Podcast appearances and mentions of victor delorenzo

Victor DeLorenzo makes his third PCH appearance to talk about the new Night Crickets record How It Ends, writing and acting in his new film Mary For The Block, the first two Violent Femmes records and tons more. Plus a bonus appearance from Janet Schiff of NINETEEN THIRTEEN!VICTOR DELORENZOhttps://ffm.to/nchiends.oishttps://www.instagram.com/nightcricketsofficialhttps://www.instagram.com/vjdhttp://www.nineteenthirteen.comhttps://nineteenthirteen.bandcamp.comPCHInstagram - www.instagram.com/powerchordhourTwitter - www.twitter.com/powerchordhourFacebook - www.facebook.com/powerchordhourYoutube - www.youtube.com/channel/UC6jTfzjB3-mzmWM-51c8LggSpotify Episode Playlists - https://open.spotify.com/user/kzavhk5ghelpnthfby9o41gnr?si=4WvOdgAmSsKoswf_HTh_MgDonate to help show costs -https://www.paypal.com/paypalme/pchanthonyhttps://cash.app/$anthmerchpowerchordhour@gmail.comCheck out the Power Chord Hour radio show every Friday night at 8 to 11 est/Tuesday Midnight to 3 est on 107.9 WRFA in Jamestown, NY. Stream the station online at wrfalp.com/streaming/ or listen on the WRFA app.Special Thanks to my buddy Jay Vics for the behind the scenes help on this episode!https://www.meettheexpertspodcast.comhttps://www.jvimobile.com

WISCONSIN MUSIC PODCAST  WMP Linktree: https://linktr.ee/WI_Music_Podcast  AMPLFYING WISCONSIN MUSIC  Episode 164 Victor DeLorenzo https://www.instagram.com/vjd/ From Violent Femmes to Night Crickets In this episode of the Wisconsin Music Podcast, Zach Fell sits down with Victor DeLorenzo, the founding member of Violent Femmes, to discuss his artistic journey. Victor shares his transformation from an aspiring actor to a pivotal figure in music after being inspired by The Beatles' 'Hey Jude.' He elaborates on his unique drumming style, the origins of Violent Femmes, and his continued passion for music through projects like 1913 and Night Crickets. The discussion extends to the challenges faced by modern musicians in the digital age, the importance of local music support, and his solo album 'Tranceaphone.' Victor provides insights into his creative processes, reflections on his past work, and the future of music. This episode is a deep dive into the enduring artistry and innovation of Victor DeLorenzo. 00:00 Introduction to the Wisconsin Music Podcast 00:15 Meet Victor DeLorenzo: A Multifaceted Artist 01:47 Victor's Early Musical Influences 04:06 The Birth of a Drummer 08:03 Forming the Violent Femmes 16:24 Victor's Current Projects: 1913 and Night Crickets 20:35 A Lifelong Love for Recording 21:33 Early Inspirations and Career Beginnings 22:46 Advice for Aspiring Musicians 23:44 Reforming Violent Femmes 25:42 Creating Tranceaphone and Spoken Drum 27:59 Acting Career Highlights 29:49 Influences and Inspirations 33:54 The Digital Age of Music 36:01 Balancing Creative Pursuits 38:14 Final Thoughts and Reflections 38:57 Closing Remarks and Podcast Information  

We begin our octogenarian episode with Tommy's artistic expression of his anger towards Becker before we record an intro in arrears, featuring the magic of our new THX (or THC) bumper.   And then, friends, 80 is a big number, and we are doing a big song with a big guest!  We welcome Mr. Victor DeLorenzo of the Violent Femmes to discuss what some would consider to be the most popular Beatles song.  Victor was kind enough to give us the time to talk about his work in one of the most important alternative bands of all time before we discuss one of the most important works of the Fab Four.  Where will we rank it?  There's only one way to find out.As always, you can find Team Blotto Beatles on Instagram (@blottobeatles) and Twitter (@blottobeatles), by emailing us (blottobeatles@gmail.com), or on the web (blottobeatles.com).  We want to hear from you!Please also take the time to rate and review us on Apple podcasts or wherever you get your podcasts.We have a shop!  Grab some merch.  You can always drunk dial us at 1.857.233.9793 to share your thoughts, feedback, confessions, and concerns and to be featured in an upcoming episode. Enjoying the show? Buy us a beer via the tip jar (don't forget to include a message telling us what we should drink with the money).You know we're making a list of it, see the canonical, argument-ending list of Beatles songs we are assembling here: https://www.blottobeatles.com/list & listen to it on Spotify here.Please remember to always enjoy Blotto Beatles responsibly.Peace and Love.Hosts: Becker and TommyGuest: Victor DeLorenzo (@vjd)Executive Producer: Scotty C.Musical Supervisor: RB (@ryanobrooks)Associate Musical Supervision: Tim Clark (@nodisassemble)#PeteBestGetThatCheck

That tap-tap, tap-tap at the beginning of “Blister in the Sun” may be one of rock's most air-drummed fills, and former Violent Femmes drummer Victor DeLorenzo explains how the song's indelible intro came to be. He shares many more stories about this Milwaukee band, including the name's origin, the invention of his tranceaphone and the jaw-dropping tale of how the Pretenders discovered Violent Femmes busking outside the theater and invited the trio to open for them that night. Violent Femmes' instant-classic self-titled debut sounded like nothing else, the third album was produced by Talking Heads' Jerry Harrison, and after five studio albums, DeLorenzo had had enough. He tells of his ongoing acting career that included a tryout for Brian De Palma's The Untouchables, his reaction to the "Blister" Wendy's ad and his up-and-down relationship with his former bandmates.

Brian Ritchie, bassist for the folk punk band the Violent Femmes, joins host Kenneth Womack on this episode to chat about his first Beatles records and the 40th anniversary of the Femmes' debut album. Ritchie co-founded the Violent Femmes with percussionist Victor DeLorenzo in 1981, and the duo were later joined by singer-songwriter Gordon Gano. Ritchie came up with band's distinctive name on a whim, employing it during their early days playing in Milwaukee's coffee houses. In August 1981, the Violent Femmes were discovered performing on a street corner in front of the Oriental Theatre by James Honeyman-Scott, the guitarist for the Pretenders, and Chrissie Hynde invited the Femmes to play an acoustic set prior to the Pretenders' show that night. In 1983, the Violent Femmes released their self-titled debut album, which emerged as a key soundtrack for the burgeoning alternative and college-oriented rock movements. The inaugural LP featured many of the band's best-known songs, including “Blister in the Sun,” “Kiss Off,” “Add It Up,” and “Gone Daddy Gone.” The album became the Femmes' most successful LP, eventually earning platinum status from the Recording Industry Association of America.  Over the years, the Femmes have recorded 10 studio albums, including Hallowed Ground (1984), The Blind Leading the Naked (1986), and Why Do Birds Sing? (1991). The group is widely considered to be a key influence on the 1980s and 1990s alternative rock scene.  --- Support this podcast: https://podcasters.spotify.com/pod/show/everythingfabfour/support

Hace 40 años, en abril de 1983, se lanzaba uno de los debuts más influyentes y cautivadores del rock’n’roll. A pesar de su escaso éxito comercial el primer álbum de Violent Femmes convirtió al trío de Milwaukee en una de las bandas más importantes de aquel rock alternativo que emergió desde las universidades norteamericanas. Recordamos en este episodio los primeros trabajos de Gordon Gano, Brian Ritchie y Victor DeLorenzo, con su evolución desde el folk acústico de actitud punk rocker hacia el country y la música de raíces o hacia su sonido más mainstream y producido. Playlist; (sintonía) VIOLENT FEMMES “Blister in the sun” (ST, 1983 VIOLENT FEMMES “Kiss off” (ST, 1983) VIOLENT FEMMES “Gone daddy gone” (ST, 1983) VIOLENT FEMMES “Ugly” (single, 1983) VIOLENT FEMMES “Country death song” (Hallowed ground, 1984) VIOLENT FEMMES “It’s gonna rain” (Hallowed ground, 1984) VIOLENT FEMMES “Never tell” (Hallowed ground, 1984) VIOLENT FEMMES “Sweet misery blues” (Hallowed ground, 1984) VIOLENT FEMMES “No killing” (The blind leading the naked, 1986) VIOLENT FEMMES “I held her in my arms” (The blind leading the naked, 1986) VIOLENT FEMMES “Children of the revolution” (The blind leading the naked, 1986) VIOLENT FEMMES “American music” (Why do birds sing?, 1991) VIOLENT FEMMES “Add it up” (ST, 1983) Escuchar audio

