Podcasts about gothic revival

Did you know that at Carlisle Circus in North Belfast sits a former church building which is on a World Monuments watch list that once featured other iconic sites such as the Great Wall of China and the Taj Mahal? Well, it's true. Carlisle Memorial Methodist Church serves as a sober reminder of the Belfast's architectural legacy and its troubled past. Designed in the Gothic Revival style by noted architect WH Lynn and completed in 1875, the church was home to one of the largest Methodist congregations in Belfast. The sandstone and limestone exterior of the building was renovated in 1966, but the church ceased to be used as a place of worship by 1980, a consequence of the declining congregation and its location at a major interface between Catholic and Protestant populations.At the heart of one of the most troubled parts of Belfast, the congregation shrank rapidly during the late 1960s and 1970s. The church trustees sold the adjacent Church Halls in the late 1970s and finally closed the church in the 1980s.Since then, Carlisle Memorial has been subject to both renovation and rejuvenation from Belfast Buildings Trust and I was delighted when they reached out to me with the idea of creating an episode together for the Historical Belfast Podcast. The Trust introduced me to Emily Brando from Germany who has been carrying out extensive research on the history of the church, and I began by asking her to explain how exactly she came to be involved in researching a church building in Belfast…So, having heard from Emily about the remarkable backstory of Carlisle Memorial Church I decided to pay the building a visit for myself to find out what's going on there at present, but also what the future holds for the site. I was met there by Cara Jones who is the Project and Engagement Officer for the Belfast Buildings Trust and I began by asking her to give me sense of the baron years at Carlisle Memorial since the 1980s… Send us a textSupport the show

Send us a textWelcome to Celebrate Poe - Episode 338 - The Haunted PalaceAs you may know, The Castle of Otranto was written by Horace Walpole and first published on December 24, 1764. While the first edition was dated 1765, it was released at the end of 1764, making it the true publication year.And I think it is especially interesting that Horace Walpole was inspired to write The Castle of Otranto through a combination of personal experiences, dreams, and his fascination with medieval history and Gothic architecture.Walpole claimed that the idea for the novel came from a vivid nightmare he experienced while staying at his Gothic Revival home, Strawberry Hill House. The house's secret passages, maze-like corridors, and dramatic design elements influenced the eerie and atmospheric setting of the novel.Thank you for experiencing Celebrate Poe.

Today, you'll learn about 17 things to see and do in Wexford, Ireland. Just in time for my Celtic Invasion of Wexford that happens in June. I share one of the best ways to make effective climate change happen along with an easy personal change. And you'll hear music from Kinnfolk, Tarren, and Erin Ruth. This is Folk Songs & Stories #294 0:22 - Tarren “Sunk” from Outside Time 4:54 - WELCOME TO FOLK SONGS & STORIES I am Marc Gunn. I'm a Celtic and Folk musician and also host of the Irish & Celtic Music Podcast, an hour-long radio show of some of the best indie Celtic music online. That was… If you're new to this show, please subscribe. You can do that PubSong.com or Just send an email to follow@celtfather. I had hip replacement surgery on the 13th of January. It's incredible that two weeks later I'm up and walking around. Yeah. I got a gruesome scar, but the medical professions are just amazing. The big challenge, of course, is that I haven't had time to work on podcasts or music or much of anything else. I'm largely exercising and taking care of my family. All while trying to ignore the pain. Sleeping is one of the worst parts of it all. But I'm hoping to get some new medicine that might make me at least a little bit more comfortable. So that said, I realized the Brobdingnagian Bards' Kickstarter is now delayed a couple months. Andrew and I planned to get together in person to record in February. I don't think it's gonna happen. Tho there's still a small possibility. In the meantime, we are planning to get together in April to record when I head to Texas for Sherwood Forest Faire. But that also didn't stop me from launching Another Kickstarter. This one is for the Irish & Celtic Music Podcast. It funds a CD and Album Pin and other merch to promote the podcast with a really cool design that reads “Celtic Forever”. I'll tell you more about that in a little bit. But if you want to support the Kickstarter, I would greatly appreciate it. Follow the link in the shownotes. But before we goton with the show, I have a really important way for you to fight climate change. It all begins with your local government. The current administration is dismantling all the good climate progress we had these past few years. But that just reminds me that since the beginning of our country, there's been a big discussion about States Rights vs Federal Rights. States Rights was a big issue when our nation started. I'm learning more about that as I help my daughter with American History. While I think some issues like Climate Change progress should be national, that's not the way America will work for the next four years. We need to take it local. I heard about a recent analysis, state and local programs, such as improved building efficiency standards and ambitious renewable energy adoption targets. They have the potential to reduce U.S. greenhouse gas emissions by up to 62%. You can join a local group. Or you can talk to your city legislators or county or state legislators. If enough of us reach out locally, we can make change happen in our physical communities. Which will blossom up to our State and hopefully eventually our National. Start small. Start local. That idea was inspired while reading One5C, a website that shares climate news and actions. Bring your water bottle (or reusable mug) everywhere One of the biggest challenges in terms of both climate change and overconsumption is the world's dependence on single-use plastic. It's a dilemma in terms of fossil fuel use, pollution, ecosystem destruction, human health, and more. According to the U.N., 1 million plastic bottles are purchased every single minute across the world, and half of all plastic produced is used just once and then thrown away. The easiest thing we can do right this moment is make sure to grab your water bottle or coffee cup whenever you leave the house. You never know when thirst will strike, and bringing your own container no matter the destination takes away the need to buy something you'll just toss when it's empty—a win for both your wallet and the planet. 11:21 - Marc Gunn “Kilty Pleasure” from Selcouth Listen to the full story of “Kilty Pleasure” on show #251. Vote: Favorite songs on Selcouth? 15:25 - UPCOMING SHOWS MAR 1: The Lost Druid Brewery, Avondale Estates, GA @ 6-9 PM MAR 16: The Wings Cafe & Tap House, Marietta, GA @ 3-7 PM MAR 17: The Wings Cafe & Tap House, Marietta, GA @ 6-9:30 PM APR 12-13: Sherwood Forest Faire, Paige, TX APR 19-20: Sherwood Forest Faire, Paige, TX APR 25-27: Jordan Con, Atlanta, GA MAY 3: Maggie McGuinness Pub, Huntsville, AL JUL 19: Fiddler's Green Coffeehouse Concert series @ 8 PM JUN 21-28: Celtic Invasion of Wexford, Ireland SEP 24-28: ALEP 6, Harrodsburg, KY 15:53 - LATEST NEWS See pictures from my Celtic Invasion of Scotland's Whiskey A few more weeks and I'll have shared all of my photos from my Celtic Invasion of Scotland's Whisky. You can see those on Patreon. Merch: Celtic Forever: Best Celtic Music of 2024 Celtic Forever is a compilation CD (you have…) and Album Pin (you have…) featuring 14 of the best songs and tunes as voted on by fans of the Irish & Celtic Music Podcast. There's music from The Gothard Sisters, Poitín, Vicki Swan & Jonny Dyer, Cherish The Ladies, Marc Gunn, Sorcha, Mànran, Arise & Go, The Byrne Brothers, Screaming Orphans, Ian Fontova, Fialla, Matt & Shannon Heaton, Dancing With Hobbits. You can hear the complete list of songs and tunes on the Irish & Celtic Music Podcasts ​​Celtic Top 20 of 2024 #691. And if you check out show #695 Celtic Forever, you'll hear other tracks from these amazing Celtic artists. So why Celtic Forever. It goes back to the last song I featured earlier, “Kilty Pleasure”. Then I'm off to the pub or the fair or the fest A wee swing goes into each step ‘Cause I'm American born and Celtic forever And both are truly blessed I was trying to use that phrase to promote Selcouth with an album pin for the past couple of years. But the ideas just weren't working. Then Christopher Toler made the Cat in front of a Celtic Moon design that inspired the compilation artwork. I love the Album Pin design. So when you support the Album Pin on Kickstarter, you will get both the 14 track compilation, plus you'll get my album, Selcouth, as a bonus gift. 19:54 - THANK YOU GUNN RUNNERS Your generous support on Patreon is how I make a living with music. It is patronage that allows me to create new music and podcasts that help others out. Sign up as an official Gunn Runner for as little as $5 per month. You'll get exclusive, unreleased songs. You'll get podcasts, blogs, and you'll enjoy access to a huge archive of video concerts. If you can't support me financially right now, that's okay, take care of yourself first. You can join the club for free and get weekly photos of my Celtic invasions and regular updates of my musical adventures. Email follow@celtfather to get more details! 21:27 - Kinnfolk "The Water's Rising / Gwendal" from Star Above The Mountain Please leave a comment on the podcast show notes at pubsong.com or wherever you're listening. You can also message me on Facebook. Email me, send me pictures of where you're listening. follow@celtfather 27:10 - TODAY'S SHOW IS BROUGHT TO BY CELTIC INVASION VACATIONS Every year, I take a small group of people on a relaxing adventure to one of the Celtic nations. We don't see everything. Instead we stay in one area. We get to know the region through its culture, history, and legends. You can join me with an auditory and visual adventure through podcasts, blogs, videos, and photos. In 2025, you can join me for a Celtic Invasion of Wexford, Ireland. Sign to the Celtic Invasion Vacations mailing list at CelticInvasion.com. 28:33 - 17 Things to See and Do in Wexford, Ireland   Hook Lighthouse: Visit the world's oldest operational lighthouse and take a guided tour. Irish National Heritage Park: Explore this open-air museum showcasing 9,000 years of Irish history. Curracloe Beach: A pristine beach famous for being featured in Saving Private Ryan. Johnstown Castle & Gardens: Tour the Gothic Revival castle and stroll through its beautifully landscaped gardens. Tintern Abbey: Discover this 13th-century Cistercian abbey and nearby walking trails. Wexford Wildfowl Reserve: A haven for birdwatchers and nature enthusiasts. Selskar Abbey: Visit the ruins of this 12th-century abbey in Wexford town. Dunbrody Famine Ship: Step aboard a replica of a 19th-century emigrant ship. Rosslare Strand: Enjoy the beach, water sports, and seaside charm of Rosslare. Duncannon Fort: Explore this star-shaped fort with stunning views of the coast. Loftus Hall: A haunted 14th-century mansion on the Hook Peninsula. Ballyhack Castle: Tour this 15th-century tower house with connections to the Knights Hospitaller. Tacumshane Windmill: Visit one of Ireland's oldest windmills. Baginbun Beach: A secluded spot with historical significance tied to the Norman invasion. Saltee Islands: Take a boat trip to these birdwatcher's paradises. Enniscorthy Castle: Explore the medieval castle and its exhibitions. Raven Nature Reserve: Hike through this coastal woodland adjacent to Curracloe Beach. 33:12 - Erin Ruth "Oro My Little Boat" from single 25:42 - CREDITS Thanks for listening to Folk Songs & Stories. This episode was edited by Mitchell Petersen. It was produced by Marc Gunn and my Gunn Runners on Patreon. Follow my Patreon blog for free updates and to listen to the podcast. Sign up to my mailing list for monthly updates and to discover where I'm performing. Please tell one friend about this podcast. Word of mouth is the absolute best way to support any creative endeavor. And Remember. Reduce, reuse, recycle, and talk with others about how you can make a positive impact on climate change and your community. Have fun and sing along at www.pubsong.com! #folksongs #celticsongs  

fWotD Episode 2820: Castell Coch Welcome to Featured Wiki of the Day, your daily dose of knowledge from Wikipedia’s finest articles.The featured article for Thursday, 23 January 2025 is Castell Coch.Castell Coch (Welsh for 'red castle'; Welsh pronunciation: [ˈkas.tɛɬ koːχ]) is a 19th-century Gothic Revival castle built above the village of Tongwynlais, Cardiff, in Wales. The first castle on the site was built by the Normans after 1081 to protect the newly conquered town of Cardiff and control the route along the Taff Gorge. Abandoned shortly afterwards, the castle's earth motte was reused by Gilbert de Clare as the basis for a new stone fortification, which he built between 1267 and 1277 to control his freshly annexed Welsh lands. This castle may have been destroyed in the native Welsh rebellion of 1314. In 1760, the castle ruins were acquired by John Stuart, 3rd Earl of Bute, as part of a marriage settlement that brought the family vast estates in South Wales.John Crichton-Stuart, 3rd Marquess of Bute, inherited the castle in 1848. One of Britain's wealthiest men, with interests in architecture and antiquarian studies, he employed the architect William Burges to rebuild the castle, "as a country residence for occasional occupation in the summer", using the medieval remains as a basis for the design. Burges rebuilt the outside of the castle between 1875 and 1879, before turning to the interior; he died in 1881 and the work was finished by Burges's remaining team in 1891. Bute reintroduced commercial viticulture into Britain, planting a vineyard just below the castle, and wine production continued until the First World War. He made little use of his new retreat, and in 1950 his grandson, the 5th Marquess of Bute, placed it into the care of the state. It is now controlled by the Welsh heritage agency Cadw.Castell Coch's external features and the High Victorian interiors led the historian David McLees to describe it as "one of the greatest Victorian triumphs of architectural composition". The exterior, based on 19th-century studies by the antiquarian George Clark, is relatively authentic in style, although its three stone towers were adapted by Burges to present a dramatic silhouette, closer in design to mainland European castles such as Chillon than native British fortifications. The interiors were elaborately decorated, with specially designed furniture and fittings; the designs include extensive use of symbolism drawing on classical and legendary themes. Joseph Mordaunt Crook wrote that the castle represented "the learned dream world of a great patron and his favourite architect, recreating from a heap of rubble a fairy-tale castle which seems almost to have materialised from the margins of a medieval manuscript".The surrounding Castell Coch beech woods contain rare plant species and unusual geological features and are protected as a Site of Special Scientific Interest.This recording reflects the Wikipedia text as of 00:30 UTC on Thursday, 23 January 2025.For the full current version of the article, see Castell Coch on Wikipedia.This podcast uses content from Wikipedia under the Creative Commons Attribution-ShareAlike License.Visit our archives at wikioftheday.com and subscribe to stay updated on new episodes.Follow us on Mastodon at @wikioftheday@masto.ai.Also check out Curmudgeon's Corner, a current events podcast.Until next time, I'm neural Ruth.

