Podcasts about Dark Mountain

Today, we're bringing you a very special recording from the annual European Ecovillage Gathering held in Ängsbacka in 2024, where we had the privilege of hearing from Dougald Hine, an author, visionary thinker and co-founder of the Dark Mountain Project. Through the Dark Mountain project, he has sparked a movement that critically re-examines the dominant...

When new transfer students Pirie and Henry arrive at The Academy with their teacher Professor Kate, they bring impressive magical abilities—shapeshifting, invisibility, and super speed. But something mysterious is happening at this school for young magic users. After spotting Professor Kate sneaking toward the dangerous Dark Mountain at night, Pirie and Henry decide to follow her, unaware they're about to uncover a plot that could threaten everyone at The Academy. In this first episode of an exciting new series, join these magical siblings as they discover glowing-eyed cave trolls, ancient crystals with mind-controlling powers, and a teacher who might not be exactly who she claims to be. With help from their new friends Lucy and Holly, Pirie and Henry must gather evidence and allies before it's too late. Perfect for fans of magical adventure stories and children who love mysteries with a supernatural twist. #KidsStories #MagicalAdventure #ChildrensPodcast #KidsMystery #TheAcademy #MindCrystal #FamilyListening

ELLEN DREW: CLASSIC CINEMA STAR OF THE MONTH (069) Whether playing the sweet girl next door or the world-weary casino boss's moll, ELLEN DREW was an incredibly versatile leading lady who was a major star in the 1940s and 50s. She made a career of playing a wide range of roles in various genres — from Westerns to comedies to dramas to horror movies. She was nicknamed “The Candy Store Cinderella” because she was discovered scooping ice cream in a candy store on Hollywood Boulevard. And who do you think discovered her? You'll be quite surprised to find out. In this week's episode, we discuss our Star of the Month, ELLEN DREW.  SHOW NOTES:  Sources: Character Actors in Horror and Science Fiction Films, 1930-1960, (2014), by Laurence Raw; "Ellen Drew — The Private Life of Ellen Drew,” glamourgirlsofthesilverscreen.com; “Hollywood's Forgotten Daughters,” January 1986, by Anthony Cassa, Hollywood Studio Magazine; “Ellen Drew - Cinderellen,” January 2002, by Jeff Gordon, Classic Images magazine; “Ellen Drew, 89, Film and TV Actress Rose Through Ranks in Hollywood,” December 6, 2003, Los Angeles Times; TCM.com; IMDBPro.com; IBDB.com; Wikipedia.com; RogerEbert.com; Movies Mentioned:  Christmas in July  (1940), starring Dick Powell & Ellen Drew; Johnny O'Clock (1947), starring Dick Powell, Evelyn Keyes, Thomas Gomez, & Ellen Drew; Hollywood Boulevard (1936), starring Marsha Hunt & Robert Cummings; The Big Broadcast of 1937 (1936), starring Jack Benny, George Burns, & Gracie Allen; Make Way For Tomorrow (1937), staring Victor Moore & Beulah Bondi; Gone With The Wind (1939), starring Vivien Leigh & Clark Gable; Sing, You Sinners (1938), starring Bing Crosby, Fred MacMurray, & Ellen Drew; If I Were King (1938), starring Ronald Colman, Basil Rathbone, Frances Dee, & Ellen Drew; The Lady's From Kentucky (1939), staring George Raft & Ellen Drew; Geronimo (1939), starring Preston Foster; The Gracie Allen Murder Case (1939), starring Gracie Allen; French Without Tears (1940), starring Ray Milland & Ellen Drew; Buck Benny Rides Again (1940), starring Jack Benny; The Mad Doctor (1941), starring Basil Rathbone; The Monster and the Girl (1941), starring Paul Lukas & Philip Terry; Isle of the Dead (1945), starring Boris Karloff; Our Wife (1941), starring Melvyn Douglas, Ruth Hussey, & Ellen Drew; The Night of January 16th (1941), starring Preston Foster; Reaching For The Sun (1941), starring Joel McCrea & Ellen Drew; The Remarkable Andrew (1942), starring William Holden, Brian Donlevy, & Ellen Drew; My Favorite Spy (1942), starring Kay Kyser & Jane Wyman; Night Plane to Chungking (1942), starring Preston Foster & Ellen Drew; And The Angels Sing (1944), starring Dorothy Lamour, Fred MacMurray, & Betty Hutton; Strange Confession (1944), starring Jean Gabin; That's My Baby (1944), starring Richard Arlen & Ellen Drew; Dark Mountain (1944), starring Robert Lowery & Ellen Drew; China Sky (1945), starring Randolph Scott; The Swordsmen (1948), starring Larry Parks & Ellen Drew; The Man from Colorado (1949), starring William Holden & Glenn Ford; The Crocked Way (1949), starring John Payne, Sonny Tufts, & Ellen Drew; Stars In My Crown (1950), staring Joel McCrea & Ellen Drew; Cargo to Capetown (1950), starring Broderick Crawford & John Ireland; The Great Missouri Raid (1950), starring Wendell Corey; Man In The Saddle (1951), staring Randolph Scott & Joan Leslie; --------------------------------- http://www.airwavemedia.com Please contact sales@advertisecast.com if you would like to advertise on our podcast. Learn more about your ad choices. Visit megaphone.fm/adchoices

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Featuring: Dark Mountain Cult - https://www.instagram.com/darkmountaincult This episode is sponsored by Cyphe Smoke Shop in Asbury Park, NJ. Visit them at https://www.goodtimesint.com and use Promo Code STAYCLOUDED for 20% off your purchase. Cyphe Smoke Shop is the perfect vibe. ALL THE GOOD STUFF: https://linktr.ee/2cloudedminds Become a Patron to get access to exclusive content: http://tinyurl.com/CloudedPatreon Follow the show on IG: https://www.instagram.com/the_2_clouded_minds_show/ Follow Kris on IG: https://www.instagram.com/lilguykris28 Follow DC on IG: https://www.instagram.com/dcinthecity Follow Anthony on IG: https://www.instagram.com/felifel1201 Follow Dakota on IG: https://www.instagram.com/dakotademarest The 2 Clouded Minds Show is for entertainment purposes only. No laws were broken and no harm was done during the recording of this episode, even if it looks like something bad might've happened. DC is very good with special effects. No financial advice is contained in this episode. But let's be honest, if you're taking financial advice from people who refer to themselves as "clouded minds," you kinda deserve whatever you get. Opinions expressed do not necessarily reflect those of sponsors or any reasonable entity on Earth. All facts are at least 50% true, probably.

In this deep, thoughtful conversation, two of the men at the heart of the Climate Majority Project discuss their own journeys into eco-spirituality - what they believe it to be and why it's a core, foundational bedrock of their lives. If you follow anything else that Faith and I do together, you'll know that we believe heart-felt connection to the All That Is forms the bedrock of human existence and is the pathway to human flourishing, to our being good ancestors, to laying that foundation on which future generations can build a world where we are an integral part of the web of life. The whole of the Accidental Gods membership program exists to help people find ways to make this heartfelt connection and the Dreaming Awake contemporary shamanic training takes it more deeply. We don't often get to unpick this in depth here on the podcast. But long term friend of the podcast, the author, philosopher and academic, Rupert Read, suggested a while ago that we might like to have a three way conversation with him and Woodford Roberts who is an integral part of the Climate Majority Project of which they are both founder members. Both have been active in Extinction Rebellion. Both have moved on to believing that change happens in other ways, and both have at the core of their actions and activism a heartfelt connection to the All That Is, however we define it. We have regular guest appearances by people who work deeply in shamanic traditions, or other aspects of contemporary spirituality, but this is the first time we've had a chance to explore what we might call western 'eco-spirituality' in a way that is practiced distinctly from contemporary - or indigenous - shamanic practice. Rupert is a philosopher who has studied both Quaker and Buddhist traditions, naming Joanna Macey and Thich Nhat Hahn as his teachers. Woodford Roberts - who is called Rob within the movement - comes from a more meta-cognitive stance, but still deeply embedded within western psycho-spiritual philosophy, albeit with personal experience in the shamanic realities. So this was a deep, wide ranging, thoughtful episode and I hope it helps you to navigate your own routes to thinking, feeling and being in these turbulent times. So please welcome back Rupert Read and welcome for the first time, Woodford Roberts, both of the Climate Majority Project. Bios: Woodford Roberts is a writer based in Cornwall. With a focus on eco-spirituality and emotion, Woodford's work seeks to help readers stare down the truth of the metacrisis as he seeks to do the same, sharing his own spiritual journey of navigating the challenging terrain of a time between two worlds and the lessons found within. His work appears in Dark Mountain Books, Resurgence & The Ecologist. His first book, called 'How To Be Happy At The End Of The World' is currently in development, and he publishes on a Substack of the same name. Prof Rupert Read is co-director of the Climate Majority Project and Emeritus Professor of Philosophy at the University of East Anglia. He is the author of several books, including This Civilisation is Finished, Parents for a Future, Why Climate Breakdown Matters and Do you want to know the truth? The surprising rewards of climate honesty. His spiritual teachers have included Joanna Macy and Thich Nhat Hanh.Links: Climate Majority Project https://climatemajorityproject.comRob in Resurgence https://www.resurgence.org/magazine/article3855-waking-up-to-the-world.htmlRob Substack https://howtobehappyworld.substack.com/'Kisses on the Wind' - A heartfelt essay written by Rob since our conversation (trigger warning - he discusses his own brush with suicide)  https://howtobehappyworld.substack.com/p/kisses-on-the-windXR Writers Rebel by Rob https://writersrebel.com/read-this-is-for-my-children/ Motes In A Sunbeam published with Dark Mountain  https://www.youtube.com/watch?v=hdmr96gVFgwRupert's website https://rupertread.net/Rupert on LinkedIn https://www.linkedin.com/in/rupert-read-6717548/?originalSubdomain=ukRupert on Twitter https://twitter.com/GreenRupertReadArts Council-Funded Play inspired by Rupert's work  www.phoenixdodobutterfly.comRupert - Ebor Lecture in York  https://www.eventbrite.co.uk/e/ebor-lecture-earth-hope-with-professor-rupert-read-tickets-811255837047 (also available online for those not in Yorkshire) Rupert 'Thin Red Line' paper https://www.euppublishing.com/doi/full/10.3366/film.2002.0023Climate Majority Culture Peace Gathering https://climatemajorityproject.com/culture-peace-gathering/Life Itself https://lifeitself.org/programs

Why do we keep heading back to the woods? WHY?? Nothing good ever happens there.Alexander James would argue otherwise, but he's clearly made of sterner stuff than me. In his debut novel, The Woodkin, Alex parlays his love of the wild outdoors into a story that heads toward a familiar backwoods nightmares, before veering far off the beaten trail into something stranger and even scarier. In this episode we talk about his love for the woods of the Pacific Northwest (and yes! I ask him about Bigfoot of course). We cover the controversy surrounding an earlier title choice, the influence of D&D on his writing and the trick to realistically depicting fear in fiction.It's a happy hike into darkness. EnjoyThe Woodkin was published August 22nd by CamCat BooksOther books mentioned in this episode include:Dark Mountain (1992), by Richard LaymonOffseason (1980), by Jack KetchumMexican Gothic (2020), by Silvia Moreno-GarciaThe Hacienda (2022), by Isabel CañasI'm a Search and Rescue Officer for the US Forest Service, I Have Some Stories to TellCritStupid Podcast (Alex's D&D podcast)Support Talking Scared on PatreonCome talk books on Twitter @talkscaredpod, on Instagram, or email direct to talkingscaredpod@gmail.com Support the show

