Podcast appearances and mentions of Peter Saville

In recent years, it's become harder to tell whether fashion can still stand on its own, without leaning on the scaffolding of sport, film, or whatever cultural tentpole happens to be in rotation. But with the sustained relevance of System and the sharp ambition behind its latest expansion, Editor-in-Chief Jonathan Wingfield offers a clear answer: yes—fashion can still trade on itself. It is a business, unquestionably—but a beautifully complex one, in constant dialogue with culture. And in that dialogue, the currency of creativity proves more stable than gold. Unlike so many aspects of contemporary life, its role is inimitable, its value evergreen. In this conversation, Wingfield traces his own route—from suburban teenage boredom and record sleeves to the visual literacy that would come to define his work. We talk about System's origins, the logic behind System Collections, and what gets lost when coverage is dictated by algorithms rather than curiosity. “The most interesting commentary on a film often came from the costume designer, not the star. That logic applies to fashion too.” - Jonathan Wingfield Episode Highlights: From suburban boredom to fashion curiosity - Wingfield traces his creative awakening to the disconnect between small-town life and the cultural energy of nearby London—music, record sleeves, and magazines were his early portals. The record sleeve as first editorial influence - A Peter Saville–designed cover for New Order's True Faith becomes an entry point into the world of typography, photography, and image-making. A formative mentorship on the road - A months-long carpool with UK publishing legend Alan Lewis becomes a crash course in magazine craft—headline writing, storytelling, and editorial voice. Why editing is about the final decisions - For Wingfield, the joy of putting a magazine together isn't in the interviews—it's in the final details: captions, pull quotes, and headlines that shape meaning. System's founding as a response to access fatigue - Frustrated by increasingly hollow interviews with celebrities, Wingfield wanted a space for deeper, more sustained conversations—System was his answer. Virgil Abloh as a cultural inflection point - A cover story featuring Virgil becomes a turning point for System, bridging industry credibility and outsider influence, and reframing who the magazine is for. The slow reveal: System's relationship to time - Wingfield shares why the magazine resists real-time commentary and favors longer arcs—interviewing designers after the noise has died down. The launch of System Collections - He introduces System's newest project: a seasonal, time-capsule-style publication that offers deep visual and editorial takes on fashion month. On interviewing well—and waiting for silence - One of his top tips: don't rush to fill silences. Real answers often follow the pause. What's contemporary now? Swerve the algorithm - Wingfield's closing reflection: avoid being trapped in feedback loops. Discovery, intuition, and counterintuitive creativity are what truly move culture forward. Learn more about your ad choices. Visit megaphone.fm/adchoices

Ah, the bizarre love/hate life of the New Order fan. What's your most loved and least favorite song on Low-Life?! For our fourth Request Episode Election, we went through dozens of listener suggestions to nominate Joe Jackson's Look Sharp, Jane's Addiction's Ritual de lo Habitual and this 1985 Manchester classic, which won in a landslide election. While half of us moaned about the album choice from our mystery nominators (MIA), we all had lots of great memories to share of adoring and rolling our eyes at NO. Superfan Sam hosted and held up lots of New Order vinyl, old tshirts were dusted off and Adam delivered an avalanche of guest rankers, starting with internationally-loved San Diego superstars Koi Division, who donned their iconic fish heads for a filmed interview. Days later, he visited Gold Diggers Sound in Los Angeles to chat with Dave Trumfio of the synth-lovin' Pulsars, whose lone 1997 debut/farewell album has finally recently been reissued. The two full interviews will be on our Youtube channel. Just you wait. In addition to getting tribute band opinions from San Francisco's Temptation and San Diego's Thieves Like Us (Substance responded too late to have their support for "Sunrise" be included), he got first hand accounts of 91X FM's infamous 1985 year-end countdown switcheroo from DJs Dwight Arnold, Pam Wolf and Billy Bones. Listen at WeWillRankYouPod.com, Apple, Spotify and your favorite voting booth.  Follow us and weigh in with your favorites on Facebook, Instagram & Threads and Twitter @wewillrankyoupod . SPOILERS/FILE UNDER:Angel dust, Angel Dust, Dwight Arnold, As It Is When It Was, Blue Monday, Billy Bones, breathing solo, Brotherhood, capitalization, Jimmy Cliff, Ian Clownfish, cowbell, the Cure, dance pop, darkwave, Darker Waves Festival, Jonathan Demme, Depeche Mode, double claps, Echo and the Bunnymen, Elegia, England, Erasure, Face Up, Factory Records, folk music, frogs, funeral soundtrack, Gene Loves Jezebel, Gillian Gilbert, harpsichord, Hook, Peter Hook, hooky, Hooky, Joy Division, Koi Division, Love Vigilantes, Low-Life, Manchester, Ennio Morricone, Stephen Morris, New Order, new wave, 91X FM, Oyster Band, Paradise, The Perfect Kiss, post-punk, Power Corruption and Lies, Pretty In Pink, Pulsars, request episode, Bernard Salmon, Peter Saville, seasonable, shaft, shenanigans, Simple Minds, Sooner Than You Think,  Sub-culture, Bernard Sumner, Sunrise, synthpop, Temptation, terrible lyrics, Thieves Like Us, This Time of Night, tribute band, Dave Trumfio, Weirdo, Steve West, Pam Wolf, 1963, 1985. US: http://www.WeWillRankYouPod.com wewillrankyoupod@gmail.comNEW! Host tips: Venmo @wewillrankyoupodhttp://www.facebook.com/WeWillRankYouPodhttp://www.instagram.com/WeWillRankYouPodhttps://www.threads.net/@WeWillRankYouPodhttp://www.twitter.com/WeWillRankYouPo http://www.YourOlderBrother.com(Sam's music page) http://www.YerDoinGreat.com (Adam's music page)https://open.spotify.com/user/dancecarbuzz (Dan's playlists)

Peter Saville is an English art director and graphic designer. He was one of the founders of Factory Records in 1978 and designed many record sleeves for their bands including Joy Division's 'Unknown Pleasures' and New Order's 'Power Corruption and Lies'. Outside of Factory he did work for artists such as Roxy Music, Wham!, OMD, Ultravox, Peter Gabriel, Suede and Pulp. He's worked with various fashion houses including Christian Dior, Stella McCartney and Calvin Klein. He was the Creative Director of the City of Manchester, designed the England football team home shirt and in 2020 was appointed Commander of the Order of the British Empire (CBE) for services to design.Wikipedia: https://en.wikipedia.org/wiki/Peter_Saville_(graphic_designer)Work For Sale: https://www.paulstolper.com/artists/28-peter-saville/works/Fan site: https://petersaville.info/The Cluster F Theory Podcast is edited by Julian Mayers at Yada Yada https://www.yada-yada.net/. This is a public episode. If you would like to discuss this with other subscribers or get access to bonus episodes, visit theclusterftheory.substack.com

Charlamos sobre el disco 'Coming Up' de Suede, con la periodista y promotora musical Alicia Rodríguez como invitada.   Si Oasis eran los malotes de barrio, y Blur, los universitarios artísticos y divertidos… ¿quiénes eran Suede?   Entre otras cosas, esta segunda parte hablamos de: Los sonidos, la letra y el videoclip de la primera canción del ‘Coming Up': «Trash». La portada del disco, diseñada por Peter Saville bajo la dirección de Brett Anderson, el cantante de la banda. La demanda judicial por la que Suede tuvieron que cambiar de nombre en EE UU. Posibles ventajas y riesgos del uso de la inteligencia artificial como herramienta creativa. Y por el camino nos encontramos con Blur, Los Ramones, Neneh Cherry, Sepultura, Lana del Rey, Radiohead, Jarabe de Palo, Ska-P, las Spice Girls, ‘Trainspotting', Leticia Sabater, la oveja Dolly y ‘El día de la bestia', entre otros.   Más información en discoprestado.com Comentarios y mensajes de voz (máximo 1 minuto): discoprestado@proton.me 'Disco prestado' en Instagram: @discoprestadopodcast 'Disco prestado' en Facebook: @discoprestadopodcast 'Disco prestado' en YouTube: @discoprestadopodcast   ¡Salud y buena música!   Marc Aliana marcaliana.com

