Podcasts about Death

Read Robert Ferrigno's Assassin Series for a glimpse of America's possible future. Mother who lives near Folwell Park speaks the truth after shooting death of 11 year old boy. Finally, the real reason for tornados. Johnny Heidt with guitar news.Heard On The Show:Minneapolis police increase patrols around park where 11-year-old boy was shot, killedHennepin County Attorney's Office to launch effort to combat dangerous drivingExclusive: Early US intel assessment suggests strikes on Iran did not destroy nuclear sites, sources saySee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

Send Kris and Rob a Text Message!In Part Two of The Scarsdale Diet Murder, we pick up where the gunshots left off. Dr. Herman Tarnower—the cardiologist behind The Scarsdale Diet—was dead, and his longtime lover Jean Harris was in handcuffs. But the real battle had just begun.What followed was a 14-week media-frenzied trial, filled with courtroom theatrics, handwritten, ten page love letters, prescription drugs, and a defense that teetered between suicide attempt and emotional collapse. Prosecutors painted Jean as a jealous, calculating killer. The defense claimed she was a broken woman, unraveling under years of psychological manipulation and amphetamines prescribed by the man she ultimately shot.The jury didn't buy it.Jean Harris was found guilty of second-degree murder and sentenced to 15 years to life. She would go on to serve 12 years behind bars before then-New York Governor Mario Cuomo commuted her sentence at age 69.In this episode, we break down the trial, the aftermath, and the transformation of Jean Harris—from prep school headmistress to convicted murderer to prison reform advocate.sources used for this podcastSupport the showJOIN THE HITCHED 2 HOMICIDE IN-LAWS AND OUTLAWSSTART KRIS CALVERT'S BOOKS TODAY FOR FREEH2H WEBSITEH2H on TWITTERH2H on INSTA

Canadian journalist Nora Loreto reads the latest headlines for Wednesday, June 25, 2025.TRNN has partnered with Loreto to syndicate and share her daily news digest with our audience. Tune in every morning to the TRNN podcast feed to hear the latest important news stories from Canada and worldwide.Find more headlines from Nora at Sandy & Nora Talk Politics podcast feed.Help us continue producing radically independent news and in-depth analysis by following us and becoming a monthly sustainer.Sign up for our newsletterLike us on FacebookFollow us on TwitterDonate to support this podcast

This week, we start a new multi part series on one of the most horrific serial killers that the United States has ever produced, who just happens to have had a short NFL career, as well! He comes from the perfect family, where anything less than perfection is disappointment. On the surface, he's a polite, clean cut young man, who leaves everyone in awe, with his athleticism, but there's something dark, lurking. He starts his creepiness early, by exposing himself to anyone he can get to look, and some other criminal red flags!!   Be the perfect son, from the perfect family, hate that you're not allowed to drive, when you're 10, and expose your privates to anyone that will look with Randall "The I-5 Killer" Woodfield - Part 1!!   Check us out, every Tuesday! We will continue to bring you the biggest idiots in sports history!!   Hosted by James Pietragallo & Jimmie Whisman   Donate at patreon.com/crimeinsports or with paypal.com using our email: crimeinsports@gmail.com   Go to shutupandgivememurder.com for all things CIS, STM & YSO!!   Contact us on... instagram.com/smalltownmurder facebook.com/crimeinsports crimeinsports@gmail.com  

Too many men are wandering around aimlessly through life doing just enough in their existence to make it through one more day. That's part of the reason I founded Order of Man and bring in incredible men like my guest today, Cody Jefferson. Cody is on a mission to help men find their purpose and live a life they're called to live. Today, Cody and I talk about why so many men feel they're always behind and never enough, the pressures a man faces daily and how to relieve them correctly, the source of joy and peace in a man's life, how your body will tell you a lot about your attitude and efforts in life, why men should focus on who they are, not what they do, and so much more. SHOW HIGHLIGHTS 00:00 - Introduction and Friendship 01:11 - Trusting God's Timing 02:59 - Learning from Challenges 05:41 - Being Known vs. Being Seen 07:07 - Overcoming Vices 09:24 - Impact of Self-Sabotage 11:24 - Fear of Success 13:35 - Transition from Ministry 14:38 - Practical Self-Care 19:35 - Lessons from Past Mistakes 23:18 - Health Crisis and Realization 27:04 - Divine Inspiration 30:24 - Importance of Wise Counsel 34:57 - Death and Resurrection 40:13 - Understanding Purpose 43:14 - Calling to Help Others 46:46 - Judging Actions vs. Souls 49:36 - Overcoming Ego 53:16 - Areas of Growth 57:21 - Building a Deeper Connection Battle Planners: Pick yours up today! Order Ryan's new book, The Masculinity Manifesto. For more information on the Iron Council brotherhood. Want maximum health, wealth, relationships, and abundance in your life? Sign up for our free course, 30 Days to Battle Ready

Part 2 Consequences overwhelm the group, but they are determined to do the right thing and reignite hope in Desperloch, no matter what... DAGGERHEARTDaggerheart is OUT NOW! Visit https://daggerheart.com to learn more. Purchase your copy at friendly local game stores, Amazon, Barnes & Noble, and other bookstores, or Critical Role shops:US: https://shop.critrole.comUK: https://shop.critrole.co.ukEU: https://shop.critrole.euAU: https://shop.critrole.com.auCA: https://canada.critrole.com AGE OF UMBRASmall communities hold fast against the darkness of a dying world in Age of Umbra, a dark, survival fantasy 8-part Daggerheart mini-series with Game Master Matthew Mercer and players Ashley Johnson, Laura Bailey, Liam O'Brien, Marisha Ray, Sam Riegel, Taliesin Jaffe, and Travis Willingham. Death lurks around every corner, but five characters of the small community of Desperloch must band together to fight for hope for their community, risking it all for those they love. BEACONCurious what happens when the camera turns off after an Age of Umbra episode? Watch the Cooldown episodes with the cast discussion after each episode, exclusively on Beacon! Start your 7-day free trial today at https://beacon.tv/join and get unparalleled access to the shows you love completely ad-free! You'll receive NEW Beacon exclusive series, instant access to VODs & podcasts, live event pre-sales, merch discounts, & a private Discord. CREDITSKey Art & Character Art by Anthony Chong Jones | @robotpencilPlayer Miniatures by Hero ForgeSpecial thanks to Solar Simon DMMain Theme Song by Omar FadelSet Design by Shaun EllisSet Fabrication and Production Design by Noxweiler Berf Due to the improv nature of RPG content on our channels, some themes and situations that occur in-game may be difficult for some to handle. If hearing discussions of certain episodes or scenes become uncomfortable, we strongly suggest taking a break or skipping that particular episode.Your health and well-being is important to us and Psycom has a great list of international mental health resources, in case it's useful: http://bit.ly/PsycomResources

On June 11th, actress Allison Williams joined Anna live onstage at the Tribeca Festival in New York City for a conversation that was equal parts introspective and hilarious. Allison talked about everything from botox and how it impacts her work (and the faces she's able to make to her young son) to her very complicated and controversial film and TV characters, like the famously maligned Marnie from Girls. Allison and Anna also welcomed two members of Gen Z into the conversation, Amelia Ritthaler and Evan Lazarus of the Girls Rewatch podcast, to discuss why Gen Z is way more sympathetic to Marnie than millennials were.    Allison's new podcast from Headgum is called Landlines. Subscribe wherever you get your podcasts.  This episode was produced by Cameron Drews with help from Slate's Katie Rayford, Alexandra Cohl, and Shay Cohen, and the wonderful team from Tribeca Audio: Davy Gardner, Allyson Morgan and Baiz Hoen.  Death, Sex & Money is produced by Slate! To support us and our colleagues, please sign up for our membership program, Slate Plus! Members get ad-free podcasts, bonus content on lots of Slate shows, and full access to all the articles on Slate.com. Sign up today at slate.com/dsmplus. And if you're new to the show, welcome. We're so glad you're here. Find us and follow us on Instagram and you can find Anna's newsletter at annasale.substack.com. Our new email address, where you can reach us with voice memos, pep talks, questions, critiques, is deathsexmoney@slate.com. Learn more about your ad choices. Visit megaphone.fm/adchoices

On June 11th, actress Allison Williams joined Anna live onstage at the Tribeca Festival in New York City for a conversation that was equal parts introspective and hilarious. Allison talked about everything from botox and how it impacts her work (and the faces she's able to make to her young son) to her very complicated and controversial film and TV characters, like the famously maligned Marnie from Girls. Allison and Anna also welcomed two members of Gen Z into the conversation, Amelia Ritthaler and Evan Lazarus of the Girls Rewatch podcast, to discuss why Gen Z is way more sympathetic to Marnie than millennials were.    Allison's new podcast from Headgum is called Landlines. Subscribe wherever you get your podcasts.  This episode was produced by Cameron Drews with help from Slate's Katie Rayford, Alexandra Cohl, and Shay Cohen, and the wonderful team from Tribeca Audio: Davy Gardner, Allyson Morgan and Baiz Hoen.  Death, Sex & Money is produced by Slate! To support us and our colleagues, please sign up for our membership program, Slate Plus! Members get ad-free podcasts, bonus content on lots of Slate shows, and full access to all the articles on Slate.com. Sign up today at slate.com/dsmplus. And if you're new to the show, welcome. We're so glad you're here. Find us and follow us on Instagram and you can find Anna's newsletter at annasale.substack.com. Our new email address, where you can reach us with voice memos, pep talks, questions, critiques, is deathsexmoney@slate.com. Learn more about your ad choices. Visit megaphone.fm/adchoices

On this episode of My World, The Last Outlaw, Jeff Jarrett and host Conrad Thompson take us back 15 years for a deep dive look at Slammiversary 2010! Jeff shares stories of his time in TNA and the changes led by Hulk Hogan and Dixie Carter that ultimately turned the fans.   TUSHY - Keep your swampiest body parts fresh and cool. For a limited time, our listeners get 10% off their first bidet order when you use code MYWORLD at checkout. That's 10% off your first bidet order at HelloTUSHY.com with promo code MYWORLD. BLUECHEW - Visit https://bluechew.com  and try your first month of BlueChew FREE when you use promo code MYWORLD -- just pay $5 shipping. CASH APP - Just download Cash App & sign up! Use our exclusive referral code MYWORLD in your profile, send $5 to a friend within 14 days, and you'll get $10 dropped right into your account. Terms apply. THE PERFECT JEAN -Our listeners get 15% off your first order plus Free Shipping, Free Returns and Free Exchanges when you use code JARRETT15 at checkout. That's 15% off for new customers at theperfectjean.nyc with promo code JARRETT15. MANDO - Control Body Odor ANYWHERE with @shop.mando and get $5 off your Starter Pack (that's over 40% off) with promo code MYWORLD at https://shopmando.com/  #mandopod SAVE WITH CONRAD - Stop throwing money away by paying those high interest rates on your credit card. Roll them into one low monthly payment and on top of that, skip your next two house payments. Go to https://www.savewithconrad.com  to learn more.

This is a heavy episode with reflections on mortality, earthly burdens, and the time we spend with our family. Also included, Luke's hope that Pope Leo makes AI usage a mortal sin. Enjoy!

We're opening a healing portal in today's conversation with the absolutely fascinating Julie Ryan—a medical intuitive, psychic medium, inventor, and Manifesting Generator Queen. Julie's life journey is a kaleidoscope of healing, innovation, and spirit. She shares how blending spiritual insight with medical precision can radically empower your health, your relationships, and your understanding of death and transformation. We dive into the unseen world of spiritual diagnostics, the metaphysical blueprint of illness, and the angelic beauty of death as a transition (not an ending). Julie unpacks how your intuition can decode illness, why “autoimmune” often means gut imbalance, and how we can reclaim our role as CEO of our own health journey. We also explore the phases of dying, spirit communication, past lives, and why everyone can access their psychic abilities—yes, even orthopedic surgeons. This is an episode that will truly shift how you view healing, death, and your own intuitive gifts. Key Takeaways: How the blueprint of the body revealed itself through energy and spirit codes Mold, misdiagnosis & intuitive medical scanning: a radical case study Gut dysbiosis, Candida, and how emotions are the root cause of “autoimmune” conditions Death as a sacred transition: understanding the 12 phases and spirit presence How ancient prayers and aerodynamics explain the spirit's vortex to the other side   Connect with Julie Ryan: Julie's Free Book Gift Website & Offerings: askjulieryan.com Ask Julie Ryan Show  Ask Julie Ryan on Apple Podcast Books by Julie Ryan: Angelic Attendants & more  Instagram: @askjulieryan  Youtube: @askjulieryan   DayLuna: Book a Reading With Us Here! EXPLORE LUNYA Use code: DAYLUNA for 15% off   Human Design Chart Software: BodygraphChart.com Use code: DAYLUNA for 50% off your first 12 months!   Get our book: Your Human Design! Your Human Design Besties Online Human Design Reader Training Digital Products & Video Courses daylunalife.com Instagram: @‌d.a.y.l.u.n.a  

On June 11th, actress Allison Williams joined Anna live onstage at the Tribeca Festival in New York City for a conversation that was equal parts introspective and hilarious. Allison talked about everything from botox and how it impacts her work (and the faces she's able to make to her young son) to her very complicated and controversial film and TV characters, like the famously maligned Marnie from Girls. Allison and Anna also welcomed two members of Gen Z into the conversation, Amelia Ritthaler and Evan Lazarus of the Girls Rewatch podcast, to discuss why Gen Z is way more sympathetic to Marnie than millennials were.    Allison's new podcast from Headgum is called Landlines. Subscribe wherever you get your podcasts.  This episode was produced by Cameron Drews with help from Slate's Katie Rayford, Alexandra Cohl, and Shay Cohen, and the wonderful team from Tribeca Audio: Davy Gardner, Allyson Morgan and Baiz Hoen.  Death, Sex & Money is produced by Slate! To support us and our colleagues, please sign up for our membership program, Slate Plus! Members get ad-free podcasts, bonus content on lots of Slate shows, and full access to all the articles on Slate.com. Sign up today at slate.com/dsmplus. And if you're new to the show, welcome. We're so glad you're here. Find us and follow us on Instagram and you can find Anna's newsletter at annasale.substack.com. Our new email address, where you can reach us with voice memos, pep talks, questions, critiques, is deathsexmoney@slate.com. Learn more about your ad choices. Visit megaphone.fm/adchoices

