Podcasts about Computer music

Pierre-Michel MengerCollège de FranceAnnée 2023-2024Sociologie du travail créateurColloque - Boulez : l'invention au pouvoir ? Les années 1975-1995 - « …quasi vidua … ». On Anthèmes 2Session 4 : La musique en questionIntervenant :Gerald BennettFondateur et Ancien Directeur de l'Institute of Computer Music and Sound Technology, Université des Arts de ZurichColloque organisé pour le centenaire de la naissance de Pierre Boulez par le Pr Pierre-Michel Menger, chaire Sociologie du travail créateur, et Nicolas Donin, professeur de musicologie à l'université de Genève.Avec le soutien de la Fondation du Collège de France et de son grand mécène LVMH.RésuméPierre Boulez reminds us that one of the sources of the form of Anthèmes 1 is the plainchant Lamentations of Jeremiah, which he sang in his youth during the First Nocturne service on Holy Thursday. The most striking feature of this piece is the setting of the Hebrew letters that separate the various verses of the text. Boulez translates this idea by using the harmonics of the solo violin to separate the sections of Anthèmes, referring to the harmonics as "letters." He insists that he uses only the structure of the Lamentations in his music, not their content. In reality, however, the music itself often suggests the opposite, as examples will show. It is unlikely that a reader as sensitive as Boulez would refer to a work with such expressive content solely for formal reasons.During a discussion of Anthèmes 2 with Peter Szendy on the occasion of its first French performance in October 1997, Boulez explains why he abandoned his belief that music had to be athematic. Jonathan Goldman has admirably described and illustrated what constitutes a "theme" in the Anthèmes pieces. It is important to note how the use of themes influences the task of composition by adding an expressive dimension. At the same time, the choice of digital techniques to create the electronic accompaniment in Anthèmes 2 strongly defines and limits its expressive potential. The thematic material in the piece fulfills many functions: the articulation of large-scale form, the furnishing of coherent musical patterns on which to elaborate, dramatic contrast, historical reference, the creation of a musical-metaphorical context for the composition. All of these will be discussed with examples.

Mudeth is a composer from Bangalore, best known for his soundtrack for The Binding of Isaac Antibirth OST.MUDETH LINKS:Website: https://www.mudeth.org/Youtube: https://www.youtube.com/mudeth'The Unsung' (Mudeth's podcast): https://unsung.mudeth.org/The_Good_and_the_FlawedSpotify: https://open.spotify.com/artist/6ERwcThkHmFXYHH3TagPOY?si=AjEodAaXRZOAEUhbS4fZLAApple Music: https://music.apple.com/us/artist/mudeth/1189772212Bandcamp: https://mudeth.bandcamp.com/X: https://x.com/htedumLINKS FOR THINGS MENTIONED IN THE PODCAST:The Bioacoustics podcast: https://india.mongabay.com/2024/07/podcast-wild-frequencies-find-wildlfe-with-bioacoustics/Knytt (video game): https://archive.org/details/KnyttIji (video game): https://www.remar.se/daniel/iji.phpMarkus Junnikkala is a Composer from Finland.https://www.markusjunnikkala.com/Support this podcast by becoming a member:https://markusjunnikkala.com/membership/Want me to answer your question? Ask it on social media:https://www.instagram.com/markusjunnikkala/https://www.facebook.com/markusjunnikkala/https://x.com/markusjunnikkalhttps://www.twitch.tv/markusjunnikkalahttps://www.reddit.com/user/markusjunnikkala/https://www.linkedin.com/in/markusjunnikkala/Subscribing, sharing, and liking helps the podcast.TIMESTAMPS:(00:00:00) Intro & The Binding of Isaac Mod Origins (00:05:00) Burnout from Ad Work & Discovering Creative Joy (00:12:00) Artistic Integrity vs Client Expectations (00:20:00) Artist vs Craftsperson: Personal Philosophy (00:25:00) Fan Favorites and Musical References (00:30:00) Cultural Influences Growing Up in India (00:35:00) Host's Background and Creative Journey (00:43:00) Making Indie Games: Breachway Development (00:49:00) Perfectionism, Releasing Music, and Artistic Growth (00:56:00) Creative Process and Avoiding Overthinking (01:04:00) Knowing When to Let Go of a Song (01:10:00) Early Childhood, Curiosity, and Synth Exploration (01:20:00) Computer Music, Trackers, and DAW Evolution (01:30:00) Creative Confidence and Trusting Instincts (01:40:00) Learning Through Releasing Music (01:50:00) Mixing Tricks & Gaining Perspective (02:00:00) Fixing Weak Sections and Structural Flow (02:10:00) Letting Go & Binary Nature of Art (02:20:00) Music, Emotion, and Avoiding False Satisfaction (02:30:00) Playfulness, Simplicity, and Authenticity (02:45:00) Final Reflections on Growth and Creativity

Episode 167 Chapter 27, Computer Music (1971–2014). Works Recommended from my book, Electronic and Experimental Music  Welcome to the Archive of Electronic Music. This is Thom Holmes. This podcast is produced as a companion to my book, Electronic and Experimental Music, published by Routledge. Each of these episodes corresponds to a chapter in the text and an associated list of recommended works, also called Listen in the text. They provide listening examples of vintage electronic works featured in the text. The works themselves can be enjoyed without the book and I hope that they stand as a chronological survey of important works in the history of electronic music. Be sure to tune-in to other episodes of the podcast where we explore a wide range of electronic music in many styles and genres, all drawn from my archive of vintage recordings. There is a complete playlist for this episode on the website for the podcast. Let's get started with the listening guide to Chapter 27, Computer Music (1971–2014) from my book Electronic and Experimental music.   Playlist: EARLY MUSIC FROM MICROPROCESSORS   Time Track Time Start Introduction –Thom Holmes 01:36 00:00 1.     David Behrman, “Figure in a Clearing” (1977). KIM- 1 computer- controlled harmonic changes for 33 electronic generators and accompanying cello. 19:10 01:40 2.     Dorothy Siegel, “Rondo from Sonata in B flat for Clarinet and Piano” (by Wanhal) (1979). Realized using an Altair S- 100 microcomputer. 03:53 20:52 3.     Larry Fast, “Artificial Intelligence” (1980). Music generated by a microcomputer self- composing program. 10:46 24:44 4.     Laurie Spiegel, “A Harmonic Algorithm” (1981). Created on an Apple II computer with Mountain Hardware oscillator boards. 03:05 35:30 5.     Nicolas Collins, “Little Spiders” (1982). For two microcomputers equipped with gestural sensing programs, that generated sounds based on analysis of keystrokes. 04:46 38:30 6.     Gordon Mumma, “Than Particle” (1985). For computer percussion and a percussionist. 10:16 43:30 7.     Morton Subotnick, “And the Butterflies Begin to Sing” (1988). For string quartet, bass, MIDI keyboard, and microcomputer. 06:38 53:50 8.     John Bischoff, Mark Trayle, Tim Perkis, “Dovetail” (1989). Three microcomputer programs interact and respond to each other in real time. 05:04 01:00:30 9.     Tim Perkis, “Wax Lips” (1992). Performed by The Hub, an electronic music ensemble networked by a Microcomputer. 04:37 01:05:32 10.   Jin Hi Kim, “Digital Buddha” (2014), recorded live at the Metropolitan Museum of Art.  Electric komungo, Jin Hi Kim; percussion, Gerry Hemingway; MAX/MSP programming, Alex Noyes. The world's first electric komungo that his equipped with MIDI and controlled using MAX. The komungo is a traditional 6-string instrument from Korea. 12:33 01:10:08   Additional opening, closing, and other incidental music by Thom Holmes. My Books/eBooks: Electronic and Experimental Music, sixth edition, Routledge 2020. Also, Sound Art: Concepts and Practices, first edition, Routledge 2022. See my companion blog that I write for the Bob Moog Foundation. For a transcript, please see my blog, Noise and Notations. Original music by Thom Holmes can be found on iTunes and Bandcamp.

Episode 166 Chapter 26, Early Computer Music (1950–70). Works Recommended from my book, Electronic and Experimental Music  Welcome to the Archive of Electronic Music. This is Thom Holmes. This podcast is produced as a companion to my book, Electronic and Experimental Music, published by Routledge. Each of these episodes corresponds to a chapter in the text and an associated list of recommended works, also called Listen in the text. They provide listening examples of vintage electronic works featured in the text. The works themselves can be enjoyed without the book and I hope that they stand as a chronological survey of important works in the history of electronic music. Be sure to tune-in to other episodes of the podcast where we explore a wide range of electronic music in many styles and genres, all drawn from my archive of vintage recordings. There is a complete playlist for this episode on the website for the podcast. Let's get started with the listening guide to Chapter 26, Early Computer Music (1950–70).  from my book Electronic and Experimental music.   Playlist: EARLY COMPUTER MUSIC (1950–70)   Time Track Time Start Introduction –Thom Holmes 01:40 00:00 1.     Tones from Australia, 1951. All produced using the CSIR Mark 1 computer built at the CSIR's radio-physics division in Sydney. The computer had a speaker—or hooter—to signal when operations were completed. A clever programmer thought of manipulating the signal tones into a melody. 02:18 01:42 2.     Alan Turing's computer music. 1951. Recording made of tones generated by the mainframe computer at the Computing Machine Laboratory in Manchester, England. Snippets of the tunes God Save the King, Baa, Baa Black Sheep, and Glenn Miller's swing classic In the Mood. Plus, the voices of computer lab members listening to the sound as it was recorded. Original acetate recording from 1951 restored by University of Canterbury composer Jason Long and Prof Jack Copeland. 01:55 02:36 3.     Max Mathews, “Numerology” (1960). Introduced by a narrator. From the album Music From Mathematics, Bell Telephone Laboratories. While working at Bell Labs in telecommunications research, Max Mathews was one of the earliest computer engineers to use a general-purpose computer to program music and digitally synthesize musical sound. His programming language Music I allowed composers to design their own virtual instruments, a breakthrough during those pioneering days of computer music. “Numerology” was composed to demonstrate the various parameters, or building blocks, available to the composer using this programming language: vibrato (frequency modulation), attack and decay characteristics, glissando, tremolo (amplitude modulation), and the creation of new waveshapes. 02:49 04:38 4.     John Robinson Pierce, “Beat Canon” (1960). Introduced by a narrator. From the album Music From Mathematics, Bell Telephone Laboratories. Played by IBM computer and direct to digital sound transducer. 00:52 07:28 5.     James Tenney, “Noise Study” (1961). So named because “each of the ‘instruments' used in this piece includes a noise-generator.” 04:24 08:20 6.     “Bicycle Built For Two (Accompanied)” (1963) From the demonstration record Computer Speech - Hee Saw Dhuh Kaet (He Saw The Cat), produced by Bell Laboratories. This recording contains samples of synthesized speech–speech artificially constructed from the basic building blocks of the English language. 01:17 12:42 7.     Lejaren Hiller, “Computer Cantata, Prologue to Strophe III” (1963). From the University Of Illinois. This work employed direct computer synthesis using an IBM 7094 mainframe computer and the Musicomp programming language. 05:41 14:00 8.     J. K. Randall, “Lyric Variations For Violin And Computer” (1965-1968). J. K. Randall's piece had a complex section that pushed the limits of computer processing power at the time. Although the section consisted of only 12 notes, each note was 20 seconds long. Each note overlapped with the next for 10 seconds, making the total length of the section only about 2 minutes. But this required 9 hours to process on one of the fastest computers of the day. 03:34 19:40 9.     John Robinson Pierce, “Eight-Tone Canon” (1966). “Using the computer, one can produce tones with overtones at any frequencies.” Produced at Bell Telephone Laboratories. 03:53 23:14 10.   Pietro Grossi, “Mixed Paganini” (1967). “Transcription for the central processor unit of a GE-115 computer of short excerpts of Paganini music scores. Realized at Studio di Fonologia musicale di Firenze (Italy). 01:46 27:08 11.   Pietro Grossi, “Permutation of Five Sounds” (1967). Recording made on the Italian General Electric label. Realized at Studio di Fonologia musicale di Firenze (Italy). Distributed in 1967 as a New year gift by Olivetti company. 01:33 28:54 12.   Wayne Slawson, “Wishful Thinking About Winter” (1970). Produced at Bell Telephone Laboratories. 03:53 30:26 13.   John Cage and Lejaren Hiller, “HPSCHD” excerpt (1967-1969). The piece was written for Harpsichords and Computer-Generated Sound Tapes. Hiller and Cage staged a lively public performance in 1968 at the University of Illinois in Urbana. The first 10,000 individual recordings came with an insert in the form of a computer printout insert designed to allow the listener to program their own performance. And I quote from the jacket: "The computer-output sheet included in this album is one of 10,000 different numbered solutions of the program KNOBS. It enables the listener who follows its instructions to become a performer of this recording of HPSCHD. Preparation of this material was made possible through the Computing Center of the State University of New York at Buffalo." I happen to have three copies of this album, each with the printout. 07:20 34:16 14.   Jean-Claude Risset, “Computer Suite From "Little Boy" (1968).  Realized at Bell Laboratories. 04:28 41:46 15.   Peter Zinovieff, “January Tensions” (1968). Zinovieff's notes, from the album: “Computer composed and performed. This piece is very much for computer both in its realization and composition. The rules are straightforward. The computer may begin by improvising slowly on whatever material is first chooses. However, once the initial choices are made then these must influence the whole of the rest of the composition. The original sounds must occasionally be remembered and illustrated but a more and more rigid structure is imposed on the randomness. The piece was electronically realized and composed in real time by an 8K PDP8/S and electronic music peripherals.” 09:48 46:12 16.   Barry Vercoe, “Synthesism” (1969). Realized in the Computer Centers of Columbia and Princeton Universities using MUSIC 360 for the IBM 360 mainframe computer. Vercoe authored this musical programming language. 04:33 56:00 17.   Charles Dodge, “The Earth's Magnetic Field” excerpt (1970). Composer Charles Dodge helped close the gap between computer music and other electronic music practices in 1969– 70 by working on computer code at Princeton University and then traveling to Bell Labs to have the code synthesized by a mainframe computer. The work, “Earth's Magnetic Field” (1970) was an outcome of this process. Dodge realized this piece by fusing computer composition with synthesis, one of the earliest examples of a practice that would become the norm many years later but that was quite difficult at the time. He used a “general- purpose sound synthesis program” written by Godfrey Winham at Princeton University. Every sound in the piece was computed into digital form using the IBM/ 360 model 91 at the Columbia University Computer Center and then converted into analog form at the Bell Telephone Laboratories. 07:45 01:00:32 18.   Irv Teibel, "Tintinnabulation (Contemplative Sound)" from Environments (New Concepts In Stereo Sound) (Disc 2) (1970 Syntonic Research).  One side of the record is a rare work of purely electronic computer music in a series that otherwise consisted of natural ambient sounds. It used computer-generated bell sounds, falling back on Teibel's experience processing sounds on an IBM 360 mainframe computer at Bell Labs. The record was promoted for meditation. A sticker on the cover read, "A Sensitizer for the Mind." From the liner notes: “As an illustration of the possibilities currently under examination, Syntonic Research decided to experiment with bell sounds as an environmental sound source. . . . Tintinnabulation can be played at any speed, from 78 to 16 rpm, in full stereo. At different speeds, the sounds change in tone and apparent size, although the harmonics remain unchanged. The effect, unlike real bells, is fully controllable by the use of your volume, bass, and treble controls.” 30:10 01:08:16   Additional opening, closing, and other incidental music by Thom Holmes. My Books/eBooks: Electronic and Experimental Music, sixth edition, Routledge 2020. Also, Sound Art: Concepts and Practices, first edition, Routledge 2022. See my companion blog that I write for the Bob Moog Foundation. For a transcript, please see my blog, Noise and Notations. Original music by Thom Holmes can be found on iTunes and Bandcamp.

