Podcasts about Eric Gale

Episode 118- Join host Troy Saunders as he hosts Sherry Winston! Not only is Ms. Winston one of Jazz music's most esteemed flutist, but she is also a record executive, promotional manager, educator, public speaker, composer, author, chef, booking agent, a world renowned performer and all around great person. Come get to know this legendary artist in this episode.Sherry Winston has performed in many of the major concert halls throughout the U.S. including Carnegie Hall, Constitution Hall, Lincoln Center and at the Kennedy Center. Sherry performed with Icon Stevie Wonder in NYC to honor the legendary Hal Jackson on his 97th birthday. Sherry had the honor of performing for two sitting presidents. For President and Mrs. Clinton during their last holiday party at the White House and for former President George H.W. Bush at the Waldorf Astoria Hotel in NYC.Sherry has been featured in The New York Times, Ebony, Black Enterprise, Essence and More Magazines. Sherry has been a featured guest on the Today Show, "Emeril Live," and has co-hosted and performed on 8 shows for Bet TV. Sherry has released 6 CD's with her first "Do It For Love," going to #1 on BRE and the Black Excellence Charts. "Love Madnes," and "Life is Love & Love is You," was Top 10 at Billboard Magazine.They start the episode by discussing Sherry's humble beginnings growing up in Corona, Queens NYC, her college years at Howard University, how she began working as a secretary at Warner Brothers Records via their Elektra and GRP subsidiaries and her move up the ranks becoming Director of Jazz Promotion at Columbia Records.The next part of the conversation they converse about what happened at Columbia Records that made her concentrate on recording her own Jazz records. The struggles of an independent artist and how she copes with the ups and downs of being in the the music industry. This is a must listen for anyone that is in or planning to start a career in music. Words from a wise lady that has been maintaining a successful career for many years.Of course throughout the episode Troy plays some of his favorite songs by Ms. Winston. Beginning with "Sherry Love" and ending with her latest single "Spice Island". Sherry tells wonderful stories on working with legendary artists Hubert Laws ( and the rest of his family), Patrice Rushen, Jon Lucien, Najee, Kirk Whalum, Grover Washington Jr, Eric Gale and more. You can tell that Troy and Ms. Winston thoroughly enjoy each others company. It was as if they knew each other for a long time even though they just met.This is a wonderful episode that will keep you intrigued, make you smile and fill you soul with wonderful music. Listen and subscribe to the BAAS Entertainment Podcast on Spotify, Amazon Music, Apple Podcasts, Google Podcasts, Deezer, iHeartRadio, Pandora, Podchaser, Pocket Casts and TuneIn. “Hey, Alexa. Play the BAAS Entertainment Podcast.”

**It's The Relax With Rendell Show Replay On Trax FM & Rendell Radio. Rendell Featured Soul & Boogie/Rare Groove/80's & 70's Grooves Cuts From Caress, Robin Angel, Princess, Network, Leee John, Keni Stevens, Jonathan Butler, Jermaine Stewart, Instant Funk, Eric Gale, Dee C Lee & More. Catch Rendell Every Saturday From 8PM UK Time The Stations: Trax FM & Rendell Radio #traxfm #rendellradio #soul #funk #70ssoul #80ssoul #60s #boogie #disco #raregrooves #soulclassics #reggae #nusoul #relaxwithrendell Listen Live Here Via The Trax FM Player: chat.traxfm.org/player/index.html Mixcloud LIVE :mixcloud.com/live/traxfm Free Trax FM Android App: play.google.com/store/apps/det...mradio.ba.a6bcb The Trax FM Facebook Page : https://www.facebook.com/profile.php?id=100092342916738 Trax FM Live On Hear This: hearthis.at/k8bdngt4/live Tunerr: tunerr.co/radio/Trax-FM Radio Garden: Trax FM Link: http://radio.garden/listen/trax-fm/IEnsCj55 OnLine Radio Box: onlineradiobox.com/uk/trax/?cs...cs=uk.traxRadio Radio Deck: radiodeck.com/radio/5a09e2de87...7e3370db06d44dc Radio.Net: traxfmlondon.radio.net Stream Radio : streema.com/radios/Trax_FM..The_Originals Live Online Radio: liveonlineradio.net/english/tr...ax-fm-103-3.htm**

Send us a Text Message.When Lee Finkelstein lays down a beat, it's not just rhythm—he's telling a story, painting a landscape. It's a philosophy I, John Simeone, share wholeheartedly. Our recent conversation took us on a tour through the world of drumming, where we unpacked the essence of what it means to truly play for the music. Lee, with his wealth of experience across genres, emphasizes the idea that serving the song trumps personal showmanship. We riff on the camaraderie between drummers, the joy found in simplicity, and the magnetic pull of a groove that unites a band. The heartbeat of our episode pulses with discussions on live performance and the wisdom Lee shares gleaned from playing with legends like the Blues Brothers band and stepping in for David Garibaldi with Tower of Power. As we explore the shifting tides of the music industry, we offer nuggets of advice for up-and-coming drummers striving to stay relevant. Join us as we share stories of triumph, the humbling moments of our careers, and the lessons that resonate beyond the stage. It's a rhythmic ride that speaks to the core of every musician's spirit.Lee has recorded, performed with and backed up Ray Charles, Stevie Wonder, Nancy Wilson, Grover Washington Jr, Eric Gale, The Oregon Symphony Orchestra & Randy Brecker, Isaac Hayes, Eddie Floyd, Bette Midler, Blood Sweat & Tears, Russ Freeman, Julio Iglesias, Frankie Paul, Johnny Winter, Steve Cropper, Lou Marini, Will Lee, Paul Shafer, John Tropea, Leon Pendarvis, Alan Rubin, Saturday Night Live, Dave Valentine, Cornelius Bumpus, Anthony Jackson, Mary Wilson, Daryl Hall, John Oates, Hudson River Rats, Joey Ramone, Vaneese Thomas, Mario Cruz, Jens Wendelboe, Don Blackman, Oz Noy, Buzz Feiten, Neil Jason, Deena Miller, Dave Fields, Jay Prince, Bill Heller, Cosmic Oven, Derretub Snub, Hadrian Decree, Red Flannel Hash Band, Small Talk/Jim Small Band, The Paper Bag, Timberwolf, Yasgur's Farm, Jim Pin Band 5+2-1, Eclipse, Funk Filharmonik, The Zen Tricksters, Major Domo, Chick Singer Night NYC, Jonny Rosch, Bobby Harden, Stevie Cochran, Ed Palermo Big Band, Napoleon Murphy Brock, Wycliff Gordon, Marc Ribler, Jack Daley, JT Bowen, Southside Johhny, Bowling For Leftovers, Dead On Live, Felix Cavaliere and The Rascals, Felicia Collins, David Spinozza, Vernon Reid, Corey Glover, Bill Murray, Chris Noth, Ben Vereen, Friends of the Brothers, the Royal Scam and Paul Sorvino.   Support the Show.

