Podcasts about wysteria

Den amerikanske seriemördaren Albert Fish är känd under många namn - The Boogeyman, The Grey Man, The Werewolf of Wysteria, The Brooklyn Vampire och The Moon Maniac. Fish torterade och mördade minst tre barn i 1920-talets New York - men kan ha dödat dussintals fler.Wikipedia säger sitt om Albert Fish. Hosted on Acast. See acast.com/privacy for more information.

In the early 1900s, children's worst nightmares became reality when Albert Fish stalked New York as a real-life boogeyman who tortured, murdered, and cannibalized his young victims over a decade-long reign of terror.Join the DARKNESS SYNDICATE: https://weirddarkness.com/syndicateABOUT WEIRD DARKNESS: Weird Darkness is a true crime and paranormal podcast narrated by professional award-winning voice actor, Darren Marlar. Seven days per week, Weird Darkness focuses on all thing strange and macabre such as haunted locations, unsolved mysteries, true ghost stories, supernatural manifestations, urban legends, unsolved or cold case murders, conspiracy theories, and more. On Thursdays, this scary stories podcast features horror fiction along with the occasional creepypasta. Weird Darkness has been named one of the “Best 20 Storytellers in Podcasting” by Podcast Business Journal. Listeners have described the show as a cross between “Coast to Coast” with Art Bell, “The Twilight Zone” with Rod Serling, “Unsolved Mysteries” with Robert Stack, and “In Search Of” with Leonard Nimoy.DISCLAIMER: Ads heard during the podcast that are not in my voice are placed by third party agencies outside of my control and should not imply an endorsement by Weird Darkness or myself. *** Stories and content in Weird Darkness can be disturbing for some listeners and intended for mature audiences only. Parental discretion is strongly advised.IN THIS EPISODE: Edgar Allan Poe's “The Raven” *** A UK woman sees a little sailor boy… a dead one. *** A 15-foot high B-25 bomber goes missing – in just 20 feet of water. *** A woman wakes up twice in the middle of her own surgery… but that's not the scariest part. *** A rocking chair mysteriously moves itself to a completely different room. *** Two Romanian climbers found a strange yellowish object and as soon as they touched it something unexplained happened. *** Is teleportation impossible – tell that to Major Tudor Wellesley Pole. *** A new member joins a new age group – and she creeps everyone out. But they soon realize the feeling is warranted. *** September, 1952… was it a cryptid? An alien? We look more closely at what has become known as “The Flatwood Monster” from Braxton County, West Virginia. *** What began as a practical joke on some friends in a Revolutionary War cemetery backfires on the perpetrator. *** He's been known by a few different names: “The Werewolf of Wysteria,” “The Gray Man”, even the “Brooklyn Vampire”. No matter the alias, Albert Fish is a murderer whose attacks took place over the span of ten years, causing terror in New York and throughout the United States.CHAPTERS & TIME STAMPS (All Times Approximate)…00:00:00.000 = Title Story Teaser and Show Open00:01:56.729 = “The Raven” by Edgar Allan Poe00:10:37.576 = “Little Sailor Boy”00:12:03.373 = “The Pennsylvania Ghost Bomber”00:16:41.758 = “Operation Horror”00:19:19.136 = “The Rocking Chair”00:20:04.463 = “Bizarre And Unexplained Disappearances In The Bazau Mountains”00:23:19.705 = “Mysterious Teleportation Case of Major Tudor Pole”00:27:23.180 = “The Thing That Follows Her”00:29:34.802 = “Meeting With The Flatwoods Monster”00:37:17.650 = “The Scare That Backfired”00:41:41.866 = “The Boogeyman Albert Fish”00:51:11.185 = Show CloseSOURCES AND RESOURCES FROM THE EPISODE…“The Raven” by Edgar Allan Poe: https://weirddarkness.tiny.us/1kzyvu38“Little Sailor Boy” by Anthonly Michael Eyre for MyHaunteLifeToo.com: https://weirddarkness.tiny.us/jxjnqdla“The Pennsylvania Ghost Bomber” by Troy Taylor: https://weirddarkness.tiny.us/1f3gn5ly“Operation Horror”: (link no longer available)“The Rocking Chair” by Samantha Bradley for MyHauntedLifeToo.com: https://weirddarkness.tiny.us/i7grx14f“Bizarre And Unexplained Disappearances In The Buzau Mountains” by Nicolescu Vlad for MysteryToEagle.com: https://weirddarkness.tiny.us/59j95292“Mysterious Teleportation Case Of Major Tudor Pole” by Cynthia McKanzie for MessageToEagle.com: https://weirddarkness.tiny.us/ht3psqr5“The Thing That Follows Her” submitted anonymously to Weird Darkness: https://weirddarkness.tiny.us/1k87qnvb“Meeting With The Flatwoods Monster”: (link no longer available)“The Scare That Backfired” by Gigakhan for YourGhostStories,com: https://weirddarkness.tiny.us/4nu9b9z8“The Boogeyman Albert Fish” Audrey Webster for The-Line-Up.com: https://weirddarkness.tiny.us/8j6vx8u4=====(Over time links seen above may become invalid, disappear, or have different content. I always make sure to give authors credit for the material I use whenever possible. If I somehow overlooked doing so for a story, or if a credit is incorrect, please let me know and I will rectify it in these show notes immediately. Some links included above may benefit me financially through qualifying purchases.)= = = = ="I have come into the world as a light, so that no one who believes in me should stay in darkness." — John 12:46= = = = =WeirdDarkness® is a registered trademark. Copyright ©2025, Weird Darkness.=====Originally aired: December 18, 2018EPISODE PAGE at WeirdDarkness.com (includes list of sources): https://weirddarkness.com/AlbertFish

Vous écoutez Dig Dig Diggers, l'émission hebdomadaire et collaborative des radios Ferarock !Cette semaine retrouvez les artistes coup de coeur des radios ferarock à l'honneur sur les ondes. Jordane de Radio Méga commence cette émission avec Wysteria, l'occasion de revenir sur la création de son album Lycoris. Sa musique oscille entre folk et indie pop contemporaine, chantant aussi bien en anglais qu'en français, Wysteria aborde des thèmes universels à travers des paroles introspectives et sincères.Yann de Canal B poursuit cette émission en recevant à son micro Anna-Jean du groupe Juniore à l'occasion de la sortie de leur album Trois, deux, un chez Le phonographe. Imprégnée de La Nouvelle Vague, des Yéyés, de la musique Surf, du Garage, des bandes originales des westerns spaghetti d'Ennio Morricone – la production des morceaux de Juniore se veut moderne, bien ancrée dans son époque.On conclue cette émission en musique avec un extrait d'une captation live du concert de Deeper à la Route du Rock 2024.Hébergé par Ausha. Visitez ausha.co/politique-de-confidentialite pour plus d'informations.

À 17h00, retrouvez « Le 17h00 d'Hélène Maquet ». La chronique "Happy Monday" d'Amélie de Bosredon : - Kim Deal - Crystal Breath - Fontaines D.C. - Romance - Wysteria - Lycoris - Earl Sweatshirt le 7 septembre à l'AB à Bruxelles Littérature étrangère Gorian Delpâture : "Le Ciel était vide" de Inge Schilperoord (Belfond). Depuis la mort de son père, Sophie, seize ans, vit avec sa tante, une musicienne souvent absente. Livrée à elle-même, l'adolescente est surtout seule avec ses questions : pourquoi son père, avocat spécialisé dans la défense des djihadistes, l'a-t-il abandonnée ? Est-ce lié à son dernier dossier, celui d'Isra, une soi-disant repentie retournée en Syrie dès la fin de son procès ? Quel rôle joue la religion dans tout cela ? Rime-t-elle toujours avec violence ? Sophie erre dans la ville, en quête de réponses. Elle espère en trouver auprès de Zala, une camarade d'école avec qui elle sympathise, mais celle-ci n'en a pas non plus, prise entre ses préoccupations de jeune fille et sa culture afghane rigide. Alors Sophie se donne une mission : retrouver la trace d'Isra. De contacts en ligne en recherches dans les recoins les plus sombres d'Internet, Sophie va plonger dans une spirale dont elle ne sortira pas indemne… À partir de 16h00, Jérôme Colin et ses chroniqueurs vous offrent toute l'actualité culturelle : cinéma, musique, littérature, théâtre… Toujours avec une touche d'humour. Après Bagarre dans la Discothèque, le jeu musical décalé, Jérôme reçoit un grand invité et, dans la dernière demi-heure, avec Hélène Maquet, Julie Morelle et les chroniqueurs, ils vous emmènent dans la bonne humeur vers la nouvelle émission d'info de fin de journée. 1h30 de plaisir intelligent. Merci pour votre écoute Entrez sans Frapper c'est également en direct tous les jours de la semaine de 11h30 à 13h sur www.rtbf.be/lapremiere Retrouvez tous les épisodes de Entrez sans Frapper sur notre plateforme Auvio.be : https://auvio.rtbf.be/emission/8521 Et si vous avez apprécié ce podcast, n'hésitez pas à nous donner des étoiles ou des commentaires, cela nous aide à le faire connaître plus largement.

Episode 139: Albert Fish, the Gray Man (Part 1)In part 1 of our series on serial killer Albert Fish, we cover his earliest years, young adulthood, and earliest crimes as well as discuss how and why he earned the titles of the Gray Man, the Boogey Man, and the Werewolf of Wysteria. We cover the murder of 8 year old Frances McDonnell and conclude with the disappearance of 4 year old Billy Gaffney. Listener discretion is strongly advised.Tune in to this episode to learn more! Email us at: abouttime4tc@gmail.comFollow us on IG: about.time.for.true.crime.podLinktreeDon't forget to rate, follow, download, and tell a friend!Sources

We're celebrating 500 episodes over at @serialkillerspodcast - come share your favorite episodes and memories from the show, and enjoy some special behind-the-scenes bonus content! He's been called many names: the Boogeyman, the Thrill Vulture, the Moon Maniac, the Ogre of Murder Lodge, the Grey Man, the Brooklyn Vampire, and the Werewolf of Wysteria. But in life, he was known as Albert Fish and his gruesome crimes redefined the limits of human depravity. Keep up with us on Instagram @serialkillerspodcast! Have a story to share? Email us at serialkillerstories@spotify.com Learn more about your ad choices. Visit podcastchoices.com/adchoices

Den amerikanske seriemördaren Albert Fish är känd under många namn - The Boogeyman, The Grey Man, The Werewolf of Wysteria, The Brooklyn Vampire och The Moon Maniac. Fish torterade och mördade minst tre barn i 1920-talets New York - men kan ha dödat dussintals fler.Wikipedia säger sitt om Albert Fish. Hosted on Acast. See acast.com/privacy for more information.

IN THIS EPISODE: Edgar Allan Poe's “The Raven” *** A UK woman sees a little sailor boy… a dead one. *** A 15-foot high B-25 bomber goes missing – in just 20 feet of water. *** A woman wakes up twice in the middle of her own surgery… but that's not the scariest part. *** A rocking chair mysteriously moves itself to a completely different room. *** Two Romanian climbers found a strange yellowish object and as soon as they touched it something unexplained happened. *** Is teleportation impossible – tell that to Major Tudor Wellesley Pole. *** A new member joins a new age group – and she creeps everyone out. But they soon realize the feeling is warranted. *** September, 1952… was it a cryptid? An alien? We look more closely at what has become known as “The Flatwood Monster” from Braxton County, West Virginia. *** What began as a practical joke on some friends in a Revolutionary War cemetery backfires on the perpetrator. *** He's been known by a few different names: “The Werewolf of Wysteria,” “The Gray Man”, even the “Brooklyn Vampire”. No matter the alias, Albert Fish is a murderer whose attacks took place over the span of ten years, causing terror in New York and throughout the United States.CHAPTERS & TIME STAMPS (All Times Approximate)…00:00:00.000 = Title Story Teaser and Show Open00:02:15.906 = “The Raven” by Edgar Allan Poe00:11:34.666 = “Little Sailor Boy”00:13:00.100 = “The Pennsylvania Ghost Bomber”00:17:38.385 = “Operation Horror”00:20:16.264 = “The Rocking Chair”00:21:01.086 = “Bizarre And Unexplained Disappearances In The Bazau Mountains”00:24:16.399 = “Mysterious Teleportation Case of Major Tudor Pole”00:28:19.737 = “The Thing That Follows Her”00:31:31.665 = “Meeting With The Flatwoods Monster”00:39:14.482 = “The Scare That Backfired”00:43:38.447 = “The Boogeyman Albert Fish”00:53:08.140 = Show CloseSOURCES AND REFERENCES FROM THE EPISODE…“The Raven” by Edgar Allan Poe: https://weirddarkness.tiny.us/1kzyvu38“Little Sailor Boy” by Anthonly Michael Eyre for MyHaunteLifeToo.com: https://weirddarkness.tiny.us/jxjnqdla“The Pennsylvania Ghost Bomber” by Troy Taylor: https://weirddarkness.tiny.us/1f3gn5ly“Operation Horror”: (link no longer available)“The Rocking Chair” by Samantha Bradley for MyHauntedLifeToo.com: https://weirddarkness.tiny.us/i7grx14f“Bizarre And Unexplained Disappearances In The Buzau Mountains” by Nicolescu Vlad for MysteryToEagle.com: https://weirddarkness.tiny.us/59j95292“Mysterious Teleportation Case Of Major Tudor Pole” by Cynthia McKanzie for MessageToEagle.com: https://weirddarkness.tiny.us/ht3psqr5“The Thing That Follows Her” submitted anonymously to Weird Darkness: https://weirddarkness.tiny.us/1k87qnvb“Meeting With The Flatwoods Monster”: (link no longer available)“The Scare That Backfired” by Gigakhan for YourGhostStories,com: https://weirddarkness.tiny.us/4nu9b9z8“The Boogeyman Albert Fish” Audrey Webster for The-Line-Up.com: https://weirddarkness.tiny.us/8j6vx8u4Weird Darkness theme by Alibi Music Library= = = = =(Over time links seen above may become invalid, disappear, or have different content. I always make sure to give authors credit for the material I use whenever possible. If I somehow overlooked doing so for a story, or if a credit is incorrect, please let me know and I will rectify it in these show notes immediately. Some links included above may benefit me financially through qualifying purchases.)= = = = ="I have come into the world as a light, so that no one who believes in me should stay in darkness." — John 12:46= = = = =WeirdDarkness® is a registered trademark. Copyright ©2024, Weird Darkness.= = = = =Originally aired: December 18, 2018CUSTOM LANDING PAGE: https://weirddarkness.com/albert-fish-boogeyman

Jake Stewart talks about a hum, drinking water, and whispering to yourself.   The shows discussed are: ‘The Audition' at La Mama Theatre ‘To Kill a Mockingbird' by Peridot & Encore Theatre   INSTAGRAM: @praisedionysus @kissing.booth.productions EMAIL: praisedionysus@gmail.com   It is a privilege to create, view, and contemplate theatre on the lands of the Wurundjeri People of the Kulin Nation. Sovereignty was never ceded. This always was and will be Aboriginal Land.