In this episode of Horror Junkies, we journey into the shadowy realms of gothic horror with Nosferatu 2024: A Gothic Revival. Directed by Robert Eggers, this haunting reimagining breathes new life into the century-old legend, blending chilling visuals and atmospheric storytelling. We explore the film's roots in the iconic 1922 silent masterpiece and its influence on modern horror. From its sinister aesthetics to Willem Dafoe's unforgettable portrayal of the timeless vampire, we discuss how Nosferatu stands as a beacon of gothic revivalism. Whether you're a fan of the original or discovering its terror for the first time, join us as we sink our teeth into the cinematic artistry of this eagerly awaited adaptation. Perfect for lovers of gothic tales and the undead alike—don't miss this deep dive into the shadows! Then, we count down our definitive Top 10 Horror Films of all time, from spine-chilling indie gems to genre-defining masterpieces. Will your favorite make the list? Tune in and find out as we celebrate the dark, the terrifying, and the truly unforgettable. ⁠⁠⁠⁠⁠⁠⁠⁠Subscribe⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ to our Patreon and get access to early episodes, bonus content, behind the scenes, and more!!!! As always leave us a review, follow us on ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Instagram⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠, ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠TikTok⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠, ⁠⁠⁠BlueSky⁠⁠⁠, and ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠YouTube⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ and tell your friends about our show, so that they can join in on the horror. If you have any show topics, movies, comics, or have something Horror related you would like to see discussed on the show, send us an email at ⁠⁠⁠⁠⁠horrorjunkiesfl@gmail.com ⁠Subscribe now and join us on a journey into the heart of darkness! Don't be afraid; we're all Horror Junkies here. If you're interested in Patrick's artwork, check out his page ⁠⁠⁠⁠⁠⁠here⁠⁠⁠⁠⁠⁠. Theme by: Hunter Young - Digital Ghost Audio (Formally Swamp Sound Studios) --- Support this podcast: https://podcasters.spotify.com/pod/show/horrorjunkiesofficial/support

On Episode 132 of A is for Architecture I spoke with architect and architectural historian John Stewart, to discuss the intersections of art, architecture and society through his recent book, British Architectural Sculpture: 1851–1951, published by Lund Humphries earlier this year.   British Architectural Sculpture: 1851-1951 explores a century of architectural sculpture in the UK, highlighting its role in shaping the visual and cultural identity of British architecture, and providing insights into the aesthetic and functional dialogue between sculpture and architecture. It examines key figures, styles, and the integration of sculptural art into public and private buildings during this transformative era. The book focuses on the collaboration between architects and sculptors, emphasizing how these partnerships influenced architectural innovation and inflected design styles, from the Gothic Revival, Art Deco and interwar and postwar modernism. The book describes how sculptures enriched facades, interiors, and urban spaces, whilst examining the broader social, economic, and artistic contexts that framed the evolution of this unique art form. A lush book, and a podcast episode to match.  John can be found on his personal website and on LinkedIn. The book is linked above. +  Music credits: ⁠Bruno Gillick

In Episode 08 of the Haunted America series, host Lyle Perez guides you through the First State—Delaware, where history intertwines with hauntings. Released on September 19, 2024, this episode uncovers the ghostly secrets of Delaware, from historic mansions to eerie battlegrounds. Despite being the second smallest state, Delaware is brimming with chilling tales and restless spirits. Here's a look at the 10 most haunted locations in Delaware: Fort Delaware - Pea Patch Island, Delaware City, DE 19706 Explore the Civil War-era fort, where the spirits of Confederate prisoners and a watchful ghostly soldier still linger. Rockwood Mansion - 4651 Washington St Extension, Wilmington, DE 19809 Visit this Gothic Revival estate, haunted by the spirit of Mary Bringhurst and a mysterious man in black. The Governor's Mansion (Woodburn) - 151 Kings Hwy SW, Dover, DE 19901 Discover the haunted halls of the governor's residence, where spirits from Delaware's colonial past still roam the gardens and corridors. The Addy Sea - 99 Ocean View Pkwy, Bethany Beach, DE 19930 Stay at this historic bed and breakfast, where paranormal activity ranges from shaking bathtubs to ghostly footsteps. The Cannonball House - 118 Front St, Lewes, DE 19958 Explore this maritime museum, where the spirit of a soldier and the eerie echoes of cannon fire linger. The Old State House - 25 The Green, Dover, DE 19901 Step inside one of Delaware's oldest public buildings, haunted by colonial-era ghosts who seem to have never left. Bellevue Hall - 800 Carr Rd, Wilmington, DE 19809 Roam the grounds of this Gilded Age mansion, where the ghost of a woman in a long gown wanders the upper floors. The Green - Dover, DE 19901 Stroll through this historic town square, where the spirits of Revolutionary War soldiers and colonial residents are often seen. The Deer Park Tavern - 108 W Main St, Newark, DE 19711 Dine at this historic tavern, where the ghost of a woman who fell from the balcony and a ghostly bartender are known to appear. The Read House and Gardens - 42 The Strand, New Castle, DE 19720 Visit this beautiful Federal-style home, haunted by a young servant girl, the spirit of George Read II, and more. Join us as we delve into the haunted history of Delaware, from its eerie inns to its mysterious forts. Whether you're a seasoned ghost hunter or just love a spooky story, this episode is sure to give you chills. Don't forget to subscribe, leave a review, and share this episode with your fellow ghost hunters. Stay spooky, my friends! Like Our Facebook page for more Halloween fun: www.Facebook.com/TheHalloweenPodcast ORDER PODCAST MERCH! Website: www.TheHalloweenPodcast.com Email: TheHalloweenPodcast@gmail.com X: @TheHalloweenPod Support the Show: www.patreon.com/TheHalloweenPod Get bonus Halloween content and more! Just for Patreon supporters! Check out my other show! Find it on iTunes - Amazing Advertising http://amazingadvertising.podomatic.com/ Keywords: Haunted Delaware, Delaware Ghost Stories, Haunted Locations, Delaware Paranormal, Haunted America, Fort Delaware, Rockwood Mansion, Woodburn Governor's Mansion, The Addy Sea, Cannonball House, Old State House, Bellevue Hall, The Green, Deer Park Tavern, Read House and Gardens, Ghost Hunting, Paranormal Delaware Tags: #HauntedAmerica #GhostStories #DelawareHaunts #ParanormalPodcast #HauntedLocations #DelawareGhosts #FortDelaware #RockwoodMansion #WoodburnMansion #TheAddySea #CannonballHouse #OldStateHouse #BellevueHall #TheGreen #DeerParkTavern #ReadHouseAndGardens #StaySpooky

My special guest is author Varla Ventura who's here to discuss her book called Varla Ventura's Paranormal Parlor.  Get it on Amazon.  From shimmering specters to mysterious tricks, Varla Ventura's Paranormal Parlor includes original supernatural tales, classic ghost stories, legends, hauntings, séances, superstitions, and death customs.  This book showcases a chilling collection of startling ghost stories as told to the author as well as legendary ghosts and haunted locations and an overview of the paranormal parlor games that rose to popularity in the Victorian and Edwardian eras. It also includes hidden history such as the story of Mark Twain's ghost, and the quiet horror writings of the architect who started the Gothic Revival movement.  Follow Our Other ShowsFollow UFO WitnessesFollow Crime Watch WeeklyFollow Paranormal FearsFollow Seven: Disturbing Chronicle StoriesJoin our Patreon for ad-free listening and more bonus content.Follow us on Instagram @mysteriousradioFollow us on TikTok mysteriousradioTikTok Follow us on Twitter @mysteriousradio Follow us on Pinterest pinterest.com/mysteriousradio Like us on Facebook Facebook.com/mysteriousradio

As we step into the back-to-school season, we're diving deep into one of America's most iconic academic institutions: Princeton University. In this episode, I'm joined by W. Barksdale Maynard, an architectural historian and author, to explore Princeton's storied architecture and the rich history that has shaped its unique aesthetic.From the stunning Gothic Revival buildings to the meticulously planned quadrangles and gardens, we'll uncover the architectural marvels that define Princeton's campus. Barksdale will share insights into the evolution of the university's design and the ongoing challenges and decisions that impact the preservation of this historic campus.Join us as we celebrate the institution's legacy and its influence on American architecture and academia. Whether you're a history buff, design enthusiast, or simply curious about the beauty of one of the nation's oldest universities, this conversation promises to offer a fascinating look into Princeton's architectural heritage.Resources:Book: Princeton: America's CampusBook: Woodrow Wilson: Princeton to PresidencyUniversity of Delaware's W. Barksdale Maynard Photographs of Delaware CollectionBook: Artists of Wyeth Country: Howard Pyle, N.C. Wyeth, and Andrew WyethBook: The Brandywine: An Intimate Portrait

rWotD Episode 2636: Saltville Historic District Welcome to Random Wiki of the Day, your journey through Wikipedia’s vast and varied content, one random article at a time.The random article for Monday, 22 July 2024 is Saltville Historic District.Saltville Historic District is a national historic district located at Saltville, Smyth County, Virginia. The district includes 104 contributing buildings and 3 contributing sites in the central business district and surrounding residential areas of Saltville. It includes a variety of residential and commercial buildings primarily dating from the late-19th to mid-20th centuries. Notable buildings and sites include Well Fields, Saltville Golf Course, Office Building (1850), Mathieson Alkali Office Building (1894), company store (1895), First National Bank of Saltville, St. Paul's Episcopal Church (1896), Gothic Revival style Madam Russell Memorial United Methodist Church, Duplex House (1894), Saltville Post Office (1931), Piggly-Wiggly Store, Saltville Savings Bank (1920), and Saltville Town Hall (1949).It was listed on the National Register of Historic Places in 2000.This recording reflects the Wikipedia text as of 01:05 UTC on Monday, 22 July 2024.For the full current version of the article, see Saltville Historic District on Wikipedia.This podcast uses content from Wikipedia under the Creative Commons Attribution-ShareAlike License.Visit our archives at wikioftheday.com and subscribe to stay updated on new episodes.Follow us on Mastodon at @wikioftheday@masto.ai.Also check out Curmudgeon's Corner, a current events podcast.Until next time, I'm neural Ivy.

Denbigh Mental Asylum was constructed between 1844 and 1848, with the intention of providing care for the mentally ill in Wales. The facility was designed in a Gothic Revival architectural style, with sprawling wards and intricate stonework that lent an air of dignity to the institution. At its peak, the hospital could house more than 1500 patients, and it provided employment for many residents in the surrounding area. Over time, however, the treatment of patients within the asylum began to decline, and the once-noble institution became a place of despair and anguish. By the mid-20th century, the reputation of Denbigh Mental Asylum had suffered considerably due to numerous reports of abuse, overcrowding, and poor living conditions for the patients. The facility was eventually shut down in 1995, and the buildings were left to decay, their windows shattered and their once-proud facades crumbling under the weight of time and neglect. As the years have passed, stories of the paranormal activity within the asylum have spread, drawing the attention of paranormal investigators, urban explorers, and thrill-seekers alike. This is the story of the ghostly residents of Denbigh Mental Asylum, which stands in ruins today. So, folks... lock your doors, shut your windows, turn down your lights and come with us into the other side. * The Other Side is a brand new series on Supernatural Confessions written and narrated by Wend, and produced by Eugene Tay. Each week we visit a classic tale that you might have heard about but probably didn't know the history behind it. After each narration, Wend and Eugene discuss the topic and how the supernatural is seen through the lens of the east and the west. (Extended version available only on Podcast format on Spotify. Search of "Supernatural Confessions") * Supernatural Confessions was created and produced by Eugene Tay. If you would like to support this channel, do consider backing us on ⁠Patreon⁠ [www.patreons.com/supernaturalconfessions]. Weekly featured confession videos are live shows are streamed on ⁠YouTube⁠ [www.youtube.com/supernaturalconfessions]. Merchandise available on our ⁠website⁠ [www.supernaturalconfessions.com]

Festival Open Christchurch returns this year with 50 open buildings for the public to explore spanning Gothic Revival, Christchurch Modern, contemporary and a range of uses.

SEPTEMBER 2023I had an amazing summer in Leeds, and now that I've moved to Liverpool, I'm loving the fresh scenery. My stay here has been upbeat, filled with great conversations. It's just a 10-minute walk to the vibrant Hope Street, known for its historic architecture, Everyman Theatre, art galleries, and restaurants. Another enjoyable 10-minute walk takes me to the City Centre and my favorite gym, making navigation in this city a breeze, and I'm feeling more at ease overall.

