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3 episodes with Contrived
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2 episodes with Contrived
2 episodes with Contrived
2 episodes with Contrived
2 episodes with Contrived
2 episodes with Contrived
2 episodes with Contrived
2 episodes with Contrived
Contrived "battle" between Trump and protestors in Los Angeles begins. Hear global reaction to decision to deploy national guard. Margot in Israel analyzes the 2nd anti-Israel terror attack in 3 weeks on U.S. soil.
Are your characters saying all the right things—but somehow it still feels off?Contrived dialogue is one of the fastest ways to pull your reader or viewer out of the story. Whether you're a novelist or a screenwriter, when your dialogue feels stiff, forced, or unnatural, it kills immersion and weakens emotional impact.The worst part? You might not even realize you're doing it.In this episode, we dive into one of the most overlooked causes of fake-sounding dialogue—and more importantly, how to fix it. You'll learn a mindset shift and key storytelling tools that will instantly elevate your scenes and bring your characters to life.
Giovanni 'Johnny' Cirucci returns to Wake the Dead to discuss the Babylonian Talmud. Written by the same Pharisees which ordered the murder of Jesus Christ, the Talmud is the law of the Jewish religion. Contrived by the elders, debated on & written down. This is not magic words given to Moses on a mountain, it is the agreed upon ramblings of power hungry psychopaths. In previous episodes, Johnny has taught us the Jewish religion's proper place in the world order hierarchy & their ultimate role of the scapegoat. Johnny has a unique perspective we all should hear.Find Giovanni 'Johnny' Cirucci here:https://johnnycirucci.com/https://odysee.com/@Johnny_Cirucci:4https://www.amazon.com/stores/Johnny%20Cirucci/author/B01N6T2RT6Please donate to Sean McCannhttps://onegreatworknetwork.com/sean-mccann/donate/BTC (bitcoin) address: 3Ptmi463Pu6HH1duop7rCKaxBriQkb4inahttps://www.buymeacoffee.com/wakethedeadhttps://www.paypal.com/paypalme/seanmccannabisVisit Wake the Dead's store!https://wakethedead.creator-spring.com/Find Sean McCann on X:https://twitter.com/SeanWakeTheDeadJoin the Wake the Dead telegram:https://t.me/wakethedeadpodcastJoin the Wake the Dead guilded server:https://www.guilded.gg/i/kJWaQzmp
Not every sip of whiskey leads to an alcoholic's nightmare. But there are legitimate dangers we must avoid when dealing with any potential domino effect action. In the case of adding any additional requirement than faith to our salvation the dangers have eternal consequences. Certain clothing. Specific worship forms. Contrived initiation rites. These are the poison-tainted Kool Aide which we must not drink!
EVERY OTHER KREATIVE KONTROL EPISODE IS ONLY ACCESSIBLE TO MONTHLY $6 USD PATREON SUPPORTERS. This one is fine, but please subscribe now on Patreon so you never miss full episodes. Thanks!Loel Campbell and Michael “Turk” MacNeil from Contrived are here to discuss Addicted to Sadness, the band's first album since 2008, growing up in Stellarton, Nova Scotia and bonding over music, the Dependent Music community, how Brian Borcherdt often shared new music discoveries with friends, key producers like Charles Austin and Andy Magoffin, when Wintersleep blew up and people moved to Montreal, Turk's unique skills as a narrative lyricist, why Contrived is a going concern again, what's next for the band, other future plans, and much more. Support vish on Patreon! Thanks to the Bookshelf, Planet Bean Coffee, and Grandad's Donuts. Support Y.E.S.S., Pride Centre of Edmonton, and Letters to Santa. Follow vish online.Related episodes/links:Ep. #930: Dog DayEp. #900: Fugazi and Jem CohenEp. #889: Rick White and The SadiesEp. #808: Land of TalkEp. #657: Jud HaynesEp. #653: Dorothea Paas, Brian Borcherdt, Anyika Mark, Ruth Belay, Ani Castillo on Long NightEp. #519: Holy FuckEp. #364: Walter Shreifels of Dead Heavens, QuicksandEp. #117: Charles Austin of the Super FriendzSupport this show http://supporter.acast.com/kreative-kontrol. Hosted on Acast. See acast.com/privacy for more information.
Birkin bags are pricey and the producer restricts its potential buyers. Unfortunately, disgruntled customers who don't want to follow the company's rules are now appealing to US antitrust law.Original article: Contrived Scarcity and Antitrust Lawsuits—“It's Not a Bag, It's a Birkin”
Birkin bags are pricey and the producer restricts its potential buyers. Unfortunately, disgruntled customers who don't want to follow the company's rules are now appealing to US antitrust law.Original article: Contrived Scarcity and Antitrust Lawsuits—“It's Not a Bag, It's a Birkin”
PATREON MOVIE DISCUSSION: This movie was selected by our Patreon Supporters over at the Cinematic Doctrine Patreon. Support as little as $3 a month and have your voice heard!Shirleon joins Melvin to discuss another early M. Night Shyamalan success, Signs! Many consider this another knock-outta-the-park, while others look back and say, “It's all downhill from here.”. Regardless, there's plenty to discuss from this semi-spiritual alien-invasion flick.Topics:(PATREON EXCLUSIVE) 24-minutes discussing how 20% of Americans regularly get their news from influencers rather than old-media institutions, as per the Pew Research Center. (PATREON EXCLUSIVE)Shirleon liked the movie, and felt it was easily digested. Melvin, however, felt it was the beginning of the end.Mel Gibson left a lot to be desired even if a few of his scenes were decent.Melvin see's what people love about Signs but feels it's flip-flops between Shyamalan at his best and Shyamalan at his absolute worst.Discussing the usage of doors, doorways, framing, and staging.How a PG-13 rating may have made Signs hugely accessible to filmgoers and families, and how that may have helped make the "Brazilian Birthday Scene" so frightening (...even when it's not that scary).How the ending feels both rushed and sluggish.Recommendations:Vampire Survivors (2022) (Video Game)Arcane (2021) (TV-Series)The Fog (1980) (Movie)MAILBAG: Send questions with your first name and we'll answer them in future episodes! Support the showSupport on Patreon for Unique Perks! Early access to uncut episodes Vote on a movie/show we review One-time reward of two Cinematic Doctrine Stickers & Pins Social Links: Threads Website Instagram Facebook Group
Contrived fears are one thing. Real fear is something altogether different. It isn't enjoyable for anyone at all. It seeps in or leaps in. It takes over. When you get the news about the diagnosis. When your boss schedules a meeting at 4:30 on a Friday afternoon. When you get the phone call from one of your kids or family members late at night. When the tornado sirens go off at 1:30 AM… CCLI Copyright License 11107056 CCLI Streaming License CSPL085064l
Out of the Question Podcast: Uncovering the Question Behind the Question
When did generational divides in our culture emerge, and is the “generation gap” genuine or artificial? Does age classification accurately reflect individuals' nature? What happened to shared faith experiences across ages that once united families and communities?
When did generational divides in our culture emerge, and is the “generation gap” genuine or artificial? Does age classification accurately reflect individuals' nature? What happened to shared faith experiences across ages that once united families and communities?
When did generational divides in our culture emerge, and is the "generation gap" genuine or artificial? Does age classification accurately reflect individuals' nature? What happened to shared faith experiences across ages that once united families and communities?Host Andrea G. Schwartz , and co host Dr Charles H. Roberts.
In the third and final installment of the Understanding Reinforcement series, Sarah tackles natural and contrived contingencies. The natural contingency driving your dog's behavior is important for you to know about and leverage. Many natural contingencies are about avoidance, while our contrived contingencies tend to be about acquisition. Superimposing acquisition contingencies on top of avoidance contingencies often fails, but we can still be effective reward-based practitioners if we understand these processes. https://sarahstremming.com/products/ Sign up for courses and join the membership here: https://cogdogclassroom.mykajabi.com/ Join us on Patreon: https://www.patreon.com/cogdogradio Music by AlexGrohl from Pixabay
Why not buy a board game from our sponsors Kienda: kienda.co.uk/polyhedroncollider Warning: This podcast contains strong language and adult content In this episode of the Polyhedron Collider Podcast, Steve, Andy, and Rory break the mould and discuss a game on the bleeding edge of the tabletop gaming zeitgeist: Arcs, from Leder Games. Andy shares his highlights from Airecon North West boardgame convention, and Steve and Rory go on tour with the band in Draft & Write Records (from Inside Up Games) before building rival romanticised county villages in Dorfromantik: The Duel, from Pegasus Spiele. They round off the episode with some questions from the mailbag, including: what game mechanic are you rubbish at but utterly love? Games Mentioned 00:02:46 Set A Watch: Forsaken Isles 00:18:55 An Age Contrived 00:33:58 Nucleum Essen Preview 00:46:20 Revenant 00:49:02 Tir na NOg 00:52:57 Polaris 00:55:52 The bit where Andy said “Rory's right” 00:56:35 Flatiron 00:59:32 Nucleum: Court of Progress 01:01:18 Get Salty 01:03:32 Rock Hard 1977 01:04:58 Bantam West 01:08:10 Chandrigah 01:10:30 Civolution 01:12:44 Escape from New York. Andromeda's Edge, and Undaunted 2200: Callisto 01:14:58 Pampero 01:18:15 Baghdad: The City of Peace ⭐Show Sponsor: Kienda When you sign up to an account with Kienda use this link to bag yourself a wee discount and help support the show. Let's face it, you were going to buy a board game anyway
In this milestone 100th episode of the Surf Mastery Podcast, host Michael Frampton welcomes back the stylish surfer Devon Howard. Broadcasting from the Channel Islands office in Santa Barbara, Devon shares his insights on the elusive concept of style in surfing. The episode delves into the historical evolution of style, its significance in competitive surfing, and the subjective nature of defining style.Devon emphasizes the importance of making difficult maneuvers look effortless and how personal demeanor often mirrors one's surfing style. He contrasts the stylistic approaches of surfers like Joel Parkinson and Kelly Slater with the more explosive style of Adriano de Souza. Listeners are encouraged to focus on form over presentation, maintain a relaxed and efficient approach, and view style as a natural extension of personal expression.Episode Highlights:Introduction to Devon Howard: Recap of Devon's previous appearances on episodes 41, 77, and 86.Importance of Style in Surfing: Exploring the subjective nature of style and its impact on surfing performance and aesthetics.Origins of the Word 'Style': Michael provides a brief etymology of the word 'style' and its various meanings throughout history.Cultural Influence on Style: How different surf cultures and eras emphasize or de-emphasize style.Effortless Style: The concept of making difficult maneuvers look easy and the importance of being relaxed and calm.Influence of Personality on Style: How a surfer's personality often reflects in their surfing style.Contrived vs. Natural Style: The difference between genuinely stylish surfing and trying too hard to look stylish.Technical Aspects of Style: Tips for improving style through form, patience, and not rushing maneuvers.Style in Tube Riding: The inherent style in good tube riding and how it relates to other surfing maneuvers.Practical Advice: Devon's practical advice for surfers aiming to improve their style.Key Quotes:Devon Howard: “Style is oftentimes making the difficult look easy.”Michael Frampton: “You can be quick without being rushed.”Devon Howard: “Don't try to contrive it. Don't rush your surfing.”Follow Devon Howard Check out Devon's surfing and updates on his Instagram.Devon_howardLinkedin : https://www.linkedin.com/in/devon-howard-a4b2a613/.Connect with Surf Mastery:Surf Mastery Website: Download the free PDF with the top five tips from the Surf Mastery Podcast at surfmastery.com. Instagram: Surf MasteryFull Show Transcript:Devon Howard: When I. When I often think about style, there's always like there's two camps. There's the people that get it and and style is usually it's like you know it when you see it. I said, how do you know that something's pornographic versus art or beauty? And a lot of times the answer is, well, you know, when you see it, you know, something is gross or smut as opposed to art. Michael Frampton: Welcome back to the Surf Mastery Podcast. I am your host, Michael Frampton, and this is episode 100 of the podcast. A little bit of a milestone. Special guest for this episode. And we've also revamped the website Surf Mastery. Com and on the front page of that website is a free PDF listing the top five tips from the Surf Mastery Podcast. So go to Surf mastery.com and you can download that PDF for free. Today's guest. Well, I was looking back through all the stats on this podcast and the the most downloaded episodes have been from Devon Howard, so it made sense to have him on episode 100. And so you can go back and listen to. He first appeared on the show, uh, episode 41, discussing longboarding and nose riding. Then it was back in, uh, episode 77 zero. Uh, we talked about Mid-lengths in episode 86. It was Twin fins. And today in episode 100, Devin Howard joins us again to discuss style. Style is something that is in it's fundamental. It's paramount for every type of surfing that is done, from traditional longboarding all the way through to high performance, short boarding. All of the greats, all of the most memorable surfers have good style. They are stylish. From Joel Tudor in traditional longboarding through to Joel Parkinson as a high performance, competitive short boarder Tom Curren. Uh, mid lengths and twin fins. You got Torin Martin. Michael Frampton: And of course, Devon Howard himself is a very stylish surfer. He's very smooth, very graceful on a longboard, on a mid length and a twin fin. We've even seen some footage of him riding, uh, three thrusters out there