Podcasts about Arabic

Five heartwarming stories kick off the weekend. A California father, Bryce Weiner, channels Taken to rescue his kidnapped 14-year-old daughter from human traffickers in Mexico after a three-year, 5,000-mile quest, reuniting at the U.S. embassy. Amy, a former pediatric oncology social worker, founds A Doll Like Me, crafting custom dolls for children with disabilities, funded by donations to affirm their uniqueness. A neighbor surprises another with smoked sausages, sharing 100 pounds of meat in a wholesome gesture. Dirty Paws Agape Haven in Michigan, run by cardiologist Tom Pappas, provides a sanctuary for over 20 senior dogs, ensuring their final years are filled with love. A woman's viral TikTok reveals her eclectic accent, shaped by Indian, Arabic, Lebanese, Nigerian, and American influences, learned via YouTube and Eminem. The duo dives into C.S. Lewis' Mere Christianity, Book 3, discussing social morality and the church's role in applying Christian principles through laypeople, not clergy. Highlights include Ben's McDonald's adventure and Bella's love for Sicario. The question of the week explores impactful books: Bella cites Perks of Being a Wallflower, while Aaron picks Wayne Grudem's Systematic Theology.

06/01/25 Fr Lucian Babaka - Sunday After the Ascension (Arabic) by St. Peter's Chaldean Catholic Diocese

06/01/25 Fr Yousif Jazrawy - Sunday After the Ascension (Arabic) by St. Peter's Chaldean Catholic Diocese

06/01/25 Msgr Philip Najim - Sunday After the Ascension (Arabic) by St. Peter's Chaldean Catholic Diocese

In the last third of the twentieth century, the Arab intellectual and political scene polarized between totalizing doctrines—nationalist, Marxist, and religious—and radical critique. Arab thinkers were reacting to the disenchanting experience of postindependence and a widespread sense of malaise, as well as to authoritarianism, intolerance, injustice, failed development, and successive defeats by Israel. The foundational account of these responses, Contemporary Arab Thought illuminates the relationship between cultural and political critique in the work of major Arab thinkers. Elizabeth Suzanne Kassab also connects Arab debates to the postcolonial issues of Latin America and Africa, revealing the shared struggles of different regions. Since its first publication in 2009, this book has stood as the foremost account of contemporary Arab debates on culture, philosophy, modernity, tradition, identity, and liberation. It is widely used in Middle Eastern studies courses, and it has become a classic in the field of Arab intellectual history. Contemporary Arab Thought: Cultural Critique in Comparative Perspective (Columbia UP, 2025) now features an extensive new introduction that reconsiders post-1967 Arab intellectual history in light of the 2011 uprisings and the upheavals that have occurred over the intervening years. Kassab critically reflects on the book's arguments and the responses it has provoked, and she surveys the new preoccupations that have emerged in Arab debates since 2011. As crises again overtake the Middle East, this landmark work continues to offer indispensable insight into the richness of contemporary Arab thought. Elizabeth Suzanne Kassab is associate professor of philosophy at the Doha Institute for Graduate Studies. Her books include Enlightenment on the Eve of Revolution: The Egyptian and Syrian Debates (Columbia, 2019). The Arabic edition of Contemporary Arab Thought received the prestigious Sheikh Zayed Book Award. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

In the last third of the twentieth century, the Arab intellectual and political scene polarized between totalizing doctrines—nationalist, Marxist, and religious—and radical critique. Arab thinkers were reacting to the disenchanting experience of postindependence and a widespread sense of malaise, as well as to authoritarianism, intolerance, injustice, failed development, and successive defeats by Israel. The foundational account of these responses, Contemporary Arab Thought illuminates the relationship between cultural and political critique in the work of major Arab thinkers. Elizabeth Suzanne Kassab also connects Arab debates to the postcolonial issues of Latin America and Africa, revealing the shared struggles of different regions. Since its first publication in 2009, this book has stood as the foremost account of contemporary Arab debates on culture, philosophy, modernity, tradition, identity, and liberation. It is widely used in Middle Eastern studies courses, and it has become a classic in the field of Arab intellectual history. Contemporary Arab Thought: Cultural Critique in Comparative Perspective (Columbia UP, 2025) now features an extensive new introduction that reconsiders post-1967 Arab intellectual history in light of the 2011 uprisings and the upheavals that have occurred over the intervening years. Kassab critically reflects on the book's arguments and the responses it has provoked, and she surveys the new preoccupations that have emerged in Arab debates since 2011. As crises again overtake the Middle East, this landmark work continues to offer indispensable insight into the richness of contemporary Arab thought. Elizabeth Suzanne Kassab is associate professor of philosophy at the Doha Institute for Graduate Studies. Her books include Enlightenment on the Eve of Revolution: The Egyptian and Syrian Debates (Columbia, 2019). The Arabic edition of Contemporary Arab Thought received the prestigious Sheikh Zayed Book Award. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/middle-eastern-studies

يعتبر هاشم الحداد قامة اعلامية رافقت مستمعي الاس بي اس عربي لقرابة الثلاثين عاما حيث صاغ بخبرته النشرات وكان صوته مرادفا للاخبار

NHK WORLD RADIO JAPAN - Arabic News at 15:00 (JST), June 11

In the last third of the twentieth century, the Arab intellectual and political scene polarized between totalizing doctrines—nationalist, Marxist, and religious—and radical critique. Arab thinkers were reacting to the disenchanting experience of postindependence and a widespread sense of malaise, as well as to authoritarianism, intolerance, injustice, failed development, and successive defeats by Israel. The foundational account of these responses, Contemporary Arab Thought illuminates the relationship between cultural and political critique in the work of major Arab thinkers. Elizabeth Suzanne Kassab also connects Arab debates to the postcolonial issues of Latin America and Africa, revealing the shared struggles of different regions. Since its first publication in 2009, this book has stood as the foremost account of contemporary Arab debates on culture, philosophy, modernity, tradition, identity, and liberation. It is widely used in Middle Eastern studies courses, and it has become a classic in the field of Arab intellectual history. Contemporary Arab Thought: Cultural Critique in Comparative Perspective (Columbia UP, 2025) now features an extensive new introduction that reconsiders post-1967 Arab intellectual history in light of the 2011 uprisings and the upheavals that have occurred over the intervening years. Kassab critically reflects on the book's arguments and the responses it has provoked, and she surveys the new preoccupations that have emerged in Arab debates since 2011. As crises again overtake the Middle East, this landmark work continues to offer indispensable insight into the richness of contemporary Arab thought. Elizabeth Suzanne Kassab is associate professor of philosophy at the Doha Institute for Graduate Studies. Her books include Enlightenment on the Eve of Revolution: The Egyptian and Syrian Debates (Columbia, 2019). The Arabic edition of Contemporary Arab Thought received the prestigious Sheikh Zayed Book Award. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/intellectual-history

