Podcasts about Gwilym Simcock

No matter the format, from duo to large ensemble, depth and introspection are the defining characteristics of the music featured in this playlist. The playlist features Emma Rawicz, Gwilym Simcock; Daniele di Bonaventura, Arild Andersen; Joep Van Rhijn, Yoonseung Cho; Federico Albanese; Omar Thomas [pictured]. Detailed playlist at https://spinitron.com/RFB/pl/20416593/Mondo-Jazz [from "Optimus Friction" onward]. Happy listening!

„Big Visit“ markiert den Beginn einer spannenden musikalischen Partnerschaft zwischen der Saxofonistin Emma Rawciz und dem Jazzpianisten Gwilym Simcock. Ihr gemeinsames Album enthält Eigenkompositionen, die speziell für ihre Zusammenarbeit geschrieben wurden, sowie Arrangements ihrer Lieblingstitel wie „You've Changed“ und „Visions“. Die Chemie zwischen den beiden stimmt, meint unser Musikexperte Georg Waßmuth, der uns das Gemeinschaftswerk vorstellt.

An den Rändern des Jazz und aus dem Dschungel der Neuveröffentlichungen - heute mit: Emma Rawicz & Gwilym Simcock: Big Visit | Tobias Meinhart: Sonic River | Enemy: Fiend | Leszek Mozdzer/Lars Danielsson/Zohar Fresco: Beamo (Sendung vom 17.4.)

durée : 00:59:55 - Emma Rawicz & Gwilym Simcock "Big Visit" - par : Nicolas Pommaret - Parution chez ACT de “Big Visit” de la saxophoniste Emma Rawicz et du pianiste Gwilym Simcock.

Happy New Year! Welcome to the latest episode of Harmonious World, in which I interview musicians about how their music helps make the world more harmonious.This first episode of season 19 features a conversation with saxophonist and composer Emma Rawicz, who I saw twice at the end of 2024 - once with her own band at Kings Place and once at Ronnie Scott's with Laila Biali (who you can also hear on episode 246).It was great to chat with Emma about her experiences as a musician and also about her forthcoming projects, particularly a duo with pianist and composer Gwilym Simcock. More of that to come!Thanks to Emma for giving me permission to play extracts from her 2023 album Chroma alongside our conversation.Get in touch to let me know what you think!Thank you for listening to Harmonious World. Please rate, review and share: click on the link and subscribe to support the show.Don't forget the Quincy Jones quote that sums up why I do this: "Imagine what a harmonious world it would be if every single person, both young and old, shared a little of what he is good at doing."Support the showRead my reviews of albums, gigs and books as well as a little personal stuff on my blogFollow me on instagram.com/hilseabrookFollow me on facebook.com/HilarySeabrookFreelanceWriterFollow me on twitter.com/hilaryrwriter

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As a band leader and co-leader he is responsible for much of the output of the groups; Lammas, The Underground Orchestra, Storms / Nocturnes (feat. Joe Locke and Geoffrey Keezer), Acoustic Triangle, the last few years of Bill Bruford's Earthworks, and The Lighthouse Trio, (feat; Gwilym Simcock and Asaf Sirkis). This final group makes a 20th anniversary come-back tour and release during 2024! Today we chat to Tim about his new album, Moment of Departure. Support the show