Serenis: https://shorturl.at/9NZLL Codice Sconto: CRIMEANDCOMEDY7 Live! del 19 Marzo 2024 registrata al Teatro Martinitt di Milano. La storia di Albert Fish, l'Uomo Grigio, il Lupo Mannaro di Wysteria, il Vampiro di Brooklyn raccontata finalmente Live! nella serata di Milano per onorare tutti i Papà del mondo nel giorno della loro festa --------- Patreon: https://www.patreon.com/crimeandcomedy Instagram: https://www.instagram.com/crimeandcomedy.podcast/ Telegram: https://t.me/crimeandcomedy Sito: https://www.crimeandcomedy.it Instagram: Clara Campi: https://www.instagram.com/claracampicomedy/ Marco Champier: https://www.instagram.com/mrchreddy/ Caricature - Giorgio Brambilla: https://www.instagram.com/giorgio_brambilla_bookscomedy/ Tutti i Podcast: https://link.chtbl.com/CrimeandComedy Learn more about your ad choices. Visit megaphone.fm/adchoices

Good evening and a huge welcome back to the show, I hope you've had a great day and you're ready to kick back and relax with another episode of Brett's old time radio show. Hello, I'm Brett your host for this evening and welcome to my home in beautiful Lyme Bay where it's lovely December night. I hope it's just as nice where you are. You'll find all of my links at www.linktr.ee/brettsoldtimeradioshow A huge thankyou for joining me once again for our regular late night visit to those dusty studio archives of Old Time radio shows right here at my home in the united kingdom. Don't forget I have an instagram page and youtube channel both called brett's old time radio show and I'd love it if you could follow me. Feel free to send me some feedback on this and the other shows if you get a moment, brett@tourdate.co.uk #sleep #insomnia #relax #chill #night #nighttime #bed #bedtime #oldtimeradio #drama #comedy #radio #talkradio #hancock #tonyhancock #hancockshalfhour #sherlock #sherlockholmes #radiodrama #popular #viral #viralpodcast #podcast #podcasting #podcasts #podtok #podcastclip #podcastclips #podcasttrailer #podcastteaser #newpodcastepisode #newpodcast #videopodcast #upcomingpodcast #audiogram #audiograms #truecrimepodcast #historypodcast #truecrime #podcaster #viral #popular #viralpodcast #number1 #instagram #youtube #facebook #johnnydollar #crime #fiction #unwind #devon #texas #texasranger #beer #seaton #seaside  #smuggler #colyton #devon #seaton #beer #branscombe #lymebay #lymeregis #brett #brettorchard #orchard #greatdetectives #greatdetectivesofoldtimeradio #detectives #johnnydollar #thesaint #steptoe #texasrangers     sleep insomnia relax chill night nightime bed bedtime oldtimeradio drama comedy radio talkradio hancock tonyhancock hancockshalfhour sherlock sherlockholmes radiodrama popular viral viralpodcast podcast brett brettorchard orchard east devon seaton beer lyme regis village condado de alhama spain murcia The New Adventures of Sherlock Holmes is a radio drama series which aired in the USA from 1939 to 1950, it ran for 374 episodes, with many of the later episodes considered lost media. The series was based on the Sherlock Holmes stories by Arthur Conan Doyle. Some of the surviving episode recordings may be found online, in various audio quality condition. For most of the show's run, the program starred Basil Rathbone as Sherlock Holmes and Nigel Bruce as Dr. Watson. Other actors played Holmes and Watson in later seasons. Production From the outset of the show, the series was billed in different listings under various titles including Sherlock Holmes, Sherlock Holmes and Doctor Watson, and other titles. The most popularly remembered title is The New Adventures of Sherlock Holmes. On occasion, the title of a radio episode differs from that of its original story – for example, the radio adaption of "The Adventure of the Red Circle" is entitled "Mrs. Warren's Lodger". From 1939 until 1943, episodes were adapted or written by Edith Meiser[4] who had written the earlier series The Adventures of Sherlock Holmes which aired from 1930 to 1935. Meiser left the show after disagreements with a sponsor over the amount of violence in the program. It is also reported that Meiser left the show to focus on other projects. From 1943 onward, most episodes were written by the team of Denis Green and Anthony Boucher with some early episodes written by Green and Leslie Charteris. Edith Meiser returned to write for the show for its seventh season. Max Ehrlich and Howard Merrill wrote the episodes of season 8. Denis Green returned as a writer for the last season. Originally, the show starred Basil Rathbone as Sherlock Holmes and Nigel Bruce as Doctor Watson. Together, they starred in 220 episodes which aired weekly on Mondays from 8:30 to 9:00 pm. Basil Rathbone's last episode as the famous detective was "The Singular Affair of the Baconian Cipher". He was eager to separate himself from the show to avoid being typecast in the role. Tom Conway replaced him in the starring role, though Nigel Bruce got top billing. The new series lasted 39 episodes, and Bruce and Conway then left the series. From then until 1950 the series continued with various actors playing the two principal parts. The show first aired on the Blue Network but later moved to the Mutual Broadcasting System. The show moved to Mutual in 1943 at the start of its fourth season. The series was originally broadcast from Hollywood. During World War II, the show was also broadcast overseas through the Armed Forces Radio Service. The program aired on ABC instead of Mutual for its sixth and ninth seasons. Many episodes were recorded in front of a live audience. Cast Sherlock Holmes: Basil Rathbone (1939–1946) Tom Conway (1947) John Stanley (1947–1949) Ben Wright (The Singular Affair of the Ancient Egyptian Curse in 1947, as stand-in for Tom Conway, 1949–1950 as a regular) Dr. Watson: Nigel Bruce (1939–1947) Joseph Kearns (The Haunting of Sherlock Holmes in 1946, stand-in for Nigel Bruce) Alfred Shirley (1947–1948) Ian Martin (1948) Wendell Holmes (credited as "George Spelvin") (1948–1949) Eric Snowden (The Terrifying Cats in 1946, as a stand-in for Nigel Bruce, 1949–1950 as a regular) There is only a limited amount of information available about additional cast members, since complete cast lists are available only for a handful of episodes. In multiple episodes, Mary Gordon played Mrs. Hudson, a role she also played in the 1939–1946 Sherlock Holmes film series featuring Rathbone and Bruce. Professor Moriarty was played by multiple actors in the radio series, including Joseph Kearns (who also played Watson) and Lou Merrill. Frederick Worlock played Inspector Lestrade in at least three known episodes. Worlock also played different roles in multiple films in the 1939–1946 film series, such as the role of Geoffrey Musgrave in Sherlock Holmes Faces Death. Lestrade was played by Bernard Lenrow in the seventh season and Horace Braham in the eighth season. Rex Evans played Mycroft Holmes in at least two known episodes. Evans played an assassin in the Sherlock Holmes film Pursuit to Algiers. In each episode, the announcer would be presented as arriving at the home of Dr. Watson, then retired, who would share a story about Holmes and his adventures. The announcer for the first three seasons of the show was Knox Manning. In various episodes of the fourth season, the announcers were Owen Babbe, Marx Hartman, and Bob Campbell. Harry Bartell became the announcer for the fifth season. The announcer for the sixth season was Joseph Bell. Bell had previously been the announcer for The Adventures of Sherlock Holmes. Cy Harrice took over the role for the seventh and eighth seasons. Herb Allen was the announcer for the ninth season.[28] Actors who performed in multiple roles on the show include Verna Felton, Paula Winslowe, Carl Harbord (who also played Inspector Hopkins in the Sherlock Holmes film Dressed to Kill), Herbert Rawlinson, Paul Frees, Theodore von Eltz, and June Foray. Sponsors The show's announcer acted as the spokesman for the sponsor. Grove's Bromo Quinine sponsored the show for the first three seasons. Petri Wine was the sponsor for the fourth and fifth seasons. Petri Wine stopped sponsoring the show after the end of the fifth season. While Rathbone left the show at the same time, the reason Petri ceased their sponsorship was unconnected to Rathbone's departure according to one source, which states that the decision was made because it was more affordable for Petri to sponsor the radio series The Casebook of Gregory Hood instead. The sponsor for the series was Kreml Hair Tonic for the show's sixth season, and the Trimount Clothing Co. for the seventh season. Trimount renewed their sponsorship for the eighth season. Petri Wine returned as the sponsor for the ninth season. By May 1950, it was confirmed that Petri did not plan to renew their sponsorship if the series continued. Episodes Season 1 (October 2, 1939 – March 11, 1940; 24 episodes) started with an adaptation of "The Adventure of the Sussex Vampire" and ended with an adaptation of "The Adventure of the Retired Colourman". The last episode of the season was originally intended to be an adaptation of "The Final Problem". It is not known why the change was made, but it may be because "The Final Problem" had already been used on radio several times. It was announced on the penultimate show that "The Final Problem" would be the last episode; in the final episode, Watson said he had changed his mind about which story he was going to tell. Season 2 (September 29, 1940 – March 9, 1941; 24 episodes) started with an adaptation of "The Adventure of the Empty House". The last episode was an adaptation of "The Adventure of Shoscombe Old Place". The season included a six-episode serial adapted from The Hound of the Baskervilles. Season 3 (5 October 1941 – March 1, 1942; 22 episodes) started with an adaptation of "The Adventure of the Illustrious Client" and ended with an episode titled "The Giant Rat of Sumatra". An episode also titled "The Giant Rat of Sumatra", inspired by a reference in "The Adventure of the Sussex Vampire", had previously aired in 1932 in the second season of the radio series The Adventures of Sherlock Holmes. Season 4 (May 7, 1943 – May 28, 1945; 109 episodes) started with a dramatization of "The Adventure of the Copper Beeches". The last episode of the season is titled "Dance of Death". According to the Pittsburgh Press, Nigel Bruce "astounded sound engineers" by imitating the sound of a seagull required for the episode "Death in Cornwall", which aired on February 7, 1944. Some episodes in this season and the following two seasons were novelized by H. Paul Jeffers in his 2005 book The Forgotten Adventures of Sherlock Holmes. Season 5 (September 3, 1945 – May 27, 1946; 39 episodes) started with an episode titled "The Case of the Limping Ghost", based on an incident in "The Adventure of the Crooked Man". The last episode of the season was "The Singular Affair of the Baconian Cipher", suggested by an incident in The Sign of Four. This was the last season with Basil Rathbone playing Sherlock Holmes.[42] Rathbone and Bruce also appeared on the CBS radio program Request Performance in November 1945, and swapped roles as Holmes and Watson in a short sketch performance on the program. Some of the episodes in this season were novelized by Ken Greenwald in his book The Lost Adventures of Sherlock Holmes (1989). Season 6 (October 12, 1946 – July 7, 1947; 39 episodes) started with the episode "The Adventure of the Stuttering Ghost", suggested by an incident in "The Adventure of the Noble Bachelor". The season ended with "The Adventure of the Iron Maiden".[45] This was the last season with Nigel Bruce playing Watson. Season 7 (September 28, 1947 – June 20, 1948; 39 episodes) started with "The Case of the Dog Who Changed His Mind" and ended with an adaptation of "The Adventure of the Veiled Lodger". Season 8 (September 12, 1948 – June 6, 1949; 39 episodes) started with an episode titled "The Case of the Unwelcome Ambassador" and ended with an episode titled "The Adventure of the Red Death". Season 9 (September 21, 1949 – June 14, 1950; 39 episodes) started with an episode with an unknown title. The second episode, which aired on September 28, 1949, was titled "The Eloquent Corpse". Many of this season's episodes, including the last two episodes, have unknown titles. The last episode with a known title is "Command Performance", which aired on May 31, 1950.     Sherlock Holmes is a fictional detective created by British author Arthur Conan Doyle. Referring to himself as a "consulting detective" in his stories, Holmes is known for his proficiency with observation, deduction, forensic science and logical reasoning that borders on the fantastic, which he employs when investigating cases for a wide variety of clients, including Scotland Yard. The character Sherlock Holmes first appeared in print in 1887's A Study in Scarlet. His popularity became widespread with the first series of short stories in The Strand Magazine, beginning with "A Scandal in Bohemia" in 1891; additional tales appeared from then until 1927, eventually totalling four novels and 56 short stories. All but one[a] are set in the Victorian or Edwardian eras, between about 1880 and 1914. Most are narrated by the character of Holmes's friend and biographer Dr. John H. Watson, who usually accompanies Holmes during his investigations and often shares quarters with him at the address of 221B Baker Street, London, where many of the stories begin. Though not the first fictional detective, Sherlock Holmes is arguably the best known. By the 1990s, there were already over 25,000 stage adaptations, films, television productions and publications featuring the detective, and Guinness World Records lists him as the most portrayed human literary character in film and television history. Holmes' popularity and fame are such that many have believed him to be not a fictional character but a real individual; numerous literary and fan societies have been founded on this pretence. Avid readers of the Holmes stories helped create the modern practice of fandom. The character and stories have had a profound and lasting effect on mystery writing and popular culture as a whole, with the original tales as well as thousands written by authors other than Conan Doyle being adapted into stage and radio plays, television, films, video games, and other media for over one hundred years. Inspiration for the character Sir Arthur Conan Doyle (1859–1930), Sherlock Holmes's creator, in 1914 Edgar Allan Poe's C. Auguste Dupin is generally acknowledged as the first detective in fiction and served as the prototype for many later characters, including Holmes. Conan Doyle once wrote, "Each [of Poe's detective stories] is a root from which a whole literature has developed ... Where was the detective story until Poe breathed the breath of life into it?" Similarly, the stories of Émile Gaboriau's Monsieur Lecoq were extremely popular at the time Conan Doyle began writing Holmes, and Holmes's speech and behaviour sometimes follow those of Lecoq. Doyle has his main characters discuss these literary antecedents near the beginning of A Study in Scarlet, which is set soon after Watson is first introduced to Holmes. Watson attempts to compliment Holmes by comparing him to Dupin, to which Holmes replies that he found Dupin to be "a very inferior fellow" and Lecoq to be "a miserable bungler". Conan Doyle repeatedly said that Holmes was inspired by the real-life figure of Joseph Bell, a surgeon at the Royal Infirmary of Edinburgh, whom Conan Doyle met in 1877 and had worked for as a clerk. Like Holmes, Bell was noted for drawing broad conclusions from minute observations.[13] However, he later wrote to Conan Doyle: "You are yourself Sherlock Holmes and well you know it". Sir Henry Littlejohn, Chair of Medical Jurisprudence at the University of Edinburgh Medical School, is also cited as an inspiration for Holmes. Littlejohn, who was also Police Surgeon and Medical Officer of Health in Edinburgh, provided Conan Doyle with a link between medical investigation and the detection of crime. Other possible inspirations have been proposed, though never acknowledged by Doyle, such as Maximilien Heller, by French author Henry Cauvain. In this 1871 novel (sixteen years before the first appearance of Sherlock Holmes), Henry Cauvain imagined a depressed, anti-social, opium-smoking polymath detective, operating in Paris. It is not known if Conan Doyle read the novel, but he was fluent in French.[19] Similarly, Michael Harrison suggested that a German self-styled "consulting detective" named Walter Scherer may have been the model for Holmes. Fictional character biography Family and early life Magazine cover featuring A Study in Scarlet, with drawing of a man lighting a lamp The cover page of the 1887 edition of Beeton's Christmas Annual, which contains Holmes's first appearance (A Study in Scarlet) Details of Sherlock Holmes' life in Conan Doyle's stories are scarce and often vague. Nevertheless, mentions of his early life and extended family paint a loose biographical picture of the detective. A statement of Holmes' age in "His Last Bow" places his year of birth at 1854; the story, set in August 1914, describes him as sixty years of age.[21] His parents are not mentioned, although Holmes mentions that his "ancestors" were "country squires". In "The Adventure of the Greek Interpreter", he claims that his grandmother was sister to the French artist Vernet, without clarifying whether this was Claude Joseph, Carle, or Horace Vernet. Holmes' brother Mycroft, seven years his senior, is a government official. Mycroft has a unique civil service position as a kind of human database for all aspects of government policy. Sherlock describes his brother as the more intelligent of the two, but notes that Mycroft lacks any interest in physical investigation, preferring to spend his time at the Diogenes Club. Holmes says that he first developed his methods of deduction as an undergraduate; his earliest cases, which he pursued as an amateur, came from his fellow university students. A meeting with a classmate's father led him to adopt detection as a profession. Life with Watson Holmes (in deerstalker hat) talking to Watson (in a bowler hat) in a railway compartment Holmes (right) and Watson in a Sidney Paget illustration for "The Adventure of Silver Blaze" In the first Holmes tale, A Study in Scarlet, financial difficulties lead Holmes and Dr. Watson to share rooms together at 221B Baker Street, London. Their residence is maintained by their landlady, Mrs. Hudson. Holmes works as a detective for twenty-three years, with Watson assisting him for seventeen of those years. Most of the stories are frame narratives written from Watson's point of view, as summaries of the detective's most interesting cases. Holmes frequently calls Watson's records of Holmes's cases sensational and populist, suggesting that they fail to accurately and objectively report the "science" of his craft: Detection is, or ought to be, an exact science and should be treated in the same cold and unemotional manner. You have attempted to tinge it [A Study in Scarlet] with romanticism, which produces much the same effect as if you worked a love-story or an elopement into the fifth proposition of Euclid. ... Some facts should be suppressed, or, at least, a just sense of proportion should be observed in treating them. The only point in the case which deserved mention was the curious analytical reasoning from effects to causes, by which I succeeded in unravelling it. Nevertheless, when Holmes recorded a case himself, he was forced to concede that he could more easily understand the need to write it in a manner that would appeal to the public rather than his intention to focus on his own technical skill. Holmes's friendship with Watson is his most significant relationship. When Watson is injured by a bullet, although the wound turns out to be "quite superficial", Watson is moved by Holmes's reaction: It was worth a wound; it was worth many wounds; to know the depth of loyalty and love which lay behind that cold mask. The clear, hard eyes were dimmed for a moment, and the firm lips were shaking. For the one and only time I caught a glimpse of a great heart as well as of a great brain. All my years of humble but single-minded service culminated in that moment of revelation. After confirming Watson's assessment of the wound, Holmes makes it clear to their opponent that the man would not have left the room alive if he genuinely had killed Watson. Practice Holmes' clients vary from the most powerful monarchs and governments of Europe, to wealthy aristocrats and industrialists, to impoverished pawnbrokers and governesses. He is known only in select professional circles at the beginning of the first story, but is already collaborating with Scotland Yard. However, his continued work and the publication of Watson's stories raise Holmes's profile, and he rapidly becomes well known as a detective; so many clients ask for his help instead of (or in addition to) that of the police that, Watson writes, by 1887 "Europe was ringing with his name" and by 1895 Holmes has "an immense practice". Police outside London ask Holmes for assistance if he is nearby. A Prime Minister and the King of Bohemia visit 221B Baker Street in person to request Holmes's assistance; the President of France awards him the Legion of Honour for capturing an assassin; the King of Scandinavia is a client; and he aids the Vatican at least twice. The detective acts on behalf of the British government in matters of national security several times and declines a knighthood "for services which may perhaps some day be described". However, he does not actively seek fame and is usually content to let the police take public credit for his work. The Great Hiatus Holmes and Moriarty wrestling at the end of a narrow path, with Holmes's hat falling into a waterfall Holmes and archenemy Moriarty struggle at the Reichenbach Falls; drawing by Sidney Paget The first set of Holmes stories was published between 1887 and 1893. Conan Doyle killed off Holmes in a final battle with the criminal mastermind Professor James Moriarty[ in "The Final Problem" (published 1893, but set in 1891), as Conan Doyle felt that "my literary energies should not be directed too much into one channel". However, the reaction of the public surprised him very much. Distressed readers wrote anguished letters to The Strand Magazine, which suffered a terrible blow when 20,000 people cancelled their subscriptions to the magazine in protest. Conan Doyle himself received many protest letters, and one lady even began her letter with "You brute". Legend has it that Londoners were so distraught upon hearing the news of Holmes's death that they wore black armbands in mourning, though there is no known contemporary source for this; the earliest known reference to such events comes from 1949. However, the recorded public reaction to Holmes's death was unlike anything previously seen for fictional events. After resisting public pressure for eight years, Conan Doyle wrote The Hound of the Baskervilles (serialised in 1901–02, with an implicit setting before Holmes's death). In 1903, Conan Doyle wrote "The Adventure of the Empty House"; set in 1894, Holmes reappears, explaining to a stunned Watson that he had faked his death to fool his enemies. Following "The Adventure of the Empty House", Conan Doyle would sporadically write new Holmes stories until 1927. Holmes aficionados refer to the period from 1891 to 1894—between his disappearance and presumed death in "The Final Problem" and his reappearance in "The Adventure of the Empty House"—as the Great Hiatus. The earliest known use of this expression dates to 1946. Retirement In His Last Bow, the reader is told that Holmes has retired to a small farm on the Sussex Downs and taken up beekeeping as his primary occupation. The move is not dated precisely, but can be presumed to be no later than 1904 (since it is referred to retrospectively in "The Adventure of the Second Stain", first published that year). The story features Holmes and Watson coming out of retirement to aid the British war effort. Only one other adventure, "The Adventure of the Lion's Mane", takes place during the detective's retirement. Personality and habits Holmes examining a bicycle with Watson standing behind in "The Adventure of the Priory School" from 1904. Sidney Paget's illustrations in The Strand Magazine iconicised both characters. Watson describes Holmes as "bohemian" in his habits and lifestyle.