Today I'm joined by wrestler, jiu-jitsuka, and author Chris Jessulat (https://www.thewrongsideof35.com/) to discuss the best practices for staying relevant on the mats as you enter your fourth decade and beyond... 00:00 Training as an Older Grappler 02:48 The Transition from Competitive to Recreational Training 05:46 Physical Changes and Changing to a Mobility Focus 08:34 Quantifying Progress in Jiu-Jitsu 11:47 Breaking Through Training Plateaus 14:23 Comfort in Unfamiliar Positions 17:11 Training Strategies for Older Grapplers 29:35 Creating Positive Training Environments 31:12 The Impact of Focussing on Recovery and Positive Lifestyle Choices 33:41 Proactive Injury Management and Recovery Strategies 37:44 Navigating Injury Diagnosis and Treatment 40:51 Adapting Techniques and Mindset in Training 44:22 Reflections on Writing and Sharing Martial Arts Experiences 48:26 Lessons Learned from Martial Arts Training 51:20 The Importance of Community in Martial Arts If you've read this far down then check out my best-selling book Perseverance, Life and Death in the Subarctic, available everywhere including Amazon: https://www.amazon.com/Perseverance-Death-Subarctic-Stephan-Kesting/dp/1639368612/

This week on the pod, we're talking about the militarization of society, speed, politics, and death. In case you couldn't guess based on that constellation of topics, this episode features one of our favs, Paul Virilio. Throughout the episode, we're primarily referencing Paul Virilio's book Pure War. But we also reference Virilio's The Administration of Death. Intro Music by Amaryah ArmstrongOutro music by theillogicalspoonhttps://theillalogicalspoon.bandcamp.com/track/hoods-up-the-low-down-technified-blues*Support The Magnificast on Patreon*http://patreon.com/themagnificast*Get Magnificast Merch*https://www.redbubble.com 

When a 911 call came in about a 12-year-old girl who had been in an accident, first responders expected a routine emergency. What they found instead raised questions that no one seemed ready to answer. We're going to follow the events that began on May 4, 2024, and trace how a child's suffering was hidden. As investigators started putting the puzzle pieces together, a dark truth appeared. This is the story of Malinda Hoagland.Connect with Paige:Instagram: instagram.com/reverietruecrime TikTok: tiktok.com/@paige.elmore Facebook: facebook.com/reverietruecrime Twitter/X: twitter.com/reveriecrimepod BlueSky: reverietruecrime.bsky.social Tumblr: reverietruecrimepodcast.tumblr.com Intro and Outro by Jahred Gomes: https://www.instagram.com/jahredgomes_officialSources:https://www.nbcphiladelphia.com/news/local/girl-death-investigation-chester-county-pennsylvania/3852335/https://www.newspapers.com/image/1068771918https://www.newspapers.com/image/1079593477https://nypost.com/2024/05/13/us-news/malinda-hoagland-12-weighed-just-50-pounds-when-she-died-from-abuse/https://www.poconorecord.com/story/news/crime/2024/05/17/malinda-hoagland-sisters-statement-chester-county/73736757007/https://www.cbsnews.com/philadelphia/news/cindy-warren-arrest-child-abuse-malinda-hoagland-chester-county-children-youth-and-families/https://www.cbsnews.com/philadelphia/video/cindy-warren-child-abuse-arrest-malinda-hoagland-chester-county/https://people.com/police-say-pa-girl-12-died-abuse-committed-by-father-his-girlfriend-her-sisters-want-change-8673395https://www.newspapers.com/image/1113863554https://www.newspapers.com/image/1113864554https://www.cbsnews.com/philadelphia/news/malinda-hoagland-chester-county-pennsylvania-child-abuse-case-update/https://www.wgal.com/article/chester-county-da-will-seek-death-penalty-against-couple-charged-with-murder-of-12-year-old/61703156https://www.kxan.com/business/press-releases/ein-presswire/730405875/malinda-hoagland-suffered-tremendous-torture-and-abuse-before-preventable-death-family-seeks-accountability-and-answers/https://www.nbcphiladelphia.com/news/local/couple-charged-with-killing-girl-after-torturing-abusing-her-for-years-da-says/3923727/https://6abc.com/post/rendell-hoagland-cindy-warren-charged-degree-murder-girl/15094847/https://www.nbcphiladelphia.com/news/local/was-enough-done-to-protect-malinda-hoagland-child-advocate-weighs-in-on-the-case/3924029/https://lawandcrime.com/crime/prosecutors-will-seek-death-penalty-for-dad-and-stepmom-accused-of-calculated-and-systematic-torture-and-abuse-that-killed-12-year-old-girl/https://www.dailymail.co.uk/news/article-13681057/malinda-hoagland-death-rendell-cindy-warren-murder-charges-update.htmlhttps://www.dailylocal.com/2024/07/29/chester-county-prosecutor-describes-incredible-team-that-worked-on-childs-murder-case/https://www.fox29.com/news/malinda-hoagland-family-files-lawsuits-over-alleged-missed-red-flags-horrific-death-chester-county-girlhttps://6abc.com/post/malinda-hoagland-child-abuse-death-lawsuit-parents-murder-chester-county/15186397/https://www.dailylocal.com/2024/08/14/half-sisters-of-malinda-hoagland-12-year-old-murder-victim-file-suit-against-chester-county-local-school-district/https://www.newspapers.com/image/1109100484https://www.newspapers.com/image/1113865043https://www.newspapers.com/image/1113864554https://www.cbsnews.com/philadelphia/news/malinda-hoagland-murder-father-girlfriend-court/https://www.dailylocal.com/2024/08/29/couple-charged-in-death-of-malinda-hoagland-waive-preliminary-hearing/https://www.newspapers.com/image/1124847386https://www.newspapers.com/image/1124847796https://www.newspapers.com/image/1124847790https://www.newspapers.com/image/1115516979https://www.mainlinemedianews.com/2024/09/12/death-penalty-sought-for-chester-county-couple-accused-in-death-of-12-year-old-girl/https://www.cbsnews.com/philadelphia/news/malinda-hoagland-chester-county-pennsylvania-abuse/https://www.chesco.org/DocumentCenter/View/76703/Hoagland-criminal-complaint-May-2024?bidId=https://monroecountyda.com/districtattorney/commonwealth-v-mckinley-warren/https://www.poconorecord.com/story/news/crime/2009/01/22/child-killer-s-wife-sentenced/52123704007/https://monroecountyda.com/publicdocs/monroecountywarrencomplaint.pdfhttps://www.poconorecord.com/story/news/crime/2008/12/09/police-prosecutors-recount-history-child/52169885007/https://www.mcall.com/2008/12/09/on-brink-of-trial-monroe-man-admits-killing-his-child-mckinley-warren-jr-also-beat-a-son-he-gets-25-50-years/https://www.keanelaw.com/blog/mckinley-warren-jr-has-pled-guilty-to-charges-of-thirddegree-murder-and-aggravated-assault-in-tw.cfmBecome a supporter of this podcast: https://www.spreaker.com/podcast/reverie-true-crime--4442888/support.

This week on Techish, hosts Michael and Abadesi chat about Cluely, a startup with a “cheat at everything” app. They dive into its viral marketing, the ethics of using it in job interviews, and whether traditional knowledge still matters in today's fast-changing industry.Chapters00:00 Introduction00:14 The Rise of Cluely: The AI App For Cheating at Everything02:46 Startup Stunts and the Attention Economy08:47 Tech Interviews are BrokenExtra Reading & ResourcesAndreessen Horowitz Backs AI Startup With Slogan ‘Cheat at Everything' [Bloomberg, $]College Dropout Raised $20.3M in Just 5 Months | Interview Coder & Cluely, Roy Lee [EO]I just raised $15M to build a cheating company [Cluely]Police shut down Cluely's party, the ‘cheat at everything' startup [TechCrunch]Join our Patreon for extra-long episodes and ad-free content: https://www.patreon.com/techish Watch us on YouTube: https://www.youtube.com/@techishpod/Advertise on Techish: https://goo.gl/forms/MY0F79gkRG6Jp8dJ2———————————————————— Stay in touch with the hashtag #Techishhttps://www.instagram.com/techishpod/https://www.instagram.com/abadesi/https://www.instagram.com/michaelberhane_/ https://www.instagram.com/hustlecrewlive/https://www.instagram.com/pocintech/Email us at techishpod@gmail.com

At just 9 years old, Lori Lynne had a profound Near Death Experience (NDE) that would shape the path of her life. Today, she works to help others raise their energetic frequency - a process she sees as essential to healing, awakening, and living in alignment with the soul's purpose. Today, Lori Lynne is a Registered Nurse, Respiratory Therapist, energy worker, and childhood Near Death Experiencer. With over 20 years in critical care, medical research, and end-of-life support, Lori Lynne brings a powerful blend of clinical expertise and spiritual insight to our conversation  For more about Lori Lynne, visit: Website: https://www.frequencynurse.com

On this week's Vogue & Amber: Vogue's a nose picker, Amber's had an issue with an unlucky squirrel who's met an untimely end and Imo's live-testing ranch. Plus, dodgy tans, Netflix password revenge, the great DUNNES vouchers debate & Youtube is coming.Remember, if you want to get involved you can:Email us at vogueandamberpod@global.com OR find us on socials @voguewilliams, @ambrerosolero @vogueandamberpodListen and subscribe to Vogue & Amber on Global Player or wherever you get your podcasts.Please review Global's Privacy Policy: https://global.com/legal/privacy-policy/

Who was Caligula, the God Emperor? Today we learn about the self-proclaimed God, what drove Caligula to give himself this title, the stories of his erratic tendencies and behavior, his battles, and ultimately what caused his downfall… WELCOME TO CAMP

Send me a DM here (it doesn't let me respond), OR email me: imagineabetterworld2020@gmail.comThe staggering story of human sacrifice and satanic ritual involving the most famous people in the world.Arizona Wilder, formerly Jennifer Greene, was programmed and trained by Josef Mengele, the 'Angel of Death' in the Nazi concentration camps, to conduct Satanic rituals for some of the most famous people in the world. These include the British Royal Family.In this interview with David Icke, she describes how she conducted rituals at Glamis Castle and Balmoral in which the Queen, the Queen Mother and other members of the Royal Family sacrificed children in satanic ceremonies. She talks of the same experiences with Henry Kissinger, George Bush, Bill Clinton, members of the Rockefeller and Rothschild families and a host of the most famous names in the United States and the United Kingdom.Your view of the world will never be the same when you hear the revelations of Arizona Wilder and their relevance to your daily life.CONNECT WITH EMMA / THE IMAGINATION:YouTube: https://www.youtube.com/@imaginationpodcastofficialRumble: https://rumble.com/c/TheImaginationPodcastEMAIL: imagineabetterworld2020@gmail.com OR standbysurvivors@protonmail.comMy Substack: https://emmakatherine.substack.com/BUY ME A COFFEE: https://www.buymeacoffee.com/theimaginationAll links: https://direct.me/theimaginationpodcastRIFE TECHNOLOGIES:https://realrifetechnology.com/15% Code: 420CZTL METHELENE BLUE:https://cztl.bz?ref=2BzG1Free Shipping Code: IMAGINATIONSupport the show

It just doesn't happen very often we record in a field surrounded by cows just after a cow gave birth to a calf. There is not more fitting place to explore the super complex role of animals in the food and agriculture space than walking the landing- and standing amongst the cows- with Benedikt Boesel, founder and farmer at Gut&Bosël, in Alt Madlitz, in Germany. We discuss everything from how much joy animals bring to a farm and how complex it is to treat them well and how they are a direct mirror of your actions. We talk as well about the moment in which the cows are taken out of the system, and how Benedikt does that.More about this episode on https://investinginregenerativeagriculture.com/benedikt-boesel-2.This is a Walking the land episode, find the video on our Youtube channel https://www.youtube.com/@investinginregenerativeagr8568 ==========================In Investing in Regenerative Agriculture and Food podcast show we talk to the pioneers in the regenerative food and agriculture space to learn more on how to put our money to work to regenerate soil, people, local communities and ecosystems while making an appropriate and fair return. Hosted by Koen van Seijen.==========================

‘Dancing Mania' - in which people spontaneously danced to exhaustion, some until they broke their ribs and subsequently died, took hold of Aachen, Germany on 24th June, 1374. We still don't really know why. Had the victims ingested ergot, a mould from rye bread that can inspire hallucinations? Was it a hysterical mass response to a stressful and traumatic environment? Or a kind of pre-smartphone flashmob?  In this episode, Arion, Rebecca and Olly consider the likely causes and cures for this curious episode, learn about the equally extraordinary phenomenon of Tarantism, and play ‘guess the Saintly disease'...  Further Reading: • ‘A Strange Case of Dancing Mania Struck Germany Six Centuries Ago', Smithsonian Magazine (2016) https://www.smithsonianmag.com/smart-news/strange-case-dancing-mania-struck-germany-six-centuries-ago-today-180959549/ • ‘A forgotten plague: making sense of dancing mania', The Lancet (2009): https://www.thelancet.com/article/S0140-6736(09)60386-X/fulltext • ‘Tarantism: A Rhythm For Your Soul'  (Giuliano Capani, 2008) on YouTube: https://www.youtube.com/watch?v=E6fB4oInT7A Love the show? Support us!  Join 

On June 11th, actress Allison Williams joined Anna live onstage at the Tribeca Festival in New York City for a conversation that was equal parts introspective and hilarious. Allison talked about everything from botox and how it impacts her work (and the faces she's able to make to her young son) to her very complicated and controversial film and TV characters, like the famously maligned Marnie from Girls. Allison and Anna also welcomed two members of Gen Z into the conversation, Amelia Ritthaler and Evan Lazarus of the Girls Rewatch podcast, to discuss why Gen Z is way more sympathetic to Marnie than millennials were.    Allison's new podcast from Headgum is called Landlines. Subscribe wherever you get your podcasts.  This episode was produced by Cameron Drews with help from Slate's Katie Rayford, Alexandra Cohl, and Shay Cohen, and the wonderful team from Tribeca Audio: Davy Gardner, Allyson Morgan and Baiz Hoen.  Death, Sex & Money is produced by Slate! To support us and our colleagues, please sign up for our membership program, Slate Plus! Members get ad-free podcasts, bonus content on lots of Slate shows, and full access to all the articles on Slate.com. Sign up today at slate.com/dsmplus. And if you're new to the show, welcome. We're so glad you're here. Find us and follow us on Instagram and you can find Anna's newsletter at annasale.substack.com. Our new email address, where you can reach us with voice memos, pep talks, questions, critiques, is deathsexmoney@slate.com. Learn more about your ad choices. Visit megaphone.fm/adchoices

Today on Like It Matters Radio, Mr. Black is going to be talking about Patterns. The focus of today’s hour of Power is the 4 Cs of Leadership. We are shaped by our thinking. The outcomes of our lives cannot be better than our Pattern of thought. It is the patterns in our lives that get us what we are getting! Many patterns are unconscious. It is hard to deal with anything at the unconscious level, so we must bring it into the consciousness so it can be dealt with. Today’s pattern is about staying committed, being productive and handling whatever the world throws at us. In life obstacles are called; Death, disease, doubts about the future based on the past, dire pain, disappointments, depression, devaluing and many delusions. In my training environments obstacles are called, Pontoon boats, acid rivers, spider webs, fire, frustration, and yellow ropes and notes! As a Warrior, I would rather be prepared for a battle that does not take place, rather than not be prepared for one that does! The Pattern that Mr. Black will discuss today is the Pattern from his Leadership Breakthrough 2 class- Leadership Adventure! You will hear from graduates who have just completed the great Adventure and the impact it has made on their lives. Listeners will be introduced to the successful pattern of moving a group of leaders through the ups and downs of business and life. Commitment, Communication, Clear Vision and Consensus, is the Pattern being pushed today! Once those are in place then we add the +1, Consistency. Tune into Like it Matters Radio where listeners are inspired and equipped to LIVE LIKE IT MATTERS- it is the Way of Warrior! Be sure to Like and Follow us on our facebook page!www.facebook.com/limradio Instagram @likeitmattersradioTwitter @likeitmatters Get daily inspiration from our blog www.wayofwarrior.blog Learn about our non profit work at www.givelikeitmatters.com Check out our training website www.LikeItMatters.Net Always available online at www.likeitmattersradio.comSee omnystudio.com/listener for privacy information.