Episode 106 Electronic Music of Dune Playlist Toto, “Main Title,” “Robot Fight,” and “Dune (Desert Theme)” from Main Title / Robot Fight / Dune (Desert Theme) (1984 Polydor). A single produced from the soundtrack of the David Lynch film version of Dune (1984). Toto, with its big synthesizers, created most of the soundtrack, although Brian Eno, Roger Eno and Daniel Lanois had one track (included later in this podcast). Bass, David Hungate; Drums, Percussion, Jeff Porcaro; Guitar, Steve Lukather; Keyboards, David Paich, Steve Porcaro. 6:36 David Matthews, “Part I: Arrakis,” “Part II: Sandworms,” “Part III: Song Of The Bene Gesserit,” “Part IV: Muad'Dib” from Dune (1977 CTI Records). Arranged by David Matthews and produced by Creed Taylor for his CTI jazz label, this was an extended work inspired by the novel by Frank Herbert. Cliff Carter plays the solo synth (mini-Moog?) on the first track and other places. The work is jazz with bits of electronic music blended into the instrumentation. It remains an interesting artifact partly because of the legal problems CTI faced once they released the album. Because CTI had not secured writer Frank Herbert's authorization to use his novel Dune as the thematic center piece for the album, Herbert filed a law suit against CTI and won, forcing the label to delete it from catalog. For this reason, that interesting album was never reissued in the USA. Enjoy. Alto Saxophone, David Sanborn; Bass, Mark Egan; Bass Trombone, Dave Taylor; Concertmaster, Sanford Allen; Drums, Andy Newmark, Steve Gadd; Flute, Piccolo Flute, Dave Tofani; Guitar, Eric Gale, Hiram Bullock; Keyboards, Cliff Carter; Oboe, Clarinet, Lew Del Gatto; Percussion, Gordon Gottlieb, Sue Evans; Tenor Saxophone, Soprano Saxophone, Grover Washington, Jr.; Trombone, Jerry Chamberlain*, Sam Burtis, Tom Malone, Wayne Andre; Trumpet, Flugelhorn, Burt Collins, Jim Bossy, Joe Shepley, John Gatchell, Jon Faddis, Lew Soloff, Randy Brecker; Vocals, Googie Coppola. Recorded at Electric Lady Studios, June 1977. The first side is the Dune suite, the second side features interpretations of other sci fi film themes (Silent Running, Star Wars, etc.). 20:29 Frank Herbert reading Dune from Dune, The Banquet Scene (1977 Caedmon Records) combined with a track by Alan R. Splet, “Space Travel W/ Changing Choral Textures” (2003 Sub Rosa) from An Anthology Of Noise & Electronic Music / Second A-Chronology 1936-2003. The recording of Herbert was made at the height of the Dune craze, the late 1970s. When David Lynch made his film for release in 1984, he was working with Splet who is not credited by whom may have contributed some electronic and ambient sounds. This track appears to confirm that and I've combined it with the Herbert reading. 5:07 Brian Eno, Roger Eno and Daniel Lanois, “Prophecy Theme” from Dune (Original Soundtrack Recording) (1984 Polydor). This little track was the only one that remained of Eno's contributions to the Dune soundtrack, although he reportedly composed an entire movie's worth of music for the film. Some was used as incidental music. 4:21 Zheani, “The Litany Against Fear” from Eight (2018 Sleepcvlt). Cassette release from this Australian rapper, electronic musician, model and actress.This is a famous quote from Herbert's Dune and seemed fitting to have it represented by a musician for the podcast. 0:36 Klaus Schulze, “Dune” from Dune (1979 Brain). Yes, Schulze, too, was infected with the Dune craze and created this ambitious 30-minute work to acknowledge it. This is a truly lovely electronic work from those days when Schulze was largely still working analog synthesis, and synthesize voices and orchestral sounds, much like his earlier album X. The cello is played by Wolfgang Tiepold, produced by and all keyboards by Klaus Schulze. The first side comprises the piece called Dune and the second side features an unrelated work with vocals by Arthur Brown. An intriguing album all around! 30:05 Graeme Revell & The City Of Prague Philharmonic, “Seduction” from Frank Herbert's Dune (Original Soundtrack From The Sci-Fi Channel Mini Series) (2001 GNP Cresendo). Composed by Graeme Revell; executive producer, Neil Norman; orchestra, chorus, The City Of Prague Philharmonic. This is the soundtrack for a Sci Fi channel mini-series back in 2001. The music is primarily orchestral, being performed in the Czech Republic and arranged by Neil Norman, Hollywood veteran of science fiction films. But Revell did compose it and there are a few tracks, such as the one featured here, that have clearly electronic elements that stand out. 1:51 Grimes, “Caladan” from Geidi Primes (2011 No Pain in Pop). Grimes' first album was a concept album based on Frank Herbert's novel Dune and David Lynch's 1984 film adaptation of the book. This track is about the fictional home planet of the Atreides, the protagonist clan in the novel. Produced by, written by, played by Grimes. She used relatively simple sounds, overdubs, and interesting vocal mixes to tell these tales. 2:23 Kurt Stenzel, “Parallel World” (1:42), “Parallel World (Outro)” (1:04), “Leap Of Faith” (0:43), “Time And Space” (2:04), “Optical World” (2:56), “Nebula” (2:26), and “Invitation” (excerpt) from Jodorowsky's Dune (Original Motion Picture Soundtrack) (2014 Cinewax). This is a bit of a side-hustle because Alejandro Jodorowsky's much hyped film version of Dune, which he sought to make in the 1970s, does not exist. It is one of the most famous movies that never existed. Still, the Chilean-French film director, producer, composer, actor stuck with the idea for quite some time until the David Lynch movie was produced in the 1980s and sucked all of the available Dune oxygen out of the room. But Jodorowsky's passion for the project inspired others, including guitarist and synthesist Stenzel who produced this soundtrack to a 2014 documentary about Jodorowsky and the ill-fated project. Stenzel composed music inspired by the book. This double LP has 33 tracks and I focused on a selection of connected synth tracks from the first album. Moog Source, CZ-101s, Roland Juno 6, toy Concertmate organ, Ninendo DS, voice, Kurt Stenzel. 11:56 Klause Schulze, “Side E—"Der Hauch Des Lebens (The Breath of Life) Pt #1” from Deus Arrakis (2022 SPV Recordings). Dune remained a lifelong source of fascination for Schulze. This, his final album, was also inspired by the novel he loved so well. This is a three-LP set, but the first LP is single-sided. Because of his ill health, Schulze knew that this might be his final project. In the liner notes he wrote directly to his fans, saying, “Thank you for your great support over all these years. This is for you! May the spice be with you. Always.” Recorded and written by Klaus Schulze; Cello, Wolfgang Tiepold; Voice, Eva-Maria Kagermann. 16:24 Han Zimmer, “Arrakis” from The Art And Soul Of Dune (Companion Book Music) (2021 WaterTower Music). Zimmer composed the soundtrack for the Denis Villeneuve released in 2021. Villeneuve has praised Zimmer's work on the film and that he had spent,"months and months creating new instruments, defining, creating, and seeking new sounds, pushing the envelope." In addition to a soundtrack for the film itself, Zimmer released two companion releases that provide an extended listen to the sounds and experiments that were created for the project. Three albums were released for the film by WaterTower Music, including The Dune Sketchbook (Music from the Soundtrack), Dune (Original Motion Picture Soundtrack), and The Art and Soul of Dune on September 3, September 17, and October 22, 2021, respectively. This work is from the reading companion to the film. 13:28 Opening background music: Hans Zimmer, “The Shortening Of The Way” from The Dune Sketchbook (Music from the Soundtrack) (2021 WaterTower Music). This track is from a companion 2-CD set that accompanied the actual soundtrack. Zimmer called these sketches and they represent his sound experiments as he formulated the music for the film. This grand combination of acoustic instruments and synth sounds from Zimmer's private studio is stunning in its scope and virtuosity and highly recommended. Synth programming by Hans Zimmer. 11:14 Opening and closing sequences voiced by Anne Benkovitz. Additional opening, closing, and other incidental music by Thom Holmes. See my companion blog that I write for the Bob Moog Foundation. For additional notes, please see my blog, Noise and Notations.

MP3 Link Marie hosting her regular Sunday morning show, playing a glorious selection of soul, jazz, funk, disco, house and loads more. Featuring tracks by Jazztronics, The Crusaders, Eric Gale, Slave, Kyoto Jazz Massive, Diana Ross and many, many more. Enjoy. RSS Feed: 6MS Sessions

Hoy os queremos acercar el que en nuestra opinión es uno uno de los mejores trabajos del pianista argentino Jorge Dalto. El disco se llamó Rendezvous y fue grabado por en el año 1983 junto a la que en ese momento era la banda de Jorge, los Super Friends, una formación que contaba en sus filas con músicos de la talla de George Benson, Dave Sanborn, Eric Gale, Carlos Patato Valdés, Steve Gadd, Buddy Williams, Anthony Jackson, Bob Mintzer, Tom Browne o Artie Webb. Un derroche de talento que va a ser nuestro disco para el Vinilos para Gatos de hoy. TRACKS 1-You're Like An Angel Dalto 2-Poinciana Simon, Bernier 3-Mountain Song Dalto 4-My Latin Brother Benson 5-It's Magic Gray 6-Jamboree Dalto 7-Like a Whisper Dalto 8-Hotel Du Globe Dalto CREDITS Jorge Dalto Piano, Teclados, Fender Rhodes George Benson Guitarra Eric Gale Guitarra Ted Pearlman Guitarra Bob Mintzer Saxo tenor David Sanborn Saxo Alto Tom Browne Trumpet Art Webb Flute Anthony Jackson Bass Steve Gadd, Buddy Williams Drums Hector Casanova Drums, Guiro Carlos "Patato" Valdés Conga, Bateria Nicky Marrero Timbales, Bells, Cowbell, Wood Block Mark Hood Guitarra Adela, Jocelyn Brown, Lillias White Vocals

Unser wöchentlicher Podcast mit Persönlichkeiten aus allen Lebensbereichen, die über ihren Alltag und ihre Musik-Leidenschaft sprechen. Folge 36: Wolfgang Frömberg im Gespräch mit dem Jazz Musiker Bruno Müller, Gitarren Virtuose und Stammgast im King Georg. In der Tradition amerikanischer Live- und Sessionmusiker wie Tommy Tedesco oder Lee Ritenour und inspiriert durch Künstler wie George Benson, Robben Ford, Eric Gale und Johnny Guitar Watson gilt Bruno Müller als einer der etabliertesten Gitarristen in Europa. Das Hauptmerkmal seiner musikalischen Persönlichkeit? Ganz klar sein filigranes Handwerk gepaart mit stilistischer Flexibilität zwischen Pop, Soul, Funk und Jazz. Vor allem aber: sein atemberaubender Groove.