Welcome to the Nothing Shocking Podcast 2.0 reboot episode 191 with our guest Astrid Young Canadian singer-songwriter and musician.  Formerly of Sacred Child, iST, she has worked with her brother Neil Young, Nancy Wilson, and more!  In this episode we discuss her new single Lay Me Down, and recording new music for a double vinyl release of her solo album One Night at Giant Rock, with producer Eddie Kramer.  We also discuss her journey in the wine business, being an author, her dad Scott Young, and more!.     For more information visit:  https://www.astridyoung.net/ Please like our Facebook page: https://www.facebook.com/nothingshockingpodcast/  Follow us on twitter at  https://twitter.com/hashtag/noshockpod.   Libsyn website: https://nothingshocking.libsyn.com For more info on the Hong Kong Sleepover: https://thehongkongsleepover.bandcamp.com   Help support the podcast and record stores by shopping at Ragged Records. http://www.raggedrecords.org 

On this episode, Nick O'Brien talks with Janet Schiff and Victor DeLorenzo from Nineteen Thirteen. The duo has an 11th studio album releasing this year and talk us through the process of developing their careers. Both Janet and Victor also dive into just what it was that brought them to pursue music in the first place.Find more info about Nineteen Thirteen at:www.NineteenThirteen.comCheck out more about TMV Podcast at www.themusiciansventure.com, @themusiciansventure on Facebook and Instagram, and @MusicianVenture on Twitter.

For the 40th anniversary of Violent Femmes' classic debut album, we take a detailed look at how it was made. After bassist Brian Ritchie and drummer Victor DeLorenzo first started playing around Milwaukee as a rhythm section, they met a teenage songwriter named Gordon Gano. Despite having limited experience and still just being in high school, Gano had an extraordinary set of good songs that he had already written. Violent Femmes began playing as a trio but weren't able to get many gigs in town so they started playing acoustically on the street. One day they decided to play for a line of people outside the Oriental Theater who were there to see the Pretenders. James Honeyman-Scott was on a break from soundcheck and became interested in this band playing outside the theater. He convinced the rest of the Pretenders to listen and Chrissie Hynde ended up inviting the Femmes to open for them that night. Though the impromptu gig didn't lead to other opportunities, it gave them a boost of confidence to continue doing what they were doing. Shake Records became interested in releasing an album so they booked studio time with producer Mark Van Hecke. The label deal fell through but they decided to keep the studio time with the help of a loan from DeLorenzo's father. The recordings they made ended up on Slash Records' radar and they eventually released the Violent Femmes debut album as is in 1983. In this episode, Gordon Gano reflects on being a bored and lonely teenager who had a drive to write songs as a way to get out frustration. Brian Ritchie describes his unconventional approach to the acoustic bass guitar that helps give Violent Femmes their signature sound. Victor DeLorenzo offers his perspective on using brushes, a snare drum and his invention called the trancephone in order to have a simple setup that could be moved easily and played on the street. From being booed by thousands of Milwaukeans to punk music played acoustically to embracing the improvisation of Sun Ra to the first album as a mixtape that continues to get passed between generations, we'll hear the stories of how the record came together.

Violent Femmes, Liderados por Gordon Gano en la guitarra acústica y voz, Brian Ritchie en el bajo acústico y, originalmente, Victor DeLorenzo en las percusiones o “mezclando la sopa”, como se referían en sus conciertos, los Violent Femmes siempre fueron una banda de raritos que no encajaban con los estereotipos de la época. Eran una banda de culto de Wisconsin en los 80 que triunfaron en los 90 con su debut homónimo de canciones descaradas y diabólicas que zumbaban con sexo, violencia y religiosidad pervertida. La banda fue formada por Brian Ritchie y Victor DeLorenzo en 1980 y la formación se completó con la entrada de Gordon Gano. En sus inicios solían tocar en cafés y en las calles. El 23 de agosto de 1981, James Honeyman-Scott (integrante de The Pretenders), se interesó por su música cuando los vio tocando enfrente del local en el que The Pretenders iba a tocar esa misma noche, de tal manera que Chrissie Hynde les invitó a compartir escenario. Así fue como el grupo se dio a conocer y posteriormente firmó con la disquera Slash Records con la que publicaron su primer disco homónimo en 1982. Violent Femmes, el éxito seminal del indie-rock de cocción lenta, contenía el sencillo definitivo de la banda y una de las 50 mejores canciones punk de todos los tiempos, "Blister in the Sun" Blister in the sun del album debut homónimo de The Violent Femmes en su 40 aniversario acá en nuestro Ritual de lo Virtual de eclectomeiroland Sedición 479 por política y rockandroll radio 106.7 FM

Baxie talks to former Violent Femmes drummer Victor DeLorenzo! Victor talks about starting the band, getting discovered by The Pretenders, and becoming an international phenomenon. We talk about drumming, our connections to the city of Milwaukee, and about his new band The Night Crickets (featuring multi-instrumentalist Darwin Meiner and David J from Bauhaus and Love and Rockets). Listen on Apple Podcasts, SoundCloud, Stitcher, Google Podcasts, Spotify, and on the Rock102 website!

Kicking off the year with a run through my top 10 albums of 2022!Check out the Power Chord Hour radio show every Friday night at 8 to midnight est on 107.9 WRFA in Jamestown, NY. Stream the station online at wrfalp.com/streaming/ or listen on the WRFA app.Donate to help show costs -https://www.paypal.com/paypalme/pchanthonyhttps://cash.app/$anthmerchpowerchordhour@gmail.comInstagram - www.instagram.com/powerchordhourTwitter - www.twitter.com/powerchordhourFacebook - www.facebook.com/powerchordhourYoutube - www.youtube.com/channel/UC6jTfzjB3-mzmWM-51c8LggSpotify Episode Playlists - https://open.spotify.com/user/kzavhk5ghelpnthfby9o41gnr?si=4WvOdgAmSsKoswf_HTh_Mg

Interview with Singer-songwriter Multi-instrumentalist Darwin Meiners! Night Crickets, a long-distance groove affair conducted during the drawn-out days of lockdown and beyond. Featuring David J, Victor DeLorenzo, and Darwin Meiners. Iconic and foundational bands in the history of alternative music certainly include Bauhaus, Love And Rockets, and Violent Femmes. San Francisco-born artist Darwin Meiners was a fan of all three. A chance meeting 13 years ago with David J (Bauhaus, Love & Rockets) grew into a friendship, and Darwin not only became a bandmate but David J's manager. After reaching out to Victor DeLorenzo through e-mail, Darwin met the Violent Femmes drummer after the Femmes' Coachella set in 2013. Soon after the three collaborated on Darwin's 2014 release Souvenir. As the pandemic took hold, Darwin was looking for a new project to occupy the lock-down time and approached Victor, who was keen to proceed and suggested that David join as well. The musical trust established between these three was immediate and Night Crickets were born. Within weeks a global process was initiated between them, the recordings eventually forming the album, A Free Society. To say this is something of a dream come true for music fans would be entirely accurate. (The band's name came from one of many Zoom meetings between the three members. After addressing various pressing musical issues the conversation rambled somewhat and turned to the subject of David Lynch, with David J telling an anecdote which was told to him by Lynch's sound designer, John Neff. Lynch had asked Neff to obtain a field recording of crickets chirping at night for inclusion in Mulholland Drive. When Neff played him the tape, the director immediately recognized the sound that the insects make when it is light which is apparently a little different to their nocturnal chirp. “No! No! No! These are day crickets, John! I want my night crickets!” Victor, Darwin, and David then shared a look of mutual realization and instantly agreed that the project now had a name!) In Night Crickets' own words: Night Crickets, a long distance groove affair conducted during the drawn out days of lockdown and beyond. Audio files shared from Los Angeles to Milwaukee, from London to the San Francisco Bay, and the ghosts of Candlestick Park shimmer through the fog, the Devil comes a-knocking on Peter Laughner's door and Amanda Gorman conjures forth words of inspiration for the dawn of the new millennium. David J, Victor DeLorenzo, and Darwin spearhead a loose collective of like-minded creative souls left stranded in their respective locales due to the great pandemic, yet through sheer tenacity and a burning desire to collaborate and create they transcend the restrictions of the times and pull together a glorious ‘gesamtkunstwerk' that draws from the past, the present and the imagined future. Hark! Night Crickets are chirping as the world is set on fire and the sun is going down. Night Crickets Info http://omnivorerecordings.com/shop/a-free-society/?fbclid=IwAR20Jsa93KV7Npoxfan53Mjd67ihiceYXEkESshe5I0SGiKhGAveeZJgM     Darwin's Info https://darwinmeiners.bandcamp.com http://www.darwinmeiners.com  

