Podcasts about Flashbulb

BIO: Benn Jordan's career began in the late 1990's as a recording artist most widely released under the moniker “The Flashbulb”. A decade later, Benn would become synonymous with artist advocacy after he purchased his music rights back from record labels,formed a non-profit publisher, and challenged the early models of digital music distribution by using peer-to-peer file transfers instead of iTunes. This led to Benn being a consultant for Bandcamp before the service launched in 2007.  After expanding his non-profit to carry a music education school and community center in Chicago, Benn moved to the Atlanta area in 2017 and started what has now become one of the most popular YouTube channels in the pro-audio and audio technology space. The channel now exists under Benn's non-profit umbrella and funds data-science and the never ending challenge of finding ethical business models that can make the music business easier to navigate for artists and creators. During this time his unique relationship with audio-related businesses and organizations expanded as fast as his amount of viewers and public reach. Benn Jordan doesn't exactly keep it a secret that he's discontent with the way independent artists have been treated by the tech industry, and he is very proactive about getting ahead of the curve and attempting to help write and set ethical standards for AI audio technology, and holds patents in technology fighting the non-consensual training of generative AI. Ben Jordan Links Mr. Bill's Links    

  In this conversation, Dr. Elizabeth Loftus, a pioneer in memory research, discusses the complexities of memory accuracy, particularly in the context of eyewitness testimony and its implications for wrongful convictions. The conversation explores how various factors, including questioning techniques and social influences, can distort memories, leading to significant consequences in legal settings. Loftus shares insights from her foundational research on eyewitness memory, emphasizing the importance of understanding memory fallibility in both personal and legal contexts. In this conversation, Elizabeth Loftus discusses the complexities of memory, including the factors that influence memory accuracy, the controversies surrounding memory retrieval, and the implications of false memories in therapeutic settings. She emphasizes the malleability of memories, the importance of context in recall, and the ethical considerations of memory modification. Loftus also shares personal insights on how her research impacts her daily life and offers advice for both researchers and laypeople regarding memory awareness.   Truths: ·       Memory accuracy is influenced by many factors, including emotions and questioning. ·       Eyewitness misidentification is a significant cause of wrongful convictions. ·       People often believe their memories are accurate, even when they are not. ·       Leading questions can alter a witness's memory of an event. ·       Witnesses can contaminate each other's memories through discussion. ·       Social media can spread misinformation that affects memory recall. ·       The wording of questions can significantly impact the responses given by witnesses. ·       Expert testimony focuses on the reliability of memory, not the outcome of cases. ·       Memory can change over time, especially with repeated questioning. ·       Understanding memory fallibility is crucial in legal and personal contexts. Memory accuracy is influenced by various factors at different stages. ·       Controversies exist around memory retrieval methods and their implications. ·       Contextual cues can aid in memory recall but are not always reliable. ·       Flashbulb memories, while vivid, can change over time. ·       Questioning someone's memory can lead to discomfort and defensiveness. ·       Therapeutic practices can unintentionally create false memories. ·       Memory modification raises ethical questions about its application. ·       People often distort their own memories for self-enhancement. ·       False memories can appear detailed and emotional, complicating their validation. ·       It's important to approach memory discrepancies with understanding, not suspicion.  

Benn Jordan is a multidisciplinary creator best known for his YouTube channel, where he explores topics ranging from music production and the music industry to science, technology, and philosophy. A seasoned musician who produces under the moniker The Flashbulb, Benn has released numerous albums blending ambient, classical, and electronic genres. His channel stands out for its thoughtful deep dives, such as breaking down industry practices or exploring how scientific principles intersect with art. Support the podcast on Patreon and get access to the exclusive AMA's, Interviews, and more! Editors Note - This is the first Podcast Video upload. If you have any issues with it please reach out to notsoErudite so she can relay me the information. Follow Destiny on Stream, Youtube, Twitter, Instagram, Reddit Follow notsoErudite on Youtube, Twitter, Twitch, Instagram Follow Benn Jordan on Youtube, Website, Bluesky, Spotify

Historia CDPR w obliczu Wiedźmina 4, kolejne doniesienia o premierze Switch 2 i wiele więcej. Zapraszam! PYTANIA DO NASTĘPNEGO AMA https://forms.gle/4rEHhLdoiPUDWdtE7 Patronite Okiem Deva: https://patronite.pl/okiemdeva Discord Okiem Deva: https://discord.gg/4anD7dJJn8 Linki: https://linktr.ee/okiemdeva Kompilacja ofert pracy: https://docs.google.com/document/d/1agVeF3cW5aK4skDnHnB0IVwmma7n1rD8Sm9btTCTFdw/edit?usp=sharing 00:00:00 Intro 00:02:30 Prezentacja Switcha 2 już w styczniu? 00:07:54 Jak CD Projekt RED zmienił się dla Wiedźmina? 00:23:28 Growe statystyki 00:31:36 Sony kupuje udziały Kadokawa 00:35:37 11bit zwalnia pracowników 00:41:56 To jak z tymi exclusivami? 00:43:39 Prawdziwa skala zwolnień w Bungie 00:45:31 Nowy Far Cry odejdzie od schematu? 00:46:55 Co wiemy o Clovers Studio? 00:48:56 Nintendo i rosnące koszty gier 00:51:26 Czym jest Catly? 00:52:57 Niedostateczny anti-cheat 00:53:41 Flashbulb się zwija 00:54:21 Balatro dla dorosłych 00:55:29 Kontynuacja Lords of the Fallen w produkcji 00:56:11 Poprawki w S.T.A.L.K.E.R. 2 00:58:15 Xbox developer direct w styczniu? 00:59:19 Dark Passenger zyskał finansowanie 00:59:56 Outro ---------------- Wspierający: Intern: Piotr Łyp, Kasia Nie Spotify: adamp545, teki, kozak12q Junior Dev: Mateusz Kozielecki, Mateusz Salach, kondi16, Kruszynka Izka, Daniel Zabłocki, Konrad Wągrowski, nothing, Tomek “Tomku” Mar, Anna Weglarz, ExitWound, Kojo Bojo, ZajacccXD, Marcin Pietrzyk (Mithrandir), Ania Węglarzy, FiSherMan414, MichalDev, Aliwera, Kamil Śliwa, Em. Regular Dev: R W, scooby666, Mat Heus (Sizuae), Anatae GG, Agnieszka Rumińska, Bonga, vxd555, PabloRal, Remigiusz Maciaszek, Arrora, Jakub Staniszewski, Ari Gold, bibruRG_78, Leniwa Ola, Marcin "kowboj_czacza" Ignasiak, Adam Kabalak, Kaspa Anonim, Martyna Szubka, Mateusz Stolarz Stolarczyk, czekająca na cud, Małgorzata Kuźmierz Senior Dev: Pielgrzym, Maja, JayKob, jmozgawa, Piteroix, Arti ,,Niezłomny＂, Warsi, Regito93, enonemasta, Miras, Pawelek1329, Morfiniusz, Mariusz Kowalski, Magdalena Porath, Mateusz Śródka, Kornel Kisielewicz, Wered, Jan Skiba, Gatki, Michał Kondzior, DamianRoman, Ard, Mateusz Myga, Michał Król, Jakub WmH, HARDCOROWYKOŚCIU GAMEPLAY!, Łukasz Klejnberg, Agata Pławna, Jakub Kornatowski (@GramyNaMacu), Agnieszka Rumińska, Cezary Łysoń, Marek Leśniak, Sebastian Rubacha, Maxjestic, Tek, Veman, Krzysiek Prus, Łukasz Kister, Robert Jurasz Principal: Mariolka Mazur, Wojciech Uziębło, Kamil Górecki, Michał Stankiewicz, Zuzanna Lepianka, Regito93, Leszek Lisowski https://workplays.it/ ----------------

Mr. Bill the host of this show, an electronic music producer, and DJ from Sydney, Australia (currently residing in the USA) best known for his willingness to share tips in studio techniques & massive library of technical know-how with other aspiring producers. With a huge catalog of released original music (including many collaborations and remixes), Mr. Bill has worked with established artists such as deadmau5, Ganja White Night, Subtronics, Dirt Monkey, Virtual Riot, Infected Mushroom, and more. Having released music on a wide array of well-known labels such as mau5trap, Monstercat, Subcarbon, Deadbeats, Cyclops, & WAKAAN has led to Bill touring the globe extensively & playing many major music festivals & world-renowned venues such as Red Rocks Amphitheatre, and Hampton Coliseum. Brian Taylor (director of Crank: High Voltage - starring Jason Stathom, and SyFy TV hit “Happy!”) reached out to Bill to score the motion picture, horror-comedy Mom & Dad, featuring Nicolas Cage & Selma Blair. Bill has also been commissioned to compose, and create sound effects for multiple music libraries, applications, and to-be-released games. Being heavily active in the music production community has led Bill to create his own record label, Billegal Beats, which primarily releases left-field downtempo, and glitch music, and Billegal Sounds - a sample pack company. As well as has developed a VST plug-in “SLAP” in collaboration with Yum Audio. Mr. Bill runs the educational website mrbillstunes.com which houses 1,000+ hours of educational video content teaching the music production software Ableton Live, and he hosts “The Mr. Bill Podcast” which has had speaking guests such as, Duncan Trussell, deadmau5, Steve Duda, Kill The Noise, Feed Me, Peekaboo, edIT, Mick Gordon, Herobust, Richard Devine, Beardyman, The Flashbulb, Haywyre, Daedelus, Subtronics,Virtual Riot, Misha Mansoor, Jordan Rudess, and YouTube sensations Adamy Neely, and Andrew Huang. Mr. Bill's Links

Celtics coach Joe Mazzulla joins The Lowe Post to discuss his flashbulb memories after winning the championship, his analytical approach, the challenge of repeating, and the role of luck in the playoffs. Then Jeff Van Gundy joins to discuss his role as an advisor to the Celtics and why he decided to join the Clippers staff as Ty Lue's lead assistant. Plus, the Pistons firing of Monty Williams and the Pacers extension with Pascal Siakam. What was said in the halftime lockerroom of Game 5 (2:34) Flashbulb memories from the postgame blue (4:45) On how he and Zach ran into each other on the court before Game One (7:23) Learning from his personal Mount Rushmore of coaches (12:07) The influence of his father (15:12) How quickly this has all happened for him (22:45) Implementing his style in his first full off-season as the head coach (24:40) The 4th quarter of Game 3 (28:28) The impact of Al Horford (34:14) On the challenge of repeating (35:47) Van Gundy (41:13) On what he did for the Celtics (44:42) On being a part of his first championship team (47:31) Brad Stevens is a ruthless competitor (56:50) On joining the Clippers staff (1:01:44) News and notes from around the league (1:14:14) Learn more about your ad choices. Visit megaphone.fm/adchoices

Celtics coach Joe Mazzulla joins The Lowe Post to discuss his flashbulb memories after winning the championship, his analytical approach, the challenge of repeating, and the role of luck in the playoffs. Then Jeff Van Gundy joins to discuss his role as an advisor to the Celtics and why he decided to join the Clippers staff as Ty Lue's lead assistant. Plus, the Pistons firing of Monty Williams and the Pacers extension with Pascal Siakam. What was said in the halftime lockerroom of Game 5 (2:34) Flashbulb memories from the postgame blue (4:45) On how he and Zach ran into each other on the court before Game One (7:23) Learning from his personal Mount Rushmore of coaches (12:07) The influence of his father (15:12) How quickly this has all happened for him (22:45) Implementing his style in his first full off-season as the head coach (24:40) The 4th quarter of Game 3 (28:28) The impact of Al Horford (34:14) On the challenge of repeating (35:47) Van Gundy (41:13) On what he did for the Celtics (44:42) On being a part of his first championship team (47:31) Brad Stevens is a ruthless competitor (56:50) On joining the Clippers staff (1:01:44) News and notes from around the league (1:14:14) Learn more about your ad choices. Visit megaphone.fm/adchoices