discover effective strategies and tips for learning Arabic

Welcome to “Pathway to Priesthood”—a special podcast series from the Jesuit Conference of Canada and the United States. In these conversations, we've been talking with Jesuits who are in the final days of preparing for ordination to the priesthood. We've reflected back on their vocation stories and experience of Jesuit formation, and we've wrestled with some of the biggest questions surrounding priestly ordination. This is the final episode of the season—so we went big. We have two Jesuits today: Orlando Portalatin and Joe Lorenz. Orlando is from Puerto Rico. Before joining the Society of Jesus, he had a 20 year career in human resources management. He says he doesn't have a late vocation—he was just late to respond! Joe is from Maryland. He studied Arabic in college and as a Jesuit, taught English in Beirut for over 200 students. As you listen to Orlando and Joe share their stories and reflections, I invite you to consider whether you or someone you know might be interested in discerning a call to Jesuit life. If so, head over to beajesuit.org. And I invite you to pray for all of the Jesuits who will be ordained this year as the begin their priestly ministry.

NHK WORLD RADIO JAPAN - Arabic News at 15:00 (JST), June 09

learn how to write ق (qāf)

الاستحقاق ـ الجزء الثالث

Many thanks to SRAA contributor Dan Greenall, who shares the following recording and notes:Broadcaster: Radio Baghdad, Iraq Date of recording: Circa 1971Frequency: 15.400 MHzRecption location: Ancaster, Ontario, CanadaReceiver and antenna: Hallicrafters S-52 using a longwire antenna Notes: Another bird call interval signal. Even though Radio Baghdad in Iraq may have had a program beamed to North America in the early 1970's, they were not easily heard at my receiving post in Ancaster, Ontario, Canada. This may have had to do with their choice of frequencies used. This recording begins with their mechanical nightingale interval signal, followed by identification in the Arabic language.

Hope Mission | 2025 - Widows Meeting @ St Mary and Pope Kyrillos Coptic Orthodox Church - Zawida, Alexandria - Egypt ~ June 5, 2025

أهلا وسهلا بيكم في قصص أطفال النهارده,ودي رحلة في عالم الحكي والخيال... البودكاست ده معمول بالعامية المصرية من سن 5 ل 8 سنين عشان ننبسط ونضحك ونتخيل ونتعلم يمكن في القصة هدف أو درس بس االهم ننبسط كلنا. اكتشفوا معانا الحواديت العصرية ؟؟ !!!! مش هنحكى قصص قديمة أو مش مناسبة لأطفال النهارده وهنروح للخيال رحلة بلا عودة زي ألف ليلة وليلة يلا نغوص في حكايات عصرية شبه حياتنا والقرن ال 21 ..هنحكى عن الصداقة والإبداع ونعرف عن البيئة و إزاي نطور نفسنا وحكايات تانية كتييير. ?? بالعامية المصرية ?? عشان الحكاية تبقى أسهل ومشجعة لمستمعينا الصغننين. الولاد بترتبط أكتر بالحكايات اللي لها علاقة بلغتها اليومية وده بيبني بينهم وبين بطل الحكاية علاقة أعمق وخيال أكبر و حب أكتر. ?? تستنوا ايه من البودكاست بتاعنا ?? كل حلقة 5 د فيها مغامرة بألوان وخياالت وشخصيات متنوعة .حكائنا الموهوبين هيحكوا حكايات تثير الفضول وتحفز الخيال بشكل مش معقول .. إحنا مصدقين إن خيال ولادنا هو أملنا في بكره أحلى وخيالهم وحلم النهارده هو حقيقة بكره يلا نغوص في عالم الخيال. ?? التعليم والمتعة ?? قصصنا مش بس بتسلي لا كمان بتقول رسايل بشكل طفولي ولذيذ تخلينا نتعلم مع أبطال القصة ونعرف قيم: زي الطيبة والتعاطف و ازاي نخرج من أي ورطة كل ده هنتعلمه واحنا مش حاسين عشان مع الحدوتة وأبطالها طايرين في عالم الخيال؟ ?? حصلنا في مغامرتنا ?? اشتركوا دلوقتي في قصص أطفال النهارده وانضموا لمغامراتنا اللي بتلهم وتعلم وتسلي. بنقدم كذا حلقة في الأسبوع. عشان تبقوا دايما متشوقين لحكاية جديدة. قصص أطفال النهاردة تأليف نادين جنيدي، داني عرفة و سوبر أبلة. شكرا إنكم معانا و بتشاركونا في رحلتنا مع الحكايات. يلا نخلق ذكريات حلوة مع بعض مع كل قصة بنسمعها. كلمات مفتاحية للبحث: بودكاست لألطفال,حكايات أطفال, حكي لأطفال ,قصص Arabic stories for kids, kids ,تسلية ,عربي, بالعربية stories, egyptian arabic, kesas le2atfal elnaharda

