Podcast appearances and mentions of Edward Dmytryk

Ep. 312: R. Emmet Sweeney on Tomonari Nishikawa, Minecraft, Long Gone, Crac!, plus Sinners and The Sniper Welcome to The Last Thing I Saw, with your host, Nicolas Rapold. This week I'm pleased to welcome back a friend of the podcast, R. Emmet Sweeney, who produces physical media for Kino Lorber and writes about movies as well as music. He runs a thriving substack newsletter called Old New, where he recently assembled remembrances of the filmmaker Tomonari Nishikawa, who recently passed away. We talked a bit about Nishikawa's movies, as well as baseball picture Long Gone, Minecraft, the Canadian animated short Crac! (a selection from Light Industry's recent Children's Cinema), with a few words from me on Ryan Coogler's Sinners and The Sniper, an Edward Dmytryk joint featured in the Columbia Pictures series at the Museum of Modern Art. Please support the production of this podcast by signing up at: rapold.substack.com Photo by Steve Snodgrass

Dieser Thriller aus dem Jahr 1965 wirkt auf den ersten Blick wie ein klassischer Hitchcock-Film: Gregory Peck spielt einen Mann, dessen Welt plötzlich instabil wird und der plötzlich und ohne ersichtlichen Grund von Fremden verfolgt wird. Zudem scheint es einen MacGuffin in Form einer Aktentasche zu geben. Edward Dmytryk flirtet zweifellos mit Hitchcock, geht aber dann in diesem wunderschönen und hochspannenden Großstadtporträt einen anderen Weg. Mehr dazu von Wolfgang M. Schmitt im Filmkompass!   Werbung: Das Best-Of von DIE FILMANALYSE als Buch. Mit einem Vorwort von Dominik Graf. Affiliate-Link: https://amzn.to/3NCkVHB Unser Kinderbuch „Die kleinen Holzdiebe und das Rätsel des Juggernaut“ ist erschienen! Affiliate-Link: https://amzn.to/47h1LQI Die Anthologie SELBST SCHULD! ist jetzt erschienen. Affiliate-Link: https://amzn.to/47qau3a Sie können DIE FILMANALYSE finanziell unterstützen – vielen Dank! Wolfgang M. Schmitt Betreff: DIE FILMANALYSE IBAN: DE29 5745 0120 0130 7858 43 BIC: MALADE51NWD PayPal: http://www.paypal.me/filmanalyse Patreon: https://www.patreon.com/wolfgangmschmitt Wolfgang M. Schmitt auf Twitter: https://twitter.com/SchmittJunior Wolfgang M. Schmitt auf Facebook: https://www.facebook.com/wolfgangm.schmittjun/ Wolfgang M. Schmitt auf Instagram: https://www.instagram.com/wolfgangmschmitt/ Produziert von FatboyFilm: https://www.fatboyfilm.de/ https://www.facebook.com/fatboyfilm/ https://www.instagram.com/fatboyfilm/

What d'ya hear? What d'ya say?Welcome to our 9th Trilogies episode, Film Noir edition. We hope you enjoyed our last episode where we looked at The Dark Knight Trilogy from Christopher Nolan. We are getting the podcast back on track after a few weeks/months away. As it is November aka Noirvember, we thought we would have a Film Noir themed episode. This trilogies episode is a little different from the rest. We of course will be looking at three films, but we're making our own trilogy. The films we will discuss are not connected per se as in Film 1, 2 and 3. No, they stand alone films though they are connected by a single character. That character is Detective Philip Marlowe, a private investigator created by author Raymond Chandler. Along with Dashiell Hammett and James M. Cain, Chandler was one of the great writers of pulp hard-boiled detective crime fiction. The films we will be discussing are some of our favourites. Murder My Sweet (1944) directed by Edward Dmytryk, The Big Sleep (1946) directed by Howard Hawks and The Long Goodbye (1973) directed by Robert Altman. Each film depicts Los Angeles in a different style, tone and, in Altman's case, time period. More importantly, they interpret Marlowe in their own unique way and as well as the source material. Dick Powell, Humphrey Bogart and Elliott Gould all bring something different and new for their performances as Philip Marlowe. We hope you continue to enjoy this new Trilogies Series we're doing and we also hope you enjoy this episode.Stay Tuned for more!Anders's screenwriter work can also be seen in the western The Outlaws which is a available to watch in the US, Finland & the UK on Amazon and Apple TV for example. You can read a review about the film on Collider.Follow us on our Instagram page. We're vacating our Twitter page and the site in general, for obvious reasons.Follow our Letterboxd page where you can see what we were recommending to each other over the course of the Covid-19 Pandemic:Also check us out on Letterboxd too!AndersAdam Hosted on Acast. See acast.com/privacy for more information.

On July 1st 1999, Edward Dmytryk a Canadian film director and editor died. He was known for his 1940s noir films and received an Oscar nominations for his work. Weirdly, one of his films has a legacy that is deeply relevant to some big issues today.https://bio.to/canboringThis podcast is hosted two idiots and created purely for entertainment purposes. By accessing this Podcast, I acknowledge that the CIB Podcast makes no warranty, guarantee, or representation as to the accuracy or sufficiency of the information featured in this Podcast. The information, opinions presented in this Podcast are for general entertainment and humor only and any reliance on the information provided in this Podcast is done at your own risk. However, if we get it badly wrong and you wish to suggest a correction, please email canadianpoliticsisboring@gmail.com Hosted on Acast. See acast.com/privacy for more information.

rWotD Episode 2576: Broken Lance Welcome to random Wiki of the Day where we read the summary of a random Wikipedia page every day.The random article for Thursday, 23 May 2024 is Broken Lance.Broken Lance is a 1954 American Western film directed by Edward Dmytryk and produced by Sol C. Siegel. The film stars Spencer Tracy, Robert Wagner, Jean Peters, Richard Widmark and Katy Jurado.Shot in Technicolor and CinemaScope, the film is a remake of House of Strangers, with the Phillip Yordan screenplay (based on the novel, I'll Never Go There Any More, by Jerome Weidman) transplanted out West, featuring Tracy in the original Edward G. Robinson role, this time as a cowboy cattle baron rather than an Italian banker in New York City. It has been widely noted that the story bears a strong resemblance to King Lear.This recording reflects the Wikipedia text as of 00:39 UTC on Thursday, 23 May 2024.For the full current version of the article, see Broken Lance on Wikipedia.This podcast uses content from Wikipedia under the Creative Commons Attribution-ShareAlike License.Visit our archives at wikioftheday.com and subscribe to stay updated on new episodes.Follow us on Mastodon at @wikioftheday@masto.ai.Also check out Curmudgeon's Corner, a current events podcast.Until next time, I'm Salli Standard.

Join hosts Nathan and Ryan as they uncover the gripping story of "The Sniper" (1952) in this suspenseful episode of Drive-In Double Feature Podcast. Directed by Edward Dmytryk, this film noir follows a disturbed man who goes on a killing spree in San Francisco. Dive into the film's tense atmosphere, psychological complexity, and the exploration of the criminal mind. Explore how "The Sniper" delves into themes of alienation, violence, and the impact of urban life on the human psyche. Get ready for a discussion that's as thought-provoking as it is thrilling as we unravel the mysteries of "The Sniper."

The Caine Mutiny (1954) is based on Herman Wouk's bestselling Pulitzer Prize winning novel of the same name. The film, directed by Edward Dmytryk and produced by Stanley Kramer, portrays the fictitious events on board the U.S.S. Caine, a Navy destroyer-minesweeper in the Pacific during World War II. Executive officer, Lt. Stephen Maryk (Van Johnson), relieves the seemingly unstable Lt. Commander Philip Francis Queeg, Captain of the USS Caine, of his command after Queeg (Humphrey Bogart) endangers the ship and its crew during a cyclone. The ship returns to the U.S. and Maryk is court-martialed for mutiny. He is represented by Navy lawyer, Lt. Barney Greenwald (José Ferrer), who despite disapproving of Maryk's actions, believes Maryk was misled by the ship's communications officer, Lt. Tom Keefer (Fred MacMurray), into believing Queeg was mentally unfit for command. Maryk is acquitted after Greenwald effectively places Queeg on trial by his exposing Queeg's erratic and paranoid behavior. The Caine Mutiny Court-Martial (2023), directed by the late William Friedkin, is based on Wouk's adaption of his own 1951 novel for the stage. In contrast to the 1954 film, The Caine Mutiny Court-Martial covers only the court-martial. The cast includes Jake Lacy as Maryk, Jason Clarke as defense attorney Greenwald, Monica Raymund as prosecutor Lt. Commander Katherine Challee, the late Lance Reddick as the presiding judge Captain Luther Blakley, and Kiefer Sutherland in a phenomenal performance as Queeg. The films are not only gripping courtroom dramas, but also explore larger themes around military justice, ethics, and morality.  With me to discuss these films is Eugene (Gene) Fidell, a visiting Lecturer in Law at Yale Law School and co-founder of the National Institute of Military Justice.Timestamps:0:00     Introduction3:58     What's a court-martial?9:14     The crime of mutiny17:48   Relieving Queeg of his command27:36   Putting Queeg on trial29:33   Taking some poetic license with a court-martial34:44   The defense lawyer's post-trial critique of the mutiny41:21   The dramatic changes in the Navy and armed forces since the original movie 47:12   More context for the two Caine Mutiny movies50:21   Other great movies about military justice    Further reading:“The Humphrey Bogart Blogathon: ‘The Caine Mutiny' (1954),” Dec. 23, 2016, https://back-to-golden-days.blogspot.com/2016/12/the-humphrey-bogart-blogathon-caine.htmlKelly, Kevin M., “You Murdered Queeg: Lawyers, Ethics, Military Justice, and ‘The Caine Mutiny,'” 1991 Wis. L. Rev. 543 (1991)Melville, Herman, Billy Budd (1924)Rosenberg, Norman L., “‘The Caine Mutiny': Not Just One But Many Legal Dramas,” 31 J. Mar. L. & Com. 623 (2000)Wouk, Herman, The Caine Mutiny (1951)Law on Film is created and produced by Jonathan Hafetz. Jonathan is a professor at Seton Hall Law School. He has written many books and articles about the law. He has litigated important cases to protect civil liberties and human rights while working at the ACLU and other organizations. Jonathan is a huge film buff and has been watching, studying, and talking about movies for as long as he can remember. For more information about Jonathan, here's a link to his bio: https://law.shu.edu/faculty/full-time/jonathan-hafetz.cfmYou can contact him at jonathanhafetz@gmail.comYou can follow him on X (Twitter) @jonathanhafetz You can follow the podcast on X (Twitter) @LawOnFilmYou can follow the podcast on Instagram @lawonfilmpodcast