Mark joins the show to chat about his new album, Smiling. Joining the show is Olivia Cuttill as a guest host. Saxophonist and composer Mark Lockheart first came to prominence in the mid 1980s with the influential big band Loose Tubes. In 1992 Mark formed the eclectic co-led quartet Perfect Houseplants, a group that released six albums and collaborated with classical artists such as the Orlando Consort, Andrew Manze and Pamela Thorby. The mid-90s saw Mark recording and performing with many jazz, folk and pop artists, including Django Bates, Kenny Wheeler, Norma Winstone, June Tabor, Stereolab, Jah Wobble, Robert Wyatt, Prefab Sprout, Don Um Romao, Thomas Dolby and Radiohead.In 2003 Mark joined Seb Rochford's Polar Bear, which over a period of 12 years recorded six ground-breaking albums. The band's second album, Held On The Tips Of Fingers, was nominated for the 2005 Mercury Award and later appeared in Jazzwise's 100 Albums That Shook the World. The band's fifth album, In Each And Every Way, was also nominated for a Mercury Award in 2013. In 2007 Mark was a featured soloist (along with John Pattitucci and Gwilym Simcock) in Mark Anthony Turnage's About Water, which premiered on the Southbank in June 2007. Mark collaborated several times more with Turnage, performing his A Man Descending with the Southbank Sinfonia in 2008 and more recently as one of the featured musicians in Turnage's opera Anna Nicole, which premiered at the Royal Opera House in London in 2011. In 2009 Mark's quintet album In Deep was released to critical acclaim. The following year saw the release of Mark's first big band album Days Like These with the Hamburg-based NDR big band. That same year Mark was awarded APPJC Parliamentary Jazz Musician of the Year 2010. In 2013 Mark released Ellington In Anticipation, a radical reworking of Ellington melodies with an all-star line up including Seb Rochford and Liam Noble. The album received numerous four and five-star reviews and was MOJO magazine's Jazz Album of 2013 and nominated as Best Jazz CD of 2013 by the APPJC at the 2014 Parliamentary Awards.  An invitation to perform at the New York Rochester Jazz Festival in 2014 led to the formation of Mark's trio, Malija, with bassist Jasper Hoiby and pianist Liam Noble. Malija's debut album The Day I Had Everything was released in December 2015 to critical acclaim. The group's second album Instinct was released in 2017 followed by a 21-date tour.  In 2016 Mark was awarded Jazz FM Instrumentalist of the Year and also nominated for the British Composer Awards for his composition With One Voice. A few years later saw the birth of two very contrasting projects , the jazz/orchestral work titled Days On Earth for jazz sextet and 30-piece orchestra, released on Edition Records in January 2019 and a set of English Renaissance music ‘Salvator Mundi' recorded at Temple church in London with organist Roger Sayer.mosaic: Exploring Jewish Issuesmosaic is Jewish Federation of Palm Beach County's news magazine show, exploring Jewish...Listen on: Apple Podcasts SpotifySupport the show

Rob Buckland has crafted a career around his primary work as a saxophonist that defies categorisation. Renowned for a highly distinctive, original sound, with real personality and projection, combined with an open-minded approach to repertoire and performance styles, his work takes him around the globe in an astonishing variety of musical settings.Constantly evolving, Rob's most recent projects include a new collaboration with world-renowned Jazz pianist and composer Gwilym Simcock. Featuring the two musicians in both classical and jazz contexts, joined by string quartet, this project merges genres seamlessly to create a new take on some beautiful classical inspired repertoire, with improvisation sympathetically woven into the fabric of the music. This project will record a CD in 2021, and has expanded to a programme with jazz quartet and orchestra. He is also a founder member of the Neoteric Ensemble, a six-piece brass and saxophones chamber group that is currently commissioning and recording a new programme of original music.Support the show

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Adam Nussbaum is considered one of the finest drummers working today. In this video, Adam shares his insights on many important topics, including flow, balance, playing for the song, and much more. Stay tuned for part 2 in a few weeks! He also share some fantastic stories about a multitude of experiences. Be sure to visit his website at: http://www.adamnussbaum.net​ He's played with a virtual "Who's Who" in the jazz world. Longtime associates have included: John Abercrombie, Michael & Randy Brecker, Eliane Elias, Gil Evans, Stan Getz, Vic Juris, James Moody, John Scofield, Joe Sample, Ohad Talmor, ‘Toots' Thielemans, Kenny Wheeler & NHØP, as well as freelancing with prominent artists of every generation, being a major asset no matter where he appears. Nussbaum has recently formed the Lead Belly Project. He has also joined forces with other musicians to form such groups as “BANN” w/Seamus Blake, Jay Anderson & Oz Noy, “We3” w/Dave Liebman & Steve Swallow, "The Impossible Gentlemen" w/Gwilym Simcock, Steve Rodby & Mike Walker, “The Nuttree Quartet" w/John Abercrombie, Jerry Bergonzi & Gary Versace and "The ZZ Quartet w/Ratko Zjaca, Simone Zanchini & Martin Gjakanovski. He's been on hundreds of recordings, including the Grammy winning "Don't Try This At Home” recorded with Michael Brecker. In addition, Nussbaum reaches out to the next generation. He is an in-demand educator doing Clinics and Master Classes, teaching at such institutions as Berklee, NYU, State University of New York, the New School, and at numerous Conservatories around the world. His abilities have brought opportunities for him to work with the finest makers of all things drum-related. Working with Sonor drums, he helped design a line in the “HiLite” series. In conjunction with Zildjian cymbals, Nussbaum helped developed the “Renaissance” & "Pre-Aged” K. Zildjian cymbals. He also coproduced with Hudson Music, "The Art of Playing Brushes." He was born in New York City and grew up in Norwalk, Connecticut and started to play drums at age 12 after studying piano for five years; he also playing bass and saxophone as a teenager. He moved to New York City in 1975 to attend The Davis Center for Performing Arts at City College. He eventually focused on drums….