I had the pleasure of speaking with John Gibson, a distinguished expert in electronic music who has had a fascinating journey through many aspects of the musical world. As someone who didn't know much about electronic music going into this, I was pleasantly surprised by how accessible and engaging the discussion turned out to be. That's thanks to John's depth of knowledge and, just as importantly, his approachable nature and great sense of humor.With the help of our intrepid producer and tech guru, Eddie Ludema, we navigated some foundational concepts in electronic music, and Eddie took us deeper into the subject in the second part of the conversation. Whether you're a dedicated electronic music fan or someone who's still wrapping their head around it, I think you'll find this discussion both fascinating and enlightening.John's professional background is impressive—he's an Associate Professor of Music and the Director of the Center for Electronic and Computer Music at the Indiana University Jacobs School of Music. But beyond his credentials, what truly stands out is his passion for the intersection of music, technology, and creative expression.In Part 1 of our conversation, we explore John's musical background, starting with his early work as a guitarist and acoustic composer before transitioning into electronic music. We dive into his approach to teaching, get into a deep discussion on one of his recent pieces, Air Traffic (written for our very own Eddie Ludema), and insights into his unique writing process. We also discuss the different ways we listen to music—narrative versus meditative—and how these approaches can evoke emotions or engage intellect.[Subscriber Content] In Part 2, we get even deeper into the world of electronic music where we talk more about the emotional potential of electronic compositions and the relation of artificial intelligence with music in general, and how that relation might differ with experimental music. We also briefly discuss how programming languages can be used to create sounds and music, share tips on introducing kids to the electronic music world, and explore how acoustic musicians can begin experimenting with electronics. We wrap up with a few real-world stories about the unpredictable nature of technology—especially in live performances—where things don't always go according to plan!Would you like more inspirational stories, suggestions, insights, and a place to continue the conversations with other listeners? Visit anthonyplog-on-music.supercast.com to learn more! As a Contributing Listener of "Anthony Plog on Music," you'll have access to extra premium content and benefits including: Extra Audio Content: Only available to Contributing Listeners. Podcast Reflections: Tony's written recaps and thoughts on past interviews, including valuable tips and suggestions for students. Ask Me Anything: Both as written messages and occasional member-only Zoom sessions. The Show's Discord Server: Where conversations about interviews, show suggestions, and questions happen. It's a great place to meet other listeners and chat about all things music! Can I just donate instead of subscribing? Absolutely! Cancel at anytime and easily resubscribe when you want all that extra content again. Learn more about becoming a Contributing Listener @ anthonyplog-on-music.supercast.com!

Guest and HostGuest: Seth Cluett, Director of Columbia University's Computer Music Center | On LinkedIn: https://www.linkedin.com/in/seth-cluett-7631065/ | Columbia University Computer Music Center Bio: https://cmc.music.columbia.edu/bios/seth-cluettHost: Sean Martin, Co-Founder at ITSPmagazine and Host of Redefining CyberSecurity Podcast & Music Evolves Podcast | Website: https://www.seanmartin.com/Show NotesMusic and technology have always shaped each other, and few places embody that relationship as deeply as the Computer Music Center (CMC) at Columbia University. In this episode of Music Evolves, Sean Martin sits down with Seth Cluett, Director of the Computer Music Center and Assistant Director of the Sound Art MFA program at Columbia, to explore the center's rich history, its role in advancing music technology, and how it continues to shape the future of sound.The Legacy and Mission of the Computer Music CenterThe CMC is housed in the same 6,000-square-foot space as the original Columbia-Princeton Electronic Music Center, which dates back to 1951 and is one of the world's oldest university-based electronic music research facilities. This was the birthplace of early electronic music, where pioneers learned to use cutting-edge technology to create new sounds. Many of those musicians went on to establish their own studios around the world, from Egypt to Japan.The center has played a role in major milestones in music history, including the work of Wendy Carlos, a former student known for Switched-On Bach, the score for Tron, and The Shining. The first piece of electronic music to win a Pulitzer Prize was also composed here. Today, under Cluett's leadership, the focus remains on creativity-driven technological innovation—allowing composers and artists to explore technology freely and push the boundaries of what's possible in sound and music.One of the center's guiding principles is accessibility. Cluett emphasizes the importance of lowering barriers to entry for students who may not have had prior access to music technology. The goal is to make sure that anyone, regardless of background, can walk into the studio and begin working with 80% of its capabilities within the first 20 minutes.Exploring the Labs and StudiosThe episode also includes a tour of the labs and studios, showcasing some of the center's groundbreaking equipment. One highlight is the RCA Mark II Synthesizer, the world's first programmable music synthesizer. Built in the late 1950s, this massive machine—seven feet tall and weighing over a ton—was instrumental in shaping the sound of early electronic music. The system worked by punching holes into paper to control sound generation, similar to a player piano. While no longer in use, the CMC has collaborated with iZotope to model some of its effects digitally.The tour also features Columbia's electronic music studio, which houses synthesizers from Buchla, Serge, and Moog—the latter being developed by Bob Moog, who was once an undergraduate at Columbia. The center's modern design emphasizes a seamless workflow between analog and digital technologies, allowing students to quickly create, process, and experiment with sound.Another key space is the immersive media and spatial audio research facility, which features a 12.1-channel loudspeaker sphere for ambisonic sound, along with a 32-capsule microphone that captures highly detailed audio environments. This technology is not only shaping music but also fields like virtual reality, data sonification, and interactive media.The Future of Music TechnologyLooking ahead, Cluett highlights the increasing interplay between AI, machine learning, and music composition. While some companies promote AI-generated melodies, he believes that truly expressive, human-driven composition remains essential. The role of technology, he argues, is not to replace human creativity but to enable new forms of expression. The CMC is at the forefront of this shift, experimenting with real-time audio processing, interactive performance systems, and embedded sensors that enhance live music experiences.As music and technology continue to merge, Columbia's Computer Music Center remains a key player in shaping the future of sound. Whether through pioneering hardware, software innovation, or fostering the next generation of creative minds, the center proves that music technology is not just about engineering—it's about expression, accessibility, and the pursuit of artistic joy.

In this episode we use the Leibniz Binary Subsystem to create evolving arpeggios before scrambling them by re-routing bits!Patreon: https://www.patreon.com/nullphiinfinity Bandcamp:  https://nullphiinfinity.bandcamp.com/Instagram: https://www.instagram.com/nullphiinfinity/Youtube: https://www.youtube.com/@Nullphiinfinity  ★ Support this podcast on Patreon ★

Episode 159 Chapter 20, The Experimental Music Studio, University of Illinois. Works Recommended from my book, Electronic and Experimental Music  Welcome to the Archive of Electronic Music. This is Thom Holmes. This podcast is produced as a companion to my book, Electronic and Experimental Music, published by Routledge. Each of these episodes corresponds to a chapter in the text and an associated list of recommended works, also called Listen in the text. They provide listening examples of vintage electronic works featured in the text. The works themselves can be enjoyed without the book and I hope that they stand as a chronological survey of important works in the history of electronic music. Be sure to tune-in to other episodes of the podcast where we explore a wide range of electronic music in many styles and genres, all drawn from my archive of vintage recordings. There is a complete playlist for this episode on the website for the podcast. Playlist: THE EXPERIMENTAL MUSIC STUDIO, UNIVERSITY OF ILLINOIS Time Track Time Start Introduction –Thom Holmes 01:32 00:00 1.     Lejaren Hiller, “Nightmare Music” (1961). Tape composition produced at the Experimental Music Studio, University of Illinois. 09:41 01:34 2.     Charles Hamm, “Canto, For Soprano, Speaker & Chamber Ensemble” (1963). Produced at the Experimental Music Studio, University of Illinois. 06:25 11:16 3.     Lejaren Hiller, “Computer Cantata, For Soprano, Chamber Ensemble and Tape” (1963). Produced at the Experimental Music Studio, University of Illinois. 23:09 17:38 4.     Herbert Brün, “Futility, For Speaker And Tape” (1964). Produced at the Experimental Music Studio, University of Illinois. 07:50 40:34 5.     Lejaren Hiller, “Machine Music, For Piano, Percussion And Tape” (1964). Produced at the Experimental Music Studio, University of Illinois. 13:15 48:22 6.     Kenneth Gaburo, “Lemon Drops” (1965). Tape composition produced at the Experimental Music Studio, University of Illinois. 02:55 01:01:40 7.     Salvatore Martirano, “Underworld” (1965). Tape composition produced at the Experimental Music Studio, University of Illinois. 16:55 01:04:36 8.     Kenneth Gaburo, “For Harry” (1966). Tape composition produced at the Experimental Music Studio, University of Illinois. 03:41 01:21:32 9.     Lejaren Hiller, “Suite For Two Pianos And Tape” (1966). Produced at the Experimental Music Studio, University of Illinois. 18:30 01:25:16 10.   Lejaren Hiller, “Computer Music for Tape & Percussion” (1968). Produced at the Experimental Music Studio, University of Illinois. 06:52 01:43:42 11.   Salvatore Martirano, “The SalMar: Part One” (1983). Performance by Martirano in Paris in 1983 using the one-of-a-kind Sal-Mar Construction designed for real-time performance of electronic music. It was created from 1969 to 1972 at the University of Illinois. 18:59 01:50:26   Additional opening, closing, and other incidental music by Thom Holmes. My Books/eBooks: Electronic and Experimental Music, sixth edition, Routledge 2020. Also, Sound Art: Concepts and Practices, first edition, Routledge 2022. See my companion blog that I write for the Bob Moog Foundation. For a transcript, please see my blog, Noise and Notations. Original music by Thom Holmes can be found on iTunes and Bandcamp.

