Podcast appearances and mentions of Jim Valentino

Angus continues the Image Comics Month celebration with his deep dive into The Official Image Comics Timeline which was published in 2022 to celebrate the 30th Anniversary of the publisher!The Official Image Timeline (One-Shot)https://www.amazon.com/Official-Image-Timeline-One-Shot-ebook/dp/B09PZFXSFW/Just in time to celebrate Image Comics' 30th anniversary, Image archivist and co-founder JIM VALENTINO details the company's history (warts and all) in the single most comprehensive chronology of the company ever published. Featuring rarely seen covers, photos, milestones, and behind-the-scenes events from the company's Marvel-ous beginnings to the present, this is the chronicle all future histories will be judged against.Featuring an introduction by Image Publisher ERIC STEPHENSON and a chronicle of historic Image accolades, and printed in beautiful 64-page prestige format.Leave a message at kirbyskidspodcast@gmail.comJoin the Community Discussions ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://mewe.com/join/kirbyskids  ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Please join us for our 2025 Graphic Novel Reads⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://www.kirbyskids.com/2024/11/kirbys-kids-giving-thanks-2025-graphic.html⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠For detailed show notes and past episodes please visit ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠www.kirbyskids.com

Episode 236 of Tom Clark's 6M Podcast focuses on The Impact of Image Comics. Tom Clark and Phil Lindsey dive into the story of Todd McFarlane, Rob Liefeld, Jim Lee, Mark Silvestri, Erk Larsen, Jim Valentino and Whilce Portacio, who left Marvel and DC behind in 1992 to form Image Comics. Why is this company so important to the comic book industry and why do creators deserve to own their creations? Dive into that, and much more! Visit Boink Studios: https://boinkstudios.com    Follow the show on social media: Twitter: https://twitter.com/6MPodcast Bluesky: https://bsky.app/profile/boinkstudios.bsky.social Facebook: https://www.facebook.com/6mpodcast/ Instagram: https://www.instagram.com/6mpodcast/ For more from Boink Studios, check out the links below: Tom Clark's Main Event: https://podcasts.apple.com/us/podcast/tom-clarks-main-event/id910362334 Two Nations Under Ted: A Ted Lasso Podcast: https://podcasts.apple.com/us/podcast/two-nations-under-ted-a-ted-lasso-podcast/id1693870355   © Boink Studios 2025

The heroes of tomorrow, today! This week we take a look at Jim Valentino's Guardians of the Galaxy as our team of heroes go up against the one and only Taserface! No really, that's his name!  Seek us out under the Field of Geeks umbrella wherever you podcast, YouTube, or www.fieldofgeeks.com. We are also available on Facebook and Gmail under The Number 1 Comics Podcast.   Huge thanks to Raven Xavier for crafting our awesome theme. Check Raven out at https://ravexmusic.bandcamp.com/). #marvelcomics #comics #comicbooks #guardiansofthegalaxy #starlord #rocketraccoon #jimvalentino #guardians

Um die Imagegründer-Sammlung weiter zu komplettieren, widmen Thorsten und Björn sich dem oft vergessenen Jim Valentino und seiner Serie ShadowHawk. Wer ist der geheimnisvolle Protagonist der Serie, und was treibt ihn dazu, dahergelaufenen Straßengangstern das Rückgrat zu brechen? Brandstiftung, Rassismus, Schutzgelderpressung, Kindesentführung und nebenbei die Entstehung des HIV Virus - bei so viel Schatten muss doch auch irgendwo Licht sein? Bonus: Mehr Cover Gimmicks und Cameos, als man sich wünschen kann. Gelesen wurden die von Image in den USA publizierten Hefte Shadowhawk (Vol. 1) #0 und #1-18, die nie auf Deutsch erschienen. Dunkle Bilder auf Instagram Stark bewölktes Bluesky Düstere Gedanken auf Thorstens Blog Finstere Intromusik von Markus Schneider

Hemos dedicado parte de nuestro verano a releer esa obra transcendental que Marvel Comics publicó a mediados de los noventa y que casi treinta años después sigue haciendo que una gota de sudor frío recorra nuestra espalda cuando es mencionada: Heroes Reborn, el relanzamiento que tuvieron las colecciones de los Cuatro Fantásticos, los Vengadores, Iron Man y Capitán América tras "Onslaught". Jim Lee, Rob Liefeld, Jeph Loeb, Jim Valentino y muchos más se hicieron cargo durante más tiempo del que deberían de algunos de los personajes más importantes de la editorial... con nefastas consecuencias.

Seguimos dándole vueltas a los versus y hoy vamos a enfrentar dos grapas con un montón de cosas que son, pero que no son. Para empezar, hablamos de dos historias de Lobezno, pero ninguna de las dos procede de su propia cabecera o ni siquiera de la Patrulla-X. Segundo, son dos historias que no pueden ser más noventeras y sin embargo ambas fueron hechas en los años 80. Y tercero, son dos obras memorables, pero tal vez no por los motivos correctos. Vamos, en un rincón, con What If...? Vol.2 #7, aparecido en septiembre de 1989 y a cargo de Jim Valentino y Rob Liefeld con la historia «¿Y si Lobezno fuera agente de S.H.I.E.L.D.?». En el rincón opuesto tenemos The Incredible Hulk #340, que vio la luz en octubre de 1987, con guion de Peter David y dibujo de Todd Mcfarlane en un enfrentamiento que es un clasicazo. ¡Garras, dientes y pistolones a tutiplén! ¡Que empiece el combate! La noche es caliente como el infierno. Todo se te pega. Una asquerosa habitación de un asqueroso barrio de una asquerosa ciudad. El aparato de aire acondicionado es un pedazo de chatarra que no podría enfriar ni una bebida aunque la metieras dentro. Parece el sitio perfecto para escuchar el podcast 336 de ELHDLT Selección musical: 🎶 Snikt!, de Michel Oliveira 🎶 Wolverine, de Possible Oscar

A very cool artist who has some connections to past guests stops in to chat about his amazing work!Dietrich O. Smith is a prolific comic book artist whose exceptional talent has graced the pages of industry giants such as Marvel, DC, Dynamite, Boom! Studios, Image Comics, IDW Publishing, Riot Games, and more. With a diverse portfolio spanning various genres and publishers, Smith has showcased his versatility and mastery of the medium through dynamic line work, and expansive character designs!Dietrich talks meeting insane deadlines, working and animation and learning under some industry greats like Rob Liefeld and Jim Valentino!Support the show

Beat the Kayfabe Effect at our Patreon: https://patreon.com/cartoonistkayfabe Ed's Links (Order RED ROOM!, Patreon, etc): https://linktr.ee/edpiskor Jim's Links (Patreon, Store, social media): https://linktr.ee/jimrugg ------------------------- E-NEWSLETTER: Keep up with all things Cartoonist Kayfabe through our newsletter! News, appearances, special offers, and more - signup here for free: https://cartoonistkayfabe.substack.com/ --------------------- SNAIL MAIL! Cartoonist Kayfabe, PO Box 3071, Munhall, Pa 15120 --------------------- T-SHIRTS and MERCH: https://shop.spreadshirt.com/cartoonist-kayfabe --------------------- Connect with us: Instagram: https://www.instagram.com/cartoonist.kayfabe/ Twitter: https://twitter.com/CartoonKayfabe Facebook: https://www.facebook.com/Cartoonist.Kayfabe Ed's Contact info: https://Patreon.com/edpiskor https://www.instagram.com/ed_piskor https://www.twitter.com/edpiskor https://www.amazon.com/Ed-Piskor/e/B00LDURW7A/ref=dp_byline_cont_book_1 Jim's contact info: https://www.patreon.com/jimrugg https://www.jimrugg.com/shop https://www.instagram.com/jimruggart https://www.twitter.com/jimruggart https://www.amazon.com/Jim-Rugg/e/B0034Q8PH2/ref=sr_tc_2_0?qid=1543440388&sr=1-2-ent

Rise Of The Guardians pt. 2! Valentino Writes The Future! Daughter Of Wolverine! Check! Galactic Ghost Rider! Check! The X-Men Populate A Planet! Check! Check! Check! Jim Valentino literally wrote the future of Marvel in his transformative 1990 Guardians Of The Galaxy run! 

Long before James Gunn turned them into a blockbuster tentpole franchise, the Guardians Of The Galaxy were without a home. They had no series of their own despite knocking around the Marvel Universe for decades. Then in 1990, the genius of one man, Jim Valentino, brought them status and success in publishing that they had never experienced before or since! And I was fortunate enough to have a front row seat for all of it!

Cette semaine dans ComicsDiscovery Review, votre podcast comics préféré, on vous propose une petite tranche de nostalgie et un voyage temporel dans les 90's avec WildCats de Jim Lee et Brandon Choi disponible chez Urban Comics.Dans ComicsDiscovery News, nous commentons les dernières news qui ont agité le monde de la bande dessinée américaine et ses adaptations cinématographiques ! ComicsDiscovery Review WildC.A.T.S OriginesNous sommes en 1992, Jim Lee est le dessinateur de X-men 01 avec Chris Claremont, l'un des comics les mieux vendus de tous les temps pour Marvel. Avec ses potes Todd Mac Farlane, Marc Silvestri, Rob Liefeld, Erik Larsen, Jim Valentino, et Whilce Portacio, ils claquent la porte des "Big Two" pour créer leur propre maison d'éditions, Image Comics. Leur philosophie est que les créateurs seront les propriétaires de leurs personnages et de leurs créations. Dans ce cadre, Jim Lee crée les studios Wildstorm et lance une nouvelle série WildCats. C'est de cette série dont nous parlons dans l'épisode. Elle ressort cette semaine chez Urban Comics. Wild Covert Action TeamsWildCats met en scène un groupe de super-héros, les WildCats, qui luttent contre des menaces extraterrestres et des super-vilains pour protéger la Terre. Les WildCats sont dirigés par Spartan, un androïde intelligent. Ils affrontent des ennemis redoutables tout en résolvant des conflits internes. C'est une série remplie d'actions et de suspense. Ce comics rétro a permis à l'équipe d'avoir un débat animé. Vous avez aimé WildCats, on vous conseille d'écouter ses épisodes de ComicsDiscovery :ComicsDiscovery S05E19 : Rising Stars : https://jamesetfaye.fr/comicsdiscovery-s05e19-rising-stars/ComicsDiscovery S07E13: Un Long Halloween : https://jamesetfaye.fr/comicsdiscovery-s07e13-un-long-halloween/ComicsDiscovery S03E09: Marvel 1602 : https://jamesetfaye.fr/comicsdiscovery-s03e09-marvel-1602/ Le mot de la finComme toujours, nous vous invitons à venir partager votre avis avec nous, que vous soyez d'accord ou non, cela nous fait toujours plaisir d'échanger avec vous. Si vous avez envie de nous écouter en direct, c'est le mardi soir à 21 h sur notre chaîne Twitch : https://www.twitch.tv/jamesetfaye Vous pouvez nous retrouver sur nos réseaux sociaux :Facebook : https://www.facebook.com/ComicsDiscovery/Twitter : https://twitter.com/comicsdiscoveryInstagram : https://www.instagram.com/comicsdiscovery/TikTok : https://www.tiktok.com/@jamesetfaye Vous pouvez nous écouter sur :Spotify : https://spoti.fi/2Qb8ffDAusha : https://podcast.ausha.co/comicsdiscoveryiTunes : https://apple.co/2zw9H1QDeezer : https://www.deezer.com/fr/show/55279 Sans oublier le replay en vidéo sur :YouTube : https://www.youtube.com/@ComicsDiscovery/Twitch : https://www.twitch.tv/jamesetfaye Pour nous soutenir :Tipeee: https://fr.tipeee.com/james-et-faye Vous pouvez venir discuter avec nous sur notre serveur discord :Discord : http://discordapp.com/invite/GsBTkDS Et Retrouvez nos autres productions sur notre site :Le site de James & Faye : https://jamesetfaye.fr/