We hope you will consider showing your support through our Patreon page. This helps to keep the episodes coming. Thank you so much! https://www.patreon.com/theplayerswebcast Asaf Sirkis is one of the most versatile, dynamic, and expressive musicians / drummers of our time. In our conversation, we talk about a variety of topics, including Asaf's perspective on “freedom” in music, letting the music play you, flow, balance, & that's just the beginning. Stay tuned for part 2 in a few weeks! To learn more about Asaf, be sure to visit his website at: https://www.asafsirkis.com​ Born in Israel, Asaf started his professional career as a drummer in the late 80's and played with some of Israel's Jazz luminaries such at Harold Rubin and Alber Beger. A few years after the recording of his first solo album 'One Step Closer' Asaf relocated to the Netherlands, France and finally settled in London around 1999 where he soon became one of the most active Jazz drummers around. During that time Asaf became a founder member of Gilad Atzmon's ‘Orient House Ensemble' and started his long time collaborations with renown saxophonist Tim Garland and pianist Gwilym Simcock. Asaf has been leading his own bands and projects such as 'Asaf Sirkis & the Inner Noise' - a band of an unusual line up of church organ, guitar and drum as well as the Asaf Sirkis Trio. He has been touring worldwide and recorded over 100 albums as a sideman, collaborator and as a leader. Asaf have been playing with many renown jazz and world music artists such as: Dave Holland, Jacob Collier, Tim Garland, Gwilym Simcock, Larry Coryell, Jeff Berlin, John Abercrombie, Bob Sheppard, Norman Watt-Roy (off the Blockheads), Wilco Johnson, Soft Machine, Robert Wyatt, Natacha Atlas, Dave Liebman, David Binney, Gary Husband, pianist John Taylor, Norma Winstone, Kenny Wheeler, Andy Sheppard and many more.

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Locked Down With Simon WhitesideDue to the Covid-19 crisis, we can't get together so me and Simon Whiteside talk over zoom about all things film, jazz and music! Simon Whiteside: Simon Whiteside has worked in the music industry since Graduating from the UK‘s National Film and Television School (NFTS) in 1995. His lists of credits as orchestrator include Harry Potter and the order of the Pheonix, Brighton Rock, Over the Hedge and Harry Brown. He has worked on many TV series from Love in a Cold Climate, Persuasion and other Jane Austen Adaptations, Little Dorrit and other Dickens and more recently on Downton Abbey and Mr Selfridge.  He has also arranged and plays in many Jazz bands which lead him to be on set Music supervisor for Jazz on Downton and Mr Selfridge. He also played a monthly gig at London's Ronnie Scotts club with the Jive band Kai's Cats for 7 years. In recent years Simon has been involved in many Live orchestra and Film projects including Wallace and Grommit and Brassed Off at the Royal Albert Hall and The Italian Job which premiered at Theatre Royal Drury Lane.  Simon has also worked on concert hall music, particularly in the Jazz Crossover area for artists such as Gwilym Simcock and Trish Clowes with the BBC Concert Orchestra, Caro Emerald and the Metropole Orkest and BBC Proms with Jamie Cullum, The Heritage Orchestra and Metropole Orkest.http://simonwhitesidemusic.com/ 

Playlist: Kara Gibbs, Tiresias Duo - Untitled Scenes - Two Remembered & One ImaginedStanding Wave - Pots 'n Pans FallingSamy Moussa, Ensemble Made In Canada - Orpheus in NunavutEnsemble et al - Guernsey GoodbyeJeffrey Brooks, Bang on a Can All Stars - Capriccio on the Departure of a Beloved Brother (After BWV 992)Cenk Ergun, JACK Quartet - SonareEfterklang, The Happy Hopeless Orchestra - WindGwilym Simcock, LSO Percussion Ensemble - Suite for Percussion QuintetEriks Esenvalds, Pacific Lutheran University Choir of the West - Only in Sleep