Episode 146 Chapter 07, Computer Music Basics. Works Recommended from my book, Electronic and Experimental Music  Welcome to the Archive of Electronic Music. This is Thom Holmes. This podcast is produced as a companion to my book, Electronic and Experimental Music, published by Routledge. Each of these episodes corresponds to a chapter in the text and an associated list of recommended works, also called Listen in the text. They provide listening examples of vintage electronic works featured in the text. The works themselves can be enjoyed without the book and I hope that they stand as a chronological survey of important works in the history of electronic music. Be sure to tune-in to other episodes of the podcast where we explore a wide range of electronic music in many styles and genres, all drawn from my archive of vintage recordings. There is a complete playlist for this episode on the website for the podcast. Let's get started with the listening guide to Chapter 07, Computer Music Basics from my book Electronic and Experimental music.   Playlist: Early Computer Synthesis     Time Track Time* Start Introduction –Thom Holmes 01:30 00:00 1 Max Mathews, “Numerology” (1960). Direct computer synthesis using an IBM 7090 mainframe computer and the Music III programming language 02:45 01:32 2 James Tenney, “Analog #1: Noise Study” (1961). Direct synthesis and filtering of noise bands at Bell Labs' facilities. 04:24 04:04 3 Lejaren Hiller, “Computer Cantata” (third movement) (1963). Direct computer synthesis using an IBM 7094 mainframe computer and the Musicomp programming language. 05:41 08:28 4 Jean-Claude Risset, “Mutations I” (1969). Used frequency modulation. 10:23 14:06 5 Charles Dodge, “The Earth's Magnetic Field” (Untitled, part 1) (1970). Used an IBM mainframe computer and the Music 4BF programming language to convert geophysical data regarding the Earth's magnetic field into music. 14:00 24:28 6 Laurie Spiegel, “Appalachian Grove I” (1974). Used the Groove program at Bell Labs. 05:23 38:22 7 Curtis Roads, “Prototype” (1975). Used granular synthesis. 06:11 43:48 8 John Chowning, “Stria” (1977). Used the composer's patented FM synthesis algorithms. 05:14 50:00 9 Jean-Baptiste Barriere, “Chreode” (1983). Granular synthesis using the Chant program at IRCAM; computer-controlled organization of material—a grammar of musical processes prepared with IRCAM's Formes software. 09:24 55:10 10 Barry Truax, “Riverrun” (1986). Composed using only granulated sampled sound, using Truax's real-time PODX system. 19:42 01:04:30   Additional opening, closing, and other incidental music by Thom Holmes. My Books/eBooks: Electronic and Experimental Music, sixth edition, Routledge 2020. Also, Sound Art: Concepts and Practices, first edition, Routledge 2022. See my companion blog that I write for the Bob Moog Foundation. For a transcript, please see my blog, Noise and Notations. Original music by Thom Holmes can be found on iTunes and Bandcamp.

"We're pro-AI and we're pro-consent. Those things don't have to be mutually exclusive." The activists and artists talk about the hot button issues facing AI's governance. The world is deep in the throes of a heightening debate over AI. Just this week, the Vatican published an essay addressing the potential, and risks, of AI in a new high-tech world as well as its intersection with religion and humanity. In politics, figures like Elon Musk are advising citizens that the US government will become increasingly "AI-first," using data about its individuals to make federal decisions. And in the world of culture and the humanities, the alarm has been sounded on AI's ability to both aid in creativity and homogenise the art and music being produced and consumed, raising concerns that much of what's being released is sounding increasingly the same. There are probably no better experts on this far-ranging topic than Holly Herndon and Mat Dryhurst, two Berlin-based academics and artists who have entrenched themselves in the world of AI ethics, advocacy and art for the past two decades. Now married, they come from DIY punk backgrounds, both having lived in the Bay Area pre-tech bubble while Herndon completed a Ph.D in Computer Music at Stanford. Their work is primarily concerned with how AI is governed as it becomes more ubiquitous in our everyday lives, and what its implications are for ownership of AI-generated artworks. In this urgent and timely RA Exchange, the duo talk about their shift closer to the art world following their 2024 exhibition at The Whitney Biennial and their most recent show at Serpentine Gallery in London, The Call, which will close at the end of this month. It's one of many forward-thinking projects they've worked on to move away from the fear narrative dominating dialogue around how AI is influencing art and music, instead showcasing how machine learning can be used to push art forward. They also address their view of socialist democratic values with the rise of the far right, raising a young child and doing work that sits squarely between activism and art. Listen to the episode in full. – Chloe Lula

"We're pro-AI and we're pro-consent. Those things don't have to be mutually exclusive." The activists and artists talk about the hot button issues facing AI's governance. The world is deep in the throes of a heightening debate over AI. Just this week, the Vatican published an essay addressing the potential, and risks, of AI in a new high-tech world as well as its intersection with religion and humanity. In politics, figures like Elon Musk are advising citizens that the US government will become increasingly "AI-first," using data about its individuals to make federal decisions. And in the world of culture and the humanities, the alarm has been sounded on AI's ability to both aid in creativity and homogenise the art and music being produced and consumed, raising concerns that much of what's being released is sounding increasingly the same. There are probably no better experts on this far-ranging topic than Holly Herndon and Mat Dryhurst, two Berlin-based academics and artists who have entrenched themselves in the world of AI ethics, advocacy and art for the past two decades. Now married, they come from DIY punk backgrounds, both having lived in the Bay Area pre-tech bubble while Herndon completed a Ph.D in Computer Music at Stanford. Their work is primarily concerned with how AI is governed as it becomes more ubiquitous in our everyday lives, and what its implications are for ownership of AI-generated artworks. In this urgent and timely RA Exchange, the duo talk about their shift closer to the art world following their 2024 exhibition at The Whitney Biennial and their most recent show at Serpentine Gallery in London, The Call, which will close at the end of this month. It's one of many forward-thinking projects they've worked on to move away from the fear narrative dominating dialogue around how AI is influencing art and music, instead showcasing how machine learning can be used to push art forward. They also address their view of socialist democratic values with the rise of the far right, raising a young child and doing work that sits squarely between activism and art. Listen to the episode in full. – Chloe Lula

La France fait partie des pays qui consomment le plus de plastique en Europe, avec 70 kilos par an et par personne, dont la moitié sont des emballages. Comme 58% des emballages sont en plastique, pas étonnant d'arriver à ce chiffre colossal: 1,2 million de tonnes d'emballages sont jetés chaque année par les Français et Françaises.Puisque moins d'un tiers des déchets plastique sont recyclés et que l'équivalent d'un camion poubelle est rejeté chaque minute dans l'océan, il y a une véritable urgence à transformer durablement nos modes de consommation et de production. Parmi les solutions figure le réemploi, c'est-à-dire la réutilisation des emballages, notamment alimentaires. En quoi ça consiste? Peut-on tout réutiliser? Quels sont les avantages sur le recyclage? La filière réemploi est-elle au point?Dans ce quinzième épisode de Plus bio la vie, Nora Bouazzouni accueille Nicolas Dauve, chargé de recherche et développement pour les emballages chez Biocoop, ainsi que Célia Rennesson, directrice générale de Réseau vrac et réemploi, une organisation qui développe et structure ces filières.Musique: «May the chord be with you», Computer Music All-stars Hébergé par Audion. Visitez https://www.audion.fm/fr/privacy-policy pour plus d'informations.

You're in for a treat because my guest knows lots of insider secrets and is a huge fan of music and film and has an amazing knowledge of the best things to do and places to go in London. Please follow and subscribe to BEST OF LONDON for links to us on ALL the platforms and social media please simply click here: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://linktr.ee/bestolondon ⁠⁠⁠⁠⁠⁠⁠⁠⁠ E-mail: ben@lifemac.com He's been the head of some of the world's most successful media brands and he's been shaping the media landscape for three decades. His career is legendary, he's been at the helm of brands including Q, Mojo, Mixmag, Kerrang, Smash Hits, Empire, Classic Rock, Metal Hammer, Prog, Louder, Music Radar, Guitarist, Total Guitar, Guitar World, Guitar Player, Keyboard, Electronic Musician, Bass Player, Bass Guitar Magazine, Computer Music and Future Music. He's experienced some of the most unforgettable moments in entertainment history.  I worked with him for over a decade when I was doing marketing for some of these brands and we sat next to each other and had a great time working with so many other wonderful people there who I'm still lucky enough to call friends. I even persuaded my guest to buy a place near mine in London so we've been good friends for a long time and today he reveals a few things about me that no one else will know.  He's helped create the evolution of media, worked with music and film legends, organised incredible events, learnt to pilot planes, and strecently helped make a brilliant new documentary about Swedish music including ABBA called ABBA 50 Years of Pop available on channel 4 player in the UK and around the world This is best of London according to Stuart Williams  After the interview I'll tell you how I got on when I took part in doing Taskmaster the legendary live experience featuring Alex Horne and Greg Davies. Each week I ask a guest 7 questions including what's your best London venue, event, place to eat, area and London Lifehack. You'll find out the best things to do and places to go. I read and reply to all your emails. Intro and Outro music by Ben Holland Best of London is presented and produced by Ben Holland and Ben Afleck. Best of London Instagram/x is @bestolondon with NO F Ben's instagram is @benpodz Ben's TikTok is @bentiktoks BEST OF LONDON logo and artwork by Bob Magill of recolodesign.com. If you or your company would like to work with him email bob@recolodesign.com Follow and subscribe to BEST OF LONDON for links on ALL the platforms including apple podcasts, amazon music, audible, instagram, twitter/x and Facebook, please click here: ⁠⁠⁠⁠⁠⁠⁠https://linktr.ee/bestolondon⁠⁠⁠

Explicit content warning for swearing featuring --The Possession--Now You Try (explicit)--Pika Choo Choo--Ice Bucket Challenge--Night Cruiser--RUN--

3,7 milliards de repas servis chaque année, 25 milliards d'euros de chiffre d'affaires et 300.000 salariés: ce sont les chiffres de la restauration collective en France.On pense bien sûr aux cantines scolaires, d'entreprises ou celles des administrations, mais il y a aussi les lieux de privation de liberté, les hôpitaux, les cliniques, les Ehpad, l'armée, sans oublier les transports, comme le train ou l'avion. Bref, le secteur présente une grande diversité de situations et presqu'autant de problématiques.De quoi parle-t-on lorsqu'on parle de restauration collective? Pourquoi ne fait-on plus la cuisine dans les écoles? Faut-il changer de paradigme et comment transformer la restauration collective?Dans ce quatorzième épisode de Plus bio la vie, Nora Bouazzouni accueille Marine Jobert, coordinatrice nationale du collectif Les Pieds dans le plat, ainsi que Mélissa Collette, responsable marketing et offre chez Biocoop Restauration, qui fournit, depuis 2002, des produits bios et de saison pour la restauration collective et commerciale.Musique: «May the chord be with you», Computer Music All-stars