[54] Said to have a "cat-like" love of personal cleanliness, at the same time Holmes is an eccentric with no regard for contemporary standards of tidiness or good order. Watson describes him as in his personal habits one of the most untidy men that ever drove a fellow-lodger to distraction. [He] keeps his cigars in the coal-scuttle, his tobacco in the toe end of a Persian slipper, and his unanswered correspondence transfixed by a jack-knife into the very centre of his wooden mantelpiece. ... He had a horror of destroying documents. ... Thus month after month his papers accumulated, until every corner of the room was stacked with bundles of manuscript which were on no account to be burned, and which could not be put away save by their owner. While Holmes can be dispassionate and cold, during an investigation he is animated and excitable. He has a flair for showmanship, often keeping his methods and evidence hidden until the last possible moment so as to impress observers. His companion condones the detective's willingness to bend the truth (or break the law) on behalf of a client—lying to the police, concealing evidence or breaking into houses—when he feels it morally justifiable. Except for that of Watson, Holmes avoids casual company. In "The Gloria Scott", he tells the doctor that during two years at college he made only one friend: "I was never a very sociable fellow, Watson ... I never mixed much with the men of my year." The detective goes without food at times of intense intellectual activity, believing that "the faculties become refined when you starve them". At times, Holmes relaxes with music, either playing the violin[62] or enjoying the works of composers such as Wagner and Pablo de Sarasate. Drug use Holmes in a blue bathrobe, reclining against a pillow and smoking his pipe 1891 Paget portrait of Holmes smoking his pipe for "The Man with the Twisted Lip" Holmes occasionally uses addictive drugs, especially in the absence of stimulating cases. He sometimes used morphine and sometimes cocaine, the latter of which he injects in a seven-per cent solution; both drugs were legal in 19th-century England. As a physician, Watson strongly disapproves of his friend's cocaine habit, describing it as the detective's only vice, and concerned about its effect on Holmes's mental health and intellect. In "The Adventure of the Missing Three-Quarter", Watson says that although he has "weaned" Holmes from drugs, the detective remains an addict whose habit is "not dead, but merely sleeping". Watson and Holmes both use tobacco, smoking cigarettes, cigars, and pipes. Although his chronicler does not consider Holmes's smoking a vice per se, Watson—a physician—does criticise the detective for creating a "poisonous atmosphere" in their confined quarters. Finances Holmes is known to charge clients for his expenses and claim any reward offered for a problem's solution, such as in "The Adventure of the Speckled Band", "The Red-Headed League", and "The Adventure of the Beryl Coronet". The detective states at one point that "My professional charges are upon a fixed scale. I do not vary them, save when I remit them altogether." In this context, a client is offering to double his fee, and it is implied that wealthy clients habitually pay Holmes more than his standard rate. In "The Adventure of the Priory School", Holmes earns a £6,000 fee (at a time where annual expenses for a rising young professional were in the area of £500). However, Watson notes that Holmes would refuse to help even the wealthy and powerful if their cases did not interest him. Attitudes towards women As Conan Doyle wrote to Joseph Bell, "Holmes is as inhuman as a Babbage's Calculating Machine and just about as likely to fall in love." Holmes says of himself that he is "not a whole-souled admirer of womankind", and that he finds "the motives of women ... inscrutable. ... How can you build on such quicksand? Their most trivial actions may mean volumes". In The Sign of Four, he says, "Women are never to be entirely trusted—not the best of them", a feeling Watson notes as an "atrocious sentiment". In "The Adventure of the Lion's Mane", Holmes writes, "Women have seldom been an attraction to me, for my brain has always governed my heart." At the end of The Sign of Four, Holmes states that "love is an emotional thing, and whatever is emotional is opposed to that true, cold reason which I place above all things. I should never marry myself, lest I bias my judgement." Ultimately, Holmes claims outright that "I have never loved." But while Watson says that the detective has an "aversion to women",[85] he also notes Holmes as having "a peculiarly ingratiating way with [them]". Watson notes that their housekeeper Mrs. Hudson is fond of Holmes because of his "remarkable gentleness and courtesy in his dealings with women. He disliked and distrusted the sex, but he was always a chivalrous opponent." However, in "The Adventure of Charles Augustus Milverton", the detective becomes engaged under false pretenses in order to obtain information about a case, abandoning the woman once he has the information he requires. Irene Adler Irene Adler is a retired American opera singer and actress who appears in "A Scandal in Bohemia". Although this is her only appearance, she is one of only a handful of people who best Holmes in a battle of wits, and the only woman. For this reason, Adler is the frequent subject of pastiche writing. The beginning of the story describes the high regard in which Holmes holds her: To Sherlock Holmes she is always the woman. I have seldom heard him mention her under any other name. In his eyes she eclipses and predominates the whole of her sex. It was not that he felt any emotion akin to love for Irene Adler. ... And yet there was but one woman to him, and that woman was the late Irene Adler, of dubious and questionable memory. Five years before the story's events, Adler had a brief liaison with Crown Prince of Bohemia Wilhelm von Ormstein. As the story opens, the Prince is engaged to another. Fearful that the marriage would be called off if his fiancée's family learns of this past impropriety, Ormstein hires Holmes to regain a photograph of Adler and himself. Adler slips away before Holmes can succeed. Her memory is kept alive by the photograph of Adler that Holmes received for his part in the case. Knowledge and skills Shortly after meeting Holmes in the first story, A Study in Scarlet (generally assumed to be 1881, though the exact date is not given), Watson assesses the detective's abilities: Knowledge of Literature – nil. Knowledge of Philosophy – nil. Knowledge of Astronomy – nil. Knowledge of Politics – Feeble. Knowledge of Botany – Variable. Well up in belladonna, opium, and poisons generally. Knows nothing of practical gardening. Knowledge of Geology – Practical, but limited. Tells at a glance different soils from each other. After walks, has shown me splashes upon his trousers, and told me by their colour and consistence in what part of London he had received them. Knowledge of Chemistry – Profound. Knowledge of Anatomy – Accurate, but unsystematic. Knowledge of Sensational Literature – Immense. He appears to know every detail of every horror perpetrated in the century. Plays the violin well. Is an expert singlestick player, boxer, and swordsman. Has a good practical knowledge of British law. In A Study in Scarlet, Holmes claims to be unaware that the Earth revolves around the Sun since such information is irrelevant to his work; after hearing that fact from Watson, he says he will immediately try to forget it. The detective believes that the mind has a finite capacity for information storage, and learning useless things reduces one's ability to learn useful things. The later stories move away from this notion: in The Valley of Fear, he says, "All knowledge comes useful to the detective", and in "The Adventure of the Lion's Mane", the detective calls himself "an omnivorous reader with a strangely retentive memory for trifles". Looking back on the development of the character in 1912, Conan Doyle wrote that "In the first one, the Study in Scarlet, [Holmes] was a mere calculating machine, but I had to make him more of an educated human being as I went on with him." Despite Holmes's supposed ignorance of politics, in "A Scandal in Bohemia" he immediately recognises the true identity of the disguised "Count von Kramm". At the end of A Study in Scarlet, Holmes demonstrates a knowledge of Latin. The detective cites Hafez,[98] Goethe,[99] as well as a letter from Gustave Flaubert to George Sand in the original French. In The Hound of the Baskervilles, the detective recognises works by Godfrey Kneller and Joshua Reynolds: "Watson won't allow that I know anything of art, but that is mere jealousy since our views upon the subject differ." In "The Adventure of the Bruce-Partington Plans", Watson says that "Holmes lost himself in a monograph which he had undertaken upon the Polyphonic Motets of Lassus", considered "the last word" on the subject—which must have been the result of an intensive and very specialized musicological study which could have had no possible application to the solution of criminal mysteries. Holmes is a cryptanalyst, telling Watson that "I am fairly familiar with all forms of secret writing, and am myself the author of a trifling monograph upon the subject, in which I analyse one hundred and sixty separate ciphers." Holmes also demonstrates a knowledge of psychology in "A Scandal in Bohemia", luring Irene Adler into betraying where she hid a photograph based on the premise that a woman will rush to save her most valued possession from a fire. Another example is in "The Adventure of the Blue Carbuncle", where Holmes obtains information from a salesman with a wager: "When you see a man with whiskers of that cut and the 'Pink 'un' protruding out of his pocket, you can always draw him by a bet ... I daresay that if I had put 100 pounds down in front of him, that man would not have given me such complete information as was drawn from him by the idea that he was doing me on a wager." Maria Konnikova points out in an interview with D. J. Grothe that Holmes practises what is now called mindfulness, concentrating on one thing at a time, and almost never "multitasks". She adds that in this he predates the science showing how helpful this is to the brain. Holmesian deduction Colour illustration of Holmes bending over a dead man in front of a fireplace Sidney Paget illustration of Holmes examining a corpse for "The Adventure of the Abbey Grange" Holmes observes the dress and attitude of his clients and suspects, noting skin marks (such as tattoos), contamination (such as ink stains or clay on boots), emotional state, and physical condition in order to deduce their origins and recent history. The style and state of wear of a person's clothes and personal items are also commonly relied on; in the stories, Holmes is seen applying his method to items such as walking sticks, pipes, and hats. For example, in "A Scandal in Bohemia", Holmes infers that Watson had got wet lately and had "a most clumsy and careless servant girl". When Watson asks how Holmes knows this, the detective answers: It is simplicity itself ... my eyes tell me that on the inside of your left shoe, just where the firelight strikes it, the leather is scored by six almost parallel cuts. Obviously they have been caused by someone who has very carelessly scraped round the edges of the sole in order to remove crusted mud from it. Hence, you see, my double deduction that you had been out in vile weather, and that you had a particularly malignant boot-slitting specimen of the London slavey. In the first Holmes story, A Study in Scarlet, Dr. Watson compares Holmes to C. Auguste Dupin, Edgar Allan Poe's fictional detective, who employed a similar methodology. Alluding to an episode in "The Murders in the Rue Morgue", where Dupin determines what his friend is thinking despite their having walked together in silence for a quarter of an hour, Holmes remarks: "That trick of his breaking in on his friend's thoughts with an apropos remark ... is really very showy and superficial."[112] Nevertheless, Holmes later performs the same 'trick' on Watson in "The Cardboard Box" and "The Adventure of the Dancing Men". Though the stories always refer to Holmes's intellectual detection method as "deduction", Holmes primarily relies on abduction: inferring an explanation for observed details. "From a drop of water," he writes, "a logician could infer the possibility of an Atlantic or a Niagara without having seen or heard of one or the other." However, Holmes does employ deductive reasoning as well. The detective's guiding principle, as he says in The Sign of Four, is: "When you have eliminated the impossible, whatever remains, however improbable, must be the truth." Despite Holmes's remarkable reasoning abilities, Conan Doyle still paints him as fallible in this regard (this being a central theme of "The Yellow Face"). Forensic science See caption 19th-century Seibert microscope Though Holmes is famed for his reasoning capabilities, his investigative technique relies heavily on the acquisition of hard evidence. Many of the techniques he employs in the stories were at the time in their infancy. The detective is particularly skilled in the analysis of trace evidence and other physical evidence, including latent prints (such as footprints, hoof prints, and shoe and tire impressions) to identify actions at a crime scene, using tobacco ashes and cigarette butts to identify criminals, utilizing handwriting analysis and graphology, comparing typewritten letters to expose a fraud, using gunpowder residue to expose two murderers, and analyzing small pieces of human remains to expose two murders. Because of the small scale of much of his evidence, the detective often uses a magnifying glass at the scene and an optical microscope at his Baker Street lodgings. He uses analytical chemistry for blood residue analysis and toxicology to detect poisons; Holmes's home chemistry laboratory is mentioned in "The Naval Treaty". Ballistics feature in "The Adventure of the Empty House" when spent bullets are recovered to be matched with a suspected murder weapon, a practice which became regular police procedure only some fifteen years after the story was published. Laura J. Snyder has examined Holmes's methods in the context of mid- to late-19th-century criminology, demonstrating that, while sometimes in advance of what official investigative departments were formally using at the time, they were based upon existing methods and techniques. For example, fingerprints were proposed to be distinct in Conan Doyle's day, and while Holmes used a thumbprint to solve a crime in "The Adventure of the Norwood Builder" (generally held to be set in 1895), the story was published in 1903, two years after Scotland Yard's fingerprint bureau opened. Though the effect of the Holmes stories on the development of forensic science has thus often been overstated, Holmes inspired future generations of forensic scientists to think scientifically and analytically. Disguises Holmes displays a strong aptitude for acting and disguise. In several stories ("The Sign of Four", "The Adventure of Charles Augustus Milverton", "The Man with the Twisted Lip", "The Adventure of the Empty House" and "A Scandal in Bohemia"), to gather evidence undercover, he uses disguises so convincing that Watson fails to recognise him. In others ("The Adventure of the Dying Detective" and "A Scandal in Bohemia"), Holmes feigns injury or illness to incriminate the guilty. In the latter story, Watson says, "The stage lost a fine actor ... when [Holmes] became a specialist in crime." Guy Mankowski has said of Holmes that his ability to change his appearance to blend into any situation "helped him personify the idea of the English eccentric chameleon, in a way that prefigured the likes of David Bowie". Agents Until Watson's arrival at Baker Street, Holmes largely worked alone, only occasionally employing agents from the city's underclass. These agents included a variety of informants, such as Langdale Pike, a "human book of reference upon all matters of social scandal", and Shinwell Johnson, who acted as Holmes's "agent in the huge criminal underworld of London". The best known of Holmes's agents are a group of street children he called "the Baker Street Irregulars". Combat Long-barreled revolver with a black handle British Army (Adams) Mark III, the type probably carried by Watson Pistols Holmes and Watson often carry pistols with them to confront criminals—in Watson's case, his old service weapon (probably a Mark III Adams revolver, issued to British troops during the 1870s).[139] Holmes and Watson shoot the eponymous hound in The Hound of the Baskervilles, and in "The Adventure of the Empty House", Watson pistol-whips Colonel Sebastian Moran. In "The Problem of Thor Bridge", Holmes uses Watson's revolver to solve the case through an experiment. Other weapons As a gentleman, Holmes often carries a stick or cane. He is described by Watson as an expert at singlestick, and uses his cane twice as a weapon. In A Study in Scarlet, Watson describes Holmes as an expert swordsman, and in "The Gloria Scott", the detective says he practised fencing while at university.[59] In several stories ("A Case of Identity", "The Red-Headed League", "The Adventure of the Six Napoleons"), Holmes wields a riding crop, described in the latter story as his "favourite weapon". Personal combat Holmes fighting Holmes outfighting Mr Woodley in "The Solitary Cyclist" The detective is described (or demonstrated) as possessing above-average physical strength. In "The Yellow Face", Holmes's chronicler says, "Few men were capable of greater muscular effort." In "The Adventure of the Speckled Band", Dr. Roylott demonstrates his strength by bending a fire poker in half. Watson describes Holmes as laughing and saying, "'If he had remained I might have shown him that my grip was not much more feeble than his own.' As he spoke he picked up the steel poker and, with a sudden effort, straightened it out again." Holmes is an adept bare-knuckle fighter; "The Gloria Scott" mentions that Holmes boxed while at university. In The Sign of Four, he introduces himself to McMurdo, a prize fighter, as "the amateur who fought three rounds with you at Alison's rooms on the night of your benefit four years back". McMurdo remembers: "Ah, you're one that has wasted your gifts, you have! You might have aimed high if you had joined the fancy." In "The Yellow Face", Watson says: "He was undoubtedly one of the finest boxers of his weight that I have ever seen." In "The Solitary Cyclist", Holmes visits a country pub to make enquiries regarding a certain Mr Woodley which results in violence. Mr Woodley, Holmes tells Watson, ... had been drinking his beer in the tap-room, and had heard the whole conversation. Who was I? What did I want? What did I mean by asking questions? He had a fine flow of language, and his adjectives were very vigorous. He ended a string of abuse by a vicious backhander, which I failed to entirely avoid. The next few minutes were delicious. It was a straight left against a slogging ruffian. I emerged as you see me. Mr. Woodley went home in a cart. Another character subsequently refers to Mr Woodley as looking "much disfigured" as a result of his encounter with Holmes. In "The Adventure of the Empty House", Holmes tells Watson that he used a Japanese martial art known as baritsu to fling Moriarty to his death in the Reichenbach Falls. "Baritsu" is Conan Doyle's version of bartitsu, which combines jujitsu with boxing and cane fencing.   