Interview with Victor DeLorenzo Of Violent Femmes & The Night Crickets DeLorenzo was born in 1954, the son of Victor and Charlotte DeLorenzo, grew up in Racine, Wisconsin, and has lived in Milwaukee since. He has been a drummer since the age of 16 while attending St. Catherine's High School (Racine, Wisconsin), and has been an actor since the age of five. While attending the University of Wisconsin–Milwaukee, he auditioned for and was accepted into Theatre X in 1976, and worked with them in various roles for more than 20 years.[ As a drummer, DeLorenzo paired up with bassist Brian Ritchie in 1980, as a rhythm section they called "Violent Femmes". When singer, guitarist, and songwriter Gordon Gano joined them in 1981, the band kept the name.[2] DeLorenzo's father loaned the band $10,000 to record their eponymous debut album in 1982. However, the band was forced to delay its release until 1983 after they signed to Slash Records. DeLorenzo's signature sound is a result of his minimalist drum kit. He often uses nothing more than a snare drum, a tranceaphone and steel brushes. The tranceaphone consists of a metal bushel basket inverted over a tom. He favors this style of kit because in their early days, the band often played on the streets. DeLorenzo continued to act with Theatre X, and record and tour with the Femmes until 1993, when he left to devote more time to acting and to recording his own music.He toured as part of Moe Tucker's band in that year. In 1996 he opened a recording studio called "Joe's Real Recording" He has released three solo records since 1990. In addition to recording his own music, he has played with several side projects, including Ash Can School. In 2000, he teamed up with Ritchie to put together a Femmes compilation, and subsequently rejoined the band until it disbanded again in 2009.In March 2013, Gano, Ritchie and DeLorenzo reformed Violent Femmes once more and played a homecoming show at the Summerfest music festival in their native Milwaukee. Three months later, in July, the band announced a new line-up with Dresden Dolls member Brian Viglione as the band's drummer. DeLorenzo confirmed in a statement that he had left the Femmes permanently because of a failure of the band members to resolve their long-standing business disputes. DeLorenzo performs percussion in the chamber rock duo Nineteen Thirteen with cellist Janet Schiff. Nineteen Thirteen's recording of "Hurricane Noel" was featured in the 2011 TED Global Conference. Night Crickets, a long-distance groove affair conducted during the drawn-out days of lockdown and beyond. Featuring David J, Victor DeLorenzo, and Darwin Meiners.   Iconic and foundational bands in the history of alternative music certainly include Bauhaus, Love And Rockets, and Violent Femmes. San Francisco born artist Darwin Meiners was a fan of all three. A chance meeting 13 years ago with David J (Bauhaus, Love & Rockets) grew into a friendship, and Darwin not only became a bandmate, but David J's manager. After reaching out to Victor DeLorenzo through e-mail, Darwin met the Violent Femmes drummer after the Femmes' Coachella set in 2013. Soon after the three collaborated on Darwin's 2014 release Souvenir. As the pandemic took hold, Darwin was looking for a new project to occupy the lock-down time and approached Victor, who was keen to proceed and suggested that David join as well. The musical trust established between these three was immediate and Night Crickets were born. Within weeks a global process was initiated between them, the recordings eventually forming the album, A Free Society. To say this is something of a dream come true for music fans would be entirely accurate. (The band's name came from one of many Zoom meetings between the three members. After addressing various pressing musical issues the conversation rambled somewhat and turned to the subject of David Lynch, with David J telling an anecdote which was told to him by Lynch's sound designer, John Neff. Lynch had asked Neff to obtain a field recording of crickets chirping at night for inclusion in Mulholland Drive. When Neff played him the tape, the director immediately recognized the sound that the insects make when it is light which is apparently a little different to their nocturnal chirp. “No! No! No! These are day crickets, John! I want my night crickets!” Victor, Darwin, and David then shared a look of mutual realization and instantly agreed that the project now had a name!) Night Crickets Info http://omnivorerecordings.com/shop/a-free-society/?fbclid=IwAR20Jsa93KV7Npoxfan53Mjd67ihiceYXEkESshe5I0SGiKhGAveeZJgMrk   Victor's Info https://victordelorenzo.weebly.com/vf-press-release.html  

   Interview with David J of Bauhaus, The Night Crickets   On David J Perry Farrell of Jane's Addiction once described David J as the Avant of the Avant-garde. Never was a truer word spoken . . . A founder member of one of the most influential bands since The Velvet Underground; namely BAUHAUS. Bauhaus spearheaded the post-punk Alternative music scene of the early ‘80's with a string of innovative albums and singles, including, for many, perhaps their defining moment, a song that is ranked as a classic and feasibly the pinnacle of the entire Gothic scene and beyond, the nine minute plus epic slab of industrial dub that is 'Bela Lugosi's Dead', featuring the lyrics of David J.   Night Crickets, a long-distance groove affair conducted during the drawn-out days of lockdown and beyond. Featuring David J, Victor DeLorenzo, and Darwin Meiners.   Iconic and foundational bands in the history of alternative music certainly include Bauhaus, Love And Rockets, and Violent Femmes. San Francisco born artist Darwin Meiners was a fan of all three. A chance meeting 13 years ago with David J (Bauhaus, Love & Rockets) grew into a friendship, and Darwin not only became a bandmate, but David J's manager. After reaching out to Victor DeLorenzo through e-mail, Darwin met the Violent Femmes drummer after the Femmes' Coachella set in 2013. Soon after the three collaborated on Darwin's 2014 release Souvenir. As the pandemic took hold, Darwin was looking for a new project to occupy the lock-down time and approached Victor, who was keen to proceed and suggested that David join as well. The musical trust established between these three was immediate and Night Crickets were born. Within weeks a global process was initiated between them, the recordings eventually forming the album, A Free Society. To say this is something of a dream come true for music fans would be entirely accurate. (The band's name came from one of many Zoom meetings between the three members. After addressing various pressing musical issues the conversation rambled somewhat and turned to the subject of David Lynch, with David J telling an anecdote which was told to him by Lynch's sound designer, John Neff. Lynch had asked Neff to obtain a field recording of crickets chirping at night for inclusion in Mulholland Drive. When Neff played him the tape, the director immediately recognized the sound that the insects make when it is light which is apparently a little different to their nocturnal chirp. “No! No! No! These are day crickets, John! I want my night crickets!” Victor, Darwin, and David then shared a look of mutual realization and instantly agreed that the project now had a name!)   In Night Crickets' own words:   Night Crickets, a long distance groove affair conducted during the drawn out days of lockdown and beyond. Audio files shared from Los Angeles to Milwaukee, from London to the San Francisco Bay, and the ghosts of Candlestick Park shimmer through the fog, the Devil comes a-knocking on Peter Laughner's door and Amanda Gorman conjures forth words of inspiration for the dawn of the new millennium.   David J, Victor DeLorenzo, and Darwin spearhead a loose collective of like-minded creative souls left stranded in their respective locales due to the great pandemic, yet through sheer tenacity and a burning desire to collaborate and create they transcend the restrictions of the times and pull together a glorious ‘gesamtkunstwerk' that draws from the past, the present and the imagined future.   Hark! Night Crickets are chirping as the world is set on fire and the sun is going down.     Night Crickets Info http://omnivorerecordings.com/shop/a-free-society/?fbclid=IwAR20Jsa93KV7Npoxfan53Mjd67ihiceYXEkESshe5I0SGiKhGAveeZJgMrk   David's Info http://www.davidjonline.com/?fbclid=IwAR0TUtdYQRM0UJ1iGUkoEka4LVYK-NviByJM1anDVEAWKuazHzCHB2EIEMg  

Violent Femmes, the ultimate in self-titling! What are your most favorite and least-loved songs on the Femmes' 1983 debut album? The hosts care for all of these songs so dearly that it was once called "impossible to rank" by Jim, which is why Adam chose it. Contains fun tales of teenage party singalongs, our own "best-ever" cover versions and even late-night hangouts with the band. Guest ranker, magician and Possum Dixon singer Rob Zabrecky sends us his pick for album favorite. Hear it at WeWillRankYouPod.com, Apple, Spotify and your local 31 Flavors. Follow us and weigh in with your favorites on Facebook, Instagram and Twitter @wewillrankyoupod . SPOILERS N KEYWORDS: Blister in the Sun, Gnarls Barkley, Kiss Off, Roxy Music, fuck, Victor DeLorenzo, Please Do Not Go, xylophone, Add It Up, screw, Gordon Gano, acoustic bass, Confessions, El Destroyo, Prove My Love, the Jetsons, Brian Ritchie, They Might Be Giants, Promise, Tom Verlaine, To The Kill, Gone Daddy Gone, Velvet Underground, Good Feeling US: http://www.WeWillRankYouPod.com wewillrankyoupod@gmail.com http://www.facebook.com/WeWillRankYouPod http://www.instagram.com/WeWillRankYouPod http://www.twitter.com/WeWillRankYouPo http://www.YourOlderBrother.com (Sam's music page) http://www.YerDoinGreat.com (Adam's music page) https://open.spotify.com/user/dancecarbuzz (Dan's playlists)