Join hosts Jason, Anthony, and Tim as they discuss John Berry's He Ran All the Way, a 1951 crime drama in the film noir and film gris traditions. The film stars John Garfield, who was shortly thereafter blacklisted and died of a heart attack at age 39. The screenplay is written by Hugo Butler and Dalton Trumbo, both blacklisted, as was the director, John Berry.  We also discuss Berry's short documentary The Hollywood Ten (1950), a fundarising agitprop documentary about the ten Hollywood personnel jailed in federal prison for contempt of congress in 1050. Here are their names:  Alvah Bessie, screenwriter Herbert Biberman, screenwriter and director Lester Cole, screenwriter Edward Dmytryk, director Ring Lardner Jr., screenwriter John Howard Lawson, screenwriter Albert Maltz, screenwriter Samuel Ornitz, screenwriter Adrian Scott, producer and screenwriter Dalton Trumbo, screenwriter For more inormation on the 1945 "Black Friday" Hollywood strike that Tony references in the episode, check out this article he co-wrote with Gerald Horne!  We hope you enjoy!

For this RKO 1945 episode, two beautifully filmed noirs (by Harry J. Wild), Edwin L. Marin's Johnny Angel, another noir with a femme fatale (Claire Trevor) who loves too much (and gets a very unexpected - and gory - redemption), and Edward Dmytryk's Cornered, in which Dick Powell learns why you shouldn't hunt down Nazis and kill them with your bare hands, but doesn't seem very interested. And in Fear and Moviegoing in Toronto, we discuss the 1982 documentary I Heard It Through the Grapevine, in which James Baldwin talks to the people who were there about the failures of the civil rights movement and what they say about America.  Time Codes: 0h 00m 35s:      JOHNNY ANGEL [dir. Edwin L. Marin] 0h 29m 15s:      CORNERED [dir. Edward Dmytrk] 0h 46m 40s:      Fear and Moviegoing in Toronto – TIFF Cinémathèque – I Heard it Through the Grapevine (1982) by Dick Fontaine & Pat Hartley 0h 53m 22s:      Listener mail with Simon!   Studio Film Capsules provided by The RKO Story by Richard B. Jewell & Vernon Harbin Additional studio information from: The Hollywood Story by Joel W. Finler                                     +++ * Marvel at our meticulously ridiculous Complete Viewing Schedule for the 2020s * Intro Song: “Sunday” by Jean Goldkette Orchestra with the Keller Sisters (courtesy of The Internet Archive) * Read Elise's latest film piece on Preston Sturges, Unfaithfully Yours, and the Narrative role of comedic scapegoating. * Check out Dave's new Robert Benchley blog – an attempt to annotate and reflect upon as many of the master humorist's 2000+ pieces as he can locate – Benchley Data: A Wayward Annotation Project!  Follow us on Twitter at @therebuggy Write to us at therebuggy@gmail.com   We now have a Discord server - just drop us a line if you'd like to join!         

Mike Lisk AKA AP Mike of The Best Show and co-host of his own Egg Foo What?! podcast takes us INTO THE MARLOWEVERSE with a pair of very different portrayals of Raymond Chandler's cynical gumshoe Philip Marlowe. Mike's choice, MURDER MY SWEET (1944), is one of the first examples of film noir, and its success--along with DOUBLE INDEMNITY from the same year--added the spark that set off late 40s film noir explosion. It's also a way stoney and a total gateway drug to classic cinema with its snappy dialog and its trippy AF hallucination sequences. Former song-and-dance man Dick Powell plays Marlowe in this one, and he handles Chandler's dialog with a sense of cartoon humor that makes this one stand out. Directed by Edward Dmytryk (one of the Hollywood 10) with a script by John Paxton, the writer of several classic noirs (CROSSFIRE, CORNERED), and the uncle of crime fiction comic book writer Ed Brubaker (it runs in the family). Also starring noir ice queen Claire Trevor and ex-pro wrestler and Mike Mazurki. Available on disc at your local library and online via Archive: https://archive.org/details/murder-my-sweet-1944 Our next interpretation of Marlowe comes three years later while film noir was in full swing. Like Dick Powell before him, Robert Montgomery used his portrayal of Marlowe to shed his nice guy image, only he did it while barely being seen onscreen! As director and star of LADY IN THE LAKE (1947), Montgomery shot the entire film from Marlowe's jaundiced point-of-view. We only see the private eye when he's looking at himself in the mirror, making it one of the strangest films every made. While Mike and the OMFYS crew can't quite agree on if this cinematic experiment is successful or not, they all think that Montgomery put the dick in private dick as he is the surliest of the movie Marlowes. This is really saying something when you consider that Humphrey Bogart, Elliott Gould, Robert Mitchum and growly-assed Liam Neeson have all taken turns as the detective, and none of them are Mr. Sunshine. With Audrey Totter as the femme fatale, and Lloyd Nolan as a tough-talking cop who might not be on the up-and-up. Streaming on Criterion Channel. In the opening discussion, Mike and your hosts stay on topic and talk about their favorite movie Marlowes, and Cory and Bob give us a Noir City 21 report. Follow Mike Lisk on the site formerly known as Twitter at @APMike and check out his Egg Foo What?! podcast at https://podcasts.apple.com/us/podcast/egg-foo-what/id1635904703 And if you aren't already a fan, check out The Best Show at https://thebestshow.net/ Hosts: Bob Calhoun, Cory Sklar and Greg Franklin Philena Franklin is on assignment Music: OMFYS Theme Song by Chaki the Funk Wizard "Members Only" by TrackTribe and "Blue Mood" by Robert Munzinger via YouTube Audio Library Trailer audio via Archive.org. Web: www.oldmoviesforyoungstoners.com Instagram/Facebook (Meta): oldmoviesforyoungstoners Bluesky: @oldmoviesystoners.bsky.social Twitter (X): OM4YStoners Contact: oldmoviesforyoungstoners AT gmail DOT com

Matthew Bannister onNorma Barzman, the screenwriter from the Golden Age of Hollywood who fled to Europe after facing being blacklisted from the House Un-American Activities Committee for her Communist views. Lord Saye and Sele, the aristocrat who served in the army during the Second World War, then worked to restore the historic family seat Broughton Castle.James 'Jim' Hobson, the Assistant Chief Constable of West Yorkshire who was in charge of the Yorkshire Ripper enquiry when Peter Sutcliffe was arrested.Susan Campbell, the illustrator who co-founded the Walled Kitchen Garden Network.Interviewee: Larry Ceplair Interviewee: John Barzman Interviewee: Martin Fiennes Interviewee: Franco Pardini Interviewee: Jim Buckland Interviewee: Caroline ConranProducer: Gareth Nelson-DaviesArchive used:CSULB Human Rights Forum - Norma Barzman, the Advanced Media Production Center, California State University Long Beach, Beach TV CSULB, YouTube, uploaded 06/04/2009; The Locket (1946), RKO Radio Pictures; Norma Barzman, Hollywood Exiles, Podcast, BBC World Service, 15/01/2024; The House Committee of Un-American Activities Actuality, Omnibus, Hollywood on Trial, BBC Two, 04/11/1973; Give us This Day (1949) Dir, Edward Dmytryk; IMDB; Lord Saye and Seye interview, From D-Day to Bergen-Belsen: Lord Saye & Sele, Dir/Prod Nathan Portlock-Allan, YouTube uploaded 26/01/2021; Lord Seye and Sele, SignPost, BBC, 25/04/1962; News Conference, Newsbeat, BBC Radio, 04/09/1979; The Yorkshire Ripper Files: A Very British Crime Story, BBC Four, 11/04/2019; Susan Campbell "Trained Fruit in Historic Kitchen Gardens", Garden Conservation YouTube uploaded 30/09/2022; Susan Campbell makes her first visit to Althorp, Episode 8, Walled Garden Historian, spencer1508.com;