The Golden Age of Radio Also known as the old-time radio (OTR) era, was an era of radio in the United States where it was the dominant electronic home entertainment medium. It began with the birth of commercial radio broadcasting in the early 1920s and lasted through the 1950s, when television gradually superseded radio as the medium of choice for scripted programming, variety and dramatic shows. Radio was the first broadcast medium, and during this period people regularly tuned in to their favourite radio programs, and families gathered to listen to the home radio in the evening. According to a 1947 C. E. Hooper survey, 82 out of 100 Americans were found to be radio listeners. A variety of new entertainment formats and genres were created for the new medium, many of which later migrated to television: radio plays, mystery serials, soap operas, quiz shows, talent shows, daytime and evening variety hours, situation comedies, play-by-play sports, children's shows, cooking shows, and more. In the 1950s, television surpassed radio as the most popular broadcast medium, and commercial radio programming shifted to narrower formats of news, talk, sports and music. Religious broadcasters, listener-supported public radio and college stations provide their own distinctive formats. Origins A family listening to the first broadcasts around 1920 with a crystal radio. The crystal radio, a legacy from the pre-broadcast era, could not power a loudspeaker so the family must share earphones During the first three decades of radio, from 1887 to about 1920, the technology of transmitting sound was undeveloped; the information-carrying ability of radio waves was the same as a telegraph; the radio signal could be either on or off. Radio communication was by wireless telegraphy; at the sending end, an operator tapped on a switch which caused the radio transmitter to produce a series of pulses of radio waves which spelled out text messages in Morse code. At the receiver these sounded like beeps, requiring an operator who knew Morse code to translate them back to text. This type of radio was used exclusively for person-to-person text communication for commercial, diplomatic and military purposes and hobbyists; broadcasting did not exist. The broadcasts of live drama, comedy, music and news that characterize the Golden Age of Radio had a precedent in the Théâtrophone, commercially introduced in Paris in 1890 and available as late as 1932. It allowed subscribers to eavesdrop on live stage performances and hear news reports by means of a network of telephone lines. The development of radio eliminated the wires and subscription charges from this concept. Between 1900 and 1920 the first technology for transmitting sound by radio was developed, AM (amplitude modulation), and AM broadcasting sprang up around 1920. On Christmas Eve 1906, Reginald Fessenden is said to have broadcast the first radio program, consisting of some violin playing and passages from the Bible. While Fessenden's role as an inventor and early radio experimenter is not in dispute, several contemporary radio researchers have questioned whether the Christmas Eve broadcast took place, or whether the date was, in fact, several weeks earlier. The first apparent published reference to the event was made in 1928 by H. P. Davis, Vice President of Westinghouse, in a lecture given at Harvard University. In 1932 Fessenden cited the Christmas Eve 1906 broadcast event in a letter he wrote to Vice President S. M. Kinter of Westinghouse. Fessenden's wife Helen recounts the broadcast in her book Fessenden: Builder of Tomorrows (1940), eight years after Fessenden's death. The issue of whether the 1906 Fessenden broadcast actually happened is discussed in Donna Halper's article "In Search of the Truth About Fessenden"[2] and also in James O'Neal's essays.[3][4] An annotated argument supporting Fessenden as the world's first radio broadcaster was offered in 2006 by Dr. John S. Belrose, Radioscientist Emeritus at the Communications Research Centre Canada, in his essay "Fessenden's 1906 Christmas Eve broadcast." It was not until after the Titanic catastrophe in 1912 that radio for mass communication came into vogue, inspired first by the work of amateur ("ham") radio operators. Radio was especially important during World War I as it was vital for air and naval operations. World War I brought about major developments in radio, superseding the Morse code of the wireless telegraph with the vocal communication of the wireless telephone, through advancements in vacuum tube technology and the introduction of the transceiver. After the war, numerous radio stations were born in the United States and set the standard for later radio programs. The first radio news program was broadcast on August 31, 1920, on the station 8MK in Detroit; owned by The Detroit News, the station covered local election results. This was followed in 1920 with the first commercial radio station in the United States, KDKA, being established in Pittsburgh. The first regular entertainment programs were broadcast in 1922, and on March 10, Variety carried the front-page headline: "Radio Sweeping Country: 1,000,000 Sets in Use." A highlight of this time was the first Rose Bowl being broadcast on January 1, 1923, on the Los Angeles station KHJ. Growth of radio Broadcast radio in the United States underwent a period of rapid change through the decade of the 1920s. Technology advances, better regulation, rapid consumer adoption, and the creation of broadcast networks transformed radio from a consumer curiosity into the mass media powerhouse that defined the Golden Age of Radio. Consumer adoption Through the decade of the 1920s, the purchase of radios by United States homes continued, and accelerated. The Radio Corporation of America (RCA) released figures in 1925 stating that 19% of United States homes owned a radio. The triode and regenerative circuit made amplified, vacuum tube radios widely available to consumers by the second half of the 1920s. The advantage was obvious: several people at once in a home could now easily listen to their radio at the same time. In 1930, 40% of the nation's households owned a radio,[8] a figure that was much higher in suburban and large metropolitan areas. The superheterodyne receiver and other inventions refined radios even further in the next decade; even as the Great Depression ravaged the country in the 1930s, radio would stay at the centre of American life. 83% of American homes would own a radio by 1940. Government regulation Although radio was well established with United States consumers by the mid-1920s, regulation of the broadcast medium presented its own challenges. Until 1926, broadcast radio power and frequency use was regulated by the U.S. Department of Commerce, until a legal challenge rendered the agency powerless to do so. Congress responded by enacting the Radio Act of 1927, which included the formation of the Federal Radio Commission (FRC). One of the FRC's most important early actions was the adoption of General Order 40, which divided stations on the AM band into three power level categories, which became known as Local, Regional, and Clear Channel, and reorganized station assignments. Based on this plan, effective 3:00 a.m. Eastern time on November 11, 1928, most of the country's stations were assigned to new transmitting frequencies. Broadcast networks The final element needed to make the Golden Age of Radio possible focused on the question of distribution: the ability for multiple radio stations to simultaneously broadcast the same content, and this would be solved with the concept of a radio network. The earliest radio programs of the 1920s were largely unsponsored; radio stations were a service designed to sell radio receivers. In early 1922, American Telephone & Telegraph Company (AT&T) announced the beginning of advertisement-supported broadcasting on its owned stations, and plans for the development of the first radio network using its telephone lines to transmit the content. In July 1926, AT&T abruptly decided to exit the broadcasting field, and signed an agreement to sell its entire network operations to a group headed by RCA, which used the assets to form the National Broadcasting Company. Four radio networks had formed by 1934. These were: National Broadcasting Company Red Network (NBC Red), launched November 15, 1926. Originally founded as the National Broadcasting Company in late 1926, the company was almost immediately forced to split under antitrust laws to form NBC Red and NBC Blue. When, in 1942, NBC Blue was sold and renamed the Blue Network, this network would go back to calling itself simply the National Broadcasting Company Radio Network (NBC). National Broadcasting Company Blue Network (NBC Blue); launched January 10, 1927, split from NBC Red. NBC Blue was sold in 1942 and became the Blue Network, and it in turn transferred its assets to a new company, the American Broadcasting Company on June 15, 1945. That network identified itself as the American Broadcasting Company Radio Network (ABC). Columbia Broadcasting System (CBS), launched September 18, 1927. After an initially struggling attempt to compete with the NBC networks, CBS gained new momentum when William S. Paley was installed as company president. Mutual Broadcasting System (Mutual), launched September 29, 1934. Mutual was initially run as a cooperative in which the flagship stations owned the network, not the other way around as was the case with the other three radio networks. Programming In the period before and after the advent of the broadcast network, new forms of entertainment needed to be created to fill the time of a station's broadcast day. Many of the formats born in this era continued into the television and digital eras. In the beginning of the Golden Age, network programs were almost exclusively broadcast live, as the national networks prohibited the airing of recorded programs until the late 1940s because of the inferior sound quality of phonograph discs, the only practical recording medium at that time. As a result, network prime-time shows would be performed twice, once for each coast. Rehearsal for the World War II radio show You Can't Do Business with Hitler with John Flynn and Virginia Moore. This series of programs, broadcast at least once weekly by more than 790 radio stations in the United States, was written and produced by the radio section of the Office of War Information (OWI). Live events Coverage of live events included musical concerts and play-by-play sports broadcasts. News The capability of the new medium to get information to people created the format of modern radio news: headlines, remote reporting, sidewalk interviews (such as Vox Pop), panel discussions, weather reports, and farm reports. The entry of radio into the realm of news triggered a feud between the radio and newspaper industries in the mid-1930s, eventually culminating in newspapers trumping up exaggerated [citation needed] reports of a mass hysteria from the (entirely fictional) radio presentation of The War of the Worlds, which had been presented as a faux newscast. Musical features The sponsored musical feature soon became one of the most popular program formats. Most early radio sponsorship came in the form of selling the naming rights to the program, as evidenced by such programs as The A&P Gypsies, Champion Spark Plug Hour, The Clicquot Club Eskimos, and King Biscuit Time; commercials, as they are known in the modern era, were still relatively uncommon and considered intrusive. During the 1930s and 1940s, the leading orchestras were heard often through big band remotes, and NBC's Monitor continued such remotes well into the 1950s by broadcasting live music from New York City jazz clubs to rural America. Singers such as Harriet Lee and Wendell Hall became popular fixtures on network radio beginning in the late 1920s and early 1930s. Local stations often had staff organists such as Jesse Crawford playing popular tunes. Classical music programs on the air included The Voice of Firestone and The Bell Telephone Hour. Texaco sponsored the Metropolitan Opera radio broadcasts; the broadcasts, now sponsored by the Toll Brothers, continue to this day around the world, and are one of the few examples of live classical music still broadcast on radio. One of the most notable of all classical music radio programs of the Golden Age of Radio featured the celebrated Italian conductor Arturo Toscanini conducting the NBC Symphony Orchestra, which had been created especially for him. At that time, nearly all classical musicians and critics considered Toscanini the greatest living maestro. Popular songwriters such as George Gershwin were also featured on radio. (Gershwin, in addition to frequent appearances as a guest, had his own program in 1934.) The New York Philharmonic also had weekly concerts on radio. There was no dedicated classical music radio station like NPR at that time, so classical music programs had to share the network they were broadcast on with more popular ones, much as in the days of television before the creation of NET and PBS. Country music also enjoyed popularity. National Barn Dance, begun on Chicago's WLS in 1924, was picked up by NBC Radio in 1933. In 1925, WSM Barn Dance went on the air from Nashville. It was renamed the Grand Ole Opry in 1927 and NBC carried portions from 1944 to 1956. NBC also aired The Red Foley Show from 1951 to 1961, and ABC Radio carried Ozark Jubilee from 1953 to 1961. Comedy Radio attracted top comedy talents from vaudeville and Hollywood for many years: Bing Crosby, Abbott and Costello, Fred Allen, Jack Benny, Victor Borge, Fanny Brice, Billie Burke, Bob Burns, Judy Canova, Eddie Cantor, Jimmy Durante, Burns and Allen, Phil Harris, Edgar Bergen, Bob Hope, Groucho Marx, Jean Shepherd, Red Skelton and Ed Wynn. Situational comedies also gained popularity, such as Amos 'n' Andy, Easy Aces, Ethel and Albert, Fibber McGee and Molly, The Goldbergs, The Great Gildersleeve, The Halls of Ivy (which featured screen star Ronald Colman and his wife Benita Hume), Meet Corliss Archer, Meet Millie, and Our Miss Brooks. Radio comedy ran the gamut from the small town humor of Lum and Abner, Herb Shriner and Minnie Pearl to the dialect characterizations of Mel Blanc and the caustic sarcasm of Henry Morgan. Gags galore were delivered weekly on Stop Me If You've Heard This One and Can You Top This?,[18] panel programs devoted to the art of telling jokes. Quiz shows were lampooned on It Pays to Be Ignorant, and other memorable parodies were presented by such satirists as Spike Jones, Stoopnagle and Budd, Stan Freberg and Bob and Ray. British comedy reached American shores in a major assault when NBC carried The Goon Show in the mid-1950s. Some shows originated as stage productions: Clifford Goldsmith's play What a Life was reworked into NBC's popular, long-running The Aldrich Family (1939–1953) with the familiar catchphrases "Henry! Henry Aldrich!," followed by Henry's answer, "Coming, Mother!" Moss Hart and George S. Kaufman's Pulitzer Prize-winning Broadway hit, You Can't Take It with You (1936), became a weekly situation comedy heard on Mutual (1944) with Everett Sloane and later on NBC (1951) with Walter Brennan. Other shows were adapted from comic strips, such as Blondie, Dick Tracy, Gasoline Alley, The Gumps, Li'l Abner, Little Orphan Annie, Popeye the Sailor, Red Ryder, Reg'lar Fellers, Terry and the Pirates and Tillie the Toiler. Bob Montana's redheaded teen of comic strips and comic books was heard on radio's Archie Andrews from 1943 to 1953. The Timid Soul was a 1941–1942 comedy based on cartoonist H. T. Webster's famed Caspar Milquetoast character, and Robert L. Ripley's Believe It or Not! was adapted to several different radio formats during the 1930s and 1940s. Conversely, some radio shows gave rise to spinoff comic strips, such as My Friend Irma starring Marie Wilson. Soap operas The first program generally considered to be a daytime serial drama by scholars of the genre is Painted Dreams, which premiered on WGN on October 20, 1930. The first networked daytime serial is Clara, Lu, 'n Em, which started in a daytime time slot on February 15, 1932. As daytime serials became popular in the early 1930s, they became known as soap operas because many were sponsored by soap products and detergents. On November 25, 1960, the last four daytime radio dramas—Young Dr. Malone, Right to Happiness, The Second Mrs. Burton and Ma Perkins, all broadcast on the CBS Radio Network—were brought to an end. Children's programming The line-up of late afternoon adventure serials included Bobby Benson and the B-Bar-B Riders, The Cisco Kid, Jack Armstrong, the All-American Boy, Captain Midnight, and The Tom Mix Ralston Straight Shooters. Badges, rings, decoding devices and other radio premiums offered on these adventure shows were often allied with a sponsor's product, requiring the young listeners to mail in a boxtop from a breakfast cereal or other proof of purchase. Radio plays Radio plays were presented on such programs as 26 by Corwin, NBC Short Story, Arch Oboler's Plays, Quiet, Please, and CBS Radio Workshop. Orson Welles's The Mercury Theatre on the Air and The Campbell Playhouse were considered by many critics to be the finest radio drama anthologies ever presented. They usually starred Welles in the leading role, along with celebrity guest stars such as Margaret Sullavan or Helen Hayes, in adaptations from literature, Broadway, and/or films. They included such titles as Liliom, Oliver Twist (a title now feared lost), A Tale of Two Cities, Lost Horizon, and The Murder of Roger Ackroyd. It was on Mercury Theatre that Welles presented his celebrated-but-infamous 1938 adaptation of H. G. Wells's The War of the Worlds, formatted to sound like a breaking news program. Theatre Guild on the Air presented adaptations of classical and Broadway plays. Their Shakespeare adaptations included a one-hour Macbeth starring Maurice Evans and Judith Anderson, and a 90-minute Hamlet, starring John Gielgud.[22] Recordings of many of these programs survive. During the 1940s, Basil Rathbone and Nigel Bruce, famous for playing Sherlock Holmes and Dr. Watson in films, repeated their characterizations on radio on The New Adventures of Sherlock Holmes, which featured both original stories and episodes directly adapted from Arthur Conan Doyle's stories. None of the episodes in which Rathbone and Bruce starred on the radio program were filmed with the two actors as Holmes and Watson, so radio became the only medium in which audiences were able to experience Rathbone and Bruce appearing in some of the more famous Holmes stories, such as "The Speckled Band". There were also many dramatizations of Sherlock Holmes stories on radio without Rathbone and Bruce. During the latter part of his career, celebrated actor John Barrymore starred in a radio program, Streamlined Shakespeare, which featured him in a series of one-hour adaptations of Shakespeare plays, many of which Barrymore never appeared in either on stage or in films, such as Twelfth Night (in which he played both Malvolio and Sir Toby Belch), and Macbeth. Lux Radio Theatre and The Screen Guild Theater presented adaptations of Hollywood movies, performed before a live audience, usually with cast members from the original films. Suspense, Escape, The Mysterious Traveler and Inner Sanctum Mystery were popular thriller anthology series. Leading writers who created original material for radio included Norman Corwin, Carlton E. Morse, David Goodis, Archibald MacLeish, Arthur Miller, Arch Oboler, Wyllis Cooper, Rod Serling, Jay Bennett, and Irwin Shaw. Game shows Game shows saw their beginnings in radio. One of the first was Information Please in 1938, and one of the first major successes was Dr. I.Q. in 1939. Winner Take All, which premiered in 1946, was the first to use lockout devices and feature returning champions. A relative of the game show, which would be called the giveaway show in contemporary media, typically involved giving sponsored products to studio audience members, people randomly called by telephone, or both. An early example of this show was the 1939 show Pot o' Gold, but the breakout hit of this type was ABC's Stop the Music in 1948. Winning a prize generally required knowledge of what was being aired on the show at that moment, which led to criticism of the giveaway show as a form of "buying an audience". Giveaway shows were extremely popular through 1948 and 1949. They were often panned as low-brow, and an unsuccessful attempt was even made by the FCC to ban them (as an illegal lottery) in August 1949.[23] Broadcast production methods The RCA Type 44-BX microphone had two live faces and two dead ones. Thus actors could face each other and react. An actor could give the effect of leaving the room by simply moving their head toward the dead face of the microphone. The scripts were paper-clipped together. It has been disputed whether or not actors and actresses would drop finished pages to the carpeted floor after use. Radio stations Despite a general ban on use of recordings on broadcasts by radio networks through the late 1940s, "reference recordings" on phonograph disc were made of many programs as they were being broadcast, for review by the sponsor and for the network's own archival purposes. With the development of high-fidelity magnetic wire and tape recording in the years following World War II, the networks became more open to airing recorded programs and the prerecording of shows became more common. Local stations, however, had always been free to use recordings and sometimes made substantial use of pre-recorded syndicated