on his Instagram. And his style, his technique, his gracefulness runs throughout his surfing. So a perfect topic for us to discuss in episode 100, so I would love to hear your feedback on the show in general. Last 100 episodes and of course this episode. Go ahead, send us an email Mike at Surf mastery.com. Or you can DM me on Instagram or leave a comment under the, uh, the visual for this episode. And of course, support Devin Howard, give his Instagram a follow. And of course, he's, uh, joining us from the Channel Islands office in Santa Barbara. Uh, Devin is currently working with Channel Islands, are working on some new surfboard models as well as he's you know, some of the most popular boards recently have been he's been a part of. So without further adieu, I shall fade in my conversation with Devon Howard. I actually see a lot of agreement between Brett and Chaz on this subject. Yeah, yeah, because there are there are thing right that you go to a Grateful Dead concert and you experience the show and the vibe, you don't really listen to them on Spotify. Devon Howard: Yeah. It's it's something to be enjoyed live. Michael Frampton: Yeah. There's a certain style and vibe to them I think that come across differently in person than it does. And also the audience they sort of draw in. Yeah. Rather to the music on Spotify right there. Devon Howard: There are two bands that I think are better live as well, which I think Radiohead is better live. I like Radiohead, I think a lot of their albums are great. I've been to a few of their shows that I think, no, this is 10 or 15 years ago. I don't know if that's still the case, but at the time when they were really peaking, they were insane live. And then I also saw James Brown live. Oh, wow. 25 years ago. And that was incredible. Mhm. I mean what a showman. Michael Frampton: Yes. Yeah I can imagine I mean there's the Radiohead live from the basement. Um unbelievable. Like gives you I can't remember what album it's they play in full from their studio basement studio and just makes you appreciate them on a whole nother level. Yeah. Just just by watching that on YouTube, not even being there. Well, yeah. Um, I remember seeing a gentleman called AMP Fiddler, another one of the best live acts I ever saw. Um, gave me a new appreciation of his music. He's sort of new, new age funk slash reggae. Um. Interesting music. Yeah. Catch a fire. Catch a fire. They're doing a tour through California at the moment. There are another unbelievable band live. Their live performance and sound is bigger than their their studio albums. I think they actually New Zealand band. You get a chance to see them. They often play in Santa Barbara. I forget the venue names, like a 500 capacity venue in Santa Barbara. They always play there. Devon Howard: Is that the ball? I'm not sure. Michael Frampton: Can't remember. Devon Howard: Anyway, a lot of venues there, but yeah. Michael Frampton: Style. Let's talk about style. Do you? Yeah. What would what do you know the origin of the word. Devon Howard: Um, I don't, but I'd imagine. Uh. Well, I hope you did some research on it. Is it, um, the Latin word is it is it is it Greek? Is it? Where does it come from? Michael Frampton: Let me sort of summarize from etymology online from the early 14th century started out as a writing instrument, pen or stylus, uh, a piece of a piece of written discourse or narrative, uh, characteristic. Characteristic, uh, rhetorical mode of an author, a manner or mode of expression. Uh, a way of life behavior. Uh, then the word sort of transformed, uh, the evolution of the word uh, from writing tool went into writing into manner of writing, into mode of expression, uh, in writing of a particular writer, writer or author. Um, and then it was in the 1500s. It was paired with the word substance, um, which basically meant back then, divine part of essence, sorry, divine part or essence, uh, and that, sort of, that sort of gave the word, uh, a deeper meaning, including finer parents or dashing character. Um, then it was the word then went into an artist's particular mode or form of skilled presentation that was later extended into athletics. Um, then by the 1800s it was distinctive or characteristic mode of dress. Obviously it was more in regards to fashion. Um, and so there's a, there's a little bit of a history of the word. So I think there's a lot of lot of depth to that. And it's certainly, um, it's very, uh, apt for, for surfing. A lot of those meanings, I think. Yes. Had tell me what you think about style and how important it is. Devon Howard: Well, style is um, from my personal experience growing up, it was a, it was a measure of good surfing and, um, it was a marker of, like, one's own presentation of their expression of surfing. Uh, I don't want to cheapen it by, I guess, using the word brand, like your brand of surfing, but, um, everyone has their own form of expression, and style is. Oftentimes I see style as making the difficult look easy and my own belief in, you know, just absorbing what was around me when I was a kid. You know, we're humans. We we sort of mimic and and imitate what's around us. I haven't innovated anything really at all. I've just looked what's around. And you take bits and pieces of first. You take it from your parents, of course. And then as you get out in the world, it's like what's going on around you. And in San Diego, where I grew up. And I think this was the same in many other served cities in not only the US but the world. Um, in the 80s, the older surfers, 10 to 20 years or year older than you, where style focused as opposed to this idea of, um, ripping or tearing something apart and in doing it with reckless abandon. Um, that was something that started getting more popular as I was a kid. So I was sort of born into this era where one thing was kind of falling out of favor. Um, and this other form of surfing was gaining popularity. And, uh, sorry, that was kind of a muddled answer, but it's it's I think it's one of the most difficult subjects in surfing to discuss or to describe because it's so subjective. Um, and it comes with the word style, comes with a lot of different ideas to people ranging from beauty to something that's very contrived and nonfunctional. Michael Frampton: Yeah. I mean, has the word style itself has, as you sort of addressed, has a lot of meanings, like everyone has their own unique style, you could say, but that doesn't necessarily mean that they are stylish. So when we think of when we think of stylish surfers, we do. We think of beauty and grace and flow. Um, so and I think it is related to, to that and it's related to efficiency, right? I mean, Rob Machado comes to mind. I think he's sort of an incredibly stylish surfer, but he's also fits in that modern category. Category of radical. Yeah, he encompasses both. And I mean, world champ Joel Parkinson obviously fit the criteria of of competition surfing but remained incredibly smooth and stylish. Devon Howard: Yeah. Well, um, you know, I think depending who where you grew up and what culture you came from or grew up in, um, style could also just not be that important. You know, if, if surfing to to you or just to any individual is about, um, really pushing as hard as they can with maneuvers and being as radical as they can and, you know, tearing apart a wave of, you know, like you think of the Brazilian storm. Guys there for years have been, you know, they're well deserved. They're incredible athletes. They are highly athletic. And it is explosive maneuvers. And they're acrobats in many ways. Um, for some reason, as that game has gained popularity, some aspects of the presentation and sort of fall into the wayside where, uh, in gymnastics, um, presentation and form is still really part of the whole thing was never really let like if you do a floor routine in gymnastics, um, or let's say dance or anything like that, they're doing really kind of athletic, powerful moves, but they also keep the form and I don't know quite the exact reason, but, uh, that sort of started falling out of favor in surfing, mostly because what drives our conversations oftentimes revolves around competition. Surfing, um, like competition surfing drives a lot of the media narratives, um, let's say, who are like, where do we get our information from? It's driven by the cell to, to whatever extent that is, stab in their audience. Devon Howard: Um, surf line kind of, sort of. But they're more focused on cameras and whatnot. And then the most of the magazines have gone out of business. But only ten years ago, a lot of the stories were driven by the the personalities and the folks that competed. And there was a mixed bag in there of surfers that had great style, like Joel Parkinson. He mentioned, um, I would say Kelly Slater has a good style. It's a different style. It's his own. Um, and then on the opposite end of that would be like an Adriano de Souza or somebody like that, where he's clearly just incredibly talented, but sort of putting his surfing together and like one seamless, fluid motion was not a focus of his. And so, um, it's been interesting to watch and the broader conversations of the mainstream, how that sort of played out, uh, in back to where I grew up. I grew up on the fringe of all that. Anyways, so I was riding longboards in the 80s and 90s that was as fringe as it got. And in that world, all through that time, um, style was still important, even when folks were trying to emulate Shortboard maneuvers on longboards, there was still an emphasis of style. Um, sorry. I'll shut up. I don't know where I'm going with that, but yeah. Michael Frampton: So I'm just wondering when you look at, I mean, I think that you mentioned the Brazilian storm. I think Gabriel Medina is quite stylish. Not all the time, but probably actually more so when you see him. Freeserve he sort of. He just seems to be more relaxed when he's not surfing in a competition. And I think that's maybe what separates the I think that's a big part of being stylish is you're very calm and you're relaxed. That doesn't necessarily mean you're going slower or that you're even putting less effort in. It's just maybe you referenced gymnastics. I think a gymnast could do the same routine. They get the same height, the same amount of power. But if one of their runs, they were purposely trying to keep the presentation of themselves relaxed and calm, it would be more visually appealing. Sort of making it look, look easy. Devon Howard: Yeah. That's the that's the thing. Making it difficult look easy. Mhm. In the 60s or 50s or whatever the boards weren't very maneuverable. So um clearly the market did. Surfing was just people who were stylish and could kind of keep it together. Um, hang on one second. Um, are you hearing a beeping on your end? What? I'm getting messages. Yeah. Michael Frampton: Is that your phone? Devon Howard: Yeah. I don't know how to turn off the iMessage on my, uh. Oh, it's on the computer. I'm trying to see how to undo this. Is this on. Michael Frampton: Your phone, a phone or your laptop or your iPad? Devon Howard: It's on my laptop. Oh, sorry. You're going to have to edit this out. That's all right. I'm just getting, like, every one of them. Don't fuck me up. The client. Claudia, um, do you have any idea how to get rid of iMessage off here? Preferences services? Michael Frampton: That's a good question. I don't I don't have my, um, I don't have my laptop linked to my phone, so. Yeah. Devon Howard: Don't do it. References. Let's say. Michael Frampton: I'd say I'd be under notifications, notifications and focus is like a bell symbol. Devon Howard: On, uh, on the computer itself or on the phone. Michael Frampton: I'm looking on my laptop. Devon Howard: Where did you find the notifications in System Preferences? Michael Frampton: Okay. Devon Howard: System preferences notifications. There they are. Look at that. Michael Frampton: And top top right there's a there's a button. Allow notifications so you can turn that off or on I'd say that's it. Devon Howard: Only five messages? There we go. Okay, I want to turn that off. Okay. Apologies for that. Okay. So, um. All right. Michael Frampton: So where were we? Let me throw out some some adjectives that I wrote down after thinking about style a little bit. Um, efficient. Graceful. Functional. Calm. Focused. Relaxed. Grounded. Present. Fearless. Or maybe, better put, courageous. Is there anything you would add to that or you think shouldn't be there? Devon Howard: Uh, no. I just think it's more about a calm and a gracefulness. It's mostly what it is. And it's just a it's just the form of your personal expression. I think a lot of the style, you'll see style of folks from a distance, and a lot of ways it matches up to their personality. Right? You'll see someone who's quite busy, a lot of a lot of kinetic, sort of frantic, uh, motions and, and not always the case, but sometimes, like, okay, this person's a little overcaffeinated in general, you know, they're really mellow, kind of quiet. People have this very quiet. Always meet a really quiet surfer with their style, and they're really loud and and obnoxious. There's exceptions to the rule, but if you think about it quickly, there's not often the case. And so, um, I think a lot of those adjectives actually work pretty well. Um, I don't what did you say? Courageous. Michael Frampton: Yeah. Devon Howard: I don't really know that that applies to it. Really. I don't think it's really much to do with courage other than. Well, I was. Michael Frampton: Thinking that I was just wondering if that was a better word than fearless. Devon Howard: Mhm. Michael Frampton: Because if you, if you look, if you look scared, that's not very stylish is it. Devon Howard: No, no it's very your tent style. And yeah I've said to people I don't do surf coaching, but if I've ever seen someone in the water and looks like they're struggling, if it's appropriate or sort of convenient, like they're just sort of right there. I'll say, do you do you mind if I offer some advice? It's usually well received. Um, a lot of times I've said, I think you just relax a little bit. Your body's too tense. Looks bad, but it also screws up the your ability to surf because now it's affected the form. Like you're sort of hunched over and bracing for, like, some sort of impact where you need to be more relaxed. The