Podcast appearances and mentions of Gordon Gano

¿No te das cuenta de que todo lo que haces en la vida para lograr éxito, fama o placer, no te da la felicidad? Por mucho que nos esforcemos, no encontramos satisfacción. Jesús nos dice por qué en el sexto capítulo de la Buena Noticia según Juan: Él es el Pan de Vida que hace que uno ya no tenga hambre jamás. Sobre ese "Hambre de corazón" (Hungry Heart) escribió Bruce Springsteen su canción más conocida en 1980. Pronto se convirtió en un himno, que el estadio entero de Wembley podía cantar en Londres, al año siguiente. Una joven londinense, Florence Welch expresó ese mismo "Hambre" (Hunger) en un poema que puso música en 2018 con su grupo The Machine. Lo escuchamos esta vez en una versión en vivo en el Madison Square Garden de Nueva York en 2022. El milagro de Jesús andando sobre el agua (Jesus Walking In The Water) en Juan 6:16-21 es narrado por un grupo de estudiantes de Milwaukee llamado Violent Femmes, que formó el hijo de un pastor bautista llamado Gordon Gano. Su peculiar combinación de folk con espíritu punk le llevó en 1985 al programa de música en vivo de la Movida de Madrid, La Edad de Oro en TVE, donde José de Segovia les conoció personalmente. "Las uvas de la ira" es una novela de John Steinbeck, que leen muchos estudiantes norteamericanos en la escuela secundaria. John Ford la llevó al cine en 1940. Es una historia llena de elementos bíblicos, que presenta a un predicador en crisis, durante la época de la Gran Depresión, cuando muchos emigran a California para poder comer. Escuchamos escenas de la versión doblada de la película, que comentamos con música inspirada en la obra de varios artistas contemporáneos. Oímos también la canción que da título al álbum que escribió Bruce Springsteen con el nombre del protagonista de esta historia, "El fantasma de Tom Joad" (The Ghost of Tom Hoad 1995). La compasión de Jesús te ha de llevar a "Dar tu pan al que tiene hambre", canta el cantautor uruguayo Luis Alfredo Díaz. El tempranamente fallecido en un accidente de avioneta a los 28 años, Keith Green, nos llama a "Ir a los hambrientos" (Go To The Hungry Ones), física y espiritualmente. Tras su conversión en la Comunidad de la Viña en los años 70 con Bob Dylan, se dedicó a dar sus discos por un donativo, o regalarlos al que no pudiera pagarlos.

Alt-rock legends Violent Femmes are touring in 2024 celebrating the 40th anniversary of their sophomore release 'Hallowed Ground.' But in certain cities -- including Nashville on October 9 -- they're playing a wide selection from their discography with the accompaniment of symphony orchestras. Femmes frontman Gordon Gano shared with WNXP about the experience playing with so many instrumentalists, and also the sustained musical chemistry with bandmate Brian Ritchie.

Welcome to the Instant Trivia podcast episode 1234, where we ask the best trivia on the Internet. Round 1. Category: Margaret Me 1: She led Britain through the 1980s. Margaret Thatcher. 2: I'll get you to name this "Wizard of Oz" actress, my pretty. Margaret Hamilton. 3: Princess Margaret was born in 1930, 4 years after this sister. Elizabeth II. 4: Margaret Burbidge was the first woman to head up this royal observatory. Greenwich. 5: She coined the term "birth control". Margaret Sanger. Round 2. Category: Science Vocabulary 1: "Specific" this is the ratio of a substance's density to that of a standard substance, often water. gravity. 2: It's the resistance that opposes the motion of one surface across another. friction. 3: From a word meaning "insect", it's the study of bugs. entomology. 4: Acone-shapeddeposit ofcalcium saltsthat builds upfrom a cave floor. stalagmite. 5: This adjective from the Greek for "moving" describes the mechanical energy of an object due to motion. kinetic. Round 3. Category: We'Re A North American Band! 1: In 1973 Mammoth thought it cheaper to hire David Lee Roth as a singer than rent his P.A. system; Mammoth became this in '74. Van Halen. 2: This trio sang, "Today's Tom Sawyer, he gets high on you, and the space he invades, he gets by on you". Rush. 3: B-b-b-baby, name this band that topped the charts in 1974"You ain't seen nothin' yet /B-b-b-baby, you just ain't seen nothin' yet /Here's something, here's...". Bachman-Turner Overdrive. 4: This Canadian band was "watchin' 'X-Files' with no lights on, we're dans la maison, I hope the Smoking Man's in this one". Barenaked Ladies. 5: Gordon Gano sang, "I like American music" as the lead singer of this Milwaukee group. the Violent Femmes. Round 4. Category: Current Governors 1: George Pataki. New York. 2: Christine Todd Whitman. New Jersey. 3: Gray Davis. California. 4: Frank Keating. Oklahoma. 5: Tommy Thompson. Wisconsin. Round 5. Category: Trinidad 1: Trinidad's Pitch Lake is a natural lake of this black substance used to surface roads. Tar/asphalt. 2: In 1889 this Caribbean island was joined politically to Trinidad. Tobago. 3: This form of folk music popularized by Belafonte originated in Trinidad. Calypso. 4: U.S.O.C. president Leroy Walker, not Runner, once coached this Trinidadian Olympic team. track and field. 5: What the Trinidadians call Shango, the Haitians call this. Voodoo. Thanks for listening! Come back tomorrow for more exciting trivia!Special thanks to https://blog.feedspot.com/trivia_podcasts/ AI Voices used

Columnist R.E. Graswich of the Sacramento alienates the audience, UC Davis's Dean Keith Simonton on bringing your inner genius out, Lina Fat represents California Fat's Fat City and the man who blisters in the shade, Gordon Gano and the Violent Femmes--

2024 is here and this is a very special episode #30 of Pierre Pressure Podcast. This is a re-broadcast of an interview Pierre did with Gordon Gano, lead singer and guitarist of the Violent Femmes, along with then-drummer Brian Viglione (drummer of Dresden Dolls, Nine Inch Nails, World Inferno Friendship Society) on East Village Radio, hosted by Michael Messenie, AKA the Coach, on his Two For Tennis Show. This interview took place in September of 2013 in a tiny studio in the East Village in New York City. Pierre was thrilled to be asked to co-interview Gordon and Brian of the Violent Femmes on the occasion of their upcoming show at Summer Stage, re-starting an era of touring and recording for the band. The Violent Femmes were a hugely influential part of 1980's culture, starting with their massive hit “Blister in the Sun” in 1983 and continuing to this day.  Their music was life-changing for Pierre and kicked-started his journey as a guitarist and songwriter.https://vfemmes.com/https://www.brian-viglione.com/biohttps://www.evr2.com/Theme song; Marchandise by Pierre de Gaillande, from the album franglais. (originally Merchandise by Fugazi.) Gone Daddy Gone, Old Mother Reagan, Jesus Walking on the Water, Black Girls by Violent Femmes. Let Me Ride by Mercey Seat. Coin-Operated Boy by Dresden Dolls. Baiser en l'Air (Kiss Off in French) by Pierre de Gaillande / Bad Reputation-franglais. Good Feeling (Violent Femmes Cover) by Sea Foxx.