Wysteria Edwards BA, Ed.M., is an esteemed Kindergarten teacher and a transformative force in understanding and addressing developmental trauma. With her profound understanding of attachment and intention, she's successfully curated a nurturing classroom environment in Eastern WA that promotes care, hope, and healing. She is the author of the revolutionary book, "Waiting for Mister Rogers: Teaching with Attachment, Attunement, and Intention," drawing from Mister Rogers' personal papers. Wysteria also spearheads Simple & Deep, a company guiding women to comprehend attachment, delve into their narratives, and live intentionally. Her dedication to attachment repair is revolutionizing education and reshaping views on adversity. To learn more about Wysteria, check out the following links: Wysteria's Website, Book, & Podcast: https://www.wysteriaedwards.com Facebook: https://www.facebook.com/wystieedwards Instagram: https://www.instagram.com/wystie/ LinkedIn: https://www.linkedin.com/in/wysteriaedwards/ Twitter: https://twitter.com/tnplkinder

Tous les jours à 18h, quelque soit l'hôte de Matignon, on parle musique sur Tsugi Radio pour accompagner votre début de soirée et vous faire entendre nos coups de cœur et nos découvertes. Aujourd'hui, pas mal d'artistes qui sortiront des albums, parfois des premiers dans les toutes prochaines semaines et sur lesquels nos festivals préférés se sont déjà penchés comme Astral Bakers, Wysteria, Lynks ou YĪN YĪN dont vous risquez d'entendre parler pas mal cette année, on fait les paris ! Mais on va aussi parler de cinéma avec la chronique d'Olivier Forest qui avait déjà évoqué le King sur cette antenne et qui a eu envie de revenir sur la sortie événement de ce début d'année, Priscilla de Sofia Coppola avec Cailee Spaeny et le magnifique Jacob Elordi. C'est un peu notre crooner maison et tous les jours il vient nous dévoiler ses titres préférés, c'est bien sûr Jean Fromageau qui vient un peu après 18h40 avec ça part en fav'. LIAM GALLAGHER & JOHN SQUIRE « Just another rainbow » ASTRAL BAKERS « I Don't Remember » YĪN YĪN « Takahashi Timing » WYSTERIA « Alone With People » KÁRYYN « Calm KAOS! » LYNKS « CPR » Astrit Ismaili « MISS KOSOVO ft. Mykki Blanco » ÇA PART EN FAV' JUAN POWER « Another's Wings (feat Mick Rolfe) »