Justin Egliskis is a unique individual with a desire to help people align their energy and feel fulfillment in their lives. His perspective is refreshing and certainly promotes contemplation around how to live life as a better man. https://bushsurvivaltraining.com/ Visit Folsompointnutrition.com and use code INTHEBUSH on checkout to receive a 20% discount on 100% grass fed Bison supplements. Please support them to support us.

FBG Butta checks in from jail! ----- Shout out to all our members who make this content possible, sign up for only $5 a month    / @nojumper   Promote Your Music with No Jumper - https://nojumper.com/pages/promo CHECK OUT OUR ONLINE STORE!!! https://nojumper.com NO JUMPER PATREON   / nojumper   CHECK OUT OUR NEW SPOTIFY PLAYLIST https://open.spotify.com/playlist/5te... Follow us on SNAPCHAT   / 4874336901   Follow us on SPOTIFY: https://open.spotify.com/show/4z4yCTj... iTunes: https://itunes.apple.com/us/podcast/n... Follow us on Social Media:   / 4874336901    / nojumper    / nojumper    / nojumper    / nojumper   JOIN THE DISCORD:   / discord   Follow Adam22:   / adam22    / adam22    / adam22   adam22bro on Snapchat Learn more about your ad choices. Visit megaphone.fm/adchoices

An anxious politician contacts a private detective, terrified by unexplained occurrences in his high-rise office building. As the detective investigates, he uncovers a chilling, supernatural terror! Hear “Skyscraper Mystery” from The Haunting Hour! | #RetroRadio EP0443Join the DARKNESS SYNDICATE: https://weirddarkness.com/syndicateCHAPTERS & TIME STAMPS (All Times Approximate)…00:00:00.000 = Show Open00:01:50.000 = CBS Radio Mystery Theater, “What a Change in Hilda” (May 06, 1976) ***WD00:46:12.344 = The Haunting Hour, “Skyscraper Mystery” (September 22, 1945)01:11:21.277 = Have Gun Will Travel, “North Fork” (June 21, 1959)01:35:29.495 = The Hermit's Cave, “Notebook on Murder” (September 15, 1940)02:00:08.097 = Mystery Is My Hobby, “Death of an Old Prospector” (July, 1947)02:23:53.550 = Sherlock Holmes, “Case of the Demon Barber” (January 28, 1946)02:53:25.470 = Incredible But True, “The Devil's Diggings” (1950-1951)02:57:11.722 = Inner Sanctum, “Dark Chamber” (December 11, 1945)03:27:10.349 = The Key, “Escape Artist” (1956)03:52:29.746 = Lights Out, “Death Robbery” (July 16, 1947) ***WD04:21:41.318 = The Lineup, “Flighty Fulvous Finch Case” (July 12, 1951)04:46:23.192 = Show Close(ADU) = Air Date Unknown(LQ) = Low Quality***WD = Remastered, edited, or cleaned up by Weird Darkness to make the episode more listenable. Audio may not be pristine, but it will be better than the original file which may have been unusable or more difficult to hear without editing.Weird Darkness theme by Alibi Music LibraryABOUT WEIRD DARKNESS: Weird Darkness is a true crime and paranormal podcast narrated by professional award-winning voice actor, Darren Marlar. Seven days per week, Weird Darkness focuses on all thing strange and macabre such as haunted locations, unsolved mysteries, true ghost stories, supernatural manifestations, urban legends, unsolved or cold case murders, conspiracy theories, and more. On Thursdays, this scary stories podcast features horror fiction along with the occasional creepypasta. Weird Darkness has been named one of the “Best 20 Storytellers in Podcasting” by Podcast Business Journal. Listeners have described the show as a cross between “Coast to Coast” with Art Bell, “The Twilight Zone” with Rod Serling, “Unsolved Mysteries” with Robert Stack, and “In Search Of” with Leonard Nimoy.= = = = ="I have come into the world as a light, so that no one who believes in me should stay in darkness." — John 12:46= = = = =WeirdDarkness® is a registered trademark. Copyright ©2025, Weird Darkness.= = = = =CUSTOM WEBPAGE: https://weirddarkness.com/WDRR0443

Sarah went to Vail Pride and is getting very emotional about her LGBTQ journey, the self-doubt she's grappled with, and her goal of self-acceptance. We explore why we're often hardest on ourselves and more accepting of others. Sarah talks about a study on rule followers, and we speculate about why people follow rules even when no one would know if they broke it. We discuss why procrastination can be about avoiding feelings that make us uncomfortable rather than the task itself. Sarah's plant stealing lifestyle continues, and she is having guilt about some *leaves* she picked up off the ground. We debate whether private companies should be allowed to "own" celestial bodies.Our Favorite Bits19:26 - Recent study finds that people might be more honest than we thought30:33 - "Someone's having a good time". Sarah's weird interaction at Pride.34:57 - Sarah's story update on the plants41:54 - The moon might be worth TRILLIONS!!!42:35 - EDITOR's PICK - Literally, a lightning clip.46:06 - Moon treasure continued48:16 - Funny discussion about men and the inventions that killed them52:29 - Back to the moon thing again. What the heck are we supposed to do?!01:01:29 - Researchers in China developed a retinal prosthesis to help restore visionThank you for being a Brainiac! Listen to more podcasts like this: https://wavepodcastnetwork.comConnect with us on social media:BCP Instagram: https://www.instagram.com/braincandypodcastSusie's Instagram: https://www.instagram.com/susiemeisterSarah's Instagram: https://www.instagram.com/imsarahriceBCP on X: https://www.x.com/braincandypodSponsors:Get $10 off your first month's subscription and free shipping when you go to https://nutrafol.com and enter the promo code BRAINCANDYThis episode is sponsored by BetterHelp. Get 10% off their first month at https://betterhelp.com/braincandyFor an extra 25% off your order and a special gift, head to https://pacagen.com/braincandySee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