Brian Ritchie, bassist for the folk punk band the Violent Femmes, joins host Kenneth Womack on this episode to chat about his first Beatles records and the 40th anniversary of the Femmes' debut album. Ritchie co-founded the Violent Femmes with percussionist Victor DeLorenzo in 1981, and the duo were later joined by singer-songwriter Gordon Gano. Ritchie came up with band's distinctive name on a whim, employing it during their early days playing in Milwaukee's coffee houses. In August 1981, the Violent Femmes were discovered performing on a street corner in front of the Oriental Theatre by James Honeyman-Scott, the guitarist for the Pretenders, and Chrissie Hynde invited the Femmes to play an acoustic set prior to the Pretenders' show that night. In 1983, the Violent Femmes released their self-titled debut album, which emerged as a key soundtrack for the burgeoning alternative and college-oriented rock movements. The inaugural LP featured many of the band's best-known songs, including “Blister in the Sun,” “Kiss Off,” “Add It Up,” and “Gone Daddy Gone.” The album became the Femmes' most successful LP, eventually earning platinum status from the Recording Industry Association of America.  Over the years, the Femmes have recorded 10 studio albums, including Hallowed Ground (1984), The Blind Leading the Naked (1986), and Why Do Birds Sing? (1991). The group is widely considered to be a key influence on the 1980s and 1990s alternative rock scene.  --- Support this podcast: https://podcasters.spotify.com/pod/show/everythingfabfour/support

Fairytales and lullabies of Christmas sung by some absolute legends getting into the holiday spirit and/or using the occasion to reflect on our humanity. Featuring Shane MacGowan, Kristy MacColl, Sinéad O' Connor, Sufjan Stevens, Elvis Presley, Bob Dylan, Gordon Gano, Willie Nelson, and more. Blame it on the egg nog and meet me under the mistletoe. Tune into new broadcasts of Matt Pape Mixtape, Friday from 12 - 1 AM EST / 5 - 6 AM GMTFor more info visit: https://thefaceradio.com/matt-pape-mixtape///Dig this show? Please consider supporting The Face Radio: http://support.thefaceradio.com Support The Face Radio with PatreonSupport this show http://supporter.acast.com/thefaceradio. Join the family at https://plus.acast.com/s/thefaceradio. Hosted on Acast. See acast.com/privacy for more information.

Hace 40 años, en abril de 1983, se lanzaba uno de los debuts más influyentes y cautivadores del rock’n’roll. A pesar de su escaso éxito comercial el primer álbum de Violent Femmes convirtió al trío de Milwaukee en una de las bandas más importantes de aquel rock alternativo que emergió desde las universidades norteamericanas. Recordamos en este episodio los primeros trabajos de Gordon Gano, Brian Ritchie y Victor DeLorenzo, con su evolución desde el folk acústico de actitud punk rocker hacia el country y la música de raíces o hacia su sonido más mainstream y producido. Playlist; (sintonía) VIOLENT FEMMES “Blister in the sun” (ST, 1983 VIOLENT FEMMES “Kiss off” (ST, 1983) VIOLENT FEMMES “Gone daddy gone” (ST, 1983) VIOLENT FEMMES “Ugly” (single, 1983) VIOLENT FEMMES “Country death song” (Hallowed ground, 1984) VIOLENT FEMMES “It’s gonna rain” (Hallowed ground, 1984) VIOLENT FEMMES “Never tell” (Hallowed ground, 1984) VIOLENT FEMMES “Sweet misery blues” (Hallowed ground, 1984) VIOLENT FEMMES “No killing” (The blind leading the naked, 1986) VIOLENT FEMMES “I held her in my arms” (The blind leading the naked, 1986) VIOLENT FEMMES “Children of the revolution” (The blind leading the naked, 1986) VIOLENT FEMMES “American music” (Why do birds sing?, 1991) VIOLENT FEMMES “Add it up” (ST, 1983) Escuchar audio

Season 4, Episode 69We're going to be talking about The Sex Pistols on this episode......sort of. As you know, after that band dissolved, John Lydon formed Public Image Ltd.   They've just released their newest album, End Of World. For the other review, we're going to take a listen to the new album from the original bassist of The Sex Pistols, Glen Matlock entitled Consequences Coming. And in music news we have new singles from The Church, Billy Bragg, OMD, Duran Duran & Collin Hay.  In addition, we discuss the unexpected musical from Gordon Gano and more! Public Image Ltdhttps://www.pilofficial.comGlen Matlockhttp://www.glenmatlock.co.uk/Enjoy the podcast?  How about buying us a cup of coffee? https://www.buymeacoffee.com/newwavemusicSupport the show

Perhaps no band benefited from the beauty of the mix tape better than the Violent Femmes. However, you could argue that no other band led to the proliferation of the art form of creating a mix tape more than the Femmes. The simpleness of song structure (and production) and the adolescent lyrical content (one reviewer calling it "uber-elementary sing-alongs") were absolutely {chef's kiss} to represent frustrated, angsty teenagers of the 1980s and '90s. It makes sense -- chief songwriter Gordon Gano began writing much of these tunes when he was 15, after all. Their debut 1983 album includes classics like "Blister in the Sun," "Gone Daddy Gone," "Kiss Off," "Add It Up" and more -- all songs that hit the nerve of what it means to be a young person. It's no surprise that the Violent Femmes can still be heard on "mix tapes" (aka playlists) even today. 