Emma Kenny tackles one of the most harrowing and disturbing cases in criminal history - the story of Albert Fish, infamously known as the 'Gray Man,' the 'Werewolf of Wysteria,' and the 'Brooklyn Vampire.' Fish's heinous crimes in the early 20th century, which included child murder, cannibalism, and sadism, still haunt the annals of true crime. In this episode, Emma delves into Fish's twisted psyche, exploring his background and the series of events that led to his descent into becoming one of America's most notorious serial killers. She discusses the societal and psychological factors of the era that may have contributed to Fish's deranged behavior. Emma brings a critical and sensitive perspective to Fish's chilling crimes, the investigation that led to his capture, and the subsequent trial that shocked a nation. Through her insightful analysis, she sheds light on the complexities of criminal profiling and the historical context of criminal behavior. Join Emma Kenny for an in-depth exploration of the Albert Fish case, a story that challenges our understanding of the depths of human depravity and the capability for evil.

Did you grow up watching "Mr. Roger's Neighborhood?" If so, Wysteria's chat with me about her research into Mr. Rogers' life (for her book) about attachment styles is probably going to blow your mind. And also make so much sense!  She has a new book for you to check out & a website with a plethora of useful information & tips for all attchment types. ...& it's not just limited to children's attachment styles. 

Welcome to another insightful episode of the Fearless Freedom with Dr. G podcast, where we explore the transformative journey of Wysteria Edwards, BA, Ed.M. An acclaimed author, playwright, and influential educator, Wysteria is also the proud founder of Simple & Deep TM, a platform designed to empower women to comprehend attachment, delve into their stories, and lead purposeful lives.   In this episode, Wysteria shares her profound insights into the primal wound of attachment and its pivotal role in overcoming adversity and violence. Her wisdom goes beyond addressing symptoms, offering a holistic approach to healing. The roots of her revelations trace back to personal struggles, battling behavioral addictions and self-sabotage, which became a catalyst for monumental changes in her personal and professional life.   With over two decades of experience in education, Wysteria discovered the transformative power of securing attachment, unlocking hidden potentials in individuals. Her journey takes a poignant turn in 2018 when a troubled young boy in her classroom captured her heart. Determined to make a difference, she turned to the beloved show Mister Rogers' Neighborhood for attachment repair techniques, witnessing astounding results—from rewiring neural pathways to fostering secure attachment and building stronger social connections.   Inspired by these experiences, Wysteria gained access to Mister Rogers' personal papers in 2019, unveiling his own journey through developmental trauma. This revelation served as the inspiration for her innovative teaching approach, focusing on attachment, attunement, and intention. The culmination of this journey is her powerful book, "Waiting for Mister Rogers: Teaching with Attachment Attunement, and Intention"—a compelling call to action for anyone interacting with children to prioritize emotional well-being.   As we delve into Wysteria's narrative, we are reminded to access empathy for the child we once were, engaging with developmental traumas full of stories that need to be named, articulated, pondered, and blessed. Join us in this captivating exploration of attachment, attunement, and intention with the remarkable Wysteria Edwards. Learn more about Wysteria here: Guest Bio: Wysteria Edwards BA, Ed.M., is changing the way we live with attachment, attunement, and intention. She's a respected Kindergarten teacher in Eastern WA, who has perfected the art of creating a classroom filled with care, hope, and healing. Her passion for teaching even led her to gain access to Mister Rogers' personal papers to write the groundbreaking book, "Waiting for Mister Rogers: Teaching with Attachment, Attunement, and Intention." Prepare to be amazed as Wysteria's unwavering dedication to attachment repair transforms educational practices and reshapes our perspectives on adversity and developmental trauma. She's the visionary behind Simple & Deep TM, a company that empowers women to comprehend insecure attachment through engaging stories and intentional living.   ___________________ Subscribe to this podcast and download your favorite episodes to listen to later:       ___________________   ⚕️ Are you a woman healthcare professional who is struggling to juggle everything in your personal and professional life?  

Waiting for Mister Rogers: Teaching with Attachment, Attunement, and Intention by Wysteria Edwards BA Ed.M https://amzn.to/40zjxLB Wysteriaedwards.com Every day children enter classrooms crying out for love and relief. Waiting for Mister Rogers reveals a Kindergarten teacher's journey to find answers for the broken children entering her classroom—and the wounds in her own heart—through the personal notes, speeches, and writings of Fred Rogers. Many moments of adversity, violence, and suffering can be traced back to broken attachments in childhood. These early attachment wounds follow children into adulthood, often damaging their interpersonal relationships. Where the world offers shallow and complex solutions, the gentle work of Mister Rogers models simple and deep ways to heal insecure attachment. Waiting for Mister Rogers, answers questions of personal development and connection for anyone seeking support, such as: What do children need to be securely attached? How can teachers heal their wounds to be fully present, intentional, and effective with their students? Could student be triggering a teacher's childhood trauma? Can teachers go deeper while doing less? It's time to remember childhood, return to the Neighborhood and teach with attachment, attunement, and intention. Mister Rogers was right all along! Show Notes About The Guest(s): Wisteria Edwards is an educator and author who has dedicated her career to transforming the lives of children through attachment repair. She is the visionary behind Simple and Deep, a company that empowers women to understand and heal from insecure attachment. Wisteria's latest book, "Waiting for Mr. Rogers: Teaching with Attachment Attunement and Attention," explores the profound impact of Mr. Rogers' teachings on children's emotional well-being. Summary: Wisteria Edwards discusses the power of Mr. Rogers' teachings and how they can be applied to improve our lives and the lives of children. She shares her personal journey of healing from insecure attachment and how it led her to discover the transformative impact of Fred Rogers' work. Wisteria explains attachment styles and how they shape our relationships and behaviors. She highlights the importance of attunement and attention in creating a safe and nurturing environment for children. Wisteria emphasizes the need for self-reflection and healing to break the cycle of trauma and create healthier relationships. Key Takeaways: Attachment styles formed in childhood influence how we relate to others throughout our lives. Mr. Rogers' teachings emphasize eye contact, attunement, and emotional expression for secure attachments. Insecure attachment can lead to behavioral addictions and relationship challenges. Healing from insecure attachment requires self-reflection, seeking support, and rewriting our own stories. Love and authenticity are keys to creating secure attachments and fostering emotional well-being. Quotes: "Attachment is our first heartbreak. If we didn't have a broken connection with others and how we love and receive love, a lot of things would be solved." - Wisteria Edwards "Children are always communicating. The function of behavior is love. Children just want to be loved." - Wisteria Edwards "All stories need to be named, pondered, articulated, and then we bless them through rewriting them." - Wisteria Edwards

This week I have guest Wysteria Edwards, BA, Ed.M. After many years of being a kindergarten teacher, she noticed that most of her students are crying out for love and relief. This started her journey to find answers for the broken children entering her classroom—and the wounds in her own heart—through the personal notes, speeches, and writings of Fred Rogers. As a young boy, Mister Rogers acquired avoidant attachment and sought to help other little boys and girls through his show.  Adversity, violence, and suffering can be traced back to broken attachments in childhood. These early attachment wounds follow children into adulthood, often damaging their interpersonal relationships. Not only does Wysteria use this in her classroom but wrote the book: Waiting for Mister Rogers: Teaching with Attachment, Attunement, and Intention.  https://www.amazon.com/Waiting-Mister-Rogers-Attachment-Attunement/dp/1636981038https://www.wysteriaedwards.com/Support the showhttps://www.crimeovercocktails.com/http://www.instagram.com/crimeovercocktailshttps://www.the-crime-connection.org/

Den amerikanske seriemördaren Albert Fish är känd under många namn - The Boogeyman, The Grey Man, The Werewolf of Wysteria, The Brooklyn Vampire och The Moon Maniac. Fish torterade och mördade minst tre barn i 1920-talets New York - men kan ha dödat dussintals fler.Wikipedia säger sitt om Albert Fish. Hosted on Acast. See acast.com/privacy for more information.