(...) "Caliente" sería el punto de inicio de un nuevo cambio en el estilo del artista, adquiriendo una sonoridad más acorde con los tiempos y explorando las mezclas entre la música latina y el jazz más comercial. Y es también un trabajo inmerecidamente vapuleado por la crítica que no supo o quiso aceptar que después de tantos años experimentando y tras el éxito de El Último Tango en Paris quizás el músico quisiera abrazar otros estilos musicales. De verdad creemos que acusar a Barbieri de poco arriesgado es no conocer la filosofía de este innovado artista, sin duda unos de los más innovadores músicos del siglo pasado y una voz, su saxo, que se reconoce sin problemas tan solo escuchando una nota. Os aseguramos que pocos saxofonistas pueden decir algo así. Y es que Barbieri siempre fue fan incondicional de otro saxofonista indómito, John Coltrane. (...) TRACKS 1-Fireflies Barbieri 2-Fiesta Barbieri 3-Europa Coster, Santana 4-Don't Cry Rochelle Barbieri 5-Adios, Pt. 1 Barbieri 6-I Want You Ross, Ware 7-Behind the Rain Alpert 8-Los Desperados Barbieri 9-Adios, Pt. 2 Barbieri CREDITS Gato Barbieri Sax (Tenor) Eddie Martinez Keyboards Don Grolnick Synthesizer, Keyboards David Taylor, Wayne Andre, Paul Faulise Trombones Joe Beck, Eric Gale, David Spinozza Guitars Bernie Glow, Randy Brecker, Irwin "Marky" Markowitz, Marvin Stamm Trumpets Gary King Bass Lenny White Drums Alfred Brown, Harry Cykman, Max Ellen, Harold Kohon, Harry Lookofsky, Paul Gershman, Harry Glickman, Theodore Israel, Charles McCracken, Matthew Raimondi, Alan Shulman, David Nadien, Max Pollikoff Strings Mtume, Ralph MacDonald, Angel "Cachete" Maldonado Percussions

Eric Gale stand nie im grossen Rampenlicht aber spielte auf hunderten grossartigen Alben mit den besten Musikern und Sängerinnen. Sein Gitarrensound hört man auf den Platten von Van Morrison, Michael Jackson und Aretha Franklin oder auf Jazzfunk-Perlen von Grover Washington Jr. und Bob James.

Earl “Paul” Douglas is a Jamaican Grammy winning drummer and percussionist, best known for his work with Toots and the Maytals. His career spans more than five decades as one of reggae's most recorded drummers. Douglas has worked with artists including Bob Marley and the Wailers, Bonnie Raitt, and Eric Gale. He has also toured with artists including The Rolling Stones, Willie Nelson, Dave Matthews Band, The Who, Eagles and Sheryl Crow After Dan's conversation Paul sent him an email “I was having so much fun doing the interview, I forgot to mention my new release ‘JAZZ Mi REGGAE”. Doing that for you now, Mr Douglas - the album was released April 19 this year. Give this master musician's new one a listen.   Apple Podcasts: https://t.ly/212Podcast Spotify: https://t.ly/212PodcastSpotify   www.212musicgroup.com/the212podcast

Agradece a este podcast tantas horas de entretenimiento y disfruta de episodios exclusivos como éste. ¡Apóyale en iVoox! Este monográfico está dedicado al guitarrista Eric Gale, un músico fallecido en el año 1994. Repasamos sus colaboraciones junto a artistas como Michael Paulo, Patti Austin, Gato Barbieri, Ralph McDonald, Diana Ross, Idris Muhamad, Grover Washington Jr., Roberta Flack, Michael Franks, Tom Scott, Bob James y David Sanborn.Escucha este episodio completo y accede a todo el contenido exclusivo de Cloud Jazz Smooth Jazz. Descubre antes que nadie los nuevos episodios, y participa en la comunidad exclusiva de oyentes en https://go.ivoox.com/sq/27170

The great Hilton Valentine assumed room temperature this week in R&R brothers and sisters.....A sad bit of news to be sure.I met Hilton Valentine at a record show in Connecticut a few years ago and purchased a few 45's from him. We got to discuss some of his guitars, amps, influences, etc. I asked him where he got the idea for the guitar into on "Baby let me take you home"......he laughed and told me from Jimmy Page who played guitar on Hoagy Lands 45 rpm the same year. What? Where can I get a copy? Hilton had one for sale so after a short negotiation, I had the original in my hand...What? The Bert Berns penned Hoagy 45 wasn't the original? No Berns got it from Dylan [Baby, Let me follow you down] who got it from a traditional folk song....you can't make this stuff up! So the incredible guitar intro is Page according to Hilton but Wikipedia has Eric Gale as the guitarist...? Jimmy Page is one of the funkiest guitarists ever! His timing on the Yardbirds stuff and especially Zeppelin are outrageous.I can't figure out the intro no matter who's playing it! Dig it!.....

Paul Simon plays the “loser” version of himself in one of the best rock star movies ever made. One Trick Pony (1980) - Directed by Robert M. Young . Written by Paul Simon. Starring Paul Simon, Lou Reed, Rip Torn, Steve Gadd, Tony Levin, Richard Tee, Eric Gale, Alan Garfield (Goorwitz), The B-52’s, Sam & Dave, The Loving Spoonful, Mare Winningham, Daniel Stern, Harry Shearer & Blair Brown. How is the world wrong about this film? From Andras: It’s a perfect anti-ego trip from one of the greatest singer songwriters of all time. Paul Simon and director Robert M. Young render Simon’s “One Trick Pony” album on film with honestly funny performances from mostly musicians in a film that is ultimately heartbreaking or heartwarming depending on how much you believe in singer-songwriters. Featuring an interview with Jordan Summers of the band ALL DAY SUCKER SPOTIFY playlist of songs featured on this episode Find all of our episodes at www.theworldiswrongpodcast.com Follow us on Instagram @theworldiswrongpodcast Check out: The Director's Wall with Bryan Connolly & AJ Gonzalez & The Radio8Ball Show hosted by Andras Jones See omnystudio.com/listener for privacy information.

In this episode, Jerrell speaks to professional guitar player and producer Josh Smith. Josh started playing guitar at age six and was praised as a blues prodigy by the time he was 12. He's been releasing records from the age of 14 and has been named the 16th best living blues guitar player in the world by Guitar World Magazine. Josh has also shared the stage with legendary artists such as B.B. King, Andy Timmons, Joe Bonamassa, Kirk Fletcher, and many others. He talks about growing up listening to music from his parents, his passion for blues and jazz, his role producing and his experience working with Joe Bonamassa on Eric Gale's latest record. --- This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app

I was in New Orleans working on a record with Allen Toussaint and Randall Bramlett. The guy I shared a room with at The Howard Johnson had pneumonia and when I came back to New York I felt like I just wanted to be in bed. I had never felt like this before. They wanted to put me in a hospital but I had a gig that night with Steve (Gadd) and Richard Tee, Cornell (Dupree) and Eric (Gale), Gordon Edwards. I had the gig and I didn’t want to miss the gig. That was a night where I was just playing by instinct. I wasn’t thinking about anything at all, I just wanted to get through the gig and play the right notes and go home. That was the night where everyone was coming up to me saying, “you’re playing your ass off. Oh my god, I’ve never heard you play so good!” That happened subsequently a bunch of times, where you’re so sick you’re not thinking about technique, you’re not thinking about performance, you’re not thinking about somebody in the audience or what’s going to happen after the gig or the next gig. All you’re doing is concentrating on surviving. --- Support this podcast: https://anchor.fm/jake-feinberg/support

**Jim Hughes & The Disco Direction Show Replay On www.traxfm.org. This Month Jim Featured Disco/Soul Chart Hits From The UK Jazz Funk Era. Unsurpassable Cuts From Donald Byrd, Casiopia, Charles Earland, Wilton Felder, Herbie Hancock, Grover Washington JNR, Manu Dibango, Ronnie Laws, Lee Ritenour, Light Of The World, Deodato, Al Di Meola, Level 42, Eric Gale, Azymouth, Incognito, Freeze, George Benson, Hiroshi Fukumura, Patrice Rushen, B.Baker Chocolate Co, Webster Lewis, Hi-Tension, Atmosfear, Eumir Deodato, Bob James, George Duke, Lonnie Liston Smith. Catch Jim Hughes The First Tuesday Of Every Month From 9PM UK Time The Station: www.traxfm.org #traxfm #DiscoDirectionShow #jimhughes #soul #funk #disco #discocharts #boogie #philly #salsoul #70s #danceclassics Listen Here: www.traxfm.org Free Trax FM Android App: https://play.google.com/store/apps/details?id=net.traxfmradio.ba.a6bcb The Trax FM Facebook Page : https://www.facebook.com/original103.3/ Tunerr: http://tunerr.co/radio/Trax-FM Tune In Radio : https://tunein.com/radio/Trax-FM-s225176/ OnLine Radio Box: http://onlineradiobox.com/uk/trax/?cs=uk.traxRadio Radio Deck: http://www.radiodeck.com/radio/5a09e2de87e3370db06d44dc Radio.Net: http://traxfmlondon.radio.net/ Stream Radio : http://streema.com/radios/Trax_FM..The_Originals Live Online Radio: http://www.liveonlineradio.net/english/trax-fm-103-3.htm **