So it's been a while since my last podcast, but time flies when you're having fun. This podcast was on the cards for a while but I was so pleased to be able to head to North to record the conversation in person. A massive thank you to Sean, Stephen & Jeremy for this episode, we cover the start of North some projects that I still hold up as a massive influence on me, (RAC Identity Programme) and talked about the last project I featured here Factory International a collaboration between North and Peter Saville

In their heyday, album covers were veritable canvases, pored over by music lovers across the globe as they devoured the music therein. In this bonus broadcast I pay hommage to the lost art of the album cover with fellow album aesthete Dr. Andrew Webber.I hope you enjoy the podcast and do leave feedback if you like what you have heard.I look forward to seeing you in Season Three...Mathew WoodallThis episode is dedicated to Barney Bubbles, S. Neil Fujita, Reid Miles, Peter Blake, Stanley 'Mouse' Miller, Malcolm Garrett, John Berg, Norman Seeff, Robert Crumb, Neon Park, Mick Rock, Jim Flora, Peter Saville, Cal Schenkel, HR Giger, Andy Warhol, Jamie Reid, Trevor Key, Vaughan Oliver, Ian Wright and Hipgnosis, to name but a few.

In this episode, I speak with Andy McCluskey, lead vocalist of Orchestral Manoeuvres in the Dark, or OMD, as they are more commonly known. Andy formed OMD with co-writer and occasional co-vocalist, Paul Humphreys, at the tail-end of the 1970s. Their self-titled debut album (and its follow-up) was released in 1980 at the dawn of electronic pop, just as synthesised sounds were easing their way into the mainstream - and this is where our story begins. We begin by looking back at Andy's interests in art and design that saw him creating the first posters for OMD (see below), his ongoing creative relationship with legendary sleeve designer, Peter Saville, and follow the story right up to today with the brand new album, Bauhaus Staircase, released the same day as this podcast - Friday 27 October 2023. The new album references the Bauhaus art movement in its title, and its sleeve design is naturally complementary, but it is not the first OMD album with connections to art and design. So, join Andy and myself as we connect the dots, and along the way reveal that during this journey of more than four decades, OMD may actually have sailed those seven seas and finally come full circle... If you liked this episode, you may also enjoy the conversation I had with John Petch about his design work for OMD's 13th album 'The Punishment of Luxury'. Check out episode 6 of Art on your sleeve. Stay up to date with all things OMD online: Website: omd.uk.com Instagram: @omdhq Facebook: omdofficial X/Twitter: @OfficialOMD YouTube: @OMDOfficial If you enjoyed this episode, please subscribe to Art on your sleeve at Apple Podcasts HERE or wherever you listen to your favourite shows, and if you're very nice, you could give us some stars or a positive review. Art on your sleeve is also available on most popular podcast platforms including Spotify, Soundcloud and Google Podcasts. Art on your sleeve has an active Facebook group where additional content is shared and you're welcome to join. See you online… https://www.facebook.com/groups/442664446671424

Kevin (CEO, PROOF) is joined by Derek (Collab+Currency), Sam (PROOF Director of Research), and Amanda (PROOF Culture and Community) for an amazing show. Sam dives into an NFT market overview for the week before the crew discusses Pace's collaboration with Peter Saville on the CP1919 project, Blur Season 2 Ending, Refik Anadol enters MoMA's permanent collection, and Blackdot.tattoo: generative art tattoos. --------- EPISODE CHAPTERS --------- 0:00:00 Intro 0:00:05 - NFTs and Collaboration With Peter Saville 0:07:46 - NFT Market Update and Blur Season 2 0:18:13 - Community Proposal for Token Governance 0:25:39 - NFTs in Museums and Art Tattoos 0:36:18 - The Experience of NFTs in Art 0:49:54 - Creative Expression Without Approval 0:58:01 - Artistic Influences and Semiotics --------- EPISODE CHAPTERS WITH SHORT KEY POINTS --------- (0:00:05) - NFTs and Collaboration With Peter Saville On 100 Proof Live, we discuss NFTs, bear markets, Japanese streetwear, Moonbird, CP1919, Joy Division Unknown Pleasures. (0:07:46) - NFT Market Update and Blur Season We discuss NFTs, Moonbirds holders, PFPs, Artblocks, Ringers, Winds of Yalanawa, Opepen, Subscape, one-of-one sales, and Gabe Weis's 'The Blame Game'. (0:25:39) - NFTs in Museums and Art Tattoos NFTs, MoMA, generative art tattoos, tokenizing real world assets, Scott Campbell's Glory Hold discussed. (0:36:18) - The Experience of NFTs in Art NFTs authenticate digital art, generative art contributes to art history, and data maps create a virtual landscape. (0:49:54) - Creative Expression Without Approval Peter Saville created Joy Division's iconic Unknown Pleasures album cover without commercial objectives, inspiring global appreciation. (0:58:01) - Artistic Influences and Semiotics Peter Saville shares his journey into NFTs, reflecting on Warhol, Kraftwerk, symbols, semiotics, European canon, and art, music, fashion, photography, architecture, and film.

Over his 25 years as CEO of the Danish textile company Kvadrat, Anders Byriel has turned what was once a small, fairly dusty family design business into a global giant. Perhaps just as notably, he's taken a radical, and even artistic, approach to building and cultivating the brand's culture, partnering with designers such as Raf Simons, Ronan and Erwan Bouroullec, and Peter Saville; arts institutions like the New Museum in New York, the Tate Modern in London, and the Louisiana Museum of Modern Art in Humlebaek, Denmark; and brands including Adidas Originals, Bang & Olufsen, and Jaguar Land Rover. On this week's episode of Time Sensitive, Byriel talks about why the best design has an artistic edge, the importance of making space for emotion within a corporate environment, and his deep and lifelong passions of poetry and photography.Special thanks to our Season 7 sponsor, L'ÉCOLE, School of Jewelry Arts.Show notes:Anders Byriel [01:04]Annie Ernaux [04:25]“Vermeer” at the Rijksmuseum [06:04]Kvadrat [06:56]Raf Simons [12:05]Peter Saville [13:24]David Adjaye [14:05]Thomas Demand [14:14]Louisiana Museum of Modern Art [14:17]Rosemarie Troeckel [14:20]Olafur Eliasson [14:27]Jean Nouvel [14:40]Massimiliano Gioni [18:06]Pipilotti Rist [18:39]Wu Tsang [19:07]“The Triple Folly” [19:33]Danh Vo [24:20]Ronan and Erwan Bouroullec [27:09]Giulio Ridolfo [30:41]“Materializing Color” [30:43]Adidas Originals x Kvadrat Stan Smith [39:03]Konstantin Grcic [43:06]Verner Panton [49:29]“Pop Art Design” exhibition at Vitra Design Museum [50:20]Robert Adams [01:03:08]Henrik Nordbrandt [01:03:52]Nan Goldin [01:10:39]Ocean Vuong [01:04:54]Ocean Vuong's “Time Is a Mother” book of poems [01:05:01]“Your Brain on Art” book [01:05:09]Hiroshi Sugimoto [01:11:37]“Ai Weiwei In the Elevator When Taken Into Custody by the Police” (2009) [01:12:00]Ansel Adams [01:12:44]Robert Adams's “Around the House” book [01:13:01]Robert Adams's "A Road Through Shore Pine" book [01:13:30]