Mr. Bill is an electronic music producer, and DJ from Sydney, Australia (currently residing in the USA) best known for his willingness to share tips in studio techniques & massive library of technical know-how with other aspiring producers. With a huge catalog of released original music (including many collaborations and remixes), Mr. Bill has worked with established artists such as deadmau5, Ganja White Night, Subtronics, Dirt Monkey, Virtual Riot, Infected Mushroom, and more. Having released music on a wide array of well-known labels such as mau5trap, Monstercat, Subcarbon, Deadbeats, Cyclops, & WAKAAN has led to Bill touring the globe extensively & playing many major music festivals & world-renowned venues such as Red Rocks Amphitheatre, and Hampton Coliseum. Brian Taylor (director of Crank: High Voltage - starring Jason Stathom, and SyFy TV hit "Happy!”) reached out to Bill to score the motion picture, horror-comedy Mom & Dad, featuring Nicolas Cage & Selma Blair. Bill has also been commissioned to compose, and create sound effects for multiple music libraries, applications, and to-be-released games. Being heavily active in the music production community has led Bill to create his own record label, Billegal Beats, which primarily releases left-field downtempo, and glitch music, and Billegal Sounds - a sample pack company. As well as has developed a VST plug-in “SLAP” in collaboration with Yum Audio. Mr. Bill runs the educational website mrbillstunes.com which houses 1,000+ hours of educational video content teaching the music production software Ableton Live, and he hosts “The Mr. Bill Podcast” which has had speaking guests such as, Duncan Trussell, deadmau5, Steve Duda, Kill The Noise, Feed Me, Peekaboo, edIT, Mick Gordon, Herobust, Richard Devine, Beardyman, The Flashbulb, Haywyre, Daedelus, Subtronics, Virtual Riot, Misha Mansoor, Jordan Rudess, and YouTube sensations Adamy Neely, and Andrew Huang. To learn more visit: https://linktr.ee/mrbillstunes Become a Patreon producer, listen to podcasts ad-free, sample packs, vlogs, & more at https://www.patreon.com/thisislizzyjane

WARNING: This episode contains descriptions of drug use. This week is part three of our three-part series on psychedelics with podcast contributor and writer, Alex Detmering. Alex Detmering is a writer with years of personal experience using psychedelic therapy to work through his own trauma. An avid student of the uncanny psychedelic world, Alex loves exploring the hard science, the otherworldly encounters, and everything in between. Follow us on ⁠LINKEDIN⁠ LINKS: ⁠⁠⁠⁠https://www.linkedin.com/in/alex-detmering/⁠⁠⁠⁠ ⁠⁠⁠⁠https://www.instagram.com/alexdetmering/⁠⁠⁠⁠ ⁠⁠⁠⁠http://alexdetmering.com/⁠⁠⁠⁠ MUSIC: "Blurry Figures", "Far Away" (The Flashbulb). ©2023 ©2024 Britton Rice, Alex Detmering. Tin Whisper Media. **DISCLAIMER** The information presented in this podcast episode is for general informational purposes only.  The content is provided as a conversation and personal experience shared by the guest, who has undergone psychedelic therapy.  This podcast episode does not constitute professional medical advice, diagnosis, or treatment. The guest's experiences and opinions regarding psychedelic therapy are their own and do not necesasrily represent the views of the podcast host, the production team, or any associated individuals or organizations. It is essential to consult with qualified mental health professionals, medical practitioners, and counselors before considering the use of psychedelics or any alternative therapies.  As we've come to understand psychedelic substances and therapies may carry potential risks and side effects. Any reliance on the content of this podcast is at the listener's own risk and the podcast host and production team are not responsible for any actions taken based on the information provided in this episode.  Always prioritize your safety and well-being by seeking professional guidance tailored to your individual circumstances. 

WARNING: This episode contains descriptions of drug use. This week is part two of our three-part series on psychedelics with podcast contributor and writer, Alex Detmering. Alex Detmering is a writer with years of personal experience using psychedelic therapy to work through his own trauma. An avid student of the uncanny psychedelic world, Alex loves exploring the hard science, the otherworldly encounters, and everything in between. Follow us on LINKEDIN LINKS: ⁠⁠⁠https://www.linkedin.com/in/alex-detmering/⁠⁠⁠ ⁠⁠⁠https://www.instagram.com/alexdetmering/⁠⁠⁠ ⁠⁠⁠http://alexdetmering.com/⁠⁠⁠ MUSIC: (The Flashbulb), "Blurry Figures, "Treaty" (The Flashbulb), "Far Away" (The Flashbulb).  ©2023 ©2024 Britton Rice, Alex Detmering. Tin Whisper Media. **DISCLAIMER** The information presented in this podcast episode is for general informational purposes only.  The content is provided as a conversation and personal experience shared by the guest, who has undergone psychedelic therapy.  This podcast episode does not constitute professional medical advice, diagnosis, or treatment. The guest's experiences and opinions regarding psychedelic therapy are their own and do not necesasrily represent the views of the podcast host, the production team, or any associated individuals or organizations. It is essential to consult with qualified mental health professionals, medical practitioners, and counselors before considering the use of psychedelics or any alternative therapies.  As we've come to understand psychedelic substances and therapies may carry potential risks and side effects. Any reliance on the content of this podcast is at the listener's own risk and the podcast host and production team are not responsible for any actions taken based on the information provided in this episode.  Always prioritize your safety and well-being by seeking professional guidance tailored to your individual circumstances. 

WARNING: This episode contains descriptions of drug use. This week is part one of our three-part series on psychedelics with podcast contributor and writer, Alex Detmering. Alex Detmering is a writer with years of personal experience using psychedelic therapy to work through his own trauma. An avid student of the uncanny psychedelic world, Alex loves exploring the hard science, the otherworldly encounters, and everything in between. Follow us on LINKEDIN. LINKS: ⁠⁠https://www.linkedin.com/in/alex-detmering/⁠⁠ ⁠⁠https://www.instagram.com/alexdetmering/⁠⁠ ⁠⁠http://alexdetmering.com/⁠⁠ MUSIC: (The Flashbulb), "Blurry Figures", "Far Away" (The Flashbulb). ©2023 ©2024 Britton Rice, Alex Detmering. Tin Whisper Media. **DISCLAIMER** The information presented in this podcast episode is for general informational purposes only.  The content is provided as a conversation and personal experience shared by the guest, who has undergone psychedelic therapy.  This podcast episode does not constitute professional medical advice, diagnosis, or treatment. The guest's experiences and opinions regarding psychedelic therapy are their own and do not necesasrily represent the views of the podcast host, the production team, or any associated individuals or organizations. It is essential to consult with qualified mental health professionals, medical practitioners, and counselors before considering the use of psychedelics or any alternative therapies.  As we've come to understand psychedelic substances and therapies may carry potential risks and side effects. Any reliance on the content of this podcast is at the listener's own risk and the podcast host and production team are not responsible for any actions taken based on the information provided in this episode.  Always prioritize your safety and well-being by seeking professional guidance tailored to your individual circumstances. 

This week Benn Jordan joins us to talk about...well, a lot! Benn's Links: https://www.youtube.com/channel/UCshObcm-nLhbu8MY50EZ5Ng https://www.instagram.com/bennjordan/?hl=en Support Pod Mod on PATREON (https://www.patreon.com/podularmodcast) Pod Mod store: https://www.podularmodcast.com/store thank you: 4ms: https://4mscompany.com/ patchwerks: https://patchwerks.com/ qubit electronix: https://www.qubitelectronix.com/ novation: https://novationmusic.com/en/synths/summit waveform magazine: https://waveformmagazine.com/

#Subconscious mind

Benn Jordan's career began in the late 1990's as a recording artist, most widely released under the moniker “The Flashbulb”. A decade later, Benn would become synonymous with artist advocacy after he purchased his music rights back from record labels,formed a non-profit publisher, and challenged the early models of digital music distribution by using peer-to-peer file transfers instead of iTunes. This led to Benn being a consultant for Bandcamp before the service launched in 2007.  After expanding his non-profit to carry a music education school and community center in Chicago, Benn moved to the Atlanta area in 2017 and started what has now become one of the most popular YouTube channels in the pro-audio and audio technology space. The channel now exists under Benn's non-profit umbrella and funds data-science and the never ending challenge of finding ethical business models that can make the music business easier to navigate for artists and creators. During this time his unique relationship with audio-related businesses and organizations expanded as fast as his amount of viewers and public reach. Benn Jordan doesn't exactly keep it a secret that he's discontent with the way independent artists have been treated by the tech industry, and he is very proactive about getting ahead of the curve and attempting to help write and set ethical standards for AI audio technology.  Benn Jordan Links Mr. Bill's Links

If you live on planet Earth right now, you might have noticed that Taylor Swift is touring. Her concerts are selling out even though tickets prices are out of control.… The post e275. Concert Amnesia and the Power of Flashbulb Memory appeared first on The VoxPopcast.

The pun in the name is just the beginning. The Xbox Game Pass "Surprise Me" button proves it is aptly named with its selection for this episode. Neither Tom nor Chris had ever heard of this random physics-based action title developed and published by Flashbulb, but now they are honor-bound to give it a fair shake. A quick glance reveals that the gameplay appears very simple and fast-paced, but will that be enough to capture the attention of our hosts, or will they be desperately waiting for their mandated hour to conclude? With lots of competition for their attention and their time, let's find out how this game measures up! What do you think? Let us know! Hit us up on Twitter at https://twitter.com/tc1h1d Drop us an email at tc.1h1d(at)outlook[dot]com Follow us on Goodpods @1h1d Check out our fancy site: https://quitthebuild.com/1h1d Watch the video: https://www.youtube.com/c/1hour1decision1h1d Thanks for taking this ride with us :-) And thanks to our sponsor, CDKeys! Get up to 90% off best selling video games! Check it out: https://cdkeys.pxf.io/1H1D --- Send in a voice message: https://podcasters.spotify.com/pod/show/1-hour-1-decision/message

Welcome back to another episode of The Culture Garden Podcast! Join us as we discuss the 1997 classic Eve's Bayou. We'll discuss Kasi Lemmon's outstanding feature film debut, one of the best child performances of all time by Jurnee Smollett, the Black Southern Gothic genre, Flashbulb events, and much more. As always we appreciate you for listening, this was a fun episode to discuss. Thank you for your support, love!

Ché Bolden is a US Marine Corps veteran and President and CEO of The Bolden Group. Founded in 2017, The Bolden Group is a consortium of accomplished leaders dedicated to fostering international collaboration to make life better for all of humanity. Ché served for over 26 years in the US Marine Corps, where he also served as an International Affairs Program Coordinator and Weapons and Tactics Instructor. After concluding his service with the Marine Corps, Ché founded two technology companies, Inter Aria and Sapient.ONE. He is currently the President of Ario and leads the organization's strategy and vision. Ché holds a Bachelor of Science degree in History from the United States Naval Academy, a Global Master of Arts from Tufts University's Fletcher School, and a Master of Arts degree in Strategic Studies from the Marine Corps War College. Ché joins me today to share the history behind his name and describe his life before moving to Houston, Texas with his family. He explains how witnessing his father's mission to service the Hubble Space Telescope opened his eyes to the true meaning of service. He discusses his transition to the private sector after retiring from the US Marine Corps and highlights The Bolden Group's mission to push the boundaries of the space industry. He also outlines what it would take to create diversity, equity, and inclusion in the space industry and offers advice to young people starting their careers. “Create opportunities for disadvantaged and underrepresented communities to get an equal place at the table. We won't realize the fullest potential of space unless we get more people in the discussion.” - Ché Bolden This week on Kathy Sullivan Explores: The young Ché Bolden and what it was like to be a part of the Bolden family “Flashbulb” memories and the beginnings of Ché's life as an explorer How the mission of his father, Charles Bolden Jr., to service the Hubble Space Telescope taught Ché the meaning of service Ché's role models and what inspired him to attend the US Naval Academy and become an aviator His challenges and struggles at the US Naval Academy Why the presence of other people is essential to one's success Ché's foray into the private sector and his work with The Bolden Group The Bolden Group's mission to empower servant-leaders and foster diversity, equity, and inclusion in the space industry Pushing the boundaries of traditional space The difference between a meritocracy and a “mirror-tocracy” Resources Mentioned: Why diversity should not be the exception | Ché Bolden | TEDxPearlStreet Our Favorite Quotes: “If things are going bad for you, go and find someone else having a worse day you're having and be there for them.” - Ché Bolden “Other people are important to your success. Contrary to what some prolific mega-billionaires want to tell people, nobody does anything by themselves.” - Ché Bolden Related Content: Charlie Bolden on Pathways to Space The Life of a Visionary with Charlie Bolden Part 1 The Birth of the New Space Age with Charlie Bolden Part 2 Two Funny Astronauts with Mike Massimino and Garrett Reisman Connect with Ché Bolden: The Bolden Group ONE Ario The Bolden Group on LinkedIn The Bolden Group on Instagram The Bolden Group on YouTube The Bolden Group on Twitter Ario on LinkedIn Ario on Twitter ONE on LinkedIn Ché Bolden on LinkedIn Spaceship Not Required I'm Kathy Sullivan, the only person to have walked in space and gone to the deepest point in the ocean. I'm an explorer, and that doesn't always have to involve going to some remote or exotic place. It simply requires a commitment to put curiosity into action. In this podcast, you can explore, reflecting on lessons learned from life so far and from my brilliant and ever-inquisitive guests. We explore together in this very moment from right where you are--spaceship not required. Welcome to Kathy Sullivan Explores. Visit my website at kathysullivanexplores.com to sign up for seven astronaut tips to improving your life on earth and be the first to discover future episodes and learn about more exciting adventures ahead! Don't forget to leave a rating and review wherever you get your podcasts! Spotify I StitChér I Apple Podcasts I iHeart Radio I TuneIn I Google I Amazon Music.See omnystudio.com/listener for privacy information.