**Jim Hughes & The Disco Direction Show Replay On www.traxfm.org. This Month Jim Featured Disco/Soul Chart Hits From The UK Jazz Funk Era. Unsurpassable Cuts From Donald Byrd, Casiopia, Charles Earland, Wilton Felder, Herbie Hancock, Grover Washington JNR, Manu Dibango, Ronnie Laws, Lee Ritenour, Light Of The World, Deodato, Al Di Meola, Level 42, Eric Gale, Azymouth, Incognito, Freeze, George Benson, Hiroshi Fukumura, Patrice Rushen, B.Baker Chocolate Co, Webster Lewis, Hi-Tension, Atmosfear, Eumir Deodato, Bob James, George Duke, Lonnie Liston Smith. Catch Jim Hughes The First Tuesday Of Every Month From 9PM UK Time The Station: www.traxfm.org #traxfm #DiscoDirectionShow #jimhughes #soul #funk #disco #discocharts #boogie #philly #salsoul #70s #danceclassics Listen Here: www.traxfm.org Free Trax FM Android App: https://play.google.com/store/apps/details?id=net.traxfmradio.ba.a6bcb The Trax FM Facebook Page : https://www.facebook.com/original103.3/ Tunerr: http://tunerr.co/radio/Trax-FM Tune In Radio : https://tunein.com/radio/Trax-FM-s225176/ OnLine Radio Box: http://onlineradiobox.com/uk/trax/?cs=uk.traxRadio Radio Deck: http://www.radiodeck.com/radio/5a09e2de87e3370db06d44dc Radio.Net: http://traxfmlondon.radio.net/ Stream Radio : http://streema.com/radios/Trax_FM..The_Originals Live Online Radio: http://www.liveonlineradio.net/english/trax-fm-103-3.htm **

When I began to interview my heroes in jazz I started my search in the time period I loved most, the early 1970s. The guys I have pursued; Martino, Ndugu, Upchurch and Maupin are individuals who were already established but hit their groove in the early seventies. They had their role models, Lloyd Price, Hampton Hawes, Eric Gale and Horace Silver but mat this point there was a clear passing of the torch. It was time for a youth movement. And this youth movement coincided with a cross current of musical blending, Afro awareness and a belief that they were all in it together.I give a lengthy intro because my guest deserves it. He has received multiple musical degrees from the Berkeley school of music and the New England Conservatory and wound up honing his chops in the studio doing everything from jingles to Christian rock. His comfortability and ease paved the way for him to become one of "the" session drummers from the early seventies working with Patrice Rushen, herbie Hancock, johnny Hammond smith, Donald Byrd, Carole King, Seals and Crofts and Earth Wind and Fire. He made his own albums on Arista and also is an underrated composer which I look forward to talking about with him. He is someone who has left a serious legacy and his affect will have a positive impact on future generations of percussionists. Harvey Mason welcome..... --- Support this podcast: https://anchor.fm/jake-feinberg/support

Playlist:Se juntaron en este tema algunos del grupo Grp All Stars, es un sello discográfico de jazz fundado por Dave Grusin y Larry Rosen en 1978. GRP era conocido por sus grabaciones totalmente digitales y su sonido jazz-pop.e incluían a todos los músicos que hacían Jazz fusión en aquel momento, Love Will Make it RightDAVE GRUSIN _ Acoustic Piano, Rhodes, Mini Moog- SADAO WATANABE _ Alto SaxDAVE VALENTIN _ FluteTOM BROWNE _ TrumpetDON GRUSIN _ Yamaha CP-80, Clavinet, Rhodes, OBXBOBBY BROOM _ Electric GuitarMARCUS MILLER _ Electric BassBUDDY WILLIAMS _ DrumsROGER SQUITERO _ Congas, Percussion1984 RENDEZ-VOUSSadao Watanabe (as) -Ralph MacDonald( per) -Steve Gadd (ds) Eric Gale (eg) - Richard Tee (key) -Will Lee (eb)- Rob Mounsey (syn)Joyce Cooling-Marinas DreamBluey-Back here again , Oli silk-Slinky Malinki feat Jeff Kasiwa -Mark Jaimes en la guitarra, Orefo Orakwue en el bajo y Westley Joseph en la batería Seaun U-Brighter SkyArt Ruprecht- A Love sublime- Spontaneus Groovin Combustion-Jackie´s New CarMotown Moe-Sunday DriveDee Brown-The PrizeChris Standring-Is There a Doctor in the HouseGreg Maning feat: Darrel Crooks-TwinkleR.L.Walker- Coming BigRoberto tola feat: Michael Lington- Coco Loco- Herb Alpert-Skinny DipBrass Attack BBZ -Jhonny Britt, Rob Zinn & Willie Bradley-Tijuana TaxiFour80east- Ba Ba Brazil-Slinky JoeNaomi Adriaansz-SoulsticeTower of Power- Addicted to you- The Haggis Horns- feat: John McCallum- Nothing but love in the end- Burning-Stand up for Love Collective Soun Members-Atouch of JazzGregg Allen & Larry Tuttle-Special Night TonightSmoove & Turrell-This TimeIncognito feat:Maysa- All For youFull Flava feat: Donna OdainRoberto tola y su tema -Helwa ya Baladi (dulce país)

Love Will Make it Right DAVE GRUSIN _ Acoustic Piano, Rhodes, Mini Moog SADAO WATANABE _ Alto Sax DAVE VALENTIN _ Flute TOM BROWNE _ Trumpet DON GRUSIN _ Yamaha CP-80, Clavinet, Rhodes, OBX BOBBY BROOM _ Electric Guitar MARCUS MILLER _ Electric Bass BUDDY WILLIAMS _ Drums ROGER SQUITERO _ Congas, Percussion 1984 RENDEZ-VOUS Sadao Watanabe (as) Ralph MacDonald( per) Steve Gadd (ds) Eric Gale (eg) Richard Tee (key) Will Lee (eb) Rob Mounsey (syn) Joyce Collins-Marinas Dream Bluey-Back here again Oli silk-Slinky Malinki feat Jeff Kasiwa -Mark Jaimes en la guitarra, Orefo Orakwue en el bajo y Westley Joseph en la batería Seaun U-Brighter Sky Art Ruprecht- A Love sublime- Spontaneus Groovin Combustion-Jackie´s New Car Motown Moe-Sunday Drive Dee Brown-The Prize Chris Standring-Is There a Doctor in the House Greg Maning feat: Darrel Crooks-Twinkle R.L.Walker- Coming Big Roberto tola feat: Michael Lington- Coco Loco- Herb Alpert-Skinny Dip Brass Attack BBZ -Jhonny Britt, Rob Zinn & Willie Bradley-Tijuana Taxi Four80east- Ba Ba Brazil-Slinky Joe Naomi Adriaansz-Soulstice Tower of Power- Addicted to you- The Haggis Horns- feat: John McCallum- Nothing but love in the end- Burning-Stand up for Love Collective Soun Members-Atouch of Jazz Gregg Allen & Larry Tuttle-Special Night Tonight Smoove & Turrell-This Time Incognito feat:Maysa- All For you Full Flava feat: Donna Odain Roberto tola y su tema -Helwa ya Baladi

Miles Jaye , Discuss new album 'God's Creation, & new single ' He Makes It Better & His New Podcast    MILES JAYE is one of the most captivating performers on the scene today.  His signature voice is one of the best in the business and his "Red Rose" electric violin places him in a class and category all his own. Like his namesake MILES DAVIS - MILES  JAYE is truly one of a kind.   Early in his career, after returning from a 5 year stint in the U.S. Air Force band, the classically trained Jaye, served as sideman to songstress Phyllis Hyman, balladeer Jon Lucien and Jazz guitarist, Eric Gale on voice, violin, flute and piano touring the U.S. and Europe. Later he was signed as lead singing “Cop” for THE VILLAGE PEOPLE - the iconic pop group that brought you “YMCA,” “IN THE NAVY” and “MACHO MAN."   JAYE has been joined on his own recordings by such notables as George Duke, Grover Washington, Jr., Roy Ayers, Nat Adderley, Jr., and Branford Marsalis but he is especially proud of writing and producing for his mentor, legendary R&B star Teddy Pendergrass on his certified Gold JOY CD.     With 22 CD titles to his credit, the first three – MILES, IRRESISTIBLE and STRONG - released on Island Records featured the Billboard Top Ten hit singles – “Let’s Start Love Over” “Heaven” “Objective” featuring Grover Washington, Jr. and the soul classic “I’ve Been a Fool for You” - a favorite of adult radio formats nationwide.

Dans la série des héros inconnus de la musique du XXe siècle, honneur aujourd'hui au guitariste Eric Gale. Il fait partie de ces musiciens dont le toucher est une véritable signature et la simplicité apparente du jeu une perpétuelle réinvention. Il s'en moquait lui même en disant : « Je joue toujours la même chose, c'est justement pour ça qu'on m'appelle ! » Guitariste et gentleman cette semaine dans Bon Temps Rouler !     Playlist :  Foots; Stuff The Jealous Kind; Joe Cocker Love Of Mine; Stuff Day And Night; Nina Simone Hey Pocky A-Way; Idris Muhammad Got to Get You off My Mind (Edit); Solomon Burke Late In The Evening; Paul Simon One Bad Habit; Michael Franks Ode To Stuff; Stuff Use Me Bb; Esther Phillips I'm Easy; Randy Crawford I Know; Fats Domino Ordinary Man; Roberta Flack titres complémentaires : Theme From Good King Bad; George Benson Wait For The Magic [Live]; Al Jarreau Is It Still Good to Ya; Teddy Pendergrass You Belong To Me; Carly Simon Brown Eyed Girl (45 Version); Van MorrisonHébergé par Ausha. Visitez ausha.co/politique-de-confidentialite pour plus d'informations.