Les histoires de super-héros ont parfois la réputation de se résumer à un enchaînement de bagarres et d'explosions dont les onomatopées bariolées cachent un manque manifeste de profondeur. Idée reçue ou fait avéré ? Voici une série culte parfaite pour trancher la question ! TAKE THAT DISK OUT OF YOUR MOUTH !Les années 1990 sont le pinacle d'un genre bien particulier de comic book : celui mettant en scène des anti-héros violents et immoraux. Initiée durant la décennie précédente, cette tendance atteint son paroxysme avec les publications de Image Comics comme Spawn, Youngblood, WildC.A.T.s, et celle qui nous intéresse aujourd'hui : CyberForce. La série, qui vient de fêter son trentième anniversaire, est de nouveau disponible en version française aux Éditions Reflexions, l'occasion ou jamais de revenir sur ce classique parfois mal-aimé ! Débutée comme une mini-série de quatre numéros en octobre 1992 et publiée sous le label Top Cow par Image Comics en collaboration avec Malibu Comics, CyberForce est une création du dessinateur Marc Silvestri, qui coécrit le scénario avec son frère Eric. On y découvre un groupe d'individus aux pouvoirs mutants améliorés cybernétiquement, manipulés à des fins criminelles via des “brain box”, et utilisés comme une troupe d'élite à la solde d'une organisation maléfique appelée Cyberdata. Parvenant à échapper au contrôle de leur geôlier tyrannique, certains de ces mutants prennent la fuite et fondent une équipe ayant pour objectif de contrecarrer les plans de Cyberdata : CyberForce. Le premier épisode de la série s'ouvre sur la fuite de Velocity, jeune femme dotée d'une célérité prodigieuse, poursuivie par un escadron de Cyberdata dirigé par Ballistic. Cette dernière, en plus de posséder une force surhumaine, manifeste une dextérité hors du commun avec les armes à feu, ne ratant pratiquement jamais sa cible. Alors que tout semble terminé pour Velocity, elle est miraculeusement sauvée par Ripclaw et Heatwave, deux membres de CyberForce, qui mettent en déroute Ballistic et son équipe avant de ramener la jeune mutante jusqu'à leur quartier général. En parallèle, on découvre les autres membres de CyberForce : Stryker, Cyblade et Impact, chargés d'assurer la protection d'un mutant briguant la place de maire. Évidemment, le candidat est la cible d'une tentative d'attentat, et nos héros vont devoir user de leurs pouvoirs pour le protéger. Le premier arc de la saga s'articule principalement autour la lutte entre CyberForce et Cyberdata pour s'approprier ou protéger Velocity, qui devient un point de repère récurrent pour le lecteur devant, tout comme elle, se familiariser avec ce monde rempli de surhommes. Lorsque CyberForce devient une série régulière, à la fin de l'année 1993, Image Comics propose un crossover entre les héros de Marc Silvestri et ceux de Jim Lee, les WildC.A.T.s. Cette rencontre intitulée “Killer Instinct” est l'occasion de découvrir que les deux équipes fonctionnent un peu en mode miroir, tout du moins à leurs débuts, ce qui n'a rien d'étonnant quand on connaît le parcours de leur créateur respectif chez Marvel. Dans les numéros suivants, Marc Silvestri reçoit l'appui prestigieux de Chris Claremont au scénario, avant de laisser sa place à David Finch au dessin, puis au scénariste Brian Holguin pour la majorité des épisodes suivants. Bien que la série des frères Silvestri introduise un nombre considérable de personnages en seulement quelques numéros, c'est bien autour de Heatwave, Cyblade, Stryker, Ripclaw, Impact, Velocity et Ballistic que celle-ci construit la plus grande partie de ses intrigues. Ces protagonistes, majoritairement calqués sur des archétypes super-héroïques déjà éculés à l'époque, rappellent fortement les X-Men de Marvel. Sans parler de copie ou de plagiat, le contexte dans lequel évoluent les héros mutants de CyberForce, celui d'une société hostile où différents points de vue s'opposent, ne peut que pousser le lecteur à comparer la série à celle des enfants de l'atome de la Maison des Idées. Il en va de même pour les relations tumultueuses entre certains personnages, qu'elles soient familiales ou amoureuses, qui se conforment à des clichés très convenus de la bande dessinée américaine, entre amours impossibles, passé trouble et culpabilité enfouie. Au-dessus de ce socle pour le moins conventionnel, on trouve quelques fulgurances propres aux productions des 90's qui, si elles peuvent paraître un peu ringardes aujourd'hui, restent pour les fans de la première heure de véritables friandises à l'instantané pouvoir régressif, qu'il s'agisse de Stryker et ses quatre bras (dont trois du même côté) ou de Ripclaw et ses griffes symbiotiques, évidente continuité du travail mené par Marc Silvestri sur Wolverine. Top Cow va exploiter le filon CyberForce en développant un univers étendu autour de l'équipe, avec des séries consacrées aux aventures en solo du charismatique et mystérieux Ripclaw ou avec Codename: Strykeforce, racontant les exploits de Stryker et de ses mercenaires d'élite. Rien de vraiment mémorable, tout comme les crossovers entre CyberForce et la Justice League of America en 2005, ou les X-Men en 2007, façon plutôt amusante de boucler la boucle pour les héros de Marc Silvestri. En 2012, pour fêter les vingt ans de CyberForce, Silvestri va relancer la série et revisiter sa propre création avec un reboot abandonnant le ton super-héroïque grim & gritty des origines pour des influences de science-fiction cyberpunk post-apocalyptique. Une relecture pertinente et beaucoup plus moderne, proche de la brillante série The Wild Storm de Warren Ellis et Jon Davis-Hunt, parue entre 2017 et 2019 chez DC Comics. I'M NOT PAID TO THINK !L'histoire de Top Cow et de CyberForce est intimement liée à celle de Image Comics. Image Comics né en 1992, lorsque Todd McFarlane, Marc Silvestri, Jim Lee, Rob Liefeld, Erik Larsen, Jim Valentino et Whilce Portacio quittent Marvel et DC Comics pour fonder leur propre maison d'édition. S'estimant spoliés par les Big Two qui, rappelons-le, restent propriétaire des créations de leurs employés, ces jeunes artistes décident, dès la fin de l'année 1991, de revendiquer un plus grand respect de leurs droits d'auteur. Malgré une tentative de médiation avec Terry Stewart, président de Marvel à l'époque, aucun accord satisfaisant ne sera trouvé, provoquant le départ des frondeurs. C'est un véritable coup de tonnerre pour le marché de la bande dessinée américaine. Au début des années 1990, McFarlane, Lee, Larsen, Liefield et Silvestri étaient aux commandes des séries les plus populaires de Marvel Comics : Spider-Man, les X-Men, X-Force, ou encore Wolverine. Des titres qui battent tous les records de vente et dont les multiples réimpressions et variant covers font le bonheur des spéculateurs. L'alliance formée par ces talents prometteurs enthousiasme les lecteurs, et le succès est immédiat. Lancés en 1992, les premiers numéros de Youngblood, Spawn, WildC.A.T.s et Savage Dragon sont de véritables réussites commerciales, et la volonté de conserver une forme d'univers partagé, notamment présente dans CyberForce, assure également la production de crossovers événementiels qui permettent une promotion croisée des titres. Ainsi, les premières publications Image sont écoulées à plusieurs centaines de milliers d'exemplaires, le million étant même atteint pour les numéros 1 de Spawn et WildC.A.T.s, permettant au jeune éditeur de réaliser un véritable tour de force : dépasser les ventes DC Comics et se classer deuxième sur le marché, juste derrière Marvel. Évidemment, tout cela ne va pas durer. Dès 1993, l'explosion de la bulle spéculative entraîne une série d'événements qui mène même Marvel Comics aux portes de la faillite en 1996, mais c'est une autre histoire. Du côté de Image Comics, les ventes dégringolent également, mais ce sont surtout des soucis de gestion interne, dûs au manque d'expérience de l'équipe, qui vont mettre l'éditeur en difficulté. Tandis que Top Cow cartonne avec des séries comme Witchblade, The Darkness ou Fathom, les membres fondateurs de Image Comics vont prendre des directions différentes et l'univers partagé des origines va pratiquement disparaître quand Jim Lee rejoint DC Comics en 1998, emportant avec lui ses créations. Au début des années 2000, l'éditeur va peu à peu diversifier son offre en proposant des titres qui deviendront à leur tour des best-sellers, comme The Walking Dead, Invincible ou Saga. Il n'en reste pas moins que le catalogue des débuts de Image Comics propose quelques pépites particulièrement marquantes et dont l'aura trouve encore un écho non-négligeable aujourd'hui, notamment auprès des lecteurs qui étaient ados entre la fin des années 1980 et le début des années 2000. Évidemment, certains éléments scénaristiques, placés de façon pratiquement automatique à l'époque, ont très mal vieillis, et CyberForce ne fait pas exception. Entre ses héros dégoulinants de testostérone et ses héroïnes devant systématiquement répondre au cliché de la femme fatale ou de la jeune fille en détresse, hypersexualisée dans les deux cas, la série est définitivement pensée comme un produit de divertissement à destination des ados masculins nourris aux blockbusters de l'ère Reagan. Malgré un sous-texte affichant parfois des prétentions sociales et politiques qui ne sont que très rarement atteintes, CyberForce reste l'un de ces comic books “pop corn” qui brillent surtout et avant tout par leur partie graphique flamboyante. Sur ce point, le travail de Marc Silvestri est encore aujourd'hui un véritable plaisir pour les yeux, tant son sens de la dynamique et son talent pour concevoir des personnages iconiques sont efficaces. Ouvertement hérités de ses travaux sur les mutants de Marvel, les designs de Ripclaw, Ballistic ou Velocity permettent de comprendre leurs traits de caractère au premier coup d'œil et ancrent durablement ces protagonistes dans la mémoire du lecteur. Pur produit de son époque, mélange inattendu entre les X-Men et Universal Soldier avec Jean-Claude Van Damme, CyberForce est avant tout à découvrir aujourd'hui sous un jour patrimonial. Trente ans après sa première publication aux États-Unis, la série reste très présente dans la mémoire des fans de comics : madeleine de Proust pour les uns, nanar décérébré pour les autres, CyberForce est l'incarnation même de la recette qui a fait le succès de Image à ses débuts et synthétise à merveille le vent de révolte qui a poussé un groupe de jeunes auteurs à prendre son indépendance. Souvent accusée d'être simpliste, la série de Marc Silvestri est pourtant l'évidente allégorie du contexte de sa création. Comme si ses héros aux talents améliorés, transformés en machines par une entité malveillante tentaculaire ayant pour objectif de dominer le monde; et au nombre de sept, comme les fondateurs de Image Comics; n'étaient que le reflet de créateurs exploités par des sociétés de divertissement déshumanisées. Pour les curieuses et les curieux qui voudraient découvrir CyberForce, rendez-vous sur le site des Éditions Reflexions ! N'hésitez pas à partager cet épisode sur les réseaux sociaux s'il vous a plu ! Recevez mes articles, podcasts et vidéos directement dans votre boîte mail, sans intermédiaire ni publicité, en vous abonnant gratuitement ! Get full access to CHRIS - POP CULTURE & COMICS at chrisstup.substack.com/subscribe

In this episode, Greg , Rahul and Leon are joined by special guest Marvyn for the finale episode in our special series discussing, in honour of it's 30th anniversary, "THE DEATH AND RETURN OF SUPERMAN" (https://dc.fandom.com/wiki/Death_and_Return_of_Superman) We get into the last arc of "THE DEATH AND RETURN OF SUPERMAN" "THE RETURN OF SUPERMAN" (https://dc.fandom.com/wiki/Superman:_The_Return_of_Superman_(Collected)), we also discuss some of the other media inspired by or adapting the saga including the video game "THE DEATH AND RETURN OF SUPERMAN" (https://en.wikipedia.org/wiki/The_Death_and_Return_of_Superman) and the failed attempt to create a movie based on the storyline, the legendary doomed project known as SUPERMAN LIVES! (https://en.wikipedia.org/wiki/Superman_in_film#Superman_Lives). "THE RETURN OF SUPERMAN" (https://dc.fandom.com/wiki/Superman:_The_Return_of_Superman_(Collected)) covers: * ACTION COMICS #689-692 * ACTION COMICS ANNUAL #5 * ADVENTURES OF SUPERMAN #503-505 * ADVENTURES OF SUPERMAN ANNUAL #5 * GREEN LANTERN #46 * SUPERMAN #80-83 * SUPERMAN: THE MAN OFSTEEL #24-26 Notes: * THE DEATH AND RETURN OF SUPERMAN SNES 1994 Longplay/ full playthrough (https://youtu.be/27wj1A46fwQ) * SUPERMAN LIVES! Animated teaser trailer (it's weird) (https://youtu.be/v0mCHFHcf5U) * SUPERMAN LIVES! suit test footage (https://www.youtube.com/watch?v=diFCC535U1k) * Footage of Nicholas Cage as Superman / Clark Kent (more suit tests) (https://www.youtube.com/watch?v=cvzpNoTnhV4) Send any questions or feedback to (mailto:acecomicals@gmail.com) acecomicals@gmail.com. And also please subscribe (http://www.acecomicals.com/subscribe) and leave us a review! If you like what we do please consider donating to us (https://ko-fi.com/acecomicals) at https://ko-fi.com/acecomicals. All contributions will be used to defray the cost of hosting the website. Ace Comicals, over and out!# Special Guest: Marvyn Lafayette.