On this episode I speak with the Creator, Writer, Director of “Only Murders in the Building”, John Hoffman. With the show having 12 Emmy nominations, John is nominated for two Emmys including outstanding writing and outstanding comedy series. This brilliant comedy series starring Steve Martin, Martin Short and Selena Gomaz revolves around murders happening in an iconic Gothic Revival style building in NYC that the trio turns into a popular podcast. John and I talk about the process of writing a murder mystery with comedy, keeping the murders rolling through the seasons and thoughts on the writers strike. Are you a fan of TV and film production? Do you love learning about the behind-the-scenes work that goes into creating your favorite shows and movies? Then you need to check out the Decorating Pages podcast! As an Emmy-winning set decorator, host Kim Wannop brings a wealth of knowledge and experience to each episode, featuring interviews with some of the top names in the industry. From production designers to set decorators to prop masters, each guest offers a unique perspective on the art and craft of visual storytelling. Whether you're a film buff, a design enthusiast, or just love hearing fascinating behind-the-scenes stories, the Decorating Pages podcast is a must-listen. So why wait? Subscribe now and get ready to take a deep dive into the world of TV and film production! #DecoratingPagesPodcast #TVProduction #FilmProduction #BehindTheScenes #VisualStorytelling #SetDecorator #ProductionDesigner #PropMaster #DesignEnthusiast #FilmBuff #PodcastLove #SubscribeNow Subscribe to Decorating Pages Podcast on Apple, Spotify, Pandora, Stitcher, TuneIn Radio,iHeartRadio Follow at: @decoratingpages on Twitter decoratingpages on IG Decorating Pages Podcast on YouTube @decoratingpagespodcast on TicTok Contact Kim Wannop at kimwannop@decoratingpagespodcast.com www.decoratingpagespodcast.com

We bet you have never heard these interior design trends! If you have... you probably didn't know they were... trending?! From Barbie-core to Coastal Grandmother, these trends will shock you. Tune in to hear them all!

The rural cemetery movement coincided with an intellectual fascination with past cultures. These elements of society combined to create a century of architectural distinction in American cemeteries. Email: tombwithaviewpodcast@gmail.comFacebookInstagram

Our culture is going through a Gothic Revival -- partly thanks to the influence of Tim Burton. Gothic literature may have thrived in the 19th century (and my high school English class) but a lot of contemporary writers are returning to the tradition, creating stories that reimagine the past or look at the present through a Gothic lens. I talk with Xavier Aldana Reyes of the Manchester Centre for Gothic Studies about how The Gothic is like a mode or a sensibility that can take over any genre. Kit Mayquist, author of Tripping Arcadia: A Gothic Novel, discusses why The Gothic feels like the right fit for a generation that was gaslit while coming of age during war and a recession. And Leila Taylor, author of Darkly: Black History and America's Gothic Soul, explains that America will always be haunted by its Gothic past until we confront it. Featuring readings by voice actor Tanya Rich. Learn more about your ad choices. Visit megaphone.fm/adchoices

Our story begins nearly 200 years ago on an Irish hillside overlooking the Kenmare River in County Kerry, where a massive manor house was to be built for the Mahony family.The Mahonys had long wanted a castle atop that hill. In the early 19th century, John Mahony made the decision to build a large home there, but he lost heart for the project when his boat — returning from London with lead for the roof and wine for the cellar — sank in the river, in full view of the intended site.After that, the project was abandoned for a whole generation. It would not be resumed until John's son, Denis, took up the work. He hired famed Irish architect Sir Thomas Deane to design and build the castellated Gothic Revival home with a huge gallery in the entrance hall, a west wing to form a round tower and a spiral staircase containing in an attached turret.Dromore Castle — the name came from Irish Droim Mór, meaning “large ridge” — came to be well known to the people of County Kerry. Builder Denis Mahony, as a minister in the Church of Ireland, was an ardent proselytizer. During the Great Potato Famine of the 1840s and ‘50s, he set up a regular soup kitchen at the castle … but then he insisted on preaching to the hungry as they were drawn in for the food. Such activities did not make him popular; in fact, in 1850 he was attacked in his own church in town. Then, returning home to Dromore following the melee, he found another angry group had uprooted his flower beds and felled his trees, and now they were preparing to set fire to his castle. Some say the mob was stopped only by the intervention of the local Catholic priest.Ancient? Yeah, Well, Not So Much…But where does the song come into this rambling story?Legend has it this lullaby is one of the oldest extant Irish songs, lulling medieval children to sleep with hush-a-bye, loo, low, loo, low, lan, and with gentle assurances that no matter what riotous troubles lie beyond the walls, safety abide within.It's a lovely legend. Unfortunately, there's no truth to the story that the song is ancient. On the contrary, it traces back… oh, about 125 years or so.Here's What We KnowAfter the ardent Reverend Denis died in 1851, Dromore Castle passed down to a succession of Mahonys. In the 1890s, it came to a national celebrity: tennis star Harold Mahony, who was to be the last Irish winner at Wimbledon. It was during Harold's time as head of the Mahony clan that another Harold — songwriter Sir Harold Boulton — came for a visit. Boulton already was famous for writing “The Skye Boat Song,”and it is thought he wrote the words for his even more popular "Castle of Dromore" during or shortly after that stopover. He published the song in 1892 in English, and later it was translated from English into Irish.Boulton filled his verses with evocative images: autumn winds lamenting around the castle walls, a mother in those peaceful, lofty halls rocking and softly singing to her child. Then we hear her prayer: Let no ill will to hinder us, my loving babe and me, Dread spirits of the Blackwater, Clan Owen's wild banshee. And Lady Mary, pitying us, In Heaven for grace doth sue.Sometimes recorded under the name “October Winds,” this is likely the only song — much less a lullaby — in which you'll heard someone warding off banshees. Surely, though, that reference is a prime reason some listeners have passed along the notion that the song just has to be ancient. Who talks about banshees any more?Banshees in Irish lore — often depicted as crazy, mournful crones — are spirits that portend death in a family. Each castle or clan could claim its own banshee. The banshee's wail was said to sound like the wild wind through the trees, like the winds on raw October night, perhaps?Our Take on the TuneThe Flood's eclectic repertoire can routinely pivot from an R-rated blues or hokum tune to a some sweet family-friendly ballad. Even a lullaby might pop up from time to time, like this lovely Irish melody. And we toss in the banshee for free. This is a public episode. If you would like to discuss this with other subscribers or get access to bonus episodes, visit 1937flood.substack.com

For links to every news story, all of the details we shared about Atlasaurus, links from John Holmes, and our fun fact check out https://iknowdino.com/Atlasaurus-Episode-433/Join us at www.patreon.com/iknowdino for dinosaur requests, bonus content, ad-free episodes, and more.Dinosaur of the day Atlasaurus, a close relative of Brachiosaurus from Morocco that lived 15 million years earlier than Brachiosaurus.Interview with John Holmes, Professor of Victorian Literature and Culture at the University of Birmingham. He is an expert on the Gothic Revival and the Pre-Raphaelite movement. He recently recreated Tolkien's 1938 Christmas lecture ‘On Dragons' which featured several dinosaurs from Oxfordshire.In dinosaur news this week:A new study shows that dinosaurs weren't declining before the asteroid impact, but a shift in which herbivores were most important in their ecosystems may have made dinosaurs more vulnerable to extinctionScientists found that climate may have affected the early evolution of dinosaurs including how and where they lived We're about to release our first I Know Paleo episode to every patron at our Triceratops tier and up. Join our patreon and you'll get the first episode (which is all about terror birds) as soon as it comes out! You can join the Triceratops tier for $9.99/mo (or $8.99/mo if you pay for a year) at patreon.com/iknowdinoIf you haven't already, we recommend signing up for our newsletter. If you sign up, you'll get a free mini audiobook, which includes some of our favorite chapters from 50 Dinosaur Tales. You can sign up by going to iknowdino.com and scrolling all the way to the bottom where you'll find the signup form.See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

Host of The Most Beautiful Places in Chicago, Geoffrey Baer, joins the Steve Cochran Show to talk about how he determines the most beautiful places in Chicago, why the tour guides play a huge part in making the locations he visited beautiful, and he shares if the Chicago Tribune remodel ruined the historic Gothic Revival style building. https://interactive.wttw.com/most-beautiful-places-in-chicago-coming-soon  See omnystudio.com/listener for privacy information.

How does your personality intersect with your home aesthetic? What is important to keep in mind when buying an old house? Donna joins me to discuss her experience with her charming Gothic Revival home.Instagram: @wan2bdecoratorThanks so much for being with us this week. Please see the episode enhancement for this and other episodes at talkinghomerenovations.comDo you have feedback you would like to share? Would you like to be a guest on the podcast? Email me at thehousemaven@talkinghomerenovations.comIf you enjoyed this episode, please share it with your friendsDon't forget to subscribe to the show and get automatic updates every Wednesday morning with the latest episode of Talking Home Renovations with the House Maven. Click here to get the episode enhancements sent directly to your inbox every week.Reviews and ratings help my show gain traction and credibility. Please leave a review here- https://podcasts.apple.com/us/podcast/talking-home-renovations-with-the-house-maven/id1481716218Follow me on instagram: @talkinghomerenovationsJoin me on Facebook: Talking Home RenovationsFollow me on Twitter: @talkinghomerenoJoin me on TikTok: @The House MavenTalking Home Renovations with the House Maven is part of Gabl Media, the largest, most engaged AEC network on the planet. Visit www.Gablmedia.com for great content. Sign up for the weekly newsletter- I send out the episode enhancements every Wednesday morning, sign up hereMusic at the beginning and end of the episode is The House Maven's Jig, written and performed by Neil Pearlman, www.neilpearlman.comShow Cover Art by Sam White www.samowhite.comThis podcast is a production of dEmios Architects. www.demiosarchitects.com

Nate and Bobby look back at the history behind the New Holy Ghost Tabernacle Church located on West Garfield Avenue. The 1887 Gothic Revival church has recently been sold to a developer, and its future has yet to be decided. Read more: https://onmilwaukee.com/articles/second-german-epworth

It's a wonderful example of Gothic Revival architecture, and it now has the Heritage Structure status to prove it. We'll find out more about the Pilley's Island Methodist Church, coming up.

The Renwick Ruin, resembling an ancient castle lost to time, appears along the East River as a crumbling, medieval-like apparition, something not quite believable. Sitting between two new additions on Roosevelt Island -- the campus of Cornell Tech and FDR Four Freedoms Park -- these captivating ruins, enrobed in beautiful ivy, tell the story of a dark period in New York City history.The island between Manhattan and Queens was once known as Blackwell's Island, a former pastoral escape that transformed into the ominous 'city of asylums', the destination for the poor, the elderly and the criminal during the 19th century.During this period, the island embodied every outdated idea about human physical and mental health, and vast political corruption ensured that the inmates and patients of the island would suffer.In 1856 the island added a Smallpox Hospital to its notorious roster, designed by acclaimed architect James Renwick Jr (of St. Patrick's Cathedral fame) in a Gothic Revival style that captivates visitors to this day -- even if the building is in an advanced state of dilapidation.What makes the Renwick Ruin so entrancing? How did this marvelous bit of architecture manage to survive in any form into present day?PLUS: The grand story of the island -- from a hideous execution in 1829 to the modern delights of one of New York City's most interesting neighborhoods.Visit the websiteAfter you've listened to this show, check out these Bowery Boys podcasts with similar themes:-- North Brother Island: New York's Forbidden Place-- Nellie Bly: Undercover in the Madhouse 

Imagine the architect of your new house insisting that you build it in a style that was fashionable six hundred years ago. That's precisely what was happening in nineteenth-century Britain in what was called the Battle of the Styles. It's hard to imagine that anyone who walked past Tower House in London's Holland Park ever thought it was entirely normal, even in the 1870s when it was built. It's the work of William Burges, an architect whose output was small but significant, and it represents a high point in the Gothic Revival.

All the world's great cities have some things in common and fantastic food is one of them. But what happens if a city doesn't have a chief restaurant critic? Besha Rodell, the recently appointed Chief Restaurant Critic for The Age and Good Weekend discusses the role of a great food writer and why she prefers to remain anonymous. Then it's time to visit Sydney's newest herbarium at the Australian Botanic Garden in Mount Annan. Denise Ora, Chief Executive of the Royal Botanic Gardens and Domain Trust, and Brett Summerell, Director Research and Chief Botanist, join Tim Entwisle for an amble through the new facility and discuss why they're critical to conserving plants and fighting climate change. Annie and Jonathan just can't get enough of the humble spud. In the latest edition of Kitchen Rudimental, Annie Smithers teaches Jonathan how to master a Potato Terrine with Gruyère. And finally, Colin Bisset explores the Tower House in London's Holland Park. It's the work of William Burges, an architect whose small but significant output represents a high point in the Gothic Revival. This is everything that minimalism is not.

In this episode, we will begin to explore the second building scheme that made monumental additions to Newry Cathedral between 1888 to 1892. We'll share newly uncovered details of the scheme, that were not included in any of the previously published histories of the cathedral, thanks to research by Dalton Short. The scheme added two transepts, a new sacristy, a magnificent bell tower and much more. We'll take you behind the scenes, inside the bell tower, where we'll find a collection of artefacts dating back to the earliest days of the cathedral. We'll learn about Bishop Thomas McGivern who oversaw the work and the prolific Cork architect George Coppinger Ashlin who designed the improvements. Additional content on Facebook and YouTube Like us on Facebook for additional content or to get in touch: https://www.fb.com/cathedralchronicles Help us to grow our audience If you're enjoying the series, please us a review on Podchaser: https://www.podchaser.com/cathedralchronicles Support our work by donating an item of equipment from the Amazon wish list at the link below https://www.amazon.co.uk/hz/wishlist/ls/3STTP01SZO48S?ref_=wl_share Support our work by advertising your business on this show To enquire about advertising your business on this show, please email mark@cathedralchronicles.com Credits This episode was written produced and presented by me, Mark Byrne, with additional material adapted from various works as detailed in the description, including new newspaper sources recently found by Dalton Short. Linda Byrne provided the voiceover for various newspaper articles. Music Original music ‘Piano Trio in G 1. Allegro Moderato' composed specially for this series by Kevin Canavan. ©2022 Kevin Canavan. All Rights Reserved. Soundcloud.com/kevycanavan References: 1. Dean A. Davies, ‘Bishops associated with the building of the cathedral' in Seanchas Dhroim Mór, the journal of Dromore Diocesan Historical Society. 2. Mildred Dunne, ‘The early career of George Coppinger Ashlin (1859-1869) Gothic Revival architect.' Thesis submission to the University of Trinity College, October 2001. 3. ‘John Pius Leahy, O.P., Bishop of Dromore.' Part I & II. The Irish Monthly, Nov., 1890, Vol. 18, No. 209 (Nov., 1890), pp. 561-570 - Irish Jesuit Province. 4. Rev. Edward Campbell. ‘Cathedral of SS. Patrick and Colman Newry'. P. Bennett, Hill Street, Newry, 1948. 5. Fr. Michael Murtagh, ‘St. Patrick's Dundalk an anniversary account', 1997. Bellew Print, Dundalk. Newspaper articles: 1. ‘IMPROVEMENTS IN HILL STREET CATHEDRAL', Newry Reporter 24th Sept 1887 2. ‘Tenders' - Newry Reporter 6th February 1888 3. ‘ST. PATRICK'S CATHEDRAL NEWRY - COMPLETION OF THE NEW TOWER'. Irish News, 19th December 1892 4. ‘IMPROVEMENTS IN NEWRY, Newry Telegraph November 16th 1893. 5. ‘Death of Most Reverend Pius Leahy....' The Dundalk Democrat and People's Journal, September 13th, 1890. Copyright information Neither Newry Cathedral Parish nor the Diocese of Dromore claims ownership of, or responsibility for, the content of this podcast. ©2022 Mark G. Byrne. All Rights Reserved.