For fans of Love and Rockets, Bauhaus, Violent Femmes, and even David Lynch (He indirectily contributed), "Night Crickets" maintain the talents of Victor DeLorenzo, Darwin Meiners, and David J. What began as 3 friends being fans of eachother's work and talent, inspired by a quirky statement from David Lynch, we have the project "Night Crickets" which is how you would imagine the sounds of thought coming from such genieus. They cover music history, sociopolitical events from long past, and what is current. The creativity of what these guys can come up with is unmatched. You just listen and enjoy the "Visuals" you get from listening. The inspiration you get from theses guys is from decades of experimental art rock, and the unconventional thinking to give you great music. The stuff you were impressed by from listening to Bauhaus, Love and Rockets, Violent Femmes, have managed to still root themselves into this new sound. This requires more than a dosen listens, because their work is always giving you something to think about each time through. spotify #candlestickpark #beatlesconcert #davidlynch #protestsongs #lesterbangs #peterloeffner #loureed #johncale #motucker #peterhook #neworder #fakenews #joydivision #80s #newwave #moviesoundtracks #thefemininecomplex #sterlingmorrison #theveletundergound #kevinhaskins #loveandrockets #violentfemmes #bauhaus #thejazzbutcher #petermurphy #danielash

New episode featuring very special guest David J (Bauhaus, Love & Rockets, Night Crickets) is alive! We discuss his new project Night Crickets, Bauhaus and his excellent book "Who Killed Mister Moonlight?: Bauhaus, Black Magick and Benediction". Dig it! https://youtu.be/U57z75Sl8Vo  

New music and music news of June 2022 plus:- Rationing summer concerts to save for Alaska- Interviewing a Funk legend- Seeing recent guest of the show Jeremy Porter perform in Buffalo- Listening to a ton of Joyce Manor and 3LH- Running out of shirts really really fast- Other peoples podcasts- Dream vinyl presses of obscure Drive Thru Records releases & much more!Support the artists heard on this episode - Doki Doki - I Was Killing It Man (Single)https://asianmanrecords.bandcamp.com/track/i-was-killing-it-manThird Eye Blind - Acoustichttps://orcd.co/3ebunplugged?fbclid=IwAR3nrBt941R-SYWb7x3kbUWcAKriSeWWhH-LvT3pjlQscwOUGdnHFmHLGfQMikey Erg - Love At Leedshttps://mikeyerg.bandcamp.com/album/love-at-leedsCheck out the Power Chord Hour radio show every Friday night at 10 to midnight est on 107.9 WRFA in Jamestown, NY. Stream the station online at wrfalp.com/streaming/ or listen on the WRFA app.powerchordhour@gmail.comInstagram - www.instagram.com/powerchordhourTwitter - www.twitter.com/powerchordhourFacebook - www.facebook.com/powerchordhourYoutube - www.youtube.com/channel/UC6jTfzjB3-mzmWM-51c8LggSpotify Episode Playlists - https://open.spotify.com/user/kzavhk5ghelpnthfby9o41gnr?si=4WvOdgAmSsKoswf_HTh_MgDonate to help show costs - https://www.paypal.com/paypalme/pchanthony

Episode 127: Victor DeLorenzo of Violent Femmes, Nineteen Thirteen, and Night Crickets talks to us about Orson Welles, Reinvigorated sparks of creativity in aging musicians, Theater and how it affected The Violent Femmes, Busking and Intimacy, Opening for The Ramones, The Night Crickets with David J and Darwin Meiners, Dinner with Willem Dafoe, Nineteen Thirteen and loop pedals, plus much much De much Lorenzo more!​Nineteen Thirteen (Victors current band)

“Black Leather On The Inside” Victor DeLorenzo rose to global prominence as the drummer for the Violent Femmes—but he did really cool stuff before that and really cool stuff after. An actor since the age of five, after college DeLorenzo was a member of Theatre X, a pretty punk rock and way ahead of its time improv theatre group, who performed all over the world. He formed the Violent Femmes with Brian Ritchie in 1980 and although the group toured and recorded pretty exhaustively, DeLorenzo still stayed involved with Theater X. A minimalist drummer who comes armed with a spare kit and steel brushes, DeLorenzo is one of the most innovative players in modern music. His rhythms roll and swing with precision and finesse and his flourishes are infectious, powerful and stirring. After parting ways with the Femmes, DeLorenzo toured with the Velvet Underground's Moe Tucker, put out a handful of marvelous solo albums, opened a recording studio, and formed a chamber rock duo called Nineteen Thirteen with cellist Janet Schiff. But that's not all. DeLorenzo writes the Showoff column for Milwaukee.com, co-hosts the Frail Pagans radio show on WSUM with Mr. G and his new project is the Night Crickets with David J of Bauhaus and Love and Rockets. Their debut A Free Society is filled with dark, percussive beauty and lyrical invention and t's buoyed by sneaky rhythms and brilliant melodic touches. www.victordelorenzo.weebly.com www.facebook.com/DougSeymourPhotography @dougseymourphoto www.bombshellradio.com www.alexgreenonline.com Twitter: @emberseditor Instagram: @emberspodcast Email: editor@stereoembersmagazine.com

I go through the new music and music news of April 2022 plus:- Getting paid to talk to the singer of Third Eye Blind- Why all the good music in 2022 is coming out of the UK- If NY or NJ has produced more amazing musicians- Playing four hours of nothing but Alkaline Trio on the radio show- Getting a new car so I can go to concerts again- Future guests for May and beyond & much more!Support the artists heard on this episode -Heart to Gold - Tomhttps://hearttogold.bandcamp.com/album/tom-2Deaf Lingo - Lingonberryhttps://deaflingo.bandcamp.com/album/lingonberryJoyce Manor - 40 oz to Fresnohttps://joycemanor.bandcamp.com/album/40-oz-to-fresnoCheck out the Power Chord Hour radio show every Friday night at 10 to midnight est on 107.9 WRFA in Jamestown, NY. Stream the station online at wrfalp.com/streaming/ or listen on the WRFA app.powerchordhour@gmail.comInstagram - www.instagram.com/powerchordhourTwitter - www.twitter.com/powerchordhourFacebook - www.facebook.com/powerchordhourYoutube - www.youtube.com/channel/UC6jTfzjB3-mzmWM-51c8LggSpotify Episode Playlists - https://open.spotify.com/user/kzavhk5ghelpnthfby9o41gnr?si=4WvOdgAmSsKoswf_HTh_Mg

Victor DeLorenzo is the founding drummer of the band the Violent Femmes. He's also been an actor and filmmaker. He currently plays in the chamber rock duo Nineteen Thirteen with cellist Janet Schiff, and his newest project titled Night Crickets is with none other than David J from Bauhaus. Mark Oliver Everett better known as “E” is the lead singer, songwriter, guitarist, keyboardist and sometimes drummer of the rock band Eels. His new and 14th studio album, Extreme Witchcraft, is out now and you should totally check it out.