Show Notes and Transcript Dwight Schultz is our podcaster in residence and we are five episodes in to his zany common sense commentary on this increasingly mad world.  It has been many years since Dwight has done a video interview so this is a special treat, he discusses all things podcast and how this new media medium is having such an impact.  He shares some stories from his friendship with Andrew Breitbart and how he was instrumental in Dwight being so vocal as a Conservative.  We finish off with a call for every lover of freedom to use their voice to calmly speak truth.  We each have a responsibility to help open the eyes of those around us and we will see real change when we seize those opportunities. A respected performer on Broadway, Dwight Schultz found everlasting fame by playing the certifiable "Howling Mad" Murdock on the action series "The A-Team" (1983-86). A living, breathing cartoon with a seemingly endless selection of voices and accents at his command, Murdock provided the air power for the A-Team's clandestine adventures, provided that his compatriots could break him out of the mental hospital where he resided. One of the show's most popular and memorable figures, Murdock ensured Schultz steady work on television and on the big screen playing Reginald Barclay in "Star Trek: The Next Generation" An accomplished voice actor, Dwight can be heard in numerous hit computer games and in countless animated shows. Its Alright to be Dwight on Hearts of Oak Podcast  https://heartsofoak.podbean.com/ Interview recorded 21.11.23 To sign up for our weekly email, find our social media, podcasts, video, livestreaming platforms and more... https://heartsofoak.org/connect/ Support Hearts of Oak by purchasing one of our fancy T-Shirts.... https://heartsofoak.org/shop/ Transcript (Hearts of Oak) Dwight Schultz. It's great to have you back, and this time in a moving picture. Thanks so much for joining us today. (Dwight Schultz) Yes, it's my favourite thing in the world to do, looking at oneself. Looking at oneself, it's just, I've, you know there are these actors like Henry Fonda used to, he couldn't watch himself. I have never been able to watch myself. It's a, it's, in show business. It just is one of those, you just find, you spend the rest of the day going over every little thing you hated and critiqued and you can't go on. So it's best not, and that's why I love the theatre. You don't have to look at yourself. The audience is telling you that it's working or it's not. And, but this is modern entertainment and modern news. This is it. So you have to be able to put your toes in there with toenail fungus and all. Well, I want to touch on the podcast because it's been a surreal experience having Dwight Schultz do podcasts for me and for us at Hearts of Oak. I've thoroughly enjoyed listening to your thoughts dropping onto that audio communication. Maybe I'll play just I think a two-minute clip or one-and-a-half-minute clip, of one of them to get, give people an idea of what they will find and underneath on the screen hearts of oak.podbean.com, is where people can find it. Let us know what, because I guess you put that down and it's what's happening currently. There's a lot happening currently. There are never a shortage of things to comment on, kind of what has it been like putting your thoughts down on those?  Okay. So yeah, but just let us know what that's been like for you. Well, well, I mean, you know, it is streaming of consciousness. I mean, that's what I, you know, I have done radio for Mark Masters and the Talk Radio Network. I had my own podcast many, many years ago. And it was, you do a show and you do 45 minutes or an hour and then that's it. This is a, I wanted to do an edited thoughts during the day. And frequently, routines come up in my mind during the day when you're talking, and they don't come out in an hour broadcast. But I get ideas for comedy bits, and that's what we call them, bits. And that's what I am. I'm basically a... A bit guy. I'm doing my bit. And you find things that strike you as humorous, and you wish you had had that in the podcast or in the radio broadcast. But this way, I can do that. As I'm putting together and stitching together thoughts, I will then spend several hours working on something that I found funny, and I think others will. Usually, it's outrageous nonsense that people take seriously. And for instance, the Babylon Bee. I love the Babylon Bee in the United States, and I used as an example the other day their very pithy description of the attack on Israel by Hamas. And they used Cain and Abel as the analogy. And they, you know, Cain killed Abel and immediately called for a ceasefire after checking to see if Abel's pulse had stopped, you know. And that kind of thing is brilliant. I mean, they're brilliant. They just are brilliant. And it's not easy to come up with some of these ideas. They are amazing. They hit it every time. And they have a, so that's that's sort of the kind of thing I try to do in the midst of blah, blah, blah, talking. The bits are actually more important than the blah, blah, blah. But the blah, blah, blah fills the time.  So it's actually I've got a friend and her her dream is to be a writer for Babylon Bee. Oh, that's a high bar.  Yes, that would be wonderful. But, but I, you know, the last thing I did was, was Xi, Xi coming over to see our, um. Our illustrious president, a man of many careers. He should have been an actor. That's what he should have been. He should have been an actor. He's much better. But I just saw, and I did, I mean, I literally thought of the conversation between Xi and a friend in San Francisco after he met with our illustrious president, giving away the store, you know, we, you know, he's, he's been called by some famous, columnists in the United States, a controlled asset of the an enemy, right. And I think it's fairly accurate. And so I just did, you know, I did a routine, I did a routine on it and indeed, I think I got my inspiration from Greg Gutfeld on the, for the routine, but anyway, it happens and it happens in 10 minutes. Sometimes it happens in three hours, but, that's, you know, that's my view of their conversation and what was going to happen ultimately. Well, let me, I just want to play a two minute clip and then ask you for kind of, it's obviously different from scripted, what you get voiceover and have done for 20 years. Let me just play this two minute clip and let people have a flavour of what they can can find on your many podcasts, up to five now. So let me play this clip here... (Clip plays) Anybody who looks at this dumb piece of dead meat with strings being pulled by Barack Obama and our country being sold down the river, when all of the evidence is there and all of the good people who worked hard are being called criminals and all of the criminals are accusing us of what they are doing. Donald Trump will not turn this into a dictatorship. We already have a dictatorship. We have a Department of Social Justice now. That's all you need to know. All that you have to do is look at what is happening in the streets. Please call me by my pronouns. Call me by my pronouns and I have 12 of them. All right, and please go to Citizen Free Press and look at the video of the dumbass who was caught drunk driving and what excuses this individual used to try to get out of being caught drunk driving. It's what's being taught in schools. How to avoid arrest for drunk driving. First of all, pull the number of pronouns that you have in your wallet out and stick them on the windshield and have the officer read them in the dark. And if you can, put them on backwards so that he has to go around the other side to read them. I mean, it's please, folks. Never in the history of the United States have such incomprehensibly horrific ideas been used to destroy society. But they they're horrific because it is so clear and obvious. (Clip ends) It's a great end never in the history of such a horrific. I thought it's a beautiful end because it's a reality check. It really is.  It is. And it doesn't stop. It doesn't stop day to day. And I see things and I know I'm not the only one. I mean, I know that. We know people who all see this and we want to scream out for and let me give you another for instance. This one truly, truly gets me in the very first podcast I did underneath everything in the introduction, I use Barack Obama screaming at his, we have to have a national police force that's as powerful as the United States military, blah, blah, blah. And everybody, and I remember when he did that and everybody was saying, what the hell is he talking about? Right? Well, what he was talking about is defund the police, re-imagine the police. The police are not there. And it started big time during COVID with George Floyd, which we are now discovering was a communist hoax. They all are just like COVID. So you had Floyd and you had COVID. The police are defunded. They're called names. Adams in New York is now, what, they're behind by 400, 1000 police officers? You don't have a police force locally. So what happened? What is the plan? What are the communists doing? Well, we defund, or as Barack says, re-imagine them not being there. And then the Deus Ex Machina, the federal government, comes in and says, we will come in and save you. We will fund the police. Well. You know, the Congress of the United States, the house just passed the money for an FBI building that is bigger than the Pentagon. Now, Barack wanted that, right? They're funding it. They're funding the beginnings of the way the communists imagine the country, a national Gestapo that, is just like Klaus Schwab says, you know, Xi is the perfect model. That's the model for the world that we're going to give you in which you will own nothing but be happier for it. And here are members, Republicans in the House of Representatives funding this building bigger than the Pentagon. Why? We don't need a national police force nor an FBI that needs a building bigger than the Pentagon. But this is the plan. And you get to it, and you can look at every Democratic city that's struggling right now. They're all struggling, and people are saying, why aren't the police coming to help us? You don't have any police. It's not time for the Deus Ex Machina. It's not time for the feds to step in yet. But just keep coming. The commies are coming. The commies are coming, and they're going to come with a solution. But it's going to be a government solution, and you're not going to be happy about it. Anyway...  Where is it? Obviously, when you did your podcast a while ago, then obviously I had watched some of the clips of you on with Jamie Glazov. And I mean, how does, how do things look as, back in those days, there were issues, but it seems to have notched up such a degree. And so kind of how do you see whenever you were commenting focused on the news, you haven't been for quite a while. And these recent podcasts, you're back into observing what is happening. And kind of how do you see it differently with the different issues that we that we now face? Well, I'll tell you what, you know, you, well, if you, I mean, Jamie is on to everything. I mean, Jamie Glazov, you mentioned, he's nailed it and he's continually continuing to nail it. You sit back and you, I keep saying, I wish I had continued recording. Because I used to record everything. But then when I stopped, because I had to go back to work, I had to make money, you know, you, you, you, but it's, it's, you see, I see better now than I ever have, how the communists, the Marxists, the globalists all together, all working together, how they did it, what was going on behind the scenes. And even though Jamie saw it, I saw it, we didn't do anything about it. We brought it to people's attention, but it was just a small, a small program, actually. You know, it's important to recognize that they had a plan. You don't. When I, here's a side-line. When I was working with Andrew Breitbart, and who I loved, who got me to do things I would never have done in my life, right? And I was having a hamburger with him. And I told him the story of first coming to California. To audition for a TV series. And along the street, there are these vending machines with free newspapers or papers for $25, I mean, 25 cents. And I went to the want ads. This is the truth. I'm an audio fanatic, right? So I went to see if there was anybody, any audio equipment being sold. And I just saw activists wanted activists wanted activists wanted activists wanted activists wanted. Never said what for? Just activists wanted and I said to Andrew I said what the hell is this and he said well, of course, you know. They don't have to say what it's for because only libs are in the activist business, Conservatives are not looking at a centralized world. They want a decentralization of everything there. They are by nature, not activists. Activism is to achieve power. It's to go out, assemble a group, get done what you want to have done, and then grow it. So you need to advertise for people. And you only have to say activist, and you know precisely who you're going to get. And they all want to be at the top of the pyramid, when in the truth is that most of them will end up at the bottom. And then by the time they're ready to revolt, it's too late. And so what these individuals did, these Marxists, socialists, globalists, instead of what they did in the 60s where they went after college students, they then said, no, no, we've got to get them younger. And they went for grade school, preschool. And I'll say this, that the imams in France after 9-11, who said, we soon will own this country. Our armies are growing around Paris right now. I think they got the hints there. And Andrew McCarthy wrote a book called Grand Jihad, which was about how the socialists, Marxism, communists got along really well with the radical Islamists because their ideology was the same. They found each other. One has a god at the head, the other the state. Someday they won't be able to work together. But their ultimate, the ultimate view of the world is totalitarian and they work really well. And they did. They got the ideas to go after the children at the very early. They wanted to. Communists always wanted to destroy the family. They tried. And if you go back to, if you go back to some of the writings in 1920 in Russia, which was to become the Soviet Union, you will see it looks like it was written in the New York Times yesterday, talking about the family's not sufficient. The husband's not sufficient. We need the state to take care of all of the children and mothers. It's just too much. It's just too much. You are an oppressed minority because you're forced to bear children. It's all of this stuff, and they knew what to do, and they have done it. And it scares me that it's possibly too late. I think it's never too late, actually. And I see panic in the works, especially in the United States. but they're doing the same thing in Europe. You see it start there, you see it moved to Canada and then it comes here, but you do see revolt. I think the important thing is to make people aware that this is going on, this is their intention, ultimate control. And how people can, why people wanna be ruled by Klaus Schwab, it's so I just want to say slob, Schwab, why they want to be ruled by that Nazi, I don't understand, but they do. They, they, you know, they, they think they are going to get something for nothing. They actually hear those phrases and they think, oh, that's going to be wonderful. I don't have to worry about anything. I don't have to work. It's going to be given to me. And I have had, I have actually had conversations with people who have said that. And so those things work. I don't, it would never work with me. It wouldn't work with my parents. It wouldn't work with the people. It's not going to work with you, but they don't need it. They only need a minority, a strong minority to say, yes, I want, I want, I want my life taken care of. And it's I wish I had been more active, a greater activist. And the death of Andrew Breitbart was a horrific... Well, can I ask you that one? Ask you about that liberal destruction that we're seeing. But actually on how did you meet Andrew Breitbart? How did that happen? Oh, that was pure serendipity. I, I've always worn my conservatism on my sleeve. So which is why I'm on cocktail napkins. Don't hire him. Oh, you're one of them. You're one of them. A lot of that, right? And so I never saw it as a zero-sum game, but it made tough, you know, you are not, you're on the outs. And so a friend of mine invited me to a, basically an organization called Friends of Abe. It was modelled after Friends of Dorothy, you know, the conservatives, It was, you know, on the lam in the down low. And there were these small gatherings of people who were conservatives, who were actors, who were having a rough time. And I was at a small meeting and Andrew was at this particular meeting. And the question was, well, what have you experienced in Hollywood, that you would consider, you know, a, you were prohibited from working. Let's put it that way. And I told the story of a producer and I actually, I'm not going to mention his name here. I'll tell you why, but, Andrew heard me tell this story, which was really as a young actor, it was pretty, pretty amazing. He basically, I had come back from working with, Charlton Heston in a play in Los Angeles. And I had wonderful conversations with Heston. I mean, just wonderful conversations. And this producer at this theatre complex heard me, who was quite a big producer in Hollywood, right? He heard me saying glowing things about Charlton Heston. This was before Ronald Reagan won his election in the United States. And he heard me, and he said, well, no Reagan asshole is ever going to work in my production. And I went. I mean, I, believe me, this this theatre group is a small theatre group. I mean, I was I was not prepared for it. And, you know, he laughed and he was waiting for for me to respond in kind, and I just didn't. Right. And so Andrew heard me tell this story and he said, you've got to write this. You've got to write it. You've got to put it in big Hollywood and you have to use your name. And most of the actors, he said, most of the actors who write for me are using pseudonyms. And I said, oh, my God, Andrew, I just don't, you know, no, you have to. If you do, other actors, others in show business will see that you can use your name and you will encourage them to do the same thing. It took me a while to, but I did it. I did it. And in fact, I have to say, I lost a lot of friendship because not only did I write about this producer, but he was dead, and so you don't write about the dead, right? But this was absolutely a true story, and there wasn't anybody who knew him who did not know that it was true. But I lost a lot of friends doing it, but I also gained a lot of friends. And there suddenly, and there's several, several well-known actors who started using their names on big Hollywood and they've done well, they've done very well. And, it was, it was tough, you know, it was a tough thing to do. But it was, but it's a little thing. I mean, think about it using your name to write and say something that's true. But the atmosphere as Orson Bean, who was. Andrew's father-in-law actually said that the atmosphere, in Hollywood today was worse than it was during the blacklisting period for the communists. He said, it's actually worse. Conservatives are being treated worse than the communists were. It was. I mean, you are one of them, was a frequent retort, if you said something. And you had to be very careful. You just I just lost a lot of friends. And it always happened at the wrong time. There's never a right time. But Andrew set me on the straight and narrow about this stuff. He he truly was courageous. And he, when I told him the story about the activists, you know, he said, you know, he just said, you have to understand that they, culturally, they are an amalgam. They are powerful because of numbers and they recognize that. We, on the other hand, don't want to do that. And we tend to just say, it'll be all right. It's going to work out. They people can't be that stupid and then you look at this demented individual who's been elected president and people are. They, you know, they don't care and now you're hearing people. Well, I'm not voting for the man I'm voting for the party. This is the new one. I'm not voting for the man. I'm voting for the party and read Edward Dmytryk odd man out. [He was one of the Hollywood ten who realized what was happening and turned on the Communist Party and it's a great book. It's a great book and you begin to see it is a tall order to take on that many people who literally do not care at the end if they have to kill somebody. And you see them turning that on us. You hear Donald Trump being called every name in the bloody book, and yet you are watching one of the greatest crimes I can think of in terms of what's happening in our legal system. It's just a disgrace. And you're going to see a huge, I think. Schism in our judiciary, because there are, I'm sorry to say, John Roberts, there are Trump judges, there are Obama judges, and there are Clinton judges, and they are not getting along well right now in the United States of America. But Andrew was, he really understood culture. He really understood what was what, and he inspired a lot of people. And he changed my life. He changed my life completely. And I began to take special note of how the Marxists, the globalists, the communists work socially and on the bottom end. And when I was working with Jamie, that was sort of the beginning. I mean, I was, that was the beginning of things, but today I really see how they had, you always heard the communists had a five-year plan. No, they had a 30-year plan. They had the long game. Xi has the long game in mind. I mean, to come here while his economy is collapsing, and to get a standing ovation by corporate billionaires is quite an accomplishment. And all of the lies he told, and what he's looking for. They're bailing him out, our enemy. I mean, Sequoia capital that Bannon talks about all the time, you know, they are bailing out our enemy whose military has said they are going to war with the United States and they're going to destroy us. Fine, you know, Khrushchev said, you know, the capitalists will sell us the rope with which we will hang them. We don't seem to learn. The difference this time is that we actually, they're actually in our government at the highest levels and there has to be a cleaning of the house, there really does and that scares them. Completely. Can I pick up some you in the middle you're talking about liberals and that anger that activism that destruction which they're running down and I was think well is that because a lack of I mean Christianity has played such a part in U.S. history and U.K. history that we now seem to have that void where Christianity is not there, the church is not there. It's always provided stability and an anchor and an understanding for life. I wonder is it anger because a generation no longer has that certainty? But then I was also thinking when you talked about conservatives not wanting to fight, possibly part of the problem is because many conservatives have a hold of Christianity and maybe they abdicate responsibility. They say, well, God, this is yours, I don't have to do anything. So I wonder is that a double-edged sword that we have?  