Dans les rayons des supermarchés, les emballages de nos produits alimentaires ou d'hygiène sont surchargés d'informations: Nutri-Score, Cosmébio, Label Rouge, AOC, AOP, IGP, cruelty free, vegan, 100% naturel, HVE, Origine France, éthique…Entre les allégations fantaisistes des industriels, les labels indépendants, les certifications européennes et les applis comme Yuka, Open Food Facts ou INCI, difficile de s'y retrouver dans la jungle de la notation des produits.Alors, comment rendre plus cohérentes, lisibles et transparentes ces informations? Qui se cache derrière certains labels? Comment fonctionne le Nutri-Score et quelles sont ses limites?Dans ce treizième épisode de Plus bio la vie, Nora Bouazzouni accueille Julia Terpman-Pérot, responsable plaidoyer, partenariats et coopérations pour Planet Score, ainsi qu'Emmanuelle Joye, chargée de recherche et développement chez Biocoop.Musique: «May the chord be with you», Computer Music All-stars

Técnica de producción de sonidos basada en la premisa de que un sonido puede dividirse en partículas, granoso cuantos, entidades sonoras de una duración de 10 a 100 milisegundos. El sonido lo producen pequeñas explosiones de energía encapsuladas en una envolvente y agrupadas en conjuntos mayores._____Has escuchadoHalf​-​Life, Part I: Sonal Atoms (1999) / Curtis Roads. presto!? (2019)PianoHertz (2012) / Horacio Vaggione. empreintes DIGITALes (2012)Riverrun (1986) / Barry Truax. Cambridge Street Records (1987)_____Selección bibliográficaASSAYAG, Gérard y Andrew Gerzso (eds.), New Computational Paradigms for Computer Music. Delatour; IRCAM, 2009*BESSELL, David, “Formant Synthesis, Granular Synthesis, and Waveshaping in ‘Halo, Bells and Voices', Bessell”. Perspectives of New Music, vol. 45, n.º 1 (2007), pp. 236-252*GRABÓCZ, Márta, Entre naturalisme sonore et synthèse en temps réel. Images et formes expressives dans la musique contemporaine. Éditions des Archives Contemporaines, 2013MCGUIRE, Sam y Nathan van der Rest, The Musical Art of Synthesis. Focal Press, 2016*MIRANDA, Eduardo Reck, “Granular Synthesis of Sounds by Means of a Cellular Automaton”. Leonardo, vol. 28, n.º 4 (1995), pp. 297-300*PHILLIPS, Thomas, “Composed Silence: Microsound and the Quiet Shock of Listening”. Perspectives of New Music, vol. 44, n.º 2 (2006), pp. 232-248*POLI, Giovanni de, “A Tutorial on Digital Sound Synthesis Techniques”. Computer Music Journal, vol. 7, n.º 4 (1983), pp. 8-26*ROADS, Curtis, Microsound. The MIT Press, 2001—, The Computer Music Tutorial. The MIT Press, 2023*ROCHA ITURBIDE, Manuel, Les techniques granulaires dans la synthèse sonore. Tesis Doctoral, Universidad de París VIII, 1999SU, Isabelle et al., “Sonification of a 3-D Spider Web and Reconstitution for Musical Composition Using Granular Synthesis”. Computer Music Journal, vol. 44 (2020), pp. 43-59*TRUAX, Barry, “Composing with Real-Time Granular Sound”. Perspectives of New Music, vol. 28, n.º 2 (1990), pp. 120-134*—, “Composing with Time-Shifted Environmental Sound”. Leonardo Music Journal, vol. 2, n.º 1 (1992), pp. 37-40*WAKEFIELD, Graham y Gregory Taylor, Generating Sound & Organizing Time: Thinking with Gen-: Book 1. Cycling 74, 2022* *Documento disponible para su consulta en la Sala de Nuevas Músicas de la Biblioteca y Centro de Apoyo a la Investigación de la Fundación Juan March

Welcome back! We are starting off Spring fresh with some heavy heavy glitch on this one. I tried going pretty deep with the selection, so hopefully you find some stuff you haven't heard before... Alright, let's get into it. This is BL_K NOISE RADIO!!!   TRACKLIST: 00:00 DJ Skymall 01:20 Vaag – One Hundred https://vaag1.bandcamp.com/album/perfect-imperfection 05:16 Onokio - Sub_Gene https://onokio.bandcamp.com/album/pyl 09:01 Kabutogani - Production Peripherals https://kabutogani.bandcamp.com/album/bektop 12:48 Nonotak - Late Speculation Medley https://nonotak.bandcamp.com/track/late-speculation-medley 17:45 DJ Strawberry - Motion https://outlineslabel.bandcamp.com/album/cycles 20:13 DJ Skymall 22:45 WYXX - 06L6U3p9 https://wyxxofficial.bandcamp.com/album/nullpointerexception 25:58 Lanark Artefax - Metallur https://l-a-n-a-r-k.bandcamp.com/album/metallur 30:00 Edith Progue - 2 P.M. https://edithprogue.bandcamp.com/album/timeline 34:39 Sote - Separating Ingredients Of Rituals https://svbkvlt.bandcamp.com/album/ministry-of-tall-tales 38:33 Phoenecia - Boombonic Plague (remix) https://phoenecia.bandcamp.com/album/solid-state-compendium 42:06 DJ Skymall 44:01 Yu Miyashita - Revival Of Unmuted Reality https://thecollectionartaud.bandcamp.com/album/tca-38-muted-renaissance 46:57 Calum Gunn - Assembly A https://calumgunn.bandcamp.com/album/messy-air 49:54 0N4B - Like A Floating Leaf https://bblisss.bandcamp.com/album/somewhere-left-behind 54:34 Omogramma - Fat23 https://omogramma.bandcamp.com/album/mayumi-inland 55:40 DJ Skymall 56:51 Spednar - Ftwr https://spednar.bandcamp.com/album/static-linking 61:12 Squarepusher - Kronmec  https://squarepusher.bandcamp.com/album/dostrotime-1   https://blknoise.bandcamp.com   https://www.instagram.com/blknoise   https://twitter.com/blknoisemusic   https://www.instagram.com/ed_skymall   65:20 End.

Humans and computers making music together, it's the best of both worlds.Ge Wang is a professor of music, a computer scientist, and director of the Stanford Laptop Orchestra – an orchestra in which human musicians and computers collaborate to make music. “I once thought computer music was abstract and inaccessible, but it can be very playful, too,” he says. Humans and computers making music together, it's the best of both worlds, Wang tells host Russ Altman on this episode of Stanford Engineering's The Future of Everything podcast.Episode Reference Links:Ge Wang's Stanford ProfileGe Wang's Personal WebsiteStanford Laptop Orchestra (SLOrk) Ge Wang directs: Stanford Laptop OrchestraMusic programming language Ge Wang built: ChucKGe Wang's book: Artful Design: Technology in Search of the SublimeArtful Design | Pi-shaped PersonArtful Design | OcarinaScott A. Lindroth (Ge Wang's professor at Duke who taught his first computer music class)Perry R. Cook (Ge Wang's Computer Science professor at Princeton who inspired him to merge computers and music)Connect With Us:Episode Transcripts >>> The Future of Everything WebsiteConnect with Russ >>> Threads or Twitter/XConnect with School of Engineering >>> Twitter/XChapters:(00:00:00) Introduction Host Russ Altman introduces guest Professor Ge Wang and his work around the intersection of AI, computer science, and music.(00:02:48) Early Inspirations and Merging Music with TechnologyGe Wang shares his early experiences with music and computers, leading to his unique career path combining both passions.(00:07:42) Developing Musical Tools and InstrumentsSignificance of playfulness in merging music with computer science, illustrated by projects like the Ocarina app and the Stanford Laptop Orchestra.(00:13:27) The Role and Impact of AI in MusicThe evolution of AI in music, with deeper questions about AI's role and the value of human creativity.(00:18:28) Music, AI, and Future GenerationsThe future of music and AI in the context of a parent, and the cultural dimensions and values that will shape the use of technology in art.(00:20:19) Ethical and Cultural Concerns of AI in MusicEthical dilemmas and cultural implications of using AI in music, copyright issues and the potential for generic AI-generated content.(00:25:09) Rethinking the Role of AI in the Creative ProcessAI's role in creativity, the value of the creative process over the mere output, and the potential for AI to enrich rather than replace human creativity.(00:29:32) The Concept of a Pi-Shaped PersonThe "Pi-Shaped Person," with emphasis on the importance of disciplinary expertise, domain knowledge, and an aesthetic lens.(00:33:52) Conclusion Connect With Us:Episode Transcripts >>> The Future of Everything WebsiteConnect with Russ >>> Threads or Twitter/XConnect with School of Engineering >>> Twitter/X

Welcome back everyone!!! This week we're going pretty hard, but also super chill, and then also the exact opposite of all that. I think you'll be into this one, and we got tons of new stuff to play! So let's get into it. This is BL_K NOISE RADIO!   TRACKLIST: 00:00 DJ Skymall 01:20 Pan Sonic – 4'35" https://kvitnu.bandcamp.com/album/oksastus 04:43 Pareidroolia - Nihilist Pajama Debate https://apophenicaudio.bandcamp.com/album/my-sweet-arrhythmia 09:38 Rian Treanor - Obstacle 2 https://riantreanor.bandcamp.com/album/obstacle-scattering 13:24 Beatrice Dillon - Workaround Seven https://beatricedillon.bandcamp.com/album/workaround 16:38 DJ Skymall 18:23 Marshall Applewhite - Green Bean Dinner https://marshallapplewhite.bandcamp.com/album/out-through-the-mouth 20:31 Chromedealer - Cubed³ https://chromedealer.bandcamp.com/album/sketches-of-silver 25:18 Ogive - Weathercore https://room40.bandcamp.com/album/opalescentia 28:40 Innode - Air Liquide https://innode.bandcamp.com/album/grain 33:06 Andrew Tasselmyer - All That Surrounds You https://andrewtasselmyer.bandcamp.com/album/where-substance-meets-emptiness 37:08 DJ Skymall 41:20 Hydroplane - Razorback https://schematicmusiccompany.bandcamp.com/album/blox 43:27 Latchwork - Radix Heap https://schematicmusiccompany.bandcamp.com/album/the-heap 46:06 Lord Spikeheart (ft. Koenraad Ecker & James Ginzburg) - REM Fodder https://lordspikeheart.bandcamp.com/album/the-adept 48:10 AJA - Small Arms (remix) https://gumtakestooth.bandcamp.com/ 52:14 Piper Spray & Lena Tsibizova - Arp Test https://theorytherapy.bandcamp.com/album/debtor-of-presence 55:01 Neuro... No Neuro - Picking At It https://neurononeuro.bandcamp.com/album/minute 56:08 DJ Skymall 57:08 Flore & Only Now - Morphers https://polaarsounds.bandcamp.com/album/morphers 61:17 End.   https://blknoise.bandcamp.com   https://www.instagram.com/blknoise   https://twitter.com/blknoisemusic   https://www.instagram.com/ed_skymall

