Podcasts about cbs films

Episode Notes S6E4 -- Join us as we dive into the mind of legendary actor James DuMont. He'll tell us tales from Deepwater Horizon to American Sports Story and much much more.. Noted for his finely crafted and nuanced performances, actor James DuMont is one of the busiest actors in both film and television. DuMont just wrapped his 74th & 75th Feature Film, Amazon's Candy Cane Lane with Eddie Murphy & Unit 234, opposite Don Johnson. James plays "Chad" on HBO's The Righteous Gemstones opposite creator & star, Danny McBride, which is going into its 4th Season in 2024. His 70th performance on television was CBS' FBI. CHECK OUT Ben & Jeff's newest animation and past LIVE episodes at https://redcoraluniverse.com/the-misadventures-of-tobi-duke1 https://redcoraluniverse.com/en/ HELPFUL LINKS: VETERANS: https://www.va.gov/.../mental-health/suicide-prevention/ https://www.veteranscrisisline.net/ https://homebase.org/programs/get-care/ ADDICTION: https://lp.recoverycentersofamerica.com/.../continuum-of.../ https://www.refreshrecoverycenters.com/reclaim-your-life.../ https://drughelpline.org/ Due you know someone that has lost their lives due to addiction? Or even someone that has made a full recovery? Reach out to Johnny Whitaker so they can help to celebrate the lives lost/ lives recovered at overdoseawareness0831@gmail.com NEWS FLASH: You can now purchase Toking with the Dead full novel here https://a.co/d/7uypgZo https://www.barnesandnoble.com/.../toking.../1143414656... OR Show your support by purchasing FB stars. Send stars to the stars fb.com/stars Follow our guest https://www.imdb.com/name/nm0003069/ https://www.instagram.com/jamesdumont/?hl=en https://twitter.com/jameskdumont?lang=en https://www.linkedin.com/in/james-dumont-8ab93b3 https://www.facebook.com/profile.php?id=100067672895074... Toking with the Dead: https://www.stilltoking.com/ https://www.facebook.com/TokingwiththeDead?tn=-]C-R https://www.instagram.com/stilltokingwith/?hl=en https://twitter.com/thetoking?lang=en https://pinecast.com/feed/still-toking-with Check out Toking with the Dead Episode 1 https://www.youtube.com/watch?v=awhL5FyW_j4 Check out Toking with the Dead Episode 2 https://www.youtube.com/watch?v=SaUai58ua6o Buy awesome Merchandise! https://www.stilltoking.com/toking-with-the-dead-train https://teespring.com/stores/still-toking-with Our booking agent: https://www.facebook.com/AmyMakepeace https://www.facebook.com/groups/3770117099673924 Sponsorship Opportunities: https://www.stilltoking.com/become-a-sponsor or email us at bartlett52108@gmail.com thetokingdead@gmail.com ————————————— Follow Still Toking With and their friends! https://smartpa.ge/5zv1 https://thedorkeningpodcastnetwork.com/ ————————————— Produced by Leo Pond and The Dorkening Podcast Network https://TheDorkening.com Facebook.com/TheDorkening Youtube.com/TheDorkening Twitter.com/TheDorkening MORE ABOUT THE GUEST: James is best known for Focus Features' Dallas Buyers Club opposite Oscar winner, Jared Leto where he played his father. Mr. DuMont has amassed a glowing array of memorable characters in both film & television such as Track Suit Charle in the Netflix feature Spenser Confidential which was watched by over 75 Million households & is James' 3rd collaboration is both Director, Peter Berg & Mark Wahlberg having worked with them on CBS Films' Patriots Day and Lionsgates' Deepwater Horizon. Sheriff Charnitski in the Apple TV Series Black Bird & Recurring as Randy Finch in the Showtime series City On A Hill. James has added to his growing gallery of historical characters on film most recently with Senator McClellan on Apple TV's The Banker starring Samuel L. Jackson & Anthony Mackie, J. Parnell Thomas in Trumbo opposite Oscar nominee, Bryan Cranston & Sherman Adams opposite the late Oscar winner, Robin Williams' in Lee Daniels' The Butler. Recent Mini Series work include the 2022 Golden Globe winner Amazons' The Underground Railroad from Oscar winning director, Barry Jenkins. Mr. DuMont has had recurring role on NBC's Law & Order: True Crime: The Menendez Murders & the F/X series American Horror Story-Freak Show & Coven & the Lifetime/History Channels' Bonnie and Clyde. His most recent guest star roles on television include CBS' Magnum PI & The Good Fight, NBC's Timeless, Netflix cult hit Stranger Things, Fox series 24: Legacy and CBS' CSI: New Orleans. James' recent film work includes Disney+'s Safety, Sony Classic Pictures Hank Williams bio-pic I Saw The Light & Universals' blockbuster Jurassic World & James Brown bio-pic Get On Up, TriStar Pictures' When The Game Stands Tall & indie features The Hammer, Landline & Catch Hell starring Ryan Phillippe, which is also his directorial debut. See less Find out more at https://still-toking-with.pinecast.co Send us your feedback online: https://pinecast.com/feedback/still-toking-with/d5bd9522-d9bb-45e5-9930-427ec97b2fe5

SCOTT SHOOMAN, Head of AMC Networks Film Group, leads acquisitions, development, production and theatrical distribution for IFC Films, RLJE Films and the Shudder streamer. As senior vice president of acquisitions and production for IFC Films, he acquired some 30 movies a year. Senior executive positions include Endeavor Content, CBS Films, Sony Pictures' Screen Gems and Sony Pictures Worldwide Acquisition Group. Career highlights: THE SQUID AND THE WHALE, INSIDIOUS, HELL OR HIGH WATER, SKINCARE, and appearing on Variety's New Power of New York List 2024.   Host Jason E. Squire is Editor of The Movie Business Book and Professor Emeritus, USC School of Cinematic Arts. Music: “The Day it All Began and it All Ended” by Pawel Feszczuk (License: CC by 4.0).

         Terry Press recently joined Amblin Partners in the newly created role of President of Strategy and Communications. Terry oversees the execution of all elements of marketing, publicity, consumer products, and communication for the film and television divisions of Amblin Partners and Steven Spielberg, who said of Terry, “Since the earliest days of DreamWorks, Terry has been a vital part of our DNA, championing our films with her marketing expertise and passion for film. Her reputation in the industry for excellence is well known and we have a long-shared history of great experiences together.”           Terry also continues in her role as a consultant at Turner Classic Movies, where Steven Spielberg, Martin Scorsese and Paul Thomas Anderson advise the channel. Recent movies that Terry has worked on with Mr. Spielberg include: The Fabelmans, West Side Story, Lincoln, The Post, and Amblin/Universal's award-winning 1917.            Previously, Terry was President of CBS Films, where she oversaw the production, marketing, and distribution of such titles as: The Woman in Black, The Duff, Last Vegas, Hell or High Water, At Eternity's Gate, Salmon Fishing in the Yemen, the Coen Brothers' Inside Llewyn Davis, and Ron Howard's documentary, Pavarotti.            Prior to forming the branding, publicity, strategy, and media and digital positioning company, 7570, Inc., Terry served for ten years as the Head of Marketing for DreamWorks SKG where she oversaw the campaigns for all live-action and animated features, including Saving Private Ryan, American Beauty, Gladiator, A Beautiful Mind, and Shrek, which won the first Oscar for Best Animated Feature.            Terry began her career with a nine-year stint at the Walt Disney Company and Walt Disney Studios.For several years, she taught marketing at UCLA (which is her alma mater, and for the record, mine, too). Recently, alongside Scott Feinberg, Terry was a guest instructor at Chapman University, Dodge College.Terry also happens to be married to a favorite StoryBeat guest, the brilliant writer, and photographer, Andy Marx.

Director/screenwriter Jace Anderson most recently directed her first feature film, The Long Game, which premiered at the Santa Barbara International Film Festival in February 2024. Based on a short story by New York Times-bestselling author Janet Fitch, the film stars Kathleen Turner, Jackie Earle Haley and newcomer Sekai Abeni. It is a “femme fatale origin story,” a contemporary neo-noir that tells the tale of young actress Holly Sloan and her entanglements with failed con man Richard Metzger and faded superstar Mariah McKay.Together with her husband/co-writer Adam Gierasch, she has written numerous projects in both the studio and indie realms and for companies such as Fox, The Disney Channel, Lakeshore Entertainment and CBS Films. Mentored early in their career by legendary horror director Tobe Hooper, the duo has also worked with Clive Barker and Dario Argento. Sixteen of their scripts have been made into feature films. Recent projects include the Saturn Award-winning “Tales of Halloween,” for which Gierasch directed and Anderson produced a segment. Gierasch has directed many of the duo's scripts, and recently directed the film “Spaghetti.”Anderson graduated magna cum laude from Harvard University, where her senior thesis, “Re- Writing Race: Subverting Language in Anne Moody's Coming of Age in Mississippi and Alice Walker's Meridian” was published in the academic journal a/b: autobiography studies. Before becoming a screenwriter she worked as an HIV test counselor/educator with homeless/runaway and incarcerated youth in Los Angeles and studied social work at the University of Southern California. She lives in the mountains outside of Los Angeles with her husband and two neurotic rescue mutts.