Oh, listen, what you just said is so true. It is so absolutely true. And I, again, I remember when Barack Obama, before he was president. A couple, I think it was two years before he was suddenly 2006, he said, he said, the United States is no longer a Christian nation. At that time, 70% of the population identified as Christian. So it was a lie, but it was a lie that he was, he wanted to create. He wanted to push into reality. And the removal of prayer, the removal, the attack on organized religion was beginning at that time. And you could see Christians backing off. Backing off. And, you know, well, you're too harsh. It's why Judaism and why the Judeo-Christian ethic, well, they're so judgmental. You know, we have the Ten Commandments. There's so many don'ts. There's so many don'ts. And you're just not warm. And what's the word they use? Oh, inviting that you're just not inviting, you know, you push people away from, because you're, there are things that you have, you say are right and wrong. They went right for the gut. If you say there's right and you say there's wrong, then there's no relativity. And we know that everything is relative. And, of course, I think 9-11, the attack on 9-11 and the, and I do believe this, I don't think most Christians in the United States, not about the rest of the world, but in the United States, knew that there was Islam. I don't think they knew that there was a Muslim world out there. I don't. I don't I I don't think they you know, they're very typical. They're going about their business and not aware. Oh, they knocked down the World Trade Towers. Are they angry about something? You know, oh quick. I think oh. Where's where though it happened here, is the other World Trade Center's in New York. Oh my god You know, it's ah, this is true. I'm gonna tell you a story. Boy, I'm blabbering, right? Listen, listen, listen to this story. This is the last thing I did on camera. It was a TV series about the CIA shot in L.A. And I went into wardrobe, I'm not going to mention, I'm not going to mention who did this or whatever it is, but I went in and this is right after 9-11 and, I'm saying, my God, what an irony, here I am. And I was already moving into the voiceover world because there was, it was far more interesting and more fun. That's it then, than what was happening, but here I am doing this CIA, at the Veterans Administration Cemetery was the site. And I was talking to an employee about 9-11, and what happened and my friends there in New York and how unbelievably incomprehensible it was. This individual said, I don't have any connection with that. I don't have any, I don't have any, you know, I don't have any connection with that, you know, everything will just go on. I mean, literally, and I came home to my wife and I said, I was speechless, which for me, you can tell, I, I know how to talk, right. I was speechless. I couldn't, I cried a little bit because it was, this was not said out of, it was sit out of an emptiness of mind. The enormity of what occurred was and could have obviously I mean, the idea that there were only thirty five hundred people killed that day is just, it should have been thirty thousand thirty five forty thousand. And here was somebody who had no connection with it. And I'm sure she was not, shouldn't have said that. I'm sure that person, was not a bad person, just empty of the import that the world has changed. This was a, this was a statement of war that was cultural and military. And we are seeing it today and people are after the attack and I, if you, if you are a Christian and you don't understand that you are a target of what happened in Israel, you're fooling yourself. This is not going to stop. It's not going to stop. And you are a target. And one of the leaders of Hamas just said it. They say it, and they do it, and they have permission to not kill. You know, the Ten Commandments, it's thou shalt not murder. But they have permission to murder. It isn't. And you need to understand that you're on the list, and it's not wrong to say it. And if you pretend that that's not the case, things are going to get much worse. And I think that's something that we have to come to grips with today, that what's going on is, does not heed well for for the future unless action is taken. So anyway, that was my story about 9-11. And how do you push back? Because there's obviously when you were doing podcasts back whenever you started with Jamie, there was much.  And before that, I did them before, long before that, before Jamie, but go ahead. But there were the voices on the scene, the information, the media was more trusted, there were much fewer alternative voices, fewer platforms to put out, just having podcasting platforms now and that wealth of reach that you can now have. Is that a way of pushing it? Because I am not 100% hopeful in a political solution or a legal solution, and I'm wondering, is media a method of wakening up the public to providing that pushback or do people just shrug their shoulders and actually not really care? Well, you see, the media is certainly part of the control. They have been. I mean, Walter Cronkite, for instance, made no bones about it. The CIA was involved, When it was just CBS, ABC, and NBC in the United States, the CIA was involved in each one of those networks. They are and they have been in control. And once you say, oh, the government actually is in control of the news we get. You then begin to see more clearly that activity underneath. And till the point where we have reached today, where all of the news media are, you only hear the government point of view. They have been exposed by Donald Trump. He exposed them. Steve Bannon and War Room would not exist if it were not for the fact that most people who were on the conservative, who voted for Donald Trump, saw the government spend four years and three billion dollars overthrowing a president of the United States. They all came out of the closet. And an alternative media has bloomed. Hearts of Oak, War Room, which is an, which is basically international now through, and one knows, one is aware of, Klaus slobs, a constant harping on the fact that, you know, or we can remove the internet, you know, it can go down, it will go down to internet. The grid will go. And the threats that are implied there, you know, It's fierce communication. It's like you say, okay, this can happen. That threat is over your head. That this new, all right, we are the alternative. Here is an alternative voice to, and you now know that the government runs ABC, NBC, CBS, and CNN for God's sake, you know, run. And it was always that way, but not as exposed as it is today. But the alternative media is absolutely essential. And they're not at the point where they can pull the plug. They're not at that point yet, because then the next step is mass murder. And that's where it comes. It comes in the planning. Of course, they tried it with the vaccines. You have to remember, you have to go back and remember that Davos, the World Economic Forum, had this video, I remember it, of the vaccine being given as your passport, your vaccine passport instead, you know, to everything. And it was a wonderful video. We're killing you as we're giving you your, you know, it's a remarkable situation. But, all of this stuff is right. It's we, we have to find a second grid. I mean, I think that's the only, the only way we're actually going to survive is to have a second grid. And it was the very first thing that, our illustrious president did was when Donald Trump kicked the Chinese out of our electric grid. And the first thing that that Biden did was invite them back in. And I'm sorry, it's a catastrophe waiting to happen. We don't need a sunspot to rain down on us. We have 10, 20,000 Chinese men of military age in the country today. And all of that you have to worry about, you know, and you shouldn't be worrying about that in this world, but the media is. The propaganda, the Wall Street control of our minds, holy cow, it's a proven vessel. And they took it and ran with it. They were exposed. And now we have to undo it all. I don't know. And what you just said, I don't know that that's possible. I don't. But I hope it is. I pray it is. And I think with a lot of hard work, It can, we can save ourselves, we can. But it's going to take a massive amount of energy, a mass, I love, you know, the getting rid of, I love the fact Xi leaves and the next day, we're getting rid of the stoves, we're getting rid of stoves, we're getting rid of gas, we're not gonna drill anymore, we're not, Xi, can you hear this? We're doing what you said. You know, it's like, oh my God, oh my God, it's like, see, it's so sad, it's so incredibly sad and the Congress is going, well, I don't know, it's all going to collapse anyway. I hope it happens soon. You know, I don't know. And I also, I'm beginning to think and give credence to the fact that the vaccinations, have had a mental effect on people, it crosses the blood-brain barrier, and Naomi Wolf had suggested that there would be irrational behaviour as a result of it. And I thought, well, no, I think she was probably onto something. Yeah, that does add up. Final question, on you. In the podcast, it's spending 30, 40 minutes with you and your thoughts. And you're just putting down what you think.  Don't be so harsh, please. But from your I mean, from a film career, from I mean, from A-Team to Ben 10, I mean, it's diverse. And then video games all mixed in with that. How much of yourself could you put in. You obviously have to excel in acting, in your character, in your voice ability, but how much of yourself were you able or could you put in as an actor? Well, I mean, that's why, you know, I listen to Jordan Peterson say, if you have anything to contribute, to what you see, this is the time to do it. And it's now, that's it. And I watched what he has been through and others. And what do I have to contribute? I'm an actor. I used to walk around in New York saying, why the hell would anybody pay to see me or anybody? Why? What is it? What is it? Like with the Babylon Bee, if I can, through an absurdity, knock somebody on the head to say, oh my God, I never thought of that. If I can just point out the absolute absurdity of people calling Donald Trump a totalitarian fascist Nazi, when that's what they have been doing. And that is the Alinsky, the famous, you know, his famous statement, you accuse them of what you are doing and they're doing it every day and they get away with it. If you can stop them from getting away with that by voting against them, you know, this whole thing of voting. And of course, I do believe they stole the election. There's no question. And I saw a headline in the paper today about in Arizona, this county in Arizona with 100,000, they couldn't count the ballots. It was they were on the third day and they had made 46 errors. And there was this other. And I thought to myself, Argentina just had an election and 30 million people and all of the votes were counted in one night. Right, but this little county in Arizona and here's a headline, right? And what is this? This headline is telling you, oh, these people who want paper ballots, it's just not gonna happen. It's too hard. It's too hard to count. Try it. Look, how old are you? Shake your fingers, you're not nimble, the papers fall and you have to bend over and it hurts your back. And look, I found another ballot. And there's always another ballot that you're going to find in the paper bank. So, no, no, let's keep the machines and let's keep it electronic, okay? I mean, it's this kind of thing. And you begin to realize, as an actor, I can perhaps, if I'm lucky, once or twice... Click somebody on the head and say okay this is, this is potential this this this I'm not going, (Barking) it's my dog she knows it's about time to stop, oh Ziva stop it.  Has Ziva been on your podcast yet  No, no she hasn't, no she hasn't.  There's a thought  Well you see the podcast, that's why another reason and I wanted to stitch it together. The podcast is 15 minutes takes an entire day. And then I stitch it together, and it's all done. If you have a golden period like this, there's always the potential that the canine who runs the family. Her name is Ziva. Ziva was a character on NCIS, and she left the show. One of our favourite characters. So we had to keep her around.  Yes. Israeli character, I remember.  Yes. Yes. Very, very, very our favourite. But but and the dog is a great German shepherd. Just a great, great dog. But and she does respond to my admonitions because I feed her. It's a good communist household technique. No food. No. But yes, it's you know, it's what I can do. That's it. And Jordan Peterson, I truly do appreciate what he's been through in Canada. And he's so articulate. Oh my God, he articulates. Like he was like Andrew, Andrew Breitbart was articulate. Bannon is articulate. There are so many people who have come out of the woodwork, to, I would not, you, I would not know who you were if it were not for Steve Bannon. You can blame him right. Well, no, no, no. It's amazing because you're across the pond and you see the world. Who was it? Antonin Scalia spoke at a friend of Abe event, and he said, gather with people of like minds because he discovered in the judiciary, it was, you would be an out, you became an outcast. So he said, don't be an outcast. Gather with like minds there are people who think like you particularly if you see the world correctly, but the more people who say yes that is what I se. It is invasion of the body snatchers, it really is people have been hijacked. Money, sex, when the joke about Epstein not killing himself is not a joke you discover that. And as you know, I said to you, I believe in the Oscar Wilde comment, everything in the world is about sex except sex. Sex is about power. And power is in everything to some degree. And they have found a way. You don't belong in the club if you can't be blackmailed. That's the entrance fee is blackmail. You are part of it. Then you get all of the benefits. but remember to toe the line. People who don't do that. The Jordan Petersons of the world who up front say, not me, I see the world the way he does. And the idea that Christianity is being attacked and destroyed from every angle, tells me something about the people who are doing it. It doesn't tell me anything about Christianity except that it's a threat. And I go back to what Thomas Jefferson said that if, and anybody can take this, whether you're Christian or not, if Christianity, if there was no Christianity, it would have to be invented. Well, it is real, and it is there, and they're attempting to destroy it. Why? You ask the question why, and you'll change your mind about the world. And look at the people who want to destroy it and how they want to destroy it, in little increments. It is the crocodile, it's Winston Churchill said it, you know, the crocodile, you're hoping that the crocodile will eat you last, and the crocodile is real. But Christianity is there, it was, and I do believe. Some of the most thoughtful Jews like Dennis Prager, rabbis, that I have listened to and I have spent some time talking to them, It is, there are things that are a force for good are recognized by everybody and things that are a force for evil are also recognized, hang around people who recognize both. And Jordan Peterson, I tip my hat to you and to you, Peter, and to Bannon and to everybody. That has been an inspiration to me. I don't think I could get around. I mean, it's hard sometimes listening to the truth. You know it. I know it. And I know a lot of people who cannot listen to it. And really, I mean, seriously, they're affected in a way. I can't. I can't do it. I can't. I just can't listen to that. I can't read that. I don't want to know that. Well, you have to know it because it will affect your life. Dwight, it's wonderful to have you on. I think speaking with you, getting to know you is the top of my surreal list of the last four years watching when you're, I don't know if I was seven or eight, I think, A-Team. I don't know if it was for, seven or eight-year-olds. Yeah, it was it was it was a comic book with heroes, you know, and the heroes happened to be Vietnam veterans and that was the the Tribute to Steven J. Cannell and he was attacked for it There you go.  I don't know if you want a crazy helicopter pilot, but anyway, that's that's a whole that's a whole other, Dwight, thank you so much for coming on. It's been wonderful having you on the podcast and there's the the link again on the screen. And maybe we'll have you back for another video interview sometime in the near future. Who knows? And, you know, if I can, any time, you know, I'm I'm a I'm a blabbermouth. You know, I'm I'm a mugger. I am. You know, I admit what I am. I'm not a great, listen. I always knew I wasn't going to be a movie star. I always knew it because I couldn't ride a horse. Movie stars can, they get on a horse for the first time. And I got on a horse and the horse turned around and went the opposite direction. It's true. It's true. In fact, there was a horse riding scene in a movie I did called Fat Man and Little Boy, and I'm riding on it. And it was a galloping scene, and it never made it into the movie. And I'm coming into the scene, and I went flying off the horse onto the ground. That was me. No movie star here. None. I knew it. I accept my fate. Thank you Pete.  Well Dwight, it's so good to have you on. Thanks so much for your time.