Ché Bolden is a US Marine Corps veteran and President and CEO of The Bolden Group. Founded in 2017, The Bolden Group is a consortium of accomplished leaders dedicated to fostering international collaboration to make life better for all of humanity. Ché served for over 26 years in the US Marine Corps, where he also served as an International Affairs Program Coordinator and Weapons and Tactics Instructor. After concluding his service with the Marine Corps, Ché founded two technology companies, Inter Aria and Sapient.ONE. He is currently the President of Ario and leads the organization's strategy and vision. Ché holds a Bachelor of Science degree in History from the United States Naval Academy, a Global Master of Arts from Tufts University's Fletcher School, and a Master of Arts degree in Strategic Studies from the Marine Corps War College. Ché joins me today to share the history behind his name and describe his life before moving to Houston, Texas with his family. He explains how witnessing his father's mission to service the Hubble Space Telescope opened his eyes to the true meaning of service. He discusses his transition to the private sector after retiring from the US Marine Corps and highlights The Bolden Group's mission to push the boundaries of the space industry. He also outlines what it would take to create diversity, equity, and inclusion in the space industry and offers advice to young people starting their careers. “Create opportunities for disadvantaged and underrepresented communities to get an equal place at the table. We won't realize the fullest potential of space unless we get more people in the discussion.” - Ché Bolden This week on Kathy Sullivan Explores: ●     The young Ché Bolden and what it was like to be a part of the Bolden family●     “Flashbulb” memories and the beginnings of Ché's life as an explorer●     How the mission of his father, Charles Bolden Jr., to service the Hubble Space Telescope taught Ché the meaning of service●     Ché's role models and what inspired him to attend the US Naval Academy and become an aviator●     His challenges and struggles at the US Naval Academy●     Why the presence of other people is essential to one's success●     Ché's foray into the private sector and his work with The Bolden Group●     The Bolden Group's mission to empower servant-leaders and foster diversity, equity, and inclusion in the space industry●     Pushing the boundaries of traditional space●     The difference between a meritocracy and a “mirror-tocracy” Resources Mentioned: ●     Why diversity should not be the exception | Ché Bolden | TEDxPearlStreet Our Favorite Quotes: ●     “If things are going bad for you, go and find someone else having a worse day you're having and be there for them.” - Ché Bolden●     “Other people are important to your success. Contrary to what some prolific mega-billionaires want to tell people, nobody does anything by themselves.” - Ché Bolden Related Content: ●     Charlie Bolden on Pathways to Space●     The Life of a Visionary with Charlie Bolden Part 1●     The Birth of the New Space Age with Charlie Bolden Part 2●     Two Funny Astronauts with Mike Massimino and Garrett Reisman Connect with Ché Bolden: ●     The Bolden Group●     Sapient.ONE●     Ario●     The Bolden Group on LinkedIn●     The Bolden Group on Instagram●     The Bolden Group on YouTube●     The Bolden Group on Twitter●     Ario on LinkedIn●     Ario on Twitter●     Sapient.ONE on LinkedIn●     Ché Bolden on LinkedIn Spaceship Not Required I'm Kathy Sullivan, the only person to have walked in space and gone to the deepest point in the ocean. I'm an explorer, and that doesn't always have to involve going to some remote or exotic place. It simply requires a commitment to put curiosity into action. In this podcast, you can explore, reflecting on lessons learned from life so far and from my brilliant and ever-inquisitive guests. We explore together in this very moment from right where you are--spaceship not required. Welcome to Kathy Sullivan Explores. Visit my website at kathysullivanexplores.com to sign up for seven astronaut tips to improving your life on earth and be the first to discover future episodes and learn about more exciting adventures ahead! Don't forget to leave a rating and review wherever you get your podcasts! Spotify I Stitcher I Apple Podcasts I iHeart Radio I TuneIn I Google I Amazon Music.

In this surprising, extra-special episode of Tubi or Not Tubi, we meticulously schedule a viewing of Solid Rock Trust, the 2022 film written and directed by Rick Ives. This episode appears as an unexpected offering from the filmmaker himself... That said, will it stand the test of our critical Tubi gaze? Be sure to check out FlashBulb films while you ponder this answer: https://linktr.ee/flashbulbfilms

Samson Folk brings on Jamar Hinds to preview Precious Achiuwa's season.Timestamps may be affected by 30 seconds or 1 minute depending on implemented ads. 00:00 - Welcome1:08 - Flashbulb thoughts on Precious' Sophomore szn3:10 - Do we believe in the shooting?7:08 - Why Samson wants Precious to start11:40 - Jamar's thoughts on Precious starting12:50 - Precious' potential as a roller17:35 - What is the vision of Precious for the future?23:15 - Gary off the bench or in the starting lineup28:05 - Final thoughts on Precious Learn more about your ad choices. Visit megaphone.fm/adchoices Hosted on Acast. See acast.com/privacy for more information.

Samson Folk brings on Jamar Hinds to preview Precious Achiuwa's season. Timestamps may be affected by 30 seconds or 1 minute depending on implemented ads. 00:00 - Welcome 1:08 - Flashbulb thoughts on Precious' Sophomore szn 3:10 - Do we believe in the shooting? 7:08 - Why Samson wants Precious to start 11:40 - Jamar's thoughts on Precious starting 12:50 - Precious' potential as a roller 17:35 - What is the vision of Precious for the future? 23:15 - Gary off the bench or in the starting lineup 28:05 - Final thoughts on Precious Learn more about your ad choices. Visit podcastchoices.com/adchoices

Samson Folk brings on Jamar Hinds to preview Precious Achiuwa's season.Timestamps may be affected by 30 seconds or 1 minute depending on implemented ads. 00:00 - Welcome1:08 - Flashbulb thoughts on Precious' Sophomore szn3:10 - Do we believe in the shooting?7:08 - Why Samson wants Precious to start11:40 - Jamar's thoughts on Precious starting12:50 - Precious' potential as a roller17:35 - What is the vision of Precious for the future?23:15 - Gary off the bench or in the starting lineup28:05 - Final thoughts on Precious Learn more about your ad choices. Visit megaphone.fm/adchoices Hosted on Acast. See acast.com/privacy for more information.

Samson Folk brings on Jamar Hinds to preview Precious Achiuwa's season. Timestamps may be affected by 30 seconds or 1 minute depending on implemented ads. 00:00 - Welcome 1:08 - Flashbulb thoughts on Precious' Sophomore szn 3:10 - Do we believe in the shooting? 7:08 - Why Samson wants Precious to start 11:40 - Jamar's thoughts on Precious starting 12:50 - Precious' potential as a roller 17:35 - What is the vision of Precious for the future? 23:15 - Gary off the bench or in the starting lineup 28:05 - Final thoughts on Precious Learn more about your ad choices. Visit podcastchoices.com/adchoices

A classic FIB episode from 5-4-20.The current state of people worshipping false idols.

Think back to a memorable day in your life. How confident are you in the order of events and details of that day? If you were to talk about the details and events of that day with someone else who was there, do you think your stories would match up? Today we discuss the effects of priming and suggestion on our memory, and how accurate our memory actually is. As always, if you have any feedback for us please leave an honest review on Apple Podcasts, and feel free to reach out at nogginpodcast@gmail.com. Also, if you are enjoying listening to our podcast, please share it with a friend! References: https://sites.psu.edu/dps16/2016/03/31/car-crash-experiment/ Loftus, E. F., Miller, D. G., & Burns, H. J. (1978). Semantic integration of verbal information into a visual memory. Journal of Experimental Psychology: Human Learning and Memory, 4(1), 19–31. Christianson, S. A. (1989). Flashbulb memories: Special, but not so special. Memory & Cognition, 17(4), 435-443. Strack, F., Martin, L. L., & Schwarz, N. (1988). Priming and communication: Social determinants of information use in judgments of life satisfaction. European journal of social psychology, 18(5), 429-442. --- This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app --- Send in a voice message: https://anchor.fm/noggin-psychologypodcast/message Support this podcast: https://anchor.fm/noggin-psychologypodcast/support

Benn Jordan is/was a modern jazz and electronic musician. He releases music under different pseudonyms. The most notable pseudonym being The Flashbulb. Once he realized album releases, music royalties, and one-off merch sales were not going to make a sustainable income he switch it up to add some additional revenue sources to support his passion. As a musician, Benn went beyond simply uploading his music to Soundcloud and Spotify by building a 150k strong community on YouTube with his music vlogs and gear reviews (the comments are wild). In this episode, we learn how Benn pivoted his career, built his YouTube channel and how he was able to create additional revenue streams through his fans on Patreon. Don't forget to subscribe and leave us a review if you like the episodes we are producing :) GUEST LINKS - Name: Benn Jordan -Website: https://linktr.ee/BennJordan https://en.wikipedia.org/wiki/Benn_Jordan - YouTube: https://www.youtube.com/channel/UCshObcmnLhbu8MY50EZ5Ng RESOURCE LINKS - Website: blitzgrowth.com - Course, funnel, & store builder: hyax.com - Giveaway & contest builder: vyper.ai - Free marketing courses & guides: jackpaxton.com

We may underestimate the role that our emotions of an event play in our memory of that event. But it turns out there are ways to manipulate those memories and separate the emotion out; even from Flashbulb memories. In this episode of Two Guys on Your Head, Dr. Art Markman, and Dr. Bob Duke talk […]

This week's challenge: say "thank you."You can hear the after show and support Do By Friday on Patreon!------Edited by Quinn RoseEngineered by Cameron Bopp------Show LinksRichard Speck - WikipediaFor Madison Cawthorn, defining "woman" is simple: it's all about the "tallywacker" | Boing BoingAll the Wild Madison Cawthorn Stories at The Daily BeastMadison Cawthorn Tries to Bring a Gun Through an Airport—AgainSailors in Your Mouth Performed by The National - YouTubeExtended Rest room scene Veep (S03E09) - YouTubeiZotope | Plugins for Audio Restoration, Mixing, Mastering and MorePodcast Note workflow, now with Shortcuts – Six ColorsDescript | All-in-one audio/video editing, as easy as a doc.macOS 12.3: The Magic of Universal Control and More - MacStoriesMoolisa | Bob's Burgers Wiki | FandomKorthal's Collection No 539 Kratom Seltzer, 75mg Mitragynine 4-Pack – Shop CBD KratomSildenafil & Tadalafil Chewable ED Treatments | BlueChewMy Chemical Romance - I'm Not Okay (I Promise) [Dialogue/MTV Version] - YouTubeMerlin Mann - "There is no plugin for awesome and the only tool here is you" (June, 2010) - YouTubeIf This Isn't Nice, I Don't Know What Is, Kurt Vonnegut (2004) - YouTubeJames Gang - Walk Away (1971) - YouTubeEagles - Hotel Califórnia 1977 - YouTubeJoe Walsh - One Day At A Time (Official Video) - YouTube(Recorded on Wednesday, April 27, 2022)Next week's challenge: get ruthless with Twitteriffic.