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A new June 2025 documentary from TMZ addresses the “fifth plane” of September 11, 2001, with testimonies from United 23 flight crew about what was almost another act of terrorism. Although certainly a missing piece of the story, the documentary does more to speculate and imply who and what was responsible for the other events than actually prove anything about the flight. The film has flight attendants, and a dramatization over their stories, who believed men who wore tan suits, a person in a burka, a sweating passenger, and passengers who didn't eat meat, were highly suspicious - all 24 years after the fact with post-911 perceptions. This follows the June 2024 release of a video that implied Saudi was directly involved in 911. These two stories follow the motif - going back to 2002 - when the Guardian reported “Uncle Sam's Lucky Finds,” which documented “the discovery of a flight manual in Arabic and a copy of the Koran in a car hired by Mohammed Atta and abandoned at Boston airport…” Then, a few days later, “another find, two blocks away from the twin towers, in the shape of Atta's passport.” Something was similarly said of another suspected plotter of 911.After the early 2025 New Orleans truck attack we likewise saw a reporter enter Shamsud-Din Jabbar's supposed home to find “religious materials, his Quran, an open Quran, with the passage there… and his prayer rug.”This follows the official description of 911 as Islamic “suicide attacks committed in 2001 by 19 militants associated with the Islamic extremist group al-Qaeda against targets.”All of this is despite the fact that these terrorists were documented to have been drinking alcohol, eating meat (even pork), hanging out with strippers, and spending lots of time in Las Vegas. And that is despite the fact that Muslims are forbidden from committing suicide, drinking alcohol or eating general meat, forbidden to engage with prostitution, and that there are no 72 virgins promised in their holy book. This is also despite the fact that at least 4 of the 19 supposed hijackers were still alive weeks after that fateful day. One story that is either lost, ignored, or debunked, is the report about 5 Dancing Israelis, an ABC story documenting how a witness named Maria in New Jersey watched three men on the roof of a white van “taking a movie.” She said they were taking video and phots of themselves with the World Trade Center burning in the background; they were “like happy, you know… they didn't look shocked to me.” After contacting authorities, police found the van filled with five men, a box cutter, lots of cash, and a curious defense: "We are Israeli. We are not your problem. Your problems are our problems. The Palestinians are the problem.” The media then, as today, ran stories about Dancing Palestinians with no context to the short clips. Conveniently, an Israeli also happened to be at the Boulder, Colorado, fire attack recently to provide evidence of another Mohammed hurting innocent people. And this follows the embassy worker shooting in Washington by a man who happened to have a Jewish name. Both of these cases resulted in the ADL and US-AG calling for hardcore crackdowns of the First Amendment, just as 911 was used to wage the Israeli-US agenda of endless conflicts for regime change, resource theft, and systematic extermination of Arab populations across the Middle East. Just as General Wesley Clark claimed to have seen as part of a plan at the pentagon (7 countries in 5 years) prior to the invasion of Iraq - and with zero reasoning or evidence. And this followed the PNAC think tank - founded by William Kristol and Robert Kagan in 1997 (both Jewish) - that produced a document called Rebuilding America's Defenses, calling for a “catastrophic and catalyzing event - like a new Pearl Harbor”; which is exactly what President Bush said in the White House daily log after 911: "The Pearl Harbor of the 21st century took place today. We think it's Osama bin Laden." And many years later in 2008, Israeli Prime Minister Benjamin Netanyahu confirmed the use of 911 for just such a plan: “We are benefiting from one thing, and that is the attack on the Twin Towers and Pentagon, and the American struggle in Iraq.” He said in one interview, “It's very good…. well, not very good, but it will generate immediate sympathy.” And this doesn't account for the Jewish Larry Silverstein who pulled Building 7 or the Jewish Michael Chertoff, former Secretary of Homeland Security, who co-wrote the Patriot Act and sold body scanners to airports. All the while Islam and Muslims have been blamed for 911 and virtually every other form of terrorism, while the entire Arab world has grown justifiably more angry with the western world and Israel (a country founded on terrorism) for their condemnation of that world and for their subsequent destruction of the same - creating immense blowback. And then profiting from said destruction with defense contractors, private security firms, and the general military industrial complex enriching themselves on the backs of a widespread ethnic cleansing of the Arab world. Now that the Arab world is fully prepared to retaliate against the western world, there is modern justification to finish the job that Israel started - all to their benefit.And the same exact operation is occurring with Blackrock and Zelensky (the gay-Jewish-actor) in Ukraine with minerals, agricultural land, strategic land, and other resources. Ukraine, a country he said was going to be “a big Israel.”*The is the FREE archive, which includes advertisements. If you want an ad-free experience, you can subscribe below underneath the show description.-FREE ARCHIVE (w. ads)SUBSCRIPTION ARCHIVEX / TWITTER FACEBOOKYOUTUBEMAIN WEBSITECashApp: $rdgable EMAIL: rdgable@yahoo.com / TSTRadio@protonmail.comBecome a supporter of this podcast: https://www.spreaker.com/podcast/the-secret-teachings--5328407/support.

Today, the Spotlight shines on clarinetist and composer Kinan Azmeh.Earlier this year, Kinan released Live in Berlin, his fourteenth album with his CityBand quartet. The album captures music he wrote during Syria's 2011 uprising—pieces that carry the weight of watching your homeland torn apart from thousands of miles away. Born in Damascus and now based in Brooklyn, Kinan has spent decades crossing the world with his clarinet, performing with Yo-Yo Ma's Silk Road Ensemble, the New York Philharmonic, and countless others.What makes this release particularly powerful is its timing. As Syrians celebrate newfound freedom after years of struggle, Kinan's music—born from grief and anger—now carries notes of hope. We spoke about these deeply personal compositions and how his twenty-year collaboration with CityBand has evolved into music that encompasses classical, jazz, and Arabic influences.A technical note: Kinan joined me from Beirut, Lebanon, and although I couldn't tell while we were recording, I later discovered that our internet connection was not always stable. There are some dropouts and garbles in this episode that we have done our best to clean up; however, even with those, we thought this conversation was worth sharing with you. I know you will agree.(The musical excerpts heard in the interview are from the album Live in Berlin by Kinan Azmeh and CityBand)–Dig Deeper• Artist and Album:Visit Kinan Azmeh at kinanazmeh.com and follow him on Instagram, Facebook, and YouTubePurchase Kinan Azmeh and CityBand's Live in Berlin from Qobuz and listen on your streaming platform of choiceKinan Azmeh: Berlin and Beyond• Dig into this episode's complete show notes at spotlightonpodcast.com–• Did you enjoy this episode? Please share it with a friend! You can also rate Spotlight On ⭐️⭐️⭐️⭐️⭐️ and leave a review on Apple Podcasts.• Subscribe! Be the first to check out each new episode of Spotlight On in your podcast app of choice.• Looking for more? Visit spotlightonpodcast.com for bonus content, web-only interviews + features, and the Spotlight On email newsletter. You can also follow us on Bluesky, Mastodon, YouTube, and LinkedIn.• Be sure to bookmark our new online magazine, The Tonearm! → thetonearm.com Hosted on Acast. See acast.com/privacy for more information.