Here we go!!! This is our "best of" mix for 2023. I tried to pull my favorite IDM and Glitch tracks from this past year for the next hour. So I hope you all get into them as much as I have :) Also, make sure you check below the track list as I posted the full list of releases to not miss from 2023. Alright, let'd do this. BL_K NOISE RADIO!!!   TRACKLIST: 00:00 DJ Skymall 01:18 Komposite – Crapule https://komposite.bandcamp.com/album/substrat 03:04 ANORAK - Gearfunk https://johnanorak.bandcamp.com/track/anti-social 06:07 Damtone - Micro Party Stretcher https://cleanerrorrecords.bandcamp.com/album/err047-da-mtone-whale-chantry-ep 09:56 Recue - Tensegrity https://recue.bandcamp.com/album/tensegrity-ep-slmt007 14:02 Amaranth Todd - Aspirate https://geometriccorruption.bandcamp.com/album/abyssal 19:12 DJ Skymall 21:32 James Holden - Continuous Revolution https://jamesholden.bandcamp.com/album/imagine-this-is-a-high-dimensional-space-of-all-possibilities 24:56 Polinski - Distant Friend I Love You https://paulwolinski.bandcamp.com/album/telex-from-midi-city-data111 28:54 Zohka - Gandha https://zohka.bandcamp.com/album/visaya 32:34 Aqua Mute - Larvae https://aquamute.bandcamp.com/album/insectario 35:29 Aho Ssan - Tetsuo II https://ahossan.bandcamp.com/album/rhizomes 40:27 Two Fingers vs. Muadeep - Blood Moon https://relativitylounge.bandcamp.com/album/recoil 44:10 DJ Skymall 46:48 Tsone - Weak Bonds https://tsone.bandcamp.com/album/anti-equilibrium-vol-2 49:10 Gonima - Turning https://gonima.bandcamp.com/album/escapism-seralp01 52:33 Valance Drakes - The Heart Must Pause to Breathe https://amekcollective.bandcamp.com/album/hate-devours-its-host 55:46 Adrien d'Elzius - Down The Rabbit's Hole https://adriendelziusmusic.bandcamp.com/album/straight-from-the-void-pt-1 58:22 DJ Skymall 59:34 Emptyset - Cinder https://emptyset1.bandcamp.com/album/ash 61:54 End. ------------- Best releases of 2023: Caterina Barbieri - Myuthafoo https://caterinabarbieri.bandcamp.com/album/myuthafoo Arovane - Sinter https://laaps.bandcamp.com/album/sinter Mike Lazarev - Sacred Tonalities https://pitp.bandcamp.com/album/sacred-tonalities MPU101 - ITX027 https://iliantape.bandcamp.com/album/itx027-mpu103 Grischa Lichtenberger - Works For Last Work https://raster-raster.bandcamp.com/album/works-for-last-work Lowfish - Grey With Breaks https://lowfish.bandcamp.com/album/grey-with-breaks Cabo Pozo - Xdnt https://amigosdelalima.bandcamp.com/album/xdnt Tim Hecker - No Highs https://timhecker.bandcamp.com/album/no-highs Ozmotic / Fennesz - Senzatempo https://ozmotic.bandcamp.com/album/senzatempo Özcan Saraç - 0:1 https://ozcansarac.bandcamp.com/album/0-1 Grischa Lichtenberger - Die Wiederholung der Geschichte der amerikanischen Heimatlosigkeit https://raster-raster.bandcamp.com/album/die-wiederholung-der-geschichte-der-amerikanischen-heimatlosigkeit Ambalek - Lull https://ambalek.bandcamp.com/album/lull Oval - Romantiq https://oval.bandcamp.com/album/romantiq Blawan - Dismantled Into Juice https://blawan.bandcamp.com/album/dismantled-into-juice Jan Jelinek - Seascape - Polyptych https://janjelinek.bandcamp.com/album/seascape-polyptych Emily Rach Beisel - Particle Of Organs https://emilyrachbeisel.bandcamp.com/album/particle-of-organs EPROM - Syntheism https://eprom.bandcamp.com/album/syntheism Micah Pick - Undecoded https://micahpick.bandcamp.com/album/undecoded Iker Ormazabal Martínez - Unlimited Dream Company https://brachliegentapes.bandcamp.com/album/unlimited-dream-company Kindohm - GET https://kindohm.bandcamp.com/album/get Iceleaps - Aux4438 https://iceleaps.bandcamp.com/album/aux4438 SDEM - Vortices https://bleep.com/release/389088-sdem-vortices Atte Elias Kantonen - A Path With A Name https://sodagong.bandcamp.com/album/a-path-with-a-name Nebulo - MMXXII https://nebulo.bandcamp.com/album/mmxxii Lauren Bousfield - Salesforce https://orangemilkrecords.bandcamp.com/album/salesforce William Fields - Antero https://williamfields.bandcamp.com/album/antero Andrew Black - Crawl https://andrewrblack.bandcamp.com/album/crawl Oneohtrix Point Never - Again https://oneohtrixpointnever.bandcamp.com/album/again Nick Forté - Pasted Lakes Vol. 2 https://schematicmusiccompany.bandcamp.com/album/pasted-lakes-vol-2 Papierblock - LibraPondo https://bathmophobiarecords.bandcamp.com/album/librapondo RTR - XOR https://rtrmusic.bandcamp.com/album/xor Synalegg - Patchwork-03 https://synalegg.bandcamp.com/album/patchwork-03 Hemadaxis - Self Titled https://hemadaxis.bandcamp.com/album/hemadaxis Aelk Minsur - Ground Redux https://aelkminsur.bandcamp.com/album/ground-redux

Brandon Sheffield intereviews musical artist chibi-tech on her career in chiptune, working in Japan, and breaking through the noise in front of an Akihabara busker. Featuring Brandon Sheffield and chibi-tech. Intro by Alex Jaffe. Edited by Esper Quinn, original music by Kurt Feldman. Segments: Preface (00:24) What are your musical origins? (02:37) When did your music break out? (07:36) How did you start making music professionally? (11:08) What advice would you give someone wanting to work in Japan or with Japanese companies? (15:37) chibi-tech - Pheromone Overdosage (20:27) chibi-tech - Amerio no Jikan (26:09) Discuss this episode in the Insert Credit Forums A SMALL SELECTION OF THINGS REFERENCED: Omotesandō chibi-tech M2 Sonic the Hedgehog Sonic the Hedgehog 2 Kokuga Game Gear Micro Fantasy Zone OutRun Pheromone OVERDOSAGE Amiga 1000 Ampex Nolan Bushnell Atari Deluxe Music Construction Set Ninja Gaiden Zero no Tsukaima The World Famous Vincent Diamante Sky: Children of the Light Journey Insert Credit Gaiden is brought to you by patrons like you. Thank you. Subscribe: RSS, Apple Podcasts, Google Podcasts, Spotify, and more!

Brandon Sheffield intereviews musical artist chibi-tech on her career in chiptune, working in Japan, and breaking through the noise in front of an Akihabara busker. Featuring Brandon Sheffield and chibi-tech. Intro by Alex Jaffe. Edited by Esper Quinn, original music by Kurt Feldman. Segments: Preface (00:24) What are your musical origins? (02:37) When did your music break out? (07:36) How did you start making music professionally? (11:08) What advice would you give someone wanting to work in Japan or with Japanese companies? (15:37) chibi-tech - Pheromone Overdosage (20:27) chibi-tech - Amerio no Jikan (26:09) Discuss this episode in the Insert Credit Forums A SMALL SELECTION OF THINGS REFERENCED: Omotesandō chibi-tech M2 Sonic the Hedgehog Sonic the Hedgehog 2 Kokuga Game Gear Micro Fantasy Zone OutRun Pheromone OVERDOSAGE Amiga 1000 Ampex Nolan Bushnell Atari Deluxe Music Construction Set Ninja Gaiden Zero no Tsukaima The World Famous Vincent Diamante Sky: Children of the Light Journey Insert Credit Gaiden is brought to you by patrons like you. Thank you. Subscribe: RSS, Apple Podcasts, Google Podcasts, Spotify, and more!

Part 2 of 2 from Dr. Campbell's interview with King Britt for our Champions of the Culture: Modern Advocates Preserving Black Music special season.  King is a 30+ year producer, composer and performer in the global advancement of electronic music.  As a composer and producer, his practice has led to numerous original and remix music collaborations. As Teaching Professor in Computer Music at the University of California San Diego, King carries a unique perspective, bringing a non-linear approach and knowledge to the department by focusing on various modern forms of electronic music pedagogy, while continuing to be an active force in the music industry.  Blacktronika : Afrofuturism In Electronic Music, is a new lecture course at UCSD, created by King, researching and honoring the people of color, who have pioneered groundbreaking genres within the electronic music landscape.Learn more about King James Britt here.Support the show

Part 1 of 2 from Dr. Campbell's interview with King James Britt for our Champions of the Culture: Modern Advocates Preserving Black Music special season.  King is a 30+ year producer, composer and performer in the global advancement of electronic music.  As a composer and producer, his practice has led to numerous original and remix music collaborations. As Teaching Professor in Computer Music at the University of California San Diego, King carries a unique perspective, bringing a non-linear approach and knowledge to the department by focusing on various modern forms of electronic music pedagogy, while continuing to be an active force in the music industry.  Blacktronika : Afrofuturism In Electronic Music, is a new lecture course at UCSD, created by King, researching and honoring the people of color, who have pioneered groundbreaking genres within the electronic music landscape.Learn more about King James Britt here.

Hello again friends! This week we're back with the 2nd installment of "Start Here", where I take an hour to focus on the work from a single artist, label, period of time, etc. And this week we're going deep into the sounds of legendary IDM god, Otto Von Schirach... So get ready, because this one's gonna be nuts// This is BL_K NOISE RADIO.   TRACKLIST: 00:00 DJ Skymall 01:26 Otto Von Schirach – Trick Snitch (Car Jacking Master) https://ottovonschirach-ipecac.bandcamp.com/album/maxipad-detention 05:33 Otto Von Schirach - Menstrual Dolphin Communication https://ottovonschirach-ipecac.bandcamp.com/album/maxipad-detention 08:29 Otto Von Schirach - Boombonic Plague https://ottovonschirach.bandcamp.com/album/chopped-zombie-fungus 12:56 Otto Von Schirach - Mycelium https://ottovonschirach.bandcamp.com/track/mycelium 15:51 Otto Von Schirach - Tre Deuce Ave. Smash & Grab (remix) https://schematicmusiccompany.bandcamp.com/album/odd-jobs 18:17 DJ Skymall 20:13 Otto Von Schirach - 25 Degrees 46' X 80 Degrees 12' https://ottovonschirach.bandcamp.com/album/8000-b-c 23:29 Otto Von Schirach - Roach Motel https://www.discogs.com/release/236369-Various-Dura-Matters 26:47 Otto Von Schirach - External Combustion 11 (remix) https://schematicmusiccompany.bandcamp.com/album/external-combustion 29:48 Otto Von Schirach - Whip Me Down https://ottovonschirach.bandcamp.com/album/chopped-zombie-fungus 34:12 Otto Von Schirach - Commercial ID + Add https://ottovonschirach.bandcamp.com/album/escalo-frio 36:23 Otto Von Schirach - Laptops & Martinis https://ottovonschirach.bandcamp.com/album/chopped-zombie-fungus 41:17 Otto Von Schirach - Romance In The Club https://ottovonschirach.bandcamp.com/album/oozing-bass-spasms 45:52 Otto Von Schirach - The Inventor Of The Milf'ed Decibel https://ottovonschirach.bandcamp.com/album/global-speaker-fisting 49:26 Otto Von Schirach - La Sangre Del Dedo Intelecto https://ottovonschirach.bandcamp.com/album/global-speaker-fisting 55:34 Otto Von Schirach - Dr. Flamenco https://ottovonschirach.bandcamp.com/album/escalo-frio 56:47 DJ Skymall  57:57 Otto Von Schirach - Lactate https://ottovonschirach.bandcamp.com/album/chopped-zombie-fungus 68:22 End.

