loving (1958), starring Jose Ferrer; Lonely Are the Brave (1962), starring Kirk Douglas; The Spiral Road (1962), starring Rock Hudson; A Child is Waiting (1963), starring Burt Lancaster, Judy Garland; Tony Rome (1967), starring Frank Sinatra; Faces (1968), starring John Cassavetes; Minnie and Moskowitz (1971), starring Seymour Cassel; A Woman Under the Influence (1974), starring Peter Falk; Opening Night (1977), starring John Cassavetes, Ben Gazzara; A Question of Love (1978), starring Jane Alexander; The Brink's Job (1978), starring Peter Falk; Gloria (1980), starring John Adams; Tempest (1982), starring John Cassavetes; Love Streams (1984), starring John Cassavetes; Thursday's Child (1984), starring Don Murray; An Early Frost (1985), starring Aidan Quinn, Ben Gazzara; The Betty Ford Story (1987), starring Josef Sommer; Another Woman (1988), starring Mia Farrow; Once Around (1991), starring Richard Dreyfuss, Holly Hunter; Night On Earth (1991), starring Winona Ryder; Face of A Stranger (1992), starring Tyne Daly; Crazy In Love (1992), starring Holly Hunter; The Neon Bible (1995), starring Jacob Tierney; Unhook The Stars (1996), starring Marisa Tomei; She's So Lovely (1997), starring Sean Penn; Hope Floats (1998), starring Sandra Bullock; Hysterical Blindness (2003), starring Uma Thurman; The Notebook (1999), starring Ryan Gosling, Rachel McAdams; Broken English (2007), starring Parker Posey; Six Dance Lessons in Six Weeks (2014), starring Cheyenne Jackson; --------------------------------- http://www.airwavemedia.com Please contact sales@advertisecast.com if you would like to advertise on our podcast. Learn more about your ad choices. Visit megaphone.fm/adchoices

Patti LuPone has been a mainstay on Broadway for half a century. She's appeared in some 30 Broadway productions and has won three Tony Awards for her roles in “Evita,” “Gypsy,” and “Company.” And somehow, LuPone's career seems to be picking up steam in its sixth decade. Now LuPone is returning to Broadway in “The Roommate,” a play she's starring in alongside Mia Farrow.  At the same time, she is débuting in the Marvel Cinematic Universe, playing a witch in the miniseries “Agatha All Along.”  The staff writer Michael Schulman first wrote about LuPone (in one strange, forgotten dead end of her career) in 2019, and recently spoke with LuPone at her home.  Is it true, he wanted to know, that LuPone recently had Aubrey Plaza—her castmate on “Agatha”—for a short-term roommate?  Plaza had been offered her first role in a play, as LuPone relates it, and “she'd never been onstage. I know from years of experience how it can shock you, what is required of you to be a stage actor.” LuPone, the veteran, “was concerned for her. I said, Why don't you just stay with me and let me walk you through this as you come home like a deer caught in the headlights. … I did do her laundry, and I did make her soup.” 

Connor and Dylan are chatting, so I guess that means it's time for a TWIN TALK! In their first duo ep since announcing their partnership with iHeartRadio Broadway, the boys reintroduce themselves for any listeners new to the DRAMA. They have to dissect the Patti LuPone & Mia Farrow press tour ahead of The Roommate starting previews on Broadway, as well as celebrate Orfeh's return to the Main Stem in Chicago. Connor & Dylan look ahead to the fall season in NYC, as they eagerly anticipate star turns from Nicole Scherzinger, Audra McDonald, and some sexy Shakespeare productions. Listen in for praise of the superstar standbys of Broadway (shoutout Caroline Bowman and Kara Lindsay), as well as Connor's gag-worthy night at Cats: The Jellicle Ball. Buzz is building around Drag the Musical, Big Gay Jamboree, and of course Death Becomes Her. Did we mention we're gay? Stick around for references to Outlander, Glee, Austin Butler, The Deliverance, and more y'all!Follow DRAMA. on Twitter & Instagram & TiktokFollow Connor MacDowell on Twitter & InstagramFollow Dylan MacDowell on Twitter & InstagramSubscribe to our show on iHeartRadio Broadway! Support the podcast by subscribing to DRAMA+, which also includes bonus episodes, Instagram Close Friends content, and more!