 Kevin is joined by award-winning entertainment marketing executive and former CBS Films President, Terry PressTerry Press has held top marketing positions at studios like Disney, DreamWorks, and CBS Films. She's known for her brilliant campaigns for films like American Beauty, Gladiator, Shrek, and many more. In this conversation, we get an insider's peek at Terry's approach to movie marketing and what makes a film truly resonate with audiences. We also hear fun behind-the-scenes stories about working with talents like Steven Spielberg, Sam Mendes, and David Fincher.Early Years and Love of Old Hollywood (2:47) Terry shares how her love of classic Hollywood films was fostered by her parents at a young age. Emotional Storytelling and The Sound of Music (9:07) She explains why movies like The Sound of Music and American Beauty were so successful - they touched on universal human emotions and experiences. Behind the Scenes of Testing American Beauty (18:43) We get behind-the-scenes insight into testing American Beauty and why Terry knew it would connect despite mediocre audience testing scores. Marketing Gladiator to Appeal to Women (22:05) Terry explains how she strategized marketing Gladiator and its appeal to women based on the protagonist's family tragedy. Handling Creative Conflicts (25:46) Terry comments about periodic conflicting ideas between filmmakers and studio marketing executives regarding the creation of movie trailers.   Candid Takes on Industry Legends (38:10)Terry gives her candid, rapid-fire takes on industry legends like Steven Spielberg, Sam Mendes, Jeffrey Katzenberg, and more. Shyness Behind a Tough Exterior (50:07) In a vulnerable moment, Terry reveals most don't know she's quite shy, despite her perceived tough exterior.Tune in for a fascinating conversation as Terry Press provides wisdom from film marketing insights to stories about Hollywood legends to her unique personal perspective. Terry is driven by a genuine passion for great movies and storytelling, and she understands how to craft campaigns that don't just sell films but reveal their deeper essence and meaning. It's no wonder Terry is so respected by giants like Spielberg and Katzenberg. Her marketing mastery, authenticity, and humanity shine through in this chat. If you enjoyed this episode, please leave us a review or connect on social media. We look forward to bringing you more revelations from behind the scenes next time on Don't Kill the Messenger!Host: Kevin GoetzGuest: Terry PressProducer: Kari CampanoWriters: Kevin Goetz, Darlene Hayman, and Kari CampanoFor more information about Terry Press:LinkedIn: https://www.linkedin.com/in/terry-press/Twitter: https://twitter.com/reata1956IMDB: https://www.imdb.com/name/nm1437110/For more information about Kevin Goetz:Website: www.KevinGoetz360.comAudienceology Book: https://www.simonandschuster.com/books/Audience-ology/Kevin-Goetz/9781982186678Facebook, Twitter, Instagram: @KevinGoetz360Linked In @Kevin GoetzScreen Engine/ASI Website: www.ScreenEngineASI.com   

Kevin is joined by Amy Baer, veteran producer and studio executive, to discuss her multi-faceted Hollywood career.Amy Baer, Producer & Studio ExecutiveToday we have the pleasure of speaking with Amy Baer, a trailblazer in the entertainment industry. With a diverse background that includes work at major studios, heading an independent development fund, and producing, Amy's expertise is unparalleled. Her impressive track record speaks for itself, with films under her supervision and/or production grossing a staggering $2 billion worldwide. But that's not all, Amy is also a champion for women in the entertainment industry, serving as the board president of Women in Film and the head of Landline Pictures.The audience is all that matters (3:00)Kevin kicks off the podcast by delving into a topic that holds great significance to both him and Amy - the importance of knowing your audience. Amy talks about creating content, any content, and how important it is to know who you are creating that content for.Heading up CBS Films (6:02)Kevin asks Amy what it was like running CBS Films for four years and having the authority to green-light movies. Amy talks about her experience running the studio in a tumultuous time in the entertainment business during an actors' strike, a writers' strike, and an economic downturn. The pair discuss what a tremendous responsibility it is to make the decision to green-light a film and the business factors that go into making that decision.Landline Pictures and the importance of knowing your audience (17:22)Sticking with the theme of knowing an audience, Amy discusses her new production studio, Landline Pictures, where the focus is making movies for older audiences. Kevin talks about the importance of research, and Amy shares the amount of research that went into deciding to make films for this specific audience. Growing up with a famous father and making it on her own (23:22)Kevin asks Amy what it was like growing up with Happy Days' Tom Bosley as a father. Amy shares childhood memories of visiting the set of Happy Days and hanging out with her father's work friends including Ron Howard. The pair discuss nepotism in Hollywood and how Amy made it on her own. Advocating and fighting for women in the entertainment industry (35:55)With her extensive filmmaking experience, and as board president of Women in Film, Amy has a unique perspective on being a working woman in the entertainment industry. Amy discusses her early female mentors and successfully maintaining a work-life balance as a Hollywood executive. Amy stresses the importance of communication and community with other women as something that is needed in the industry.What's next for Amy Baer (43:39)Kevin asks Amy what she is currently working on, and what she is excited about. Amy discusses two new projects at Landline Pictures including Back Nine, a new film starring Renée Zellweger.Host: Kevin GoetzGuest: Amy BaerProducer:  Kari CampanoFor more information about Amy Baer:LinkedIn: https://www.linkedin.com/in/amybaergiddenmedia/Twitter: https://twitter.com/GiddenMediaMRC Film/Landline Pictures: https://www.mrcentertainment.com/newsroom/mrc-film-launches-landline-pictures-with-industry-veteran-amy-baerFor more information about Kevin Goetz:Website: www.KevinGoetz360.comAudienceology Book: https://www.simonandschuster.com/books/Audience-ology/Kevin-Goetz/9781982186678

With a huge fanbase and 16+ Million followers, multi-hyphenate Scott Adkins is a skilled actor and one of the best martial artists in the world. Mr. Adkins will soon be seen in the highly anticipated JOHN WICK: CHAPTER 4 on March 24, 2023 - where he will star alongside Keanu Reeves, and also be reuniting with former IP MAN co-star Donnie Yen. Scott currently stars alongside Jamie Foxx & Dave Franco in the Netflix hit DAY SHIFT, now streaming. On September 23rd, he will star in SECTION 8 opposite Mickey Rourke, Dolph Lundgren & Dermot Mulroney, followed by ACCIDENT MAN: HITMAN'S HOLIDAY on October 14th, which he also wrote & produced.Scott can also be seen in top projects such as Kathryn Bigelow's ZERO DARK 30 for Sony, AMERICAN ASSASSIN for CBS Films, the Marvel/Disney feature DOCTOR STRANGE, the comedic-spy thriller GRIMSBY for Paramount, THE EXPENDABLES 2, CRIMINAL, LEGACY OF LIES & SEIZED for Lionsgate, BOYKA: UNDISPUTED for Universal, AVENGEMENT, CASTLE FALLS opposite Dolph Lundgren, THE BOURNE ULTIMATUM opposite Matt Damon, THE WOLF WARRIOR, which grossed over $90 million USD in China alone, and ONE SHOT, opposite Ryan Phillippe.

With a huge fanbase and 16+ Million followers, multi-hyphenate Scott Adkins is a skilled actor and one of the best martial artists in the world. Mr. Adkins will soon be seen in the highly anticipated JOHN WICK: CHAPTER 4 on March 24, 2023 - where he will star alongside Keanu Reeves, and also be reuniting with former IP MAN co-star Donnie Yen. Scott currently stars alongside Jamie Foxx & Dave Franco in the Netflix hit DAY SHIFT, now streaming. On September 23rd, he will star in SECTION 8 opposite Mickey Rourke, Dolph Lundgren & Dermot Mulroney, followed by ACCIDENT MAN: HITMAN'S HOLIDAY on October 14th, which he also wrote & produced. Scott can also be seen in top projects such as Kathryn Bigelow's ZERO DARK 30 for Sony, AMERICAN ASSASSIN for CBS Films, the Marvel/Disney feature DOCTOR STRANGE, the comedic-spy thriller GRIMSBY for Paramount, THE EXPENDABLES 2, CRIMINAL, LEGACY OF LIES & SEIZED for Lionsgate, BOYKA: UNDISPUTED for Universal, AVENGEMENT, CASTLE FALLS opposite Dolph Lundgren, THE BOURNE ULTIMATUM opposite Matt Damon, THE WOLF WARRIOR, which grossed over $90 million USD in China alone, and ONE SHOT, opposite Ryan Phillippe.