On this week's 51%, we recognize Women's History Month. We learn about Sarah Smiley, a controversial Quaker minister who dared to preach to women — and men — in the 19th Century, and Nancy Brown of the National Collaborative for Women's History Sites provides a more local lens on the women's suffrage movement. We also stop by the New York State Museum to learn about a new initiative to expand its collection on women's sports. Guests: Samantha Bosshart, executive director of the Saratoga Springs Preservation Foundation; Nancy Brown, National Collaborative for Women's History Sites; Ashley Hopkins-Benton, New York State Museum 51% is a national production of WAMC Northeast Public Radio. It's produced by Jesse King. Our executive producer is Dr. Alan Chartock, and our theme is “Lolita” by the Albany-based artist Girl Blue. Follow Along You're listening to 51%, a WAMC production dedicated to women's issues and experiences. Thanks for joining us, I'm Jesse King. All month long, we've recognized Women's History Month by taking the time to learn about prominent American women, past and present. At the end of each episode, we visited exhibits at the New York State Capitol and spoke with the National Women's Hall of Fame. This week, I wanted to take a more local approach — mostly because, as a transplant in Central New York, I'm forever catching up on my Capital Region history, but also to serve as a reminder about the wealth of history that's right in our local communities. We're also flipping the script this week — rather than ending with a “woman you should know,” let's start with one. At the end of last year, the city council of Saratoga Springs, New York, unanimously voted to designate a small cottage on Excelsior Avenue a local landmark. The Smiley-Brackett Cottage, as it's called, is thought to be a prime example of the Gothic Revival style of architecture popularized by Andrew Jackson Downing in the 19th Century — but it's also noteworthy for those who lived there. The house was owned by and built for Sarah Smiley, a popular, yet controversial Quaker minister.  "She really had this significant impact, I think, on women and public speaking," says Samantha Bosshart, executive director of the Saratoga Springs Preservation Foundation. The Foundation led the effort to acquire the local landmark designation. Smiley was born the daughter of a well-known Quaker family in Maine in 1830 (her father and brothers would go on to build the popular Mohonk Mountain House resort in the Catskills, which still operates today). She initially sought to become a teacher, but after the Civil War, Bosshart says Smiley went South to “relieve human suffering.”  "She traveled to Virginia and to North Carolina, aiding Quakers in organizing schools and libraries," Bosshart notes. "She helped to start a school for 1,000 free Black adults and children in Richmond, Virginia — but that's not really what made her well-known. She later spoke to what they called 'mixed audiences,' and when we say 'mixed audiences,' we're talking about men and women. Women did not speak in front of a congregation, that just wasn't happening." In 1872, popular minister Theodore Cuyler invited Smiley to preach before a mixed congregation at the Presbyterian Church in Brooklyn — making her the first woman to speak from a Presbyterian pulpit. "This caused a ruckus," says Bosshart. "This made Harper's Weekly news, and she was said to 'teach and to extort, or to lead in prayer in publ