For those who haven't heard the announcement I posted, songs from this point on will sometimes be split among multiple episodes, so this is the second part of a two-episode look at the song “Who Knows Where The Time Goes?” by Fairport Convention, and the intertwining careers of Joe Boyd, Sandy Denny, and Richard Thompson. Click the full post to read liner notes, links to more information, and a transcript of the episode. Patreon backers also have a forty-one-minute bonus episode available, on Judy Collins’ version of this song. Tilt Araiza has assisted invaluably by editing, and will hopefully be doing so from now on. Check out Tilt's irregular podcasts at http://www.podnose.com/jaffa-cakes-for-proust and http://sitcomclub.com/ Erratum For about an hour this was uploaded with the wrong Elton John clip in place of “Saturday Sun”. This has now been fixed. Resources Because of the increasing problems with Mixcloud’s restrictions, I have decided to start sharing streaming playlists of the songs used in episodes instead of Mixcloud ones. This Tunemymusic link will let you listen to the playlist I created on your streaming platform of choice — however please note that not all the songs excerpted are currently available on streaming. The songs missing from the Tidal version are “Shanten Bells” by the Ian Campbell Folk Group, “Tom’s Gone to Hilo” by A.L. Lloyd, two by Paul McNeill and Linda Peters, three by Elton John & Linda Peters, “What Will I Do With Tomorrow” by Sandy Denny and “You Never Know” by Charlie Drake, but the other fifty-nine are there. Other songs may be missing from other services. The main books I used on Fairport Convention as a whole were Patrick Humphries' Meet On The Ledge, Clinton Heylin's What We Did Instead of Holidays, and Kevan Furbank's Fairport Convention on Track. Rob Young's Electric Eden is the most important book on the British folk-rock movement. Information on Richard Thompson comes from Patrick Humphries' Richard Thompson: Strange Affair and Thompson's own autobiography Beeswing.  Information on Sandy Denny comes from Clinton Heylin's No More Sad Refrains and Mick Houghton's I've Always Kept a Unicorn. I also used Joe Boyd's autobiography White Bicycles and Chris Blackwell's The Islander.  And this three-CD set is the best introduction to Fairport's music currently in print. Transcript Before we begin, this episode contains reference to alcohol and cocaine abuse and medical neglect leading to death. It also starts with some discussion of the fatal car accident that ended last episode. There’s also some mention of child neglect and spousal violence. If that’s likely to upset you, you might want to skip this episode or read the transcript. One of the inspirations for this podcast when I started it back in 2018 was a project by Richard Thompson, which appears (like many things in Thompson’s life) to have started out of sheer bloody-mindedness. In 1999 Playboy magazine asked various people to list their “songs of the Millennium”, and most of them, understanding the brief, chose a handful of songs from the latter half of the twentieth century. But Thompson determined that he was going to list his favourite songs *of the millennium*. He didn’t quite manage that, but he did cover seven hundred and forty years, and when Playboy chose not to publish it, he decided to turn it into a touring show, in which he covered all his favourite songs from “Sumer Is Icumen In” from 1260: [Excerpt: Richard Thompson, “Sumer is Icumen In”] Through numerous traditional folk songs, union songs like “Blackleg Miner”, pieces by early-modern composers, Victorian and Edwardian music hall songs, and songs by the Beatles, the Ink Spots, the Kinks, and the Who, all the way to “Oops! I Did It Again”: [Excerpt: Richard Thompson, “Oops! I Did it Again”] And to finish the show, and to show how all this music actually ties together, he would play what he described as a “medieval tune from Brittany”, “Marry, Ageyn Hic Hev Donne Yt”: [Excerpt: Richard Thompson, “Marry, Ageyn Hic Hev Donne Yt”] We have said many times in this podcast that there is no first anything, but there’s a reason that Liege and Lief, Fairport Convention’s third album of 1969, and the album other than Unhalfbricking on which their reputation largely rests, was advertised with the slogan “The first (literally) British folk rock album ever”. Folk-rock, as the term had come to be known, and as it is still usually used today, had very little to do with traditional folk music. Rather, the records of bands like The Byrds or Simon and Garfunkel were essentially taking the sounds of British beat groups of the early sixties, particularly the Searchers, and applying those sounds to material by contemporary singer-songwriters. People like Paul Simon and Bob Dylan had come up through folk clubs, and their songs were called folk music because of that, but they weren’t what folk music had meant up to that point — songs that had been collected after being handed down through the folk process, changed by each individual singer, with no single identifiable author. They were authored songs by very idiosyncratic writers. But over their last few albums, Fairport Convention had done one or two tracks per album that weren’t like that, that were instead recordings of traditional folk songs, but arranged with rock instrumentation. They were not necessarily the first band to try traditional folk music with electric instruments — around the same time that Fairport started experimenting with the idea, so did an Irish band named Sweeney’s Men, who brought in a young electric guitarist named Henry McCullough briefly. But they do seem to have been the first to have fully embraced the idea. They had done so to an extent with “A Sailor’s Life” on Unhalfbricking, but now they were going to go much further: [Excerpt: Fairport Convention, “Matty Groves” (from about 4:30)] There had been some doubt as to whether Fairport Convention would even continue to exist — by the time Unhalfbricking, their second album of the year, was released, they had been through the terrible car accident that had killed Martin Lamble, the band’s drummer, and Jeannie Franklyn, Richard Thompson’s girlfriend. Most of the rest of the band had been seriously injured, and they had made a conscious decision not to discuss the future of the band until they were all out of hospital. Ashley Hutchings was hospitalised the longest, and Simon Nicol, Richard Thompson, and Sandy Denny, the other three surviving members of the band, flew over to LA with their producer and manager, Joe Boyd, to recuperate there and get to know the American music scene. When they came back, the group all met up in the flat belonging to Denny’s boyfriend Trevor Lucas, and decided that they were going to continue the band. They made a few decisions then — they needed a new drummer, and as well as a drummer they wanted to get in Dave Swarbrick. Swarbrick had played violin on several tracks on Unhalfbricking as a session player, and they had all been thrilled to work with him. Swarbrick was one of the most experienced musicians on the British folk circuit. He had started out in the fifties playing guitar with Beryl Marriott’s Ceilidh Band before switching to fiddle, and in 1963, long before Fairport had formed, he had already appeared on TV with the Ian Campbell Folk Group, led by Ian Campbell, the father of Ali and Robin Campbell, later of UB40: [Excerpt: The Ian Campbell Folk Group, “Shanten Bells (medley on Hullaballoo!)”] He’d sung with Ewan MacColl and A.L. Lloyd: [Excerpt: A.L. Lloyd, “Tom’s Gone to Hilo” ] And he’d formed his hugely successful duo with Martin Carthy, releasing records like “Byker Hill” which are often considered among the best British folk music of all time: [Excerpt: Martin Carthy and Dave Swarbrick, “Byker Hill”] By the time Fairport had invited him to play on Unhalfbricking, Swarbrick had already performed on twenty albums as a core band member, plus dozens more EPs, singles, and odd tracks on compilations. They had no reason to think they could actually get him to join their band. But they had three advantages. The first was that Swarbrick was sick of the traditional folk scene at the time, saying later “I didn’t like seven-eighths of the people involved in it, and it was extremely opportune to leave. I was suddenly presented with the possibilities of exploring the dramatic content of the songs to the full.” The second was that he was hugely excited to be playing with Richard Thompson, who was one of the most innovative guitarists of his generation, and Martin Carthy remembers him raving about Thompson after their initial sessions. (Carthy himself was and is no slouch on the guitar of course, and there was even talk of getting him to join the band at this point, though they decided against it — much to the relief of rhythm guitarist Simon Nicol, who is a perfectly fine player himself but didn’t want to be outclassed by *two* of the best guitarists in Britain at the same time). And the third was that Joe Boyd told him that Fairport were doing so well — they had a single just about to hit the charts with “Si Tu Dois Partir” — that he would only have to play a dozen gigs with Fairport in order to retire. As it turned out, Swarbrick would play with the group for a decade, and would never retire — I saw him on his last tour in 2015, only eight months before he died. The drummer the group picked was also a far more experienced musician than any of the rest, though in a very different genre. Dave Mattacks had no knowledge at all of the kind of music they played, having previously been a player in dance bands. When asked by Hutchings if he wanted to join the band, Mattacks’ response was “I don’t know anything about the music. I don’t understand it… I can’t tell one tune from another, they all sound the same… but if you want me to join the group, fine, because I really like it. I’m enjoying myself musically.” Mattacks brought a new level of professionalism to the band, thanks to his different background. Nicol said of him later “He was dilligent, clean, used to taking three white shirts to a gig… The application he could bring to his playing was amazing. With us, you only played well when you were feeling well.” This distinction applied to his playing as well. Nicol would later describe the difference between Mattacks’ drumming and Lamble’s by saying “Martin’s strength was as an imaginative drummer. DM came in with a strongly developed sense of rhythm, through keeping a big band of drunken saxophone players in order. A great time-keeper.” With this new line-up and a new sense of purpose, the group did as many of their contemporaries were doing and “got their heads together in the country”. Joe Boyd rented the group a mansion, Farley House, in Farley Chamberlayne, Hampshire, and they stayed there together for three months. At the start, the group seem to have thought that they were going to make another record like Unhalfbricking, with some originals, some songs by American songwriters, and a few traditional songs. Even after their stay in Farley Chamberlayne, in fact, they recorded a few of the American songs they’d rehearsed at the start of the process, Richard Farina’s “Quiet Joys of Brotherhood” and Bob Dylan and Roger McGuinn’s “Ballad of Easy Rider”: [Excerpt: Fairport Convention, “Ballad of Easy Rider”] Indeed, the whole idea of “getting our heads together in the country” (as the cliche quickly became in the late sixties as half of the bands in Britain went through much the same kind of process as Fairport were doing — but usually for reasons more to do with drug burnout or trend following than recovering from serious life-changing trauma) seems to have been inspired by Bob Dylan and the Band getting together in Big Pink. But very quickly they decided to follow the lead of Ashley Hutchings, who had had something of a Damascene conversion to the cause of traditional English folk music. They were listening mostly to Music From Big Pink by the Band, and to the first album by Sweeney’s Men: [Excerpt: Sweeney’s Men, “The Handsome Cabin Boy”] And they decided that they were going to make something that was as English as those records were North American and Irish (though in the event there were also a few Scottish songs included on the record). Hutchings in particular was becoming something of a scholar of traditional music, regularly visiting Cecil Sharp House and having long conversations with A.L. Lloyd, discovering versions of different traditional songs he’d never encountered before. This was both amusing and bemusing Sandy Denny, who had joined a rock group in part to get away from traditional music; but she was comfortable singing the material, and knew a lot of it and could make a lot of suggestions herself. Swarbrick obviously knew the repertoire intimately, and Nicol was amenable, while Mattacks was utterly clueless about the folk tradition at this point but knew this was the music he wanted to make. Thompson knew very little about traditional music, and of all the band members except Denny he was the one who has shown the least interest in the genre in his subsequent career — but as we heard at the beginning, showing the least interest in the genre is a relative thing, and while Thompson was not hugely familiar with the genre, he *was* able to work with it, and was also more than capable of writing songs that fit in with the genre. Of the eleven songs on the album, which was titled Liege and Lief (which means, roughly, Lord and Loyalty), there were no cover versions of singer-songwriters. Eight were traditional songs, and three were originals, all written in the style of traditional songs. The album opened with “Come All Ye”, an introduction written by Denny and Hutchings (the only time the two would ever write together): [Excerpt: Fairport Convention, “Come All Ye”] The other two originals were songs where Thompson had written new lyrics to traditional melodies. On “Crazy Man Michael”, Swarbrick had said to Thompson that the tune to which he had set his new words was weaker than the lyrics, to which Thompson had replied that if Swarbrick felt that way he should feel free to write a new melody. He did, and it became the first of the small number of Thompson/Swarbrick collaborations: [Excerpt: Fairport Convention, “Crazy Man Michael”] Thompson and Swarbrick would become a brief songwriting team, but as much as anything else it was down to proximity — the two respected each other as musicians, but never got on very well. In 1981 Swarbrick would say “Richard and I never got on in the early days of FC… we thought we did, but we never did. We composed some bloody good songs together, but it was purely on a basis of “you write that and I’ll write this, and we’ll put it together.” But we never sat down and had real good chats.” The third original on the album, and by far the most affecting, is another song where Thompson put lyrics to a traditional tune. In this case he thought he was putting the lyrics to the tune of “Willie O'Winsbury”, but he was basing it on a recording by Sweeney’s Men. The problem was that Sweeney’s Men had accidentally sung the lyrics of “Willie O'Winsbury'” to the tune of a totally different song, “Fause Foodrage”: [Excerpt: Sweeney’s Men, “Willie O’Winsbury”] Thompson took that melody, and set to it lyrics about loss and separation. Thompson has never been one to discuss the meanings of his lyrics in any great detail, and in the case of this one has said “I really don't know what it means. This song came out of a dream, and I pretty much wrote it as I dreamt it (it was the sixties), and didn't spend very long analyzing it. So interpret as you wish – or replace with your own lines.” But in the context of the traffic accident that had killed his tailor girlfriend and a bandmate, and injured most of his other bandmates, the lyrics about lonely travellers, the winding road, bruised and beaten sons, saying goodbye, and never cutting cloth, seem fairly self-explanatory: [Excerpt: Fairport Convention, “Farewell, Farewell”] The rest of the album, though, was taken up by traditional tunes. There was a long medley of four different fiddle reels; a version of “Reynardine” (a song about a seductive man — or is he a fox? Or perhaps both — which had been recorded by Swarbrick and Carthy on their most recent album); a 19th century song about a deserter saved from the firing squad by Prince Albert; and a long take on “Tam Lin”, one of the most famous pieces in the Scottish folk music canon, a song that has been adapted in different ways by everyone from the experimental noise band Current 93 to the dub poet Benjamin Zephaniah to the comics writer Grant Morrison: [Excerpt: Fairport Convention, “Tam Lin”] And “Matty Groves”, a song about a man killing his cheating wife and her lover, which actually has a surprisingly similar story to that of “1921” from another great concept album from that year, the Who’s Tommy. “Matty Groves” became an excuse for long solos and shows of instrumental virtuosity: [Excerpt: Fairport Convention, “Matty Groves”] The album was recorded in September 1969, after their return from their break in the country and a triumphal performance at the Royal Festival Hall, headlining over fellow Witchseason artists John and Beverly Martyn and Nick Drake. It became a classic of the traditional folk genre — arguably *the* classic of the traditional folk genre. In 2007 BBC Radio 2’s Folk Music Awards gave it an award for most influential folk album of all time, and while such things are hard to measure, I doubt there’s anyone with even the most cursory knowledge of British folk and folk-rock music who would not at least consider that a reasonable claim. But once again, by the time the album came out in November, the band had changed lineups yet again. There was a fundamental split in the band – on one side were Sandy Denny and Richard Thompson, whose stance was, roughly, that Liege and Lief was a great experiment and a fun thing to do once, but really the band had two first-rate songwriters in themselves, and that they should be concentrating on their own new material, not doing these old songs, good as they were. They wanted to take the form of the traditional songs and use that form for new material — they wanted to make British folk-rock, but with the emphasis on the rock side of things. Hutchings, on the other hand, was equally sure that he wanted to make traditional music and go further down the rabbit hole of antiquity. With the zeal of the convert he had gone in a couple of years from being the leader of a band who were labelled “the British Jefferson Airplane” to becoming a serious scholar of traditional folk music. Denny was tired of touring, as well — she wanted to spend more time at home with Trevor Lucas, who was sleeping with other women when she was away and making her insecure. When the time came for the group to go on a tour of Denmark, Denny decided she couldn’t make it, and Hutchings was jubilant — he decided he was going to get A.L. Lloyd into the band in her place and become a *real* folk group. Then Denny reconsidered, and Hutchings was crushed. He realised that while he had always been the leader, he wasn’t going to be able to lead the band any further in the traditionalist direction, and quit the group — but not before he was delegated by the other band members to fire Denny. Until the publication of Richard Thompson’s autobiography in 2022, every book on the group or its members said that Denny quit the band again, which was presumably a polite fiction that the band agreed, but according to Thompson “Before we flew home, we decided to fire Sandy. I don't remember who asked her to leave – it was probably Ashley, who usually did the dirty work. She was reportedly shocked that we would take that step. She may have been fragile beneath the confident facade, but she still knew her worth.” Thompson goes on to explain that the reasons for kicking her out were that “I suppose we felt that in her mind she had already left” and that “We were probably suffering from post-traumatic stress disorder, though there wasn't a name for it back then.” They had considered inviting Trevor Lucas to join the band to make Denny more comfortable, but came to the (probably correct) conclusion that while he was someone they got on well with personally, he would be another big ego in a band that already had several, and that being around Denny and Lucas’ volatile relationship would, in Thompson’s phrasing, “have not always given one a feeling of peace and stability.” Hutchings originally decided he was going to join Sweeney’s Men, but that group were falling apart, and their first rehearsal with Hutchings would also be their last as a group, with only Hutchings and guitarist and mandolin player Terry Woods left in the band. They added Woods’ wife Gay, and another couple, Tim Hart and Maddy Prior, and formed a group called Steeleye Span, a name given them by Martin Carthy. That group, like Fairport, went to “get their heads together in the country” for three months and recorded an album of electric versions of traditional songs, Hark the Village Wait, on which Mattacks and another drummer, Gerry Conway, guested as Steeleye Span didn’t at the time have their own drummer: [Excerpt: Steeleye Span, “Blackleg Miner”] Steeleye Span would go on to have a moderately successful chart career in the seventies, but by that time most of the original lineup, including Hutchings, had left — Hutchings stayed with them for a few albums, then went on to form the first of a series of bands, all called the Albion Band or variations on that name, which continue to this day. And this is something that needs to be pointed out at this point — it is impossible to follow every single individual in this narrative as they move between bands. There is enough material in the history of the British folk-rock scene that someone could do a 500 Songs-style podcast just on that, and every time someone left Fairport, or Steeleye Span, or the Albion Band, or Matthews’ Southern Comfort, or any of the other bands we have mentioned or will mention, they would go off and form another band which would then fission, and some of its members would often join one of those other bands. There was a point in the mid-1970s where the Albion Band had two original members of Fairport Convention while Fairport Convention had none. So just in order to keep the narrative anything like wieldy, I’m going to keep the narrative concentrated on the two figures from Fairport — Sandy Denny and Richard Thompson — whose work outside the group has had the most influence on the wider world of rock music more broadly, and only deal with the other members when, as they often did, their careers intersected with those two. That doesn’t mean the other members are not themselves hugely important musicians, just that their importance has been primarily to the folk side of the folk-rock genre, and so somewhat outside the scope of this podcast. While Hutchings decided to form a band that would allow him to go deeper and deeper into traditional folk music, Sandy Denny’s next venture was rather different. For a long time she had been writing far more songs than she had ever played for her bandmates, like “Nothing More”, a song that many have suggested is about Thompson: [Excerpt: Fotheringay, “Nothing More”] When Joe Boyd heard that Denny was leaving Fairport Convention, he was at first elated. Fairport’s records were being distributed by A&M in the US at that point, but Island Records was in the process of opening up a new US subsidiary which would then release all future Fairport product — *but*, as far as A&M were concerned, Sandy Denny *was* Fairport Convention. They were only interested in her. Boyd, on the other hand, loved Denny’s work intensely, but from his point of view *Richard Thompson* was Fairport Convention. If he could get Denny signed directly to A&M as a solo artist before Island started its US operations, Witchseason could get a huge advance on her first solo record, while Fairport could continue making records for Island — he’d have two lucrative acts, on different labels. Boyd went over and spoke to A&M and got an agreement in principle that they would give Denny a forty-thousand-dollar advance on her first solo album — twice what they were paying for Fairport albums. The problem was that Denny didn’t want to be a solo act. She wanted to be the lead singer of a band. She gave many reasons for this — the one she gave to many journalists was that she had seen a Judy Collins show and been impressed, but noticed that Collins’ band were definitely a “backing group”, and as she put it “But that's all they were – a backing group. I suddenly thought, If you're playing together on a stage you might as well be TOGETHER.” Most other people in her life, though, say that the main reason for her wanting to be in a band was her desire to be with her boyfriend, Trevor Lucas. Partly this was due to a genuine desire to spend more time with someone with whom she was very much in love, partly it was a fear that he would cheat on her if she was away from him for long periods of time, and part of it seems to have been Lucas’ dislike of being *too* overshadowed by his talented girlfriend — he didn’t mind acknowledging that she was a major talent, but he wanted to be thought of as at least a minor one. So instead of going solo, Denny formed Fotheringay, named after the song she had written for Fairport. This new band consisted at first of Denny on vocals and occasional piano, Lucas on vocals and rhythm guitar, and Lucas’ old Eclection bandmate Gerry Conway on drums. For a lead guitarist, they asked Richard Thompson who the best guitarist in Britain was, and he told them Albert Lee. Lee in turn brought in bass player Pat Donaldson, but this lineup of the band barely survived a fortnight. Lee *was* arguably the best guitarist in Britain, certainly a reasonable candidate if you could ever have a singular best (as indeed was Thompson himself), but he was the best *country* guitarist in Britain, and his style simply didn’t fit with Fotheringay’s folk-influenced songs. He was replaced by American guitarist Jerry Donahue, who was not anything like as proficient as Lee, but who was still very good, and fit the band’s style much better. The new group rehearsed together for a few weeks, did a quick tour, and then went into the recording studio to record their debut, self-titled, album. Joe Boyd produced the album, but admitted himself that he only paid attention to those songs he considered worthwhile — the album contained one song by Lucas, “The Ballad of Ned Kelly”, and two cover versions of American singer-songwriter material with Lucas singing lead. But everyone knew that the songs that actually *mattered* were Sandy Denny’s, and Boyd was far more interested in them, particularly the songs “The Sea” and “The Pond and the Stream”: [Excerpt: Fotheringay, “The Pond and the Stream”] Fotheringay almost immediately hit financial problems, though. While other Witchseason acts were used to touring on the cheap, all packed together in the back of a Transit van with inexpensive equipment, Trevor Lucas had ambitions of being a rock star and wanted to put together a touring production to match, with expensive transport and equipment, including a speaker system that got nicknamed “Stonehenge” — but at the same time, Denny was unhappy being on the road, and didn’t play many gigs. As well as the band itself, the Fotheringay album also featured backing vocals from a couple of other people, including Denny’s friend Linda Peters. Peters was another singer from the folk clubs, and a good one, though less well-known than Denny — at this point she had only released a couple of singles, and those singles seemed to have been as much as anything else released as a novelty. The first of those, a version of Dylan’s “You Ain’t Goin’ Nowhere” had been released as by “Paul McNeill and Linda Peters”: [Excerpt: Paul McNeill and Linda Peters, “You Ain’t Goin’ Nowhere”] But their second single, a version of John D. Loudermilk’s “You’re Taking My Bag”, was released on the tiny Page One label, owned by Larry Page, and was released under the name “Paul and Linda”, clearly with the intent of confusing particularly gullible members of the record-buying public into thinking this was the McCartneys: [Excerpt: Paul and Linda, “You’re Taking My Bag”] Peters was though more financially successful than almost anyone else in this story, as she was making a great deal of money as a session singer. She actually did another session involving most of Fotheringay around this time. Witchseason had a number of excellent songwriters on its roster, and had had some success getting covers by people like Judy Collins, but Joe Boyd thought that they might possibly do better at getting cover versions if they were performed in less idiosyncratic arrangements. Donahue, Donaldson, and Conway went into the studio to record backing tracks, and vocals were added by Peters and another session singer, who according to some sources also provided piano. They cut songs by Mike Heron of the Incredible String Band: [Excerpt: Linda Peters, “You Get Brighter”] Ed Carter, formerly of The New Nadir but by this time firmly ensconced in the Beach Boys’ touring band where he would remain for the next quarter-century: [Excerpt: Linda Peters, “I Don’t Mind”] John and Beverly Martyn, and Nick Drake: [Excerpt: Elton John, “Saturday Sun”] There are different lineups of musicians credited for those sessions in different sources, but I tend to believe that it’s mostly Fotheringay for the simple reason that Donahue says it was him, Donaldson and Conway who talked Lucas and Denny into the mistake that destroyed Fotheringay because of these sessions. Fotheringay were in financial trouble already, spending far more money than they were bringing in, but their album made the top twenty and they were getting respect both from critics and from the public — in September, Sandy Denny was voted best British female singer by the readers of Melody Maker in their annual poll, which led to shocked headlines in the tabloids about how this “unknown” could have beaten such big names as Dusty Springfield and Cilla Black. Only a couple of weeks after that, they were due to headline at the Albert Hall. It should have been a triumph. But Donahue, Donaldson, and Conway had asked that singing pianist to be their support act. As Donahue said later “That was a terrible miscast. It was our fault. He asked if [he] could do it. Actually Pat, Gerry and I had to talk Sandy and Trevor into [it]… We'd done these demos and the way he was playing – he was a wonderful piano player – he was sensitive enough. We knew very little about his stage-show. We thought he'd be a really good opener for us.” Unfortunately, Elton John was rather *too* good. As Donahue continued “we had no idea what he had in mind, that he was going to do the most