On this episode, my guest is Nick Hunt, the author of three travel books about journeys by foot, including Outlandish: Walking Europe's Unlikely Landscapes. His articles have appeared in The Guardian, Emergence, The Irish Times, New Internationalist, Resurgence & Ecologist and other publications. He works as an editor and co-director for the Dark Mountain Project. His latest book is an alternate history novel, Red Smoking Mirror.Show NotesAwe and the Great SecretOn Focus, Sight and SubjectivityThe Almost Lost Art of WalkingPilgrimage and the Half Way PointWhat if Left of Old-School Hospitality in our Times?When Borders Matter LessHospitality and PainThe Costs of InterculturalityAsking Permission: On Not Being WelcomeFriendship, Hospitality, and ExchangeHomeworkNick Hunt's Official WebsiteRed Smoking MirrorEssay: Bulls and ScarsTranscript[00:00:00] Chris Christou: Welcome Nick to the End of Tourism podcast. Thank you so very much for joining us today. [00:00:05] Nick Hunt: Very nice to be here, Chris. [00:00:07] Chris Christou: I have a feeling we're in for a very special conversation together. To begin, I'm wondering if you could offer us a glimpse into your world today, where you find yourself, and how the times seem to be rolling out in front of you, where you are.[00:00:22] Nick Hunt: Wow, that's a good, that's a good question. Geographically, I'm in Bristol, in the southwest of England, which is the city I grew up in and then moved away from and have come back to in the last five or so years. The city that I sat out the pandemic, which was quite a tough one for various reasons here and sort of for me personally and my family.But the last year really has just felt like everyone's opening out again and it feels... it's kind of good and bad. There was something about that time, I don't want to plunge straight into COVID because I'm sure everyone's sick of hearing about it, but the way it, it froze the world and froze people's personal lives and it froze all the good stuff, but it also froze a lot of the more difficult questions.So, I think in terms of kind of my wider work, which is often, focused around climate change, extinction, the state of the planet in general, the pandemic was, was oddly, you didn't have to think about the other problems for a while, even though they were still there. It dominated the airspace so much that everything else just kind of stopped.And now I find that in amongst all the joy of kind of friends emerging again and being able to travel, being able to meet people, being able to do stuff, there's also this looming feeling of like, the other problems are also waking up and we're looking at them again. [00:01:56] Chris Christou: Yeah. We have come back time to time in the last year or two in certain interviews of the pod and, and reflected a little bit on those times and considered that there was, among other things, it was a time where there was the possibility of real change. And I speak more to the places that have become tourist destinations, especially over touristed and when those people could finally leave their homes and there was nobody there that there was this sense of Okay, things could really be different [00:02:32] Nick Hunt: Yeah.As well. Yeah. I know there, there was a kind of hope wasn't there that, "oh, we can change, we can, we can act in, in a huge, unprecedented way." Maybe that will transfer to the environmental problems that we face. But sadly that didn't happen. Or it didn't happen yet. [00:02:53] Chris Christou: Well, time will tell. So Nick, I often ask my guests to begin with a bit of background on how their own travels have influenced their work, but since so much of your writing seems to revolve around your travels, I've decided to make that the major focus of our time together. And so I'd like to begin with your essay Bulls and Scars, which appears in issue number 14 of Dark Mountain entitled TERRA, and which was republished in The Best British Travel Writing of the 21st Century.[00:03:24] Nick Hunt: A hyperbolic, a hyperbolic title, I have to say. [00:03:29] Chris Christou: And in that exquisite essay on the theme of wanderlust, you write, and I quote, "always this sense, when traveling, will I find it here? Will the great secret reveal itself? Is it around the next corner? There is never anything around the next corner except the next corner, but sometimes I catch fragments of it.This fleeting thing I am looking for. That mountainside, that's a part of it there. The way the light falls on that wall. That old man sitting under a mulberry tree with his dog sleeping at his feet. That's a part of the secret too. If I could fit these pieces together, I would be completed. Waking on these sacks of rice, I nearly see the shape of it. The outlines of the secret loom, extraordinary and almost whole. I can almost touch it. I think. Yes, this is it. I am here. I have arrived, but I have not arrived. I am traveling too fast. The moment has already gone, the truck rolls onwards through the night, and the secret slides away.This great secret, Nick, that spurs so much of our wanderlust. I'm curious, where do you imagine it comes from personally, historically, or otherwise? [00:04:59] Nick Hunt: Wow. Wow. Thank you for reading that so beautifully. That was an attempt to express something that I think I've always, I've always felt, and I imagine everybody feels to some extent that sense of, I guess you could describe it as "awe," but this sense that I, I first experienced this when I was a kid.I was about maybe six, five or six years old, maybe seven. I can't remember. Used to spend a lot of time in North Wales where my grandparents lived and my mum would take me up there and she loved walking. So we'd go for walks and we were coming back from a walk at the end of a day. So it was mountains. It was up in Snowdonia.And I have a very vivid memory of a sunset and a sheep and a lamb and the sky being red and gold in sense that now I would describe it as awe, you know, the sublime or something like that. I had no, no words for it. I just knew it was very important that I, I stayed there for a bit and, and absorbed it.So I refused to walk on. And my mom, I'll always be grateful for this. She didn't attempt to kind of pull my hand and drag me back to the car cuz she probably had things to do. But she walked on actually and out of sight and left me just to kind of be there because she knew that this was an important thing.And for me, that's the start of, of the great secret. I think this sense of wanting to be inside the world. I've just been reading some Ursula LeGuin and there's a short story in her always coming home. I think it's called A Hole in the Air. And it's got this kind of conceit of a man stepping outside the world and he kind of goes to a parallel version of his world and it's the one in which some version of us lives.And it's the kind of, you know, sort of fucked up war-like version where everything's kind of terrible and polluted, dangerous and violent and he can't understand it. But this idea of he's gone outside the world and he can't find his way back in. And I think this is a theme in a lot of indigenous people.This idea of kind of being inside something and other cultures being outside. I think a lot, all of my writing and traveling really has been about wanting to get inside and kind of understand something. I don't know. I mean, I dunno what the secret is because it's a secret and what I was writing about in that essay was, I think in my twenties particularly, I kind of imagined that I could find this if I kept moving.The quicker the better because you're covering more ground and more chance of finding something that you're looking for, of knowing what's around the next corner, what's over the next hill. You know, even today I find it very difficult to kind of turn back on a walk before I've got to the top of a hill or some point where I can see what's coming next.It feels like something uncompleted and then I'm sure, as I imagine you did, you know, you were describing to me earlier about traveling throughout your twenties and always kind of looking for this thing and then realizing, what am I actually, you know, what am I doing? What am I actually looking for?Mm-hmm. So I still love traveling, obviously, but I don't feel this kind youthful urge just to keep moving, keep moving, keep moving, see more things, you know, experience more. And then I think you learn when you get a bit older that maybe that's not the way to find whatever it is that you are kind of restless for.Maybe that's when you turn inside a little bit more. And certainly my travels now are kind of shorter and slower than they were before, but I find that there's a better quality of focus in the landscapes or places that before I would've kind of dismissed and rushed through are now endlessly fascinating.And allowing more time to kind of stay in a place has its own value. [00:09:19] Chris Christou: Well, blessings to your mother. What's her name if I can ask? Her name's Caroline. It's the same name as my wife. So it's a source of endless entertainment for my friends. Well, thank you, Caroline, for, for that moment, for allowing it to happen.I think for better or worse, so many of us are robbed of those opportunities as children. And thinking recently about I'll have certain flashbacks to childhood and that awe and that awe-inspiring imagination that seems limitless perhaps for a young child and is slowly waned or weaned as we get older.So thank you to your mother for that. I'm sure part of the reason that we're having this conversation today. And you touched a little bit on this notion of expectation and you used the word focus as well, and I'm apt to consider more and more the the question of sight and how it dominates so much of our sense perception and our sense relationships as we move through our lives and as we move across the world.And so I'd like to bring up another little excerpt from Bulls and Scars, which I just have to say I loved so much. And in the essay you write, quote, "I know nothing about anything. It's a relief to admit this now and let myself be led. All I see is the surface of things. The elaborate hairstyle of a man, shaved to the crown and plastered down in a clay hardened bun, a woman's goat skin skirt, fringed with cowrie shelves and not the complex layers of meaning that lie beneath. I understand nothing of the ways in which these things fit together, how they collide or overlap. There are symbols I cannot read, lines I do not see."End quote. And so this, this reminded me. I have walking through a few textile shops here in Oaxaca some years ago with a friend of mine and he noted how tourists tend towards these textile styles, colors and designs, but specifically the ones that tend to fit their own aesthetics and how this can eventually alter what the local weavers produce and often in service to foreign tastes.And he said to me, he said, "most of the time we just don't know what we're looking at." And so it's not just our inability to see as a disciplined and locally formed skill that seems to betray us, but also our unwillingness to know just that that makes us tourists or foreigners in a place. My question to you is, how do you imagine we might subvert these culturally conjured ways of seeing, assuming that's even necessary? [00:12:24] Nick Hunt: Well, that's a question that comes up an awful lot as a travel writer. And it's one I've become more aware of over these three books I've written, which form a very loose trilogy about, they're all about walking in different parts of Europe.And I've only become more aware of that that challenge of the traveler. There's another line in that essay that something like " they say that traveling opens doors, but sometimes people take their doors with them." You know, it's not necessarily true, but any means that seeing the world kind of widens your perspective. A lot of people just, you know, their eyes don't change no matter where they go. And so, I know that when I'm doing these journeys, I'm going completely subjectively with my own prejudices, my own mood of the day which completely determines how I see a place and how I meet people and what I bring away from it.And also what I, what I give. And I think this is, this is kind of an unavoidable thing really. It's one of the paradoxes maybe at the heart of the kind of travel writing I do, and there's different types of travel writers. Some people are much more conscientious about when they talk to people, it's, you know, it's more like an interview.They'll record it. They'll only kind of quote exactly what they were told. But even that, there's a kind of layer of storytelling, obviously, because they are telling a story, they're telling a narrative, they're cutting certain things out of the frame, and they're including others. They're exaggerating or amplifying certain details that fit the narrative that they're following.I think an answer to your question, I, I'm not sure yet, but I'm hopefully becoming more, more aware. And I think one thing is not hiding it, is not pretending that a place as I see it, that I, by any means, can see the truth, you know, the kind of internal truth of this place. There's awareness that my view is my view and I think the best thing we can do is just not try and hide that to include it as part of the story we tell. Hmm. And I, I noticed for my first book, I did this long walk across Europe that took about seven and a half months. And there were many days when I didn't really want to be doing it.I was tired, sick, didn't want to be this kind of traveling stranger, always looking like the weirdo walking down the street with a big bag and kind of unshaved sunburnt face. And so I noticed that some villages I walked into, I would come away thinking, my God, those people were awful.They were really unfriendly. No one looked at me, no one smiled. I just felt this kind of hostility. And then I'd think, well, the common factor in this is always me. And I must have been walking into that village looking shifty, not really wanting to communicate with anyone, not making any contact, not explaining who I was.And of course they were just reflecting back what I was giving them. So I think, just kind of centering your own mood and the baggage you take with you is very important. [00:15:46] Chris Christou: Yeah. Well, I'd like to focus a little bit more deeply on that book and then those travels that you wrote about anyways, in Walking the Woods and the Water.And just a little bit of a background for our listeners. The book's description is as follows. "In 1933, Patrick Leigh Fermor set out in a pair of hobnail boots to chance and charm his way across Europe. Quote, like a tramp, a pilgrim, or a wandering scholar. From the hook of Holland to Istanbul. 78 years later, I (you) followed in his footsteps.The book recounts a seven month walk through Holland, Germany, Austria, Slovakia, Hungary, Romania, Bulgaria, and Turkey on a quest to discover what remains of hospitality, kindness to strangers, freedom, wildness, adventure, and the deeper occurrence of myth and story that still flow beneath Europe's surface.Now before diving a little bit more deeply into these questions of hospitality and xenophobia or xenophilia, I'd like to ask about this pilgrimage and the others you've undertaken, especially, this possibility that seems to be so much an endangered species in our times, which is our willingness or capacity to proceed on foot as opposed to in vehicles.And so I'm curious how your choice to walk these paths affected your perception, how you experienced each new place, language, culture, and people emerging in front of you. Another way of asking the question would be, what is missed by our urge to travel in vehicles?[00:17:36] Nick Hunt: Well, that first walk, which set off the other ones, I later did. It could only have been a walk because the whole idea was to follow the footsteps of Patrick Leigh Fermor, who was a very celebrated travel writer who set out in 1933 with no ambition or kind of purpose other than he just wanted to walk to Istanbul.And it was his own kind of obsessive thing that he wanted to do. And I was deeply influenced by his book. And I was quite young and always thought I wanted to kind of try. I I was just curious to see the Europe that he saw was, you know, the last of a world that disappeared very shortly afterwards because he saw Germany as this unknown guy called Adolf Hitler, who was just emerging on the scene. He walked through these landscapes that were really feudal in character, you know, with counts living in castles and peasants working in the fields. And he, so he saw the last of this old Europe that was kind of wiped out by, well first the second World War, then communism in Eastern Europe and capitalism, in Western Europe and then everywhere.So it's just had so many very traumatic changes and I just wanted to know if there was any of what he saw left, if there was any of that slightly fairytale magic that he glimpsed. So I had to walk because it, it just wouldn't have worked doing it by any other form of transport. And I mean, initially, even though I'd made up my mind, I was going to go by foot and I knew I wasn't in a hurry. It was amazing how frustrating walking was in the first couple of weeks. It felt almost like the whole culture is, you know, geared around getting away, got to go as quickly as possible.In Holland actually I wasn't walking in remote mountains, I was walkingthrough southern industrial states and cities in which a walker feels, you feel like an outcast in places you shouldn't really be. So, it took a couple of weeks for my mind to really adjust and actually understand that slowness was the whole purpose. And then it became the pleasure.And by halfway through Germany, I hadn't gone on any other form of transport for maybe six weeks, and I stayed with someone who, he said, "I'm going to a New Year's Eve party in the next town." It was New Year's Eve. The next town was on my route. He said, "you know, I'm driving so I might as well take you there."So I said, "great," cuz it'd been a bit weird to kind of go to this town and then come back again. It was on my way. So, I got in a car and the journey took maybe half an hour and I completely panicked, moving at that speed, I was shocked by how much of the world was taken away from me, actually, because by then I'd learned to love spotting these places, you know, taking routes along, along rivers and through bits of woodland.I was able to see them coming and all of these things were flashing past me. We crossed the Rhine, which was this great river that I'd been following for weeks. And it was like a stream, you know, it was a puddle. It was kind of gone under the bridge in two seconds. Wow. And it really felt like I had this, this kind of guilt, to be honest.It was this feeling of what was in that day that I lost, you know, what didn't I see? Who didn't I meet? I've just been sitting in the passenger seat of a car, and I have no sense of direction. The thing about walking is you're completely located at all times. You walk into the center of a city and you've had to have walked through the suburbs.You've seen the outskirts, and it helps, you know, well that's north. Like, you know, I came from that direction. That's south. That's where I'm going. If you take a train or get in a car, unless you're really paying attention, you are kind of catapulted into the middle of this city without any concept of what direction you're going in next.And I didn't realize how disorienting that is because we're so used to it. We do it all the time. And this was only a kind of shadow of what was to come at the very end of my journey, cuz I got to Istanbul after seven and a half months. I was in a very weird place that I've only kind of realized since all that time walking.And I stayed a couple of weeks in Turkey and then I flew home again, partly cuz I had a very patient and tolerant and forgiving girlfriend who I couldn't kind of stretch it out any, any longer. And initially I think I'd been planning to come back on like hitchhiking or buses and trains. But in the end I was like, "you know, whatever, I'll just spend a couple days more in Turkey, then I'll get on a plane."And I think it was something like three hours flying from Istanbul and three hours crossing a continent that you spent seven and a half months walking. And I was looking down and seeing the Carpathian mountains and the Alps and these kind of shapes of these rivers, some of which I recognized as places I'd walked through.And again, this sense of what am I missing, that would've been an extraordinary journey going through that landscape. Coming back. You mentioned pilgrimage earlier, and someone told me once, who was doing lots of work around pilgrimage that, you know, in the old days when people had to walk or take a horse, if you were rich, say you started in England, your destination was Constantinople or Jerusalem or Rome, that Jerusalem or Rome wasn't the end of your journey.That was the exact halfway point, because when you got there, you had to walk back again. And on the way out, you'd go with your questions and your openness about whatever this journey meant to you. And then on the way back, you would be slowly at the pace of walking, trying to incorporate what you'd learnt and what you'd experienced into your everyday life of your village, your family, your community, you know, your land.So by the time you got back, you'd had all of that time to process what happened. So I think with that walk, you know, I, I did half the pilgrimage thinking I'd done all of it, and then was plunged back into, actually went straight back to the life I'd been living before in, in London as if nothing had ever happened.And I think for the year after that walk, my soul hadn't caught up with my body by any means. Mm-hmm. I was kind of living this strange sort of half life that felt very familiar because I recognized everything, but I felt like a very different person, to be honest and it took a long time to actually process that.But I think if I'd, even if I'd come back by, you know, public transport of some sort it would've helped just soften the blow. [00:25:04] Chris Christou: What a context to put it in, softening the blow. Hmm. It reminds me of the etymology of travel as far as I've read is that it used to mean an arduous journey.And that the arduous was the key descriptor in that movement. It reminds me of, again, so many of my travels in my twenties that were just flash flashes of movement on flights and buses. And that I got back to Canada. And the first thing was, okay, well I'm outta money, so I need to get back to work and I need to make as much money as possible.And there just wasn't enough time. And there wasn't perhaps time, period, in order to integrate what rolled out in front of me over those trips. And I'm reminded of a story that David Abram tells in his book Becoming Animal about jet lag. And perhaps a hypothesis that he has around jet lag and that we kind of flippantly use the excuse or context of time zones to explain this relative sense of being in two places at once.To what extent he discussed this, I don't remember very well, but just this understanding of when we had moved over vast distances on foot in the past, that we would've inevitably been open and apt to the emerging geographies languages, foods even cultures as we arrive in new places, and that those things would've rolled out very slowly in front of us, perhaps in the context of language heavily.But in terms of geography, I imagine very slowly, and that there would've been a kind of manner of integration, perhaps, for lack of a better word in which our bodies, our sensing bodies, would've had the ability to confront and contend with those things little by little as we moved. And it also reminds me of this book Rebecca Solnit's R iver of Shadows, where she talks about Edward Muybridge and the invention of the steam engine and the train and train travel.And how similarly to when people first got a glimpse of the big screen cinema that there was a lot of bodily issues. People sometimes would get very nauseous or pass out or have to leave the theater because their bodies weren't used to what was in front of them.And in, on the train, there were similar instances where for the first time at least, you know, as we can imagine historically people could not see the foreground looking out the train window. They could only see the background because the foreground was just flashing by so quickly.Wow, that's interesting. Interesting. And that we've become so used to this. And it's a really beautiful metaphor to, to wonder about what has it done to a people that can no longer see what's right there in front of them in terms of not just the politics, in their place, but the, their home itself, their neighbors, the geography, et cetera.And so I'm yet to read that book in mention, but I'm really looking forward to it because it's given me a lot of inspiration to consider a kind of pilgrimage to the places where my old ones are from there in, in southeastern Europe and also in Southwestern England.[00:28:44] Nick Hunt: Hmm.Yeah. That is a, so I'm still thinking about that metaphor of the train. Yeah. You don't think of that People wouldn't have had that experience of seeing the foreground disappear. And just looking at the distance, that's deeply strange and inhuman experience, isn't it? Hmm.[00:29:07] Chris Christou: Certainly. And, you know, speaking of these, these long pilgrimages and travels, my grandparents made their way from, as I mentioned, southwestern England later Eastern Africa and, and southeastern Europe to Canada in the fifties and sixties. And the peasant side of my family from what today is northern Greece, Southern Macedonia, brought a lot of their old time hospitality with them.And it's something that has always been this beautiful clue and key to these investigations around travel and exile. And so, you know, In terms of this old time hospitality, in preparing for this interview, I was reminded of a story that Ivan Illich once spoke of, or at least once, wrote about of a Jesuit monk living in China who took up a pilgrimage from Peking to Rome just before World War II, perhaps not unlike Patrick Leigh Fermor. Mm-hmm. And Illich recalled the story in his book, Rivers North of the Future as follows. He wrote, quote, "at first it was quite easy, he said (the Jesuit said,) in China, he only had to identify himself as a pilgrim, someone whose walk was oriented to a sacred place and he was given food, a handout, and a place to sleep.This changed a little bit when he entered the territory of Orthodox Christianity. There, they told him to go to the parish house where a place was free or to the priest's house. Then he got to Poland, the first Catholic country, and he found that the Polish Catholics generously gave him money to put himself up in a cheap hotel.And so the Jesuit was recalling the types of local hospitality he received along his path, which we could say diminished the further he went. Now, I'd love it if you could speak perhaps about the kinds of hospitality or, or perhaps the lack there of you experienced on your pilgrimage from the northwest of Europe to the southeast of Europe.And what, if anything, surprised you? [00:31:26] Nick Hunt: Well, that was one of my main interests really, was to see if the extraordinary hospitality that my predecessor had experienced in the 1930s where he'd been accommodated everywhere from, peasants' barns to the castles of Hungarian aristocrats and everything in between. I wanted to see if that generosity still existed. And talking about different ways of offering hospitality when he did his walk, one of the fairly reliable backstops he had was going to a police officer and saying "I'm a student. I'm a traveling student." That was the kind of equivalent to the pilgrim ticket in his day in a lot of parts of Europe. "I'm a student and I'm going from one place to the next," and he would be given a bed in the local police station. You know, they'd open up a cell, sleep there for the night, and then he'd leave in the morning. And I think it sometimes traditionally included like a mug of beer and some bread or soup or something, but even by his time in the thirties, it was a fairly well established thing to ask, I dunno how many people were doing it, but he certainly met in Germany, a student who was on the road going to university and the way he was going was walking for days or weeks.That wasn't there when I did my work. I don't think I ever asked a policeman, but in a couple of German towns, I went to the town hall. You know, the sort of local authority in Germany. They have a lot of authority and power in the community. And I asked a sort of bemused receptionist if I could claim this kind of ancient tradition of hospitality and spend the night in a police station, and they had no idea what I was talking about.Wow. And I think someone in a kind of large village said, "well, that's a nice idea, but I can't do that because we've got a tourist industry and all the guest house owners, you know, they wouldn't be happy if we started offering accommodation for free. It would put them out of business." Wow. And I didn't pay for accommodation much, but I did end up shelling out, you know, 30, 40 euros and sleeping in a, B&B.But having said that, the hospitality has taken on different forms. I started this journey in winter, which was the, when Patrick Leigh Fermor started, in December. So, I kind of wanted to start on the same date to have a similar experience, but it did mean walking through the coldest part of Europe, you know, Germany and Austria in deep snow and arriving in Bulgaria and Turkey when it was mid-summer.So I went from very cold to very hot. And partly for this reason, I was nervous about the beginning, not knowing what this experience was gonna be like. So, I used the couch surfing website, which I think Airbnb these days has probably kind of undercut a lot of it, but it was a free, very informal thing where people would provide a bed or a mattress or a place on the floor, a sofa for people passing through.And I was in the south of Germany before I ran out of couch surfing stops. But I also supplemented that with sleeping out. I slept in some ruined castles on the way. Hmm. I slept in these wooden hunting towers that no hunters were in. It wasn't the season. But they were freezing, but they were dry, you know, and they gave shelter.But I found that the language of hospitality shifted the further I went. In Holland, Germany, and Austria, people were perfectly, perfectly hospitable and perfectly nice and would put me up. But they'd say, when do you have to leave? You know, which is a perfectly reasonable question and normally it was first saying the next morning.And I noticed when I got to Eastern Europe, the question had shifted from when do you want to leave to how long can you stay? And that's when there was always in Hungary and then in Romania in particular and Bulgaria, people were kind of finding excuses to keep me longer. There would be, you know, it's my granddad's birthday, we're gonna bake him a cake and have a party, or we're going on a picnic, or we're going to the mountains, or we're going to our grandmother's house in the countryside. You should see that.And so my stays did get longer, the further southeast I got, partly cuz it was summer and everybody's in a good mood and they're doing things outdoors and they're traveling a bit more. But yeah, I mean the hospitality did shift and I got passed along as Patrick Leigh Fermor had done. So someone would say, you're going this way.They look at my map, you're going through this town. I've got a cousin, or I know a school teacher. Maybe you can sleep in the school and give a talk to the students the next day. So, all of these things happened and I kind of got accommodated in a greater variety of places, a nunnery where I was fed until I'd hardly move, by these nuns, just plain, homemade food and rakia and wine. And I stayed at a short stay in a psychiatric hospital in France, Sylvania. Talking of the changes that have happened to Europe, when Patrick Leigh Fermor stayed there it was a country house owned by a Hungarian count. His assets had since been liquidated, you know, his family dispossessed in this huge building given to the Romanian State to use as a hospital, and it was still being run that way.But the family had kind of made contact, again, having kept their heads down under communism, but realized they had no use for a huge mansion with extensive grounds. There was no way they could fill it or maintain it. And so it was continued to be used as a hospital, but they had a room where they were able to stay when they passed through.So I spent a few nights there. So everything slowed down was my experience, the further southeast I got. And going back actually to one of your first questions about, why walk? And what do you notice from walking? One of the things you really notice is the incremental changes by which, culture changes as well as landscape.You see the crossovers. You see that people in this part of Holland are a bit like this people in this part of Germany over the border. You know, borders kind of matter less because you see one culture merging into another. Languages and accents changing. And sometimes those changes are quite abrupt, but often they're all quite organic and the food changes, the beer changes, the wine changes, the local cheese or delicacies change.And so that was one of the great pleasures of it was just kind of understanding these many different cultures in Europe as part of a continuum rather than these kind of separate entities that just happen to be next door to each other. [00:38:50] Chris Christou: Right. That's so often constructed in the western imagination through borders, through state borders.[00:38:58] Nick Hunt: Just talking of borders, they've only become harder, well for everyone in the places I walk through. And I do wonder what it would be like making this journey today after Brexit. I wouldn't be able to do it just quite simply. It's no longer possible for a British person to spend more than three months in the EU, as a visitor, as a tourist.So I think I could have walked to possibly Salzburg or possibly Vienna, and then had to come back and wait three months before continuing the journey. So I was lucky, you know, I was lucky to do it in the time I did. Mm-hmm. [00:39:38] Chris Christou: Mm-hmm. I'm very much reminded through these stories and your reflections of this essay that Ivan Illich wrote towards the end of his life called "Hospitality and Pain."And you know, I highly, highly recommend it for anyone who's curious about how hospitality has changed, has been commodified and co-opted over the centuries, over the millennia. You know, he talks very briefly, but very in depth about how the church essentially took over that role for local people, that in the Abrahamic worldview that there was generally a rule that you could and should be offering three days and nights of sanctuary to the stranger for anyone who'd come passing by and in part because in the Christian world in another religious worldviews that the stranger could very well be a God in disguise, the divine coming to your doorstep. We're talking of course, about the fourth and fifth centuries.About how the church ended up saying, no, no, no, don't worry, don't worry. We got this. You, you guys, the people in the village, you don't have to do this anymore. They can come to the church and we'll give them hospitality. And of course, you know, there's the hidden cost, which is the, the attempt at conversion, I'm sure.Yeah. But that later on the church instituted hospitals, that word that comes directly from hospitality as these places where people could stay, hospitals and later hostels and hotels and in Spanish, hospedaje and that by Patrick Lee firm's time we're talking about police stations.Right. and then, you know, in your time to some degree asylums. It also reminded me of that kind of rule, for lack of a better word of the willingness or duty of people to offer three days and nights to the stranger.And that when the stranger came upon the doorstep of a local person, that the local person could not ask them what they were doing there until they had eaten and often until they had slept a full night. But it's interesting, I mean, I, I don't know how far deep we can go with this, but the rule of this notion, as you were kind of saying, how the relative degree of hospitality shifted from [00:42:01] Nick Hunt: when do you have to leave to how long how long can you stay? [00:42:05] Chris Christou: Right. Right. That Within that kind of three day structure or rule that there was also this, this notion that it wasn't just in instituted or implemented or suggested as a way of putting limits on allowing a sense of agency or autonomy for the people who are hosting, but also limiting their hospitality.Kind of putting this, this notion on the table that you might want to offer a hundred days of hospitality, but you're not allowed. Right. And what and where that would come from and why that there would be this necessity within the culture or cultures to actually limit someone's want to serve the stranger.[00:42:54] Nick Hunt: Yeah, that's very interesting. Yeah. Mm-hmm. Yeah. I wonder where that came from. I mean, three is always a bit of a magic number, isn't it? Mm-hmm. But yeah, it sounds like that maybe comes from an impulse from both sides somehow. [00:43:09] Chris Christou: Mm-hmm. Nick, I'd like to come back to this question of learning and learning with the other of, of interculturality and tourism. And I'd like to return to your essay, Bulls and Scars, momentarily with this excerpt. And it absolutely deserves the title of being one of the best travel writing pieces of the 21st century. And so in that essay you write, "if we stay within our horizons surrounded by people who are the same as us, it precludes all hope. We shut off any possibility of having our automatic beliefs, whether good or bad, right or wrong, smashed so their rubble can make new shapes. We will never be forced to understand that there are different ways to be human, different ways to be ourselves, and we desperately need that knowledge, even if we don't know it yet."Hmm. And now I don't disagree at all. I think we are desperately in need of deeper understandings of what it means to be human and what it means to be human together. The argument will continue to arise, however, at what cost? How might we measure the extent of our presence in foreign places and among foreign people, assuming that such a thing is even possible.[00:44:32] Nick Hunt: Yeah, that's a question that's at the heart of that essay, which I don't think we've said is set in the South Omo Valley in Ethiopia. And part of it is about this phenomenon of tribal safaris, you know, which is as gross as it sounds, and it's rich western people driving in fleets of four by fours to indigenous tribal villages and, you know, taking pictures and watching a dance and then going to the next village.And the examples of this that I saw when I was there, I said, when I said in the essay, you couldn't invent a better parody of tourists. It was almost unbelievable. It was all of the obnoxious stereotypes about the very worst kind of tourists behaving in the very worst possible way, seemingly just no self reflection whatsoever, which was disheartening.And that's an extreme example and it's easy to parody because it was so extreme. But I guess what maybe you're asking more is what about the other people? What about those of us who do famously think of ourselves as as travelers rather than tourists? There's always that distinction I certainly made when I was doing it in my twenties.So I'm not a tourist, I'm a traveler. It's like a rich westerner saying that they're an "expat" rather than an immigrant when they go and live in a foreign country that's normally cheaper than where they came from. Yeah, that's a question again, like the great secret, I don't think I answer in that essay.What I did discover was that, it was much more nuanced than I thought it was originally. Certainly on a surface, looking at the scenes that I saw, what I saw as people who were completely out of their depth, out of their world, out of their landscape, looking like idiots and being mocked fairly openly by these tribal people who they were, in my view, exploiting. They didn't look like they were better off in a lot of ways, even though they had the, thousand dollars cameras and all the expensive clothes and the vehicles and the money and obviously had a certain amount of power cuz they were the ones shelling out money and kind of getting what they wanted.But it wasn't as clear cut as I thought. And I know that's only a kind of anecdote. It's not anything like a study of how people going to remote communities, the damage they do and the impact they have. I've got another another example maybe, or something that I've been working on more recently, which comes from a journey that I haven't not written anything about it yet.But in March of this year, I was in Columbia and Northern Columbia. The first time for a long time that I've, gone so far. All of my work has been sort of around Europe, been taking trains. I mean, I got on a plane and left my soul behind in lots of ways, got to Columbia and there were various reasons for my going, but one of the interests I had was I had a contact who'd worked with the Kogi people who live in the Sierra Nevada des Santa Marta Mountains on the Caribbean coast.An extraordinary place, an extraordinary people who have really been isolated at their own instigation, since the Spanish came, and survived the conquest with a culture and religion and economy, really more or less intact, just by quietly retreating up the mountain and not really making a lot of fuss for hundreds of years, so effectively that until the 1960s, outsiders didn't really know they were there. And since then there has been contact made from what I learned really by the Kogi rather than the other way around. Or they realized that they couldn't remain up there isolated forever.Maybe now because people were starting to encroach upon the land and settle and cut down forests. And there was obviously decades of warfare and conflict and drug trafficking and a very dangerous world they saw outside the mountains. And this journey was very paradoxical and strange and difficult because they do not want people to visit them.You know, they're very clear about that. They made a couple of documentary films or collaborated in a couple of documentary films in the late nineties and sort of early two thousands where they sent this message to the world about telling the younger brothers as they call us, where they're going wrong, where we are going wrong, all the damage we're doing.And then after that film, it was really, that's it. "We don't wanna communicate with you anymore. We've said what we have to say, leave us alone." You know, "we're fine. We'll get on with it." But they, the contact I had I arranged to meet a sort of spokesman for this community, for this tribe in Santa Marta.Kind of like an, a sort of indigenous embassy in a way. And he was a real intermediary between these two worlds. He was dressed in traditional clothes, lived in the mountains but came down to work in this city and was as conversant with that tribal and spiritual life as he was with a smartphone and a laptop.So he was really this kind of very interesting bridge character who was maintaining a balance, which really must have been very difficult between these two entirely different worldviews and systems. And in a series of conversations with him and with his brother, who also acts as a spokesman, I was able to talk to them about the culture and about the life that was up there, or the knowledge they wanted to share with me.And when it came time for me to ask without really thinking that it would work, could I have permission to go into the Sierra any further because I know that, you know, academics and anthropologists have been welcomed there in the past. And it was, it was actually great. It was a wonderful relief to be told politely, but firmly, no.Hmm. No. Mm. You know, it's been nice meeting you. If you wanted to go further into the mountains. You could write a, a detailed proposal, and I thought this was very interesting. They said you'd need to explain what knowledge you are seeking to gain, what you're going to do with that knowledge and who you will share that knowledge with.Like, what do you want to know? And then we would consider that, the elders, the priests, the mammos would consider that up in the mountains. And you might get an answer, but it might take weeks. It could take months because everything's very, very slow, you know? and you probably wouldn't be their priority.Right. And so I didn't get to the Sierra, and I'm writing a piece now about not getting to the place where you kind of dream of going, because, to be completely honest, and I know how, how kind of naive and possibly colonial, I sound by saying this, but I think it's important to recognize part of that idea of finding the great secret.Of course, I wanted to go to this place where a few Westerners had been and meet people who are presented or present themselves as having deep, ecological, ancestral spiritual knowledge, that they know how to live in better harmony with the earth. You know, whether that's true or not, that in itself is a simplified, probably naive view, but that's the kind of main story of these people.Why wouldn't I want to meet them? You know, just the thought that not 50 miles away from this bustling, polluted city, there's a mountain range. It's one of the most biodiverse places on the planet that has people who have kept knowledge against all odds, have kept knowledge for 500 years and have not been conquered and have not been wiped out, and have not given in.You know, obviously I wanted to go there, but it was wonderful to know that I couldn't because I'm not welcome. Mm. And so I'm in the middle of writing a piece that's a, it's a kind of non-travel piece. It's an anti travel piece or a piece examining, critically examining that, that on edge within myself to know what's around the next corner.To look over the horizon to get to the top of the mountain, you know, and, and, and explore and discover all of that stuff. But recognizing that, it is teasing out which parts of that are a genuine and healthy human curiosity. And a genuine love of experiencing new things and meeting new people and learning new things and what's more of a colonial, "I want to discover this place, record what I find and take knowledge out."And that was one thing that I found very interestingly. They spoke very explicitly about seeking knowledge as a form of extraction. For hundreds of years they've had westerners extracting the obvious stuff, the coal, the gold, the oil, the timber, all the material goods. While indigenous knowledge was discounted as completely useless.And now people are going there looking for this knowledge. And so for very understandable reasons, these people are highly suspicious of these people turning up, wanting to know things. What will you do with the knowledge? Why do you want this knowledge? And they spoke about knowledge being removed in the past, unscrupulously taken from its proper owners, which is a form of theft.So, yeah, talking about is appropriate to be talking about this on the end of tourism podcast. Cause yeah, it's very much a journey that wasn't a journey not hacking away through the jungle with the machete, not getting the top of the mountain, you know, not seeing the things that no one else has seen.Wow. And that being a good thing. [00:54:59] Chris Christou: Yeah. It brings me back to that question of why would either within a culture or from some kind of authoritative part of it, why would a people place limits to protect themselves in regards to those three days of allowing people to stay?Right. And not for longer. Yes. [00:55:20] Nick Hunt: Yeah, that's very true. Mm-hmm. Because people change, the people that come do change things. They change your world in ways big and small, good and bad. [00:55:31] Chris Christou: You know, I had a maybe not a similar experience, but I was actually in the Sierra Nevadas maybe 12 years ago now, and doing a backpacking trip with an ex-girlfriend there.And the Columbian government had opened a certain part of the Sierra Nevadas for ecotourism just a few years earlier. And I'm sure it's still very much open and available in those terms. And it was more or less a a six day hike. And because this is an area as well where there were previous civilizations living there, so ruins as well.And so that that trip is a guided trek. So you would go with a local guide who is not just certified as a tour guide, but also a part of the government program. And you would hike three days and hike back three days. And there was one lunch where there was a Kogi man and his son also dressed in traditional clothing. And for our listeners, from what I understand anyways, there are certain degrees of inclusion in Kogi society. So the higher up the mountain you go, the more exclusive it is in terms of foreigners are not allowed in, in certain places.And then the lower down the mountain and you go, there are some places where there are Kogi settlements, but they are now intermingling with for example, these tourists groups. And so that lunch was an opportunity for this Kogi man to explain a little bit about his culture, the history there and of course the geography.And as we were arriving to that little lunch outpost his son was there maybe 10, 15 feet away, a few meters away. And we kind of locked eyes and I had these, very western plastic sunglasses on my head. And the Kogi boy, again, dressed in traditional clothing, he couldn't speak any English and couldn't speak any Spanish from what I could tell.And so his manner of communicating was with his hands. And he subtly but somewhat relentlessly was pointing at my sunglasses. And I didn't know what to do, of course. And he wanted my sunglasses. And there's this, this moment, and in that moment so much can come to pass.But of course afterwards there was so much reflection to be taken in regards to, if I gave him my sunglasses, what would be the consequence of that, that simple action rolling out over the course of time in that place. And does it even matter that I didn't give him my sunglasses, that I just showed up there and had this shiny object that, that perhaps also had its consequence rolling out over the course of this young man's life because, I was one of 10 or 12 people that day in that moment to pass by.But there were countless other groups. I mean, the outposts that we slept in held like a hundred people at a time. Oh, wow. And so we would, we would pass people who were coming down from the mountain and that same trek or trip and you know, so there was probably, I would say close to a hundred people per day passing there.Right. And what that consequence would look like rolling out over the course of, of his life. [00:59:11] Nick Hunt: Yeah. You could almost follow the story of a pair of plastic sunglasses as they drop into a community and have sort of unknown consequences or, or not. But you don't know, do you? Yeah. Yeah. I'm, it was fascinating knowing that you've been to the same, that same area as well. Appreciated that. What's, what's your, what's your last question? Hmm. [00:59:34] Chris Christou: Well, it has to do with with the end of tourism, surprisingly.And so one last time, coming back to your essay, Bulls and Scars, you write, " a friend of mine refuses to travel to countries poor than his own. Not because he is scared of robbery or disease, but because the inequality implicit in every human exchange induces a squirming, awkwardness and corrosive sense of guilt.For him, the power disparity overshadows everything. Every conversation, every handshake, every smile and gesture. He would rather not travel than be in that situation." And you say, "I have always argued against this view because the see all human interactions as a function of economics means accepting capitalism in its totality, denying that people are driven by forces other than power and greed, excluding the possibility of there being anything else.The grotesque display of these photographic trophy hunters makes me think of him now." Now I've received a good amount of writing and messages from people speaking of their consternation and guilt in terms of "do I travel, do I not travel? What are the consequences?" Et cetera. In one of the first episodes of the podcast with Stephen Jenkinson, he declared that we have to find a way of being in the world that isn't guilt delivered or escapist, which I think bears an affinity to what you've written.Hmm. Finally, you wrote that your friend's perspective excludes "the possibility of there being anything else." Now I relentlessly return on the pod to the understanding that we live in a time in which our imaginations, our capacity to dream the world anew, is constantly under attack, if not ignored altogether.My question, this last question for you, Nick, is what does the possibility of anything else look like for you?[01:01:44] Nick Hunt: I think in a way I come back to that idea of being told we can't give you free accommodation here because, what about the tourist industry? And I think that it's become, you know, everything has become monetized and I get the, you know, the fact that that money does rule the world in lots of ways.And I'd be a huge hypocrite if I'd said that money wasn't deeply important to me. As much as I like to think it, much as I want to wish it away, it's obviously something that dictates a very large amount of what I do with my life, what I do with my time. But that everything else, well, it's some, it's friendship and hospitality and openness I think.It's learning and it's genuine exchange, not exchange, not of money and goods and services, but an actual human interaction for the pleasure and the curiosity of it. Those sound like very simple answers and I guess they are, but that is what I feel gets excluded when everything is just seen as a byproduct of economics.And that friend who, you know, I talked about then, I understand. I've had the experience as I'm sure you have of the kind of meeting someone often in a culture or community that is a lot poorer, who is kind, friendly, hospitable, helpful, and this nagging feeling of like, When does the money question come?Mm-hmm. And sometimes it doesn't, but often it does. And sometimes it's fine that it does. But it's difficult to kind of place yourself in this, I think, because it does instantly bring up all this kind of very useless western guilt that, you know, Steven Jenkinson talked about. It's not good to go through the world feeling guilty and suspicious of people, you know. 'When am I gonna be asked for money?' Is a terrible way of interacting with anyone to have that at the back of your, your mind.And I've been in situations where I've said can I give you some money? And people have been quite offended or thought it was ridiculous or laughed at me. So, it's very hard to get right. But like I say, it's a bad way of being in the world, thinking that the worst of people in that they're always, there's always some economic motive for exchange.And it does seem to be a kind of victory of capitalism in that we do think that all the time, you know, but what does this cost? What's the price? What's the price of this friendliness that I'm receiving? The interesting thing about it, I think, it is quite corrosive on both sites because things are neither offered nor received freely.If there's always this question of what's this worth economically. But I like that framing. What was it that Steven Jenkinson said? It was guilt on one side and what was the other side of the pole? [01:05:07] Chris Christou: Yeah. Neither guilt delivered or escapist. [01:05:11] Nick Hunt: Yeah. That's really interesting. Guilt and escapism. Because that is the other side, isn't it?Is that often traveling is this escape? And I think we can both relate to it. We both experience that as a very simple, it can be a very simple form of therapy or it seems simple that you just keep going and keep traveling and you run away from things. And also that isn't a helpful way of being in the world either, although it feels great, at the time for parts of your life when you do that.But what is the space between guilt and escapism? I think it really, the main thing for me, and again, this is a kind of, it sounds like a, just a terrible cliche, but I guess there's a often things do is I do think if you go and if you travel. And also if you stay at home with as open a mind as you can it does seem to kind of shape the way the world works.It shapes the way people interact with you, the way you interact with people. And just always keeping in mind the possibility that that things encounters, exchanges, will turn out for the best rather than the worst. Mm-hmm. You develop a slight sixth sense I think when traveling where you often have to make very quick decisions about people.You know, do I trust this person? Do I not trust this person? And you're not aware you're doing it, but obviously you can get it wrong. But not allowing that to always become this kind of suspicion of "what does this person want from me?" Hmm. I feel like I've just delivered a lot of sort of platitudes and cliches at the end of this talk.Just be nice, be, be open. Try to be respectful. Do no harm, also don't be wracked with guilt every exchange, because who wants to meet you if you are walking around, ringing your hands and kind of punching yourself in the face. Another important part of being a traveler is being a good traveler.Being somebody who people want coming to their community, village, town, city and benefit from that exchange as well. It's not just about you bringing something back. There's the art of being a good guest, which Patrick Leigh Fermor, to come back to him, was a master at. He would speak three or four different languages, know classical Greek poetry, be able to talk about any subject.Dance on the table, you know, drink all night. He was that kind of guest. He was the guest that people wanted to have around and have fun with mostly, or that's the way he presented himself, certainly. In the same way, you can be a good, same way, you can be a good host, you can be a good guest, and you can be a good traveler in terms of what you, what you bring, what you give.[01:08:20] Chris Christou: Mm-hmm. Yeah. I think what it comes down to is that relationship and that hospitality that has for, at least for people in Europe and, and the UK and and Western people, descendants, culturally, is that when we look at, for example, what Illich kind of whispered towards, how these traditions have been robbed of us.And when you talk about other cliches and platitudes and this and that, that, we feel the need to not let them fall by the wayside, in part because we're so impoverished by the lack of them in our times. And so, I think, that's where we might be able to find something of an answer, is in that relationship of hospitality that, still exists in the world, thankfully in little corners.And, and those corners can also be found in the places that we live in.[01:09:21] Nick Hunt: I think it exists that desire for hospitality because it's a very deep human need. When I was a kid, I, I was always, for some reason I would hate receiving presents.There was something about the weight of expectation and I would always find it very difficult to receive presents and would rather not be given a lot of stuff to do with various complex family dynamics. But it really helped when someone said, you know, when someone gives you a present, it's not just for you, it's also for them. You know, they're doing it cuz they want to and to have a present refused is not a nice thing to do.It, it, that doesn't feel good for the person doing it. Their need is kind of being thrown back at them. And I think it's like that with hospitality as well. We kind of often frame it as the person receiving the hospitality has all the good stuff and the host is just kind of giving, giving, giving, but actually the host is, is getting a lot back. And that's often why they do it. It's like those people wanting, people to stay for three days is not just an act of kindness and selflessness. It's also, it feeds them and benefits them and improves their life. I think that's a really important thing to remember with the concept of hospitality and hosting.[01:10:49] Chris Christou: May we all be able to be fed in that way. Thank you so much, Nick, on behalf of our listeners for joining us today and I feel like we've started to unpack so much and there's so much more to consider and to wrestle with. But perhaps there'll be another opportunity someday.[01:11:06] Nick Hunt: Yeah, I hope so. Thank you, Chris. It was great speaking to you. [01:11:12] Chris Christou: Likewise, Nick. Before we finish off, I'd just like to ask, you know, on behalf of our listeners as well how might people be able to read and, and purchase your writing and your books? How might they be able to find you and follow you online?[01:11:26] Nick Hunt: So if you just look up my, my name Nick Hunt. My book should, should come up. I have a website. Nick hunt scrutiny.com. I have a, a book, a novel actually out in July next month, 6th of July called "Red Smoking Mirror."So that's the thing that I will be kind of focusing on for the next bit of time. You can also find me as Chris and I met each other through the Dark Mountain Project, which is a loose network of writers and artists and thinkers who are concerned with the times we're in and how to be human in times of crisis and collapse and change.So you can find me through any of those routes. Hmm. [01:12:17] Chris Christou: Beautiful. Well, I'll make sure that all those links are on the homework section on the end of tourism podcast when it launches. And this episode will be released after the release of your new, your book, your first novel. So, listeners will be able to find it then as well.[01:12:34] Nick Hunt: It will be in local shops. Independent bookshops are the best. [01:12:40] Chris Christou: Once again, thank you, Nick, for your time. [01:12:42] Nick Hunt: Thank you. Get full access to ⌘ Chris Christou ⌘ at chrischristou.substack.com/subscribe