Passou o carnaval e as marchinhas ainda estão martelando na cabeça? Tome uma dose de boas músicas da playlist gringa das DICAS DO MEUSONS! Neste terceiro ano abrimos com uma seleção única com velhos e novos artistas, todos com músicas excelentes para abrilhantar o ano de 2022. 1- “Carry On” – Hoodoo Gurus. Famosa veterana banda australiana, desde 1993, lançando primeiro single após doze anos que integra novo álbum intitulado “Chariot of the Gods”, décimo disco da banda, para o começo de março. 2- “Lizzie“ – TAPE TOY. Novo quarteto holandês de Amsterdam, estreando com seu primeiro disco cheio. Como característica sonora com influências do grunge e rock alternativo dos anos 90. 3- “Never Mind The List” – Guided By Voices. A entidade do indie americano vai lançar seu 35º álbum em março com o titulo de “Crystal Nuns Cathedral” 4- “Forgiven” – Urge Overkill Mais um veteraníssimo grupo de rock surgido em 1983 em Detroit que fez fama bem antes do Nirvana com quem excursionou. Single do novo disco disco “Oui” que leva a assinatura do selo Omnivore. no dia 28 de janeiro. 5- “Little Did I” – Night Crickets. Projeto formado por Victor DeLorenzo, baterista do Violent Femmes, com o baixista David J, do Bauhaus e Love and Rockets, mais Darwin Meiners. A dupla se entende desde tempos imemoriais, mas só agora finalmente lançam o primeiro disco chamado “A Free Society”, também pelo selo Omnivore Recordings. 6- “Farewell OK” – Elvis Costello and The Imposters. O inglês Costello é mais uma entidade do rock e na atividade. Aos 67 anos lançou em janeiro “The Boy Named If”, que é o seu 32º disco de estúdio com a banda The Imposters, que é a mesma coisa do Attractions porém com um novo baixista. Nesse play o veterano retorna ao rock mais tradicional. 7- “El Negacionista” – Los Planetas. Décimo disco do excelente grupo de rock espanhol da cidade de Granada. Ao longos dos quase trinta anos de carreira a banda se mantém atual e inovadora. Nesse trabalho discorrem sobre o carinho e amor pela terra natal, musica e melodia para um poema de Garcia Lorca e abordam os dissabores e esperança nesse mundo de pandemia – novo normal, negacionistas, etc. 8- “Luckiest Man in the World” – Speedfossil. Primeiro single recém lançado do quarteto de Boston que prepara seu terceiro álbum intitulado “No Anesthesia”. 9- “Cut Your Teeth” – Ryan Allen. EP solo de Ryan Allen, conhecido em nosso programa junto com a banda Extra Arms, com quatro faixas gravadas e todos instrumentos gravados pelo artista americano. “Im not Mean” é o nome do disco. 10- “Jackie Down the Line” – Fontaines D.C. Grande promessa do rock irlandês a banda de post punk toca pela primeira vez fechando o programa de hoje com o primeiro single do terceiro álbum “Skinty Fia” que será lançado em abril próximo. O play promete. Programa produzido por Ricardo Pinto (@ricardoppaiva), Alex de Souza (@ombudsman) e Jesuino André (@jesuinoaoliveira). Colaboração de Fabian Fernandez. Agradecimentos aos parceiros revista O Inimigo (@revistaoinimigo), loja de presentes Mina Flor (@minaflor_minaflor). Sigam-nos nas redes: https://www.megafono.host/podcast/meu-sons meusonspodcast@gmail.com @meusons (instagram) @meusonspodcast (twitter) @alternativab (instagram e twitter) --- Send in a voice message: https://anchor.fm/alternativab/message

Talking new music and music news of January 2022 plus- Richie Ramones book I Know Better Now- Writing music when its too cold for anything else- Hiking the North Country Trail- The return of Bandcamp Fridays- Finding out you were at the same Bad Religion show as your friend before you knew each other- The dilemma of which date of the Jawbreaker Dear You Anniversary to buy tickets for- Why you need to calm the hell down about When We Were Young Fest & moreCheck out the Power Chord Hour radio show every Friday night at 10 est on 107.9 WRFA in Jamestown, NY, stream the station online at wrfalp.com/streaming/ or listen on the WRFA mobile appemail me for FREE Power Chord Hour stickers - powerchordhour@gmail.comFacebook - www.facebook.com/powerchordhourInstagram - www.instagram.com/powerchordhour/Twitter - www.twitter.com/powerchordhour/Youtube - www.youtube.com/channel/UC6jTfzjB3-mzmWM-51c8LggSpotify - https://open.spotify.com/user/kzavhk5ghelpnthfby9o41gnr?si=4WvOdgAmSsKoswf_HTh_MgSUPPORT THE ARTISTS HEARD ON THIS EPISODE Reminders - Carousel - https://reminderstheband.bandcamp.comOne Hidden Frame - You Are Free To Go Gametime -In The Face Of It

If you came of age in the past 30(?) years, you're familiar with the drumming of our guest. As the founding drummer of Violent Femmes, Victor DeLorenzo is responsible for beats that still ring out around the world. And with his new band, The Night Crickets, DeLorenzo has a whole new set of rhythms to share. We talked with Victor about the creation of the new band, the excitement of collaboration and friendship.For more information, you can follow the Night Crickets on Facebook. 

This week we have returning guest Victor DeLorenzo (original Violent Femmes drummer) with bandmate Janet Schiff to talk new music from their group Nineteen Thirteen.We also discuss:- How the Violent Femmes 2013 Coachella reunion led to the formation of Victors new band Night Crickets with Darwin Meiners and David J. (Bauhaus, Love and Rockets)- What inspired Janet to pick up a Cello as a child- The perks of being a duo- How Janet manages to play Cello on stage while also looping and programing- All the talent found in the Milwaukee music scene- Working on more new Nineteen Thirteen and much more!FOLLOW NINETEEN THIRTEEN -https://nineteenthirteen.com/index.htmlhttps://nineteenthirteen.bandcamp.comhttps://www.facebook.com/Nineteen13/https://twitter.com/1913mkehttps://www.instagram.com/1913mke/Victor DeLorenzo/Night Cricketshttps://victordelorenzo.weebly.comhttp://omnivorerecordings.com/shop/a-free-society/https://twitter.com/NightCricketshttps://twitter.com/VicDeLorenzohttps://www.instagram.com/vjd/Check out the Power Chord Hour radio show every Friday night at 10 est on 107.9 WRFA in Jamestown, NY, stream the station online at wrfalp.com/streaming/ or listen on the WRFA mobile appemail me for FREE Power Chord Hour stickers - powerchordhour@gmail.comFacebook - www.facebook.com/powerchordhourInstagram - www.instagram.com/powerchordhour/Twitter - www.twitter.com/powerchordhour/Youtube - www.youtube.com/channel/UC6jTfzjB3-mzmWM-51c8LggSpotify - https://open.spotify.com/user/kzavhk5ghelpnthfby9o41gnr?si=4WvOdgAmSsKoswf_HTh_Mg

Back from break with new music and music news of November 2021!SUPPORT THE ARTISTS HEARD ON THIS EPISODE -Stress Dolls - Crawl (Single)https://stressdolls.bandcamp.com/track/crawlNight Crickets - A Free Societyhttp://omnivorerecordings.com/shop/a-free-society/Gregor Barnett - Don't Go Throwing Roses In My Gravehttps://gregorbarnett.bandcamp.com/album/dont-go-throwing-roses-in-my-graveCheck out the Power Chord Hour radio show every Friday night at 10 est on 107.9 WRFA in Jamestown, NY, stream the station online at wrfalp.com/streaming/ or listen on the WRFA mobile appemail me for FREE Power Chord Hour stickers - powerchordhour@gmail.comFacebook - www.facebook.com/powerchordhourInstagram - www.instagram.com/powerchordhour/Twitter - www.twitter.com/powerchordhour/Youtube - www.youtube.com/channel/UC6jTfzjB3-mzmWM-51c8LggSpotify - https://open.spotify.com/user/kzavhk5ghelpnthfby9o41gnr?si=4WvOdgAmSsKoswf_HTh_Mg 

New music and music news of September 2021 Check out the Power Chord Hour radio show every Friday night at 10 est on 107.9 WRFA in Jamestown, NY, stream the station online at wrfalp.com/streaming/ or listen on the WRFA mobile appemail me for FREE Power Chord Hour stickers - powerchordhour@gmail.comMusic Heard On This Episode -Sincere Engineer - Bless My Psyche - https://sincereengineer.bandcamp.com/album/bless-my-psycheHawthorne Heights - The Rain Just Follows Me - https://hawthorneheights.bandcamp.com/album/the-rain-just-follows-meCommon Sage - It Breathes And It Lives - https://commonsage.bandcamp.com/album/it-lives-and-it-breathes-2Facebook - www.facebook.com/powerchordhourInstagram - www.instagram.com/powerchordhour/Twitter - www.twitter.com/powerchordhour/Youtube - www.youtube.com/channel/UC6jTfzjB3-mzmWM-51c8LggSpotify - https://open.spotify.com/user/kzavhk5ghelpnthfby9o41gnr?si=4WvOdgAmSsKoswf_HTh_Mg 

