Podcasts about Baby Shark

In Episode 496 of the Reformed Brotherhood, Tony Arsenal and Jesse Schwamb open with a rich discussion on the theology of congregational singing — including the Trinity Psalter Hymnal, the Getty's Sing!, and why psalm-singing belongs at the heart of Christian worship. The main event, however, is the first installment of their study of the Parable of the Talents (Matthew 25:14–30). Tony and Jesse argue that this parable is widely misread as a lesson in personal productivity or spiritual gift deployment, when in fact its center of gravity is entirely eschatological and theological: the wicked servant's failure is not financial incompetence — it is a catastrophic misunderstanding of who the master is, and therefore, who he himself is as a servant of that master. Key Takeaways The parable is eschatological, not motivational. Situated in Matthew 25 as the second of three eschatological parables in the Olivet Discourse, the Parable of the Talents answers the disciples' question about the sign of Christ's coming — not a general lesson about using your abilities for God. "Talents" refers to an enormous monetary sum, not personal giftedness. A single talent represented roughly 20 years of a laborer's wages. Even the least-endowed servant received an immense, unearned gift — which makes the wicked servant's inaction all the more indefensible. The wicked servant's problem is theological, not financial. He doesn't bury the talent out of ignorance or fear alone — he actively mischaracterizes the master as exploitative and unjust. His failure is a failure of theology: he does not know who his master is. The commendation "Well done, good and faithful servant" is the basic reward of every believer, not a tiered prize for the most productive. The five-talent and two-talent servants receive identical commendations, suggesting the measure is proportional faithfulness, not absolute output. Faithful stewardship is active, not passive. Both faithful servants are marked by immediacy and energetic engagement. The parable does not explain how they doubled their talents because the mechanics are not the point — their disposition of active, risk-taking faithfulness is. The parable resists works-righteousness readings. Whether one is Augustine or an anonymous deathbed convert, every justified believer enters into the same joy of the master. The parable is not a theology of graduated heavenly rewards but a distinction between those who understand their master and those who do not. The talents represent the stewardship of the Gospel and the Kingdom itself. The master entrusting his servants with his property is a picture of Christ entrusting the church with the message of salvation — ownership remains with the master, the servants are stewards, not proprietors. Key Concepts The Wicked Servant's Problem Is Who He Thinks the Master Is The most common misreading of this parable locates the wicked servant's failure in laziness or timidity — he was simply too afraid to act. But Tony Arsenal argues compellingly that the servant's own words expose something far more serious. He says, "I knew you to be a hard man, reaping where you did not sow." This is not a confession of fear; it is an accusation. The servant has constructed a theology of his master as an exploitative, unjust overseer who doesn't deserve a return. What he catastrophically misses is that the very possession of 20 years' worth of wages — an unearned, unimaginable gift — is the master sowing into him. His refusal to act is, at its root, a refusal to acknowledge the master's generosity and authority. This is the parable's most penetrating theological edge. "Well Done" Is for Every Believer, Not Just the Most Productive One of the episode's most pastorally significant observations is Tony's argument that the commendation "Well done, good and faithful servant — enter into the joy of your master" is not reserved for spiritual high-achievers. Because the five-talent and two-talent servants receive word-for-word identical commendations despite wildly different absolute returns, the logical entailment is that the one-talent servant, had he been faithful, would have received the same words. This means the commendation is not calibrated to productivity — it is the basic inheritance of every believer who enters glory. The soul-winner and the deathbed convert, Augustine and the unknown faithful, all hear the same welcome. The parable is therefore not teaching a graduated hierarchy of heavenly reward, but a binary distinction: those who know their master and act accordingly, and those who do not. The Parable Cannot Be Detached from Its Eschatological Context Jesse Schwamb is careful to anchor the parable in its literary and theological context: this is the second of three eschatological parables in Matthew 25, all part of the Olivet Discourse, all delivered in direct response to the disciples' question about the sign of Christ's return and the end of the age. Detaching the Parable of the Talents from that frame — and reading it instead as a general productivity principle or a theology of spiritual gifts — drains it of what Jesse calls its "gravity." The master going away and returning after a long time is a direct image of the ascended Christ and his parousia. The servants' task during the interval is not self-improvement or career stewardship — it is watchful, active discipleship in the time between the first and second comings. Everything in the parable, including the staggering sums of money, is calibrated to that eschatological frame. Memorable Quotes The real difference is that the former servants understood that their master had trusted them with a task and expected something of them, and the unfaithful, wicked, lazy servant had a total misunderstanding of who the master was — and therefore what his role as the master's servant was. That's the point of this parable. — Tony Arsenal Well done, good and faithful servant — that's not a special commendation that only the most amazing Christian servants get. That's the basic commendation that every Christian who enters into glory will receive. Whether you have been the most productive soul-winner in the world... you're going to receive the same commendation as the person who dies, and on their deathbed the last thing that they think is, 'I trust Jesus.' — Tony Arsenal God's measure of faithfulness is proportional, not absolute. The two-talent servant is not judged by the five-talent standard. He is judged by what he received. — Jesse Schwamb Full Transcript [00:00:08] Tony Arsenal: that's not a special commendation that only the most amazing Christian servants get, right? That's the basic commendation that every Christian who enters into glory will receive. Whether you have been the most productive soul-winner in the world, whether you are the most, you know, the most sanctified Christian who's ever lived, whether you are, the most amazing person and millions of people have come to faith because of your ministry, you're going to receive the same commendation as the person who dies, and on their deathbed the last thing that they think is, I trust Jesus." Right. And they've produced no converts, no ministry, and maybe no one even knows that they were justified, because in their final moments before the lights went out, they trusted in Jesus, right? They hear the same well done, good and faithful servant when they enter into glory. Welcome to episode 496 of the Reformed Brotherhood. I'm Jesse.  And I'm Tony, and this is the podcast with ears to hear. Hey, brother.  [00:01:19] Jesse Schwamb: Hey, brother.  [00:01:21] Parable Teaser [00:01:21] Jesse Schwamb: You know, the parables just keep coming for us, like we've said. And on this episode, to, just to tee it up, to whet everybody's appetites, we've got three servants, one absent master, an uncomfortable amount of money. What could go wrong? Yeah. As it turns out, quite a bit, especially if you're the kind of person who responds to divine generosity by finding the nearest shovel. So we're gonna get to all of that in this, what I call, this now sandwich of eschatological parables or teachings of Jesus in Matthew 25. So hopefully you're curious, hopefully you're stoked. But you can go put your thumb right in the scriptures there, because you're gonna meet us there very, very, very, very shortly. But first we got business. It's always the business we must do, the part of the podcast where we affirm with something or deny against something. And as always, I'm really curious what you have, and now I understand you have a list, or you're keeping a list. So- I do ... never again will there be something like that falls to the cutting room floor, brothers and sisters. Tony is always gonna have for us whatever was- ... what came to his brilliant mind as an affirmation or denial at any point, day or night.  [00:02:29] Tony Arsenal: Yeah. Yeah. Do you, Jesse, do you ever have... I know the answer to this question is going to be yes- Yeah. That's good ... but I'm gonna ask it- All right ... mostly for rhetorical effect here. This is good podcasting.  [00:02:38] Psalm 67B Praise [00:02:38] Tony Arsenal: Do you have, do you have those situations where, like, the, the so- a song hits you, and it's just, like, the right combination of words, but also the right combination of, like, musicality?  [00:02:49] Jesse Schwamb: For sure.  [00:02:50] Tony Arsenal: Where it just, like, it just, it just feels- For sure like, right and good in every part of your being. So- All the time, yep ... I, I'm affirming, um, th- this is like the most Presbyterian thing ever. I'm affirming the, the arrangement in the Trinity, uh, psalter hymnal for Psalm 67B. Now, I'm not gonna try to sing it for you, but I wanna read the words, because obviously it's, it's a paraphrase of a psalm. So, like, that's the first thing. Like, people, like, calm down. Like, it's okay to sing paraphrases. It's okay to sing. No one is actually singing the Hebrew psalms. Right. Amen. So, like, just calm down a little bit. Amen. Uh, there is a place for us to dedicate specific focus to psalms and songs that are from the psalms, but that can be something like Better Is One Day. Like, that's a song from a psalm. Anyway, that's a whole different, that's a whole different thing. Yes, I'm affirming psalm singing. Uh, yes, I'm denying overly rigid understandings of what that is. But here's the words for Psalm 67, Setting B. That's important It's, "O God, show mercy to us and bless us with your grace and cause to shine upon us the brightness of your face, so that the whole world over may truly know your way and so that your salvation all nations see displayed. O God, let peoples praise you. Let all the peoples praise. Let nations come rejoicing and songs of gladness rise, raise." Then, um, stanza two, "For you will judge the peoples with perfect equity. To nations of the whole Earth a governor you'll be. O God, let the peoples praise you. Let all the peoples praise. The Earth has brought its bounty throughout its harvest days.  [00:04:24] Why Sing Psalms [00:04:24] Tony Arsenal: Since God our God will bless us, yes, God will blessing send, that all the Earth may fear Him to its remotest end." Now, there are lots of really great, uh, theologically sound, edifying hymns and worship choruses, but there's just something about the Psalms, right? It's inspired- Um- ... it's perfect. Again, like I said, nobody is singing the actual Hebrew Psalms, or even, I shouldn't say nobody, most people are not singing, like, the Psalms from the ESV, right? These are almost all paraphrases. They're, they're translations. But there's just something about the Psalms that I have grown so much to appreciate since joining a Presbyterian church. That's not to say other traditions don't sing Psalms in their own right, and again, like, we would sing Better Is One Day and other songs that were based on Psalms. Um, even, like, real direct translations or real direct versions of Psalms, like Better Is One Day or Create In Me A Clean Heart, there's all sorts of them. But there's just something about singing the Psalms, and this particular musical setting, it's triumphant, but not in the, like, fanfare kind of triumphant. Do you know what I mean, Jesse? Like- Mm-hmm ... it's, it's a triumphant melody, and it has, like, really interesting rises and falls and... So I, I'm gonna probably try to put this at the end of the episode. So listen. Hopefully I'll get the whole thing. Let me just, let me just do this. Hold on a second. It's just gorgeous. It's just beautiful. So I, I, I don't know what it was this morning. Uh, it's, I wasn't, like, promo- particularly emotional. It didn't, like, make me cry. Yeah. But all of that's fine. Like, I've been brought to tears in worship before, and that's, that's all good and well. There was just something about it that resonated, and I was like, "This is just good." Like, this is just good music. It's good singing. Something about hearing, uh, the whole congregation singing together. Like, it was just beautiful. It was just a beautiful moment. So if you are not in a psalm-singing church, first of all, why aren't you in a psalm-singing church? Uh, no worship leader on Earth, no, no person who is worth... Uh, when I say worship leader, I mean the person who's responsible for leading musical worship. No one who's leading worshipful music, worshipful? Worship music, if you approach them and say, "I would like to sing more songs that are based on the Psalms," if they say, "We don't wanna sing Psalms here," then you just go somewhere else. Like, someone who tells you, like, "We don't wanna s- we don't wanna sing God's Word," that doesn't make any sense to me.  [00:06:56] Jesse Schwamb: Right.  [00:06:56] Tony Arsenal: Um, now again, like, there's a way to do it. Sometimes musically they're challenging, especially if you're singing out of something like the hymnal. But again, there are plenty of really good modern style songs and hymn style songs that are either based on the Psalms or are paraphrases, very similar to what you get in the, in the Trinity Psalter Hymnal. Or most, most people who are leading in musical worship are competent enough to just sort of take the sheet music and figure out how to do it on guitar or figure out how to play it on piano. Um, they're not that difficult. So you will be edified if you do this. Your church will be edified. There's probably a lot of people out there responsible for musical worship that actually would really like to do this, and they're kind of probably, like, just waiting for that nudge, so you may even be benefiting them. But yeah, this, this psalm is beautiful. It's just a gorgeous arrangement, and it's, it's perfect, inspired words. Really was a, just a, a balm to my soul this morning.  [00:07:51] Jesse Schwamb: I love it. And o- of course, a lot of that is still happening, which is such a glorious gift to the church. The couple of times that I've had the privilege of writing music for my own church has been right from the scriptures, and for me recently that was, like, Ephesians 1 and Psalm 16. And that's mainly because, like, as a lyricist, I'm not that creative, and I'd rather go direct to the source. And all those end up being a paraphrase, like you said, anyway. Es- especially if you wanna get turn of phrase or if you wanna have a little bit of rhyming, which is always a beautiful thing. I love the Psalter, and my, my hot take on that is I sometimes find that I like, I don't wanna call them, like, the alternate, but, like, the other secondary arrangements-  Yeah and  lyrics better. I don't know why. I don't think that's purposeful, of course. It's probably just my taste. But I always find them to be, like, super fire. I, I don't know why. The, the B and C versions always kinda grab me, especially if... And here's another thing that I appreciate about the Psalter, as you know, is sometimes those B or C versions will be written in an alternate key or a minor key. Yeah. And that's even more awesome, because there's not a lot of, let's say, like, cla- I don't wanna say classic. Classic slash contemporary, uh, Christian music or wors- quote-unquote worship music that's written in minor keys. But it's good to lament, as we've talked about before. So- Yeah ... you're gonna get that full breath and scope in the Psalter there. [00:09:06] Tony Arsenal: Yeah.  [00:09:07] Beyond Music Styles [00:09:07] Tony Arsenal: A- and, you know, maybe let me put in one more little plug here. Um- I am not one of those people that is gonna say that there's like a particular style of music that's more godly than another. I've heard people try to make arguments that there's like certain kinds of rhythms or certain kinds of like beats that are- Right either, either more godly or somehow demonic or less godly. Um, I think there might be an argument to be made that some styles of worship are not suited well for congregational singing, so they may not be appropriate for like a, a congregational worship service. Like, you're probably not gonna go in and do a lot of hip hop and have the congregation be able to like stick with you. Right. That doesn't mean that you can't worship God through that or that it somehow is less like intrinsically beautiful. But, um, there are a lot of Let me just put it this way. In modern contemporary Western Christianity, uh, there's a lot of songs that are basically just the same thing musically. You know, you'll find, um, if you go to, like, YouTube, and, and maybe, like, be careful, 'cause sometimes some of these are, they're funny but they're a little bit crass. But if you look up, like, a video about how, like, every song is Pachel Bell's Canon. Right. Right? Every song follows the same basic arrangement of chords, and this gets even more pronounced when you're talking about modern worship music or contemporary mu- worship music, because it's designed to be able to be very simple and very easily played. Um, a lot of times worship directors are not super classically trained. Um, you think of, like, the youth pastor with the guitar around the campfire. Like, those kinds of songs have to be easy, 'cause they're not, like, classically trained guitar players. They probably picked up a chord book and figured out how to play a couple easy songs like Jesus, Lover of My Soul and things like that. That's how I learned how to play guitar. That's the extent of my skills, so I'm not, I'm not banging on that person. Um, but there are a lot, there's a lot more to music. Um, there's a lot more to singing, and there's a lot more to choral music than, you know, GCDC kind of like worship courses. Uh, and singing something like the Psalter, or even just singing out of a good hymnal- Right will actually expand your musical horizons. And there's something to be said about the creativity of our God being reflected in the creativity of His people that I do think we miss out on when we are locked into really simplistic worship styles. Um, again, like, I interpret Psalms, hymns, and spiritual songs to mean, like, sing in the vernacular of the people. Um, and I, you know, that's a different episode. We can talk about that sometime. But th- that, that requires the songs to be singable, and I think sometimes, uh, sometimes some of the song- some of the Psalters, some of the songs in the Psalter hymnals, and sometimes hymnals in general, are very difficult to sing. And so I think a congregation, the people leading in music need to be thoughtful of that. But I think you would do well to, like, open your horizons a little bit to something a little bit more challenging and a little bit off the beaten path. Like, this melody, I don't know the chords behind it. It may not be anything crazy, but that, like, musicality and that, that sort of, like, melody is not a typical... And this might be why it resonated with me. It's not a typical kind of melody you're gonna find in contemporary music. Um, it's, it's very different. It's older. It's more classically styled. The, it's, it's meant to sort of bring you up to these crescendos in ways that modern music is not necessarily. So enough about that. I don't know a lot about music theory, so I might be totally wrong and, and- ... people might be rolling their eyes. But I, I do think that there's something to it. Like, a lot of the older hymns- utilize chord progressions and melodies and harmonies and things like that that we're just not used to. You're not gonna get that listening to, you know, even something like, like the more musical kind, uh, more technically proficient music like something like Bethel or Hillsong, which is at times musically very good. Uh, I don't know that I would recommend listening to it, but the music is actually, like, technically very good in some instances. Uh, even there you're not gonna find a lot of this stuff. So instead of going there for, like, really nice sounding musical worship, just go to something like the Trinity Psalter app. You know, for $10 on a- on your iPhone you can sing with it. Um, yeah, enough about that. I, I, I could talk about how great the Psalms are and how great psalm singing is for an entire episode. We should do that episode- We should ... when we're done with the parables, 'cause I know we've done a lot of episodes on, like, uh, on, on, like, the regulative principle and- Right I, I think we're still both in the same spot that, like- Right ... exclusive psalmody is probably not where we would land. Right. But I think I'm coming to the conviction that the psalms should have a much greater portion of our worship diet, uh- Hmm ... than they do in most churches. Um, and I really only came to that conviction when I was in a church where psalm singing was the norm. Uh, I know that we try to have at least one s- one canonical psalm for every single worship service. Usually there's multiple, but, um, even in a, a, a setting where we normally wouldn't be so focused on that, we still try to have at least one, and it's been a, a really huge edifying thing to my soul.  [00:14:06] Jesse Schwamb: Yeah. I absolutely love that. You'll find no complaint from me on that. I think that that's a good reminder for all of us.  [00:14:13] Tony Arsenal: Yeah.  [00:14:14] Book Sing Recommendation [00:14:14] Tony Arsenal: Jesse, what do you have?  [00:14:15] Jesse Schwamb: Well, it's, we're not gonna stop this conversation, just so you know. Because we don't sync up on these things ever, but it just so happens that I'm affirming with a book that it's a really simple primer on congregational singing-  There you go that has  long been on my list and overdue to read, and I am coming in hot with a recommendation for this, and that is the book entitled Sing! How Worship Transforms Your Life, Family, and Church by Keith and Kristyn Getty. And really, it covers so many of the things that you already talked about. I, I think at the foremost, it's a reminder that God cares whether in what we sing, but he does not mind how well we sing. Yes. But it is, like, the, this... What's true is that our voices might not be of a professional standard, but they are of a confessional standard. Yeah. And so it is incumbent upon every Christian to sing. And if you need just, like, a little bit of inspiration, so to speak, or a reminder of why that's important, I highly commend this book to you. In fact, in the back they have what's called, like, these bonus tracks. It's like four or five separate chapters that they've written just to particular people in the church, pastors, laypeople, musicians, even the people that help produce the sound. I found that bit to be so lovely and pastoral. It, it's gentle, the tone is encouraging, but it is also strong, and I appreciate that. So a lot of it is some of the themes that we've just talked about, but my conviction grows all the time of just how important congregational singing is, and how everything you just said, the music, the liturgy that we bring forward- has to be of a deliberate kind to strengthen that exercise, to make it easy, so to speak. And that does come into practical things like if you look at the psalter, and I, I don't... I have it on my phone, but I don't know where my phone is, so I was gonna look at the one you were referencing. My guess is it's, it's in probably a key with a couple of sharps in it, because those are the ones that are easiest to sing. So even little things like that matter. What you hear on the radio often is, or radio? People still listen to the radio? What you hear, like, in, like, contemporary music, like, often is not necessarily for congregational singing just in its key, and, and that's okay. And so even in my own church, we transpose things to make it reasonable and approachable. But what I think was, like, the critical question put forward in this book that I absolutely loved as a great reminder was: how did the congregation sing? It's very interesting that they kind of bring forward this thesis that that's how you should be judging your music. How did the congregation sing? And I think if we started asking that, it might slightly tweak or maybe change altogether, to your point, the methods and the practices that we use when we undergo worship by way or through music. So this is really great. It's easily readable, and it's for everybody, and it, there's a chapter on family worship as well, how to bring singing into your home and music into your home all the time as an act of worship so that when you get to the Lord's Day, your kids are like, "Yeah, this is our jam." Uh, especially maybe even recognizing some of the pieces of music and be excited about that. So there was a lot that made me think about here. It's fantastic. And to your point, Tony, I would say the Gettys, especially in, like, "Christ Alone," some of the other things, this is probably the closest to what you're talking about, where they've taken and imported kind of the classical hymn structures-  [00:17:26] Tony Arsenal: Yeah [00:17:27] Jesse Schwamb: but modernized a little bit just the language while without sacrificing any of the theological richness or the musicality that draws your ear to those beautiful rising and falling melodies, the swelling of the vocal there, without, like, distracting from anything that's going on there. It's not emotionalism- Yeah but it certainly is filled with the emotion of what it means to be a Christian and to sing in response as an act of praise to God.  [00:17:50] Tony Arsenal: Yeah.  [00:17:52] Family Worship Singing [00:17:52] Tony Arsenal: Yeah, I mean, I can't underscore enough the importance of congregational singing. We, we've, we've actually talked about, about it in context of, like, how important it is for the men of the congregation to sing, which is something I, I really appreciate about my congregation, is, is the m- the men just go all out. Like, people are, like- Love it ... nobody is, nobody is ashamed of the fact that they squawk on a note that they're not used to or anything like that. And where this really pays out, um, at least in our congregation, but I'd, I'd be willing to bet if you go to any congregation where the, where the men particularly are passionate and active in musical worship, right? Um, I think where this plays out is you see the children very quickly picking up those songs and learning them and singing them. And the, the favorite part of my day, this is gon- any parent of toddlers is gonna be like, "What are you talking about?" Bedtime is one of my favorite times of day, not just because it means that, like, in a little while I'm gonna get a little peace and quiet. Like, that's part of it, too, but there are two songs that we sing almost every single night, and Augie leads them, which is really great. He always wants to start, and he always wants to sing, and it's the Doxology and the Gloria Patri. And these are songs that he has just picked up from being in the congregation, and, you know, I, I don't remember consciously teaching him any of these songs. And now, now Adeline, who is, uh, my two-year-old daughter, almost two, she's starting to pick those songs up, and she's starting to sing them, and she recognizes them, and she responds very differently to those songs than she does to other songs. Um, it's funny because I don't, I don't know where she got this. Neither my wife nor I are particularly, uh, charismatic, emotive people. Like, we don't raise our hands when we're singing, but she, she does. She, she, when we start singing- My girl ... the Gloria Patri or the Doxology, her hand is in the air, and she's looking at the sky, and she's waving her hands around. Yeah. And, um, she recognizes that those songs have a different place than a Miss Rachel song. She doesn't put her hands in the air and wave and look up at the ceiling when Miss Rachel comes on or when Baby Shark comes on. She knows those songs. She can sing those songs. Um, but she doesn't- Respond to those in the same way. And that is a direct result of the fact that congregational singing is an important thing in the life of our church and in the life of our family. And I think a book like Sing, I haven't read it, but I've heard very good things about it, and the, the Gettys are rock solid, like- Right ... theologically. Yes. Musically. They're, they're well within our Reformed tradition, at least broadly speaking. Um, and, and they have a, they have one of the strongest sort of theologies of praise music that you're gonna find. Mm-hmm. It's not quite like a liturgiology or something like that, but it's, it's, it's a theology of praise worship, praise and worship music. Right. Um, and that's not something that's super common, right? There's a lot of theology of liturgy. There's a lot of practical theology on liturgy. Um, the Gettys have developed a really unique kind of place in things in that they've really developed this idea that congregational singing has a specific theological import, and they've developed it in a way that's approachable. So yeah, I haven't read it and I sh- I probably should, but it, it sounds like a really great book. And, um, I c- just can't underscore it enough. And- Maybe this is my little plug. Like, uh, family worship is really tough, and it's not something I've mastered. Like, we don't, we, we don't have a regular rhythm. But what we do have is we have a consistent, uh, we consistently pray at night before bed, and we consistently sing one or both of those songs. And that by itself, like, the kids are learning and they are, they're absorbing that by osmosis. Um, they're picking up the phrasing, right? Augie can tell you who the three persons of the Trinity are, and that's partially 'cause we do catechism questions, but it's also partially, and I would actually argue probably more, because of the Trinitarian structure of those two songs. Right. He's picked up the language of the Father, the Spirit, and the Son from the Gloria Patri and from the doxology in ways that probably I wouldn't have been able to teach him otherwise. So yeah. Anyway, I, I just co-opted your affirmation. But, um, but yeah. I'm here for it. Congregational worship, family worship, singing, uh, to our Lord is commanded, and it's commanded for our good- Right and for his, his benefit and his blessing. Um, and so any book that is, is solid and will help you do that, I, I'm wholeheartedly behind.  [00:22:17] Jesse Schwamb: Yeah. This is... All that is fire. This is fire.  [00:22:19] Reclaim Congregational Song [00:22:19] Jesse Schwamb: God designed our psyche for singing, and we're probably, uh, I would say contractually obligated since Reformed is in the name of the title of the podcast- to remind ourselves and everybody else that one of the things the Reformation did was reclaim the singing of God's word by his own people. Yes. Taking it out of that performatory space back into literally the voice boxes of the people who are sitting in worship together. So sometimes we might have to do that again. You know, there is a little bit, I think, of... There, there is in some places, not everywhere, this kind of tilting of that time of worship through music to be vouchsafed or relegated to those who are, uh, let's say, like, the most, like, talented in doing that, and somehow we participate merely by observing or by- Yeah just, uh, you know, being an audience spectator of that, and that's totally backwards. So I get it. The thing is- We're all singers. We may not all be very good singers, but we're all created to be singers nonetheless. This is what the Bible tells us. So we need to lean into that. We need to invest in that. Yeah. And so I, I like, of course, what you're doing with, uh, your kids because you're not only teaching them to sing, and this makes me so happy, but you're teaching them to love singing to the Lord. Yeah. And so that is, I think, what a lot of our congregations miss, is sometimes we do it, and I'm among them often, but grudgingly. And so to get to a place where we come excited that our reasonable response, our reasonable preparation on the Lord's day is to sing together, to hear that gospel message in melody in the ear of our... You know, the voice of our neighbor in our own ear is a wild thing. It's just, like, un- unheard of. And it's like, uh, we gotta stop, right? It's one of those things also that, like- ... we've, we've talked about how it's just kind of otherworldly. Not, not only in the sense that it gives us this really kind of foundational sense of God's, you know, kind of transcendence, of what it means to participate in the worship of someone who is transcendent because it is all these voices together, but also this is something that rarely happens in any other way, especially in the Western culture anymore. This coming together to express and to participate in something where we're all reading literally from the same sheet music is just an entirely different experience, increasingly relegated to this kind of experience. So we, we must protect it, not only because God says that we ought to, but also because, again, it is, it is our reasonable response. Yeah. And it is something, like you've just said, that brings Him glory and is certainly for our good. So, uh, this is the Singcast, so everybody- ... everybody get to it. You can make your own music. God has commanded us to sing. So the sooner we just understand, like, hey, it's, it's... You know. Uh, but... And the last thing I'll say is this is one of those things that's, like, practice too. A- and I get it. Like, you may say, like, "Listen, I can only hit two notes, and that's all I'm gonna hit no matter what the music is." Well, then belt the two notes, and also know that, like, the more you practice that kind of thing, honestly, the better that you'll get and the more comfortable that you'll become. The voice is an instrument like any other instrument that takes, like, a little bit of practice and a little bit of work. But even that can cause, I think, great benefits and build a little bit of confidence. But just the example of singing and doing it from a heart that is keen to worship God and that is filled with passion to respond to Him with gratitude and, you know, adoration is really the key thing. And so I, I'd rather have a entire group full of worshipers that are singing off-key but, like, with just resounding passion than to have this performance of just a handful of voices because they feel like they're the most capable to do it. Yeah. I think we'd, we'd rather have everybody else, and to hear the congregation mixed as one of those instruments. So sing. Yeah.  [00:26:05] Everyone Can Sing [00:26:05] Tony Arsenal: Yeah, and y- you and I have made the point in the past, too, like- I, I don't think, uh, maybe I'm wrong. Uh, we are a top 50 healthcare podcast, so maybe some doctor- I'm sure you're correct ... is gonna... Right. Like, I don't think being tone deaf is actually a physical condition. Like- Mm. I, I mean, I, I mean, obviously, like, some people have hearing problems, and that means they have trouble singing. I hear what you're saying. But, like, the people who are like, "Well, I j- I just can't sing. I'm just not capable of that," uh, like, I think the, the physical conditions that would make you incapable of singing are not usually what people are talking about. Like- Right. Yeah ... you know, some people have, like, vocal fold disorders or they have hearing problems, and I guess maybe, like, if perfect pitch is a thing, which it, it is. Like, perfect pitch is a... I don't know what causes it, but some people are born with perfect pitch. I suppose in theory that means some people must be born with, like, the opposite of perfect pitch. But I think most people who say, like, "Well, I just, I'm just tone deaf. I can't carry a tone," that, that's probably not true. Like, it just means you need practice. Um, and some people's voices, like physically, their bodies are more, more designed by God to produce a pleasant sound than other people. But I, I think actually just about anybody with a little bit of practice, and mostly I think this is probably just the confidence to actually sing and a little bit of practice to learn how your body works, like how your voice works, um, could probably get to a point where singing is not only very relatively comfortable and easy, but it's something that is pleasant and is not overly challenging. This is actually something that I think we've lost in the church. We should... This, I mean, this is about to come the episode, but, um- ... something we've lost in the church when we have sort of changed from a true genuine congregational singing model, which was the norm- And I've heard people make arguments about the importance of hymnals, and I, I agree with those arguments, although I know some people have moved them into almost like a realm of, like, divine mandate- Right that you have to use hymnals because it trains people to teach. But we have lost something with both the sort of commercialization of worship music and the pro- like making it a professional thing, and we've lost congregational singing. The, the people in the church throughout history have learned to sing. Many of them have learned to read, learned the scriptures, learned theology, not in the seminary and not in the monastery, but in the pew as they sing God's word and as they sing- Right ... the great theological hymns of, of the church. There's so much you can learn through that process that I just think we've lost. And I think going back to something like a hymnal or the Trinity Psalter Hymnal or whatever, whatever standard music your church is gonna use, and I mean standard music. Like, whether this is a collection of worship choruses that has been curated for the church or it's a published hymnal or something like that, going back to something like that teaches the church how to sing. And I don't remember who wrote it, but the trellis and the vine, like the worship that we sing, I know Mike Horton makes this point. The worship that we sing is the tre- is the trellis that the vine of our wor- of our- Yes ... faith grows on, right? That's true. Like, what the, what the church lex credendi, lex orandi. Like, the church, what the church prays, the church believes. What the church sings, the church believes. So all of that to say, like, the, the importance of congregational singing can't be under-emphasized, and it's... I, I mean, I don't know that I would I don't know that most theologists say technically s- like, congregational singing is an element of worship, but praising the Lord through song certainly is. Yes. It's, it's evidence. Um, and, and so I think that's definitely something that the church has lost in general. Um, and I know there are churches... I- it's funny, when Ashley and I were between churches, uh, very briefly after, um, our previous church closed down, um, we went to a local sort of, like, high, high, uh, production, seeker-sensitive church, very Steven Furtick-esque, and we only lasted, like, 10 minutes in this, in this service. We went in and the production value was great, and the music sounded great, but we couldn't hear ourselves, we couldn't sing- Right ... and it was very performative, and we just left. We were only there for a few minutes, and we left. And I think that's something we've lost as we've sort of migrated worship to almost, like, a professional class. So yeah, bring it back to the pews. Bring it back to your- Bring it back ... bring it back to your house, bring it back to your kid's bedroom when you're tucking them in. Everywhere. Bring it back to the car on the way to work, in the bus. Right. Like, just let's everywhere we go, let's sing and worship the Lord. [00:30:30] Jesse Schwamb: Yeah, that's right.  [00:30:31] Train Your Voice [00:30:31] Jesse Schwamb: Uh, so as a final thing, let me compound your hot take and say that I agree with you, that I... And I think professionals would as well, and I'm gonna stand on a resource that I'm gonna recommend to everybody here in a second, that in fact the Getty say, "If you can speak, you can sing." And there are a f- a few conditions that would prevent you from doing that, of course. And even there, they wanna explore opportunities for you, for instance, signing, for instance, to ensure that you can participate in worship. Uh, the hot take is I do think that because the instrument that God has given us in the vocal cords is exactly that, that it can be trained, and that actually most people can sing. And if you're serious about that, if you think, "You know what? I'd like to be able to do that. How can I explore that?" Here's a book for you. It's called Set Your Voice Free by Roger Love. The full title is How to Get the Singing or Speaking Voice You Want. Roger Love is, like, this amazing behind-the-scenes vocal coach. He has coached, like, a ton of really talented recording artists, and this is his very contention in the book, is that everybody can sing. It's really about how much or little work you wanna put into it. And in fact, this book comes with, like, these exercises that you can listen to and then record yourself. And then he, from a distance basically, can give you some pointers based on allowing you to kinda evaluate what you hear in your own recording back. So if you really are the kind of person that's like, "Listen, I, I dare you. I cannot sing," I would challenge you, I would double dog dare you to get this book, Set Your Voice Free, and if you're really serious about wanting to try and see if it can make a difference, I, I think it can. And I've, I myself have enjoyed this book, gone back to it many times, use it in my own work and practice because I found it to be helpful. So there you go. Sing, sing, and sing again.  [00:32:06] Tony Arsenal: Yeah.  [00:32:07] Singing Apps and Practice [00:32:07] Tony Arsenal: And if you're not a reader, first of all, why are you listening to the podcast? But second of all, if for some reason you're not a reader I'm, I'm joking. I'm sure there are people that are listening to the podcast who are not readers. That was, like, a super smug thing to say. How dare you. I'm sorry about that. How dare you. Um, if for some reason you don't wanna read that book or you're not a reader, um, y- you can do something as simple as looking up Yousician on your Yousician, Y-O-U- Yeah ... S-I, like the word musician, but U instead of, like, Y-O-U instead of, uh, musician. Um, there are plenty of apps out there. I just, I mention Yousician just because I've used that on, like, a free trial basis with some guitar teaching, and it's a reputable source. They also have a vocal module. So, like, if you wanna learn to sing, there are plenty of resources out there who can help you train your voice. A- and it- Again, I'm not a doctor, I'm not a vocal coach, I'm not a professional singer. I'm not even that great of a singer, and I, I probably could be a better singer if I wanted to devote the time to it. Um, it doesn't take much to, to be able- Right ... to become a competent singer. Um, I think most of us, you pick up one s- just like I learned guitar, you pick one or two songs that you really like and you wanna learn, and you learn to sing those songs, and then those skills will develop over time. So enough about that, Jesse. We've got, speaking of talents- ... we've got some talents to talk about. There it is. Boom, bazinga. Baza-bazom. I'm  [00:33:27] Jesse Schwamb: back. There it is. Yeah, so- I was excited  [00:33:31] Tony Arsenal: about that one ...  [00:33:32] Jesse Schwamb: that, that was really good. And, and we should just h- honor everyone. That's it.  [00:33:37] Tony Arsenal: That's it. Tip your waiters and waitresses, folks. It  [00:33:39] Jesse Schwamb: was so good. We're here all week.  [00:33:41] Parable Context Setup [00:33:41] Jesse Schwamb: So we're in Matthew 25, uh, verses 14 through 28, and this is at least gonna be a two-parter for us. This goes by the name you might be familiar of, which is The Parable of the Talents. But before we get to it, just a quick reminder that we've been speaking about this parable, not like in a special way, but hopefully in the more contextual sense. So this is the second of three eschatological parables in Matthew 25. So the first was The 10 Virgins, which we went through. We're in The Talents, and then we're coming up to everybody's favorite, The Sheep and the Goats. All three are part of this Olivet Discourse, which is, of course, Jesus' final teaching block before his Passion. And I think it h- behooves us so that we do not get distracted from, like, the center of gravity of this thing, that this is delivered in response to the disciples' question about the sign of his coming and the age to come. Because I've heard so many, like, little talks, maybe homilies is more the right word, on this particular parable that lack gravity. So little gravity that basically NASA could train their astronauts in it. So we wanna stay away from that and I think get into, like, the, the proper context. So Tony, do you have it in front of you by any chance? And would  [00:34:50] Tony Arsenal: you- I do. I do, yeah. Yeah. Read it for us? I'll read it here.  [00:34:52] Reading the Parable [00:34:52] Tony Arsenal: So this is, uh, starting in, uh, Matthew 25 verse 14, and I'm gonna read down through, uh, the end of verse 30 here. So it, it reads here, "For it will be like a man going on a journey, who called his servants and entrusted them, entrusted to them his property. To one he gave five talents, to another two, and to another one, to each according to his ability. Then he went away. He who had received the five talents went at once and traded with them, and he made five talents more. So also he who had the two talents made two talents more. But he who had received the one talent went and dug in the ground and hid his master's money. Now after a long time, the master of those servants came and settled accounts with them. And he who had received the five talents came forward bringing five talents more, saying, 'Master, you delivered to me five talents. Here I have made five talents more.' His master said to him, 'Well done, good and faithful servant. You have been faithful over a little. I will set you over much. Enter into the joy of your master.' And he also who had the two talents came forward, saying, "Master, you delivered to me two talents. Here I have made two talents more." His master said to him, "Well done, good and faithful servant. You have been faithful over a little. I will set you over much. Enter into the joy of your master." He also who had received one talent came forward, saying, "Master, I knew you to be a hard man, reaping where you did not sow, and gathering where you scattered no seed. So I was afraid, and I went and hid your talent in the ground. Here, you have what is yours." But his master answered him, "You wicked and slothful servant. You knew that I reap where I have not sown and gather where I scattered no seed? Then you ought to have invested my money with the bankers, and at my coming, I should have received what was my own with interest. So take the talent from him who gave it, who give it to him who has 10 talents. For to everyone who has will more be given, and he will have an abundance. For, uh, but from the one who has not, even what he has will be taken away. And cast the worthless servant into the outer darkness in that place where there will be weeping and gnashing of teeth."  [00:36:56] Watchfulness and Stewardship [00:36:56] Jesse Schwamb: So it starts with that amazing connective, which we really spoke about in the last episode, in verse four- 14, starting with four. So it's tying, like we said, this parable directly to verse 13, which we know is in the, the parable of the ten virgins. But it's this idea of watchfulness. "Watch therefore, for you know neither the day nor the hour." So th- I think this is the point we really drove last time, that we really felt highly convicted about, that this parable is not like a detached economic lesson, but it's really like an expedition, exposition, not expedition- ... of what watchful discipleship actually looks like during the interval of the master's absence. Like, that's the whole setup here. So it's starting with this idea of like the master goes away, but here we have these slaves or these servants who are entrusted. And to me, again, that's like such a linchpin in this whole thing, 'cause it's, it's carrying the sense that of course, like, he's handing over stewardship. It's a deposit held on another's behal- I love this parable because it has some banking language in it. It's, it's a deposit held on another's behalf, and that's like the key covenant concept of the entire thing. Ownership remains with the master. The servants are stewards. They're not proprietors. And that language, I think, really anticipates, like, the entire New Testament theology of stewardship, which is developed by Paul. So like when Paul writes in 1 Corinthians, "This is how one should regard us, as servants of Christ and stewards of the mysteries of God. Moreover, it is required of stewards that they be found faithful." So like all of that, that's like just one verse for me. Like, that's an incredible setup.  [00:38:27] Tony Arsenal: Yeah.  [00:38:28] Common Misreadings [00:38:28] Tony Arsenal: Yeah, and you know, I think it bears saying, too, um, I wanna be careful how I say this because I don't wanna impugn, uh, poor motives or anything like that on, on the, the people that I'm about to speak to. And I say this a little bit tongue in cheek, but also I say this as someone who used to be deeply involved in youth ministry. There's kind of like a, a youth ministry, um- international version of the Bible, I guess, if you wanna put it that way, where, like, there are certain, certain passages and parables that s- for some reason seem really prone to misapplication- Sure in, in some context. And I would say, like, youth ministry is the one I have in mind. Like, um, one of them is, like, in Matthew 18 where it's like, "Where two or three are gathered in my name, there I am in the midst of them." Like, that's a, that's a statement about God's, God's presence in the judgment of the church and excommunicating an un- like, a, an unrepentant, uh, person who identifies with Christ. And, and ironically here, maybe not ironically, but, like, casting them into the outer darkness of excommunication, which is representative of casting them out into the actual inner darkness of damnation. Right. Like, th- there's a, there's a misapplication of that, that like, well, you know, like, if only a couple people came to youth group tonight, like, it's still worth meeting because where two or three are gathered, there I am in the midst of them. Um, this, this parable has a very similar kind of misapplication that is maybe a, a little bit less of a misapplication. Like, I think there is something to say in this parable about the fact that God entrusts us with abilities, talents, treasure, t- our time. Like, He's entrusted us with resources, and He does expect us to use those resources, uh, in a way that is honoring to Him and beneficial for the, for the gospel and for the kingdom. Um, that's true in a broad sense, but I don't think actually that this is what that... But, like, that's not what this passage- Mm ... is teaching. Right. I think I, I kinda joked last time, but, like, I've heard more than one sermon that draws the parallel between the word talent here and our talents in terms of, like, our spiritual gifts or our ability to play guitar or, like, to bounce a basketball and, like, thr- like, throw a free throw. Like, that's not the kinda talent we're talking about here. So I wanna, I wanna sorta, like, point that out just to sort of exclude that from the conversation. Yes, God gifts His people, and He expects His people to use those gifts for His glory and for their own benefit. Um, but that's not what this parable is talking about. This is a parable about the fact that God has entrusted the kingdom of heaven on Earth to His people.  [00:41:08] Jesse Schwamb: That's right.  [00:41:08] Tony Arsenal: And He expects His people to make use of that in a way that expands the kingdom and also in a way that does not... And this is, this is, I actually think, the main point of the parable. In a way that properly understands the nature of the king. The, the punchline or the main point of the parable here, it, just to sort of, like, I don't know, give away the ending or, like, unbury the lead, I don't know, whatever that is. The point of this parable- It's not that, like, it's a really good thing to double what God has resourced you with. The point of the parable, the reason that, just like the, um, just like it wasn't the virgins falling asleep in the last parable that was the problem because everybody fell asleep, in this instance, uh, the amount of money or the amount of return on investment that the servants produce is not the point of the parable. That's not the real difference between them. The real difference is that the former servants understood that their master had trusted them with a task and expected something of them, and the, the unfaithful, wicked, lazy servant had a total misunderstanding of who the master was- Right ... and therefore what his role as the master's servant was. That's the point of this parable, and I think, this is the last thing I'll say before I, I, I take a breath here. There's a lot of people that would look at this parable and might read some sort of works righteousness or, um, and this is more understandable and I think has a place within the Reformed tradition, although I don't necessarily hold this view. But would look at this as sort of like a theology which would, would argue that we receive some sort of enhanced rewards in heaven based on our faithfulness. There's plenty of good, faithful Reformed Bible teachers that would hold that position. I actually think whether or not that's true, this is still also not what this passage is getting at. [00:43:00] Jesse Schwamb: I, I totally agree with you there.  [00:43:02] Talents as Huge Wealth [00:43:02] Jesse Schwamb: I, I think one of the reasons that we know that is because we can look at some of these details and let the details speak to us about the magnitude in their representation, why they're given. So of course, whenever the scripture gives us detail, especially in a context like a parable, it can be helpful of cour- of course not to overanalyze them, but to respect their place in the context of the story, and that's why verse 15 I think is so important. So to one he gave five talents, to another two, to another one, to each according to his ability, then he went away. Now, this, this varies slightly, but there's a lot of, I think, very common historicity here that points us to understanding, like, the talents as a unit of monetary weight, and there is some discrepancy about its exact weight. But what we can say for sure is this: that we're talking about, as I teased at the beginning, a huge sum of money. So in other words, like, this is a gift from God himself. It's a divine gift. Yeah. It's something that's not earned. It's something that's given and something that's entrusted. So in the first-century Roman world, a talent was roughly equivalent to, like, 6,000 denarii, depending on who you talk to, which would mean that a single talent represented approximately, like, 20 years on average of a laborer's wages. So the sums then here we're talking about are staggering even at the lowest one. So the five-talent servant is receiving essentially approximately equivalent of a century's wages, and the one-talent servant is receiving 20 years' worth. There's no such thing as a small gift in Christ's economy, I think is the point here, and even the least endowment is immense beyond our reckoning. Yeah. So the distribution also is deliberately unequal. It's five, one, two, and the text doesn't offer any apology for this inequality. The master distributes to each according to his ability, which as I say that, I realize that could probably be its own episode, that we could talk about what that even means. Yeah. But he is matching and entrusting to capacity, and that's not arbitrary. Of course, that's wise and personal, and even the Greek here for this idea of capacity or power suggests the master knows his servants intimately and calibrates the stewardship accordingly. But nonetheless, it proves the point you're making here, which is not just about, like, well, do you have some kind of innate ability that's above average that God has endowed you with here? That's not even what we're talking about. Again, the whole point of this is to answer the question eschatologically about what the end means and when the time is coming and what good discipleship looks like. And so in that way, we understand then these talents to be these divinely appointed and massively generous gifts of God, essentially, like you said, the stewarding of the gospel in the story of salvation itself unto his people, and then to make something of that, so to speak, by the power of the Holy Spirit that earns a return for the kingdom, that is all empowered by God, that is under the volition of the person, uh, the Christian who says, "As a disciple, it is my responsibility to steward these gifts." That is really what we're after. So we do kind of get in this place where when you take this and say, "Well, what are you doing with," let's say- your home, if you have a nice home, are you being hospitable enough? If you have, let's say, a good singing voice by talent, are you using that to make sure that you're on the, quote-unquote, "praise and worship team," is not, like, entirely wrong, but it's not right either- Yeah to use this passage- Yeah ... for that purpose. There's a bigger theme here. There is, there's a much stronger and widescale framework that God is drawing us to and examine, and it's about the stewardship of the church itself.  [00:46:30] Tony Arsenal: Yes. Yeah, yeah, yeah.  [00:46:31] The Foolish Servant Exposed [00:46:31] Tony Arsenal: That's really key, and this is what struck me as, as you were speaking about that, is like we see in so many of the kinda like, uh, like the chump in the parable. Like, there's- Yeah ... a lot of these parables have like a chump- Right ... where like you're looking at and you're like, nothing about what you've decided to do makes any sense. We're talking about people who've been given, in the first case, 100 years worth of, worth of wages. Right. Right? Any one of these people, and again, we're talking about a timeframe where, like, you could just take that money and run and, like, nobody's gonna find you. There's no digital trail on any of this, right? If I stole, if I stole 100 years worth of labor from my manager or from my, my employer, they would find me, right? That's not the situation we're talking about. So even the chump who decided, "I'm not gonna do anything with this," he could've just take- taken off with the money and had 20 years worth of labor. Right. Just 20 years worth of wages. Right. This is a, this is a sum of money that makes all f- all three of these servants unimaginably wealthy instantly, right? The point of this is, in part, that the final servant has no idea the amazing blessing and responsibility that he's been given. And again, I come back to this. It's not because he is dumb or because he is, um, somehow less competent in a strict sense, right? It, it's so funny to me, like, we also gloss over the fact that, like, the guy who has five talents, he's got 100 years worth of money, 100 years worth of wages. Right. And he just goes and gets 100 more. Like- Right he just goes and trades and- Right ... comes up with 100 years worth of wages that he brings back. Like, that's, in itself is, like, phenomenally, amazingly outrageous. We ran into this too with the, um, the parable of the unmerciful servant, right? We've, we've got one guy who's got this unimaginable debt, like, like, thousands of years worth of, uh, worth of wages that he could never make up, and he thinks he's gonna somehow come up with it if you just give him enough time. It's kind of like the opposite here. This guy's got this unimaginable amount of instant wealth, and he just buries it in the ground. First of all, how much... We're also talking about an era where money was a physical, entirely physical.  [00:48:53] Jesse Schwamb: Right.  [00:48:53] Tony Arsenal: There were no, there were no digital banks. Like- No zeros and ones most of our money exists as ones and zeros in a computer program right now. Right. Like, in reality, like- Right ... my money doesn't exist. We don't have, like, a physical gold standard anymore in America. Jesse could probably s- I'm probably making dumb things up right now. No, that's that's- Like, it used- Right on to be that, like, every dollar that the United States government printed had, like, a piece of gold sitting at Fort Knox- Yes ... uh, like backing it up, but we just don't have that anymore. Most of the money that exists in our system is entirely imaginary. It's an entirely, like, made-up digital currency way before, like, Bitcoin was a thing. That's not the case in this timeframe. This dude who buried 20 years worth of money in the ground, that's a significant amount of labor in and of itself- Right ... to even be able to do that. So we're not talking about, like... And I think this is the thing we miss when we, when we read the word talents, and one, when we obscure it and we, like, we misappropriate the word talent to mean, like, abilities, 'cause it, that's a convenient, like, illustration tool. We're talking about a huge sum of probably gold or silver that this dude just buries in the ground, and then, like, digs it up when the master comes back.  [00:50:01] Jesse Schwamb: Right.  [00:50:01] Tony Arsenal: And I think, like- When we don't realize how much money this is, we miss the force of the master's like, "You stupid, dumb, wicked, slothful servant." Like, if you had even taken this money to the bank and done the least imaginable- Yes ... effort. Exactly. Like, if you had done anything at all, like how mu- how difficult, granted more difficult back in this age than it is now, but like if you had even done something as simple requiring as little labor as possible and just brought this to the bank and let them collect interest on it, we'd still be talking about a huge return. [00:50:35] Jesse Schwamb: That's right.  [00:50:36] Tony Arsenal: And he doesn't even do that, and that's, that's the point. There's the people who do, and they gloss over this. The parable totally glosses over the amazing effort and work that it must have taken to take 100 years worth of la- of wages and turn it into 200 years worth of wages. Right. Or to take 40 years worth of wages and turn it into 80 years worth of wages. That's an amazing, probably almost miraculous return on, on investment. Whatever they did is amazing, and the parable's like, "Yeah, they did that." They just took it to the traders and they brought back five more talents. Like, it's nothing. And then this idiot, and I say idiot in like the most like, like exegetically sound, idios, like, like foolish idiot person. [00:51:20] Jesse Schwamb: Right.  [00:51:20] Tony Arsenal: This idiot just buries it in the ground and doesn't even bother to bring it to the bank where he's gonna get some return on it. This is the picture of the fool who does not make use of the means of salvation. This is the picture of the fool who refuses to receive Christ as savior, who refuses to make use of the benefit and blessing of salvation that is available to all who will trust in Christ and turn to him. This is the same picture as the idiot virgins who didn't buy enough oil and just fell asleep when they knew that the bridegroom was coming, right? Right. It's not that they fell asleep, it's that they didn't do the most obvious, simple,