LIVE! From City Lights celebrates author adrienne marie brown on her latest novel “Maroons: A Grievers Novel.” The second installment of the Grievers trilogy, “Maroons” is a tale of survival that bears brown's background as an activist in Detroit. Amidst the Syndrome H-8 pandemic, she learns the importance of community and connection through an abandoned urban landscape. adrienne marie brown grows healing ideas in public through her multi-genre writing, her music and her podcasts. Informed by 25 years of movement facilitation, somatics, Octavia E Butler scholarship and her work as a doula, brown has nurtured Emergent Strategy, Pleasure Activism, Radical Imagination and Transformative Justice as ideas and practices for transformation. She is the author/editor of seven published texts and the founder of the Emergent Strategy Ideation Institute, where she is now the writer-in-residence. Her published work includes “Fables and Spells Collected and New Short Fiction and Poetry,” “Octavia's Brood,” “Emergent Strategy,” “Pleasure Activism,” and “We Will Not Cancel Us.” “Maroons” is her second novel. Her visionary fiction has appeared in The Funambulist, Harvard Design Review, and Dark Mountain. You can purchase copies of “Maroons: A Grievers Novel” directly from City Lights here: https://citylights.com/maroons/ This was a virtual event hosted by Peter Maravelis and made possible by support from the City Lights Foundation: citylights.com/foundation.