On this week's 51%, we recognize Women's History Month. We learn about Sarah Smiley, a controversial Quaker minister who dared to preach to women — and men — in the 19th Century, and Nancy Brown of the National Collaborative for Women's History Sites provides a more local lens on the women's suffrage movement. We also stop by the New York State Museum to learn about a new initiative to expand its collection on women's sports. Guests: Samantha Bosshart, executive director of the Saratoga Springs Preservation Foundation; Nancy Brown, National Collaborative for Women's History Sites; Ashley Hopkins-Benton, New York State Museum 51% is a national production of WAMC Northeast Public Radio. It's produced by Jesse King. Our executive producer is Dr. Alan Chartock, and our theme is “Lolita” by the Albany-based artist Girl Blue. Follow Along You're listening to 51%, a WAMC production dedicated to women's issues and experiences. Thanks for joining us, I'm Jesse King. All month long, we've recognized Women's History Month by taking the time to learn about prominent American women, past and present. At the end of each episode, we visited exhibits at the New York State Capitol and spoke with the National Women's Hall of Fame. This week, I wanted to take a more local approach — mostly because, as a transplant in Central New York, I'm forever catching up on my Capital Region history, but also to serve as a reminder about the wealth of history that's right in our local communities. We're also flipping the script this week — rather than ending with a “woman you should know,” let's start with one. At the end of last year, the city council of Saratoga Springs, New York, unanimously voted to designate a small cottage on Excelsior Avenue a local landmark. The Smiley-Brackett Cottage, as it's called, is thought to be a prime example of the Gothic Revival style of architecture popularized by Andrew Jackson Downing in the 19th Century — but it's also noteworthy for those who lived there. The house was owned by and built for Sarah Smiley, a popular, yet controversial Quaker minister.  "She really had this significant impact, I think, on women and public speaking," says Samantha Bosshart, executive director of the Saratoga Springs Preservation Foundation. The Foundation led the effort to acquire the local landmark designation. Smiley was born the daughter of a well-known Quaker family in Maine in 1830 (her father and brothers would go on to build the popular Mohonk Mountain House resort in the Catskills, which still operates today). She initially sought to become a teacher, but after the Civil War, Bosshart says Smiley went South to “relieve human suffering.”  "She traveled to Virginia and to North Carolina, aiding Quakers in organizing schools and libraries," Bosshart notes. "She helped to start a school for 1,000 free Black adults and children in Richmond, Virginia — but that's not really what made her well-known. She later spoke to what they called 'mixed audiences,' and when we say 'mixed audiences,' we're talking about men and women. Women did not speak in front of a congregation, that just wasn't happening." In 1872, popular minister Theodore Cuyler invited Smiley to preach before a mixed congregation at the Presbyterian Church in Brooklyn — making her the first woman to speak from a Presbyterian pulpit. "This caused a ruckus," says Bosshart. "This made Harper's Weekly news, and she was said to 'teach and to extort, or to lead in prayer in public and promiscuous assemblies...[it's] clearly forbidden to women in the Holy Oracles.' But what we learned, or what I learned after that, was that she was so well-received amongst her audiences that she was asked to speak across the country and abroad." Soon, Bosshart says Smiley was speaking in churches from Cincinnati, to London, to Cube. She was adamant that women could study the scriptures themselves, without the help of men. She started a home Bible study program for women, and would go on to write five books on the subject — some of which are still published today. Bosshart says Smiley's Gothic-Revival cottage was built the same year of her notorious appearance in Brooklyn. She's not sure why Smiley chose to settle in Saratoga Springs, but it appears she knew exactly what she wanted in terms of a home.  "Andrew Jackson Downing, he published his Cottage Residence in 1842, and The Architecture of Country Houses in 1850. Alexander Jackson Davis designed and drew the illustrations featured — her house looks nearly identical to one of those cottages. Perhaps because it was the gothic style that is reminiscent of churches, perhaps [she was] being influenced by seeing these rural cottages, and she wanted it to be in keeping with that," Bosshart adds. "She would come to Saratoga to study. In an article in 1874 in The Saratogian, it said, 'She speaks twice almost every day in the week. She only spends six months of the year in preaching, the remainder of the year, during the summer months, in diligent study in her cottage in Saratoga.' So I think, perhaps, it was where she had peace and quiet." Following Smiley's death in 1917, the cottage was left to The Society for the Home Study of Holy Scripture and Church History, the group she had founded to promote religious study by mail. It was ultimately bought by another famous name who owned the property until 1968: Charles W. Brackett. Brackett was a popular author, New Yorker drama critic, and screenwriter of films including Sunset Boulevard, The Lost Weekend, and 1953's Titanic. In 1958, he received an Honorary Oscar for Lifetime Achievement. Bosshart says the cottage ultimately fell into disrepair following Brackett's death. The building is privately owned, so she notes there's nothing the Foundation or city can explicitly do to restore it at this time, but she remains hopeful that they can work with the owner down the line. In the meantime, the Foundation is celebrating the local landmark designation, which requires a review for any demolition or new construction in the future.  "I think it's important that we continue to recognize all the people that contribute to the stories of our communities. Having an opportunity to be a part of ensuring that Sarah Smiley's story is told and preserved is rewarding," says Bosshart. Saratoga Springs, as it turns out, saw many aspects of women's history. When we talk about the Women's Suffrage Movement, we tend to start with the Seneca Falls Convention and Declaration of Sentiments in 1848 — but as our next guest will tell us, there's a lot of local history to the movement, including in Saratoga Springs. Nancy Brown is a board member of the National Collaborative for Women's History Sites, and chairperson of the National Votes for Women Trail, a database of more than 2,000 sites significant to women's suffrage across the U.S. She says the goal was to highlight the nationwide, grassroots commitment that was needed to gain women the vote, and honor the ongoing struggle for voting rights across the U.S.  How did you get involved in the National Votes for Women Trail? I think that my interest in women suffered comes from the fact that I'm a native of Johnstown, New York, and that is home to Elizabeth Cady Stanton, where not only she was born, but inspired. So I think that has always made me very interested in women's suffrage. I was a board member on the National Collaborative for Women's History Sites, and this became a project that was originally, actually, a funded project that was proposed by Hillary Clinton – to have a Votes for Women Trail. And it was passed, the legislation was passed, but there were never any funds appropriated for it. So I remember being on a phone call, years ago now, and we were bemoaning the fact that there was no money to tell the story of women's suffrage – how half of our democracy became enfranchised, which is a pretty huge story. And we got thinking that really, suffragists we're all volunteer operations. So that's how the National Votes for Women Trail got started: a number of volunteers stepped up and we ended up creating a national network. And our goal was to have 2,020 sites on a database, a mobile friendly, searchable database by 2020 – which we exceeded, and we're now at 2,300 sites, it at nvwt.org. And along the way, the William G. Pomeroy Foundation in Syracuse, New York, recognized the importance of the project and offered to fund historic markers for places of specific significance around the country. And they are doing that for over 200 markers. So it was through that project that I kind of stumbled across the wonderful suffrage history in Saratoga. So what role did Saratoga play in the women's suffrage movement? Well, I will tell you how I stumbled across it, to be honest with you. One of the most important and influential associations was the New York State Women's Suffrage Association. And when I was doing a little research on where it started, I realized that it started at a meeting in Saratoga in July of 1869. Matilda Joslyn Gage, who was famous suffragist from Syracuse, actually had called a meeting to form a state women's suffrage association, and it was held at Congress Hall, which is where the corner of Congress Park and Spring Street is in Saratoga. And it was chaired by Susan B. Anthony. And the result of it was the formation of the New York Women's Suffrage Association. Why that's so important is this will become the association that helps women win the right to vote in New York state, which happened in 1917. They lost the bid for voting in 1915, but were able to get it in 1917. And why that's so important is we were the 12th state in the nation to pass women's suffrage – but the other states were in the West, and we were the first state in the east to pass this. And Carrie Chapman Catt, the famous suffragist, called this the Gettysburg of the woman's suffrage association. So come to find out that started right in Saratoga. And when I looked back a little further, I found that that was not the first women's rights convention in Saratoga. Well, we know that the very first one was in Seneca Falls in 1848, that sort of began the idea of having women's rights conventions. And after that there was one in Rochester, but in 1854, actually – the suffragists were such strategic thinkers that there were some other associations meeting in Saratoga, and they decided to go to Nikolas Hall, which was on the corner of Phila and Broadway. And they had a meeting with Susan B. Anthony, and it was very well regarded, very well attended. It was before there was a race track, but still, it was very popular place to go for people who had money and influence, and they knew that that's what the suffrage movement needed, was money and influence. And they had another meeting again in 1855, because it went so well. Then they have the meeting in 1869, in Saratoga, that forms the New York State Women's Suffrage Association, which becomes so influential. And then what I think is so incredibly interesting is the last meeting of the New York State Women's Suffrage Association was held there in 1917. And that was the last one before the vote, and then fortunately, the vote was passed and women got the vote within our state. And that's a really interesting meeting. That is sort of a culmination of all the work that the Association had done throughout its history, and they had really won over all the legislators. They had worked during World War I, doing all kinds of anything that was asked of them. They had worked with the state military census, they had organized Red Cross chapters, they had sold bonds, they had organized food canning clubs, and every political party decided that they were going to support them. And it was quite a meeting. Even Woodrow Wilson wrote a letter and said, “I look forward to seeing the results of the meeting in Saratoga.” And it started out with a car parade, an automobile parade from Buffalo across the state to Saratoga. So that was August 1917. And hundreds of cars were coming down Broadway. And that's when about one in four people owned a car, so that must have really been quite a sight. And again, famous people like Woodrow Wilson wrote a letter, Samuel Gompers wrote a letter of support. Katrina Trask sent a letter saying that she supported suffrage and wanted to make a donation that would have been worth about $5,000 in today's money. So it was really quite an interesting place. I think what's especially interesting about it is it was a turning point, literally in the suffrage movement nationally. And Saratoga is known as the turning point of the Revolution, right? We all know that the American Revolution, and that enfranchised white men, essentially. But it was really a turning point in what many people have called the “bloodless revolution,” which was the 72-year-fight for women's suffrage over which no blood was shed, and voting rights were gained. So I think that its importance is very significant. You mentioned you're from Johnstown, and that's where Elizabeth Cady Stanton was born. And you also said it's where she was inspired. Can you go into what you mean by that for me? I sure can. Elizabeth was one of the children born to Judge [Cady] and his wife, and unfortunately, only one of their sons made it to adulthood. Eleazer. And when he came home from Union College, he passed away at the age of 20. And Elizabeth remembers in her autobiography, that, as her father, who saw this as the successor to his law practice, was sitting by the coffin, he was just despondent. She went, and she sat on his lap, and he said, “Oh, Elizabeth, if you've only been a boy.” And apparently after that, she talked to her neighbor, who was the Reverend Simon Hoosick, and asked if he thought boys are better than girls. And he said, “No, of course not.” And she vowed at that point in time that she was going to become as good as any boy. And she became a very good horse woman. And she went to the Johnstown Academy, and was in all the accelerated classes that very few girls were in. And there was a coveted Greek prize, that she won along with another gentleman at one point, and the story goes that she took that Greek prize, which was very coveted, and she ran it down the street, and she went to her father's law office and said, “There, I won the Greek prize.” And he said, “Elizabeth, if you'd only been a boy.” And because her father was a lawyer, and we believe that his law office was adjacent to their home, she spent time there and she learned about the law. And she learned how the law didn't favor women. And there's the story of a woman who came to see the judge, because she had no property rights, and her husband passed away, and her son and his wife were kicking her out of her house, and she had no rights to stay there. And Elizabeth heard this story and vowed to cut all the laws out of his logbooks. And he said, “Elizabeth, you would have to go and talk to the legislature to change a law,” never really realizing that she really would end up doing that one day, and she would help change the property law in New York state. So she really was inspired by the events of her youth that took place in Johnstown. You mentioned when you were describing the conventions that there's parades of cars and famous figures and big donations being made for the effort. Do you see it as a movement that, at the time in Saratoga, was particularly driven by the upper classes, or was there a movement for the everyday folks who wanted this too? I think that when we think about it, and we look at the suffrage movement in New York state, for example, there were women like Rose Schneiderman, who worked so hard for workers' rights as well as for suffrage, knowing that that would help the workers gain a voice in their destiny. But I also think women who had more money had more time to devote to this. And there were certainly women who were immigrants who were very interested in this and worked in suffrage, but they had so much on their plates just to survive and just to get educated and just to keep their families together. But there also were Black women who worked so hard to win the vote when the suffrage movement was not always kind to women of color. So there were really women of every class who worked terribly hard, and devoted themselves to a cause that they didn't even know if they were ever going to see. So I'm so impressed by that as well. And fortunately, I will say that the National Votes for Women Trail has worked hard to try and unearth as many stories as we could for those underrepresented women who aren't known as well as the upper class white women, who we tend to know their names. I was going to ask, as we're looking towards preserving sites that have to do with women's history, what are some things that we should keep in mind? And what are the obstacles that are we're running into nowadays to create more monuments to women in the U.S.? Well, the obstacles in terms of preserving sites are they weren't preserved, unfortunately. Elizabeth Cady Stanton's original house, for example, was moved, and a new one that she lived in was built out of stone, because there have been a number of fires in Johnstown. And it was taken down in 1963. And nobody thought a thing about it, actually. And she was a woman of means, so her family had some money. And that's why we on the National Votes for Women Trail are willing to mark sites, because so many homes, nobody preserved the history of them at all. And especially those that women of color [lived in], they're particularly hard to find. Before those names get lost, it's really our responsibility to do our best to shine a light on the information that we can find in for those few remaining places. Like fortunately, Katherine Starbucks' home is still there. So that's why it's so important to recognize it. Because so many of these homes in locations really are not. It's just, you know, ideally that that people really take some time and do their research. They can go on the National Votes for Women Trail and submit sites in their community, if they find information. We then have somebody who reviews them before they're released to populate the map. But we I just think, fortunately, with the centennial of the passage of the 19th Amendment, there was more interested in women's history. And I think people are more interested in finding out who was in their communities that help them get the rights that they enjoy today. And we also need to be mindful of, you know, all women couldn't vote in 1920, Black Women's still had a long way to go to fight their way through Jim Crow laws before they could vote. And, you know, Native American women weren't even US citizens yet, not for another four years and women of Asian descent. Not until even after that they were not citizens yet, so they didn't get the vote. And as we know, unfortunately, today, voting rights are still being compromised in a variety of places. So I think that is equally important to commemorating their sites, I suppose is commemorating their struggle for the for the right to vote. Well, lastly, in looking at the local impact on women's suffrage movement, what has been your main takeaway? I think the main takeaways – I didn't know any of that history existed there, either. But in every county in New York state, there was an active women's suffrage association. That's how they were able to eventually get the New York state legislature to pass the amendment to the law so that they could vote. But so I think what I have learned is how widespread it was, how many people had to be involved to get this movement over the finish line, if you will. Also, there was a significant anti-suffrage movement that I wasn't aware of before I started doing research. And there were women as well as men who didn't think women voting was a good idea. They thought that they didn't need to vote to make their voice heard. If you dial it all the way back to that first women's rights convention in Seneca Falls, when Elizabeth Cady Stanton said in her Declaration of Sentiments that she felt that women needed the right to vote, almost no one agreed with her then. They said, “Oh, that's too much. You know, we can't go quite that far.” But it was Frederick Douglass who stood up and said, “No, she's right. Without the right to vote…that's the right by which all other rights are gained.” It really was such a Herculean effort. There are so many people that we don't know about, that we should be so grateful for. I think there's so much research to do and so many people we need to try and remember their names and try and find out about them so that their efforts won't be lost. Nancy Brown is the chairperson of the National Votes for Women Trail. You can view the trail and learn more about a site near you on the website for the National Collaborative for Women's History Sites. The William G. Pomeroy Foundation has a map for all of its historic markers at wgpfoundation.org.  Lastly, on the topic of preserving women's history, the New York State Museum in Albany has launched a new effort to expand and diversify its collections — specifically, its sports collections. It's all ahead of the 50th anniversary of Title IX this June — Title IX, of course, is the federal civil rights law prohibiting sex-based discrimination in schools that receive federal funding. It applies to all aspects of education, but one of its most visual impacts was in sports, requiring schools to equally support girls' and boys' teams. The museum is trying to balance out its own recollection of sports history by recognizing juggernauts like the WNBA's New York Liberty, or special events like the all-female Aurora Games, which launched in Albany in 2019.  I spoke with the museum's senior historian and curator for social history, Ashley Hopkins-Benton, to learn more.  "At the New York State Museum, our entire history curatorial department has been working on really evaluating our collections, and what strengths we have, and also what stories we're missing," says Hopkins-Benton. "And diversity, of course, is always something that we're trying to get more into the collections. But a couple of years ago, in 2017, when we were working on the Votes for Women exhibit about the centennial of women's suffrage in New York state, we realized women's history collections were really lacking. And then shortly after that, Steve Loughman, who is our sports curator, also was realizing that sports were really lacking, which is crazy when you think about New York and all of the great sports teams and sports stories that we have. So simultaneously, we were both working on these things. And because of the upcoming anniversary of the passage of Title IX, it became very apparent that women's sports were a particular collection that was lacking." So what kinds of items are you looking for in this collection? Well, let me start with what we have, because it's very small. It's all out on the table in front of us right now, we really have two collections that speak to women's sports as they relate to New York state. So one is a collection of material from the New York Liberty basketball team, the WNBA team. And this came in from a woman named Pam Elam, who is a feminist and a women's history scholar, and was really interested in collecting women's history and LGBTQ history as it pertained to culture and politics and sports and everything. So this came in before we even knew that women's sports was something that was missing from our collections, and it includes tickets and calendars and bios of the players. So it's a really great snapshot of the league. And these all came from around 10 years of the league being in existence. So that was the first thing that we had. And then a couple years ago, when Albany hosted the Aurora games, a couple of us all went out to different events and collected pins and basketballs and shirts and other materials from that. So that was a great opportunity as well. So we have two examples, more on the professional sports side of things. But we would love to collect more amateur sports, girls playing in high school, women in college, and those stories. I'm definitely looking for stories of trailblazers, women who were the first to play their sports. New York has so many great stories of girls who play on their high school football team, or I spoke to a woman earlier who was the first girl in her high school to earn a letter by playing on the men's golf team back in the ‘60s. So I am also looking to speak to women. I'd like to do some oral histories of women who were involved in sports at various times in history. Cool. Now, if someone has something that they think might be a good addition to the collection, what is the process of giving that to the museum? Well, reaching out to the museum and to me in particular, and then I bring it to our collections committee, and we discuss it as a group – how it fits into the collection, if it's something that we can responsibly take care of, and if it's something that has research and exhibition value in the future. If you think you may have something you'd like to contribute to the collection, you can find more information at the museum's website. You can also email Ashley Hopkins-Benton at ashley.hopkins-benton@nysed.gov. Title IX turns 50 on June 23. 51% is a national production of WAMC Northeast Public Radio. It's produced by Jesse King. Our executive producer is Dr. Alan Chartock, and our theme is “Lolita” by the Albany-based artist Girl Blue.