Spawn #37 & 1963 (1993) Listener Discretion Advised Spawn #37 by Alan Moore & Todd McFarlane & Greg Capullo "The Freak" Dedicated To: Keith Giffen They called him Dr. Delirium, an insane scientist with the means to control minds... or else destroy them! These are the merest fraction of the psyche-shredding mechanisms at Delirium's disposal. This is the cold, oil-perfumed zoo in which he keeps the metal beasts that tear men's heads apart. I'm sorry to call you down here so abruptly, Mrs. Kulbiczi. Your husband escaped from the institution, AGAIN... 1963 #1-6 (1993) by Alan Moore & Rick Veitch & Steve Bissette & Jim Valentino & Dave Gibbons & Don Simpson & Chester Brown & John Totleben Shadowhawk #14 & A Touch of Silver #5 & Big Bang Comics #35 by Jim Valentino Image is Everything Episode Art Gallery Spawning Ground Twitter Facebook tumblr rolledspinepodcasts@gmail.com #Spawnometer Spawnometer on Blogspot Rolled Spine Podcasts on Wordpress 1963, Al Simmons, Alan Moore, Big Bang Comics, Don Simpson, Greg Capullo, Jim Lee, Jim Valentino, Rick Veitch, Shadowhawk, Spawn, Spawn Podcast, Steve Bissette, The Freak, Todd McFarlane, Youngblood,

Screw It, We're Just Gonna Talk About Comics is the only podcast in human history where two brothers talk about a thing that they like, in this case, comic books. Will and Kevin Hines are those two brothers, who are also kind of comedians and so much more. They're currently alternating between episodes about John Byrne's legendary Fantastic Four run, and episodes about the first appearances of some of Marvel's most famous characters, and they're all great.For an extra 30 minutes of content about what the unpublished and never-completed 1963 Annual would have contained — including a page-by-page walkthrough of Alan Moore's own thumbnails of the issue, support us at patreon.com/marvelbythemonth. Subscribers at the $4/month level get instant access to our bonus feed of content that contains nearly 70 extended and exclusive episodes — with more being added every week! Stories Covered in This Episode: "Mayhem on Mystery Mile!" - 1963 #1 (Mystery Incorporated), written by Alan Moore, art by Rick Veitch and Dave Gibbons, ©1993 Alan Moore and Rick Veitch"When Wakes the War-Beast" - 1963 #2 (The Fury), written by Alan Moore, art by Steve Bissette and Dave Gibbons, ©1993 Alan Moore and Steve Bissette"Double-Deal in Dallas!" - 1963 #3 (Tales of the Uncanny), written by Alan Moore, art by Rick Veitch and Don Simpson, ©1993 Alan Moore and Rick Veitch"It Came From... Higher Space!" - 1963 #3 (Tales of the Uncanny), written by Alan Moore, art by Rick Veitch and Chester Brown, ©1993 Alan Moore and Rick Veitch"Showdown in the Shimmering Zone" - 1963 #4 (Tales From Beyond), written by Alan Moore, art by Steve Bissette and John Totleben, ©1993 Alan Moore and Steve Bissette"Flipsville" - 1963 #4 (Tales From Beyond), written by Alan Moore, art by Jim Valentino and John Totleben, ©1993 Alan Moore and Jim Valentino"Twelve Hours to Dawn!" - 1963 #5 (Horus, Lord of Light), written by Alan Moore, art by Rick Veitch and John Totleben, ©1993 Alan Moore and Rick Veitch"From Here to Alternity!" - 1963 #6 (The Tomorrow Syndicate), written by Alan Moore, art by Rick Veitch and Dave Gibbons, ©1993 Alan Moore and Rick Veitch "Marvel by the Month" theme v. 3.0 by Robb Milne, sung by Barb Allen. All incidental music by Robb Milne.Visit us on internet at marvelbythemonth.com, follow us on Instagram at @marvelbythemonth and support us on Patreon at patreon.com/marvelbythemonth.

In this week's Second Print Comics Podcast, while the SPC Hiatus continues we look into the recent past with another SPC Classic, as Marc and Remso break down the Image Comics Revolution! This was the spark that lit the comic book industry ablaze in 1992 when seven of the top artists at Marvel - Todd McFarlane, Rob Liefeld, Jim Lee, Marc Silvestri, Eric Larsen, Jim Valentino, and While Portacio - left the corporate comic world to launch their own, independent company, Image Comics! They look at the history of the rift between creators and corporate over control of their characters over the years, from Jerry Siegel and Joel Schuster with Superman to Jack Kirby with X-Men, Fantastic Four, etc. to the Image founders of the '90's. Was the Image Revolution a success? How can we rate this act of revolutionary defiance almost thirty years later? Marc and Remso break it all down for the Second Print whippersnappin' fans!Support the Second Print Comics Podcast over on Patreon for continued content through our temporary hiatus and perks, including early episode releases, bonus rants, access to the Second Print Comics Fan Zone on Facebook, and so much more that you're just gonna have to check it out to find out!Support this podcast at — https://redcircle.com/second-print-comics-podcast/donationsAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

In this episode, Greg and Leon are joined by special guest Marvyn for the second episode in our special series discussing, in honour of it's 30th anniversary, "THE DEATH AND RETURN OF SUPERMAN" (https://dc.fandom.com/wiki/Death_and_Return_of_Superman). In this episode we discuss the comic book industry of the early 90s and the impact that seismic events, such as the comic book sales boom and the founding of image comics, had on the descision making behind the story and particularly, the arc that follows THE DEATH OF SUPERMAN (https://dc.fandom.com/wiki/Death_of_Superman) and SUPERMAN: FUNERAL FOR A FRIEND (https://dc.fandom.com/wiki/Superman:_Funeral_for_a_Friend), REIGN OF THE SUPERMEN!! (https://dc.fandom.com/wiki/Reign_of_the_Supermen). REIGN OF THE SUPERMEN (https://dc.fandom.com/wiki/Reign_of_the_Supermen) covers: * ACTION COMICS #687-688 * ADVENTURES OF SUPERMAN#500-502 * SUPERMAN #78-79 * SUPERMAN ANNUAL #5 * SUPERMAN: THE MAN OF STEEL #22-23 * SUPERMAN: THE MAN OF STEEL ANNUAL #2 We also talk a little about DCs infamous BLOODLINES CROSSOVER EVENT (https://dc.fandom.com/wiki/Bloodlines_(storyline)) (Greg Suffered so that you don't have to!) In the context of it being an interesting bridge between Knightfall and The Death And Return Of Superman. Foil covers, trading cards, and more variant covers than you can shake a stick at, ITS ALL HERE! So join us as we continue our voyage through "THE DEATH AND RETURN OF SUPERMAN" (https://dc.fandom.com/wiki/Death_and_Return_of_Superman) around the 30th anniversary of the event that taught the world not to take our heroes for granted! Send any questions or feedback to (mailto:acecomicals@gmail.com) acecomicals@gmail.com. And also please subscribe (http://www.acecomicals.com/subscribe) and leave us a review! If you like what we do please consider donating to us (https://ko-fi.com/acecomicals) at https://ko-fi.com/acecomicals. All contributions will be used to defray the cost of hosting the website. Ace Comicals, over and out!# Special Guest: Marvyn Lafayette.

Welcome to 'A Dummies Guide to Geekdom' the show that tries to bring everyone up to speed on the geek culture world. In this episode, we answer a very important question; 'Who are Image Comics?' Founded in 1992 by the powerhouse team of Todd Mcfarlane, Jim Lee, Rob Liefield, Marc Silvestri, Erik Larson, Jim Valentino and Whilce Portacio. Image comics quickly made a massive impact in the comic book world. Tony Farina, of Indie Comics Spotlight, joins us to explain why they were such a big deal and why people like him clambered to get their hands on everything they created. Tony gives us an insight into their story, legacy and the impact they had on the world around us. Find more from Tony at https://www.arfarina.com/ Find more from Image at: https://twitter.com/ImageComics https://imagecomics.com/ https://www.instagram.com/imagecomics/ --- Send in a voice message: https://anchor.fm/comics-in-motion-podcast/message

On this very special comicbook-centric Camcast, Ken and Chris celebrate the 30th Anniversary of Image Comics, looking back at its conception and the industry giant that it's become since 1992. The guys talk about seeing the 'I' logo on newstands for the first time, the importance of SAVAGE DRAGON to Chris, Ken's deep love for INVINCIBLE, and everything else in-between that has to do with the "put creators first" company founded by Todd McFarlane, Rob Liefeld, Jim Lee, Erik Larsen, Marc Silvestri, Jim Valentino, and Whilce Portacio. *********************** Logos designed by Snollygoster Productions www.youtube.com/channel/UC0DAPhLhiB7pRPlni277pzA Opening credits music by Ross Bugden www.youtube.com/channel/UCQKGLOK2FqmVgVwYferltKQ ** Podcast to be released on the Geek Pants YouTube channel on September 15th, 2022 -- https://youtu.be/DLko5FMEv-o

Who's ready to break some backs?! That's right, Jim Valentino, the man behind our favorite maiming vigilante ShadowHawk is here to talk to the Bandits about his career and creations. Having started out on small press and indie projects, Jim found his groove on the normalman limited series. Next, it was on to Marvel, where he revived the Guardians of the Galaxy, and redefined the team and book in an epic two-year run. But let's face it, you probably know Jim best as one of the Big 7 creators who jumped ship from Marvel and formed Image Comics. There he debuted ShadowHawk, created A Touch of Silver, and later as publisher, oversaw the transition away from 2D characters and stories to a diverse line of creator-driven books. And he basically discovered Robert Kirkman (Walking Dead, Invincible)!The Last ShadowHawk debuts today (August 17), so go get it! You can find and follow Jim on Facebook. __________________________________Check out a video version of this episode on our YouTube channel: youtube.com/dollarbinbandits.If you liked this podcast, please rate, review, and subscribe on Apple Podcasts. And tell your friends!Looking for more ways to express your undying DBB love and devotion? Email us at dollarbinbandits@gmail.com. Follow us @dollarbinbandits on Facebook and Instagram, and @DBBandits on Twitter. 

On Episode 28 of the Get Overit Podcast, we sit down with Matt Hawkins, president and COO of Top Cow Productions, which is celebrating its 30th anniversary as one of the biggest players in the comic book industry this year. “Top Cow was founded in 1992 by Mark Silvestri, one of six artists who all left Marvel comics together to form a company called Image Comics. It was Rob Liefeld, Todd McFarlane, Mark Silvestri, Jim Lee, Eric Larson, and Jim Valentino,” Matt says. “They all left together and created a new company, basically to fight for creator rights. They wanted to own their own content and they wanted to own and control the characters and their creations.” Matt has been at Top Cow for almost 25 years, and in the industry for a total of 29 years, though that wasn't necessarily the path he saw himself on at the start. He wasn't a fan of comic books growing up, and he credits his ability to write with playing Dungeons & Dragons. His academic path led toward a master's degree in Physics from UCLA. His work in the comic book industry—he has written over 600 books—is steeped richly in research, which he revels in. “I do a deep dive. And in many cases, the research I do on projects takes years. I did a book called The Clock, a few years ago, which was about the weaponization of cancer. And I spent four or five years researching it, interviewed several immuno-therapists and actually brought a couple people on board that would edit me and make sure it was authentic. And in the back of books like that, which I do heavy research, I include what I call a science class, which explains the research and where they can go to see that this is actually legitimate. The idea of the weaponization of cancer might seem absurd, but it's very plausible, probable, and it could have already happened. And I explain all that and show how it works.”Matt has had to imagine many different types of lives and scenarios for audiences of mixed interests and behaviors over his career. “The most successful book I'm writing right now is about an ethically non-monogamous couple. A romance book written for women. That book is published in 27 languages, 57 countries around the world. It's my most successful book, read primarily by middle-aged women.”Why does Matt encourage other dreamers to look for opportunities to veer off course? “Nothing ventured, nothing gained,” he says. “Most people don't take advantage of opportunities that present themselves. I honestly got lucky. I got a lucky opportunity…And then I fought hard and honed my skills. And I've been doing this for 30 years. And you're right. I don't see me doing anything else. And I really love what I do. For me, my work is a joy.”

Unspoken Issues #54.3 - 7F7D - Shadowhawk #1 Clocking in at #5 on the countdown of the “Seven Founders, Seven Days” project is “Shadowhawk” #1. Spine snapping action brought to you by Jim Valentino! Chris and Jesse share their thoughts on this very first founder issue! To join the Unspoken Issues Facebook group to chime in and vote on the polls head to - https://www.facebook.com/groups/752283055418869 Make sure to check out the articles over at https://theunspokendecade.com and stay in touch and participate in the discussion on Facebook by going to https://www.facebook.com/pg/theunspokendecade and checking out the latest posts! To check us out on the player of your choice click here https://linktr.ee/markkind76 Also, check out the W2M Network Discord - https://discord.gg/aydMgvUN9d

Unspoken Issues #54.3 - 7F7D - Shadowhawk #1 Clocking in at #5 on the countdown of the “Seven Founders, Seven Days” project is “Shadowhawk” #1. Spine snapping action brought to you by Jim Valentino! Chris and Jesse share their thoughts on this very first founder issue! To join the Unspoken Issues Facebook group to chime in and vote on the polls head to - https://www.facebook.com/groups/752283055418869 Make sure to check out the articles over at https://theunspokendecade.com and stay in touch and participate in the discussion on Facebook by going to https://www.facebook.com/pg/theunspokendecade and checking out the latest posts! To check us out on the player of your choice click here https://linktr.ee/markkind76 Also, check out the W2M Network Discord - https://discord.gg/aydMgvUN9d