Bernhard Hoëcker kann sich über vieles Gedanken machen, über Haie in der Badewanne, perfekte Staubsaugergeräusche oder darüber, wie man theoretisch eine Bank überfallen würde. In der neuen Folge „Mit den Waffeln einer Frau“ wird's nerdig, absurd und ziemlich lustig. Außerdem geht's um schiefgelaufene USA-Einreisen, schreinern im Keller, Zwieback zum Wegsaugen und warum Bernhard am liebsten 200 Jahre alt werden würde. Dazu singt er auch noch „Baby Shark“! Also mehr, geht ja wohl wirklich nicht.

In the sketch, Adam Driver appears as Jeffrey Epstein in Hell, sharing space with other controversial public figures—one being Alan Dershowitz (played by Jon Lovitz). The setup is absurd and dark: Dershowitz is preparing his impeachment defense when he ends up transported to Hell, where he is greeted by Epstein, who greets everything with an unnerving nonchalance, saying he's “just hanging” in Hell, a grim reference to Epstein's death by suicide in prison. The sketch mingles satire with shock, using the ludicrous setting to comment on how scandal, power, denial, and guilt function in public lifeThe cold open also includes other figures in Hell—Mitch McConnell, Flo from Progressive, the “Baby Shark” songwriter, etc.—turning the scene into a weirdly populated waiting room of immoral celebrity and public scandal. There are jokes about conspiracy theories around Epstein's death, with Epstein quipping “I wish you could have been there in person” after Dershowitz complains about missing something, and Epstein responding “Yeah, it's too bad I was murdered.” The tone is uncomfortable comedy: it forces laughter but also forces audience to think about the real grotesque elements of the Epstein scandal—death, power, impunity.To contact me:Bobbycapucci@protonmail.comsource:https://www.google.com/amp/s/nypost.com/2020/01/26/snl-cold-open-alan-dershowitz-reunites-with-just-hanging-jeffrey-epstein-in-hell/amp/Become a supporter of this podcast: https://www.spreaker.com/podcast/the-epstein-chronicles--5003294/support.

In the sketch, Adam Driver appears as Jeffrey Epstein in Hell, sharing space with other controversial public figures—one being Alan Dershowitz (played by Jon Lovitz). The setup is absurd and dark: Dershowitz is preparing his impeachment defense when he ends up transported to Hell, where he is greeted by Epstein, who greets everything with an unnerving nonchalance, saying he's “just hanging” in Hell, a grim reference to Epstein's death by suicide in prison. The sketch mingles satire with shock, using the ludicrous setting to comment on how scandal, power, denial, and guilt function in public lifeThe cold open also includes other figures in Hell—Mitch McConnell, Flo from Progressive, the “Baby Shark” songwriter, etc.—turning the scene into a weirdly populated waiting room of immoral celebrity and public scandal. There are jokes about conspiracy theories around Epstein's death, with Epstein quipping “I wish you could have been there in person” after Dershowitz complains about missing something, and Epstein responding “Yeah, it's too bad I was murdered.” The tone is uncomfortable comedy: it forces laughter but also forces audience to think about the real grotesque elements of the Epstein scandal—death, power, impunity.To contact me:Bobbycapucci@protonmail.comsource:https://www.google.com/amp/s/nypost.com/2020/01/26/snl-cold-open-alan-dershowitz-reunites-with-just-hanging-jeffrey-epstein-in-hell/amp/

Parece sorprendente que, frente a los grandes vídeos de influencers, entrevistas, deportes y canciones de éxito mundial, el vídeo más visto de YouTube sea uno destinado al público infantil. Hoy Elena Sánchez os cuenta la historia del 'Baby Shark' y del origen de la plataforma de vídeos más popular, con más de 2.700 millones de usuarios. 

In the sketch, Adam Driver appears as Jeffrey Epstein in Hell, sharing space with other controversial public figures—one being Alan Dershowitz (played by Jon Lovitz). The setup is absurd and dark: Dershowitz is preparing his impeachment defense when he ends up transported to Hell, where he is greeted by Epstein, who greets everything with an unnerving nonchalance, saying he's “just hanging” in Hell, a grim reference to Epstein's death by suicide in prison. The sketch mingles satire with shock, using the ludicrous setting to comment on how scandal, power, denial, and guilt function in public lifeThe cold open also includes other figures in Hell—Mitch McConnell, Flo from Progressive, the “Baby Shark” songwriter, etc.—turning the scene into a weirdly populated waiting room of immoral celebrity and public scandal. There are jokes about conspiracy theories around Epstein's death, with Epstein quipping “I wish you could have been there in person” after Dershowitz complains about missing something, and Epstein responding “Yeah, it's too bad I was murdered.” The tone is uncomfortable comedy: it forces laughter but also forces audience to think about the real grotesque elements of the Epstein scandal—death, power, impunity.To contact me:Bobbycapucci@protonmail.comsource:https://www.google.com/amp/s/nypost.com/2020/01/26/snl-cold-open-alan-dershowitz-reunites-with-just-hanging-jeffrey-epstein-in-hell/amp/Become a supporter of this podcast: https://www.spreaker.com/podcast/the-moscow-murders-and-more--5852883/support.

Episode 225 of The Adventure Podcast features marine biologist and TV host, Melissa Cristina Márquez. Also known as the 'Mother of Sharks'. Born in Puerto Rico, Melissa's spent her career trying to make people care about one of the most misunderstood animals on the planet. In this episode, Matt and Melissa cover a lot of ground - from Jaws and Baby Shark to a three-metre crocodile bite on her first ever Shark Week shoot. They touch on the psychology of inflammatory media language, and the hundreds of thousands of years of indigenous knowledge that Western science has largely ignored. Melissa is warm, funny, deeply informed and completely disarming. She has a way of making you realise how much of what you think you know about sharks has been handed to you by Hollywood. She challenges the idea that fear and respect can't coexist, argues that diversity in science isn't just about fairness but about asking better questions, and explains why a species that's survived 450 million years may not survive us. While this conversation starts with sharks, really it's about how we relate to the natural world and whether caring - loudly, specifically, and imperfectly - might be the most important thing any of us can do.For extra insights from the worlds of adventure, exploration and the natural world, you can find The Adventure Podcast+ community on Substack. You can also follow along and join in on Instagram @‌theadventurepodcast.Chapter Breakdown00:00-07:05: Growing up in Puerto Rico, falling in love with sharks, and fighting to build a career.07:05-16:48: Why diversity in science changes the questions we ask.16:48-25:28: The language of fear and the lasting damage of Jaws.25:28-38:11: The empathy gap between sharks and other endangered animals, and what early education can do to close it.38:11-50:34: No villain animals, the case for fearful respect, and the crocodile bite nobody saw coming.50:34-1:02:12: Sharks as keystones, trophic cascades, and why Melissa remains an optimist about the future.1:02:12-1:08:32: Why science communication belongs to everyone, and what visibility does for the next generation of scientists.Support this show http://supporter.acast.com/the-adventure-podcast. Hosted on Acast. See acast.com/privacy for more information.

Jesper og Baby Shark. Hvor starter utlandet? Ronaldo, 17. mai og mengder med bilkjøring. Hva gjør vi egentlig når vi har ferie?See omnystudio.com/listener for privacy information.

Laura does the homework. Xhafer asks: "Baltar or Baby Shark?" This episode covers Battlestar Galactica Season 4, Episode 5: The Road Less Traveled.Discord: https://discord.gg/MUHKDDk6TNMerch: https://www.etsy.com/shop/WhatHappenedHerePods

A lot has changed in the world of Faisal Hussain since he last went under the white-hot spotlight of the Off the Record podcast studios. A new career path, with a new company. Growing children, with whom he gets to spend more time. A surprise award, bestowed by his college alma mater. And many new changes in the CDI industry he continues to serve, including a new ethics paper and now a new physician query practice brief from ACDIS. In short, it's a great time to have back the former Executive Director of CDI at Wellstar Health System, and now newly minted CDI System Physician Advisor at MedStar Health. We'll get into all these topics and more on today's show, covering: New role: Who is MedStar Health and Faisal does as CDI System Physician Advisor. And why the major change?  New focus: Moving out of CDI operations and into creative projects and technology expansion. Faisal's work bridging rev cycle, UM/UR, risk management/medical legal, denials and lawsuits--recruiting different leaders across all service lines to standardize and make effective documentation workflows. Working in CDI/coding/healthcare in the utterly unique state of Maryland ... what's going on there and why is every regulation “except Maryland”? What might hospitals be under-leveraging in the physician advisor role?  New ACDIS papers Safeguarding Ethical Documentation Practices in Querying, Peer-to-Peer Discussion, and Technological Initiatives and the new physician query practice brief—his work and analysis Surprise recipient of the 2026 Outstanding Alumnus Award from The University of TN Health Science Center Being a father of neurodivergent daughters, whom he now gets to spend more time with. What has he learned from them. Special praise for Tami Gomez and her work starting a Neurodivergent Coding Internship Program. Finally setting the record straight on “Baby Shark” and putting me, the host, in his place... 

We've liked Kimiko Glenn in a bunch of things, so when we saw she was promoting her debut EP Modern Dance (coming soon!!!), we said we gotta have her on the pod! Now, you know Kimiko from Orange is the New Black, the Spider-Man: Into the Spider-Verse films, Hazbin Hotel and of course, if you're a parent, as the voice of Baby Shark, but on today's episode, you're gonna get to know the woman behind those characters. And oh boy, we learn about how Kimiko's desire to make music was a way of processing the shitty men she's dated, we learn about some of those shitty men - and boy are they shitty - we talk about 21st century dating, songwriting as therapy and about the guy who tried to Tom Sawyer her... and SO MUCH MORE! PLUS, obvi, we answer YOUR advice questions! If you'd like to ask your own advice questions, call 323-524-7839 and leave a VM or just DM us on IG or Twitter!Get tickets to Naomi's Bell House show in New York on Thursday May 14th! Andy's latest essay can be found here! Also, we're in culture critic and Vulture writer Sean Malin's book The Podcast Pantheon: 101 Podcasts That Changed How We Listen!ALSO BUY A SUPER CUTE "Open Your Hearts, Loosen Your Butts" mug! And:Support the show on Patreon (two extra exclusive episodes a month!) or gift someone a Patreon subscription! Or get yourself a t-shirt or a discounted Quarantine Crew shirt! And why not leave a 5-star review on Apple Podcasts? Or Spotify? It takes less than a minute! Follow the show on Instagram! Check out CT clips on YouTube!Plus some other stuff! Watch Naomi's Netflix half hour or Mythic Quest! Check out Andy's old casiopop band's lost album or his other podcast Beginnings!Theme song by the great Sammus! Hosted on Acast. See acast.com/privacy for more information.

Why is Thailand considering a second tourism tax? Could the Philippines rescind its decision to scrap an outbound air travel fee? Which ASEAN airlines are cutting the most flights from May-July? And is India's outbound growth story hitting an energy-crunch roadblock? Those are four of the key questions Gary and Hannah ask and answer on our Start the Week show. To kickstart the May holiday week, we head to Thailand, Malaysia, Singapore, the Philippines and Myanmar via India and South Korea to tackle the 6 top regional talking points. En route, we also discuss the implications of Thai Air Asia's domestic flight cuts - and the downgrading of its two-hub model in Bangkok. Changi T3 undergoes a major makeover as a tech-enhanced testbed for T5, and Grab begins cross-border ride-hailing services. Plus, Malaysia makes a play for healthcare tourists from Myanmar, and - much to Hannah's delight - Baby Shark arrives in Singapore for new IP Tourism collabs.

Don't have time to listen to the full show? We got you covered on the Nathan, Nat & Shaun Quickie, all the best bits from Tuesday 28th April!See omnystudio.com/listener for privacy information.