On this week's 51%, we recognize Women's History Month. We learn about Sarah Smiley, a controversial Quaker minister who dared to preach to women — and men — in the 19th Century, and Nancy Brown of the National Collaborative for Women's History Sites provides a more local lens on the women's suffrage movement. We also stop by the New York State Museum to learn about a new initiative to expand its collection on women's sports. Guests: Samantha Bosshart, executive director of the Saratoga Springs Preservation Foundation; Nancy Brown, National Collaborative for Women's History Sites; Ashley Hopkins-Benton, New York State Museum 51% is a national production of WAMC Northeast Public Radio. It's produced by Jesse King. Our executive producer is Dr. Alan Chartock, and our theme is “Lolita” by the Albany-based artist Girl Blue. Follow Along You're listening to 51%, a WAMC production dedicated to women's issues and experiences. Thanks for joining us, I'm Jesse King. All month long, we've recognized Women's History Month by taking the time to learn about prominent American women, past and present. At the end of each episode, we visited exhibits at the New York State Capitol and spoke with the National Women's Hall of Fame. This week, I wanted to take a more local approach — mostly because, as a transplant in Central New York, I'm forever catching up on my Capital Region history, but also to serve as a reminder about the wealth of history that's right in our local communities. We're also flipping the script this week — rather than ending with a “woman you should know,” let's start with one. At the end of last year, the city council of Saratoga Springs, New York, unanimously voted to designate a small cottage on Excelsior Avenue a local landmark. The Smiley-Brackett Cottage, as it's called, is thought to be a prime example of the Gothic Revival style of architecture popularized by Andrew Jackson Downing in the 19th Century — but it's also noteworthy for those who lived there. The house was owned by and built for Sarah Smiley, a popular, yet controversial Quaker minister.  "She really had this significant impact, I think, on women and public speaking," says Samantha Bosshart, executive director of the Saratoga Springs Preservation Foundation. The Foundation led the effort to acquire the local landmark designation. Smiley was born the daughter of a well-known Quaker family in Maine in 1830 (her father and brothers would go on to build the popular Mohonk Mountain House resort in the Catskills, which still operates today). She initially sought to become a teacher, but after the Civil War, Bosshart says Smiley went South to “relieve human suffering.”  "She traveled to Virginia and to North Carolina, aiding Quakers in organizing schools and libraries," Bosshart notes. "She helped to start a school for 1,000 free Black adults and children in Richmond, Virginia — but that's not really what made her well-known. She later spoke to what they called 'mixed audiences,' and when we say 'mixed audiences,' we're talking about men and women. Women did not speak in front of a congregation, that just wasn't happening." In 1872, popular minister Theodore Cuyler invited Smiley to preach before a mixed congregation at the Presbyterian Church in Brooklyn — making her the first woman to speak from a Presbyterian pulpit. "This caused a ruckus," says Bosshart. "This made Harper's Weekly news, and she was said to 'teach and to extort, or to lead in prayer in public and promiscuous assemblies...[it's] clearly forbidden to women in the Holy Oracles.' But what we learned, or what I learned after that, was that she was so well-received amongst her audiences that she was asked to speak across the country and abroad." Soon, Bosshart says Smiley was speaking in churches from Cincinnati, to London, to Cube. She was adamant that women could study the scriptures themselves, without the help of men. She started a home Bible study program for women, and would go on to write five books on the subject — some of which are still published today. Bosshart says Smiley's Gothic-Revival cottage was built the same year of her notorious appearance in Brooklyn. She's not sure why Smiley chose to settle in Saratoga Springs, but it appears she knew exactly what she wanted in terms of a home.  "Andrew Jackson Downing, he published his Cottage Residence in 1842, and The Architecture of Country Houses in 1850. Alexander Jackson Davis designed and drew the illustrations featured — her house looks nearly identical to one of those cottages. Perhaps because it was the gothic style that is reminiscent of churches, perhaps [she was] being influenced by seeing these rural cottages, and she wanted it to be in keeping with that," Bosshart adds. "She would come to Saratoga to study. In an article in 1874 in The Saratogian, it said, 'She speaks twice almost every day in the week. She only spends six months of the year in preaching, the remainder of the year, during the summer months, in diligent study in her cottage in Saratoga.' So I think, perhaps, it was where she had peace and quiet." Following Smiley's death in 1917, the cottage was left to The Society for the Home Study of Holy Scripture and Church History, the group she had founded to promote religious study by mail. It was ultimately bought by another famous name who owned the property until 1968: Charles W. Brackett. Brackett was a popular author, New Yorker drama critic, and screenwriter of films including Sunset Boulevard, The Lost Weekend, and 1953's Titanic. In 1958, he received an Honorary Oscar for Lifetime Achievement. Bosshart says the cottage ultimately fell into disrepair following Brackett's death. The building is privately owned, so she notes there's nothing the Foundation or city can explicitly do to restore it at this time, but she remains hopeful that they can work with the owner down the line. In the meantime, the Foundation is celebrating the local landmark designation, which requires a review for any demolition or new construction in the future.  "I think it's important that we continue to recognize all the people that contribute to the stories of our communities. Having an opportunity to be a part of ensuring that Sarah Smiley's story is told and preserved is rewarding," says Bosshart. Saratoga Springs, as it turns out, saw many aspects of women's history. When we talk about the Women's Suffrage Movement, we tend to start with the Seneca Falls Convention and Declaration of Sentiments in 1848 — but as our next guest will tell us, there's a lot of local history to the movement, including in Saratoga Springs. Nancy Brown is a board member of the National Collaborative for Women's History Sites, and chairperson of the National Votes for Women Trail, a database of more than 2,000 sites significant to women's suffrage across the U.S. She says the goal was to highlight the nationwide, grassroots commitment that was needed to gain women the vote, and honor the ongoing struggle for voting rights across the U.S.  How did you get involved in the National Votes for Women Trail? I think that my interest in women suffered comes from the fact that I'm a native of Johnstown, New York, and that is home to Elizabeth Cady Stanton, where not only she was born, but inspired. So I think that has always made me very interested in women's suffrage. I was a board member on the National Collaborative for Women's History Sites, and this became a project that was originally, actually, a funded project that was proposed by Hillary Clinton – to have a Votes for Women Trail. And it was passed, the legislation was passed, but there were never any funds appropriated for it. So I remember being on a phone call, years ago now, and we were bemoaning the fact that there was no money to tell the story of women's suffrage – how half of our democracy became enfranchised, which is a pretty huge story. And we got thinking that really, suffragists we're all volunteer operations. So that's how the National Votes for Women Trail got started: a number of volunteers stepped up and we ended up creating a national network. And our goal was to have 2,020 sites on a database, a mobile friendly, searchable database by 2020 – which we exceeded, and we're now at 2,300 sites, it at nvwt.org. And along the way, the William G. Pomeroy Foundation in Syracuse, New York, recognized the importance of the project and offered to fund historic markers for places of specific significance around the country. And they are doing that for over 200 markers. So it was through that project that I kind of stumbled across the wonderful suffrage history in Saratoga. So what role did Saratoga play in the women's suffrage movement? Well, I will tell you how I stumbled across it, to be honest with you. One of the most important and influential associations was the New York State Women's Suffrage Association. And when I was doing a little research on where it started, I realized that it started at a meeting in Saratoga in July of 1869. Matilda Joslyn Gage, who was famous suffragist from Syracuse, actually had called a meeting to form a state women's suffrage association, and it was held at Congress Hall, which is where the corner of Congress Park and Spring Street is in Saratoga. And it was chaired by Susan B. Anthony. And the result of it was the formation of the New York Women's Suffrage Association. Why that's so important is this will become the association that helps women win the right to vote in New York state, which happened in 1917. They lost the bid for voting in 1915, but were able to get it in 1917. And why that's so important is we were the 12th state in the nation to pass women's suffrage – but the other states were in the West, and we were the first state in the east to pass this. And Carrie Chapman Catt, the famous suffragist, called this the Gettysburg of the woman's suffrage association. So come to find out that started right in Saratoga. And when I looked back a little further, I found that that was not the first women's rights convention in Saratoga. Well, we know that the very first one was in Seneca Falls in 1848, that sort of began the idea of having women's rights conventions. And after that there was one in Rochester, but in 1854, actually – the suffragists were such strategic thinkers that there were some other associations meeting in Saratoga, and they decided to go to Nikolas Hall, which was on the corner of Phila and Broadway. And they had a meeting with Susan B. Anthony, and it was very well regarded, very well attended. It was before there was a race track, but still, it was very popular place to go for people who had money and influence, and they knew that that's what the suffrage movement needed, was money and influence. And they had another meeting again in 1855, because it went so well. Then they have the meeting in 1869, in Saratoga, that forms the New York State Women's Suffrage Association, which becomes so influential. And then what I think is so incredibly interesting is the last meeting of the New York State Women's Suffrage Association was held there in 1917. And that was the last one before the vote, and then fortunately, the vote was passed and women got the vote within our state. And that's a really interesting meeting. That is sort of a culmination of all the work that the Association had done throughout its history, and they had really won over all the legislators. They had worked during World War I, doing all kinds of anything that was asked of them. They had worked with the state military census, they had organized Red Cross chapters, they had sold bonds, they had organized food canning clubs, and every political party decided that they were going to support them. And it was quite a meeting. Even Woodrow Wilson wrote a letter and said, “I look forward to seeing the results of the meeting in Saratoga.” And it started out with a car parade, an automobile parade from Buffalo across the state to Saratoga. So that was August 1917. And hundreds of cars were coming down Broadway. And that's when about one in four people owned a car, so that must have really been quite a sight. And again, famous people like Woodrow Wilson wrote a letter, Samuel Gompers wrote a letter of support. Katrina Trask sent a letter saying that she supported suffrage and wanted to make a donation that would have been worth about $5,000 in today's money. So it was really quite an interesting place. I think what's especially interesting about it is it was a turning point, literally in the suffrage movement nationally. And Saratoga is known as the turning point of the Revolution, right? We all know that the American Revolution, and that enfranchised white men, essentially. But it was really a turning point in what many people have called the “bloodless revolution,” which was the 72-year-fight for women's suffrage over which no blood was shed, and voting rights were gained. So I think that its importance is very significant. You mentioned you're from Johnstown, and that's where Elizabeth Cady Stanton was born. And you also said it's where she was inspired. Can you go into what you mean by that for me? I sure can. Elizabeth was one of the children born to Judge [Cady] and his wife, and unfortunately, only one of their sons made it to adulthood. Eleazer. And when he came home from Union College, he passed away at the age of 20. And Elizabeth remembers in her autobiography, that, as her father, who saw this as the successor to his law practice, was sitting by the coffin, he was just despondent. She went, and she sat on his lap, and he said, “Oh, Elizabeth, if you've only been a boy.” And apparently after that, she talked to her neighbor, who was the Reverend Simon Hoosick, and asked if he thought boys are better than girls. And he said, “No, of course not.” And she vowed at that point in time that she was going to become as good as any boy. And she became a very good horse woman. And she went to the Johnstown Academy, and was in all the accelerated classes that very few girls were in. And there was a coveted Greek prize, that she won along with another gentleman at one point, and the story goes that she took that Greek prize, which was very coveted, and she ran it down the street, and she went to her father's law office and said, “There, I won the Greek prize.” And he said, “Elizabeth, if you'd only been a boy.” And because her father was a lawyer, and we believe that his law office was adjacent to their home, she spent time there and she learned about the law. And she learned how the law didn't favor women. And there's the story of a woman who came to see the judge, because she had no property rights, and her husband passed away, and her son and his wife were kicking her out of her house, and she had no rights to stay there. And Elizabeth heard this story and vowed to cut all the laws out of his logbooks. And he said, “Elizabeth, you would have to go and talk to the legislature to change a law,” never really realizing that she really would end up doing that one day, and she would help change the property law in New York state. So she really was inspired by the events of her youth that took place in Johnstown. You mentioned when you were describing the conventions that there's parades of cars and famous figures and big donations being made for the effort. Do you see it as a movement that, at the time in Saratoga, was particularly driven by the upper classes, or was there a movement for the everyday folks who wanted this too? I think that when we think about it, and we look at the suffrage movement in New York state, for example, there were women like Rose Schneiderman, who worked so hard for workers' rights as well as for suffrage, knowing that that would help the workers gain a voice in their destiny. But I also think women who had more money had more time to devote to this. And there were certainly women who were immigrants who were very interested in this and worked in suffrage, but they had so much on their plates just to survive and just to get educated and just to keep their families together. But there also were Black women who worked so hard to win the vote when the suffrage movement was not always kind to women of color. So there were really women of every class who worked terribly hard, and devoted themselves to a cause that they didn't even know if they were ever going to see. So I'm so impressed by that as well. And fortunately, I will say that the National Votes for Women Trail has worked hard to try and unearth as many stories as we could for those underrepresented women who aren't known as well as the upper class white women, who we tend to know their names. I was going to ask, as we're looking towards preserving sites that have to do with women's history, what are some things that we should keep in mind? And what are the obstacles that are we're running into nowadays to create more monuments to women in the U.S.? Well, the obstacles in terms of preserving sites are they weren't preserved, unfortunately. Elizabeth Cady Stanton's original house, for example, was moved, and a new one that she lived in was built out of stone, because there have been a number of fires in Johnstown. And it was taken down in 1963. And nobody thought a thing about it, actually. And she was a woman of means, so her family had some money. And that's why we on the National Votes for Women Trail are willing to mark sites, because so many homes, nobody preserved the history of them at all. And especially those that women of color [lived in], they're particularly hard to find. Before those names get lost, it's really our responsibility to do our best to shine a light on the information that we can find in for those few remaining places. Like fortunately, Katherine Starbucks' home is still there. So that's why it's so important to recognize it. Because so many of these homes in locations really are not. It's just, you know, ideally that that people really take some time and do their research. They can go on the National Votes for Women Trail and submit sites in their community, if they find information. We then have somebody who reviews them before they're released to populate the map. But we I just think, fortunately, with the centennial of the passage of the 19th Amendment, there was more interested in women's history. And I think people are more interested in finding out who was in their communities that help them get the rights that they enjoy today. And we also need to be mindful of, you know, all women couldn't vote in 1920, Black Women's still had a long way to go to fight their way through Jim Crow laws before they could vote. And, you know, Native American women weren't even US citizens yet, not for another four years and women of Asian descent. Not until even after that they were not citizens yet, so they didn't get the vote. And as we know, unfortunately, today, voting rights are still being compromised in a variety of places. So I think that is equally important to commemorating their sites, I suppose is commemorating their struggle for the for the right to vote. Well, lastly, in looking at the local impact on women's suffrage movement, what has been your main takeaway? I think the main takeaways – I didn't know any of that history existed there, either. But in every county in New York state, there was an active women's suffrage association. That's how they were able to eventually get the New York state legislature to pass the amendment to the law so that they could vote. But so I think what I have learned is how widespread it was, how many people had to be involved to get this movement over the finish line, if you will. Also, there was a significant anti-suffrage movement that I wasn't aware of before I started doing research. And there were women as well as men who didn't think women voting was a good idea. They thought that they didn't need to vote to make their voice heard. If you dial it all the way back to that first women's rights convention in Seneca Falls, when Elizabeth Cady Stanton said in her Declaration of Sentiments that she felt that women needed the right to vote, almost no one agreed with her then. They said, “Oh, that's too much. You know, we can't go quite that far.” But it was Frederick Douglass who stood up and said, “No, she's right. Without the right to vote…that's the right by which all other rights are gained.” It really was such a Herculean effort. There are so many people that we don't know about, that we should be so grateful for. I think there's so much research to do and so many people we need to try and remember their names and try and find out about them so that their efforts won't be lost. Nancy Brown is the chairperson of the National Votes for Women Trail. You can view the trail and learn more about a site near you on the website for the National Collaborative for Women's History Sites. The William G. Pomeroy Foundation has a map for all of its historic markers at wgpfoundation.org.  Lastly, on the topic of preserving women's history, the New York State Museum in Albany has launched a new effort to expand and diversify its collections — specifically, its sports collections. It's all ahead of the 50th anniversary of Title IX this June — Title IX, of course, is the federal civil rights law prohibiting sex-based discrimination in schools that receive federal funding. It applies to all aspects of education, but one of its most visual impacts was in sports, requiring schools to equally support girls' and boys' teams. The museum is trying to balance out its own recollection of sports history by recognizing juggernauts like the WNBA's New York Liberty, or special events like the all-female Aurora Games, which launched in Albany in 2019.  I spoke with the museum's senior historian and curator for social history, Ashley Hopkins-Benton, to learn more.  "At the New York State Museum, our entire history curatorial department has been working on really evaluating our collections, and what strengths we have, and also what stories we're missing," says Hopkins-Benton. "And diversity, of course, is always something that we're trying to get more into the collections. But a couple of years ago, in 2017, when we were working on the Votes for Women exhibit about the centennial of women's suffrage in New York state, we realized women's history collections were really lacking. And then shortly after that, Steve Loughman, who is our sports curator, also was realizing that sports were really lacking, which is crazy when you think about New York and all of the great sports teams and sports stories that we have. So simultaneously, we were both working on these things. And because of the upcoming anniversary of the passage of Title IX, it became very apparent that women's sports were a particular collection that was lacking." So what kinds of items are you looking for in this collection? Well, let me start with what we have, because it's very small. It's all out on the table in front of us right now, we really have two collections that speak to women's sports as they relate to New York state. So one is a collection of material from the New York Liberty basketball team, the WNBA team. And this came in from a woman named Pam Elam, who is a feminist and a women's history scholar, and was really interested in collecting women's history and LGBTQ history as it pertained to culture and politics and sports and everything. So this came in before we even knew that women's sports was something that was missing from our collections, and it includes tickets and calendars and bios of the players. So it's a really great snapshot of the league. And these all came from around 10 years of the league being in existence. So that was the first thing that we had. And then a couple years ago, when Albany hosted the Aurora games, a couple of us all went out to different events and collected pins and basketballs and shirts and other materials from that. So that was a great opportunity as well. So we have two examples, more on the professional sports side of things. But we would love to collect more amateur sports, girls playing in high school, women in college, and those stories. I'm definitely looking for stories of trailblazers, women who were the first to play their sports. New York has so many great stories of girls who play on their high school football team, or I spoke to a woman earlier who was the first girl in her high school to earn a letter by playing on the men's golf team back in the ‘60s. So I am also looking to speak to women. I'd like to do some oral histories of women who were involved in sports at various times in history. Cool. Now, if someone has something that they think might be a good addition to the collection, what is the process of giving that to the museum? Well, reaching out to the museum and to me in particular, and then I bring it to our collections committee, and we discuss it as a group – how it fits into the collection, if it's something that we can responsibly take care of, and if it's something that has research and exhibition value in the future. If you think you may have something you'd like to contribute to the collection, you can find more information at the museum's website. You can also email Ashley Hopkins-Benton at ashley.hopkins-benton@nysed.gov. Title IX turns 50 on June 23. 51% is a national production of WAMC Northeast Public Radio. It's produced by Jesse King. Our executive producer is Dr. Alan Chartock, and our theme is “Lolita” by the Albany-based artist Girl Blue.