With a huge fanbase and 16+ Million followers, multi-hyphenate Scott Adkins is a skilled actor and one of the best martial artists in the world. Mr. Adkins will soon be seen in the highly anticipated JOHN WICK: CHAPTER 4 on March 24, 2023 - where he will star alongside Keanu Reeves, and also be reuniting with former IP MAN co-star Donnie Yen. Scott currently stars alongside Jamie Foxx & Dave Franco in the Netflix hit DAY SHIFT, now streaming. On September 23rd, he will star in SECTION 8 opposite Mickey Rourke, Dolph Lundgren & Dermot Mulroney, followed by ACCIDENT MAN: HITMAN'S HOLIDAY on October 14th, which he also wrote & produced. Scott can also be seen in top projects such as Kathryn Bigelow's ZERO DARK 30 for Sony, AMERICAN ASSASSIN for CBS Films, the Marvel/Disney feature DOCTOR STRANGE, the comedic-spy thriller GRIMSBY for Paramount, THE EXPENDABLES 2, CRIMINAL, LEGACY OF LIES & SEIZED for Lionsgate, BOYKA: UNDISPUTED for Universal, AVENGEMENT, CASTLE FALLS opposite Dolph Lundgren, THE BOURNE ULTIMATUM opposite Matt Damon, THE WOLF WARRIOR, which grossed over $90 million USD in China alone, and ONE SHOT, opposite Ryan Phillippe.

ABOUT SCOTT ADKINSWith a huge fanbase and 16+ Million followers, multi-hyphenate Scott Adkins is a skilled actor and one of the best martial artists in the world. Mr. Adkins will soon be seen in the highly anticipated JOHN WICK: CHAPTER 4 on March 24, 2023 - where he will star alongside Keanu Reeves, and also be reuniting with former IP MAN co-star Donnie Yen. Scott currently stars alongside Jamie Foxx & Dave Franco in the Netflix hit DAY SHIFT, now streaming. On September 23rd, he will star in SECTION 8 opposite Mickey Rourke, Dolph Lundgren & Dermot Mulroney, followed by ACCIDENT MAN: HITMAN'S HOLIDAY on October 14th, which he also wrote & produced.Scott can also be seen in top projects such as Kathryn Bigelow's ZERO DARK 30 for Sony, AMERICAN ASSASSIN for CBS Films, the Marvel/Disney feature DOCTOR STRANGE, the comedic-spy thriller GRIMSBY for Paramount, THE EXPENDABLES 2, CRIMINAL, LEGACY OF LIES & SEIZED for Lionsgate, BOYKA: UNDISPUTED for Universal, AVENGEMENT, CASTLE FALLS opposite Dolph Lundgren, THE BOURNE ULTIMATUM opposite Matt Damon, THE WOLF WARRIOR, which grossed over $90 million USD in China alone, and ONE SHOT, opposite Ryan Phillippe.TRAINER FOR ACCIDENT MAN: HiTMAN'S HOLIDAY:https://www.youtube.com/watch?v=lO005og3_l4TRAINER FOR DAY SHIFThttps://www.youtube.com/watch?v=GN_IwBptKi4ARTICLE FROM VULTURE.COM ON SCOTT ADKINSFamiliarity is more of a feature than a bug for Netflix, so it's not surprising that Day Shift, which topped the streaming service's charts after its August 12 release, is a lot like other movies you might have already seen. It's about a Black vampire hunter named Bud Jablonski (Jamie Foxx) who's human, but his gruffness and gifts for hand-to-hand conflict mean he comes across as Blade's down-on-his-luck SoCal cousin. Bud has a complicated history with the vampire-hunters union, the headquarters of which is a strip-mall answer to the hotel in the John Wicks, with its rules, bureaucracy, and fondness for retro technology. The antagonist he faces down, Audrey (Karla Souza), is overseeing a luxury development in the San Fernando Valley, bent on vampire rule via gentrification - a plan shared by the undead villains in Netflix's own 2020 Vampires vs. the Bronx. But there is an element that distinguishes Day Shift from any offering of the week, which is that it features a few genuinely pleasurable fight sequences. Some feature contortionists in ghoulish makeup who bend their limbs in eye-watering ways. The best involve Scott Adkins, a Birmingham-born martial artist and actor whose presence in Day Shift serves as an action shibboleth, a nod to the fact that first-time director J.J. Perry is a working stunt coordinator himself.Adkins is not famous, not in the way that his scene partner Steve Howey might be considered to be after long stints on Reba and Shameless. His most visible role to date is one most people didn't even know he played, taking over for Ryan Reynolds in the final act of X-Men Origins: Wolverine to play a not-quite-Deadpool with prosthetics over his face to make it look like his mouth was sewn shut. But he and Howey, cast as renowned vampire-hunting Armenian brothers who disguise themselves as stereo repairmen, roll up in Day Shift in the kind of entrance that suggests the audience is familiar with the actors being introduced. And a certain kind of geek absolutely will be. While Adkins has been inching toward the mainstream - he'll play a role in the upcoming John Wick: Chapter 4 - the fandom he's built up so far has come from his work in Asia and a slew of effective, bruising features that have mostly bypassed theaters. He's a deity of the direct-to-video realm, proving again and again that you don't need big budgets or a few hundred overworked VFX artists at your beck and call when you're capable of providing the spectacle yourself.Adkins isn't a bad actor, though it's his astonishing physical prowess that sets him apart. In 2006'sUndisputed 2: Last Man Standing, he does a somersaulting kick into a flying roundhouse, flat-out video-game sh*t that director Isaac Florentine captures in full and in slow motion so you can appreciate that it's being done in real life. Adkins is best at rough-and-tumble antiheroes and charismatic villains - he's incapable of playing a character who has not at some point in his life snapped someone's arm in two. He was the antagonist in Undisputed 2, his breakthrough, a sequel to the 2002 Wesley Snipes boxing movie that featured none of the original cast and that was improbably great anyway. Michael Jai White was the star, but Adkins stole the show, and subsequent sequels followed his character, a sadistic MMA specialist named Yuri Boyka whose dominance in the prison's underground fight scene has secured him a measure of status behind bars, on a bloody quest for redemption and meaning.Adkins has made eight movies with Florentine and seven with another direct-to-video martial-arts specialist - Jesse V. Johnson, a fellow Brit whose collaborations with Adkins have a low-rent bluntness that's impossible to dislike. Johnson cast Adkins as a down-on-his-luck dojo owner who takes on a job enforcing loans for a mob boss in 2018's The Debt Collector, an excuse for a half-dozen comedic skirmishes with bodyguards and one good enough to fuel a sequel two years later. But it's the 2019 Avengement (a real word, even if it doesn't sound like one) that's Johnson's magnum opus, with Adkins playing a character out for revenge against the gangster brother who betrayed him, weathering countless prison beatings in flashbacks that seem to just burnish his brutal patina. Johnson, like J.J. Perry, has a background in stunt work, a career path that isn't new but that's led to some of the more satisfying action set pieces in recent years - and not just in the direct-to-video market.Perry did stunts on the first two John Wick films, which came from stuntmen turned bigshot Hollywood filmmakers David Leitch and Chad Stahelski. Netflix's previous gritty action hit Extraction was the directorial debut of stunt coordinator Sam Hargrave, who in addition to Marvel movies worked on Leitch's Atomic Blonde and the aforementioned, misbegotten X-Men Origins: Wolverine. Stunt work is obviously a small world, but there's a reliable tangibility to the fight scenes in these movies that's often missing in bigger blockbusters, where everything has become possible and very little of it looks real. In Day Shift, Adkins and Howey join Jamie Foxx and Dave Franco to invade a suburban house that turns out to be home to a vampire hive. While Foxx shoots up bloodsuckers exploding out of the drywall, Adkins stakes vamps in the kitchen, beheads them with a sword, and fences with a bendy lady who wields knives with her feet. Then, in a move that is pure, joyous excess, he reveals blades hidden in his boots and does a twirling kick through the air for no other reason than that it looks cool. It turns out, there's still value to that - to not just being an actor who trains enough to be able to navigate fight scenes with the help of doubles and camera angles, but to be a performer who's able to do something that seems impossible, and who can also act.