incredible rock & roll show ever. He pretty much blew us off the stage before we even got on the stage.” To make matters worse, Fotheringay’s set, which was mostly comprised of new material, was underrehearsed and sloppy, and from that point on no matter what they did people were counting the hours until the band split up. They struggled along for a while though, and started working on a second record, with Boyd again producing, though as Boyd later said “I probably shouldn't have been producing the record. My lack of respect for the group was clear, and couldn't have helped the atmosphere. We'd put out a record that had sold disappointingly, A&M was unhappy. Sandy's tracks on the first record are among the best things she ever did – the rest of it, who cares? And the artwork, Trevor's sister, was terrible. It would have been one thing if I'd been unhappy with it and it sold, and the group was working all the time, making money, but that wasn't the case … I knew what Sandy was capable of, and it was very upsetting to me.” The record would not be released for thirty-eight years: [Excerpt: Fotheringay, “Wild Mountain Thyme”] Witchseason was going badly into debt. Given all the fissioning of bands that we’ve already been talking about, Boyd had been stretched thin — he produced sixteen albums in 1970, and almost all of them lost money for the company. And he was getting more and more disillusioned with the people he was producing. He loved Beverly Martyn’s work, but had little time for her abusive husband John, who was dominating her recording and life more and more and would soon become a solo artist while making her stay at home (and stealing her ideas without giving her songwriting credit). The Incredible String Band were great, but they had recently converted to Scientology, which Boyd found annoying, and while he was working with all sorts of exciting artists like Vashti Bunyan and Nico, he was finding himself less and less important to the artists he mentored. Fairport Convention were a good example of this. After Denny and Hutchings had left the group, they’d decided to carry on as an electric folk group, performing an equal mix of originals by the Swarbrick and Thompson songwriting team and arrangements of traditional songs. The group were now far enough away from the “British Jefferson Airplane” label that they decided they didn’t need a female vocalist — and more realistically, while they’d been able to replace Judy Dyble, nobody was going to replace Sandy Denny. Though it’s rather surprising when one considers Thompson’s subsequent career that nobody seems to have thought of bringing in Denny’s friend Linda Peters, who was dating Joe Boyd at the time (as Denny had been before she met Lucas) as Denny’s replacement. Instead, they decided that Swarbrick and Thompson were going to share the vocals between them. They did, though, need a bass player to replace Hutchings. Swarbrick wanted to bring in Dave Pegg, with whom he had played in the Ian Campbell Folk Group, but the other band members initially thought the idea was a bad one. At the time, while they respected Swarbrick as a musician, they didn’t think he fully understood rock and roll yet, and they thought the idea of getting in a folkie who had played double bass rather than an electric rock bassist ridiculous. But they auditioned him to mollify Swarbrick, and found that he was exactly what they needed. As Joe Boyd later said “All those bass lines were great, Ashley invented them all, but he never could play them that well. He thought of them, but he was technically not a terrific bass player. He was a very inventive, melodic, bass player, but not a very powerful one technically. But having had the part explained to him once, Pegg was playing it better than Ashley had ever played it… In some rock bands, I think, ultimately, the bands that sound great, you can generally trace it to the bass player… it was at that point they became a great band, when they had Pegg.” The new lineup of Fairport decided to move in together, and found a former pub called the Angel, into which all the band members moved, along with their partners and children (Thompson was the only one who was single at this point) and their roadies. The group lived together quite happily, and one gets the impression that this was the period when they were most comfortable with each other, even though by this point they were a disparate group with disparate tastes, in music as in everything else. Several people have said that the only music all the band members could agree they liked at this point was the first two albums by The Band. With the departure of Hutchings from the band, Swarbrick and Thompson, as the strongest personalities and soloists, became in effect the joint leaders of the group, and they became collaborators as songwriters, trying to write new songs that were inspired by traditional music. Thompson described the process as “let’s take one line of this reel and slow it down and move it up a minor third and see what that does to it; let’s take one line of this ballad and make a whole song out of it. Chopping up the tradition to find new things to do… like a collage.” Generally speaking, Swarbrick and Thompson would sit by the fire and Swarbrick would play a melody he’d been working on, the two would work on it for a while, and Thompson would then go away and write the lyrics. This is how the two came up with songs like the nine-minute “Sloth”, a highlight of the next album, Full House, and one that would remain in Fairport’s live set for much of their career: [Excerpt: Fairport Convention, “Sloth”] “Sloth” was titled that way because Thompson and Swarbrick were working on two tunes, a slow one and a fast one, and they jokingly named them “Sloth” and “Fasth”, but the latter got renamed to “Walk Awhile”, while “Sloth” kept its working title. But by this point, Boyd and Thompson were having a lot of conflict in the studio. Boyd was never the most technical of producers — he was one of those producers whose job is to gently guide the artists in the studio and create a space for the music to flourish, rather than the Joe Meek type with an intimate technical knowledge of the studio — and as the artists he was working with gained confidence in their own work they felt they had less and less need of him. During the making of the Full House album, Thompson and Boyd, according to Boyd, clashed on everything — every time Boyd thought Thompson had done a good solo, Thompson would say to erase it and let him have another go, while every time Boyd thought Thompson could do better, Thompson would say that was the take to keep. One of their biggest clashes was over Thompson’s song “Poor Will and the Jolly Hangman”, which was originally intended for release on the album, and is included in current reissues of it: [Excerpt: Fairport Convention, “Poor Will and the Jolly Hangman”] Thompson had written that song inspired by what he thought was the unjust treatment of Alex Bramham, the driver in Fairport’s fatal car crash, by the courts — Bramham had been given a prison sentence of a few months for dangerous driving, while the group members thought he had not been at fault. Boyd thought it was one of the best things recorded for the album, but Thompson wasn’t happy with his vocal — there was one note at the top of the melody that he couldn’t quite hit — and insisted it be kept off the record, even though that meant it would be a shorter album than normal. He did this at such a late stage that early copies of the album actually had the title printed on the sleeve, but then blacked out. He now says in his autobiography “I could have persevered, double-tracked the voice, warmed up for longer – anything. It was a good track, and the record was lacking without it. When the album was re-released, the track was restored with a more confident vocal, and it has stayed there ever since.” During the sessions for Full House the group also recorded one non-album single, Thompson and Swarbrick’s “Now Be Thankful”: [Excerpt, Fairport Convention, “Now Be Thankful”] The B-side to that was a medley of two traditional tunes plus a Swarbrick original, but was given the deliberately ridiculous title “Sir B. McKenzie’s Daughter’s Lament For The 77th Mounted Lancers Retreat From The Straits Of Loch Knombe, In The Year Of Our Lord 1727, On The Occasion Of The Announcement Of Her Marriage To The Laird Of Kinleakie”: [Excerpt: Fairport Convention, “Sir B. McKenzie’s Daughter’s Lament For The 77th Mounted Lancers Retreat From The Straits Of Loch Knombe, In The Year Of Our Lord 1727, On The Occasion Of The Announcement Of Her Marriage To The Laird Of Kinleakie”] The B. McKenzie in the title was a reference to the comic-strip character Barry McKenzie, a stereotype drunk Australian created for Private Eye magazine by the comedian Barry Humphries (later to become better known for his Dame Edna Everage character) but the title was chosen for one reason only — to get into the Guinness Book of Records for the song with the longest title. Which they did, though they were later displaced by the industrial band Test Dept, and their song “Long Live British Democracy Which Flourishes and Is Constantly Perfected Under the Immaculate Guidance of the Great, Honourable, Generous and Correct Margaret Hilda Thatcher. She Is the Blue Sky in the Hearts of All Nations. Our People Pay Homage and Bow in Deep Respect and Gratitude to Her. The Milk of Human Kindness”. Full House got excellent reviews in the music press, with Rolling Stone saying “The music shows that England has finally gotten her own equivalent to The Band… By calling Fairport an English equivalent of the Band, I meant that they have soaked up enough of the tradition of their countryfolk that it begins to show all over, while they maintain their roots in rock.” Off the back of this, the group went on their first US tour, culminating in a series of shows at the Troubadour in LA, on the same bill as Rick Nelson, which were recorded and later released as a live album: [Excerpt: Fairport Convention, “Sloth (live)”] The Troubadour was one of the hippest venues at the time, and over their residency there the group got seen by many celebrities, some of whom joined them on stage. The first was Linda Ronstadt, who initially demurred, saying she didn’t know any of their songs. On being told they knew all of hers, she joined in with a rendition of “Silver Threads and Golden Needles”. Thompson was later asked to join Ronstadt’s backing band, who would go on to become the Eagles, but he said later of this offer “I would have hated it. I’d have hated being on the road with four or five miserable Americans — they always seem miserable. And if you see them now, they still look miserable on stage — like they don’t want to be there and they don’t like each other.” The group were also joined on stage at the Troubadour on one memorable night by some former bandmates of Pegg’s. Before joining the Ian Campbell Folk Group, Pegg had played around the Birmingham beat scene, and had been in bands with John Bonham and Robert Plant, who turned up to the Troubadour with their Led Zeppelin bandmate Jimmy Page (reports differ on whether the fourth member of Zeppelin, John Paul Jones, also came along). They all got up on stage together and jammed on songs like “Hey Joe”, “Louie Louie”, and various old Elvis tunes. The show was recorded, and the tapes are apparently still in the possession of Joe Boyd, who has said he refuses to release them in case he is murdered by the ghost of Peter Grant. According to Thompson, that night ended in a three-way drinking contest between Pegg, Bonham, and Janis Joplin, and it’s testament to how strong the drinking culture is around Fairport and the British folk scene in general that Pegg outdrank both of them. According to Thompson, Bonham was found naked by a swimming pool two days later, having missed two gigs. For all their hard rock image, Led Zeppelin were admirers of a lot of the British folk and folk-rock scene, and a few months later Sandy Denny would become the only outside vocalist ever to appear on a Led Zeppelin record when she duetted with Plant on “The Battle of Evermore” on the group’s fourth album: [Excerpt: Led Zeppelin, “The Battle of Evermore”] Denny would never actually get paid for her appearance on one of the best-selling albums of all time. That was, incidentally, not the only session that Denny was involved in around this time — she also sang on the soundtrack to a soft porn film titled Swedish Fly Girls, whose soundtrack was produced by Manfred Mann: [Excerpt: Sandy Denny, “What Will I Do With Tomorrow?”] Shortly after Fairport’s trip to America, Joe Boyd decided he was giving up on Witchseason. The company was now losing money, and he was finding himself having to produce work for more and more acts as the various bands fissioned. The only ones he really cared about were Richard Thompson, who he was finding it more and more difficult to work with, Nick Drake, who wanted to do his next album with just an acoustic guitar anyway, Sandy Denny, who he felt was wasting her talents in Fotheringay, and Mike Heron of the Incredible String Band, who was more distant since his conversion to Scientology. Boyd did make some attempts to keep the company going. On a trip to Sweden, he negotiated an agreement with the manager and publisher of a Swedish band whose songs he’d found intriguing, the Hep Stars. Boyd was going to publish their songs in the UK, and in return that publisher, Stig Anderson, would get the rights to Witchseason’s catalogue in Scandinavia — a straight swap, with no money changing hands. But before Boyd could get round to signing the paperwork, he got a better offer from Mo Ostin of Warners — Ostin wanted Boyd to come over to LA and head up Warners’ new film music department. Boyd sold Witchseason to Island Records and moved to LA with his fiancee Linda Peters, spending the next few years working on music for films like Deliverance and A Clockwork Orange, as well as making his own documentary about Jimi Hendrix, and thus missed out on getting the UK publishing rights for ABBA, and all the income that would have brought him, for no money. And it was that decision that led to the breakup of Fotheringay. Just before Christmas 1970, Fotheringay were having a difficult session, recording the track “John the Gun”: [Excerpt: Fotheringay, “John the Gun”] Boyd got frustrated and kicked everyone out of the session, and went for a meal and several drinks with Denny. He kept insisting that she should dump the band and just go solo, and then something happened that the two of them would always describe differently. She asked him if he would continue to produce her records if she went solo, and he said he would. According to Boyd’s recollection of the events, he meant that he would fly back from California at some point to produce her records. According to Denny, he told her that if she went solo he would stay in Britain and not take the job in LA. This miscommunication was only discovered after Denny told the rest of Fotheringay after the Christmas break that she was splitting the band. Jerry Donahue has described that as the worst moment of his life, and Denny felt very guilty about breaking up a band with some of her closest friends in — and then when Boyd went over to the US anyway she felt a profound betrayal. Two days before Fotheringay’s final concert, in January 1971, Sandy Denny signed a solo deal with Island records, but her first solo album would not end up produced by Joe Boyd. Instead, The North Star Grassman and the Ravens was co-produced by Denny, John Wood — the engineer who had worked with Boyd on pretty much everything he’d produced, and Richard Thompson, who had just quit Fairport Convention, though he continued living with them at the Angel, at least until a truck crashed into the building in February 1971, destroying its entire front wall and forcing them to relocate. The songs chosen for The North Star Grassman and the Ravens reflected the kind of choices Denny would make on her future albums, and her eclectic taste in music. There was, of course, the obligatory Dylan cover, and the traditional folk ballad “Blackwaterside”, but there was also a cover version of Brenda Lee’s “Let’s Jump the Broomstick”: [Excerpt: Sandy Denny, “Let’s Jump the Broomstick”] Most of the album, though, was made up of originals about various people in Denny’s life, like “Next Time Around”, about her ex-boyfriend Jackson C Frank: [Excerpt: Sandy Denny, “Next Time Around”] The album made the top forty in the UK — Denny’s only solo album to do so — and led to her once again winning the “best female singer” award in Melody Maker’s readers’ poll that year — the male singer award was won by Rod Stewart. Both Stewart and Denny appeared the next year on the London Symphony Orchestra’s all-star version of The Who’s Tommy, which had originally been intended as a vehicle for Stewart before Roger Daltrey got involved. Stewart’s role was reduced to a single song, “Pinball Wizard”, while Denny sang on “It’s a Boy”: [Excerpt: Sandy Denny, “It’s a Boy”] While Fotheringay had split up, all the band members play on The North Star Grassman and the Ravens. Guitarists Donahue and Lucas only play on a couple of the tracks, with Richard Thompson playing most of the guitar on the record. But Fotheringay’s rhythm section of Pat Donaldson and Gerry Conway play on almost every track. Another musician on the album, Ian Whiteman, would possibly have a profound effect on the future direction of Richard Thompson’s career and life. Whiteman was the former keyboard player for the mod band The Action, having joined them just before they became the blues-rock band Mighty Baby. But Mighty Baby had split up when all of the band except the lead singer had converted to Islam. Richard Thompson was on his own spiritual journey at this point, and became a Sufi – the same branch of Islam as Whiteman – soon after the session, though Thompson has said that his conversion was independent of Whiteman’s. The two did become very close and work together a lot in the mid-seventies though. Thompson had supposedly left Fairport because he was writing material that wasn’t suited to the band, but he spent more than a year after quitting the group working on sessions rather than doing anything with his own material, and these sessions tended to involve the same core group of musicians. One of the more unusual was a folk-rock supergroup called The Bunch, put together by Trevor Lucas. Richard Branson had recently bought a recording studio, and wanted a band to test it out before opening it up for commercial customers, so with this free studio time Lucas decided to record a set of fifties rock and roll covers. He gathered together Thompson, Denny, Whiteman, Ashley Hutchings, Dave Mattacks, Pat Donaldson, Gerry Conway, pianist Tony Cox, the horn section that would later form the core of the Average White Band, and Linda Peters, who had now split up with Joe Boyd and returned to the UK, and who had started dating Thompson. They recorded an album of covers of songs by Jerry Lee Lewis, the Everly Brothers, Johnny Otis and others: [Excerpt: The Bunch, “Willie and the Hand Jive”] The early seventies was a hugely productive time for this group of musicians, as they all continued playing on each other’s projects. One notable album was No Roses by Shirley Collins, which featured Thompson, Mattacks, Whiteman, Simon Nicol, Lal and Mike Waterson, and Ashley Hutchings, who was at that point married to Collins, as well as some more unusual musicians like the free jazz saxophonist Lol Coxhill: [Excerpt: Shirley Collins and the Albion Country Band, “Claudy Banks”] Collins was at the time the most respected female singer in British traditional music, and already had a substantial career including a series of important records made with her sister Dolly, work with guitarists like Davey Graham, and time spent in the 1950s collecting folk songs in the Southern US with her then partner Alan Lomax – according to Collins she did much of the actual work, but Lomax only mentioned her in a single sentence in his book on this work. Some of the same group of musicians went on to work on an album of traditional Morris dancing tunes, titled Morris On, credited to “Ashley Hutchings, Richard Thompson, Dave Mattacks, John Kirkpatrick and Barry Dransfield”, with Collins singing lead on two tracks: [Excerpt: Ashley Hutchings, Richard Thompson, Dave Mattacks, John Kirkpatrick and Barry Dransfield with Shirley Collins, “The Willow Tree”] Thompson thought that that album was the best of the various side projects he was involved in at the time, comparing it favourably to Rock On, which he thought was rather slight, saying later “Conceptually, Fairport, Ashley and myself and Sandy were developing a more fragile style of music that nobody else was particularly interested in, a British Folk Rock idea that had a logical development to it, although we all presented it our own way. Morris On was rather more true to what we were doing. Rock On was rather a retro step. I'm not sure it was lasting enough as a record but Sandy did sing really well on the Buddy Holly songs.” Hutchings used the musicians on No Roses and Morris On as the basis for his band the Albion Band, which continues to this day. Simon Nicol and Dave Mattacks both quit Fairport to join the Albion Band, though Mattacks soon returned. Nicol would not return to Fairport for several years, though, and for a long period in the mid-seventies Fairport Convention had no original members. Unfortunately, while Collins was involved in the Albion Band early on, she and Hutchings ended up divorcing, and the stress from the divorce led to Collins developing spasmodic dysphonia, a stress-related illness which makes it impossible for the sufferer to sing. She did eventually regain her vocal ability, but between 1978 and 2016 she was unable to perform at all, and lost decades of her career. Richard Thompson occasionally performed with the Albion Band early on, but he was getting stretched a little thin with all these sessions. Linda Peters said later of him “When I came back from America, he was working in Sandy’s band, and doing sessions by the score. Always with Pat Donaldson and Dave Mattacks. Richard would turn up with his guitar, one day he went along to do a session with one of those folkie lady singers — and there were Pat and DM. They all cracked. Richard smashed his amp and said “Right! No more sessions!” In 1972 he got round to releasing his first solo album, Henry the Human Fly, which featured guest appearances by Linda Peters and Sandy Denny among others: [Excerpt: Richard Thompson, “The Angels Took My Racehorse Away”] Unfortunately, while that album has later become regarded as one of the classics of its genre, at the time it was absolutely slated by the music press. The review in Melody Maker, for example, read in part “Some of Richard Thompson’s ideas sound great – which is really the saving grace of this album, because most of the music doesn’t. The tragedy is that Thompson’s “British rock music” is such an unconvincing concoction… Even the songs that do integrate rock and traditional styles of electric guitar rhythms and accordion and fiddle decoration – and also include explicit, meaningful lyrics are marred by bottle-up vocals, uninspiring guitar phrases and a general lack of conviction in performance.” Henry the Human Fly was released in the US by Warners, who had a reciprocal licensing deal with Island (and for whom Joe Boyd was working at the time, which may have had something to do with that) but according to Thompson it became the lowest-selling record that Warners ever put out (though I’ve also seen that claim made about Van Dyke Parks’ Song Cycle, another album that has later been rediscovered). Thompson was hugely depressed by this reaction, and blamed his own singing. Happily, though, by this point he and Linda had become a couple — they would marry in 1972 — and they started playing folk clubs as a duo, or sometimes in a trio with Simon Nicol. Thompson was also playing with Sandy Denny’s backing band at this point, and played on every track on her second solo album, Sandy. This album was meant to be her big commercial breakthrough, with a glamorous cover photo by David Bailey, and with a more American sound, including steel guitar by Sneaky Pete Kleinow of the Flying Burrito Brothers (whose overdubs were supervised in LA by Joe Boyd): [Excerpt: Sandy Denny, “Tomorrow is a Long Time”] The album was given a big marketing push by Island, and “Listen, Listen” was made single of the week on the Radio 1 Breakfast show: [Excerpt: Sandy Denny, “Listen, Listen”] But it did even worse than the previous album, sending her into something of a depression. Linda Thompson (as the former Linda Peters now was) said of this period “After the Sandy album, it got her down that her popularity didn't suddenly increase in leaps and bounds, and that was the start of her really fretting about the way her career was going. Things only escalated after that. People like me or Martin Carthy or Norma Waterson would think, ‘What are you on about? This is folk music.'” After Sandy’s release, Denny realised she could no longer afford to tour with a band, and so went back to performing just acoustically or on piano. The only new music to be released by either of these ex-members of Fairport Convention in 1973 was, oddly, on an album by the band they were no longer members of. After Thompson had left Fairport, the group had managed to release two whole albums with the same lineup — Swarbrick, Nicol, Pegg, and Mattacks. But then Nicol and Mattacks had both quit the band to join the Albion Band with their former bandmate Ashley Hutchings, leading to a situation where the Albion Band had two original members of Fairport plus their longtime drummer while Fairport Convention itself had no original members and was down to just Swarbrick and Pegg. Needing to fulfil their contracts, they then recruited three former members of Fotheringay — Lucas on vocals and rhythm guitar, Donahue on lead guitar, and Conway on drums. Conway was only a session player at the time, and Mattacks soon returned to the band, but Lucas and Donahue became full-time members. This new lineup of Fairport Convention released two albums in 1973, widely regarded as the group’s most inconsistent records, and on the title track of the first, “Rosie”, Richard Thompson guested on guitar, with Sandy Denny and Linda Thompson on backing vocals: [Excerpt: Fairport Convention, “Rosie”] Neither Sandy Denny nor Richard Thompson released a record themselves in 1973, but in neither case was this through the artists’ choice. The record industry was changing in the early 1970s, as we’ll see in later episodes, and was less inclined to throw good money after bad in the pursuit of art. Island Records prided itself on being a home for great artists, but it was still a business, and needed to make money. We’ll talk about the OPEC oil crisis and its effect on the music industry much more when the podcast gets to 1973, but in brief, the production of oil by the US peaked in 1970 and started to decrease, leading to them importing more and more oil from the Middle East. As a result of this, oil prices rose slowly between 1971 and 1973, then very quickly towards the end of 1973 as a result of the Arab-Israeli conflict that year. As vinyl is made of oil, suddenly producing records became much more expensive, and in this period a lot of labels decided not to release already-completed albums, until what they hoped would be a brief period of shortages passed. Both Denny and Thompson recorded albums at this point that got put to one side by Island. In the case of Thompson, it was the first album by Richard and Linda as a duo, I Want to See the Bright Lights Tonight: [Excerpt: Richard and Linda Thompson, “I Want to See the Bright Lights Tonight”] Today, I Want to See the Bright Lights Tonight is widely regarded as one of the greatest albums of all time, and as one of the two masterpieces that bookended Richard and Linda’s career as a duo and their marriage. But when they recorded the album, full of Richard’s dark songs, it was the opposite of commercial. Even a song that’s more or less a boy-girl song, like “Has He Got a Friend for Me?” has lyrics like “He wouldn’t notice me passing by/I could be in the gutter, or dangling down from a tree” [Excerpt: Richard and Linda Thompson, “Has He got a Friend For Me?”] While something like “The Calvary Cross” is oblique and haunted, and seems to cast a pall over the entire album: [Excerpt: Richard and Linda Thompson, “The Calvary Cross”] The album itself had been cheap to make — it had been recorded in only a week, with Thompson bringing in musicians he knew well and had worked with a lot previously to cut the tracks as-live in only a handful of takes — but Island didn’t think it was worth releasing. The record stayed on the shelf for nearly a year after recording, until Island got a new head of A&R, Richard Williams. Williams said of the album’s release “Muff Winwood had been doing A&R, but he was more interested in production… I had a conversation with Muff as soon as I got there, and he said there are a few hangovers, some outstanding problems. And one of them was Richard Thompson. He said there’s this album we gave him the money to make — which was I Want to See the Bright Lights Tonight — and nobody’s very interested in it. Henry the Human Fly had been a bit of a commercial disappointment, and although Island was altruistic and independent and known for only recording good stuff, success was important… Either a record had to do well or somebody had to believe in it a lot. And it seemed as if neither of those things were true at that point of Richard.” Williams, though, was hugely impressed when he listened to the album. He compared Richard Thompson’s guitar playing to John Coltrane’s sax, and called Thompson “the folk poet of the rainy streets”, but also said “Linda brightened it, made it more commercial. and I thought that “Bright Lights” itself seemed a really commercial song.” The rest of the management at Island got caught up in Williams’ enthusiasm, and even decided to release the title track as a single: [Excerpt: Richard and Linda Thompson, “I Want to See the Bright Lights Tonight”] Neither single nor album charted — indeed it would not be until 1991 that Richard Thompson would make a record that made the top forty in the UK — but the album got enough critical respect that Richard and Linda released two albums the year after. The first of these, Hokey Pokey, is a much more upbeat record than their previous one — Richard Thompson has called it “quite a music-hall influenced record” and cited the influence of George Formby and Harry Lauder. For once, the claim of music hall influence is audible in the music. Usually when a British musician is claimed to have a music ha

