Podcasts about bunny ranch

Music talent agent Dave Shapiro killed in fatal San Diego plane crash. At least two people were killed and several others injured after a small plane crashed in a San Diego neighborhood early today, igniting parked cars on fire and damaging multiple homes, authorities said. #SanDiego #PlaneCrash #Breaking #News // Heal the Bay releases “Dirtiest beaches” list and the winner is... Heard of the Chicken or Bunny Ranch?  // Michael Monks, Former L.A. deputy mayor who reported fake anti-Israel bomb threat strikes plea deal. Metro releases budget: Boosting Safety. The City Council is dicing it up today. #LADeputyMayor #MetroBudget #MetroSafety #LACityCouncil // Budget for Metro Iover $9 billion – LAFD, LASD, LAPD is only about $7 billion Arsonist in Tarzana, residents are outraged. Oblivion #Obliivion If you know you know #ElderScrollsIV 

Andrew Orolfo discusses his comedy career, including his game show with friends, his appearance on James Corden and on Joy Koy's Netflix special. He shares his writing process, which involves constant tweaking and interaction with his audience. Andrew reflects on the challenges of performing, such as dealing with hecklers and the pressures of maintaining a following through social media. He also talks about the financial aspects of comedy, including the benefits of corporate gigs and his experience with SiriusXM. Additionally, Andrew touches on his personal life, including his decision to stop smoking weed and his experiences with drugs at music festivals. 0:00:00 - Intro0:00:20 - Gameshow, Movies, Reboots & Celebrities 0:04:34 - Getting Older & Changing Generations 0:06:45 - Wearing Multiple Hats in Comedy & Social Media 0:09:01 - Secret Sets, James Corden, & Chopping Up Clips 0:11:30 - Crowd Work, Clip Farming, Authenticity & Curve Balls 0:17:23 - Hecklers, Bad Yelp Review & Texas 0:21:45 - Comedy Magic Club in Hermosa Beach & Jo Koy 0:26:54 - Streaming Income, Paid Views, SiriusXM & Writing Gigs 0:30:35 - Big Gigs, Opening, Corporate Gigs & Getting Fired 0:35:25 - Craziest Bombing in Florida 0:39:55 - Writing Comedy Process & Career Path 0:44:12 - Chill Vibe, Drugs, Cochella & Maximizing Fun 0:48:33 - Taquitos & Gas Station Mexican Food 0:50:00 - San Francisco, Crime & Santa Clara 0:56:10 - Old West, Bunny Ranch & Sex Workers 0:58:55 - Content Creators, Getting Clicks & Rage Baits 1:04:01 - New Special & Game Show "The Meter" 1:06:50 - Outro Andrew Orolfo Instagram:https://www.instagram.com/andrew_orolfo/Andrew Orolfo website:https://www.andreworolfo.com/Chuck Shute link tree:https://linktr.ee/chuck_shuteSupport the showThanks for Listening & Shute for the Moon!

This week we talk with Ms Amanda all about her time at the Bunny Ranch and her first experiences if she is going to go back and so much more.  We talk about making the jump from just swinging to Content creators.  Check it out.https://www.basisdx.org?utm_medium=referral&utm_source=124&utm_campaign=z&utm_content=y&utm_term=xhttps://mycupcondom.com/discount/KASBH10    My cup condomhttp://www.motorbunny.comhttp://www.asnlifestylemagazine.comhttp://www.fullswapshop.comhttp://www.smokinmeatsbbqtreats.comhttps://www.onlyfans.com/msamandakasbh: http://www.krazykasbh.com:  http:// www.youtube.com/kasbhTwitter:  @TruthKrazySupport the show

Three of the best weekends of his life!See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

Hour 1 Willie Colon is in for Boomer today so it's Gio & Willie. They started with the fact that they were both at Hofstra together and then both in Pittsburgh together. We talked about the Jets situation with Aaron Rodgers. Willie said there's no reason to bench him as it doesn't do anything. Gio wants Jon Gruden to coach the Jets but Willie doesn't think that's a good idea. Willie wants Ben Johnson but Gio said there is no chance he's coming here as he will have offers from more stable franchises. Jerry is here for his first update of the day and starts with the sounds of the Broncos beating the Browns. Jameis Winston threw 2 pick-sixes. He also threw for 497 yards and 4 TDs. Jeff Ulbrich talked about why he's still confident in Aaron Rodgers. Rex Ryan wants quarterbacks to stop sliding and instead to dive at the defenders ankles. The Devils beat the Rangers, 5-1 (too bad Boomer is out today). In the final segment of the hour, we somehow ended up talking about Lamar Odom being airlifted out of the Bunny Ranch years ago. Gio said that's all he thinks about when he hears his name now. Hour 2 We talked about the Jets postgame show that's on SNY with Willie Colon and Bart Scott. A caller wants Willie to become an offensive line coach. Gio said Zach Wilson's pro-day is the one day that set the Jets back the most. Jerry returns for another update and starts with the sounds of Jameis Winston being hyped before the game into a 75 yard pick-6. One of two on the night. He did throw 4 TDs and threw for 497 yards. He asked the lord to deliver him for pick sixes. Shannon Sharpe made Ochocinco cry when saying bad things about the Bengals. Jerry brings up the ‘Golden At Bat' that is supposedly being talked about in MLB offices. Former Met Trevor May likes the idea. Jerry and Gio hate the idea, but Willie likes it. There's a big WFAN outing at the Islanders game this weekend. Gio goes over who was invited and who was not. In the final segment of the hour, Willie said people are always asking ‘what's wrong with the Jets?' whenever he's in the supermarket. Willie talked about feeding the animals in his backyard the same way Phil Simms does. Hour 3 Gio asks Willie Colon if the Giants should pull the plug on Schoen and Daboll or go for continuity? We also talked about the Miami Hurricane mascot trying to get a date with a Syracuse student reporter at the game. Willie said Bart Scott used to talk trash the entire game when the Ravens would play the Steelers. Jerry returns for an update and starts with Jameis Winston's night as he threw for 497 yards and 4 TDs, plus 2 pick-sixes. After the game, Jameis wanted the lord to deliver him from pick-sixes. Joe Benigno reacted to the most recent Jets loss. He said he got COVID from it. Some of the Lions ‘code words' were revealed on social media and Dan Campbell doesn't give a crap. Jerry has clips from Tom Brady on the Bryson DeChambeau YouTube golf channel. Gio thinks Brady is so boring and deliberate in what he says. Willie said that's who Brady is as a person. In the final segment of the hour, both Willie and Gio suffer from gout. We talked about Saquon Barkley having an MVP type season for the Eagles. Hour 4 Gio showed Willie Colon the video that Brian Baldinger put out showing how bad Evan Neal was against the Cowboys. We talked about some of the terrible players Willie had as teammates or went against in practice. Gio called Nathaniel Hackett a jockey that rode Aaron Rodgers' greatness when he still had talent. Jerry returns for an update but first we talked about Gio's love of Dua Lipa. Jerry starts with Jameis Winston asking the lord to deliver him from pick-sixes. The Broncos beat the Browns in a shootout last night. Adam Schein is pumped up for Josh Allen. Mark Cuban was on the Hawk Tuah podcast. The Moment of The Day: The Jets loss gave Joe Benigno covid. In the final segment of the show, pics emerged of Jazz Chisholm smoking weed and drinking. A few years ago this would have been fro ...

Willie Colon is in for Boomer today so it's Gio & Willie. They started with the fact that they were both at Hofstra together and then both in Pittsburgh together. We talked about the Jets situation with Aaron Rodgers. Willie said there's no reason to bench him as it doesn't do anything. Gio wants Jon Gruden to coach the Jets but Willie doesn't think that's a good idea. Willie wants Ben Johnson but Gio said there is no chance he's coming here as he will have offers from more stable franchises. Jerry is here for his first update of the day and starts with the sounds of the Broncos beating the Browns. Jameis Winston threw 2 pick-sixes. He also threw for 497 yards and 4 TDs. Jeff Ulbrich talked about why he's still confident in Aaron Rodgers. Rex Ryan wants quarterbacks to stop sliding and instead to dive at the defenders ankles. The Devils beat the Rangers, 5-1 (too bad Boomer is out today). In the final segment of the hour, we somehow ended up talking about Lamar Odom being airlifted out of the Bunny Ranch years ago. Gio said that's all he thinks about when he hears his name now.

→→→ OPEN FOR MORE INFO ←←← This Russian-born, Brooklyn-based adult star Alana Luv shares her journey from being a Bunny Babe at Dennis Hof's infamous Bunny Ranch to becoming a sought-after performer in the adult industry. With her undeniable on-screen passion and impressive oral skills, Alana has quickly made a name for herself in just under five years. But that's not all - she's also a savvy entrepreneur, managing her boyfriend's rap career and running her own Onlyfans platform. Tune in for a candid conversation about her rise to fame, her passions, and what's next for this talented and ambitious starlet. Follow Alana Luv: https://www.instagram.com/_alanaluv_ https://x.com/alanaluvxxx https://hoo.be/alanaluv Follow RubyLynne: https://rubylynne.bio #thegrannypantypodcast #rubylynne #alanaluv For questions or to be a guest on the show email GrannyPantyPodcast@gmail.com --- Support this podcast: https://podcasters.spotify.com/pod/show/rubylynne/support

This week we talk to Yotam Solomon of Virtue and Alana Luv about being recruited to work at the Bunny Ranch and why they'll be parading through NYC with their asses out for #FreeTheCheeks Buy yourself something sexy---> Virtue.Love Follow Brian on Threads, Instagram and X - Support the show and get bonus audio/video episodes, ringtones, bonus footage and more!! All at patreon.com/brianmccarthy. 

Intro (00:00:00) Alice (  @Thealicelittle  ) discusses various experiences available at the Chicken Ranch, including girlfriend and porn star experiences. Introduction to the Podcast (00:00:59) Jennifer introduces the podcast and welcomes Alice Little, highlighting her background in the legal sex work industry. Alice's Background (00:01:49) Alice shares her journey as a legal sex worker and sex educator, starting in 2015. Transition from Educator to Legal Sex Worker (00:02:35) Alice explains her motivation for moving from a BDSM dungeon in NYC to the Bunny Ranch. Independent Contractor Lifestyle (00:04:40) Alice describes the flexibility of her schedule and her ability to manage appointments. Booking and Demand (00:06:39) Alice shares how far in advance she books appointments, mentioning requests up to two years ahead. Characteristics of Great Guests (00:07:25) Alice outlines the qualities she looks for in repeat guests, emphasizing kindness and communication. Terminology: Guest vs. Client (00:09:04) Alice explains her preference for the term "guest" to foster a welcoming atmosphere. Reasons Guests Seek Alice's Services (00:11:18) Alice discusses various motivations guests have for seeking her services, from bucket list experiences to intimacy education. Initial Contact Process (00:13:30) Alice details how potential guests can reach out via email to inquire about appointments. Lineup Experience for New Guests (00:16:37) Alice describes the lineup process at the Chicken Ranch and recommends appointments for first-timers. Specialties Among Ladies (00:18:41) Alice explains that different ladies have different specialties, especially in BDSM and other activities. Common Guest Requests (00:20:51) Alice reveals that the most common request from guests is for eye contact during intimate encounters. Budget Considerations (00:22:05) Alice mentions that pricing varies by lady, indicating individualized budget considerations for guests. Understanding Pricing and Accessibility (00:22:08) Alice discusses the range of experiences available at the Chicken Ranch and emphasizes affordability for everyone. Safety in the Industry (00:23:20) Alice shares insights on safety protocols for legal sex workers and guests, including health screenings and security measures. Opening Relationships with Professionals (00:26:51) Alice explains how couples can explore open relationships by engaging with legal sex workers for shared experiences. Introduction to the Adult Roadshow (00:28:53) Alice introduces her collaborative production company, the Adult Roadshow, focused on creator ownership and content production. Creator Control and Ownership (00:30:50) Alice details how the Adult Roadshow allows creators to maintain ownership of their content and benefit directly from subscriptions. Ethical Porn and Content Distribution (00:32:30) The discussion covers the importance of ethical porn and how creators can share their work across various platforms. Inclusivity in Content Creation (00:35:18) Alice emphasizes the inclusive nature of the Adult Roadshow, welcoming creators of all backgrounds and body types. Key Takeaways on Intimacy (00:36:31) Alice shares three essential elements of intimacy: connection, communication, and openness with partners. Follow Alice Little: ⁠https://linktr.ee/alicelittle⁠ Follow Alice's Adult Roadshow: ⁠https://www.instagram.com/adultroadshow/⁠ Follow The Open Bedroom Podcast: https://www.instagram.com/theopenbedroompodcast/ SHOW SPONSOR: Coaching With Jen ⁠https://tr.ee/aRl7H-zWQq⁠ --- Support this podcast: https://podcasters.spotify.com/pod/show/theopenbedroompodcast/support

The Cardinals are tied for first if you give them 7.5 games. Did this show get Jordan Walker called up? Audio of Oli talking about Sonny Gray's start and getting a little short with The Cat. Beards. ProdJoe and Sam Bradford. The Top 25 is out and Fight Tiger is 11. There are no flight records to show Doug went to the Bunny Ranch. Hat Update. Green Day Ticket update. Handys for signed guitars. Ed & Brody. OnlyFans. Cardinals. Preseason CFB rankings. Chasing dream jobs and passions. Choppin' wood and carrying water. Ed reads the text inbox. Learn more about your ad choices. Visit podcastchoices.com/adchoicesSee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