Caroline welcomes Andreas Kornevall, author, storyteller and ecological activist. Directs the Earth Restoration Service Charity, the charity aims to enhance ecological integrity by planting new woodlands around the world. Through which, over a thousand schools across the British Isles have signed up and whose students have planted over two hundred woodlands. In response to the ongoing sixth mass extinction, he was the catalyst behind the Life Cairn movement: memorials for species rendered extinct at human hands. As a storyteller, he works with old myths and fairytales which shine a torchlight on life's journey; his stories tend to gravitate around the Norse material which have led him to lecture and perform in universities and other educational centres. He is also a prize-winning author, whose work has been published in magazines such as Resurgence, The Ecologist, Permaculture magazine and in the Dark Mountain series. He is a member of the ‘Forn Sed' (Old Customs Association) in Sweden which works closely with ancient Norse culture, traditions and spirituality, unearthing old legends, forgotten folklore and endangered Norse languages. Through his charity he has planted over 200 woodlands in the United Kingdom and he has recently been voted by the University of Southern California as one of their 100 spiritual exemplars. website: kornevall.com Support The Visionary Activist Show on Patreon for weekly Chart & Themes ($4/month) and more… *Woof*Woof*Wanna*Play?!?* The post The Visionary Activist Show – Telling the Story of our Kinship with the Earth appeared first on KPFA.