In this episode, Emma-Grace and Jordan do a small dive into the infamous Mandela Effect. Are we in an alternate universe or are we all just really crap at remembering things? We discuss this interesting topics and some potential ME's that blew our minds. Resources: Mandela Effect thread on Reddit. Flashbulb memory article: https://pubmed.ncbi.nlm.nih.gov/20649160/ Be sure to follow our socials for updates, email us with your opinions, and subscribe wherever you listen to podcasts to make sure you don't miss a thing! Rate and review, totally okay if you make us cry as long as you DoorDash us some ice cream to take the pain away! FB: https://www.facebook.com/Those-Two-Chicks-With-a-Podcast-102308732360261/ Insta: twochickswithapodcast Email: thosetwochickspodcast@gmail.com

Join Chris and Peach as they finish their series on Loving Like Jesus Loves! Episode 5 in this series by looking at the ultimate self-giving acts of Jesus. Topics Covered: Jesus was willing to give of himself completely! What aren't you willing to give up? Jesus' ultimate Flashbulb memory for his followers. Singapore and Nevada! Stay connected with us! Instagram - @biblebuffoons Twitter - @biblebuffoons Email - thebiblebuffoons@gmail.com

Avantgardistische Elektronika und frickelige Klangexperimente. ## NOKO 134 - Links Berge Rechts Seen Quality electronic music for all the wayfarer out there. the path to the highest peak in the montain area is arduous but rewarded with a breathtaking view. At noon on board of an old steamship, then along the rack railway to the first stop at Grubisbalm. our tour guide S.v.e.n. have rare records in lugagge from labels like Toytronic, Ai Records and one recent Sealt. listen to these kaleidoscopic electronica fits perfectly with bread and cheese in the middle of the magnificent scenery near sundown. Snapshot - greetings from lake lucerne in switzerland by Philip Stapel. s.v.e.n. 1. The Flashbulb - chik habit .BOWA 17 2. The Flashbulb - kirlian choices .BOWA 15 3. The Flashbulb - earthtone morphine battery .BOWA 09 4. Salfetky - rocket snail .SEALT S2 5. Tomcats In Tokyo - telophasic céphalée .AI 015LP 6. Ochre - infinite bookends .SHIP 026 7. Num Num - if q was h .TOY 02 8. Gimmik - ausland .TOY 06 9. Sleepy Town Manufacture - owen .SEALT S7 10. Ruxpin - dust my credenza .UNI 06LP 11. Loess - viscer .TOY 15b 12. Vessel - color queen .EVA 2:02 13. Vessel - avalanche minor .PLAND 01 14. Esem - 3k2 .FOC 364LP 15. Lackluster - kcl1 (14/4/00) .FOC 368 16. Vessel - shade .EVA 13:05 17. Arovane - silicad .BLOCK 001 18. Bauri - lakonia .NEO 008 19. Fizzarum - tond three .TXTVNL 02 Interval. Global Communication - 0-54 .DEDLP 014 1. FZV - big dark room .AILP 005 2. Dirty Owl - your reminder .SEALT S12 3. Arovane - parf .DIN AROVANE 4. Ian Martin - moving activity .FUR 043 5. Single Cell Orchestra ‎- comsat .REF LP2 # Nokogiribiki Weird broadcast radio since 2005. Eine Sendeübernahme von Radio Blau aus Leipzig. * https://nokogiribiki.tumblr.com/

An unlikely trio find themselves on the getaway of a lifetime aboard the luxury space station Peregrination. The amenities are stellar, the views celestial, and the solitude pristine - at first. Can they survive the horrors of space and make it back to earth? Content Warning Abuse/Gaslighting, supernatural horror, strong language, alcohol use, gaslighting, asphyxiation, strangulation; mention of agoraphobia, drowning Credits Featuring: Quinn of Monster Hour as the GM and editor Christine of The Unexplored Places as Isaac Adachi  Dora of Untitled Dice Game as Vanessa Ursula of Queer Dungeoneers as Harper Riley Game Quietus, a game of melancholy horror exquisitely suited for tense, oneshot games, was created by Oli Jeffery. Music All music from Filmmusic.io, Filmmusic.io Standard License: Cinematic Suspense Series Episode 001 by Sascha Ende® Link: https://filmmusic.io/song/5786-cinematic-suspense-series-episode-001 License: https://filmmusic.io/standard-license Cinematic Suspense Series Episode 004 by Sascha Ende® Link: https://filmmusic.io/song/5798-cinematic-suspense-series-episode-004 License: https://filmmusic.io/standard-license Classical Metal Workout by MusicLFiles Link: https://filmmusic.io/song/7525-classical-metal-workout License: https://filmmusic.io/standard-license Phantom from Space by Kevin MacLeod Link: https://filmmusic.io/song/4210-phantom-from-space License: https://filmmusic.io/standard-license Space Ambience by Alexander Nakarada Link: https://filmmusic.io/song/5043-space-ambience License: https://filmmusic.io/standard-license Suspenseful Cinematic Ambient by MusicLFiles Link: https://filmmusic.io/song/6195-suspenseful-cinematic-ambient License: https://filmmusic.io/standard-license All sound effects from Freesound.com, Creative Commons Attribution license: “Cat purr” by Trautwein “Cat purring and meow” and “cat meow short” by skymary “Flashbulb heavy” by schots “GettingCloserThumps” by eardeer “Intercom in” and “Intercom out” by bevibeldesign “Metallic Thump” by ZurfR “Radio Beep” by Kijadzel “Standing on broken glass” by dsote “Swoosh” by Bareform “train door close 1a” by Yoyodaman234 “UI_Click” by finix473 “Wet Metal Footsteps” by Kodack “24” by adcbicycle IPM Find transcripts on our website: internationalpodcastmonth.com/transcripts Follow us on Twitter: @podmonth Support us: Via Ko-Fi Via Paypal.me The IPM theme was composed by Benny James. The IPM logo and art assets were created by Mathias Grelli. The IPM Organizational Team include Cole Burkhardt, Tess Cocchio, and Therin Stapp.