The Cardinals are tied for first if you give them 7.5 games. Did this show get Jordan Walker called up? Audio of Oli talking about Sonny Gray's start and getting a little short with The Cat. Beards. ProdJoe and Sam Bradford. The Top 25 is out and Fight Tiger is 11. There are no flight records to show Doug went to the Bunny Ranch. Hat Update. Green Day Ticket update. Handys for signed guitars. Ed & Brody. OnlyFans. Cardinals. Preseason CFB rankings. Chasing dream jobs and passions. Choppin' wood and carrying water. Ed reads the text inbox. Learn more about your ad choices. Visit megaphone.fm/adchoices

What is the price of sex? This week the Dildo Whisperer and Ajay discuss the many ways that we pay a price for sex.  Send the us your sex and relationship questions and maybe you will inspire the next episode of The Dildo Whisperer. We have two ways to reach the show. You can call into our show at 844-695-2766 or you can email us at Askthedw@gmail.com. Follow us on social media @dildowhisperer The Dildo Whisperer is produced by DNR Studios. To subscribe to this show and the rest of the DNR Network of shows including the Cookie Jar Podcast visit: www.dnrstudios.com

In this Season 4 Kick off to the BunnyRanch Podcast with Guest Host Pantera from the BunnyRanch! Featuring Cami Parker, Randy Ryder, and Nancy Loren from BunnyRanch

Tune in to Ask Nyomi on Thursday, March 28th for a special live show featuring Guest Courtesan Remy Martin. Join us as Remy shares her fascinating journey and experiences from her life at the iconic Bunny Ranch, offering a unique perspective on the world of sex work and breaking stigmas surrounding this industry. Explore Remy's inspiring story as she delves into the realities, challenges, and triumphs of her profession, shedding light on the misconceptions and stereotypes often associated with sex workers. Gain insight into the human side of the industry as Remy opens up about her personal journey, motivations, and mission to empower and educate others. Join Nyomi and Remy for an engaging and thought-provoking discussion that aims to foster understanding, compassion, and empathy towards sex workers. Be part of the conversation that seeks to bridge gaps in perception and promote positive dialogue around complex social issues. Don't miss this opportunity to hear Remy's story and participate in a meaningful conversation that challenges beliefs and encourages inclusivity. Turn on your notifications to stay updated on this enlightening live show and be a part of breaking barriers and changing narratives. #AskNyomi #LiveShow #CourtesanRemyMartin #BridgingTheGap #BreakingStigmas #SexWork #Empowerment #HumanizeTheIndustry #BunnyRanch #ThursdayShow #SexWorkerRights #InclusiveDialogue

Are You Garbage is back with Kippy and Foley for a family episode to answer your garbage questions from Patreon. Its a fun one! Thanks for watching AYG Comedy Podcast. Love youse guys. Come to a live show! Through the Roof Tour Tickets: https://areyougarbage.com/ Follow Kevin: https://www.instagram.com/kevinryancomedy/ Follow Foley: https://www.instagram.com/hfoleycomedy/ Live Shows: https://areyougarbage.com/ PATREON: https://www.patreon.com/AreYouGarbage MERCH: https://areyougarbage.com/ Rocket Money: https://www.rocketmoney.com/garbage Aura Frames: https://auraframes.com Promo Code: garbage Butcher Box: https://www.ButcherBox.com/AYG Promo Code: AYG Comedians H. Foley and Kevin Ryan are self proclaimed GARBAGE. Each week a new stand up comedian gets put to the test. Steal shampoo from hotels? Own a George Foreman Grill? Ever worn JNCO Jeans?

Blake is joined on tonight's episode by his buddies from around the block Alejandro Manzo, Jorge Torres and Alec White. The program leads off with Alejandro discussing his 49ers losing the Super Bowl, before Jorge joins to give us an exclusive desire of his at Reno's 'The Bunny Ranch', before the gang reviews Vince Staples new Netflix show (3:53). Next, Blake mourns Sunday afternoon NBA games (54:11) the gang announces a group trip this spring to San Francisco, Blake and Hondro anticipate Dune 2 dropping this week (67:05) and much more on this fun-filled episode! Intro Song: J Cole - Lion King On Ice Host: Blake Mayfield Guests: Alejandro Manzo, Jorge Torres & Alec White This episode of The Blake Mayfield Podcast is brought to you by The Great Greek Mediterranean Grill and Guarantee Air Duct Cleaning. Great Greek: www.thegreatgreekgrill.com/bend-or Guarantee Air Duct Cleaning: guaranteecleaning.com Download & Subscribe To "The Blake Mayfield Podcast" On All Streaming Platforms Today

02/20/2024 - We're back from a day off with a hilarious recap of classic Wolfpack pranks. Things get creepy when the Wolfpack fan dude calls in. Plus, we're taking calls and voicemails about stalkers and crazy exes. KiddChris shares wild stories from partying at the Bunny Ranch, and you won't believe what happens when a girl calls in claiming she was stalked but ends up being the crazy one! Sara breaks down the various ways we're stalked on social media. #Podcast #Comedy #Stalkers #CrazyExes SUBSCRIBE to our YOUTUBE page FOLLOW on Twitter / Facebook / Instagram / TikTok KiddChris #comedy #podcast #clips #funny #funnyvideos #jokes #podcasting #podcastvibes #comedians #comedian #talkshow #Cincinnati #Ohio #PrankCalls #Tradio #Hilarious #Laugh #Laughing #ProWrestling #WWE #AEW #Radio #MorningShow #Wrestling #Laughs #TalkRadio

Fanatically Correct & Ram Fam Collectibles bring you our first ever Collaboration Series! Comics, Collectibles & Cafecitos!  Omega And Anthony jump right in and chat Spawn, McFarlane, Bunny Ranch & More! Ram Fam Collectibles | By Collectors For Collectors

Welcome to another exciting episode of "The Art of Making Things Happen" with your host, Steve D Sims. In this episode, Steve invites the one and only Air Force Amy to the show. Known as the most famous legal prostitute in the world, Air Force Amy shares her remarkable journey and her 33-year career in the legal brothel industry in Nevada, particularly at the renowned Bunny Ranch. Steve and Amy delve into the changing dynamics of connection and intimacy in today's society. They discuss how men have become increasingly apprehensive about approaching women and the fear of judgment that surrounds interactions. Amy provides valuable insights and advice about building confidence and navigating the dating scene, drawing from her experience in fostering relationships with clients and helping them gain back their self-assurance. Join us as we explore the intriguing world of the Bunny Ranch through the eyes of Air Force Amy and discover the profound connections and empowering transformations that can occur in unexpected places. Get ready to be captivated by this engaging conversation on the art of making things happen. Let's dive in!