After a few weeks haitus we are back again! It's been an interesting one for me, so I apologize for the delayed upload, but I think you'll really like this mix. It's a bit darker than past shows, but I promise I won't bring you too deep into the doldrums... Alright, here we go! This is BL_K NOISE RADIO // TRACKLIST: 00:00 DJ Skymall 01:20 Ubu Boi & R Hunter – Caustic Cleanse https://genot.bandcamp.com/album/a-symbol-for-disguise 05:04 James Shinra - Finch https://jamesshinra.bandcamp.com/album/meteorite-001 09:22 Sole Massif - Idol https://solemassif.bandcamp.com/album/deca 14:20 Moshonsensu - Sombre https://touched.bandcamp.com/album/even-keel 18:15 Jodey Kendrick - Squeeze The Trigger https://edmsoundwave.bandcamp.com/album/edm-x 21:16 DJ Skymall 23:46 Shigeto - Ann Arbor Part 3 & 4 https://shigeto.bandcamp.com/album/lineage-2 27:59 Andrew Black - In Dirt https://andrewrblack.bandcamp.com/album/crawl 31:12 Boards Of Canada - Nothing Is Real https://boardsofcanada.bandcamp.com/album/tomorrows-harvest 34:46 Yui Onodera - Mizuniwa 6 https://yuionodera.bandcamp.com/album/mizuniwa 35:54 Mieko Suzuki - Catastrophe https://raster-raster.bandcamp.com/album/dipus-herrscher 37:53 DJ Skymall 39:36 Ziyiz - Sleep Spell https://line156.bandcamp.com/album/spells 42:10 William Fields - Xepub4 https://williamfields.bandcamp.com/album/antero 47:05 Grischa Lichtenberger - 0712_24_lv_!_sc_! https://raster-raster.bandcamp.com/album/works-for-last-work 49:51 Two Fingers & Muadeep - The Last Ride Of Charon https://twofingersbeats.bandcamp.com/album/cronos 53:35 Nebulo - Peplum Cream https://lecabanonrecords.bandcamp.com/album/parallaxes 55:37 DJ Skymall 56:38 Qebo - Wireframe Chase https://polyend.com/product/cellular-spaces/ 60:57 End.   https://blknoise.bandcamp.com   https://www.instagram.com/blknoise   https://twitter.com/blknoisemusic   https://www.instagram.com/ed_skymall

Aaaaaaaaaaaand, we're back! Hello again everyone. This week's show is a solid mix of true glitch and warm ambience. Other than that we'll talk about big plans, hot houses and brownouts... So let's do this! This is Bl_K Noise Radio!!!    TRACKLIST: 00:00 DJ Skymall 01:20 ANMA – Sketch 4 https://syncopathicrecordings.bandcamp.com/album/sketches 04:14 Suumhow - 56 https://n5md.bandcamp.com/album/secuund 08:42 Grischa Lichtenberger - Remix 0623_27r1 https://soundcloud.com/grischenka/john-object-cumblood-grischa-lichtenbeger-remix-0623_27-r1 13:59 Svetlana Maraš - Monoc https://svetlanamaras.bandcamp.com/album/live-performance-2019-2020 15:32 DJ Skymall 18:30 IKTS - IKTM https://ikts.bandcamp.com/album/switch 20:24 Oora - Tra Onde Di Carta https://oora.bandcamp.com/album/una-storia-breve-2 23:57 Matt Robertson - Hold https://mattrobertson.bandcamp.com/album/in-echelon 28:31 Suisen - Revolving Sky https://darrenmcclure.bandcamp.com/album/just-below-the-surface 31:33 Gold Panda - New Days https://goldpanda.bandcamp.com/album/the-work 35:06 DJ Skymall 37:36 Wil Bolton - Points Of Light https://ab-wil-bolton.bandcamp.com/album/swept 39:38 C-Schultz & Hajsch - 5 https://www.discogs.com/release/447674-C-Schulz-Hajsch-C-Schulz-Hajsch 41:40 Autechre - Konlied MX https://www.discogs.com/release/3066-Various-Routine 45:10 Jacaszek - Walc https://jacaszek2.bandcamp.com/album/treny 47:16 Giuseppe Ielasi - 05 https://12kmusic.bandcamp.com/album/aix 51:06 Jan Nemecek - Feel Safe https://jannemecek.bandcamp.com/album/recurrences 55:18 DJ Skymall 56:22 Mouse On Mars - Metrotopy https://mouseonmars.bandcamp.com/album/parastrophics 60:07 End.   https://blknoise.bandcamp.com   https://www.instagram.com/blknoise   https://twitter.com/blknoisemusic   https://www.instagram.com/ed_skymall

We are back this week with another full episode, full mix of (mostly) new tracks! We're definitely leaning more into the glitch realm on this one, but also getting melodic and emotional every once in a while... So let's do this! Turn it up. BL_K Noise Radio is on/   TRACKLIST: 00:00 DJ Skymall 01:20 Amaranth Todd – Ossia https://geometriccorruption.bandcamp.com/album/abyssal 03:34 Two Fingers & Muadeep - Blood Moon https://twofingersbeats.bandcamp.com/album/cronos 06:55 Arca - Avasallada https://www.discogs.com/release/14824463-Arca- 09:50 Satoshi Kanno - Monoc https://adsrmusic.ca/album/monoc 13:17 Eliott Blaise-Lassire - Tell Me https://eliottblaise.bandcamp.com/album/arch-05200721-souvenirs-de-f-tes 16:35 DJ Skymall 19:54 J. Albert & Will August Park - Motion Picture https://jalbert.bandcamp.com/album/flat-earth 21:15 Himuro Yoshiteru - The Ground https://himuro-yoshiteru.bandcamp.com/album/transition 24:28 Hiroto Kudo - Shayou https://hirotokudo.bandcamp.com/album/yume 29:08 EPROM - Fm VOC 83.35 https://eprom.bandcamp.com/album/syntheism 31:11 Micah Pick - Undecoded Names https://micahpick.bandcamp.com/album/undecoded 35:54 DJ Skymall 39:08 Tènébre - Tocsin https://tenebreaudio.bandcamp.com/album/terraform 41:22 Solo Andata - Livid Walls Of Thought https://soloandata.bandcamp.com/album/slip-casting 44:02 Caterina Barbieri - Sufyosowirl https://caterinabarbieri.bandcamp.com/album/myuthafoo 49:40 R Beny - The Romantic Image Of Ruins https://rbeny.bandcamp.com/album/natural-fiction 52:48 William Fields - Lena https://williamfields.bandcamp.com/album/celeritas 55:20 DJ Skymall 56:54 Drøn - Ronud Simc https://l50cd.bandcamp.com/album/selected-shorelines 60:12 End.   https://blknoise.bandcamp.com   https://www.instagram.com/blknoise   https://twitter.com/blknoisemusic   https://www.instagram.com/ed_skymall

Welcome friends! This week we are switching it up a bit with a new little project we're calling "Start Here". The idea is that once a month we focus the show solely on a specific artist, record label, time period, etc. There are just too many pieces of this glitch/idm puzzle that have been overlooked, forgotten by time, or missed completely and we want to do our part in preserving that history... So I hope you enjoy this look into the unquestionably unique world of Dino Felipe, and come away with even just half of the appreciation I have for his overwhelming contribution to our little scene.   TRACKLIST: 00:00 DJ Skymall 01:26 Dino Felipe – Rhumbus Among Us https://dino-felipe.bandcamp.com/album/dinosaur-bones-pyramids 05:09 Dino Felipe - Orange Field https://dino-felipe.bandcamp.com/album/im-you 07:34 Dino Felipe - Blue Eyes https://dino-felipe.bandcamp.com/album/vocalwerks 10:58 Dino Felipe - Neck https://dino-felipe.bandcamp.com/album/im-you 14:17 Dino Felipe - o13 https://dino-felipe.bandcamp.com/album/fantision 17:53 Dino Felipe - Ripped & Shit https://dino-felipe.bandcamp.com/album/dinosaur-bones-pyramids 20:32 Dino Felipe - Rythmic (2 Portable) https://dino-felipe.bandcamp.com/album/lost-found-2 23:17 Dino Felipe - Free Hot Pinking https://schematicmusiccompany.bandcamp.com/album/well-suited-for-general-purpose-audio-work 25:53 Dino Felipe - Arizona https://dino-felipe.bandcamp.com/album/econo-lp 30:43 DJ Skymall 33:12 Dino Felipe - Lost Lockets https://dino-felipe.bandcamp.com/album/symphonica-sufrida 34:11 Dino Felipe - Dead Wild Horses https://schematicmusiccompany.bandcamp.com/album/well-suited-for-general-purpose-audio-work 38:04 Dino Felipe - The Art Of Dying (clip) https://dino-felipe.bandcamp.com/album/half-balloon 40:01 Dino Felipe - 6 Feet Under https://dino-felipe.bandcamp.com/album/no-fun-demo 44:22 Dino Felipe - All The Aluminum I Could Have https://dino-felipe.bandcamp.com/album/im-you 48:14 Dino Felipe - Extrink String Thing https://dino-felipe.bandcamp.com/album/econo-lp 48:54 DJ Skymall 50:03 Dino Felipe - Untitled (Unreleased) https://dino-felipe.bandcamp.com/music 55:30 End.   https://blknoise.bandcamp.com   https://www.instagram.com/blknoise   https://twitter.com/blknoisemusic   https://www.instagram.com/ed_skymall

Welcome back everyone! Ok, so on this week's show we're diving deep into the world of DSP, algorithmic production, and sound design. This is definitely one for the nerds! So let's do this right now, this is BL_K NOISE Radio!   TRACKLIST: 00:00 DJ Skymall 01:20 Ben Peers – Mona https://bpeers.bandcamp.com/album/doubled 04:43 Beatrice Dillon - Clouds Strum https://beatricedillon.bandcamp.com/album/workaround 09:02 Mark Fell & Gabor Lazar - Untitled 1 https://bleep.com/release/60484-mark-fell-gabor-lazar-the-neurobiology-of-moral-decision-making 10:26 Second Woman - //// https://spectrumspools.bandcamp.com/album/s-w 13:13 DJ Skymall 15:12 Atom tm - Whereweleftoff (remix) https://kid606.bandcamp.com/album/ps-you-love-me-2001 19:06 Amaranth Todd - Aspriate https://geometriccorruption.bandcamp.com/album/abyssal 24:06 User Friendly - Heck It https://userfriendly1.bandcamp.com/album/sickle 27:09 Errorsmith - Most Elastic https://errorsmith.bandcamp.com/album/2 32:45 Dino Felipe - Untitled (unreleased) https://dino-felipe.bandcamp.com/ 35:26 Alva Noto - Uni Blue https://noton.info/product/n-045/ 39:37 VoltageCtrlR - Under The Nu Moon https://voltagectrlr.bandcamp.com/album/ancient-circuitry 42:06 DJ Skymall 44:25 Pan Sonic - Pan Finale https://bleep.com/release/25210-pan-sonic-gravitoni 46:42 Kindohm - Infographic Meme https://newyorkhaunted.bandcamp.com/album/nyh101-kindohm-starter-pack-meme 49:30 Kulakostas - Post Truth https://inodi.bandcamp.com/album/lost-found-ep-vol-2 53:30 Formen - Hertz https://formen.bandcamp.com/album/impulse 55:56 DJ Skymall 57:18 CRRNT - -.- https://111records.bandcamp.com/album/crrnt-grit 60:06 End.   https://blknoise.bandcamp.com   https://www.instagram.com/blknoise   https://twitter.com/blknoisemusic   https://www.instagram.com/ed_skymall

Best of the underground, week of May 30, 2023: Plodding dervish! And great, great songs (All podcasts are on www.hlycrp.com, and you can also follow us on Facebook, Instagram, and Twitter, and Spotify, and Apple Podcasts.)  