Dice que lleva esperando esta grabación toda su vida. "Un reflejo del amplio reflejo de expresiones que me han interesado a lo largo de los años". Pat Metheny presenta "From this place", un trabajo en el que siguió el método Miles, que Metheny conoció gracias a Ron Carter. Le acompañan en este empeño Gwilym Simcock (piano), Linda Oh (contrabajo) y Antonio Sanchez (batería). Además, una orquesta dirigida por Joe McNeely y con arreglos de Gil Goldstein y Alan Broadbent. El guitarrista argentino Federico Dannemann y el saxofonista ruso Zhenya Strigalev firman "The Change", un trabajo sobre la necesidad de abandonar la zona de comfort. Les acompañan en el empeño el contrabajista Luques Curtis y el baterista Obed Calvaire. Un proyecto que nos llega en el "London Calling" de Fernando Ortiz de Urbina. Empezaron como dúo, ampliaron a trío y en apenas unos meses publican dos trabajos. Tres magníficos guitarristas que repiten juntos dando vida a las composiciones de John Zorn inspiradas por la mística británica del siglo XIV, Juliana de Norwich. Ellos son Julian Lage, Gyan Riley y Bill Frisell. Todas los derechos e información: http://www.elclubdejazz.com

Dice que lleva esperando esta grabación toda su vida. "Un reflejo del amplio reflejo de expresiones que me han interesado a lo largo de los años". Pat Metheny presenta "From this place", un trabajo en el que siguió el método Miles, que Metheny conoció gracias a Ron Carter. Le acompañan en este empeño Gwilym Simcock (piano), Linda Oh (contrabajo) y Antonio Sanchez (batería). Además, una orquesta dirigida por Joe McNeely y con arreglos de Gil Goldstein y Alan Broadbent. El guitarrista argentino Federico Dannemann y el saxofonista ruso Zhenya Strigalev firman "The Change", un trabajo sobre la necesidad de abandonar la zona de comfort. Les acompañan en el empeño el contrabajista Luques Curtis y el baterista Obed Calvaire. Un proyecto que nos llega en el "London Calling" de Fernando Ortiz de Urbina. Empezaron como dúo, ampliaron a trío y en apenas unos meses publican dos trabajos. Tres magníficos guitarristas que repiten juntos dando vida a las composiciones de John Zorn inspiradas por la mística británica del siglo XIV, Juliana de Norwich. Ellos son Julian Lage, Gyan Riley y Bill Frisell. Todas los derechos e información: http://www.elclubdejazz.com

This Episode: We eat Vegan Cheese, drink wine and Talk about NYJO, Practice, Composition, our favourite ECM recording and our love for George Martin, among other things! Tom Ridout GIGS : Tristan Malliot Quartet (18th Feb- Olivers Jazz Bar, 20th Feb- Karamel)Patchwork Jazz Orchestra- (21st Feb)"Handel On Jazz"- (12th March- Aylesbury)NYJO Nonet- (15th March- Barnes Festival)Tom Ridout: Award winning saxophonist Tom Ridout was predicted by Jazzwise Magazine in 2012 as an upcoming jazz musician to watch out for. A finalist in the 2016 BBC Young Musician Jazz Award, recent graduate from the prestigious Royal Academy of Music, recent winner of the Lancaster Jazz Festival Youth Jazz Commission 2018 and a recent member of NYJO (the National Youth Jazz Orchestra), Tom is a prolific composer who fronts his own bands playing his original compositions.Tom has performed at many venues across the country including Ronnie Scotts (both with his own Quintet and NYJO), The 606, Barbican Centre, Queen Elizabeth Hall, Buckingham Palace, Sage Theatre in Gateshead and many others. He is also on NYJO's latest album, ‘NYJO Fifty'.As an in demand saxophonist, performing with many different musicians and bands, recent highlights have included; various Clark Tracey ensembles, Patchwork Jazz orchestra tour and the ‘Tribute to Jon Hiseman' gig at Shepherds Bush Empire followed by the ‘In Memory of Jon Hiseman' gig in Hamburg, both with the iconic prog rock band Colosseum.In 2018 Tom released his debut album “No Excuses”, which features a 13 piece band including traditional jazz instrumentation with a string quartet and brass trio.The album had a fantastic launch at The Vortex Jazz Club, London to a sold out audience on Jan 2nd 2018 which was followed later in the year with a successful small tour of the country. Tracks from the album have been played on Jazz FM many times, as well as on The Jazz Report, TNGC Radio, Sennhesier Sunday Jazz Session and Radio 3's ‘Jazz Record Requests' and ‘Jazz Now' show accompanying an interview with Tom. The album has a 4 star review in allaboutjazz.com, and Tom was featured in a 3 page interview in Recorder magazine in the Dec 2017/Jan 2018 issue; “His debut album is a fantastic showcase of the versatility of his writing, ability and imagination”.Whilst at RAM, Tom studied with revered musicians such as Stan Sulzmann, Martin Speake, Iain Ballamy, Jean Toussaint and Gareth Lockrane, and through being at the Academy and in NYJO has had the opportunity to perform with the likes of Gregory Porter, Nikki Iles, Gwilym Simcock and Dave Holland.Tom has been the recipient of The Craig Ball Award, the Richard Turner Jazz Fund Award, Lancaster Jazz Festival Youth Commission and the Essentially Ellington Outstanding Soloist Award.Giles Thornton: Giles is a composer/arranger based in London who has recently worked with as an arranger and musical supervisor for “Adventures In The American Songbook”, performed by postgraduate vocal studies students from the Guildhall School Of Music And Drama . He has also worked as in the music team for the Heritage Orchestra BBC Prom “New York: Sound Of A City”. Recently graduating from Guildhall School Of Music And Drama, studying Jazz Composition and Arranging, Giles released his debut big band album, "Be In Today" in July 2018.Giles' original compositions are influenced by Vince Mendoza, Maria Schneider, Gill Evans and Mike Walker, among others.He has performed in prestigious venues , such as The Royal Albert Hall, Sadler's Wells, LSO St Lukes, Milton Court Concert Hall and The Barbican Hall.Giles has worked with many artists, such as Jules Buckley, James McMillan, Liane Carroll and Evan Jolly, among others.https://open.spotify.com/album/2EqLKK40CAJc1eZ8uwxrtZ?si=-4TSuIPKQlCc14zj3bAn6Q