Matt and Lee talk about Deathmate Image/Valiant crossover and some of their favorite Valiant Comics from the 90's. ----more---- Images from the show are HERE Deathmate notes: Designated by color rather than issue numbers (namely Yellow, Blue, Black, and Red) plus two book-end issues, Deathmate Prologue and Deathmate Epilogue, as well as Preview issues collected with comic products, the four main issues were written so they could be read in any order. Created at the peak of the comic book speculator boom, the project was heavily promoted and sold hundreds of thousands of copies, but was beset with production delays. The Image half (Black, Red, and Epilogue) came out severely behind schedule and out of sequence. Deathmate Red shipped after the epilogue issue, and despite cover dates of September 1993 to February 1994, the actual publication lag was far longer than six months. The plot evolved around a chance interdimensional meeting of two characters, Solar from Valiant and Void from Image's WildC.A.T.s. The two became lovers, but their joining would mean the destruction of both comic book universes. It is notable that only half of the Image founding members chose to take part. Erik Larsen, Jim Valentino, and Todd McFarlane were not involved, although McFarlane's character Al Simmons makes a brief appearance in Deathmate Red. In my personal opinion yellow, blue and the prologue had a more cohesive story. Where the image characters had a better integration into the valiant universe's history. Case in point brigade's characters worked for Harada Industries, an X men derived group. Besides being delayed black and red's stories definitely had a rushed feel to the story.  In black we see the Top Cow studio take front and center with ties to Wildcats and Gen 13.  X O makes an appearance, but he is used more like a power hungry military general than a visigoth with an alien suit of armor.  Union , an energy based alien creature is the one character from black that allows this story to connect to the epilogue. Red's story, sadly for me, is just a Rob Liefeld sketchbook. The story is about Youngblood in this new universe the biggest addition is that Bloodshot is a member.  While the Prophet is poorly used as a plot point to let the heroes know what is wrong with this amalgamation of a world. Red was so far delayed that it was released after the epilogue issue. Epilogue centers more around the events from blue with Solar, supreme, and Darque. This series had a great germ of an idea, but it missed the boat with the creative teams. If it had some editorial oversight for both companies it might have had a chance at being a success. However, with egos, missed deadlines, and perhaps the lack of experience from portions of the owners with the business side of things it went down as a failure. For me , I liked parts of the story and going back and rereading the story with a more mature eye I can see what drew me to the story. 1 The crossover was something rarely seen between two independent comic groups. 2 Deathmate had the rock and roll comic artists 3 Although Valiant at the beginning wasn't flashy, they had a good set of storytellers and a well thought-out and connected universe. I was hoping that it would influence the Image books. 4 Finally the book introduced me to more “up and coming'' creators.   Like Joe Q and Jeff Matsuda. Facts about publication sales: The Valiant Deathmate books (Prologue, Blue, and Yellow) had print runs of over 700,000 copies, but by the time Deathmate Red was released, it had a print run of 250,000, although retailers were nonetheless left with many unsold copies. At the time, comic book distributors would only allow unsold books to be returned if they were six months late.   Valiant Comics Notes: In 1988, former editor-in-chief of Marvel Comics Jim Shooter, Steven J. Massarsky and a group of investors attempted to purchase Marvel Entertainment. They submitted the second-highest bid, with financier Ronald Perelman submitting the highest bid and acquiring Marvel. Shooter and Massarsky instead formed Voyager Communications in 1989 with significant venture capital financing from Triumph Capital. Valiant (an imprint of Voyager Communications) recruited numerous writers and artists from Marvel, including Barry Windsor-Smith and Bob Layton, and launched an interconnected line of superhero comics featuring a mixture of characters licensed from Western Publishing and original creations.    1993 Valiant won Best Publisher over 5% Market Share, becoming the first publisher outside of Marvel and DC to do so.  Valiant also engaged in several comic book-marketing innovations common in the 1990s, such as issue zero "origin" issues, the gold logo program, coupons redeemable for original comic books, and chromium covers. Following the conclusion of the "Unity" crossover in September 1992, Valiant released Bloodshot, Ninjak, H.A.R.D. Corps, The Second Life of Dr. Mirage, and Timewalker, among other titles.  Turok #1 (VALIANT) - One of the top ten largest print runs in history, a runaway video game success that brought gamers into the fold, and the first real sign that comic properties were viable for licensing  Perhaps the biggest innovation was their use of continuity. The events in the comics almost always took place during the same time frame as publication with readers expecting one month time jumps between issues. There was the rare exception to this rule, such as two back-to-back issues covering the events of the same night. In this case, the narration box would date them — for example, both issues would be dated "December 12th, 1991" if the event began in a December issue released on the 12th. Another method they used took advantage of the more hard scifi setting, and had characters experience a jump forward of several months as a side effect of traveling faster than light. An event in one comic had immediate and lasting effects in another. Once an event happened, it was set in stone. RetCons never happened, and Comic-Book Time was averted. The Valiant universe was split into two time periods: the modern day, and the 41st century, with events in the former having effects on the latter. All in all, the formula worked, attracting many fans with its refreshing and unique style, and Valiant sold over 80 million comics in its first 5 years, becoming the third highest selling comic book company (after, of course, Marvel and DC)...    Magnus Robot fighter Cover Date:, May '91  Artist Art Nichols and Writer Jim Shooter  By the year 4000, humanity has become dependent on robots. H8, the Robot Police chief of the civic sector of North Am, a continent-spanning mega-city, is damaged in a radiation accident. It seeks to promote the human dependency on robots and gradually impose totalitarian rule in the area under its control. Magnus was trained from infancy by 1A a self aware robot in an under-sea domed house, using advanced techniques, to become a skilled martial artist who could break steel with his bare hands. In addition, 1A equipped his charge with a device that would allow him to "hear" robot-to-robot radio communications.  https://leagueofcomicgeeks.com/people/3513/art-nichols/comics  Magnus, Robot Fighter  1A, the Freewill robot mentor of Magnus and lover of Grandmother (whom he calls "Kimi").  Claiburne, President of North Am  Leeja Clane, Magnus's girlfriend and future wife  Love how Valiant kept the 60s art style and concepts  Fan of Isaac Asimov Irobot, Magnus is heavily influenced by Asimov.    Turok Dinosaur hunter Cover Date:, Jul '93  He first appeared in Four Color Comics #596 (October/November 1954).[1] After a second Four Color appearance (#656 October 1955), the character graduated to his own title – Turok, Son of Stone (#3 March–May 1956) — published by both Dell and then Gold Key Comics from 1956 to 1982.  Writer David Michelinie  Art Bart Sears    Rai  Cover Date: Mar '92  In his original incarnation, Rai is the spirit guardian that protects the nation of Japan in the 41st century. It is a mantle that is usually passed down from father to son through the generations, with some exceptions. As such, the series chronicled a number of protagonists.  By the year 4001, industrialization in Japan had begun to consume every square inch of free space within the island nation's borders. To house and feed its growing population, the country had built upon its own infrastructure centuries before, turning the whole of Japan into a towering pillar, hundreds of miles wide. Eventually, the nation detached from Earth entirely, and now orbits the planet.  Governed by a mysterious yet benevolent artificial intelligence named Father, the Japan of 4001 is divided into various sectors, with names derived from the time of founding, and generally separated among the lines of economic status and social class. Where a citizen's sector falls in the literal hierarchy of Japan's many sectors also directly affirms their social ranking; the closer you are to the Earth, the less essential you are.  Part of the magnus Robot Fighter Universe  I like how they were able to take an Obscure mention in Magnus and make an entire universe    Matt's shows: 60's Reboot Podcast Comics With My Kids   Ways to connect with us: Covert Nerd Facebook Covert Nerd Website Covert Nerd Instagram Covert Nerd Twitter Covert Nerd Merch Proud member of the podcast Arcade Network

Jim Valentino's superhero satire.

Episode #423! This week we are back talking more Cool Stuff from our world of pop culture. Image Comics founder Jim Valentino tells the history of his company with The Official Image Timeline. Scott spotlights the art book Intron Depot vol.1 by Shirow Masamune. DL talks a little bit about Frank Castle with the new Punisher #1 from Marvel comics. After that he focuses on The True Story of the Unknown Soldier by French comics legend Jacques Tardi from Fantagraphics. Check it out!

¡Este año se cumplen 30 años del nacimiento de Image Comics! Han pasado océanos de tiempo, pero aquel proyecto iniciado en 1992 por Todd McFarlane, Erik Larsen, Jim Valentino, Marc Silvestri, Rob Liefeld, Whilce Portacio y Jim Lee, ha perdurado, ha crecido y ha dejado su pasado a un lado para convertirse en algo muy diferente. ¡Pero nosotros queremos con este programa recordar sus orígenes! Y para ello nos hemos juntado un pequeño grupo de redactores para leer y releer los primeros números uno que Image Comics puso a la venta en su primer año de andadura. Unas series llenas de mandíbulas apretadas y grandes pistolones que vieron la luz entre abril de 1992 y abril de 1993. YoungBlood, Spawn, Savage Dragon, The Maxx, WildCats, Supreme, StormWatch… ¡Todo lo bueno está aquí! ¿Te apuntas a esta mirada al pasado, a la era de los dibujantes superestrellas? ¿De las portadas reflectantes y los constantes relanzamientos? ¡Vamos con ello! Colaboradores: Miguel Ángel Crespo, Igor Álvarez, Jose Maria Vicente y Jordi T. Pardo Estrellas invitadas: Raúl Gutiérrez, Sergio Fernández y Mònica Rex Suscríbete a nuestro podcast en... iVoox - https://bit.ly/znpivoox Spotify - https://bit.ly/znpspo Apple Podcasts - http://bit.ly/znpapple Google Podcast - http://bit.ly/znpgoogle Y búscanos en tu app de podcast favorita. Música de entrada y salida: "IkouZe ! - acoustic" de Sumashu - https://bit.ly/ZNPintro Para estar al día de todo el mundo del cómic y sus galaxias cercanas, ¡visita Zona Negativa!

On today's episode Dylan & Ryan discuss the 30th Anniversary of Shadowhawk as we continue our celebration of 30 years of Image Comics! We discuss our love for Shadowhawk, why it was one of the stronger Image debuts, some of our favorite moments and what we love about 90s comics!   Comic Lounge Links Twitter: https://www.twitter.com/thecomiclounge Instagram: https://www.instagram.com/thecomiclounge Facebook: https://www.facebook.com/thecomiclounge Merch: https://www.teepublic.com/user/thecomiclounge Send us your feedback or comments to https://www.thecomiclounge.com thecomicloungepod@gmail.com

Find out the story of how Image Comics came to be from one of the founding members from comics legend, Jim Valentino. Jim has done it all as a writer and an artist for Marvel Comics before joining an elite group of creators to found Image Comics. Find out his story here. HELP US MAKE THIS PODCAST HERE! https://www.patreon.com/dreamercomicspodcast Youtube Highlights Channel https://www.youtube.com/dreamercomicshighlights  

This week on The Marvelists we welcome back Image Comics co-founder, author of “The Official Image Comics Timeline,” and creator of Shadowhawk, Jim Valentino! We talk about the iconic company which celebrates its 30th anniversary as well as other topics including advice to aspiring comic creators pitching their books and a brief discussion of legendary cartoonist, Sergio Aragones! This is a can't miss episode! Follow The Marvelists on social media: Facebook/Twitter/Instagram: @TheMarvelists Subscribe to The Marvelists on YouTube: https://www.youtube.com/channel/UCGe72jbm8J5IXsINZvrJAhg Support the show on Patreon: http://www.Patreon.com/themarvelists Buy our t-shirt: http://www.belowthecollar.com/themarvelists

On today's episode, I talk to cartoonist and co-founder of Image Comics, Jim Valentino! We talk about his latest project, the Official Image Comics Timeline and all the research that went in to it. He also teases the new Shadowhawk book coming later this year. This is one interview you won't wanna miss! You can find Jim at Facebook:  https://www.facebook.com/jim.valentino.5 Instagram: https://www.instagram.com/jimvalentinoshadowline/   Comic Lounge Links Twitter: https://www.twitter.com/thecomiclounge Instagram: https://www.instagram.com/thecomiclounge Facebook: https://www.facebook.com/thecomiclounge Merch: https://www.teepublic.com/user/thecomiclounge   Send us your feedback or comments to https://www.thecomiclounge.com thecomicloungepod@gmail.com

(Content warning: Sexual assault) Our two-parter on comics legend George Perez continues with a look at The Incredible Hulk: Future Imperfect, published by Marvel Comics! Eisner Award-winning writer Peter David brings a light touch to this alternate-future tale set in the appropriately named Dystopia, where a warlord known as The Maestro rules with an iron fist. A band of rebels travels to the past (and our present) to bring back the one “studly” who can take down the Maestro—the Hulk! Oh, and did we mention that the Maestro and the Hulk are one and the same? Can Future Imperfect overcome outdated future slang and some rather problematic elements to leap feet-first into that shining citadel of post-apocalyptic periodicals known as ... The Comics Canon? In This Episode! Can we make the “Perez Pebble” a thing? RAKOVLAM! Jim Valentino's Guardians of the Galaxy A Peter David/Mark Millar Venn diagram Curt gets a surprise visitor Hulk: Heart of the Atom The Immortal Hulk Join us in two weeks as we look ahead to the March 4 release of The Batman with a story we've been wanting to do forever: Batman: Year One! Until then: Impress your friends with our Comics Canon merchandise! Rate us on Apple Podcasts! Send us an email! Hit us up on Twitter or Facebook! And as always, thanks for listening!