Kid606 [00:39] "Let It Rock" Pretty Girls Make Raves Tigerbeat6 meow132 2006 Hello Mid-Aughties Bay Area IDM. Michael Nesmith [05:32] "Some of Shelley's Blues" Pretty Much Your Standard Ranch Stash Pacific Arts/Island Records ILPS 9440 1977 One of my scores from Amsterdam. "Some of Shelley's Blues was going to be part of the Nashville session The Monkees had in 1968. Prior to this version it was also covered by Linda Ronstadt with the Stone Poney's (https://youtu.be/d9cQBGMzigU), as well as the Nitty Gritty Dirt Band (https://youtu.be/BXJiqKgl7BI). Willie Nelson [08:52] "Blue Christmas" Pretty Paper Columbia JC 36189 1979 Having yourself a very Willia xmas? Getting some quality assistance from Booker T on the organ. The title track, made famous by Roy Orbison in 1963, is penned by none other than Willie. Prince [11:31] "I Wanna Be Your Lover" Prince Warner Bros. Records BSK 3366 1979 Prince's sophomore effort and what an effort it is! The album made it to number 22 on the Hot 100, and this lead off single (https://youtu.be/Rp8WL621uGM) hit number 11 on the US charts. Linda Ronstadt [18:29] "Hey Mister, That's Me Up on the Jukebox" Prisoner in Disguise Asylum Records 7E-1045 1975 Linda deftly handling this James Taylor number on this multi-platinum album. Emerson Meyers [22:40] "In Memoriam for Soprano & Tape" Provocative Electronics (Electronic Constructions on Traditional Forms) Westminster Gold WGS-8129 1970 Recorded at the Electronic Music Laboratory of the Catholic University of America, of all places, in 1970. Don't worry, I have an insider checking to see whether his laboratory still exists. The Cramps [27:35] "Goo Goo Muck" Psychedlic Jungle I.R.S. Records SP 70016 1981 How timely! The Cramps very well known version of Ronnie Cook and the Gaylads 1962 single. Record fiend friends, let me tell you that I have had a saved eBay search for that original Ronnie Cook single, and it has yet to go for less than three figures. Here's hoping I find it in a random place someday in the future. Thurston Moore [30:40] "Ono Soul" Psychic Hearts Goofin' Records Goo-010 2006 (originally released on DGC in 1995) Thurston hearts the queen of noise. This album features artwork by the excellent Rita Ackermann. Luna [35:53] "Beautiful View" Pup Tent Teenbeat TEENBEAT 232 1997 The fourth studio album from one of my favorite bands. This is one of the few that was released on vinyl at the time. Of course there's also the big beautiful box set (https://www.discogs.com/master/1027116-Luna-Long-Players-92-99). Purple Mountains [39:34] "She's Making Friends, I'm Turning Stranger" Purple Mountains Drag City DC680 2019 Ugh. Sadly, the final David Berman project. A thoroughly engaging album from start to finish.Interested and brave parties can check out this piece on David Berman's final days in the recent issue of Creem (https://www.creem.com/fresh-creem/david-berman-purple-mountains-final-days-feature). Temptations [43:42] "I Can't Get Next to You" Puzzle People Gordy S-949 1969 Such a hot opening track, this copy has been played many times. I tried to salvage it as best as possible. Number one single from a number 5 album. The Who [46:24] "Bell Boy" Quadrophenia (Music from the Soundtrack of The Who Film) Polydor 2625 037 1979 And what a film it is. Who knew that the king of the mods had a day job? Big Blood [51:21] "1000 Times" QuaranTunes Series No.027 Feeding Tube Records FTR634 2021 One of the things that got me through the stay-at-home phase of the pandemic was all of the excellent livestreams from musicians. This particular one from Portland ME's Big Blood was pretty much transcendtal for me. And this particular track featuring Quinissa on vocals scratched an audio itch that I didn't know I had. To really put it over the top for me, they followed it up with a cover of The Clean's "Anything Could Happen" (https://youtu.be/wPGIJdlOkbw?t=2272). Ultravox [55:20] "We Came to Dance" Quartet Chrysalis CDL 1394 1394 The sixth outing from Midge Ure and company. Oddly, produced by George Martin and less oddly cover design by Peter Saville. This track was the fourth and final single from Quartet. Robyn Hitchcock 'n' the Egyptians [59:34] "Madonna of the Wasps" Queen Elvis A&M Records SP 5241 1989 Another musician who had some great livestreams during stay-at-home along with his partner Emma Swift and Tubby and Ringo and Perry the Lobster. This song will forever be one of my favorites of his. Helped out by usual suspect Peter Buck on guitar here. Japan [01:02:39] "Halloween" Quiet Life Fame FA3037 1982 (originally released in 1979) Japan's third album, transitioning into synth pop territory. Music behind the DJ: "Gomez" by Vic Mizzy

Peter Saville is a man of the moment—and has been, again and again, throughout the past five decades. Raised in Manchester, England, in the sixties—in tandem with the growing prominence of counterculture, the rise of anti-war sentiments, and the birth of pop—Saville developed early on a keen eye and ear for the zeitgeist, or what he terms “nowness.” In his adolescence, he took up a fervent interest in music and in record covers in particular, and went on to art school to study graphic design. In his final year, he was commissioned to design the very first posters for the punk music venue The Factory, which would soon morph into the legendary independent record label Factory Records. Across his prolific, nearly 50-year-long career in graphic design and art direction, Saville has created album covers for Joy Division and New Order (most iconically, the one for Joy Division's debut studio album, Unknown Pleasures); branding for clients including Ferragamo, Burberry, and Aston Martin; and more recently, even Kvadrat fabric designs—each drawing inspiration from the spirit of their times—that can be called nothing short of era-defining. Woven across all of his work are provocative dialogues between past, present, and future.On this episode, Saville speaks with Andrew about coming of age in the punk and post-punk worlds, the increasing impossibility of tracking “nowness,” and creating literal signs of the times.Special thanks to our Season 6 sponsor, L'ÉCOLE, School of Jewelry Arts.Show notes:Peter Saville[12:11] Kvadrat Technicolour[01:10:48] Power, Corruption & Lies album cover[42:21] Factory Records[50:15] FAC1 poster[50:15] Haçienda[53:13] FAC 2[29:23] Unknown Pleasures album cover[01:22:13] Closer album cover[01:24:43] “Blue Monday” cover[01:35:44] The Apartment[01:39:29] Show Studio

Es gibt sie, die Menschen, die ihre Stellung ausnutzen, um andere auszunutzen und zu missbrauchen. Marty und Andy sprechen in der neuen Episode von "Pop nach 8" unter anderem über John Peel und Peter Saville, denen genau das vorgeworfen wird. Andrew Vachss, verstorbener Anwalt für Kinder und Krimiautor, wird erwähnt. Britney Spears, Elton John und die Fugees auch, allerdings in ganz anderem Zusammenhang. "Pop nach 8", der Pop-Podcast aus Berlin, Episode 34. Fast überall dort, wo es Podcasts gibt.

Au programme ce mercredi ! Découvrez le travail graphique de Peter Saville, le plus grand créateur de visuels de vinyles ! De Joy Division à Orchestral Manoeuvres in the Dark, en passant par New Order, Peter Saville a su nous faire rêver avec des pochettes d'albums incroyables. Les musiques de l'émission : She's Lost Control - Joy Division Blue Monday - New Order Ceremony - New Order Sealand - Orchestral Manoeuvres in the Dark

Au programme ce mercredi ! Découvrez le travail graphique de Peter Saville, le plus grand créateur de visuels de vinyles ! De Joy Division à Orchestral Manoeuvres in the Dark, en passant par New Order, Peter Saville a su nous faire rêver avec des pochettes d'albums incroyables. Les musiques de l'émission : - She's Lost Control - Joy Division - Blue Monday - New Order - Ceremony - New Order - Sealand - Orchestral Manoeuvres in the Dark

Au programme ce mercredi ! Découvrez le travail graphique de Peter Saville, le plus grand créateur de visuels de vinyles ! De Joy Division à Orchestral Manoeuvres in the Dark, en passant par New Order, Peter Saville a su nous faire rêver avec des pochettes d'albums incroyables. Les musiques de l'émission : - She's Lost Control - Joy Division - Blue Monday - New Order - Ceremony - New Order - Sealand - Orchestral Manoeuvres in the Dark

Au programme ce mercredi ! Découvrez le travail graphique de Peter Saville, le plus grand créateur de visuels de vinyles ! De Joy Division à Orchestral Manoeuvres in the Dark, en passant par New Order, Peter Saville a su nous faire rêver avec des pochettes d'albums incroyables. Les musiques de l’émission : - She's Lost Control - Joy Division - Blue Monday - New Order - Ceremony - New Order - Sealand - Orchestral Manoeuvres in the Dark

In the 17th episode of Pirated radio I speak to Malcolm Garrett (yes, the actual Malcolm Garrett MBE RDI FRSA) about his earliest influences, the future of technology, student portfolios, Peter Saville and dropping acid.