I am joined this week by original Violent Femmes drummer Victor DeLorenzo to talk about the making of the bands album Why Do Birds Sing for it's 30th anniversary, acting and writing outside of drumming, writing music with his new band NINETEEN THIRTEEN, being possibly the only band to open for both the Grateful Dead and Ramones, playing drums in Moe Tuckers band and a whole lot more  FOLLOW VICTOR DELORENZO - https://victordelorenzo.weebly.comhttp://www.nineteenthirteen.comhttps://nineteenthirteen.bandcamp.comTwitter - https://twitter.com/VicDeLorenzohttps://twitter.com/1913mkeInsta -https://www.instagram.com/vjd/https://www.instagram.com/1913mke/Facebook -https://www.facebook.com/Nineteen13Check out the Power Chord Hour radio show every Friday night at 10 est on 107.9 WRFA in Jamestown, NY, stream the station online at wrfalp.com/streaming/ or listen on the WRFA mobile appemail me for FREE Power Chord Hour stickers - powerchordhour@gmail.comFacebook - www.facebook.com/powerchordhourInstagram - www.instagram.com/powerchordhour/Twitter - www.twitter.com/powerchordhour/Youtube - www.youtube.com/channel/UC6jTfzjB3-mzmWM-51c8LggSpotify - https://open.spotify.com/user/kzavhk5ghelpnthfby9o41gnr?si=4WvOdgAmSsKoswf_HTh_Mg 

Tea Krulos and Heidi Erickson answers questions submitted via social media-- find out about frightening weird encounters we've had and our deepest secrets. Plus we share weird news-- Mothman sighted at State Fair, the MyPillow guy goes full Captain Ahab, killer robots, and the Big Mac champ of Wisconsin (and the world). Miss Information reveals trivia answers (and our winner) and we close out with a track from Victor DeLorenzo's new album Spoken Drum, "Bow."  Thanks to our sound engineer Android138 and all of our guests this season. We'll be back in September.  Show Notes -Check out Victor DeLorenzo: victordelorenzo.bandcamp.com -Milwaukee Record: "Someone claims they saw a 7-foot winged demon at State Fair and we believe it" -Listen to season 1 and 2 of Tea's Weird Week here: Tea's Weird Week Podcast | (teakrulos.com)

Vocalist/guitarist Gordon Gano of the Violent Femmes is the guest on the Goldmine Podcast. He discusses the 40th anniversary of the formation of the folk-punk band with bassist Brian Ritchie and original drummer Victor DeLorenzo, and with that the recent vinyl release of the compilation Add It Up (1981–1993) — originally produced for CD in 1993 — and its unique track listing.

Vocalist/guitarist Gordon Gano of the Violent Femmes is the guest on the Goldmine Podcast. He discusses the 40th anniversary of the formation of the folk-punk band with bassist Brian Ritchie and original drummer Victor DeLorenzo, and with that the recent vinyl release of the compilation Add It Up (1981–1993) — originally produced for CD in 1993 — and its unique track listing.

Astrid Young comes from a long line of creative people. Her father is legendary writer, journalist, & author Scott Young. And her brother is...well her brother is Neil Young. Those are some tough acts to follow. Astrid talks about growing up and getting into music in her own way. She describes what it was like when Neil asked her to sing on Harvest Moon. There are some great stories about the Unplugged show and Road Rock. She's also done some cool work with Nancy Wilson, Heart, and her own solo work, which is clearly different from her brother's music. She's played metal, desert rock, folk, and some wild alternative music. And she wrote and starred in a movie and wrote a biography (which she is considering expanding on, with the help of her brothers). Her latest album features Victor DeLorenzo on drums and the Integratron. Definitely look into the album and the structure. Give her a follow on IG @wandaplez to keep up with what she's up to. Follow us @PerformanceAnx. Rate & review us because it helps get us in front of people. We accept coffee at ko-fi.com/performanceanxiety. Merch is at performanceanx.threadless.com. Now buckle up because there's a lot going on on this one with Astrid Young on performance Anxiety on the Pantheon Podcast Network.

Vocalist/guitarist Gordon Gano of the Violent Femmes is the guest on the Goldmine Podcast. He discusses the 40th anniversary of the formation of the folk-punk band with bassist Brian Ritchie and original drummer Victor DeLorenzo, and with that the recent vinyl release of the compilation Add It Up (1981–1993) — originally produced for CD in 1993 — and its unique track listing.

Vocalist/guitarist Gordon Gano of the Violent Femmes is the guest on the Goldmine Podcast. He discusses the 40th anniversary of the formation of the folk-punk band with bassist Brian Ritchie and original drummer Victor DeLorenzo, and with that the recent vinyl release of the compilation Add It Up (1981–1993) — originally produced for CD in 1993 — and its unique track listing.

Vocalist/guitarist Gordon Gano of the Violent Femmes is the guest on the Goldmine Podcast. He discusses the 40th anniversary of the formation of the folk-punk band with bassist Brian Ritchie and original drummer Victor DeLorenzo, and with that the recent vinyl release of the compilation Add It Up (1981–1993) — originally produced for CD in 1993 — and its unique track listing. Learn more about your ad choices. Visit megaphone.fm/adchoices

Astrid Young comes from a long line of creative people. Her father is legendary writer, journalist, & author Scott Young. And her brother is...well her brother is Neil Young. Those are some tough acts to follow. Astrid talks about growing up and getting into music in her own way. She describes what it was like when Neil asked her to sing on Harvest Moon. There are some great stories about the Unplugged show and Road Rock. She’s also done some cool work with Nancy Wilson, Heart, and her own solo work, which is clearly different from her brother’s music. She’s played metal, desert rock, folk, and some wild alternative music. And she wrote and starred in a movie and wrote a biography (which she is considering expanding on, with the help of her brothers). Her latest album features Victor DeLorenzo on drums and the Integratron. Definitely look into the album and the structure. Give her a follow on IG @wandaplez to keep up with what she’s up to. Follow us @PerformanceAnx. Rate & review us because it helps get us in front of people. We accept coffee at ko-fi.com/performanceanxiety. Merch is at performanceanx.threadless.com. Now buckle up because there’s a lot going on on this one with Astrid Young on performance Anxiety on the Pantheon Podcast Network.

Astrid Young comes from a long line of creative people. Her father is legendary writer, journalist, & author Scott Young. And her brother is...well her brother is Neil Young. Those are some tough acts to follow. Astrid talks about growing up and getting into music in her own way. She describes what it was like when Neil asked her to sing on Harvest Moon. There are some great stories about the Unplugged show and Road Rock. She's also done some cool work with Nancy Wilson, Heart, and her own solo work, which is clearly different from her brother's music. She's played metal, desert rock, folk, and some wild alternative music. And she wrote and starred in a movie and wrote a biography (which she is considering expanding on, with the help of her brothers). Her latest album features Victor DeLorenzo on drums and the Integratron. Definitely look into the album and the structure. Give her a follow on IG @wandaplez to keep up with what she's up to. Follow us @PerformanceAnx. Rate & review us because it helps get us in front of people. We accept coffee at ko-fi.com/performanceanxiety. Merch is at performanceanx.threadless.com. Now buckle up because there's a lot going on on this one with Astrid Young on performance Anxiety on the Pantheon Podcast Network.

Astrid Young comes from a long line of creative people. Her father is legendary writer, journalist, & author Scott Young. And her brother is...well her brother is Neil Young. Those are some tough acts to follow. Astrid talks about growing up and getting into music in her own way. She describes what it was like when Neil asked her to sing on Harvest Moon. There are some great stories about the Unplugged show and Road Rock. She’s also done some cool work with Nancy Wilson, Heart, and her own solo work, which is clearly different from her brother’s music. She’s played metal, desert rock, folk, and some wild alternative music. And she wrote and starred in a movie and wrote a biography (which she is considering expanding on, with the help of her brothers). Her latest album features Victor DeLorenzo on drums and the Integratron. Definitely look into the album and the structure. Give her a follow on IG @wandaplez to keep up with what she’s up to. Follow us @PerformanceAnx. Rate & review us because it helps get us in front of people. We accept coffee at ko-fi.com/performanceanxiety. Merch is at performanceanx.threadless.com. Now buckle up because there’s a lot going on on this one with Astrid Young on performance Anxiety on the Pantheon Podcast Network.

Indie legend Brian Ritchie of Violent Femmes appears on the latest installment of Gone In 30 Minutes to chat about life on the big, blue(ish) marble. A seminal figure of punk, Ritchie thinks back to his upbringing in Milwaukee, the band’s…let’s say…less-than-ideal deal with Slash Records and the incessant nature of music itself. And Ritchie hasn’t stopped either—in addition to curating for annual music and arts festival MONA FOMA, in his homeland of Tasmania, he’s been broadcasting daily performances so we never lose touch of that “American Music.”