Spawn #33 & Shadowhawk #8-11 (1993) & Images of Shadowhawk #1-3 (1993) Listener Discretion Advised Spawn #33 by Todd McFarlane & Greg Capullo "Shadows" Dedicated To: Gene Colan We're society's garbage. We ain't never going to get a fair shake. As the the intruders, that's your problem to fix. At least the building's exterior appearance is normal. Mankind sees just another corporate entity... not their attentive protectors. The uniform! How'd you train it to morph this soon? It should still be incubating! TELL ME! Who's helping you?! Images of Shadowhawk #1-3 (1993) by Keith Giffen with Alan Grant Shadowhawk III #1-4 (1993) by Jim Valentino with Chance Wolf & Brad W. Foster Through the Past, Darkly Dedicated To: Frank Miller Dedicated To: Murphy Anderson Dedicated To: John Byrne This issue is respectfully dedicated to the memory of Jack Kirby, the greatest creator our industry has ever known. May he rest in peace. Image is Everything Episode Art Gallery Promotional Material Star-Rocket Radio: An Infinity Inc. Podcast: Run by Billy D_licious and Herman Louw, we talk about DC Comics, the JSA, and their plucky protégés! Batman Family Reunion: Paul Kien and Shawn M. Myers discuss the Bronze Age classic comic! We Are Venomaniacs!: Welcome to The Venom Site's official podcast aims to discuss all things Marvel symbiotes from comics to movies, cartoons to video games, and even merchandise. Spawning Ground Twitter Facebook tumblr rolledspinepodcasts@gmail.com #Spawnometer Spawnometer on Blogspot Rolled Spine Podcasts on Wordpress Al Simmons, Bobby, Greg Capullo, Jason Wynn, Jim Valentino, Keith Giffen, Rafael, Sam and Twitch, Shadowhawk, Spawn Podcast, Terry Fitzgerald, The Violator, Tiffany, Todd McFarlane, Trencher

Jim Valentino is a comic book LEGEND and has worked as a writer, editor and publisher entertaining millions of readers for decades. In this interview we go in depth on his beginnings as a comic book creator and his amazing career working for Marvel working on titles like Guardians of the Galaxy and Marvel's What If? and the story of co-founding one of the most influential and prolific comic book companies in history Image Comics, as well as his amazing run as Image Comics publisher and his iconic character ShadowHawk, one of my personal all-time favorites! Jim also gives us a very special FIRST PEAK at The Official Image Timeline book which should be out for release this upcoming February 2022!

Twilight, Robert Downey Jr., eight-hour lines. Time to ask the $64,000 question: Has Comic-Con become something completely different?! Why not ask those who made it all happen during the formative years of the Con? Luckily, that's exactly what we did, and their answer may surprise you.Narrated by Brinke StevensCreated and Directed by Mathew KlicksteinExecutive Produced by Rob SchulteWritten and Produced by Mathew Klickstein, Rob Schulte, and Christopher TylerEdited by Rob Shulte, and Christopher TylerMixed by James Bilodeau Original Music Composed by Max DeVincenzo and Produced by Fox Tracks MusicWith help from Brannan Goetschius and Michael FischeAll interviews (unless otherwise noted) conducted by Mathew Klickstein.Principal interviewees/contributors (in alphabetical order):Al Jean, Anthony Russo, Barry Alfonso, Barry Short, Bill Lund, Bill Mumy (provided by contributor), Bill Schanes, Bjo Trimble, Bob Arendt, Brinke Stevens, Bruce Campbell, Caseen Gaines, Chuck Graham (provided by SDSU), Clayton Moore, Dave Clark, Dave Scroggy, Erin Hanna, Gene Henderson, Greg Bear, Gregory Benford, Gus Krueger, Felicia Day, Frank Miller, Ho Che Anderson, Igor Goldkind (provided by SDSU), Jackie Estrada, Jeanne Graham (provided by SDSU), Jim Cornelius, Jim Means, Jim Valentino, Joe Russo, John Pound, John Trimble, Kevin Eastman, Linda Yeh, Lloyd Kaufman, Kevin Smith (provided by contributor), Len Wein (provided by M. Klickstein archive), Maggie Thompson, Mark Evanier, Mike Towry, Mo Alzmann, Neil Gaiman (provided by contributor), Paul M. Sammon, Phil Yeh, Richard Alf (provided by KPBS), Richard Butner, Rick Geary, Roger Freedman, Scott Aukerman, Scott Shaw!, Sergio Aragonés (provided by contributor), Stan Sakai, Tim Seeley, Trina Robbins, Wendy All.We are grateful to the family of Mary and Gene Henderson (who, sadly, passed away during the final stages of Comic-Con Begins' post-production). This production is dedicated in part to their memory, as well as the memory of the many Con contributors no longer with us but whose legacy will continue to live on for time immemorial.Archival material and additional research provided by: Mike Towry and his “Comic-Convention Memories” website.Alan Light's 1975 Comic-Con recordings Jackie Estrada and Comic-Con's 40th Anniversary Souvenir BookPamela Jackson and San Diego State University's Comic-ConKids project Maureen Cavanaugh at San Diego's KPBSMark EvanierScott Shaw!Barry AlfonsoErin Hanna and her book Only at Comic ConBjo Trimble and “The Star Trek Concordance”The works of Bill SchellyWendy AllFantagraphics' “We Told You So: Comics As Art”

Navigating throughout the ever-expanding pop culture constellation of the turbulent 1980s, we seek out intelligent new life in the final frontier: the Hollywood blockbuster machine. Meanwhile, comics go uptown, with Pulitzer Prize winners, the birth of graphic novels, and four guys named Neil, Alan, Frank, and Art.Narrated by Brinke StevensCreated and Directed by Mathew KlicksteinExecutive Produced by Rob SchulteWritten and Produced by Mathew Klickstein, Rob Schulte, and Christopher TylerEdited by Rob Shulte, and Christopher TylerMixed by James Bilodeau Original Music Composed by Max DeVincenzo and Produced by Fox Tracks MusicWith help from Brannan Goetschius and Michael FischeAll interviews (unless otherwise noted) conducted by Mathew Klickstein.Principal interviewees/contributors (in alphabetical order):Al Jean, Anthony Russo, Barry Alfonso, Barry Short, Bill Lund, Bill Mumy (provided by contributor), Bill Schanes, Bjo Trimble, Bob Arendt, Brinke Stevens, Bruce Campbell, Caseen Gaines, Chuck Graham (provided by SDSU), Clayton Moore, Dave Clark, Dave Scroggy, Erin Hanna, Gene Henderson, Greg Bear, Gregory Benford, Gus Krueger, Felicia Day, Frank Miller, Ho Che Anderson, Igor Goldkind (provided by SDSU), Jackie Estrada, Jeanne Graham (provided by SDSU), Jim Cornelius, Jim Means, Jim Valentino, Joe Russo, John Pound, John Trimble, Kevin Eastman, Linda Yeh, Lloyd Kaufman, Kevin Smith (provided by contributor), Len Wein (provided by M. Klickstein archive), Maggie Thompson, Mark Evanier, Mike Towry, Mo Alzmann, Neil Gaiman (provided by contributor), Paul M. Sammon, Phil Yeh, Richard Alf (provided by KPBS), Richard Butner, Rick Geary, Roger Freedman, Scott Aukerman, Scott Shaw!, Sergio Aragonés (provided by contributor), Stan Sakai, Tim Seeley, Trina Robbins, Wendy All.We are grateful to the family of Mary and Gene Henderson (who, sadly, passed away during the final stages of Comic-Con Begins' post-production). This production is dedicated in part to their memory, as well as the memory of the many Con contributors no longer with us but whose legacy will continue to live on for time immemorial.Archival material and additional research provided by: Mike Towry and his “Comic-Convention Memories” website.Alan Light's 1975 Comic-Con recordings Jackie Estrada and Comic-Con's 40th Anniversary Souvenir BookPamela Jackson and San Diego State University's Comic-ConKids project Maureen Cavanaugh at San Diego's KPBSMark EvanierScott Shaw!Barry AlfonsoErin Hanna and her book Only at Comic ConBjo Trimble and “The Star Trek Concordance”The works of Bill SchellyWendy AllFantagraphics' “We Told You So: Comics As Art”Michael Keaton Batman David Letterman Interview June 22 1989Alan Moore on Hollywood adaptations, The Show & NorthamptonPrisoners of Gravity: Watchmen

Some would call late Comic-Con founder Shel Dorf “controversial,” others “#$%!!,” still others their “greatest inspiration and friend.” The only thing everyone can agree on is that the Comic-Con would never have happened without Shel. And now his closest Con compadres open up about the reason why. As well as thoughtful reflections of Shel's contentious departure in 1984 … right as the Con and geek culture took a giant leap forward.Narrated by Brinke StevensCreated and Directed by Mathew KlicksteinExecutive Produced by Rob SchulteWritten and Produced by Mathew Klickstein, Rob Schulte, and Christopher TylerEdited by Rob Shulte, and Christopher TylerMixed by James Bilodeau Original Music Composed by Max DeVincenzo and Produced by Fox Tracks MusicWith help from Brannan Goetschius and Michael FischeAll interviews (unless otherwise noted) conducted by Mathew Klickstein.Principal interviewees/contributors (in alphabetical order):Al Jean, Anthony Russo, Barry Alfonso, Barry Short, Bill Lund, Bill Mumy (provided by contributor), Bill Schanes, Bjo Trimble, Bob Arendt, Brinke Stevens, Bruce Campbell, Caseen Gaines, Chuck Graham (provided by SDSU), Clayton Moore, Dave Clark, Dave Scroggy, Erin Hanna, Gene Henderson, Greg Bear, Gregory Benford, Gus Krueger, Felicia Day, Frank Miller, Ho Che Anderson, Igor Goldkind (provided by SDSU), Jackie Estrada, Jeanne Graham (provided by SDSU), Jim Cornelius, Jim Means, Jim Valentino, Joe Russo, John Pound, John Trimble, Kevin Eastman, Linda Yeh, Lloyd Kaufman, Kevin Smith (provided by contributor), Len Wein (provided by M. Klickstein archive), Maggie Thompson, Mark Evanier, Mike Towry, Mo Alzmann, Neil Gaiman (provided by contributor), Paul M. Sammon, Phil Yeh, Richard Alf (provided by KPBS), Richard Butner, Rick Geary, Roger Freedman, Scott Aukerman, Scott Shaw!, Sergio Aragonés (provided by contributor), Stan Sakai, Tim Seeley, Trina Robbins, Wendy All.We are grateful to the family of Mary and Gene Henderson (who, sadly, passed away during the final stages of Comic-Con Begins' post-production). This production is dedicated in part to their memory, as well as the memory of the many Con contributors no longer with us but whose legacy will continue to live on for time immemorial.Archival material and additional research provided by: Mike Towry and his “Comic-Convention Memories” website.Alan Light's 1975 Comic-Con recordings Jackie Estrada and Comic-Con's 40th Anniversary Souvenir BookPamela Jackson and San Diego State University's Comic-ConKids project Maureen Cavanaugh at San Diego's KPBSMark EvanierScott Shaw!Barry AlfonsoErin Hanna and her book Only at Comic ConBjo Trimble and “The Star Trek Concordance”The works of Bill SchellyWendy AllFantagraphics' “We Told You So: Comics As Art”

We forge ahead at light speed into the complex scenario of how the first San Diego Comic-Con was cobbled together by our illustrious cast of kooky characters. From there, we venture onward through the mid-1970s as the Con grows exponentially in both physical size and attendance, heralding the “golden years” at a ramshackle downtown hotel that had seen better days called the El Cortez.Narrated by Brinke StevensCreated and Directed by Mathew KlicksteinExecutive Produced by Rob SchulteWritten and Produced by Mathew Klickstein, Rob Schulte, and Christopher TylerEdited by Rob Shulte, and Christopher TylerMixed by James Bilodeau Original Music Composed by Max DeVincenzo and Produced by Fox Tracks MusicWith help from Brannan Goetschius and Michael FischeAll interviews (unless otherwise noted) conducted by Mathew Klickstein.Principal interviewees/contributors (in alphabetical order):Al Jean, Anthony Russo, Barry Alfonso, Barry Short, Bill Lund, Bill Mumy (provided by contributor), Bill Schanes, Bjo Trimble, Bob Arendt, Brinke Stevens, Bruce Campbell, Caseen Gaines, Chuck Graham (provided by SDSU), Clayton Moore, Dave Clark, Dave Scroggy, Erin Hanna, Gene Henderson, Greg Bear, Gregory Benford, Gus Krueger, Felicia Day, Frank Miller, Ho Che Anderson, Igor Goldkind (provided by SDSU), Jackie Estrada, Jeanne Graham (provided by SDSU), Jim Cornelius, Jim Means, Jim Valentino, Joe Russo, John Pound, John Trimble, Kevin Eastman, Linda Yeh, Lloyd Kaufman, Kevin Smith (provided by contributor), Len Wein (provided by M. Klickstein archive), Maggie Thompson, Mark Evanier, Mike Towry, Mo Alzmann, Neil Gaiman (provided by contributor), Paul M. Sammon, Phil Yeh, Richard Alf (provided by KPBS), Richard Butner, Rick Geary, Roger Freedman, Scott Aukerman, Scott Shaw!, Sergio Aragonés (provided by contributor), Stan Sakai, Tim Seeley, Trina Robbins, Wendy All.We are grateful to the family of Mary and Gene Henderson (who, sadly, passed away during the final stages of Comic-Con Begins' post-production). This production is dedicated in part to their memory, as well as the memory of the many Con contributors no longer with us but whose legacy will continue to live on for time immemorial.Archival material and additional research provided by: Mike Towry and his “Comic-Convention Memories” website.Alan Light's 1975 Comic-Con recordings Jackie Estrada and Comic-Con's 40th Anniversary Souvenir BookPamela Jackson and San Diego State University's Comic-ConKids project Maureen Cavanaugh at San Diego's KPBSMark EvanierScott Shaw!Barry AlfonsoErin Hanna and her book Only at Comic ConBjo Trimble and “The Star Trek Concordance”The works of Bill SchellyWendy AllFantagraphics' “We Told You So: Comics As Art”