You are at St. Rose Roman Catholic Church, stop #5 on the Belmar Treasure Trail. The church was initially organized in 1888 as a mission. The cornerstone for the original church was laid two years later and the present church was erected in 1906. A large expansion in 1926 brought the Gothic Revival style church you see today. For the rest of the century and into this one, the slate steeple, visible for miles, was used as a navigational guide for ships. In fact, if you stand on the Belmar boardwalk at 5th Avenue, which is one of the stops on our Treasure Trail Ocean Area Route, you'll see the St. Rose steeple gracing the horizon.

Green Mount Cemetery is a historic rural cemetery in Baltimore, Maryland, United States. Established on March 15, 1838, and dedicated on July 13, 1839, it is noted for the large number of historical figures interred in its grounds as well as many prominent Baltimore-area families. It retained the name Green Mount when the land was purchased from the heirs of Baltimore merchant Robert Oliver. Green Mount is a treasury of precious works of art, including striking works by major sculptors including William H. Rinehart and Hans Schuler.The cemetery was listed in the National Register of Historic Places in 1980. Guided tours are available at various times of the year.A Baltimore City Landmark plaque at the entrance reads:Green Mount Cemetery was dedicated in 1839 on the site of the former country estate of Robert Oliver. This was at the beginning of the "rural cemetery movement"; Green Mount was Baltimore's first such rural cemetery and one of the first in the U.S. The movement began both as a response to the health hazard posed by overcrowded church graveyards, and as part of the larger Romantic movement of the mid-1800s, which glorified nature and appealed to emotions.Green Mount reflects the romanticism of its age, not only by its very existence, but also by its buildings and sculpture. The gateway, designed by Robert Cary Long, Jr., and the hilltop chapel, designed by J. Rudolph Niernsee and J. Crawford Neilson, are Gothic Revival, a romantic style recalling medieval buildings remote in time.Nearly 65,000 people are buried here, including the poet Sydney Lanier, philanthropists Johns Hopkins and Enoch Pratt, Napoleon Bonaparte's sister-in-law Betsy Patterson, John Wilkes Booth, and numerous military, political and business leaders.In addition to John Wilkes Booth, two other conspirators in the assassination of Abraham Lincoln are buried here, Samuel Arnold and Michael O'Laughlen. It is common for visitors to the cemetery to leave pennies on the graves of the three men; the one-cent coin features the likeness of the president they successfully sought to murder.[2]The abdicated King Edward VIII and his wife, the Duchess of Windsor, had planned for a burial in a purchased plot in Rose Circle at Green Mount Cemetery, near where the father of the Duchess was interred. However, in 1965 an agreement with Queen Elizabeth II allowed for the king and duchess to be buried near other members of the royal family in the Royal Burial Ground near Windsor Castle

EXPLICIT LANGUAGE WARNING Woodchester Mansion is an unfinished, Gothic revival mansion house in Nympsfield, Gloucestershire, England. It is on the site of an earlier house known as Spring Park. The mansion is a Grade I listed building. The mansion was abandoned by its builders in the middle of construction, leaving behind a building that appears complete from the outside, but with floors, plaster and whole rooms missing inside. It has remained in this state since the mid-1870s. The mansion's creator William Leigh bought the Woodchester Park estate for £100,000 in 1854, demolishing the existing house, which had been home to the Ducie family. A colony of approximately 200 greater horseshoe bats reside within the attic of the mansion, and have been studied continuously since the mid-1950s. William Leigh was born in Liverpool, and educated at Oxford and Eton. At the time of the purchase he was living at Little Aston Hall in Staffordshire, where he had recently converted to the Roman Catholic faith. This and the Gothic Revival style in architecture were fashionable, and formed the ideology for the new house. He approached Augustus Pugin to draw up the plans.[3] Pugin drew up plans for the house but in 1846 he became ill and the project was allowed to drop. Leigh meanwhile gave land in South Woodchester to a community of Roman Catholic Passionist fathers for a monastery and church. He then turned to Charles Francis Hansom, whose brother designed the famous Hansom cab of Victorian London, to take over the architectural planning.[8] In 1857 Leigh dropped Hansom, and unexpectedly hired Benjamin Bucknall,[1] a young man who was an aspiring architect and assistant to Hansom, but very inexperienced.[9] Bucknall set about studying Gothic Revival architecture – the result, Woodchester Mansion, is Bucknall's masterpiece.

Today in botanical history, we celebrate an English earl, an English poet, a forgotten garden, and a national floral emblem. We hear a floral excerpt from a best-selling fiction book - it's a little love story about an extraordinary woman who gave birth to a painter who became the Father of Impressionism. We Grow That Garden Library™, with a book that came out in 2015 and seems to grow ever more relevant. And then we'll wrap things up with an American poet and some of his garden-inspired work.   Subscribe Apple | Google | Spotify | Stitcher | iHeart To listen to the show while you're at home, just ask Alexa or Google to “Play the latest episode of The Daily Gardener Podcast.” And she will. It's just that easy.   The Daily Gardener Friday Newsletter Sign up for the FREE Friday Newsletter featuring: A personal update from me Garden-related items for your calendar The Grow That Garden Library™ featured books for the week Gardener gift ideas Garden-inspired recipes Exclusive updates regarding the show Plus, each week, one lucky subscriber wins a book from the Grow That Garden Library™ bookshelf.   Gardener Greetings Send your garden pics, stories, birthday wishes, and so forth to Jennifer@theDailyGardener.org   Facebook Group If you'd like to check out my curated news articles and original blog posts for yourself, you're in luck. I share all of it with the Listener Community in the Free Facebook Group - The Daily Gardener Community. So, there's no need to take notes or search for links. The next time you're on Facebook, search for Daily Gardener Community, where you'd search for a friend... and request to join. I'd love to meet you in the group.   Curated News Small Flowering Shrubs with Big Impact | Garden Gate Magazine | Susan Martin   Important Events September 23, 1717  Birth of Horace Walpole, 4th Earl of Orford, English writer, art historian, and Whig politician. His father served as the first British Prime Minister. As an adult, he designed a picturesque summer home for himself in southwest London, which he called Strawberry Hill. Horace's little castle caused a sensation, and he opened his home to four lucky visitors each day. An 1842 admission ticket spelled out rules for tourists: The House and Garden are never shown in an evening;  and persons are desired not to bring children with them. The Gothic Revival architecture complete with a round tower was a nod to his accomplished ancestry and is gorgeous inside and out. The stained glass and the library are two favorite aspects among visitors. Horace was a hardworking writer and a serious scholar. Horace coined the word serendipity after he finally located a painting he wanted for his home. He wrote the first Gothic novel, The Castle of Otranto (1764), ten years later. In addition to his other works, Horace wrote The History of the Modern Taste in Gardening (1771). A fan of natural gardens, he famously observed that his garden hero William Kent was the first garden designer to “[leap] the fence, and [see] that all of nature was a garden.”  Horace immensely enjoyed his five-acre romantic garden at Strawberry Hill, which he affectionately called his “enchanted little landscape” and his “land of beauties.” In addition to a grove of lime trees, the garden featured a sizeable Rococo shell seat with a back designed to look like an enormous shell. Today the one-of-a-kind bench has been recreated, and copies are available for gardeners to place in their own gardens. The oldest tree on the grounds is called the Walpole Oak, and a servant is said to have hung himself from the tree after stealing silver.   In 2019, the first Strawberry Hill House Flower Festival offered local florists a chance to share their creations inside Horace's Gothic masterpiece. The event is now an annual celebration of flowers. Today Strawberry Hill House hosts a community garden. Rose lovers can enjoy their own nod to Horace Walpole with the bubblegum-pink David Austin rose Strawberry Hill. As for Horace, this industrious man often found inspiration in gardens, and he once wrote, One's garden... is to be nothing but riant, and the gaiety of nature. Horace was also a fan of greenhouses and, in particular, the control they afforded gardeners. In a letter to William Mason on July 6, 1777, he wrote, Don't let this horrid weather put you out of humour with your garden, though I own it is a pity we should have brought it to perfection and [then] have too bad a climate to enjoy it. It is strictly true this year, as I have often said, that ours is the most beautiful country in the world, when [it is] framed and glazed... Finally, it was Horace Walpole who wrote, When people will not weed their own minds, they are apt to be overrun by nettles.   September 23, 1861  Birth of Mary Elizabeth Coleridge (pen name Anodos), English writer, polyglot, and poet. She was the great-grandniece of the English poet Samuel Taylor Coleridge. In her poem September, she wrote, Now every day the bracken browner grows, Even the purple stars Of clematis, that shone about the bars, Grow browner; and the little autumn rose Dons, for her rosy gown, Sad weeds of brown. Now falls the eve; and ere the morning sun, Many a flower her sweet life will have lost, Slain by the bitter frost, Who slays the butterflies also, one by one, The tiny beasts That go about their business and their feasts. She also wrote an utterly charming little garden poem called Gibberish. Many a flower have I seen blossom, Many a bird for me will sing. Never heard I so sweet a singer, Never saw I so fair a thing. She is a bird, a bird that blossoms, She is a flower, a flower that sings; And I a flower when I behold her, And when I hear her, I have wings.   September 23, 1958   On this day, the Dayton Daily News (Ohio) shared a little article about an old park that had been created to teach botany students. Back in 1930, Brother William Beck, a member of the University of Dayton biology department, filled two purposes with one park. The campus green needed re-landscaping and botany classes needed nearby, well-stocked gardens to study.  [William] set to work on his project, with the aid of local nurseries, and collected over 200 varieties of plants and shrubs in the central campus park, labeling all of them with their Latin names and English derivatives. Since that time, the University of Dayton… tended such out-of-the-ordinary plants as a Logan elm (a transplanted sprout from the famous tree); a coffee tree; pyramidal oaks; black alders; and ginkgo trees, to name a few.  Brother Beck's well-worked-out plan seems to have been practically forgotten through the years. Botany classes no longer wind among the shrubbery...   September 23, 1986  On this day, Congress selected the rose as the American national flower. The Journal News (White Plains, New York) reported that, The House, brushing aside the claims of marigolds and dogwood blossoms, corn tassels and columbines, ended decades of indecision Tuesday and crowned the rose, that thorny beauty, America's national flower. The voice-vote decision... [ended] a debate over an appropriate "national floral emblem" for the United States that had flickered off and on since the late 19th century.   Unearthed Words Even now, as the graves of these women went untended and their passings unmourned, the seeds they had scattered turned the hillsides red and orange from May to September. Some called the pirates' bounty flame trees, but to us, they were known as flamboyant trees, for no one could ignore their glorious blooms, with flowers that were larger than a man's open hand. Every time I saw them, I thought of these lost women. That was what happened if you waited for love. ― Alice Hoffman, The Marriage of Opposites   Grow That Garden Library Will Bonsall's Essential Guide to Radical, Self-Reliant Gardening by Will Bonsall This book came out in 2015, and the subtitle is Innovative Techniques for Growing Vegetables, Grains, and Perennial Food Crops with Minimal Fossil Fuel and Animal Inputs. In this book, Maine farmer and homesteader Will Bonsall shares his expertise in self-reliance. In this aspect of living (along with energy), Will is a master. As Will likes to say, "My goal is not to feed the world, but to feed myself and let others feed themselves." Will is open to experimentation, and he shares his hard-fought wisdom in a friendly and conversational way. Will's an inventive pragmatist, and his flexibility and innovative thinking have allowed him to tackle seemingly impossible challenges in his down-to-earth way. If you're ready to become more self-reliant and less swayed by world supply chains, economic bubbles, and food scarcity, Will's book is a reference you will want to have on your shelf. This book is 400 pages of back to the land and garden prosperity with Will Bonsall as your personal guide. You can get a copy of Will Bonsall's Essential Guide to Radical, Self-Reliant Gardening by Will Bonsall and support the show using the Amazon Link in today's Show Notes for around $25.   Today's Botanic Spark Reviving the little botanic spark in your heart September 23, 1869  Birth of Edgar Lee Masters, American attorney, poet, and writer. His most famous work was his collection of poems that narrate the epitaphs of a fictional town named Spoon River in The Spoon River Anthology (1915). Edgar grew up in Lewistown, Illinois, which is near an actual Spoon River. The book features an epitaph for a fictional nurseryman - a lover of trees and flowers - named Samuel Gardener, which ends with these words: Now I, an under-tenant of the earth, can see          That the branches of a tree          Spread no wider than its roots.          And how shall the soul of a man Be larger than the life he has lived? Edgar once wrote a poem about love, which began, Love is a madness, love is a fevered dream, A white soul lost in a field of scarlet flowers. His poem, Botanical Garden, is a conversation with God and ends with these words: “If it be comforting I promise you Another spring shall come." "And after that?" "Another spring - that's all I know myself, There shall be springs and springs!"   Thanks for listening to The Daily Gardener. And remember: “For a happy, healthy life, garden every day.”