Alphonso Johnson es un músico de jazz y jazz fusión estadounidense especializado en el uso del bajo eléctrico y del Chapman Stick. Nacido en Filadelfia, Pensilvania el 2 de febrero de 1950. Johnson inició su carrera musical como trombonista, pero a finales de su adolescencia se decantaría definitivamente por el bajo eléctrico, inscribiéndose en la Philadelphia Music Academy para seguir los cursos de John Lamb, por aquel entonces el bajista de la Duke Ellington Orchestra. Como él mismo precisó, su actividad profesional se inició en 1968, pero sus primeras actividades de cierta importancia datan de 1972, cuando con tan sólo 21 años recorrería el mundo con la orquesta de Woody Herman, participando al mismo tiempo en la grabación del álbum “The Raven Speaks” de este último. Para entonces, el músico mostraba una inusitada facilidad técnica en su instrumento y había desarrollado un estilo de ejecución muy personal. Su presencia en el grupo de Chuck Mangione atrajo la atención del gran saxofonista de jazz Wayne Shorter, quien en 1974 le propondría para la grabación del disco Mysterious Traveler en sustitución de Miroslav Vitous. El músico contribuiría con dos composiciones para el disco Scarlet Woman y Cucumber Slumber, con un corte funky que presentaba el bajo de Johnson situado preeminentemente en la mezcla. El bajista permaneció aún dos años en la banda, durante los que, además de participar en las giras mundiales del grupo, y registrar un segundo disco para Zawinul y Shorter, grabaría su primer disco de debut en solitario, Moonshadows. Sin embargo, en 1976 Johnson fue sustituido por Jaco Pastorius a mediados de la grabación de Black Market, un disco que cuenta, no obstante, con una fuerte presencia de Johnson en temas como Black Market, Gibraltar o su propia composición Herandnu. Tras abandonar Weather Report, Johnson decidió concentrarse en su propia carrera como solista, grabando Yesterday Dreams en 1976, un álbum que vería su continuación un año más tarde con Spellbound. En este último disco, Alphonso Johnson empleaba ya el Chapman Stick, un instrumento que había descubierto en 1976 y que seguiría utilizando en grabaciones y directos de manera intermitente desde entonces. En 1979 Johnson pasa a formar parte del supergrupo CBS All-Stars, una banda compuesta por el saxofonista Tom Scott, el guitarrista Steve Khan y el baterista Billy Cobham y con la que grabaría un solo álbum en directo. Con la entrada de la nueva década, Johnson iniciaría su actividad como productor con la presentación en 1983 de la banda sonora original de “Sound of Sunshine…Sounds of Rain”, un filme infantil que recibiría una nominación a los Oscar de ese mismo año. En 1984 el bajista se une a la banda de Carlos Santana en sustitución de David Margen. Johnson permaneció tres años en la banda, grabando dos discos (Beyond Appareances, de 1985 y Freedom, de 1987) y participando en una gira mundial con el guitarrista mexicano. Tras su paso por Santana, Alphonso Johnson continuó su actividad como músico de sesión acompañando a algunos de los más grandes nombres de la escena del jazz contemporáneo, como Wayne Shorter, Flora Purim, Quincy Jones, Lee Ritenour, The Crusaders, John McLaughlin o Sarah Vaughan. En 1997 Alphonso editó “Abraxas Pool”, con el grupo Abraxas, formado por antiguos miembros de Santana. Durante 1998 y 1999 formó parte del grupo Jazz Is Dead, junto a Billy Cobham. En el año 2000 participó en una gira con antiguos miembros de Grateful Dead en sustitución de Phil Lesh, antes de unirse de nuevo a Jazz is Dead y a la banda de Gregg Rollie, el organista original de Santana. A este impresionante curriculum de colaboraciones hay que añadir la intensa actividad docente que ha ejercido el músico desde la mitad de la década de 1980: Además de haber contribuido a la edición de varios métodos didácticos, Johnson ha impartido clases en algunas de las más prestigiosas academias de música moderna del mundo, incluyendo la Mesar Hause Institute of Music de Tokio, la Bass School of Music de Colonia, el Musicians Institute, o el Los Angeles Music Academy de cuyo departamento de bajo eléctrico es director desde 1997. Entre los numerosos artistas con quien Alphonso Johnson ha colaborado, podemos citar a: Chet Baker, Santana, Weather Report, The Crusaders, Bob Weir, Chuck Mangione, George Duke, En Vogue, Wayne Shorter, Sérgio Mendes, Tony Williams, Joe Williams, Gregory Hines, Neal Schon, Tom Coster, Dee Dee Bridgwater, Eric Gale, Ronnie Foster, Allan Holdsworth, Cannonball Adderley, Stanley Clarke, Woody Herman, Eddie Henderson, Flora Purim, Quincy Jones, Lee Ritenour, Phil Collins, Tom Scott, Steve Khan, The Whispers, John McLaughlin, Jeffrey Osborne, Sarah Vaughan, Dori Caymmi, Pino Daniele, Carl Anderson, Jeff Beck, Jan Hammer o Jimmy Page. Alphonso Johnson es uno de los bajistas más representativos de la escena internacional, y un músico que ha contribuido con su ejemplo al enorme crecimiento de la técnica instrumental del bajo eléctrico. Junto a figuras como Stanley Clarke, Steve Swallow, Francis “Rocco” Prestia, Anthony Jackson o Larry Graham forma parte de la generación de bajistas que posibilitaron -anticipándola- la gran revolución en el bajo eléctrico que trajo consigo la llegada de Jaco Pastorius. La entrada de Johnson en Weather Report sustituyendo al virtuoso contrabajista Miroslav Vitous, supuso un nuevo sonido para la banda, más moderno, afilado y funky. Sin embargo, su posición histórica como antecesor de Jaco en el grupo ha ejercido en Johnson una doble influencia que no siempre ha resultado positiva para el bajista, pues al tiempo que la asociación de ambos nombres ha contribuido a divulgar la obra de Johnson entre críticos y aficionados, ha empañado también sus contribuciones bajo la enorme sombra de Pastorius. Sin embargo, las aportaciones de Johnson van mucho más allá que el simple papel que ha jugado como predecesor de Jaco Pastorius en Weather Report: en su obra, el artista desarrolla una voz absolutamente diversa que merece, por méritos propios, un puesto de honor en la historia del bajo eléctrico.

In 1973, Perry built a studio in his back yard, the Black Ark, to have more control over his productions and continued to produce notable musicians such as Bob Marley & the Wailers, Junior Byles, Junior Murvin, the Heptones, the Congos and Max Romeo. He also started the Black Art label, on which many of the productions from the studio appeared. With his own studio at his disposal, Perry's productions became more lavish, as the energetic producer was able to spend as much time as he wanted on the music he produced. Virtually everything Perry recorded in The Black Ark was done using basic recording equipment; through sonic sleight-of-hand, Perry made it sound unique. Paul Douglas mentions: Scratch had a particular sound and everybody was fascinated by his sound. He had this way of putting things together; it was just his sound and it influenced a lot of people. I've even gone to the Black Ark with Eric Gale for that Negril album; I remember myself and Val Douglas, we laid some tracks there, Eric Gale overdubbed stuff on there, but I honestly don't remember what happened to it Perry remained behind the mixing desk for many years, producing songs and albums that stand out as a high point in reggae history. By 1978, stress and unwanted outside influences began to take their toll: both Perry and The Black Ark quickly fell into a state of disrepair. Eventually, the studio burned to the ground. Perry has constantly insisted that he burned the Black Ark himself in a fit of rage.

Ishmael Butler aka Butterfly of Digable Planets aka one-half of Shabazz Palaces joined us to take us on a trip back to the blaxploitation era and one of the greatest soundtracks-in-search-of-a-movie: Hustlers Convention, the spoken word/funk album by Jalal Nuriddin of The Last Poets. Backed up musicians that included Kool and the Gang, Eric Gale and others, Hustlers Conventiontook listeners on a trip into the world of pimps, players, police and other street characters in a vivid, cinematic story that would go onto inspire rappers the world over. More on Lightnin' Rod and Hustlers Convention Documentary about the album and other street poets of the early '70s. Graeme Thompson's story about the album for The Guardian  Red Bull Music Academy's feature on the album. More on Ishmael Butler Oliver's profile of Shabazz Palaces for Bandcamp. Tim Larew's interview with Butler for Pigeons and Planes. Twitter for Shabazz Palaces | Instagram for Shabazz Palaces Show Tracklisting (all songs from Hustler's Conventionunless indicated otherwise): ”Sport” Digable Planets: Reaching’”The Rebirth of Slick” Curtis Mayfield: Superfly “Superfly” ”Hamhock’s Hall Wa Big” ”Spoon” ”The Shit Hits The Fan Again” ”The Break Was So Loud It Hushed The Crowd” ”Sentenced To The Chair” ”Brother Hominy Grit” Shabazz Palace: Lese Majesty “Forerunner Foray” Dr. Dre: Deep Cover “Deep Cover Feat. Snoop Dogg” Raekwon: Only Built 4 Cuban Linx”Heaven & Hell” If you're not already subscribed to Heat Rocks in Apple Podcasts, do it here!