Taylor Sheridan is the actor and director who has probably become best know as the co-creator of the epic Paramount Network series "Yellowstone" and its prequels "1883" and "1923." His newest project is serving as executive producer for "Lawmen: Bass Reeves," a Paramount+ anthology series that launches Nov. 5 that feels like it should be part of the "Yellowstone" arc but is separate entity. "Lawmen: Bass Reeves" is a passion project of star David Oyelowo, who takes on the title role, and tells the story of the first Black U.S. Marshal, Bass Reeves. The show also stars Donald Sutherland, Dennis Quaid, Lauren E. Banks and Demi Singleton. In this week's episode, co-host Bruce Miller has interviews with showrunner Chad Feehan and Damian Marcano, one of the directors. Where to watch and more coverage "Lawmen: Bass Reeves" on Paramount+ (Nov. 5) "Yellowstone" on CBS "Yellowstone" on Paramount Network "1883" on Paramount+ "1923" on Paramount+ Contact us! We want to hear from you! Email questions to podcasts@lee.net and we'll answer your question on a future episode! About the show Streamed & Screened is a podcast about movies and TV hosted by Bruce Miller, a longtime entertainment reporter who is now the editor of the Sioux City Journal in Iowa and Terry Lipshetz, a senior producer for Lee Enterprises based in Madison, Wisconsin. Episode transcript Note: The following transcript was created by Headliner and may contain misspellings and other inaccuracies as it was generated automatically: Terry Lipshetz: Welcome, everyone, to another episode of Streamed & Screened, an entertainment podcasts about movies and TV from Lee Enterprises, I'm Terry Lipshetz, a senior producer at Lee and co-host of the program. Bruce Miller, editor of the Sioux City Journal and a longtime entertainment reporter. Well, howdy, partner. I reckon we have a show set in the wild, Wild West we're going to be talking about this week. Bruce Miller: I'm, fixing to come in here anytime now. And can you put me two fingers of whiskey on the counter? And we should be fine. Terry Lipshetz: I got my can of beans heating. Bruce Miller: Up over the open flame now. It sounds like Blazing Saddles. I think we've done. Terry Lipshetz: We have, yeah. All right. Bruce Miller: Yeah. 'Lawmen: Bass Reeves' is an epic miniseries Bruce Miller: It's Western week because there's this huge miniseries, and I'm not kidding you, it is, a grand effort called Lawmen, M-E-N Bass Reeves. So you go lawmen. There's only one. What's the deal? And what this is hopefully going to be is a series of profiles of various and sundry law men over the course of time. But Bass Reeves was a kind of a passion of David O. Yellowo, the star of the limited series. And he had always wanted to do this story because he thought it was so rare. He's the first black deputy US. Marshal west of the you, know, is there one east of the Mississippi? I have no. But it's a fascinating look at this man and his standards. It really is a lot know, what he does is what he thinks is right, and right becomes the driving force behind all of this. And you see Bass in a lot of situations. It is epic. An epic, epic limited, series. There are huge battle scenes. There are huge kind of roundups. There's a lot of violence. I'm giving you that right away. There's a lot of violence in this thing. And there's a lot of intimate moments where you see him one on one with his family, with others, with people that used to be in charge of his life. And it's a fascinating look at a period that I really didn't realize I needed to know more of. I thought most of these stories were already told, but Bass Reeves story is one that's been out there for years that people have wanted to do, but nobody has gotten the ability to do it. And what we learned is that it took, you know, when you've got somebody behind Yellowstone, saying, yeah, I think we should do this, they suddenly pop too, and decide that they're going to do it, too. People were wrongly saying that this was another 'Yellowstone' series Terry Lipshetz: Yeah. Now, I have a question for you about that, because I saw Taylor Sheridan is an executive producer, and I saw this show. It is coming to Paramount Plus. But this is not part of the Yellowstone universe. Correct. Bruce Miller: No, there was talk, and I think you'll see when we play the interviews, that there is a connection or was a connection and they couldn't make it, the time frame was wrong. And so people were wrongly saying that this was another Yellowstone series. It's not okay. It has a vague time reference, kind of lap over with 1883, but that's as close as it comes. It's a standalone thing that just happens to come from that factory known as Taylor Sheridan, but his name is on it. He isn't necessarily the writer of this, he isn't necessarily the director of this, but he is an executive producer. So he's kind of a mentor that helps get this done. Terry Lipshetz: So he's a cog in the wheels here. He's helping getting this thing going. Bruce Miller: You know, he looked at all the scripts and, you know, he saw the film and he says, yeah, we should do this or we should do that. I think the most telling thing was they would throw out ideas and there was money for it. a lot of times when you do these big westerns, they're not cheap to do because there are so many other things that progress has gotten in the way of shooting a good Western these days. And so you either have to build the community or you have to find towns that were relatively untouched, so you could just cover up some of the things that are there. But, yeah, it was expensive film to make, and I think it shows when you look at it on the screen, you go, wow, this isn't just we're not closing in on two people and looking very tightly at what's going on. Terry Lipshetz: And there's some big names attached to this also. I saw this. Bruce Miller: Yeah, there are big names that are kind of like, Sam Elliott. They're kind of the bait that'll get you in to look at this. But there's another story there that's much bigger than what their stories are. Terry Lipshetz: Sure. But it's also, with all of these, even though it's not a Yellowstone project, the one piece that all of those Yellowstone programs had or know, because they're still on is they have like, your Kevin Costner or Harrison Ford or somebody that has a name and is pulling you in. So there's definitely this isn't some no name project of people. Bruce Miller: David Oyelowo, you may remember him from Selma. He played Martin Luther Jr. And, I put him in the same league as Chadwick Boseman, where he is somebody who can play just about everything, but doesn't always get the opportunity. And you can see why he would spend eight years trying to get this thing made, because it does tell a story that we, don't know, we haven't heard, and he gets a great acting part. Now, some of the things I would have protested, I would have said, do we need to do this? Do I need to be dragged through fire? And do I need to have somebody beat me up? And should we really have to mess with all those animals, but he wanted it to be as realistic as it could be. So he was willing to do just about anything to make sure that it came through to the audience. Because he doesn't think that it's a story about it isn't a historic story, necessarily, as much as it is story about a person's inner self and what they're really like. Terry Lipshetz: Got it. I, saw the trailer even before you had mentioned that this was coming up and you had some interviews tied to just I was watching something and the trailer popped up for the show and I was like, whoa, I need to subscribe to Paramount Plus. Because, first of all, I've never seen any of the Yellowstone programs because it's just again, and we've talked about this with like Apple TV Plus and a few others where I'll just kind of come and go and pick my battles because I just can't have 35 different subscriptions. But I feel like between this program and then maybe going back and watching some of those Yellowstone programs, this is what's going to push me over the edge to finally subscribe. Bruce Miller: Yellowstone is being run or rerun on CBS now, so you will be able to see those without having to pay extra. But this is definitely a Paramount Plus project and so I don't think we're going to see that slip over. So spend the bucks. Go for it. Terry Lipshetz: Have you been able to watch any, did you get any screeners? Bruce Miller: The first three of it? I saw the first three, yeah. And it sets up the story and you see how he gets his freedom and what he does with it and where he goes from there. And then they offer him this job, this job of being a deputy marshal. And then you see how he interacts with the Native Americans or the natives and how he can speak their languages. And, he becomes a very valuable asset to be able to find out what's going on in this part of the world. Terry Lipshetz: How does this stack up with other kind of recent Westerns, either movies or TV shows that you've seen? Because I'm always fascinated by Westerns as a genre, especially. I'm not even talking about the old ones with John Wayne, but I'm m even talking about just the new ones because I feel like this planet, it's expanding so much that it's so hard now to film anything because you make a left, you make a right, and you're running into civilization. So does it feel like you're back out in the west? Bruce Miller: Oh, most definitely, because it looks so great. The visuals are just spot on in all these places. You sense what they valued at that time. And what, matters is there's a scene in there where this one woman I don't want to detail too much of it for you because I don't want to spoil it, but she really wants a piano. and you can see how we've changed. And we don't realize what something which seems simple becomes this huge deal for them. So, yeah, there are many kind of flashpoint moments where you go, okay, I get it. What happened was Star Wars came in to play and started doing westerns. Basically, they're Westerns, right? Terry Lipshetz: Space westerns. Bruce Miller: So that's where they think we got to spend all of our time and our money is making more space epics. But really, do we need more of those? And I know you love them, so forgive me, but this is just a way of telling those same kinds of stories but in a different period. And maybe we're able to, approach some of their lessons a little better because we see that it's removed from us, but then you realize we're not that far away from what they're talking about. Terry Lipshetz: I really feel like I'm definitely going to go ahead and watch this, because the genre, just in general, I love it. Deadwood on HBO was one of my favorite series of all time. and I did like that movie that came out a couple of years ago. It was about ten years after the TV series, and it sort of tied up the loose ends that they couldn't quite get to before the show went off the air. But this past summer, we made a trip out to the Badlands, and I did insist that we do a day trip to we were we went to downtown Deadwood, and we're checking out all the modernized old timey places that were named after characters on the show because griswold yeah. Bruce Miller: Did you go to the graves and. Terry Lipshetz: Look at all that or we went, and it was kind of interesting. the grave for Wild Bill Hickok and Calamity Jane, they're right next to each other, not too far into the main cemetery in town, which is up on a hill. So we had to drive up this really tall hill. But then I also want to see the grave for Seth Bullock, who is kind of the marshal of the town and kind of the first lawmen. And they're like, well, it's up around the corner. So we all start walking up the hill and it's like, not part of the cemetery, so it's like part of the old cemetery. So we're walking, walking, walking. And then this family is coming down and they're like, you going up to see Seth Bullock? And we're like, yeah, how bad is it? And they're laughing, it's not that bad. So my wife and one of my daughters kind of just sat down there and then my other daughter and we we trekked up to the top and saw it and caught our breath. Bruce Miller: So the Von, traps worked up the mountain. Is that the deal you were I. Terry Lipshetz: Did make it up to the top. It was a spectacular view of Deadwood from the top of that hill. But yeah, it was a bit of a hike to the top. Bruce Miller: Did you go down then and gamble at Morningstar? Terry Lipshetz: No, we had the kids and those places are all 18 plus. But it was fascinating. There was one place in town which did, a brothel tour, and you had to be 16 to go in. Bruce Miller: So we sound like, I know this. Terry Lipshetz: We didn't go in because my daughters are under 16 and just didn't feel as appropriate anyway. But, I found it fascinating because they had a sign outside the place. And the brothel was formed in 1870 something. And it didn't get shut down until 1980. 1980? Wow. Bruce Miller: This is like the Bunny Ranch outside of Vegas. Terry Lipshetz: Yes, exactly. Yeah. Bruce Miller: It's amazing how they really are good at capturing a piece of time. When you go out to the Badlands, it's really OOH. Is this really what it was like? And yes, it was. And it's, the land that Time forgot. You can just go there and feel like you're back in the Old West. Terry Lipshetz: It was fun. It was fun. It was a good time. Chad Feehan is the showrunner behind ‘Bass Reeves' Terry Lipshetz: So you had a couple interviews here. the first one up was, Chad Feehan. Right? Bruce Miller: Chad is the writer, the showrunner, and the executive producer behind Bass Reeves. And he was the one who sat down with David and kind of picked his brain. And then they did the research on how are we going to tell this story? Is it going to be a movie? That was initially the thought is it be a movie, a standalone movie. And he is there throughout the whole run of this. And he got a chance to do things that maybe he has never done before. It's so big. He said he has never had a project that sweeping. Yeah. So, he's the showrunner, the person behind every episode of the film. And he was the one who helped David get this off the ground and find the point of all of it. Bruce Miller: Well, what is it like not having David around during this kind of the selling of the show when it's his passion project, for God's sakes? Chad Feehan: I am, the reluctant spokesman, because this is his show, and he's been pursuing it for eight years. And it truthfully breaks my heart that he's not here, with me, leading the charge, to communicate all of his passion for the story. Bruce Miller: How did he involve you in that? Mean, I'm sure that Bass reads was not one that you would I've got to, I've got to write this. Until somebody sparked it in you right. Chad Feehan: Yeah. I mean, I grew up in Texas. I grew up in Fort Worth, Texas. And I heard stories about Bass as a kid. but they were sort of this mythical Glenn Sling and lawman. And it did embed itself in my consciousness, so I was aware of it. and then Taylor, who I've orbited around for years, recommended me to David. And David invited me to dinner. And I anticipated that dinner lasting an hour, an hour and a half, and it lasted 4 hours. and first and foremost, we developed sort of an immediate kinship, that has developed into a very special friendship that I think will last for the rest of our lives. But we also gravitated toward the same things that we wanted to communicate to an audience the triumph of the human spirit, the universality of the human condition. and then he was able to educate me on where fact and fiction converged with separated from the reality of who Bass Reeves was as a man. Bruce Miller: How much of it is factual? Is it 90%, 75%? Chad Feehan: It's hard to answer with a percentage. what I would say is that there are these similar moments we know about Bass's life that we use as pillars for the foundation of our story. but it's impossible to know, for example, what he experienced right before or right after the moment he was sworn in as a Deputy US. Marshal. We have the transcript of him being sworn in, but we don't know what happened before and we don't know what happened after. So our job as storytellers, was to imagine and create the most compelling narrative that we could. Bruce Miller: How difficult was it to conjure this world? Is it difficult? Or do you just get outside and you start thinking, this must be what it's like? Or how do you handle that? Chad Feehan: I had, the benefit of having grown up where I grew up, so the language was easier for me to wrap my head around. we had this great source material that provided an, excellent launching pad. And then I had amazing collaborators, wide array of voices, from a wide array of backgrounds, writers, to, I mean, Wyn Thomas, our production designer, that really educated me on the things I didn't know and didn't understand and helped guide me through that process. Bruce Miller: So does David ever say no, I'm not doing that. Does he have that kind, of I can put up a barrier here because I know more about this. This is mine. Chad Feehan: That is, antithetical to who David Oyelowo is. if I could use one word to embody him, it would be grace. so he's incredibly giving, graceful, compassionate. If there was something that he was unsure about, it would always be a conversation. And he would never say, no, I can't do that. Bruce Miller: He would say, you put him through a lot of stuff. Chad Feehan: Yeah. His commitment to his craft is incredible. Bruce Miller: Yeah. then, ah, being as broad as this is, I did not believe that you could have all those animals, truthfully, the buffalo, all that stuff. Do you say, I want this, and then it just happens? Or how do you make sure that it's that big that kind of lavish. Chad Feehan: I was shocked. This is by far the biggest thing I've ever done and the hardest production I've ever been through. But I would ask the opening Civil War battle, I'd be like, Are you sure I can write this? And to Paramount and 100 and one's credit, the answer was always yes. we'll find a way, we'll figure it out. Write the best story you can write. and I've shied away from that earlier on in my career, and I'm glad that I asked the questions and was given the authority to chase those epic. Bruce Miller: As a writer, that must be really, a, disconnect, because you're used to them having somebody saying, rein it in a little bit. We can't be spending this much money, and this looks like the sky's the limit. Chad Feehan: Yeah. Paramount 101. Very gracious, Taylor. That's the power of Taylor Sheridan. As, know, we didn't get every single thing. We know nothing in life works that way. but we got the majority of what we wanted, and the support that we had, was incredible. Bruce Miller: When it's labeled lawmen, that suggests that there are more have you already started thinking about the more and what that would be? Chad Feehan: I have a few different, historical figures that I'm interested in that I think are worthy of following in the footsteps of Bass Reeves. I don't know who it will be, and I'm not, going to speculate on who it will be, because we have to talk to the studio and the network. but I'm excited about the prospect of doing another, because this does fall. Bruce Miller: During the same time period as 1883, would there ever have been any kind of crossover or connection or not? Chad Feehan: Yeah, we briefly talked about it, and then when I sort of figured out that our story took place from roughly 1862 to 1877, and then also with the knowledge that Bass Reeves operated primarily in Indian territory, it didn't seem, organic to try to make that connection. But we had those conversations, and I was given the opportunity to make that connection if it serviced the story. Bruce Miller: So how does Bass change you personally as a writer? Chad Feehan: I was just talking about, know, the thing about the universality of the human condition was the thing that I wanted to really, really communicate to our audience. And it's something that I've intellectualized for a very long time, but now I feel like it's become part of my DNA based on the experience of I've made this show, and I hope to continue that in future, endeavors that I pursue. Bruce Miller: Ah, that's so great. Well, thank you so much, and thank you. Congratulations. And when you see David, tell him congratulations. Chad Feehan: I will. Thank you so much. Damian Marcano directs three episodes of ‘Bass Reeves' Terry Lipshetz: All right, Bruce, thanks for that interview. And then you had one other with, Damian Marcano, and here's the deal with that. Bruce Miller: Is that they had to have more than one director for these because they were shooting and you'll hear this, they were shooting episodes simultaneously. So in the morning they would do one episode, in the afternoon they'd do another. So the first three episodes are directed by one person. And then Damian took over four, five, and, there are eight altogether. And, you'll see that it was just a lot of work. And he was not familiar with the Western world either. He calls himself a Rasta director because he's not from Texas. He doesn't have that shorthand that the others might have. But he also know everything is just so fast paced. And so who knows what based on the weather. You have to be willing to adapt very quickly. Bruce Miller: What is this like to be part of somebody's passion project? Is that hard to kind of fit in there, or how do you view it? Damian Marcano: No, man. Easy for me to fit in everywhere. I'm a roster man. So, we always find our beat in the whole thing, man. Bruce Miller: Do you talk with David? And now what do you want to do with this? What are you looking to do? And what do you want people to learn from this? Damian Marcano: well, my style of directing is let's go do it and get it wrong. So I never ask questions ahead of time. I just say, let's just go. and then some way and somewhere through because even the actor who is so well rehearsed at this point, it is something when you're actually doing it against your scene partner. And then your scene partner might give you a new little ingredient. And then that's when the discussions happen on set. So we may have locked into a master or a way that we like this set, or a way that we're finding our way into this part of the story. and then once we do that, we say, well, okay, now it's time to sort of make the music right? And for know, the music is the silence in between the notes. and when you work with someone as far as David, and you also put the supporting cast around David, as they have brilliantly done in this show, it just gets scene after scene that you're like, can it get better? Bruce Miller: But you're also dealing with some, real variables, like animals. How do you plan for that? Damian Marcano: You don't. yeah, animals are easy. The weather is the tough part. Bruce Miller: Weather. Damian Marcano: Yeah. We have probably some of the best animal handlers that I haven't had to work with this many animals in my career. Right. So I think this definitely makes them the best. I remember seeing everything from a camel, to a lynx cat that was brought in for one of my episodes. yeah, if the script called for it, we went out, we found it. but like I said, there was the Texas of it. So being there for my portion of this show, which was five and a half to six months, just to film three episodes, that's to tell you the detail, that we went in multiple visits to every location. I mean, we rebuilt a city at one point, and still Texas would still say, not today. I'm going to give you some golf ball sized hail today. Tomorrow there's going to be an actual tornado. and maybe you can shoot that on Thursday. So, you had to lean into your optimistic side on this shoot to figure out on days, and that's with very much respect to our Ad department, they would sort of have to go on the fly. Like, call sheet would be sent out the night before, this is what we're shooting. Not anymore. and that was sort of the only way we got through this. The nice thing about it, however, through it all, you get to watch these brilliant dailies that you work on from time to time, and you say, you know what? I got it. Because if this all comes and cuts together, well, we got something, because we have some pretty special people here, and we have done a great job of capturing it. Bruce Miller: When you get three episodes in a row, it must be like doing a, large film, right? Damian Marcano: It is. Bruce Miller: So then what do you do with the first three? Do you talk to Christina and say, okay, what are you planning here? Damian Marcano: So that I well, we were shooting them simultaneously. so it's really hard on our talent, because in the morning, David is playing one version of Bass, and in the afternoon, it might be twelve years later. All right? So that is the difficulty of it. That is why so much credit has to be given to the Ad department, because those are our eyes and ears, right? They tell us what we can, and they have way much more of a finger on what each department is prepared for and what they can actually do that meets the level of quality that we've been mailing in. So this was a six month affair of just non stop shooting. and we would shoot what we could, when we could. sometimes it was based on the location being ready. Had we built the location, if this called for, the bywater store out in the middle of nowhere, had we built the bywater store in the middle of nowhere, and Wynn Thomas, our production designer, there were just so many talented people that I could look around and see that we had on this project. Bruce Miller: The sets look like actual buildings. They look like ones that you would see in a historic setting. Damian Marcano: They were this was not the example of going over to one of our large studios, that we have in town and saying, oh, you see that backdrop, sort of like the older version of the Western, right, where just the front of the facade was sort of painted. No. There was a set that we had in Strawn, Texas, in which we obviously could not get rid of Strawn's Bank, and the actual bank was there. So we built our set on their main intersection. I remember a day I was there location scouting and just talking with my DPS to how we do something. And an actual person from Strawn, Texas, had just walked out from cashing her check. And she stopped and looked at us, and then we stopped and looked at her, and we're here's. And it was just everything. It was everything colliding. It was, here she is in this small town, and Hollywood's coming town, but on top of that, here we are, making this thing back to its glory. Know? Bruce Miller: Wow. Were you familiar with Bass Reeves? Damian Marcano: Not before doing the project. I couldn't tell you who Bass Reeves was before I did this. I fell in love with a script about a man that was one of the only black men with a gun and a badge at the time. And just the oddities of doing that job while following some type of creed, some kind of mantra, whatever you will, as to how he just wouldn't stop doing that job, and his faith, what he thought, how it would affect his family. All of those things for me, were just like, okay, history is usually depicted from this wide lens way back. We say something happened to a group of people, something happened to another group, and this group was bad. This group, this was like 4D history. So this was like, this actually happened and this is how it happened. And there's no definite answer. So you, as, the viewer in 2023, can make your own mind up. Bruce Miller: That's a great way of viewing it then. Are there more after this run? How far do we get his life? Damian Marcano: well, I do know this first season of Lawmen is anthology series, so I think the other iterations will cover other, does. I'm not sure I couldn't tell you the specificity of how many years this is in Bass's life, but I do know Chad and the team tried to encompass as much of the story as you could know. Essentially, we've made, ah, eight hour film here that we're just cutting up, into episodics. Bruce Miller: Well, it looks like a million bucks, so Westerns must be you. I think they're your thing. Damian Marcano: I would have never thought that growing up, man. But they have become pretty special to me. And I am seriously I don't know, I'm having like this weird missing feeling of Texas, man, because as a creative, it was just really nice to be able we do so much stage work and all the stuff's great, and all our production designers are great, but it was just something to see your entire film. Crew kind of be like childlike again. And we were just all with our boots on out in those fields and Random Cow was doing something over there. And I don't know, it was just a bunch of kids that came together to play. Bruce Miller: Again, thank you so much. It's great. Damian Marcano: Thank you. Bruce Miller: Have a good one. Chad Feehan: You too. Damian Marcano: Thanks for the time. Terry Lipshetz: All right, Bruce, thank you for those two great interviews. As I said, it sounds like a real fascinating program and something that is going to probably push me over the edge to get Paramount. Bruce Miller: Plus now, November 5, mark it on your calendar that's when they start. You'll get episodes the first night and then it will spill out beyond that. Terry Lipshetz: Excellent. Excellent. Movies need two weeks of theater exposure before they're considered Oscar potential Terry Lipshetz: So what do we have on tap next week? Bruce Miller: Oh, we're starting to get into that Oscar season now. All those kind of films that you start kicking yourself and saying, how come they have them all, all those good ones right at once. Well, they're starting you're going to start seeing the Oscar beta, as I like to refer to it. The Holdovers had a sneak last night or this last weekend, and it'll be coming out in November. And that's the one with Paul Giamatti, directed by Alexander Payne and set in the 1970s. And we'll talk about that. NIAD is the story of Diana Nayad and how she tried to swim 100 and some miles off Florida from Cuba, right? Terry Lipshetz: It was Cuba to Florida. Bruce Miller: And that's coming up. So there are a whole bunch of these ones that are just lining up, waiting to get into theaters. They have to have two weeks of theater exposure before they can be considered an Oscar potential film. They changed the rules this year so that it wasn't just that's on streaming. It's okay. They need to have this window of opportunity that they're in theaters before they can be officially considered, a candidate for the Academy Awards. So, as a result, they're getting a little better at showcasing them in theaters before the end of the year. in years past, it was usually Los Angeles and New York, and they had a week there or something. Now the rest of the world is actually getting to see these films before January, February, March, whatever it might be. Terry Lipshetz: Yeah, I was going to say because there was a period of time where it was almost like you would come out and it would be, as you said, New York, La. And you might get a couple of these art house theaters around that might get it over a course of a weekend, a long weekend, and then they'd be gone until you maybe caught it on, a red box or streaming or something. Bruce Miller: Now everybody gets a chance to kind of play the Oscar game where we all can see those films that you always go, what was that one? And now we get an opportunity to. Terry Lipshetz: See know, I feel like if you want to be considered for an Oscar, you have to be in a movie theater for the masses for at least a period of time, as you said. Is it two weeks? If that's the bare minimum, I think that's fine. You got to be able to get out there. You got to go into theaters. You got to allow for people to go in and see you on that giant screen with the giant bucket of popcorn just because it doesn't feel right otherwise. Bruce Miller: Well, I think when you watch it on TV, it does diminish it right. As big as your screen might be at home, it's not the same. And if you can hold an audience on a theater, screen, then that must say something about your film. But when it's reduced to the size of a TV set, I don't know if it's there, but did you get to Killers of the Flower Moon? Terry Lipshetz: Not Harry. Bruce Miller: That's one of the ones we've got to see, because I know it's figuring in the, I've already started to make lists of who could possibly be nominated for each of the categories. Terry Lipshetz: Okay. Bruce Miller: That figures in a lot. Terry Lipshetz: Okay. Yeah, I got to get there. It's gotten a lot tougher of late just because the kids activities ah. Have increased. I'm coaching basketball again. Bruce Miller: Don't blame the kids for this. This is not their problem. This is your problem. Terry Lipshetz: It is. I'm just deflecting you put that down. Bruce Miller: On your list that you're going to go see the, Killers to the Flower Moon, and you're going to subscribe to Paramount plus I am. Bruce: How big exactly is your TV?Bruce: 60 inches Terry Lipshetz: Bruce, one other thing before we depart here. We've never had this conversation before, and it is a little bit personal, but how big exactly is your TV? Bruce Miller: It's not that big. No, it's not big. It's 60 inches. Terry Lipshetz: 60? That's it? Yeah, I'm 65. Bruce Miller: Oh, well, see, I'm used to watching most things on a laptop. That's how they send it. You can't always transfer, it to your TV set. Terry Lipshetz: All you need is that HTM. I need to be your technical support. Bruce, I will come to your house because I can get it from your computer on your laptop onto running on you. Okay. Bruce Miller: The door is open. I will bring snacks. We'll be good. You can watch anything you want to see because I think I probably have it around the house somewhere. Terry Lipshetz: On that note, thank you again for listening to this week's episode, and we will see you again next week on another episode of streamed and screened. Bruce Miller: So long, partner. Bye.See omnystudio.com/listener for privacy information.