Growing up around the film business,  Amy Baer always loved movies and reading.  Unsure of what she wanted to do professionally, Amy was certain of one thing.  Whatever she chose to do post-college, it had to be something that she really cared about and that excited her as opposed to what she thought she should or shouldn't be doing.  Following her instincts and staying authentic to herself, Amy has navigated a successful, joyful and creative career.  Amy currently serves as President of Landline Pictures, a label within MRC Film (KNIVES OUT) that makes feature films about and for a 50+ audience. Launched in 2020, its first movie, JERRY & MARGE GO LARGE,  starring Bryan Cranston and Annette Bening, was released by Paramount+ on 6/17/22. Prior to Landline, Amy raised a 7-figure development fund in 2012 and launched Gidden Media, one of the industry's only female-led, independently financed content incubation companies. Her first film as a producer was the 2013 hit LAST VEGAS (starring Michael Douglas, Robert DeNiro, Morgan Freeman and Kevin Kline) which grossed $136MM worldwide. She also produced the 2017 romantic drama MARY SHELLEY and the 2019 inspirational true story BRIAN BANKS.  Prior to that, Amy  served as President & CEO of CBS Films (2007-2011), and spent the previous 17 years at Sony Pictures Entertainment, where she oversaw such hit films as MY BEST FRIEND'S WEDDING (1997), the Oscar-nominated ADAPTATION (2001), S.W.A.T. (2002), SOMETHING'S GOTTA GIVE (2003), and the 2006 holiday hit, THE HOLIDAY. Amy also developed the 2011 Oscar-nominated Sony hit MONEYBALL, starring Brad Pitt. She began her career at Creative Artists Agency in 1988 as an assistant to the late Jay Moloney. Amy  has served as Board President of Women in Film since June 2018. What You Will Hear in This Episode:  Amy's personal story Trusting your instinct Becoming a book reader at CAA Learning to be a studio executive Developing a script My Best Friend's Wedding Balancing executive life and motherhood Starting a new studio Taking time off and rediscovering her why The differences between being a buyer vs a seller  Gen X and making movies for an older audience Being authentic and staying grounded Quotes “I've always been able to access theme and emotion as a way of advocating material.” “The only way to understand good writing is to read good writing and, and to do that, you have to constantly be reading.” “I was extremely lucky that I was surrounded by senior women who had children and were empathetic to the balance.” “I had to deal with the notion that even though I didn't want that job, I was never really in consideration for it because I was having kids and I had to reconcile that reality.” “Launching my own business was the first time in my career that I felt like a grownup because the agenda was mine.” “Gen X are aging in a way that's very much more dynamic than earlier generations.” “A lot of times when you launch a new venture, part of your success early in your lifecycle is luck, literally. “ “If I was someone that always took an opportunity to make a buck, I would probably have a lot more money, but I may not be as happy or as content.” Mentioned: Landline Pictures MRC https://bonniemarcusleadership.com/ https://web.facebook.com/bonnie.marcus/  https://www.linkedin.com/in/bonniemarcus https://twitter.com/selfpromote https://www.instagram.com/self_promote_/ Gendered Ageism Survey Results Forbes article 5 Tips to own the superpower of your age IAMMusicGroup Purchase my book Not Done Yet on Amazon:  If you enjoyed this episode of Badass Women Podcast, then make sure to subscribe to the podcast and drop us a five-star review.

Amy Baer currently serves as President of Landline Pictures, a label within MRC Film that makes feature films about and for the 50+ audience. Launched in 2020, their  first movie, JERRY & MARGE GO LARGE, directed by David Frankel, who did MARLEY & ME, is streaming now on Paramount+.  Starring Bryan Cranston and Annette Bening, the film is based on the true story of a married couple who used a loophole in the Massachusetts State Lottery to win $27 million. I watched it with my dad a few weeks ago and it's incredibly fun and heartwarming. While Amy grew up in a showbiz family, she still had to carve her own path. One thing was certain: she did not want to be an actor. During her stint at CAA in 1988 as an assistant to the late Jay Moloney, she discovered the studio executive route. She eventually became President & CEO of CBS Films. She also spent 17 years at Sony Pictures Entertainment, where she oversaw impressive films such as: MY BEST FRIEND'S WEDDING (1997) ADAPTATION (2001) S.W.A.T. (2002) SOMETHING'S GOTTA GIVE (2003) THE HOLIDAY (2006) MONEYBALL (2011) Amy's entrepreneurial spirit led her to raise seven figure development fund and launch Gidden Media, one of the industry's only female-led, independently financed content incubation companies.  Her first film as a producer was the 2013 hit LAST VEGAS, starring Michael Douglas, Robert DeNiro, Morgan Freeman and Kevin Kline, which grossed $136MM worldwide.  A devoted wife and mother of two, Amy has also found time to be Board President of Women in Film since June 2018. A few takeaways from our chat include: Soaking up as much as you can when you are in a job you dislike How leaving the studio system forced her to develop an entrepreneurial muscle And how to not take things personally

KAREN BALLARD is an award-winning photojournalist and local 600 motion picture still photographer based in Los Angeles. Entertainment clients include Warner Bros, Universal, Sony, Paramount, Netflix, CBS Films, Amazon, The Walt Disney Company, Lionsgate, HBO, and ABC Television. Editorial clients have included Time, Newsweek, U.S. News & World Report, Paris Match, The New York Times Sunday Magazine, The Washington Post Sunday Magazine, and The Los Angeles Times among others. Prior to moving to Los Angeles, Karen was based in Washington, DC, for 16 years, an accomplished photojournalist she covered major news stories at The White House, on Capitol Hill, the Middle East, and Haiti. In 2002 Ballard was embedded with the 101st Airborne in Kandahar, Afghanistan and the Persian Gulf for the ABC series "Profiles from the Frontlines" a Jerry Bruckheimer/Bertram Van Munster Production. Karen is a full-time member of the Society of Motion Picture Still Photographers. Websites Karen Ballard Carol Guzy Sam Abell Sponsors Charcoal Book Club Chris Suspect Day of the Dead Workshop Education Resources: Momenta Photographic Workshops Candid Frame Resources Download the free Candid Frame app for your favorite smart device. Click here to download it for . Click here to download Support the work we do at The Candid Frame by contributing to our Patreon effort.  You can do this by visiting or visiting the website and clicking on the Patreon button. You can also provide a one-time donation via . You can follow Ibarionex on and .

Hi podcast listeners, I'm Barbara Morgan and you're listening to Austin Film Festival's On Story. This week on On Story we're joined by screenwriting duo Mikki Daughtry and Tobias Iaconis discussing their journey writing films such as Five Feet Below, and the recent Netflix adaptation of the J.A. White fantasy-horror novel, Nightbooks. Mikki Daughtry is a screenwriter and young adult fiction author. She is best known for writing, along with writing partner Tobias Iaconis, the films The Curse of La Llorona, Five Feet Apart, and Netflix's Nightbooks.    Tobias Iaconis is also a screenwriter best known for his work with Daughtry, as well as 2009's Behind Enemy Lines: Columbia. In 2012 he partnered with Daughtry for an adaptation of the Jack Kilborn action-horror novel Afraid.  Moderator Harrison Glaser sat down with the pair to discuss their process at the Austin Film Festival. Clips of The Curse of La Llorona courtesy of Warner Brothers Pictures Clips of Five Feet Apart courtesy of CBS Films

SCOTT ADKINS, star of the new action movie ONE SHOT, hitting theaters November 5th.With a huge fanbase and 12+ Million followers, multi-hyphenate Scott Adkins is a skilled actor and one of the best martial artists in the world. Mr. Adkins will next be seen in ONE SHOT opposite Ryan Phillippe and Ashley Greene on November 5TH. Other upcoming films include his highly anticipated role in JOHN WICK: CHAPTER 4 opposite Keanu Reeves, CASTLE FALLS, the directorial debut of Dolph Lundgren, DAY SHIFT opposite Jamie Foxx, Karla Souza & Dave Franco.Last year, Scott starred alongside Donnie Yen in the latest installment of the hit Chinese Box office Franchise, IP MAN, which exceeded expectations by grossing more than Star Wars. Scott also starred alongside Wu Jing in the Chinese action film THE WOLF WARRIOR which grossed over $90 million USD in China alone.Scott can also be seen in top projects such as Kathryn Bigelow's ZERO DARK 30 for Sony, AMERICAN ASSASSIN for CBS Films, the Marvel/Disney feature DOCTOR STRANGE, the comedic-spy thriller GRIMSBY for Paramount, THE EXPENDABLES 2, CRIMINAL, LEGACY OF LIES & SEIZED for Lionsgate, DEAD RECKONING opposite K.J. Alpha, THE BOURNE ULTIMATUM, among many others.ABOUT ONE SHOT, IN THEATERS AND ON DEMAND NOVEMBER 5thWhile one-shot films are not a new concept, the first being Hitchcock's Rope (1948), the technique has had a renaissance in recent years, most notably with Oscar Award Winning 1917. Films shot to look as if they are done in one consecutive shot are difficult to film, but films shot in one shot and in real time are a whole other ball game. ONE SHOT uses this technique to create an action film like no other. As you watch the film you are barreling through the twists, turns and explosions right alongside the characters. This experimental film is raw, riveting and a new addition to an ever growing genre of one shot films.The film is directed by James Nunn (Jetski, Tower Block), written by: Jamie Russell and starring Scott Adkins (Ip Man 4, Triple Threat), Ashley Greene Khoury (The Twilight Saga, Bombshell) and Ryan Phillippe (Shooter, Crash).SYNOPSIS: In an effort to prevent a terrorist attack on Washington D.C., an elite squad of Navy SEALs led by Lt. Blake Harris (Scott Adkins) and a junior CIA analyst Zoe Anderson (Ashley Greene) must retrieve a prisoner from a CIA black site island prison. Tensions flare as Deputy Site Manager Tom Shields (Ryan Phillippe) refuses to release the suspected terrorist based solely on Anderson's intel, but when the base comes under attack by waves of insurgents they must band together to complete the mission.Screen Media will release ONE SHOT in theaters and on demand on November 5th, 2021.Here's the trailer:https://www.youtube.com/watch?v=FODkoNg_j9I