Introduction (Shawn)Announcements (Shawn and Brian)Registration updatesDark Mountain Duel: No more category petitions; Registration closes 11:59pm Monday, 1 May. - 270 currently  Call for volunteers (38% as of today), Town Hall Wed, 3 May 8pm-Course inspection change (Shawn)-JV1/Freshmen boys schedule change (Brian)-Course change (includes lake loop - 5.4 miles) (Shawn)-Reminder: parking (shuttle!)Topic: Weather Decisions (Brian)Scene setter: 3 race cancellations in one season-NICA weather guidance-Venue selection-Land manager authority-Risk decisionsTopic: Season Showdown (Chelle)Scene setter: closing out the season in style-Scavenger hunt (20 May)-Senior recognition: night ride, posters, call ups, podiumTopic: Sponsorship Announcements (Brian)Trek Giveaway - $7195 so farClosing (All)Dad joke

Author and (post)activist Dougald Hine joins us this week for a powerful discussion about our moment and what -if anything- we should 'do' with and about it. The springboard for our chat is Dougald's recently-released book, At Work in the Ruins. We unpack the title -what do we mean by 'work'- as well as what we mean by 'ruins'. Physical? Cultural? Social? We talk about what it means to hospice modernity and we unpack why one of the founders of the Dark Mountain project is no longer talking about climate change. Really good stuff. Good, timely stuff. Enjoy!             Show Notes   At Work in the Ruins. Dougald's Website. A School Called Home.

To get 20% off sitewide at www.exploreroam.com and use the code ‘Dungeon' at check-out. Tonight's first terrifying tale is ‘I Think I Went on a Date with a Demon', a wonderful story JackGreeneOnAir, kindly shared with me via Dr. Crepen's Vault and narrated here for you all with the author's express permission:  https://www.reddit.com/user/JackGreeneOnAir/ Today's second phenomenal tale of terror is ‘I Went Camping with My Wife… But Now I Can't Leave the Woods', an original work by PostMortem33, kindly shared directly with me via my sub-reddit and narrated here for you all with the author's kind permission. https://www.reddit.com/user/PostMortem33/ Today's penultimate phenomenal story is ‘The Curse of Dark Mountain', an original work by Aqibali1993, kindly shared directly with me for the express purpose of having me exclusively narrate it here for you all. https://www.reddit.com/user/Aqibali1993/ Today's final tale of the fantastical and the macabre is ‘Yellow Leaves', an original story by AsAfterlife, submitted via my sub-reddit and narrated here for you all with the author's express permission. https://www.reddit.com/user/AsAfterlife/

Introduction (Shawn)Announcements (Shawn and Brian)Registration updatesDark Mountain Dash: No more category petitions; Registration closes 11:59pm Monday, 27 Mar. - 414 currently  Call for volunteers (45% as of today), Town Hall Wed, 29 March 8pmRain Date: also Dark Mountain 6 and 7 May. Registration open. Moved Salisbury Home Teams to this venue, describe “refund” process for Salisbury Topic: Event Weekend Feedback (Shawn and Brian)Scene setter: What did we learn and adjust after Browns Creek?Pet PolicyCourse Inspection adherenceTopic: Weekend Overview (Shawn and Brian)Scene setter: What to expect for Dark Mountain DashParking and ShuttleCoaching tips?Weather call: Thursday (30 March) before noonTopic: Sponsorship Announcements (Brian)Trek Giveaway - $4400 so farClosing (All)Dad joke

Chris and Ashley speak with Dougald about his new book At Work in the Ruins and where it intersects with both the Small Farm Future and Doomer Optimism. Dougald Hine is a social thinker, writer, speaker and the co-founder of the Dark Mountain Project and a school called HOME. His latest book is At Work in the Ruins (2023) and he publishes new essays on his Substack, Writing Home. https://linktr.ee/atworkintheruins His substack can be found at: https://dougald.substack.com/ Chris Smaje has coworked a small farm in Somerset, southwest England, for the last 17 years. Previously, he was a university-based social scientist, working in the Department of Sociology at the University of Surrey and the Department of Anthropology at Goldsmiths College on aspects of social policy, social identities and the environment. Since switching focus to the practice and politics of agroecology, he's written for various publications, such as The Land , Dark Mountain , Permaculture magazine and Statistics Views, as well as academic journals such as Agroecology and Sustainable Food Systems and the Journal of Consumer Culture . Smaje writes the blog Small Farm Future, is a featured author at www.resilience.org and a current director of the Ecological Land Co-op. Chris' latest book is: A Small Farm Future: Making the Case for a Society Built Around Local Economies, Self-Provisioning, Agricultural Diversity, and a Shared Earth.

Josh & Mikey talk soda.... CHECK OUT OUR DOPE ASS SPONSORS: Jim's Outlaws - tinyurl.com/JimsOutlaws Northwest Figure 8 - https://tinyurl.com/NorthwestFigure8 RULE ONE SHOT SPONSOR: Moondrops Distillery - tinyurl.com/Moondropsdistillery --- Send in a voice message: https://podcasters.spotify.com/pod/show/thecrossoverwjam/message

Chris Smaje is a social scientist by training and a small-scale farmer by occupation. For the past 19 years, he has co-worked a small farm in Somerset, in southwest England.  Previously, he was a university-based social scientist, working in the Department of Sociology at the University of Surry and the Dept of Anthropology at Goldsmith's College. HIs focus was aspects of social policy, social identities and the environment. Since switching focus to the practice and politics of agro-ecology, he's written for various publications, such as The Land, Dark Mountain and Permaculture Magazine, as well as academic journals such as Agroecology and Sustainable Food systems. He blogs at Small Farm Futures and has previously been a director of the Ecological Land Co-op.  His latest book, A Small Farm Future, forms the basis of this conversation - in it, he lays out Ten Crises of our times, which, put together, create the Wicked Problem of this moment in history. From there, the remaining three parts of the book explore the ways in which rural localism can offer a way for humanity to see itself through the numerous crises we currently face both in the richer and poorer countries. In the podcast, we take the book as our starting point (really, you should read it) and look less at the why, of rural localism and more at the ways it might happen and how it might work.   We delve into the ways humanity has organised in the past (with deep passing references to Graeber and Wengrow's brilliant book, The Dawn of Everything') and how we might self-organise in the future.  We look at the future of energy, at our conceptions of prosperity, the ways small farms can feed the world - and the absolute insanity of the 'precision fermentation' model of feeding eight billion people while enabling them to flourish free of corporate capture. Chris's blog https://smallfarmfuture.org.uk/Chris's book https://uk.bookshop.org/books/a-small-farm-future-making-the-case-for-a-society-built-around-local-economies-self-provisioning-agricultural-diversity-and-a/9781603589024Chris's response to Monbiot's Regenesis https://smallfarmfuture.org.uk/?p=1978Article on The Land updating the book https://www.thelandmagazine.org.uk/articles/commons-and-households-small-farm-futureChris on Twitter https://twitter.com/csmajeGraeber and Wengrow - The Dawn of Everything https://uk.bookshop.org/books/the-dawn-of-everything-a-new-history-of-humanity/9780141991061Simon Michaux https://www.simonmichaux.com/Rebecca Solnit - A Paradise Built in Hell http://www.rebeccasolnit.net/book/a-paradise-built-in-hell/What your food Qte https://uk.bookshop.org/books/what-your-food-ate-how-to-heal-our-land-and-reclaim-our-health/9781324004530The Agricultural Dilemma https://uk.bookshop.org/books/the-agricultural-dilemma-how-not-to-feed-the-world/9781032260457

Dougald Hine is author and co-founder of Dark Mountain, a cultural movement of people who have "stopped believing the stories our civilisation tells itself" and a School Called HOME, a "a gathering place and a learning community for those who are drawn to the work of regrowing a living culture" (personal website, Substack, wikipedia). His latest book is "At Work in the Ruins", which we discuss at length in the conversation. At the beginning Dougald describes himself as "using words, and sometimes silences, to shift the space of possibility", which I think underplays his role as curator and community builder.One way of understanding Dougald's response to these powerful times is that he sees them as showing that our world, the world of modernity, is ending. Rather than moving into denial or a desperate fixing, Dougald is making 'good ruins' for whatever might be next, through creating pockets of living culture. He is trying to contribute to the possibility of presently-unimaginable futures, which starts with clearing away the stuff that has colonised the currently-imagined future.I have read the book and heartily recommend it. To buy the book, and find the latest on Dougald's tour in Feb 2023, follow this link. Links'Hospicing Modernity: Facing Humanity's Wrongs and the Implications for Social Activism' by Vanessa Machado de Oliveira (aka Vanessa Andreotti).Paul KingsnorthClimate Optimist More on Dougald's partner, Anna Björkman, here. A Small Farm Future: Making the Case for a Society Built Around Local Economies, Self-Provisioning, Agricultural Diversity, and a Shared Earth by Chris SmajeIvan IllichSchool of EverythingTimings0:50 - Q1. What are you doing now? And how did you get there?7:53 - BONUS QUESTION: Tell us something of the genesis of Dark Mountain?12:00 - BONUS QUESTION: Tell us something about the start of a School Called Home?18:11 - BONUS QUESTION: Give us a pen portrait of the book, At Work in the Ruins.32: 54 - BONUS QUESTION: What are the strongest good faith arguments against what you are saying?37:00 - Q2. What is the future you are trying to create, and why?42:20 - Q3. What are your priorities for the next few years, and why?46:42 - Q4. If someone was inspired to follow those priorities, what should they do next?49:55 - Q5. If your younger self was starting their career now, what advice would you give them?52:30 - Q6. Who would you nominate to answer these questions, because you admire their approach?52:46 - Q7. Is there anything else important you feel you have to say?More hereTwitter: Powerful_TimesWebsite hub: here.Please do like and subscribe, to help others find the podcast.Thank you for listening! -- David

Visions of utopia – some hopeful, others fearful – have become increasingly prevalent in recent times. In No Other Planet: Utopian Visions for a Climate-changed World (Cambridge UP, 2021), Mathias Thaler examines expressions of the utopian imagination, with a focus on the pressing challenge of how to inhabit a climate-changed world. Forms of social dreaming are tracked across two domains: political theory and speculative fiction. The analysis aims to both uncover the key utopian and dystopian tendencies in contemporary debates around the Anthropocene; as well as to develop a political theory of radical transformation that avoids not only debilitating fatalism but also wishful thinking. This book juxtaposes theoretical interventions, from Bruno Latour to the members of the Dark Mountain collective, with fantasy and science fiction texts by N. K. Jemisin, Kim Stanley Robinson and Margaret Atwood, debating viable futures for a world that will look and feel very different from the one we live in right now. Louisa Hann recently attained a PhD in English and American studies from the University of Manchester, specialising in the political economy of HIV/AIDS theatres. She has published work on the memorialisation of HIV/AIDS on the contemporary stage and the use of documentary theatre as a neoliberal harm reduction tool. She is currently working on a monograph based on her doctoral thesis. You can get in touch with her at louisahann92@gmail.com. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

Visions of utopia – some hopeful, others fearful – have become increasingly prevalent in recent times. In No Other Planet: Utopian Visions for a Climate-changed World (Cambridge UP, 2021), Mathias Thaler examines expressions of the utopian imagination, with a focus on the pressing challenge of how to inhabit a climate-changed world. Forms of social dreaming are tracked across two domains: political theory and speculative fiction. The analysis aims to both uncover the key utopian and dystopian tendencies in contemporary debates around the Anthropocene; as well as to develop a political theory of radical transformation that avoids not only debilitating fatalism but also wishful thinking. This book juxtaposes theoretical interventions, from Bruno Latour to the members of the Dark Mountain collective, with fantasy and science fiction texts by N. K. Jemisin, Kim Stanley Robinson and Margaret Atwood, debating viable futures for a world that will look and feel very different from the one we live in right now. Louisa Hann recently attained a PhD in English and American studies from the University of Manchester, specialising in the political economy of HIV/AIDS theatres. She has published work on the memorialisation of HIV/AIDS on the contemporary stage and the use of documentary theatre as a neoliberal harm reduction tool. She is currently working on a monograph based on her doctoral thesis. You can get in touch with her at louisahann92@gmail.com. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

Visions of utopia – some hopeful, others fearful – have become increasingly prevalent in recent times. In No Other Planet: Utopian Visions for a Climate-changed World (Cambridge UP, 2021), Mathias Thaler examines expressions of the utopian imagination, with a focus on the pressing challenge of how to inhabit a climate-changed world. Forms of social dreaming are tracked across two domains: political theory and speculative fiction. The analysis aims to both uncover the key utopian and dystopian tendencies in contemporary debates around the Anthropocene; as well as to develop a political theory of radical transformation that avoids not only debilitating fatalism but also wishful thinking. This book juxtaposes theoretical interventions, from Bruno Latour to the members of the Dark Mountain collective, with fantasy and science fiction texts by N. K. Jemisin, Kim Stanley Robinson and Margaret Atwood, debating viable futures for a world that will look and feel very different from the one we live in right now. Louisa Hann recently attained a PhD in English and American studies from the University of Manchester, specialising in the political economy of HIV/AIDS theatres. She has published work on the memorialisation of HIV/AIDS on the contemporary stage and the use of documentary theatre as a neoliberal harm reduction tool. She is currently working on a monograph based on her doctoral thesis. You can get in touch with her at louisahann92@gmail.com. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory

Visions of utopia – some hopeful, others fearful – have become increasingly prevalent in recent times. In No Other Planet: Utopian Visions for a Climate-changed World (Cambridge UP, 2021), Mathias Thaler examines expressions of the utopian imagination, with a focus on the pressing challenge of how to inhabit a climate-changed world. Forms of social dreaming are tracked across two domains: political theory and speculative fiction. The analysis aims to both uncover the key utopian and dystopian tendencies in contemporary debates around the Anthropocene; as well as to develop a political theory of radical transformation that avoids not only debilitating fatalism but also wishful thinking. This book juxtaposes theoretical interventions, from Bruno Latour to the members of the Dark Mountain collective, with fantasy and science fiction texts by N. K. Jemisin, Kim Stanley Robinson and Margaret Atwood, debating viable futures for a world that will look and feel very different from the one we live in right now. Louisa Hann recently attained a PhD in English and American studies from the University of Manchester, specialising in the political economy of HIV/AIDS theatres. She has published work on the memorialisation of HIV/AIDS on the contemporary stage and the use of documentary theatre as a neoliberal harm reduction tool. She is currently working on a monograph based on her doctoral thesis. You can get in touch with her at louisahann92@gmail.com. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/world-affairs