Today, on Crime & Entertainment, we have our debut episode of Behind the Serial Killer. What a way to kick it off with myself & Ignacio Esteban, as we break down none other than Albert Fish. Hamilton Howard "Albert" Fish was an American serial killer, rapist, child molester, and cannibal who committed at least three child murders from July 1924 to June 1928. He was also known as the Gray Man, the Werewolf of Wysteria, the Brooklyn Vampire, the Moon Maniac, and The Boogey Man. Fish was a suspect in at least ten murders during his lifetime, although he only confessed to three murders that police were able to trace to a known homicide. He also confessed to stabbing at least two other people. Fish once boasted that he "had children in every state" and at one time stated his number of victims was about 100. However, it is not known whether he was referring to rapes or cannibalization, nor is it known if the statement was truthful. Fish was apprehended on December 13, 1934, and put on trial for the kidnapping and murder of Grace Budd. He was convicted and executed by the electric chair on January 16, 1936, at the age of 65. Check out all of Ignacio's books here at the link below https://www.amazon.com/Ignacio-J-Este... Links to Crime & Entertainment Like us on Facebook -  https://www.facebook.com/crimeandente... Follow us on Instagram - https://www.instagram.com/crimenenter... Listen on Spotify - https://open.spotify.com/show/4T67Bs5... Listen on Apple Music - https://podcasts.apple.com/us/podcast... Listen on Stitcher - https://www.stitcher.com/show/crime-e... Listen on Google Podcast - https://podcasts.google.com/feed/aHR0... Listen on Amazon Music - https://music.amazon.com/podcasts/9cd...

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Phantom Electric Ghost Interviews Wysteria Edwards BA, Ed. M. Owner if Simple & Deep ™ How can I repair what I've already messed up with my children? Biography Wysteria Edwards BA, Ed.M., is changing the way we live with attachment, attunement, and intention. She's a respected Kindergarten teacher in Eastern WA, who has perfected the art of creating a classroom filled with care, hope, and healing. Her passion for teaching even led her to gain access to Mister Rogers' personal papers to write the groundbreaking book, "Waiting for Mister Rogers: Teaching with Attachment, Attunement, and Intention." Prepare to be amazed as Wysteria's unwavering dedication to attachment repair transforms educational practices and reshapes our perspectives on adversity and developmental trauma. She's the visionary behind Simple & Deep TM, a company that empowers women to comprehend insecure attachment through engaging stories and intentional living. Link: https://wysteriaedwards.com/ Donate to support PEG free artist interviews: PayPalMe link Any contribution is appreciated: https://www.paypal.com/paypalme/PhantomElectric?locale.x=en_US Support PEG by checking out our Sponsors: Download and use Newsly for free now from www.newsly.me or from the link in the description, and use promo code “GHOST” and receive a 1-month free premium subscription. The best tool for getting podcast guests:  Podmatch.com https://podmatch.com/signup/phantomelectricghost Subscribe to our Instagram for exclusive content: https://www.instagram.com/expansive_sound_experiments/ Donate to support PEG free artist interviews: Subscribe to our YouTube  https://youtube.com/@phantomelectricghost --- Send in a voice message: https://podcasters.spotify.com/pod/show/phantom-electric/message

In this episode, we delve into the profound impact of the cherished show, "Mister Rogers' Neighborhood," on inner child healing. Joining us is Wysteria Edwards, an esteemed author whose upcoming book about Mister Rogers is set to release next month (September 2023).Together, we'll uncover the lasting influence of Fred Rogers' empathetic messages on inner child recovery. Guided by attachment theory, we'll explore secure and insecure attachment styles, shaped by early experiences and pivotal to our emotional well-being.Mister Rogers embodied secure attachment through his welcoming demeanor and unconditional regard. His safe haven of understanding allowed viewers to embrace their emotions, mirroring the cornerstone of secure relationships. Wysteria Edwards sheds light on how his legacy encourages self-compassion.Join us in this heartfelt exploration of how Mister Rogers' legacy continues to provide solace, nurturing the inner child within us all.Take Wysteria's FREE 60-second quiz on Attachment Styles: "What's Your Attachment Style?" (https://go2.bucketsurveys.com/sf/75dbb3cb)Receive a customized report with tips and next steps.Bonus 1: Get FREE COPY of Waiting for Mister Rogers: Teaching with Attachment, Attunement, and Intention (pay shipping/handling)Bonus 2: Register for the highly anticipated Waiting for Mister Rogers: Companion Course for only $27.00, a value of over $200 when it launches.  A perfect compliment for those wanting to go deeper and live and live with intention.Website: wysteriaedwards.comYouTube: https://www.youtube.com/channel/UCifVS6pTgz9TMFAMc1IE5SAInstagram: @wystieFacebook: /wystieedwardsLinked In: /wysteriaedwardsPinterest: /wystieedwardsSimple & Deep TM Podcast is on Apple & Spotify

Uncovering the Dark Secrets of Albert Fish: A Chilling True Crime Story. Follow the haunting trail of a twisted serial killer who preyed on innocent children, leaving a trail of horror in his wake. Learn more about your ad choices. Visit megaphone.fm/adchoices

Albert Fish is known as; The Gray Man, The Werewolf of Wysteria, The Brooklyn Vampire, The Moon Manic, and The Boogey Man. He is an American Serial killer who took his obsession with pain and pleasure to extremes that will make your skin crawl. If you want to learn more about Albert Fish and his crime spree in detail check out Morbid's deep dive. Episode 302: Albert Fish Part 1Episode 303: Albert Fish Part 2Episode 304: Albert Fish Part 3Episode 305: Albert Fish Part 4Follow Us On Social Media The PodcastTik Tok @DeadlyFaithPodcastInstagram @DeadlyFaithPodcastLaciTik Tok @Laci_BeanInstagram @Laci__BeanLolaTik Tok @hellotherelolaInstagram @Spellbound_Shears

“We're not here to start no trouble / We're legally required to do the "Sex Offender Shuffle”. Un capítulo sobre sevicia, lascivia, coloridas parafilias y “priapismo considerable”, que decía Nietzsche. Por un lado podrán escuchar una explicación exhaustiva, en tres partes, de la vida y numerosas “anormalidades” de Albert Fish, aka The Grey Man, aka El Hombre Lobo de Wysteria aka Un Ancianito Muy Pulcro. Tras escuchar las espeluznantes perversiones y horrendos crímenes de Fish, todos aquellos de ustedes que se consideraban degenerados verán que son meros amateurs (aunque se hayan follado a un caniche). Junto a él hallarán en este capítulo al poco agraciado Harvey Glatman, a Jerry “Love your shoes” Brudos y una mención especial para Miracle Village, la colonia de sex offenders de Florida.

Il Vampiro di Brooklyn, il maniaco della luna, l'uomo grigio, il lupo mannaro di Wysteria, sono tutti soprannomi di uno dei serial killer più sadici e sanguinari che abbiano mai messo piede sul pianeta Terra. Molestatore, torturatore, assassino e cannibale fu responsabile di più di 100 omicidi di un'efferatezza inaudita. Questa è una puntata per stomaci molto forti che raggiunge picchi di crudeltà mai visti. In questa puntata Elisa True Crime racconta la storia di Albert Fish.See omnystudio.com/listener for privacy information.

Idag är det dags för true crime. Och vi lyssnade på era svar som ni gav på en onsdagsrysare för länge sedan - vi pratar om en man som anses vara en av amerikas värsta serienmördare: The gray man, The brooklyn vampire, The boogey man, The moon maniac, the Werewolf of Wysteria - eller som han egentligen heter: Albert Hamilton Fish. Become a member at https://plus.acast.com/s/rysarstunden-2. Hosted on Acast. See acast.com/privacy for more information.

This episode covers the case of Albert Fish, a child rapist, murderer, and cannibal also known as The Grey Man, The Boogeyman, and the Werewolf of Wysteria who brutally murdered three children (and possibly more) between 1924 and 1928.Sources:https://en.m.wikipedia.org/wiki/Albert_Fishhttps://www.ranker.com/list/albert-fish-facts/jacob-sheltonhttps://allthatsinteresting.com/albert-fish-letterDeranged: The Shocking True Story of America's Most Fiendish Killer by Harold SchechterIntro & Outro Music:Come Play with Me Kevin MacLeod (incompetech.com)Licensed under Creative Commons: By Attribution 3.0 License http://creativecommons.org/licenses/by/3.0/

Also know as the Grey Man, the Werewolf of Wysteria, the Brooklyn Vampire, the Moon Maniac, and the Boogeyman.

Albert Fish is one of America's most deranged serial killers yet rarely brought up when we talk about Heavy Hitters. Albert's reign of terror took place between 1924–1932 and his victims were primarily children which makes this case that much more chilling. Known as "Gray Man, the Werewolf of Wysteria, the Brooklyn Vampire, the Moon Maniac, and The Boogey Man" Fish has a love of self-harm and torturing his victims in such unmentionable ways, we had to gloss over some of those gruesome details. This episode is trigger warning and not for the faint of heart. Visit www.perfectstranglers.com or email contact@perfectstranglers.com to submit your listener stories! Please Rate and Review us on Apple Podcasts and hit that Subscribe button! Follow us on Facebook: Perfect Stranglers: A True Crime Podcast Instagram: @perfect_stranglers Twitter: @perfstranglers Cover art: https://www.instagram.com/choppedduck/ Theme Music: Dj Noble

Hamilton Howard "Albert" Fish (May 19, 1870 – January 16, 1936) was an American serial killer, rapist, child molester, and cannibal who committed a minimum of three child murders from July 1924 to June 1928. He was also known as the Gray Man, the Werewolf of Wysteria, the Brooklyn Vampire and many more.

This episode covers the horror that was Albert Fish, the Werewolf of Wysteria, and a variety of crimes from Jefferson County, Illinois during an especially active period.

Welcome to the 30th episode of Something Sinister! In this episode, Alexa tells the story of Albert Fish AKA The Gray Man, Werewolf of Wysteria, the Brooklyn Vampire, the Moon Maniac, and The Boogey Man.Podcast available on Apple, Spotify, Google Play, Pandora, and BuzzSprout.CADENCE: @cadencenicolemALEXA: @alexarorthINSTAGRAM: @somethingsinisterpodcastTWITTER: @sinistersocialsPATREON/MERCH: www.somethingsinisterpodcast.comEMAIL US: somethingsinisterpodcasts@gmail.com Listener discretion is advised. Not suitable for young audiences.Support the show --- This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app Support this podcast: https://anchor.fm/something-sinister-podcast/support

Hamilton Howard "Albert" Fish was an American serial killer, rapist, child molester, and cannibal who committed a minimum of three child murders from July 1924 to June 1928. He was also known as the Gray Man, the Werewolf of Wysteria, the Brooklyn Vampire, the Moon Maniac, and The Boogey Man.Be sure to follow us on social media @thechocolatepod and email us your case suggestions to thechocolatemilkpod@gmail.com. 

On this week's episode I'm joined by my parents as we take a deep dive into Albert Fish, a disturbing tale of pure degradation. So get your paddle, and needles ready because this is a gross one!

Albert Fish, also known as the Werewolf of Wysteria and the Brooklyn Vampire, was an American serial killer who terrorized young men women and children in the 1920's. He committed numerous heinous acts such as rape murder, torture and molestation, but he is most well known for his acts of cannibalism against his victims. In this two part series Rainie will describe Alberts early life leading up to his crimes as well as the crimes themselves and his eventual capture and execution.If you liked listening to the show and want to hear more from us in the future then please rate review and subscribe to us in Apple podcasts or follow us on your favorite podcatcher. If we are not on a platform that you prefer then let us know and we will work to get our voices on there for you. You can reach us for comments questions or requests for cases or paranormal phenomenon @ sisteriouspod@gmail.comYou can tweet us @sisteriouspodCheck out our instagram @ sisterious_podcast Or like us on facebook at Facebook.com/sisterious-podcastIf youd like to support us you can donate to our patreon pageRemember, you can be strange but don't be a stranger!Sources:https://en.wikipedia.org/wiki/Albert_Fishhttps://www.thoughtco.com/serial-killer-albert-fish-973157https://thoughtcatalog.com/christine-stockton/2018/05/albert-fish-the-gruesome-story-of-the-brooklyn-vampire/https://www.history.com/this-day-in-history/the-moon-maniac

Albert Fish, also known as the Werewolf of Wysteria and the Brooklyn Vampire, was an American serial killer who terrorized young men women and children in the 1920's. He committed numerous heinous acts such as rape murder, torture and molestation, but he is most well known for his acts of cannibalism against his victims. In this two part series Rainie will describe Alberts early life leading up to his crimes as well as the crimes themselves and his eventual capture and execution.If you liked listening to the show and want to hear more from us in the future then please rate review and subscribe to us in Apple podcasts or follow us on your favorite podcatcher. If we are not on a platform that you prefer then let us know and we will work to get our voices on there for you. You can reach us for comments questions or requests for cases or paranormal phenomenon @ sisteriouspod@gmail.comYou can tweet us @sisteriouspodCheck out our instagram @ sisterious_podcast Or like us on facebook at Facebook.com/sisterious-podcastIf youd like to support us you can donate to our patreon pageRemember, you can be strange but don't be a stranger!