Get more at podsematary.com! Read our afterthoughts for this episode at https://twitter.com/PodSematary/status/1406727190180294656 CW: Suicide, Bullying It's Scary Story Week on Pod Sematary! Chris & Kelsey tell a bunch of unrelated scary stories and might have been dead THE ENTIRE TIME. The Classic Film: Campfire Tales (1997) "A group of teens entertain themselves by telling an anthology of famous urban legends with a modern twist; includes make-out-point, monsters, psychopaths, and ghosts” (IMDb.com). Campfire Tales is so forgettable, even the rights holders forgot to distribute it. The Modern Film: Scary Stories to Tell in the Dark (2019) "On Halloween 1968, Stella and her two friends meet a mysterious drifter, Ramón, and uncover a sinister notebook of stories” (CBS Films). Like the eponymous books, Scary Stories to Tell in the Dark is a legitimately creepy genre installment for all ages and interests. But does that mean it's good? Audio Sources: "The Beginning: Making Star Wars: Episode I The Phantom Menace" produced by Lucasfilm Ltd.  "Campfire Tales" (1997) produced by Campfire LLC, et al. "Pet Sematary" written by Dee Dee Ramone & Daniel Rey and performed by The Ramones "S&M Present" (Robot Chicken S01E09) produced by Stoopid Monkey, et al. "Scary Stories to Tell in the Dark" produced by CBS Films, et al. "Urban Legend" produced by Phoenix Pictures, et al. "Who Lives, Who Dies, Who Tells Your Story" (from the Original Broadway Cast Recording of "Hamilton") written by Lin-Manuel Miranda and performed by The Original Broadway Cast of Hamilton

Baruch was hired in 1943 as an engineer at Empire Broadcasting, and later as an ad salesman at New York's DuMont Network affiliate and with the Los Angeles Times's Consolidated Television Film Sales in the eastern United States.[1] In 1954, Baruch became an account executive for CBS Films. He later became vice president of CBS and general manager of CBS Enterprises, the company's cable and television syndication division. For Your Listening Pleasure all the radio shows available on The 'X' Zone Broadcast Network with our compliments, visit - https://www.spreaker.com/user/xzoneradiotv. The ‘X' Zone Broadcast Network Shows and Archives - https://www.spreaker.com/user/xzoneradiotv The ‘X' Zone TV Channel on SimulTV - for more information visit http://www.simultv.com The ‘X' Chronicles Newspaper - www.xchroniclesnewspaper.com

Baruch was hired in 1943 as an engineer at Empire Broadcasting, and later as an ad salesman at New York's DuMont Network affiliate and with the Los Angeles Times's Consolidated Television Film Sales in the eastern United States.[1]In 1954, Baruch became an account executive for CBS Films. He later became vice president of CBS and general manager of CBS Enterprises, the company's cable and television syndication division.For Your Listening Pleasure all the radio shows available on The 'X' Zone Broadcast Network with our compliments, visit - https://www.spreaker.com/user/xzoneradiotv.The ‘X' Zone Broadcast Network Shows and Archives - https://www.spreaker.com/user/xzoneradiotvThe ‘X' Zone TV Channel on SimulTV - for more information visit http://www.simultv.comThe ‘X' Chronicles Newspaper - www.xchroniclesnewspaper.com

Savage Road: A Thriller by Chris Hauty NATIONAL BESTSELLER Hayley Chill descends even deeper into the dangerous political web of Washington, DC, in this thrilling sequel to the “propulsive, page-turning, compelling” (C.J. Box, #1 New York Times bestselling author) national bestseller Deep State. When a series of devastating cyber attacks rock the United States, Hayley Chill is tasked by the “deeper state” to track down their source. NSA analysts insist that Moscow is the culprit, but that accusation brings plenty of complications with Hayley directing the president as a double agent against the Russians. With increasing pressure on the president to steer him towards a devastating war, it’s up to Hayley to stop the mysterious computer hacker and prevent World War III—while also uncovering some shocking truths about her own life. Magnificently crafted and superbly unpredictable, Savage Road is an edge-of-your-seat political thriller ideal for our times. Biography Chris Hauty was born in San Antonio, Texas, and is a graduate of Reed College. He began his professional writing career with “Don Coyote”, a contemporary interpretation of Cervantes’ “Don Quixote” with Jonathon Lynn attached to direct. Projects in the family film genre followed, including Disney’s “Homeward Bound: Lost In San Francisco”. To broaden and further define himself as a screenwriter, Hauty wrote the original screenplay, “Arena”, a dark, gladiator epic. Subsequent credits include “Moby Dick” at Dreamworks Animation, “Beautiful Killer” at Universal Pictures with Jessica Alba attached, “Land of Legend”, a Viking saga at Walden Media with Renny Harlin set to direct, “Vigilante” at Studio Canal with Ed Burns to star and direct, and “Colosseum” at Icon Pictures, with Mel Gibson to direct. He sold the pitch for “The Eternals”, a supernatural thriller set on a college campus, to CBS Films. Recent produced credits include “Never Back Down”, directed by Jeff Wadlow and starring Djimon Hounsou and “Sniper: Ghost Shooter” staring Billy Zane for Sony Pictures Entertainment. Hauty lives in Venice, California, with his feral cat and a Triumph motorcycle. Deep State is his first novel. Visit him at chrishauty.com and follow along on Instagram, Twitter at @ChrisHauty and on Facebook at @hautywriter.

Talking Mondo, the pop culture phenomenon that gives fans physical representations of their fandom through posters & vinyl records. Also a rundown of how Hollywood is working/or not working within the pandemic and the future of Hollywood production. Paul Hogan is a director, creative motion designer, and illustrator. He is a multi-disciplined director and creative who approaches everything with a visual mindset and a sense of wonder and humor. In this episode with Paul, he will share with us his story of how he began his career as a Graphic and Motion Designer. Paul also gained notoriety with self-produced “Fan Made” Movie trailers, which went viral and caught the attention of the press and movie studios and eventually landed him a job as a Director of Creative Production for an ad agency. Paul also spent the last few years creating and directing entertaining branded content for E! Online, CBS Films, Lionsgate, ANA Airlines, and Toyota. He has also directed network series for Fusion, TruTv, and Playboy.Quotes:“Necessity breeds invention” 27:37“This is capitalizing on the fact that we feel we literally need to own a piece of it” 37:54Links:Website: https://paulghogan.com/Instagram: @garrisondeanFollow the "Pop-Marketer" Joe Cox on Social MediaTwitter: @joenormalInstagram: @joecoxInstagram "The Pop-Marketer": @popmarketerLinkedIn: https://www.linkedin.com/in/jocoxMedium: @joenormalhttps://www.pop-marketer.com/

Talking Mondo, the pop culture phenomenon that gives fans physical representations of their fandom through posters & vinyl records. Also a rundown of how Hollywood is working/or not working within the pandemic and the future of Hollywood production. Paul Hogan is a director, creative motion designer, and illustrator. He is a multi-disciplined director and creative who approaches everything with a visual mindset and a sense of wonder and humor. In this episode with Paul, he will share with us his story of how he began his career as a Graphic and Motion Designer. Paul also gained notoriety with self-produced “Fan Made” Movie trailers, which went viral and caught the attention of the press and movie studios and eventually landed him a job as a Director of Creative Production for an ad agency. Paul also spent the last few years creating and directing entertaining branded content for E! Online, CBS Films, Lionsgate, ANA Airlines, and Toyota. He has also directed network series for Fusion, TruTv, and Playboy.Quotes:“Necessity breeds invention” 27:37“This is capitalizing on the fact that we feel we literally need to own a piece of it” 37:54Links:Website: https://paulghogan.com/Instagram: @garrisondeanFollow the "Pop-Marketer" Joe Cox on Social MediaTwitter: @joenormalInstagram: @joecoxInstagram "The Pop-Marketer": @popmarketerLinkedIn: https://www.linkedin.com/in/jocoxMedium: @joenormalhttps://www.pop-marketer.com/

Earlier this year Meagan Navarro (Bloody Disgusting), Zach D Roberts (ComicBook.com), and I got to visit the set of 'Hell Fest.' During this set visit, a lot of information was on hand that could be considered a spoiler: who dies, who survives, who the killer is, what weapons our villain uses, etc. If you’re like me, then spoilers take away all the fun from a horror flick. So, we’ve tailored this set visit to be quite spoiler-free. From the highway on this cold winter day, a particular seasonal water park appears to be alive. Lights are ablaze. Bodies are moving to and fro. Fog is building between the pine trees and the various rides. A telescoping boom lift can be seen slowly maneuvering the twisting walkways with its precious cargo of high-powered lighting rigs. Yes, there is life in this park, but not sparked by thrills seekers. The commotion is result of an ongoing film production from CBS Films! Gregory Plotkin, the director of ‘Paranormal Activity: The Ghost Dimension’ and the man responsible for editing 2017’s seminal masterpiece ‘Get Out’ helms the theme-parked slasher, ‘Hell Fest.’ Set amongst the tall pine trees, Plotkin and his team have disguised a cheery waterpark into a believable Halloween-themed event, where not all the scares are manufactured by ghastly props or masked employees.