Thomas Gould is a classical violinist who also plays great jazz. He has played with a whole host of British jazz legends and continues to play with musicians like Gwilym Simcock and Liam Noble. He also tours the world as a classical soloist.   http://www.thomasgould.com/   You can become a patron of the podcast on Patreon by following this link   https://www.patreon.com/Jazzviolinpodcast   Becoming a patron of the podcast means that you are directly helping the podcast continue. This is a chance for you to help out with the running costs of the podcast, if you feel like you get a lot out of my interviews you can be a part of it by donating a small amount of money.   I will be creating one extra monthly show specifically for my patrons. This is either an interview with a musician I know from the jazz scene or I also create episodes where I listen back to previous shows and chat about some key points that my guests bring up. There are so many great ideas and concepts that these amazing musicians bring up and I would like to share with you some of my favourites!   The music at the beginning of the episode is ‘Sweet Tamarind' from an album with Thomas Gould, Liam noble and Jim Rattigan   I feature a new release at the end from my own project the London Django Collective  https://www.londondjangocollective.com/  ‘Carte Blanche' by Matt Holborn

We have a really fantastic line-up in The Hot Box #050 for Pianists under the letter S. Sampling multiple styles you will hear tracks from artists such as Ralph Sutton, Horace Silver, Helen Sung, Matthew Ship, Willie “The Lion” Smith, Martial Solal, Esbjorn Svensson, Bobo Stenson and more. We also feature a track from Gwilym Simcock who is performing the New Ross Piano Festival Jazz Day on September 26th. You can view the event listing here. Then a wonderful track to close the lid on the 50th Episode of The Hot Box Podcast from Christian Sands entitled Reaching for the Sun.

We’re switching things up this week. Sitting in the host chair for this episode of JAZZIZ Backstage Pass is Michael Fagien, the founder and publisher of JAZZIZ Magazine. And he’s brought with him a very special guest. Gwilym Simcock is one of the best jazz players to come out of the U.K. in recent years, a winner of the prestigious Mercury Prize and the first musician of a jazz background to be named a BBC First Generation Artist. In February, he released a new solo piano album called Near and Now on ACT Music. Recorded at his home in Berlin, the album serves as an intimate showcase for Simcock’s musical style, which blends highly narrative compositions with vivid, exploratory improvisations. When he’s not playing shows with his own group, he’s on tour with legendary guitarist Pat Metheny, holding down the piano chair alongside Linda May Han Oh on bass and Antonio Sanchez on drums. Michael talks about what it was like to work in such an iconic jazz ensemble and so much more. --- Support this podcast: https://anchor.fm/brian-zimmerman/support

We’re switching things up this week. Sitting in the host chair for this episode of JAZZIZ Backstage Pass is Michael Fagien, the founder and publisher of JAZZIZ Magazine. And he’s brought with him a very special guest. Gwilym Simcock is one of the best jazz players to come out of the U.K. in recent years,…