Join me in welcome none other than, The Legendary "Airforce Amy" to the podcast!We talkin about sex, legal prostitution, drugs, does size matter, and some personal experiences! Woooo!Podcast on Youtube: https://www.youtube.com/watch?v=rtBug08lSeAAirforce Amy - https://www.airforceamy.com/Television AppearancesCathouse – HBO 2005-2014Best of Real Sex – HBOSexcetera – The Playboy ChannelRealitini Awards Show – Fox RealityNo Good TV“Xmas Carolla Show” with Adam CarollaThe Daily ShowInsomniac with Dave Attell – Comedy CentralThe Man Show (girl jumping on trampolines 2x) – Comedy CentralNightline – ABC NewsThe Live Desk Show with Martha McCallum – Fox NewsHannity's America with Sean Hannity – Fox NewsThe Tyra Banks ShowFree Sex for the Military with Rita CosbyProof Positive – Sci-Fi Channel (a room at The BunnyRanch was haunted, but not really)Jenny Jones (nominated as one of the Most Outrageous Guests of the Year)Ricki LakeTalk Soup (appeared 4 times and was voted Best of the Year, 2007)The Ananda Lewis Show (pretended to have a deadbeat baby daddy)Bob BerkowitzPornstars and their Pets – USA NetworkJudge Jeanine PirroThe Surreal World – Warner Bros NetworkTMZOUR SPONSOR: My Crew Doses(10% off at checkout, Promo code: ("thechamber")https://mycrewdoses.com/

Tonight on The Ham Radio Show, Returning for the monthly State of The Bunny Ranch, The titan of the twat, […]

Tonight on The Ham Radio Show, Returning for the monthly State of The Bunny Ranch, The titan of the twat, […]

Olivia Bentley is today's guest. You'll hear why she prefers to be called a courtesan rather than an escort. She mentions the societal status of courtesans in ancient times. This leads to a discussion of power, independence and the role of erotic companions as power brokers in their own right. Miss Bentley is a fascinating woman:*15 years in the adult industry. * A Masters in Education. * An executive at an investment company* Competitive fitness model. She talks about her decision to become a local escort and then her move to the Bunny Ranch in the Nevada Brothel system. This origin story is one of creativity, triumph over adversity and a candid conversation about the stereotypes around paying for sex.The ladies talk about financial independence and the freedom to live full lives that comes from having a career in the adult industry. In the words of Olivia Bentley: “It's a game changer to go pro hoe.” While that comment makes all the ladies laugh, there is truth to this.Other topics include:STD testing and the porn industryHow Only Fans has changed the adult industry by giving content creators control BDSM, kink, fetish and erotic humiliationAnd how her love of lifting weights is opening a new niche - muscle worship! Find out about this kink and why it's so popular.Olivia Bentley: https://olivia-bentley.com/Olivia Bentley's Only Fans page: https://onlyfans.com/liv.bMs Erika's personal blog: https://intelligentphonefantasy.com/Mistress Olivia's personal blog: https://www.experiencedmistress.com/

Original Airdate: April 29, 2009It's a place many have never visited and could be considered off limits. See what really goes on inside America's most famous brothel as Oprah speaks to a sex-worker from the Bunny Ranch Brothel. Then, she talks to Ed Begley Jr., the greenest guy in Hollywood, and a place so tiny... almost the whole town talks to Oprah!  Want more podcasts from OWN? Visit https://bit.ly/OWNPodsYou can also watch Oprah's Super Soul, The Oprah Winfrey Show and more of your favorite OWN shows on your TV! Visit https://bit.ly/find_OWN 

This week I interview BunnyRanch vet Olivia Bentley. We discuss her competing in The Body Building world. We discuss her training, her first competition and the pressure to use steroids. Then we discuss her working at the world famous Bunny Ranch and the Mustang Ranch and some stories about some of her sessions and she breaks down he different between a Pornstar experience vs a Girlfriend Experience. Then we discuss her Onlyfans and her experience with doing porn and shooting with guys outside her circle and more. Watch The Video Episode On Spotify Want More Content. Become a Premium Smoker ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://anchor.fm/smokethisova/subscribe⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ for 5 Premium Podcasts and Special episodes ($4.99 a month) Sponsored By ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://lsswirl.com/ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://eroticismmagazine.com/⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://www.xsitebunny.com/ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠blusherotica.com/videos⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Proud Member of The G.W. District Black Podcast Network ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://www.shopgwdistrict.com/pages/podcast-network⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Porn/ Music/ Social Media ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://allmylinks.com/pornrapstar⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Get The Merch: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://www.bonfire.com/store/s-t-o-merch-store/⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Guest: Olivia Bentley https://twitter.com/OliviaBentleyBR linktr.ee/oliviabentley --- Send in a voice message: https://podcasters.spotify.com/pod/show/smokethisova/message