Today, the Spotlight shines on clarinetist and composer Kinan Azmeh.Earlier this year, Kinan released Live in Berlin, his fourteenth album with his CityBand quartet. The album captures music he wrote during Syria's 2011 uprising—pieces that carry the weight of watching your homeland torn apart from thousands of miles away. Born in Damascus and now based in Brooklyn, Kinan has spent decades crossing the world with his clarinet, performing with Yo-Yo Ma's Silk Road Ensemble, the New York Philharmonic, and countless others.What makes this release particularly powerful is its timing. As Syrians celebrate newfound freedom after years of struggle, Kinan's music—born from grief and anger—now carries notes of hope. We spoke about these deeply personal compositions and how his twenty-year collaboration with CityBand has evolved into music that encompasses classical, jazz, and Arabic influences.A technical note: Kinan joined me from Beirut, Lebanon, and although I couldn't tell while we were recording, I later discovered that our internet connection was not always stable. There are some dropouts and garbles in this episode that we have done our best to clean up; however, even with those, we thought this conversation was worth sharing with you. I know you will agree.(The musical excerpts heard in the interview are from the album Live in Berlin by Kinan Azmeh and CityBand)–Dig Deeper• Artist and Album:Visit Kinan Azmeh at kinanazmeh.com and follow him on Instagram, Facebook, and YouTubePurchase Kinan Azmeh and CityBand's Live in Berlin from Qobuz and listen on your streaming platform of choiceKinan Azmeh: Berlin and Beyond• Dig into this episode's complete show notes at spotlightonpodcast.com–• Did you enjoy this episode? Please share it with a friend! You can also rate Spotlight On ⭐️⭐️⭐️⭐️⭐️ and leave a review on Apple Podcasts.• Subscribe! Be the first to check out each new episode of Spotlight On in your podcast app of choice.• Looking for more? Visit spotlightonpodcast.com for bonus content, web-only interviews + features, and the Spotlight On email newsletter. You can also follow us on Bluesky, Mastodon, YouTube, and LinkedIn.• Be sure to bookmark our new online magazine, The Tonearm! → thetonearm.com Hosted on Acast. See acast.com/privacy for more information.

The Collective Dream: Egyptians Longing For A Better Life (Palgrave Macmillan, 2023) links two seminal moments in Egypt's history – the Revolution of 25th January 2011 and the presidency of Gamal Abdel Nasser – through various cultural manifestations. It conceives the concept of “collective dreaming” to map out the subliminal feeling that runs deep through experiences of socially transformative moments. Sarah Nagaty has extensively studied the structure of feelings that encompasses the experiences not only of activist minorities but the broader mass of revolutionary movements. In certain historical moments, hopes and aspirations bind together millions of people from all walks of life: students, workers, farmers, and middle-class professionals. Nagaty calls this phenomenon the “collective dream”, something which has been carried through generations of Egyptians. In this episode, Ibrahim Fawzy sat down with Sarah Nagaty to discuss the conceptual roots of the collective dream and the overlooked histories of Nubian displacement during the construction of the High Dam. They also explored how thinkers like Raymond Williams and Lauren Berlant shaped Nagaty's method of reading revolutionary time and cultural memory, as well as how vernacular poetry, reportage, and graffiti served as vital archival traces of collective feeling. Ibrahim Fawzy is a literary translator and writer based in Boston. His interests include translation studies, Arabic literature, ecocriticism, disability studies, and migration literature. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

The Collective Dream: Egyptians Longing For A Better Life (Palgrave Macmillan, 2023) links two seminal moments in Egypt's history – the Revolution of 25th January 2011 and the presidency of Gamal Abdel Nasser – through various cultural manifestations. It conceives the concept of “collective dreaming” to map out the subliminal feeling that runs deep through experiences of socially transformative moments. Sarah Nagaty has extensively studied the structure of feelings that encompasses the experiences not only of activist minorities but the broader mass of revolutionary movements. In certain historical moments, hopes and aspirations bind together millions of people from all walks of life: students, workers, farmers, and middle-class professionals. Nagaty calls this phenomenon the “collective dream”, something which has been carried through generations of Egyptians. In this episode, Ibrahim Fawzy sat down with Sarah Nagaty to discuss the conceptual roots of the collective dream and the overlooked histories of Nubian displacement during the construction of the High Dam. They also explored how thinkers like Raymond Williams and Lauren Berlant shaped Nagaty's method of reading revolutionary time and cultural memory, as well as how vernacular poetry, reportage, and graffiti served as vital archival traces of collective feeling. Ibrahim Fawzy is a literary translator and writer based in Boston. His interests include translation studies, Arabic literature, ecocriticism, disability studies, and migration literature. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/islamic-studies

The Collective Dream: Egyptians Longing For A Better Life (Palgrave Macmillan, 2023) links two seminal moments in Egypt's history – the Revolution of 25th January 2011 and the presidency of Gamal Abdel Nasser – through various cultural manifestations. It conceives the concept of “collective dreaming” to map out the subliminal feeling that runs deep through experiences of socially transformative moments. Sarah Nagaty has extensively studied the structure of feelings that encompasses the experiences not only of activist minorities but the broader mass of revolutionary movements. In certain historical moments, hopes and aspirations bind together millions of people from all walks of life: students, workers, farmers, and middle-class professionals. Nagaty calls this phenomenon the “collective dream”, something which has been carried through generations of Egyptians. In this episode, Ibrahim Fawzy sat down with Sarah Nagaty to discuss the conceptual roots of the collective dream and the overlooked histories of Nubian displacement during the construction of the High Dam. They also explored how thinkers like Raymond Williams and Lauren Berlant shaped Nagaty's method of reading revolutionary time and cultural memory, as well as how vernacular poetry, reportage, and graffiti served as vital archival traces of collective feeling. Ibrahim Fawzy is a literary translator and writer based in Boston. His interests include translation studies, Arabic literature, ecocriticism, disability studies, and migration literature. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/political-science