Welcome back again! This week we're going through 95% completely new releases and dropping the best tracks from each. The mix will take you in a few different directions, but all of them, awesome :) So let's go! This is BL_K NOISE Radio...   TRACKLIST: 00:00 DJ Skymall 01:20 Blawan – Panic https://blawan.bandcamp.com/album/dismantled-into-juice 04:51 Woulg - Echinoderm https://woulg.bandcamp.com/album/soap 07:56 Prox.Bleep - Fragmented https://billegalbeats.bandcamp.com/album/fragmented 12:02 Jan Jelinek - The Water Seems Changed To Mist And Vapor https://janjelinek.bandcamp.com/album/seascape-polyptych 15:07 Reid Willis - Sifting Through The Years https://reidwillis.bandcamp.com/album/sediment 18:47 DJ Skymall 22:17 James Holden - Continuous Revolution https://jamesholden.bandcamp.com/album/imagine-this-is-a-high-dimensional-space-of-all-possibilities 24:32 P1nkf1re - p011 var https://p1nkf1re.bandcamp.com/album/cart1 27:37 Jodey Kendrick - Ava Acid https://wemerecords.bandcamp.com/album/grace-weme080 31:47 Autechre - /]{- /](||) Excerpt https://www.discogs.com/release/197416-Various-All-Tomorrows-Parties-30-Autechre-Curated 35:42 Grischa Lichtenberger - 0712_24_lv_!_sc_! https://raster-raster.bandcamp.com/album/works-for-last-work 38:35 Exm- 17 06 is the (clip) https://exmat.bandcamp.com/album/treethree 45:00 DJ Skymall 47:44 Lowfish - Scarborough Brutalist https://lowfish.bandcamp.com/album/grey-with-breaks 49:46 Datassette - Polyhedron Navigator https://shop.cpurecords.net/album/kestrel-manoeuvres-in-the-dark 55:15 Oval - Zauberwort https://oval.bandcamp.com/album/romantiq 57:43 DJ Skymall 58:44 Suumhow - Krimineilzat https://n5md.bandcamp.com/album/years-failed-successfully 62:26 End.   https://blknoise.bandcamp.com   https://www.instagram.com/blknoise   https://twitter.com/blknoisemusic   https://www.instagram.com/ed_skymall

Hello friends! I know I have been wayyyy off the wagon when it comes to doing new episodes, but things are gonna change 'round here! We are back for good, we'll be here weekly, and it will be awesome. So thank you for sticking around and getting into it.  Alright, here we go!  This is BL_K NOISE Radio...   TRACKLIST: 00:00 DJ Skymall 01:20 Anorak – Addictis Euro Psalm https://johnanorak.bandcamp.com/album/antisocial 03:32 Sunnk - Didn't Leave https://sunnk.bandcamp.com/album/everything-is-the-colour-of-dust 07:54 Nebulo - zt https://nebulo.bandcamp.com/album/mmxxii 10:50 Cimarrón - Niiebla https://nodolabel.bandcamp.com/album/sin-cara-sin-nombre 14:20 DJ Skymall 17:24 Nyorai - Fog https://nyorai.bandcamp.com/album/k-kan-ecu118 18:42 Reid Willis - Shoulder The Burden https://reidwillis.bandcamp.com/album/sediment 23:48 Ital Tek - The Mirror https://italtek.bandcamp.com/album/timeproof 27:22 Aelk Minsur - Bonded https://aelkminsur.bandcamp.com/album/ground-redux 29:34 Ozmotic & Fennesz - Motionless https://fenneszreleases.bandcamp.com/album/senzatempo 32:35 Klahrk & Kavari - Acres https://genot.bandcamp.com/album/wax 37:08 Datacode - Cluster [000007] https://detund.bandcamp.com/album/peripheral 39:01 Cabo Pozo - Oscureci2 https://amigosdelalima.bandcamp.com/album/xdnt 41:36 Datassette - To The Scullery! https://shop.cpurecords.net/album/kestrel-manoeuvres-in-the-dark 44:32 DJ Skymall 46:56 Aqua Mute - Ecdysis https://aquamute.bandcamp.com/album/insectario 48:19 Ooame - Sulfur https://ooame-music.bandcamp.com/track/sulfur 51:34 Adrien d'Elzius - Down The Rabbit's Hole https://adriendelziusmusic.bandcamp.com/album/straight-from-the-void-pt-1 54:22 DJ Skymall 55:30 Jodey Kendrick - Yedek 2 https://wemerecords.bandcamp.com/album/grace-weme080 59:33 End.   https://blknoise.bandcamp.com   https://www.instagram.com/blknoise   https://twitter.com/blknoisemusic   https://www.instagram.com/ed_skymall  

We interview David Hornik on the intersection of venture capital and law. We discuss the role of the attorney in venture capital, the importance of early legal decision making, corporate governance and ESG, the power of giving, liberalizing the trading of private securities, and SPACs.A bit about David Hornik:David Hornik is an American venture capitalist, lawyer, educator, art collector, and philanthropist. David has an eclectic educational background. He received a BA from Stanford in Computer Music, an MPhil in Criminology from Cambridge University, and a JD from Harvard Law School.In his early career, David worked in public defense, at Cravath, and then at Perkins, as an attorney representing startups. David then transitioned into the venture capital world. For more than 25 years, David has helped technology entrepreneurs build transformative businesses. Prior to founding Lobby Capital, he was a General Partner at August Capital for 20 years. David has sat on the board of countless companies, including multiple which had gone public. In 2013, Deloitte named Hornik the “Silicon Valley Venture Capitalist Of The Year.”David served as the Tech Curator for the TED Conference in Vancouver and co-created and hosted TEDxStanford. His investing stories have been featured in American author Adam Grant's New York Times Bestseller, Give and Take: A Revolutionary Approach to Success. In addition to his investing career, David teaches entrepreneurship at Harvard Law School, and business management at Stanford Graduate School of Business.

This week we welcome editor, writer and director Jae Shim on the show to talk about making his first feature film Opus Cope about composer and author David Cope who spent his life teaching computers how to make music. Jae talks about how he discovered David and his work and how he formed his first feature blending documentary and fiction together through the film. After that we play another round of You're the Expert, enjoy! Order The Alternate on Itunes Out Now: https://itunes.apple.com/us/movie/the-alternate/id1640576609?ls=1 For 20% off your Jambox subscription use code MMIH @ jambox.io Check out the ISA at: www.networkisa.org

Michael Gurevich, lecturer at the Sonic Arts Research Centre at the Queen's University, Belfast School of Music and Sonic Arts, serves as guest editor of the Winter 2010 issue of Computer Music Journal. In this podcast, Michael discusses the fields of Computer Music and Human Computer Interaction (HCI). He describes how these fields intersect and what they can learn from each other, touching on how the field of Computer Music has grown and how this affects performance and composition of electronic music. This conversation was recorded on December 14, 2010. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

Michael Gurevich, lecturer at the Sonic Arts Research Centre at the Queen's University, Belfast School of Music and Sonic Arts, serves as guest editor of the Winter 2010 issue of Computer Music Journal. In this podcast, Michael discusses the fields of Computer Music and Human Computer Interaction (HCI). He describes how these fields intersect and what they can learn from each other, touching on how the field of Computer Music has grown and how this affects performance and composition of electronic music. This conversation was recorded on December 14, 2010. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/music

Michael Gurevich, lecturer at the Sonic Arts Research Centre at the Queen's University, Belfast School of Music and Sonic Arts, serves as guest editor of the Winter 2010 issue of Computer Music Journal. In this podcast, Michael discusses the fields of Computer Music and Human Computer Interaction (HCI). He describes how these fields intersect and what they can learn from each other, touching on how the field of Computer Music has grown and how this affects performance and composition of electronic music. This conversation was recorded on December 14, 2010. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/science-technology-and-society

Michael Gurevich, lecturer at the Sonic Arts Research Centre at the Queen's University, Belfast School of Music and Sonic Arts, serves as guest editor of the Winter 2010 issue of Computer Music Journal. In this podcast, Michael discusses the fields of Computer Music and Human Computer Interaction (HCI). He describes how these fields intersect and what they can learn from each other, touching on how the field of Computer Music has grown and how this affects performance and composition of electronic music. This conversation was recorded on December 14, 2010. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/sound-studies

Michael Gurevich, lecturer at the Sonic Arts Research Centre at the Queen's University, Belfast School of Music and Sonic Arts, serves as guest editor of the Winter 2010 issue of Computer Music Journal. In this podcast, Michael discusses the fields of Computer Music and Human Computer Interaction (HCI). He describes how these fields intersect and what they can learn from each other, touching on how the field of Computer Music has grown and how this affects performance and composition of electronic music. This conversation was recorded on December 14, 2010. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/technology

This week we're back with episode 60, and this one slowly disintegrates into a flood of ambient clicks and drones before bringing you back up again. Also, tons of new releases getting dropped this episode, so definitely follow the links below if you're into anything you hear. This is BL_K NOISE Radio...   TRACKLIST: 00:00 DJ Skymall 01:20 Enabl.ed – Invalid Spark https://music.mozyk.net/album/mozyk022-oddlymerged 04:49 Recue - Swallowtail https://recue.bandcamp.com/album/tensegrity-ep-slmt007 08:21 William Fields - Lfotux https://gotorecords.bandcamp.com/album/fictions 14:01 Burnt Friedman - Wunderkammer https://bleep.com/release/364117-burnt-friedman-hexenschuss 18:09 DJ Skymall 20:11 Cristian Vogel - Cities Version https://cristianvogel.bandcamp.com/album/multicore 23:21 Andrew Tasselmyer - Having Shed Our Attachments https://andrewtasselmyer.bandcamp.com/album/life-came-breaking-in 27:09 Monoiz - Invert5 https://detund.bandcamp.com/album/percussion-proximity 30:45 Valence Drakes - Death Chasing The Human Flock https://urbanvirusrecords.bandcamp.com/album/uvr10-a-weak-shield-protects-not-ep 32:44 AltBraKz - For Science https://billegalbeats.bandcamp.com/album/for-science 35:59 Patcha Kutek - Papa A La Huancaina https://schematicmusiccompany.bandcamp.com/album/lomito-saltado-y-los-grandes-exitos-desclasificados 39:56 DJ Skymall 42:08 MTCH - Pron Dit https://mtch.bandcamp.com/album/pleth 43:17 PixFoil - Golem https://eklero.bandcamp.com/album/oopart 47:33 Loscil & Lawrence English - Yellow https://loscil.bandcamp.com/album/colours-of-air 51:39 Age Reform - Hybrid Fruit https://m0ntage.bandcamp.com/album/xs-ep 53:31 Mike Lazarev - Tonality Number Four https://pitp.bandcamp.com/album/sacred-tonalities 54:50 DJ Skymall 56:07 Shinra Knives - Loser Mitsuko https://yukumusic.bandcamp.com/album/protect-me-from-what-i-want 60:06  End.   https://blknoise.bandcamp.com   https://www.instagram.com/blknoise   https://twitter.com/blknoisemusic   https://www.instagram.com/ed_skymall

We are back!!! For this week's show we were able to pull from all of the awesome releases to come out so far in 2023. Mostly on the glitchier side of IDM, with intricate beats and deeper melodies. I think you all will enjoy this one!    TRACKLIST: 00:00 DJ Skymall 01:20 Sk'p – Icurl https://cleanerrorrecords.bandcamp.com/album/err046-skp-mercurius 04:12 Rian Treanor & Ocen James - Tiyo Ki https://nyegenyegetapes.bandcamp.com/album/saccades 08:02 Recue - Tensegrity https://recue.bandcamp.com/album/tensegrity-ep-slmt007 12:06 The Fellow Passenger - Garment Patterns https://thefellowpassenger.bandcamp.com/album/book-of-needlecraft 15:48 DJ Skymall 18:42 SDEM - Skywave https://m3ds.bandcamp.com/album/worktapes 21:30 Machineform - Air Walk https://isochrone.bandcamp.com/album/black-box 27:01 Arovane - Glimmer https://laaps-records.com/album/sinter 29:06 Death Qualia - Bright Black https://ohmresistance.bandcamp.com/album/fanged-contradiction 33:20 Deep Glens - Dxtape Berlin https://deepglens.bandcamp.com/album/earn-grips 37:20 Tim Hecker - The Return of Sam Snead https://alien8recordings.bandcamp.com/album/my-love-is-rotten-to-the-core 39:18 DJ Skymall 42:16 Lucien de Baixo - Unkyf.01.111.grid https://ellirecords.bandcamp.com/album/111-grid-rework 44:08 RTR - Lights Over Phoenix https://rtrmusic.bandcamp.com/album/xor 48:30 Phoenecia - Community Coolge https://phoenecia.bandcamp.com/album/solid-state-compendium 52:56 DJ Skymall 54:03 Oval - Just Smile (remix) https://gonetocolor.bandcamp.com/album/-to-color-rmxs 58:42  End.   https://blknoise.bandcamp.com   https://www.instagram.com/blknoise   https://twitter.com/blknoisemusic   https://www.instagram.com/ed_skymall

