Podcasts about middle with you

Part 1 Stuck in the Middle With You by Jennifer Finney Boylan Summary"Stuck in the Middle With You" is a memoir by Jennifer Finney Boylan, a transgender woman and activist, that explores her experiences of gender transition, family dynamics, and the complexities of her identity. The book is structured around Boylan's life, particularly focusing on her childhood, her journey to accept her identity as a transgender person, and the impact of that transition on her relationships with her family and friends. With humor, honesty, and poignant narrative, Boylan reflects on her upbringing in a supportive family that struggled to fully understand her transformation. The memoir addresses themes of acceptance, love, and the challenges of living authentically in a world that can be unkind to those who do not conform to traditional gender norms. Boylan recounts her experiences with discrimination, the joys and sorrows of transitioning, and the enduring bond with her family, especially her father, who grapples with understanding her experience. The title symbolizes the feeling of being caught between different identities and the societal expectations that come with them. Ultimately, "Stuck in the Middle With You" is a powerful exploration of self-discovery and the ongoing quest for belonging, weaving personal narratives with broader cultural insights about gender and identity.Part 2 Stuck in the Middle With You AuthorJennifer Finney Boylan is an accomplished American author, memoirist, and advocate for transgender rights. She is known for her work discussing gender identity and her personal journey as a transgender woman. About "Stuck in the Middle With You" The book "Stuck in the Middle With You: A Memoir of Parenting in Three Genders" was published in March 2013. This memoir explores Boylan's experiences as a parent while grappling with her identity and navigating family dynamics in light of her transition. Other Works Jennifer Finney Boylan has written several other notable books, including: "She's Not There: A Life in Two Genders" (2003) A groundbreaking memoir detailing her journey and transition. "The Long Shadow of Little Rock" (2005) A book about civil rights and the impact of segregation. "I'm Looking Through You: Growing Up Haunted" (2011) A blend of autobiography and ghost story reflecting her childhood. "Good Boy: My Life in Seven Dogs" (2019) A heartwarming memoir that reflects on her life through the lens of her canine companions. "Siri, Who Am I?" (2021) A novel that deals with themes of identity and technology. Best Editions In terms of what might be considered the "best" edition, it is often subjective. However, many readers and critics highlight "She's Not There: A Life in Two Genders" as a seminal work in transgender literature and as Boylan's most impactful book, showcasing her eloquent storytelling and profound insights on gender. This memoir has been reissued and remains a recommended read for its importance in discussions of gender identity.Overall, Jennifer Finney Boylan's contributions to literature and her advocacy work have made her a significant figure, particularly in the field of transgender rights and representation.Part 3 Stuck in the Middle With You Chapters"Stuck in the Middle With You" is a memoir by Jennifer Finney Boylan that explores themes of identity, acceptance, and family dynamics. The book serves as both a personal narrative and a broader commentary on the complexities of gender identity and the experience of being transgender. Overall Theme:The central theme of the memoir revolves around the journey of self-acceptance amidst the challenges and joys of familial relationships. Boylan discusses her experiences growing up, transitioning, and the impact these changes have on her interactions with family and society. The title...

Sometimes, legal tech is the perfect solution for the needs of your law firm, but sometimes, lawyers need to look outside the legal tech world at other technologies that can serve their legal practice better. Emily Gordon has always been a tech-forward attorney, and she's got tons of recommendations for non-legaltech tech tools that have become the most effective solutions for her law firm.  Then, Emily sticks around for the Rump Roast! The “Amara” in Emily's firm, Amara Law, is actually her middle name, so Jared devised a middle-name trivia game: “Stuck in the Middle With You”.   And, dear listener, get ready for a hot take from Jared: SNL sucks, and… you know what? Maybe it always has. But, there's something better out there—”I Think You Should Leave” on Netflix is worth watching again and again. Have fun! _____ Since we talked about middle names coming first, I've put together what is, perhaps, our most middling playlist ever. Links Mentioned: Front Twilio PandaDoc Stripe

Sometimes, legal tech is the perfect solution for the needs of your law firm, but sometimes, lawyers need to look outside the legal tech world at other technologies that can serve their legal practice better. Emily Gordon has always been a tech-forward attorney, and she's got tons of recommendations for non-legaltech tech tools that have become the most effective solutions for her law firm.  Then, Emily sticks around for the Rump Roast! The “Amara” in Emily's firm, Amara Law, is actually her middle name, so Jared devised a middle-name trivia game: “Stuck in the Middle With You”.   And, dear listener, get ready for a hot take from Jared: SNL sucks, and… you know what? Maybe it always has. But, there's something better out there—”I Think You Should Leave” on Netflix is worth watching again and again. Have fun! _____ Since we talked about middle names coming first, I've put together what is, perhaps, our most middling playlist ever. https://open.spotify.com/playlist/4E3r9skF8MY1z4ve1YnUTN?si=bc2b2d990662481c Links Mentioned: Front Twilio PandaDoc Stripe

Final Fantasy VII Rebirth is out, and being that it's the middle entry in a trilogy, we've invited Brendan "The Crawl" Hesse to talk not only about the game (he finished it), but for a a debate-format Top 5 about other trilogies with fantastic middle entries. We'll also get into Pacific Drive, the Star Wars: Dark Forces Remaster, news from the Pokémon Presents, and your favorite franchises that haven't put out a new entry in at least a decade. Question of the Week: What's your favorite second game in a series? Break song is Stuck in the Middle With You by Stealers Wheel. Vidjagame Apocalypse theme by Matthew Joseph Payne.

One of two bonus episodes we are putting together as submitted and voted on by unruly Discordites.Operation COLD SNAP, Part Deux: With no ideas as to how to find their prey, the team unwinds to a rousing rendition of Stuck in the Middle With You by Stealers Wheel. Scenario by Max Mason.Support The Work at: https://ko-fi.com/sorryhoneyVisit Us At: https://sorryhoney.captivate.fm/Join our Discord to tell us all the things we did wrong: https://discord.gg/XpUbfhCXVVFollow us on Twitter for additional content: https://twitter.com/SorryHoneyCastLikewise, Instagram: https://www.instagram.com/sorryhoneypodcast/Published by arrangement with the Delta Green Partnership. The intellectual property known as Delta Green is a trademark and copyright owned by the Delta Green Partnership, who has licensed its use here. Illustrations by Dennis Detwiller are reproduced by permission. The contents of this podcast are © GiggleDome Productions, LLC, excepting those elements that are components of Delta Green intellectual property.

Jukebox Hero is my all time listened to mix and after many years I'm proud to present Jukebox Hero 2. Memories of listening to 8 Track tapes in the car abound. All these songs are classics to me. I hope you enjoy listening to the remixed versions as much as I did compiling it. Original Artist Tracklist: Tracklist 1. Player - Baby Come Back (1977) 2. David Bowie - Starman (1972) 3. Exile - I Want To Kiss You All Over (1978) 4. Steely Dan - Peg (1977) 5. Doobie Brothers - Listen to the Music (1972) 6. Electric Light Orchestra - Shine A Little Love (1979) 7. - Country Road (Take Me Home, Country Roads) (1971) 8. Steelers Wheel - Stuck in the Middle With You (1972) 9. Eagles - Hotel California (1976) 10. Rolling Stones - Miss You (1978) 11. Run DMC/Aerosmith - Walk This Way (1986) 12. AC/DC - Highway to Hell (1979) 13. Dire Straits - Sultans of Swing (1978) 14. Al Green - Let's Stay Together (1971) 15. Gnarls Barkley - Crazy (2006) 16. Barry White - Can't Get Enough of Your Love, Babe (1974) 17. Love Unlimited Orchestra - Love's Theme (1973) 18. Tone Loc - Funky Cold Medina (1989) 19. Oran Juice Jones - The Rain (1986) 20. Beyonce - Single Ladies (Put a Ring on It) (2008) 21. Prince - Kiss (1986) 22. Earth Wind & Fire - Let's Groove (1981) 23. New Order - Blue Monday (1983) 24. Joy Division - Love Will Tear Us Apart (1980) 25. New Order - Temptation (1982) 26. Duran Duran - The Reflex (1983)

We discuss 12.12 Stuck in the Middle (With You) and 12.15 Between Heaven and Hell. Find us on tumblr, Twitter, and Instagram @hellerradio --- Support this podcast: https://podcasters.spotify.com/pod/show/hellerradio/support

The duo over-enunciate into this week's episode, as Isi and Mitch rate themselves out of 10. Mitch reveals the correlation of skinny-jean tightness to his own self-worth. Isi chooses Disney fox over Keven Costner Robin Hood as The Easy English Tour takes shape. And they answer Your Questions about Brits lack of door security as Mitch reveals his previous career as a door-to-door, front door salesman. Interactive Transcript Support Easy English and get interactive transcripts and bonus content for all our episodes: easyenglish.fm/membership Transcript Isi: [0:24] Hello. Mitch: [0:24] Hi! (Hi!) Hi! (Hi!) New Year's energy... hi! Isi: [0:33] Hello. How are you?! Mitch: [0:35] We so sound like we're children's presenters. Hi! Do you like triangles?! I love triangles! Do you know how many corners they have?! Two?! Ha! You're stupid! They have three! Isi: [0:52] That's like morning show, radio host, from morning shows. (Oh yeah!) Good morning in the morning. Mitch: [0:59] Oh, yeah. Isi: [1:00] Where are you now? Are you in the car, on the way to work? Mitch: [1:04] Yeah. Good morning, you log-jammers on the M25. Isi: [1:07] Yeah. God... M25. The horror of my dad. Mitch: [1:12] Today is a great sunny day and if you're stuck in a traffic jam, this one's for you. It's 'Stuck in the Middle With You'. Shabba! I'm loving this radio voice, from last... the last episode we did, over enunciating voice. Isi: [1:27] That's probably because it's not my native language, but I can do a better radio host voice, in German. Mitch: [1:34] How do they... how do they do it, on German radio? Isi: [1:36] Should I do it now, in German? (Yeah.) Hello. No. Wait. I have to do it in... No... Uh, I have to go higher... wait, wait... not higher, but, more weird.... A bit like, always a bit like, haaaa... Mitch: [1:57] Yeah, it sounds like the microwave is on. Isi: [2:02] A bit like this high. Mitch: [2:05] I don't like that, creeps me out. (Hi.) Sounds like you're holding in a big poo. Hello! Support Easy English and get interactive transcripts and bonus content for all our episodes: easyenglish.fm/membership

We walk through boring gray hallways for the entirety of this episode. We kind of stop explaining it, so if you're ever wondering what's happening while we talk about toilet humour in JoJo for the nth time just remember everything is gray and boring and this game sucks and is bad. The Orange Juice thing is from 4PlayerPodcast and the songs I played were Spiral Mountain by Banjo-Kazooie and my dad Grant Kirkhope, Stuck in the Middle With You by Stealers Wheel who probably wrote more than just that song but the jury's out, the X-Men Animated Series intro, the song by Beck from Odelay that has a synonym for 'butt' in the title that I don't want a Google robot to read and blacklist me for foul language, In A Jar by Dinosaur Jr., All Your Kayfabe Friends by Los Campesinos!, which is unfortunate that I had two bands with punctuation in their names because now those commas look weird, and Toilet of Venus by Me Rex. Also this is for no one but me, but I think the electricity sounds right around the one hour mark are the exact same as Storm Spirit's zip in Dota 2. Neat.