Cigar Nerds Podcast Baby Shark. Sharknados are old news, the week its Shark Hurricanes. We are talking about the new shark horror movies Thrash. In science we discuss whats next for Artemis, de-aging nasal spray, robot army, and the state shark. In Nerd News we talk about Streetfighter, Mandalorian and Grogu, Punisher Last Kill, Spaceballs […]

  Baby Shark returns to competition with a fresh team, a renewed attitude, and a whole new level of focus. A new chapter begins, and the excitement around what's coming is impossible to ignore.   Road To Pro (Japan):   https://portraitkite.com/videos/road2pro-season-2-japan-ep1/   The Line Smith:   Discount Code: kitesurf365   https://www.thelinesmith.eu/carecenter/   Support the show:   http://portraitkite.com   https://www.fantasykite.com   Contact me:   adrian@portraitkite.com   Follow me:   http://www.kitesurf365.com   https://www.instagram.com/kitesurf365/

This conversation I have with Tim Shuck is one that kept surprising me. Tim is a facilitator with Novo who has walked thousands of ordinary people into praying for others... and what he shares about the prayers that "don't work" is something I think a lot of people need to hear.Tim Shuck is a guide and facilitator with Novo, an organization equipping ordinary people to hear from God and minister to those around them. He's walked over 10,000 people through cohort-based training in listening prayer and Spirit-led ministry.In this conversation, we get into what happens when prayer doesn't go the way you expected, why God seems to touch hearts far more than he touches bodies, how ordinary people are doing extraordinary things when they just dare to say "may I pray for you?"... and so much more.Here's what we explore:▪️ The "botched" prayer that started a years-long relationship with a salty neighbor named Bob — and what God was actually doing▪️ Why 100% of the time God does something when we pray, even when it's not what we expected▪️ How to create space for people who feel spiritually stuck or disconnected — without shame or pressure▪️ Why God speaks in the middle of ordinary life (even Baby Shark sing-alongs)▪️ The humility muscle you have to grow alongside the listening muscle — or things go sideways▪️ What it looks like to be a "supporting character" who finally realizes God wants to use them just as they areChapters:00:00 The Prayer That Didn't Work03:24 Tim's Work with Novo and Ordinary People05:20 What Happens Every Time We Pray, No Matter What07:36 Two Stories — A Healing and a "Botched" Prayer13:08 How a Failed Prayer Became a Years-Long Relationship16:38 Helping People Who Struggle to Connect With God20:09 Why We Get Stuck in Our Heads — and What to Do Instead23:00 How God Speaks in Everyday Life, Not Just Prayer Time26:27 Growing Humility Alongside the Listening Muscle32:16 You Don't Have to Become Anyone Other Than Who You Already AreIf something in this conversation stirred something in you, I'd love for you to sit with it. And if you want to go deeper, the Hearing God Challenge is a great place to start — link below.

Cheryl Mann interviews Chaidura about their blend of metal, emo, goth, visual kei, the importance of how to create a really good music video and why Baby Shark is the perfect soundtrack to slaying zombies

Kevin and Casey finally tackle the children’s song that conquered the planet: Baby Shark. With a brutally honest nine-year-old guest in the studio, they investigate whether it’s a timeless kids’ classic, a New Order synth ripoff, or just a song designed to slowly melt parents’ brains. Between fart logic, daycare shoutouts, Hamilton debates, and an unexpected lyrical analysis of shark politics, the real question remains—does Baby Shark deserve a chance, or should it swim back into the abyss?See omnystudio.com/listener for privacy information.

喜歡張大春主持的「聽說張大春」嗎？歡迎小額贊助我們，讓我們繼續產出優質節目＞https://open.firstory.me/join/thehearsayzhangdachun 主持人：張大春 來賓：資深樂評人袁永興 主題：娛樂轟趴｜動物之歌 本集播出日期：2021.01.13 播放曲目： 1. Baby Shark 2. L'Elefante e la Farfalla / Michele Zarrillo 3. Me and You and a Dog Named Boo / Lobo 4. Cat's in the Cradle / Harry Chapin 5. A Horse With No Name / America 6. She Wolf / Shakira 7. Bird On A Wire / Neville Brothers 8. Fly Like an Eagle / Steve Miller 9. El Condor Pasa (If I Could) / Simon & Garfunkel 10. Union of the Snake / Duran Duran ----- ▍聽更多：https://flow.page/thehearsay ▍粉絲團：https://www.facebook.com/TheHearSayChannel ▍合作贊助：thehearsaytw@gmail.com Powered by Firstory Hosting

HMSG Interview Kristin L. Wallace - "Scooby-Doo on Zombie Island"Zoinks! We got to chat with Comedian/Writer Kristin L. Wallace about the animated gateway horror masterpiece SCOOBY-DOO ON ZOMBIE ISLAND (1998). The gang is all grown up and reunites to look for proof of real monsters in the world for Daphne's TV show Coast to Coast! This entry breaks the mold of traditional Scooby gang adventures and features some legendary voice talent like Mark Hamill & Adreinne Barbeau!Have you seen this one? We hope you enjoy jumping into the Mystery Machine with us this week! More About Our Guest!Kristin L. Wallce is an LA-based writer (Nickelodeon's BABY SHARK'S BIG SHOW!,) comedian (local Juggalo impersonator,) and Twitch streamer originally from Washington, D.C.! After honing her funny bone at a woman-run comedy show in New Orleans, Kristin has created critically-acclaimed shows in Los Angeles including multiple runs of her whiteface minstrel production, WHITE TIME!Kristin's Instagram: https://www.instagram.com/verygenuine/Kristin's Twitch: https://m.twitch.tv/verygenuine/homeSupport the show

This song pairs well with Peanut Butter Jelly Time

Tonight, we're heading to Harmony Cove, where Finny the curious baby shark just can't settle. With a little help from Zen the pufferfish, your little one can relax alongside them into a deep sleep. With soothing rhymes, soft sounds and repetitions, your tots will sleep soundly through the night. Upgrade to Koala Tots Plus for uninterrupted ad-free listening, and access to bonus compilation episodes that will keep your little one sleeping all night long. It takes two taps ⭐️https://koalatots.supercast.com Please hit follow and leave us a review.

The Stupid History of Baby Shark Singing PuppetBecome a supporter of this podcast: https://www.spreaker.com/podcast/the-stupid-history-minute--4965707/support.

Send us a textA birthday hangout turns into a full-on variety show: we kick off with shots and shout-outs, then sprint straight into the Labubu craze and the wild trend of tattooing the toy itself. The hype machine gets a reality check as we break down why collectibles blow up—celebrity co-signs, K-pop adjacency, mystery variants, and the thrill of not knowing what you'll get. From there, we tumble into pop-chart surprises (Baby Shark supremacy, Despacito endurance) and ask why certain songs conquer the world with choreography, repetition, and rhythm that cut across languages.Food heads get fed with hibachi talk, Kiran light, and an unexpected case for Crown Royal chocolate—plus the difference between a “vibe” dinner and a clutch takeout. Then comes a fiery Southern culture segment: Alabama and Mississippi pride meets Texas side-eye, MLK Day politics in Arizona's past, and the way stereotypes stick until someone tells the fuller story. Sports heads get their fix too, with NFL loyalties tested, fantasy heartbreak relived, and the kind of friendly slander that keeps group chats alive.Midway, we open the door on something more intimate: the difference between love and lust, how confidence changes chemistry, and the petty things people do post-breakup (or refuse to). It's raw, funny, and more honest than anyone planned. We pivot to strength and training with BYL shoutouts, celebrating women who lift heavy and giving beginners a nudge to start where they are. And because it's that season, the table explodes over holiday movies: Elf vs Die Hard, Home Alone nostalgia, Friday After Next as an all-timer, and the perennial “does it count as Christmas if it only happens at Christmas?” loophole.Pull up a chair, pour something good, and argue with us in your head. If you laughed, learned, or yelled “that's cap,” hit follow, rate the show, and share this episode with a friend who loves a good debate. Your reviews keep the mics on and the chaos premium.Thanks for listening to the Nobody's Talking Podcast. Follow us on Twitter: (nobodystalking1), Instagram : (nobodystalkingpodcast) and email us at (nobodystalkingpodcast@gmail.com) Thank you!

MUSICA new Courtney Love documentary, Antiheroine, will premiere at the Sundance Film Festival, which is set for January 22nd through February 1st in Park City, Utah. https://festival.sundance.org/program/film/6932fb761a55354cab91b505 Deftones are helping out a soccer team in their hometown of Sacramento, California.The band is sponsoring Street Soccer USA's Los Jaguares team, which is a team of team of 11–14-year-old boys and girls from the Oak Park neighborhood where Deftones got started.Deftones and GOAL Projects teamed up to design the team's official 2026 jerseys and a soccer ball, both of which can be purchased now at Shopdeftones.com. Proceeds from each jersey sold will go to Los Jaguares and Street Soccer USA, a nonprofit that serves over 75,000 players in 16 U.S. cities. James Cameron co-directed Billie Eilish's upcoming 3D concert film, "Hit Me Hard and Soft: The Tour (Live in 3D)". Here's part of the trailer that takes us onstage and backstage. Jelly Roll just fulfilled a lifelong dream. Yesterday, Craig Morgan invited him to join the Grand Ole Opry. And it all happened on "The Joe Rogan Experience". Joe played Jelly a clip from one of his past Opry performances. Jelly called it "the most special night of my life." He talked about how Craig's song "Almost Home" helped him while he was in jail. TVRIP: Jeff Garcia, the comedic actor, who is best known for voicing the Jimmy Neutron character Sheen passed away at the age of 50. An official cause of death was not yet made public. https://www.tmz.com/2025/12/10/jeff-garcia-dead-comedian/ Icon and legend Diana Ross has been confirmed as the headliner for Dick Clark's New Year's Rockin' Eve with Ryan Seacrest 2026 in Times Square! https://www.billboard.com/music/music-news/diana-ross-perform-dick-clarks-new-years-rockin-eve-2026-1236133111/ MOVING ON INTO MOVIE NEWS:HBO Max made a documentary called "Happy and You Know It" about the popularity of annoying kids' music. It includes several children's artists like the Wiggles, and as you'll hear in this part of the trailer, the guy who made the original "Baby Shark" video is still upset at Pinkfong making a massive hit out of it.Andy Dick suffered an apparent overdose Tuesday, in broad daylight outside a building in Hollywood. Someone administered Narcan, and Andy didn't need to go to the hospital. He says he's okay. https://www.tmz.com/2025/12/09/andy-dick-suffers-apparent-overdose/ Jack Nicholson had an interesting way with stalkers. At least one particular stalker. One FEMALE stalker. Ben Dreyfus is the son of "Jaws" star Richard Dreyfus and a woman named Jeramie Rain. Jeramie dated Nicholson in the early 80s. And Ben told a crazy story that happened when they were together. https://x.com/bendreyfuss/status/1993502358551380205 AND FINALLY Billboard released their 2025 Year End charts. https://www.billboard.com/charts/year-end/ Hot 100 Songs:1. "Die with a Smile", Lady Gaga and Bruno Mars2. "Luther", Kendrick Lamar and SZA3. "A Bar Song (Tipsy)", Shaboozey Billboard 200 Albums:1. "The Life of a Showgirl", Taylor Swift2. "I'm the Problem", Morgan Wallen3. "SOS", SZA Top Artists:1. Morgan Wallen (More on him here.)2. Kendrick Lamar3. Taylor Swift Top Female Artists:1. Taylor Swift2. Sabrina Carpenter3. SZA Top Male Artists:1. Morgan Wallen2. Kendrick Lamar3. Drake This is the worst Country Song of the year: See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

Quite The Snow | Conan & Friends Have Sense Of Humour | There Is A Baby Shark Scandal | A Teleporting Thief | We Meet A Guy Named Stormin' Norman | Dumb Things You've Seen People Do In The Snow | A Guy Drank Windshield Washer Fluid | Joke Text

From ‘Baby Shark’ to ‘Skinamarink’, Jim breaks down why they can annoy us so much Plus – Was this meet-cute actually creepy?