My special guest is author Varla Ventura who's here to discuss her book called Varla Ventura's Paranormal Parlor. Get it on Amazon. Visit her website Want more paranormal episodes? Follow our new podcast 'Paranormal Fears' on any podcast app or Apple Podcasts. Enjoy the AD-FREE versions of our latest episodes and our archives right now from anywhere in the world. Check Out Mysterious Radio! (copy the link to share with your friends and family via text) Follow us on Instagram @mysteriousradio Follow us on TikTok mysteriousradioTikTok Follow us on Twitter @mysteriousradio Follow us on Pinterest pinterest.com/mysteriousradio Like us on Facebook Facebook.com/mysteriousradio Visit our website: https://www.mysteriousradio.com Check Out Mysterious Radio! (copy the link to share with your friends and family via text) From shimmering specters to mysterious tricks, Varla Ventura's Paranormal Parlor includes original supernatural tales, classic ghost stories, legends, hauntings, séances, superstitions, and death customs.  This book showcases a chilling collection of startling ghost stories as told to the author as well as legendary ghosts and haunted locations and an overview of the paranormal parlor games that rose to popularity in the Victorian and Edwardian eras. It also includes hidden history such as the story of Mark Twain's ghost, and the quiet horror writings of the architect who started the Gothic Revival movement. Learn more about your ad choices. Visit megaphone.fm/adchoices

In this podcast, The Outer Dark Virtual Symposium 2020 presents the panel Deep Down: The Weird in Conversation with Southern Gothic, Black Gothic Revival, and Other Regional Strange Tales, moderated by Nicole Givens Kurtz with Ian McDowell, Valjeanne Jeffers, Carrie Laben, and Sara Amis. PLUS Weirding Whiteness: Genre and Eugenics, a presentation by Chris Gavaler, … Continue reading

Mihangel and Dr Gordon Goldsborough discus the Final Four on the Endangered Structure List...#1 Fairbanks House, Emerson, Municipality of Emerson-FranklinThis two-storey brick residence is associated with its first occupant, William N. Fairbanks, one of Emerson’s founders. After sitting vacant for several years, the house was purchased with a goal of renovating it back to an occupied home. The unexpected passing of its owner has put those plans in jeopardy and the likelihood the house will be saved is now doubted by local heritage advocates.#2 Masonic Temple, 335 Donald Street, WinnipegConstructed for the Masonic fraternity in 1895, this three-storey brick building in the heart of Winnipeg was vacated in 1969. It was then occupied by a succession of restaurants, most notably “Mother Tucker’s Food Experience.” The last one closed in 2003. The exterior was sandblasted and repointed, and the interior was removed completely. An ambitious plan to develop the 16,000-square-foot interior for a restaurant, bar, professional offices, or retail space has not come to fruition so the building has sat empty for over a decade.#3 Brookdale Flat Warehouse, Brookdale, Municipality of North Cypress-LangfordThis metal-clad building, constructed in 1902, is believed to be the last remaining example in Manitoba of a “flat warehouse,” the method for grain storage that preceded standard-plan elevators. The interior was one large room with a south-facing door for unloading grain sacks from horse-drawn farm wagons and a north-facing door for loading them into boxcars sitting on the tracks beside the warehouse. Used through the 20th century to store farm supplies and hardware, the building is now unoccupied, open to the elements, and falling off its foundation.#4 First Baptist Church, 1037 Lorne Avenue, BrandonDesigned in the Gothic Revival style by Brandon architect William A. Elliott, this grand church was constructed of stone and amber brick between 1903 and 1904. The last Baptist service was held in May 1992. The building has been vacant for many years although the attached hall has been used for a soccer school, gift shop, and most recently for non-denominational church services. In November 2012, the building received municipal heritage designation with exterior and interior features identified as character-defining elements.

Dr Rosemary Hill is a writer, historian, independent scholar and author of 'God’s Architect', a biography of the Gothic Revival architect, A.W.N. Pugin and 'Stonehenge', a history of one of Britain’s greatest and least understood monuments. In this episode we cover Pugin, Stonehenge and clothes.

Come along with Robert Rodriguez and Angela Sealana to the first Catholic Church in San Antonio built specifically to serve a burgeoning German community. We will: Explore the history of St. Joseph’s parish Look at the Gothic Revival design, reminiscent of the grand cathedrals of Europe Talk about why the parish is a testament to the resolve and devotion of the people it continues to serve. Learn more at PilgrimCenterofHope.org/Journeys

Artist John Walter takes his spot in the chair to discuss all things memes, ‘breeding’ images and why he thinks the ideology of Brexit is linked to Gothic Revival architecture with Daniel, as he is busy getting John’s hair looking tip-top.

Artist John Walter takes his spot in the chair to discuss all things memes, ‘breeding’ images and why he thinks the ideology of Brexit is linked to Gothic Revival architecture with Daniel, as he is busy getting John’s hair looking tip-top.

We look at the overall culture of death in the Victorian era and the popular antiquarian architectural styles and symbols that defined this society.

Join Nancy J. Reid and Lisa D. Smith, the mother-daughter travel team and publishers of Big Blend Radio & TV Magazine and Parks & Travel Magazine, for Big Blend Radio’s Way Back When History Show showcasing the historic  Beauregard Parish Jail in DeRidder, Louisiana. Known as the Gothic Jail or Hanging Jail, this former jailhouse was built 1914 in the Gothic Revival architecture style, and was listed on the National Register of Historic Places on December 17, 1981. It is known for being the jail where two men were hanged for murdering a taxi driver. This interview was recorded on-location at the Beauregard Tourist Commission, located next door to the Jail, and home to a Doll Museum. Featured guests are Cleo Martin of Beauregard Tourist Commission, and Marci Cook of Vernon Parish Tourism Commission.  

This episode of Big Blend Radio features the historic Beauregard Parish Jail in DeRidder, Louisiana. Known as the Gothic Jail or Hanging Jail, this former jailhouse was built 1914 in the Gothic Revival architecture style, and was listed on the National Register of Historic Places on December 17, 1981. It is known for being the jail where two men were hanged for murdering a taxi driver, and said to be haunted.This interview was recorded on-location at the Beauregard Tourist Commission, located next door to the Jail, and home to a Doll Museum. Featured guests are Cleo Martin of Beauregard Tourist Commission, and Marci Cook of Vernon Parish Tourism Commission. More at http://www.beauregardtourism.com/home.html and https://www.vernonparish.org/

A listener suggestion sends us down a rabbit hole of arcane rites and mysterious symbols. What brings together the Arts and Crafts movement, Gothic Revival architecture, the Book of Kells, 17th century English pageantry, medieval cathedrals, memento mori, Nicholas Cage's Wicker Man, and the ancient cults of Bacchus, Dionysus, Pan, and Silvanus? THE GREEN MAN. (Brought to you by Lady Raglan.)

Day 1 in Finland (yes, Alex has relocated) and it’s straight off to Kemi...Santa’s Port.Kemi is a town on Bothnian Bay in Lapland, Finland. It’s known for the massive Sampo icebreaker, a giant ship built to ply the Arctic waters. At Kemi’s harbor is the SnowCastle, a seasonal carved-ice complex. Kemi Lutheran Church is a Gothic Revival structure with an ornate, red-brick exterior. To the north, Bothnian Bay National Park has old fishing huts, rare plants and abundant birds, including Arctic terns.For more, visit: http://www.experience365.fi/ Subscribe, rate and review Travel First at any good podcatcher app, including ApplePodcasts (formerly iTunes) (featured in New & Noteworthy), Google Podcasts, Stitcher, Pocketcasts, Podbean, CastBox.fm and more.Email: travelfirst@bitesz.comFor more, follow Travel First on Facebook, twitter, Google+ and Instagram:Facebook:  @travelfirstpodcasttwitter:   @biteszHQtravelInstagram:  www.instagram.com/biteszhqtravelGoogle+:      https://plus.google.com/u/2/collection/wi0YaB If you're enjoying Travel First, please share and tell your friends. Thank you... #travel #Russia #Europe #holiday #podcast #travelfirst #finland #kemi #santa Learn more about your ad choices. Visit megaphone.fm/adchoices See acast.com/privacy for privacy and opt-out information.

Penn's picturesque urban campus features some of the most impressive architecture in Philadelphia, including buildings that are listed in the National Register of Historic Places. For 120 years, Penn was located in Center City Philadelphia before the campus relocated to West Philadelphia in 1872. The Gothic Revival style College Hall, designed in 1872 by architect Thomas Webb Richards, was the first building constructed on the new campus. The multi-purpose building housed faculty offices, classrooms, a gym, the library and research labs. The original building included clock towers on each side of the center portion of the building. The west tower, which had a large bell that called students to class, was removed 1914 (the bell is now on display in Houston Hall). The east tower was torn down in 1929. Professor David Brownlee of Penn's Department of the History of Art, says, "the University relocated itself really on the crest of a wave of prosperity and achievement. Those buildings built in the first decade or so after we moved to West Philadelphia reflect the energy of an industrial America and of its greatest industrial city." Brownlee, an architectural historian, co-authored "Building America's First University: An Historical and Architectural Guide to the University of Pennsylvania." Fisher Fine Arts Library, designed by prominent Philadelphia architect Frank Furness in 1891, is also in the National Register of Historic places. The Furness building was renovated and restored to its original grandeur in 1991, and it was renamed Fisher Fine Arts Library in honor of donors Anne and Jerome Fisher. In 1957, during a second building boom on campus, Penn hired renowned architect Louis Kahn to design the Richards Medical Research Building. It was completed in 1960, and Brownlee says Kahn's innovative design changed the world of modern architecture. "It was, in every conceivable way, as different from the architecture from the recent past as it was possible to be," Brownlee says. "Rough and granular, where that architecture [of the recent past] was smooth. Irregular and picturesque where that architecture had been composed defined by simple geometric forms. Highly specialized with respect to its purpose and to its place as that architecture had been generic." Having designed the structure to fit in with surrounding buildings, Kahn, a Penn alum, incorporated complementary colors and textures from the Morgan Building, and the Quad dormitories. Today, the Richards Medical Research Lab is among the buildings on an elite list of National Historic Landmarks, under a program run by the National Park Service. Text by Jeanne Leong

Trinity Church, with its distinctive spire staring down upon the west end of Wall Street, is more than just a house of worship. Over three different church buildings have sat at this site, and the current one by architect Richard Upjohn is one of America's finest examples of Gothic Revival architecture. The church collected Manhattan's upper crust for decades and functions as one of the city's most powerful landowners. Listen to our short history on the New York institution and find out who's buried in their famous churchyards -- Founding Fathers, inventors and a whole lotta Astors. www.boweryboyspodcast.com Support the show.

Horace Walpole and then Anne Radcliffe appeared to have triggered an anti-enlightenment movement: the Gothic that swept in Coleridge, two Shelleys, Byron, the Brontés, Walter Scott and Dickens, innumerable painters and architects, and even designed the Palace of Westminster itself.In 1765 Horace Walpole bewitched an unprepared public with the first ever Gothic novel The Castle of Ottranto. The poet Thomas Gray complained the novel made him “afraid to go to bed o' nights”, and wind swept battlements, mysterious apparitions and armour that goes clang in the night has haunted the dungeons of popular culture ever since. But Gothic is more that novels, and from under its swirling cassock the Gothic Revival in architecture became the state style for an Empire, and the high camp of The Monk reached the acme of seriousness under the influence of John Ruskin. So how did the Gothic style manage to both sensationalise the public and form, quite literally the pillars of the establishment? Any why does a style forged in the spectral shadows of the Ages of Enlightenment still hold so such a secure position in popular culture today.With Chris Baldick, Professor of English at Goldsmiths College, London and author of In Frankenstein's Shadow; A N Wilson, novelist, biographer, journalist and author of God's Funeral; Emma Clery, senior lecturer in the English Department at Sheffield Hallam University and author of The Rise of Supernatural Fiction.

Horace Walpole and then Anne Radcliffe appeared to have triggered an anti-enlightenment movement: the Gothic that swept in Coleridge, two Shelleys, Byron, the Brontés, Walter Scott and Dickens, innumerable painters and architects, and even designed the Palace of Westminster itself.In 1765 Horace Walpole bewitched an unprepared public with the first ever Gothic novel The Castle of Ottranto. The poet Thomas Gray complained the novel made him “afraid to go to bed o’ nights”, and wind swept battlements, mysterious apparitions and armour that goes clang in the night has haunted the dungeons of popular culture ever since. But Gothic is more that novels, and from under its swirling cassock the Gothic Revival in architecture became the state style for an Empire, and the high camp of The Monk reached the acme of seriousness under the influence of John Ruskin. So how did the Gothic style manage to both sensationalise the public and form, quite literally the pillars of the establishment? Any why does a style forged in the spectral shadows of the Ages of Enlightenment still hold so such a secure position in popular culture today.With Chris Baldick, Professor of English at Goldsmiths College, London and author of In Frankenstein’s Shadow; A N Wilson, novelist, biographer, journalist and author of God’s Funeral; Emma Clery, senior lecturer in the English Department at Sheffield Hallam University and author of The Rise of Supernatural Fiction.