Hamilton Howard "Albert" Fish was an American serial killer, rapist, child molester, and cannibal who committed a minimum of three child murders from July 1924 to June 1928. He was also known as the Gray Man, the Werewolf of Wysteria, the Brooklyn Vampire, the Moon Maniac, and The Boogey Man.

Albert Fish: il Lupo di Wysteria; l'Uomo Grigio; il Boogeyman; il Vampiro di Brooklyn e mille altri soprannomi non bastano a descrivere una delle persone più disturbanti e schifose che abbiano calcato questa terra. Rispetto alla mole e alla bassezza delle sue perversioni, gli omicidi passano quasi in secondo piano. Ma sono bambini e se non bastasse questo, Albert Fish ci tiene a far soffrire ulteriormente le famiglie dopo averli uccisi. Le lettere di Albert Fish: https://www.crimeandcomedy.it/project/albert-fish-podcast/ --------- Patreon: https://www.patreon.com/crimeandcomedy Youtube: https://youtu.be/-3HsiqLyMKc Tutti i Podcast: https://link.chtbl.com/CrimeandComedy Instagram: https://www.instagram.com/crimeandcomedy.podcast/ Telegram: https://t.me/crimeandcomedy Sito: https://www.crimeandcomedy.it Facebook: https://www.facebook.com/crimeandcomedy/ Youtube: https://www.youtube.com/c/CrimeComedy Instagram: Clara Campi: https://www.instagram.com/claracampicomedy/ Marco Champier: https://www.instagram.com/mrchreddy/ Caricature - Giorgio Brambilla: https://www.instagram.com/giorgio_brambilla_bookscomedy/ Capitoli: (00:00:00) | Intro (00:01:15) | Sigla (00:01:29) | Albert Fish è disturbante (00:02:21) | La perversa e infame infanzia di Albert Fish (00:17:37) | Albert Fish: imbianchino e gigolo (00:26:29) | La Psicosi Religiosa e i giochini con i figli di Albert Fish (00:33:41) | Albert Fish sadico con gli uomini e la moglie lo lascia (00:38:18) | Albert Fish si interessa al cannibalismo (00:41:58) | Albert Fish comincia a rapire, uccidere e mangiare bambini (00:45:48) | Francis McDonnell la prima vittima di Albert Fish (00:49:41) | I raccapriccianti passatempi di Albert Fish (00:54:30) | Billy Gaffney la seconda vittima di Albert Fish (00:55:29) | Grace Budd l'omicidio più famoso di Albert Fish (01:04:28) | La famigerata lettera a Delia Budd condanna Albert Fish (01:19:29) | Il processo, le parafilie e la morte di albert Fish (01:40:22) | Titoli di coda Learn more about your ad choices. Visit megaphone.fm/adchoices

The boys are back after a two week break and Chubbs brings us the tale of Albert Fish, also known as the "Brooklyn Vampire" and "Werewolf of Wysteria". This is a really dark true crime event as his targets would usually be children, where he wouldn't just murder, but torture them as well. Be warned this episode may be hard to stomach, but with that in mind strap in and get ready to join the army of The Damned!

En éste sexto episodio del Podcast de Asesinos y Asesinos En Serie, te presento el caso del asesino Albert Fish, también conocido como el «Hombre gris», «El hombre lobo de Wysteria» y «El vampiro de Brooklyn». Afirmó haber abusado sexualmente y asesinado a más de 100 niños, aunque sólo fue sospechoso en cinco asesinatos. Confesó dos homicidios y haber acuchillado al menos a dos personas más. Fue sometido a un juicio por el asesinato de Grace Budd, condenado y ejecutado en la silla eléctrica. Podcast de crímenes reales en español narrado por MiedoAVoces. Por favor, si el podcast te gustó, Suscríbete es gratis!, compártelo con una amiga o amigo, eso me ayudaría mucho para traerte nuevos episodios. Sigue mis contenidos en Twitter e Instagram, te invito a visitar mi blog de terror y no te pierdas los metrajes que publico en mi canal en YouTube. Descubre mi app de terror para Android descárgala gratis en Google Play. Muchas gracias por acompañarme en éste viaje, nos vemos en el siguiente episodio.

“ALBERT FISH: THE REAL LIFE BOOGEYMAN” and 9 More Terrifying True Horrors! #WeirdDarknessPlease SHARE this episode with someone who loves paranormal stories, true crime, monsters, or mysteries like you do! Telling others about Weird Darkness helps make it possible for me to keep doing the podcast! IN THIS WEEKEND ARCHIVE EPISODE: Edgar Allan Poe's “The Raven” *** A UK woman sees a little sailor boy… a dead one. *** A 15-foot high B-25 bomber goes missing - in just 20 feet of water. *** A woman wakes up twice in the middle of her own surgery… but that's not the scariest part. *** A rocking chair mysteriously moves itself to a completely different room. *** Two Romanian climbers found a strange yellowish object and as soon as they touched it something unexplained happened. *** Is teleportation impossible - tell that to Major Tudor Wellesley Pole. *** A new member joins a new age group – and she creeps everyone out. But they soon realize the feeling is warranted. *** September, 1952… was it a cryptid? An alien? We look more closely at what has become known as “The Flatwood Monster” from Braxton County, West Virginia. *** What began as a practical joke on some friends in a Revolutionary War cemetery backfires on the perpetrator. *** He's been known by a few different names: “The Werewolf of Wysteria,” “The Gray Man”, even the “Brooklyn Vampire”. No matter the alias, Albert Fish is a murderer whose attacks took place over the span of ten years, causing terror in New York and throughout the United States. STORY SOURCES AND MUSIC CREDITS…(Over time links may become invalid, disappear, or have different content. I always make sure to give authors credit for the material I use whenever possible. If I somehow overlooked doing so for a story, or if a credit is incorrect, please let me know and I will rectify it in the show notes immediately.)“The Raven” by Edgar Allan Poe: https://weirddarkness.tiny.us/1kzyvu38 “Little Sailor Boy”: https://weirddarkness.tiny.us/jxjnqdla “The Pennsylvania Ghost Bomber”: https://weirddarkness.tiny.us/1f3gn5ly “Operation Horror”: https://weirddarkness.tiny.us/3xgg8go6 “The Rocking Chair”: https://weirddarkness.tiny.us/i7grx14f “Bizarre And Unexplained Disappearances In The Buzau Mountains”: https://weirddarkness.tiny.us/59j95292 “Mysterious Teleportation Case Of Major Tudor Pole”: https://weirddarkness.tiny.us/ht3psqr5 “The Thing That Follows Her”: https://weirddarkness.tiny.us/1k87qnvb “Meeting With The Flatwood Monster”: https://weirddarkness.tiny.us/yfz4ya5g “The Scare That Backfired”: https://weirddarkness.tiny.us/4nu9b9z8 “The Boogeyman Albert Fish”: https://weirddarkness.tiny.us/8j6vx8u4 Weird Darkness theme by Alibi Music Library. Background music, varying by episode, provided by Alibi Music, EpidemicSound and/or AudioBlocks with paid license. Music from Shadows Symphony (https://tinyurl.com/yyrv987t), Midnight Syndicate (http://amzn.to/2BYCoXZ), Kevin MacLeod (https://tinyurl.com/y2v7fgbu), Tony Longworth (https://tinyurl.com/y2nhnbt7), and/or Nicolas Gasparini/Myuu (https://tinyurl.com/lnqpfs8) is used with permission. 

ESSENTIAL WEB LINKS… TRANSCRIPT FOR THIS EPISODE (if available): Visit WeirdDarkness.com, search for the title of this episode, click on episode photo, then scroll down the blog post. Transcript will be at the bottom of the blog post.HOT 50 CHART VOTING: https://WeirdDarkness.com/VOTE BECOME A PATRON: https://WeirdDarkness.com/Patron(Amazon links included above may benefit me financially through qualifying purchases.)WANT TO ADVERTISE ON WEIRD DARKNESS OR BE A SPONSOR?Weird Darkness has partnered with AdvertiseCast to handle our advertising/sponsorship requests. They're great to work with and will help you advertise on the show. Email sales@advertisecast.com or start the process now at https://weirddarkness.com/advertise = = = = = = = = = = = = = = = = = = = = = = = = = = = = = ="I have come into the world as a light, so that no one who believes in me should stay in darkness." — John 12:46Find out how to escape eternal darkness at https://weirddarkness.com/eternaldarkness WeirdDarkness™ - is a registered trademark. Copyright ©Weird Darkness 2020.= = = = = = = = = = = = = = = = = = = = = = = = = = = = = =

Eigentlich sollte es die allererste Folge werden, doch Albert Fish ist einfach zu viel Ekel, um ihn in eine Episode zu packen! Deshalb gibt's jetzt den ersten Teil zum grauen Mann, Vampir von Brooklyn, Werwolf von Wysteria, dem Boogeyman. Paula und Mika steigen tief ein in die widerwärtige Welt des nach Schinken riechenden Fish. Achtung, diese Episode befasst sich mit der Gewalt an Kindern. Wer das nicht hören möchte, sollte auf die Trigger-Warnungen in der Aufnahme achten. Danke! :) Quellen: Heimer, Mel. The Cannibal. New York: Pinnacle Books, 1971. Wertham, Frederick. The Show of Violence. London: Gollancz, 1949. Wilson, Colin and Pam Pitman. Encyclopedia of Murder. New York: Putnam's, 1961. Schechter, Harold. Deranged: The Shocking True Story of America's Most Fiendish Killer. Simon & Schuster: 1990. GEMAfreie Musik von https://audiohub.de

Hamilton Howard "Albert" Fish was an American serial killer, child rapist and cannibal. He was also known as the Gray Man, the Werewolf of Wysteria, the Brooklyn Vampire, the Moon Maniac, and The Boogey Man

One of the greatest needs is to be seen and valued.  Listen to Wysteria tell a story of a Kindergartener who felt invisible, and accept the challenge of being intentionally in this season of digital learning with all the children of our lives.

This is an episode I've been toying with for quite some time. I first learned of Albert Fish when I was graduating highschool, when I was in a super edgy serial killer phase. He was a fascinating subject from just a human perspective, and he is the epitome of the nature versus nurture debate. Was he born evil, or was he victim of circumstance? Actually, I'm getting ahead of myself here. I do that quite a lot. Albert Fish was known by many different monikers, such as the boogeyman, The Grey Man, and the Werewolf of Wysteria, but ultimately he was a monster, and perhaps the most notorious child killer and molester in the history of the world. It wouldn't surprise me if Freddy Krueger was based off him, at least in a small way.  Fish was first convicted of murdering a young girl by the name of Grace Budd. He lured her away from her family, in plain sight, from their home, took her to an abandoned house, strangled her, and reportedly ate her. Albert Fish was a cannibal. He enjoyed the flesh of children most. He was, as aforementioned, a monster. His claims of murder and molestation reach absurd numbers ranging from 9-100.  He came from a family filled with mental illness, and he was also abused as a child at an orphanage, many of the punishments he carried over, using them as an adult on both himself and his victims. Strangely, out of all this, he was married at one point, and even had six kids, none of whom he ever abused.  At his trial, he obviously claimed insanity, and while some jurors admitted after the fact that they believed him to be insane, they still thought that he needed to be put to death. And so they did.  For more information, you will just have to listen to the full episode. Our sponsor: www.morbidlybeautiful.com Merch: www.redbubble.com/people/HorrorShots Youtube Twitch: www.twitch.tv/muskyfaux Website: www.horrorshots.com Instagram: ominousoriginspod Twitter: @horrorshotsprod Facebook: Horrorshots Patreon: www.patreon.com/horrorshots Credit: Music: https://www.purple-planet.com

Keep up with current episodes of Morning Cup of Murder at morningcupofmurder.com Not many people have their deaths celebrated. But, on January 16th 1936, citizens of New York let out a collective sigh of relief and cheer as the Werewolf of Wysteria, the Brooklyn Vampire, the Boogey Man himself died in the electric chair. Don't recognize those names, well, we know this monster as the infamous, Albert Fish. Albert Fish Died (1936) Become a supporter of this podcast on Patreon: https://www.patreon.com/morningcupofmurder Follow Morning Cup of Murder on Twitter: https://twitter.com/cupofmurder @cupofmurder Follow MCOM on Instagram: @morningcupofmurder Have a Murder or strange true crime story you want to share, email the show here: morningcupofmurder@gmail.com Morning Cup of Murder is researched, written and performed by Korina Biemesderfer. Follow Korina on Instagram: @kbiemesderfer

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