Agradece a este podcast tantas horas de entretenimiento y disfruta de episodios exclusivos como éste. ¡Apóyale en iVoox! Recordamos al saxofonista Grover Washington Jr. fallecido en 1999 y rescatamos sus mejores colaboraciones junto a otros artistas: Charles Fambrough, Pieces of a Dream, Roberta Flack, Eric Gale, Jason Miles, Peter White, Bob James, Joe McBride, Sherry Winston, Dave Grusin y Urban Knights.Escucha este episodio completo y accede a todo el contenido exclusivo de Cloud Jazz Smooth Jazz. Descubre antes que nadie los nuevos episodios, y participa en la comunidad exclusiva de oyentes en https://go.ivoox.com/sq/27170

Agradece a este podcast tantas horas de entretenimiento y disfruta de episodios exclusivos como éste. ¡Apóyale en iVoox! Edición dedicada al desaparecido guitarrista Eric Gale y sus colaboraciones junto a artistas como Michael Paulo, Patti Austin, Gato Barbieri, Ralph McDonald, Diana Ross, Idris Muhamad, Grover Washington Jr., Roberta Flack, Michael Franks, Tom Scott, Bob James y David Sanborn.Escucha este episodio completo y accede a todo el contenido exclusivo de Cloud Jazz Smooth Jazz. Descubre antes que nadie los nuevos episodios, y participa en la comunidad exclusiva de oyentes en https://go.ivoox.com/sq/27170

In today's podcast we're talking to the man who's been providing the low end for Eric Gale and the Jonathan Scales Fourchestra, Cody Wright!

In today's podcast we're talking to the man who's been providing the low end for Eric Gale and the Jonathan Scales Fourchestra, Cody Wright!

Om Little Jimmy Scott, mannen med en ängels röst och om lesbiska komediennen Moms Mabley, först i USA med offentliga skämt om rasism och homosexualitet. Med Nour El Refai och Renée Baker. Den afroamerikanske sångaren Jimmy Scott föds 1925 i Cleveland, Ohio och dör 2014 i Las Vegas, Nevada. Hans karriär spänner över 65 år med ett långt avbrott. Han ger ut ett stort antal skivor i flera genrer. Scotts extraordinära frasering och romantiska sånguttryck gör honom till Billie Holidays, Ray Charles', Dinah Washingtons och Nancy Wilsons favoritsångare. Jimmy Scott samarbetar under sitt liv med stora jazzmusiker som Charlie Parker, Sarah Waughan, Lester Young, Charles Mingus, Quincy Jones och Wynton Marsalis. Jimmy Scotts röst ligger i ett högt och androgynt läge. En ängels röst. Den överskrider genus- och åldersgränser och genomtränger lyssnaren med ren smärta. Men skönheten i Jimmy Scotts röst är en naturens nyck. Vinden vänder första gången då Jimmy Scott och två av hans bröder får diagnosen Kallmanns syndrom, vilket leder till utebliven pubertet. Mina testiklar vandrade aldrig ner. Min penis förblev liten. Min röst kom aldrig i målbrottet. Jag fick varken skägg eller pubeshår. Det berättar Jimmy Scott i biografin Faith in Time The Life of Jimmy Scott av David Ritz. Jimmy Scott föds in i en syskonskara på tio i Cleveland, Ohio, och när han är 13 år förolyckas hans mamma av en rattfull bilförare. I december 1949 spelar Jimmy Scott, med Lionel Hamptons Band, in den stora hiten Everybody's Somebody's Fool. Det är Hampton som döper honom till Little Jimmy Scott eftersom han är kort och spenslig. Scott blir dock inte krediterad med sitt namn på inspelningarna med Lionel Hampton. Samma sak händer några år senare då hans sång på Charlie Parkers Embraceable You krediterades sångerskan Chubby Newsome. Detta är en personlig och professionell kränkning och en katastrof för Jimmy Scott. Vinden vänder igen. Han berättar i biografin: "Under mitt vuxna liv har jag kallats freak, queer, liten flicka, gammal kärring och homo. Som sångare har jag kritiserats för att låta feminin och för att inte falla in i någon av kategorierna manlig/kvinnlig eller pop/jazz. För mig tog det ett helt liv att utveckla modet att fortsätta." 1963, på toppen av Jimmy Scotts karriär, tar Ray Charles honom under sina vingar och låter honom spela in den legendariska LPn Falling in Love is Wonderful på sitt bolag Tangerine Records. Denna platta anser många vara en av de bästa jazzskivor som spelats in med en sångare. En person på skivbolaget Savoy, som spelat in honom tidigare, hävdar att Scott skrivit livstidskontrakt med honom. Hela upplagan av skivan Falling in Love is Wonderful dras tillbaka efter bara några dagar. Jimmy Scotts karriär kastreras och hans änglaröst tystnar. Först 40 år senare ges skivan ut igen. Under 30 år i tystnad bor Jimmy Scott i födelsestaden Cleveland i Ohio och försörjer sig som vaktmästare på sjukhus, som kontorist och som hissoperatör på ett hotell. Hans fans tror att han är död. Vinden vänder igen 1991 då Jimmie Scott sjunger på en väns begravning och hans karriär får en renässans. Lou Reed engagerar honom för bakgrundssång på en platta och David Lynch låter honom sjunga i TV-serien Twin Peaks. Under 1990- och 2000-talen spelar Jimmy Scott in flera album och får prestigefyllda priser. Han gör covers på Nothing Compares 2 U (Prince), Jealous Guy (John Lennon), Almost Blue (Elvis Costello), och Sorry Seems To Be The Hardest Word (Elton John & Bernie Taupin). Han samarbetar även med Anthony & The Johnsons. Jimmie Scott sjunger samma sång vid både Dwight Eisenhowers och Bill Clintons presidentinstallationer, nämligen Why Was I Born? Afroamerikanskan Moms Mabley föds som Loretta Mary Aiken 1894 i North Carolina och dör 1975 i New York. Hon har 15 syskon. Pappan dör när hon är 11 och mamman när hon är 14. Då har Loretta blivit våldtagen två gånger; av en äldre svart man och av en lokal vit polis. Hon adopterar bort de två barn som blivit följden av övergreppen. Hon föder ytterligare fyra barn då hon tvingas gifta sig med en gammal man som hon avskyr. Som 14-åring rymmer Loretta Mary Aiken till Cleveland, Ohio, och ansluter sig till den s k Chitlin' circuit, som är en benämning på de scener som afroamerikaner får lov att uppträda på under den öppna ras-segregationens tidevarv i USA. Namnet kommer från soul food-rätten Chitterlings som består av stuvade grisinälvor, och som serveras på dessa ställen. Andra artister verksamma här är t ex Count Basie, Sam Cooke, Ray Charles, Sammy Davis, JR, Duke Ellington, Ella Fitzgerald, The Jackson 5, Aretha Franklin, Jimi Hendrix, Billie Holiday, Lohn Lee Hooker, Lena Horne, Etta James, B. B. King, Patti LaBelle, Marvin Gaye, Little Richard, The Four Tops, The Miracles, Ike & Tina Turner, The Supremes, The Temptations och Muddy Waters. Loretta Mary Aiken tar namnet Mabley efter en f d pojkvän. Hon säger: "Han hade tagit så mycket från mig så det minsta jag kunde göra var att ta hans namn". Senare lägger hon till namnet Moms eftersom hon blir mamma till många unga artister/komiker på Chitlin' circuit. Som 27-åring kommer hon ut som lesbisk och blir därmed trefaldigt X-märk - som inte lämplig att upplevas för barn! Under 1920- och 30-talen uppträder Moms Mabley i manskläder. Fr a när hon gör sina lesbiska standup-akter. Senare blir hennes scenpersonlighet en tandlös sjavig hemmafru iklädd sladdrig hatt. Allt för att framstå som en ofarlig och blid tant. Hon tar ut sina löständer för att likna sin egen mormor som hade varit slav. 1931 samarbetar Moms Mabley med den erkända afroamerikanska författaren, dramatikern och antropologen Zora Neale Hurston i pjäsen Fast and Furious: A Colored Revue in 37 Scenes. Moms spelar huvudrollen. Moms Mabley anses ha varit en av de främsta kvinnorna på standup-scenen och tjänar under en period 10 000 $ i veckan på Apollo Theatre i Harlem, New York. Hon spelar in mer än 20 album från sina föreställningar. Inte sällan sjunger hon också. Hon uppträder i TV och i filmer, t ex The Emperor Jones med operasångaren och människorättsaktivisten Paul Robeson. 1962 gör hon sin debut i Carnegie Hall för en vit publik. På TV-bolaget CBS är hon "The Funniest Woman in the World Den roligaste kvinnan i världen och tar upp vassare ämnen än sina komikerkollegor; nämligen rasism, kvinnors rättigheter och homosexualitet. De TV-bolag där hon medverkar blir utsatta för stark kritik från patriotiska och ärkekonservativa grupper på grund av de progressiva budskapen i Mableys texter och sånger. Vid 75 års ålder blir Moms Mabley den äldsta personen någonsin att få en hit på USA Top 40-listan. Det är med låten Abraham, Martin and John som handlar om Lincoln, Luther King Jr och Kennedy. Även Bobby Kennedy nämner hon i texten. Ståuppkomikern och skådespelerskan Nour EL-Refai och musikern Renée Baker från Chicago medverkar i programmet. 12:03 Nina Simone - Wild Is The Wind Album: Don'T Let Me Be Misunderstood Kompositör: Dimitri Tiomkin Bolag: MERCURY 12:04 Moms Mabley, Leroy Glover - Abraham Martin And JohnAlbum: Abraham Martin And John Kompositör: Dick Holler Bolag: MERCURY 12:06 Jimmy Scott, David Newman, Junior Mance, Billy Butler, Eric Gale, Ron Carter, Bruno Carr - Sometimes I Feel Like A Motherless Child Album: The Source Kompositör: Trad Från Usa Bolag: ATLANTIC 12:10 Jimmy Scott, David Newman, Junior Mance, Billy Butler, Eric Gale, Ron Carter, Bruno Carr - Day By Day Album: The Source Kompositör: Sammy Cahn, Axel Stordahl, Paul Weston Bolag: ATLANTIC 2:12 Jimmy Scott, Paul Gayten - Everybody's Somebody's Fool Album: Live In New Orleans Kompositör: Ace Adams, Regina Adams, Gladys Hampton Bolag: SPECIALTY 12:13 Louis Jordan - Caldonia Album: Greatest Hits Kompositör: Fleecie Moore Bolag: OFFICIAL 12:15 Jimmy Scott, Lionel Hampton - I Wish I Knew Album: Lionel Hampton Kompositör: Harry Warren Bolag: GRP 12:18 Jimmy Scott, Fats Navarro, Charlie Parker, Walter Bishop, Tommy Potter, Roy Haynes - Embraceable You Album: Complete Live At Birdland Kompositör: George Gershwin Bolag: RLR RECORDS 12:20 Jimmy Scott - Angel Eyes Album: All The Way Kompositör: Matt Dennis Bolag: SIRE 12:22 Jimmy Scott, Ray Charles - Someone To Watch Over Me Album: Falling In Love Is Wonderful Kompositör: George Gershwin Bolag: RHINO RECORDS 12:25 Jimmy Scott, Angelo Badalamenti, Kinny Landrum, Alvin Flythe, Ken-Ichi Shimazu, Vinnie Bell, Ron Carter, Brian Kirk - Sycamore Trees Album: Twin Peaks Kompositör: Angelo Badalamenti Bolag: WARNER BROS 2:29 Jimmy Scott, Michael Kanan, Hilliard Green, Victor Jones - Nothing Compares 2 U Album: Holding Back The Years Kompositör: Prince Bolag: BIRDOLOGY 12:32 Jimmy Scott, Michael Kanan, Hilliard Green, Victor Jones - Nothing Compares 2 U Album: Holding Back The Years Kompositör: Prince Bolag: BIRDOLOGY 12:33 Moms Mabley - Monologue Album: Moms Mabley Live At The Greek Theater Kompositör: ? Bolag: MERCURY 12:34 Moms Mabley - Monologue Album: Live At Sing Sing Kompositör: ? Bolag: MERCURY 12:39 Pearl Bailey, Moms Mabley, Ray Tunia, Tony Mottola, Bob Haggart, Specs Powell - Saturday Night Fish Fry Album: A Tribute To Black Entertainers (2) Kompositör: Louis Jordan, Ellis Walsh Bolag: COLUMBIA 12:42 Moms Mabley - The Best Of Moms Mabley Album: The Best Of Moms Mabley Kompositör: Moms Mabley Bolag: MERCURY 12:44 Moms Mabley, Leroy Glover - Abraham Martin And John Album: Abraham Martin And John Kompositör: Dick Holler Bolag: MERCURY 12:54 Moms Mabley, George Butcher - Super Funk Album: Moms Mabley Live At The Greek Theater Kompositör: Moms Mabley, Eddie Parton Bolag: MERCURY 12:58 Moms Mabley - Monologue Album: Live At Sing Sing Kompositör: ? Bolag: MERCURY