arms need to be relaxed, the shoulders should be relaxed. Surely you should be able to sort of slink back and into your knees and your hips and let those kind of bend and sort of sit into the board nicely. And so I think, um, what I, what I often think about style, there's always like there's two camps as the people that get it and, and style is usually it's like you know it when you see it. I said, how do you know that something's pornographic versus art or beauty? And the a lot of times the answer is, well, you know, when you see it, you know, something is gross or smut as opposed to art. Devon Howard: Like you go into an art gallery and there's naked, you know, images of a naked person. How is that not pornography? And it's like, well, you know, when you see it and it's like, style. You sort of know it when you see it, and then you have, um, the other end of that where people will feel style is just posing and looking cool, like you're putting your hands in the air to, to look like Alex Knost or Mickey Dora or Rob Machado, whoever the insert the surfer, you're trying to mimic their hand placement, and sometimes the hand placement provides no real function or value to the to the ride. Other than it. It might feel good, I guess, but it's not making you surf better. Um, where I like to, I often will. I will argue or believe that yes, there are people that pose and that does exist, I exist, grant you that. But good style also brings about, um, really good form. Or I would look at it a different way. Really good form pulls along the style into it. So if you have good form and whether that's in a barrel or a cutback, if your body is doing sort of the right things to make a beautiful, seamless ride easier. Devon Howard: Um, along with that usually comes a pretty good style if you don't have a good style. A lot of times the form is really working against your surfing. So for example, you got to do a cutback in your arm is up and back, um, front side. And let's say I'm turning this way. Front side cut back. Well, if my back arm is in the air waving behind me, I'm really struggling to get my body around and I'm actually having to work really hard for could potentially even injure yourself. Um, so that really hinders your surfing. But if I brought the arm in and drop it down and then have the arm kind of point toward where I want to go, the rest of my body goes. And it's actually quite easy to do the turn and consequently it looks much better. Doesn't look so awkward. Yeah. And and this could be said of your front arm. I've seen folks do cut backs with. I don't know why this happens, but sometimes their front arm is is sort of flailing and going behind them over here. Or they're extending and reaching too far. Um, so when there's this nice balance of the front and the back hand on the front side, cut back looks cool. Hey, that's great. If someone took a photo. Yeah, you probably put on the wall. Devon Howard: Looks pretty good. Looks like Michael Peterson or somebody or whatever. Joel Parkinson Ethan Ewing would be a really good contemporary example, I guess. And, um, but when it's all sort of like the form is there, it looks good, but now you're surfing better and the turn is faster and more complete. And also when you have nice form, you get the board in trim. What I mean by that is when when the boards in trim, it's sort of if you know anything about sailing, when everything's in alignment with the bow and the sail and the the boat is really hitting its top speed, there's nothing really hindering or dragging or fighting against um, that top trim speed. In surfing, you want to get to the top trim speed, because when you have speed, it's easier to complete maneuvers, it's less work. You go into the maneuvers with speed, you can do a lot better. It's like snowboarding. If anyone snowboarded you know that the first few days you're learning, the instructor will say, you just need to get going faster. You know what? We know that's scary. I don't want to go faster, but. Well, you're going so slow that that's why you're tumbling and you're catching an edge and you're getting stuck on the hill. Go faster. And then you see this light bulb moment with people like, my gosh, well, I should have just been going faster all along. Devon Howard: It's the same with surfing. You'll see people struggling to get trim speed because their form is so terrible. They're not understanding that the board is not even in trend. The board then noses out or they're waving their arms. They're there. They're there shaking their body like this, and they're trying to wiggle and do stuff. And you're watching the board underneath. And the board is just like on a gimbal, just like not getting any trim. It's just stop and go, stop and go. So it's this utter fail where if the person just relaxed a little bit, relax their arms, don't try to flop the body around and just get the idea of even going straight, which is hard to do on a chalkboard. Clearly, if you're a beginner, you probably shouldn't even be on the floor. Um, it's just going to be a struggle. Yet a board that's medium like a mid length or something, or a long board where you can kind of stand there and glide and trim, and then you can kind of get that form where your body is body's relaxed. And um, so a lot of times good style, I believe just comes with the right form, if that makes sense. Michael Frampton: I totally agree. Yeah. And that's what I think. That's what a surf coach, the surf coach's job is. And then it's once, once the person becomes at first the new, the better form will feel strange and maybe even, um, abnormal and uncomfortable. And it's only once that form becomes, uh, ingrained and you become comfortable with it, then it looks stylish. So it's it's maybe it's a precursor to style. Is is good form. Devon Howard: Yeah. Yeah, I think so. Um, another thing that I've thought about a lot in the last several years about style is, um, it, it sort of belies the, the technique or the difficulty of the maneuver. I think if it looks like someone's trying really super hard to do like a, let's say, a crazy air or just like the craziest turn where like, they blow, they like, blow the tail out and spin the board around and like, oh, whoa, that was insane. That was so difficult. But if you see somebody do a top speed cut back and they don't lose or drift the fins and they just go and mock 20 and just bam, come up fluid and seamless. You might say, man, that was really smooth. That was really stylish. But you don't often think that that was also really difficult. It's interesting. And, um, I'm not trying to get people to cheer more for the stylist, I guess, but I think it's worth sort of acknowledging that Mikey February or Torin Martin and some of those things they're doing, um, we're drawn to them because they're beautiful, which is undeniable. Um, but it's also interesting to think that these are the highest level people at the very upper echelon, at the top peak of, uh, you know, ability of sphere fame. And it something to be learned there, like to not just only acknowledge and only see the style which is great. Devon Howard: I love that I'll watch that stuff all day long, but to like hit the rewind button and look at what they're doing and how on rail that board is and how difficult it is to hold the line and not lose it. Because a lot of times, especially in performance, short boarding it, it's incredible what the surfers do. It's like it's a controlled failure of the surfing. So a lot of times when the fins release, it's a and I know this because I put a lot of thought into fins and foils and whatnot. A lot of the best high performance surfing maneuvers are, um, a controlled failure. Mhm. Um, they're pushing the limits of the board, and a lot of times the fins or the equipment can't really handle what these surfers are giving it. It's really interesting. Look at look at someone laying into a turn and their butt is sliding across the wave and the fins and the board and everything's sliding. Um, and then look at, like a mick Fanning or somebody who can hold that or Ethan Ewing and hold it all the way through. That's gnarly. That is just like peak form. But you're like, man, that was so smooth, but you're not ever saying that was so difficult to do. And I don't know what the point is I'm making. Devon Howard: I guess it comes back to, uh, like the kind of surfing I like to do. It's could be easily scoffed at as pretty easy, like, hey, mid-length surfing, you're just going straight. It's not really difficult. Um, but I don't know, man. At the highest levels. Like, I think what Torin Martin does, I think what February does if he's on a mid lake or other, you know, there's other surfers out there doing it and I cut a watch. Wow, look at that. 5/6 of the rail of that board is buried. And that's what I do myself. And that's to me that's the most thrilling thing is to bury that rail. How how far can I push this thing before it fails me? That's just really, really thrilling. You're just on the edge of disaster. You know, when you go on one of those seven foot boards, go to the bottom, slink, you know, and and coil up into the board and push it as hard as you can. Alex Moss does this really good as well. I can go on forever. People do a great job of this and they push all that board through. And then if you don't watch it, you know, if you're not too far forward or too much weight on your front foot, you'll slingshot up the face as this fast, free feeling, like a flying feeling that's highly addictive. Devon Howard: It's something that you just keep my people that are into those types of boards, they just keep chasing it. Um, and then down the line, do the same thing again. Now I'm going to bury a whole lot of rail on the cutback. How hard can I push it? And when I get down to the bottom of the wave, can I just keep going right back to the whitewater? Oh yes, I can. Damn. Just keep going. Sometimes it doesn't work out. Uh, and if you blow that, you're doing the split that's on the board. Now you've got a torn MCL. Um, but you're going full throttle. And that on that type of equipment. Um, the form is important so that you don't botch it because you really could get injured on some of these things. It probably someone who hears has got a laugh and think, this is a joke. Like, you're being really hyperbolic, bro. Come on. It's just a mid length and you're over water. Um, yeah. When you're pushing it really hard, it's it's it's thrilling and it's exciting and it is difficult to do and it's I think it's, um, it's really appealing to a lot of people. Um, and then they, you know, they go and try and do it and say, man, I, I wish I could surf like Rob Machado on this thing. Yeah. Michael Frampton: Well, all the surfers. Devon Howard: Take ten years. Michael Frampton: Yeah, if not longer. I think all the surfers you mention and the way you talk about their surfing is they're. Can they stay connected? You know, that as, as they're going through the, through the turns and in between turns, there's no there's no radical gain or loss of speed. Right. So that where they do the cutback isn't just a change of direction. It's in sync with that part of the wave. So they stay connected to the power source. So there's a certain it's a radical maneuver, but the speed doesn't waver too much, whereas some surfers might jump up to the top and bust the fins, and they might slow right down and then fall back down into the wave and go again. And it looks good in photos and maybe gets judged well in a competition. But it's not necessarily they're not as connected to the wave as other surfers. Devon Howard: Yeah. And again, that's debatable. I'm sure there's other people who will feel opposite of that. And that's great. You know, surfing's subjective. Yeah. And you know, in in just to bring it back a little bit to competition if that's okay. I know lots of people don't care about surf competition, but it is where a lot of the best surfing's happening. It's where the like the high bar is a lot of times um, and in the 60s and 70s style was just sort of, um, it wasn't like there was a style box that was ticked. It was it was sort of like this nice little cozy little wrapping around the surfing that was just a given, you know, so it didn't really need to be discussed. And then in the 80s, when in probably really the late 70s when the twin fin was really coming on with Mr. pushing that and Sean Thompson and other people chasing him. Um, they were packing in as many maneuvers as they possibly could into a ride to take away more points. And and this isn't my own thought or original idea. I've read these things elsewhere, and I agree with his take, which is somewhere along the way. The beauty just sort of eroded because the focus is now like we're getting really fixated on number of maneuvers. And this like real technical aspect of the difficulty of the maneuvers. Devon Howard: And surfing is already highly subjective. And you have this even more subjective thing, style. Um, and some of them may be, correct me if I'm wrong, maybe there was a style element at some point. I'm not aware of it, maybe there was. And um, so anyways, the 80s kind of moves on and there were clearly lots of stylish surfers. I mean, I grew up like many people my age, I'm 50, so I worshiped Tom Curren and I loved Tommy Carroll and a bunch of folks. There was lots of style, but there was also some people with some really hideous style, like Gary Elkerton and David and all these people. Nothing against them, man. Like, I think they're all incredible surfers, but there were some hideous styles and they crushed it in contests because they were just animals, like lacerating, tearing it up. And because the broader culture is being driven by whatever media is being consumed. And the media at the time was really sort of swiveling and craning and watching what's going on in competition, because that's like where the money's being plugged in. So those brands like, hey, we validate this thing we're doing, which is competition surfing. Um, and it just boiled down to what do you got to do to win this thing? And if making it look beautiful was not ever important, why would you spend time doing that? Tom Curran couldn't help himself. Devon Howard: He was stylish no matter what. But, um, lots, lots of other surfers weren't, and they did very well. Um, and