SUPPORT ME ON PATREON WATCH MUSIC is not a GENRE VIDEOS and MORE When a new band finds the right name for itself, it's magic. They don't always get it right the first time. Imagine if “Jeremy” was released by Mookie Blaylock. Or if The Hype did “With or Without You”. Or the Young Aborigines scored a hit with “Sabotage”. Those band names do not support the attitude & spirit of the songs. Thankfully inspiration gave us the far more dead-on Pearl Jam, U2 and the Beastie Boys. And those are three of dozens of famous bands that took some trial and error to nail the name. Violent Femmes, however, killed it right off. Sure, it was intended as an off the cuff joke name. But as soon as the two founding members, Brian Ritchie and Victor DeLorenzo, discovered Gordon Gano, it made perfect sense. Brian and Victor had the post-punk rhythm and attitude with an extra shot of weirdness. Gordon had the singing chops - nasal weird kid-like talk-singing that fit so well, and songs that spoke openly about sensitive, painful, awkward feelings without the defensiveness that often pushes singer/songwriters to macho it up. It was raw and new and instantly worked. Their music embodied both the violent “masculine” emotional confusion all adolescents feel, and the vulnerability of undressed honesty often associated with a person's “feminine” side. And by doing so without apology it showed all that masculine-feminine stuff is bullcrap. There's no reason to label what a person feels, how they act, or how they express themselves. Open up and say whatever comes out. Get angry and aggressive. Get confessional and insecure. It's all just being a complete and truly vulnerable human. Did they intend for their name to represent all this? Or their music for that matter? No. The synergy was accidental. The unadorned arrangements (acoustic bass AND drums with no kick!), vocals and words just happened to come together to embody the exact gender duality the name hints at. And they did it with an in-your-face, we don't care what you think folk punk attitude that influenced a whole generation of bands. They were pre-emo - one of the seminal 1980s bands that gave permission for tons of other bands to get confessional without defense. And I'm included in that group. Whenever I'd write lyrics that felt too raw and revealing, I looked to the Femmes (and the Cure and few others) to reassure me that I didn't need to hide the words behind aggressive music. Below are an early-ish song and a much more recent one that both show this. NICK – “You Can't Touch Me” (from the album Listen You People) REC – “Lost Found” (from the album Sympathy for the Weird) Do you remember the Femmes? Did you know they just put out a new album last year? Are there other bands you like who hold this same kind of duality? Discuss dammit! NICK'S LIVE VERSIONS OF TWO CLASSIC FEMMES SONGS: "Never Tell" "American Music" --- This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app Support this podcast: https://anchor.fm/nick-dematteo/support

WISCONSIN MUSIC PODCAST Episode 024 Gary Tanin / Daystorm Music Audio Engineer, Music Producer, and Publicist Gary Tanin (born Gary Stefan Tanin, 19 September 1952, in Milwaukee, Wisconsin) is a veteran Milwaukee musician/producer/engineer with a career spanning decades and reflecting two central themes: music and technology. Biography At age 16, Tanin had already laid the foundation for his calling when landed a record deal with Odessa Records, recording his original material. While attending the University of Wisconsin–Milwaukee during the early 70's, Tanin apprenticed as an audio engineer at ARCO Recording Studios where he studied the Art and Science of audio recording and production. In the mid 70s he released the critically acclaimed, self-produced concept album Otto & The Elevators. In the early 80's he foresaw the unique possibility of combining newly emerging computer technology with music. He produced dozens of artists during the 70s and 80s. He has had numerous articles published in industry publications, including the CMC Source Book and AfterTouch(tm). These special interests led to Tanin's work with garageband.com co-founder Jerry Harrison (of the rock band Talking Heads).  Harrison contributed to Sublime Nation, Tanin's 1995 solo CD released by MultiMusicaUSA. In addition to Sublime Nation, Gary has released several national critically acclaimed CDs of his own and produced local, national, and international artists. Tanin's Japanese/US release, XPensive Dogs, is an intercontinental fusion of east and west. A follow-up to XPensive Dogs, entitled DOG EAT DOG, was released in 2004. Japanese label Hard Disc International released XPensive Dogs, and Sublime Nation was released in Japan on the Mouse Records imprint. Tanin's entire catalog is being distributed in the US by RockIt Records (USA).[3] Gary Tanin has produced for bands like the BoDeans, Monovox, and Sam Llanas, and mastering for the likes of ex-Violent Femmes drummer Victor DeLorenzo and Daryl Stuermer (of Phil Collins and Genesis fame). Tanin has won the Wisconsin Area Music Industry (WAMI) Producer Of The Year Awards for 2003, 2004, 2005 and 2010.[4] He was an active past member of the Audion. ------------------------------------------------------------------------ www.WisconsinMusicPodcast.com/podcast Sponsored by: Diamond Dave Photography  www.facebook.com/DiamondDavePhotography ZTF Studio www.ZTFstudio.com   Podcast Song written by Nate Wycoff and has a recording studio at https://www.frequencyfarmrecordingstudio.com/ Voice Over Intro by Dean Bundy Syndicated on www.cwHipHop.com with Jacob Haimer------------------------------------------------------------ #WisconsinMusicPodcast #WisconsinMusic #WisconsinMusician #ZTFStudio #podcasting #podcastlife #podcasters #bhfyp #PodernFamily #Supportlocalmusic #Supportlocalmusicians #Milwaukee

WISCONSIN MUSIC PODCAST Ep; 23.5 GARY TANIN   Gary Tanin (born Gary Stefan Tanin, 19 September 1952, in Milwaukee, Wisconsin) is a veteran Milwaukee musician/producer/engineer with a career spanning decades and reflecting two central themes: music and technology. Biography At age 16, Tanin had already laid the foundation for his calling when landed a record deal with Odessa Records, recording his original material. While attending the University of Wisconsin–Milwaukee during the early 70's, Tanin apprenticed as an audio engineer at ARCO Recording Studios where he studied the Art and Science of audio recording and production. In the mid 70s he released the critically acclaimed, self-produced concept album Otto & The Elevators. In the early 80's he foresaw the unique possibility of combining newly emerging computer technology with music. He produced dozens of artists during the 70s and 80s. He has had numerous articles published in industry publications, including the CMC Source Book and AfterTouch(tm). These special interests led to Tanin's work with garageband.com co-founder Jerry Harrison (of the rock band Talking Heads).  Harrison contributed to Sublime Nation, Tanin's 1995 solo CD released by MultiMusicaUSA. In addition to Sublime Nation, Gary has released several national critically acclaimed CDs of his own and produced local, national, and international artists. Tanin's Japanese/US release, XPensive Dogs, is an intercontinental fusion of east and west. A follow-up to XPensive Dogs, entitled DOG EAT DOG, was released in 2004. Japanese label Hard Disc International released XPensive Dogs, and Sublime Nation was released in Japan on the Mouse Records imprint. Tanin's entire catalog is being distributed in the US by RockIt Records (USA).[3] Gary Tanin has produced for bands like the BoDeans, Monovox, and Sam Llanas, and mastering for the likes of ex-Violent Femmes drummer Victor DeLorenzo and Daryl Stuermer (of Phil Collins and Genesis fame). Tanin has won the Wisconsin Area Music Industry (WAMI) Producer Of The Year Awards for 2003, 2004, 2005 and 2010.[4] He was an active past member of the Audion. ------------------------------------------------------------------------ www.WisconsinMusicPodcast.com/podcast Sponsored by: Diamond Dave Photography  www.facebook.com/DiamondDavePhotography ZTF Studio www.ZTFstudio.com   Podcast Song written by Nate Wycoff and has a recording studio at https://www.frequencyfarmrecordingstudio.com/ Voice Over Intro by Dean Bundy Syndicated on www.cwHipHop.com with Jacob Haimer------------------------------------------------------------ #WisconsinMusicPodcast #WisconsinMusic #WisconsinMusician #ZTFStudio #podcasting #podcastlife #podcasters #bhfyp #PodernFamily #Supportlocalmusic #Supportlocalmusicians #Milwaukee

Has anyone managed to pass through puberty without being slipped a copy of the Violent Femmes' debut album from 1983? It's become a rite of passage - every generation passes it down to the next. This week we talk to original drummer Victor DeLorenzo about his time in the band (he left many years ago), how they found their name and style, the album covers, his acting career, and his current musical project Nineteen Thirteen which is him and cellist Janet Schiff. He also released a new ep this year called Tranceaphone. Unfortunately, there were some technical problems, but we did the best we could to clean them up. Enjoy!  www.nineteenthirteen.com  www.patreon.com/thehustlepod

Victor started as a singer/songwriter, drummed with the Femmes for five albums in the '80s, and has since recorded six solo releases and five more with NINETEEN THIRTEEN, plus other collaborations, jazz jamming, and work in the theater. We discuss "Invisible Shadows" from Tranceaphone (2020), "Carry Me" from Victor DeLorenzo (2013), "Arco, Pizzicato" by Nineteen Thirteen from The Dream (2016), and listen to "Audrey" from Pancake Day (1996). Intro/outro: "World Without Mercy" by Violent Femmes from The Blind Leading the Naked (1985). More at victordelorenzo.weebly.com. Hear more Nakedly Examined Music. Like our Facebook page. Support us on Patreon.