Award-winning jazz vocalist, lyricist and producer, Georgia Mancio, is one of Europe's most respected, adventurous and multi-faceted new artists.  Her multi-lingual music references classic jazz and Latin alongside her own astonishing writing, always stamped with an unfailing emotional integrity.In summer 2018 Georgia made her US debut at Rochester International Jazz Festival and Kitano (NY) with her song-writing partner Grammy-winning pianist/composer, Alan Broadbent, following their 2017 album release, Songbook, sold out headline at Ronnie Scott's (“unequivocally, one of the gigs of the year” Jazzwise) and subsequent performances across Europe.Other credits include Bobby McFerrin, Liane Carroll, Ian Shaw, Bobby Wellins, Gwilym Simcock, Darius Brubeck, Pat Metheny (lyric approval), her own festivals ReVoice! and Hang and multiple nominations in the Parliamentary, British Jazz and Urban Music Awards. Her 7th album, Finding Home, co-written with pianist/composer Kate Williams will be released in 2019.Support the show (http://www.prestomusic.com/jazz)

Pianist/composer Gwilym Simcock's latest solo CD "Near And Now" is shortly due out on ACT Music. Last year, this busiest of jazz musicians collaborated with singer Kizzy Crawford and Sinfonia Cymru on the "Birdsong" project. He tours with the Pat Metheny Group, regularly performs with reed-player Tim Garland and is in great demand - along with Mike Walker, Steve Swallow and Adam Nussabaum - as one of The Impossible Gentlemen.  Welsh-born Simcock also explains why, whenever he does get a break in his schedule, he heads for Berlin…

Sam joins the show to tell us about his life. Leak studied Jazz piano with Gwilym Simcock at the Royal Academy of Music. Leak is currently a PhD candidate at the University of Cambridge, where he is researching the learnability of Absolute Pitch by adults. Support the show (http://www.prestomusic.com/jazz)

C.E.O. of Basho Records, Christine Allen, explains the difficulties of running a small, independent jazz label from its London base, as well as the services that Basho Music provides for artists like pianist Gwilym Simcock and saxophonist Trish Clowes...

Avengers: Infinity War is released in cinemas today. Fans have been counting the days until the film's release, but what does this ambitious high-budget offering reveal about the state of the hugely successful Marvel Cinematic Universe? Mik Scarlet and Larushka Ivan-Zadeh consider the bigger picture.At a time when many libraries across the UK are facing an uncertain future, Salley Vickers has gone back to the 1950s for her new novel The Librarian. Salley, and Peter Gaw who runs Nottinghamshire's libraries, consider how the role of the library has changed and adapted to a modern world, and the challenge they face today. Two Welsh musicians - singer Kizzy Crawford and pianist and composer Gwilym Simcock - perform from their new album Cân Yr Adar, or Birdsong. They talk about their collaboration, which also involves Sinfonia Cymru, and how they were inspired by the landscape and wildlife of Carngafallt, the nature reserve in mid-Wales, known as the Celtic rainforest. Presenter Stig Abell Producer Jerome Weatherald.

Y hoy… un estándar. Es el turno de “The Way You Look Tonight” con música de Jerome Kern y letra de Dorothy Fields, compuesto en 1936 para la película Swing TIme (en España En alas de la danza). Las interpretaciones están a cargo de Teddy Wilson & His Orchestra con Billie Holiday, Sonny Rollins, Ari Hoenig, Art Pepper, David Pastor Nu-Roots con la voz de Deborah J. Carter, Billy Bauer, Gwilym Simcock, Lionel Hampton & His All Stars, Keith Jarrett Standards Trio, Paul Gonsalves, Tal Farlow. Tomajazz: © Pachi Tapiz, 2017 HDO es un podcast editado, presentado y producido por Pachi Tapiz.

Donald's joined by composer and jazz pianist Gwilym Simcock .