so as the decade or two ensues, um, just the sort of broad mainstream viewpoint was, that style just wasn't important. However, the people that were in the sort of the underground, your locals, people that sort of stuck to the fringe and even the in people that short boarded as well, obviously still kind of kept style alive and in it. And the reason style always stayed alive is because the idea that human beings are drawn and attracted to beauty is as old as time, I think. I mean, who knows? When that began, I had a really nice chat with David Scales on, um, Surf Splendor, and we spoke about this there. So if you want to hear more about this, go check that out. I think it was a nice conversation, but I'll sort of reiterate some of the points there was. I read an article by Scott Hewlett in The Surfer's Journal, and he wrote quite a bit about style, and he illustrated a point that I'd never considered. And he sort of talking about this Greek artists. It was like 500 BC. I'm like, where is this thing going? Why are we talking about bronze sculptures? Um, but he made a really brilliant point, which is, okay, why does style matter? Why do we keep talking about it? Um, it's because beauty endures. Devon Howard: It is a common theme in human nature. Now, in recent times, I'd say beauty is being abandoned. If you look at modern architecture and just about any town, everything looks like shit. So I don't know what's going on there. We used to make beautiful buildings and now we're stopping doing it. Um, you we can't control that. But in surfing, we keep getting drawn back to this idea of beauty. Despite all those things that happen that we just talked about in the 80s and 90s competition, surfing and getting derailed. The broad culture still is always known instinctively that this is something that should, um, we should never stop cherishing. We should never stop celebrating. Um, and I think it's backed up by if you go to any Torin Martin video, go down to this thing below the screen that says views. A lot of Torin Martin videos have like a million plus views. Um, go over to Gabrielle Medina or anyone, and I'm not picking on these people. Just pick anybody. I'll bet you right now that Torin is is beating a lot of those surfers, 2 or 3 or 4 to 1 in terms of views. Now, you could argue that, well, there's more a lot more Gabriel Medina type surfers and there's not that many tour Martin's, I'll give you that. Devon Howard: But I, I think it's really because we are drawn to beauty. And so back to that Surfers Journal article, which is he he said, imagine taking those Greek statues and putting a surfboard underneath them. And when I was done reading the article, I went and I googled 500 BC Greek statue and I forget the artist's name, its Greek name, and I was instantly like, huh, look at that. You just put a surfboard under these statues. And some of the form and posture was a little bit silly, but a lot of it was pretty spot on. And then you go right over to Jerry Lopez, or you go to Mikey February or somebody else, and you can see that, um, there's a similarity to this idea of beauty. And then you go take it steps further, take it to, uh, any type of traditional dance. Have you ever seen ugly, poor form at any dance scenario where there's, like, serious people, whether it's ballroom or it's swing or it's foxtrot or it's tango or it's salsa, it's just incredibly beautiful. And it's this expression. The music is coming in. You're viewing and watching and feeling the music. There's that input, and the output is what these people are feeling. And so that our output in surfing is, is that form and that expression. Um, bullfighters. Same thing. Michael Frampton: Mhm. Devon Howard: Now the bullfighters have a little more of a pose at the end, the bulls coming in and the bull goes through the cape and they kind of hold it and they sort of like it's almost like a taunting of the bull. Like you didn't kill me. And look how calm I am right here. And a lot of the surfers in the 50s and 60s, they really admired the bullfighters as a great shot of Joey Cobell in Peru in the 60s. Guys never bullfight, but bull fought before, and he's down there and there's pictures of him in the bull ring with a Hawaiian print shirt on and doing the whole full Ole, you know. And so this idea of style really, um, is always going to matter and always be important to us. Um, so long as we don't ever abandon this, um, attraction of ours to beauty, you know, we're attracted to beautiful people. Clearly, that's a given, right? Um, but we're really drawn to beautiful, um, things art, architecture, wonderful garden, uh, an unmolested landscape. And so it I don't think people really care to give too much thought about style. Devon Howard: I think it's just sort of like I said, you know, when you see it, does it really need to be talked about? But I think in the context of a podcast like yours where people are trying to improve their surfing, um, having a real understanding that this isn't just for show style isn't just to look cool. It's not like putting on a cool outfit to look cool. Um, it's a real purpose driven thing. Certain articles of clothing look great, but they also have a purpose. Maybe it has SPF in it, maybe it's, um, built for a particular, um, activity to make it more comfortable. Um, for us, as I was saying in the very beginning, like the form, um, the style sort of follows the form. And if you, if you really think about your form and you're relaxed and you're sort of paying attention to the things that you talk about on your podcast or where people get their information, There's lots of different YouTube things, obviously. Um, you two could have nice style if you so desire. Michael Frampton: Yeah, I 100% agree. Surfing is first and foremost an art form. Mhm. It's only within competition that it becomes a sport. And then yes, sometimes we don't necessarily we sacrifice a bit of style for progression perhaps as well as what's happening in windsurfing is a sport. I still think the best of the best, the best of the best can buy. Like John John, he's number one at the moment for a reason. Not just because he's progressive, but because he he would do a progressive turn with calm style like no one else. Yeah, yeah. So I still have faith. I think there'll be the odd slip up. You know, Toledo's frantic aerial maneuver that goes higher than everyone else. The judges kind of. They can't not score it, you know. So, you know, there'll be blips in the system, glitches in the matrix, per se, until until the judges, you know, really start to consider style and and make that a point which hopefully, maybe one day they will. I think it would make, uh, I would make surfing more watchable. Devon Howard: Well, they have done so in longboard surfing. Yes. Longboard surfing has a much smaller audience, obviously. Um, but as I believe you and I talked about in the past, I think we did. I was at the WSL for a few years, and I worked on the longboard tour and built into the criteria is the word style also two other words flow and grace. Um, Style. Flow. Grace is in the criteria and it's hard, a little difficult to train the judges on it, you know? Um, it's highly subjective. It's something we could we could sit here for an hour, breaking down style, flow, grace. It will still feel like we barely scratched the surface. Um, because it's it is highly subjective. Just like art is just like music is just like food is just like, what kind of waves I like? Ah, it's just like that. It's just, um, really can be difficult to put your finger on it. But the way we did the training to help, um, these judges, if anyone cares to know this stuff is, um, have them really focus on somebody making something really difficult look easy, but also at the same time, dealt with sight of the positioning of the wave or the difficulty of the maneuver, because to the untrained eye, you could you could see someone doing a nose ride and maybe they're doing something really what you may think is beautiful on the nose. Devon Howard: Maybe their arms are held a certain way. It just looks kind of like cool. But if you pay close attention, they're like ten feet in front of the pocket and you're like, that's not that hard to do. Mhm. So the so what helps is in the other part of the criteria is um, the degree of difficulty that is part of it. So you have to, you're looking at the style of flow and grace but you're applying it to are these surfers in the pocket. Is the surfer using their rail or are they lifting the board out of the water? Because to lift the longboard out of the water and turn it as far easier than engaging the rail in the water and pushing it through a turn. That's much more difficult. And so it has been applied in longboard surfing. Let's see if we can. If anyone cares, we could try to do a campaign to get the Shortboard tour to break more. Michael Frampton: I'm with you. I'm with you. Ultimately, I do think it shines through and the cream always rises to the top. But it would be nice if it was literally in the criteria, and it was considered by each surfer to be a worthy consideration. Um, coming back to form, let me I'm going to share my screen with you. Let me. Hopefully this works. Oh, shit. Did that work? Can you see my screen? Devon Howard: I think so. Let me move my notes here a little bit. Oops. Too many things around here. I'm terrible at computer stuff, but second. So where it is now? Okay, I can see it now. Michael Frampton: So there's an example of a, you know, if that was placed on the nose of a longboard, it'd be quite cool. Devon Howard: Yeah, it's pretty close. Michael Frampton: But then also so here's you see on the left there is the way that a baby learns to stand now because the infant is so weak, there's only one way that they can learn to roll over and learn to stand up and hold themselves. Because their muscles are so weak, their bones have to be placed so accurately in order for them to be able to stand and move. And that's how we learn because of our our weakness and our slow progression into strength, we learn the most efficient way possible. Now it's the athletes that maintain that neurological efficiency that end up with the best form naturally, i.e. the way Kelly Slater's standing there in those barrels. Not only is he standing in a very similar way to the infant there, he's also very calm and relaxed in that position. Devon Howard: Yeah, I would definitely not be that calm in that way. Those waves. Michael Frampton: Exactly. So it does come back to to form. And it's also when when an athlete is standing with their joints in DNS, we call it joint centration and that the bones are stacked on top on top of each other in a very efficient way. It just looks right. Not only does it look right the way the forces are spread throughout the body, it doesn't feel hard. Anyone who's ever tried, if anyone, has ever tried to skate a vert ramp, for example, half pipe, it feels like, oh man, my legs aren't strong enough. How do people and then you watch a 12 year old just go up and down. They're not doing it because their legs are stronger than yours. They're not even doing it because they're stronger relative to their body weight. They're doing it because they're stacking themselves. Their bones and their joints are centered properly, and the force is being transferred throughout their entire body through the center of the bone and into the skateboard. Whereas someone who doesn't know what they're doing, they're trying to muscle their way through it. They only does it feel terrible. It looks terrible. Yeah. So I agree with that. Yeah. So it does come back to efficiency. And you said no good style is that you know it when you see it. My question to you is, do you know it when you feel it? Devon Howard: Yes. Um, I believe so. Um, I know, um, I've even had moments where I just didn't feel like I was in the right form. It just didn't the the turn didn't feel good or the particular move movement. Maybe it's a nose ride or something. Didn't feel great. And if you get a chance to be lucky enough to come across a video or a photo of that moment, you're like, mm, yeah, that that is actually backs it up. It looks a bit awkward. It looks a bit off. So and you definitely can feel good style because you like it, like it's all tethered to, to itself. Like it's it feels good. It looks good. Um, and it, it's sort of like carries on the ride. It's it's like when you get off the very beginning of the ride and the first bottom turn is successful and your feet are in the right place. It really sets up the rest of the ride. Um, if you botch that, let's say you screw it up getting to your feet or off the bottom. Then you get you. You screw up the pace of the wave. So, um, yeah, I've had times where my feet were too far forward or back or whatever. Um, or I hit a chop and my arms sort of waved a little bit, and then I got out of that rhythm. Um, and that didn't that definitely didn't feel good. And it certainly didn't, because it looked like I was rolling up the windows as opposed to my arms being sort of down and going the direction that I want to be headed. Devon Howard: A lot of times the front end, the back end oftentimes are going the direction you want to go. I find that to be very helpful, and that feels good to me because I feel really centered. I or you'd say stacked. You know, I never thought of it that way, but, um, so yeah, I would agree. I would say you definitely. You definitely feel it. Um, my own belief is I don't I don't do anything in the style that I feel is what's called contrived, where I'm trying to present before of some kind that it has a certain look. The form I have is, is really based off of function, and that's because I watched the generation two ahead of me at a waves like wind and sea and Cardiff Reef, and I watched the elders and what the I really watched closely what they were doing. How they were sinking down into the board. And I noticed that their hands, their fingers were never apart. Their, um, hand gestures were sort of always in the direction of where their board and body was heading. It was like this stacking or centering. He kind of like hunkered down, but they never looked stiff or scared or afraid of anything or timid. It was very, a very confident, almost like a martial artist, like a kung fu person or something that has confidence