Victor started as a singer/songwriter, drummed with the Femmes for five albums in the '80s, and has since recorded six solo releases and five more with nine thirteen, plus other collaborations, jazz jamming, and work in the theater. We discuss "Invisible Shadows" from Tranceaphone (2020), "Carry Me" from Victor DeLorenzo (2013), "Arco, Pizzicato" by Nineteen Thirteen from The Dream (2016), and listen to "Audrey" from Pancake Day (1996). Intro/outro: "World Without Mercy" by Violent Femmes from The Blind Leading the Naked (1985). More at victordelorenzo.weebly.com. Hear more Nakedly Examined Music. Like our Facebook page. Support us on Patreon.

Victor started as a singer/songwriter, drummed with the Femmes for five albums in the '80s, and has since recorded six solo releases and five more with nine thirteen, plus other collaborations, jazz jamming, and work in the theater. We discuss "Invisible Shadows" from Tranceaphone (2020), "Carry Me" from Victor DeLorenzo (2013), "Arco, Pizzicato" by Nineteen Thirteen from The Dream (2016), and listen to "Audrey" from Pancake Day (1996). Intro/outro: "World Without Mercy" by Violent Femmes from The Blind Leading the Naked (1985). More at victordelorenzo.weebly.com. Hear more Nakedly Examined Music. Like our Facebook page. Support us on Patreon.

Media Monarchy plays Victor DeLorenzo, Robby Krieger, Tommy Down and more on #PumpUpThaVolume for July 2, 2020. ♬ The post #PumpUpThaVolume: July 2, 2020 appeared first on Media Monarchy.

In Episode 10 of The Jukebox Graduate, Dave and Eugene go over a few things as they head towards the end of the year. The personable pair discuss meeting up in Orange County and the wrap-up of the LSD tour. They look back at the late Geoff Emerick and the great recordings that he helped bring to us. Then it's a run down of the Rock and Roll Hall of Fame nominees and who should get in. Finally the guys go over some new music they've been digging. Along the way we will hear songs from Liv, 1913, and Clover featuring Elvis Costello. We will also hear a bit from all of the Hall of Fame nominees. This episode of The Jukebox Graduate was brought to you by Satellite Amplifiers with thanks to Olivia Ledsema, Janet Schiff, Victor DeLorenzo, Mitch Howie and Alex Call.

Barbara Luhring here to remind you that the wait is over – Steel Bridge SongFest 4 is here and ready to rock historic downtown Sturgeon Bay! Visit SteelBridgeSongFest.org and get the times and venues of over 100 musical acts, culminating with Saturday’s concert at the foot of the bridge under the canopy at Great Lakes Yacht Services. pat mAcdonald, Jackson Browne, Jane Wiedlin, Freedy Johnston, Eric McFadden, Blueheels, Tony Brown, Ruby James, Geri X, James Hall, Kim Manning, will be joined by newcomers Louise Goffin, Victor DeLorenzo among many, many others. Preservation rocks! Listen to our huge archive of SBSF podcasts by clicking here. Pictured above Jackson Browne and Margaret Welch of the National Trust for Historic Preservation. This podcast brought to you by: ShopSisterBay.com. Have you always wanted to relocate to Door County to operate an art gallery, shop or sound studio? Visit ShopSisterBay.com and learn about a property that could make your dreams come true. Work in half/live in half or operate your business out of the entire building. Learn more. Visit: ShopSisterBay.com. This property presented by TrueNorth Real Estate.

Original Violent Femmes drummer Victor DeLorenzo and his Nineteen Thirteen bandmate/cellist Janet Schiff discuss their own relationships with vinyl over the years, the unique sounds they're creating as a portable two-piece band and how a chance meeting at a diner spawned their musical kinship. Janet recalls "inventing" her own cello as a child, spinning records in her makeshift basement roller rink and whether or not to buy your bandmate's classic LP while he's in the record store with you, while Victor talks about the iconic artwork of the Femmes' self-titled debut and sets the record straight on their now legendary gig opening for The Pretenders at Milwaukee's Oriental Theatre in 1981, plus how it feels to have sports fans in packed stadiums around the world clapping along with his seminal percussion on "Blister In The Sun." Check out their two most recent albums, Music For Time Travel and The Dream, on Spotify and visit nineteenthirteen.com for upcoming gigs, their social media and more!

Late last year, Joe returned to his hometown and recorded a live episode featuring: Victor DeLorenzo (Violent Femmes); Dan Didier (The Promise Ring); Shane Hochstetler (Call Me Lightning); and Jon Mueller (Rhythmplex, Volcano Choir). This episode is co-produced by WMSE and Colectivo.

In this episode, Mike and Mike discuss several techniques for developing a musical drum solo. The featured artist is former Violent Femmes drummer Victor DeLorenzo, who is currently leading a creative duo called Nineteen Thirteen. The gear review section focuses on Zildjian's new b12-alloy S Family cymbals. After fielding a few listener questions, the show concludes with picks of the week.... The post Episode 54: Developing a Drum Solo, Zildjian S Family, and More appeared first on Modern Drummer Magazine.

An ongoing journey of sonic discovery and sound wisdom, fueled by passion and driven by discussion. MUSIC MATTERS brings to you a unique fly-on-the-wall glance into the voluminous and seductive world of music. For their third effort... Joe, Dave and Tim are pleased to present the following: • An exclusive interview with Violent Femmes co-founder Victor DeLorenzo... and renowned cellist Janet Schiff... collectively known as Nineteen Thirteen. We discuss and play music from their new album, "Music For Time Travel", and touch on their experience collaborating with legendary bassist, Rob Wasserman (RIP). • On-the-road shenanigans with our man-on-the-street, Dwight Yoakam's lead guitarist, Eugene Edwards. • #bandnamesthatsoundlikelawfirms • A review of the book Under The Big Black Sun by John Doe, Tom DeSavia and friends... including some exclusive ramblings by Henry Rollins. • The best new music of 2016... so far. • Also, you'll hear music from Lori Carson, Dead Rock West, Rob Perez and M² (Mark Mason). All this and more! What are you waiting for?!? Dig in!

Joe talks to Victor Delorenzo about seeing Sun Ra perform at the Racine Zoo, entering the arts as an actor, co-founding the successful and incredibly influential Violent Femmes, and remaining creative and prolific as a member of several groups including Lorenzo Menzerschmidt and Nineteen Thirteen.

Another Wednesday, another edition of Canadian Musician Radio. With all of these great summer festivals and tours, we've been able to deliver a heap of artist interviews, and this week is no different. Join us as we catch up with Juno-winning six-piece "folk popgrass" outfit The Strumbellas, singer-songwriter Astrid Young (also the half-sister of the one and only Neil), and Ryan McCambridge. The Strumbellas are playing summer festivals across Canada and the U.S. this summer, continuing to promote the sophomore album, We Still Move Dance Floors. While its predecessor, My Father and the Hunter, was nominated for a Juno Award for Roots & Traditional Album of the Year in 2013,We Still Move Dance Floors actually took the trophy earlier in 2014 and was recently long-listed for the 2014 Polaris Music Prize. They're more focused than ever now, and we'll find out why. Musician, composer, actor, author screenwriter, and sommelier Astrid Young released her fourth solo record, One Night at Giant Rock, at the end of June. In a special performance, Young is kicking off her "psychedelic acid folk" tour in southern Ontario in late July and will work her way west. The album, featuring Victor DeLorenzo of the Violent Femmes is a collection of songs that reflect her personal discovery of the karmic meaning of all her relationships. She speaks about the long gaps between records, some of her other musical endeavors, and more. Finally, in addition to being a studio engineer who's been the right hand man of producer/engineer David Bottrill (Peter Gabriel, Tool, Dream Theater), Ryan McCambridge has been making music under the moniker of A Calmer Collision. We talk about the sonic balance he's struck between modern rock and electronica as well as how his experience in the studio informs his work as a musician and more.