Sfruttiamo la recente presentazione dell'ultimo film di William Friedkin all'80° Mostra del cinema di Venezia per fare un confronto con altri due adattamenti della stessa vicenda realizzati da Edward Dmytryk e Robert Altman. Argomenti: "The Caine Mutiny" Edward Dmytryk (1954) "The Caine Mutiny Court-Martial" Robert Altman (1988) "The Caine Mutiny Court-Martial" William Friedkin (2023) Il nostro canale Telegram per rimanere sempre aggiornati e comunicare direttamente con noi: https://t.me/SalottoMonogatari Anchor: https://anchor.fm/salotto-monogatari Partecipanti: Marco Grifò Dario Denta Matteo Arcamone (Ospite) Simone Malaspina Spotify: https://open.spotify.com/show/2QtzE9ur6O1qE3XbuqOix0?si=mAN-0CahRl27M5QyxLg4cw Apple Podcasts: https://podcasts.apple.com/it/podcast/salotto-monogatari/id1503331981 Google Podcasts: https://www.google.com/podcasts?feed=aHR0cHM6Ly9hbmNob3IuZm0vcy8xNmM1ZjZiNC9wb2RjYXN0L3Jzcw== Logo creato da: Massimo Valenti Sigla e post-produzione a cura di: Alessandro Valenti / Simone Malaspina Per il jingle della sigla si ringraziano: Alessandro Corti e Gianluca Nardo