full episodes at Patreon.com/SlopQuest Every week comedians Andrew DeWitt and Ryan O’Neill take current and historical events and spin them into outrageous screenplay pitches and business ideas. This week they consider starting their own “horny Slop Quest” religion. Then O’Neill wants to rent an abandoned skyscrapers but gets worried about hidden creepers. Then the boys talk about how easy it is to be a ceo in today’s environment. The they talk about making the White House into a reality show. Then Andy reveals an infuriating “Am I Overreacting “. O’Neill is flabbergasted by the choices Ben Afflek makes in the new Accountant sequel. They offer up some compelling relationship advice. O’Neill tries to rip one on the sly but gets caught out immediately. Then Ryan tries to hype up a 200 year old condom. Andy finds out about a 711 using opera to drive off homeless people. One of Andy’s Chicago buddies tries to pay a stripper’s rent and bankrupts himself. Then they help out a listener who’s going through a break up. Then they revisit the 80’s classic “Soul Man”. Then Ryan gets too vulnerable and Andy roasts him.

06/23 Hour 3: Listener's Incredible Story At How He Dodged Death - 1:00 Would You Risk This To Get The Redskins Name Back - 17:00 Callers On The Commanders Debate - 31:00

From 06/23 Hour 3: The Sports Junkies react to an incredible story from a listener.