In the 17th episode of Pirated radio I speak to Malcolm Garrett (yes, the actual Malcolm Garrett MBE RDI FRSA) about his earliest influences, the future of technology, student portfolios, Peter Saville and dropping acid.

En 77, Tony Wilson présente sur Granada, une chaîne de télévision de Manchester, une émission musicale « So It Goes », où il invite à se produire les groupes phares du moment, comme les Sex Pistols ou les Buzzcocks. Il ouvre en 78 avec Alan Erasmus, le club Factory dont l'objectif est d'accueillir les jeunes groupes de la région. Joy Division, The Durutti Column et A Certain Ratio sont les premiers à y jouer. Le succès incite Wilson, Erasmus et Peter Saville, un illustrateur ayant réalisé l'affiche des concerts, devenu associé des deux fondateurs, à publier en 79 « A Factory Sampler », un EP présentant les groupes passés au club. Alors que Wilson annonce que ce disque aura la référence FAC1 du catalogue fraichement crée, Saville réplique que son affiche mérite la première référence. Par la suite, tous les documents et les événements importants (badge, clips et même Swing, un salon de coiffure ouvert en 83) se rapportant à Factory seront catalogués. Tony Wilson applique des idées venues des avant-gardes artistiques, principalement le situationnisme. Il refuse d'acheter de la publicité dans les journaux spécialisés. Les trouvailles graphiques de Peter Saville mêlent l'élégance à l'austérité. En effet, il faut chercher à la loupe la mention des noms et des titres sur les pochettes d'albums. Tout ce qui touche à Factory présente un caractère de conspiration et de mystère poétique. Parmi les plus étranges réalisations du label, l'album The Return of The Durutti Column sorti en 80, est vendu dans une pochette en papier de verre. Le club Factory ferme en 80. Tony Wilson décide avec New Order, d'en construire un nouveau. Un vieil entrepôt du centre de Manchester est racheté et carte blanche est donné à Ben Kelly pour le décorer. Fidèle à l'image industrielle du label, Kelly utilise des matériaux high-tech. La Haçienda sera salué pour sa prouesse architecturale mais les sommes dépensées pour son aménagement sont telles que malgré le succès immédiat du club, sa fermeture sera régulièrement envisagée. Dans ce contexte, la sortie de Blue Monday de New Order est un événement miraculeux. En devenant le 45T le plus vendu de tous les temps en Grande Bretagne, il maintient le label à flot, et il annonce la vague house qui fera le succès de la Haçienda en accueillant les plus grand DJ du genre. En 90, Wilson dépense une fortune pour installer ses nouveaux bureaux dans un immeuble du centre de Manchester et pour arranger le tout la Haçienda est dans le collimateur de la justice depuis le décès d'une adolescente d'une overdose d'ecstasy, la drogue devenue à la mode. Le nouvel album d'Happy Mondays enregistrés au Caraïbes est un désastre financier et amorcera la chute du label. Les employés ne sont plus payés et les créanciers assiègent le label. Factory mis en redressement judiciaire ferme en 92. La Haçienda ferma en 97 et sera détruite et remplacée par un complexe immobilier portant son nom. Tony Wilson lancera de nouveaux labels, sans succès et meurt en 2007. Son cercueil est inscrit au catalogue Factory et porte la référence FAC501. Factory a été à l'origine d'un style et d'une esthétique très influents sur la musique indépendante du début des années 80. La Haçienda a permis l'émergence de la house music en Europe, mais aussi de groupes du mouvement Madchester et a favorisé la rencontre et la collaboration entre musiciens et plasticiens nourris des avant-gardes artistiques. Le film « 24 Hour Party People » de Michael Winterbottom paru en 2002 retrace, de manière très fidèle, cette histoire. Joy Division/Transmission Section 25/Girls Don't Count The Names/Nightshift The Wake/Judas New Order/Temptation Crispy Ambulance/Not What I Expected ESG/You're no Good Electronic/Getting Away With It (Full Length) Happy Mondays/Kinky Afro Tunnelvision/Watching The Hydroplanes

We speak to Peter Saville, the graphic designer behind iconic album covers for Joy Division and New Order, before taking an advance look at Monocle's November issue. Plus: German bathroom manufacturer Hansgrohe shares some Water Tunes.

In this podcast with Mike Garry, we focus on the importance and value of expressing our language through poetry. In a truly illuminating conversation, where Mike also kindly reads two poems aloud, we get into a whole range of discussion points about the importance of reading and language, his work with thousands of kids a year, and finding empathy, knowledge and understanding through poetry. I'd imagine this will stick with me for a while - thanks for your time Mike! Listen here! Mike Garry was a librarian for 15 years before becoming a poet. Mike became a “Champion Reader” recognized for his work in promoting reading to young people. His poetry career began when he started to read his poems to the hundreds of young people he worked with during study sessions. They loved what they heard and encouraged him to perform at live poetry events and Slams, which he did, instantly winning prizes throughout the UK. Mike started performing his poems in Prisons, Young Offenders units, Mental Health Hospitals, Children's Homes and local pubs. Shaun Ryder of Happy Mondays recently described Mike's poetry as “The best street poetry I've ever heard” and iconic designer Peter Saville described Mikes as a “genius” He was Poet in Residence at Strangeways Prison, and has works closely with Manchester United, the BBC, The Barclays Premier league, Manchester Museum of Science and Industry, Manchester Art Gallery and works at literature festivals throughout the world.

Dominick Alcantara and Tim Lopez one of many from Barangay (Pronounced BarranGUY), podcast network, DJ collective, and photo collective. Barangay is a celebration of creativity and culture stemming from our artist collective in NYC. Barangay assisted in the production with the Dahsar Commercial Type and Commercial Classics shoot for CLASSICS and for Peter Saville collaboration. Filipino, I'm not Filipino I'm Malaysian what's good we allies. Happy AAPI Heritage month but does south East Asians count, yes they do. Please welcome Dominick Alcantara and Tim Lopez from Barangay to Wear Many Hats. instagram.com/barangaybois instagram.com/jalatimyo instagram.com/alcantaradominick instagram.com/wearmanyhatswmh instagram.com/rashadrastam rashadrastam.com wearmanyhats.com dahsar.com

My guest on this episode of The Sensitive Rebel is Anthony Stoker.  With over 25 years experience in the footwear industry, Anthony Stoker takes inspiration from the world of art and music, and works closely with an Italian family-run factory, to produce shoes worth cherishing. A collection imbued with captivating elegance, and founded on the values of longevity and reverence. Longevity; a quality that will last both physically and emotionally. Reverence; to inspire awareness and respect; for the craft and the craftspeople, and customers too.I first met Anthony a few months ago when I began my podcast journey. He has his own podcast, "The View From A Shoe", which is definitely worth a listen. In our conversation we talk about Anthony's journey into shoe design, the evolution of his own line of shoes, how he's balanced going with the flow and listening to his gut, and the role a children's book may have played in his career choice, among other things (like, for example, the band New Order and their album covers). Enjoy! Mentioned / discussed in today's episode:The Elves & The Shoemaker (Wikipedia) - https://en.wikipedia.org/wiki/The_Elves_and_the_ShoemakerAlexander McQueen - http://alexandermcqueen.comVladimir Kush - https://vladimirkush.comNew Order - https://neworder.comPower, Corruption & Lies (New Order album - Wikipedia) - https://en.wikipedia.org/wiki/Power,_Corruption_%26_LiesTemptation (New Order song - Wikipedia) - https://en.wikipedia.org/wiki/Temptation_(New_Order_song)Peter Saville - https://petersaville.infoBauhaus (Wikipedia) - https://en.wikipedia.org/wiki/BauhausConnect with Anthony:Web, Podcast - https://anthonystoker.comConnect with Steve:Email - steve@sensitiverebel.comWeb - https://sensitiverebel.comYouTube - https://www.youtube.com/channel/UCk7zd5kba1SQZOyM5sKKiVAInstagram - https://instagram.com/thesensitiverebel