Just because they were geeks doesn't mean our intrepid Con creators were any less impacted by the “drugs, sex, and rock-and-roll” of the 1960s. We delve deep into the intimate experiences of these colorful characters of the Comic-Con and how their passion for pop culture was affected by the volatile era's seismic cultural, political, and technological shifts. Includes a special visit from Mr. “Turn on, Tune in, Drop out” himself, Dr. Timothy Leary, along with the birth of Star Trek fandom.Narrated by Brinke StevensCreated and Directed by Mathew KlicksteinExecutive Produced by Rob SchulteWritten and Produced by Mathew Klickstein, Rob Schulte, and Christopher TylerEdited by Rob Shulte, and Christopher TylerMixed by James Bilodeau Original Music Composed by Max DeVincenzo and Produced by Fox Tracks MusicWith help from Brannan Goetschius and Michael FischeAll interviews (unless otherwise noted) conducted by Mathew Klickstein.Principal interviewees/contributors (in alphabetical order):Al Jean, Anthony Russo, Barry Alfonso, Barry Short, Bill Lund, Bill Mumy (provided by contributor), Bill Schanes, Bjo Trimble, Bob Arendt, Brinke Stevens, Bruce Campbell, Caseen Gaines, Chuck Graham (provided by SDSU), Clayton Moore, Dave Clark, Dave Scroggy, Erin Hanna, Gene Henderson, Greg Bear, Gregory Benford, Gus Krueger, Felicia Day, Frank Miller, Ho Che Anderson, Igor Goldkind (provided by SDSU), Jackie Estrada, Jeanne Graham (provided by SDSU), Jim Cornelius, Jim Means, Jim Valentino, Joe Russo, John Pound, John Trimble, Kevin Eastman, Linda Yeh, Lloyd Kaufman, Kevin Smith (provided by contributor), Len Wein (provided by M. Klickstein archive), Maggie Thompson, Mark Evanier, Mike Towry, Mo Alzmann, Neil Gaiman (provided by contributor), Paul M. Sammon, Phil Yeh, Richard Alf (provided by KPBS), Richard Butner, Rick Geary, Roger Freedman, Scott Aukerman, Scott Shaw!, Sergio Aragonés (provided by contributor), Stan Sakai, Tim Seeley, Trina Robbins, Wendy All.We are grateful to the family of Mary and Gene Henderson (who, sadly, passed away during the final stages of Comic-Con Begins' post-production). This production is dedicated in part to their memory, as well as the memory of the many Con contributors no longer with us but whose legacy will continue to live on for time immemorial.Archival material and additional research provided by: Mike Towry and his “Comic-Convention Memories” website.Alan Light's 1975 Comic-Con recordings Jackie Estrada and Comic-Con's 40th Anniversary Souvenir BookPamela Jackson and San Diego State University's Comic-ConKids project Maureen Cavanaugh at San Diego's KPBSMark EvanierScott Shaw!Barry AlfonsoErin Hanna and her book Only at Comic ConBjo Trimble and “The Star Trek Concordance”The works of Bill SchellyWendy AllFantagraphics' “We Told You So: Comics As Art”The Confessions of Robert Crumb (1987)

We plunge down the time tunnel to the earliest days of fandom: back before nerds were cool, before science fiction was taken seriously, and before comic book characters ruled Hollywood. It was a time when fans could only connect through ‘zines and specialty magazines. A time when MAD Magazine and The Twilight Zone expanded the minds of youth across the nation. And a time when a small group of high school kids in San Diego met a visionary super-fan from Detroit named Shel Dorf.Narrated by Brinke StevensCreated and Directed by Mathew KlicksteinExecutive Produced by Rob SchulteWritten and Produced by Mathew Klickstein, Rob Schulte, Christopher Tyler, and James BilodeauEdited by Rob Shulte, Christopher Tyler, and James BilodeauMixed by James BilodeauOriginal Music Composed by Max DeVincenzo and Produced by Fox Tracks MusicWith help from Brannan Goetschius and Michael FischeAll interviews (unless otherwise noted) conducted by Mathew Klickstein.Principal interviewees/contributors (in alphabetical order):Al Jean, Anthony Russo, Barry Alfonso, Barry Short, Bill Lund, Bill Mumy (provided by contributor), Bill Schanes, Bjo Trimble, Bob Arendt, Brinke Stevens, Bruce Campbell, Caseen Gaines, Chuck Graham (provided by SDSU), Clayton Moore, Dave Clark, Dave Scroggy, Erin Hanna, Gene Henderson, Greg Bear, Gregory Benford, Gus Krueger, Felicia Day, Frank Miller, Ho Che Anderson, Igor Goldkind (provided by SDSU), Jackie Estrada, Jeanne Graham (provided by SDSU), Jim Cornelius, Jim Means, Jim Valentino, Joe Russo, John Pound, John Trimble, Kevin Eastman, Linda Yeh, Lloyd Kaufman, Kevin Smith (provided by contributor), Len Wein (provided by M. Klickstein archive), Maggie Thompson, Mark Evanier, Mike Towry, Mo Alzmann, Neil Gaiman (provided by contributor), Paul M. Sammon, Phil Yeh, Richard Alf (provided by KPBS), Richard Butner, Rick Geary, Roger Freedman, Scott Aukerman, Scott Shaw!, Sergio Aragonés (provided by contributor), Stan Sakai, Tim Seeley, Trina Robbins, Wendy All.We are grateful to the family of Mary and Gene Henderson (who, sadly, passed away during the final stages of Comic-Con Begins' post-production). This production is dedicated in part to their memory, as well as the memory of the many Con contributors no longer with us but whose legacy will continue to live on for time immemorial.Archival material and additional research provided by: Mike Towry and his “Comic-Convention Memories” website.Alan Light's 1975 Comic-Con recordings Jackie Estrada and Comic-Con's 40th Anniversary Souvenir BookPamela Jackson and San Diego State University's Comic-ConKids project Maureen Cavanaugh at San Diego's KPBSMark EvanierScott Shaw!Barry AlfonsoErin Hanna and her book Only at Comic ConBjo Trimble and “The Star Trek Concordance”The works of Bill SchellyWendy AllFantagraphics' “We Told You So: Comics As Art”

Acesse a página e contribua com a nossa campanha no APOIA.se: apoia.se/formigaeletrica Acesse nosso SITE: goo.gl/hDQkSw / FACEBOOK: goo.gl/3mGhfd TWITTER: bit.ly/2Jxx9Ba INSTAGRAM: bit.ly/2KXJf8s No final de 1991, Todd McFarlane, Jim Lee, Rob Liefeld, Erik Larsen, Marc Silvestri, Jim Valentino e Whilce Portacio se juntaram para chacoalhar o mercado de Quadrinhos. Ali surgia a Image Comics, com desenhistas que eram estrelas na Marvel, mas estavam cansados ou descontentes pelo tratamento dado aos criadores. Assim, um selo editorial que respeitaria a propriedade dos autores foi criado, em um modelo de negócios até então sem precedentes. Não faltou quem dissesse que não duraria, mas sobreviveu aos anos 90 e se reinventou no catálogo diverso que encontramos hoje. As deficiências nas primeiras histórias eram evidentes, tanto em termos de roteiro quanto nas polêmicas "liberdades" tomadas na anatomia humana. Fora isso, o sucesso da empresa criou uma fórmula que era imitada pela concorrência, em um dos momentos mais difíceis para as HQ's de super-heróis. Vendas infladas que resultaram em uma bolha especulativa se juntaram a essa turbulência, além de brigas internas, com direito a separações e reuniões. Até a chegada de um fã chamado Robert Kirkman... Confira nosso papo sobre esse momento singular do surgimento da Image Comics e além, contando com convidados especiais e comentando inclusive sobre a Image de hoje em dia. Só dar o play para conhecer mais sobre essa revolução. Quer discordar da gente de forma veemente e furiosa? Fique à vontade para nos dizer. Conte para nós o que achou deste programa e do formato geral dos nossos podcasts, pois queremos muito saber. Mande sua opinião sobre esse episódio ou mesmo uma sugestão de tema para os próximos programas aí nos comentários ou pelo email podcast@formigaeletrica.com.br. Voltamos em 15 dias! Até lá…

The Mighty Crusaders, Archie Comics very own stable of masked heroes and villains, are as influential to comic books and the industry as the Avengers, the Justice League and the Watchmen. During this five episodes podcast miniseries, we will breakdown the complete history of these unsung heroes from their beginnings in the late 1930's with MLJ Comics, through their formative years at Archie and Red Circle to their current incarnations at Dark Circle Comics, and dive into the impact they have had on the world of comic books. (originally released 9/16/19) — Bronze Age Of Comics https://en.wikipedia.org/wiki/Bronze_Age_of_Comic_Books — Archie's Red Circle Comics https://comicvine.gamespot.com/red-circle/4010-235/ — Mighty Crusaders #1 1983 https://www.hipcomic.com/listing/all-new-adventures-of-the-mighty-crusaders-1-1983-fly-shield-jaguar-vf/2681244 — Neal Adams http://nealadams.com/ — Alex Toth https://www.illustrationhistory.org/artists/alex-toth — Mighty Crusaders Action Figures https://www.youtube.com/watch?v=tKWPtRZpU0c — Spectrum Comics https://www.mightycrusaders.net/archie-launches-spectrum-comics/ — Len Wein https://en.wikipedia.org/wiki/Len_Wein — Steve Englehart http://www.comicbookdb.com/creator.php?ID=411 — Kelly Jones http://comicbookdb.com/creator.php?ID=163 — Jim Valentino https://en.wikipedia.org/wiki/Jim_Valentino — Rob Liefeld https://tvtropes.org/pmwiki/pmwiki.php/Creator/RobLiefeld — Alan Moore https://en.wikipedia.org/wiki/Alan_Moore — Watchmen https://www.dccomics.com/characters/watchmen

Podem falar bem ou mal, mas Todd McFarlane, Rob Liefeld, Jim Lee, Erik Larsen, Marc Silvestre, Jim Valentino e cia fizeram história, ao fundarem, em 1992, a IMAGE COMICS. Neste episódio 135 do ArgCast, saiba sobre a história desta iniciativa editorial que marcou os quadrinhos dos anos 1990. Dos deslizes editoriais, as hqs de gosto duvidoso, os quebra-barracos entre os artistas, passando pelo reencontro com as origens editoriais. De Youngblood à Walking Dead, os 22 anos da editora. Além desse retrospecto, Daniel HDR, Rogério DeSouza, Ivo “Hell” Kleber, (MDM), Sergio Coveiro (Marvel 616) e Alzir Alvez (Rascunho Estúdio) relembram seus primeiros contatos com HQs da Image!

Ed's Patreon: https://www.patreon.com/edpiskor Jim's Patreon: https://www.patreon.com/jimrugg ------------------------- E-NEWSLETTER: Keep up with all things Cartoonist Kayfabe through our new newsletter! News, appearances, special offers, and more - signup here for free: https://bit.ly/3eFPJ7b --------------------- SNAIL MAIL! Cartoonist Kayfabe, PO Box 3071, Munhall, Pa 15120 --------------------- T-SHIRTS and MERCH: https://shop.spreadshirt.com/cartoonist-kayfabe --------------------- Connect with us: Instagram: https://www.instagram.com/cartoonist.kayfabe/ Twitter: https://twitter.com/CartoonKayfabe Facebook: https://www.facebook.com/Cartoonist.Kayfabe Ed's Contact info: https://Patreon.com/edpiskor https://www.instagram.com/ed_piskor https://www.twitter.com/edpiskor https://www.amazon.com/Ed-Piskor/e/B00LDURW7A/ref=dp_byline_cont_book_1 Jim's contact info: https://www.patreon.com/jimrugg https://www.jimrugg.com/shop https://www.instagram.com/jimruggart https://www.twitter.com/jimruggart https://www.amazon.com/Jim-Rugg/e/B0034Q8PH2/ref=sr_tc_2_0?qid=1543440388&sr=1-2-ent

Acomi and Turk182 continue their read through of Shadowhawk II #2, Shadowhawk versus the 90s. After confronting Hawk's Shadow, the imposter that has perverted his mission of crippling criminals, or people he thinks are criminals (he can't be bothered with facts, clues, and problem solving), Shadowhawk makes a revelation of his own! And, in the process, sets himself up for an attempted murder. Just listen to the episode, you'll get it. Created by Jim Valentino, Shadowhawk tackled social issues and challenged peoples views on subjects like race, justice, and communicable diseases. But, it was also the 90s. And, it nothing escapes the 90s unscathed. #OMTWF #Acomi #Turk182 #KorovaEntertainment #Shadowhawk #Valentino #thebigreveal Follow Acomi on Twitter at @AcomiDraws and on Instagram at AcomiDraws. Follow Turk182 on Twitter at @Turk182_KE and on Instagram at Turk182_KE. --- This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app

Acomi and Turk182 put on their Hypercolor shirts and take a trip to the 90s to read through one of the greatest, most shocking comic books of the decade... Shadowhawk's identity revealed! Created by Jim Valentino, Shadowhawk tackled social issues and challenged peoples views on subjects like race, justice, and communicable diseases. But, it was also the 90s. And, it nothing escapes the 90s unscathed. #OMTWF #Acomi #Turk182 #KorovaEntertainment #Shadowhawk #ModelByDay #Valentino #thebigreveal Follow Acomi on Twitter at @AcomiDraws and on Instagram at AcomiDraws. Follow Turk182 on Twitter at @Turk182_KE and on Instagram at Turk182_KE. --- This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app