in the form of that particular move. Devon Howard: Um, the really good surfers, the real standout surfers. I, I identified that pretty young and I said, I want I need to learn how to do that. Um, so it was never a contrived thing, like, I need to look good and look cool. I just knew that that was good surfing. And as a consequence of learning going through that, it also felt really good. It was like a good golf swing. I don't golf at all, but I have friends who do and I can understand like how much work they put into that golf swing. And when they do that, clearly it looks good from a distance because they hit the ball and it goes right where they want it to go. So that's pretty awesome. But they'll tell you it feels good. It's like uh, or baseball. If you've ever played baseball, you know the feeling of a homerun. There's a sound of the bat and the feel through the bat into your hands, and you feel it. The follow through of the swing. You're like, that ball is out of here. It's pretty cool. Um, Mhm. A reward to not that it's work but there's sort of like this payoff and a reward to the dedication that it took to learn that, that art form. Mhm. Michael Frampton: But it always comes back to the feeling. Yeah. Devon Howard: It really does. Yeah I didn't I haven't put too much thought into the feeling piece of it. But um yeah. You know it's disgusting and really dumb and shallow. But I've, I've had moments where the way where the ride did it feel good, and I didn't even finish the wave. I was so not into the feeling. I just kicked out. I was like, I've botched this thing so bad that someone else just needs to finish it. I'm just. I just kick out and I go back up to the top and kind of regroup and go, what? What just went wrong there? And then, you know, like surfing. Everyone surfs for different reasons too. Like for some people, surfing is a couple times a month. It's an escape for them. They don't care if they surf. Well, that's not what they're there for. Michael Frampton: Like they're probably not listening to this, though. Devon Howard: Probably not. Um, and I like I've had people say, man, you look so serious when you're surfing. I'm like, I'm pretty serious about it. Like it? I'm to me, it's so strange. It's serious fun and and it's as I've gotten older, I haven't lost interest in it. It's like a it's like a hunt to me. It's really weird. No, and I don't I don't know if it's just some human thing of like the game and the chess moves and the everything involved with observing patterns. I've observed patterns for decades, and now I see the patterns, and the benefit for me is I know which wave to pick. I know where to beat. And by knowing that I've set up the ride and therefore I've sort of like predetermined this feeling that I'm after, which is, as I said, it's highly addicting. Surfing like you, you never satiated. Why is that? You always want another one. You always want more. Um. And but all through this process, the hunt, the enjoying, understanding the patterns, the chasing, the moment, the feeling. Um, there's a there's a tremendous sense of there's like a reward when all the elements have come together and you apply everything you've learned. It's a really cool feeling. I think you could say that about a lot of things in life, whatever your or your craft is. Devon Howard: And for me, surfing isn't just like some waste of time thing, like that's part of it. That's a bonus to me. Like, hey, I'm not doing chores or I'm not at work. That's fantastic. I will take that. But it's also like a craft. It's like a, it's a, it's it's a way I express myself. Some people do that through building things out of wood in their garage or a number of other things. Um, so the style piece of it, it's just sort of come along with it. It never was like, I'm going to really think about this super duper hard. Um, and you just, you learn through time that they the style and the and the form, they sort of, like, are tied together, you know, and you kind of look at it this way, and then you go back and look at it the other way, and they really come together nicely. And if you fight them, you're surfing. You're not going to surf as well. If you're not surfing as well, you're not going to feel it as right. You won't feel that thing we just talked about. Um, and then consequently, not that not that that many people care, but you're surfing is going to be kind of ugly. Michael Frampton: Thing is. Michael Frampton: It'll. Michael Frampton: Because when you are, when you're connected and you're efficient, it feels better. Simple as that. It feels better if you if you close your eyes and just imagine, like an image or a video section of someone who epitomizes style, are they? What are they feeling in the moment? Are they worried about what they look like? No, no. Are they are they are they scared? No. Are they putting in a ton of effort? Devon Howard: I would say no. Michael Frampton: It's in the. Devon Howard: Moment. Yeah. There's probably a small number of people who. It's contrived, like you could go to Byron Bay. Sorry. Sorry. Byron Bay. They pick on you right now. You could go to Malibu. Um, pick your spot. Ah, maybe Montego Bay. I don't know, uh, way inside there. There's going to be places where there are folks that, for whatever reason, this. Well, like, who cares? There's no, like, laws or rules. Like, I'm not mad about this. It's just they're just observations. That's it. They're really controlled. It's just so contrived. They're sort of putting the form or I'm sorry, let me back up. They're putting the presentation ahead of the form. You know, they're worried about all the bells and whistles and the dressing, but, like, at the core of all the ingredients going into making this beautiful thing, they've got it all wrong, you know? And so, um, you. Michael Frampton: Can always smell that though, I think. Devon Howard: And it's a missed opportunity for them. Uh, does it change my life or your life or anybody listening? You do. You, man. Like, I'm very libertarian in that way. I don't really care. But, um, we're on a podcast called Surf Mastery, so we're we're we're nerding out. And if you're here to get better, don't get caught up in the presentation. Get caught up in the form. The presentation is going to come along. And yeah, it's just like this beautiful byproduct. You don't have to really. You shouldn't have to try to have good style. You should you should try to be good at surfing. And then once you have that confidence, you know, if you see a photo or catch a surf line, rewind. If you can see that far and you happen to notice that your your hands are bent at the wrist and going in instead of out, or you happen to notice that your fingers are wide apart, you could pull them in and it looks better, but it also centers and stacks you. You start feeling more stacked over your board, and once you start doing that, it starts improving. Your style just starts improving. And, um, it's interesting that tube riding, this is what we talked about with David the other day, I think. Or maybe we didn't, I can't remember, but he someone I was talking to you about. It's interesting that almost all good tube writing has good style. Most of it you You rarely see someone with really hideous style getting as sick barrel. Yeah. Michael Frampton: So yeah, because the, the, the the wave will hit them in the butt with their post dance. They just don't they don't fit in their ugly. Devon Howard: Yeah I think it's true. He's a lesson there that can be applied to other maneuvers like but but it's not always true. That good tube style now equates to this beautiful style of the face. You'll see what doesn't fall apart. Um. Why is that? I don't know exactly. Maybe the. I think one thing that could help with style, um, from a technique standpoint, is, um, don't rush your surfing. I've noticed, like, folks that, remember we were talking earlier about breaking trim, um, and seeing people that are trying to wiggle. They're sort of swaying. A lot of times it's the upper body that's swaying when that's not really helping them in any way. It's not benefiting the the ride. It's causing the board to lift out of the water and side to side motion, typically. And now you're breaking the trip. Now in a short board. A short board needs to be side to side, but it's also got to be pushed so that it's it's building momentum in a forward fashion. The people that are not very good are kind of not going anywhere, because they don't understand that. They're just sort of wiggling their arms and breaking the trim. Devon Howard: Um, and I think if you just. Yeah, just like think about being a little bit more quiet, um, and, and being a little bit more quiet means you're not in a big hurry like you don't if you're not at a level where you need to try to get eight maneuvers in the wave, don't do it. Take take your time and get the two really nice maneuvers and those will feel really good. Be patient off the bottom when you're. Let's start from the beginning. You go and you paddle in. You go to do a bottom turn. Just be there in that moment with that bottom turn. Don't be thinking about the four moves you want to do down the line, because now it becomes this rut here. You're hurrying up the surfing, and now you're kind of like screwing up the pace of the ride. You're screwing up the pace of the wave. And when you do that, now you're out of sync. When you're out of sync, it doesn't feel or look good. So I think the best advice to like, how do I get good stop, start with the foreign and don't rush your surfing. Devon Howard: Don't try to contrive it. Don't try to Like I'm gonna have. Make sure my hands are up here and I'll go like this. And I'm looking backwards and going, okay, that's go. You do you. But you know, that's not helping you surf better. Michael Frampton: Yeah, yeah. You can you can be quick without being rushed. Devon Howard: Exactly. Michael Frampton: Like like a drummer that's drumming at 160 beats per minute. If they're ahead of the beat slightly. It sounds rushed, but if they're on the beat, it's in time. It's rhythm and they're nice and relaxed. They're still fast. They're just not rushed, utterly. And it's interesting you mentioned, like the hands curled and like this. If your hands are curled in like this, you will feel scared. Your physiology affects your emotions. That's a scared posture. That's a protective posture. So if you forcefully open up your hands, like Tony Robbins says, stand up tall and and straight and relaxed, you will feel better. But if you force yourself to smile, you will feel better inside. So I think that, you know, a bit of video analysis and analyzing your own style can actually and changing it can actually make surfing feel better as well. But, um, I love those tips. You just, um, said and it was a good summary and it's a great place to end. Devin, thank you so much. Devon Howard: All right. I hope we, uh, made some sense there. It's fun to talk about it, because I've felt this stuff for a long time, but I don't really ever talk about it. And it's only just in recent times. And, um, I gotta thank Scott Hulett from The Surfer's Journal for getting the gears going in my mind of how to think about this stuff. Um, it's fun to share it, so I hope people get some value out of this conversation. Michael Frampton: Yeah. Oh, definitely. Definitely. I mean, we can if you come up with more thoughts on it, let me know. We get you back on and we'll expand because it's an important topic. Devon Howard: Well, we're, um, we're in the middle of some fin placement on a mid lane, so I got to get back down there. So I also got this, um, dust down here. Michael Frampton: All right. Thanks, Devin. I'll let you write. You get back to it. Devon Howard: All right. Thank you. Michael. See you.Devon Howard On Surf Mastery Podcast Devon Howard On Surf Mastery Podcast
This is a free preview of a paid episode. To hear more, visit cocomocoe.substack.comDid you know that season 6 of “Love Island USA” had almost the same amount of minutes streamed as MAX's “House of the Dragons” Season 2? How did a show with .025% of the budget as one of televisions favorite dramas compete in viewership? We talk about that in today's episode of “Ahead of the Curve with Coco Mocoe”. What was the tipping point that made a dying show peak to the number 1 spot in it's sixth, and potentially final, season? Was it the addition of host Ariana Madix from “Vanderpump Rules”? Was it the chemistry of the cast? Was it luck? This episode is inspired by an article I read in Forbes by Jamie Gutfreund titled, “Thinking Like A Creator Can Help Brands Build Trust. Here's Why”. In this article, the veteran marketing strategist and long-time talent manager breaks down the virality of being authentic vs forcing it. She uses Alix Earle and “Love Island USA” season 6 as two case studies on how to do “authenticity” correctly. Links and references in this episode: * Forbes Article: “Think Like a Creator”* Deadline: “Love Island USA Doubles Viewership” * Screen Rant: “I Believe Love Island USA Season 6 Saved The Series”Episode Time Stamps:* 0:00 – Introduction * 3:45 – Table of Contents * 6:56 – The Success of “Love Island USA (Season 6)” vs Previous Seasons* 13:00 – How this season captured authenticity vs contrived reality TV * 20:24 – Why Love Island was genius for casting Ariana Madix from VPR as the new host* 27:22 – The key to viral “authenticity” as a creator or brand Paid Time Stamps (Extended Episode): * 31:27 – Two formats to go viral authentically on TikTok, YouTube and Instagram * 44:50 – Predictions for the “Love Island USA” cast* 48:42 – The comparisons between “Love Island” and “Vanderpump Rules” early daysRate the podcast to help it grow ⭐️Thank you for rating the podcast on Spotify, Apple Podcasts! This helps the podcast grow and reach more people who love marketing and pop culture as much as we do.For business inquiries, email: cocomocoe@gmail.comListen to the extended episode by subscribing for $9/month on Substack:Download the Substack app to listen to the episode from your phoneFollow Coco Mocoe on TikTok, Instagram and YouTube!* IG: @cocomocoe* TT: @cocomocoe* YT: coco mocoe
Catch “The Drive with Spence Checketts” from 2 pm to 6 pm weekdays on ESPN 700 & 92.1 FM. Produced by Porter Larsen. The latest on the Utah Jazz, Real Salt Lake, Utes, BYU + more sports storylines.