After running the East Coast marketing division of Warner Bros. Pictures, Buckley co-founded Warner Bros. Online in 1996 and shortly after established WB's Interactive Marketing Division, which he headed through 2008. In 2009, he founded THA.i, a full service digital marketing agency, a division of Terry Hines & Associates, serving such clients, among others, as CBS Films, Warner Bros. Pictures, IMAX, Warner Bros. Interactive Entertainment, Universal Studios, Millennium Media, Showtime and Warner Home Video. He lives on Manhattan's Upper West Side, Stanley Kubrick's old neighborhood. His collaborations with Kubrick include 'The Shining', 'Full Metal Jacket' and 'Eyes Wide Shut'. Support this podcast

Released: 9 August 2019 (USA) Director: André Øvredal Adapted from the book series Scary Stories to Tell in the Dark Production companies: Entertainment One, CBS Films, Sean Daniel Company Screenplay: Guillermo del Toro, Dan Hageman, John August, Kevin Hageman --- This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app Support this podcast: https://anchor.fm/n3xtup/support

Мэрилин Мэнсон снимется в новом сериале по мотивам книги Стивена Кинга. Речь идёт о постапокалиптическом романе "Противостояние" 1978 года, повествующем о пандемии модифицированного военными вируса гриппа, истребляющего почти всё население планеты. Немногие выжившие объединяются в группы, и в попытках установить новый общественный строй вступают в противостояние друг с другом. Роман был впервые экранизирован в виде высокобюджетного минисериала в 1994 году. Кинг (Stephen King) лично выступил в качестве сценариста и исполнительного продюсера. Общий бюджет для четырёх отснятых эпизодов составил 28 млн долларов (в пересчёте на сегодняшние деньги - почти 50 млн). Сейчас телеканал CBS заказал съёмки нового, 10-серийного фильма по мотивам того же романа. Проект, на самом деле, тянется с 2011 года: Warner Bros. и CBS Films планировали сделать один полнометражный фильм по роману, но проект провалился в "производственный ад", поскольку его участники никак не могли договориться о формате экранизации. Закончилось всё решением снимать крупный сериал с премьерой "где-то в 2020 году". В январе Кинг отметил, что создатели нового сериала - люди, которые точно знают, что делают, и что сценарий - "просто бомба". "В итоге получится нечто незабываемое. Уверен, зрители почувствуют себя в том мире, который, как все надеются, никогда не станет всамделишной реальностью". Мэнсон на днях заявил, что он получил роль в сериале (но не уточнил, какую именно). Он также объявил, что специально для фильма он и кантри-рокер Шутер Дженнингс (Shooter Jennings) записали кавер-версию песни The Doors "The End". Дженнингс и Мэнсон сотрудничают с 2016 года, когда они записали кавер на песню Дэвида Боуи (David Bowie) Cat People. В настоящее время они работают над совместным альбомом, который должен будет увидеть свет в конце года. Blink-182 готовят новый альбом и EP сразу следом за ним. Группа только что записала трек с исполнителем хип-хопа Лил Узи Вертом (Lil Uzi Vert) и Фарреллом Уильямсом (Pharrell Williams), но, как пояснил> барабанщик команды Трэвис Баркер (Travis Barker), песня не войдёт в альбом, над которым сейчас заканчивает работу команда. Она выйдет на отдельном EP, релиз которого последует за выходом полноформатника. В июне группа обозначила "рабочее название" для альбома - Bojmir (написанное задом наперёд слово "rimjob" - анилингус). При этом произносить его предлагается как "Бо-мир", без "дж" посередине. С начала года группа выпустила целых три сингла, которые, по всей видимости, войдут в новый LP. Композиция Blame It On My Youth вышла в мае, 50-секундный Generational Divide - в июне, а 1 июля, в 182-й день года, Blink-182 опубликовали трек Happy Days. Последний к настоящему моменту альбом Blink-182 - "California" - был выпущен в 2016 году. Мадонна признала, что последние три альбома записывала без особого запала. 60-летняя певица пояснила, что все эти годы планировала снять фильм, однако процесс затянулся, и Мадонна (Madonna) "со скуки" вернулась в студию. Отвечая на вопрос журналистов издания Mojo, как исполнительница понимает, что пришло время для нового альбома, Мадонна ответила, что иногда подобное наитие на неё снисходит, но "это точно не касалось последних... трёх альбомов". "По правде говоря, последние два альбома я делала неохотно. Оба раза я пыталась сделать нечто другое - снять фильм. Так было и в этот раз. Я переехала в Лиссабон, потому что хотела дать сыну возможность поступить в футбольную академию. К тому же я занималась сбором средств для фильма. Ожидание затянулось настолько, что мне стало скучно и я решила сделать новый альбом. Примерно так и вышло. Не то, чтобы я чувствовала неудержимую потребность заниматься этим", - призналась певица. По её словам, однако, когда работа над альбомом начинается, приходится быть предельно сосредоточенной. "Из-за того, что времени так мало и оно настолько ценно, приходится фокусироваться с лазерной точностью и не тратить ни минуты зазря. Ведь это же жонглирование - заниматься шестью детьми, живущими в трёх разных странах, заниматься прочей работой и заботиться о других людях. Но да, у меня есть иные сферы интересов, и кино - одно из них", - отметила Мадонна, добавив, что много лет работает над двумя сценариями, один из которых хочет экранизировать самостоятельно в качестве режиссёра. К настоящему моменту Мадонна уже дважды выступила в качестве кинорежиссёра - в 2008 и 2011 годах. Первым её фильмом стала малобюджетная комедия "Грязь и мудрость", в которой главную роль сыграл солист Gogol Bordello Евгений Гудзь. Второй фильм - "МЫ. Верим в любовь" - историческая драма, одна из сюжетных линий посвящена истории короля Великобритании Эдуарда VIII, отрекшегося от престола ради любимой женщины. Оба фильма критики принимали преимущественно враждебно. Впрочем, песня "Masterpiece", записанная самой же Мадонной для "МЫ", получила "Золотой глобус". Поклонники Майкла Джексона подали иск о дефамации против главных героев скандального фильма "Покидая Неверленд". Члены сразу трёх фан-групп - Michael Jackson Community, MJ Street и On the Line - обратились во французский суд, требуя признать клеветническими заявления Джеймса Сэйфчака (James Safechuck) и Уэйда Робсона (Wade Robson) о том, что они подвергались сексуальному насилию со стороны Майкла Джексона (Michael Jackson). Французское законодательство предусматривает защиту от дефамации даже после смерти предполагаемого объекта клеветы. Истцы требуют от Сэйфчака и Робсона символическую компенсацию в 1 евро с каждого за "очернение образа" Джексона. "Во Франции нельзя просто так очернять образ покойного. Это причиняет нравственные и эмоциональные страдания. А если есть страдания, должна быть и компенсация. Всё очень просто", - заявил юрист истцов Эмманюэль Людо (Emmanuel Ludot). Обвинения же предполагаемых жертв наклонностей Майкла Джексона он охарактеризовал как "всамделишное линчевание". Правопреемники Джексона грозили каналу HBO, выпустившему скандальный фильм, юридическими последствиями, причём ещё до того, как состоялся его показ. Угрозы эти, впрочем, ничего не дали. ...В отличие от фильма, после которого многие радиостанции в мире отказались ставить записи Джексона в эфире.