This week's mix goes full-on Braindance! Which means tons of melodies, tons of Acid, and tons of drum machiney beats. Other than being awesome, we'll talk about how ridiculous my New Year's was and what's to come in 2023... So let's do this! BL_K NOISE Radio.   TRACKLIST: 00:00 DJ Skymall 01:20 Global Goon – Majestics https://balkanvinyl.bandcamp.com/album/euro-jack 05:16 Milieu - Sand https://milieumusic.bandcamp.com/album/sandgate 10:10 Keiss - Phoenix https://touched.bandcamp.com/album/found-sound-3 13:52 Ceephax - Way Station https://ceephax.bandcamp.com/album/baddow-moods 16:53 DJ Skymall 19:50 RTR - xxxx https://rtrmusic.bandcamp.com/album/xor 21:46 Acreationator - I Musn't Rush https://touched.bandcamp.com/album/found-sound-3  25:06 Binary Digit - Maybe Trigger Acid https://binarydigit.bandcamp.com/album/xrns-trax 29:29 Skee Mask - Steamer (AD Mix) https://scntstlab.bandcamp.com/album/b 34:58 Gonima - Cavern Music https://svnsetwaves.bandcamp.com/album/strands 39:11 DJ Skymall 42:55 Phoenecia - Dissolve Out (remix) https://phoenecia.bandcamp.com/album/solid-state-compendium 45:01 Viul & Benoît Pioulard - A Real Place https://astrangelyisolatedplace.bandcamp.com/album/konec 47:19 Humanoid - Atari Scodar https://touched.bandcamp.com/album/found-sound-3  52:29 Plaid - Bowl https://plaid.bandcamp.com/album/feorm-falorx 54:57 DJ Skymall 56:27 Skymall & Dino Felipe - Sinker https://skymallnoise.bandcamp.com/track/sinker-feat-dino-felipe 60:43  End.   https://blknoise.bandcamp.com   https://www.instagram.com/blknoise   https://twitter.com/blknoisemusic   https://www.instagram.com/ed_skymall

This week we're diving head-first into tracks from some of my favorite IDM, Glitch, Ambient, Braindance, and Sound Design releases of the past year. If you're interested in seeing the full list you can either check the post on my facebook page (https://www.facebook.com/ed.skymall) or instagram (https://www.instagram.com/ed_skymall). Thanks for listening! -ed   TRACKLIST: 00:00 DJ Skymall 01:20 Kid Bucle – Raro https://eclectocrat.bandcamp.com/album/63bit 05:35 Keiss - There's No Asphalt https://pulse-state.bandcamp.com/album/access-denied 09:16 Hitori Tori - Sakv https://evel.bandcamp.com/album/offset-enumerate 13:28 Synalegg - b3ll https://evel.bandcamp.com/album/harm0nii-tand3m 16:21 DJ Skymall 19:07 Othello Aubern - Pace Serpente https://threeop.bandcamp.com/album/pace-serpente  20:36 Kindohm & Jesse Whitney - Three Degrees https://aethersound.bandcamp.com/album/three-degrees 24:34 Makinist - IRD1 https://reset93.bandcamp.com/album/resurrection-ep 27:38 Amaranth Todd - Anamnesis https://amaranthtodd.bandcamp.com/album/the-body-is-a-prison 31:40 XZICD - The Simulation https://xzicd.bandcamp.com/album/xzicd 34:29 The Fear Ratio - KZAP https://tresorberlin.bandcamp.com/album/slinky 36:07 DJ Skymall 38:14 Ikävä Pii - Group Chats... https://earlyreflex.bandcamp.com/album/process-fatigue 42:33 Sunnk - The Colour Of Dust https://sunnk.bandcamp.com/album/everything-is-the-colour-of-dust 48:10 Fossil Fog - Glass Slipper https://fossilfog.bandcamp.com/album/stone-speech 50:10 Valance Drakes & Ivan Shopov - Condensed Clouds Drifting https://soundinpicture.bandcamp.com/album/valance-drakes-ivan-shopov-a-picture-in-motion-through-eternity 51:38 DJ Skymall 53:02 Tim Koch - Geht Ruckzuck https://shop.cpurecords.net/album/volplaning 57:18 Lilien Rosarian - Establish Residence https://lilienrosarian.bandcamp.com/album/every-flower-in-my-garden 60:00  End.   https://blknoise.bandcamp.com   https://www.instagram.com/blknoise   https://twitter.com/blknoisemusic   https://www.instagram.com/ed_skymall

We have a special one today! We're going to premier a new track from C Mantle "Gr nul;te", officially out December 22nd on the amazing Kaer'Uiks label. It's an intense ride, so definitely stick around to the end of the show for that...   TRACKLIST: 00:00 DJ Skymall 01:20 Plaid - C.A. https://plaid.bandcamp.com/album/feorm-falorx 04:22 Hex Tulpa – Uvx https://eclectocrat.bandcamp.com/album/63bit 07:34 Ir_ - Charlie https://artificialintelligencercrds.bandcamp.com/album/artificial-intelligence-vol-ii-vvaa 10:17 RTR - Nimitz https://rtrmusic.bandcamp.com/album/xor 14:24 Aphex Twin - Pthex https://aphextwin.bandcamp.com/album/collapse-ep 18:17 DJ Skymall 21:10 dgoHn - Nots https://analogicalforce.bandcamp.com/album/af045-portus-ep 23:35 Marric - Sofie's Visions https://antilounge.bandcamp.com/album/solutions 27:13 António Sá - Panteacid https://artificialintelligencercrds.bandcamp.com/album/artificial-intelligence-vol-ii-vvaa 31:41 Tobacco - Palmveo https://tobaxxo.bandcamp.com/album/skids-and-angels 34:53 Exm - Repr https://dyadik.bandcamp.com/album/comp 38:12 DJ Skymall 40:42 Hexalyne - Vacant Lot (remix) https://kaer-uiks.bandcamp.com/album/vacant-king-remixes 44:16 ABADIR - Microfilariae https://kaer-uiks.bandcamp.com/album/six-circuits 47:59 Marco Simioni - Genetix https://kaer-uiks.bandcamp.com/album/six-circuits 50:49 DJ Skymall 52:25 C Mantle - Gr nul;te https://kaer-uiks.bandcamp.com/music 60:02  End.   https://blknoise.bandcamp.com   https://www.instagram.com/blknoise   https://twitter.com/blknoisemusic   https://www.instagram.com/ed_skymall

Showcasing left-field electronic music.   TRACKLIST: 00:00 DJ Skymall 01:20 SND - Untitled https://bleep.com/release/19178-snd-atavism?lang=en_US 04:37 Ben Peers – Revolve https://bpeers.bandcamp.com/album/settling 09:55 Ryoji Ikeda - Ultronics 01 https://noton.info/product/n_003/ 14:49 Alva Noto - Black Acid (remix) https://electricdeluxe.bandcamp.com/album/edlx-029-black-acid-rmx-ep 17:21 DJ Skymall 19:32 Diamond Version - Science For A Better Life https://www.discogs.com/master/694210-Diamond-Version-CI 23:34 Thrshld - Microcosms https://thrshldbeats.bandcamp.com/album/freeform-metaphysics 25:42 Matmos - L.A.S.I.K. https://matmos.bandcamp.com/album/a-chance-to-cut-is-a-chance-to-cure 28:16 XoArK - Comets https://xoark.bandcamp.com/album/cims 32:13 Printiig - Fuge https://printiigmusic.bandcamp.com/album/interhymns 36:44 DJ Skymall 39:22 Autechre - Live In Helsinki 2022 (clip) https://autechre.bandcamp.com/music 40:30 Leden - Rec-20.04.30-17h12m47s_LORO https://ledenfabris.bandcamp.com/album/early-impro 43:27 Sole Massif & Tineidae & Access to Arasaka - Tactical Engagement https://chatsubo.bandcamp.com/album/engage 47:32 Grischa Lichtenberger - re derec https://raster-raster.bandcamp.com/album/kamilhan-il-y-a-p-ril-en-la-demeure 51:46 Pan American - Shining Book https://panamerican.bandcamp.com/album/quiet-city 54:10 DJ Skymall 55:24 Lowfish - Theme To Tedium https://analogicalforce.bandcamp.com/album/af046-thaw-ep 60:00  End.   https://blknoise.bandcamp.com   https://www.instagram.com/blknoise   https://twitter.com/blknoisemusic   https://www.instagram.com/ed_skymall

This week Chase us takes into the world of Vocaloid (music made by non-human singers...Confusing I know). But before that, we get back into inventing your next favorite treat and other things you should not to eat.Full length Vocaloid links from the episode:Song 1: https://www.youtube.com/watch?v=HyQK7IssB9MSong 2: https://www.youtube.com/watch?v=w8yweCungCESong 3: https://www.youtube.com/watch?v=7i_nc5GGIsI&t=6sFollow us on twitter and insta: @TOTIPodhttps://linktr.ee/TOTIPodEmail us: tipoftheiceberg.pod@gmail.comBusiness Inquiries: tipoftheiceberg.pod@gmail.com1-V-1 Inquiries: topoftheiceborg.pog@gmail.com

Support Night Clerk Radio on Patreon In this episode, we're talking about the classic music of the DOOM video games, focusing on the work of Bobby Prince in 1993 and Mick Gordon in 2016. Not only did both composers produce memorable and compelling soundtracks for their respective games, they did so under very different market and technological conditions. We talk about these changing conditions and how they manifest in each soundtrack.References and Additional LinksMasters of Doom: How Two Guys Created an Empire and Transformed Pop Culture by David Kushner Do Androids Dream of Computer Music?DOOM - SCARYDARKFAST by Dan PinchbeckBobby Prince, composer of DOOM & DOOM 2 Interview with QuartercirclesThe Sound Design Of DOOM - Exclusive Q&A with ADSRSatanic figures are hidden in Doom's soundtrack - The VergeHow the ‘Doom' Soundtrack Was Made Will Melt Your Puny Mortal Mind in ViceRip & Tear: Deconstructing the Technological and Musical Composition of Mick Gordon's Score for DOOM (2016)DOOM: Behind the Music at GDCMusical inspirations behind Doom's music at Doomwiki.orgDOOM: Behind The Music Part 1DOOM: Behind The Music Part 2The INSANE Rhythms of Doom Eternal | Jazz Pianist ReactsCreditsMusic by: 2MelloArtwork by: Patsy McDowellRoss on TwitterBirk on TwitterNight Clerk Radio on Twitter

Showcasing left-field electronic music.   TRACKLIST: 00:00 DJ Skymall   01:19 Yen Tech - Herd https://svbkvlt.bandcamp.com/album/assembler   04:56 Atsushi Izumi – TH https://opaltapes.com/album/houzan-archives   08:09 Selm - Nineteen Voices https://opaltapes.com/album/amateur-vampires   11:30 Ran Cap Duoi Collective - Images https://rancapduoi.bandcamp.com/album/ng-ng-y-ngay-ng-y-t-n-th   14:22 Sebastian Camens - Reality State https://nadarecs.bandcamp.com/album/asymmetry   19:18 DJ Skymall   21:45 Autechre - tt1pd https://autechre.bandcamp.com/album/nts-session-3   25:11 EPROM - Flex Acid https://eprom.bandcamp.com/album/acid-disk-2   28:18 Todas Las Anteriores - Control https://orislabel.bandcamp.com/album/amarillo-bugambilia   31:25 Pan Sonic - Voltos Bolt https://bleep.com/release/25210-pan-sonic-gravitoni   33:46 James Ginzburg - Light Evaporates https://jamesginzburg.bandcamp.com/album/crystallise-a-frozen-eye   36:58 DJ Skymall   38:56 Second Woman - 700353bc5 https://spectrumspools.bandcamp.com/album/second-woman   40:50 Daniel M Karlsson - Untraceable Bearer Bonds https://conditionalrecs.bandcamp.com/album/expanding-and-overwriting   44:04 Keith Fullerton Whitman - Retrograde (remix) https://keithfullertonwhitman.bandcamp.com/album/resonators-1   47:47 Beaunoise - Return {0xf8} https://beaunoise.bandcamp.com/album/nornstape   50:36 The Fear Ratio - Bronik https://blueprintrecords.bandcamp.com/album/light-box   54:19 Giorgio Sancristoforo - Untitled 6 https://giorgiosancristoforo.bandcamp.com/album/mellophonics   56:54 DJ Skymall   57:58 Aus - Stargazing https://precorecords.bandcamp.com/album/lang   62:36 End.     https://blknoise.bandcamp.com   https://www.instagram.com/blknoise   https://twitter.com/blknoisemusic   https://www.instagram.com/ed_skymall