Catch “The Drive with Spence Checketts” from 2 pm to 6 pm weekdays on ESPN 700 & 92.1 FM. Produced by Porter Larsen. The latest on the Utah Jazz, Real Salt Lake, Utes, BYU + more sports storylines.
New Big 3—Starting July 29, 2024 Starting another Brand-New Hour— of The Steve Gruber Show—Coming to you Live from the heart of America— Delivering a strong daily dose of reality— while rejecting the non-sense from the left— I am fighting for you from the foxhole of freedom and will be honest with you no matter how much it hurts— Get Ready America—Here are your three big things to know this hour— Number One— Israel hits and kills two top level terrorists—one in Lebanon and one in the heart of Tehran—and now Iran promises to strike back— while the world watches— Number Two— Another video from the attempted assassination of Donald Trump—shows a stunning image—of the would be killer scampering along the roof of the building where he took his shots—BUT we're told he could not be seen— Number Three— The Fallacies of Kamala Harris—and her whole contrived candidacy—
Its trade deadline day - what will the Dodgers do? Is there no market for D'Angelo Russell? Contrived controversy surrounding the USA mens hoops team?
Dan talks about game design with Peter McLaren and Garry Seto of Massive Damage, creators of Halycon 6 and Star Renegades. The duo share their insights on designing sci-fi concepts, building an indie studio, and the influence of The Ur-Quan Masters. 0:00 - Theme music0:14 - Introductions2:26 - UQM and Super Melee12:48 - Alien dialog16:37 - Creating alien races26:42 - Building an indie studio35:16 - Revitalizing retro game concepts44:27 - Contrived vs. authentic remakes 55:50 - Games growing with their audienceFollow us on Twitter - https://twitter.com/theurquanmasterDiscuss with us on Discord - https://discord.gg/rasVCDmYKpPlease support us on Patreon - https://www.patreon.com/pistolshrimpLearn more about Pistol Shrimp - https://pistolshrimpgames.com/ Hosted on Acast. See acast.com/privacy for more information.
The MacVoices Live! panel of Chuck Joiner, Dave Ginsburg, Brian Flanigan-Arthurs, Marty Jencius, Eric Bolden, Ben Roethig, Web Bixby, Jeff Gamet, Guy Serle, and Jim Rea finish off a session discussing reports of cracks in the Apple Vision Pro, the click-bait articles about the costs of parts for the device. They also touch on the iPhone taking 7 of 10 top spots in global iPhone sales, and the updated internet judgements on the FineWoven cases. Today's MacVoices is supported by Backblaze. MacVoices listeners get a fully featured no risk free trial at Backblaze.com/macvoices. Go there, play with it, start protecting yourself from potential bad times! Start Today! Show Notes: Chapters: 0:00:00 Apple Vision Pro Controversies 0:03:44 Understanding Heat Generation 0:15:40 Cost of Apple Vision Pro Parts 0:21:27 Fine-Woven Cases Discussion 0:24:55 Apple's Environmental Design Choices 0:29:45 Media Headlines and Business Realities 0:32:37 iPhone Sales and Consumer Perceptions Links: Handful of Apple Vision Pro Units Develop Identical Crack in Cover Glass https://www.macrumors.com/2024/02/23/apple-vision-pro-front-glass-cracked-reports/ Vision Pro costs Apple less than half to make the headset than what it charges customers to buy it https://www.imore.com/vision-pro/vision-pro-costs-apple-less-than-half-to-make-the-headset-than-what-it-charges-customers-to-buy-it Apple's iPhone captured the top seven positions in the global list of best-selling smartphones in 2023 https://appleworld.today/apples-iphone-captured-the-top-seven-positions-in-the-global-list-of-best-selling-smartphones-in-2023/ FineWoven cases are junk, say majority, as they share photos https://9to5mac.com/2024/02/26/finewoven-cases-are-junk/ Guests: Web Bixby has been in the insurance business for 40 years and has been an Apple user for longer than that.You can catch up with him on Facebook, Twitter, and LinkedIn. Eric Bolden is into macOS, plants, sci-fi, food, and is a rural internet supporter. You can connect with him on Twitter, by email at embolden@mac.com, on Mastodon at @eabolden@techhub.social, and on his blog, Trending At Work. Brian Flanigan-Arthurs is an educator with a passion for providing results-driven, innovative learning strategies for all students, but particularly those who are at-risk. He is also a tech enthusiast who has a particular affinity for Apple since he first used the Apple IIGS as a student. You can contact Brian on twitter as @brian8944. He also recently opened a Mastodon account at @brian8944@mastodon.cloud. Jeff Gamet is a technology blogger, podcaster, author, and public speaker. Previously, he was The Mac Observer's Managing Editor, and the TextExpander Evangelist for Smile. He has presented at Macworld Expo, RSA Conference, several WordCamp events, along with many other conferences. You can find him on several podcasts such as The Mac Show, The Big Show, MacVoices, Mac OS Ken, This Week in iOS, and more. Jeff is easy to find on social media as @jgamet on Twitter and Instagram, jeffgamet on LinkedIn., @jgamet@mastodon.social on Mastodon, and on his YouTube Channel at YouTube.com/jgamet. David Ginsburg is the host of the weekly podcast In Touch With iOS where he discusses all things iOS, iPhone, iPad, Apple TV, Apple Watch, and related technologies. He is an IT professional supporting Mac, iOS and Windows users. Visit his YouTube channel at https://youtube.com/daveg65 and find and follow him on Twitter @daveg65 and on Mastodon at @daveg65@mastodon.cloud Dr. Marty Jencius has been an Associate Professor of Counseling at Kent State University since 2000. He has over 120 publications in books, chapters, journal articles, and others, along with 200 podcasts related to counseling, counselor education, and faculty life. His technology interest led him to develop the counseling profession ‘firsts,' including listservs, a web-based peer-reviewed journal, The Journal of Technology in Counseling, teaching and conferencing in virtual worlds as the founder of Counselor Education in Second Life, and podcast founder/producer of CounselorAudioSource.net and ThePodTalk.net. Currently, he produces a podcast about counseling and life questions, the Circular Firing Squad, and digital video interviews with legacies capturing the history of the counseling field. Generally, Marty is chasing the newest tech trends, which explains his interest in A.I. for teaching, research, and productivity. Marty is an active presenter and past president of the NorthEast Ohio Apple Corp (NEOAC). Jim Rea built his own computer from scratch in 1975, started programming in 1977, and has been an independent Mac developer continuously since 1984. He is the founder of ProVUE Development, and the author of Panorama X, ProVUE's ultra fast RAM based database software for the macOS platform. He's been a speaker at MacTech, MacWorld Expo and other industry conferences. Follow Jim at provue.com and via @provuejim@techhub.social on Mastodon. Ben Roethig has been in the Apple Ecosystem since the System 7 Days. He is the a former Associate Editor with Geek Beat, Co-Founder of The Tech Hangout and Deconstruct and currently shares his thoughts on RoethigTech. Contact him on Twitter and Mastodon. Guy Serle, best known for being one of the co-hosts of the MyMac Podcast, sincerely apologizes for anything he has done or caused to have happened while in possession of dangerous podcasting equipment. He should know better but being a blonde from Florida means he's probably incapable of understanding the damage he has wrought. Guy is also the author of the novel, The Maltese Cube. You can follow his exploits on Twitter, catch him on Mac to the Future on Facebook, at @Macparrot@mastodon.social, and find everything at VertShark.com. Support: Become a MacVoices Patron on Patreon http://patreon.com/macvoices Enjoy this episode? Make a one-time donation with PayPal Connect: Web: http://macvoices.com Twitter: http://www.twitter.com/chuckjoiner http://www.twitter.com/macvoices Mastodon: https://mastodon.cloud/@chuckjoiner Facebook: http://www.facebook.com/chuck.joiner MacVoices Page on Facebook: http://www.facebook.com/macvoices/ MacVoices Group on Facebook: http://www.facebook.com/groups/macvoice LinkedIn: https://www.linkedin.com/in/chuckjoiner/ Instagram: https://www.instagram.com/chuckjoiner/ Subscribe: Audio in iTunes Video in iTunes Subscribe manually via iTunes or any podcatcher: Audio: http://www.macvoices.com/rss/macvoicesrss Video: http://www.macvoices.com/rss/macvoicesvideorss
The MacVoices Live! panel of Chuck Joiner, Dave Ginsburg, Brian Flanigan-Arthurs, Marty Jencius, Eric Bolden, Ben Roethig, Web Bixby, Jeff Gamet, Guy Serle, and Jim Rea finish off a session discussing reports of cracks in the Apple Vision Pro, the click-bait articles about the costs of parts for the device. They also touch on the iPhone taking 7 of 10 top spots in global iPhone sales, and the updated internet judgements on the FineWoven cases. Today's MacVoices is supported by Backblaze. MacVoices listeners get a fully featured no risk free trial at Backblaze.com/macvoices. Go there, play with it, start protecting yourself from potential bad times! Start Today! Show Notes: Chapters: Links: Handful of Apple Vision Pro Units Develop Identical Crack in Cover Glass https://www.macrumors.com/2024/02/23/apple-vision-pro-front-glass-cracked-reports/ Vision Pro costs Apple less than half to make the headset than what it charges customers to buy it https://www.imore.com/vision-pro/vision-pro-costs-apple-less-than-half-to-make-the-headset-than-what-it-charges-customers-to-buy-it Apple's iPhone captured the top seven positions in the global list of best-selling smartphones in 2023 https://appleworld.today/apples-iphone-captured-the-top-seven-positions-in-the-global-list-of-best-selling-smartphones-in-2023/ FineWoven cases are junk, say majority, as they share photos https://9to5mac.com/2024/02/26/finewoven-cases-are-junk/ Guests: Web Bixby has been in the insurance business for 40 years and has been an Apple user for longer than that.You can catch up with him on Facebook, Twitter, and LinkedIn. Eric Bolden is into macOS, plants, sci-fi, food, and is a rural internet supporter. You can connect with him on Twitter, by email at embolden@mac.com, on Mastodon at @eabolden@techhub.social, and on his blog, Trending At Work. Brian Flanigan-Arthurs is an educator with a passion for providing results-driven, innovative learning strategies for all students, but particularly those who are at-risk. He is also a tech enthusiast who has a particular affinity for Apple since he first used the Apple IIGS as a student. You can contact Brian on twitter as @brian8944. He also recently opened a Mastodon account at @brian8944@mastodon.cloud. Jeff Gamet is a technology blogger, podcaster, author, and public speaker. Previously, he was The Mac Observer's Managing Editor, and the TextExpander Evangelist for Smile. He has presented at Macworld Expo, RSA Conference, several WordCamp events, along with many other conferences. You can find him on several podcasts such as The Mac Show, The Big Show, MacVoices, Mac OS Ken, This Week in iOS, and more. Jeff is easy to find on social media as @jgamet on Twitter and Instagram, jeffgamet on LinkedIn., @jgamet@mastodon.social on Mastodon, and on his YouTube Channel at YouTube.com/jgamet. David Ginsburg is the host of the weekly podcast In Touch With iOS where he discusses all things iOS, iPhone, iPad, Apple TV, Apple Watch, and related technologies. He is an IT professional supporting Mac, iOS and Windows users. Visit his YouTube channel at https://youtube.com/daveg65 and find and follow him on Twitter @daveg65 and on Mastodon at @daveg65@mastodon.cloud Dr. Marty Jencius has been an Associate Professor of Counseling at Kent State University since 2000. He has over 120 publications in books, chapters, journal articles, and others, along with 200 podcasts related to counseling, counselor education, and faculty life. His technology