（这一期真的……得去B站看才行了……）1983年3月7日，著名摇滚乐队New Order发行单曲《Blue Monday》，瞬间卖爆，成为史上销量最高的12吋单曲黑胶。著名设计师Peter Saville为什么要把《Blue Monday》的封套设计做成软盘的样子？因为他暗藏了另一个想表达的词语：CODE 编码。所有的秘密在单曲发行后2个月，乐队第二张专辑发行时，才得到解答。 今日推荐歌曲： 来自New Order《Blue Monday》

（这一期真的……得去B站看才行了……）1983年3月7日，著名摇滚乐队New Order发行单曲《Blue Monday》，瞬间卖爆，成为史上销量最高的12吋单曲黑胶。著名设计师Peter Saville为什么要把《Blue Monday》的封套设计做成软盘的样子？因为他暗藏了另一个想表达的词语：CODE 编码。所有的秘密在单曲发行后2个月，乐队第二张专辑发行时，才得到解答。 今日推荐歌曲： 来自New Order《Blue Monday》

In this episode, hosts Dan Maudhub and Phil Jones have the delight of speaking to Mike Garry, poet, described as a genius by Peter Saville, whose gritty performance poetry has seen him gain international recognition. He is passionate about bringing live poetry to people who wouldn't normally experience it, and libraries. Listen in to hear Mike tell part of his wonderful story, and share with us a touching poem too. 

The first episode of Making a Mark explores the work of Richard Hamilton (1922 - 2011), the founding father of Pop Art in Britain and one of the most influential artists of his generation. Michael Bracewell, cultural critic and writer and the author of Modern World: The Art of Richard Hamilton, and gallerist and art dealer Alan Cristea, who worked with Hamilton for 35 years, discuss the art and ideas of an artist whose achievements and legacy remain unparalleled today. Contributors include the Guardian's art critic Jonathan Jones, writer and curator Gill Hedley, and art director and graphic designer Peter Saville. Artworks discussed in the episode can be viewed online via https://cristearoberts.com/podcast/ (Image: Richard Hamilton in his Highgate studio, c. 1970. Photo by Chris Morphet/Redferns via Getty Images) #richardhamilton #britishart #britishdesign #britishartists #modernbritishart #popart #swingingsixties #conceptualart #duchamp #thebeatles #petersaville  

Want more clients and/or want to position your agency or consultancy as a thought leader in the Human Resources industry? Check out: www.getmorehrclients.com/services. I was delighted to be joined on the A Better HR Business show by Professor Peter Saville of SHL, Saville Assessment, and 10x Psychology. To see the list of topics as well as all the details of my guests, check out the show notes here: www.GetMoreHRClients.com/Podcast Also, if you're looking for more ideas to help you grow your HR-related business, here's something that might help . . . Check out my free presentation (no signup required) on 10 clever ways that successful consultancies are bringing in more business. You can see the video and download the slides here: www.getmorehrclients.com/marketing-advice-for-sme-consultancies/webinar/

1. Lust For Love - Images In Vogue 2. Shake The Disease (Remixed Extended) - Depeche Mode 3. Heartbreak Beat (Extended Mix) - The Psychedelic Furs 4. Burn For You (12" Remix) - INXS 5. Bizarre Love Triangle - New Order 6. New Religion - Duran Duran 7. Memorabilia (12" Mix) - Soft Cell 8. We Came To Dance (12" Version) - Ultravox 9. Goodbye Seventies - Yaz 10. Run From Love (Razormaid! Mix) - Bronski Beat 11. The Love Parade (12" Mix) - The Dream Academy 12. Love Is A Shield (Extended Mix) - Camouflage 13. Million Headed Monster (Listen) - I Start Counting 14. Symmetry (Extended Mix) - The Spoons 15. Sex (I'm A ...) (Extended Version) - Berlin Notes and other random things: Happy New Year to everyone! My gift to you: a NEW PODCAST! Ring in 2020 and the new decade in glorious retro style, but please play responsibly. That goes for everything else tonight as well! I'll be back with some tidbits about the bands when I get a chance. In the meantime, Happy Listening! Much the same as other "almosts" like B-Movie and The Danse Society, bands whose promising beginnings were marred by disappointing recording sessions at crucial developmental stages, Images In Vogue's trajectory seemed poised to deliver better overall results. After forming in 1981, moderate success found them early with the 1982 release of two EPs: the 3-song "Pre-Release" and 5-song "Educated Man", plus an opening gig for Depeche Mode. Supported by relentless touring and and opening slot for Duran Duran in 1984 the band signed with Warner Canada. Setting to work on their first full-length album, the label execs suggested "Dream Weaver" singer Gary Wright to oversee production. The resulting sessions produced dismal results for the band who decided to shelve the project. The album would eventually be released by the label on the strength of the single "Call It Love" which was getting regular rotation on college radio throughout North America. Touring demands in Toronto prompted a move across country from their home in Vancouver. Ironically, the rigors of travel caused friction among band members. Simultaneously, band member Kevin Crompton (later known professionally as cEvin Key) remained in Vancouver to focus on his bourgeoning side project, Skinny Puppy. Further fracturing caused the band to slowly lose their momentum and Images In Vogue went on official hiatus in 1991. Renewed interest in retro music and fan demand has reunited members for various tours and appearances including a 2012 appearance with the next band I'd like to mention: The Spoons. The Spoons formed in Burlington, Ontario Canada in 1979. Taking their name from the famous utensil while eating Alphabet Soup at the home of band member Brett Wickens, the group originally followed a prog rock template, but found more success as pioneers of the Canadian electronic music scene. After recording an early single in 1981, Wickens left the group to focus on design. Originally working with Peter Saville, designer for the Factory Records catalog of bands, he has since carved out an exceptional career in brand identity, having directed work for major companies such as Adobe, Coca-Cola, Sony, Viacom and for all the major Hollywood Studios. He is responsible for designing the Sopranos logo. Without Wickens, the band came to prominence beginning in 1981 with the release of "Stick Figure Neighborhood", one of the earliest new wave albums to be engineered by the great Daniel Lanois. Their next album, "Arias & Symphonies" earned the collective a Most Promising Group Award and saw "Nova Heart", the first single from the album hit the Canadian charts. The b-side to that song was the one here, "Symmetry". A live favorite at early gigs, lead singer Gordon Deppe said of the song, "We went into the studio fully intending it to be our first single release. Little did we know that the lesser known B-side "Nova Heart" would take on a life of its own and become the A-side midway through recording. It took us all off guard." So, "Symmetry" was almost a hit. Strangely enough, the song didn't even appear on the "Arias & Symphonies" album. Members of the band reunited in 2010 to record their sixth album and appeared alongside Images In Vogue in 2013 to co-headline the "Rewind The Tape" tour. They are still active today. The Dream Academy almost never happened. Singer/Guitarist Nick Laird-Clowes, formerly in a band called The Act, keyboardist Gilbert Gabriel and multi-instrumentalist Kate St. John combined forces with the notion of creating music with a diverse and rather unorthodox set of instruments and sounds. Moving counter to the power pop acts of the day, their demos were rejected by every record label over the course of a two-year period before before getting signed by Warner Brothers thanks to a fortuitous relationship with Geoff Travis of Rough Trade records and Pink Floyd's David Gilmour, who went on to produce Dream Academy's first two albums. As luck would have it David's brother Mark had played guitar in The Act with Nick. The track here, "The Love Parade", was the fourth single from the group's eponymous debut album. It eventually peaked at #36 in the US, but was viewed as disappointing by record execs who had hoped for more in the shadow of the runaway hit "Life In A Northern Town". Reflecting on production for "The Love Parade", the only song on their first album not produced by Gilmour, on the 35th Anniversary of the release of their first full-length, Nick revealed: "What happened was, we had a pretty good demo for “Love Parade,” and we loved it, and when we made the record with David, somehow we never got 'round to it, and he always said, “Well, the demo's pretty good, and it's not really my kind of thing, and it's good what you've got.” And I said, “Well, okay.” But at the end of the album, when we listened to it, it wasn't good enough. But we still all adored the version, so Geoff Travis from Rough Trade, being a really canny music-loving thinker, said, “What about [Alan] Tarney? He did 'We Don't Talk Anymore,' by Cliff Richard.” And we all loved that record. There was a touch of irony about it, because we knew this was coming from right field instead of left field, and we thought, “Well, that's a really inspired idea, because nobody would think of us working with Tarney.” So it was really interesting, and we said, “Well, let's see what he thinks.” And he said, “No, I'd love to do it!” It wasn't like I could say, “I want this, I want that.” I did a lot of that, and he walked out a couple of times because of that. And it was right back to that old thing which had happened every time when I'd worked with anyone before David. It was just silly things like, “Can I just get on the faders and push the keyboards like this and put more echo on the voice?” But it was always happening to me. [Laughs.] So it was brilliant, and… Well, no, it wasn't brilliant, but he did it, and then we mixed it again, and it was great. But he taught us a lot. I mean, he didn't triple-track vocals. He tracked them up about 12 or 15 times! He had real special techniques, and he also had quite strong ideas. So he was wonderful, but he just came at things from a totally different place. He was pure pop, and he was very, very brilliant at it." As a side note: Alan Tarney also produced "Take On Me" by A-ha.