Visions of utopia – some hopeful, others fearful – have become increasingly prevalent in recent times. In No Other Planet: Utopian Visions for a Climate-changed World (Cambridge UP, 2021), Mathias Thaler examines expressions of the utopian imagination, with a focus on the pressing challenge of how to inhabit a climate-changed world. Forms of social dreaming are tracked across two domains: political theory and speculative fiction. The analysis aims to both uncover the key utopian and dystopian tendencies in contemporary debates around the Anthropocene; as well as to develop a political theory of radical transformation that avoids not only debilitating fatalism but also wishful thinking. This book juxtaposes theoretical interventions, from Bruno Latour to the members of the Dark Mountain collective, with fantasy and science fiction texts by N. K. Jemisin, Kim Stanley Robinson and Margaret Atwood, debating viable futures for a world that will look and feel very different from the one we live in right now. Louisa Hann recently attained a PhD in English and American studies from the University of Manchester, specialising in the political economy of HIV/AIDS theatres. She has published work on the memorialisation of HIV/AIDS on the contemporary stage and the use of documentary theatre as a neoliberal harm reduction tool. She is currently working on a monograph based on her doctoral thesis. You can get in touch with her at louisahann92@gmail.com. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/environmental-studies

Visions of utopia – some hopeful, others fearful – have become increasingly prevalent in recent times. In No Other Planet: Utopian Visions for a Climate-changed World (Cambridge UP, 2021), Mathias Thaler examines expressions of the utopian imagination, with a focus on the pressing challenge of how to inhabit a climate-changed world. Forms of social dreaming are tracked across two domains: political theory and speculative fiction. The analysis aims to both uncover the key utopian and dystopian tendencies in contemporary debates around the Anthropocene; as well as to develop a political theory of radical transformation that avoids not only debilitating fatalism but also wishful thinking. This book juxtaposes theoretical interventions, from Bruno Latour to the members of the Dark Mountain collective, with fantasy and science fiction texts by N. K. Jemisin, Kim Stanley Robinson and Margaret Atwood, debating viable futures for a world that will look and feel very different from the one we live in right now. Louisa Hann recently attained a PhD in English and American studies from the University of Manchester, specialising in the political economy of HIV/AIDS theatres. She has published work on the memorialisation of HIV/AIDS on the contemporary stage and the use of documentary theatre as a neoliberal harm reduction tool. She is currently working on a monograph based on her doctoral thesis. You can get in touch with her at louisahann92@gmail.com. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/intellectual-history

Visions of utopia – some hopeful, others fearful – have become increasingly prevalent in recent times. In No Other Planet: Utopian Visions for a Climate-changed World (Cambridge UP, 2021), Mathias Thaler examines expressions of the utopian imagination, with a focus on the pressing challenge of how to inhabit a climate-changed world. Forms of social dreaming are tracked across two domains: political theory and speculative fiction. The analysis aims to both uncover the key utopian and dystopian tendencies in contemporary debates around the Anthropocene; as well as to develop a political theory of radical transformation that avoids not only debilitating fatalism but also wishful thinking. This book juxtaposes theoretical interventions, from Bruno Latour to the members of the Dark Mountain collective, with fantasy and science fiction texts by N. K. Jemisin, Kim Stanley Robinson and Margaret Atwood, debating viable futures for a world that will look and feel very different from the one we live in right now. Louisa Hann recently attained a PhD in English and American studies from the University of Manchester, specialising in the political economy of HIV/AIDS theatres. She has published work on the memorialisation of HIV/AIDS on the contemporary stage and the use of documentary theatre as a neoliberal harm reduction tool. She is currently working on a monograph based on her doctoral thesis. You can get in touch with her at louisahann92@gmail.com. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/politics-and-polemics

Visions of utopia – some hopeful, others fearful – have become increasingly prevalent in recent times. In No Other Planet: Utopian Visions for a Climate-changed World (Cambridge UP, 2021), Mathias Thaler examines expressions of the utopian imagination, with a focus on the pressing challenge of how to inhabit a climate-changed world. Forms of social dreaming are tracked across two domains: political theory and speculative fiction. The analysis aims to both uncover the key utopian and dystopian tendencies in contemporary debates around the Anthropocene; as well as to develop a political theory of radical transformation that avoids not only debilitating fatalism but also wishful thinking. This book juxtaposes theoretical interventions, from Bruno Latour to the members of the Dark Mountain collective, with fantasy and science fiction texts by N. K. Jemisin, Kim Stanley Robinson and Margaret Atwood, debating viable futures for a world that will look and feel very different from the one we live in right now. Louisa Hann recently attained a PhD in English and American studies from the University of Manchester, specialising in the political economy of HIV/AIDS theatres. She has published work on the memorialisation of HIV/AIDS on the contemporary stage and the use of documentary theatre as a neoliberal harm reduction tool. She is currently working on a monograph based on her doctoral thesis. You can get in touch with her at louisahann92@gmail.com. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/science-technology-and-society

Visions of utopia – some hopeful, others fearful – have become increasingly prevalent in recent times. In No Other Planet: Utopian Visions for a Climate-changed World (Cambridge UP, 2021), Mathias Thaler examines expressions of the utopian imagination, with a focus on the pressing challenge of how to inhabit a climate-changed world. Forms of social dreaming are tracked across two domains: political theory and speculative fiction. The analysis aims to both uncover the key utopian and dystopian tendencies in contemporary debates around the Anthropocene; as well as to develop a political theory of radical transformation that avoids not only debilitating fatalism but also wishful thinking. This book juxtaposes theoretical interventions, from Bruno Latour to the members of the Dark Mountain collective, with fantasy and science fiction texts by N. K. Jemisin, Kim Stanley Robinson and Margaret Atwood, debating viable futures for a world that will look and feel very different from the one we live in right now. Louisa Hann recently attained a PhD in English and American studies from the University of Manchester, specialising in the political economy of HIV/AIDS theatres. She has published work on the memorialisation of HIV/AIDS on the contemporary stage and the use of documentary theatre as a neoliberal harm reduction tool. She is currently working on a monograph based on her doctoral thesis. You can get in touch with her at louisahann92@gmail.com.

On this episode, Ashley Colby (@RizomaSchool) teams up with Nathan Gates (@TornadoNate) to co-host an intriguing conversation about Distributism with Chris Smaje (@csmaje) and Sean Domencic (@tradtom), co-founder of Tradistae. About Sean Domencic Sean Domencic is the director of Tradistae, a contributing author at New Polity, and a maintenance man who speaks and writes about Distributism and Catholic Social Teaching. He and his wife live in community at Holy Family Catholic Worker in Lancaster, PA. About Chris Smaje Chris Smaje has coworked a small farm in Somerset, southwest England, for the last 17 years. Previously, he was a university-based social scientist, working in the Department of Sociology at the University of Surrey and the Department of Anthropology at Goldsmiths College on aspects of social policy, social identities and the environment. Since switching focus to the practice and politics of agroecology, he's written for various publications, such as The Land , Dark Mountain , Permaculture magazine and Statistics Views, as well as academic journals such as Agroecology and Sustainable Food Systems and the Journal of Consumer Culture . Smaje writes the blog Small Farm Future, is a featured author at www.resilience.org and a current director of the Ecological Land Co-op. Chris' latest book is: A Small Farm Future: Making the Case for a Society Built Around Local Economies, Self-Provisioning, Agricultural Diversity, and a Shared Earth. About Nathan Gates Nathan is a licensed psychotherapist and co-host of Altered States of Context, a podcast about psychedelics, science and psychotherapy. He also practices regenerative ranching and writes from his family's farm in rural west-central Illinois. About Ashley Colby Ashley is an Environmental Sociologist who studied at Washington State University, the department that founded the subdiscipline. She's interested in and passionate about the myriad creative ways in which people are forming new social worlds in resistance to the failures of late capitalism and resultant climate disasters. I am a qualitative researcher so I tend to focus on the informal spaces of innovation. She's the founder of Rizoma Field School and Rizoma Foundation.

Dark forests, rumors, educated skepticism, and a place called Dark Mountain.This novella is a keystone story in Lovecraft's mythos and combines cosmic horror with science fiction. H.P. even works in the recent (at the time) discovery of Pluto as a something less awe-inspiring and potentially more horrific.

Seán Ó Conláin and Caroline Whyte spoke with Chris Smaje. Chris is based in Somerset in the UK and worked as an academic sociologist and anthropologist for some time, but then changed focus to the practice and politics of agroecology. He now coworks a smallholder farm. He has written several books, including, most recently,' A Small Farm Future: Making the Case for a Society Built Around Local Economies, Self-Provisioning, Agricultural Diversity, and a Shared Earth'. He writes the blog Small Farm Future and has also written for various publications, such as The Land, Dark Mountain, Permaculture magazine and Statistics Views, as well as academic journals such as Agroecology and Sustainable Food Systems and the Journal of Consumer Culture.

Thanks for listening! You can find us at various places.Our Website: https://thehobbledgoblin.com/thg-podcastFacebook: https://www.facebook.com/thehobbledgoblinInstagram: https://www.instagram.com/hobbled_goblin/?hl=enTwitter: https://twitter.com/Hobbled_GoblinTwitch: https://www.twitch.tv/thehobbledgoblinBecome a member of the Goblin Horde on discord: https://discord.gg/SrYudSFOur logo was created by the talented Tassiji Stamp: https://tassji_s.artstation.com/?fbclid=IwAR05hAwWjkzRyXwA6pvyshksystohtOhw0jt5dZ6ln5KTGc5y-F7nvpwRJUMusic has been used with permission by Adrian von Ziegler: https://www.youtube.com/user/AdrianvonZiegler?app=desktop and Osi and the Jupiter: https://www.facebook.com/osifolk/

Happy Friday! This week MB and Terry chat about Go (1999), Daylight (2013), Dark Mountain (2013), Horror in the High Desert (2021), Search Party season 5, and Exotica.Follow Mary Beth, Terry and the Podcast on Twitter. See acast.com/privacy for privacy and opt-out information.

How important is story to to human understanding? Today we take a step away from science per se, to look at the role of story in the formation of our world views, for generations our only method alongside direct experience of understanding the world, as opposed the more modern method of hard data from scientific research that we tend to examine on Chasing Consciousness. So we're continuing the all important job of our first series: to establish the limits of what science can know. And today we're going to start understanding how some of the story like information found in the psyche, and perhaps in the way our lives unfold, can give us clues to the nature of human reality and so support our scientific research in psychology. So who better to help us navigate this troublesome academic area than award winning social anthropologist Dr Carla Stang! Carla earned her Ph.D. in Social Anthropology at the University of Cambridge. She has held the position of Visiting Scholar at Columbia University and Associate Researcher at the University of Sydney, and was awarded the Frank Bell Memorial Prize for Anthropology from Cambridge. Based on her fieldwork with the Mehinaku, Carla wrote a book called “A Walk to the River in Amazonia” which we'll be talking about in a bit. She writes for the Dark Mountain collective which advocates ‘uncivilisation', and has created a mysterious new project ‘Imaginal Futures'. Most recently she co-created the first Masters of Philosophy at Schumacher College, and is currently at work on a new book, an ecological, cross-disciplinary and collaborative project. What we discuss in this episode: Part 1 00:00 Tarzan of Greystoke 10:00 How much of a problem is our propensity for narrative over fact? 14:00 Joseph Campbell's Hero's Journey or Monomyth examined 24:00 Critiquing the destructive power and domination of others presented in the mono myth 40:00 The uninitiated: we're a society of children 49:00 The Heroine's Journey, Maureen Murdoch and healing the wounded feminine 55:00 Different types of ‘events of consciousness' and mythos Part 2 1:05:30 The importance of interdisciplinary research to get big picture understanding 1:17:00 What's quotidian Amazonian life like; ‘A Walk to the River in Amazonia' Carla's 2011 book 1:53:00 Imagining the stories of the future we want, we can form the world References: Carla Stang ‘A Walk to the River in Amazonia' Imaginal Futures created by Carla Stang, Rachel Flemming and Emma George William James quote, ‘Live life to the fullest' Ben Okri quote ‘We are story beings' Eugène (Eugeniusz) Minkowski 'Vers une cosmologie. Fragments philosophiques' Joseph Campbell quote ‘follow your bliss' Sonu Shamdasani Historian and Redbook publisher 'Lament of the Dead' James Hillman Jung scholar and founder of the field of 'Archetypal Psychology' Freddy's ‘Rites of Passage' podcast show Maureen Murdoch 'The Heroines Journey' Henri Corbin - 'Mundis Imaginalis' Sean Kane - a place telling a tale through human beings

In this interview, Joanna Pocock talks about her recent book Surrender, a compelling, moving, and eye-opening exploration of the outsider eco-cultures blossoming in the new American West in an era of increasing climatic disruption, rising sea levels, animal extinctions, melting glaciers, and catastrophic wildfires. Joanna talks about the wide range of vibrant environmental movements that have taken root in response to the climate crisis – scavenger, rewilding, ecosexual--and explores the roots of these myriad cultures-in what is also a deeply moving and personal testimony to a rapidly changing world with an uncertain future. Joanna Pocock is an Irish-Canadian writer currently living in London. Her work of creative non-fiction, Surrender, exploring the changing landscape of the American West, won the Fitzcarraldo Editions Essay Prize in 2018 and the Arts Foundation environmental writing award in 2020. Her writing has notably appeared in the Los Angeles Times, the Nation and on the Dark Mountain blog.

Host Jason Schreurs talks to Geoff Rickly of Thursday and United Nations about his depression and how he became addicted to heroin after the breakup of his main band. Geoff talks about what music meant to him growing up and through his adulthood. Clean and sober for the past few years, Geoff now helps others both publicly and privately. https://thursday.net https://theofficialun.bandcamp.com Featured songs: Thursday - "As He Climbed the Dark Mountain" from Split 7” with Envy (Temporary Residence, 2008) Ink & Dagger - "Shadowtalker" from Drive This Seven Inch Wooden Stake Through My Philadelphia Heart (Initial Records, 1997) Ink & Dagger- "Caretaker" from Drive This Seven Inch Wooden Stake Through My Philadelphia Heart (Initial Records, 1997) About this podcast: Scream Therapy explores the link between punk rock and mental health. My guests are members of the underground music scene who are living with mental health challenges, like myself. Intro/background music: Submission Hold - "Cranium Ache" Render Useless - "The Second Flight of Icarus" Artwork: Luke Ramsey - http://lukeramseystudio.com Contact host Jason Schreurs - jasonwschreurs@gmail.com

When the Ten Commandments were given to the people of Israel, they were so terrified that they asked Moses to go near God and listen, rather than they themselves. They wanted to hide in their tents - away from the presence of God. The coming of Jesus, however, has changed that for us. How?

When the Ten Commandments were given to the people of Israel, they were so terrified that they asked Moses to go near God and listen, rather than they themselves. They wanted to hide in their tents - away from the presence of God. The coming of Jesus, however, has changed that for us. How?

The Manifesto is found at the Dark Mountain project site, on The Anarchist Library, or in pamphlet form at Little Black Cart. This essay is in two episodes. The Manifesto at Dark-Mountain.net The Manifesto at TheAnarchistLibrary.org The Manifesto at LittleBlackCart.com Immediatism.com My other podcast PointingTexts.org

The Manifesto is found at the Dark Mountain project site, on The Anarchist Library, or in pamphlet form at Little Black Cart. This essay is in two episodes. The Manifesto at Dark-Mountain.net The Manifesto at TheAnarchistLibrary.org The Manifesto at LittleBlackCart.com Immediatism.com My other podcast PointingTexts.org

"Climate denial" has the specific connotation of outright denial such a thing exists, but what about all the other forms of denial? The human mind has a general tendency not to come to terms with overwhelming input. The institutional and grassroots political responses to climate change, in most cases, are also forms of climate denial. Here, we examine the psychology of confronting unbearable truths, searching for cultural systems that can allow us to face our fears and thus affect outcomes. This piece originally appeared in Dark Mountain #15.