Big feelings are not the problem. The real issue is when kids don't know what those feelings are for or what to do with them.In this episode of Overpowering Emotions, Dr. Caroline walks through how to help children and teens move from “I feel awful” to “Here's what I need and here's what I'm going to do.”You'll hear how to:Teach kids to read their body signals and name emotions with more precisionLink emotions to underlying needs, values, and goalsUse primary and secondary appraisal (Is this dangerous? Can I handle it?) to guide copingSpot when strategies are actually avoidance in disguiseBuild “if–then” plans so kids know exactly what to do when big feelings hitPractice emotion-focused vs. problem-focused coping without rescuing or over-accommodatingPerfect for educators, parents, and mental health professionals who want practical ways to match responses to kids' emotions and needs, build resilience, and stop reinforcing avoidance.Homework IdeasDaily Emotion–Need Check-InGoal: Link feelings → needs → possible actions.How: Once a day (morning meeting, bedtime, or session check-in), ask:o “What are you feeling?”o “Where do you feel it in your body?”o “What might this feeling be telling you that you need or want?”o “What's one small thing that might help?”Use an emotion wheel or your Emotional Literacy Workbook as a word bank.Helpful resource: Get the free Emotional Literacy Workbook PDF (https://korulearninginstitute.kit.com/emotionaliteracy) Primary vs. Secondary Appraisal PracticeGoal: Help kids sort “this feels huge” from “this is truly dangerous” and “can I handle it?”How: With a recent stressor (test, friend issue, gym class):Ask Primary appraisal questions:o “What makes this feel scary, hard, or unfair?”o “Is something actually unsafe, or does it mostly feel big?”Ask Secondary appraisal questions:o “Have you been in something like this before?”o “What helped even a tiny bit?”o “Who or what could support you this time?”Write answers together on a simple worksheet so they can see the pattern. Build an If–Then Coping PlanGoal: Turn vague coping into concrete, rehearsed responses.How: Pick one recurring trigger and script it: “If I start to panic before a math quiz, then I will:1. Put both feet on the floor2. Notice where the feeling is in my body3. Answer the easiest question first.”Practice this when calm, then in low-stakes situations, then in the real one. Body Mapping & Riding the WaveGoal: Increase interoceptive awareness and distress tolerance.How: Print a body outline. Ask the child to draw where they feel worry / anger / shame. Add words: “tight,” “hot,” “heavy,” “buzzy,” “pressure,” etc.During a mild spike, coach:o “Notice: stronger on the left or right?”o “Let's watch what happens for 60–90 seconds.”Track: Did it grow, stay the same, or drop?This normalizes “waves” and shows the nervous system can rise and fall without escape. Role-Play Triggers SafelyGoal: Let kids rehearse new responses without public shame.How: Ask: “What does your sibling/classmate do that really sets you off?”Recreate a version with you (e.g., you hum “Baby Shark” while they do homework).Guide them to:o Notice body cueso Label the feelingo Use their plan: drop into the body, self-coaching, opposite action, etc.Repeat until they can access the new response faster. “Even If…” Values StatementsGoal: Tie coping to what matters most, not just symptom reduction.How: Help kids finish:· “Even if I feel anxious, I'm still going to ____ because ____ matters to me.”· “Even if I feel left out, I'm still going to ____ because ____ is important to me.”Post their top 2–3 on a card, locker, or notebook.Revisit after exposures: “Did acting on your value help, even with the feeling there?”Enjoying the show? Help out by rating this podcast on Apple to help others get access to this information too! apple.co/3ysFijh Follow Dr. Caroline YouTube: https://www.youtube.com/@dr.carolinebuzankoIG: https://www.instagram.com/dr.carolinebuzanko/ LinkedIn: https://ca.linkedin.com/in/dr-caroline-buzankoFacebook: https://www.facebook.com/DrCarolineBuzanko/X: https://x.com/drcarolinebuzWebsite: https://drcarolinebuzanko.com/Resources: https://drcarolinebuzanko.com/#resourcesBusiness inquiries: https://korupsychology.ca/contact-us/Want to learn more about helping kids strengthen their emotion regulation skills and problem-solving brains while boosting their confidence, independence, and resilience? Check out my many training opportunities! https://drcarolinebuzanko.com/upcoming-events/

Get more TPOM in the post-show "lock-in" – try it for FREE!: ⁠⁠https://www.patreon.com/c/thepriceofmusic/membership⁠====Your weekly guide to the music biz and how it all works. In this week's episode of The Price of Music, Steve and Stu unwrap the week's music biz goings-on:An exploding toilet caused a gig cancellation – but what now for the band, fans and the venue?Stu's Big Number is $2.45bn - it's big, but why might it feel scary to artists and labels?Spotify might also put their prices by a dollar in the US - who will welcome this (and who won't?)Three AI music-making companies have struck deals with major labels - but who and why?The UK ticket levy to help smaller grassroots venues is taking off – so what's next? Stu's been chatting to an MP to find out.TPOM's continued role as your Primary Baby Shark News Resource continues as Stu explains how many millions of dollars it made last year (it was a lot).And in the special post-show lock-in section just for our Patreon Superfans, Steve and Stu prop themselves at the bar to chat about:Steve once flew several thousand miles to watch a band, only for them to quit after a mere three songs. But which now-massive band was it?Who are Steve and Stu's artists of the year? (Including Wet Leg and Self Esteem)What was the annual Reader's Poll like behind the scenes at the NME for Steve?More unusual gig cancellation stories - including pigeons pooping on Kings of Leon, Neil Young's sandwiches, and moreWhat's the city of Manchester doing to support local venues and promoters?As ever, we welcome your feedback, emails and – in particular – any questions you might have about how the music biz works!Email us: ⁠⁠thepriceofmusicpodcast@gmail.com⁠⁠See you next week!Steve and Stuart======Support The Price of Music on Patreon:⁠⁠https://www.patreon.com/ThePriceofMusic⁠⁠Follow Steve on X - @steve_lamacqFollow Stuart on X - @stuartdredgeFollow The Price of Music on X - @PriceofMusicpodFor sponsorship opportunities, please email - ⁠⁠joe@musically.com

This week on Music Tectonics, we're continuing our Conference Conversations series with highlights from the Music Tectonics Conference. Over the next several weeks, we'll be sharing our favorite discussions, interviews, and panels that capture what's happening right now in music innovation.   Today, we're featuring a conversation with Ethan Millman from the Hollywood Reporter. Ethan breaks down one of the biggest music industry trends: the blurring lines between music distribution and record labels. We explore how label services are evolving, why distribution deals have become the hottest topic in music business, and what artists need to know when choosing between distributors and record labels.   Whether you're an independent artist navigating distribution options, a music industry professional tracking the latest trends, or a music tech founder building solutions for the creator economy, this conversation offers essential insights into the future of music distribution and artist services.   The News! Baby Shark creator Pinkfong goes public with $372m valuation AI Music Platform Suno Valued at $2.45 Billion Suno will be reading Robert Kyncl's new blog post very closely, as WMG CEO vows to 'legislate, litigate, license' in the era of AI music creation Explosively Viral Track 'I Run' by HAVEN Yanked From Spotify and Other Platforms Over AI 'Artist Impersonation' — Turns Out Suno Is Where It All Started The Music Tectonics podcast goes beneath the surface of the music industry to explore how technology is changing the way business gets done. Visit musictectonics.com to find shownotes and a transcript for this episode, and find us on LinkedIn, Twitter, and Instagram. Let us know what you think!    Get Dmitri's Rock Paper Scanner newsletter.  

De hele week werd gesmacht naar de cijfers van Nvidia, want die zouden bewijzen: die AI-bubbel bestaat niet. Héél even leek het nog waar te zijn ook. Maar het sentiment sloeg snel om, en toen trok onze redder alle beurzen met zich mee omlaag, ondanks die mega goede cijfers. Ook op onze eigen AEX staan de chipaandelen lager. Waar het misging en hoe die onverklaarbare omslag nu te verklaren valt, bespreken we deze aflevering. Je hoort ook waarom defensie-aandelen vandaag weer fors lager staan en waarom een vredesplan van Donald Trump en Vladimir Poetin beleggers kennelijk meer overtuigd dan groeiprognoses van het Duitse Rheinmetall, het bedrijf dat het meest inlevert. Dan duiken we ook nog in de cijfers van gamereus Ubisoft en moeten we het nog eens hebben over het bedrijf achter oorwurm Baby Shark. Het bedrijf ging naar de beurs dinsdag en het aandeel won direct 60 procent aan waarde, maar daar is drie dagen later niks meer van over. See omnystudio.com/listener for privacy information.

Episode 717: Neal and Toby discuss Mark Zuckerberg's big win against the government as a federal judge says Meta does not hold monopoly power in today's social media landscape. A big loss for the FTC. Then, Home Depot reports a weak Q3 which is seen as a bad sign for the economy. And, Panera Bread, the once No. 1 fast-casual chain in the US, has steadily declined in the last few years and announces a turnaround plan to bring it back to its glory days. Meanwhile, “Baby Shark Dance,” the extremely popular and catchy tune on YouTube hasn't quite made the profit that is proportional to its revenue. Finally, much of the internet was out yesterday…what the heck happened? Learn more at usbank.com/splitcard  Get your MBD live show tickets here! https://www.tinyurl.com/MBD-HOLIDAY  Subscribe to Morning Brew Daily for more of the news you need to start your day. Share the show with a friend, and leave us a review on your favorite podcast app. Listen to Morning Brew Daily Here:⁠ ⁠⁠https://www.swap.fm/l/mbd-note⁠⁠⁠  Watch Morning Brew Daily Here:⁠ ⁠⁠https://www.youtube.com/@MorningBrewDailyShow⁠ Learn more about your ad choices. Visit megaphone.fm/adchoices

European and Asian equities traded lower this Tuesday, following in the footsteps of Wall Street, as doubts rise as to whether the tech sector's huge investments in artificial intelligence will pay off. Also in this edition: Donald Trump tries to convince American voters he is working to make life more affordable for them. Plus the company behind the 2016 mega-hit "Baby Shark", Pinkfong, debuts on Seoul's stock market.

Muy buenos días, hablemos de la semana laboral de 40 horas, vamos a cantar Baby Shark, también nos preguntamos por qué Texas es el lugar favorito de las grandes tecnológicas para sus centros de datos y Six Flags va a estrenar un nuevo parque de diversiones por primera vez fuera de Norteamérica.[Patrocinado] Conoce las oportunidades que ofrece Deel aquí.

En de verkopen exploderen. Vijf keer zo veel denken ze te gaan verkopen in de komende vijf jaar. Waar ze afgelopen jaar nog voor 10 miljard euro aan bommen en tanks verkochten, ziet het Duitse defensiebedrijf Rheinmetall dat in 2030 toenemen naar 50 miljard euro. En daarbij gaan ze uit van een aantal scenario's, die niet mals zijn. En die ook nog eens opgesteld zijn in samenwerking met geheime diensten. Wat die zijn en wat dat voor defensie-aandelen betekent, hoor je in deze aflevering. Verder zwaaien we alwéér een AEX-bedrijf uit. AkzoNobel heeft een fusiepartner gevonden in het Amerikaanse Axalta. Samen worden ze een verf- en coatingbedrijf van zo'n 17 miljard dollar. En op termijn moet het dan ook gedaan zijn met de notering in Amsterdam. We zoeken voor je uit of je AkzoNobel straks moet gaan missen. En je hoort over de topman van Google. Zelfs hij heeft het over een mogelijke AI-bubbel. En hij heeft een onheilspellende boodschap. Als die bubbel knapt, gaat iedereen dat voelen. Maar hij vindt al die miljardeninvesteringen dan wel weer geheel terecht.See omnystudio.com/listener for privacy information.

On this bowl of Question Crunch, we go back to the beginning of October with a spooky costume party.Cooter, Darryl, Miki, and Phylistine join me in dressing up and answering questions about their costumes, what they're drinking, and the weaponization of Baby Shark.

President Trump struck a deal with Big Pharma for $150 GLP-1 drugs… a total euro move.On the 10th anniversary of the Baby Shark video… its owner PinkFong IPO'd at a $400 million valuation.Lyft's CEO celebrated their best quarter yet… by joining The Best One Yet in-studioLooksMapping ranks restaurants by the hotness of their diners.$LYFT $UBER $NVONEWSLETTER:https://tboypod.com/newsletter OUR 2ND SHOW:Want more business storytelling from us? Check our weekly deepdive show, The Best Idea Yet: The untold origin story of the products you're obsessed with. Listen for free to The Best Idea Yet: https://wondery.com/links/the-best-idea-yet/NEW LISTENERSFill out our 2 minute survey: https://qualtricsxm88y5r986q.qualtrics.com/jfe/form/SV_dp1FDYiJgt6lHy6GET ON THE POD: Submit a shoutout or fact: https://tboypod.com/shoutouts SOCIALS:Instagram: https://www.instagram.com/tboypod TikTok: https://www.tiktok.com/@tboypodYouTube: https://www.youtube.com/@tboypod Linkedin (Nick): https://www.linkedin.com/in/nicolas-martell/Linkedin (Jack): https://www.linkedin.com/in/jack-crivici-kramer/Anything else: https://tboypod.com/ About Us: The daily pop-biz news show making today's top stories your business. Formerly known as Robinhood Snacks, The Best One Yet is hosted by Jack Crivici-Kramer & Nick Martell.See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

NINA WEST (Andrew Levitt) He rose to international prominence on the 11th season of “RuPaul's Drag Race.” Other notable credits include Weird: Tina Romero's Queens of the Dead, The Al Yankovic Story (Divine), “Dragging the Classics: The Brady Bunch” (Alice), and voiceover work for Nickelodeon's “Blue's Clues,” “Baby Shark's Big Show,” “RuPaul's Secret Celebrity Drag Race,” the recent “RuPaul's Drag Race All Stars 9,” “Drag Me To Dinner,” Bobby Moynihan's “Loafy,” Hulu's “The Bravest Knight”,  and documentaries Lady Like and Kings, Queens, and In Betweens. On stage, he starred as Edna Turnbald in the national tour of Broadway's Hairspray The Musical.Nina has hosted events around the world. Of note: 74th Annual ACE Eddie Awards, Disney+ Pride Special, events at San Diego Comic-Con, and galas for SAGE and Bring Change to Mind, among others.His charitable foundation, The Nina West Foundation, has raised over $3 million dollars for charities in central Ohio and around the world.His first children's book, The You Kind of Kind was published in 2022 by PA Press.Nina has performed with Kermit the Frog and The Muppets. It does not get better than that.Links: https://www.ninawest.com/

In the sketch, Adam Driver appears as Jeffrey Epstein in Hell, sharing space with other controversial public figures—one being Alan Dershowitz (played by Jon Lovitz). The setup is absurd and dark: Dershowitz is preparing his impeachment defense when he ends up transported to Hell, where he is greeted by Epstein, who greets everything with an unnerving nonchalance, saying he's “just hanging” in Hell, a grim reference to Epstein's death by suicide in prison. The sketch mingles satire with shock, using the ludicrous setting to comment on how scandal, power, denial, and guilt function in public lifeThe cold open also includes other figures in Hell—Mitch McConnell, Flo from Progressive, the “Baby Shark” songwriter, etc.—turning the scene into a weirdly populated waiting room of immoral celebrity and public scandal. There are jokes about conspiracy theories around Epstein's death, with Epstein quipping “I wish you could have been there in person” after Dershowitz complains about missing something, and Epstein responding “Yeah, it's too bad I was murdered.” The tone is uncomfortable comedy: it forces laughter but also forces audience to think about the real grotesque elements of the Epstein scandal—death, power, impunity.To contact me:Bobbycapucci@protonmail.comsource:https://www.google.com/amp/s/nypost.com/2020/01/26/snl-cold-open-alan-dershowitz-reunites-with-just-hanging-jeffrey-epstein-in-hell/amp/Become a supporter of this podcast: https://www.spreaker.com/podcast/the-epstein-chronicles--5003294/support.