Tosh and Kimley discuss "This Searing Light, the Sun and Everything Else: Joy Division: the Oral History" edited by Jon Savage. Joy Division seems to be the poster band for the doom and gloom of the industrial city of Manchester, England. This book is a lively telling of their relationship to the city and the development and twists and turns of a young band. Equally important are the key players who helped them along the way including the engaging entrepreneur Tony Wilson, the brilliant producer Martin Hannett and the iconic graphic designer Peter Saville. Theme music: "Behind Our Efforts, Let There Be Found Our Efforts" by LG17

A Solve Has Occurred, Some Grumbling From Within The Community, And What Is The Next For The Hunt. Key Order jess Wan Key 1-3 Found 4- Leoprine Found 5- The Hunted Found (?) 6- Art Tour Not Found 7 -Business Not Found 8- Earth Not Found 9 -Aseop Found 10-Audubon Not Found 6 out of 10 * *(11,12) part of the The Hunted Key in The Vault Solution Color Wheel Code https://new-order.fandom.com/wiki/Peter_Saville%27s_Code New Order Power, Corruption, and Lies youtube- https://youtu.be/z3zd8DjARGU Blue Monday https://youtu.be/OsKwzBYOZOA Email:klue2key@gmail.com decrypt page https://satoshistreasure.xyz/OfkyeQLO6n29kOLq passphrase: Response speed of recipients server is too fast or recipients server is inactive Different Key Twitter https://twitter.com/SatoshisTreasur/status/1133778061336485889 Key Drive https://docs.google.com/spreadsheets/d/1x5xI_Qh63_PHoxEpM8ObDQRNalG9WKGV9Ewk6RLymb8/edit?usp=sharing The Art Tour Key https://shirleyshor.studio/teamhuman.html Official Game Information Website: https://satoshistreasure.xyz/ Telegram: https://t.me/satoshistreasure Twitter: https://twitter.com/toshitreasure Reddit:https://www.reddit.com/r/satoshis_treasure/ Tool: https://satoshistreasure.xyz/ssss PEOPLE With Business Cards --- Support this podcast: https://anchor.fm/hiroja-shibe/support

The industrial designer Marek Reichman meets the graphic artist and designer Peter Saville. Marek Reichman has designed cars for some of the world's best-known marques and is currently chief creative officer at Aston Martin. Born in Sheffield, he graduated from Teesside University with a degree in industrial design and continued his studies in vehicle design at the Royal College of Art. Peter Saville was in his mid-20s when he created renowned album covers for Factory Records' bands including Joy Division and New Order. Since then he has worked with leading fashion designers and musicians and was appointed creative director of the city of Manchester. Producer: Paula McGinley

The large Democratic field and the first 2020 debate, Harriet Tubman on the $20, Peter Saville’s cover for Joy Division’s “Unknown Pleasures,“ Edie McClurg.

The man that shaped many a teenage year was almost never part of our cultural narrative as a series of chance meetings drove his career forward. Peter Saville as founder and art director of the legendary independent UK label Factory Records he designed a series of record sleeves for Joy Division and New Order between 1979 and 1993. His achievements were celebrated in The Peter Saville Show at the Design Museum in London in 2003. Hear this legendary graphic designer in his own words discuss the impact of pop art and advertising on his work.