As we've previously established, forward and backward are not necessarily stable concepts. Conway makes a choice. Wren steels their nerves. A familiar face appears. This is the end. (CWs: food, brief allusion to bullying, mild apocalyptic imagery, death) Nathan of The Storage Papers as AGENT/DIRECTOR; Jess of Nowhere, On Air as Liz. Go listen to their shows! https://nowhereonairpodcast.weebly.com/ thestoragepapers.com Kiss Me Son of God originally by They Might Be Giants (John Flansburgh and John Linnell) Quotes from Jean Baudrillard's Fatal Strategies and John Stuart Mill. *Projector clicks, a dark smoky room filled with people*   AGENT: That brings us to the falling hand incident from a few years back, dead case 0069.   *sparse chuckles from audience members*   AGENT: *exasperated* Jesus, I'm running a daycare here. Now those of you who were with the office at the time will already know all this. You new guys won't know anything about it. But that's why we're here, right? One of our field agents witnessed the whole thing, and gave their testimony during a thorough debriefing here in HQ. Pay attention to Wren's account. I'm only going over it once.   *slide click* *INTRO MUSIC*   WREN, on tape: Falling to earth from somewhere I chose not to think about was a left hand.   AGENT, on tape: So what did you do? WREN: Well, I tried the one thing I hadn't done yet. One last shot before the end of the world. I called Conway.    CONWAY: Hard to explain how I got into that lighthouse. Can barely remember it myself through the fog of exhaustion. I was so damn tired. But get in I did. And at the top--or was it bottom?--was a dark, steamy room. An office of sorts, filled with smoke pouring out from some sort of awful machine in the corner. The engine's shape was irregular, almost hard to look at, but it kept spewing its haze like humid breath. In the center of the office was a desk, set with--you guessed it--a phone, some stationary, a blank nameplate, a painting of an old lighthouse in a gold frame. I sat in the plush leather chair behind the desk. A highly welcome respite after the day I'd had. The woods, the mall, the deerhead priest, the lost fisherman. I needed a minute to put my feet up. I'd earned it.   I leaned back and looked at the empty notepad. “Welcome to the Deerland Mall” was printed at the top of each page. I had the materials to send a letter to the DLO, but what to actually write? “Hey, I'm in a weird lighthouse somewhere, come get me?” I didn't see how that would work. Still, according to the fisherman, I had two paths in front of me: write home and go back to my life as it was, or answer the call and take the promotion.   And then it rang. No, not the offwhite rotary phone in front of me, it was my cell phone. Didn't recognize the number. Probably somebody calling about my car's warranty or a $50 walmart gift card. But at that point I was willing to take that risk just to hear someone who didn't talk in metaphors again.   CONWAY, on the phone: Hello? WREN, on the phone: Conway? Oh my god, is that you!? CONWAY: Yeah, this is Conway. Hard to make out what you're saying. Sorry, who is this? WREN: Oh wow, I don't know how I got through to you but listen: I'm coming to get you. CONWAY: I don't reckon that's the smartest idea. I don't even know wh-- WREN: I've followed your trail. I think I'm nearby now. But there's something going on. Something you're connected to. It's bad. Lucy told me where to find you. I think she's-- CONWAY: Now what is this about Lucy? You talked to her? Are you with the office? How...how is she? WREN: I just got a postcard from her. But listen, something's coming, and I don't think it's going to end well. I need you to come out of the cave now. I'll be at the entrance waiting to take your hand. CONWAY: Cave? THAT cave? I'm...wherever I am, I'm not in there. WREN: Where are you? This may be it, Conway. The end.CONWAY: I'm in a lighthouse. The fisherman in the place that looks just like a blockbuster said...well you know what, that doesn't make any sense saying out loud...I'm tired, you know? I don't want to keep going. I want to sit down for a minute. At this desk. I don't think that's selfish. WREN: Desk?CONWAY: Yeah there's like a whole swanky office here. Guy said I could be the boss if I wanted to. Kenji didn't have what it took, but I just might. I'm so damn tired of it all, you know? The grind. And there's some kind of machine. I think I've heard of it before. Somebody called it the lucid engine. If I'm the dreamer, that means… WREN: Conway I don't think I follow. Boss? Just come back, okay? We need you. CONWAY: Now you too, huh? Seems like everyone's got something for me to do. More work. I don't think I've got it in me. I need a break. WREN, over static: Conway, you're breaking up. Come back to me. I think you're responsible for-- CONWAY: Can't it wait 15 minutes?WREN: I can't hear you-- CONWAY: Look, I'm not sure what you expect of me, but I have a feeling you're gonna be disappointed, like everyone else. Like Lucy. Even myself...I shouldn't be reading mail in a damn office. What am I doing? I studied art, I did radio. Poorly, I might add, but I put in the time. Now my dad worked the same job for 40 years, bought a house, got a pension, and retired. I've got nothing to show for my labors but a pile of debts and a sore back. Feel like I'm owed something after all this or it's for nothing. Look, I want to go home, but home kind of blows. Just live to work, work to live...It ain't human. If I have a chance to get out of that hamster wheel...well, sometimes when an opportunity comes along, you have to snatch it.   Take care of yourself, kid. See you on the other side. WREN: The line went dead. I had no idea what he meant, and it sounded like he wasn't too sure, either. I left my car parked in the grass. I managed to tear my focus away from the falling hand and ventured into the woods.    I had plenty of time to myself to think as I stepped through the crackling branches and deep grass between the trees. Why was I even pursuing this? Was finding someone I've never met before worth losing my job over? What if he didn't want to be found? Wanted to disappear? Here I was trudging through the buggy forest looking for a cave. What was in the cave? No idea. Why was I looking for it? No idea. Still, I went on with my little task despite everything. Maybe it was the last thing left I felt I had any control over. Maybe I was just stubborn. Maybe I wanted someone to praise me. Well that's for my therapist to sort out now.   I came upon a creek by a shale ridge. I hopped across on the smooth black stones breaking through the water. One, two, and slipped on the third. I fell into the creek. Not deep enough to be dangerous, but it didn't help my mood. I sat in the muck for a moment. The stream was clear and cool. Looking down at the rippling surface, dappled sunlight bounced along the contours of the tiny waves washing away from me. I watched the light dance on the water for a minute or a year, and then saw something reflected in the water. A break in the sheer stone beside me that I hadn't noticed before, or couldn't see before. A gaping wound in the rock.    I slowly rose from the creek, water pouring out of the pockets and folds of my clothes. I kept my eyes on the reflection on the surface, and walked backward to where the cave should be. I saw myself in the water, glaring sun alight on the ripples, my back to the cave. Then I went in.   AGENT, on tape: So far I'm not seeing how all this connects. WREN, on tape: I was only barely starting to then, as well.  AGENT: All right, go on. What was in the cave? WREN: Clarity. *music swells, then abruptly cuts out* AGENT: Come on, really? WREN: Yes, really, but more than that too, if you'd let me finish without interruption.   *Music continues*   WREN: I was surrounded by damp dark stone. My footsteps echoed with such resonance that the cave had to be massive.    After minutes of stumbling through pure black, a dot of light appeared in the distance ahead. It was as good a waypoint as any other I had. So I continued toward it.   It may come as a shock to you, but I was a bit of a solitary child. No brothers or sisters. Parents kind, but busy. We rarely did anything as a family or even dined together, other than breakfast. Before they left for work and I went to school, we shared whatever bits of news we had, then parted ways. It may sound less than ideal, but I preferred it that way. I think I did. I'd spend the evenings looking up at the night sky, trying to tune in to astral signals I wasn't supposed to know about. Surrounded by the hypnotic drone of cicadas and the polyrhythm of cricketsong, I found joy. For a time.   Flashbulb memories pulled forth by the cave. Ghostly afterimages and faroff scents. Birthdays, weekends, cardboard castles and polaroids. Enthusiastic child. A butterfly emerging from its chrysalis in a mason jar. Precocious. Singing, learning. Gentle. Someone playing soccer too rough, but only with me. Tackled, pinned, forfeit. Difference. The scratching of nails and humming of speakers. My first dance where I didn't dance at all. Perfume. Laughter. Clothes that didn't fit. Words that didn't fit. Burnt scrambled eggs. Dark poetry and bad movies. Static. Carving sacred names into bedframes. Horizontal lines. Flowers emerging then shrinking. Summers smeared like watercolor into fall. Dripping paint.    A college dropout. Destined for menial labor. A gear dislodged from the system. Quiet. Only a matter of time.   But the conjurers of tradition were wrong about me. I wasn't meant to turn wheels. It took some time to unlearn these thought patterns I'd been forced into by school, work, and law. To undo the oppression of orthodoxy. Time and effort. A lot of pain. Mill said it's better to be a human being dissatisfied than a pig satisfied. But look at the pig's face, watch it frolic and splash, and then look at the prisons built for us: cubicles, luxury apartments, retail warehouses, slums, mass graves. If this is what it is to be human...you tell me.   At least I knew that as the curtain call approached, I was truly who I wanted to be. I was doing what I wanted to do. I wouldn't die dissatisfied in a cage. I would die smiling in the mud.   Tiny points of starlight flicked into existence in the cave overhead, swirls of constellations and galaxy arms reaching. I heard crickets in the grass that was sprouting under my feet. The dot of light ahead grew into a blob, expanded in a luminescent rectangle a dozen feet over my head, then letters appeared. I smelled butter on the grill, cheap coffee. A beaming yellow sign in front of a yellow building. It was beacon for a wayward ship. Sitting alone at the end of the world, bathed in cosmic glow, was a waffle house.    Of course it would be a waffle house.    ***   CONWAY: I'd have to be some kind of moron not to answer that call, wouldn't I? How could I just go back to my life knowing all this? Knowing what I passed up? That'd be like handing back the winning lottery ticket. Though I'd heard stories about what happens to some lottery winners.   Of course I picked up the phone. There was no voice on the other end, only humming, crackling static. I felt electricity run from the receiver into my ear, down my shoulders and back, all through my limbs. A giddy bolt. I dropped the phone. Who knows if it hit the ground or disintegrated. I felt energy surge through my body. I was elated, unlimited. I suddenly knew that this is where I was supposed to be. I belonged to it, a missing limb returned.   My step was light, like walking on water, to the engine. I felt it calling to me, singing in smoke, waiting for my charged touch. This would be my deliverance and my deliverer.    Lucy, I...Lucy, I couldn't face you again. I wasn't ready yet. I had to let that part go. I had to let go all the things that bound me to who I was, sever all ties if I were to succeed. My finger made contact with the holy motor and my body was no more.    ***   WREN: Buzzing lights flicked overhead inside the diner. I scanned the place for any signs of life, but no results. I took a seat at one of the sticky booths and picked at the duct taped upholstery. I tried to peer outside but all was dark. I could only see my face reflected in the glass. I looked tired. Lonely. Someone was standing behind me in the reflection. A waitress at my table. I couldn't see her expression, but she silently held out a menu.   “Oh, no thank you. I'm just resting for a moment.”   Her arm remained outstretched, menu aloft.   “You're the only one here. It's late. I don't want to be an imposition.”   She didn't budge.    “So be it. I'll have two eggs--over easy but not too runny--two pieces of toast on white, a double side of hashbrowns--smothered, covered, and capped with ketchup on the side--and a cup of coffee--black if it's fresh, a dash of milk if it's been out a while.”   As if I needed a menu. She nodded and withdrew toward the kitchen. I heard eggs hit the griddle, sizzling and squeaking, crisping just so on the edges. My mind left my body for a moment. I floated above the restaurant in the void. I saw a family of possums digging through a dumpster out back. I wondered if I should have gotten a waffle. The clatter of a plate in front of me brought me back. A little smiley face of ketchup on the hashbrowns looked up at me.   Tell me, director, have you ever wept over breakfast? I have. There I sat, still wet from the creek and caked in mud, huge streams of tears running down my hot face as I dug into the greasy pile. Someone made this for me. Cared for me. Not in a familial or romantic sense, just in the way that people take care of other people. Nothing else in the world mattered beyond this plate, this place, for just a moment. It's the little pleasures that keep us going even in the shadow of apocalypse. A waffle house left standing after a hurricane.    Clarity. The odd letter, the directives from above, the fuzzy call. The pieces fell into place. Conway wasn't coming back.   The waitress returned from...somewhere to take my empty plate. I thanked her, but she didn't respond. Instead she turned to leave, which is when I realized that she was only using her right hand.   I tried to ask for her name, but she was gone. A receipt left stuck to the table made the answer clear: “Your server today was: Lucy” accompanied by a smiling face.   AGENT, on tape: Wait, Lucy's real? WREN, on tape: Real as you or I. AGENT: But what happened to her? Where is she? WHO is she? WREN: I'll get to it eventually. Promise. First there's the issue of the Boss.   ****   CONWAY: My physical form dissipated in streaks of light, as did any lingering doubts I might have had. My fingers reached out across the beach, bending over the land. My feet were tree roots, ancient and intractable. My heart caught fire and burned eternally underground. Never again did I need to worry about hunger, pain. Money. I'd have people for that. Speaking of…   I became aware of all those under my domain. Offices like hives, honeycomb cubicles full of shadows. Warehouses of hollow shells sanded down to nothing throughout this great right-to work-state. Souls destroyed by the midwest burned in the lucid engine, now they were husks, but working husks. All at my command with a single impulse. And if I ever needed more workers, I could reach through the wires, touch some hearts, and set them aglow. I wouldn't abuse that power, I thought. I'd make a fine boss. Great, even. Pay's not bad for entry level work so they shouldn't complain.   So what would my first order of business be now that I was the Boss, Wren? Well, it would behoove me to make sure someone like me doesn't find me and take over. I'd need a way to contain any traces of myself, this place, and its inhabitants. I'd need to prevent word from getting out to the public about...well, any of this. I would need people, not just my shadows here but real hands and feet employees, to do it.    I'd need to form an organization, one dedicated to cataloging things out of place and setting them right. Or at least keeping the things that shouldn't exist hidden from public view. A web of people all over the country, a low-profile surveillance network, a vault. I'd form The Dead Letter Office of Aisling, Ohio.    It all lined up. All those piled up cliches, the missing person, the mysterious town, the odd letters. Of course they were all a ruse designed to grab my interest and not let go. It'd been me the whole time. I built this place, on the backs of those I used to work with.    To quote a great philosopher, if I may: “Perfect is the event which assumes its own mode of disappearance...Imagine a good resplendent with all the power of Evil: this is God...creating the world on a dare and calling on it to destroy itself...”   Once I was gone, I needed to make sure no one went looking for me. I'd have to find some cog and keep them at my old desk to sort through the mess. A real beaurocrat. Tell them they're looking for clues. Keep them on a track.   I'd need an intermediary to pass between me and the membrane of the real. Someone of the dream but outside it. It had to be Kenji. The second man, the son of god. My courrier, my herald. He brought me here--at my own behest I knew then--and he would keep me here.   Now all I had to do was sit back and let my word be known. Kenji, take dictation:    There's electricity in the margins on the page, an atom bomb's worth. In the space between the words, there's energy. The things we can't see are made of that energy. They travel through the wires and hide in stoplights. We can't see them because we're not meant to see them. They come out at night and ride on the electrons in the air. We are made of electrons. When the twilight is gone, and no songbirds are singing, God comes through the lines and sits in the streetlights. He waves but you can't see it (fades into The Boss voice)   AGENT, on tape: He told you all that, huh? But he's gone. WREN, on tape: In a manner of speaking, yes. AGENT: Was he ever really there? WREN: In a manner of speaking, no. He was a mask. AGENT: What about you?   WREN: I walked back through the darkness of the cave satiated, but determined. The stars disappeared, the grass receded, and the balmy woods returned. I wandered back to my car and looked up into the clear blue. The hand above had closed into a fist, and it hung motionless in the air, waiting like the cocked hammer of a pistol. The insects in the woods had gone quiet. A hawk was frozen mid-strike. Everything was still and silent. The missing second that only comes along once in a million years.   If the world were a just place, it all would have ended there. The hand would have disappeared, the world would keep spinning, the birds would sing. But it's not, and it didn't. The only justice in the world is that which we make ourselves, by olive branch or blood.    You must understand: this is the inevitable outcome when things are out of balance, when we submit to orthodoxy. When we try to drown out that strange frequency. When all is built on bad faith, entire structures in our brain designed to lie to ourselves. It all collapses eventually. It's fatal. Slow death.    I tried calling Conway again, but he didn't answer. He made me care about him and then turned on me. Damn it all, I let myself get vulnerable. I couldn't be afraid to get my hands dirty this time. I wouldn't be the beetle, devoured by the hungry bird. I would be the wasp, stinging all the way down.   I slammed the car door and sped off in a cloud of gravel and dust.   It's fatal, but it is preventable, this collapse. There's a solution; we're not yet at the end of history. If I couldn't convince Conway--the Boss--to face what was coming nicely, I'd drag him out, kicking and screaming if necessary. I couldn't do it alone, but I could find others. We had the numbers, we could do it. For me, for Lucy, for everyone.   By blood it is, Boss.   I built a little empire out of some crazy garbage Called the blood of the exploited working class But they've overcome their shyness Now they're calling me Your Highness And a world screams, "Kiss me, Son of God"   I destroyed a bond of friendship and respect Between the only people left who'd even look me in the eye Now I laugh and make a fortune Off the same ones that I tortured And a world screams, "Kiss me, Son of God"   I look like Jesus, so they say But Mr. Jesus is very far away Now you're the only one here who can tell me if it's true That you love me and I love me   I built a little empire out of some crazy garbage Called the blood of the exploited working class But they've overcome their shyness Now they're calling me Your Highness And a world screams, "Kiss me, Son of God" Yes the world screams, "Kiss me, Son of God"   AGENT, in projector room: So we've covered that Conway was the founder and Boss of the DLO, Wren tried to track him down, and we were all about to die. Any questions so far? No? Good. Now let's get to the weird stuff.   END   LIZ, floating in the void: Where am I? All I remember is...fire...am I dead? If I'm dead, how come I'm still like...thinking. Suck it, Descartes.   Damn. Does that mean I wrong about the whole god thing?   WREN, from the shadows: Who might you be?   LIZ: I'm Liz, who the hell are you? Wait...you're not…   WREN: No! No, I'm Wren. I'm looking for collaborators. Shadows with some bite left.    LIZ: Uhh...   WREN: I understand this is all very confusing. But if you help me, I'll return the favor.   LIZ: Just tell me this: how's Priya? Is she okay?   WREN: Let me show you.   LIZ: Oh god...   WREN: I know who did this, and I'm coming for him. Are you in?   REAL END   OUT OF FICTION CREDITS:   Hey everyone, it's your host here. Thank you for listening to the first two seasons of the show (assuming you didn't just skip to this episode, that would be a bad idea). Now I'll be taking a break from here on out to work on some season 3 ideas. I would like to thank my patrons, carriers Flo and Jessica, Receiving clerks Ezra, Elena, Jennifer, Patricia, Paul, Spicy Nigel, and Gadz. Thank you all for your support throughout season 2, and to everyone else sharing and supporting the show. If you'd like to get your name in the credits next season like these fine folk, sign up at Patreon.com/somewhereohio and select one of the tiers there. If you like the show, drop a rating or review on your podcast platform of choice. It's free, if you do a rating you don't even have to write anything and it helps the creators a lot (even though it seems like maybe it shouldn't). Until next time.      