In this week's Second Print Comics Podcast, those rabble rousers Marc and Remso break down the Image Comics Revolution - the spark that lit the comic book industry ablaze in 1992 when seven of the top artists at Marvel - Todd McFarlane, Rob Liefeld, Jim Lee, Marc Silvestri, Eric Larsen, Jim Valentino, and While Portacio - left the corporate comic world to launch their own, independent company, Image Comics! They look at the history of the rift between creators and corporate over control of their characters over the years, from Jerry Siegel and Joel Schuster with Superman to Jack Kirby with X-Men, Fantastic Four, etc. to the Image founders of the '90's. Was the Image Revolution a success? How can we rate this act of revolutionary defiance almost thirty years later? Marc and Remso break it all down for the Second Print whippersnappin' fans! Support the Second Print Comics Podcast over on Patreon for TONS of bonus content and perks, including early episode releases, bonus rants, access to the Second Print Comics Fan Zone on Facebook, and so much more that you're just gonna have to check it out to find out! Follow us on Twitter and Instagram @SecondPrintPod! Check out our website for episodes, reviews and more at SecondPrintComics.com

In this week's Second Print Comics Podcast, those rabble rousers Marc and Remso break down the Image Comics Revolution - the spark that lit the comic book industry ablaze in 1992 when seven of the top artists at Marvel - Todd McFarlane, Rob Liefeld, Jim Lee, Marc Silvestri, Eric Larsen, Jim Valentino, and While Portacio - left the corporate comic world to launch their own, independent company, Image Comics! They look at the history of the rift between creators and corporate over control of their characters over the years, from Jerry Siegel and Joel Schuster with Superman to Jack Kirby with X-Men, Fantastic Four, etc. to the Image founders of the '90's. Was the Image Revolution a success? How can we rate this act of revolutionary defiance almost thirty years later? Marc and Remso break it all down for the Second Print whippersnappin' fans! Support the Second Print Comics Podcast over on Patreon ( https://app.redcircle.com/shows/c0d01805-6d3f-459d-8a34-fc8b9e742c26/ep/65edbd71-7f2c-452d-a75d-cb5c8d2a6c69/patreon.com/secondprintpod ) for TONS of bonus content and perks, including early episode releases, bonus rants, access to the Second Print Comics Fan Zone on Facebook, and so much more that you're just gonna have to check it out ( https://app.redcircle.com/shows/c0d01805-6d3f-459d-8a34-fc8b9e742c26/ep/65edbd71-7f2c-452d-a75d-cb5c8d2a6c69/patreon.com/secondprintpod ) to find out! Follow us on Twitter and Instagram @SecondPrintPod! Check out our website for episodes, reviews and more at SecondPrintComics.com ( https://app.redcircle.com/shows/c0d01805-6d3f-459d-8a34-fc8b9e742c26/ep/65edbd71-7f2c-452d-a75d-cb5c8d2a6c69/SecondPrintComics.com ) Support this podcast at — https://redcircle.com/second-print-comics-podcast/donations

In this week’s Second Print Comics Podcast, those rabble rousers Marc and Remso break down the Image Comics Revolution – the spark that lit the comic book industry ablaze in 1992 when seven of the top artists at Marvel – Todd McFarlane, Rob Liefeld, Jim Lee, Marc Silvestri, Eric Larsen, Jim Valentino, and While Portacio – left the corporate comic world to launch their own, independent company, Image Comics! They look at the history of the rift between creators and corporate over control of their characters over the years, from Jerry Siegel and Joel Schuster with Superman to Jack Kirby with X-Men, Fantastic Four, etc. to the Image founders of the ’90’s. Was the Image Revolution a success? How can we rate this act of revolutionary defiance almost thirty years later? Marc and Remso break it all down for the Second Print whippersnappin’ fans!

Join us as we sit down with the legendary Jim Valentino, co-founder of Image Comics, to discuss his legacy in comics, the state of the industry, Shadowline Comics studio and so much more! Follow us on social media: @ComicWatchHQ

Spawn #25 & Image Zero #0 & Image X-Month & Operation: Urban Storm & Shadowhawk: Out of the Shadows & The Savage Dragon: Baptism of FireListener Discretion AdvisedSpawn #25by Todd McFarlane & Marc Silvestri & Matt Banning & Billy Tan“Tremors”Dedicated To: The Spirit of IndependenceAs for Joe Sakic, three days from now, his body will be found under the George Washington Bridge, with his hands and feet viciously severed. Decapitated. Even his genitals will be missing. The police will conduct a full investigation, but in the absence of anything identifiable about the body, will have to close the case of John Doe 1994-714. Such is the life of a trusted employee of Vito Gravano.One of the bums he knows says our hero usually hangs out in the same four block radius. I’ve mapped it out already, sir.God, no. Vito thinks I’M Terry. Image Zero #0by Rob Liefeld & Art Thibert; Jim Lee & Brandon Choi & Scott Williams; Todd McFarlane & Dan Panosian; Erik Larsen; Marc Silvestri; Jim Valentino & Christopher Ivy; and Whilce PortacioExtra-Image: Shadowhawk (1992)by Jim ValentinoOperation: Urban Stormfeaturing Shadowhawk, Savage Dragon, & StormwatchShadowhawk #0 (1994)by Rob Liefeld & Karl Alstaetter & Robert NaptonCyberforce #8 (1994)by Eric Silvestri & Todd McFarlane & Greg Capullo & Mark Pennington & John ClearyYoungblood #9 (1994)by Jim Valentino & Dan FragaSavage Dragon #13 (1994)by Jim Lee & Brandon Choi & Richard Bennett & Alex Garner & Dan Panosian & Scott WilliamsWildC.A.T.s: Covert Action Teams #14 (1994)by Erik LarsenStupid #1 (1993)by Hilary BartaSplitting Image #1-2 (1993)by Don SimpsonThe Savage Dragon vs. The Savage Megaton Man #1 (1993)by Erik Larsen & Don Simpson Image is EverythingEpisode Art Gallery 1: Spawn/Cyberforce/ShadowhawkEpisode Art Gallery 2: Wildstorm/Savage Dragon/YoungbloodSpawning GroundTwitterFacebooktumblrrolledspinepodcasts@gmail.com#SpawnometerSpawnometer on BlogspotRolled Spine Podcasts on WordPress

Alex Grand and Jim Thompson interview Erik Larsen in this third of a three parter, discussing his development of Savage Dragon, the Savage Dragon cartoon series for the USA network, Marvel in-jokes present in the series, working with Steve Gerber on pulling Howard the Duck out of the Marvel Universe, the corporate structure of Image Comics and the organizing styles of Larry Marder, then publisher Jim Valentino and then Erik himself as Image publisher, working with Alan Moore, the partner shakeups with Rob Liefeld & Jim Lee, finally working on Nova at Marvel, going to Savage Dragon full time, his Inkwell Awards, Captain America The End, and Savage Dragon 250. Images used in artwork ©Their Respective Copyright holders, CBH Podcast ©Comic Book Historians. Thumbnail Artwork ©Comic Book Historians. Support us at https://www.patreon.com/comicbookhistoriansSupport the show (https://www.patreon.com/comicbookhistorians)

Alex Grand and Jim Thompson interview Erik Larsen, in the second of a three parter, discussing his run on Spider-Man, working with various writers like David Michelinie, trying his hand at a Nova comic book series, starting Image Comics with its cofounders, publishing material from his Highbrow Entertainment, creating the Savage Dragon comic book series, working with writers like Keith Giffen and artists like Dave Johnson, along with commentary on Marvel and the industry in general. Images used in artwork ©Their Respective Copyright holders, CBH Podcast ©Comic Book Historians. Thumbnail Artwork ©Comic Book Historians. Support us at https://www.patreon.com/comicbookhistoriansSupport the show (https://www.patreon.com/comicbookhistorians)

Jim's Octobriana 1976 Kickstarter: https://www.kickstarter.com/projects/jimrugg/fluorescent-blacklight-outlaw-comic-book Ed's Patreon: https://www.patreon.com/edpiskor ------------------------- E-NEWSLETTER: Keep up with all things Cartoonist Kayfabe through our new newsletter! News, appearances, special offers, and more - signup here for free: https://bit.ly/3eFPJ7b --------------------- SNAIL MAIL! Cartoonist Kayfabe, PO Box 3071, Munhall, Pa 15120 --------------------- T-SHIRTS and MERCH: https://shop.spreadshirt.com/cartoonist-kayfabe --------------------- Connect with us: Instagram: https://www.instagram.com/cartoonist.kayfabe/ Twitter: https://twitter.com/CartoonKayfabe Facebook: https://www.facebook.com/Cartoonist.Kayfabe Ed's Contact info: https://Patreon.com/edpiskor https://www.instagram.com/ed_piskor https://www.twitter.com/edpiskor https://www.amazon.com/Ed-Piskor/e/B00LDURW7A/ref=dp_byline_cont_book_1 Jim's contact info: https://www.instagram.com/jimruggart https://www.twitter.com/jimruggart https://www.amazon.com/Jim-Rugg/e/B0034Q8PH2/ref=sr_tc_2_0?qid=1543440388&sr=1-2-ent

Alex Grand and Jim Thompson interview Erik Larsen, in the first of a three parter, from his childhood reading his dad's Golden Age comics like Captain Marvel, creating the Savage Dragon as a kid, his early Fanzine Graphic Fantasy, his run in the Independent Comics like AC Comics for Sentinels of Justice and Eclipse for DNAgents, then breaking into DC Comics working on various titles like Doom Patrol and then his early work at Marvel Comics like Punisher & Excalibur before Spider-Man. Images used in artwork ©Their Respective Copyright holders, CBH Podcast ©Comic Book Historians. Thumbnail Artwork ©Comic Book Historians. Support us at https://www.patreon.com/comicbookhistoriansSupport the show (https://www.patreon.com/comicbookhistorians)

Jim Valentino is a writer, penciler, and editor best known for his work on Guardians of the Galaxy and at Image Comics. Jim has a lot of experience in the industry and has worked on legendary material, and it's great to have him on the show. Twitter: www.twitter.com/TheMarvelists www.twitter.com/PeterMelnick Instagram: www.instagram.com/TheMarvelists www.instagram.com/PeterMelnick www.instagram.com/eddie9193 Facebook: www.facebook.com/themarvelists www.facebook.com/petermelnickpodcaster Drop us a line in our e-mail bag! themarvelists@gmail.com Also, support the show by signing up for Stitcher Premium! www.wolverinepodcast.com/ and use the promo code MARVELISTS

Chris Armstrong and Al Sedano (of the Resurrections- An Adam Warlock and Thanos Podcast) take a look at another issue chosen by the Legions of the Unspoken Decade Facebook page! This show focuses on Guardians of the Galaxy #11 from 1991 written and pencilled by the great Jim Valentino! Make sure to check out the articles over at https://theunspokendecade.com and stay in touch and participate in the discussion on Facebook by going to https://www.facebook.com/pg/theunspokendecade and checking out the latest posts!

And now a rambling and too brief biography of Jim Valentino, the indie veteran of Image Comics.

Image comics was founded in 1992 by Erik Larsen, Jim Lee, Rob Liefeld, Todd McFarlane, Whilce Portacio, Marc Silvestri, & Jim Valentino, we went back and took a look at some of their earliest works. Gen13 by Jim Lee, J. Scott Campbell Savage Dragon by Erik Larsen Spawn by Todd McFarlane Also in this episode Kengan Chat Baffling capes Too many thongs Jess loves the Mario Bros. movie for some reason Panelists: Jamie(@thatcomicfan), Ashley(@sierradean), Scott(@goddamnitscott), Jess (@GeekyChicky87)

As a special bonus, this week we go back in time to having Jim on the show to discuss his adventures and journey into starting one of the largest independent comic book companies. Manscaped offers precision-engineered tools for your family jewels with code "Dreamer" at Manscaped.com This is a simple way to start brushing better, but you have to go to getquip.com/comics to get your first refill FREE

Wizard 32 April 1994 • Batman/Spawn, Todd McFarlane/Frank Miller, 2 Moons!?! • Jim Valentino on SHADOWHAWK • Fabian Nicieza writes 7 monthly books (and it shows) • Superman returns to life and the boring stories that killed him • PALMER'S PICKS: Mini-comics!!! • Big news: JIM SHOOTER to write YOUNGBLOOD! --------------------- Snail Mail! Cartoonist Kayfabe, PO Box 3071, Munhall, Pa 15120 Grab your "Frederic Wertham can eat a !@%" T-shirts, and more Cartoonist Kayfabe merchandise at our new storefront: https://shop.spreadshirt.com/cartoonist-kayfabe/men?q=D1 --------------------- Connect with us: Instagram: https://www.instagram.com/cartoonist.kayfabe/ Twitter: https://twitter.com/CartoonKayfabe Facebook: https://www.facebook.com/Cartoonist.Kayfabe Ed's Contact info: https://www.instagram.com/ed_piskor https://www.twitter.com/edpiskor https://www.amazon.com/Ed-Piskor/e/B00LDURW7A/ref=dp_byline_cont_book_1 Jim's contact info: https://www.instagram.com/jimruggart https://www.twitter.com/jimruggart https://www.amazon.com/Jim-Rugg/e/B0034Q8PH2/ref=sr_tc_2_0?qid=1543440388&sr=1-2-ent