In Westchester, Los Angeles, a business has installed a speaker system called the Blue Chirper that plays loud insect noises—like crickets and cicadas—to deter homeless encampments.Local tenants say the sounds often exceed 90 decibels, disturbing nearby businesses and residents. Unhoused people in RVs report sleep disruption and stress, while business owners argue it's a legal way to protect their property.This tactic is part of a growing trend in Southern California, where property owners have used everything from children's songs like “Baby Shark” to classical music in attempts to push encampments away.

Topics:  Dog In Movie, He Did That, Shock Jock, Back To School, Worst Song BONUS CONTENT: The Real You   Quotes: “I don't think they're looking for shedding.” “Helplessness isn't necessarily a bad place to be.” “Putting away anger helps you look younger.” . . . Holy Ghost Mama Pre-Order! Want more of the Oddcast? Check out our website! Watch our YouTube videos here. Connect with us on Facebook! For Christian banking you can trust, click here!

Hunter responds to warning letter from Melania… Stanford Mind-Reader Study… Meta's GenAI Chatbot content guidelines / Conversations that are romantic or sensual… AI Headlines… Detection rate goes down without AI… China using underwater server farms… Email: ChewingTheFat@theblaze.com Baby Shark still Public Domain … LL Cool J to host MTV Video Music Awards… Sept 7th is a busy day… Elvis Aaron Presley / Anniversary of 1977 Death tomorrow… Who Died Today: Jacklyn “Jackie” Bezos 78 / Bill Turner 78 / Haley McNeff 37… 988 Suicide & Crisis Lifeline… Blaze Unlimited / Frontier 3www.blazeunlimited.com/jeffy Promo code JEFFY50Forty Dollars off / limited timeGame Show: What's The Lie? Contestant: Adrian Serna… Learn more about your ad choices. Visit megaphone.fm/adchoices

First, we break down what rising wholesale inflation means for the US economy. President Donald Trump and Russian President Vladimir Putin will hold a joint media conference after tomorrow's summit in Alaska. Israel is set to approve a controversial settlement plan in the occupied West Bank. More rural emergency rooms in the US may be run without doctors. Plus, a court case over a kids' song has gone all the way to South Korea's top court. Learn more about your ad choices. Visit podcastchoices.com/adchoices

A jury orders Tesla to pay more than $240 million in Autopilot crash Apple reports biggest revenue growth since December 2021 Apple's New 'Answers' Team Eyes ChatGPT-Like Product in AI Push Apple says DOJ's antitrust lawsuit would 'reduce consumer choice' Alphabet beats earnings expectations, raises spending forecast Australia widens teen social media ban to YouTube, scraps exemption YouTube rolls out age-estimation tech to identify US teens and apply additional protections Amazon to Pay New York Times $20 Million a Year in AI Deal A.I. Researchers Are Negotiating $250 Million Pay Packages. Just Like N.B.A. Stars. Anthropic studied what gives an AI system its 'personality' — and what makes it 'evil' AI Capex is Eating the Economy Will data centers crash the economy? What content strategy looks like in the age of AI Inside the LG G5's shocking last-place finish at the 2025 TV Shootout Senate confirms Sean Cairncross to be national cyber director under Trump How Podcast-Obsessed Tech Investors Made a New Media Industry Y2K38 bug? Debian switching to 64-bit time for everything Lina Kahn Takes a Victory Lap for Figma IPO Host: Leo Laporte Guests: Richard Campbell, Brian McCullough, and Mike Elgan Download or subscribe to This Week in Tech at https://twit.tv/shows/this-week-in-tech Join Club TWiT for Ad-Free Podcasts! Support what you love and get ad-free shows, a members-only Discord, and behind-the-scenes access. Join today: https://twit.tv/clubtwit Sponsors: canary.tools/twit - use code: TWIT ZipRecruiter.com/Twit zscaler.com/security miro.com uscloud.com

A jury orders Tesla to pay more than $240 million in Autopilot crash Apple reports biggest revenue growth since December 2021 Apple's New 'Answers' Team Eyes ChatGPT-Like Product in AI Push Apple says DOJ's antitrust lawsuit would 'reduce consumer choice' Alphabet beats earnings expectations, raises spending forecast Australia widens teen social media ban to YouTube, scraps exemption YouTube rolls out age-estimation tech to identify US teens and apply additional protections Amazon to Pay New York Times $20 Million a Year in AI Deal A.I. Researchers Are Negotiating $250 Million Pay Packages. Just Like N.B.A. Stars. Anthropic studied what gives an AI system its 'personality' — and what makes it 'evil' AI Capex is Eating the Economy Will data centers crash the economy? What content strategy looks like in the age of AI Inside the LG G5's shocking last-place finish at the 2025 TV Shootout Senate confirms Sean Cairncross to be national cyber director under Trump How Podcast-Obsessed Tech Investors Made a New Media Industry Y2K38 bug? Debian switching to 64-bit time for everything Lina Kahn Takes a Victory Lap for Figma IPO Host: Leo Laporte Guests: Richard Campbell, Brian McCullough, and Mike Elgan Download or subscribe to This Week in Tech at https://twit.tv/shows/this-week-in-tech Join Club TWiT for Ad-Free Podcasts! Support what you love and get ad-free shows, a members-only Discord, and behind-the-scenes access. Join today: https://twit.tv/clubtwit Sponsors: canary.tools/twit - use code: TWIT ZipRecruiter.com/Twit zscaler.com/security miro.com uscloud.com

A jury orders Tesla to pay more than $240 million in Autopilot crash Apple reports biggest revenue growth since December 2021 Apple's New 'Answers' Team Eyes ChatGPT-Like Product in AI Push Apple says DOJ's antitrust lawsuit would 'reduce consumer choice' Alphabet beats earnings expectations, raises spending forecast Australia widens teen social media ban to YouTube, scraps exemption YouTube rolls out age-estimation tech to identify US teens and apply additional protections Amazon to Pay New York Times $20 Million a Year in AI Deal A.I. Researchers Are Negotiating $250 Million Pay Packages. Just Like N.B.A. Stars. Anthropic studied what gives an AI system its 'personality' — and what makes it 'evil' AI Capex is Eating the Economy Will data centers crash the economy? What content strategy looks like in the age of AI Inside the LG G5's shocking last-place finish at the 2025 TV Shootout Senate confirms Sean Cairncross to be national cyber director under Trump How Podcast-Obsessed Tech Investors Made a New Media Industry Y2K38 bug? Debian switching to 64-bit time for everything Lina Kahn Takes a Victory Lap for Figma IPO Host: Leo Laporte Guests: Richard Campbell, Brian McCullough, and Mike Elgan Download or subscribe to This Week in Tech at https://twit.tv/shows/this-week-in-tech Join Club TWiT for Ad-Free Podcasts! Support what you love and get ad-free shows, a members-only Discord, and behind-the-scenes access. Join today: https://twit.tv/clubtwit Sponsors: canary.tools/twit - use code: TWIT ZipRecruiter.com/Twit zscaler.com/security miro.com uscloud.com

A jury orders Tesla to pay more than $240 million in Autopilot crash Apple reports biggest revenue growth since December 2021 Apple's New 'Answers' Team Eyes ChatGPT-Like Product in AI Push Apple says DOJ's antitrust lawsuit would 'reduce consumer choice' Alphabet beats earnings expectations, raises spending forecast Australia widens teen social media ban to YouTube, scraps exemption YouTube rolls out age-estimation tech to identify US teens and apply additional protections Amazon to Pay New York Times $20 Million a Year in AI Deal A.I. Researchers Are Negotiating $250 Million Pay Packages. Just Like N.B.A. Stars. Anthropic studied what gives an AI system its 'personality' — and what makes it 'evil' AI Capex is Eating the Economy Will data centers crash the economy? What content strategy looks like in the age of AI Inside the LG G5's shocking last-place finish at the 2025 TV Shootout Senate confirms Sean Cairncross to be national cyber director under Trump How Podcast-Obsessed Tech Investors Made a New Media Industry Y2K38 bug? Debian switching to 64-bit time for everything Lina Kahn Takes a Victory Lap for Figma IPO Host: Leo Laporte Guests: Richard Campbell, Brian McCullough, and Mike Elgan Download or subscribe to This Week in Tech at https://twit.tv/shows/this-week-in-tech Join Club TWiT for Ad-Free Podcasts! Support what you love and get ad-free shows, a members-only Discord, and behind-the-scenes access. Join today: https://twit.tv/clubtwit Sponsors: canary.tools/twit - use code: TWIT ZipRecruiter.com/Twit zscaler.com/security miro.com uscloud.com

This is episode five of Swimming with Shadows: A Radiolab Week of Sharks.Today, the strange, squirmy magic behind how sharks make more sharks. Drills. Drama. Death. Even a coliseum of baby sharks duking it out inside mom's womb. And a man on a small island in the Mediterranean trying, against all odds, to give baby sharks a chance in a little plastic aquarium in his living room. Can a human raise a shark? And if so, what good is that for sharks? And for us? Doo doo doo doo doo doo.Special thanks to Jaime Penadés Suay and la Fundación Azul Marino.EPISODE CREDITS: Reported by - Rachael CusickProduced by - Rachael Cusickwith mixing help from - Jeremy BloomFact-checking by - Diane Kellyand Edited by  - Pat WaltersEPISODE CITATIONS:Articles - Claudia's original reporting that inspired the episodeSignup for our newsletter!! It includes short essays, recommendations, and details about other ways to interact with the show. Sign up (https://radiolab.org/newsletter)!Radiolab is supported by listeners like you. Support Radiolab by becoming a member of The Lab (https://members.radiolab.org/) today.Follow our show on Instagram, Twitter and Facebook @radiolab, and share your thoughts with us by emailing radiolab@wnyc.org.Leadership support for Radiolab's science programming is provided by the Gordon and Betty Moore Foundation, Science Sandbox, a Simons Foundation Initiative, and the John Templeton Foundation. Foundational support for Radiolab was provided by the Alfred P. Sloan Foundation.

Danny's dating a college intern who has more in common with D.J. than him... Speaking of graduates, we have TWO in the Tanner family (and an honorable mention to Steph who will be allocated to a new playground)! Can we relate to Jesse's distaste with "Wheels on the Bus", considering "Baby Shark" was all the rage not too long ago?! It's all right here on How Rude, Tanneritos! Follow us on Instagram @howrudepodcast & TikTok @howrudetanneritosSee omnystudio.com/listener for privacy information.

Did you ever think you'd miss Baby Shark? Because you might miss Baby Shark…This episode is a little bit of everything. Some emails, some listener submissions, some topics that we want to talk about but wouldn't be enough for a whole episode. Be sure to check out the mini-minisode because the timer rudely interrupted Tori's Benjamin Rush rant.Also books, and merch, and all those things you need to know about in link form.We want to hear from you: childproofmail@gmail.comClick Here For:Merch Gwenna's Audiobook, The Soul's Guide to the After Death Lin Manuel Vid Also - for those of you who are really into reading captions, please know we have a big announcement coming up. Stay tuned.