Summer is winding down but the fall lineup remains up in the air, so we bring you an episode of organized chaos. We hear from "The Nanny" star Fran Drescher, who is president of SAG-AFTRA and recently talked about the state of the actors strike. We also hear from "Breaking Bad" star Bryan Cranston. After talking about finally watching the Netflix series "Dahmer," co-host Bruce Miller talks about all of the movies that are trickling out that might only be in theaters briefly before they head to streaming. His choices might not compete with "Barbie," but they are certainly movies you won't want to miss and will be under consideration when awards season heats up. And co-host Terry Lipshetz talks about "Silo" on Apple TV+, which recently wrapped its first season. This ultimately opens a discussion about which streaming services are worth our time and navigating screen time selections with the kids. Where to watch "Election" on Max "Dahmer" on Netflix "Red, White & Royal Blue" on Amazon Prime Video "Theater Camp" in theaters "Jules" in theaters "To Leslie" on Netflix "Golda" in theaters "The Lesson" in theaters "Challengers" in theaters "Next Goal Wins" in theaters "The Morning Show" on Apple TV+ "The Changeling" on Apple TV+ "Silo" on Apple TV+ "Shrinking" on Apple TV+ "For All Mankind" on Apple TV+ Contact us! We want to hear from you! Email questions to podcasts@lee.net and we'll answer your question on a future episode! About the show Streamed & Screened is a podcast about movies and TV hosted by Bruce Miller, a longtime entertainment reporter who is now the editor of the Sioux City Journal in Iowa and Terry Lipshetz, a senior producer for Lee Enterprises based in Madison, Wisconsin. Episode transcript Note: The following transcript was created by Adobe Premiere and may contain misspellings and other inaccuracies as it was generated automatically: Welcome everyone to another episode of Streamed and Screened and Entertainment podcast about movies and TV from Lee Enterprises. I'm Terry Lipshetz is senior producer at Lee and co-host of the program with the legendary Bruce Miller, editor of the Sioux City Journal and a longtime entertainment reporter. Bruce, you're back. So you took a little week off. I mean, the listeners wouldn't know this because they would know that advance. But yeah, yeah, you're right. Bob Barker Here I am. But yeah, and you know, I really got a chance to dig in to TV and see what's there, because right now, normally I would know all of the new shows that were coming out in the fall. I would have seen all of them. I would probably have talked with the people who were involved. And this year is this big question mark. We don't know what we're getting. I don't know what kind of shows are out there, what kind of period we're going to be going through, how long the strike will last. It's very, very weird. And so what I've been doing is revisiting things. And one of the things I did do, I was scared to death of watching Dahmer when it first came out. I really because I don't. Is that giving him too much credibility? Is it, you know, endorsing something that I don't want to be a part of? But I you know, it's nominated for a lot of Emmys. And so I thought, you know, I should watch it. I should see it. Well, I was so scared after the first two episodes. I thought I got to watch something that's going to kind of calm me down a little bit. And so I found election election on Max. They're kind of pushing it now. Do you remember election was an Alexander Payne film about Tracy Blake. She was is this kind of rabid girl who was running for student council president in high school, played by Reese Witherspoon and Matthew Broderick played the the adviser to the the student council. And fascinating to see it again because, you know, they were really serious. Wasn't that big when she made this. And Matthew was kind of coming off his Ferris Bueller run and the movie was, you know, I hear it, but it's now prompted a sequel. There's going to be a sequel called Tracy Flick. What is it? Tracy Flick doesn't win or it doesn't always win or shouldn't win or I don't know. It's based on a new book and they decided to go back and do it. And Reese is producing the thing. We'll see what happens with that. But it was fun to see that because it did cleanse the palette from Dahmer and it gave me a chance to kind of look forward to something that will be coming. Paramount Plus is is actually doing it. I don't know how far they are in the process, but it is scheduled for the next year. What what was your overall thought on Dahmer? Because I know this was a little bit of an older one. It was on it was last year on Netflix. I watched it especially because of, you know, living in Wisconsin, even though it happened before I lived in Wisconsin. It's still something that people talk about, you know, a lot out here. What were your thoughts? I would like to say it was creepy, but it reminds you can tell it was a Ryan Murphy product because like his American Horror Story and all those other kind of things, it has that edge that you got. Oh, my God. I think it's going to go over the edge, I think. And it did. I thought some of those those murder scenes or just even opening the refrigerator was enough to send me reeling. But Evan Peters does a good job because you do see the kind of the the groundwork that's put into play that makes him kind of screwed up. And he plays it very kind of low key. And then you see what he does and it's like, whoa, I don't you know, this would not be made as anything but a streaming service thing. I don't know that you I know that they've done Dahmer movies and stuff, but they've never done it this intensely. And then I looked up the story of him online, of course, you Google everything, right? Right. And you look and you see, well, how many did he kill? And then you realize I've seen two deaths and there are like 17. I'm going to have a long haul with this. And this is really hard for me to watch. So, you know, it was fun to see Michael learn it in there as his grandmother. And, you know, there are good supporting performances, but it's tough. It's a tough slog. Yeah, it it was difficult to watch. I'm glad it didn't get as gory as it could have been. I mean, I was I was that was the one thing that I really because I'm not a big gore. I don't like horror movies. I don't you know, that's not my thing. And, you know, but I do like a thriller. Like I like like Silence of the Lambs, which is the only movie I can think of that's really comparable to you know, that's obviously fiction, although based on some aspects of reality with this, you know, I didn't need to see him like dismembering everybody and in all that. So I'm glad it didn't quite go down that road, but it was very difficult to watch. But it was also fascinating because the story I don't think the story's been told it's been told, but it's not like some stories. It just keeps on getting retold over and over again. I don't you know, this is the the deepest dive I think I've seen on Dahmer to date. I don't think it needed ten episodes. I'll be Oh, no, no, no. And I kept questioning why people didn't complain more. You like when they're in he's in this apartment, he's got all this crap and the smell is bad. You'd complain and I think somebody would do something. And then you see these instances where the cops are in the place and they kind of just bypass it, you know, It's like, Oh, yeah, we'll move on. And I, I would be screaming at the top of my lungs. Plus, here's the other thing. Never go home with somebody that you don't know right now. I mean, if somebody says, come on over to my house and we'll have a drink or something. No, that is a big animal that you can put on anybody's door and do not do it right. You know, I won't even sell something on Facebook. Marketplace and let somebody come in to buy like Nintendo. We're going to go to the parking lot of the QuikTrip and we will make a transaction there or somewhere holding a gun on you at all times. And I pass the merchandise to you, right? Yeah. Yeah. There is no way. I mean, unless unless it's I've got like we sold our swing set for the kids on Facebook marketplace. Obviously somebody has got to come to the house and pick that thing up, but it's like I'm doing a deep dive on your face. I'm like, looking to make sure you seem halfway normal or more. Yeah, yeah, yeah, I know I'm with you. And I remember, too, when I watched that Dahmer with my wife. The thing that we kept on commenting over and over again is like, why is this thing ten episodes? Because on one hand, it just it was it was such it became a slog after a while, but we couldn't stop watching because we kind of wanted to know. I mean, we know what happens, but you kind of wanted to know what happens, if that makes sense. So it's like we hit that point where we're just we're in it for the long haul, so I guess we're going to suck it up. But yeah, I wanted to see Niecy Nash because I like her and she's nominated for Best Supporting Actress and she's in right away at the beginning. And then she disappears for a long period of time. And so I thought, well, there must be some big scene that she gets at some point that would have justified her getting nominated for best supporting actress. So I'm not done with it, but I always know now that I have to have something that's very light afterwards. And I have been looking at, you know, streaming is still putting crap out there. There's still stuff out there. I think Amazon had red, white and royal blue. Have you seen this? It's about a ten, I think, the American president's son. And then like some spare in the British lineup become secret lovers. And of course this is a huge scandal and it's all it is. It's just a romance that you probably saw on Hallmark, except it's two guys and one is British and one is America. That's that's about all it is. And they were getting a lot of attention. I mean, interesting. But I don't know that that's something that I would mark my time off to see. Yeah, well, it wasn't is as kind of controversial as they thought it would be. And there are a lot of ones like that that are now popping up. You're going to see in the next month on Hulu. Theater camp and theater camp is this kind of mockumentary done by Ben Platt from Dear Evan Hansen and a bunch of his friends about going to summer camp for theater kids. And it looks darling from it's you know, it's previews, but who knows? And that's one of those things these films he's there are a slew of these films that maybe get a week in a market and then disappear because they can't stand up against the pressure of a Barbie or a Oppenheimer and Barbie. Look at that. The money that Barbie is rolling in. She never made that much money when she was a doll. So now as a movie, she's she's just rake. And, you know, the sequel is probably already not being written by the writers who are on strike right now. But yeah. And so you you see these films that maybe will get a window, but if you are watching very carefully for them, you're not going to find them. One that opened this last week was called Jules and Julie's. It stars Ben Kingsley as Ed and this is what I loved. He's 78 and he's like, seen as this real doddering old man. And I'm thinking, God, I'm closer to 78 than I am to, you know, 21. And he get an alien lands in his itty azalea bushes in the backyard, and he tries to tell people about it, and they just think he's just out of his mind and he doesn't know what he's doing and he needs to go to assisted living. Well, it is an alien or there is an alien there and he communicates with him and two friends of hers also get to get it. Get in on the secret. Jane Curtin is one of the ones and it's a very, very clever film about aging and what kind of things people go through at a certain point in their lives. It's very much in the tone of what Clint Eastwood has been doing lately. You know, it's his Gran Torino kind of concept where old people aren't kind of given their due for having an opinion or, you know, being feisty or whatever. It's just kind of, Oh, that's the effects of aging. Yeah. Was there an alien, you know, is it just all in his mind? But it's a cute film that will it'll make its rounds and you'll see it somewhere on your schedule or maybe on a streaming thing. If you remember last year at the Oscars, there was this thing called to Leslie. Yeah, Yeah. Andrea Riseborough was nominated for best actress for that. And like everybody goes to where is this? How do I see this to Leslie? It's nowhere. And it wasn't. It was in nowhere. And it's like these little films that crop up and then suddenly after it gets traction, somebody will sell it to a streaming service and then it pops up. And I have since seen two Leslie and it was good, and it should have gotten some kind of attention. But the the bigfoot's kind of stomp him out and you don't find him. But there is a whole herd of them, a list of them that I went through and said, you know what? These are ones that maybe we need to look at before the end of the year. Okay. Well, that sounds like an interesting list because we are running out of things. I must say. We're running out of things to talk about, but we're in this interesting period right now because you mentioned, of course, that you would normally be out in L.A. previewing the fall season. We have no idea what's what's even going on because of the strike. This writer's strike in this actors strike, it is it is looking like they're digging in for the long haul. I mean, just last week while you were gone, Fran Drescher, the president of the Screen Actors Guild, was talking about this being an inflection point. And, you know, they're waiting on a deal. So I actually have a quick clip. We're going to play this really quick and we'll listen to her and then bring it back and we'll talk a little bit more about that and then dive into your list. Sounds good. Actors Union President Fran Drescher says there's been no negotiations with the movie and TV studios on a new contract as actors have been on strike for six weeks. I marches are a letter with the latest SAG after a president. Fran Drescher says the union is getting the silent treatment from the Alliance of Motion Picture and Television Producers, which represents major studios. Drescher says the contract dispute is at an inflection point. I don't think anybody that's in charge of the AMPTP quite understands that this is not like any past negotiation. The actors demands include better pay and protections involving artificial intelligence. The studios have said their offer includes historic pay increases and an A.I. proposal that protects actors likenesses. And then, you know, that was last week. And then just right before we hopped on, I got another clip because the actors from Breaking Bad and Better Call Saul gathered and they were talking about it. So here's one more clip from Bryan Cranston from Breaking Bad. We realize that without organized labor, management will just keep stuffing their pockets and they don't. They don't and will not ever just go, You know what? I don't think this is being fair to those people. I'm going to pay them more. It's just not what they do. All right, Bruce, we had talked a few episodes ago about like, you know, where to put money down. When is this thing ending? You were a little bit more optimistic. I was much more pessimistic saying that this could go on until later this year. And then the freak out moment would be once kind of the NFL season, college football season, you know, was kind of wrapping up. And then and then the networks or everybody needs something to air come January that's going to be the problem. So, you know, what are you thinking right now? Are you hearing anything? I think there's you know, it could go whenever. It could go whenever. But they probably will ride it out because it isn't fair. It isn't fair that these people are getting next to nothing and these networks are making pretty big bucks off this stuff. So there are, you know, and the studios come on, if they make a big deal about Margot Robbie getting, what, $50 million for doing Barkley? Well, she's a producer on the thing. She also is a blue chip star. And I hate when we see these clips of, you know, some famous person, like if Meryl Streep decided she was going to walk with the others. That isn't the instance at all. Meryl Streep and all those blue chip names should not be on the picket line because they don't have a beef with what's going on. It's the guy who you maybe recognize his face, but you don't know his name that is getting jobbed in all of this. Right. And those are the people that I think those stories need to be told much more. And I would not doubt that the story about Margot getting 50 million is a studio generated story because they want to say, see, look, they're making big money. Why aren't you know, come on, don't be crying to us. And I think the AIG thing could be a real problem. I've seen some things that have already been written that are not bad, you know, done by a computer because they've been able to input all this other stuff. But where did the other stuff come from that they're trying to duplicate or mimic or whatever that gives us this thing? I would not doubt that in the future the computers are going to be doing all of our writing. I would not doubt that. But you've got to hold the line somewhere because are we eliminating humans entirely? Is that our goal? With every job? You know how it is where they say, well, we're going to we're going to outsource this and we're going to let computers do it. Yeah, maybe sometimes you need that personal touch that comes from having a human in there. I don't know. But I find it really disturbing. And I'll turn on Entertainment Tonight on a regular basis. And it's like, Oh, today, look who showed up on the picket line. And, you know, I don't care. I don't care that the big names, because they'll come for an hour or whatever, eat a sandwich and act like they're part of the the normal people. And what you're doing is not necessarily cheating them out of a job or money, but you are cheating all of those ancillary businesses that rely on this to drive their business. The drivers, the actors, caterers, the set builders, the electricians, I mean, all those kinds of jobs. It's a factory town. Hollywood is a factory town. And if you start cutting that and yet these ones are making just a statement, you know, come on. I don't know why why those studios need so much money for their executives? I've never believed that that's a good way of doing business, because when you see that somebody is getting a $400 million paycheck for the year, really, is that where they make that kind of decision? A $400 million one? There should be caps on those things. But, you know, now I'm saying it's only political and I don't mean. Yeah, it is. I read a story, a few weeks ago even where they were actually talking about that point, because, you know, somebody brought up like where are all the stars while everyone else's, the rank and file are marching. But but that's the point, too, is that it gets a little bit touchy because the percentage of people that are making tons and tons of money is very small compared to the rank and file, which is really it has the most to lose out of this. Right. And then as you mentioned with like a lot of these folks, they're producers on shows now. They're also executives. They're not necessarily running a studio, but it's hard, you know. Sure, they're a member of the Actors Guild and maybe they're a member of the Writers Guild, but if they're a producer or also doing directing work, they're in their hands are in too many parts, and it's probably best that they just stay on the sideline and let things work because it's at some point you got to recuse yourself. And I think that's what happens. We've had, you know, now for me, the impact is the actors are not doing interviews. They're not going to be talking about a project that's coming up. And I get that. I see the the impact it has on me. But some actors who are producers will do an interview. Now, is that really are you playing the game or what? You know, which hat is a better hat or a bigger hat? And which one should you be wearing at any given time? Well, hopefully things will wrap up soon because we need we want it. We need our content. Yeah, we need something. We need something. I know you've got a list here of okay, I've got a list of films that are out there that I have seen some and not seen others. Okay. Golda Which is the Golda meir story? Oh, yeah. Is one that will I think it's starting now in theaters and it's could be another shot for her to win another Oscar. It's set in just a limited period of time. The 19 days of the Yom Kippur War and how she kind of negotiated all that, what she did, what her thought process was. And it's a great a great character piece, because I do not think of Golda meir when I think of Helen Mirren. They are not alike at all. But I think that she captures the essence and she brings to life a character that, you know, did we forget her? Do we still think about her? I don't know. But that's one that's out there. That's that's hanging fire. Blue Gene, have you heard of Blue Jean? No, no. This set in the in the 1980s in in England. And it's about a gym teacher who has this secret kind of private life where she's a lesbian and she doesn't dare come out because she's in Margaret Thatcher. England. And what does this mean for her career? You know, these are things that it seems so long ago and yet these issues come up. And it's a fascinating look at the times. They really get the costumes right. They get the period right. You see things you think, Yeah, I remember that. I remember the eighties like that. And there's people that maybe you don't you don't recognize, but they've been in a lot of British TV series and things. There's one called The Lesson, and this stars Richard E Grant. You remember him from Oh, man, he's been in so many things. He was nominated for an Oscar for the Thing with Melissa McCarthy, where she was a writer. I wish I could tell you right off the top of my head. But he. And this he plays another author. Okay. But he, Audie kind of rich author who, you know, is I mean, he's in the driver's seat. He's not a rank and file guy. And they hire he and his wife hire a tutor for their son. And the tutor sees how this family dynamic is all shaking down Darryl McCormick, who is in. Good luck to you, Leo. Grand. You remember that from with Emma Thompson. He played the guy who was her kind of sex therapist. Okay. Yeah, he was the he was the prostitute. He plays the tutor in this one. Julie Delpy, if you remember her from all those things with Ethan Hawke, she plays the wife and it's a fascinating look at a family situation. Challengers. Challengers is a film that's set in the tennis world, and it's about three tennis players, you know, and it's who's up, who's down, who's wherever. Zendaya plays a champion, I think like Serena, Venus, one