interest led him to develop the counseling profession ‘firsts,' including listservs, a web-based peer-reviewed journal, The Journal of Technology in Counseling, teaching and conferencing in virtual worlds as the founder of Counselor Education in Second Life, and podcast founder/producer of CounselorAudioSource.net and ThePodTalk.net. Currently, he produces a podcast about counseling and life questions, the Circular Firing Squad, and digital video interviews with legacies capturing the history of the counseling field. Generally, Marty is chasing the newest tech trends, which explains his interest in A.I. for teaching, research, and productivity. Marty is an active presenter and past president of the NorthEast Ohio Apple Corp (NEOAC). Jim Rea built his own computer from scratch in 1975, started programming in 1977, and has been an independent Mac developer continuously since 1984. He is the founder of ProVUE Development, and the author of Panorama X, ProVUE's ultra fast RAM based database software for the macOS platform. He's been a speaker at MacTech, MacWorld Expo and other industry conferences. Follow Jim at provue.com and via @provuejim@techhub.social on Mastodon. Ben Roethig has been in the Apple Ecosystem since the System 7 Days. He is the a former Associate Editor with Geek Beat, Co-Founder of The Tech Hangout and Deconstruct and currently shares his thoughts on RoethigTech. Contact him on Twitter and Mastodon. Guy Serle, best known for being one of the co-hosts of the MyMac Podcast, sincerely apologizes for anything he has done or caused to have happened while in possession of dangerous podcasting equipment. He should know better but being a blonde from Florida means he's probably incapable of understanding the damage he has wrought. Guy is also the author of the novel, The Maltese Cube. You can follow his exploits on Twitter, catch him on Mac to the Future on Facebook, at @Macparrot@mastodon.social, and find everything at VertShark.com. Support: Become a MacVoices Patron on Patreon http://patreon.com/macvoices Enjoy this episode? Make a one-time donation with PayPal Connect: Web: http://macvoices.com Twitter: http://www.twitter.com/chuckjoiner http://www.twitter.com/macvoices Mastodon: https://mastodon.cloud/@chuckjoiner Facebook: http://www.facebook.com/chuck.joiner MacVoices Page on Facebook: http://www.facebook.com/macvoices/ MacVoices Group on Facebook: http://www.facebook.com/groups/macvoice LinkedIn: https://www.linkedin.com/in/chuckjoiner/ Instagram: https://www.instagram.com/chuckjoiner/ Subscribe: Audio in iTunes Video in iTunes Subscribe manually via iTunes or any podcatcher: Audio: http://www.macvoices.com/rss/macvoicesrss Video: http://www.macvoices.com/rss/macvoicesvideorss 00:00:00 Apple Vision Pro Controversies 00:03:44 Understanding Heat Generation 00:15:40 Cost of Apple Vision Pro Parts 00:21:27 Fine-Woven Cases Discussion 00:24:54 Apple's Environmental Design Choices 00:29:45 Media Headlines and Business Realities 00:32:37 iPhone Sales and Consumer Perceptions
Over the winter holiday, Matt Driscoll, columnist and opinion editor at The News Tribune, reached out to talk about the firing of Claudine Gay from her role of President of Harvard University. Gay was brought...
Dennis is in St. Louis and asks Julie… why has being successful not gone to your head? They spend time defining success versus accomplishment. Many American kids when asked what they want to be when they grow up answer: famous. Fame is wildly overrated… what matters is that you've touched people with good values. They discuss the inversions in modern American society… we have privileged people protesting privilege. Contrived victimhood is sickening. Why is merit considered to be a white supremacist value? Don't say America is not systemically racist… the Left IS systemically racist. Is there anything the Left could do that would persuade a Democrat to vote Republican? Julie mentions her great interview with Monica Harris, the author of The Illusion of Division. How do you navigate the widening moral and civilizational gap in this world and maintain friendships? Dennis advocates compassion in the micro and standards in the macro. Music: Straight to the Point c 2022Richard Friedman Music Publishing 100%Richard Friedman Writers 100%ASCAP (PRO)IPI128741568RichardFriedmanMusic.comSee omnystudio.com/listener for privacy information.
Dennis is in St. Louis and asks Julie… why has being successful not gone to your head? They spend time defining success versus accomplishment. Many American kids when asked what they want to be when they grow up answer: famous. Fame is wildly overrated… what matters is that you've touched people with good values. They discuss the inversions in modern American society… we have privileged people protesting privilege. Contrived victimhood is sickening. Why is merit considered to be a white supremacist value? Don't say America is not systemically racist… the Left IS systemically racist. Is there anything the Left could do that would persuade a Democrat to vote Republican? Julie mentions her great interview with Monica Harris, the author of The Illusion of Division. How do you navigate the widening moral and civilizational gap in this world and maintain friendships? Dennis advocates compassion in the micro and standards in the macro. Music: Straight to the Point c 2022Richard Friedman Music Publishing 100%Richard Friedman Writers 100%ASCAP (PRO)IPI128741568RichardFriedmanMusic.comSee omnystudio.com/listener for privacy information.
Hey everyone! Jeff here, and I am thrilled to announce the release of our latest episode of the Jaded Mechanic podcast. This one is a real gem, filled with thought-provoking insights and reflections on the joys and challenges of a career in automotive repair.
Last week, I talked about connecting your personal brand and your thought leadership Your stories and experiences are integral to both. Your stories connect you with your audience. Have you ever heard a speaker share a story and have one of these reactions: #1: Wow, I really feel connected to what this person is saying. I have a new perspective on my own situation. -OR- #2: Why is this person telling this story? I don't get how this relates to the rest of their content or why I should care or this feels icky. You don't want to end up being the speaker where the people in the audience are having the second reaction. You want your stories to have purpose and meaning and be of service to your audience. In this episode, Diane Diaz and I talk about: Contrived vulnerability (your audience can tell) What contrived storytelling sounds like and feels like The elements of authentic storytelling Examples of authentic storytelling, from our clients and from our own talks We're doing a NEW workshop series this fall live on Zoom. Join us in October for personal branding and brand voice; in November for storytelling; and in December for using AI tools for speaking. Get all the details and register at https://www.speakingyourbrand.com/workshops/. About Us: The Speaking Your Brand podcast is hosted by Carol Cox. At Speaking Your Brand, we help women entrepreneurs and professionals clarify their brand message and story, create their signature talks, and develop their thought leadership platforms. Our mission is to get more women in positions of influence and power because it's through women's stories, voices, and visibility that we challenge the status quo and change existing systems. Check out our coaching programs at https://www.speakingyourbrand.com. Links: Show notes at https://www.speakingyourbrand.com/350/ Register for our live online workshops on Zoom this fall = https://www.speakingyourbrand.com/workshops/ Storytelling workshop on November 16: https://www.speakingyourbrand.com/storytelling-workshop/ Discover your Speaker Archetype by taking our free quiz at https://www.speakingyourbrand.com/quiz/ Connect on LinkedIn: Carol Cox = https://www.linkedin.com/in/carolcox Diane Diaz = https://www.linkedin.com/in/dianediaz Related Podcast Episodes: Episode 337: Sharing Your Story as a Catalyst for Transformation with Karen Keene Episode 341: Unearthing Your Unique Message: Discovering What Makes You Stand Out with Judy Carlson Episode 92: Deconstructing My TEDx Talk: Why We're Uncomfortable with Women in Power
0:00 Intro 2:03 Major News 9:40 RFK Jr. 34:22 The Three-Front War 43:43 Seattle 49:12 Interview with Steve Poplar - Coordinated media attack on Russell Brand is obviously CONTRIVED to SILENCE a truth teller - US DoD wants a THREE-front war: #Russia #China and #Mexico all at the same time (INSANE) - US Army War College warns U.S. should expect 100,000 casualties PER MONTH - "Partial conscription" will be necessary to replace all the dead US soldiers (men and women) - UAW strike could put 146,000 workers out of work and plummet GDP by $5.6 billion - Auto manufacturers are destroying themselves by making EVs nobody wants - Texas AG Ken Paxton survives impeachment attempt engineered by Bush family, RINOs and Dems - Weekend assassination attempt targeted RFK, Jr. (but failed thanks to his security team) - Los Angeles spends $44,000 PER TENT to build a tent city for ever-increasing #homeless - Democrat policies will produce a huge increase in homelessness, lawlessness and crime - Entire city for #illegals being built in Texas, North of Houston... a BEACH HEAD for invasion - #California passes $20 minimum wage law that will obliterate the entire fast food industry - RFK Jr. holds town hall event and announces final warning to #DNC over election rigging - Will RFK Jr. run as an independent? Does this help Dems, or Trump? For more updates, visit: http://www.brighteon.com/channel/hrreport NaturalNews videos would not be possible without you, as always we remain passionately dedicated to our mission of educating people all over the world on the subject of natural healing remedies and personal liberty (food freedom, medical freedom, the freedom of speech, etc.). Together, we're helping create a better world, with more honest food labeling, reduced chemical contamination, the avoidance of toxic heavy metals and vastly increased scientific transparency. ▶️ Every dollar you spend at the Health Ranger Store goes toward helping us achieve important science and content goals for humanity: https://www.healthrangerstore.com/ ▶️ Sign Up For Our Newsletter: https://www.naturalnews.com/Readerregistration.html ▶️ Brighteon: https://www.brighteon.com/channels/hrreport ▶️ Join Our Social Network: https://brighteon.social/@HealthRanger ▶️ Check In Stock Products at: https://PrepWithMike.com
Practice Friday morning news montage. Nancy Pelosi admits the position of Vice President of the United States is useless. National media misrepresents a Seattle cop who was sarcastically joking about lawyers in light of a pedestrian killed by a squad car. // Stolen Van Gogh painting recovered in Ikea bag. MSNBC's Joe Scarborough admits that democrats are worried about Biden's age behind the scenes. Nancy Pelosi says Kamala Harris really doesn't do that much. // Costco loses a popular soup over a recall. Claire McCaskill says Biden should use his age as an advantage and Bryan thinks that would backfire. See omnystudio.com/listener for privacy information.
150: The hottest babes will not be found in prosperous countries, but in countries ON THE VERGE OF PROSPERITY. The world's ugliest women will continue to be found in backward primitive societies. 151: Frequency and absurdity of female DELUSIONS about their ROMANTIC WORTH are directly proportional to real world evidence of their romantic worthlessness. 152: Women, and leftoids, are unhappy when they have NO DOMINANT POWER to whom they can SUBMIT. 153: PREGNANT PAUSES are the player's best friend. 154: Consensual polyamory is a CONTRIVED hookup service for UNDESIRABLE SEXUAL MARKET REJECTS. 155: Never underestimate the sneaky lengths to which a woman's FEMALE FRIENDS will attempt to UNDERMINE her relationship with a boyfriend or husband they don't approve of.