For the 40th anniversary of Violent Femmes' classic debut album, we take a detailed look at how it was made. After bassist Brian Ritchie and drummer Victor DeLorenzo first started playing around Milwaukee as a rhythm section, they met a teenage songwriter named Gordon Gano. Despite having limited experience and still just being in high school, Gano had an extraordinary set of good songs that he had already written. Violent Femmes began playing as a trio but weren't able to get many gigs in town so they started playing acoustically on the street. One day they decided to play for a line of people outside the Oriental Theater who were there to see the Pretenders. James Honeyman-Scott was on a break from soundcheck and became interested in this band playing outside the theater. He convinced the rest of the Pretenders to listen and Chrissie Hynde ended up inviting the Femmes to open for them that night. Though the impromptu gig didn't lead to other opportunities, it gave them a boost of confidence to continue doing what they were doing. Shake Records became interested in releasing an album so they booked studio time with producer Mark Van Hecke. The label deal fell through but they decided to keep the studio time with the help of a loan from DeLorenzo's father. The recordings they made ended up on Slash Records' radar and they eventually released the Violent Femmes debut album as is in 1983. In this episode, Gordon Gano reflects on being a bored and lonely teenager who had a drive to write songs as a way to get out frustration. Brian Ritchie describes his unconventional approach to the acoustic bass guitar that helps give Violent Femmes their signature sound. Victor DeLorenzo offers his perspective on using brushes, a snare drum and his invention called the trancephone in order to have a simple setup that could be moved easily and played on the street. From being booed by thousands of Milwaukeans to punk music played acoustically to embracing the improvisation of Sun Ra to the first album as a mixtape that continues to get passed between generations, we'll hear the stories of how the record came together.

Violent Femmes, Liderados por Gordon Gano en la guitarra acústica y voz, Brian Ritchie en el bajo acústico y, originalmente, Victor DeLorenzo en las percusiones o “mezclando la sopa”, como se referían en sus conciertos, los Violent Femmes siempre fueron una banda de raritos que no encajaban con los estereotipos de la época. Eran una banda de culto de Wisconsin en los 80 que triunfaron en los 90 con su debut homónimo de canciones descaradas y diabólicas que zumbaban con sexo, violencia y religiosidad pervertida. La banda fue formada por Brian Ritchie y Victor DeLorenzo en 1980 y la formación se completó con la entrada de Gordon Gano. En sus inicios solían tocar en cafés y en las calles. El 23 de agosto de 1981, James Honeyman-Scott (integrante de The Pretenders), se interesó por su música cuando los vio tocando enfrente del local en el que The Pretenders iba a tocar esa misma noche, de tal manera que Chrissie Hynde les invitó a compartir escenario. Así fue como el grupo se dio a conocer y posteriormente firmó con la disquera Slash Records con la que publicaron su primer disco homónimo en 1982. Violent Femmes, el éxito seminal del indie-rock de cocción lenta, contenía el sencillo definitivo de la banda y una de las 50 mejores canciones punk de todos los tiempos, "Blister in the Sun" Blister in the sun del album debut homónimo de The Violent Femmes en su 40 aniversario acá en nuestro Ritual de lo Virtual de eclectomeiroland Sedición 479 por política y rockandroll radio 106.7 FM

Interview with Victor DeLorenzo Of Violent Femmes & The Night Crickets DeLorenzo was born in 1954, the son of Victor and Charlotte DeLorenzo, grew up in Racine, Wisconsin, and has lived in Milwaukee since. He has been a drummer since the age of 16 while attending St. Catherine's High School (Racine, Wisconsin), and has been an actor since the age of five. While attending the University of Wisconsin–Milwaukee, he auditioned for and was accepted into Theatre X in 1976, and worked with them in various roles for more than 20 years.[ As a drummer, DeLorenzo paired up with bassist Brian Ritchie in 1980, as a rhythm section they called "Violent Femmes". When singer, guitarist, and songwriter Gordon Gano joined them in 1981, the band kept the name.[2] DeLorenzo's father loaned the band $10,000 to record their eponymous debut album in 1982. However, the band was forced to delay its release until 1983 after they signed to Slash Records. DeLorenzo's signature sound is a result of his minimalist drum kit. He often uses nothing more than a snare drum, a tranceaphone and steel brushes. The tranceaphone consists of a metal bushel basket inverted over a tom. He favors this style of kit because in their early days, the band often played on the streets. DeLorenzo continued to act with Theatre X, and record and tour with the Femmes until 1993, when he left to devote more time to acting and to recording his own music.He toured as part of Moe Tucker's band in that year. In 1996 he opened a recording studio called "Joe's Real Recording" He has released three solo records since 1990. In addition to recording his own music, he has played with several side projects, including Ash Can School. In 2000, he teamed up with Ritchie to put together a Femmes compilation, and subsequently rejoined the band until it disbanded again in 2009.In March 2013, Gano, Ritchie and DeLorenzo reformed Violent Femmes once more and played a homecoming show at the Summerfest music festival in their native Milwaukee. Three months later, in July, the band announced a new line-up with Dresden Dolls member Brian Viglione as the band's drummer. DeLorenzo confirmed in a statement that he had left the Femmes permanently because of a failure of the band members to resolve their long-standing business disputes. DeLorenzo performs percussion in the chamber rock duo Nineteen Thirteen with cellist Janet Schiff. Nineteen Thirteen's recording of "Hurricane Noel" was featured in the 2011 TED Global Conference. Night Crickets, a long-distance groove affair conducted during the drawn-out days of lockdown and beyond. Featuring David J, Victor DeLorenzo, and Darwin Meiners.   Iconic and foundational bands in the history of alternative music certainly include Bauhaus, Love And Rockets, and Violent Femmes. San Francisco born artist Darwin Meiners was a fan of all three. A chance meeting 13 years ago with David J (Bauhaus, Love & Rockets) grew into a friendship, and Darwin not only became a bandmate, but David J's manager. After reaching out to Victor DeLorenzo through e-mail, Darwin met the Violent Femmes drummer after the Femmes' Coachella set in 2013. Soon after the three collaborated on Darwin's 2014 release Souvenir. As the pandemic took hold, Darwin was looking for a new project to occupy the lock-down time and approached Victor, who was keen to proceed and suggested that David join as well. The musical trust established between these three was immediate and Night Crickets were born. Within weeks a global process was initiated between them, the recordings eventually forming the album, A Free Society. To say this is something of a dream come true for music fans would be entirely accurate. (The band's name came from one of many Zoom meetings between the three members. After addressing various pressing musical issues the conversation rambled somewhat and turned to the subject of David Lynch, with David J telling an anecdote which was told to him by Lynch's sound designer, John Neff. Lynch had asked Neff to obtain a field recording of crickets chirping at night for inclusion in Mulholland Drive. When Neff played him the tape, the director immediately recognized the sound that the insects make when it is light which is apparently a little different to their nocturnal chirp. “No! No! No! These are day crickets, John! I want my night crickets!” Victor, Darwin, and David then shared a look of mutual realization and instantly agreed that the project now had a name!) Night Crickets Info http://omnivorerecordings.com/shop/a-free-society/?fbclid=IwAR20Jsa93KV7Npoxfan53Mjd67ihiceYXEkESshe5I0SGiKhGAveeZJgMrk   Victor's Info https://victordelorenzo.weebly.com/vf-press-release.html  