of those kind of, you know, big superstars. And then Josh O'Connor from the crown, he played Chas, Prince Charles. Okay. He's one of the tennis players. And Mike Feist, who was in West Side Story and has been in Broadway on Dear Evan Hansen. Those are the three. And there just like who is with whom at what time Now it's done by the guy who did call me by your name and it it has the potential to be very dirty. I'm just throwing that out. It could be a very, very scary next goal wins. Taika Waititi The guy behind Jojo Rabbit and a lot of those, you know what we do in the shadows. A very kind of fun South. I think he's New Zealand. I don't want to say he's Australia, I think he's New Zealand director who focuses on a football coach or a soccer coach played by Michael Fassbinder. Fassbinder MM hmm. Who has to try and turn a Samoan teen into winners. Now, this is very Ted Lasso in it. Yeah, but I think it could be very, very funny and it could be one of those kind of breakout things. Again, these are all these little kind of pocket films that will show up but not be in theaters as long as Barbie is. So look for them. Because I think and if nothing else, within a month after that, more than likely they'll turn up on streaming services. Yeah, it could be what we're watching for the next two or three months, Right? Well, and these are also those films, too, that when the Oscar nominations come out, we get by, you know, we'll know the big ones. But then all of a sudden we're looking at each other and being like, wait, goal while you need it is like 200 people to put your name first. They could be there now. They know that they know what to do. So yeah, and it's funny because I've seen a number of them. They'll, they'll send them to me and then they'll say, See what you think. And if you can write something, it'd be great. And it's fascinating because a lot of, a lot of times they're better than most of the things that you're seeing. Mm hmm. Yeah. I love a good small time film. You know, sometimes it's sometimes those are the the best ones because it's it's under the radar. It catches you by surprise. You have no expectations. And it's just kind of fun to see. And we're getting some of the new series are coming back The morning show on Apple is right back with Reese Witherspoon and Jennifer Aniston. Another one that I did watch was The Changeling, and it's based on a novel by Victor Lovell or Victor LAVALLE, depending on how you pronounce it, who also does the narration for the film. And it's so bizarre because it goes back in time and forward in time and back way back in time. I mean, in the first episode, you must be in about six different time periods and it shows how maybe there was some kind of I don't know, black magic that was going on and it affected different generations. And what they what it turned out to be for these kids that are in today's world. Yeah. Fascinating. Lakeith Stanfield is in it and a good acting exercise. But I think it has far too much to try and unpack right away. Okay, We're coming up in in September. We're coming up also around that period where my three month free trial of Apple TV Plus is about to expire and I'm not. So we just watched Sidel go, which it was okay. And I know it's gotten some decent traction on like rotten tomatoes from critics and fans. It started out I thought it started out a little bit slow. It's your typical the story on that one is it's it's a you know, a post-apocalyptic kind of sci fi world. There's 10,000 people living underground in a silo and they are governed by the pact. And the pact is, you know, just their kind of their constitution, their law and order. But the society is broken down to you have this it branch that runs the computer systems and keeps things chugging along. That's run by Tim Robbins. You have a judicial branch which kind of enforce this some of the pact and, you know, make sure everybody is law abiding and common stars is one of the leaders of judicial who kind of, you know, runs a crew that it's almost like a military group. There's also the sheriff's office, which is more of a police type of thing, which is the main character, Julia Nichols. She she works like down below where where keeps the engines running, but kind of gets pushed into this situation where she's the next sheriff, because one of the things that happens is if you say you want to go outside the silo, it's irrevocable and you have to go out to clean off the little camera that shows the desolate world that has become And the it this isn't really much of a spoiler because it sets up the entire series. But the wife of the current sheriff goes outside to clean and then a year later, the sheriff himself goes outside to clean, but kind of picks Juliet Nickels to become the next sheriff. And, you know, so it's there is this mystery as to like whether what you see on that screen is actually what it's true to be. But then it's also in like a lot of these stories. Is Tim Robbins a good guy or is he a bad guy? Is common a good guy, or is he a bad guy or are they just put in such unusual circumstances that there's really no good or bad? Everybody is just kind of trying. They're trying to act within the best interests of the society that they're running. So it's it's not a bad series. I thought that the first few episodes were a little bit of a slog. It definitely picks up once you get through about three or four, it's ten episodes. A few familiar faces, obviously. As I said, Tim Robbins is in it, Carmen is in it. Ian Glen, He played for a moment on Game of Thrones. He plays the father of Sheriff Nichols, Julia Nichols, who's played by Rebecca Ferguson, and then one other person who's in it that a lot of folks have probably seen lately, Harriet Walter. She plays this woman who lives all the way at the bottom of society. But she was in succession as the mother of the three Roy siblings, younger Roy siblings. So it's a good one if you need something to watch, you know, we've been kind of like bouncing through things and slamming through things. So that and then of course, I've been now watching Asoka, which is back on, just made its debut, the latest Star Wars series. So do you find, though, that Apple has a lot of dark shows? They do, yeah. Yeah. It's like some executive must have had some midlife crisis or something and then is trying to explain all of it through these because they I honestly besides Ted Lasso and maybe the after party maybe the after party I'm hard pressed to think of comedies that they really embrace. The one with Harrison Ford or that was. Yeah, yeah, yeah. That's shrinking with Harrison Ford and Jason Segel. Yeah that's that one was good. My wife and I just we watch it right before Silo and really enjoyed it and kind of looking forward already this season to there's a few like that Yeah like these midlife crisis kind of concepts and I would like Snoopy I think is the only thing that's on there that is not really kind of dark underneath, right. Yeah. For all mankind. I don't know. I love Vermont for all mankind. There's the space to alternate history space show. But again, you're getting into a world they'll go to another world to, I think, try and make commentary about our world today. Right? Yeah. It's very sci fi driven. Yeah, a lot of sci fi. I don't know that I would see that as apples. Best calling card. Yeah, I'm. I'm like, really on the fence here because even with the morning show, I watch season one, I watched about half of season two and then kind of got sidetracked and then ended up canceling Apple TV Plus. So now I've got the decision is like, all right, am I going to go back and watch the next five episodes? And then I'll stick around and watch the third season? Or do or am I at the point now where do I just let the subscription run out? I cancel it, I wait six months or a year, get a new Mac, then. Yeah. And then just kind of like crush through that because I just feel like with Apple TV Plus it just does not have the programing yet. Still still like Hulu or Netflix, which those are those I can't cancel. There's just too much stuff that comes on them constantly. I think Apple put a lot of money in a few projects and it's big money. You know, it's this is not just anything but I, I don't know if I were to choose that that would be one of the first ones I would pick for my my extra channels. It's a good one too. You know, you get your, your whatever, a 30 day, 90 day freeze every time you buy an iPhone. So it's really that's what it's you get your free you get your free phone. Well, not a free phone. You pay for your phone. You get a little Apple TV plus on top of it. I mean, it's not expensive. It's it's like, what, six bucks a month? So it's it's one where if you let it go for a few months and you don't really watch it, you don't necessarily feel guilty about it. It's not like like Netflix is creeped up or HBO. Well, now it's Max. They've creeped up in the price where it's, you know, 16, 17 bucks a month. And you start to notice that one if you're not watching Apple TV Plus is still low enough where you're kind of like, wow, it's a $6. I'll get it. It's like that gym membership that, you know, that I never catch. You know, it's like, I guess 12. What about Disney Plus then? Are you sold on that one or is that on? Yeah, no. Well, that's with the kids and I've got the bundle. So it's like I don't I have Hulu, Disney Plus and ESPN plus bundled together which, which maybe if I was only doing one of them I would think twice like, all right, well maybe I'll drop this. But the bundle is it's pretty cheap so I'm not paying a whole lot for all three. So what what is the determiner then, for you to choose a a service, a streaming service? Is it a certain program that gets you in? Is it the price, Is it you know, the potential it has or where does this all land? Because how would you choose you in this day? You can't have it all. I'm sorry. No, you can't have it. I'm I. Yeah, I don't know. It's a good I think right now because of the kids I'm fine having Disney plus semi permanently You'll like it too because you get all that Star Wars stuff and you get all the Star Wars stuff. Right. But it's also, you know, when they like ESPN. Plus I get that bundled in. I don't remember the last time I turned it on, but because I get the Hulu and the Disney Plus packaged in there, I occasionally will put on ESPN plus, but not enough for me to I wouldn't I would definitely never subscribe to that one separately. You know, it's fascinating because you hear people complain about cable when cable keeps raising its prices and stuff, and I can't afford this. This is terrible. And yet they'll add on all these streaming services. And so what gives? And maybe that's the way it just all has to be. All is all a card. Yeah. Just things as you go along and maybe you just have a buy in for X number of weeks or months Yeah, I think at some point and I think it'll, it'll come a little bit more as the kids get older and we're, we're less attached to certain things. But I feel like I'm getting really close to the point where I don't have anything against Apple TV Plus because I do think it has some good programs. It's just not enough for me to commit 12 months out of the year. And I think we're getting to that point where I need one like $6 a month option. So I maybe going to do Apple TV Plus this month and then maybe next month I do peacock and then maybe the month after that I do Paramount Plus, is it hard to go there? Gym? Is it hard to get out of the that's that's where unlike cable, because cable's a nightmare like cable. You're on the phone for 45 minutes because I did it a year ago when I finally cut the cord. Right. And it just it takes forever. And it's it's a pain in the butt. But with all of these streaming services, you just log in online. You know, you got to make sure you get it at the right time because you don't get a refund of $3.18 because you only used it. Right. You know, 42% of of it for the month. So you got to jump before the month is up. Correct. So you like I go to my Google calendar, I put in a reminder like this is the day I got to go cancel Apple TV. Plus, I'll do it. You know, it'll it'll take me through the end of the month and I'll still have like three more days to watch it because I do it a few days in advance. And then the first of the month I'll subscribe to something else. And as long as you can commit to doing that, you can, you can manage them and you can opt in and out and it's pretty darn easy. And that's that's the advantage they have over cable, to be honest. It's not even it's almost the point where it's not the cost anymore. Because once although I'm saving a lot of money by not subscribing, I have YouTube TV for my my right were over the year. I figured it out one time like by by dumping the cable. I'm saving like 100 and something dollars a month. Which can I ask, how much do you spend in a month on services? And you have to factor in the costs for Internet. So between Internet, YouTube, TV and then the other streaming, it's somewhere between 160 and 200 a month. That's not too bad. No, not too bad. I was well over 200 well before I was. Yeah. And I thought, this is silly. I don't watch all these channels. And I it's just a matter of I, I'm too lazy to go and cancel things. Yeah. And when cable dropped my email and I no longer had email through my cable system, I thought, well, this is, this is the wakeup call I needed. And so then I would like you. I went to YouTube TV and I was very impressed with that. I find it kind of strange when you're watching a show where it kind of goes to your moment of Zen, where it's they're covering up an ad that isn't going to be shown on your thing. Right. But I'm fine with that. Yeah. And I do like I, I am now looking more for old content. I really want to see old content. Not because I am nostalgic because that's not me, but I want to see how good it was back then compared to what we have now, what the quality is, you know, and some of the writing was good, but a lot of the production was not as good. You know, you'll see an office or a living room or whatever, and it barely has furniture in it. And today everything is so overly designed and and done that I think it's made for these very high def TVs where you can look at every little aspect and realize that that ashtray is there for a purpose. You know? So it's fascinating, but I do think I spend too much money on it. But then that's my life. I mean, it's obviously for you as somebody who's who needs to be on top of things, having a little bit more than than somebody is fine. You know. But yeah, it's tough. Like, you know, when you're just trying to get through with your household and figure out, okay, you know, the wife watches this, the kids watch this, I watch this, what do we need? And, you know, honestly, I have I have not noticed missing very much since ditching traditional cable. There's a few things there's a few things here and there that I can't watch anymore. But honestly, it doesn't make much of a difference to me how how vigilant are you with your children? Do you say you only get one hour of television time at night? Do you really? Yeah. Really? Yeah. Yeah. And I grew up turning the TV on in the morning with the test pattern and turning off at night. When the test pattern came back on, that was how much TV I watched as a child. Oh, yeah? Yeah. No, the kids are. They're pretty good with it. I mean. Well, it's getting a little bit tougher now as they've gotten older. And there's other things like, okay, we're not watching TV, but I'm going to play my video game system and or, you know, so we try to limit the screen time. You know, we try to insist that they're reading X number, you know, 30 minutes a day of reading as opposed to something else. Do you think you are the exception and not the rule? Yeah, I'm watching a lot more than they are, that's for sure. Yeah, but, but, but it for them. Yeah. No, I mean, but we know we've, we talk, I mean some we know some parents they let their kids watch anything. There's another family that we know that they're pretty similar to us with how much TV they let their kids watch. And so it's just it's you know, there's no right or wrong here. You know, every every family has to make their own decisions. We just choose to limit it. And kids don't have TVs in their bedrooms. It's it's we have a TV in the living room. We have a TV in the family room. I have a TV in our bedroom. But we're we're trying to limit it so you know, it. It's weird because I don't a do you look at it at the ratings of anything before you like? Oh, yeah. You do. Okay. I do think that because television doesn't really have those standards anymore, or at least it's not as policed below as it was, that it's impossible now to say that kids are being influenced by books or whatever when it's a free for all on television. Yeah, you can say that. You know, all my kids are going into whatever because they've watched too much television or what. There's not enough policing on television itself to to kind of guide you through that. And I remember the times when there was family hour, the first hour, the broadcast night was family television. It should not have been anything that had any adult content. And I think parents were safe then just saying, oh, you can watch until 8:00 and then we're not watching TV. That's not the case now, because 7:00 shows can be very R-rated with us. We rely a little bit with like a common sense media where we will go to that website. It's I think it's pretty good. It'll give you some information of like, you know, kids say it's 12 plus, parents say it's ten plus, we say it's 12 plus. You know, it'll give you that kind of information and it'll also explain, like why the show? So this one has a little bit too much sex talk or this one talks about, sure, you know, alcohol or drugs or cigarets and it gives you some decent information. But you know what you mention, too, with you know, that our block of like these shows should be safe. Were they? Because I've gone back and seen, you know, like some some shows like we haven't let our kids watch Seinfeld and I mean, like Seinfeld was of like, well, that's that's not that's not adult time. But it is they're talking about sex and yeah, I worked it out tonight on NBC on Thursdays and come on that isn't appropriate for 12 year olds. That's not happy days. No, it's not. So you know, I know, like, you kind of think about it nostalgically and all that, but there's stuff today that if we had the shows that I grew up with today, we would not let the kids watch the ones that I was allowed to watch. Definitely not. Yeah, it's it's funny how in its day, something like Cinemax, you'd got all the dirty one. Cinemax. Yeah right. We knew right away. Yeah. That was the dirty one. And so if you were subscribing to that, good, like you're getting everything and everything, that's the bad one. But today it's everywhere. Yeah. I don't know that you can even, you know, there are some of those high end cable networks now though. I mean high end in terms of channel numbers where they've bleeped it or they've done, you know, they've done somehow, But it's still the concept, you know, there are dirty movies on those channels, too. They just haven't said two or three words out loud. Yeah, I think it's interesting it with HBO in particular, because I remember as a kid, like as a teenager, not not not as like an eight or nine year old, but as a teenager. If you stayed up just late enough on a Saturday night, you would catch something like their real sex show, right, where it would be, things like that, where it's very adult content. There was nudity and all that. And if you go to HBO now, they've really gone and scrubbed those things like you can't find real sex or what was the other one? It was like taxicab confessions. Oh, yeah. You know, they're kind of dirty, kind of raunchy. And I think HBO and I think that's part of the reason why they they rebranded HBO. Max is just Max, because they're trying to get away from that concept of HBO being very adult. Like it wasn't it was never quite Cinemax, you know, Cinemax because it never got there. But HBO, you knew that if you stayed up past 10:00 or 11:00 at night, you were going to see some stuff. So if you're, you know, a teenage boy like 15, 16 or whatever, and your parents didn't know you're staying up late to watch something until two in the morning. It was it was an interesting time to watch HBO. What was that? Bunny Ranch one where? Yeah, right. They went on to the one night at Las Vegas somewhere and then they would go out there and they'd be a bunch of prostitutes basically locking up. And then they pick one of them and and they show the encounter. Yeah, yeah. I mean, I don't think HBO does any of that kind of programing anymore. And I think and I think they've largely eliminated it from the archives. So you can't like if even if you subscribe to you know, where they have pretty much all their programing ever on like Macs. Now I don't think you can watch any of those because they've tried to really, you know, nothing more than R-rated. And we're going to we're going to tamp it down. So, yeah, it's fascinating how those things shift. And you look at something now on like The Bachelor, right? They're going in directions that I'd be really careful about letting my kids see. Yep. And I, I again, I'm not that person. I'm not one who's uptight about any of that stuff. But I do think that maybe there's a time for innocence and they need to have that, that I don't have to know something about this. And I think those kind of shows which are showing at 7:00 at night in my territory are a little too much right away after dinner. Yeah, absolutely. Well, how about this? We'll we'll kind of wrap up the show. Now, if you heard it, I got on a tangent. I did it. It's a digital picture missing. And then it went on to this. But no films on those streaming services. Absolutely. So. Well, how about we do this too? And we'll just open it up. And if we happen to get some feedback, we'll talk about it on the next episode. But you know, if you're a parent, you're listening to the show, give us some thoughts. Reach out and send us an email to podcasts@lee.net. There will be a link in this episode, show notes as well. And just shoot a short line like, you know, where you watch the streaming gear, traditional cable. How often are you with the kids when it comes to what they're watching, things like that. And well, you know, we can pick up the discussion in the future. So I'm good. I'm that sounds great. That sounds like fun because I want to allow I mean, I, I watch everything. So there is no there is no barrier for me. But I do want to know if people do have those barriers and how they determine what they are. Perfect. All right. Well, on that note, we will let things go and we will be back again next week with another episode of Stream The Screen. Have a great one.See omnystudio.com/listener for privacy information.