This week's film was chosen by our fantastic supporters on Patreon. 1968's Anzio stars Robert Mitchum and Peter Falk who find themselves trapped behind enemy lines after the landing at Anzio in 1944. Adapted from British war correspondent Wynford Vaughan-Thomas's book Anzio, and directed by Edward Dmytryk and Duilio Coletti. We also find the time to fit in a mention of Sheffield Wednesday midfielder Barry Bannan and the 1943 cartoon Stop That Tank along the way! Follow us on Twitter @FightingOnFilm and on Facebook. For more check out our website www.fightingonfilm.comThanks for listening! Become a member at https://plus.acast.com/s/fighting-on-film. Hosted on Acast. See acast.com/privacy for more information.

In this week's Acteurist Oeuvre-view, we look at two very different Dorothy McGuire movies from 1946 that share a striking adultness: Claudia and David (directed by Walter Lang), a marital comedy that's surprisingly frank about infidelity, and Till the End of Time (directed by Edward Dmytryk), a "post-war readjustment" movie that's surprisingly frank about sexuality in general, as well as American alienation and ennui. We make our first real stab at describing the essential qualities McGuire brings to daffy ingenue and jaded older woman roles alike. And speaking of alienation and ennui, in Fear and Moviegoing in Toronto we discuss another experimental narrative film by Hou Hsiao-hsien, Millennium Mambo (2001).    Time Codes: 0h 0m 45s:        CLAUDIA AND DAVID (1946) [dir. Walter Lang] 0h 33m 33s:      TILL THE END OF TIME (1946) [dir. Edward Dmytryk] 1h 19m 00s:      Fear & Moviegoing In Toronto – MILLENNIUM MAMBO (2001) by Hou Hsiao-hsien   +++ * Listen to our guest episode on The Criterion Project – a discussion of Late Spring * Marvel at our meticulously ridiculous Complete Viewing Schedule for the 2020s * Intro Song: “Sunday” by Jean Goldkette Orchestra with the Keller Sisters (courtesy of The Internet Archive) * Read Elise's piece on Gangs of New York – “Making America Strange Again” * Check out Dave's Robert Benchley blog – an attempt to annotate and reflect upon as many of the master humorist's 2000+ pieces as he can locate – Benchley Data: A Wayward Annotation Project!  Follow us on Twitter at @therebuggy Write to us at therebuggy@gmail.com We now have a Discord server - just drop us a line if you'd like to join! 

Gay homosexuals Nick and Joseph discuss Where Love Has Gone - a 1964 film film directed by Edward Dmytryk, starring Susan Hayward, Bette Davis, and Mike Connors,. Additional topics include: The Requin, Anne Heche, the deaths of Nichelle Nichols and Pat Carroll, and too many films to mention. Want to send them stuff? Fish Jelly PO Box 461752 Los Angeles, CA 90046 Venmo @fishjelly Nick's Apple Music playlist: https://music.apple.com/us/playlist/lamour-de-nico/pl.u-PDb4zlpsLVrvqE1 Joseph's Apple Music playlist: https://music.apple.com/us/playlist/josephs-vibe/pl.u-6mo448yuBWzNE1 Check them out on YouTube: https://www.youtube.com/channel/UChVV6ezEYnPv9XaLZtUlZdw Nick's IG: ragingbells Joseph's IG: joroyolo --- Support this podcast: https://anchor.fm/fish-jelly/support

Tonight, we're doing something different.  Rather than tackling a genre, director or actor, we're actually going to take on a fictional character as represented in film.   Raymond Chandler was a dual citizen of the UK and US who turned to writing when he lost his job as an oil exec in the Great Depression.  In addition to co-scripting Double Indemnity with Billy Wilder, Strangers on a Train with Alfred Hitchcock and writing The Blue Dahlia which starred Alan Ladd and Veronica Lake, he wrote 7 ½ novels in his lifetime, and most of them were turned into film…some several times.  And the character?  Philip Marlowe. Some of these films were produced under different titles, or in established B-picture film series revolving around established radio detectives like The Falcon and Michael Shayne, others became much celebrated entries in the noir and neo-noir genre and high points in the filmography of big names like Humphrey Bogart, Robert Mitchum and Elliott Gould.  And with directors like Howard Hawks, Edward Dmytryk, Robert Altman and Michael Winner, we're not exactly talking programmers here… Join us as we talk the films of Chandler's Philip Marlowe, only here on Weird Scenes! Week 86: The Hard Boiled Exploits of Philip Marlowe https://weirdscenes1.wordpress.com/ https://www.facebook.com/WeirdScenes1 https://twitter.com/WeirdScenes1 (@weirdscenes1) https://thirdeyecinema.podbean.com/ https://itunes.apple.com/us/podcast/third-eye-cinema-weird-scenes-inside-the-goldmine-podcast/id553402044 https:// (open.spotify.com) /show/4s8QkoE6PnAfh65C5on5ZS?nd=1 https://music.amazon.com/podcasts/09456286-8956-4b80-a158-f750f525f246/Third-Eye-Cinema-Weird-Scenes-Inside-the-Goldmine-podcast

Dana and Tom discuss their second entry in Military Courtroom Drama month and one of Dana's favorites, The Caine Mutiny: directed by Edward Dmytryk, written by Stanley Roberts and Michael Blankfort, starring Humphrey Bogart, Jose Ferrer, and Fred MacMurray. Plot Summary: In the middle of World War II, out in the Pacific Theater, we find a tired and weary minesweeper the Caine. When a new captain, Philip Francis Queeg (Humphrey Bogart) is assigned to the Caine, the officers note his strange behavior which may be his efforts to instill discipline or a much deeper problem. Concerned about his behavior, the executive officer, Lt. Steve Maryk (Van Johnson) is convinced by the communications officer Lt. Tom Keefer (Fred McMurray), that Queeg may have a mental illness. When the Caine is in serious danger during a typhoon, Maryk assumes command under Article 184 of the Navy regulations when Queeg's behavior appears to risk the ship and the crew. This action results in a court-martial where Maryk is represented by Lt. Barney Greenwald (Jose Ferrar). Was Maryk justified or did he commit mutiny? Please follow, rate, and review the show wherever you get your podcasts. You can now follow us on Instagram, Twitter, or TikTok (@gmoatpodcast). For more on the episode, go to: https://tj3duncan.wixsite.com/ronnyduncanstudios/post/the-caine-mutiny-1954 (https://tj3duncan.wixsite.com/ronnyduncanstudios/post/the-caine-mutiny-1954) For the entire list so far, go to: https://tj3duncan.wixsite.com/ronnyduncanstudios/post/greatest-movie-of-all-time-list (https://tj3duncan.wixsite.com/ronnyduncanstudios/post/greatest-movie-of-all-time-list)

On this episode of The Snub Club, the crew is investigating 1947's Crossfire. Directed by Edward Dmytryk and starring Robert Mitchum, Crossfire was nominated for five Academy Awards but won nothing. In this episode, Danny, Sarah, and Caleb discuss the blacklist and ask the question of whether Will Smith would have named names. The Snub Club is a biweekly podcast about cinema history where we discuss the film from every year's Academy Awards with the most nominations but no wins. Hosted by Danny Vincent, Sarah Knauf, and Caleb Bunn!   Follow us everywhere! Twitter: https://mobile.twitter.com/SnubClubPod Instagram: https://www.instagram.com/thesnubclubpodcast/ Facebook: https://m.facebook.com/permalink.php?story_fbid=108436691341808&id=108435618008582&substory_index=0   Theme music: Ragtop by Bee Yan-Key

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The lads close out their first full year of the show with a big celebration from the shadows: it's 1944's Murder, My Sweet! Philip Marlowe is back and this time he's played by Dick Powell, also starring Claire Trevor, Anne Shirley, Otto Kruger, Miles Mander, Douglas Walton and Mike Mazurki. Directed by Edward Dmytryk and based on Raymond Chandler's 1940 novel Farewell, My Lovely - you won't want to miss this classic with its hard boiled plot, snappy dialogue and gorgeous femme fatales! Questions, comments or jade necklaces? therealoutofthepodcast@gmail.com

Josh is joined by writer and co-host of Criterion Now, Jill Blake, for a conversation about film noir on the Criterion Channel. Episode Links The Criterion Channel The Criterion Channel Club Facebook Group November New Releases Michael Hutchins's Letterboxd List of Limited Engagements Michael Hutchins's Letterboxd List of Streaming-Only Titles Crossfire | Directed by Edward Dmytryk … Continue reading "Criterion Channel Surfing, Episode 50: Film Noir" The post Criterion Channel Surfing, Episode 50: Film Noir appeared first on Cinema Cocktail.