Arguably the biggest album of the entire rock era, Pink Floyd's eighth studio album would propel them to superstardom.  The Dark Side of the Moon is one of the most acclaimed records in history, and it is commercially unmatched in its longevity.  It topped the US Billboard Top LP's and Tape chart, and charted for 962 weeks in total!Pink Floyd at this time was David Gilmour on guitar and vocals, Roger Waters on bass and vocals, Richard Wright on keyboards, and Nick Mason on percussion.The Dark Side of the Moon was envisioned as a concept album focusing on different types of pressure like greed, conflict, and death.  It also included examination of mental health issues - as would much of Pink Floyd's discography - inspired by the problems experienced by former front man Syd Barrett.  While singles were released, we strongly recommend listening to the album in totality to get the best experience out of it.Bruce brings us this monster album, and friend of the show Mike Fernandez joins us in Wayne's absence. TimeThis was released in the US as the second single from the album (after Money).  Roger Waters wrote the lyrics.  David Gilmour and Richard Wright share lead vocals - unusual for Richard Wright.  The sounds of clocks were recorded by Alan Parsons in an antique store as a quadrophonic test, but the sounds fit so well with the theme of this track that the band included it.  All four principal members were credited with songwriting, and this would be the last time this would happen in the band's history.The Great Gig in the SkyThis track follows Time, and is basically an instrumental with some spoken words at the front.  The band went around the studio asking people questions and Gerry O'Driscal's response is recorded on this track.  Female vocalizations are provided by Clare Torry, a session vocalist that Alan Parsons brought in.  She wasn't really told what to sing, but was told, "There's no lyrics.  It's about dying - have a bit of a sing on that, girl."  Brain DamageRoger Waters is on lead in this song, with Gilmour providing backing vocals.  This and other insanity-themed lyrics are based on Syd Barrett.  The lyric, "And if the band you're in starts playing different tunes" has a historical basis, as Barrett would play a different song than the rest of the band on more than one occasion toward the end of his tenure with the band.  EclipseThis final track is actually a different song from Brain Damage, but is commonly played with it on rock radio stations because there is no break between the two on the album.  The song reflects the ying and yang of life - good and bad, life and death, light and dark.  "And everything under the sun is in tune, but the sun is eclipsed by the moon." ENTERTAINMENT TRACK:Theme to the television game show $10,000 PyramidDick Clark would serve as the initial host of this game show which started in March 1973.   STAFF PICKS:Crocodile Rock by Elton JohnBrian initiates the staff picks with the first number 1 song in the U.S. for Elton John.  The song has a 50's throwback sound, with lyrics that tell about a time when the singer danced the Crocodile Rock with Susie.  It was inspired by Australian band Daddy Cool and their song “Eagle Rock.”The Cisco Kid by WarRob's staff pick is from War's 1972 album, “The World is a Ghetto.” It made it to number 2 on the charts.  There's a reggae feel, a little funk, and a little ZZ Top.  The song is about two cowboys, Cisco and Poncho, and their adventures.  The band wanted their music to spread brotherhood and harmony to displace greed, racism, hunger, and gangs.Stuck in the Middle With You by Stealers Wheel Friend of the show Mike Fernandez brings us one of the classic lines in rock music - “clowns to the left of me, jokers to the right, here I am, stuck in the middle with you.”  Gerry Rafferty  is the founder and principal songwriter for the group.  This is Stealers Wheel's biggest hit.Danny's Song by Anne MurrayBruce wraps up the staff picks with a song Kenny Loggins wrote for his brother Danny at the birth of his son Colin.  It was first performed by a group called Gator Creek in 1970, then by Loggins and Messina in 1972.  This cover by Canadian country-pop singer Anne Murray would go to number 7 on the Billboard Hot 100. INSTRUMENTAL TRACK:Also Sprach Zarathustra by DeodatoThis funky take on the Richard Strauss piece famous for its use in "2001:  A Space Odyssey" was on the charts in March 1973.

Malo' était de passage dans #LeDriveRTL2 ce jeudi 3 novembre 2022. Le chanteur a interprété son nouveau single "Pause" ainsi qu'une reprise de Stealers Wheel "Stuck in the Middle With You".

Malo' était de passage dans #LeDriveRTL2 ce jeudi 3 novembre 2022. Le chanteur a interprété son nouveau single "Pause" ainsi qu'une reprise de Stealers Wheel "Stuck in the Middle With You".

Malo' était de passage dans #LeDriveRTL2 ce jeudi 3 novembre 2022. Le chanteur a interprété son nouveau single "Pause" ainsi qu'une reprise de Stealers Wheel "Stuck in the Middle With You".

Malo' était de passage dans #LeDriveRTL2 ce jeudi 3 novembre 2022. Le chanteur a interprété son nouveau single "Pause" ainsi qu'une reprise de Stealers Wheel "Stuck in the Middle With You". La nouveauté du jour : Sam Fender "Wild Grey Ocean" 3 choses à savoir sur Jerry Lee Lewis Le journal de la musique : - Le nouvel album de Måneskin s'intitulera "Rush" - Vos artistes préférés encouragent la participation des américains aux prochaines élections - Everything But The Girl annonce un nouvel album, Le classique du jour : Yusuf/Cat Stevens "Wild World"

17. The sound of pop music in the 1960s was largely driven by four relatively unknown house bands. For example, Los Angles had the Wrecking Crew, which included Glenn Campbell, Dr. John, and Leon Russell; Muscle Shoals had The Swampers, and Motown had The Funk Brothers. What was the name of the legendary backing band for many of the acts on Stax Records?18. Speaking of Motown, this version of Ain't Too Proud to Beg features, Ben Harper. Which motor city band had the original hit with this song?        BONUS: While considered by some to be "just a blues cover band" which British Band also covered this song?19. Performed by soul singer Betty LaVette, which Brit-rock psychedelia band, named in part after blues artist Pink Anderson, wrote this post-card-themed song?        BONUS: This song was written for the former member and leader of this band, who was this song written for?20. Heard here by Syl Johnson, which Hi Recording artist, now Reverend, referenced from the podium by then-President Obama, had the original hit with this song?        BONUS: Which art-rock, CBGB Punk-era band, fronted by a Scottish ex-patriot, later covered this song, creating awareness among a whole new audience? The Talking Heads21. Known as the Soul Queen of New Orleans, Irma Thomas struck gold with this hit, Time Is On My Side. Which British blues-rock band had an early hit with this soulful song?22. Originally signed to Motown Records with Omaha-born singer Shaun 'Stoney' Murphy, which Hades-based night flyer had the original hit with this song?23. Heard here by The Leaves, which Seattle-based Native American blues-rock guitarist, featured at Woodstock, would later cover this song?24. Played here by the late Canadian guitarist Jeff Healy, the song was composed by a member of Steeler's Wheel, and later a successful solo artist, who had the original hit with this song?25. Blues artist Albert King recorded for the Memphis-based Stax Records. Which Memphis Groover wrote and backed up King on this recording? (Born Under a Bad Sign)26. Often accused of being a Jimi Hendrix clone, which former member of the British band Procol Harem, originally recorded and performed this song? He was a trowering figure in the mid-1970s.27. Heard here by Mike Zito and Sonny Landreth, which band, from the Bay Area, originally known as the Polly Wogs, wrote and recorded the original version of this song, Fortunate Son?28. Written and performed by Paul Pena, Which Dallas-born native son had the original hit with this song?        BONUS: Which former member of this band, also from Dallas, went on to have a soulful hit-driven career?29. Performed here by Tanya Donnelly, while Freda Payne was singing about a Band of Gold, which Canadian singer-songwriter had a hit with the original version of his song, Heart of Gold?30. Performed here by Little Milton, which noted Irish soul singer wrote and recorded this song originally?31. For this next song, we're going back to the days when you actually boy bands. Which band, from the steel mill area of Gary, Indiana, had the original hit with this song?32. Performed here by Warren Haynes and Gov't Mule, which fab band featured this song late in their career?        BONUS: Although not the official name of the album, what is the generally accepted colorless name of the band's album that featured this song?        SUPER BONUS: Name the convicted murderer that recorded with the Beach Boys and knew Neil Young, who referenced this song for his dastardly deeds? (Two points for a correct answer here).33. Heard here by blues artist Larry McCray, who was the iron-belt Minnesotan minstrel who wrote this song?        BONUS: The only gold the original writer got was when this noted bi-racial guitarist covered his song: who was the artist that built Electric Lady studios with the silver and the gold he earned from his cover of All Along the Watchtower?34. Performed here by the recently reformed Screaming Cheetah Wheelies, featuring Grammy Award-winning vocalist Mike Ferris, who ordained voodoo priest, who was referenced early in this show, wrote this song?35. Originally written and performed by Peter Green's Fleetwood Mac Blues Band, which band, who debuted nationally at Woodstock, hit the Billboard charts with this song, Black Magic Woman?36. Heard here by Blaster Dave Alvin, this song, Highway 61 was written by Bob Dylan and references this highway that cuts through the deltas of northwestern Mississippi. Which smokin' blues slide player, born in Leland, Mississippi but raised in Beaumont, Texas arguably recorded the best rendition of this song?Total Earnable Points: 56 Points.CONTEST QUESTION Answers (One Point Each)(^) These are out of order. Some acts appear more than once in our contest.1. Song One - Not a part of the contest2. Song Two - Not a part of the contest3. Bill Withers4. Elvis Presley5. The Temptations6. The Traveling Wilburys7. The Rolling Stones8. Paul Simon (Simon & Garfunkel)9. Al Green10. The Book of Ecclesiastes11. Steve Miller12. George Thorogood13. Meatloaf14. The Supremes15. Neil Young16. Cream17. Bob Segar18. Van Morrison19. Bob Dylan20. The Doobie Brothers21. Gerry Rafferty22. Eric Clapton23. Santana24. The Beatles24. Creedence Clearwater Revival25. The Eagles26. Dr. John27. Norman Greenbaum28. Jimi Hendrix29. Robin Trower30. Lynyrd Skynyrd31. Johnny Winter32. Booker T & the MGs33. The Jackson 534. Pink FloydBONUS Question Answers (1 Point Each)SUPER BONUS Answers (2 Points Each)George HarrisonThe White AlbumThe ByrdsJimi HendrixBob DylanJackson BrowneThe Talking HeadsTom PettyMichelob BeerCharles MansonThe Rolling StonesRoy OrbisonJeff LynneBoz ScaggsThe Actual Playlist1. Tommy Castro / A Bluesman Came to Town2. Hector Anchondo / I'm Going to Missouri3. JJ Cale / They Call Me the Breeze4. JJ Cale / After Midnight5. Robert Johnson / Cross Roads Blues 6. Dixie Hummingbirds / Loves Me Like a Rock7. Travis Tritt / Take It Easy 8. Hank Williams / Move It On Over9. Keb Mo / Lean on Me10. The Blind Boys of Alabama / Spirit in the Sky11. Nina Simone / Turn, Turn, Turn12. Robert Randolph & the Family Band / Jesus is Just Alright13. Kris Kristopherson / All Shook Up14. Jonell Mosser / Stop, In the Name of Love 15. Lyle Lovett and Keb Mo / Till It Shines16. Bonnie Raitt / You Got It17. Booker T & the MGs / Green Onion18. Ben Harper / Ain't Too Proud to Beg19. Betty LaVette / Wish You Were Here20. Syl Johnson / Take Me to the River21. Irma Thomas / Time Is On My Side22. Jamey Johnson / Two Out of Three Ain't Bad23. The Leaves / Hey Joe 24. Jeff Healey / Stuck in the Middle With You 25. Albert King / Born Under a Bad Sign 26. Drivin' & Cryin' / Too Rolling Stoned27. Mike Zito & Sonny Landreth / Fortunate Son28. Paul Pena / JetAirliner29. Tonya Donnelly / Heart of Stone30. Little Milton / Tupelo Honey 31. Graham Parker & the Rumor / I Want You Back 32. Gov't Mule / Helter Skelter33. Larry McCray / All Along the Watchtower34. Screaming Cheetah Wheelies / Right Place, Wrong Time35. Peter Green's Fleetwood Mac Blues Band / Black Magic Woman36. Dave Alvin / Highway 61 Revisited 