This week it's sexy time on WATP as we check out a podcast that interviews prostitutes. It's basically an advertisement for the different ladies you can get with at various brothels in Nevada. So guys, if you like old, fat, ugly women who have sex multiple times per day, good news - you have many options.  Doug from Who's Right joins the show to try to keep it in his pants as we watch an overweight grandmother belly dance. Then we briefly discuss the Ray DeVito fallout from his recent appearance, Howard Stern has a dinner party and decides to make it a show, Patty Pukewater has a new YouTube channel that's very scary, Stuttering John tries to be Howard Stern, and someone is really good at catching a dabbler.  https://whosrightpodcast.com/  Tickets to the Magic Bag on 9/15 – http://watplive.com/  Support us, get bonus episodes, Vic and Hannah pics, and watch live every Saturday and most Wednesdays: http://bit.ly/watp-patreon  https://watp.supercast.tech/  Learn more about your ad choices. Visit megaphone.fm/adchoices

One of the most interesting people we've met over the years on this show is the General Manager of the World Famous Moonlight BunnyRanch brothel, Madame Suzette. She went from working as a court reporter to answering an ad and eventually becoming BunnyRanch owner Dennis Hof's right hand...and since Dennis' death, has continued to run the empire which now includes 4 brothels. And now with the reopening of the famed Love Ranch, Suzette is taking it to the next level, and we caught up with her to find out more!

Guest: Olivia Bentley Email: OliviaBentley@BunnyRanch.com Profile: BunnyRanch.com/Olivia-Bentley Hosted by James Email: James@BunnyRanch.com Twitter: @James_Xtreme Twitch.tv/XtremePufindail BunnyRanch.com/Blog/BunnyRanch-Podcast Visit BunnyRanch.com/Blog  for more amazing content Hear us on Spotify, Apple Podcasts, Google Podcasts, & YouTube! Our BunnyRanch Network Channels for all Videos: YouTube.com/BunnyRanchNetwork Livestream.com/BunnyRanch A BunnyRanch Network Production Produced by James Jaklich Please Like, Share, and Subscribe for more amazing content! Follow us on Twitter @BunnyRanch @SagebrushRanch @KitKatBrothel @LoveRanchNorth Visit our websites for more information, Must be 18 years or Older BunnyRanch.com LoveRanch.net SagebrushRanch.com KitKatRanch.com

This week's Savage is Molly Blingwall. We discuss her working at The Bunny Ranch and how her daughter got her into the business. We discuss her shoot with Thor Johnson and her threesome with Thor and her daughter Qunci Lane plus more. Watch The Video episode on Spotify Want More Content. Become a Premium Smoker ⁠⁠https://anchor.fm/smokethisova/subscribe⁠⁠ for 5 Premium Podcasts and Special episodes ($4.99 a month) Sponsored By ⁠⁠⁠⁠https://lsswirl.com/ ⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠https://eroticismmagazine.com⁠ ⁠/⁠⁠⁠⁠⁠⁠⁠⁠https://www.xsitebunny.com/ ⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠blusherotica.com/videos⁠⁠⁠⁠ ⁠⁠⁠⁠https://www.shopgwdistrict.com/pages/podcast-network⁠⁠ Porn/ Music/ Social Media ⁠⁠⁠⁠https://allmylinks.com/pornrapstar⁠⁠⁠⁠ Get The Merch: ⁠⁠⁠⁠https://www.bonfire.com/store/s-t-o-merch-store/⁠⁠⁠⁠ Guest: Molly Blingwell https://twitter.com/MBlingwall linqapp.com/molly_blingwal… --- Send in a voice message: https://podcasters.spotify.com/pod/show/smokethisova/message

We are already preparing for our shows in Las Vegas for next year's Super Bowl…perhaps a trip to the Bunny Ranch.

BunnyRanch's Lola La'Bella comes on to talk about her favorite positions and favorite things to do inside and outside the bedroom. 