Edición consagrada al jazz... with strings, proyectos con cuerdas pero alejados de la estética de baladistas con acompañamientos de orquesta de cámara. Así, en esta edición de 'Club de Jazz' del 25 de marzo de 2016, escuchamos el proyecto "Something personal" de Peter Herborn, que contó con un cuarteto de cuerda integrado en un conjunto de improvisadores con nombres como el saxofonista Tim Berne o el guitarrista Marc Ducret. Contar con violinistas como Mark Feldman le permite al saxofonista integrar las cuerdas en su magnífico "Imaginary cities" con su Underground Orchestra; el guitarrista Joel Harrison le montó un String choir para la música de Paul Motian; Bill Frisell se balanceó entre ellas en su Sign of life junto al 858 Quartet. La música "clásica" es siempre campo de inspiración para jazzistas, como para el contrabajista John Hébert y el pianista Lucian Ban que rindieron tributo al violinista y compositor rumano George Enesco; con un carácter más lúdico, el pianista italiano Stefano Bollani firmó un divertido y virtuoso Concertone junto a la Orchestra della Toscana; tanto con orquesta como con un pequeño conjunto de cámara trabajó el pianista británico Gwilym Simcock en "Instrumation", mientras el trombonista alemán Nils Wogram completó su grupo Root 70 with strings. Toda la información y derechos: http://www.elclubdejazz.com

Edición consagrada al jazz... with strings, proyectos con cuerdas pero alejados de la estética de baladistas con acompañamientos de orquesta de cámara. Así, en esta edición de 'Club de Jazz' del 25 de marzo de 2016, escuchamos el proyecto "Something personal" de Peter Herborn, que contó con un cuarteto de cuerda integrado en un conjunto de improvisadores con nombres como el saxofonista Tim Berne o el guitarrista Marc Ducret. Contar con violinistas como Mark Feldman le permite al saxofonista integrar las cuerdas en su magnífico "Imaginary cities" con su Underground Orchestra; el guitarrista Joel Harrison le montó un String choir para la música de Paul Motian; Bill Frisell se balanceó entre ellas en su Sign of life junto al 858 Quartet. La música "clásica" es siempre campo de inspiración para jazzistas, como para el contrabajista John Hébert y el pianista Lucian Ban que rindieron tributo al violinista y compositor rumano George Enesco; con un carácter más lúdico, el pianista italiano Stefano Bollani firmó un divertido y virtuoso Concertone junto a la Orchestra della Toscana; tanto con orquesta como con un pequeño conjunto de cámara trabajó el pianista británico Gwilym Simcock en "Instrumation", mientras el trombonista alemán Nils Wogram completó su grupo Root 70 with strings. Toda la información y derechos: http://www.elclubdejazz.com

Graeme Blevins (Sopransaxofon) | Peter Whyman (Altsaxofon) | Tim Holmes (Tenorsaxofon) | Chris Caldwell (Baritonsaxofon) | Gwilym Simcock (Klavier und Arrangement)

El pianista británico Gwilym Simcock, junto al contrabajista Yuri Goloubev, al baterista Martin France y la orquesta City of London Sinfonia, se reúnen en "Instrumation" para dar vida a la suite "Move!", que escuchamos íntegra en esta edición de "Club de Jazz" del 20 de agosto de 2014. Además, Simcock y Goloubev se marchan al balneario germano de Schloss Elmau para firmar un dúo para la serie "Duo Art" del sello ACT. En la segunda hora de programa, descubrimos la música del Therion Project del baterista Tommy Caggiani, y nos deleitamos con la música inspirada por los elementos esenciales para la vida que desarrollan igualmente la baterista Lucía Martínez en "De viento y de sal" y el armenio Arto Tunçboyaciyan junto a su Armenian Navy Band en "Natural seeds". Toda la información y derechos: http://www.elclubdejazz.com

El pianista británico Gwilym Simcock, junto al contrabajista Yuri Goloubev, al baterista Martin France y la orquesta City of London Sinfonia, se reúnen en "Instrumation" para dar vida a la suite "Move!", que escuchamos íntegra en esta edición de "Club de Jazz" del 20 de agosto de 2014. Además, Simcock y Goloubev se marchan al balneario germano de Schloss Elmau para firmar un dúo para la serie "Duo Art" del sello ACT. En la segunda hora de programa, descubrimos la música del Therion Project del baterista Tommy Caggiani, y nos deleitamos con la música inspirada por los elementos esenciales para la vida que desarrollan igualmente la baterista Lucía Martínez en "De viento y de sal" y el armenio Arto Tunçboyaciyan junto a su Armenian Navy Band en "Natural seeds". Toda la información y derechos: http://www.elclubdejazz.com

Ever since the early ragtime of Scott Joplin and Jelly Roll Morton the piano has been a key instrument in the development of Jazz. Associated with the smoky bar-room, the instrument allows the jazz pianist to play all the elements of the band - stretching the harmony, roll a great rhythmic bottom-end, and improvise singing, soaring melodies. Art Tatum, Duke Ellington, Bill Evans, Thelonius Monk, Herbie Hancock, among others, all stretched what the Jazz piano could do. Featuring Julian Joseph and Gwilym Simcock.