Pacific St Blues & AmericanaSecond Annual On-Air Trivia ContestJuly 17, 2022Here are the Questions1. Not a part of the contest2. Not a part of the contest3. Who covered this JJ Cale track and had an FM radio hit? 4. Who covered this JJ Cale track and had an FM radio hit?        BONUS: Which product featured this song in their commercial? 5. Robert Johnson famously went down to the crossroads, not to sell his soul but to hitch a ride? Which band, featuring a slow hand, struck gold with Johnson's song?6. Performed here by the five-part gospel-based harmonies of The Dixie Hummingbirds, who Brille Building songwriter, who performed under the name Tom & Jerry, later wrote this song?7. Performed here by Travis Tritt, which band had the original hit with this song?        BONUS: which well-known singer-songwriter collaborated with the band to compose this song?8. The little dog had to move it on over for the big dog. And in Country Music, there is perhaps no bigger dog than Hank Williams. But which denizen from Delaware created a concert stable with Williams' song, Move It On Over?9. Released on the most recent album by Keb Mo, which recently deceased, army veteran composed this song and had the original hit?10. While the song, Spirit in the Sky is well known, the original artist, um, not so much. What is the name of the artist who had a hit with this song?11. Set to music by Pete Seeger, what was the source for the lyrics to this song?        BONUS Which LA Strip Band, inspired by the Rickenbacker Sound of the Beatles, had a pop hit with their cover of this song?12. Performed here by Robert Randolph and the Family Band, which band capitalized on the Jesus Freak Movement to have a top radio hit with this song?13. Songwriter Otis Blackwell would write numerous hits for Memphis-based, Sun Records recording artists including Jerry Lee Lewis and others. Which hip-shaking Memphis Man from Tupelo had the original hit with this song?14. Recorded here for the Hope Floats motion picture soundtrack, which Motor City three-piece group had the original hit with this song?15. Speaking of the Motor City, covered here by Texan Lyle Lovett and California Keb Mo, which Michigander, a real ramblin' man, wrote and performed this song, Till It Shines?16. Featured here, Bonnie Raitt is covering a song by a band that featured five very high-profile artists. Name the band that had the hit with this song.         Bonus: Take a bonus point for each member of the original supergroup that recorded this song.         SUPER BONUS: Only two of the original five members of this band are still alive. Name the two members of this band that are still with us. (Two points for each correct answer)17. The sound of pop music in the 1960s was largely driven by four relatively unknown house bands. For example, Los Angles had the Wrecking Crew, which included Glenn Campbell, Dr. John, and Leon Russell; Muscle Shoals had The Swampers, and Motown had The Funk Brothers. What was the name of the legendary backing band for many of the acts on Stax Records?18. Speaking of Motown, this version of Ain't Too Proud to Beg features, Ben Harper. Which motor city band had the original hit with this song?        BONUS: While considered by some to be "just a blues cover band" which British Band also covered this song? 19. Performed by soul singer Betty LaVette, which Brit-rock psychedelia band, named in part after blues artist Pink Anderson, wrote this post-card-themed song?        BONUS: This song was written for the former member and leader of this band, who was this song written for? 20. Heard here by Syl Johnson, which Hi Recording artist, now Reverend, referenced from the podium by then-President Obama, had the original hit with this song?        BONUS: Which art-rock, CBGB Punk-era band, fronted by a Scottish ex-patriot, later covered this song, creating awareness among a whole new audience? The Talking Heads21. Known as the Soul Queen of New Orleans, Irma Thomas struck gold with this hit, Time Is On My Side. Which British blues-rock band had an early hit with this soulful song?22. Originally signed to Motown Records with Omaha-born singer Shaun 'Stoney' Murphy, which Hades-based night flyer had the original hit with this song?23. Heard here by The Leaves, which Seattle-based Native American blues-rock guitarist, featured at Woodstock, would later cover this song?24. Played here by the late Canadian guitarist Jeff Healy, the song was composed by a member of Steeler's Wheel, and later a successful solo artist, who had the original hit with this song?25. Blues artist Albert King recorded for the Memphis-based Stax Records. Which Memphis Groover wrote and backed up King on this recording? (Born Under a Bad Sign)26. Often accused of being a Jimi Hendrix clone, which former member of the British band Procol Harem, originally recorded and performed this song? He was a trowering figure in the mid-1970s. 27. Heard here by Mike Zito and Sonny Landreth, which band, from the Bay Area, originally known as the Polly Wogs, wrote and recorded the original version of this song, Fortunate Son?28. Written and performed by Paul Pena, Which Dallas-born native son had the original hit with this song?        BONUS: Which former member of this band, also from Dallas, went on to have a soulful hit-driven career?29. Performed here by Tanya Donnelly, while Freda Payne was singing about a Band of Gold, which Canadian singer-songwriter had a hit with the original version of his song, Heart of Gold?30. Performed here by Little Milton, which noted Irish soul singer wrote and recorded this song originally? 31. For this next song, we're going back to the days when you actually boy bands. Which band, from the steel mill area of Gary, Indiana, had the original hit with this song?32. Performed here by Warren Haynes and Gov't Mule, which fab band featured this song late in their career?        BONUS: Although not the official name of the album, what is the generally accepted colorless name of the band's album that featured this song?         SUPER BONUS: Name the convicted murderer that recorded with the Beach Boys and knew Neil Young, who referenced this song for his dastardly deeds? (Two points for a correct answer here). 33. Heard here by blues artist Larry McCray, who was the iron-belt Minnesotan minstrel who wrote this song?        BONUS: The only gold the original writer got was when this noted bi-racial guitarist covered his song: who was the artist that built Electric Lady studios with the silver and the gold he earned from his cover of All Along the Watchtower? 34. Performed here by the recently reformed Screaming Cheetah Wheelies, featuring Grammy Award-winning vocalist Mike Ferris, who ordained voodoo priest, who was referenced early in this show, wrote this song? 35. Originally written and performed by Peter Green's Fleetwood Mac Blues Band, which band, who debuted nationally at Woodstock, hit the Billboard charts with this song, Black Magic Woman?36. Heard here by Blaster Dave Alvin, this song, Highway 61 was written by Bob Dylan and references this highway that cuts through the deltas of northwestern Mississippi. Which smokin' blues slide player, born in Leland, Mississippi but raised in Beaumont, Texas arguably recorded the best rendition of this song? Total Earnable Points: 56 Points.CONTEST QUESTION Answers (One Point Each)(^) These are out of order. Some acts appear more than once in our contest. 1. Song One - Not a part of the contest2. Song Two - Not a part of the contest3. Bill Withers4. Elvis Presley 5. The Temptations6. The Traveling Wilburys7. The Rolling Stones 8. Paul Simon (Simon & Garfunkel) 9. Al Green 10. The Book of Ecclesiastes 11. Steve Miller 12. George Thorogood 13. Meatloaf 14. The Supremes 15. Neil Young 16. Cream 17. Bob Segar18. Van Morrison 19. Bob Dylan20. The Doobie Brothers21. Gerry Rafferty 22. Eric Clapton 23. Santana24. The Beatles24. Creedence Clearwater Revival 25. The Eagles26. Dr. John27. Norman Greenbaum28. Jimi Hendrix 29. Robin Trower 30. Lynyrd Skynyrd31. Johnny Winter32. Booker T & the MGs 33. The Jackson 534. Pink FloydBONUS Question Answers (1 Point Each)SUPER BONUS Answers (2 Points Each) George HarrisonThe White AlbumThe ByrdsJimi Hendrix Bob DylanJackson BrowneThe Talking HeadsTom PettyMichelob BeerCharles MansonThe Rolling Stones Roy OrbisonJeff LynneBoz ScaggsThe Actual Playlist1. Tommy Castro / A Bluesman Came to Town2. Hector Anchondo / I'm Going to Missouri3. JJ Cale / They Call Me the Breeze4. JJ Cale / After Midnight5. Robert Johnson / Cross Roads Blues 6. Dixie Hummingbirds / Loves Me Like a Rock7. Travis Tritt / Take It Easy 8. Hank Williams / Move It On Over9. Keb Mo / Lean on Me10. The Blind Boys of Alabama / Spirit in the Sky11. Nina Simone / Turn, Turn, Turn12. Robert Randolph & the Family Band / Jesus is Just Alright13. Kris Kristopherson / All Shook Up14. Jonell Mosser / Stop, In the Name of Love 15. Lyle Lovett and Keb Mo / Till It Shines16. Bonnie Raitt / You Got It17. Booker T & the MGs / Green Onion18. Ben Harper / Ain't Too Proud to Beg19. Betty LaVette / Wish You Were Here20. Syl Johnson / Take Me to the River21. Irma Thomas / Time Is On My Side22. Jamey Johnson / Two Out of Three Ain't Bad23. The Leaves / Hey Joe 24. Jeff Healey / Stuck in the Middle With You 25. Albert King / Born Under a Bad Sign 26. Drivin' & Cryin' / Too Rolling Stoned27. Mike Zito & Sonny Landreth / Fortunate Son28. Paul Pena / JetAirliner29. Tonya Donnelly / Heart of Stone30. Little Milton / Tupelo Honey 31. Graham Parker & the Rumor / I Want You Back 32. Gov't Mule / Helter Skelter33. Larry McCray / All Along the Watchtower34. Screaming Cheetah Wheelies / Right Place, Wrong Time35. Peter Green's Fleetwood Mac Blues Band / Black Magic Woman36. Dave Alvin / Highway 61 Revisited 