Мэрилин Мэнсон снимется в новом сериале по мотивам книги Стивена Кинга. Речь идёт о постапокалиптическом романе "Противостояние" 1978 года, повествующем о пандемии модифицированного военными вируса гриппа, истребляющего почти всё население планеты. Немногие выжившие объединяются в группы, и в попытках установить новый общественный строй вступают в противостояние друг с другом. Роман был впервые экранизирован в виде высокобюджетного минисериала в 1994 году. Кинг (Stephen King) лично выступил в качестве сценариста и исполнительного продюсера. Общий бюджет для четырёх отснятых эпизодов составил 28 млн долларов (в пересчёте на сегодняшние деньги - почти 50 млн). Сейчас телеканал CBS заказал съёмки нового, 10-серийного фильма по мотивам того же романа. Проект, на самом деле, тянется с 2011 года: Warner Bros. и CBS Films планировали сделать один полнометражный фильм по роману, но проект провалился в "производственный ад", поскольку его участники никак не могли договориться о формате экранизации. Закончилось всё решением снимать крупный сериал с премьерой "где-то в 2020 году". В январе Кинг отметил, что создатели нового сериала - люди, которые точно знают, что делают, и что сценарий - "просто бомба". "В итоге получится нечто незабываемое. Уверен, зрители почувствуют себя в том мире, который, как все надеются, никогда не станет всамделишной реальностью". Мэнсон на днях заявил, что он получил роль в сериале (но не уточнил, какую именно). Он также объявил, что специально для фильма он и кантри-рокер Шутер Дженнингс (Shooter Jennings) записали кавер-версию песни The Doors "The End". Дженнингс и Мэнсон сотрудничают с 2016 года, когда они записали кавер на песню Дэвида Боуи (David Bowie) Cat People. В настоящее время они работают над совместным альбомом, который должен будет увидеть свет в конце года. Blink-182 готовят новый альбом и EP сразу следом за ним. Группа только что записала трек с исполнителем хип-хопа Лил Узи Вертом (Lil Uzi Vert) и Фарреллом Уильямсом (Pharrell Williams), но, как пояснил> барабанщик команды Трэвис Баркер (Travis Barker), песня не войдёт в альбом, над которым сейчас заканчивает работу команда. Она выйдет на отдельном EP, релиз которого последует за выходом полноформатника. В июне группа обозначила "рабочее название" для альбома - Bojmir (написанное задом наперёд слово "rimjob" - анилингус). При этом произносить его предлагается как "Бо-мир", без "дж" посередине. С начала года группа выпустила целых три сингла, которые, по всей видимости, войдут в новый LP. Композиция Blame It On My Youth вышла в мае, 50-секундный Generational Divide - в июне, а 1 июля, в 182-й день года, Blink-182 опубликовали трек Happy Days. Последний к настоящему моменту альбом Blink-182 - "California" - был выпущен в 2016 году. Мадонна признала, что последние три альбома записывала без особого запала. 60-летняя певица пояснила, что все эти годы планировала снять фильм, однако процесс затянулся, и Мадонна (Madonna) "со скуки" вернулась в студию. Отвечая на вопрос журналистов издания Mojo, как исполнительница понимает, что пришло время для нового альбома, Мадонна ответила, что иногда подобное наитие на неё снисходит, но "это точно не касалось последних... трёх альбомов". "По правде говоря, последние два альбома я делала неохотно. Оба раза я пыталась сделать нечто другое - снять фильм. Так было и в этот раз. Я переехала в Лиссабон, потому что хотела дать сыну возможность поступить в футбольную академию. К тому же я занималась сбором средств для фильма. Ожидание затянулось настолько, что мне стало скучно и я решила сделать новый альбом. Примерно так и вышло. Не то, чтобы я чувствовала неудержимую потребность заниматься этим", - призналась певица. По её словам, однако, когда работа над альбомом начинается, приходится быть предельно сосредоточенной. "Из-за того, что времени так мало и оно настолько ценно, приходится фокусироваться с лазерной точностью и не тратить ни минуты зазря. Ведь это же жонглирование - заниматься шестью детьми, живущими в трёх разных странах, заниматься прочей работой и заботиться о других людях. Но да, у меня есть иные сферы интересов, и кино - одно из них", - отметила Мадонна, добавив, что много лет работает над двумя сценариями, один из которых хочет экранизировать самостоятельно в качестве режиссёра. К настоящему моменту Мадонна уже дважды выступила в качестве кинорежиссёра - в 2008 и 2011 годах. Первым её фильмом стала малобюджетная комедия "Грязь и мудрость", в которой главную роль сыграл солист Gogol Bordello Евгений Гудзь. Второй фильм - "МЫ. Верим в любовь" - историческая драма, одна из сюжетных линий посвящена истории короля Великобритании Эдуарда VIII, отрекшегося от престола ради любимой женщины. Оба фильма критики принимали преимущественно враждебно. Впрочем, песня "Masterpiece", записанная самой же Мадонной для "МЫ", получила "Золотой глобус". Поклонники Майкла Джексона подали иск о дефамации против главных героев скандального фильма "Покидая Неверленд". Члены сразу трёх фан-групп - Michael Jackson Community, MJ Street и On the Line - обратились во французский суд, требуя признать клеветническими заявления Джеймса Сэйфчака (James Safechuck) и Уэйда Робсона (Wade Robson) о том, что они подвергались сексуальному насилию со стороны Майкла Джексона (Michael Jackson). Французское законодательство предусматривает защиту от дефамации даже после смерти предполагаемого объекта клеветы. Истцы требуют от Сэйфчака и Робсона символическую компенсацию в 1 евро с каждого за "очернение образа" Джексона. "Во Франции нельзя просто так очернять образ покойного. Это причиняет нравственные и эмоциональные страдания. А если есть страдания, должна быть и компенсация. Всё очень просто", - заявил юрист истцов Эмманюэль Людо (Emmanuel Ludot). Обвинения же предполагаемых жертв наклонностей Майкла Джексона он охарактеризовал как "всамделишное линчевание". Правопреемники Джексона грозили каналу HBO, выпустившему скандальный фильм, юридическими последствиями, причём ещё до того, как состоялся его показ. Угрозы эти, впрочем, ничего не дали. ...В отличие от фильма, после которого многие радиостанции в мире отказались ставить записи Джексона в эфире.

Since 2009 there has been three new Star Trek movies, one new series with another four reportedly in development. Yet enthusiasm for the franchise among die hard fans is low.  What’s going on? We’ll explore what is going on in Star Trek today in this episode. What's Going on? When it comes to connected TV and film universes, Star Trek was the first franchise to do it.  Not Marvel. But that might not happen anymore.  And it all has to do with who owns Star Trek.  But trying to figure out which corporate entity owns the property can get a bit confusing. And it’s been that way from the beginning. A lot of people think Gene Roddenberry and his production company Norway were the original owners.  They weren’t. The original owner was Desilu Studios and in 1968 Paramount Pictures, itself owned by Gulf + Western, purchased Desilu and Star Trek along with it. In 1994, Viacom purchased Paramount for $9.75 Billion!  Star Trek was still controlled and operated by Paramount, the franchise essentially had a new owner. This next fact seems unrelated, but it isn’t.  In 2000, Viacom merged with CBS Corporation. Interestingly, Viacom was created by  CBS back in 1952 as the network’s syndication division. Then it was called CBS Films but was later renamed Viacom. It was spun off into its own company in 1971. Back to the year 2000, and Viacom was then owned by National Amusements.  The majority owner of that company was Sumner Redstone. In 2005, Redstone decided to break Viacom apart into two companies, essentially undoing the 1999 merger. The entity known as Viacom became CBS Corporation. It owned all TV and radio divisions, along with Simon and Schuster publishing. CBS would also own all of the television properties, including Star Trek. The head of the new CBS Corporation was Les Moonves. The second company created was a new version of Viacom.  It held Paramount studios, MTV and BET networks. Viacom with Paramount, retains the Star Trek feature film library, and according to some, the rights to make new feature films. But the exact terms of the rights, and who can do what are not clearly known.  And this is where things get a bit murky. But you needed this background to follow and understand what’s happening today.  

Movie reviewer Francesca Rudkin joins Jack Tame to talk about the latest releases.UsAccompanied by her husband, son and daughter, Adelaide Wilson (Lupita Nyong'o) returns to the beachfront home where she grew up as a child. Haunted by a traumatic experience from the past, Adelaide grows increasingly concerned that something bad is going to happen. Her worst fears soon become a reality when four masked strangers descend upon the house, forcing the Wilsons into a fight for survival. When the masks come off, the family is horrified to learn that each attacker takes the appearance of one of them.Five Feet ApartFive Feet Apart is a 2019 American romantic drama film written by Mikki Daughtry and Tobias Iaconis and directed by Justin Baldoni. The film stars Haley Lu Richardson and Cole Sprouse as two young patients with cystic fibrosis as they try and have a relationship despite always being forced to stay a certain distance away from each other. It was released in the United States on March 15, 2019, by CBS Films.

On this, or HUGE 50th episode, we’re talking R. Kelly, Michael Jackson, Disney, Netflix, Comcast/NBC Universal, CBS Films, SAG/AFTRA, and more!! Our guest this week is our "Forever Guest", the one & only Rebekah Kennedy, who's making her 5th appearance on the show!! She tells us about her upcoming film Limbo, and joins us for our "Top 5 Favorite ___________"!! segment. This week it was favorite musicians who have acted in film or television!! Plus, we introduce our new "This Day In History" segment!! And of course, box office predictions, Billboard chart toppers, and the Word of the Day!!