The piano is an unusual musical instrument in that all ten digits of the performer can be used to sound different notes simultaneously. Fingers need practice, and practice makes perfect. Working hard to build strength and dexterity is part and parcel of every pianist's story, and just as in sport, exercises are a necessary evil. But what can start out as a chore when young can eventually become a pleasure when technique is more advanced and exercises turn into Chopin or Moskowski Etudes – written and designed for developing technique but also being very beautiful music. Featuring Lucy Parham, Gwilym Simcock, Richard Sisson and David Owen Norris

¡Un disco en "Mono"! Algo así sólo se le podría ocurrir a The Thing, el trío formado por Mats Gutsfsson (sx), Ingebrit Haker Flaten (cb) y Paal Nilssen-Love (bt). Lo escuchamos en el "Club de Jazz" del 7 de marzo de 2012. El pianista Jesse Elder y la violinista Blanca Cecilia González son 1in2 y llegan con "Creature Ventures". El pianista británico Gwilym Simcock se traslada al balneario de Schloss Elmau para disfrutar de "Good days". Jesús Moreno se pone eléctrico "desde mi cadiera" con "Mwandishi" de Herbie Hancock (1971). Alberto Varela y su "Jazz Porteño" se rusifican con el saxo de Dmitry Baevsky en "Some other spring". Anxo presenta en los "Ritmos Latinos" el más reciente trabajo de Eliseo Parra, "Contradicción". Roberto Barahona recupera en el "PuroJazz" un disco de 1965 de la cantante Patty Waters para ESP. Ferran Esteve estrena en "La duda permanente" el segundo disco del Bridges Trio (Guillem Callejón, Dimas Corbera y Alfons Bertran) con la colaboración del guitarrista David Soler. Toda la información y derechos: http://www.elclubdejazz.com

¡Un disco en "Mono"! Algo así sólo se le podría ocurrir a The Thing, el trío formado por Mats Gutsfsson (sx), Ingebrit Haker Flaten (cb) y Paal Nilssen-Love (bt). Lo escuchamos en el "Club de Jazz" del 7 de marzo de 2012. El pianista Jesse Elder y la violinista Blanca Cecilia González son 1in2 y llegan con "Creature Ventures". El pianista británico Gwilym Simcock se traslada al balneario de Schloss Elmau para disfrutar de "Good days". Jesús Moreno se pone eléctrico "desde mi cadiera" con "Mwandishi" de Herbie Hancock (1971). Alberto Varela y su "Jazz Porteño" se rusifican con el saxo de Dmitry Baevsky en "Some other spring". Anxo presenta en los "Ritmos Latinos" el más reciente trabajo de Eliseo Parra, "Contradicción". Roberto Barahona recupera en el "PuroJazz" un disco de 1965 de la cantante Patty Waters para ESP. Ferran Esteve estrena en "La duda permanente" el segundo disco del Bridges Trio (Guillem Callejón, Dimas Corbera y Alfons Bertran) con la colaboración del guitarrista David Soler. Toda la información y derechos: http://www.elclubdejazz.com

Mit "Heart Luggage" (ATS-Records/Extraplatte) gelang Klaus Gesing, der am Sopran Saxofon, Bassklarinette und Floeten zu hoeren ist und auch fuer die Loops zustaendig ist, ein kammermusikalisch virtuoses wie rundes Jazzalbum. Verzichtet wird dabei auf platte Schablonen, vielmehr schaelt Klaus Gesing gemeinsam mit Gwilym Simcock am Piano und Melodica, Yuri Goloube am Double Bass und Asaf Sirkis am Schlagwerk und Perkussion paneuropaeische Musiklandschaften im Cinemascope-Format hervor. Das Album bietet sieben Eigenkompositionen, ein Traditional und eine Neuinterpretation von John Coltranes "Giant Steps"." Ich habe viel Volksmusik gehoert und das hat sich in meinen Gehirnwindungen einfach festgesetzt", laesst Klaus Gesing in den Liner-Notes ausrichten, und ergaenzt: "Das kommt an allen Ecken und Enden wieder heraus, ob ich will oder nicht." Und so kommt eben ein musikalischer Spiegel seiner eigenen Zerrissenheit heraus, denn "Volksmusik hat fuer mich", wie er sagt, "mit Heimat zu tun", aber manchmal wisse er einfach nicht wo er sich zuhause fuehlen soll.