Adam and Michael review AEW Collision and discuss...Kota Ibushi RETURNS!Will Kris Statlander join The Death Riders?Jetspeed vs. The Gates of Agony!Toni Storm is Carmen Sandiego!Tony Schiavone bets on matches?!ENJOY!Follow us on Twitter:@AdamWilbourn@MSidgwick@WhatCultureWWEFor more awesome content, check out: whatculture.com/wwe Hosted on Acast. See acast.com/privacy for more information.

Evan, Tiki, Shaun, and callers continue to debate what has happened to the no hitter.

Today's conversation with former Clinton/Gore speechwriter Tom Rosshirt left me speechless. In his book Chasing Peace, Tom reveals how crippling anxiety and 'complicated grief' nearly destroyed him—until neuroplasticity and spirituality rewired his brain. We explore fear as the root of physical illness, dissolving self-image traps, and why embracing ALL feelings is the essence of true peace. If you've ever felt stuck in perfectionism, avoidance, or unexplained symptoms, this episode is your roadmap to freedom. Plus: My course for therapists on spiritually informed therapy opens soon! Join us as we bridge science and soul.TIMESTAMPED OVERVIEW00:00 Tom Rosshirt & Book Intro 00:54 Health Crisis Begins 04:02 Failed Avoidance Strategy 06:27 Devastating Brain Scans 08:21 Fear = Illness Root 09:07 Neuroplasticity Discovery 12:37 Self-Image Trap Exposed 15:46 Presidential Pressure Cooker 21:48 Breakdown to Breakthrough 28:31 Spirituality & Ego Release 33:40 New Success Metrics 39:15 Dignity Index Launch 44:33 Bill Maher Case Study 54:57 Final Takeaways TOM ROSSHIRT

The story today is from Yorkshire. Eighteen year old Rachel Barraclough lived in Bradford and had everything to live for, enjoying life with her family, friends and boyfriend. But then one normal Friday evening, Rachel went out for the night and didn't come home - it was the next day that her body was found after she had been brutally attacked on an isolated river towpath in Wakefield. Just who would have wanted to hurt Rachel? And why?Writing Credit: Chris WoodYou can buy Chris's second book, 'Death in the Theatre' here: https://www.amazon.com/Death-Theatre-Chris-Wood/dp/1399009117Find out more about me and the UK True Crime Podcasthttps://uktruecrime.com Hosted on Acast. See acast.com/privacy for more information.

On today's Bible Answer Man broadcast (06/23/25), Hank comments on the issue of death prior to Adam in the age of the Earth debate.Hank also answers the following questions:I'm doing a study on God's will for our lives. Are some people created as vessels of honor and others for dishonor according to Romans 9:18-23? Lisa - Oklahoma City, OK (6:07)Is it arrogant to be firm in your beliefs? Tina - Bellevue, NE (15:11)How does the passage about Jesus and the moneychangers relate to today? Someone keeps talking about multi-level business opportunities in church. Kevin - Oklahoma City, OK (19:02)

It's Monday, June 23rd, A.D. 2025. This is The Worldview in 5 Minutes heard on 140 radio stations and at www.TheWorldview.com.  I'm Adam McManus. (Adam@TheWorldview.com) By Adam McManus Christian persecution pervades Christian-majority nations in Africa & Latin America Many Christians across Africa and Latin America continue to suffer for their faith because of Islamic oppression, dictatorial paranoia, and criminal cartel organizations, reports International Christian Concern. Large populations in Cuba, the Democratic Republic of the Congo, Mexico, Mozambique, Nicaragua, and Nigeria are predominantly Christian. Yet, many Christ followers in these nations are often brutally attacked for following Christ, and their governments are failing to protect them.  In Congo, Christians represent 95% of the nation's population, yet they are being slaughtered at alarming rates. Much of the killing is being done by Islamist groups like ISIS-DRC, also known as the Allied Democratic Forces. Likewise, in Mozambique, 62% of the population is composed of Christians, yet Islamic extremists still target them for their faith. According to Open Doors, these extremists have “target[ed] Christian places of worship, abducted religious leaders, and killed numerous believers.”  And in Cuba, the Catholic Church estimates that 60% of the population practices Catholicism. Cuban churches that publicly oppose the government's human rights abuses are targeted by authorities for harassment and intimidation. British House of Commons passes dangerous bill legalizing assisted suicide Members of the British House of Commons voted Friday to pass a dangerous bill to legalize assisted suicide, reports LifeNews.com. In a vote of 314 to 291, Members of Parliament put their stamp of approval on the bill that will likely result in pressuring disabled and elderly people to kill themselves. Isaiah 59:7 says, “Their feet rush into sin; they are swift to shed innocent blood. They pursue evil schemes; acts of violence mark their ways.” Tim Dieppe, Head of Policy at Christian Concern, was outraged. DIEPPE: “Once you legalize assisted suicide, you will put pressure on vulnerable people. Vulnerable people will feel like they're a burden to others. People will be suggesting assisted suicide. Doctors could suggest it. I mean, that's horrific. You know, my wife died of cancer three years ago. I can't imagine what it would be like if her consultant had suggested suicide.” Labour legislator Diane Abbott said she's concerned that for-profit companies will run assisted dying businesses that take advantage of killing people for money. Members of Parliament had only 10 hours to consider over 130 amendments to the bill, or less than 5 minutes per change. America bombed Iran's nuclear facilities On Saturday, the U.S. military bombed three sites in Iran, directly joining Israel's effort to decapitate the country's nuclear program in a risky gambit to weaken a longtime foe amid Tehran's threat of reprisals that could spark a wider regional conflict, reports the Associated Press. TRUMP: “A short time ago, the US military carried out massive precision strikes on the three key nuclear facilities in the Iranian regime: Fordow, Natanz, and Isfahan. Everybody heard those names for years as they built this horribly destructive enterprise. Our objective was the destruction of Iran's nuclear enrichment capacity and a stop to the nuclear threat posed by the world's number one state sponsor of terror. “Tonight, I can report to the world that the strikes were a spectacular military success. Iran's key nuclear enrichment facilities have been completely and totally obliterated. Iran, the bully of the Middle East, must now make peace. If they do not, future attacks will be far greater and a lot easier. For 40 years, Iran has been saying, ‘Death to America, Death to Israel.'” The decision to directly involve the U.S. in the war comes after more than a week of strikes by Israel on Iran that aimed to systematically eradicate the country's air defenses and offensive missile capabilities, while damaging its nuclear enrichment facilities. TRUMP: “I want to thank and congratulate [Israeli] Prime Minister Bibi Netanyahu. We worked as a team like perhaps no team has ever worked before, and we've gone a long way to erasing this horrible threat to Israel. I want to thank the Israeli military for the wonderful job they've done. And most importantly, I want to congratulate the great American patriots who flew those magnificent machines tonight and all of the United States military on an operation the likes of which the world has not seen in many, many decades.” (Learn more about the timeline that led up to America's bombing of Iran's nuclear facilities.) Iran threatens to block Strait of Hormuz, blocking 20% of oil shipments In response, Iran is reportedly saying it will block the Strait of Hormuz and stop oil shipments for what amounts to 20% of the world's daily oil flow and up to $1 billion, which will send oil prices soaring globally, reports NewsMax. Needless to say, Iran has no legal authority to block traffic through Hormuz, and blockage would mean direct combat with U.S. naval assets, including the U.S. Fifth Fleet warships patrolling the region. Dear Lord, We pray for peace. Amen. The 30,000-pound bunker bomb that made the difference In a post on TruthSocial, Trump said, “There is not another military in the world that could have done this. NOW IS THE TIME FOR PEACE!” Indeed, America's 30,000-pound bunker buster bomb offered the best chance of destroying heavily fortified sites connected to the Iranian nuclear program buried deep underground. Appearing on ABC News, Retired Lt. General Doug Lute explained. LUTE: “The original purpose of building this bomb was actually concern about the North Korean deeply buried nuclear related sites. So, this didn't originally have anything to do with Iran. But most recently, it's the only bomb in our inventory, or frankly, in the global inventory, that promises some prospect of actually penetrating the mountainside in which the crown jewel of the Iranian nuclear program, the Fordow site, is located. So, this is our best technological advantage in terms of trying to get to that site.” 90% of Trump Republicans say “Iran cannot have a nuclear weapon” Appearing on Fox News Channel with Dana Perino, Chris Stirewalt summarized Trump's mindset about Iran. STIREWALT: “I think that Donald Trump has never wavered from the ultimate objective, which is that the Iranian nuclear program has to end. It has to be dismantled. It has to be destroyed. The only question has been whether it's done militarily or whether it's done voluntarily. “He gave them a 60-day deadline. They let the deadline pass, and so Israel began bombing on Day 61 and now he is basically holding out. ‘This is your last chance. The time for negotiation is over. There's not going to be any kind of deal.' “This is a question of whether Iran cries ‘amo,' which is Persian for ‘uncle,' and allows U.S. to come in and blow up Fordow from the inside, or we do it from without, from the skies above, with B2 bombers. But I think there is zero chance that the Fordow nuclear facility survives this encounter.” Stirewalt asserted that the Make America Great Again crowd is supportive of Trump's decision to bomb Iran. STIREWALT: “The idea that there's a schism in the Republican Party, or that the Trump Coalition is breaking up is completely absurd. The Reagan Institute is coming out with a new poll this weekend. 90% of self-described [Make America Great Again] Republicans say Iran cannot have a nuclear weapon. 80% say that Israel's security is vital to our security. 64% support Israel bombing the nuclear facilities. There is absolutely no daylight between Donald Trump and the  [Make America Great Again] movement. The MAGA movement is absolutely behind Donald Trump in getting rid of this nuclear program.” On Truth Social, President Trump posted, “I gave Iran chance after chance to make a deal.” He concluded, “This is an historic moment for the United States of America, Israel, and the world. Iran must now agree to end this war.” Texas answers  “What is a Woman?” in state law Last Friday, Texas Republican Governor Greg Abbott signed into law the “What is a Woman Bill” also known as House Bill 229, reports Texas Values. Now, in Texas, men can no longer pretend to be women. The law accurately defines the terms “man”, “woman”, “boy”, and “girl” by scientific definitions and biological reality. The effect would be that biological  women will have their rights, opportunities, and privacy protected by law. Genesis 1:27 states,  “So God created mankind in His own image, in the image of God He created them; male and female He created them.” While Texas already has laws protecting women's sports, there have been many other threats to women's prisons, sororities, and private spaces like locker rooms.  Hockey player gives glory to God after winning Stanley Cup The Russian-born goaltender of the National Hockey League's Florida Panthers, Sergei Bobrovsky, gave glory to God upon his victory after his team won the famed Stanley Cup, the championship trophy in the NHL, for the second year in a row, reports LifeSiteNews.com. REPORTER: “What makes this one special?” BOBROVSKY: “I mean, it's amazing feeling, and I want to say glory to the father and to the Son and to the Holy Spirit. I want to thank him for everything I have, for my parents, for my family.” Worldview listener in California is grateful the whole family can listen I invited Worldview listeners to share what they enjoy about the newscast in 2-6 sentences by email.  You can share your thoughts — along with your full name, city and state — and send it to adam@TheWorldview.com Carri Andry in Morgan Hill, California wrote, “Hi Adam! My family really appreciates The Worldview in 5 Minutes. We discovered you through Kevin Swanson‘s Generations radio program and have enjoyed listening to what is going on in the world from an informative, Christian point of view. We're grateful for a newscast that the whole family can listen to. Keep up the great work!” 38 Worldview listeners gave $ 14,243.25 to fund our annual budget And finally, toward our $92,625 goal by this past weekend  to fund three-quarters of The Worldview newscast's annual budget for our 6-member team, 38 listeners stepped up to the plate. Our thanks to Felix, age 10, in Sexsmith, Alberta, Canada, who gave $2.25, Michelle in Lexington Park, Maryland who gave $20, Augustine in Auburn, California who gave $25, Cara in Mebane, North Carolina who gave $30, Ben in Eureka, California who gave $35, and Steve in Loveland, Colorado and Nathan in Cobleskill, New York – both of whom gave $50. We appreciate Kevin in North Bend, Oregon, James in Cardiff, Wales, United Kingdom, Josiah in Tigard, Oregon, Trevor in Nikiski, Alaska, and David in Pompton Lakes, New Jersey – each of whom gave $100. We're grateful to God for Josie, age 16, in Sexsmith, Alberta, Canada who gave $146, Ursula in Great Falls, Montana who gave $150, Lorraine in Farmington, Maine and Joel and Heidi in Columbus, Nebraska – both of whom gave $200 as well as Kevin and Rachelle in Columbus, Nebraska who gave  $225 and Wade and Susan in Suffolk, Virginia who pledged $20/month for 12 months for a gift of $240. We appreciate the generosity of Todd in Davenport, Iowa and Joanne in Vasteras, Sweden – both of whom gave $250 as well as Sarah in Madera, California who gave $300, and Cathy in Fate, Texas, James in St Johns, Florida, and Stephen in Plainview, Texas – each of whom pledged $25/month for 12 months for a gift of  $300 each. We were touched by the gifts of Nicki in Carthage, Missouri who pledged $35/month for 12 months for a gift of $420, Zephaniah in Lomax, Illinois and Jennifer in Abingdon, Virginia – both of whom gave $500, Heather in Brenham, Texas, John in DeMotte, Indiana, Tim in Huffman, Texas, Louise in Middletown, Delaware, Charles in Sandpoint, Idaho, and Jennifer in West Milford, New Jersey – each of whom pledged $50/month for 12 months for a gift of $600 each. And we're grateful for the sacrifice of Todd and Kim in Monument, Colorado who gave $650, Mary in  Midlothian, Virginia who gave $1,200, Jill in Hendersonville, Tennessee who pledged $100/month for 12 months for a gift of $1,200 as well, and Scooter in Naples, Florida who will give $2,000. Those 38 Worldview listeners gave a total of $14,243.25 Ready for our new grand total? Drum roll please.  (Drum roll sound effect) $62,573.25 (People clapping and cheering sound effect)  That is the most donors and the largest amount given thus far this entire month. Wow!  We are amazed at God's goodness. Even 10-year-old Felix in Canada gave $2.25 of his own money.  That's awesome! Toward this past weekend's goal of $92,625, we missed it by $30,051.75. Would you be one of 13 people to pledge $100/month for 12 months for a gift of $1,200?  And another 25 people to pledge $50/month for 12 months for a gift of $600? Go to TheWorldview.com and click on Give on the top right.  Click on the recurring tab if you want to make it a monthly pledge. We're on the downhill slide to June 30th at which point we need to have raised $123,500 to fully fund our 6-member Worldview newscast team. What is the Lord asking you to do?  Close And that's The Worldview on this Monday, June 23rd, in the year of our Lord 2025.  Follow us on X or subscribe for free by Spotify, Amazon Music, or by iTunes or email to our unique Christian newscast at www.TheWorldview.com.  Plus, you can get the Generations app through Google Play or The App Store. I'm Adam McManus (Adam@TheWorldview.com). Seize the day for Jesus Christ.