In today's Q&A, we are helping Eric figure out if he should be driving traffic to his products or trying to get more likes from Facebook ads. Do you have a question you want answered on our podcast? We would love to help you! Click here to ask your question! [Tweet "Use Facebook ads to generate leads. Pay for emails, not likes. @RickMulready"] Resources Mentioned in this Episode Today's expert is Rick Mulready from RickMulready.com Today's question is from Eric Gale from thechristianjedi.com Art of Paid Traffic Podcast Rick's Facebook Ads Course Let's dive into this week's question! JOCELYN: Hey y'all! You're listening to an Expert Q&A with S&J. Today's expert is paid traffic specialist, Rick Mulready of rickmulready.com. Welcome to the Flipped Lifestyle podcast where life always comes before work. We're your hosts, Shane and Jocelyn Sams. Join us, each week, as we teach you how to flip your lifestyle upside-down, by selling stuff online. Are you ready for something different? All right, let's get started. SHANE: What's going on guys? Welcome back to another Q&A with S&J. We are excited to bring you another Expert Q&A today, and we have one of my absolute favorite online experts. We always say, we don't have a lot of time to listen to podcasts but I do catch this guy's podcast, ‘The Art of Paid Traffic' whenever I can. We are bringing on Rick Mulready, the Facebook and paid traffic legend. Rick, welcome to the show, baby! RICK: I've never been intro-ed as a legend – SHANE: You have now. RICK: – but I kinda love that, thanks guys. SHANE: Yeah, you should put that in all of your requirements now to go on anyone's podcast. RICK: I'm going to. It's going on my ‘About' page now. SHANE: I love it. We are totally surprising Rick with all these questions. I told him, I said, we're not even going to tell you the questions this time, so you're gonna have to just come out cold and show how much of a legend you are. So that's how are going to roll today. RICK: I'm up for it. JOCELYN: You got a lot to live up to. SHANE: You got a lot to live up to, I'm telling you. So, let's get to today's question, Jocelyn. JOCELYN: All right, today's question is from Eric Gayle of the christianjedi.com and Eric says, “I'm two months into my online business. I create Bible studies based on the Star Wars movies.” Very interesting. “I use Facebook ads to drive my ‘Likes' to 225+ on my Facebook page, and I also sell my book on Kindle Direct Publishing. My question is, should I use Facebook ads to get more ‘Likes' on my page, or should I use Facebook ads to direct my products on Kindle, or drive traffic to my blog or website? What is the best way to spend money on Facebook?” SHANE: This is a huge question we get on a lot Rick; people are like, where do I spend my money because you know, people want that vanity number, they want a lot of ‘Likes' for social proof, but they also want people going to their websites. So, like what's the best way to spend your money? Should you go after those ‘Likes' or just drive that direct traffic? RICK: Yeah, I generally for most people don't recommend that you spend money on ‘Likes' and getting more fans. And the reason for that is, most of us have limited budgets when we are, you know, running our Facebook ads. So I'd much rather see somebody – I'm sorry, what was the person's name again that asked the question? SHANE: Eric Gayle. RICK: Eric, okay; so Eric, I'd much rather see you and anybody else who's listening, that can relate to this sort of situation, I'd much rather see you run Facebook ads to try to build your email list so that you can develop a relationship with your target customers and your target audience, so you can sell more of your products and services or book, in this case. SHANE: So like, when would you drive the ‘Likes' on the backend of that? RICK: If you have a really big budget, I mean,

In today’s Q&A, we are helping Eric figure out if he should be driving traffic to his products or trying to get more likes from Facebook ads. Do you have a question you want answered on our podcast? We would love to help you! Click here to ask your question! Resources Mentioned in this Episode Today’s expert is Rick Mulready from RickMulready.com Today’s question is from Eric Gale from thechristianjedi.com Art of Paid Traffic Podcast Rick’s Facebook Ads Course Do you have a question about online business that you would like to have answered on a future episode of the Q&A with S&J Flipped Lifestyle podcast? If you do, it’s super-easy to submit your question. All you have to do is text the letters ‘QASJ’ to the number 38470 and we will send you a text message back with a link to our website, where you can submit your question. That’s ‘QASJ’ to the number 38470. Send us your text, and we will shoot you a link back where you can ask your question and maybe you can be featured on a future episode. If you are outside the United States or near a computer, you can also submit your question over on our website, at Flippedlifestyle.com/qasj.