Phil asks if Generational stereotyping is just the same as the lazy thinking of believing that Zodiac signs are a real thing. For such a silly question this episode brings a lot of serious arguing.   Show notes: Astrological sign Flashbulb memory Generational Theory   K Sera's Afterthoughts: - Micah keeps conflating experiences with the shaping of personality. While I agree that certain events, particularly traumatic ones, can influence your behaviors, your personality is already developed. Personality and your birthdate are not the same thing. Using horoscopes or generational designations to determine personality are essentially snake oil being sold to us as a plug and play variable into an equation that predicts behavior - because that is what people want to know and understand. Why do people react in certain ways? In the snake oil salesman's scenario, the formula is basically: Event (Gen X or Taurus or Year of the Rabbit) = Personality = Behavioral Reaction.  It should be: Event + Personality = Behavioral Reaction. You can theoretically make sense of a person or “solve” them as long as you know (in full) two of the three variables.  So while Micah isn't completely wrong when he says knowing the generation is ‘better' - Phil and I are arguing that the ‘event variable' of a generation is essentially just as useful as the zodiac in accurately determining Personality without the context of the Behavioral Reaction; or predicting the Behavioral Reaction without the context of an individual's Personality.  - Using generations or horoscopes to determine a group's personality or behavior to make sweeping generalizations should be met with skepticism. When someone claims “profound knowledge” of others based on the time in which they were born, they're most likely full of shit.   Phill's afterthoughts: -Oh I had no idea that this argument was going to get intense. By the way, Micah definitely has a point that the Zodiac signs are total garbage (in terms of predictors) and that Generational events can definitely shape people's behavior more predictably than if I am a Gemini (that is such a Gemini thing to say). -I wanted to bring this point up that it really shouldn't be an ageism issue or a political issue. In reality, the ability to have empathy is one of the biggest indicators of personality traits, and honestly that has nothing to do with age. -That being said, we will all pay for the previous generation's sins, now isn't that obvious.  

A lot of artists and producers want to know how to make a living with music, and Benn Jordan (AKA The Flashbulb) has done exactly that. He has 145,000 monthly listeners on Spotify, 70,000 subscribers on YouTube, has been signed, toured, made music for TV & Film and also made music for commercials. In this video I got to pick his brain on how he did it and what advice he'd give other people who want to do it to.   ►► Spotify Growth Machine Course: https://learn.generastudios.com/spotify-growth-machine ►► YouTube Growth Machine (BETA): https://learn.generastudios.com/youtube-google-growth-machine/ ►► Consultations: https://andrewsouthworth.youcanbook.me/ ►► Get exclusive content via my Patreon: https://patreon.com/andrewsouthworth Get some merch: https://andrewsouthworth.com/ ►► Get 7% off DistroKid when you signup through my link → https://distrokid.com/vip/andrewsouthworth  

We may underestimate the role that our emotions of an event play in our memory of that event. But it turns out there are ways to manipulate those memories and separate the emotion out; even from Flashbulb memories. In this episode of Two Guys on Your Head, Dr. Art Markman, and Dr. Bob Duke talk […]

SinCast gets crazy this week with an episode that covers EVERYTHING. Amazon. Pornography. NASA. Tom Hanks. Flashbulb memories, and more. Seriously, the only thing they DON'T talk about this week is Timothée Chalamet... wait, he's in there too! Don't miss a wild new episode full of rants, recommends, and questions on a brand new SinCast!!! Join us every Monday for a new episode of SinCast, and keep in touch! Tweet us @cinemasins, comment on SoundCloud, (https://soundcloud.com/cinemasins) subscribe to the subreddit (https://www.reddit.com/r/CinemaSins/) and email us at cinemasinssincast@gmail.com.

Britt and Jayson talk about one of their favorite co-op games, Kalimba, AKA "The Relationship Test Game." Get in touch! contact@coopshow.com www.coopshow.com Find Britt on Twitter: @blondenerd Release date: December 17, 2014 Genre: Puzzle/platformer ESRB: E Developer: Press Play (now Flashbulb games) Publisher: Microsoft Studios Platforms: Xbox One, Windows, iOS Local/Online co-op: Local only (iOS co-op on iPad only) # of Players: 2 MSRP: $9.99 Xbox/PC or $3.99 (iOS)

The Flashbulb is the primary alias of YouTuber, prolific electronic musician and composer Benn Jordan. One of the most well-known artists in the American IDM scene, Jordan is proficient in numerous instruments, including guitars, synthesizers, drums, and sitar. His music ranges from IDM, breakcore, and acid techno to jazz fusion and modern classical, and he has composed music for several film and television soundtracks and commercials, many of which have won awards. Jordan is also known for his views regarding file sharing and online music distribution, and for operating his own label, Alphabasic. The Flashbulb Links:  https://www.youtube.com/c/BennandGear https://www.facebook.com/theflashbulbofficial https://twitter.com/bennjordan https://www.theflashbulb.co.uk/ Mr. Bill’s Links: Patreon: https://www.patreon.com/mrbillstunes https://live.mrbillstunes.com/ https://discord.gg/ySjhgWQ https://mrbill.bandcamp.com/ https://www.youtube.com/user/MrBillsTunes

SynthTrance Set by Dr. Schmidt (Germany), Mick Chillage (Ireland), Ray Garrido (Mexico) Mid Era Set of more traditional Berlin School with SpiralDreams (Hungary), MoonSatellite (France), Adrian Beasley (England), The Flashbulb (USA) PsyTrance/Ethno Set with Moshic (Israel), Astropilot (Ukraine) and new releases by Cell (France), Hardcore Buddhist (Ukraine) IDM Set includes Moon Fear Moon (Philippines), Tom Bragl (Poland), Huron, (Germany), Noboru Watanabe (Holland), Jon Benderr (USA), D-Fried (Spain), Fulgency (Holland)        TIME.....ARTIST.....TRACK.....RELEASE        0:00  [Camel intro] Synth            0:03  Dr Schmidt             subkutan                      Steel Mill/Subkutan        7:40  Mick Chillage          gamma radiation            Faxology      24:06  Ray Garrido            amanece                      Texturas en el Aire      31:20  [break] Mid Era            32:30  SpiralDreams           an other dimension       Dreaming of Me Vol2      39:50  MoonSatellite          strange music #6          Strange Music      48:20  Adrian Beasley        turbines and generator  Powerhouse      56:48  The Flashbulb         good luck out there       Opus at the end...      59:15  [break] Psy/Ethno          1:00:33  Moshic                    atnachtha                    Sapirinion   1:09:03  Cell                         elevation                      Live in Corfu   1:17:22  Astropilot                life lines (remix)            Fruits of the Imagination   1:22:13  Hardcore Buddhist  progressive mood         Cosmic Mentality   1:29:25  [break] IDM          1:30:52  Moon Fear Moon     shifting axis                 Farsight   1:34:20  Tom Bragl               hot ground                  Zerochoice   1:39:05  Huron                     piano village-a              Colourdays   1:45:26  Noboru Watanabe   graine                         White Light Wind   1:50:15  Jon Benderr            summer 15                  Summer 15   1:52:43  D-Fried                    disko bay                    The Lost Tomorrow   1:56:24  Fulgency                  can't stop trying      1:59:19  [outro]   Keywords: International electronic music internet electronic artists unsigned electronic artists Ambient Tribal Tribal Trance PsyTance Ethno/PsyTrance IDM Mid Era Berlin School    

ท่านผู้ฟังหลายท่านอาจจะเคยพบปัญหาว่า อยากจะจดจำบางเรื่องราวให้ได้แต่กลับลืม ในทางกลับกัน บางเรื่องที่อยากลืม เรากลับจำได้อย่างแม่นยำ รายการในตอนนี้ ดร.นำชัย จะมาอธิบายเรื่องราวของความทรงจำแบบหลอดไฟแฟลช ว่าเกี่ยวข้องกับระยะเวลาของการจดจำเรื่องราวบางอย่างของเราได้อย่างไร?

Sick-Weird-Hard - Podcast #25 | by Anorak (UK) Very happy that Anorak joins our podcast series. He is a local hero to the Bristol rave scene for many years with his unique style & awesome music productions and gets the crowd go crazy with acid, jungle, rave, breakcore, hardcore, idm. He released his tunes on e.g. Fractal, Jungle Syndicate Recordings, Concrete Collage, Suck Puck Recordz, Love Love Digital, Amen-tal, Off Me Nut Records ... Welcome to our podcasts, Anorak! ---------- Artist: Anorak https://www.facebook.com/Anorak-240960555932348/ https://soundcloud.com/anorak https://johnanorak.bandcamp.com/music ---------- Sick - Weird - Hard: https://www.facebook.com/SickWeirdHard/ https://sick-weird-hard.bandcamp.com https://hearthis.at/sick-weird-hard/ https://www.youtube.com/channel/UCb6lZXkjrBzymyva_5YVJnQ https://soundcloud.com/sick_weird_and_hard ---------- All podcasts can also be found at Hearthis (incl download), Youtube, iTunes and spotify: * [YouTube Playlist](https://www.youtube.com/playlist?list=PL2_Brt_-8eQl1UK6Yhqy9VBrgE6F_DUHn) * [Soundcloud playlist](https://soundcloud.com/sick_weird_and_hard/sets/sick-weird-hard-podcasts) * [iTunes](https://itunes.apple.com/de/podcast/sick-weird-hard/id1439828600) ---------- Tracklist: 1.The Flashbulb- monolite 2.Luke Vibert- 165 303 3.Anorak- dj sample pack arranger 3.Dr Bastardo- Need you (Anorak remix) 5.Synthamesk- Suspirious 6.Skitzaph0nic- Global community 7.Anorak- Kryptonomix 8.Anorak- Databomb 9.MDS- Angry Raptor 10.Dr Bastardo- mocne 11.Dr Bastardo- ruffnek skill (stazma acid rush mix) 12.Anorak- Carcosa 13.Anorak- Skitz skat kat