Violent Femmes, the ultimate in self-titling! What are your most favorite and least-loved songs on the Femmes' 1983 debut album? The hosts care for all of these songs so dearly that it was once called "impossible to rank" by Jim, which is why Adam chose it. Contains fun tales of teenage party singalongs, our own "best-ever" cover versions and even late-night hangouts with the band. Guest ranker, magician and Possum Dixon singer Rob Zabrecky sends us his pick for album favorite. Hear it at WeWillRankYouPod.com, Apple, Spotify and your local 31 Flavors. Follow us and weigh in with your favorites on Facebook, Instagram and Twitter @wewillrankyoupod . SPOILERS N KEYWORDS: Blister in the Sun, Gnarls Barkley, Kiss Off, Roxy Music, fuck, Victor DeLorenzo, Please Do Not Go, xylophone, Add It Up, screw, Gordon Gano, acoustic bass, Confessions, El Destroyo, Prove My Love, the Jetsons, Brian Ritchie, They Might Be Giants, Promise, Tom Verlaine, To The Kill, Gone Daddy Gone, Velvet Underground, Good Feeling US: http://www.WeWillRankYouPod.com wewillrankyoupod@gmail.com http://www.facebook.com/WeWillRankYouPod http://www.instagram.com/WeWillRankYouPod http://www.twitter.com/WeWillRankYouPo http://www.YourOlderBrother.com (Sam's music page) http://www.YerDoinGreat.com (Adam's music page) https://open.spotify.com/user/dancecarbuzz (Dan's playlists)

My talk with Kevin Devine was epic. We hit the ground running discussing our mutual struggles with addiction, seeking alternative models of strength and masculinity, our love of Kurt Cobain, Elliot Smith and he shares a great story of borrowing Gordon Gano's guitar and then bleeding all over it. Part 2 is equally as candid and great. which is available for Patreon Subscribers only. A link for that is in the show notes. Please enjoy. Part 2 the Patreon Exclusive Portion of the interview with Kevin HEREOpening Song, Override from Kevin Devine's album Nothing's Real, So Nothing's WrongKevin's BandcampKevin's WebsiteKevin's InstagramAll Things DwyerGet a website from Kelly R. Dwyer See acast.com/privacy for privacy and opt-out information.

Gordon Gano of the Violent Femmes called in to talk to RenoCast. Don't judge me for fanboying out... Violent Femmes are performing in Reno on June 8, 2022 at Virginia Street Brewhouse. Buy tickets here: Tickets for Violent Femmes, Deap Vally | TicketWeb - Virginia Street Brewhouse in Reno, US

As part of an effort to integrate Milwaukee schools, in 1976 Rufus King High School became a magnet school focused on college prep and welcomed students from far away suburbs, including Gordon Gano of the Violent Femmes.

In this episode of the podcast, Kevin welcomes Minneapolis-based writer Rachel Brougham to the virtual building where the two chat about being only children raised by MTV, her love of The Cure, her husband's love of Liz Phair, and trying to find the place where grief and joy can occur at the same time—and this happens to be the central theme of Brougham's memoir, Widowland, available from Black Hat Press. To order a copy of Widowland, please click here. For more information about Brougham, follow her on Twitter.  For more information about the "award winning" music criticism site, Anhedonic Headphones, click here   Episode Musical Credits Opening Theme Music- "Flava In Ya Ear" (Instrumental); written by Osten Harvey Jr, Craig Mack, Roger Nichols, and Paul Williams. Bad Boy Records, 1994. Closing Theme Music - "Feelin'"; written by Rashad Harden. Hyperdub Records, 2013. Incidental Music in this episode - "Clair de Lune," written by Claude Debussy; performed by Kamasi Washington. The Epic, Brainfeeder, 2015. "More Than A Feeling," written by Tom Scholz; performed by Boston. Boston, Epic, 1976. "Just Like Heaven," written by  Robert Smith, Simon Gallup, Porl Thompson, Boris Williams, and Lol Tolhurst; performed by The Cure. Kiss Me, Kiss Me, Kiss Me, Fiction, 1987. "American Music," written by Gordon Gano; performed by The Violent Femmes. Why Do Birds Sing?, Reprise, 1991. "Left of The Dial," written by Paul Westerberg; performed by The Replacements. Tim, Sire, 1985. "True Love Waits," written by Thom Yorke, Ed O'Brien, Jonny Greenwood, Colin Greenwood, and Phil Selway; performed by Radiohead. I Might Be Wrong, Parlophone/EMI, 2001. "6'1"," written and performed by Liz Phair. Exile in Guyville, Matador, 1993. "Neighborhood #1 (Tunnels)," written by Will Butler, Win Butler, Régine Chassagne, Josh Deu, Tim Kingsbury, Richard Reed Parry; performed by Arcade Fire. Funeral, Merge, 2004. "Such Great Heights," written by Ben Gibbard and Jimmy Tamborello; performed by The Postal Service. Give Up, Sub Pop, 2003. "My Slumbering Heart," written by Jenny Lewis and Blake Sennett; performed by Rilo Kiley. The Execution of All Things, Saddle Creek, 2002. "The Ladder is Ours," written by Ritzy Bryan and Rhydian Dafydd; performed by The Joy Formidable. Wolf's Law, Atlantic, 2013.  