Missed some of your favourite bits during the week? Want to catch up on the craic from Dermot and Dave? Well look no further than the Dermot and Dave Best Of podcast, your home for all of the messing with none of the music! Whether you're on a drive, out on a walk, getting stuck into the gaff or garden or looking for a bit of distraction from work, the Dermot and Dave Best of podcast has just some of our favourite moments from the week gone by! It was a HUGE week for us on team Dermot and Dave. Our Dermot was tee-ing off on the Pro Am at the Irish Open, but there was one small issue. Dave was his caddy. Thankfully, we had Dave (boiler)suited and booted for the occasion and the two made it through the day with their friendship intact. Something that didn't make it through the day was our Cathal's audio package. After staying up all night to bring us the best bits from the course, we had a nightmare with something called 'Phasing'. 'Stuck in the Middle With You' is forever stuck in our heads. It wasn't all golf this week. The brilliant Steve Carell joined us to chat about Minions, Dermot told us what happened to his family holiday and Dave finally came first in a game that was wrecking his head.

To hear music included in this episode please open a FREE account at Spotify.com where you'll be able to hear the songs discussed on this show. In this episode we welcome back prior guest, Bink, and Chico, as we sit back, laugh our butts off as we remember factoids of songs and musicians who dropped an LP, or have a birthday this week. Bands and musicians we discuss this week... Martha and the Vandellas, Michael Jackson, The Jackson Five, Stevie Wonder, Rush, The Supremes, Neil Diamond, Chris Isaak, Johnny Cash, Solitary Man, I Wish, Nowhere to Run To, Never Can Say Goodbye, Baby Love, Mary Wells My Guy, Johnny Cash One, Mull of Kintyre Wings and Paul McCartney, Parlaiment Funkadelic, Carrie Underwood, Vince Gill, How Great Thou Art, Patsy Cline Crazy, Willie Nelson, The Ohio Players Fire, Steelers Wheel, Gerry Rafferty, Right Down The Line, Stuck in the Middle With You, Kermit the Frog Rainbow Connection, Van Halen, David Lee Roth, Sammy Hagar, Alice in Chains, Jerry Cantrell, Layne Staley, The Rolling Stones, Keith Richards, The Who, John Entwistle, and many more,,, --- Send in a voice message: https://anchor.fm/finding-subjects-podcast/message

Three shoonies down, two to go. Just how far will our heroes go to protect their cute little dog friends? Roll For Combat, Three Ring Adventure Podcast is a playthrough of the Pathfinder Adventure Path, Extinction Curse, and the third book, Life's Long Shadows. Don't forget to join our Discord channel, where you can play … Continue reading "Three Ring Adventure S3|04: Stuck in the Middle With You" The post Three Ring Adventure S3|04: Stuck in the Middle With You appeared first on Roll For Combat: Paizo's Official Pathfinder & Starfinder Actual Play Podcasts.

Three shoonies down, two to go. Just how far will our heroes go to protect their cute little dog friends? Roll For Combat, Three Ring Adventure Podcast is a playthrough of the Pathfinder Adventure Path, Extinction Curse, and the third book, Life's Long Shadows. Don't forget to join our Discord channel, where you can play … Continue reading "Three Ring Adventure S3|04: Stuck in the Middle With You" The post Three Ring Adventure S3|04: Stuck in the Middle With You appeared first on Roll For Combat: Paizo's Official Pathfinder & Starfinder Actual Play Podcasts.

I really need to breathe, and push, and believe, Because now is the time to give birth. It's up to me, not he or she, To bring my light to earth. Honestly, I can't say much more than I did in the Pele Report right now (it was a long one, eh)! Besides not mentioning La Luna moving through Aries (push), Taurus (make real), and Gemini (spread the good word), I didn't go too much into the T-square of Mercury and the Sun opposite Saturn BOTH squaring Uranus. However, the Sun/Mercury squaring Uranus isn't exact until next week, so you'll have to tune in then, HAHA! For now, I hope you have time to check out "We Have to Come Back" https://youtu.be/1h6uro0ZJJ8 for some inspiration! Then our song list for this week can start with George Harrison and Paul Simon doing "Here Comes the Sun" https://youtu.be/KEgBMTMUanU "Stuck in the Middle With You" https://youtu.be/surb8FzjWfg and "Heart of the Sunrise" (love the ending!) https://youtu.be/7WDkdZ6QvXY

CONTENT WARNING: This episode contains discussion of sexual assault with regards to the story of Amnon and Tamar, beginning right after the ad break and ending at 26:00. If I had to rank them, Theophiloi, I'd say that the most wildly violent pieces of media I have ever taken in through the eyeballs are Doom 2016, Riki-Oh: The Story of Ricky, and the Second Book of Samuel. Unlike the first two, this one's not all fun, but we do eventually get to the point where it goes full-on Looney Tunes.    Topics of Discussion: Apocrypals X/Y, the Correctional Confessional, the immediately canceled TV show “Kings” which apparently enough people remember that they were surprised we didn't talk about it, Jonadab, handshakes: bad, ZADOK THE PRIEST, summer fruit, the hilarious death of Absolom, Benito claiming that Bible makes narrative sense like he hasn't been here for the past 89 episodes, double good news???, the Super-Dictionary, Goliath II: Back In The Habit, Halloween Havoc 1995 (I.Y.K.Y.K.), the Hushathite, an example of how well Benito has come to know Chris over the past three years. Hymnal: “Stuck In the Middle With You” by Stealers Wheel, “Opening Music + Title Screen” by Jonny Music   Offertory: As Enoch writes, "Whoever of you spends gold or silver for his brother's sake, he will receive ample treasure in the world to come." Support the show via http://ko-fi.com/apocrypals, or check out Official Apocrypals merchandise designed by Erica Henderson! https://www.teepublic.com/stores/apocrypals?ref_id=18246 Black Lives Matter. Trans Lives Matter. Heck 12. Isaiah 54:17.  

This episode, Emily finally watches the Quentin Tarantino classic... Reservoir Dogs. And for the listeners, Emily and Preston FINALLY get to the bottom of how to actually pronounce Steve Buscemi's name. WARNING: It may blow your mind. So it's time to choose your favorite color (Mr. Orange, obviously), pick up that straight-razor, and let's get Stuck-in-The-Middle-With-You as we listen to "K-Billy's Super Sounds of the Seventies Weekend." Enjoy!!! And follow us @ What's Your Movie? --- Send in a voice message: https://anchor.fm/whatsyourmovie/message Support this podcast: https://anchor.fm/whatsyourmovie/support

Welcome to the Instant Trivia podcast episode 88, where we ask the best trivia on the Internet. Round 1. Category: Clown Songs 1: Judy Collins recorded a version of this song from "A Little Night Music". "Send in the Clowns". 2: His hit "I'm Still Standing" says, "If our love was just a circus, you'd be a clown by now". Elton John. 3: This title of a Stealers Wheel song completes the line "Clowns to the left of me, jokers to the right, here I am...". "Stuck in the Middle With You". 4: In 1960 the Everly Brothers reached the top of the charts with this tune. "Cathy's Clown". 5: "Fe Fe Fi Fi Fo Fo Fum" this title character of a Coasters song is "a clown". "Charlie Brown". Round 2. Category: A Question About Television 1: Watching "Twin Peaks", the lynch mob wondered, "Who killed" this teenager. Laura Palmer. 2: After this hero left the scene, someone inevitably asked, "Who was that masked man?". The Lone Ranger. 3: This popular game show featured the question "Will our mystery guest enter and sign in, please?". What's My Line?. 4: This question is the first line of the theme song from "The Mary Tyler Moore Show". Who can turn the world on with her smile?. 5: This 5-word question became a catchphrase for Gary Coleman on "Different Strokes". What ya talkin about Willis?. Round 3. Category: Title Film Folk 1: "Emma"(1996). Gwyneth Paltrow. 2: 1956: Yul Brynner and Deborah Kerr, etc., etc., etc.. The King and I. 3: 2001: Gene Hackman, Anjelica Huston, Ben Stiller, Luke Wilson and Gwyneth Paltrow--The "fun" in dysfunctional. The Royal Tenenbaums. 4: 2001: Will Smith pulled no punches. Ali. 5: Robin Williams cures with comedy. Patch Adams. Round 4. Category: That's Just "Sad" 1: His rule of Syria included the 1982 killing of perhaps 20,000 in the city of Hamah. Hafez al-Assad. 2: 10-letter term for feeling stiff from horseback riding. saddlesore. 3: It's a folded and grilled flour tortilla filled with cheese and often chicken; es muy buena!. a quesadilla. 4: We see this Southern California ctiy, originally named Indiana Colony, through rose-colored glasses. Pasadena. 5: Any war carried out under papal sanction. a crusade. Round 5. Category: Old Radio 1: While in the Orient, this character learned "the hypnotic power to cloud men's minds". The Shadow. 2: His show began, "Good evening, Mr. and Mrs. North and South America and all the ships at sea". Walter Winchell. 3: This CBS newsman began his World War II broadcasts with "This is London". (Edward R.) Murrow. 4: This cowboy star's "Melody Ranch" program features Pat Buttram and the Cass County Boys. Gene Autry. 5: This TV game show producer hosted "This is Your Life" and "Truth or Consequences". Ralph Edwards. Thanks for listening! Come back tomorrow for more exciting trivia!