This week on Haunt Weekly, we're doing the news and what a news week it is! As we inch closer to haunts opening their doors we're getting a slew of announcements and other news from haunts. Sadly, a lot of those announcements are of haunts not opening this year but many others are big stories about new and creative haunts that are opening up. So kick back and relax as we spin you through a selection of the biggest news in the haunt industry. This Week's Episode Includes: Intro Conference Reminders Update on Last Week's Episode Fright Dome Not Opening for 2018 Season Old Joliet Prison Haunt Misses Opening Deadline Forst of Fear in Tuxedo Park, NY To Close Due to Weather Issues Six Flags Teams Up with CBS Films to Promote Hell Fest with New Haunts Knotts Scary Farm Announces Full Lineup Google Opens Free Haunt in Tokyo Terror Vault to Open in San Francisco Mint Planet Doom to Take Over Old Dr. Slaughter Location Haunted Castle Dark Ride Finally Opens Disneyland Auction Raises $8.3 Million for Charity Haunted House Advertisement Mistaken as Real Threat All in all, this is one jam-packed episode that you do NOT want to miss!

More than 1,000 days of fighting have turned Yemen into one of the most dangerous places on the planet. Aid workers, journalists, and experts explain little-appreciated realities about the war, and how — just maybe — to help turn things around. Part One (2:20) Old lines and fallen empires Part Two (12:46) The Saudi intervention Part Three (29:34) A few ideas for saving what's left • Produced by Ben Watson. Movie clip: “Salmon Fishing in the Yemen,” CBS Films (2011). Music: "Oud Taksim" and "Isha Prayer" by Glenn Sharp; "Silencer" by Igor Dvorkin/Duncan Pittock/Ellie Kidd; "Rise of Persia" and "Past Life" by Terry Devine-King; "War Effort" and "Tensile" by Paul Mottram; "Outmanned" by Bob Bradley/Matt Sanchez/Paul Clarvis — via AudioNetwork.com Special thanks to Radhiyah Al-Mutawakkil, Elisabeth Kendall, Iona Craig, Aaron Stein and John Arterbury. Read more from our analysis of Yemen at http://www.defenseone.com/ideas/2018/01/war-yemen-and-making-chaos-state/145379/

#134 Spierig Brothers Interview: Winchester: The House That Ghosts Built Hi, everybody. We're here at the Winchester House, San Jose, California. I've been asked to join the CBS Films team (thank you!) to interview film directors, Peter & Michael Spierig. The new film, titled, “Winchester: The House That Ghosts Built.”  was filmed, in part, here at the Winchester house.  The film is inspired by the real events, led by Sarah Winchester, heiress of the Winchester Repeating Rifle fortune.  Sarah Winchester was told by a reader, a psychic that all the dead killed by the Winchester Repeating Rifle, throughout time, will haunt her for all her life on earth.  Sarah Winchester then built this house, famously with doors to nowhere, staircases to nowhere, hallways and entries to nowhere.  The film stars Helen Mirren as Sarah Winchester.  The Winchester House is famous throughout the world, and we're joined tonight by Michael and Peter Spierig.  The film is amazing.  Enjoy.

CBS Films released Hell or High Water to theaters on August 26, 2016; grossing $27 million worldwide to date. David Mackenzie directed the film which starred Chris Pine, Ben Foster, and Jeff Bridges. The post Hell or High Water (2016) appeared first on Movie House Memories.

Welcome to Episode #48 of the Zacks Market Edge Podcast. Every week, host and Zacks stock strategist, Tracey Ryniec, will be joined by guests to discuss the hottest investing topics in stocks, bonds and ETFs and how it impacts your life. In this episode, Tracey is joined by Kevin Matras, Vice President of Zacks, Head of the Research Wizard Division and editor of the Options Trader service. Summer is officially over, the kids are back at school, and Tracey and Kevin take a look at the summer box office results and how it impacted the movie studios. It was a summer of big tent pole movies, some good and some bad, and the return of the horror genre to big profits. These Studios Won the Summer Box Office Disney (DIS) ruled the summer box office with over a billion dollars in ticket sales. It had big hits with Captain America: Civil War, Finding Dory and Pete’s Dragon. But that hasn’t helped the stock, which has slid off its 2015 highs. What do Tracey and Kevin think of Disney heading into the end of the year? Can the shares turn around? Time Warner’s (TWX) Warner Brothers came in second with 9 movies that did well, including Conjuring 2 which saw over $300 million at the box office on a $40 million budget. It also had a big hit with the low budget Me Before You, based on a bestselling novel. It was one of the few romantic dramas out over the summer. It brought in $194 million worldwide. Not too shabby considering it didn’t have a single super hero in it. It’s expected to grow earnings by the double digits this year, one of the few media stocks forecast to do so. Comcast’s Universal (CMCSA) hit all the right notes with its big hit Secret Life of Pets and with the latest Purge installment, which brought in $105 million. A Different Tale for These Studios Lionsgate (LGF) was out of the big movie game this summer now that its Twilight, Hunger Games and Divergent series have run their course, although Divergent still may find itself on television. It was relegated to the Specialty Films genre this summer. But it did have a big late summer hit, partnering with CBS Films, with the Texas thriller Hell or High Water. Lionsgate recently expanded it to 1300 screens. It’s made $16.5 million at the box office. One of the summer’s losers was Paramount, owned by Viacom (VIAB). Although it had a modest hit in Star Trek Beyond, it also made Ben-Hur and found the audience wasn’t clicking as much as was hoped with its Teenage Mutant Ninja Turtles sequel. Do Kevin and Tracey like any of these media stocks? If so, which ones? Or do they think investors should steer clear of all of them? Tune into this week’s podcast to find out. And if you’re a hardcore movie fan, you can check out Tracey and Kevin’s 2015 media stocks podcast. Did Tracey and Kevin predict last year’s Oscar winners? Comcast: https://www.zacks.com/stock/quote/CMCSA?cid=cs-soundcloud-ft-pod Viacom: https://www.zacks.com/stock/quote/VIAB?cid=cs-soundcloud-ft-pod Time Warner: https://www.zacks.com/stock/quote/TWX?cid=cs-soundcloud-ft-pod Lions Gate: https://www.zacks.com/stock/quote/LGF?cid=cs-soundcloud-ft-pod Disney: https://www.zacks.com/stock/quote/DIS?cid=cs-soundcloud-ft-pod Follow us on StockTwits: stocktwits.com/ZacksResearch Follow us on Twitter: twitter.com/ZacksResearch Like us on Facebook: www.facebook.com/ZacksInvestmentResearch

Welcome to the PGP Film Cast! It is a podcast completely dedicated to movies in the theater where we cover upcoming weekend releases, announced movies, focus on one future movie that has us excited, retro reviews and our (in)famous Top 10 lists! Subscribe on iTunes or our RSS feed! News It's Stephen King's week to make some money with Warner Bros and CBS Films making an adaptation of The Stand and Javier Bardem has been cast as Roland, The Gun Slinger, in the Dark Tower adaptation AND has been offered the role of the villain in the next James Bond movie Henry Cavill has been cast as Superman Sacha Baron Cohen and the production  team behind Borat and Bruno are adapting the novel, Zabibah and the King by Saddam Hussein Anne Hathaway (Catwoman) and Tom Hardy (Bane) have been cast in The Dark Knight Rises Colin Farrell will star in the Total Recall remake Paul Rudd and Leslie Mann will reprise their roles from Knocked Up in Judd Apatow's next movie January Releases The Eagle (Feb 11) Sanctum (Feb 4) The Roommate (Feb 4) Gnomeo and Juliet (Feb 11) Big Mommas: Like Father, Like Son (Feb 18) Drive Angry 3D (Feb 25) Just Go With It (Feb 11) Hall Pass (Feb 25) Cedar Rapids (Feb 11) Unknown (Feb 18) *The Razzie Award Hopeful* – I Am Number Four Versus!  Top Secret! vs Spies Like Us A new segment each show where we pit two movies against each other and then see which film comes out on top! It’s Val Kilmer trying to take down a powerful duo of Chevy Chase and Dan Akryod. Retro Review! – Mega Shark vs Giant Octopus Released May 26, 2009 Directed and Written by Jack Perez (Wild Things 2) Starring Deborah Gibson, Lorenzo Lamas, Vic Chao, Sean Lawlow Chad didn't even write down a summary of this film, so Tom has to wing it.  A secret military experiment with a forbidden technology shatters a glacier releasing two prehistoric monsters. Check out our review, favorite lines, trivia and more about a retro movie each episode. Top 10 Sidekicks! Some mandatory choices like Short Round, Garth, and more! Next Episode Versus is Airheads vs The Stoned Age Retro Review is “Mary and Max” Top 10 Sandra Bullock Movies! (list is due by 2/17/2011) Email in your lists, ideas for Retro Reviews! Your PGP Film Cast crew Tom – tom@sector512productions.com Jerry – jerry@sector512productions.com Chad – chud@sector512productions.com