The Collective Dream: Egyptians Longing For A Better Life (Palgrave Macmillan, 2023) links two seminal moments in Egypt's history – the Revolution of 25th January 2011 and the presidency of Gamal Abdel Nasser – through various cultural manifestations. It conceives the concept of “collective dreaming” to map out the subliminal feeling that runs deep through experiences of socially transformative moments. Sarah Nagaty has extensively studied the structure of feelings that encompasses the experiences not only of activist minorities but the broader mass of revolutionary movements. In certain historical moments, hopes and aspirations bind together millions of people from all walks of life: students, workers, farmers, and middle-class professionals. Nagaty calls this phenomenon the “collective dream”, something which has been carried through generations of Egyptians. In this episode, Ibrahim Fawzy sat down with Sarah Nagaty to discuss the conceptual roots of the collective dream and the overlooked histories of Nubian displacement during the construction of the High Dam. They also explored how thinkers like Raymond Williams and Lauren Berlant shaped Nagaty's method of reading revolutionary time and cultural memory, as well as how vernacular poetry, reportage, and graffiti served as vital archival traces of collective feeling. Ibrahim Fawzy is a literary translator and writer based in Boston. His interests include translation studies, Arabic literature, ecocriticism, disability studies, and migration literature. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-studies

The Collective Dream: Egyptians Longing For A Better Life (Palgrave Macmillan, 2023) links two seminal moments in Egypt's history – the Revolution of 25th January 2011 and the presidency of Gamal Abdel Nasser – through various cultural manifestations. It conceives the concept of “collective dreaming” to map out the subliminal feeling that runs deep through experiences of socially transformative moments. Sarah Nagaty has extensively studied the structure of feelings that encompasses the experiences not only of activist minorities but the broader mass of revolutionary movements. In certain historical moments, hopes and aspirations bind together millions of people from all walks of life: students, workers, farmers, and middle-class professionals. Nagaty calls this phenomenon the “collective dream”, something which has been carried through generations of Egyptians. In this episode, Ibrahim Fawzy sat down with Sarah Nagaty to discuss the conceptual roots of the collective dream and the overlooked histories of Nubian displacement during the construction of the High Dam. They also explored how thinkers like Raymond Williams and Lauren Berlant shaped Nagaty's method of reading revolutionary time and cultural memory, as well as how vernacular poetry, reportage, and graffiti served as vital archival traces of collective feeling. Ibrahim Fawzy is a literary translator and writer based in Boston. His interests include translation studies, Arabic literature, ecocriticism, disability studies, and migration literature. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/sociology

For our latest Select, we have Lebanese vinyl maverick, NeighborsByMusic. Her penchant for discovering new sounds has led her to build an extensive repertoire over the years, blending diverse music styles from different cultures. Her sets often incorporate influences from oriental, Brazilian funk, hip-hop and jazz. NeighborsByMusic treats us to a special vinyl-only set–initially recorded at JIVE in Beirut–that meshes together threads of Brazilian bossa nova, funk, and Arabic oldies from Simone and Hamid El Shaeri with 90s hip-hop and a hint of jazzy house here and there. The colossal proportions of the set, fitting together a multitude of different sounds, are somewhat reflective of the organised chaos that Lebanon is known for. Featuring a thoughtfully curated selection of feel-good tunes, such as Ezra Collective's ‘Palm Wine', Mtume's ‘Juicy Fruit', and Simone's ‘Mabsouta', the set ends abruptly, as if alluding to a typical electricity cut at midnight in Beirut.

05/25/25 Fr Yousif Jazrawy - 6th Sunday of the Resurrection (Arabic) by St. Peter's Chaldean Catholic Diocese

05/25/25 Msgr Philip Najim - 6th Sunday of the Resurrection (Arabic) by St. Peter's Chaldean Catholic Diocese

Listen To Full Sermon: "Joy Amidst Troubles" @ St. Kyrillos VI Coptic Orthodox Church - Antioch, TN ~ March 8, 2025 https://on.soundcloud.com/LXYfGJJiDJDKhMY8cF

discover effective strategies and tips for learning Arabic

NHK WORLD RADIO JAPAN - Arabic News at 15:00 (JST), June 03

Our guest is Professor Adam Nicholls, a leading expert in sport psychology whose research focuses on doping behaviors in youth athletes, coping and emotions in sport, and whistleblowing in the face of wrongdoing. He is based at the University of Hull in Hull, UK. With over £1.5 million in research funding, more than 85 published articles, and three books- including Psychology for Coaches, translated into Arabic and Hungarian- Nicholls also leads the Sport Psychology and Coaching group, shaping research strategy and mentoring future scholars. You can learn more about Professor Nicholls here:Professor Adam Nicholls | University of Hull

2 Sam 20:14-22:20, Acts 1:1-26, Ps 121:1-8, Pr 16:18

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With an international background and love of languages, Professor Shawkat M. Toorawa decided to study intensive Arabic with the encouragement of a highly influential advisor at the University of Pennsylvania, which set him on a path to becoming a professor of Arabic literature, Comparative literature and Chair of the Department of Near Eastern Languages and Civilizations at Yale University. In this episode, Professor Toorawa reflects on the journey, which was admittedly not linear, with stops in medieval French literature, modern British poetry, and even U.S. history along the way. Professor Toorawa also discusses "The dr T projecT," a regular drop-in session for students to learn about items of cultural interest — from music to literature — to aid in his lessons.