This will be the first CG episode to get the complete audio upgrade and revision to achieve the cleanest sound ever for the podcast series I have completed the CG catalog for 2025 (Episodes 058-067) and will replace those this weekend. Let me know what you think. With Western conflict now inevitable in Yemen and Iran, I discuss the vagaries and verities of mountain warfare. The recent American involvement in direct military intervention in Iran hanged the temper and nature of the war inevitably. I assess how the RMAs rapidly displacing centuries-old conflict norms are going to look for the remainder of the century. Buppert's Law of Military Topography: “Mountainous terrain held by riflemen who know what they are about cannot be militarily defeated.” With an area of 1,648,195 square km (636,372 sq mi), Iran ranks seventeenth in size among the countries of the world. Iran shares its northern borders with several post-Soviet states: Armenia, Azerbaijan, and Turkmenistan. References: Points of Resistance and Departure: An interview with James C. Scott Lester Grau and Charles J. Bartles Mountain Warfare and Other Lofty Problems: Foreign mountain combat veterans discuss movement and maneuver, training and resupply (Helion Studies in Military History) Lester Grau The Bear Went Over The Mountain: Soviet Combat Tactics In Afghanistan [Illustrated Edition] Lester Grau The Other Side of the Mountain: Mujahideen Tactics in the Soviet-Afghan War Mark Thompson The White War: Life and Death on the Italian Front 1915-1919 James C. Scott The Art of Not Being Governed: An Anarchist History of Upland Southeast Asia Sun Tzu The Art of War Carl von Clausewitz On War Miyamoto Musashi A Book of Five Rings: The Classic Guide to Strategy H. John Poole The Last Hundred Yards: The NCO's Contribution to Warfare Christian Brose The Kill Chain: Defending America in the Future of High-Tech Warfare Qiao Liang & Wang Xiangsui Unrestricted Warfare: China's Master Plan to Destroy America Email at cgpodcast@pm.me.

Pastor Alex Sagot

Within minutes of American bombs dropping in Iran on Saturday night, the network “experts” were second-guessing everything, calling the moves “extremely risky.” President Trump was responsible for endangering both American troops and innocent Iranian civilians. Journalists always want to line up for diplomatic “solutions,” even if nothing gets solved.

Now we know why the Trump administration was declared the “peace presidency,” because those optics were necessary to escalate global conflict to emergency levels as part of a larger agenda that involved regime change in Iran. From the July, 2024, assassination optics, to the head of Palantir saying the next month in August that the US will fight a 3-front war against Russia, China, and Iran, to the second assassination attempt in September of that year, to the $100-million Mariam Adelson gave Trump beginning in July, it was all part of a build up that culminated in OpenAI winning a $200 million defense contract and Palantir obtaining a $1.3 billion contract from the Pentagon just weeks before the Israeli attack. Now we have learned that despite what American spies said, or US Agencies, or the Director of National Intelligence, or what even the misquoted IAEA said - “no credible indications of ongoing, undeclared structured nuclear programme” in Iran - that Palantir's MOSAIC counterinsurgency-AI was responsible for the Israeli attack, and now the American attack on June 21, 2025. This technology was also employed in Ukraine and Gaza, and is set to be used in the United States. Pretty convenient what Karp had predicted back in August, 2024. It's also pretty convenient that a largely Jewish company had the evidence to justify initial and future attacks that produce, if there wasn't before, a threat and an enemy.Palantir, OpenAI and Meta have also had executives appointed to the US military by the Trump administration in recent days.What's even more telling is that the attack on Iran by US forces occurred the summer solstice, a three day festival historically, and on a waning moon, the phase of Hecate, the goddess of witchcraft and the underworld, to help protect the B-2 bombers. This plays well with the Israel attack on Friday 13 at 3:30am, the witching hour, and the Jewish holidays that corespondent to the wars in Afghanistan, Iraq, Syria, and Libya. The initial Israel attack also occurred with Mars, god of war, in Leo, the lion, corresponding with both astrology and the biblical lion as the operation was called Rising Lion. The Summer solstice also aligns with the story of Samson and his solar hair, itself used as the name of Israel's not-so-secret nuclear weapons plan to destroy the world before the government falls. October 7, 2001, was the Jewish holiday of Sukkot, and the day the Bush administration initiated operations in Afghanistan; March 20, 2003 was the Jewish holiday of Purim, and the day Operation Iraqi Freedom began with preemptive airstrikes on a country that did not posses WMDs; October 20, 2011 was the Jewish holiday of Shemini Atzeret, and day Libya was officially overthrown with the death of Muammar Gaddafi; September 22, 2014, was the first day of Rosh Hashanah, and also the day the U.S. officially intervened in Syria against ISIS under Operation Inherent Resolve; October 7, 2023, the date when Israel allowed Hamas to attack them giving rise to the current onslaught, was also a celebration of Shemini Atzeret and a transition of Saturn “returns” through Pisces.Few stop to question the rhetoric of “Iran cannot be allowed to have a nuclear bomb,” or “but they chant death to America.” Israel can have secret bombs with no international inspections, though, and the only reasoning given why Iran can't is they would destroy Tel Aviv and maybe an American city because they hate Americans. But you do not need such a bomb to do that, as hypersonic missile have demonstrated in Tel Aviv. And, of course, just like the burning of Bush effigies in Iraq what is the reasoning for this blind hatred. Depending on the context, it varies, but the most recent case of this occurred when the Iranian parliament burned an American flag in protest of the US being pulled out of the “Iran deal” for it being too lenient, i.e., no regime change as far as Israel was concerned. And now we are at war again, based off of WMDs 2.0, i.e., AI algorithms predicting nuclear bombs like we have been sold since 1984 at least when the program was “entering its final stages.” In iconic Orwell fashion, too, Trump referred to entering the war that Israel started as “THE TIME FOR PEACE” - WAR IS PEACE. Virtually his entire base, and even political opponents, are finding justifications for the war as to not lose face, too, another version of IGNORANCE IS STRENGTH. An administration of peace cannot threaten countries that want peace, countries that want to try war criminals, and refuse to agree to any kind of peace plan. And we also know that Benjamin Netanyahu was and remains under investigation in his own country for criminal charges ranging from obtaining and leaking top secret documents, protocol tampering, and blackmail, all things shelved on October 7, 2023. Now a few days before the attack on Iran, cross-examination of Netanyahu was about tog begin.*The is the FREE archive, which includes advertisements. If you want an ad-free experience, you can subscribe below underneath the show description.-FREE ARCHIVE (w. ads)SUBSCRIPTION ARCHIVEX / TWITTER FACEBOOKYOUTUBEMAIN WEBSITECashApp: $rdgable Paypal email rdgable1991@gmail.comEMAIL: rdgable@yahoo.com / TSTRadio@protonmail.comBecome a supporter of this podcast: https://www.spreaker.com/podcast/the-secret-teachings--5328407/support.

This episode is different. It is personal.Because for the first time, I will be sharing something I have not yet spoken about publicly.My father passed away this March. Just two days before my birthday.And in the weeks that followed, I gave myself permission to fully grieve, to feel, to remember, to process.It was a conscious act of mourning, supported by ceremony, solitude, and also by ketamine therapy, medically supervised at our clinic in Santa Monica.It helped me meet the waves of grief and let them move through me, not around me.And in that space, I kept returning to one question: Why, in our culture, is death treated as something to avoid, deny, or sanitize?Why is something so universal, so sacred, still held in so much fear?Today's guest has devoted her entire life to shifting that.Barbara Karnes is a hospice pioneer and one of the most respected voices in end-of-life education.Her booklet Gone From My Sight, known as The Little Blue Book, has sold over 40 million copies and changed how countless families understand and approach death.In this conversation, Barbara offers profound wisdom: she offers a map, a presence, a way of holding death that allows us to also hold life more fully.This is much more than a conversation about dying. It is a conversation about what it means to live without fear, and to love more openly, even at the edge of goodbye.Episode highlights:02:45 Ariana's Personal Story of Grief and Healing05:29 Understanding the Dying Process10:40 The Role of Caregivers and Cultural Myths About Dying21:51 The Emotional and Spiritual Costs of Caregiving31:36 The Role of the Witness in the Dying Process33:04 Creating a Sacred Experience Before Death34:08 Saying Goodbye and Processing Grief42:16 The Importance of Personal Choice in End-of-Life Care44:44 Cultural Perspectives on Death and Aging52:32 Rehearsing for Death Through Life's Changes54:25 Barbara's Personal Relationship with Death56:22 Understanding Grief as Part of the Dying Process01:02:39 Barbara's Legacy and ResourcesResources mentioned:https://bkbooks.com/pages/about-barbarahttps://bkbooks.com/collections/allSOCIAL MEDIALinkedIn https://www.linkedin.com/in/barbarakarnesrnInstagram https://www.instagram.com/barbarakarnesrnFacebook https://www.facebook.com/barbarakarnesrnYouTube https://www.youtube.com/channel/UCXVqIQdyP2OBTop8-jboRww

In this delightfully eerie second installment in our funeral home adventures, we creak open the doors of two former houses of mourning that are now anything but lifeless. First, we take a spine-tingling stroll through the Bell Mansion in Fort Wayne, Indiana—a towering tribute to Victorian opulence and spectral sightings where children's laughter echo in the halls and a mysterious woman in jeans is said to roam. Then, we cross the border to Dresden, Ontario, where the Thomas L. DeBurger Funeral Home has found new life (and possibly some lingering spirits) as the Blumberg family's residence, featured in the Discovery+ series We Bought A Funeral Home. Expect phantom whispers, flickering lights, and a spectral Lady in Blue. Death may have moved out, but something spooky still lingers in the halls of these buildings.Bell Mansion websiteScare X on YoutubeA Grave Undertaking: Adventures in a Haunted Funeral Home by Richard EstepYou can stream We Bought a Funeral Home on Discovery+, HBO Max, Hulu, Amazon Prime, and HuluYou can also use this link to text us your story :)If you have an experience, story, or anything else you'd like to share with us, you can email us at Opeaghost@gmail.com You can also follow us on Instagram, Join our Facebook group : Ope, A Ghost, or Follow us on YoutubeToodles!

Yep. Grant and Cait are back from their honeymoon and they're about to tell you all about in this edition of Johnjay & Rich: Couples Therapy. If you enjoyed this episode, listen to Grant & Cait's podcast, TERRIBLE PERSON, wherever you get your podcasts :) Thanks for listening!See omnystudio.com/listener for privacy information.

In this week's Interview Classic episode from ten years ago (6-18-2015), PWTorch editor Wade Keller was joined by Howard Brody, co-author of Dusty Rhodes's 2005 autobiography, who shares for nearly an hour hour his memories regarding the challenges of working with Dusty on the book, personal interactions with Dusty, impressions of the reaction to his death from inside the industry, and more.Then Sean Radican joins Keller to preview the next night's ROH live PPV with the title vs. title main event, A.J. Styles, Kyle O'Reilly, The Young Bucks, Christopher Daniels, Frankie Kazarian, and more.Become a supporter of this podcast: https://www.spreaker.com/podcast/wade-keller-pro-wrestling-podcast--3076978/support.

Reposted from Murder Magnets: A Poker Face Podcast, which you can find at https://podcastica.com/podcast/murder-magnets-a-poker-face-podcast  — It's a full house this week to tackle Charlie's latest adventure in the cutthroat land of New York City real estate. Join Penny, Becky, Jason, and special guests Jen and Rob to talk it out. Next up: Poker Face S2E10 “The Big Pump.” Let us know your thoughts! You can email or send a voice message to bullshit@podcastica.com.  Or check out our Facebook group, where we put up comment posts for each episode, at facebook.com/groups/podcastica. Links: Check out Rob's art and articles on AI: ROBGON.COM Dirge Without Music by Edna St. Vincent Millay: https://poets.org/poem/dirge-without-music  This Is Just To Say by William Carlos Williams: https://www.poetryfoundation.org/poems/56159/this-is-just-to-say  One Art by Elizabeth Bishop: https://www.poetryfoundation.org/poems/47536/one-art  Check out all our other shows at podcastica.com.  Check out Becky's podcast “What's On Tonight” at https://www.facebook.com/people/Whats-On-Tonight/61566882612402/  Show support and get ad-free episodes and a bunch of other cool stuff: patreon.com/jasoncabassi  Or go to buymeacoffee.com/cabassi for a one-time donation. Learn more about your ad choices. Visit megaphone.fm/adchoices

This week, in Green Bay, Wisconsin, one of the craziest stories, in recent history. A woman, with a strange past, gets together with her ex-boyfrined, while her husband is in prison. They have a drug fueled good time, until she decides that she doesn't want to stop choking him, during an intimate time. Police end up finding parts of him, scattered throughout a basement, and in a Crock Pot box. She also attacks her lawyer, in court, says she had sex with Jeffrey Dahmer, and more!!   Along the way, we find out that the curbs are out to get you, in Wisconsin, that bad backgrounds often produce bad people, and that you should never "get lazy" while dismembering, and disposing of a body!!   New episodes, every Wednesday & Friday nights!!   Donate at patreon.com/crimeinsports or go to paypal.com and use our email: crimeinsports@gmail.com Go to shutupandgivememurder.com for all things Small Town Murder, Crime In Sports & Your Stupid Opinions!   Follow us on... instagram.com/smalltownmurder facebook.com/smalltownpod   Also, check out James & Jimmie's other shows, Crime In Sports & Your Stupid Opinions!!