BETTING CHICAGO caps off its SUPER BOWL WEEK by previewing the NFL offseason with Tuddy Guy and Fantasy Football Expert Dave Rispoli!We slot each NFL Team and their current QB situation into a set of tiers starting with the 'All Set' Group (2:15), Dave reacts to the Matthew Stafford/Jared Goff trade (6:05), We dive into the "Are We SURE They're Set?" Group (13:52)The 'Stuck in the Middle With You' Group of QB's (17:06), The teams that need to make 'Decisions, Decisions' (23:40) featuring: 49ers (25:21), Colts (32:49), Falcons (34:01) And then we hit our CHICAGO BEARS (38:09)! We debate Deshaun Watson (44:01), Matt Ryan (54:20), Jameis Winston (56:39), Dak Prescott (!) (58:56), Sam Darnold (1:06:18) and we wrap up the pod making predictions on where Mitch Trubisky will land in the offseason (1:12:51)!

Episode ninety-eight of A History of Rock Music in Five Hundred Songs looks at “I’ve Just Fallen For Someone” by Adam Faith, and is our final look at the pre-Beatles British pop scene. Click the full post to read liner notes, links to more information, and a transcript of the episode.   Patreon backers also have a ten-minute bonus episode available, on “San Francisco Bay Blues” by Jesse Fuller. Tilt Araiza has assisted invaluably by doing a first-pass edit, and will hopefully be doing so from now on. Check out Tilt’s irregular podcasts at http://www.podnose.com/jaffa-cakes-for-proust and http://sitcomclub.com/ —-more—- Resources As always, I’ve created a Mixcloud streaming playlist with full versions of all the songs in the episode.  This double-CD set contains all Adam Faith’s early recordings. And Big Time: The Life of Adam Faith by David and Caroline Stafford is a delightfully-written, extremely quotable, and by all accounts accurate biography of Faith.   Patreon This podcast is brought to you by the generosity of my backers on Patreon. Why not join them? Errata I repeatedly mispronounce Faith’s birth surname as “Nelham”. It was “Nelhams”, with an “s”. I also say that “Milk From the Coconut” by Johnny Gentle made the top thirty. It didn’t — I got this from an unreliable source. Transcript Today we’re going to take our last look at the pre-Beatles British pop world, and we’re going to look at a record that’s far more important in retrospect than it seemed at the time. We’re going to look at Adam Faith, and a track he recorded called “I’ve Just Fallen For Someone”: [Excerpt: Adam Faith, “I’ve Just Fallen For Someone”] As is normal for British rock and roll stars of the fifties, Adam Faith was a pseudonym, in this case for someone whose birth name is the subject of some debate — the registrar seems to have got a bit confused — but who was known as Terry Nelhams, a five-foot-five singer with high cheekbones, a strong chin, and a weak voice. The crucial change in Nelhams’ life had come at the cinema, when he had watched a film called Rebel Without A Cause, starring James Dean. Amazingly, I think we managed to get through the whole 1950s without mentioning Dean, but he was a massive figure in youth pop culture of the fifties, and his presence still resonated for decades afterwards. Dean only starred in three films, and only one, East of Eden, was released in his lifetime — he died in a car crash while the other two were in post-production — but his performance in the posthumously-released Rebel Without A Cause seemed to many teenagers of the time to encapsulate everything that they wanted to be.  And Terry Nelhams decided he wanted to be James Dean — why not? He bore a slight resemblance to him. Terry was going to go into showbiz. There was a problem, though — in the Britain of the fifties, acting was something that was largely the purview of the middle classes, and Terry was firmly working class. He lived on a council estate and went to a secondary modern — the schools which, in the fifties UK education system, were designed for people who were considered unlikely to succeed academically. There was no way he was going to end up studying at RADA or any of the other ways one got into acting. So he decided that rather than become a film star, he would become a director. That was much easier to get into than acting was, in the British film industry of the fifties — you got a job as a tea boy at a film studio, worked your way up into the editing suite, became an editor, and then became a director. There was a steady career path, and you had job security at every stage — and Terry Nelhams was someone who always looked after his money. So that’s what he did — he got a job at the Rank organisation as a messenger, then moved across to a company that made commercials for the new commercial TV network ITV, where he was an assistant editor. But while he was working at Rank, Nelhams had joined a skiffle group, the Worried Men — named after the skiffle standard — who had been formed by some of the younger employees. They became the resident band at the 2is when the Vipers Skiffle Group went out on tour. Despite all the stories about other people who had been discovered at the 2is on their first gig, the Worried Men ended up performing there for months before any kind of success. But then they did get a certain amount of fame, when Six-Five Special did its single most famous episode — a live outside broadcast from the 2is itself. As the house band, the Worried Men got to perform a few songs on that show, and they also got a couple of tracks on two Decca compilations, “Rockin’ at the 2is” and “Stars of the Six-Five Special”: [Excerpt: The Worried Men, “This Little Light”] But neither album sold particularly well, and the Worried Men slowly drifted apart — one member joined the Vipers, and Nelhams left before the group got in a couple of people we’ve already seen a few times in our story — both Tony Meehan, who would go on to join the Shadows, and Brian Bennett, who ended up replacing him, passed through the group. But while Nelhams had quit the Worried Men — as much as anything else because holding down a day job while he also played for four hours at the 2is every night was starting to affect his health — Jack Good remembered him from that one Six-Five Special appearance, and thought that his looks, if not his singing ability, gave him the potential to be a star.  Good changed Nelhams’ name to Adam Faith, and gave him a solo spot on Six-Five Special, as well as getting him a contract with HMV, one of several record labels owned by the large conglomerate EMI. His first single on HMV was “(Got A) Heartsick Feeling”, backed by Geoff Love and his Orchestra: [Excerpt: Adam Faith, “(Got A) Heartsick Feeling”] That record was, of course, publicised on Six-Five Special, but the extent to which Faith’s star potential was based on his looks rather than his singing ability can probably be seen from the fact that after his first appearance on the show he mimed rather than sing live, unlike all the other performers. The record was not a success, and nor was his second single, a cover of Jerry Lee Lewis’ “High School Confidential”: [Excerpt: Adam Faith, “High School Confidential”] Faith was unpopular, but he was able to give up his day job in the editing room to go on tour with a package based on Six-Five Special, at the bottom of the bill. And on that tour he became friendly with one of the other acts, John Barry, the trumpet playing leader of a group called the John Barry Seven. Barry had wanted to be an arranger for big bands, but when he realised that was no longer a viable career path, he’d formed his small group, who at the time were making records like “Zip Zip”, which were fairly awful early British rock and roll efforts, but with slightly more interesting instrumental arrangements than the bulk of the work being put out in the UK at that point: [Excerpt: The John Barry Seven, “Zip Zip”] When Jack Good moved over to ITV to do Oh Boy!, he took Faith with him, but Faith’s career was stagnating, and he quit performing altogether, and got another job as an assistant editor at Elstree studios, working on ATV shows like William Tell and The Invisible Man. But then Faith got a call from John Barry. The BBC were putting together a new show, Drumbeat, to compete with Oh Boy!, and they wanted their own star to compete with Cliff Richard and Marty Wilde. Would Adam be interested? He would — though he was cautious enough after last time that he kept his day job. He’d bunk off work on Thursday and Friday afternoons to rehearse and record the show, and make the time up on Sundays. His workmates covered for him when he bunked off, and that worked until his boss’ daughter mentioned to the boss that she’d seen Terry on the telly. He was told he had to choose between his pop career and a secure job, and he decided to make his pop career into a secure job, by getting a guaranteed six-month contract on Drumbeat before quitting Elstree. Drumbeat did little to make Faith’s records sell any more, but it did lead to acting appearances — as a biker in the police show No Hiding Place, and as a musician in a cheap exploitation film that was originally titled “Striptease Girl”, before the censors made the film producers cut the nudity out (except for foreign markets) at which point it was retitled Beat Girl in the UK, and Wild For Kicks in the US. It was hardly Rebel Without a Cause, but it was definitely a step in the right direction. The music for that film was done by Adam’s friend John Barry — the very first film score Barry ever did: [Excerpt: The John Barry Seven, “Beat Girl”] But Adam Faith was still a pop star without a hit, and that was a situation that couldn’t last. He was also temporarily without a record contract, but his new manager Eve Taylor managed to get him one with Parlophone, another EMI-owned label. And then his Drumbeat contacts came through in a big way.  