On today's show we speak with Lebanese-born, australian-based filmmaker Samia Mikhail about her poetry which responds to the barbarism of imperialism, while feeling the pain of the oppressed and the  murdered, and expressing the pain and rage of all that is left of humanity as we watch senseless wars created in the Global South by ruling classes of the Global North. How can one write any other poetry when people make money from killing others and stealing their fields? We don't beg emotions from those who don't have any. Oh God, how cruel people can be.Samia's poetry and writing can be found at the following Arabic publications: Ilaaf, Ana AlAaghar, Eihterafaat kinaah,Thakafaat, Kitabaat, Horraas alwatan, Kalimaat bawhh al-rouh, Rasa'el maa kahwat Alsabaah.

2 Sam 19:11-20:13, John 21:1-25, Ps 120:1-7, Pr 16:16-17

In this episode of Unlocking Academia, host Raja Aderdor speaks with Dr. Basma A. S. Dajani, Professor of Arabic Language and Literature, in a sweeping conversation on Arab-Andalusian love poetry and the cultural, linguistic, and emotional legacies it continues to inspire. Rooted in her 1994 book The Arab Andalusian Love Poetry: A Study of the Interaction Between Place and Man Through Time (AU Cairo Press, 1994), Dr. Dajani traces the origins of her research back to a formative journey to Granada in the early 1990s, where she was deeply influenced by the stories of Alhambra, her father the historian Ahmad Sidqi Dajani, and conversations with philosopher Roger Garaudy and Salma Taji. Drawing on decades of scholarship, she discusses her study of classical Arabic manuscripts, including Massare' alUshaaq by Ja'far alSarraj, and reflects on the intersections of poetry, gender, geography, and intercultural dialogue. Together, they explore the themes of longing, nostalgia, and nature in the poetry of Al-Andalus; the contributions of women poets like Wallada bint al-Mustakfi; the influence of the Andalusian landscape on literary expression; and the enduring resonance of courtship poetry across time and cultures. Dr. Dajani also discusses the pedagogical value of teaching Andalusian texts today, the urgency of preserving classical Arabic manuscripts, and her vision for future research to spotlight overlooked voices in the tradition. Lyrical, insightful, and deeply rooted in lived and literary history, this episode offers a rare blend of academic depth and poetic beauty. We are Clavis Aurea: a dynamic team constantly looking for ways to help academic publishing grow and to promote groundbreaking publications to scholars, students, and enthusiasts globally. Based in the renowned publishing city of Leiden, we eat, sleep, and breathe publishing! Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

In this episode of Unlocking Academia, host Raja Aderdor speaks with Dr. Basma A. S. Dajani, Professor of Arabic Language and Literature, in a sweeping conversation on Arab-Andalusian love poetry and the cultural, linguistic, and emotional legacies it continues to inspire. Rooted in her 1994 book The Arab Andalusian Love Poetry: A Study of the Interaction Between Place and Man Through Time (AU Cairo Press, 1994), Dr. Dajani traces the origins of her research back to a formative journey to Granada in the early 1990s, where she was deeply influenced by the stories of Alhambra, her father the historian Ahmad Sidqi Dajani, and conversations with philosopher Roger Garaudy and Salma Taji. Drawing on decades of scholarship, she discusses her study of classical Arabic manuscripts, including Massare' alUshaaq by Ja'far alSarraj, and reflects on the intersections of poetry, gender, geography, and intercultural dialogue. Together, they explore the themes of longing, nostalgia, and nature in the poetry of Al-Andalus; the contributions of women poets like Wallada bint al-Mustakfi; the influence of the Andalusian landscape on literary expression; and the enduring resonance of courtship poetry across time and cultures. Dr. Dajani also discusses the pedagogical value of teaching Andalusian texts today, the urgency of preserving classical Arabic manuscripts, and her vision for future research to spotlight overlooked voices in the tradition. Lyrical, insightful, and deeply rooted in lived and literary history, this episode offers a rare blend of academic depth and poetic beauty. We are Clavis Aurea: a dynamic team constantly looking for ways to help academic publishing grow and to promote groundbreaking publications to scholars, students, and enthusiasts globally. Based in the renowned publishing city of Leiden, we eat, sleep, and breathe publishing! Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/islamic-studies

In this episode of Unlocking Academia, host Raja Aderdor speaks with Dr. Basma A. S. Dajani, Professor of Arabic Language and Literature, in a sweeping conversation on Arab-Andalusian love poetry and the cultural, linguistic, and emotional legacies it continues to inspire. Rooted in her 1994 book The Arab Andalusian Love Poetry: A Study of the Interaction Between Place and Man Through Time (AU Cairo Press, 1994), Dr. Dajani traces the origins of her research back to a formative journey to Granada in the early 1990s, where she was deeply influenced by the stories of Alhambra, her father the historian Ahmad Sidqi Dajani, and conversations with philosopher Roger Garaudy and Salma Taji. Drawing on decades of scholarship, she discusses her study of classical Arabic manuscripts, including Massare' alUshaaq by Ja'far alSarraj, and reflects on the intersections of poetry, gender, geography, and intercultural dialogue. Together, they explore the themes of longing, nostalgia, and nature in the poetry of Al-Andalus; the contributions of women poets like Wallada bint al-Mustakfi; the influence of the Andalusian landscape on literary expression; and the enduring resonance of courtship poetry across time and cultures. Dr. Dajani also discusses the pedagogical value of teaching Andalusian texts today, the urgency of preserving classical Arabic manuscripts, and her vision for future research to spotlight overlooked voices in the tradition. Lyrical, insightful, and deeply rooted in lived and literary history, this episode offers a rare blend of academic depth and poetic beauty. We are Clavis Aurea: a dynamic team constantly looking for ways to help academic publishing grow and to promote groundbreaking publications to scholars, students, and enthusiasts globally. Based in the renowned publishing city of Leiden, we eat, sleep, and breathe publishing! Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