Sick-Weird-Hard - Podcast #25 | by Anorak (UK) Very happy that Anorak joins our podcast series. He is a local hero to the Bristol rave scene for many years with his unique style & awesome music productions and gets the crowd go crazy with acid, jungle, rave, breakcore, hardcore, idm. He released his tunes on e.g. Fractal, Jungle Syndicate Recordings, Concrete Collage, Suck Puck Recordz, Love Love Digital, Amen-tal, Off Me Nut Records ... Welcome to our podcasts, Anorak! ---------- Artist: Anorak https://www.facebook.com/Anorak-240960555932348/ https://soundcloud.com/anorak https://johnanorak.bandcamp.com/music ---------- Sick - Weird - Hard: https://www.facebook.com/SickWeirdHard/ https://sick-weird-hard.bandcamp.com https://hearthis.at/sick-weird-hard/ https://www.youtube.com/channel/UCb6lZXkjrBzymyva_5YVJnQ https://soundcloud.com/sick_weird_and_hard ---------- All podcasts can also be found at Hearthis (incl download), Youtube, iTunes and spotify: * [YouTube Playlist](https://www.youtube.com/playlist?list=PL2_Brt_-8eQl1UK6Yhqy9VBrgE6F_DUHn) * [Soundcloud playlist](https://soundcloud.com/sick_weird_and_hard/sets/sick-weird-hard-podcasts) * [iTunes](https://itunes.apple.com/de/podcast/sick-weird-hard/id1439828600) ---------- Tracklist: 1.The Flashbulb- monolite 2.Luke Vibert- 165 303 3.Anorak- dj sample pack arranger 3.Dr Bastardo- Need you (Anorak remix) 5.Synthamesk- Suspirious 6.Skitzaph0nic- Global community 7.Anorak- Kryptonomix 8.Anorak- Databomb 9.MDS- Angry Raptor 10.Dr Bastardo- mocne 11.Dr Bastardo- ruffnek skill (stazma acid rush mix) 12.Anorak- Carcosa 13.Anorak- Skitz skat kat

Sick-Weird-Hard - Podcast #25 | by Anorak (UK) Very happy that Anorak joins our podcast series. He is a local hero to the Bristol rave scene for many years with his unique style & awesome music productions and gets the crowd go crazy with acid, jungle, rave, breakcore, hardcore, idm. He released his tunes on e.g. Fractal, Jungle Syndicate Recordings, Concrete Collage, Suck Puck Recordz, Love Love Digital, Amen-tal, Off Me Nut Records ... Welcome to our podcasts, Anorak! ---------- Artist: Anorak https://www.facebook.com/Anorak-240960555932348/ https://soundcloud.com/anorak https://johnanorak.bandcamp.com/music ---------- Sick - Weird - Hard: https://www.facebook.com/SickWeirdHard/ https://sick-weird-hard.bandcamp.com https://hearthis.at/sick-weird-hard/ https://www.youtube.com/channel/UCb6lZXkjrBzymyva_5YVJnQ https://soundcloud.com/sick_weird_and_hard ---------- All podcasts can also be found at Hearthis (incl download), Youtube, iTunes and spotify: * [YouTube Playlist](https://www.youtube.com/playlist?list=PL2_Brt_-8eQl1UK6Yhqy9VBrgE6F_DUHn) * [Soundcloud playlist](https://soundcloud.com/sick_weird_and_hard/sets/sick-weird-hard-podcasts) * [iTunes](https://itunes.apple.com/de/podcast/sick-weird-hard/id1439828600) ---------- Tracklist: 1.The Flashbulb- monolite 2.Luke Vibert- 165 303 3.Anorak- dj sample pack arranger 3.Dr Bastardo- Need you (Anorak remix) 5.Synthamesk- Suspirious 6.Skitzaph0nic- Global community 7.Anorak- Kryptonomix 8.Anorak- Databomb 9.MDS- Angry Raptor 10.Dr Bastardo- mocne 11.Dr Bastardo- ruffnek skill (stazma acid rush mix) 12.Anorak- Carcosa 13.Anorak- Skitz skat kat

In this episode of the Bassfug podcast I'm delighted to be interviewing Benn Jordan. You may have heard of him as IDM superstar The Flashbulb or YouTuber Benn and Gear. We talked about a lot of deep things like Simulation Theory, Deep learning, Rare Earth, and Animal Crossing. This is a great episode that you definitely don't want to miss!   LINKS BENN: http://bennjordan.com/reel/ https://twitter.com/bennjordan https://www.youtube.com/channel/UCshObcm-nLhbu8MY50EZ5Ng   New Flashbulb Album: https://theflashbulb.bandcamp.com/album/our-simulacra   Cool Music Video: https://www.youtube.com/watch?v=HbIwjlQCuP4   STUFF WE MENTIONED: https://www.youtube.com/watch?v=kE21yRrHpVM

En diciembre de 2019 se detectó el primer contagio por COVID-19 en el mundo. En enero de 2020 la Organización Mundial de la Salud lo declara pandemia. El 31 de enero se detecta el primer caso en España y el 13 de marzo se declara el Estado de Alarma en nuestro país. La música de este programa es una música para... El confinamiento... El combate... La superación... Para el duelo... Minddigger, Jarguna, Lars Leonhard, Lokijar, Ben Lukas Boysen, David Antony Clark, Penguin Cafe, Bruno Sanfilippo, Jo Blankenburg, Roger Eno & Brian Eno, Nils Frahm, Richard Luke, Ross Christopher, Sheila Chandra, The Flashbulb.

We may underestimate the role that our emotions of an event play in our memory of that event. But it turns out there are ways to manipulate those memories and separate the emotion out; even from Flashbulb memories. In this episode of Two Guys on Your Head, Dr. Art Markman, and Dr. Bob Duke talk...

We may underestimate the role that our emotions of an event play in our memory of that event. But it turns out there are ways to manipulate those memories and separate the emotion out; even from Flashbulb memories. In this episode of Two Guys on Your Head, Dr. Art Markman, and Dr. Bob Duke talk...

We may underestimate the role that our emotions of an event play in our memory of that event. But it turns out there are ways to manipulate those memories and separate the emotion out; even from Flashbulb memories. In this episode of Two Guys on Your Head, Dr. Art Markman, and Dr. Bob Duke talk […]

The Flashbulb (aka Benn Jordan) is an IDM producer, composer and sound designer from Atlanta, GA

We all have flashbulb moments. Events that had such an impact on our lives that we remember vividly where we were and what we were doing when we heard about them. I discuss some of my own and we hear some listener reflections.   After one of our listeners received a surprising visit from an accordion teacher she hadn't seen for 40 years, she dusts off the instrument and plays a little traditional Scottish music for us.   What are the benefits of eSIM, and how do you use it if you have an iPhone XS, XS Max or XR? I'll give you a quick demo.   We talk about using Google Assistant for iOS and how it's doing some pretty smart things to be useful even on the highly restricted iPhone.   The Twitter account of Twitter's CEO got hacked. What's up with that?   We talk more about the importance of our assistive technology being efficient, and how blindness OCR packages aren't meeting everyone's needs.   All this and much more on this week's Mosen At Large.

Sophie and her husband Graham regret letting Sophie's cousin Claire stay with them when she gets a bit too comfortable and starts to take over the house. This audio play was improvised by James Irving, James Haskin and James Witt.   James Witt is part of the musical comedy collective Dreamweaver Quartet (alongside James and I’s James Irving). The first series of their musical dream analysis podcast : Dreamweaver Quartet is available on iTunes, Soundcloud and Podcast Pioneers now and the second series is due out in autumn 2019. www.facebook.com/DreamweaverQRT Twitter @dreamweaverQRT Instagram @dreamweaverQRT Other comedy projects include Newsical @NewsicalUK, This Is Soap, Theatresports UK, Comedysportz Berlin and Flashbulb. Theatre credits include the U.K. tour of Unmythable, Newsrevue, Shakespeare for Breakfast and Boris Johnson in Brexit the Musical. TV and film credits include Secret Diary of a Call Girl, The Infidel, White Teeth ‪and Plant Fashion‬. James regularly teaches courses on comedy, performs and writes satirical short films with Hoopla Impro  @hooplaimpro You can find him on Twitter @WittyLeaks / Instagram @Witty_Leaks   Recorded and mixed by James Haskin. Music improvised by A Ninja Slob Drew Me, who has music available for free at Bandcamp. You can also follow him on Facebook or Twitter. "Surround Room Tone (soft)" by blouhond on freesound https://freesound.org/people/blouhond "Footsteps, Solid Wood Rug, Male Boots, Medium Pace and Scuffs" sound by SpliceSound on freesound https://freesound.org/people/SpliceSound "Front Door Open Close Interior" sound by loljames on freesound https://freesound.org/people/loljames "Wooden Stair." sound by PappaBert on freesound https://freesound.org/people/PappaBert "Quick_female_steps_on_stage_with_reverb" sound by Ferguido on freesound https://freesound.org/people/Ferguido "dry_sponges" sound by qubodup on freesound https://freesound.org/people/qubodup "Moving Boxes and Bags" sound by kemitix on freesound https://freesound.org/people/kemitix "Brick Falling" sound by LittleRainySeasons on freesound https://freesound.org/people/LittleRainySeasons "Brick Debris Fall 06" by debsound on freesound https://freesound.org/people/debsound "two_builders" by Pooleside on freesound https://freesound.org/people/Pooleside "Hungarian Centre Demolition" 2, 3 and 4 sounds by jakobthiesen on freesound https://freesound.org/people/jakobthiesen Slime sounds by jtap97 on freesound https://freesound.org/people/jtap97 "Chicken Meat Slime" sound by qubodup on freesound https://freesound.org/people/qubodup "struggle [TheLastDay_Sound]" sound by deleted_user_3330286 on freesound https://freesound.org/people/deleted_user_3330286 "city night ambience" sound by klankbeeld on freesound http://freesound.org/people/klankbeeld/ "Seaguls Gammel Løgten Strand" sound by janrou on freesound https://freesound.org/people/janrou "Breaking bones" sound by apolloaiello on freesound https://freesound.org/people/apolloaiello

El 1 de enero de 1975 Louis F. 'Chip' Davis Jr. publicaría un disco atípico que él mismo calificaría como rock clásico del siglo XVIII. Supuso el inicio de la serie Fresh Aire, cosecharía un éxito absolutamente insospechado y traería un soplo de aire fresco a los estándares de la música contemporánea. EuchMad, Moisés Daniel, Francisco Javier Esteban, Mannheim Steamroller, The Flashbulb, Luis Alberto Naranjo, Sverre Knut Johansen with Robert Rich.

Malcolm, Justin and and Francis head out into a field, hoping to put all the stresses of the city behind them. Can they ever truly clear their minds and focus on nothing? This audio play was improvised by James Irving, James Haskin and James Witt.   James Witt is part of the musical comedy collective Dreamweaver Quartet (alongside James and I’s James Irving). The first series of their musical dream analysis podcast : Dreamweaver Quartet is available on iTunes, Soundcloud and Podcast Pioneers now and the second series is due out in autumn 2019. www.facebook.com/DreamweaverQRT Twitter @dreamweaverQRT Instagram @dreamweaverQRT Other comedy projects include Newsical @NewsicalUK, This Is Soap, Theatresports UK, Comedysportz Berlin and Flashbulb. Theatre credits include the U.K. tour of Unmythable, Newsrevue, Shakespeare for Breakfast and Boris Johnson in Brexit the Musical. TV and film credits include Secret Diary of a Call Girl, The Infidel, White Teeth ‪and Plant Fashion‬. James regularly teaches courses on comedy, performs and writes satirical short films with Hoopla Impro  @hooplaimpro You can find him on Twitter @WittyLeaks / Instagram @Witty_Leaks   Recorded and mixed by James Haskin. Music improvised by A Ninja Slob Drew Me, who has music available for free at Bandcamp. You can also follow him on Facebook or Twitter. "Wind blowing in a field in Texas, USA" sound by felix.blume on freesound.org https://freesound.org/people/felix.blume "traffic" sound by inchadney on freesound.org https://freesound.org/people/inchadney "house demolition" sound by Jedo on freesound.org https://freesound.org/people/Jedo "Stream River Water Up Close" sound by jackmurrayofficial on freesound.org https://freesound.org/people/jackmurrayofficial "steam train horn 01" sound by eliasheuninck https://freesound.org/people/eliasheuninck "HawkMP3VersionWinterJan22nd2017" by kvgarlic on freesound.org https://freesound.org/people/kvgarlic "Airplane, Boeing, Flyby, Right to Left, A" sound by InspectorJ on freesound.org https://freesound.org/people/InspectorJ "Cows Birds Spring" sound by 4barrelcarb on freesound.org https://freesound.org/people/4barrelcarb "Cattle in Pasture NL 130720-_00" by klankbeeld on freesound.org https://freesound.org/people/klankbeeld "Car door opening and closing" sound by rodrigocswm on freesound.org https://freesound.org/people/rodrigocswm "peugot 206 car interior driving steadily medium speed and slowing down stationary" and "peugot 206 car interior accelerate acceleration aggressively" sound by jorickhoofd on freesound.org https://freesound.org/people/jorickhoofd "Elephant-Rugissement" and "Elephant-Crachat2" sound by roubignolle on freesound.org https://freesound.org/people/roubignolle "protest02" sound by superliminal on freesound.org https://freesound.org/people/superliminal "steps_dry_grass", "steps_grass" and "steps_dry_grass2" sounds by Mystikuum on freesound.org https://freesound.org/people/Mystikuum

Flashbulb — an Easter sermon on Matthew 28:1-10 by Resurrection MPLS Sermons

Is your flashbulb memory as accurate as you think it is? Read this post now to find out more about this kind of memory, eidetic memory and memory exercise.