Agradece a este podcast tantas horas de entretenimiento y disfruta de episodios exclusivos como éste. ¡Apóyale en iVoox! En esta edición repasamos algunas de las participaciones más destacadas del saxofonista Grover Wshington Jr. en discos de otros artistas. Así le escucharemos colaborando junto a Charles Fambrough, Pieces of a Dream, Roberta Flack, Eric Gale, Jason Miles, Peter White, Bob James, Joe McBride, Sherry Winston, Dave Grusin y Urban Knights.Escucha este episodio completo y accede a todo el contenido exclusivo de Cloud Jazz Smooth Jazz. Descubre antes que nadie los nuevos episodios, y participa en la comunidad exclusiva de oyentes en https://go.ivoox.com/sq/27170

 EVENING IN PARADISEThe life of Jimmy Scott is not one of meteoric stardom but a journey that has taken nearly seventy years to find its much deserved success.James Victor Scott, one of ten children, was born in Cleveland, Ohio on July 17, 1925. He's known for his high haunting soprano voice & poignant balladeering. His up & down recording career, started in the early 1950's, saw a resurgence in the 1990's when he was signed to Sire Records and received a Grammy nomination after a long period of commercial inactivity. Soon after coming out of retirement, he was seen on stages around the world, performing magical & heart breaking interpretations of old torch songs, Broadway standards and even a smattering of choice modern rock tunes done with generally sparse jazz arrangements.Almost strangled by the umbilical cord at birth, then orphaned as a boy in depression era Cleveland, the odds against Jimmy Scott ever suceeding were further stacked by an abnormal genetic pituitary hormonal defect known as "Kallman's Syndrome" which accounts for his somewhat effeminate looks & unnaturally high singing voice.Finding solace onstage, he sang in combos of the post war R&B era, notably as a featured singer with band leader Lionel Hampton, with whom he made his recorded debut in 1950(although his name did not appear on the label). He was finally signed to a steady record deal when he was almost 30, when Herman Lubinsky of Newark's Savoy Records offered Cleveland's finest balladeer a shot circa 1954. Lubinsky, whose label was a great repository of jazz & blues recordings, was also a notorious shyster. In David Ritz's 2002 bio of Jimmy Scott "Faith In Time", Seymour Stein of Sire Records recalls past colleagues at the time calling Savoy Record's Newark HQ the "Slave Barracks". Savoy recorded some well received Little Jimmy Scott sides, but due to Lubinsky's malfeasance, Scott went mostly uncompensated. As time wore on, he grew discontent, started retreating into booze and left the label's fold by the beginning of the 1960's.Over the years the Lubinsky/Savoy contract would stifle Scott in numerous ways, particularly when he tried to break free and record for Ray Charles' Tangerine label in the early 1960's and another time with Atlantic in the late 1960's. Lubinsky would battle to have the records withdrawn, keeping Scott's music from ever hitting the streets en masse.1969's attempt at a comeback LP "The Source" was produced by Joel Dorn for Atlantic, featuring backing from a hot group of players including David Fathead Newman on tenor sax, Eric Gale on guitar and Ron Carter on bass...The record was withdrawn due to lawsuit after the first pressing, for a longtme making it a rare and often bootleged masterpiece.Jimmy's numerous shots at stardom were so hampered by the fiscal mismanagement & bad business dealings, it lead him to frustration, failed relationships, drinking and drugging, and a career ending downward spiral that took him away from the limelight.His talent was never in doubt, but his successes were measured at best.A favorite of performers ranging from Billie Holiday & Dinah Washington, to Frankie Valli, Stevie Wonder, and John Lennon, all whom knew of and expressed respect of his work. Said Quincy Jones once,'Jimmy would tear my heart out every night with his soul-penetrating style"...Even Madonna has said "Jimmy Scott is the only singer who makes me cry,"Strangely enough, it appears death that actually the catalyst that brought Scott's career back to life...By the late 70's and early 80's some of his only gigs were occasional charity appearances at senior citizen homes. Scott's day jobs at Bob's Big Boy and in a Cleveland Sheraton hotel gave him a mindset that was set far from keeping abreast of the changing tastes of a fickle record buying public at the tail end of the 20th century.In 1985, at age 60, he returned to the eastern seaboard, and for the first time in over a decade started working small clubs in New York and Harlem, perhaps getting occasional nostalgic write ups in the NY Times or Village Voice. Scott's subsequent shift back into the public eye ironically began to truly gather momentum at The Riverside Funeral Home on St.Patrick's Day 1991. The sad/happy occasion was legendary rock n roll songwriter and old friend Doc Pomus' funeral.Jimmy had met Pomus back in the 40's, and they had stayed in touch. In fact, in 1987 Doc even wrote a letter to trade publication Billboard extolling Scott's virtues, decrying the hard times he was going through, and warning the record industry not to sleep on a chance to catch the long overdue second coming of Little Jimmy Scott.Now a few years later, Scott sat Shiva and was asked by Doc's family to perform "Someone To Watch Over Me" at the funeral, along with backing from fellow old timers Dr. John on piano and Fathead Newman on sax. Scott arrived early and sat unasumedly with hands folded in the back with his 4th wife Earlene. After the colorful eulogies, Jimmy's haunting voice over the tinkling keys stunned the room, with many so far back they could barely see his tiny head over the crowd. The room was filled with dozens of music biz luminaries, like Ahmet Ertegun, Jerry Wexler, and the aforementioned Seymour Stein of Sire who felt it was almost his spiritual duty to Doc to simply offer Scott a dignified deal.Jimmy later told a reporter in 2000 of the bittersweet good fortune coming from his friend's death, " The next day, this cat from Warners comes over with a contract. It was like Doc's hand reaching out from the grave."He went on to many new career highights ranging from appearing in David Lynch's Twin Peaks & having sold out shows across the US & Europe to performing onstage at Bill Clinton's inaugural ball gala in DC.Still Scott copes with the fact that his type of fame is fleeting, and has duly noted this phenomena when he sang onstage in the 1990's with the Grateful Dead to a crowd of thousands in his hometown of Cleveland, where the local daily paper referred to him as an "unknown female singer".Since the quirky career kickstart given to Scott from Pomus' funeral, he has continued touring, recorded some 8 or so albums on half dozn labels, and added a 5th wife to his bio as well. Now with his aged infirmities creeping in, Scott is restricted to moving around onstage via wheelchair...Music continues to be his life into his eighties, once telling ajournalist “I love performing. You live with reality every day. You can’t miss it. We can try to avoid a lot of trials in life, but it’s better to overcome than avoid. That’s what music has been for me. It’s been my opportunity to overcome.”"All I can do is give what I really feel." "It'll work out in the end. You gotta believe" Jimmy ScottTo Visit JIMMY SCOTT'S website CLICK HERE

For episode 16 of Love That Album podcast, we see the return of an artist previously discussed on the show, Paul Simon. Back in 1980, the music world was on the cusp of an onslaught of New Wave. Paul Simon wrote and starred in a film called One Trick Pony about a journeyman musician trying to find if he still has a place in the new musical landscape. Famous in the sixties for one anti-war song, he now has to compete with the new popular bands (the B52s make an appearance), swim around the sharks at his record company, work out where he fits with a wife he divorces but still loves, and how to maintain good parenting skills. Most of all he wants to serve his muse – but is being on the road with his band the way to do it? Especially in a climate that’s long forgotten he exists? The band in the film includes long-time Simon associates Steve Gadd and Richard Tee, as well as King Crimson’s Tony Levin and jazz guitarist Eric Gale. (The music also shows that Simon was no slouch in the guitar playing department). For years, I’ve loved the OTP album but hated the movie.  In revisiting the film for this podcast, I’ve changed that assessment somewhat. Justin Bozung (host of the wonderful Mondo Film Podcast) and I discuss both the film and the album in some detail. Justin saw this as more biographical about Simon than I did, but he convinced me that the themes raised in this film about family (band and nuclear), doing things the way you must, and walking in on your bandmates while they’re bathing were very well covered (even if the acting is wooden – we’ll have to differ on that one, Justin). We had a fascinating conversation and I hope you enjoy it as much as we did. You can download (or stream) the episode from http://lovethatalbum.blogspot.com or search for “lovethatalbum” (all one word) in iTunes. Send written feedback or mp3 voicemail to rrrkitchen@yahoo.com.au. Join the Love That Album Facebook page and start a music discussion.  If you like the show, I’d be grateful if you left a line or two of feedback for the show at iTunes.

Ken’s song’s have reached the national radio top 5 and held a position in the top 20 for six months. Ken began his recording career in Los Angeles as a premier session guitarist, performer and composer, performing and recording with artists as diverse as Doc Severinsen, Nell Carter, John Patitucci, Eric Gale, Vicki Carr, Dave Koz, Ann Jillian and Alex Acuna. Ken has received increasing acclaim and recognition as a leading stylist in Contemporary Jazz. His music is distributed throughout the world from Japan to Singapore, Hong Kong, Thailand, Britain, Australia, Chile, Brazil, Italy, Spain, France, Germany, the Netherlands and in China. Be here to find out what’s next for our friend Ken Navarro at Coffee Talk Jazz. Official Website: Kennavarro.com