Dans cet épisode, on va vous parler du phénomène Louise Attaque !  Alors que la Mano Negra jette l'éponge qu'en 1994, Louise Attaque fait ses débuts dans les bars et commence à jouer ses chansons au format hors norme, entre folk et punk, librement inspirées du groupe Violent Femmes.  Quand sort leur premier album éponyme en 1997, Louise Attaque bénéficie déjà d'un bouche-à-oreille incroyable. Pendant que le groupe écume toutes les salles de l'Hexagone, les exemplaires du disques eux, s'écoulent comme des petits pains, portés par des titres imparables comme “Ton invitation”, “Léa”, “Les nuits parisiennes” et bien évidemment "J't'emmène au vent".  Son succès ne correspond à aucun des standards connus. Jamais un groupe ne s'était imposé si rapidement, loin des médias et des circuits traditionnels.  2 millions et demi d'exemplaires vendus plus tard, Louise Attaque est devenu un groupe majeur, tout en ayant décidé de se tenir à l'écart des projecteurs, ce qui provoquera en retour des réactions ambiguës, entre envie et jalousie, admiration et sarcasme.  On vous raconte la story de Louise Attaque avec Olivia, Greg nous emmène en studio avec Gordon Gano et Fanny vous raconte tout sur la pochette dessinée par Robin Feix. Crédits : Générique : Dr Alban "Sing Hallelujah". Titres écoutés dans l'émission : “Amours”, “J't'emmène au vent”, “Ton invitation”, “La Brune”, “Les Nuits parisiennes”, “L'Imposture”, “Savoir”, “Arrache-moi”, “Léa”, “Fatigante”, “Tes yeux se moquent”, “Vous avez l'heure”, “Toute cette histoire”, “Cracher nos souhaits”, “J't'emmène au vent (démo)”. Mano Negra “Mala Vida”, Violent Femmes “Blister in the sun”, “I hear the rain”.  Extraits : “Pollen" (France Inter, 1995), “White Session Louise Attaque - C'est Lenoir" (France Inter 1997), “Ton invitation - Live à NPA" (Canal+, 1998), "Interview Sacem avec Gaëtan Roussel" (Dailymotion, 2011) Chaque mois dans Radio K7 on rembobine nos cassettes et vous raconte l'histoire d'un album qui a marqué les années 90s. Une émission animée par Emmanuel Minelle, Fanny Giniès, Olivia Godat et Grégoire Sauvage. Enregistrée chez Fanny Giniès. Identité graphique réalisée par Floating Studio. LAISSEZ UN MESSAGE APRÈS LE BIP ! Ne soyez pas timide on a envie de vous entendre ! Appelez-nous au 01 89 16 75 31, pour suggérer un album, donner votre avis ou raconter une blague ! Sinon, retrouvez-nous sur les internets : — Twitter : @RadioK7Podcast — Instagram : @radio_k7 — Facebook : @Radiok7podcast

Que viagem foi esta nossa conversa com o Francisco Silva! Uma viagem à boleia de 4 canções pelas influências que um dia viriam a confluir nesse projeto incrível que conhecemos como Old Jerusalem. Do fascínio por Prince e as suas mil controvérsias - de onde nasce uma grande paixão pelas guitarras – à tentativa de “copiar” o estilo de Gordon Gano a escrever canções, passando por esse momento de quase epifania ao ouvir pela primeira vez Will Oldham... neste episódio recebemos não só o Francisco músico, mas também o melómano. E só verdadeiros melómanos conseguem contagiar-nos desta maneira com o seu entusiasmo pelos pequenos grandes pormenores que fazem de certas canções experiências verdadeiramente transformadoras e únicas – e quem esteve connosco na Chasing Rabbits no dia 21 não nos deixa mentir! Não percam a estreia deste nosso novo formato e não se esqueçam de ouvir “Certain Rivers”, o novíssimo disco de Old Jerusalem que está a comemorar este ano 2 décadas de carreira.

Será desta que o Outono veio para ficar? E como se sentem vocês em relação a isso? No Salt Peanuts sabemos que há dois tipos de pessoas no mundo: aquelas que abraçam o Outono, os seus cheiros e cores, e os “Outono-céticos”, que sofrem – qual Gordon Gano nos seus temas mais dramáticos! - assim que os dias ameçam ficar mais pequenos. Este episódio é mesmo para todos! Se gostam desta época do ano tanto como nós, vão descobrir aqui mais 4 canções a juntar à vossa banda-sonora da melancolia outonal. Se são dos que já só suspiram pela Primavera/Verão 2022 e estão com dificuldades em arrumar os calções e as sandálias... saibam que estiveram nos nossos pensamentos durante todo o episódio! ;) Aqui têm uma grande oportunidade para se deixarem envolver pela nostalgia mágica do Outono - e não vale fazer fast-forward para a última canção ;)

New music and music news of September 2021 Check out the Power Chord Hour radio show every Friday night at 10 est on 107.9 WRFA in Jamestown, NY, stream the station online at wrfalp.com/streaming/ or listen on the WRFA mobile appemail me for FREE Power Chord Hour stickers - powerchordhour@gmail.comMusic Heard On This Episode -Sincere Engineer - Bless My Psyche - https://sincereengineer.bandcamp.com/album/bless-my-psycheHawthorne Heights - The Rain Just Follows Me - https://hawthorneheights.bandcamp.com/album/the-rain-just-follows-meCommon Sage - It Breathes And It Lives - https://commonsage.bandcamp.com/album/it-lives-and-it-breathes-2Facebook - www.facebook.com/powerchordhourInstagram - www.instagram.com/powerchordhour/Twitter - www.twitter.com/powerchordhour/Youtube - www.youtube.com/channel/UC6jTfzjB3-mzmWM-51c8LggSpotify - https://open.spotify.com/user/kzavhk5ghelpnthfby9o41gnr?si=4WvOdgAmSsKoswf_HTh_Mg 