Welcome to Amal-Game-Ations, where we take a handful of random ideas and hadron-collider them into a totally marketable and profitable game! We challenge ourselves this time with a pretty obscure combination of concepts. Listen for our newest party game experience!

Flashbulb memories are important in the preseason but not as important as this Week 3 preseason game in Dallas on Sunday Night Football. Learn more about your ad choices. Visit podcastchoices.com/adchoices

Flashbulb memories are important in the preseason but not as important as this Week 3 preseason game in Dallas on Sunday Night Football. Learn more about your ad choices. Visit megaphone.fm/adchoices

It promised to turn the desert green. Billions of dollars and almost two decades later, not only have these promises not been realized, but the continued obsession with similar projects has diverted important resources. In this episode, we look at the New Valley development project in Egypt and other White Elephant projects. Why do governments continue to pursue wasteful projects with dubious benefits? How can our generation change the development paradigm? Host: Niko Marcich Researcher: Dominick Giovanniello and Balthazar Merrin Guest Interview: Professor of Development Politics at UVa, Robert Fatton Global Inquirer is a production of the International Relations Organization at UVa. We are also affiliated with TEEJ.fm, UVa's podcast network. Music: Talkdemonic, The Flashbulb

As the Trump administration works through NAFTA renegotiations, we discuss the costs and benefits of a tariff placed on Canadian lumber, the goal of NAFTA renegotiations and why trade deals are becoming so hard to implement in the 21st century. Does it simply reflect increasing levels of protectionism, or is it the nature of 21st century trade deals themselves? Host: Niko Marcich Researcher: Katya Sankow Guest Interviews: International Economics Professor, Kerem Cosar and Lumber Salesman, Chris Boyd Producer: Geoff Keating Global Inquirer is a production of the International Relations Organization at UVa. We are also affiliated with TEEJ.fm, UVa's undergraduate podcasting network. Music: Audissey and The Flashbulb

In Episode 0, you'll hear what PeteBrownSays is all about: How my memory works, specifically, and how memory functions over time What my podcast is all about and why podcasting is the right medium for these stories and a bonus story: Homecoming, plus the View from Under the Bus A post shared by Pete Brown (@petebrownsays) on Oct 9, 2017 at 4:53pm PDT Links Read Homecoming, plus the View from Under the Bus on Medium (https://medium.com/@petebrownsays/homecoming-plus-the-view-from-under-the-bus-f160795050bc). More on Flashbulb Memories (https://en.wikipedia.org/wiki/Flashbulb_memory) The Consistency of Flashbulb Memories (https://www.psychologytoday.com/blog/ulterior-motives/201506/the-consistency-flashbulb-memories) Music and SFX Credits Intro and interstitials by Brian Hake Additional Interstitials by Kevin Davison "I'm Not Myself" by Delicious, feat. Brian Hake and Kevin Davison "By the Pool" by Jingle Punks, YouTube Audio Library SFX sourced from Freesound.org, including: Leaves on the Wind by user alexbird Sounds of Record Player by user luffy Bonfire sounds by electrovalence Marching Band sounds by freqman MarchingBand 2 by frae Crowd Cheering by Adam N Crowd booing by unchain Rimshot by jmayhoff Schoolbus by cognate precept Elementary school playground by tomliajames sounds of lockers Bleep by ermine

The question of eyewitness reliability is a pertinent conversation that every parent will have (or should have) when their child asks, “How do we know that we can trust the Bible?” If the New Testament documents are not reliable, and if the people writing the New Testament documents were not reliable, what leg does our […]

The question of eyewitness reliability is a pertinent conversation that every parent will have (or should have) when their child asks, “How do we know that we can trust the Bible?” If the New Testament documents are not reliable, and if the people writing the New Testament documents were not reliable, what leg does our […] The post MBA 15: Are the New Testament Eyewitnesses Reliable: The Flashbulb Memory Objection appeared first on Mama Bear Apologetics.

-I got up at 6 a.m. to wait in line for the chance to showcase the Frequency Horizon radio show alongside other artisans and entrepreneurs at the Tofino Market. I've always wanted to participate in this event, and this week I dive in to give listeners a feel for what the experience is like. I even made a small profit, kinda. -I was lucky enough to be introduced to a 13-year-old with a full-on excitement for new electronic music. We dropped Jason Martin's debut mixtape, a collection of tracks made via samples and cell phone beat apps for a school project, live on 90.1 FM Tuff City Radio. You'll have to stick around to hear how he describes the creation process... [Jason Martin, wearing a Frequency Horizon shirt, on left with brother in photo] Music in this episode from The Flashbulb @bennjordan "Undiscovered Colours" (Go buy Ben Jordan's stuff now cuz it's rad), A Tribe Called Red @a-tribe-called-red, Miike Snow "Faker" @miikesnow, Jokers of the Scene jokers-of-the-scene "Baggy Bottom Boys"

>Justin Martin's "Dive In" kicks off Episode 25 for us, as we dive in ourselves to some pretty solid material... (@justin-martin-music) We hang out with kayaker Simon Behman as he launches himself from Tofino's shores to raise awareness about salmon conservation while raising $$$ for local non-governmental organization Friends of Clayoquot Sound. It's a 2,000 km challenge he's facing head on, and local outfitter Tofino Sea Kayaking Company had a few positive comments about Simon's clear determination. Update: Simon has so far made incredible progress despite difficulties presented by Pacific Ocean conditions. Former Frequency Horizon guest Luc Bibeau returns to the program, this time with a slew of homies in tow: -Calgarian Chris Adams is a news head who is on his way to do a masters of journalism at Ryerson University in Toronto. -Despite initial hesitation to get behind the mic, Andrew Dennison, in town from Kamloops, throws down a precise sociological interpretation of Tuff City's particular brand of West Coast culture. -And Curtis Wolff, another soul from Calgary, helps steer the conversation in lighthearted directions, and talks about banging out sports reports. The crew gathered in Tuff City Radio studios to discuss the state of journalism today, the beautiful people of Tofino, and how the Frequency Horizon audio strains fit perfectly with Victoria's Secret pageantry when you're trying to procrastinate from pre-exam review. Plus music from The Flashbulb, Whitehorse, Four Tet (with a description of a synchronistic happening involving the track), Steve Angello (@steveangello), Boards of Canada (@boardsofcanada), Oliver, Random Rab (@random-rab) and Rene LaVice (@renelavice).

Our latest episode features a range of styles and sounds that defy genre labels, and can be described as “Future Music.” Over the course of the two hours we dropped tracks from The Flashbulb, Movement, iTAL tEK, Herbert, Jaga Jazzist, Tame Impala, Lowtec, Lars Leonhard, Moritz Von Oswald Trio, and many more! Enjoy. Playlist Download 07/18/2015

THE FLASHBULB, BLAWAN, SLEEPARCHIVE + MATRIXXMAN are featured new music selections on this week's program. WIDMAN begins the program (minus announcements for the first hour due to a production error) alternating between atmospheric house, detroit techno, dubstep influenced 4-on-the floor, textural warehouse bangers + UK grime/garage instrumentals. following the extended energetic mix is a slow... The post radio show [as913] appeared first on abstract science >> future music chicago.

THE FLASHBULB guest mix + online q&a, plus new music from TIPPER, LONE + LUKE VIBERT are featured for this week's archive. WIDMAN kicks it off with a bit of footwork-inspired drum n bass–including STRAY's tribute track to DJ RASHAD(RIP)–moving into glitch hop + broken beat, techno + acid, closing it out with the latest... The post the flashbulb – radio show [as0853] appeared first on abstract science >> future music chicago.

http://www.devtapes.com Stress – Justice Sad Eyes – Crystal Castles The Warden – Chelsea Wolfe Suspended in a Sunbeam – The Flashbulb

In this episode I welcome Flashbulb Fires from Denver CO. They stopped over for a gig with Arrah and the Ferns at the Barley St. Tavern here in Omaha and took some time to freshen up and be guests on the show. They were a truly great interview fun people, and even brought beer. I chat with the band and play a few songs off the new album. We had a great time and as you will see, it gets a little weird.  Flashbulb Fires online Love Drunk Video of FBF

Hear Pastor talk about following Jesus and finding our purpose.

Maniac Mansion has given us today's song! Adapted by Dan Studnicky to become almost a jazz, this is a tribute for this classic game! Original Artist: Chris Grigg, Dave Govett and others Source: Maniac Mansion Performed by: Dan Studnicky Homepage: http://goo.gl/54ura

But the Sun Shows Us the Way. “Success is a snowflake,” she said. I was talking to the princess of my world, doing my best to ignore the day that waited impatiently outside our door. I had shown her the photo of Jane DeDecker's Old Man and the Sea and told her the back story of Teddy Roosevelt's famous statement,   “It is not the critic who counts; not the man who points out how the strong man stumbles, or where the doer of deeds could have done them better. The credit belongs to the man who is actually in the arena, whose face is marred by dust and sweat and blood; who strives valiantly; who errs, who comes short again and again, because there is no effort without error and shortcoming; but who does actually strive to do the deeds; who knows great enthusiasms, the great devotions; who spends himself in a worthy cause; who at the best knows in the end the triumph of high achievement, and who at the worst, if he fails, at least fails while daring greatly, so that his place shall never be with those cold and timid souls who neither know victory nor defeat.”   In Hemingway's Nobel Prize-winning story, the old man, Santiago, tries valiantly, suffers mightily, makes all the right decisions and catches the magnificent fish… only to see it eaten by sharks before he can get it home. Did he succeed or fail?   Santiago saw the snowflake. Hemingway saw the snowflake. Roosevelt saw the snowflake.   Success is that snowflake: beautiful, perfect and gone too soon, leaving only spots that dance before your eyes from the bright flashbulb of Life's photographer. “Is it over? Did I win?”   Yes. Now go home. Tomorrow is another day, my friend, and you are not yet dead. We live in a culture that pretends the snowflake will last forever.  “The most popular books are manuals: how to become a millionaire in ten easy lessons, how to lose fifteen pounds a week, how to recover from your divorce, and so on. People always go around looking for shortcuts and ways to escape anything they consider unpleasant: ugliness, old age, weight, illness, poverty, and failure in any of its aspects.” – Isabel Allende, My Invented Country   Failure is not a flashbulb but the sun, lighting the way, revealing our mistakes, a loving teacher that causes the snowflake to sparkle beautifully as it falls.   Have you been afraid of Failure? Don't be. Tom Peters, that Dean of Worldwide Business Consultants, says, “Reward excellent failures. Punish mediocre successes.”   Think of risky undertakings as “experiments.” Regardless of whether your experiment succeeds or fails, you're going to learn something useful. And as Life's photographer told you, “Tomorrow is another day, my friend, and you are not yet dead.” Roy H. Williams

Hey Everyone, Welcome to our first official podcast! We are excited to get this started and have a lot of music to showcase. A bit about our company Hunya Munya... The idea for Hunya Munya was started in 2000, but officially launched in 2002. Our overall goal was to initialize a company that provided sound and audio in a high end format to visual media outlets. After 10 years in the process, we have not only achieved our goal but expanded the company into multiple divisions encompassing our products and services on a worldwide basis. We hope you enjoy the first of many Podcasts. Tracklist for Hunya Munya Podcast #1 (3-31-2010) 1. Rykard - North Cormorant Obscurity 2. Auditory Canvas - Fabrique 3. David Kira - String 4. Jason Truby - Little Heroes And Silent Planets 5. The Flashbulb - Leaving Georgia All artists above are Published by Hunya Munya Publishing USA,LLC. For more information on licensing our music, please contact: evan@hunyamunya.com