The climax of the career of the greatest horror star of all time and also a miserable failure critically and commercially, The Devil Commands was the product of a hungry up and coming director, Edward Dmytryk, being paired with material best described as "Lovecraftian" decades before that word meant anything to anybody. In this episode of Tracks of the Damned, the horror film commentary track podcast, host Patrick Ripoll tackles the second horror boom of the 40s and asks the big questions like: is that matte painting haunted? Time-Stamps: 0:00 - 0:37  -  Apology Concerning My Thoughtless Words 0:38 - 2:47  -  Intro 2:48 - 1:10:05  -  Commentary 1:10:06 - 1:53:58  - Ten Must-See Karloff Performances 1:53:59 - 1:57:54  -  Outro

Frame Fatale es un podcast sobre películas no canónicas conducido por Sebastián De Caro y Santiago Calori. En este vigésimo episodio, nos ocupamos de El mercader de la muerte (Experiment in Terror, 1962) de Blake Edwards y, como nos suele ocurrir, hablamos de esa, pero terminamos hablando de todas estas otras: Muñequita de lujo (Breakfast at Tiffany's, 1961) de Blake Edwards, El luchador (The Setup, 1949) de Robert Wise, El enigma del collar (Murder My Sweet, 1944) de Edward Dmytryk, Intriga internacional (North by Northwest, 1959) de Alfred Hitchcock, Cleopatra (1963) de Joseph L Mankiewicz, Espartaco (1960) de Stanley Kubrick, Psicosis (Psycho, 1960) de Alfred Hitchcock, Un disparo en la sombra (A Shot in the Dark, 1964) de Blake Edwards, El exorcista (The Exorcist, 1973) de William Friedkin, El pájaro de las plumas de cristal (L'uccello dalle piume di cristallo, 1970) de Dario Argento, El descuartizador de Nueva York (Lo squartatore di New York, 1982) de Lucio Fulci, Superman (1978) y La profecía (The Omen, 1976) de Richard Donner, La fiesta inolvidable (The Party, 1968) y La pantera rosa (The Pink Panther, 1963) de Blake Edwards, El secreto de sus ojos (2009) de Juan José Campanella, Bullit (1968) de Peter Yates, Harry el sucio (Dirty Harry, 1971) de Don Siegel, Juego sucio (Foul Play, 1978) de Colin Higgins, Vertigo (1958) de Alfred Hitchcock, Mirame la palomita (1985) de Enrique Carreras, Bunny Lake ha desaparecido (Bunny Lake is Missing, 1965) de Otto Preminger, El juego del miedo (Saw, 2004) de James Wan y Cuatro moscas sobre el terciopelo gris (4 mosche di velluto grigio, 1971) de Dario Argento... ... por si justo te dio paja anotar. En un acto de bondad sin precedentes, nos dignamos a contestar preguntas de lxs oyentes. Podés comentar este episodio usando el hashtag #FrameFatale en Twitter. Frame Fatale volverá el lunes que viene. Quizás sea una pegada total suscribirte en donde sea que escuches tus podcasts y tener la primicia que de todas maneras, como ya explicamos varias veces, es lo menos importante.

Looking for something to watch at home during times of self isolation? Check in with the Holmes Movies Podcast team to see what they are recommending for those struggling to find something to see. Here is Anders's recommendation: Edward Dmytryk's Cornered, the second film noir he did with Dick Powell. Their first was Murder My Sweet, which we have discussed on the podcast Follow us on twitter: https://twitter.com/holmesmoviespod Check out Anders's Website: http://www.andersfholmes.com Check us out here: https://linktr.ee/holmesmoviespod

It's all about the Roberts on today's episode! The lads watched 1947's Crossfire, a film noir that dares to tackle some important subject matter. Directed by Edward Dmytryk, screenplay by John Paxton, based on the novel "The Brick Foxhole" by Richard Brooks and starring the BIG THREE ROBERTS: we've got Robert Young, Robert Mitchum and Robert Ryan, plus some wonderful performances from Gloria Grahame, Sam Levene and many others. Join us for this one, you won't be sorry! Questions, comments, Robert? therealoutofthepodcast@gmail.com

Patrick Preziosi finds Lang's immediate influence in two 1950s Columbia noir films: Don Siegel's The Lineup and Edward Dmytryk's The Sniper.

Born on this Day: is a daily podcast hosted by Bil Antoniou, Amanda Barker & Marco Timpano. Celebrating the famous and sometimes infamous born on this day. Check out their other podcasts: Bad Gay Movies, Bitchy Gay Men Eat & Drink Every Place is the Same My Criterions The Insomnia Project Marco's book: 25 Things I Wish I Knew Before I Started My Podcast Celebrating birthday's on this day: Wes Bentley , Max Greenfield, Ione Skye, Noah Taylor, Beyonce Knowles, Damon Wayans , Whtiney Cummings, Judith Ivey, Dick York, Nona Gaye, Richard S. Castellano , Mitzi Gaynor , Mark Ronson, Edward Dmytryk , --- Send in a voice message: https://anchor.fm/born-on-this-day-podcast/message

Story: Jane Hoyt kommt in Hongkong an, um ihren Ehemann, den Fotojournalisten Louis Hoyt, aus einem chinesischen Gefängnis zu befreien. Sie lernt den Glücksritter und Abenteurer Hank Lee kennen. Lee, der aus der US-Armee desertiert ist, versucht ihr, das gefährliche Vorhaben auszureden. Jane ist jedoch vom Erfolg überzeugt, so dass Lee ihr hilft. Dabei verliebt er sich in sie. Er weiß, sie würde sich nicht mit ihm einlassen, solange ihr Mann gefangen und sein Schicksal unklar ist. Lee versucht nun, den Journalisten auf eigene Faust zu befreien.

Story: Jane Hoyt kommt in Hongkong an, um ihren Ehemann, den Fotojournalisten Louis Hoyt, aus einem chinesischen Gefängnis zu befreien. Sie lernt den Glücksritter und Abenteurer Hank Lee kennen. Lee, der aus der US-Armee desertiert ist, versucht ihr, das gefährliche Vorhaben auszureden. Jane ist jedoch vom Erfolg überzeugt, so dass Lee ihr hilft. Dabei verliebt er sich in sie. Er weiß, sie würde sich nicht mit ihm einlassen, solange ihr Mann gefangen und sein Schicksal unklar ist. Lee versucht nun, den Journalisten auf eigene Faust zu befreien.