Vin Cassidy from Section 25 in conversation Section 25 formed in Poulton-le-Fylde near Blackpool, Lancashire, in November 1977. Initially the band was a duo, consisting of brothers Larry Cassidy (bass, vocals) and Vincent Cassidy (drums). In June 1978 they made their live debut with Phil Denton on guitar. Denton was replaced in November by Paul Wiggin. June 1979 saw the Cassidy brothers promote a charity gig in aid of International Year of the Child at Blackpool Imperial Hotel, featuring Section 25 and other local bands as well as Joy Division and Orchestral Manoeuvres in the Dark. As a result, Section 25 were invited to play at the Russell Club in Manchester, and joined Factory Records. Their debut 7", "Girls Don't Count", was released in July 1980 on Factory Records, produced by Ian Curtis and Rob Gretton of Joy Division. All Section 25 releases would be released through either Factory Records (until the demise of that label), or sister imprint Factory Benelux. Their debut LP, Always Now, appeared in 1981 and was produced by Martin Hannett at Britannia Row studio. The pochette sleeve was among the most expensive and elaborate in the label's history (designed by Peter Saville) utilising an exclusive 'marble' effect design printed on the inner jacket and a fold-out cover that resembled a match-book similar to the cover used by Cabaret Voltaire for their 2x45 album. The three-piece group played many gigs in Britain and Northern Europe between 1979 and 1981, both as a headline act and with other Factory Records artists, such as Joy Division, A Certain Ratio, Blurt, The Durutti Column, Crispy Ambulance and New Order. The group also released a self-produced second album, The Key of Dreams. However the original line-up split in September 1981 shortly after Paul Wiggin declined to fly to a concert in Helsinki supporting New Order, swallowing up most of their fee by travelling overland. With a North American tour already planned, his fear of flying made his departure inevitable. Factory label boss Tony Wilson then tried and failed to recruit then-unknown guitarist Johnny Marr as a replacement. Abandoning much of the existing live set, the Cassidy brothers prepared for an upcoming European tour with backing tapes and an extra percussionist John Grice. Following a warm-up date in London, the group visited Belgium, Holland and Germany in January 1982 in tandem with Factory labelmates Crispy Ambulance. The band then undertook their first North American tour, albeit restricted to the East Coast. 1983 – 2006 (From The Hip to Love & Hate) Joined by percussionist Lee Shallcross, Section 25 gradually evolved with a more electronic-dance direction, a process which culminated in the album From the Hip and remix single "Looking From A Hilltop", both released in 1984 and produced by Bernard Sumner of New Order. This second iteration of the band also featured the Cassidy brothers' sister Angela Flowers (vocals, keyboards) and Larry Cassidy's wife Jenny Ross (vocals, keyboards). The five-piece completed a lengthy second tour of North America in January 1985, where the single "Looking From A Hilltop" achieved a measure of club success. Later in 1985 the single "Crazy Wisdom" emerged on Factory Benelux as a 12", but the group again splintered, leaving husband-and-wife team Larry Cassidy and Jenny Ross to complete a fourth album, Love & Hate, finally released by Factory in 1988. Bad News Week was also released as a 12" single, remixed by Bernard Sumner. Section 25 then fell silent for more than a decade, although their entire back catalogue was reissued on CD on LTM as well as an archive DVD, So Far. There have also been several live and rarity CDs released by the same label. In 2001 the band regrouped and started composing new material. It was originally expected that this would form the basis for a new album, but these plans were derailed when Jenny Ross, after a long fight with cancer, died on 20 November 2004 at age 42. The LTM DVD So Far, an audio-visual history of the band released in January 2005, was dedicated to her memory. 2006 – 2009 (Part-Primitiv to Nature and Degree) Now with Ian Butterworth (formerly of fellow Factory act Tunnelvison) on guitar and Roger Wikeley on bass and keyboards, the Cassidy brothers performed their first live show in nearly two decades at their hometown Poulton-Le-Fylde in May 2006 followed by dates in Blackpool, Paris, Brussels, Leicester, London and Athens. A new studio album by the quartet, Part-Primitiv, was released by LTM in April 2007, together with Communicants, a DVD assembled from live performances in 2006. Larry and Vin Cassidy also featured in the 2006 Factory documentary film Shadowplayers, and a BBC television documentary on the label. The group performed at the Plan K venue in Brussels in December 2007 as part of the Factory Night (Once Again) event, being joined onstage by Peter Hook of New Order for a cover of "Temptation". It was then proposed that Hook and Section 25 play further shows together, performing a mixture of Section 25, Joy Division and New Order songs. Roger Wikeley left Section 25 in 2008 and was replaced by Stephen Stringer. In November this revised line-up played with Peter Hook in Paris, Brussels, Oss in the southern Netherlands and Krefeld in North Rhine-Westphalia, Germany.[citation needed] Ian Butterworth parted company with the Section 25 at the end of the year. Stephen Stringer moved on to guitar and Section 25's sound engineer and programmer Stuart Hill moved on to bass guitar. Both were no strangers to Larry and Vin, who had helped them record demos in 1983 and 1985. The band released a new album in 2009 called Nature + Degree through LTM Recordings. Several tracks featured vocals by Bethany Cassidy, daughter of Larry and Jenny, who joined the group as co-vocalist and keyboards player. Section 25 appeared at the "Factory Night (And Then Again)" event at Plan K on 12 December 2009, with Beth and Larry sharing vocals. The group also returned to the States for festival dates in Los Angeles and San Francisco. On 27 February 2010, it was announced that founding member, singer, and bass player for the group, Larry Cassidy, had died at the age of 56. 2010 – present (Retrofit to Elektra) Prior to Larry Cassidy's death, the band had completed work on a new album, Retrofit, which was released on 14 September 2010. The album features electro reworkings and updates of previously issued Section 25 tracks, as well as one new song "Über Hymn". The album closes with a new version of Looking From A Hilltop, produced and arranged by Stephen Morris of New Order. Limited copies came with an extra CD of a 16-minute recording of Larry Cassidy reading selected lyrics of Joy Division's Ian Curtis. This was recorded in January 2010 and would be Larry's last visit to a recording studio. The band opted to continue to perform with their current line up. Section 25 played the FAC251 club in Manchester on 20 November 2010, and in 2011 issued their first new release without Larry Cassidy, a download-only EP titled "Invicta" EP, via Hacienda Records. June 2012 saw a deluxe vinyl reissue of From the Hip (Fact 90), issued as a special edition on Factory Records with 'remixed' artwork by Peter Saville, as well as a split coloured-vinyl 12" with Stereograph featuring two dub versions of "Colour Movement Sex and Violence" and "Inner Drive". Saville also provided the cover image and title for their eighth studio album, Dark Light, issued on the Factory Benelux imprint in February 2013. "My Outrage" was also released as a 7" single. Also released during the same period were the 10" single "Invicta Max" (an expansion of the 2011 EP of the same name) and the official remix album "Eigengrau", featuring numerous remixes of earlier Section 25 recordings by Zoviet France, Absolute Body Control, Portion Control and Renaldo and the Loaf among others. In May 2014 the group issued an expanded 30th anniversary CD edition of From the Hip via Factory Benelux, with a bonus disc featuring original demos as well as a BBC radio session from 1984 plus a new recording of "Reflection". Both Bernard Sumner and Jon Savage contributed liner notes. The new version of Reflection (subtitled 'Younger Image') was also issued as a limited edition orange vinyl 7" single to mark Record Store Day in April 2014. On Record Store Day the band performed in Manchester with Factory peers Crispy Ambulance and Minny Pops. A review of the show in The Guardian newspaper described Section 25 as "a revelation" and "the best new/old band in Britain." In April 2015 Section 25 released "Mirror", another limited edition 7" single for Record Store Day, with guest vocals by Simon Topping, formerly of A Certain Ratio. The song dated from 1980 but had never before been recorded in the studio. Both the song and the packaging complemented a new CD edition of Always Now, re-mastered and featuring a bonus disc with their 1981 John Peel radio session as well as a complete live concert from 1980. The packaging replicated the original wraparound cover designed by Peter Saville. In 2016 the group released a new live album, "Alfresco", as a vinyl and CD package to mark Record Store Day in April. That same year the track "Hit" from their 1981 album Always Now was sampled by Kanye West on a new song, "FML", featured on his seventh studio album, The Life of Pablo.[6] In December 2017 the band announced on their Facebook page that they were working on a new album, to be released during the spring 2018. Vincent Cassidy also announced that their original guitarist, Paul Wiggin, will contribute on the new album. June 2018 saw the release of an eleven-track album Elektra, recorded at West Orange Studios during the early part of the same year. The album featured appearances by original guitarist Paul Wiggin and newest family member Michael Cassidy on bass. One of the tracks (FML) is an acoustic cover of the Kanye West track that sampled the band's Hit from their 1981 set Always Now.

In this episode you can hear an exclusive interview with Professor Peter Saville that ABP board members Richard Chataway and Gab Gallassi conducted at last year's ABP conference. Saville is the founder and chair of 10x Psychology Limited and is widely credited with establishing the modern UK industry of occupational psychology, having been previously listed amongst the UK's leading entrepreneurs and co-founding the company SHL in his garage in 1977. SHL was later floated on the London Stock Exchange for £240 million. In the World Anthology of Psychology Saville is described as "one of the most influential psychologists of our time."The wide ranging discussion covers: the challenges of running a psychology business; personality assessment; the treatment of applicants and cheating; gamification in assessment and its merits; the use of social media data in the wake of the Cambridge Analytica scandal; issues around leadership and entrepreneurship; and, somewhat surprisingly, whether it's ever worth asking people if they like flowers. We hope you enjoy!

Wherein: Steve & Adrienne discuss the Joyful heart of darkness at the core of Joy Division. Scroll Down to Play Podcast           Transmission page at Discogs                           Article on The Art & Design of Factory Records                           Great article about Peter Saville designs                       Joy Division Unknown Pleasures LP at Discogs                   New Order Official Site             Joy Division Closer LP at Discogs                     Transmission Video on You Tube                     TWLOA Mental Ilness awareness/Suicide Prevention Site                                         Touching From A Distance Book By Deborah Curtis at Goodreads                               Control at Letterboxd                      

De stora logotyperna och de iögonfallande monogrammen har gjort storstilad comeback. De senaste säsongerna har flera modehus hakat på trenden med budskap i stora bokstäver och starka färger. Vi är inne i en ny period av logomani. Det menar många som minns hur modehusen märkte sina produkter under mitten av 90-talet så att ingen skulle tvivla på varifrån de kom. Modemärkenas monogram som till exempel Guccis G:n och Chanels C:n blänkte på väskor och skor, om de inte var invävda i tygerna som ett slags extra varumärkesförstärkning. Ofta erbjöds en kombination av dem båda, så ingen skulle missa avsändaren. Inte sällan pryddes plaggen med varumärkenas logotyp tydligt synlig på bröstet, eller kalsongkanten. En polospelare, en krokodil eller hela för- och efternamnet på designern ifråga. Och nu är det dags igen. De senaste säsongerna har kläder och accessoarer påmint om hur många föreställer sig Times Square i New York på kvällen en blinkande kakofoni av olika budskap i stora bokstäver, och i starka färger. En av anledningarna till det är att modehusen alltmer sneglar mot den framgång som sport-, streetwear- och skatemärken åtnjuter. Där har man inte generats av att framhäva sin logotyp, tvärtom, med framgångsrika resultat. Modehusen har noterat, och kopierat. Vi har pratat med grafiska designern Peter Saville som nyligen gjort om Calvin Kleins och Burberrys logotyper. Vi träffar också konstnären och kreatören Cilla Ramnek som berättar om hur hon arbetat med varumärkens logotyper. Och så pratar vi med Karina Ericsson Wärn, rektor på Beckmans designhögskola, om hur man som modeskapare hittar sitt eget formspråk. Veckans gäst Cia Jansson, chefredaktör på tidningen ELLE.