Sean and B-Scott discuss JJ Watt announcing that he'll be part of the NFL on CBS studio show this season, and how obviously contrived the typo and correction seemed.
Creativity can be a solo act, or it can be a room full of friends. What matters is the joy in the process, the pride in the outcome, and exactly who ends up with Adrian at the end.Guest: The cast of The Rise of King Asilas and other projectsPromo: OctoberPod's Guide to FishingDisclaimer: Jennifer, Haunted HappenstanceArt: Troy LarsonMusic: Jake Pierle -- https://jakepierle.bandcamp.com/Ignorance Was Bliss online: https://linktr.ee/iwbpodcastSponsor: Bath By Bex (code CBDkate for 25% off)Sponsor: Komuso Design (code bliss15 for 15% off)Sponsor: Horrific Hope Film Festival 2024 (code bliss24 for 15% off submission)This show is part of the Spreaker Prime Network, if you are interested in advertising on this podcast, contact us at https://www.spreaker.com/show/4249872/advertisement
Welcome to There is Nothing to Fear, written by Callmesalticidae and read by Sam Gabriel! This story is serialized in the form of multiple fics with different names, recorded and presented in order on this feed. All text can be found on ao3. My website can be found at http://samgabrielvo.com. Enjoy!
Intercessory Prayer by Dutch Sheets, Part 38 - Contrived Theology Searching for a Proof Text, presented by Bob DeWaay and Jessica Kramasz. We discuss proof texts that Dutch Sheets uses to claim that there is a prayer that "births" and releases the Holy Spirit to work. Rather than a prayer that births, there is a message to be preached - the gospel. We also discuss signs and wonders. (duration 00:33:00) Click here to play
CONTRIVED BANKING FAILURES POINT TO ALL OUT ASSAULT ON AMERICA-BOB GRISWOLD
Full show notes here: www.authorlkhill.com/post/ep157 Book Master Storyteller Coaching here: bit.ly/storytheme
https://www.copperfoxcontrived.com/This episode is sponsored by www.betterhelp.com/TheBarn and presented to you by The Barn Media Group.
Top five female celebrities. Thoughts microphone. Mind blown tiktok trick. MVP leader emails vs corrective action. Happy New Year.
In this episode, we look at God as our deliver using the story of Joseph in Genesis chapter 39-41. I pull from an episode that I did on my other podcast Mystery Bible to look at the behind the scenes of this story from several different sources. Psalm 34:17When the righteous cry for help, the Lord hears and delivers them out of all their troubles.Psalm 107:6Then they cried to the Lord in their trouble, and he delivered them from their distress.Psalm 50:15And call upon me in the day of trouble; I will deliver you, and you shall glorify me.”2 Samuel 22:2He said, “The Lord is my rock and my fortress and my deliverer.”Psalm 34:4I sought the Lord, and he answered me and delivered me from all my fears.1 Corinthians 6:18Flee from sexual immorality. Every other sin a person commits is outside the body, but the sexually immoral person sins against his own body.2 Samuel 22:2And he said: The LORD is my rock and my fortress and my deliverer;Support this show http://supporter.acast.com/622a9079e8fb640012cb94f3. I pray that God would "give you spiritual wisdom and insight so that you might grow in your knowledge of God. 18I, pray that your hearts will be flooded with light so that you can understand the confident hope he has given to those he called his holy people who are his rich and glorious inheritance" https://plus.acast.com/s/blueprint-of-faith. Hosted on Acast. See acast.com/privacy for more information.
In this episode, we look at the plan of deliverance that God had contrived to deliver Joseph and eventually his people as he promised Abraham that he would.#bible #biblereading #biblestudy #thebible Support the show here:Thank you so much for your sacrifice. I do appreciate it. https://donate.stripe.com/dR601q6346XZacw9AC Get bonus content on PatreonSupport this show http://supporter.acast.com/623b4f307483db0013d3a659. I pray that God "gives you spiritual wisdom and insight so that you might grow in your knowledge of God. I pray that your hearts will be flooded with light so that you can understand the confident hope he has given to those he called—his holy people who are his rich and glorious inheritance" https://plus.acast.com/s/623b4f307483db0013d3a659. Hosted on Acast. See acast.com/privacy for more information.
Joe Molloy was joined by Gavan Casey of the The 42 to discuss a number of big stories from the world of boxing. Chris Eubank Sr. has cast some doubt on the proposed bout between his son Chris Jr. and the son of his 1990s nemesis Nigel, Conor Benn. We talk to Gavan about what Eubank Sr. has had to say about the dangers of weight-cutting for a professional bout. Furthermore, we talk to Gavan about the heavyweight bout between Tyson Fury and Anthony Joshua that has seemingly been scheduled for early December.
072922 Hour 2 The Beatles Were They Controlled Contrived For The Cultural Rev by Kate Dalley
FOREVER - wavy black like a raven For by one offering he has perfected in perpetuity the sanctified. Hebrews 10:14 “Consider the ravens: They do not sow or reap, they have no storeroom or barn, yet God feeds them. How much more valuable are you than the birds!” Luke 12:24 NET Neither do they object to the carrion-loving raven, as the soul in this case is also absorbed by the bird and provided for in perpetuity. προσφορά prosphora offering DBL Greek sacrifice NASB Dictionaries an offering LEH LXX Lexicon presenting, offering; gift, offering An Intermediate Greek-English Lexicon a bringing to; applying; application; that which is brought to; an addition; advantage LXGRCANLEX offering; offering A Concise Dictionary of the Words in the Greek Testament and The Hebrew Bible The Lexham Analytical Lexicon of the Septuagint offering; gift; פָּנֶה; front; head, face; former times, earlier period; מִנְחָה; gift, present; veneration; thanksgiving; homage; alliance; tribute; offering “Drink from the stream; I have already told the ravens to bring you food there.”” 1 Kings 17:4 NET “He gives food to the animals, and to the young ravens when they chirp.” Psalms 147:9 NET “The eye that mocks at a father and despises obeying a mother – the ravens of the valley will peck it out and the young vultures will eat it.” Proverbs 30:17 “Who prepares prey for the raven, when its young cry out to God and wander about for lack of food?” Job 38:41 “The ravens would bring him bread and meat each morning and evening, and he would drink from the stream.” 1 Kings 17:6 NET “Give, and [gifts] will be given to you; good measure, pressed down, shaken together, and running over, will they pour into [the pouch formed by] the bosom [of your robe and used as a bag]. For with the measure you deal out [with the measure you use when you confer benefits on others], it will be measured back to you.” Luke 6:38 Black Swan or Black Raven? In the author's point of view, a black swan is an improbable event with three principal characteristics - It is unpredictable; it carries a massive impact; and, after the fact, we concoct an explanation that makes it appear less random, and more predictable, than it was. Why do we not acknowledge the phenomenon of black swans until after they occur? Part of the answer, according to Taleb, is that humans are hardwired to learn specifics when they should be focused on generalities. We concentrate on things we already know and time and time again fail to take into consideration what we don't know. We are, therefore, unable to truly estimate opportunities, too vulnerable to the impulse to simplify, narrate, and categorize, and not open enough to rewarding those who can imagine the 'impossible'. - Bad beat – Term in poker - Butterfly effect – Idea that small causes can have large effects - Currency crisis – When a country's central bank lacks the foreign reserves to maintain a fixed exchange rate - Dark horse – Previously less known person or thing that emerges to prominence - Deus ex machina – Contrived device to resolve the plot of a dramatic work - Domino effect – Cumulative effect produced when one event sets off a chain of similar events - Dragon king theory – Event that is both extremely large in impact and of unique origins - Extreme risk - Falsifiability – Property of a theory/hypothesis/statement that can be logically contradicted by an empirical test - Grey rhino - Grey swan - Global catastrophic risk – Potentially harmful worldwide events - Hindsight bias – Tendency to perceive past events as more predictable than they actually were at the time - Holy grail distribution – Probability distribution with a positive mean and a right fat tail - Kurtosis risk – Term in decision theory - Miracle – Event not explicable by natural or scientific laws Decrease time over target: paypal.me/mzhop or Venmo @clastronaut
Too many lawyers are too eager to self-promote. So they market in the worst possible ways (i.e. both undignified and ineffective in getting high quality clients) Let's talk about why this happens and how to market yourself the best way. Show Notes Contrived Enthusiasm (my recent blog post) Humblebrag: The Art of False Modesty (book mentioned in episode) Working Smarter with Digital Technology (my short guide to improving your practice by using technology better) Thanks to Our Sponsors "ChatterBoss is an incredible remote executive assistant company that helps solopreneurs and small businesses grow quickly and save money. Your dedicated ChatterBoss assistant can help you with case management, billing support, email optimization, social media, process building, automation, and more. They even have on-demand paralegals and legal assistants. The service is customized to your budget and is on-demand, so you are able to work with your assistant as much or as little as you need throughout the week. The minimum monthly spend for a dedicated executive assistant is only $200/month. The best way to get started is to schedule a free consultation and find out exactly how the service works. Click this link to schedule a free 30-minute call, and you'll get a special 15% discount when you sign up with ChatterBoss." Smith.ai is an amazing virtual receptionist service that specializes in working with solo and small law firms. When you hire Smith.ai you're actually hiring well-trained, friendly receptionists who can respond to callers in English or Spanish. If there's one great outsourcing opportunity for your practice, this is it. Let Smith.ai have your back while you stay focused on your work, knowing that your clients and prospects are being taken care of. Plans start at $210/month for 30 calls and pricing starts at $140 for 20 chats, with overage at $7 per chat. They offer a risk-free start with a 14-day money-back guarantee on all receptionist and live chat plans including add-ons (up to $1000). And they have a special offer for podcast listeners where you can get an extra $100 discount with promo code ERNIE100. Sign up for a risk-free start with a 14-day money-back guarantee now (and learn more) at smith.ai. EPISODE CREDITS: If you like this podcast and are thinking of creating your own, consider talking to my producer, Danny Ozment. He helps thought leaders, influencers, executives, HR professionals, recruiters, lawyers, realtors, bloggers, coaches, and authors create, launch, and produce podcasts that grow their business and impact the world. Find out more at EmeraldCity
Intercessory Prayer by Dutch Sheets, Part 1 - Contrived Theology, presented by Bob DeWaay and Jessica Kramasz. Dutch Sheets claims to have apostolic and prophetic anointing. We show that this book is based on New Apostolic Reformation dominionistic teaching. This is a contrived theology that is not found in the clear teaching of Scripture. (duration 00:25:49) Click here to play
In this episode, Lover Boy pontificates about the endemic nature of vulnerability to the creative process, the resulting emotional highs and lows, and whether or not such extremes should be contrived as a contribution to creation.Hosted by Lover Boy (@loverboy.music) and produced by Brandon Klein (@brandonthevideo).
Karl Ravech joins Buster to discuss the Padres hiring Bob Melvin, if the A's organization is happy to shed Melvin's contract, the Mets watching traffic zoom by, the potential for a rainout throwing the World Series into complete disarray and the inevitability of Atlanta changing its name. Then, Sarah Langs plays The Numbers Game with notes on the Astros' offense thriving, the ballparks where the Braves have played home World Series games and Atlanta's home losing streak in the Fall Classic. Later, Todd Radom stops by to weigh in on PETA's insistence that cows are offended by the term bullpen and to administer the weekly quiz. Learn more about your ad choices. Visit megaphone.fm/adchoices
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