I am joined this week by original Violent Femmes drummer Victor DeLorenzo to talk about the making of the bands album Why Do Birds Sing for it's 30th anniversary, acting and writing outside of drumming, writing music with his new band NINETEEN THIRTEEN, being possibly the only band to open for both the Grateful Dead and Ramones, playing drums in Moe Tuckers band and a whole lot more  FOLLOW VICTOR DELORENZO - https://victordelorenzo.weebly.comhttp://www.nineteenthirteen.comhttps://nineteenthirteen.bandcamp.comTwitter - https://twitter.com/VicDeLorenzohttps://twitter.com/1913mkeInsta -https://www.instagram.com/vjd/https://www.instagram.com/1913mke/Facebook -https://www.facebook.com/Nineteen13Check out the Power Chord Hour radio show every Friday night at 10 est on 107.9 WRFA in Jamestown, NY, stream the station online at wrfalp.com/streaming/ or listen on the WRFA mobile appemail me for FREE Power Chord Hour stickers - powerchordhour@gmail.comFacebook - www.facebook.com/powerchordhourInstagram - www.instagram.com/powerchordhour/Twitter - www.twitter.com/powerchordhour/Youtube - www.youtube.com/channel/UC6jTfzjB3-mzmWM-51c8LggSpotify - https://open.spotify.com/user/kzavhk5ghelpnthfby9o41gnr?si=4WvOdgAmSsKoswf_HTh_Mg 

Vocalist/guitarist Gordon Gano of the Violent Femmes is the guest on the Goldmine Podcast. He discusses the 40th anniversary of the formation of the folk-punk band with bassist Brian Ritchie and original drummer Victor DeLorenzo, and with that the recent vinyl release of the compilation Add It Up (1981–1993) — originally produced for CD in 1993 — and its unique track listing.

Vocalist/guitarist Gordon Gano of the Violent Femmes is the guest on the Goldmine Podcast. He discusses the 40th anniversary of the formation of the folk-punk band with bassist Brian Ritchie and original drummer Victor DeLorenzo, and with that the recent vinyl release of the compilation Add It Up (1981–1993) — originally produced for CD in 1993 — and its unique track listing.

Vocalist/guitarist Gordon Gano of the Violent Femmes is the guest on the Goldmine Podcast. He discusses the 40th anniversary of the formation of the folk-punk band with bassist Brian Ritchie and original drummer Victor DeLorenzo, and with that the recent vinyl release of the compilation Add It Up (1981–1993) — originally produced for CD in 1993 — and its unique track listing.

Vocalist/guitarist Gordon Gano of the Violent Femmes is the guest on the Goldmine Podcast. He discusses the 40th anniversary of the formation of the folk-punk band with bassist Brian Ritchie and original drummer Victor DeLorenzo, and with that the recent vinyl release of the compilation Add It Up (1981–1993) — originally produced for CD in 1993 — and its unique track listing. Learn more about your ad choices. Visit megaphone.fm/adchoices

Vocalist/guitarist Gordon Gano of the Violent Femmes is the guest on the Goldmine Podcast. He discusses the 40th anniversary of the formation of the folk-punk band with bassist Brian Ritchie and original drummer Victor DeLorenzo, and with that the recent vinyl release of the compilation Add It Up (1981–1993) — originally produced for CD in 1993 — and its unique track listing.

Indie legend Brian Ritchie of Violent Femmes appears on the latest installment of Gone In 30 Minutes to chat about life on the big, blue(ish) marble. A seminal figure of punk, Ritchie thinks back to his upbringing in Milwaukee, the band’s…let’s say…less-than-ideal deal with Slash Records and the incessant nature of music itself. And Ritchie hasn’t stopped either—in addition to curating for annual music and arts festival MONA FOMA, in his homeland of Tasmania, he’s been broadcasting daily performances so we never lose touch of that “American Music.”

SUPPORT ME ON PATREON WATCH MUSIC is not a GENRE VIDEOS and MORE When a new band finds the right name for itself, it's magic. They don't always get it right the first time. Imagine if “Jeremy” was released by Mookie Blaylock. Or if The Hype did “With or Without You”. Or the Young Aborigines scored a hit with “Sabotage”. Those band names do not support the attitude & spirit of the songs. Thankfully inspiration gave us the far more dead-on Pearl Jam, U2 and the Beastie Boys. And those are three of dozens of famous bands that took some trial and error to nail the name. Violent Femmes, however, killed it right off. Sure, it was intended as an off the cuff joke name. But as soon as the two founding members, Brian Ritchie and Victor DeLorenzo, discovered Gordon Gano, it made perfect sense. Brian and Victor had the post-punk rhythm and attitude with an extra shot of weirdness. Gordon had the singing chops - nasal weird kid-like talk-singing that fit so well, and songs that spoke openly about sensitive, painful, awkward feelings without the defensiveness that often pushes singer/songwriters to macho it up. It was raw and new and instantly worked. Their music embodied both the violent “masculine” emotional confusion all adolescents feel, and the vulnerability of undressed honesty often associated with a person's “feminine” side. And by doing so without apology it showed all that masculine-feminine stuff is bullcrap. There's no reason to label what a person feels, how they act, or how they express themselves. Open up and say whatever comes out. Get angry and aggressive. Get confessional and insecure. It's all just being a complete and truly vulnerable human. Did they intend for their name to represent all this? Or their music for that matter? No. The synergy was accidental. The unadorned arrangements (acoustic bass AND drums with no kick!), vocals and words just happened to come together to embody the exact gender duality the name hints at. And they did it with an in-your-face, we don't care what you think folk punk attitude that influenced a whole generation of bands. They were pre-emo - one of the seminal 1980s bands that gave permission for tons of other bands to get confessional without defense. And I'm included in that group. Whenever I'd write lyrics that felt too raw and revealing, I looked to the Femmes (and the Cure and few others) to reassure me that I didn't need to hide the words behind aggressive music. Below are an early-ish song and a much more recent one that both show this. NICK – “You Can't Touch Me” (from the album Listen You People) REC – “Lost Found” (from the album Sympathy for the Weird) Do you remember the Femmes? Did you know they just put out a new album last year? Are there other bands you like who hold this same kind of duality? Discuss dammit! NICK'S LIVE VERSIONS OF TWO CLASSIC FEMMES SONGS: "Never Tell" "American Music" --- This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app Support this podcast: https://anchor.fm/nick-dematteo/support

Violent Femmes – Blister in the Sun Fyrsta lag á fyrstu plötu hljómsveitarinnar Violent Femmes er þeirra stærsta lag. Það heitir Blister in the Sun og söngvarinn, Gordon Gano, var aðeins átján ára þegar það var tekið upp – en hann hafði víst samið lagið mun fyrr. Lagið er því óður til unglingagreddu og óöryggis, […]