Alex Grand goes to San Diego Comic Con 2019 and interviews Anthony Tollin, Whilce Portacio, Jimmie Robinson, Benton Jew, and Jim Cheung for an All Star CBH Podcast special.Anthony Tollin was a prolific comic colorist influenced by comics from the Golden and Silver Age, who started working at DC Comics in the early 1970s discussing his influences and co-workers like Sol Harrison, Irv Novick, Jack Adler, Jim Aparo, Bob Oksner, Walter Gibson, Lee Falk, Jack Kirby, Joe Simon, George Perez and John Byrne. He also discusses his involvement in Pulp history with the Shadow and Radio involvement with the Lone Ranger. While Portacio, comic artist influenced by Neal Adams, Jack Kirby and Alex Nino, grew up on a variety of genres in comic books especially fantasy and sci fi, got his start at Marvel inking projects like Longshot in 1985, discovered by Carl Potts and worked on titles like Punisher, X-Men and X-Factor before moving to Image Comics in the 90s. Jimmie Robinson, comic artist who grew up on a variety of genres in comic books, inspired by Neal Adams, got his start in independent comics, discovered by Jim Valentino and created Bomb Queen for Image Comics. Benton Jew, comic artist and story board artist who has worked on various characters like She Hulk, Wolverine, Agents of Atlas, Venom, Wonder Woman and independents like Monster Verse. Jim Cheung, comic artist for the 90s who was artist for variety of superhero teams like Force Works, X-Force, Avengers, and DC's Justice League. Sound FX - Standard License. Images used in artwork ©Their Respective Copyright holders, images used for academic purpose only.Support the show (https://www.patreon.com/comicbookhistorians)

Episode 47Join Johnny and Dennis (Frankie is on a secret mission for SHIELD) in another Grab Bag episode that kicks off our our Summer Special. This episode of your favorite comic book podcast covers What If… Wolverine Was an Agent of SHIELD?, by writer Jim Valentino and artist Rob Liefeld. This issue was originally published in 1989 by Marveld. What If… Wolverine Was an Agent of SHIELD? takes place outside of the normal Marvel Universe and posits what would happen if Wolverine was a SHIELD Agent instead of a member of the X-Men team.In this episode of the podcast Dennis and Johnny discuss why What If issues of Marvel comics were great for a young Dennis and other readers; that time Spider-Man killed Wolverine's girlfriend (or did Johnny remember that incorrectly); the often unhappy endings for most of the What If… stories; the history and career of Rob Liefeld and his illustrating tropes ; Nick Furry Vs. Nick Fury; if helicarriers were inspired by disco balls; if Black Widow inspired Peggy Bundy's hairstyle (or vice versa); the controversial conclusion to the story; and last but not least, the storytelling and art of What If… Wolverine Was an Agent of SHIELD.--- Send in a voice message: https://anchor.fm/graphicnovelexplorersclub/message See acast.com/privacy for privacy and opt-out information.

Adam, Alex, and the Blitzkrieg Boys are back and tackle the foundation and founders of Image Comics, their meteoric rise, historic fall, and unprecedented rebirth as THE indie comics publisher. From WildC.A.T.s to Walking Dead with cuss words in between.Support the show (http://www.patreon.com/blitzpop)

ShadowHawk [vol 1] #4 (1993)We head back to Image for some vengeance-tinged action with Jim Valentino’s ShadowHawk, a character that speaks in second-person and knocks the literal tomato soup out of criminals. Thankfully, Savage Dragon is here to reign him in and possibly break his spine. So much spine-breaking-threatening in this book.Email the podcast at worstcollectionever@gmail.comContinue the conversation with Shawn and Jen on Twitter @angryheroshawn and @JenStansfield

Jim Valentino and how he helped cement the Image comic company

This is it folks, the last episode with "sock mic"! Also, the first episode about ShadowHawk. He's an Image Comics dude from Harlem and he likes to break spines. Created by Jim Valentino and destroyed by Rob Liefield. This character is real and extremely dangerous. Please be careful when listening to this episode.

Find out the story of how Image Comics came to be from one of the founding members from comics legend, Jim Valentino. Jim has done it all as a writer and an artist for Marvel Comics before joining an elite group of creators to found Image Comics. Find out his story here.

Bill and Steve offer up an hour plus of retro comics talk as they look back on the very early days of Image Comics. What Todd McFarlane, Jim Lee, Marc Silvestri, Erik Larsen, Jim Valentino and Rob Liefeld did in the early 90's was nothing short of revolutionary for the comic book industry.  Join us as the CBB spinner rack becomes a time machine and we discuss Spawn, Youngblood, WildC.A.T.S., Savage Dragon, Shadowhawk, Cyberforce and more. We also delve into titles that the big two released in the wake of the aforementioned that were very, very Image-y in certain ways.  

Domino and Deadpool 2, Man-Thing #1 by R. L. Stine, German Peralta, Rachelle Rosenberg, Daniel Warren Johnson, and Mat Lopes, 1963 by Alan Moore, Rick Veitch, Steve Bissette, Dave Gibbons, Don Simpson, Jim Valentino, and Chester Brown from Image, Marvel Unlimited, Rob Liefeld, Star Trek: Gold Key 100 Page Spectacular by Dick Wood, Len Wein, Nevio Zaccara, and Alberto Giolitti from IDW, Logan, A-Force by Kelly Thompson, Ben Caldwell, Scott Hanna, and Ian Herring, The Walking Dead: The Whisperer War by Robert Kirkman, Charlie Adlard, and Stefano Guadiano from Image, Christopher Priest's Deathstroke, plus a whole mess more!

In another special edition of Off Panel, Image Comics co-founder Jim Valentino joins the show to share his perspective on the origins of Image. Valentino talks how everything came together, what the biggest motivator was to break away from Marvel, why Image worked and other similar ventures didn't, why expanding beyond superheroes was important, whether it was always their intent to offer the Image deal to others, how Robert Kirkman joined up, Eric Stephenson's influence, what Image's "i" means today, how Image's role in the industry has changed over the years, and more.

Cette semaine, The Image Revolution, le documentaire de Patrick Meaney sur la fondation de Image Comics mettant en vedette Robert Kirkman, Jim Lee, Todd McFarlane, Erik Larsen, Rob Liefeld, Marc Silvestri et Jim Valentino. Bien sûr, comme à l'habitude, nous vous partageons également les dernières nouvelles sur l'univers de la culture populaire; BD, cinéma, jeux vidéos, télévision, etc. Diffusion originale: 25 janvier 2016 Site web: MysterieuxEtonnants.com © Les Mystérieux Étonnants. Tous droits réservés.

Every comic book line up needs an on the street style superhero. Marvel has Daredevil, DC has Batman (or more accurately the Bat Family because the Man himself is just as likely to be in space,) and Image put in their two cents with Shadowhawk. Host Nathaniel Wayne takes a look at the first two issues of Jim Valentino's creation and sees if it's worthy of the company it's seeking or if it slips and breaks its own spine.

Podem falar bem ou mal, mas Todd McFarlane, Rob Liefeld, Jim Lee, Erik Larsen, Marc Silvestre, Jim Valentino e cia fizeram história, ao fundarem, em 1992, a IMAGE COMICS. Neste episódio 135 do ArgCast, saiba sobre a história desta iniciativa editorial que marcou os quadrinhos dos anos 1990. Dos deslizes editoriais, as hqs de gosto duvidoso, os quebra-barracos entre os artistas, passando pelo reencontro com as origens editoriais. De Youngblood à Walking Dead, os 22 anos da editora. Além desse retrospecto, Daniel HDR, Rogério DeSouza, Ivo “Hell” Kleber, (MDM), Sergio Coveiro (Marvel 616) e Alzir Alvez (Rascunho Estúdio) relembram seus primeiros contatos com HQs da Image! Participe desta catarse você também :) LINKS RELACIONADOS: - Os fundadores da Image, em 1992 e em 2012; - Spider-Man #1 - Roteiro e Arte de Todd McFarlane: 3,9 milhões de cópias vendidas; - X-Force #1 - Roteiro e Arte de Rob Lefeld: 5 milhões de cópias vendidas; - X-Men #1 - Roteiro de Chris Claremont e arte de Jim Lee e Scott Williams: 8 milhões de cópias vendidas; - Guardiões da Galaxia #1: Roteiro e Arte de Jim Valentino; - Youngblood #1; - Spawn #1; - Wild C.A.T.S. #1; - Savage Dragon #1; - Shadowhawk #1; - Cyberforce #1; - Spawn encontra Cerebrus (do artista Dave Sin); - Pitt, criação de Dale Keown, saind pela Image; - Darkness, com roteiro de Garth Ennis; - Michael Turner em Witchblade; - Travis Charest nos Wild C.A.T.S.; - J.Scott. Campbell em Gen 13; - Hellshock, de Jae Lee; - The Maxx, de Sam Kieth; - Maximum Press - segunda editora de Liefeld - apresenta o encontro das 'beldades' Glory e Avengeline: Coisa linda DiJeuz :); - Capitão América em Heróis Renascem: #Masterpiece ; - Quarteto Fantástico em Heróis Renascem; - O "Hulk Melhooooor" (argonautas enxutos entenderão); - Cliffhanger: tentativa de mangalização de quadrinhos na Image; - Mike Wieringo com projeto autoral na Image; - Dark Minds, mangalização total da Image; - GIJoe vs Transformers pela Image Comics; - Victory - quadrinho brasileiro do universo Tormenta saindo pela Image; - Robert Kirkman entra na Image com Walking Dead; - ArgCast #132 - Os Fabulosos X-Men; E NÃO PERCA O RASTRO DO ARGCAST na INTERNET! TWITTER: @cursodehq e CURTA NOSSA PÁGINA no FACEBOOK

Rob Liefeld is the creator of Deadpool, Cable, X-Force, Youngblood, Supreme, Bloodstrike, Prophet, and Glory! He founded Image Comics in 1992 with Jim Lee, Todd McFarlane, Erik Larsen, Jim Valentino, and Marc Silvestri. Currently he oversees the Extreme Universe titles at Image. Follow Rob on Twitter @robertliefeld and see more of his art on robliefeldcreations.com.

Neste episódio, Daniel HDR, Rogério DeSouza, Rodjer Goulart, Guilherme "Sorg" Fonseca (do Baile dos Enxutos) e Bernardo Cury relembram de seus primeiros contatos com a arte de um dos mais polêmicos, celebrados e desprezados artistas dos comics: Rob Liefeld. Do talento prodígio ao mega empresário, este gênio contemporâneo da arte sequencial mundial, de estilo e convicções artísticas únicas é lembrando aqui também por recentes noticias relacionadas à sua obra. E ainda: um casting call instantâneo para seu esperadissimo filme auto-biográfico. É muita emoção! Venha você também para a Liefieldlândia. Links relacionados (sim, você vai querer ver esses links): - Anúncio da primeira mini-série de Rapina e Columba com arte do iniciante Rob Liefeld; - Capa de Rapina e Columba #1 (1988); - Scan de arte original dele, desenhando seu personagem para a Marvel, Cable; - Liefield em New Mutants, e Wolverine com uma bundinha no ante-braço; - Assumindo roteiro e desenho de X-Force. Você acredita que isso aqui vendeu mais de 2 milhões de exemplares? - Crossover com Homem-Aranha em X-Force - crássico; - O Aranha lustroso - e que raio de mãos são aquelas; - A "narrativa" de Liefeld; - Image Comics no inicio: (da esquerda à direita) Erik Larsen, Wilce Portacio; Rob Liefeld, Jim Lee, Todd McFarlane, Marc Silvestri, Jim Valentino; - Seu primeiro titulo na Image: Youngblood; - Wolverine & Badrock; - Captain America 1, da série HERÓIS RENASCEM; - Entendo a anatomia do polêmico Capeitão América; -  Os Vingadores por ele, em Heróis Renascem; - A revista Wolverine com sua arte - o que raios é esse braço? - Novos Titãs com arte do visionário: não adianta, quem fugiu da revista mesmo assim viu - repare na chamada da capa"; - Os melhores do mundo, nos traços do gênio; - O bate boca via Twitter com Scott Snyder; - O cara andou desocupado mesmo: bate boca com Tom Breevort; - Os belos rostos assimétricos - referencia de Picasso; - O galã Missil (Canonball), no traço deste Miquelângelo moderno; - Bocas Hebe Camargo - Graciiiinha; - Dentição saudável; - Movimentos garbosos; - Quem pula assim deve saber muito bem onde vai cair; - A sensualidade das mulheres de Liefeld; - Mais garotas sexys desse magnifico artista; - Garotas reais nunca alcançariam a sensualidade das Liefieldetes; - Tem ação, tem suspense, tem impacto... com tudo isso pra que pés e cenario, não é? - Os deuses na visão autoral de Liefeld, na série GODYSSEY; - Site gringo: os 40 piores desenhos; E NÃO PERCA O RASTRO DO ARGCAST na INTERNET! SIGA-NOS no TWITTER: @cursodehq CURTA NOSSA PÁGINA no FACEBOOK Baixe AQUI o Episódio 111, ou escute no nosso player!  

Mike takes another trip to the 1990s, this time to examine one of the earliest Image miniseries: Jim Valentino's ShadowHawk.

Come with us to the mean streets of Wilkesborough as we sing some sweet, baadasssss songs about Steve Ditko, Watchmen 2 and the possibilities of new stories set in Moore and Gibbons' universe, Parade with Fireworks from Shadowline, Jim Valentino, Siege #2 and the Sentry, Avengers (the forthcoming Avengers #1 by Bendis and John Romita JR, Dan Slott, and more), the Planet Hulk DVD and Fox's Human Target, Back Issue magazine, Ed Hannigan: Covered, Gene Colan, and Jim Rugg and Brian Maruca's phenomenal AFRODISIAC from Adhouse Books!