Ep 2–Peter Saville with @compassruler was a deep dive! The origins of Joy Division’s Unknown Pleasures and OMD’s Dazzle Ships record designs! Plus Saville hates capitalism, Jan Tschichold escapes the nazis, Pulsars, the weird story of Factory Records, art projects and parlor tricks! And my DJ name is DAZZLESHITS wow everthing makes sense.Theme Music: "Jet in Jungle" by Damaged Bug, courtesy of John DwyerOther Music: "Surrender" by ONONOS, courtesy of ONONOSSources:http://www.famousgraphicdesigners.org/peter-savillehttp://www.designishistory.com/1980/peter-saville/https://www.theguardian.com/artanddesign/2013/sep/08/peter-saville-uks-famous-graphic-designerhttps://www.dezeen.com/2018/08/02/peter-saville-collaborates-with-riccardo-tisci-to-design-new-logo-for-burberrys-new-graphic-identity/Data Visualization Reinterpreted: The Story of Joy Division's "Unknown Pleasures" Album Designhttps://youtu.be/reEQye0EOAw

In the third of the Sounds of a City series, Colleen Murphy lifts the lid on New Order’s Power, Corruption and Lies and its relationship to Manchester. Speaking to the likes of Peter Hook, Stephen Morris and Peter Saville, we breakdown the components of an album that fused punk and dance, art and experimentation, technology and rock, to create something for a new generation of tech-savvy music-philes to get their teeth into. A Certain Ratio’s Martin Moscrop and The Charlatan’s Tim Burgess discuss this perfect blending, whilst 808 State’s Graham Massey contemplates the fact that Manchester has more in common with New York than it does with any other British city. A story that may sound familiar, but with New Order were stepping out from the shadows of Joy Division the idea of experimentation is amplified and braver, and may not have even worked. And then there was that album cover. Read more here: http://www.classicalbumexperience.com/sounds-of-a-city-new-order-power-corruption-lies/

This edition of our Creative Lives podcast features an edit of a conversation recorded live between graphic designer Malcolm Garrett and Will Hudson. The discussion was part of an event that took place at G . F Smith’s Showspace in London, to coincide with Malcolm’s exhibition Orgasm Addict Reframed. Raised in Cheshire, Malcolm grew up alongside fellow designers Peter Saville and Keith Breeden, who all simultaneously discovered graphic design as a career path during their school days. Studying in Manchester, Malcolm was still at college when he embarked on his love for punk culture and music. Becoming embedded the UK’s early punk scene, it was during his second year of college, in 1977, that he created a record sleeve for the Buzzcocks, serving to kick-start his career in design. His work for music continued, and later became his passport to London from Manchester, once he’d graduated. He speaks about how opportunities arose through relentless hard work and curiosity, and why he thinks you have make your own luck. ... This episode of Creative Lives was was presented by Indi Davies, the interviewer was Will Hudson and the editor was Ivor Manly. Lecture in Progress is made possible with the support of a number of brand patrons – they include ustwo, GF Smith, Squarespace and The Paul Smith Foundation. Check out lectureinprogress.com for more details.

Following the Manchester Arena terror attack on May 22nd 2017, more than 60 Manchester creatives, including Peter Saville and Malcolm Garret, came together to turn Tony Walsh's ‘This is The Place’ poem into a book. The poem, originally written for Forever Manchester, gave language to our city in a moment when it wasn’t sure what to feel and This is the Place quickly became an iconic piece of literature, spreading across the globe as a symbol of defiance, unity and love. The resulting creative collaboration has materialised as a brilliant & unique hardback coffee table book that not only marks a tragic moment in time but equally looks forward with hope for our city alongside benefitting three significant charitable funds. In this interview, James Torry from Doodledoo Motion who initiated and headed up the development of the book, talks about what has become a truly unique creative project.  For more information on the book, including where you can purchase it, please visit: http//forevermanchester.com/this-is-the-place-choose-love-manchester-hardcover-book       

Emily King (design historian, London); Marc Newson (designer, London); Peter Saville (designer and artist, Manchester); Francesco Vezzoli (artist, Milan); Chaired by Alice Rawsthorn (design critic, London) at Frieze London 2007

With John Wilson, A job centre and a local government Health and Safety department are the settings for two new sitcoms. ITVs The Job Lot stars Russell Tovey (Him & Her) and Sarah Hadland (Miranda). Ben Elton has written the BBC's The Wright Way, which stars David Haig. Viv Groskop reviews. Ian Gillan and Ian Paice, long-standing members of the band Deep Purple, discuss their forthcoming album Now What?! The heavy metal pioneers also talk about their Smoke on the Water 70s heyday, multiple lineups, and how the band has evolved over the decades. Krister Henriksson, best-known in Britain as the star of the Swedish TV series Wallander, is making his debut on stage in the UK, in a one-man play, Doktor Glas. Adapted from a classic Swedish novel by Hjalmar Söderberg, it's the tale of a 19th century physician who falls madly in love with the wife of a corrupt clergyman. Will it attract the same enthusiastic audiences who adore Swedish dramas on British television? Author and Wallander fan Kate Saunders gives the critical verdict. The designer Storm Thorgerson, best known for creating the cover of Pink Floyd's The Dark Side of the Moon, has died. Peter Saville, who designed many memorable record sleeves from the Factory Records era, discusses his influence and music journalist Laura Lee Davies discusses whether there have been any classic albums with disappointing sleeve artwork or music that didn't live up to the promise of its cover. Producer Claire Bartleet.

With John Wilson. Paul Merton reviews the new silent film The Artist, which with six Golden Globe nominations is already the surprise hit of this year's Hollywood awards season. Adele's producer Paul Epworth discusses his part in creating this year's biggest album, 21, for which he has received four Grammy nominations, and how he and Adele came up with the hit song Rolling in the Deep. It's almost a century since a Parisian barber's shop began the urban romance with neon when it put up the first commercial neon sign. Although neon has fallen out of commercial favour, artists are breathing new life into the medium. John went to the Neon Workshops in Wakefield, Yorkshire, to learn how to make his own neon artwork. The neon art is now installed at the BBC's building in Salford. The graphic designer Peter Saville, famed for his record sleeves for the likes of New Order, Joy Division, Roxy Music and Pulp - and a huge neon fan - joins John, along with the Junior Royal Northern College Brass Quintet and the BBC North Staff Choir, to switch on the first Front Row artwork. Producer Ekene Akalawu.

**Join Me as I get to talk to Friend /Artist about her latest adventurers. Xany Rudoff is a Los Angeles-based acclaimed artist who has also parlayed her talents in acting, interior design and wardrobe styling. Born in Pasadena, CA to an artist mother and art historian father, Rudoff moved with her family to the desert expanse of Apple Valley, CA, a site that would be crucial for her artistic development. In the wide, empty nothingness of the desert landscape, there were no limitations to Rudoff's imagining, and upon returning to Los Angeles proper to get her B.A. in fine arts at the University of California, Los Angeles, she was able to see the city and the art world from the outside. This sort of perspective is what has driven her to remain independent, outside of the gallery system, and to advocate for artists' right to receive royalties for the resale of their works. Xany Says ....   My latest series of work combines these passions together by taking the albums I grew up listening to and the rock stars I idolized and transforming them into modern day Icons - lusterized in gold and lacquer echoing the same techniques that have been used by artists for centuries throughout the Byzantine and Renaissance era. These paintings take the familiar and transcend into the iconic, an exultant and exuberant example of modern-day devotion. Music and art are my religion and my release."  Xany Rudoff Visionaire Extraordinaire and a Xandinista Forever! My dream, my passion is for all artists to unite and reclaim their just due- Viva la Revolution, baby Her art appears in the collections of many notable collectors including actors Benicio Del Toro and Johnny Depp, director David Lynch, musician Albert Hammond Jr, iconic designer Peter Saville, Creation Records founder Alan McGee, pop singer Pink, The Libertine's Carl Barat, and Bauhaus's David J, among many others.