One of the other acts who regularly appeared on the show was a group called the Raindrops, who featured a singer who had been born Yannis Skoradalides, but whose name had soon been anglicised to John Worsley. He’d then taken on the stage name Johnny Worth, which was the name he performed under, but he was also starting to write songs — and because he was under contract as a recording artist, he took on yet another name as a songwriter to avoid any legal complications, so he was writing as Les Vandyke. It was under that name that he wrote a song called “What Do You Want?”, which he played to Faith and Barry, his two colleagues on Drumbeat. They saw potential in it — a lot of potential. And John Barry had an idea for an instrumental gimmick. We’re now into 1959, and Buddy Holly’s “It Doesn’t Matter Any More” had just been a big posthumous hit for him: [Excerpt: Buddy Holly, “It Doesn’t Matter Any More”] The pizzicato strings, in particular, had caught the ear of a lot of people, and Barry had already used them in the arrangement he’d written for “Be Mine”, a record by the minor British pop star Lance Fortune: [Excerpt: Lance Fortune, “Be Mine”] That hadn’t been released yet – it went top five when it eventually was – and Barry thought that it was worth repeating the trick, and so he came up with a pizzicato arrangement for the song Vandyke had written. And for a final touch, Faith received some vocal coaching from another Drumbeat performer, Roy Young, who taught him how to mangle his vowels so that he could sing in what was, to British ears, almost a convincing imitation of Buddy Holly’s hiccupping vocal, particularly on the word “baby”. The result was a huge hit, becoming the first number one single ever on the Parlophone label: [Excerpt: Adam Faith, “What Do You Want?”] Faith was now a real pop star at last. “What Do You Want?” was also one of the very rare British records to actually get an American cover version — Bobby Vee, the Buddy Holly soundalike, picked up on the record and issued his own version of it: [Excerpt: Bobby Vee, “What Do You Want?”] That wasn’t a success, but as Vee became a star he would occasionally record versions of other songs Faith recorded. Faith’s second Parlophone single was another number one, and another song written by Les Vandyke and arranged by John Barry. It was very much “What Do You Want?” part two, but there was an interesting musical figure Barry came up with in the intro: [Excerpt: Adam Faith, “Poor Me”] In the 1990s, Barry used that as evidence in a court case over his claim to authorship of the piece of music with which he is most associated, a piece arranged and performed by Barry, but whose credited writer is Monty Norman. Compare and contrast “Poor Me”: [Excerpt: Adam Faith, “Poor Me”] And the James Bond theme: [Excerpt: John Barry, “James Bond Theme”] For the next couple of years, Faith had a string of hits, mostly written by Vandyke and arranged by Barry, though no more number ones. By most metrics — in hits, record sales, and fan appeal — he was the second-biggest British pop star of the early sixties, after Cliff Richard.  He also became well known as a media personality, thanks in large part to his appearance on the interview show Face to Face. This was a TV programme that ran from 1959 through 1962 — almost the precise same length as Faith’s pop career — and which had interviewer John Freeman sat with his back to the camera, while the studio was largely in darkness other than the face of the person he was interviewing. Freeman’s questions seem in the modern media landscape to be remarkably gentle, but in the early sixties he was regarded as the most incisive and probing interviewer in the British media. He reduced at least one subject, Gilbert Harding, to tears, and his questioning of Tony Hancock is popularly supposed to have started Hancock into the spiral of questioning, self-doubt, and depression that led first to his career crashing and burning and eventually to his suicide. Most of the guests that Freeman had on the show were serious, important, highbrow people. The thirty-five episodes of the show included interviews with Bertrand Russell, Carl Jung, Adlai Stevenson, Henry Moore, Martin Luther King and Jomo Kenyatta. But occasionally there would be someone invited on from the world of sport or entertainment, and Faith was invited on to the show as a representative of youth culture and pop music. The questions asked on the show were clearly designed to make Faith — a twenty-year-old pop singer who went to a secondary modern and still lived on a council estate even now he’d hit the big time — seem a laughing stock, and to poke holes in his image. Everyone involved seems to have been surprised when he came across as a well-read, cultured, if rather mercenary, young man who could string three words together: [Excerpt: Adam Faith, “Face to Face”, interview questions about classical music and literature] As a result of that appearance, Faith was increasingly asked on to TV shows to be “the voice of the youth”, particularly as he was the first pop star to admit to things like having sex before marriage. He debated with the Archbishop of York about religion on national TV, in a debate chaired by Ludovic Kennedy, and Faith was largely viewed as having come out better than the bishop. He also took at least one brave political stand in 1964. He had been booked to tour in South Africa, and agreed to do so only under the condition that he would perform only to integrated audiences. But when he got on stage for one show, he saw the police dragging two young girls out of an otherwise all-white audience, because they weren’t white. He walked off stage, and refused to do the rest of the tour. The promoter demanded compensation, and Faith refused, saying he’d made clear that he was only going to play to integrated audiences. He tried to leave the country, booking plane tickets under his birth name to escape suspicion, but was dragged off the plane at gunpoint by South African police. Eventually the intervention of the chairman of EMI, the British Foreign Secretary, the general secretary of Equity, the actor’s union, and several brave journalists who said that if Faith was imprisoned they would go to prison with him, meant that Faith was allowed to leave the country, though EMI paid the promoter’s compensation and took it out of Faith’s future royalties. Not that there were many royalties by that point. In early 1963, John Barry had stopped working with Faith to concentrate on his film music — he’d just started working on the Bond films that would make his name — and the hits dried up then, especially when musical styles suddenly changed in the middle of that year. But Faith had managed to parlay his looks into an acting career by that point, and over the next decade he appeared in several films, starred in the TV series Budgie, and toured in repertory theatre. He also became a manager and producer, managing Leo Sayer and producing Roger Daltrey’s solo recordings. He would occasionally make the odd record himself, up to the nineties, with his final single being a duet with Daltrey on a cover version of “Stuck in the Middle With You”: [Excerpt: Adam Faith and Roger Daltrey, “Stuck in the Middle With You”] But as someone who looked after his money, Faith had been far more canny than most of his fellow pop stars, and for much of his life he was a very wealthy man. While he continued performing, his main role in the eighties and nineties was as a financial journalist and investment advisor, writing columns on finance for the Daily Mail. He presented the BBC business show Working Lunch, the Channel 4 money show Dosh, and eventually started his own TV channel devoted to business, The Money Channel. Unfortunately for him, the Money Channel went down in the stock market crashes of the early 2000s, and Faith went bankrupt in 2002. He died in 2003, aged sixty-two. But you’ll notice we haven’t yet mentioned the song that this episode is about. That’s because that song, “I’ve Just Fallen For Someone”, was completely unimportant in Adam Faith’s life. It was just a bit of album filler on his second album. But though Faith didn’t know it, it was an important song in rock music history: [Excerpt: Adam Faith, “I’ve Just Fallen For Someone”] Like Faith’s hits, that was written by another performer, one who like Les Vandyke had a variety of different names. John Askew was one of Larry Parnes’ stable of acts, and far from the most successful of them. He performed under the name Johnny Gentle, and didn’t have a great deal of success. Askew’s first single, “Wendy”, was unsuccessful, but it was unusual among British singles of the period in that it was written by Askew himself: [Excerpt: Johnny Gentle, “Wendy”] His second, though, made the top thirty: [Excerpt: Johnny Gentle, “Milk From the Coconut”] That would be the most success Johnny Gentle ever had, and his live shows were made up entirely of cover versions of other people’s records — when he toured Scotland in 1960, for example, his setlist consisted of two Buddy Holly songs, and one each by Elvis, Ricky Nelson, Clarence “Frogman” Henry, Eddie Cochran, and Jim Reeves. But he was still writing songs on that tour, and he was working on one in a hotel in Inverness – one that clearly referenced “What Do You Want?” with its girl who doesn’t want ermine and pearls – when he got stuck for a middle eight for the song, and mentioned it to the rhythm guitarist in his backing band. The guitarist came up with a new middle eight — referencing a line from a favourite song of his, “Money” by Barrett Strong. Askew took that new middle eight, though didn’t give the guitarist any songwriting credit — Askew was an established songwriter, after all. He gave the song to Faith, who recorded it in late 1961, and released it in 1962: [Excerpt: Adam Faith, “I’ve Just Fallen for Someone”] That was on his second album, Adam Faith (his first album had been called Adam), and on an EP taken from the album. But Askew thought it had more potential, and he recorded his own version, as Darren Young — by this point he’d decided that his old stage name was bringing him bad luck: [Excerpt: Darren Young, “I’ve Just Fallen for Someone”] That version wasn’t successful either, and the song remained completely obscure until the mid-1990s. It was at that point that Askew started telling the story of how the song had been written. And suddenly the song was of a lot more interest, at least to some people, because that rhythm guitarist who wrote that middle eight was John Lennon, and Gentle’s backing band on that tour was the Beatles. We’ve just heard the story of the first ever commercial recording of a John Lennon song. And we’ll pick up on that next week…

Hello hunks! It's time to cover S12E12 - Stuck in the Middle (With You), in which Richard Speight, Jr returns to the director's chair and delivers one HELL of an episode. Hope you like Tarantino, because this is a direct homage to a LOT of the man's films. We've got glowing briefcases, chopped up timelines, and gimps! Enjoy! Monster of the Week is on Patreon (https://patreon.com/monsteroftheweek)! If you want to directly support the show and ensure we keep putting out that sweet hashtag content week to week, consider pledging. You get some sweet rewards like early access to weekly episodes, access to our Discord, exclusive podcasts, and more! Monster of the Week is also on Twitter (https://twitter.com/motwcast), Instagram (https://www.instagram.com/monsteroftheweekpodcast/), and Tumblr (https://monsteroftheweekpodcast.tumblr.com/). Jeremy is on Twitter (https://twitter.com/jggreer), and you probably shouldn't follow him unless you know what you're doing. Chris is on Twitter (https://twitter.com/localbones), and you probably should follow him if you like #hunks and #swords. Like that intro? The music was done by our friend bansheebeat (https://twitter.com/bansheetweet), who is a fantastic music producer. The vocals are by Heather Millette (https://heathermillettemusic.bandcamp.com/releases), the most emo girl from Boston and also our very good friend. If you really like that intro, we made an entire music video (https://www.youtube.com/watch?v=LNjbrC1S-CI) for it. It's awesome. Please watch.