We Are All Prey, featuring Joanna Pocock Joanna Pocock is an Irish-Canadian writer living in London. Her writing has notably appeared in the LosAngeles Times, the Nation and on the Dark Mountain blog. Her most recent book is entitled, "Surrender," and is a memoir that mostly focuses on her adventures in the western United States. There, as she experienced menopause, she explored the history and nature of the landscapes, and met various rewilders including the notorious Finisia Medrano. The book takes its name from an eco-sex convergence she attended. Joanna and I talked on June 25, 2020. Using her book as a jumping off point, we covered a variety of topics including settler colonialism, rewilding, cultural appropriation, how sexuality changes with age, social media, the challenges for youth in today's world and finding home in a placeless society. In the background of all these subjects was the environmental crisis, which alarms us both. [Warning: Multiple uses of the F-word by both parties] Where to order "Surrender": https://houseofanansi.com/products/surrender RADIO FREE SUNROOT: Podcasting by Kollibri terre Sonnenblume https://radiofreesunroot.com KOLLIBRI'S BLOG & BOOKSHOP: https://macskamoksha.com/ KOLLIBRI'S PATREON: Get access to members-only content https://www.patreon.com/kollibri Support Voices for Nature & Peace by donating to their Tip Jar: https://tips.pinecast.com/jar/voices-for-nature-and-peace This podcast is powered by Pinecast. Try Pinecast for free, forever, no credit card required. If you decide to upgrade, use coupon code r-a50345 for 40% off for 4 months, and support Voices for Nature & Peace.

This weeks podcast is with Andrew Schubert from Dark Mountain Supplements.  Chad and Andrew have a great conversation about all kinds of topics.  Of course, they talk about Dark Mountain and how Andrew became part owner.  They also dive into life during the COVID, elk hunting, backcountry hunting and just living life.  Make sure to check out Dark Mountain Supplements.  Dark Mountain is here to help you “Do Hard Things”! We believe in bettering ourselves, every single day.  Life can throw some curveballs, so can the mountain. Whether you are training for an upcoming hunt or setting new records in the gym, we want to help!  Use the promotion code ROOKIES and save 20% off your purchase.  Enjoy the show!    ANDREW SCHUBERTInstgram - @dudethathunts DARK MOUNTAIN SUPPLEMENTSInstagram – @darkmountain_officialWebsite - https://darkmountain.com/collections/supplements  BACKCOUNTRY ROOKIESWebsite - https://backcountryrookies.comInstagram - @backcountryrookiesFacebook - Backcountry Rookies      Group - Backcountry Rookies Nation Elk101 University of Elk HuntingSave 20% by using the code ROOKIEShttps://www.elk101.com/product/university-of-elk-hunting-online-course/ Vortex OpticsUse the code ROOKIES and save 20% on apparel at the Vortex Optics Websitehttps://vortexoptics.com goHUNT InsiderReceive a $50 Credit to the goHUNT Gear Shop when you purchase the Insider Program and use the code ROOKIES www.gohunt.com/insider Backcountry Rookies is Powered by Simplecast

This weeks podcast is with Andrew Schubert from Dark Mountain Supplements.  Chad and Andrew have a great conversation about all kinds of topics.  Of course, they talk about Dark Mountain and how Andrew became part owner.  They also dive into life during the COVID, elk hunting, backcountry hunting and just living life.  Make sure to check out Dark Mountain Supplements.  Dark Mountain is here to help you “Do Hard Things”! We believe in bettering ourselves, every single day.  Life can throw some curveballs, so can the mountain. Whether you are training for an upcoming hunt or setting new records in the gym, we want to help!  Use the promotion code ROOKIES and save 20% off your purchase.  Enjoy the show!    ANDREW SCHUBERTInstgram - @dudethathunts DARK MOUNTAIN SUPPLEMENTSInstagram – @darkmountain_officialWebsite - https://darkmountain.com/collections/supplements  BACKCOUNTRY ROOKIESWebsite - https://backcountryrookies.comInstagram - @backcountryrookiesFacebook - Backcountry Rookies      Group - Backcountry Rookies Nation Elk101 University of Elk HuntingSave 20% by using the code ROOKIEShttps://www.elk101.com/product/university-of-elk-hunting-online-course/ Vortex OpticsUse the code ROOKIES and save 20% on apparel at the Vortex Optics Websitehttps://vortexoptics.com goHUNT InsiderReceive a $50 Credit to the goHUNT Gear Shop when you purchase the Insider Program and use the code ROOKIES www.gohunt.com/insider Backcountry Rookies is Powered by Simplecast

THIS IS IT This Audio Essay references a lot of touch points that are close to my heart at the moment: The Environment vs Nature, Dark Mountain, The Occult, Curses // Spells, Decolonialism, Narrative and Stories, Crohn's Disease and my own mortality, The Run Out, Death, Capitalism, Anti-Consumerism and More. --- 411 Permanently Moved is an occasional audio project by Jay Springett Website: https://www.thejaymo.net/ Podcast: http://permanentlymoved.online Zine: http://startselectreset.com

Meet my friend Andrew Schubert. Andrew is a father, husband, hunters, small business owner, fitness enthusiast, and all-around good human. On this episode, we dive into the deep stuff and talk about his company, Dark Mountain, how to be a good human, mental and physical health, and advice on tattoos. We also talk about one of my favorite topics, bowhunting! We basically cover all the good stuff.I'm so excited to continue to share the amazing people, stories, and adventures that are shaping my life and I hope this podcast has a positive impact on yours. If you enjoyed this episode please rate, review, and subscribe on your favorite platform.Need help with your podcast? Find out how I can help HERE.Connect with me: @marcus.strange, websiteConnect with Andrew: @dudethathuntsStuff we talked about:Dark Mountain: @darkmountain_official, website@life_of_ddre

In this episode, I explore the ancient Greek story of Cassiopeia and Andromeda (Queen & Princess of a mythic "Aethiopia"), with a brief opening musing about Our Lady (Divine Mother, Mary, etc), the constellation Cassiopeia (that great M in the northern sky), and the roots of this story with the Babylonian sea-dragon, Tiamat, mother of the world. Storytelling begins at 17:30 ** Books & people mentioned in this episode ** The Way of the Rose By Clark Strand & Perdita Finn https://wayoftherose.org/ Vandana Shiva, Indian scientist, environmental activist & food sovereignty advocate (recommended reading, Who Really Feeds the World?) Star Names, Their Lore & Meaning By Richard Hinckley Allen For more mythic fiction, poetry, essays & audio recordings about Crete and Old Europe, subscribe to my Patreon! www.patreon.com/sylvialinsteadt/posts PODCAST ART: Catherine Sieck PODCAST MUSIC: Giannis Linardakis (Cretan lute composition) PODCAST SOUND EDITING: Simon Linsteadt ABOUT THE PODCAST: Welcome to Kalliope's Sanctum, a biweekly story podcast hosted by writer Sylvia V. Linsteadt. This podcast is dedicated to Kalliope, primordial and first Muse of epic poetry and ecstatic song in ancient Greece. This podcast is a place of sanctuary for her oldest stories. It is a return to the wild garden, to the spring, to the ground of being & the source of inspiration in the Earth. Here, we honor Kalliope as Muse of Earth. Here, you will find some of the stories beneath the stories of Old Europe: short fictional/poetic pieces written and read by Sylvia that explore elements of indigenous Old European mythology, with a focus on pre-Hellenic (pre-Patriarchal) Greece. Come sit with us in the honeyed light, among the ripe pomegranates, in Kalliope's sanctuary, where the stories that arise directly from the ground of being and lifeforce can still be safely told and celebrated. Come lean against the sun-warmed stones, with the fragrance of propolis & myrrh in the air, and the trees heavy with autumn quince. This is the garden before the fall, a sanctuary for all hearts in this time. Join us, and be revived. ABOUT SYLVIA V. LINSTEADT: Sylvia V. Linsteadt is a novelist, poet, scholar of ancient history, myth and ecology, and artist. She divides her time between California & Crete, where she is currently working on a novel set in Minoan times. Her published fiction includes the middle grade children’s duology The Stargold Chronicles— The Wild Folk (Usborne, June 2018) and The Wild Folk Rising (Usborne, May 2019)— Our Lady of the Dark Country, a collection of short stories (January 2018) and Tatterdemalion (Unbound, Spring 2017); her works of nonfiction include The Wonderments of the East Bay (Heyday 2014), and Lost Worlds of the San Francisco Bay Area (Heyday, Spring 2017). Her short fiction has been published in New California Writing 2013, Dark Mountain, Beneath Ceaseless Skies, The Golden Key and Deathless Press. Her creative nonfiction can be found in Dark Mountain, Earthlines Magazine, Poecology, and News from Native California. For three years (from 2013 to 2016) Sylvia ran a stories-in-the-mail business called Wild Talewort, in which she sent out rewilded tellings of fairytales and myths to the physical-post boxes of hundreds of subscribers around the world. Lost Worlds of the San Francisco Bay Area won the Northern California Book Award in General Nonfiction in 2018. Website: www.sylvialinsteadt.com/ Patreon: www.patreon.com/ Instagram: www.instagram.com/sylviavlinsteadt/ Newsletter: tinyletter.com/sylvialinsteadt

Welcome to the inaugural episode of Kalliope's Sanctum! In this episode, I begin with a poetic imagining of Kalliope's story, the one before she was ever Muse on Mount Olympus, and also after, now, as we liberate her back to her own ground of being, where she began. I introduce the episode with a few notes about her mythic context, but the story-poem itself begins at 9:58. In the notes, I mention an upcoming opportunity to hear the ecstatic music of Crete live, in my house in California, on February 29th 2020. See more here! https://www.zygiamusic.com/ (Note that the opening music is played by the same musician who will be performing here, Giannis Linardakis.) For a pdf version of this piece, & more mythic fiction, see my Patreon offerings. https://www.patreon.com/sylvialinsteadt/posts ABOUT THE PODCAST: Welcome to Kalliope's Sanctum, a biweekly story podcast hosted by writer Sylvia V. Linsteadt. This podcast is dedicated to Kalliope, primordial and first Muse of epic poetry and ecstatic song in ancient Greece. This podcast is a place of sanctuary for her oldest stories. It is a return to the wild garden, to the spring, to the ground of being & the source of inspiration in the Earth. Here, we honor Kalliope as Muse of Earth. Here, you will find some of the stories beneath the stories of Old Europe: short fictional/poetic pieces written and read by Sylvia that explore elements of indigenous Old European mythology, with a focus on pre-Hellenic (pre-Patriarchal) Greece. Come sit with us in the honeyed light, among the ripe pomegranates, in Kalliope's sanctuary, where the stories that arise directly from the ground of being and lifeforce can still be safely told and celebrated. Come lean against the sun-warmed stones, with the fragrance of propolis & myrrh in the air, and the trees heavy with autumn quince. This is the garden before the fall, a sanctuary for all hearts in this time. Join us, and be revived. PODCAST ART: Catherine Sieck PODCAST MUSIC: Giannis Linardakis (Cretan lute composition) ABOUT SYLVIA V. LINSTEADT: Sylvia V. Linsteadt is a novelist, poet, scholar of ancient history, myth and ecology, and artist. She divides her time between California & Crete, where she is currently working on a novel set in Minoan times. Her published fiction includes the middle grade children’s duology The Stargold Chronicles— The Wild Folk (Usborne, June 2018) and The Wild Folk Rising (Usborne, May 2019)— Our Lady of the Dark Country, a collection of short stories (January 2018) and Tatterdemalion (Unbound, Spring 2017); her works of nonfiction include The Wonderments of the East Bay (Heyday 2014), and Lost Worlds of the San Francisco Bay Area (Heyday, Spring 2017). Her short fiction has been published in New California Writing 2013, Dark Mountain, Beneath Ceaseless Skies, The Golden Key and Deathless Press. Her creative nonfiction can be found in Dark Mountain, Earthlines Magazine, Poecology, and News from Native California. For three years (from 2013 to 2016) Sylvia ran a stories-in-the-mail business called Wild Talewort, in which she sent out rewilded tellings of fairytales and myths to the physical-post boxes of hundreds of subscribers around the world. Lost Worlds of the San Francisco Bay Area won the Northern California Book Award in General Nonfiction in 2018. Website: http://www.sylvialinsteadt.com/ Patreon: https://www.patreon.com/ Instagram: https://www.instagram.com/sylviavlinsteadt/ Newsletter: https://tinyletter.com/sylvialinsteadt

Music Credit: OurMusicBox (Jay Man) Track Name: "Flights Of Fantasy" Music By: Jay Man @ https://ourmusicbox.com/ Official "OurMusicBox" YouTube Channel: http://www.youtube.com/c/ourmusicbox License for commercial use: Creative Commons Attribution 4.0 International (CC BY 4.0) https://creativecommons.org/licenses/... Music promoted by NCM https://goo.gl/fh3rEJSocial Media: Facebook: Faith Trust and Pixie Dust - Podcast Email: 1stgeek411@gmail.com Twitter: @FTPD_PodcastPersonal Twitters: @Sparkle_Fists @SpilledXWater @deanna790Check us out on iTunes, Stitcher, Google Podcasts, and Spotify!!!Website: www.1geek411.com● “Feature Film” – Tarzan 2 ○ As Tarzan is growing up with Kala, he struggles to fit in and to keep up. He and Terk play games involving the mythical monster “the Zugor”, which will definitely not come back later in the movie. As the band of Gorillas led by Kerchak is travelling, Tarzan is once again unable to keep up and falls down a ravine. Kala is unable to reach him, and is devastated. Tarzan actually is able to save himself, but overhears other gorillas saying it was probably for the best that he had died, so he runs away.After running away, Tarzan makes his way to “The Dark Mountain”, where he is found by two gorilla brothers and their controlling mother, Mama Gunda. They tell him that they can’t leave because they are trapped by the Zugor.Tarzan finds out by accident that the Zugor is a solitary silverback, who pretends to be a monster to defend himself. He agrees not to tell anyone if Zugor will let him stay and will help him find out what he is. After a long series of tests, they come to the overwhelmingly corny conclusion that Tarzan is not an ape, and is, in fact “A TARZAN!” just as Kala finds out that Tarzan did not die and comes to find her boy. Zugor marries Mama Gunda for some reason.○ Film Trivia - IMDB■ won a DVDX Award for Best Original Score (in a DVD Premiere Movie)■ Kala tickles Tarzan’s toes the way he tickles Jane’s in the original■ Kala and Kerchak are the only two that reprise their original roles (Glenn Close and Lance Henriksen)● Segment: News/Announcements “The Newsies Banner”○ Frozen 2 - Highest all-time opening for an animated film, worldwide○ Bob Iger, Disney CEO going to be inducted into the Television Academy Hall of Fame○ New Mulan Trailer December 5th ○ Togo - Disney + Streaming December 20th● Segment: Miscellaneous “whosits and whatsits galore”○ Disney Trivia● Segment: Top 4 Ranking “Let’s get down to business” ○ Sequels ○ 1. Rescuers Down Under○ 2. Toy Story 2○ 3. Prince Caspian○ 4. Fantasia 2000Next Week: TinkerbellTop 4: Disney Franchises (Film Series/3 or more films)