“ Estoy dispuesta a contestar ante los representantes de nuestro gobierno todas las preguntas que deseen plantearme sobre mis opiniones y actividades personales, pero ni ahora ni nunca me prestaré a causar problemas a personas que cuando se relacionaron conmigo en el pasado eran completamente inocentes de toda expresión o acto desleal o subversivo. Hacerle daño a gente inocente que conocí hace muchos años para salvarme yo misma es, en mi opinión, un acto inhumano, indecente y deshonroso. No he de recortar mi inocencia para estar a la moda de este año”. Fragmento de la carta enviada al presidente del Comité de Actividades Antinorteamericanas. Lillian Hellman, 1.951. Quizá la verdadera obra maestra de gran dramaturga y memorialista Lillian Hellman (EEUU 1.905-1.984), fue su conducta. La postura asumida en los años cincuenta por la autora constituye un paradigma de entereza cívica que, trasplantado al presente, supone por lo menos un elemento de preocupación moral y duda razonable. Ante la furia inquisitorial del senador Joseph McCarthy – con su extraña amalgama de oportunismo y anticomunismo, de puritanismo y xenofobia; con su congénita animadversión hacia todo cuanto oliese a cultura , y también frente a la astucia y el juego tramposo de un Richard Nixon que ya empezaba su irresistible ascensión, fueron muchos los actores, directores, guionistas, escritores, periodistas, coreógrafos, etc. que se convirtieron en delatores. Hubo un momento en que la histeria soplona llegó a un grado tal que los colaboracionistas hacían colas para proporcionar listas de nombres ante la Comisión de Actividades Antinorteamericanas. Nombres de prestigio como Elia Kazan, José Ferrer, Robert Taylor, Edward Dmytryk, Jerome Robbins, Robert Rossen y tantísimos otros no tuvieron escrúpulos en delatar a sus amigos y compañeros y, ocasionalmente inventar responsabilidades ajenas, asignándoles nombres y apellidos reales. Unos delataban espontánea y gozosamente, y siempre encontraban una justificación patriótica; otros delataban culposa y tartamudamente, y no se repondrían jamás de ese gesto abyecto; otros más delataban como quien teje una amenaza, y así llegaban a sentirse realizados. La amenaza de quedarse sin contratos y, en consecuencia, sin mansión en Beverly Hills, sin fans, sin oscar, resultó insoportable para muchos. Nadie fue torturado para que declarase a gusto del tándem Nixon-McCarthy, y, sin embargo pocas sevicias han logrado en el mundo tantos y tan bien dispuestos informadores como esta simple amenaza de eclipse. Eclipse del confort y de la fama, claro. La histeria anticomunista debió su primer impulso al entonces presidente, Harry Truman; al procurador general, Tom Clark, y al director del F.B.I. John Edgar Hoover; pero encontró sus ejecutores ideales en Richard Nixon, congresista en aquel tiempo, en el senador McCarthy y en el presidente del Comité de Actividades Antinorteamericanas, John S. Wood. Lo de Truman es quizá mas lógico. Todavía hoy su nombre figura como el del único ser humano que ha ordenado arrojar bombas atómicas sobre poblaciones indefensas sobre un país ya virtualmente derrotado. Quién no ha vacilado en aniquilar en un instante a 80.000 personas en Hiroshima y a 40.000 en Nagasaky no iba a sentir nauseas al arruinar las carreras de algunas decenas de intelectuales y artistas. Vale la pena recordar que por aquellos años Winston Churchill dijo que los alemanes debían “sangrar y arder, ser aplastados hasta no quedar de ellos más que una masa de ruinas humeantes” y que a los japoneses era preciso “borrarlos de la faz de la tierra, a cada uno de ellos: hombres, mujeres y niños”. Tampoco lo de Nixon es inexplicable. Quien años mas tarde iba a concluir en Watergate era bastante lógico que aprovechara el comité para pergeñar sus primeros borradores de cinismo ideológico. Si el macartismo no hubiera sido tan nefasto se podría calificar como farsa. Walt Disney declaró que “quienes se adueñan de la Cartoonest Guild (Sindicato de los trabajadores de los estudios de animación) intentan darle a Mickey Mouse un carácter subversivo” el novelista Ayn Rand detectó propaganda comunista en la pelicula norteamericana Songs of Russia sencillamente porque los rusos sonríen. Si Nixon y McCarthy eligieron el campo cultural para propinar un castigo ejemplarizante fue porque sospechaban que la debilidad del mundo del espectáculo, así como de su dependencia del confort, lo convertían en materia apropiada. La verdad es que los que actuaron con decencia lo perdieron todo o casi todo. Dashiell Hammett, el notable novelista con quien Lillian Hellman compartió los años mas intensos de su vida, fue encarcelado en 1.951 por negarse a proporcionar nombres, y luego, cuando recobró su libertad, ya no pudo seguir cobrando sus derechos de autor. La propia Lillian tuvo que vender su tan querida granja, y cuando se le acabaron las reservas sólo consiguió trabajar, con un nombre falso, en el departamento de comestibles de un gran almacén. Varios de los artistas citados por el comité se acogieron a la quinta enmienda constitucional, pero Lillian pese a los consejos de su abogado y del propio Hammett, se negó a ampararse en ese recurso y dirigió a John Wood, presidente del comité, una célebre carta en la que decía entre otras las palabras que hemos oído al principio del programa en la voz de Fernando. El comité no acepto su talante, y a partir de esa negativa no tuvo otra salida que acogerse a la quinta enmienda (que establece que nadie podrá, en una acción criminal, ser obligado a testimoniar contra sí mismo). Lillian llevó su concepto estricto de la decencia a desechar argumentos que tal vez la hubiesen ayudado. A fin de probar la condición independiente de su pasado, su abogado intentó utilizar, como parte de la defensa, el hecho de que en varias oportunidades la prensa del partido comunista norteamericano la había atacado y había comentado desfavorablemente algunas de sus piezas dramáticas. Pero ella negó: “aprovecharme de los ataques de los comunistas sería como atacarlos yo a mi vez en un momento en que estaban siendo perseguidos, y les habría hecho el juego al enemigo”. Si bien su comportamiento le trajo incomprensión y resentimiento por parte de los colegas que habían claudicado, la levantisca actitud de la Hellman obtuvo el apoyo del público y la admiración de los jovenes. Pocos días después de su comparecencia ante el comité tuvo que subir a un escenario. Se trataba del estreno de “Regina”, ópera de Marc Brizstein basada en la obra de la propia Lillian “The little foxes” (Los zorritos). Según lo programado ella debía dar lectura a un largo texto que servía de introducción a la versión operística. No bien apareció en escena, el público y los músicos se pusieron en pie y le dedicaron una ovación atronadora. Realmente, Lillian Hellman fue casi un mito para los liberales norteamericanos. No sólo por lo que hizo, sino porque fueron poquísimos (Arthur Miller, Pete Seegers y algunos mas) los que hicieron algo parecido. Ella era un mito liberal; sin embargo, según ella misma ha confesado, ya no creía en el liberalismo: “El liberalismo perdió para mí toda su credibilidad . Creo que lo he sustituido por algo muy privado; algo que suelo llamar, a falta de un término más preciso, decencia”. Curiosamente cuando McCarthy, llevado por su delirio anticomunista, arremetió nada menos que contra el ejercito norteamericano y tuvo que enfrentarse al abogado Joseph Welch, éste le hizo una pregunta que ha pasado a la historia: “¿No tiene usted sentido de la decencia, señor?”. No, el señor no lo tenía. McCarthy murió en 1.957, pero no estoy seguro de que el macartismo haya fenecido. La limpia imagen de Lillian Hellman fue de incalculable importancia en el compromiso asumido por intelectuales y artistas que vinieron después. Los que se opusieron a la guerra de Vietman, a las políticas de Reagan o de Bush y un largo etcétera. En las ultimas páginas de su libro de memorias “Tiempo de canallas” puede leerse: “ Somos un pueblo al que no le gusta recordar el pasado”. Sin embargo, la propia Lillian Hellman es un pasado que, guste o no, debería recordarse siempre. Sin espectacularidad ni alharacas, su conducta intachable constituyó una alerta para los intelectuales norteamericanos y para todos los intelectuales, incluidos los que creen que la libertad y la justicia son meros problemas semánticos y no derechos inalienables de los pueblos. En su notable libro “Los delatores: el cine norteamericano y la caza de brujas”, de Víctor Navasky, figura una breve declaración de Lillian Hellman : “Es a Dios a quien corresponde perdonar, no a mí”. Pero tampoco han llegado noticias del perdón de Dios.

Author David Annandale joins Derek this week to take on the film The Devil Commands (dir. Edward Dmytryk). David spends a lot of time in the , but can even that prepare him for the cosmic horror of this 1941 Karloff classic? And are Jeff Polier and Dominique Lamssies tall enough to ride the rides at the Carnival of Souls (dir. Herk Harvey) on Weird Wednesday at the Joy Cinema? Find the answers to these questions after listening to Professor Frenzy's Bedtime Story. And don't forget Kenny's Look at Famous Monsters of Filmland. Voicemail: 503-479-5MKR (503-479-5657) Email: Monster Kid Radio on YouTube - David Annanndale on Amazon - Professor Frenzy -   Monster Hunter for Hire (Supernatural Solutions: The Marc Temple Casefiles - Volume 1) -  Monster Kid Radio on TeePublic - "Sneaky Adventure" by Kevin MacLeod (https://incompetech.com) License: CC BY (http://creativecommons.org/licenses/by/4.0/) The opening and closing song "" () appears by permission of All original content of Monster Kid Radio by is licensed under a .

Cashing in on CAT PEOPLE is Universal's CAPTIVE WILD WOMAN (1943) from director Edward Dmytryk. The film introduces horror-mainstay John Carradine and the... unique Hollywood actress Acquanetta also known as the "Venezuelan Volcano". Strap in friends cuz we're going to the circus in this one! Universal brings together apes, lions, tigers, hormone glands, and more. Oof! Context setting 00:00; Synopsis 15:54; Discussion 37:38; Ranking 49:35

RKO Radio Pictures released Murder, My Sweet on February 22, 1945. Edward Dmytryk directed the film which starred Dick Powell, Claire Trevor, and Anne Shirley. The post Murder, My Sweet (1944) appeared first on Movie House Memories.

This episode kicks off a two part look into the film noir detective mystery genre.  This week's episode will explore the classical myths, conventions, and iconography associated with this genre as seen in Murder, My Sweet (1944).  Murder, My Sweet was directed by Edward Dmytryk and stars Dick Powell and Claire Trevor.

Welcome to Episode 83 of the Holmes Movies Podcast! Join Anders & Adam Holmes as they review Edward Dmytryk's film noir classic, Murder My Sweet starring Dick Powell 0:00 - 08:00: Introductions, Short Films, Amsterdam and Planes 08:03 - 28:48 - Movie News: Sam Mendes, Roland Emmerich, Star Wars Episode IX Casting News, Indiana Jones 5, Thai Cave Rescue, Scarlett Johansson Casting Controversy, Stanley Kubrick, Jim Jarmusch, Marvin Gaye and Sammy Davis Biopics & Cats 29:58 - 57:43 - Murder My Sweet Review 58:51 - 1:17:28 - Birthdays and Recommendations 1:17:51 - 1:22:24 - Goodbyes and Where to Find Us Follow us on twitter: https://twitter.com/holmesmoviespod Follow our blog: https://holmesmovies.wordpress.com Follow Adam's blog: https://bygoneyears.wordpress.com

Retour sur la longue carrière du cinéaste Edward Dmytryk. Voir Acast.com/privacy pour les informations sur la vie privée et l'opt-out.

Today’s movie is The Caine Mutiny (1954) starring among others, Humphrey Bogart, Van Johnson, Fred MacMurray, and José Ferrer. This great movie covers two of my favorite genres, war movies, and trial movies. What can be better than a military court martial movie? This film was directed by Edward Dmytryk and based on a Herman Wouk novel. Rough Script - The Caine Mutiny (1954) We would love to get your feedback! Email SPREAD THE WORD! If you enjoyed this episode head on over to iTunes and kindly leave us a rating, a review, and subscribe! Ways to subscribe to Classic Movie Reviews with Snark Click here to subscribe via iTunes Read more at snarkymoviereviews.com  

RKO Radio Pictures released Back to Bataan to theaters on May 31, 1945. Edward Dmytryk directs the film which stars John Wayne, Anthony Quinn, and Beulah Bondi. The post Back to Bataan (1945) appeared first on Movie House Memories.

This episode will trace the roots of both communism and anti-communism in Hollywood, through the Depression, union struggles and scandals, and World War II. The major characters of the series will be introduced, including members of the Hollywood Ten like Dalton Trumbo and Edward Dmytryk, two Party members who collaborated on a film called Tender Comrade, which starred one of Hollywood's proudest Conservatives, Ginger Rogers. Tender Comrade epitomizes the political evolution that made the Blacklist happen: considered patriotic American propaganda during the War, the film was recast as problematically anti-capitalist after the war, and its makers branded with the epithet "prematurely anti-fascist." This episode is brought to you by The Great Courses Plus. For a limited time, The Great Courses plus is offering my listeners a chance to stream hundreds of their courses for FREE at thegreatcoursesplus.com/REMEMBER This episode is also brought to you by Squarespace. Start your free trial site today at Squarespace.com. Use promo code REMEMBER for 10% off your first purchase.  Learn more about your ad choices. Visit podcastchoices.com/adchoices

I've included some musings on taking time to think and putting things in context.Check out this book by Edward Dmytryk, On Film Editing    I've included some musings on taking time to think and putting things in context.Despite my interest in putting things in a thoughtful way, I manage to run through a bunch of processes like a kid running through the woods during a thunderstorm. So I quickly explain how to, among other things, different kinds of cuts, using the motion feature in FCP, working with filters and compositing.Most of the week was spent editing a rough cut of our projects. We have to get them done in 3 weeks. In-between editing Federico likes to show us some student films and discuss how successful they are. That's been really instructive.