Enjoying the show? Please support BFF.FM with a donation. Playlist Let it Ride by The Soundcarriers on Harmonium (-) Conference Call at Four by Peter Ivers on Becoming Peter Ivers (RVNG) Cha Cha by D.R.A.M. on #1EpicEP (Empire) Japan by Famous Dex on Dex Meets Dexter (Rich Forever Music) Fried for the Night by Tokimonsta on Oasis Nocturno (-) Joke Ting (feat. Ari PenSmith) by GoldLink on Diaspora (RCA Records) Fair Chance (feat. Ty Dolla $ign & Lil B) by Thundercat on It Is What It Is (Stones Throw) Coconut by Harry Nilsson on Nilsson Schmilsson (RCA Records) Stuck in the Middle With You by Stealers Wheel on Stealers Wheel (Mercury Records) Jerusalem, New York, Berlin by Vampire Weekend on Father of the Bride (Columbia) A-Punk by Vampire Weekend on Vampire Weekend (XL Recordings) Potions by Day Wave ([PIAS] Recordings) New Sensations by Lou Reed on New Sensations (BMG Music) Bikes by Rubblebucket on Rubblebucket (-) Budapest (feat. Shy Boys) by STRFKR on Budapest - Single (Polyvinyl) Walk On By by Issac Hayes on Greatest Hits (Fantasy, Inc.) God Only Knows by JR JR on Horse Power EP (Warner Records) Wouldn't It Be Nice by The Beach Boys on Pet Sounds (Capitol) Mercury In Retrograde by Sturgill Simpson on Sound & Fury (Elektra) Best Shirt On by Chuck Prophet on Best Shirt On (Yep Rock Records) Beer For Breakfast by The Replacements on All For Nothing/Nothing For All (Reprise) Don't Stand So Close to Me by The Police on Zenyatta Mondatta (A&M Records) Cellular by King Krule on Cellular (True Panther Sounds) Roses Are Free by Ween on Chocolate & Cheese (Elektra) Can I Kick It? by A Tribe Called Quest on People's Instinctive Travels and the Paths of Rhythm (25th Anniversary Edition) (Jive) Walk On the Wild Side by Lou Reed on Transformer (RCA) Where You Belong by Little Dragon on New Me, Same Us (Ninja Tune) 12.38 by Childish Gambino on 3.15.20 (RCA) Come Back to Earth by Mac Miller on Swimming (Warner) On The Breeze by Dirty Projectors on Windows Open (Domino) Overlord by Dirty Projectors on Windows Open (Domino) Strawberry Letter 23 by Shugie Otis on Freedom Flight (Sony BMG) Debra by Beck on Midnite Vultures (Geffen) Ooh La La by Run The Jewels (Jewel Runners) we the people... by a tribe called quest on We Got It From Here....Thank You For Your Service (Epic Records) Check out the full archives on the website.

On this week's podcast, Tom Cheredar joins us for an update on COVID-19's affect on the tech sector, what to do during a self-imposed quarantine, telecommuting tips,  ...and much, much more. COVID-19 Update Internet's largest social networks issue joint statement on COVID-19 misinformation Gig workers have created a tool to offer mutual aid during COVID-19 pandemic Lyft & Uber suspend pools Studios releasing first-run movies as VOD U.S. government reportedly in talks to use location data in COVID-19 fight Audible Book of the Week Command and Control by Eric Schlosser Sign up at AudibleTrial.com/TheDrillDown Music Break: Stuck in the Middle With You by Stealers Wheel Hot Topics Animal Crossing: New Horizons review: A quarantined life has never been cuter (release date 3/20) Shows & films to binge while in COVID-19 quarantine Netflix Party lets you watch with friends online Sofa King - Roundup of all live streaming performance activities Comicbooks: Locke & Key (Joe Hill & Gabriel Rodriguez) Lazarus The Beauty Sex Criminals (Matt Fraction & Chip Zsarsky) The Sculptor (Scott McCloud) Seconds (Brian Lee O'malley) Let's name some classics Game of Thrones (HBO) The Wire (HBO) The Sopranos (HBO) Avatar the Last Airbender (Nick Hits) Buffy the Vampire Slayer (HULU) Babylon 5 (Purchase on Amazon) Stargate SG1 (HULU and Amazon Prime Video) Telecommuting amid coronavirus: Best tech tools for you and the kids to work from home Subscribe! The Drill Down on iTunes (Subscribe now!) Add us on Stitcher! The Drill Down on Facebook The Drill Down on Twitter The Drill Down is a roundtable-style audio podcast where we discuss the most important issues of the week, in tech and on the web and how they affect us all. Hosts are social media enthusiast Andrew Sorcini (Mr. BabyMan), marketing research analyst Dwayne De Freitas, and Vudu product manager Tosin Onafowokan.

In their song “Stuck in the Middle With You,” Scottish folk rock band Stealers Wheel's lyrics go something like  this –”Yes I'm stuck in the middle with you, And I'm wondering what it is I should do, It's so hard to keep this smile from my face. Losing control, yeah, I'm all over the place.” These words capture the plight of a young and developing brain that often gets stuck in black and white thinking when caught in the throws of daily challenges, emotional setbacks, and unexpected wrenches. Simple redirection and cajoling is not enough to unhook that brain from the debilitating inflexibility and emotional stickiness.On this episode, our guest Hanna Bogen Novak, M.S., CCC-SLP, Speech-Language Pathologist, Division Director at the Center For Connection, and co-creator of a curriculum called the Brain Talk Curriculum, will discuss the secrets of self-regulation, how best to understand the metacognitive needs of children with Executive function challenges, and how to provide strategies and resources that can enrich their lives.About Hanna Bogen Novak, M.S., CCC-SLPHanna Bogen Novak, M.S., CCC-SLP is a Speech-Language Pathologist and Social-Cognitive Specialist based in Los Angeles, CA with a primary focus on interventions that support self-regulation, social communication, executive functioning, social-emotional development, and speech and language deficits. Hanna is the owner of Bogen Speech & Language Therapy, The SLP Division Director at The Center for Connection, and the co-creator of The Brain Talk Curriculum. In addition to clinical work, Hanna provides trainings and consultations to schools, therapy teams, and parents to support greater understanding of her focus areas, as well as to provide strategies and resources professionals can use with students.Websites:www.HannaBogen.comwww.TheCenterForConnection.orgwww.BrainTalkTherapy.comSupport the show (https://mailchi.mp/7c848462e96f/full-prefrontal-sign-up)

In their song “Stuck in the Middle With You,” Scottish folk rock band Stealers Wheel’s lyrics go something like  this –”Yes I’m stuck in the middle with you, And I’m wondering what it is I should do, It’s so hard to keep this smile from my face. Losing control, yeah, I’m all over the place.” … Read More Read More

Hello! This is Francesca Mylod-Ford, creator of The Pilgrimage Saga. This show is about five humans and an AI, looking for home – and it's a science-fiction story. This episode is season one, episode eight: “Stuck in the Middle (With You)”. And… hope you enjoy it! Enjoy the show. https://thepilgrimagesaga.wordpress.com/

So, you may know that "Stuck in the Middle With You" was a hit in 1972 for (1 hit wonder) Stealer's Wheel, and you may also know it was made popular again in the Quentin Tarantino movie "Reservoir Dogs", but I'll bet you didn't know that half of Stealer's Wheel was Gerry Rafferty who had a hit with "Baker Street" in 1978 and that the song got stuck at #2 on the Billboard charts for 6 weeks behind Andy Gibb's "Shadow Dancing". They're both dead now, so I guess it doesn't really matter. BTW- If you listen really closely to today's episode, you will absolutely hear no reference to any of this at all.   Nice Sponsors: Get your free E-Book 5 Ways to Make Money Podcasting at www.Turnkeypodcasting.com/gift   Reach The Nice Guys Here: Doug- @DJDoug Strickland- @NiceGuyonBiz   Nice Links: Subscribe to the Podcast Niceguysonbusiness.com TurnkeyPodcast.com - You're the expert. Your podcast will prove it. Podcast Production, Concept to Launch   Book Doug and/or Strick as a speaker at your upcoming event. Amazon #1 Best selling book Nice Guys Finish First. Doug's Business Building Bootcamp (10 Module Course)   Nice Survey: Take our short survey so The Nice Guys know what you like.   Partner Links: Amazon.com: Click before buying anything. Help support the podcast. Acuity Scheduling: Stop wasting time going back and forth scheduling appointments   No time to get to this, but you can read the blog here: 12 worries that every entrepreneur has   Promise Statement: To provide an experience that is entertaining and adds value to your life. Never underestimate the Power of Nice.

So, you may know that "Stuck in the Middle With You" was a hit in 1972 for (1 hit wonder) Stealer's Wheel, and you may also know it was made popular again in the Quentin Tarantino movie "Reservoir Dogs", but I'll bet you didn't know that half of Stealer's Wheel was Gerry Rafferty who had a hit with "Baker Street" in 1978 and that the song got stuck at #2 on the Billboard charts for 6 weeks behind Andy Gibb's "Shadow Dancing". They're both dead now, so I guess it doesn't really matter. BTW- If you listen really closely to today's episode, you will absolutely hear no reference to any of this at all.   Nice Sponsors: Get your free E-Book 5 Ways to Make Money Podcasting at www.Turnkeypodcasting.com/gift   Reach The Nice Guys Here: Doug- @DJDoug Strickland- @NiceGuyonBiz   Nice Links: Subscribe to the Podcast Niceguysonbusiness.com TurnkeyPodcast.com - You're the expert. Your podcast will prove it. Podcast Production, Concept to Launch   Book Doug and/or Strick as a speaker at your upcoming event. Amazon #1 Best selling book Nice Guys Finish First. Doug's Business Building Bootcamp (10 Module Course)   Nice Survey: Take our short survey so The Nice Guys know what you like.   Partner Links: Amazon.com: Click before buying anything. Help support the podcast. Acuity Scheduling: Stop wasting time going back and forth scheduling appointments   No time to get to this, but you can read the blog here: 12 worries that every entrepreneur has   Promise Statement: To provide an experience that is entertaining and adds value to your life. Never underestimate the Power of Nice.