Guest host: John Dickerson. In our cover story, Ben Tracy reports on how landslides and fires closing California's scenic Highway 1 are affecting residents and businesses in Big Sur. Also: In her first broadcast interview, Supreme Court Justice Ketanji Brown Jackson talks with Norah O'Donnell; Seth Doane sits down with Mia Farrow and Patti LuPone, co-starring in the Broadway play “The Roommate”; Luke Burbank interviews Ryan Seacrest, the new host of “Wheel of Fortune”; Kelefa Sanneh profiles actress, writer, director and producer Natasha Lyonne; and Jennifer Mayerle checks out the Greyhound Bus Museum In Hibbing, Minnesota, birthplace of the bus industry.See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

-Robert Kennedy Jr. did the unthinkable for a Democrat, for a Kennedy. He endorsed Donald Trump. Not only that, he made the health and welfare of children the centerpiece of his announcement. What happens now?  -Clinical pyschologist Andrew Hartz joins us to talk about how to get political bias out of psychotherapy. He has begun the Open Therapy Institute to combat the hard-left push that has made it so hard for hurting people to find a therapist they can trust not to "cancel" them or make their distress feel worse.  -Mock along as we skewer Oprah Winfrey, Mia Farrow, Michelle Obama, Kathy Hochul, and the entitled young women who vote for them! *************************** Disaffected is sponsored by Anton's Biltong, the best cured meat we've ever had. It's like beef jerky elevated to gourmet. Biltong is a South African vinegar and spice-cured meat that's good for you, keto friendly, and delicious. It's the best cured meat we've ever head.  Head to landofbiltong.com. Use promo code JOSH to get free shipping!See omnystudio.com/listener for privacy information.

“Mare? MARE? I? A HORSE? Is THAT what you take me for? Is THAT what you see?” We watched “The Last Unicorn” all by our lonesome and we're still recovering from our 1980's dark fantasy streak. What was it about the energy of 1980's kids movies that just fascinated us at the same time as scare the living dickens out of us? This movie is filled with spooky imagery, dark themes and can be downright scary but like a ton of similar ‘80s kids movies - we just love it! Mia Farrow as the Unicorn and the Lady Amalthea gives an ethereal performance filled with sorrow and melancholy - you know, kids stuff. The beautiful character design and water color backgrounds reel us in, but creepy characters like Mommy Fortuna (voiced by the ICON Angela Lansbury) and the unforgettable harpy give us the creeps to this day. When the Red Bull attacks we're still on the edge of our seats. We discuss the lore of unicorns, and the reboots that haven't manage to materialize. We were My Little Pony boys for sure, so The Last Unicorn was practically made for us, but the fantastic and spooky imagery combined with the hippy-dippy soundtrack makes for classic ‘80s kids movies.  Thanks for listening and don't forget to subscribe, rate and review us on Apple Podcasts! www.patreon.com/moviesthatmadeusgay Facebook/Instagram: @moviesthatmadeusgay Twitter: @MTMUGPod Scott Youngbauer: Twitter @oscarscott / Instagram @scottyoungballer Peter Lozano: Twitter/Instagram @peterlasagna

Seth takes a closer look at Trump lashing out against cell phone technology for making him sound insane during a disastrous livestream with Elon Musk.Then, Mia Farrow and Patti LuPone talk about meeting through Stephen Sondheim, Mia's full moon parties and their play The Roommate.See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

To close out Season 22 - although we're definitely still feeling 22 - Alicia has remixed various episodes about the life and loves of Frank Sinatra, Old Blue Eyes himself - into a mamma jamma supercut of Nancy, Sr., Ava Gardner, Mia Farrow, and a ton of trashy goodness. We hope it flies you to the moon while we take our between-seasons break. See you on July 7 when we kick off Season 23! Want early, ad-free episodes, regular Dumpster Dives, bonus divorces, limited series, Zoom hangouts, and more? Join us at patreon.com/trashydivorces! Want a personalized message for someone in your life? Check us out on Cameo! Sponsors This episode is sponsored by BetterHelp. Visit BetterHelp.com/trashy today to get 10% off your first month. Learn more about your ad choices. Visit podcastchoices.com/adchoices

This week in a special crossover episode, Alicia remixes the life and loves of Frank Sinatra, Old Blue Eyes himself - into a mamma jamma supercut of Nancy, Sr., Ava Gardner, Mia Farrow, as well as a ton of trashy goodness and so many spiderwebs! Learn more about your ad choices. Visit podcastchoices.com/adchoices