Álbum Delicatessen Cooking Vinyl : Ian McCulloch – “Love In Veins” Eyes Adrift - “Alaska (Radio Edit)” Gordon Gano – “Hitting The Ground” Ryan Adams – “To Be Young (Is To Be Sad Is To Be High)” (Acoustic Version) The Church – “Seen It @ The Feelmore” Obi – “Somewhere Nicer” Frank Black And The Catholics – “Velvety” Mary Lorson & Billy Coté – “See The Stars” (Radio Edit) Soft Cell – “The Night” The Mendoza Line – “A Damn Good Disguise” Camper Van Beethoven – “Take The Skinheads Bowling “ The Apples In Stereo – “Please” Dan Bern – “Talkin' Al Kida Blues” Richard Thompson – “One Door Opens “ Jackie Leven – “ Irresistable Romance” (Radio Edit) French Kicks - “ Crying Just For Show” Ryan Adams – “ Goodbye Honey” Billy Bragg & The Blokes – “Distant Shore” The Minus 5 – “Retrieval Of You” feat . Ken Stringfellow Álbum Substitute - The Songs Of The Who : Cast – “The Seeker” Ocean Colour Scene – “Anyway Anyhow Anywhere” Paul Weller – “Circles” David Bowie – “ Pictures Of Lily” Pearl Jam – “The Kids Are Alright” Fastball - "The Real Me” Unamerican - "Naked Eye” Stereophonics Who Are You” Phish - “5.15” Sheryl Crow – “Behind Blue Eyes” The Who featuring Kelly Jones – “Substitute” Álbum Nils Lofgren Band Live : - "First Time Ever I Saw Your Face" Escuchar audio

Curly fries?  Overrated, according to Gordon Gano of Violent Femmes.  The band Japan?  Underrated...although we didn't pick 'em during this episode.  Come on, we wouldn't let you off that easy with a spoiler alert!  Join Brett, Uncle Gregg, and Knucklehead Smith...oops, we mean Bueno...as they champion the underdogs, the '80s bands who deserve more love, the bands who should be playing arenas instead of '80s cruises (although those do sound pretty awesome).  Who's on your list?  Storm our Facebook page at facebook.com/onlythreelads and let us know!  If you don't, old Knucklehead Smith is gonna get really sore at ya, see?This episode is dedicated to the memory of legendary alternative music DJ Steve West, 1951-2020.

Pendant la pause estivale, Rock à la casbah confie sa programmation à un artiste, un activiste du monde du rock. playlist : 1. Bobby Boyd Congress - There it is - 45t The sun is shining - 1972 - Disc'AZ 2. Bwa Bandé - Fre d'Afrik - Album Radikal - 1998 - Déclic Communication 3. Mélissa Laveaux - Nibo - Album Radyo siwèl - 2018 - No Format 4. Gordon Gano & PJ Harvey - Hitting the ground - Album Hitting the ground - 2002 - Atmosphériques 5. Bertrand Betsch - Les mots ont leur importance - Album Pas de bras, pas de chocolat - 2004 - Labels 6. Mendelson - Les loisirs (That's entertainment) - Album Sciences politiques - 2017 - Ici d'ailleurs 7. Family Fodder - Data hoarders - Album Easy listenin' not - 2018 - Furniture 8. The Ready-Mades - Intervention horizontale - Album Autogestion sentimentale - 2018 - Soundflat 9. Jonathan Richman - Allo mes amis - En concert à Reims, Maison Commune du Chemin Vert, 13/06/1985 10. Jonathan Richman & the Modern Lovers - The new teller - En concert en Suède diffusé le 14 juin 1978 11. Best Fwends - Days seem shorter - Album Alphabetically arranged - 2007 - Moshi Moshi 12. Television Personalities - Love is a four-letter word - Album Beautiful despair - 2017 - Fire 13. Sanford Clark - They call me country - 45t They call me country - 1967 -Remco 14. Manuia & Maeva - Tamure ue ue rii Album Otuitui Tahiti - 1965 - Disc'AZ 15. Gana M'Bow & Orchestre sous la direction de Gérard Lurcy - Timoulamoudé - 45t Bande originale du film Liberté 1 - 1962 - Philips 16. Daniel Forestal et sa Guitare - Ces p'tits je t'aime - 45t Daniel Forestal et sa Guitare - Années 1960 - Disques Debs 17. Ahamada Smis - Guiri hiri - Album Origines - 2012 - Colombe 18. Saodaj' - Ils arrivent - Album Pokor lèr - 2018 - Saodaj'/Kadakak

2019 marks the 20th anniversary of the founding of Lost Bayou Ramblers by Andre and Louis Michot. In this episode of Discover Lafayette, the brothers had just come back from a five-month touring hiatus and visited with Jan Swift about their journey to becoming an established international presence on the music scene. Worklight Pictures created the “rockumentary,” On Va Continuer, capturing the personal and professional story behind the band, whose members also include Johnny Campos (electronic guitarist), Eric Heigle (electronics and acoustic guitar), Bryan Webre (electric bassist) and drummer Kirkland Middleton. The film looks at the modern Cajun culture and the importance of sustaining the Cajun French language. Mark your calendar for the celebration of Lost Bayou Rambler’s 20th anniversary on September 28, 2019 and viewing of the film at the Acadiana Center for the Arts. Growing up, Andre and Louis performed Cajun music as members of Les Frères Michot, the band their father, Tommy Michot, and uncles formed in the 1980's. While they had taken lessons to learn guitar (Andre) and classical violin (Louis), their talent blossomed when they picked up instruments and taught themselves the intricacies of the accordion (Andre) and fiddle (Louis). Andre has actually mastered the art of building accordions as an adult musician, and the brothers have learned to play other instruments by ear and by watching each other as they jammed together and with Les Frere Michot. The Lost Bayou Rambler’s musical lyrics are performed solely in French, but the men didn’t grow up speaking the language. It took a solo journey by Louis to St. Anne’s University in Nova Scotia in 1998 to learn French and that is where he picked up the fiddle, using an instrument his grandfather had handed down. For Louis, learning the language was facilitated by singing the words and learning the rhythm as he played the fiddle on the streets. In August 1999, the brothers booked their first gig as a yet-to-be-named band at Café Rue Vermilion in downtown Lafayette. On the way, Louis stopped by to see his friend, the late Ryan Domingue, who asked what their name was. When Louis said, “We don’t have one,” Ryan offered up “Lost Bayou Ramblers” which both young men loved. For background on this story and information on the Rue Vermilion Revival and Flood Relief Fundraiser in 2016, visit here. Lost Bayou Ramblers received a Grammy nomination for its 2007 release of Live a la Blue Moon. In 2012, the band released Mammoth Waltz with the help of producer Korey Richey and guest artists Gordon Gano, Scarlett Johansson, and Dr. John. Mammoth Waltz was named #2 in the “Top 21 Louisiana albums of the 21st Century” by Times Picayune. Lost Bayou Ramblers’ contribution to the score of Beasts of the Southern Wild in 2012 brought them renown worldwide, and we end this interview with the haunting melody of their music from the film. After their live appearance on NPR’s World Café, Lost Bayou Ramblers was rated #1 on “David Dye’s five favorite live music moments in and out of the World Café studio.” And then, in 2017, the band won a Grammy for Best Regional Roots Music Album for Kalenda. The bands' performance on the 2017 PBS documentary series American Epic, solidified Lost Bayou Ramblers' international reputation as an iconic Cajun band. Lost Bayou Ramblers recently released their score to the highly acclaimed and award-winning Rodents of an Unusual Size, which aired on PBS earlier this year. The film documents the unusual relationships people have with the large rodents. The music was released on March 29 and is available via Bandcamp on CD, and all major streaming and paid download sites. You can check out the music here. The spoken words of Louis and Andre are inspirational and engaging. Their story is worth a listen. Thanks to the brothers for sharing their journey.