Each month, I conduct a mastermind interview for members of the Small Farm Nation Academy. They’re video calls between me and an expert in matters that relate to growing a profitable farming business, and they tend to be an hour long, give or take. In this episode, I’m gonna share some highlights of my discussion with Greg Gunthorp of Gunthorp Farms in Indiana. 2018 marks Greg’s 20th year as a successful sustainable farmer. This year he’ll raise and market well over 100,000 poultry in addition to 2,500 pigs. Tune in as Greg and I discuss: how to process and wax ducks, what poultry processing equipment to use, how to sell farm products to restaurants, how to pitch products to chefs, what chefs look for in terms of consistency, building a meat smoking/curing facility, financing a farm business, managing the wholesale order process, the most profitable farm distribution channels, much more! So listen in, now. Thanks for Listening! To share your thoughts: Share this show on Twitter, Facebook or LinkedIn To help the show: PLEASE LEAVE A REVIEW for Small Farm Nation on iTunes. Subscribe on iTunes, Stitcher Radio, Google Play or TuneIn Credits/Resources Relevant to This Episode Farming for You lyrics by Tim Young Buy the rock classic, Stuck in the Middle With You by Stealer's Wheel on Amazon Thanks for listening. Until next time! OTHER WAYS TO ENJOY THIS EPISODE Download on iTunes

Each month,I conduct a mastermind interview for members of the Small Farm Nation Academy. They’re video calls between me and an expert in matters that relate to growing a profitable farming business, and they tend to be an hour long, give or take. In this episode, I’m gonna share some highlights of my discussion with Jordan & Laura Green of J&L Green Farm in Virginia. The Green's have built a fast-growing pasture-based meat business and, get this...they don't even own a single acre of farmland. We discuss: how they started their farm farm investors, partners and contractual relationships the pros and cons of selling at farmers markets why J&L Green Farm hasn't aggressively pursued selling to restaurants logistical issues shipping frozen meat products delivering farm products via drop sites (or metropolitan buying clubs) and so much more that relates to marketing and running a farm business So listen in, now. Thanks for Listening! To share your thoughts: Share this show on Twitter, Facebook or LinkedIn To help the show: PLEASE LEAVE A REVIEW for Small Farm Nation on iTunes. Subscribe on iTunes, Stitcher Radio, Google Play or TuneIn Credits/Resources Relevant to This Episode Farming for You lyrics by Tim Young Buy the rock classic, Stuck in the Middle With You by Stealer's Wheel on Amazon Thanks for listening. Until next time! OTHER WAYS TO ENJOY THIS EPISODE Download on iTunes

Each month,I conduct a mastermind interview for members of the Small Farm Nation Academy. They’re video calls between me and an expert in matters that relate to growing a profitable farming business, and they tend to be an hour long, give or take. In this episode, I’m gonna share some highlights of my discussion with Curtis Stone. Curtis is well known for maximizing farming profits on small, urban lots, and has helped lots of folks to do the same thing. Whether you’re interested in urban or rural farming, I think you’ll get a lot out of this. So listen in, now. Thanks for Listening! To share your thoughts: Share this show on Twitter, Facebook or LinkedIn To help the show: PLEASE LEAVE A REVIEW for Small Farm Nation on iTunes. Subscribe on iTunes, Stitcher Radio, Google Play or TuneIn Credits/Resources Relevant to This Episode Farming for You lyrics by Tim Young Buy the rock classic, Stuck in the Middle With You by Stealer's Wheel on Amazon Thanks for listening. Until next time! OTHER WAYS TO ENJOY THIS EPISODE Download on iTunes

Kim is joined by guest co-host Jeff O'Neal to talk about two of the biggest nonfiction-related news stories of the year, along with books for Mother's Day and Jeff's Busman's MBA. This episode is sponsored by The Neuroscientist Who Lost Her Mind by Barbara K. Lipska. Follow Up and Nonfiction News A Higher Loyaltysells 600,000 copies in the first week!  The Golden State Killer has been caught!  New Books The Girl Who Smiled Beads by Clemantine Wamariya and Elizabeth Weil (April 24 from Crown) Minority Leader by Stacey Abrams (April 24 from Henry Holt) Beneath a Ruthless Sun by Gilbert King (April 24 from Riverhead) The Feather Thief by Kirk Wallace Johnson (April 24 from Viking) Weekly Theme: Mother's Day Tell Me More by Kelly Corrigan Blood, Bones and Butter by Gabrielle Hamilton Stuck in the Middle With You by Jennifer Finney Boylan Hammer Head by Nina MacLaughlin The Busman's MBA Back to Work podcast by Dan Benjamin and Merlin Mann Getting Things Done by David Allen Getting to Yes by Roger Fisher and William L. Ury Radical Candor by Kim Scott Thinking Fast and Slow by Daniel Kahneman The Distraction Addiction by Alex Soojung-Kim Pang Bored and Brilliant by Manoush Zomorodi Reading Now Odd Girl Out by Laura James The Power of Different by Gail Saltz Neurotribes by Steve Silberman

This week on Supernatural: The Crossroads – This week the hosts discuss 12.12 ‘Stuck in the Middle (With You)’. http://www.podtrac.com/pts/redirect.mp3/s3.us-west-1.wasabisys.com/crossroads/spn96_1212stuckinthemiddle.mp3

Writers gave us their take on "The beginning, the middle, or the end" in four minutes or less. "Lovey Wouldn't Last a Week" by Ann Graber "I'd Stowaway" by Erin Gately "Which Part?" by Zane Emerson "Tomorrow Never Knows" by Mike Northcott "The Late Local News with Skip" by Bret Emerson "You Are So Smart, You Got Your Nipples Pierced" by Lupine Swanson "Take That, Aristotle" by Eric Smith "Stuck in the Middle With You" by Sandy & the Sparknotes "Rib Winner" by Jack Miller "Driving Wind" by Tate Emerson "Mid-freakin Yea" by Tracy Bonaccorso

  Neste podcast falamos sobre músicas marcantes do cinema.E indicamos alguns filmes bem legais pra quem curte além de um bom filme,boa música. Inscreva-se no nosso canal no Youtube: O vídeo vai sair por lá! CLIQUE AQUI IMPORTANTE! Gosta do nosso trabalho e quer que ele continue? Doe via PIX! Nossa chave é pixmasmorracine@gmail.com ou seja nosso padrinho ou madrinha nos apoiando no Padrim ou no Colabora aí.  Ajude a manter os podcasts independentes, como o nosso no ar, apoie. Angélica Hellish Traídos pelo Desejo (The Crying Game) 1992, Direção: Neil Jordan Música: The Crying Game, versão cantada por Boy George & Culture Club,nos créditos. Billy Elliot (Billy Elliot),2000 Direção: Stephen Daldry Música: Cosmic Dancer,da banda T-Rex. Pink Floyd The Wall, 1982, Direção: Alan Parker Música: Comfortably Numb de Pink Floyd. Hair, 1979, Direção: Milos Forman Música: Aquarius. Na Natureza Selvagem (Into the Wild), 2007, Direção: Sean Penn Música: Hard Sun de Eddie Vedder. Marcos Noriega Cães de Aluguel Reservoir Dogs, 1992- Direção: Quentin Tarantino Música: Stuck in the Middle With You da banda Stealers Wheel. Sem Destino(Easy Rider), 1969,Direção: Dennis Hopper Música:The Pusher da banda Steppenwolf. O Último Concerto de Rock (The Last Waltz), 1978 direção: Martin Scorcese música: Caravan - The band e Van Morrison. Trainspotting-Sem Limites (Trainspotting), 1996, Direção: Danny Boyle Música: Lust for Life cantada por Iggy Pop. Daniel Ruiz De Volta para o Futuro(Back to the Future), 1985, direção: Robert Zemeckis música: Johny B. Goode, cantor Chuck Berry. Quanto Mais Idiota Melhor ( Wayne's World), 1992, Direção: Penelope Spheeris Música: Bohemian Rhapsody da banda Queen. Homem de Ferro (Iron Man), 2008, Direção: Jon Favreau Música: Iron Man da banda Black Sabbath. Escola de Rock ( School of Rock), 2003, Direção: Richard Linklater Música:. "It's a Long Way to the Top (If You Wanna Rock 'n' Roll) da banda AC/DC. Tiago Santana da Comunidade Cinema Hell Bonequinha de Luxo (Breakfast at Tiffany's), 1961, Direção: Blake Edwards Música: Moon River cantada por Audrey Hepburn. Eraserhead, 1977, direção: David Lynch música: In Heaven (lady in the radiator song) cantada por Laurel Near. Anjo Azul (Der Blaue Engel), 1930, direção: Josef von Sternberg música: Falling in Love Again, interpretada por Marlene Dietrich. Glória Feita de Sangue (Paths of Glory), 1957, direção: Stanley Kubrick música: The Faithful Hussar cantada por Susanne Christian. Nossos emails: contato.cinemasmorra@gmail.com e contato.masmorraerotica@gmail.com Comunidade do Masmorracast no Orkut

Stuck In the Middle Leave it to Quentin Tarantino to remind us what "the middle" is all about. It was Hollywood's whirling creative derbish who took a long forgotten early '70s song, "Stuck in the Middle With You," and burned it into today's consciousness. Whether it was nostalgia, shock or sympathy that helped, it's clear that "the middle" was not necessarily the place you want to be. And yet that's exactly where we find today's auto industry -- stuck in the middle -- according to John Hoffecker from the global turnaround company AlixPartners. In fact, that was even the title of his presentation earlier this month to a session at the Management Briefing Seminars in Traverse City, Michigan. On this week's Autoline, Mr. Hoffecker takes us inside his analysis of where we are and where we will be in the global auto industry. From the good news for the top 25% of North American suppliers to what he terms the "new normal" for sales going forward, Mr. Hoffecker analyzes the good, the bad and the ugly facing manufacturers, suppliers and customers alike. Joining John McElroy on the panel are Tom Walsh, the business columnist from the Detroit Free Press and Alex Ortolani with Bloomberg News.

Stuck In the MiddleLeave it to Quentin Tarantino to remind us what "the middle" is all about. It was Hollywood's whirling creative derbish who took a long forgotten early '70s song, "Stuck in the Middle With You," and burned it into today's consciousness. Whether it was nostalgia, shock or sympathy that helped, it's clear that "the middle" was not necessarily the place you want to be. And yet that's exactly where we find today's auto industry -- stuck in the middle -- according to John Hoffecker from the global turnaround company AlixPartners. In fact, that was even the title of his presentation earlier this month to a session at the Management Briefing Seminars in Traverse City, Michigan.On this week's Autoline, Mr. Hoffecker takes us inside his analysis of where we are and where we will be in the global auto industry. From the good news for the top 25% of North American suppliers to what he terms the "new normal" for sales going forward, Mr. Hoffecker analyzes the good, the bad and the ugly facing manufacturers, suppliers and customers alike. Joining John McElroy on the panel are Tom Walsh, the business columnist from the Detroit Free Press and Alex Ortolani with Bloomberg News.