الاستحقاق ـ الجزء الثاني

Sunday, 1 June 2025   It is enough for a disciple that he be like his teacher, and a servant like his master. If they have called the master of the house Beelzebub, how much more will they call those of his household! Matthew 10:25   “The disciple – sufficient that he should become as his teacher, and the servant as his lord. If they called the house-master Beelzebul, how much more those – his household!” (CG).   In the previous verse, Jesus noted that a disciple is not above his teacher, nor is a servant above his master. He now continues this thought, saying, “The disciple – sufficient that he should become as his teacher.”   The meaning goes back to the previous verse, indicating that through instruction, a student will increase his knowledge of the subject provided by the teacher to become like him. At the same time, the meaning also goes forward to what will be said in the next sentence within this verse. Jesus continues, saying, “and the servant as his lord.”   In the same manner, the meaning reflects back on the previous verse. Even though a servant remains below his lord, he will be like his lord, emulating his desires, tending to his needs similarly, and so forth. Likewise, the meaning of this clause also extends forward to what Jesus next says, “If they called the house-master Beelzebul.”   Here, the word oikodespotés, house-master, is introduced. It is derived from oikos, a house, home, family, etc., and despotés, a lord, master, prince, etc. Taking the two together, house-master is a direct translation of the word.   As for the word Beelzebul, this is one variant found in texts. Other texts say Beelzebub. Either way, it is also introduced here. If the original is Beelzebub, it is derived from baal, lord or master, and zevuv [zebub], a fly. Thus, it corresponds directly to the god of Ekron, Baal Zebub found in 2 Kings 1. However, Barnes notes –   “The correct reading here, as in Luke 11:15, Luke 11:18-19; Mark 3:22, is supposed to be, not ‘Beelzebub,' but ‘Beelzebul' (Griesbach, Hahn, Robinson, Lexicon) an Aramean form of the word meaning the ‘god of dung' or ‘filth.' The name, thus altered by the Jews by changing a single letter, was given to Satan to express supreme contempt and aversion.”   Because of the prominent use of Beelzebul in the other synoptic gospels, this is probably correct. Someone familiar with the story in 2 Kings 1 may have thought there was an error when there wasn't. This is especially the case when considering the Hebrew word zevul [zebul], a residence, found five times in the Old Testament, such as 2 Chronicles 6:2.   Jesus is probably making a pun based on Beelzebul, the prince of demons, while also using the word to indicate house-master –   oikodespotés – house-master baal-zevul – master of residence   Understanding this, Jesus finishes with, “how much more those – his household!” Another new word is introduced, oikiakos, which signifies a household or domestic, as in one of the family. Jesus is saying that just as a student will become like a teacher and a servant like his lord, those who disdain the master of the house will likewise disdain those of his household. Thus, the pun is more fully understood –   If they called the house-master Beelzebul [prince of demons / house-master], How much more those – his household!   In other words, “He is their house-master and his household is just like Him. He is like the prince demons, and they are all demons of his house.”   Life application: If the pun stated in the commentary is correct, which seems to clearly be the intent, it is not unusual. There are many such puns to be found in the New Testament because the writings are highly dependent on Jewish thought.   The people would have had a knowledge of the Old Testament Hebrew, and they would have spoken Aramaic as the lingua franca of the land at the time. They also would have understood many closely associated words from other Semitic languages. And more, many would have also understood Greek, being the language of the Empire for the common people.   Today in Israel, there are those who have studied ancient Hebrew, there is the common modern Hebrew, there is a large population of Arabic speakers in the land, English is widely known and spoken, etc. Just as people today will finagle with languages to come up with interesting puns and plays on thoughts, this was the case at the time of Jesus.   Therefore, it is good to consider subtle plays on words that may have arisen from various sources. In doing so, interesting insights into what is being conveyed will certainly arise. Enjoy your time in the word! It is a deep well of treasure and delight.   O God, thank You for the great and beautiful word You have given us. It is filled with treasure because it is filled with Your thoughts and tender care for Your people. You have given us wonderful hints of what is on Your mind through many literary devices. Thank You for such wisdom on display in Your sacred and superior word. Amen.  

Islam and the occult may seem like odd bedfellows. But during the medieval and early modern periods, Muslim thinkers wrote vast numbers of manuscripts on a panoply of occult sciences, ranging from numerology and astrology to alchemy and lettrism. Just as the English word occult derives from the Latin occultus (meaning ‘hidden'), so in Arabic were these arcane disciplines collectively known as the ‘ulum al-khafiyya (‘hidden sciences'). Both the Latin and Arabic terms were references to the invisible rather than visible dimensions of the cosmos that, as the scientists of their time, such occultists sought to manipulate. So important were these Islamic occult sciences that they formed a crucial part of high imperial politics, patronized by emperors and other courtly elites who deployed these hidden sciences for everything from hiring personnel and military success to urban and even party planning. Nile Green talks to Matthew Melvin-Koushki, co-editor of Islamicate Occult Sciences in Theory and Practice (Brill, 2021).

Fraction to the Father for The Resurrection & Pentecost@ St. Mary Coptic Orthodox Church - Maadi, Egypt ~ May 30, 2025

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Liturgy Sermon @ St. Mary Coptic Orthodox Church - Maadi, Egypt ~ May 30, 2025

Reading Mohamed Choukri's Narratives: Hunger in Eden (Routledge, 2024) presents an intricate exploration into the life and literary universe of Mohamed Choukri, a towering figure in 20th-century Moroccan literature. Known primarily for his groundbreaking autobiographical work “al-Khubz al-Ḥāfī” (For Bread Alone), Choukri's literary influence extends well beyond this single work. Reading Mohamed Choukri's Narratives seeks to cast a light on his broader body of work, examining the cultural, societal, and personal influences that shaped his unique storytelling style. Through a deep analysis of his narratives, this book aims to unfold how Choukri portrayed the harsh realities he and others encountered, giving voice to the marginalized individuals and communities in Morocco. In this episode, Jonas Elbousty guides us into the profound world of Moroccan writer Mohamed Choukri. Together, we explore Choukri's intimate portrayal of Tangier's marginalized voices and the intricate process of translating his evocative prose into English. Elbousty sheds light on Choukri's lesser-known works, revealing the enduring impact of his storytelling. This conversation offers a deep dive into the complexities of language, identity, and the transformative power of literature. Ibrahim Fawzy is a literary translator and writer based in Boston. His interests include translation studies, Arabic literature, ecocriticism, disability studies, and migration literature. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