More appetizing than a bag full of hard boiled eggs, it’s an all new edition of Sabrina’s Witch Trials! When Sabrina’s aunties transform into teens, with INCREDIBLE names, to chaperone her friends’ midnight trip to Boston to meet the DEFINITELY still relevant Violent Femmes, will our resident teen witch’s voyage be ruined by Hillary and Zellary’s assaulting police officers and inadvertent flirting, or will she end up having a rocking good time?! Join host Alex Araujo, as he, along with renowned media maven Cris Araujo, breaks down all the crop tops, HIDEOUS eyewear, and uncomfortable car scenes that make up this astonishingly fun episode of Sabrina, the Teenage Witch, its “Hilda and Zelda: the Teenage Years”! All that, plus a scientific comparison of the voices of Gordon Gano and Jon Lovitz, on this youthful edition of Sabrina’s Witch Trials!Remember, you can always follow Sabrina’s Witch Trials on...Facebook - https://www.facebook.com/SabrinasWitchTrials Instagram – https://www.instagram.com/SabrinasWitchTrials/ Twitter – https://twitter.com/SabrinaPodcastListen, like, and subscribe to Sabrina’s Witch Trials on...iTunes - https://itunes.apple.com/us/podcast/sabrinas-witch-trials/id1127622286?mt=2 Stitcher - https://www.stitcher.com/podcast/alex-araujo-2/sabrinas-witch-trialsSoundcloud - https://soundcloud.com/sabrinaswitchtrialsYouTube - https://www.youtube.com/channel/UCm9qMrm0ySgJCf54qRGcT9wIf you cannot see the audio controls, listen/download the audio file here

Gordon Gano of Violent Femmes on Johnny Thunders and The Heartbreakers "Live at Max's Kansas City."

Brian and Bill welcome DJ Wendy Rollins (radio1045.com) and musician Paul Nance (theloudcompany1.bandcamp.com) from the Alter Natives podcast to help us discuss the Violent Femmes' self titled debut album (1983, Slash). Working as an acoustic trio, the band was discovered while busking outside a Pretenders concert. After playing a short set at that show, the band began work on this album, mostly written while primary singer/songwriter Gordon Gano was still in high school. Wendy and Paul share their experiences discovering the band in college (Wendy) and, surprisingly, at an earlier age (Paul) and how it helped shape their lives. Bill, Brian, Paul, and Wendy discuss receiving their copy of this album at college freshman orientation, the band's success in their later years, their dorky image and id-driven rock, the inter-band conflict over selling a song to Wendy's Old Fashioned Burgers, what genre the Femmes fit in and their timeless sound, songs with involuntary physical reactions, Brian and Wikipedia being in agreement, Sabrina the Teenage Witch, any perceived misogyny or sexism on the album, the music literally saving Wendy's life, Beatle-esque harmonies, Jeb!, xylophone vs. marimba, what the heck a tranceaphone is, and the ubiquitous track by track review!

Part 2 of my conversation with guest Brian Salvatore as we look back at the music of 1984. I've also got music from Hallelujah the Hills, Feral Jenny and Red Sea. Show notes: - Recorded via Skype - Check out Brian's comics podcast The Hour Cosmic - Brian's #5 - Pretenders are very underrated - Chrissie Hynde got a late start in rock - Jay's #5 - Saw R.E.M.'s first national TV appearance on Letterman - Brian's #4 - Minutemen covered a wide range of styles - Mike Watt's interesting career - Scott Asheton, R.I.P. - James Williamson went from playing with Iggy to become a Silicon Valley exec - Jay's #4 - Van Halen inadvertently helped create hair metal - Brian's #3 - Meat Puppets created a unique sound - Most people became aware of them a decade later - Jay's #3 - Replacements' sound evolved from punk to more mature rock - Brian's #2 was his #1 when we started talking - Jay's #2 - Husker Du was coming into its own in '84 - So much good music on SST in the early to mid-'80s - Brian's #1 - Gordon Gano wrote first two Violent Femmes albums while in high school - Serious gospel undertones - Jay's #1 - Purple Rain was a masterpiece - Jay chronicled 1984 in a diary reprinted on Kumar's Blizznog - Next up: 1986   Completely Conspicuous is available through the iTunes podcast directory. Subscribe and write a review!   Music: Hallelujah the Hills - Pick Up an Old Phone Feral Jenny - Law & Order Red Sea - Down with the Crown   The Hallelujah the Hills song is on the album Have You Ever Done Something Evil? on Discrete Pageantry. Download the song for free at Stereogum. The Feral Jenny song is on the EP Bedrooms. Download the song for free at Bandcamp. The Red Sea song is on the EP Yardsticks for Human Intelligence. Download the song for free at Bandcamp.   The opening and closing theme of Completely Conspicuous is "Theme to Big F'in Pants" by Jay Breitling. Find out more about Senor Breitling at his fine music blog Clicky Clicky. Voiceover work is courtesy of James Gralian.