EXCLUSIVE! Las Vegas Workers Offer FREE S_x to new Las Vegas Raiders Quarterback Jimmy Garoppolo! Caitlin Bell & Alice Little w/ Chrissie Mayr. We discuss what a legal brothel is, Why it's special only to Nevada, What other types of men they'd extend this offer to, all about the Chicken Ranch and more! ALICE LITTLE Activist and intimacy coach Alice Little styles herself as the most financially successful licensed prostitute in Nevada, having been voted “Companion of the Year” by the Bunny Ranch network of legal brothels from 2017 through 2019. Currently operating out of the Chicken Ranch legal brothel near Las Vegas, Alice is also an outspoken advocate for sex worker rights and a vocal champion for an all-inclusive s_x-positive society. Learn more about Alice Little at her official site thealicelittle.com, via Twitter @AliceLittleEdu, Instagram @thealicelittleofficial, OnlyFans at https://onlyfans.com/thealicelittle CAITLIN BELL A self-described adrenaline junkie, Bell learned that she is a natural in front of the film lens, and in a very short time, the bombshell shot for top-tier studios such as Brazzers, Reality Kings, Jules Jordan Video, Nympho, WankzVR, S_xLikeReal, MYLF, BrattyMilf and Team Skeet. The naughty and sweet Latina's interests include world travel, red wines, fine cuisine, and attending music festivals, and her motto is: “A dirty mind is a terrible thing to waste.” “I'm not a 9 to 5 girl,” Bell concluded. “I'm all about pursuing the freedom to be the person you want to be, and to have those incredible experiences.” Bell was nominated for Hottest Newcomer in the 2022 AVN Awards, and was profiled in the September 2022 issue of NightMoves Magazine. She was recently nominated for Best S_x Scene — All-Girl, and Best S_x Scene — Vignette in the 2023 XBIZ Awards. Keep up with the captivating Caitlin Bell at her her official website http://CaitlinBellVIP.com, on Twitter: @LatinaBellxoxo , and Instagram: @officialcaitlinbell, and at premium OnlyFans ( https://onlyfans.com/caitlinisnaughty  

Travis, Rickey and KYLEEEEEEE.

Episode Quote:   “Do not interject unless you need to, not want to, need to.” On this episode: Bobby envies black penises and kiwis  Marvel fan or Captain America fan? Netflix Marvel over Disney Marvel? Pez and collecting: Passions and hyper fixations Josh Allen and Buffalo  Sneaker talk: Shoutout Black Hornets and Gray sweatpants  Dressing cool, acting nerdy -Bobby's advice Michelle hates stuff. She loves throwing things away. But she loves shower curtains.  OF and scenario scenes.  Porn categories and categorizing. Lost porn favorites Hillary Duff and Hall passes, celebrity and otherwise Michelle would sell Bobby for $1,000,000. Millionaires make an offer.  Air Force Amy and The Bunny Ranch, crazy NSFW Czech sites TV:  Tacoma FD, Spike TV and The Ultimate Fighter,  Pepe the penis  Matty Black and Jif vs Matte Black and GIF Pancakes, Korn, corn Movie Series and serialized tv shows, marvel Netflix shows.  Jessica Jones, omnibuses and comics. Want more?  We'll be here every Wednesday!  Have some feedback we really need to hear?   LifeStuffandThingspodcast@gmail.com Instagram: @lifestuffandthingspodcast Twitter: @LSATpod --- Send in a voice message: https://podcasters.spotify.com/pod/show/life-stuff-and-things/message Support this podcast: https://podcasters.spotify.com/pod/show/life-stuff-and-things/support

Mo & Mel are back and FULL on the #MarchMadness of this past week.  Like Mel had thought, the Women's games have been exceptionally exciting & the fans and numbers don't lie!  From Coach Yo & the #OleMiss ladies taking down Stanford, to Mandy Siegrist with the new D1 record to Miami and more!  The competition, the upsets and the ladies have brought their A games!!!  Plus the men! Wow! Who & where is Fairleigh Dickson? The ladies need answers.  And Princeton, what? Needless to say the ladies are ready for #Sweet16 games!   Oh the Jimmy Gorgeous signing for the Raiders continues to give the stories. From his male fans complimenting him to the Bunny Ranch offers he's received, is Jimmy G ready for the #Vegas life?  Plus much more with the #NBA playoffs around the corner and the competition so close in the West, who will make it out alive?  Mel has more #Sneakers and of course another #girlpower We are #LIVE on Facebook LIVE each Wednesday through the GirlChatSports YouTube & Facebook & Twitter pages.  Miss the LIVE show? Don't worry, #Subscribe to our YouTube or we can also be found on your favorite podcast app through our LinkTree link https://linktr.ee/girlchatsports. The ladies have also teamed up with #SportsEmpireNetwork so make sure to check out their line up of Sports shows too! GirlChatSports is always looking for businesses or products to partner up with, send us an email, let's connect! We can't wait to hear from you!  #Subscribe #Listen #Follow #Like & #Share Reach out to us on Social Media (Instagram & Twitter) or email GirlChatSports@gmail.com to give us your feedback and any topics you would like to have addressed. --- Support this podcast: https://podcasters.spotify.com/pod/show/girlchatsports/support

Step into the world of Alice Little who is a legal sex worker, sex educator as well as a Intimacy expert . Alice shares her story what brought her to the Bunny Ranch and how she has help make changes in the Nevada's Brothels. 

This special episode I'm joined by the sexy 18yr vet Alana Luv. We discuss her doing the Bunny Ranch and her 1st session with a client that didn't go well. She spent three years there and we talked about the money she was making there. Then we moved into her breaking into porn. Thru an agent she landed her frst shoot with Reality Kings and we unpacked her first shoot. We discuss her get her anal cherry broke on camera which leds to use discuss porn then and now. Then we discuss her podcast and being nominated for an AVN because of it. For more exclusive and Special Content Subscribe To the Premium Smoke Room. https://anchor.fm/smokethisova/subscribe for 7 Premium Podcasts and Special episodes ($4.99 a month) Sponsored By https://lsswirl.com/ https://eroticismmagazine.com/ https://www.xsitebunny.com/ https://blusherotica.com/ Proud Member of The G.W. District Black Podcast Network https://www.shopgwdistrict.com/pages/podcast-network Porn/ Music/ Social Media https://allmylinks.com/pornrapstar Guest: Alana Luv https://twitter.com/AlanaLuvXXX linktr.ee/alanaluv --- Send in a voice message: https://anchor.fm/smokethisova/message

Welcome to 2023 where your resolutions are irreverent and you're only setting yourself up for failure. Logan rants about a click bait trend and the boys discuss the origins of road rage. Anderson Cooper and Andy Cohen need to be back on the booze for 2023 party, or maybe take it to the next level with Joey Diaz. The boys discuss a potential “unwritten rule” about that naked person in your bed. Sex looks tricky when you're 12. Did you really think that you were getting away with it? Nick recalls watching the Bunny Ranch and Logan reminds him of his connection. CPR is tricky. Be sure like, subscribe and follow us like the instructions on your dental damn packaging. Big thank you to our sponsors! 15% off at Smoothmyballs.com/shirt Email us - hmnspodcast@gmail.com Follow on twitter - @hmnspodcast On Instagram - @hmnspodcast And on TicTok - @hmnspodcast Don't forget to watch us on YouTube - HMNS Podcast Need that sticker? Drop us a line - hmnspodcast@gmail.com

Injuries and lack of talent are to blame for the Flyers woes this season, HBD to Joey Kocur, Butch Goring a Lady Byng lifer and a best of clip from the Bunny Ranch

Tonight, the guys talk what coaches will and should be losing their jobs in the NFL, the importance of stability in sport, the process of selling Aaron Judges record breaking home run ball, some Hall of Fame discussions and Pete Rose. Sit back, grab a few beers and let's get into ‘er!Need tickets? Be sure to go to Seat Geek and use promo code 1420POD to save $20Making a wager this upcoming weekend go to BetUS.com, Americas Favorite Sportsbook by using our specialized link and get yourself a 125% sign up bonus https://bit.ly/FourteenTwenty

Dylan and Pat are back to break down Butterball, heartbreak, caesar salad, Knights, bulldogs, going to Baltimore, dumping Lace, the sanitation of the Bunny Ranch and even more from ABC's Bachelor in Paradise. Subscribe to our Patreon for FULL video episodes and recaps of Love is Blind, The Ultimatum, Flavor of Love and our hit show "PMZ"! https://patreon.com/AnotherPodcastNetwork We also cover Bravo's Below Deck every week on Another Below Deck Podcast http://bit.ly/AnotherBelowDeckPodcast_YT

Dylan and Pat are back to break down Butterball, heartbreak, caesar salad, Knights, bulldogs, going to Baltimore, dumping Lace, the sanitation of the Bunny Ranch and even more from ABC's Bachelor in Paradise.  Subscribe to our Patreon for FULL video episodes and recaps of Love is Blind, The Ultimatum, Flavor of Love and our hit show "PMZ"! https://patreon.com/AnotherPodcastNetwork We also cover Bravo's Below Deck every week on Another Below Deck Podcast http://bit.ly/AnotherBelowDeckPodcast_YT

This Bonus Smoke Friday, I interview the sexy and legendry Helena Price. She has been in the business since 2015 and was an escort before that but she did work at the Bunny Ranch for a minute. We start from the beginning where she did a bunch of jobs but the money wasn't hitting and then she tried her hand at escorting which lead to her shooting her first boy girl. She has shoot with to companies like Bang Bros, Reality Kings, Brazzers and etc. She expresses how she wished she had did her on content from the jump. We discuss her brand, her scenes, her business and more You want exclusive and Premium episodes. Subscribe to my Premium Smoke Room https://anchor.fm/smokethisova/subscribe for 5 Premium Podcasts and Special episodes ($4.99 a month) Sponsored By https://lsswirl.com/  https://eroticismmagazine.com/ https://www.xsitebunny.com/ Proud Member of The G.W. District Black Podcast Network https://www.shopgwdistrict.com/pages/podcast-network Porn/ Music/ Social Media https://allmylinks.com/pornrapstar Guest: Helena Price https://twitter.com/IAmHelenaPrice linktr.ee/HelenaPrice --- Send in a voice message: https://anchor.fm/smokethisova/message

This week Ryan Taylor from BunnyRanch joins us to go over Quantum Physics, Animals, Dancing, and more!

Mercedes Guest: Mercedes Email: mercedes@BunnyRanch.com Profile: BunnyRanch.com/Mercedes Hosted by James Email: James@BunnyRanch.com Twitter: @James_Xtreme Twitch.tv/XtremePufindail BunnyRanch.com/Blog/BunnyRanch-Podcast  Visit BunnyRanch.com/Blog  for more amazing content Hear us on Spotify, Apple Podcasts, Google Podcasts, & YouTube!  Our BunnyRanch Network Channels for all Videos: YouTube.com/BunnyRanchNetwork Livestream.com/BunnyRanch A BunnyRanch Network Production Produced by James Jaklich Please Like, Share, and Subscribe for more amazing content! Follow us on Twitter @BunnyRanch @SagebrushRanch @KitKatBrothel @LoveRanchNorth Visit our websites for more information, Must be 18 years or Older BunnyRanch.com LoveRanch.net SagebrushRanch.com KitKatRanch.com

The Exotic Bunny - Pantera Guest: Pantera Email: pantera@BunnyRanch.com Twitter: @BunnyPantera Profile: BunnyRanch.com/Pantera Hosted by James Email: James@BunnyRanch.com Twitter: @James_Xtreme Twitch.tv/XtremePufindail BunnyRanch.com/Blog/BunnyRanch-Podcast  Visit BunnyRanch.com/Blog  for more amazing content Hear us on Spotify, Apple Podcasts, Google Podcasts, & YouTube!  Our BunnyRanch Network Channels for all Videos: YouTube.com/BunnyRanchNetwork Livestream.com/BunnyRanch A BunnyRanch Network Production Produced by James Jaklich Please Like, Share, and Subscribe for more amazing content! Follow us on Twitter @BunnyRanch @SagebrushRanch @KitKatBrothel @LoveRanchNorth Visit our websites for more information, Must be 18 years or Older BunnyRanch.com LoveRanch.net SagebrushRanch.com KitKatRanch.com

Today's Guest is The Air Force Amy! Known as the “Living Legend of Sex” and One of the Stars from HBO's Cathouse. Get ready for a Wild Ride Guest: Air Force Amy Email: AirForceAmy@BunnyRanch.com Twitter: @AirForceAmy Profile: BunnyRanch.com/Air-Force-Amy Website: AirForceAmy.com  Hosted by James Email: James@BunnyRanch.com Twitter: @James_Xtreme Twitch.tv/XtremePufindail BunnyRanch.com/Blog/BunnyRanch-Podcast Visit BunnyRanch.com/Blog  for more amazing content Hear us on Spotify, Apple Podcasts, Google Podcasts, & YouTube!  Our BunnyRanch Network Channels for all Videos: YouTube.com/BunnyRanchNetwork Livestream.com/BunnyRanch A BunnyRanch Network Production Produced by James Jaklich Please Like, Share, and Subscribe for more amazing content! Follow us on Twitter @BunnyRanch @SagebrushRanch @KitKatBrothel @LoveRanchNorth Visit our websites for more information, Must be 18 years or Older BunnyRanch.com LoveRanch.net SagebrushRanch.com KitKatRanch.com

Jeremiah Watkins joins the gang and turns everyone into women. The guy talk Shapel's new hairdo choices, Malik's love doctor advice, Target Ho's, Jeremiah's butter nose, Armie Hammer's crazy DM's controversy, the Bunny Ranch, Justin Timberlake and much more!See omnystudio.com/listener for privacy information.