South African political scientist Sean Jacobs and South African journalist Tony Karon talk about the "white genocide" (not) happening in South Africa. Journalist Richard Medhurst talks about being arrested in London, raided in Vienna and targeted by Israel. See Katie in Vienna at the First Jewish Anti-Zionist Congress: https://www.juedisch-antizionistisch.at/en Richard Thomas Medhurst (born 1992) is an independent journalist, political commentator, and analyst from the United Kingdom. His work focuses primarily on international relations, US politics, and the Middle East. Medhurst is known for his coverage of Julian Assange's extradition case in London, as one of the only journalists to report on the trial of the WikiLeaks founder from inside the court. He has also covered the Iran nuclear deal talks, on the ground in Vienna. His reports and analysis on Yemen, Ukraine, Syria, Niger, Lebanon, Iran, the Israeli occupation in Palestine and the genocide in Gaza have gone viral countless times, racking up millions of views. Medhurst is the son of United Nations peacekeepers who served in various UN missions around the world. His parents were among those awarded the Nobel Peace Prize in 1988. Owing to his parents' professional mobility, he has lived around the globe and speaks four languages fluently: English, Arabic, French, and German. Sean Jacobs is Professor of International Affairs and Director of the Julien J. Studley Graduate Programs in International Affairs at The New School. He is the founder of Africa is a Country, a site of criticism, analysis and new writing. The writer Teju Cole described Africa Is a Country as "basically the inside of my head." His book, Media in Postapartheid South Africa: Postcolonial Politics in the Age of Globalization, was published on May Day 2019. He was born in Cape Town, South Africa, where he worked for the Institute for Democracy in South Africa and as a journalist. He has been awarded Fulbright, Shorenstein, Commonwealth, Africa No Filter, and Shuttleworth fellowships. Tony Karon was born and raised in South Africa, where he was an activist in the anti-apartheid liberation movementis. He is editorial lead at AJ+ and worked at Time.com for 15 years. ***Please support The Katie Halper Show *** For bonus content, exclusive interviews, to support independent media & to help make this program possible, please join us on Patreon - https://www.patreon.com/thekatiehalpershow Get your Katie Halper Show Merch here! https://katiehalper.myspreadshop.com/all Follow Katie on Twitter: https://x.com/kthalps Follow Katie on Instagram https://www.instagram.com/kthalps/

From ancient honey-preserved human confections to European royalty dining on powdered skulls, we explore the disturbing world of medicinal cannibalism where the dead became dinner in the name of healing.Join the DARKNESS SYNDICATE: https://weirddarkness.com/syndicateABOUT WEIRD DARKNESS: Weird Darkness is a true crime and paranormal podcast narrated by professional award-winning voice actor, Darren Marlar. Seven days per week, Weird Darkness focuses on all thing strange and macabre such as haunted locations, unsolved mysteries, true ghost stories, supernatural manifestations, urban legends, unsolved or cold case murders, conspiracy theories, and more. On Thursdays, this scary stories podcast features horror fiction along with the occasional creepypasta. Weird Darkness has been named one of the “Best 20 Storytellers in Podcasting” by Podcast Business Journal. Listeners have described the show as a cross between “Coast to Coast” with Art Bell, “The Twilight Zone” with Rod Serling, “Unsolved Mysteries” with Robert Stack, and “In Search Of” with Leonard Nimoy.DISCLAIMER: Ads heard during the podcast that are not in my voice are placed by third party agencies outside of my control and should not imply an endorsement by Weird Darkness or myself. *** Stories and content in Weird Darkness can be disturbing for some listeners and intended for mature audiences only. Parental discretion is strongly advised.IN THIS EPISODE: Of all the instances of cannibalism found in human history, no one quite practiced it like some in China used to. In these cases, cannibalism came in the form of eating mellified flesh for medicinal purposes. In 16th century China, mellification was a way for elderly people nearing the end of their lives to donate their body to science. The idea, originally derived from an Arabic recipe, was that they could turn their bodies into medicine that would be ingested by their descendants to alleviate ailments like broken bones. The process of mellification was a gruesome one. In short, it consisted of very slowly turning one's body into a mummified human candy bar. And that's not even the worst part — for mellification to be the most effective, the process started while the person was still alive.CHAPTERS & TIME STAMPS (All Times Approximate)…00:00:00.000 = Lead-In00:01:10.417 = Show Open00:02:28.924 = And Mellified Man For Dessert00:04:27.887 = Honey, I'm Dead00:09:57.010 = Sugar-Glazed Grandpa00:16:02.121 = Better Health Through Cannibalism00:27:31.137 = Self-Mummification00:30:39.753 = Corpse Medicine00:39:58.915 = Show CloseSOURCES AND RESOURCES FROM THE EPISODE…“And Mellified Man for Dessert” by Katie Serena: https://tinyurl.com/rjwv5cw“Honey, I'm Dead” by Paul Salopek: https://tinyurl.com/wz23h9d“Sugar-Glazed Grandpa” by Brent Swancer: https://tinyurl.com/w2mqzyp“Self-Mummification” from Stranger Remains: https://tinyurl.com/w795gxp“Better Health Through Cannibalism” by Natalie Zarrelli: https://tinyurl.com/tsqhqbl“Corpse Medicine” by Maria Dolan: https://tinyurl.com/y6spcbcb=====(Over time links seen above may become invalid, disappear, or have different content. I always make sure to give authors credit for the material I use whenever possible. If I somehow overlooked doing so for a story, or if a credit is incorrect, please let me know and I will rectify it in these show notes immediately. Some links included above may benefit me financially through qualifying purchases.)= = = = ="I have come into the world as a light, so that no one who believes in me should stay in darkness." — John 12:46= = = = =WeirdDarkness® is a registered trademark. Copyright ©2025, Weird Darkness.=====Originally aired: September, 2020EPISODE PAGE at WeirdDarkness.com (includes list of sources): https://weirddarkness.com/CorpseMedicine