This is a segment of episode #222 of Last Born In The Wilderness “Dark Materials: They Didn't Want You To Panic w/ Dougald Hine.” Listen to the full episode: http://bit.ly/LBWhine Read Dougald’s ‘Notes From Underground’ series at Bella Caledonia: http://bit.ly/2Ds76r6 In this segment of my discussion with Dark Mountain Project co-founder and writer Dougald Hine, we discuss his new writing series ‘Notes From Underground,’ published weekly at Bella Caledonia, that explores "the deep context of the new climate movements that have surfaced since mid-2018." As Dougald notes in his article ‘Al Gore Didn’t Want You to Panic,’ the first of his series at Bella Caledonia: “What kind of process is it, then, that has been underway this past year? Here’s what I’ve been picking up from the people I meet, the audiences I speak to and the stories that come back to me: on a scale not seen before, people are having an encounter with climate change not as a problem that can be solved or managed, made to go away, or reconciled with some existing arc of progress, but as a dark knowledge that calls our path into question, that starts to burn away the stories we were told and the trajectories our lives were meant to follow, the entitlements we were brought up to believe we had, our assumptions about the shape of history, the kind of world we were born into and our place within it.” (http://bit.ly/34lnMwl) In this discussion, we explore this uncharted territory that we have collectively entered into, to which Dougald has rightfully defined as “some kind of initiatory process.” What does it mean, in a time of compounding and accelerating crises (climatologically, ecologically, socially), to undergo a process of initiatory rites? For those of us that are cognizant of the general spirit of the times we are in, what can we do to provide the resources, spaces, and structures to further grapple with the “dark material we were carrying all along?” Dougald Hine is the co-founder of The Dark Mountain Project, and the founder of Spacemakers. In the summer of 2019, after ten years with Dark Mountain, Dougald handed over his editorial and organizational responsibilities. He is currently focusing on writing and his latest project ‘a school called HOME,’ made in collaboration with his partner Anna Björkman. Dougald grew up in the north-east of England, and is now settled in central Sweden.  WEBSITE: https://www.lastborninthewilderness.com PATREON: https://www.patreon.com/lastborninthewilderness DONATE: https://www.paypal.me/lastbornpodcast DROP ME A LINE: Call (208) 918-2837 or http://bit.ly/LBWfiledrop EVERYTHING ELSE: https://linktr.ee/patterns.of.behavior [Music: "Miguk'asha" by Eijra Woon, from the album Fae: https://eijrawoon.bandcamp.com]

[Intro: 11:55 | Outro: 1:31:02] In this episode, I speak with Dark Mountain Project co-founder and writer Dougald Hine. We discuss his new writing series ‘Notes From Underground,’ published weekly at Bella Caledonia, that explores "the deep context of the new climate movements that have surfaced since mid-2018." As Dougald notes in his article ‘Al Gore Didn’t Want You to Panic,’ the first of his series at Bella Caledonia: “What kind of process is it, then, that has been underway this past year? Here’s what I’ve been picking up from the people I meet, the audiences I speak to and the stories that come back to me: on a scale not seen before, people are having an encounter with climate change not as a problem that can be solved or managed, made to go away, or reconciled with some existing arc of progress, but as a dark knowledge that calls our path into question, that starts to burn away the stories we were told and the trajectories our lives were meant to follow, the entitlements we were brought up to believe we had, our assumptions about the shape of history, the kind of world we were born into and our place within it.” (http://bit.ly/34lnMwl) In this discussion, we explore this uncharted territory that we have collectively entered into, to which Dougald has rightfully defined as “some kind of initiatory process.” What does it mean, in a time of compounding and accelerating crises (climatologically, ecologically, socially), to undergo a process of initiatory rites? For those of us that are cognizant of the general spirit of the times we are in, what can we do to provide the resources, spaces, and structures to further grapple with the “dark material we were carrying all along?” Dougald and I explore this territory in this episode. Dougald Hine is the co-founder of The Dark Mountain Project, and the founder of Spacemakers. In the summer of 2019, after ten years with Dark Mountain, Dougald handed over his editorial and organizational responsibilities. He is currently focusing on writing and his latest project ‘a school called HOME,’ made in collaboration with his partner Anna Björkman. Dougald grew up in the north-east of England, and is now settled in central Sweden.  [The episode also features a discussion between Elliot Robinson (the question featured in the introduction), social anthropologist Dr. Khalil Avi (featured in episode #220: http://bit.ly/LBWavi), and permaculture designer Tao Orion (author of ‘Beyond the War on Invasive Species’: http://bit.ly/2DE8WFA). This discussion can also be found here: http://bit.ly/elliot-tao-avi] Episode Notes: - Read Dougald’s ‘Notes From Underground’ series at Bella Caledonia: http://bit.ly/2Ds76r6 - Learn more about his work at his website: http://dougald.nu - Learn more about his project ‘a school called HOME’: https://aschoolcalledhome.org - Learn more about The Dark Mountain Project: https://dark-mountain.net - The songs featured in this episode are “Birds of Paradise” and “Steps and Numbers” by The Appleseed Cast from the album Low Level Owl, Vol. 1. WEBSITE: https://www.lastborninthewilderness.com PATREON: https://www.patreon.com/lastborninthewilderness DONATE: https://www.paypal.me/lastbornpodcast DROP ME A LINE: Call (208) 918-2837 or http://bit.ly/LBWfiledrop EVERYTHING ELSE: https://linktr.ee/patterns.of.behavior

Elliot Robinson, a listener of the podcast that works in land restoration in New Orleans, dropped me a line regarding to my episode with social anthropologist Dr. Khalil Avi, featured in episode #220 (http://bit.ly/LBWavi). He posed a great question regarding how to deal with a particular "invasive species" in his work, the Chinese Tallow Tree. I sent the audio of Elliot's call to Avi, and he contacted permaculture designer, teacher, homesteader and author of ‘Beyond the War on Invasive Species’ Tao Orion to provide her expertise in answering Elliot's question. We decided the best course of action was to set up a group call, so Elliot could more adequately pose his questions to Tao and Avi, with myself serving as a facilitator of the discussion. This nearly 40-minute conversation was featured at the end of episode #222 with Dark Mountain co-founder Dougald Hine (http://bit.ly/LBWhine). Learn more about Tao Orion’s book: http://bit.ly/2DE8WFA Learn more about Dr. Khalil Avi and his work: https://khalilavi.org WEBSITE: https://www.lastborninthewilderness.com PATREON: https://www.patreon.com/lastborninthewilderness DONATE: https://www.paypal.me/lastbornpodcast DROP ME A LINE: Call (208) 918-2837 or http://bit.ly/LBWfiledrop EVERYTHING ELSE: https://linktr.ee/patterns.of.behavior

In March of 2011, three filmmakers disappeared in the Superstition Mountains of Arizona while documenting their search for the Lost Dutchman mine. Their bodies were never found... but their camera was.

Dougald Hine speaks with Joanna about: the genesis of the Dark Mountain project and the manifesto “Uncivilization”; facing the darkness about climate change and going beyond; recovering a sense of how to be a shelter to each other; facing the shadow of cultural poverty in our wealthy culture and finding a way home together; the everyday practice of hospitality and conviviality; the sacred emerging in a space that allows the articulation of darkness and despair; cultural rupture and prophetic words; the future begins at a shared table; imagination, politics and the unfinished struggle in our hearts; a hope that lies in the far side of despair; remembering the truth of initiation into adulthood as a culture. The post Finding A Way Home Together appeared first on Future Primitive Podcasts.

Twelve years to save the world. While we're squabbling about Brexit, climate scientists are reminding us that the existential threat of our day is global warming. This week’s report from the Intergovernmental Panel on Climate Change (IPCC) issues the most extensive warning yet on the risks of rising temperatures. According to its authors, keeping to the preferred target of 1.5C above pre-industrial levels will mean cutting carbon emissions by 45% by the year 2030. That will involve, they say, "rapid, far-reaching and unprecedented changes in all aspects of society". Decades of increasing prosperity, freedom and choice in the West have come at a cost. The rest of the world wants rapid growth too, but should they be allowed to have it? In a society that badly needs to learn the meaning of ‘delayed gratification’, how should we, as individuals, change our behaviour? When the priority is putting food on the table, many choose economic expedience over sustainability - it can be expensive to go green. Would it be right for the government to make us all greener by taxing or even banning log-burning stoves, gas-guzzling cars and cheap air travel? Many make the moral case for saving the planet on behalf of our grandchildren. But what of our moral obligation to those who don’t yet even exist? Is it morally dubious to put the theoretical interests of posterity before the real and immediate needs of poor people today? If climate change is the organising call of our age, how should we respond? Combative, provocative and engaging debate chaired by Michael Buerk. With Shiv Malik, Anne McElvoy, Tim Stanley and Giles Fraser. Witnesses: Leo Barasi, Author of “The Climate Majority: Apathy and Action in an Age of Nationalism”; Ross Clark, Journalist, author and political commentator; Charlotte Du Cann, Core member of the Dark Mountain project; and George Monbiot, Journalist, columnist and campaigner. Producer: Dan Tierney

Welcome to episode 9 of the BowhuntingAZ podcast!   In this episode I sit down with my friend Richy Sanderson of BCC Archery Pro Shop and talk bow maintenance. We had spent the weekend out at a 3D Shoot by Full Draw Bowhunters. The shoot took place at Mormon lake just outside of Flagstaff, Arizona.   During our time out there it rained back and forth from a steady sprinkle to a temporary downpour. I absolutely loved shooting in the rain and if given the chance I would recommend that everyone should experience it at least once. The more prepared you are in practice the more prepared you'll be on a hunt, should something like this occur.   We touch briefly on the new 2018 PSE Evolve 28 and how amazing this bow is. I hope you're able to walk away with some great knowledge about bow maintenance from this episode. If you need any of the items that richy talked about feel free to visit his shop or call him at 623-696-6310.   Make sure to follow BowhuntingAZ on Instagram & Facebook! And please make sure to hit subscribe and leave us a 5 star review. In the meantime, God bless and we'll see you in the next episode!   https://www.instagram.com/bowhuntingaz/   https://www.facebook.com/bowhuntingaz/   Don't forget to show your support for BowhuntingAZ & our troops by purchasing apparel! For the month of July, 20% of ALL apparel purchases will be donated to the “Healing Warriors” program out at Wind River Ranch. In episode 5 of the BowhuntingAZ podcast I interview Adam Long who runs this amazing program. Healing Warriors helps our troops recover from PTSD and other afflictions as they return home from combat or injuries and integrate back into daily civilian life. Lets support our troops!   http://bowhuntingaz.com/store/   Don't forget about the upcoming 3D events! Lord willing we will get some rain and be able to go still! There is also a FREE elk seminar on Tuesday, July 17 hosted by Christian Hunters of America. Make sure you take the opportunity to gain more knowledge!   Looking for a SOLID pre workout product? I cant recommend Dark Mountain's Kodiak enough! Get a FREE shaker cup + 4 pre workout packets for FREE. Click the link below and at checkout enter code “MYFREESAMPLE”. Check out my Instagram feed for my review on it! Two thumbs up!   https://darkmountain.com/collections/supplements/products/kodiak-pre-4-pack-with-shaker

In our first episode from Season 2 of “He-Man,” the Sorceress takes He-Man and his new robotic horse on a road trip to Dark Mountain, where they plan to square off against an inter-dimensional sorcerer who looks exactly like Alan Moore. While they wait for Morgoth the Sorcerer to appear, Sorceress regales He-Man with a […] The post Episode 44: Origin of the Sorceress appeared first on The Wizard's Nightshirt Podcast.

Progress! Economic growth! Affluence! Forget about it—at least while basic laws of science are in effect. I talk with Tom Wessels, ecologist, professor, and one of New England's clearest environmental voices. We focus on Tom's gem of a book, The Myth of Progress: Toward a Sustainable Future. In it he explains how any economy focusing on economic growth (which differs from economic development) conflicts with basic scientific laws. And that never ends well. Here's the deal: Life on Earth isn't linear. It's much more interesting, dynamic, and creative. Most aspects of our lives—the biotic world we live in, our weather, bodies, communities, economies, our political structures—are complex systems. They can't be understood through the linear, reductionist thinking that has held sway for several hundred years. Damn you, Descartes! Tom Wessels has a knack for explaining simply and clearly where our daily lives meet scientific laws. Once we can see systems, relationships, and emergence as how the planet rolls, we might be able to build living economies that thrive within living ecosystems. We talk about how, on a finite planet, "economic growth" is a dangerous fantasy (particularly addictive to politicians), how to improve our relations with natural systems, and: How complex systems work—and how they can thrive How linear systems work Where these ideas have been the past several hundred years How positive feedback loops can bite us in not-so-positive places How corporate mergers and free trade defy the 2nd Law of Thermodynamics—BAD! How a return to "ancient values" can bring us back to what matters ...And we're greeted by the sight of a doe and her tiny fawn enjoying a romp in the field outside the window. Tom Wessels is a terrestrial ecologist and professor emeritus at Antioch University New England where he founded the master's degree program in Conservation Biology. Tom has conducted ecology and sustainability workshops through out the United States for over three decades and is the author of six books, including Reading the Forested Landscape, The Myth of Progress, with his latest being Granite, Fire, and Fog: The Natural and Cultural History of Acadia. Want more on complexity and systems thinking? The late, great Donella Meadows wrote Thinking in Systems. And while we're talking books, my comrades at the Dark Mountain Project in the UK have just published Walking On Lava, Selected Works for Uncivilised Times. I'm really honored to have my work included. Essays, stories, and art from Dark Mountain's first ten years take a slant look at our critical age. Included is the original Dark Mountain Manifesto, which says it all...

Low Tech Podcast, No. 13 – 20 Jan 2017 The Dark Mountain and its influence on the institute. https://lowtechinstitute.wordpress.com/ … More Low Tech Podcast, No. 13 — Dark Mountain

Low Tech Podcast, No. 13 – 20 Jan 2017 The Dark Mountain and its influence on the institute. https://lowtechinstitute.wordpress.com/ … More Low Tech Podcast, No. 13 — Dark Mountain

This is the third in a trilogy of sermons that Michael Dowd delivered at Peoples Church Unitarian, Ludington Michigan, during the summer of 2015. (The other two sermons are posted as episodes 52 and 53 in this podcast series.) You can also view this sermon on youtube in video format.

“The end of the world as we know it is not the end of the world full stop,” says Dougald Hine, speaking from Sweden via Skype.  Dougald, named by The Guardian as one of Britain’s fifty new radicals,  is best known for … View full post →

When Professor Kate sneaks away to the Dark Mountain in the middle of the night, siblings Pirie and Henry can't resist following their mysterious teacher. Using Pirie's shapeshifting abilities and Henry's invisibility powers, they venture into the mountain's dangerous cave system where they encounter a group of unusual goblins who warn them about the cave trolls. But something strange is happening underground - the supposedly friendly trolls now have glowing red eyes and are attacking without warning! What secret is Professor Kate hiding in these caves? Join the magical adventure as Pirie and Henry navigate treacherous tunnels, form unlikely goblin alliances, and uncover a mystery that could threaten The Academy itself. Perfect for kids who love magic schools, fantasy adventures, and stories about siblings working together to solve mysteries!Advertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

When Pirie and Henry discover that the cave trolls' glowing red eyes might be connected to ancient banned magic, they recruit their friends Lucy and Holly to help investigate. The children learn that Professor Kate's midnight trips to the Dark Mountain may be part of a larger plot involving The Academy itself. With help from their goblin allies and the purple dragon Hamish, they race to uncover the truth about the mysterious crystals before it's too late. Perfect for kids who love magical adventures, friendship stories, and thrilling mysteries!Advertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy