Podcasts about see michael

When comedian and podcast host Michael 'Hingers' Hing was 19 and in his 2nd year of uni, he wrote a list of what are, in his opinion, the best 50 movies of all time. And for the first time ever, he's sharing that list exclusively on The Last Video Store podcast. From Pulp Fiction to Finding Nemo, Michael and Alexei go through every movie on that list in this very special episode which will have you saying "Are you talkin' to me?" or something equally annoying. See Michael at your local comedy festival in Australia BOOK TICKETS for Alexei’s comedy fest show REFUSED CLASSIFICATION with Zach Ruane in MELBOURNE, SYDNEY, ADELAIDE, PERTH and BRISBANE Follow ALEXEI TOLIOPOULOS on Letterboxd for all the rental combo lists.See omnystudio.com/listener for privacy information.

Send us a textMichael Lenssen (also known as Mickey Lenny) is a multi-instrumentalist and composer currently based in Denver. He plays trumpet, cornet, and multiple synthesizer-based instruments (including the Electric Wind Instrument), but he didn't start out on those instruments.His brother, two years older than him, started playing the violin when he was about five, and Lenny quickly followed suit. Lenny played violin for about ten years, and towards the end of his time playing the instrument, he started getting into improvisational music such as jazz and Brazilian music. He started playing the trumpet in fifth grade, sticking with that instrument all the way through high school.Throughout this time, there were a few local musicians who inspired him along the way. He grew up close to Paul Erhard, currently a professor of double bass at the University of Colorado Boulder.At the time Lenny was growing up, Erhard was part of the Colorado Conservatory of Jazz Arts. Lenny participated in programs there from middle through high school, which led him through some of his first performance opportunities.He also earned a Jazz & Contemporary Music degree at the University of Miami (and, as a local connection, even taught ski lessons at Eldora during high school). Thank you for listening to The Mountain-Ear Podcast, featuring the news and culture from peak to peak!If you want to be featured in the podcast, contact the host at media@themountainear.com!SUBSCRIBE ONLINE and use the coupon code PODCAST for A 10% DISCOUNT for ALL NEW SUBSCRIBERS! Subscribe at https://www.themtnear.com/subscribe!You can find us online by visiting https://www.themtnear.com!Find us on Facebook @mtnear!Share this podcast around!! Scroll near the bottom of our website's homepage or visit the podcast's main hub at https://themtnearpodcast.buzzsprout.com!You can contact our editor at info@themountainear.com!Thank you for listening!

The CPG Guys are joined in this episode by Michael Zakkour, Founder & Chief Strategist of 5 New Digital, a consulting firm that focuses on short-term engagements that empower our clients to quickly break down the walls between online and offline commerce to reimagine how retail, D2C, technology, supply chain, content, and consumption must work together.Follow Michael Zakkour on LinkedIn at: https://www.linkedin.com/in/michael-zakkour-150b865/Follow 5 New Digital on LinkedIn at: https://www.linkedin.com/company/5-new-digital/Follow 5 new Digital online at: https://www.5newdigital.com/See Michael's December 2024 appearance on CNBC here: https://www.linkedin.com/feed/update/urn:li:activity:7278099887710240768Michael answers these questions:Tik tik the clock is ticking, What is the effect of tiktok being non accessible in the US?.Let's touch the M&A world - we've seen some big ones, some failed ones, now we hear of Mondelez - Hershey's : is this the formula for growth ? Can we dive into the far east and commerce there - what are trends you are following?What's next for our industry with AI? Where is the next disruption evolving with AI?CPG Guys Website: http://CPGguys.comFMCG Guys Website: http://FMCGguys.comCPG Scoop Website: http://CPGscoop.comRhea Raj's Website: http://rhearaj.comLara Raj in Katseye: https://www.katseye.world/DISCLAIMER: The content in this podcast episode is provided for general informational purposes only. By listening to our episode, you understand that no information contained in this episode should be construed as advice from CPGGUYS, LLC or the individual author, hosts, or guests, nor is it intended to be a substitute for research on any subject matter. Reference to any specific product or entity does not constitute an endorsement or recommendation by CPGGUYS, LLC. The views expressed by guests are their own and their appearance on the program does not imply an endorsement of them or any entity they represent. CPGGUYS LLC expressly disclaims any and all liability or responsibility for any direct, indirect, incidental, special, consequential or other damages arising out of any individual's use of, reference to, or inability to use this podcast or the information we presented in this podcast.

The CPG Guys are joined in this episode by Michael Zakkour, Founder & Chief Strategist of 5 New Digital, a consulting firm that focuses on short-term engagements that empower our clients to quickly break down the walls between online and offline commerce to reimagine how retail, D2C, technology, supply chain, content, and consumption must work together.Follow Michael Zakkour on LinkedIn at: https://www.linkedin.com/in/michael-zakkour-150b865/Follow 5 New Digital on LinkedIn at: https://www.linkedin.com/company/5-new-digital/Follow 5 new Digital online at: https://www.5newdigital.com/See Michael's December 2024 appearance on CNBC here: https://www.linkedin.com/feed/update/urn:li:activity:7278099887710240768Michael answers these questions:As 2024 comes to an end, we'd love to reflect on how this holiday season has gone for brands and retailers? What are you guys seeing?As 2025 beckons, in the center store world it's all retail media, volume challenges, you see so much more, what worries you and whats exciting?We've hinted at unified commerce. What is it, and can you give us a full retail example? In your experience are brands working towards unified commerce?How do today's oversized overscaled brands adapt in the tight dividend focused P&L world they are in?CPG Guys Website: http://CPGguys.comFMCG Guys Website: http://FMCGguys.comCPG Scoop Website: http://CPGscoop.comRhea Raj's Website: http://rhearaj.comLara Raj in Katseye: https://www.katseye.world/DISCLAIMER: The content in this podcast episode is provided for general informational purposes only. By listening to our episode, you understand that no information contained in this episode should be construed as advice from CPGGUYS, LLC or the individual author, hosts, or guests, nor is it intended to be a substitute for research on any subject matter. Reference to any specific product or entity does not constitute an endorsement or recommendation by CPGGUYS, LLC. The views expressed by guests are their own and their appearance on the program does not imply an endorsement of them or any entity they represent. CPGGUYS LLC expressly disclaims any and all liability or responsibility for any direct, indirect, incidental, special, consequential or other damages arising out of any individual's use of, reference to, or inability to use this podcast or the information we presented in this podcast.

Steak and Sandra react to latest sports news and headlines including the Chargers win over the Broncos that included a free fair catch kick by the Chargers, something not done in 48 years. The win also helped the Chargers stay in playoff contention. They then share some brief thoughts on the Falcons matchup with the Giants on Sunday and agree it will be “fascinating” to see Michael Penix Jr. taking over at quarterback.

Tiffany, Mike, and Beau let Falcons fans give their take on the Falcons 15-9 win over the Las Vegas Raiders on Monday Night Football last night during the Wake Up Call! The Morning Shift crew also let Falcons fans give their take on what the Falcons should do at the quarterback position.

Subscribe, Rate, & Review on YouTube • Spotify • Apple Podcasts✨ About This Episode“The best academic lecture/slam poetry/sermon/magical invocation/attunement and invitation to engage I've experienced in a long while.”– Daniel LindenbargerNext week, after nearly nine years of development, this show grows up to become Humans On The Loop, a transdisciplinary exploration of agency in the age of automation. For long-time listeners of Future Fossils, not much will really change — philosophical investigations in the key of psychedelic futurism, voyages into the edges of what is and can be known, and boldly curious riffs on the immeasurable value of storytelling and imagination have always characterized this show. Many of the episodes I've shared in this last year especially were, effectively, preparations for this latest chapter and play as large a part in my ongoing journey to synthesize and translate everything I've learned from years of independent scholarship and institutional work in esteemed tech, science, and culture orgs…But we are no longer waiting for a weird future to arrive. We're living in it, and shaping it with every act and utterance. So in this “final” episode of Future Fossils before I we bring all of these investigations into the domain of practical applied inquiry, it felt right to ramp from FF to HOTL by sharing my talk and discussion for Stephen Reid's recent online course on Technological Metamodernism. This was a talk that left me feeling very full of hope for what's to come, in which I trace the constellations that connect some of my biggest inspirations, and outline the social transformations I see underway.This is a rapid and dynamic condensation of the big patterns I've noticed in the course of over 500 hours of recorded public dialogue and a lively primer on why I'm focusing on the attention and imagination as the two big forces that will continue to shape our lives in the worlds that come after modernity.It is also just the beginning.Thank you for being part of this adventure.✨ Support & Participate• Become a patron on Substack (my preference) or Patreon(15% off annual memberships until 12/21/24 with the code 15OFF12)• Make a tax-deductible donation to Humans On The Loop• Original paintings available as thank-you gifts for large donors• Hire me as an hourly consultant or advisor on retainer• Buy (most of) the books we discuss from Bookshop.org• Join the Future Fossils Facebook group• Join the Holistic Technology & Wise Innovation and Future Fossils Discord servers• Buy the show's music on Bandcamp — intro “Olympus Mons” from the Martian Arts EP and outro “Sonnet A” from the Double-Edged Sword EP• Read “An Oral History of The End of ‘Reality'”, my story mentioned in this episode.✨ ChaptersChapter 1: Reflections & Announcements (0:00:00)Chapter 2: Co-Evolution with AI and the Limits of Control (0:12:49)Chapter 3: Poetry as the Beginning and End of Scientific Knowledge (0:18:06)Chapter 4: The American Replacement of Nature and the Power of Narrative (0:24:05)Chapter 5: The End of “Reality” & The Beginning of Metamodern Nuance (28:58)Chapter 6: Q&A: Myths, Egregores, and Metamodern Technology vs. Wetiko & Moloch (0:34:52)Chapter 7: Q&A: Chaos Magic & Other Strategies for Navigating Complexity (45:59)Chapter 8: Q&A: Musings on Symbiogenesis & Selfhood (0:50:18)Chapter 9: Q&A: How Do We Legitimize These Approaches? (0:55:42)Chapter 10: Q&A: Why Am I Devoting Myself to Wise Innovation Inquiry? (0:61:01)Chapter 11: Thanks & Closing (0:63:22)✨ Mentioned IndividualsA mostly-complete list generated by Notebook LM and edited by Michael Garfield.* William Irwin Thompson - Historian, poet, and author of The American Replacement of Nature, which argues that American culture is future-oriented. (See Future Fossils 42 & 43.)* Evan “Skytree” Snyder - Electronic music producer, roboticist, and co-founder of Future Fossils who departed after ten episodes. (See Future Fossils 1-10, 53, 174, and 207.)* Stephen Reid - Founder of the Dandelion online learning program and The Psychedelic Society; host of a course on “Technological Metamodernism” in which Garfield presented this talk. (See Future Fossils 226.)* Ken Wilber - Author of numerous books on “AQAL” Integral Theory. (See Michael's 2008 interview with him on Integral Art.)* Friedrich Hölderlin - German poet who famously said, "Poetry is the beginning and the end of all scientific knowledge.”* George Lakoff and Mark Johnson - Authors of Metaphors We Live By, which explores the role of embodied metaphor in shaping thought.* John Vervaeke - Philosopher who, along with others, uses the term “transjective” to describe the interconnected nature of subject and object.* Sean Esbjörn-Hargens - Integral theorist who taught Garfield at JFK University. (See Future Fossils 60, 113, and 150.)* Nathalie Depraz, Francisco Varela, and Pierre Vermersch - Embodied mind theorists and authors of On Becoming Aware, a book about phenomenology.* Kevin Kelly - Techno-optimist Silicon Valley futurist and author on “the expansion of ignorance” in relation to scientific discovery. (See Future Fossils 128, 165, and 203.)* Albert Einstein, Niels Bohr, and David Bohm - Paradigm-challenging physicists mentioned who, by science to its limits, developed mystical insights.* Timothy Morton - Philosopher who coined the term “hyperobjects” to refer to entities so vast and complex they defy traditional understanding. (See Future Fossils 223.)* Caleb Scharf - Astrobiologist, author of The Ascent of Information, in which he coins the term “The Dataome” to refer to the planet-scale body of information that constrains human behavior.* Iain McGilchrist - Psychiatrist and author of The Master and His Emissary, known for his work on the divided brain and the importance of right-brained thinking.* Eric Wargo - Anthropologist and science writer who suggests that dreams are precognitive and the brain binds time as a four-dimensional object. (See Future Fossils 117, 171, and 231.)* Regina Rini - Philosopher at York University who coined the term “epistemic backstop of consensus” to describe what photography gave society and what, later, deepfakes have eroded.* Friedrich Nietzsche and Fyodor Dostoevsky - Philosophers and authors who explored the implications of the loss of a universal moral order grounded in religion.* Duncan Barford - An author and figure associated with chaos magic.* Lynn Margulis - Evolutionary biologist known for her work on symbiogenesis and the importance of cooperation in evolution.* Primavera De Filippi - Co-author of Blockchain and the Law: The Rule of Code with Aaron Wright and technology theorist who theorized the "Collaboration Monster."* Joshua Schrei - Ritualist and host of The Emerald Podcast who produced episodes on Guardians and Protectors and on the role of The Seer. (See Future Fossils 219.)* Hunter S. Thompson - American journalist and author known for his gonzo journalism and the quote, "When the going gets weird, the weird turn pro.”* Tim Adalin - Host of the VoiceCraft podcast, on which Garfield discussed complex systems perspectives on pathologies in organizational development. (See Future Fossils 227.) This is a public episode. If you'd like to discuss this with other subscribers or get access to bonus episodes, visit michaelgarfield.substack.com/subscribe

Ali Pressel is a science communicator and environmental educator with over 20 years of experience working in secondary sciences education. Her background is in environmental sciences and she holds a Bachelor degree from Rutgers University and a Master degree from the University of Maryland. Ali has spent the past 17 years of her professional career working in schools in Northeast Florida, encouraging youth to take their learning outside of traditional classroom spaces and discover new experiences in their local community. She is a National Geographic Explorer, a Grosvenor Teacher Fellow, and a Florida Finalist for the Presidential Award of Excellence in Science Teaching. Ali has a passion for exploration and travel and loves to connect youth to place-based community citizen science through impactful learning experiences. Ali's StoryMap Collection of Expedition: https://arcg.is/0On5C80 Float Your Boat program connecting educators and students to Ocean Circulation research in the Arctic: https://www.floatboat.org/ Connect the Arctic, Public Community Platform: https://community.arcus.org/ Mapping the Greenland Ice Sheet: https://nsidc.org/grimp National Geographic MapMaker: https://www.esri.com/en-us/industries/k-12-education/mapmaker Esri K12 Education: https://www.esri.com/en-us/industries/education/overviewEsri ArcGIS Learn Gallery: https://learn.arcgis.com/en/gallery/ LinkedIn: AliPressel Instagram: pressel_explores Twitter (X): @ali_pressel Website: presselexplores.com Learn more about the ⁠Lindblad Expeditions/National Geographic Grosvenor Teacher Fellowship⁠. See Michael's book about authentic learning, ⁠Storytelling With Purpose: Digital Projects to Ignite Student Curiosity⁠. Contact show producer and Grosvenor Teacher Fellow Michael Hernandez: michael@storytelling-with-purpose.com Find out more about Producer and Host, Michael Hernandez ⁠on Linked In⁠ and on Instagram: ⁠@Changing.The.Narrative⁠

Season 5 of Change the Narrative is a series of conversations with Lindblad Expeditions/National Geographic Grosvenor Teacher Fellows. These teachers from across North America went on expedition to places like Antarctica, Galapagos, the Arctic and others, to learn about the natural world and bring back inspirational learning experiences for their schools and colleagues. Find out how the experience changed them forever, and their tips and resources for bringing inquiry, wonder, and purpose back to the classroom. Donnie Piercey is a 5th grade teacher in Lexington Kentucky where he has taught since 2007. He is the 2021 Kentucky Teacher of the Year and a  Lindblad Expeditions / National Geographic Grosvenor Teacher Fellow. Donnie specializes in using technology to promote student inquiry and engagement, and his recent work in AI earned him multiple appearances on Good Morning America, the Associated Press, and PBS. His upcoming book, "50 Strategies for Using AI in the Classroom," is written for educators looking for practical classroom approaches to using AI to revolutionize their teaching methods and enrich their students' learning experiences. He is a Google Certified Innovator and trainer, speaks and keynotes at schools around the US and abroad, and leads professional development experiences. Donnie is also the  producer of a podcast called Teachers Passing Notes. https://docs.google.com/presentation/d/1DND7tbZLGJ8k95olHKo5a8IPoo_RSS3MgNKlv5Nxqjo/edit#slide=id.gfd565ea40b_0_4 https://resources.mrpiercey.com/google-earth https://resources.mrpiercey.com/geo-tools/going-cross-curricular Learn more about the ⁠Lindblad Expeditions/National Geographic Grosvenor Teacher Fellowship⁠. See Michael's book about authentic learning, ⁠Storytelling With Purpose: Digital Projects to Ignite Student Curiosity⁠. Contact show producer and Grosvenor Teacher Fellow Michael Hernandez: michael@storytelling-with-purpose.com Find out more about Producer and Host, Michael Hernandez ⁠on Linked In⁠ and on Instagram: ⁠@Changing.The.Narrative⁠

Season 5 of Change the Narrative is a series of conversations with Lindblad Expeditions/National Geographic Grosvenor Teacher Fellows. These teachers from across North America went on expedition to places like Antarctica, Galapagos, the Arctic and others, to learn about the natural world and bring back inspirational learning experiences for their schools and colleagues. Find out how the experience changed them forever, and their tips and resources for bringing inquiry, wonder, and purpose back to your learning space. Kim Young is a long-time public school social studies educator who is passionate about cultivating her students' identities as explorers and global citizens.  While researching innovative educational pedagogy and new ideas for lesson plans always beat out other items on her to-do list, she draws most of her inspiration for classroom activities from first-hand experiences in the field. As a 2017 Grosvenor Teacher Fellow, 2019 National Geographic Explorer, and 2020 National Geographic Education Fellow, Young worked to scale curricular innovation around student activism through design thinking and technology. When she can't get into the field, she works on projects for Earthrise Education, a non-profit focused on creating student-centered satellite-based investigations for environmental and human rights. Links and resources referenced in this episode: Earthrise Education The Moth Teacher Institute GTF Lesson - Arctic Council Simulation Edge of All Life - iNaturalist Species Edge Range Citizen Science Investigation @9thWorldHistory Learn more about the Lindblad Expeditions/National Geographic Grosvenor Teacher Fellowship. See Michael's book about authentic learning, Storytelling With Purpose: Digital Projects to Ignite Student Curiosity. Contact show producer and Grosvenor Teacher Fellow Michael Hernandez: michael@storytelling-with-purpose.com Find out more about Producer and Host, Michael Hernandez on Linked In and on Instagram: @Changing.The.Narrative Get more inspiring ideas every month--sign up for our free email newsletter: https://bit.ly/ChngNarSignup

Season 5 of Change the Narrative is a series of conversations with Lindblad Expeditions/National Geographic Grosvenor Teacher Fellows. These teachers from across North America went on expedition to places like Antarctica, Galapagos, the Arctic and others, to learn about the natural world and bring back inspirational learning experiences for their schools and colleagues. Find out how the experience changed them forever, and their tips and resources for bringing inquiry, wonder, and purpose back to the classroom. Ben Walker is a National Board Certified science teacher in Anchorage, Alaska. He is the 2018 Alaska State Teacher of the Year as well as the 2013 Alaska science awardee for the Presidential Award for Excellence in Mathematics and Science teacher. He is the 2019 national awardee for the NSTA Shell Science Teaching Award, a National Geographic Certified educator, a member of National Geographic Education's inaugural Teacher Advisory Council, and a 2020 Grosvenor Teacher Fellow. He is the proud parent of two children in public school and married to an award winning teacher and Grosvenor Teacher Fellow, Catherine Walker. Learn more about the ⁠Lindblad Expeditions/National Geographic Grosvenor Teacher Fellowship⁠. See Michael's book about authentic learning, ⁠Storytelling With Purpose: Digital Projects to Ignite Student Curiosity⁠. Contact show producer and Grosvenor Teacher Fellow Michael Hernandez: michael@storytelling-with-purpose.com Find out more about Producer and Host, Michael Hernandez ⁠on Linked In⁠ and on Instagram: ⁠@Changing.The.Narrative⁠

We won't get to see Michael Chandler beat Conor McGregor + Why is MMA not in the Olympics?

Mark 10:46-52A community transformed by grace sent to transform the world for the glory of God.  WEBSITE: https://c3lr.org FACEBOOK: facebook.com/C3.LittleRock INSTAGRAM: instagram.com/c3.littlerockSERMON PODCAST:  https://c3littlerock.buzzsprout.com 

The Morning Shift is joined by former Atlanta Falcons quarterback and Falcons Radio color analyst, Dave Archer, who shares his thoughts on the drafting of Michael Penix Jr. On being surprised as QB was not expected On the best-case scenario with how drafting Penix Jr. plays out On the Falcons possibly getting an already professional QB in Penix Jr. On why this draft had six QB's taken in the top 12 picks On the direction the Falcons should go on day two of the draft

Michael Hsu is arguably Austin's most recognized architect. He is the founder of Michael Hsu Office Of Architecture. See Michael's work here: https://hsuoffice.com/ VISIT https://www.designingaustinpodcast.com/ INSTA https://www.instagram.com/designingaustin/ Music Credit: Jon Guerra WANG ARCHITECTS: https://www.wangarchitects.com/

On this week's episode, we have music manager Dave Rose (Lit, Marcy Playground, Stryper and many many more) and we discuss his journey starting out as a bassist and what it's like managing today vs. the pre-digital age. Tune in for so much more.Show NotesDave Rose Agency: https://www.deepsouthentertainment.com/Dave Rose on TikTok: https://www.tiktok.com/@daverosedeepsouthDave Rose on Instagram: https://www.instagram.com/daverosedeepsouth/ A Paper Orchestra on Website: https://michaeljamin.com/bookA Paper Orchestra on Audible: https://www.audible.com/ep/creator?source_code=PDTGBPD060314004R&irclickid=wsY0cWRTYxyPWQ32v63t0WpwUkHzByXJyROHz00&irgwc=1A Paper Orchestra on Amazon: https://www.amazon.com/Audible-A-Paper-Orchestra/dp/B0CS5129X1/ref=sr_1_4?crid=19R6SSAJRS6TU&keywords=a+paper+orchestra&qid=1707342963&sprefix=a+paper+orchestra%2Caps%2C149&sr=8-4A Paper Orchestra on Goodreads: https://www.goodreads.com/book/show/203928260-a-paper-orchestraFree Writing Webinar - https://michaeljamin.com/op/webinar-registration/Michael's Online Screenwriting Course - https://michaeljamin.com/courseFree Screenwriting Lesson - https://michaeljamin.com/freeJoin My Newsletter - https://michaeljamin.com/newsletterAutogenerated TranscriptDave Rose:I'm so amazed that people pay me to do this. I was doing it long before I knew you could make money at it. And so the pinnacle for me is really that this continued joy of the business of musicMichael Jamin:You are listening to. What the Hell is Michael Jamin talking about conversations in writing, art, and creativity. Today's episode is brought to you by my debut collection of True Stories, a paper orchestra available in print, ebook and audiobook to purchase And to support me in this podcast, please visit michael jamin.com/book and now on with the show.Hey everyone, welcome back to another episode of What the Hell is Michael Jamin talking about conversations in writing, art, and creativity. And today I got a special guest for you. Musicians out there. You don't deserve any of this. This is a wonderful treat for all of you. Don't say I never gave you anything. I'm here with Dave Rose from Deep South Entertainment and he is a career music manager. But Dave, first of all, welcome. I got a billion questions for you, but did you start off, are you a musician as well?Dave Rose:Thank you. Good to be here, Michael. Man, mutual admiration all the way around. This is exciting to be here. But yes, I started out as a musician. I was a, yes, I started out as a musician. I mean, yes and no, there's a story, but I became a musician out of necessity.Michael Jamin:How does that work? No one becomes, that's like the last thing you become out of necessity.Dave Rose:I know. Isn't that funny? So I was managing, and I very much put that in air quotes. Say I was a freshman in college and I had a local band decide they wanted me to be their manager. I was showing up at all their gigs and selling merchandise and unloading the van and doing all the things that I thought I could do to help. I just loved being around music. One day they said to me, would you be our manager? And I didn't know what the hell a manager was. I still don't. But they said, well, you could start by getting us some gigs. And that's not what a manager does, by the way. But that's when you're in college, that's what you do.Michael Jamin:That's not what a manager does then. Okay, you have to elaborate on that when weDave Rose:Can get into that for sure. So I got 'em 20 gigs and we had it all booked up and we're all ready to go. And we were two weeks out from the very first gig, big string of shows, playing skate ranches and pool parties and all the places that you play when you're just starting out anywhere and everywhere that'll give you room. And they came me and they said, our bass player quit and he's moving, so we need to cancel these gigs and we can no longer, we will audition new bass players later. I said, like, hell, you are, I've been watching this. It doesn't look like it's that hard to play bass, so here's what we're going to do. I'm going to cram myself in the basement with you, Mr. Guitar player, and you're going to teach me all the parts to these songs.We're going to go play these 20 shows with me as the bass player, and when we come back, you can audition bass players. That's how. And they were like, yeah, that's not how that works. I said, well, that's the way this is going to go. And so they did. I crammed myself in the basement and learned to play bass in two weeks, and it was rock and roll. It was three chord rock and roll. Wasn't real hard, but apparently I picked it up pretty easily and I played bass in a band for the next 10 years, but that should have been my first indication that I was not a musician. I learned how to play just to keep a band.Michael Jamin:But you must, if you played for 10 years, you're good enough.Dave Rose:Yeah, I mean I figured it out along the way.Michael Jamin:Wow. But then at some point you went to full-time management.Dave Rose:Yeah. Yeah. I ultimately segued into full-time management, and that was, I started this company putting out compilation CDs. That was a big thing. I started in 1995 and in the mid nineties, these sort of mix tape CDs were a big thing. And I would find local and regional bands from around the area and put 'em on this compilation CD and put it out and see what happens. But from the very first CD we put out, we had one of the biggest hits of the nineties, a song called Sex and Candy by Marcy Playground. And my intention was I would stick my band right in the middle of all these big regional bands or bands that I thought was going to be big and maybe my band would get some attention too. And I think nine bands on that first compilation got record deals accept my band. So that was kind of my moment of realizing, yeah, I'm definitely not, I'm way better on the business side of things.Michael Jamin:So then tell me then what a manager music manager does exactly if they don't get you work.Dave Rose:Sure. It's very different, I would guess, than in the film and TV business. And I would love to learn this from you, but I'm guessing in the film and TV business, the person that gets you work is the agent. Is thatMichael Jamin:Yes, the agent and not the manager and I have Right,Dave Rose:And that's what it is here. So a manager in music, I'm put it in the simplest terms, but it's like if the entire career is a wheel, the manager and the artist are in the center of that wheel. And all these spokes are things like booking agents and publicists and record labels and publishing companies and people that do film and TV music and all the accountants, the crew, all the thing, the attorneys that make the machine, the wheel turn. The manager is making sure all of those things are working. So it's sort of like being, I compare it to this, it's being the CEO of a band, but if you're,Michael Jamin:I'm sorry, go on.Dave Rose:That's all right. The band is owned by the band or the artist is owned by the, they own their company, but they retain an artist manager commission, an artist manager to manage their career.Michael Jamin:But if that band is going on tour, are you expected to go with them?Dave Rose:Only if you're in country music.Michael Jamin:Okay. Why is that?Dave Rose:It is different. Country music is one of the few genres that still very much lives and dies by the radio, and so the relationships with local radio is very important. So a manager should be there to kind of nurture those radio relationships from town to town to town. Now, if you're in rock and roll or hip hop or almost any other genre, Americana folk bluegrass, most managers do not travel with the band,Michael Jamin:But a touring manager would No,Dave Rose:A tour manager. Exactly. A tour manager does. And the tour manager is exactly, it sounds, it's the manager of the tour. So it deals with getting the bus from point A to point B and where do we park and what do I mean? It's way more than that, but it's the finance of the tour and they report to the artist manager.Michael Jamin:Now over the years, I've heard you mention this, you have a very, very big it's successful TikTok page, which is how I found you. You've managed a bunch of really big acts, right?Dave Rose:I've had some, yes. I've had a lot of, and I still do have a lot of big acts. It's been just amazing. I keep waiting for somebody to knock on my door and go, okay, gigs up. Time to get a real job.Michael Jamin:Can you share some of 'em with us?Dave Rose:Oh, absolutely. Yeah. So I got my start with Marcy Playground, and I'm still with them 26, 7 years later. But one of my first big clients was the piano player, Bruce Hornsby, who was in the Grateful Dead, and he had a bunch of hits in the eighties and nineties, but he's had a very, very unique career. He is done albums with Ricky Scaggs and Jazz Records, but Little Feat, the classic rock band of, they're just so iconic. The band Lit who had one of the biggest rock hits of the nineties, that song, my Own Worst Enemy, some of the country acts that I've worked with, Laney Wilson, who just won a Grammy, and yeah, I worked with the band six Pence, none The Richer who had the mega hit Kiss Me. And so yeah, it's been not to just, one of the bands I've been with the longest 23 years is an eighties rock band from LA called Striper. They kind of came up in the ranks with Moley Crewe and Bon Jovi and that kind world of big hair and Sunset Strip and all the things of Hollywood, but they're a Christian man. They sing about Jesus. So they're very, very different than that.Michael Jamin:At this point. Are new bands finding you or are you reaching out to them? How does that work?Dave Rose:Yeah, they usually find me at this point, I don't develop a lot of new acts anymore, mostly because I've just been doing it a long time and developing a new act from garage to Grammy is not only risky, but it's a long runway. And when you've been sort of doing it for as long as I have, and I don't mean any disrespect to anything on this, but you don't need to take that risk anymore.Michael Jamin:But it seems like on TikTok, it seems like you're talking to those people.Dave Rose:I am taking my audience on TikTok is very much the audience that is sort of just trying to figure out the next steps of a very complicated career path.Michael Jamin:But then why are you talking to them now if that's not, I assume it's because that's what you're looking for, but No,Dave Rose:Yeah, no, that's a great question. The reason I'm doing it is very pure, because it is hard to do this, and there's a lot of bad advice flying around out there. And to some extent, I wanted to get on there and level the playing field and just let people know the reality of how the business works. No, I'm not at all seeking to manage sort of startup band. I do some coaching that I'm more than willing to help them in. I'll do these 30 minute sessions where I can really, really fast track things for them, help them avoid years and years of mistakes in a very quick conversation. It's a lot like the stuff that you do in the sense that I'll meet an artist from Topeka, Kansas or wherever and how they're learning stuff that they would not learn anywhere else, only because nobody's ever told 'em.See Michael, something I think we ought to talk about at some point in here is part of why it's difficult to get a manager in the music business is because of how a manager gets paid. Okay, how did they get paid? I think that's an interesting dynamic that a lot of just, certainly a lot of people, but even a lot of artists don't know how that works. So how does that work then? Yeah, so a manager is paid by commission, so it's strictly a commission base. So if you are an artist and you go out and you play a show or you sell a T-shirt or make some sort of income, a percentage of that income is paid to your manager, includes the record deal, includes everything. It typically includes, and sort of depending on where you are in that artist's career, it includes most every aspect of their entertainment career, including what about royalties?It does include royalties, particularly if those royalties were ones that you helped them earn. If you get them a record deal and they continue to earn royalties either through radio play or whatever, you would earn a commission on that. So you're earning commissions on these revenue streams, and that's typically about 15%. So if you think about managing, like we talked about the wheel, all those different spokes in the wheel, maybe for each act that I manage, that's probably 150 decisions a day that we're making on behalf of that artist. So you can't manage a lot of acts as an individual. You can have a company like we do that manages, has managers that manage acts, but generally speaking, you can't manage a lot of acts. There's a lot that goes into a typical day of that. So the commission, if you just break it down to making a living, an artist has to be making significant money for it to be worth that manager's time to spend the bulk of their day managing their career.So when you've got an artist that's just starting out, and I want to get to why it's hard to get advice when you've got an artist that's just starting out and they're making no money and are making very little money, I don't know, 20, 30, 40, $50,000 a year, you think about that 15% of that is $5,000 a year maybe for the manager. So it's really not enough to say, I'm going to dedicate my life to you, which is really what it takes. So as a result, it's almost impossible for an artist to meet a manager. It's really hard to meet a manager. Our time is paid by commission. So that's why I get on TikTok and talk about the things I talk about because I was that bass player in a band not knowing what the hell I was doing, making every mistake under the sun. And I'm very, I don't know, very genuinely just trying to help people not make those mistakes.Michael Jamin:Now, you said something a while ago on one of your tiktoks, and I was surprised you don't come down. I thought everyone was supposed to hate Spotify and streaming because of the way, in my opinion, in my point of view, artists are being raped. I mean, that's how I see it. But you don't feel that way?Dave Rose:I don't. I mean, do I think it's a fair payment system? No, I think there's a lot of improvement that needs to happen. Part of what I think is the imbalance is the payments between an artist, a songwriter, and the record label. You see, when a song is on Spotify, those are the three main parties that sort of have to get paid a record label, an artist and a songwriter. And the songwriters are the ones that are really struggling in this time.Michael Jamin:From what I pay on what people pay on Spotify, I gladly pay double for what? I mean, I get every album I want to listen to at any time through the month, almost anything. And if I pay double, I still feel like the artists wouldn't be making not even close to what they used to make.Dave Rose:Well, yes. Again, we got to remember, there's three buckets. We're dealing with the artist, the record label, and the songwriter. And in some cases, that's the same person in all three of those buckets. If you go out and self-release a record, and you've written that record and you performed on that record, and you do millions and millions of streams on that record, you're making very respectable.Michael Jamin:I thought, again, I come at this completely ignorant. I know so little about it, but I think I saw a video by Snoop Dogg saying his album was streamed a billion times and he made 10 Sense or something.Dave Rose:That's a famous video. That video circulated a lot. And what is missed most often in that conversation is the difference in those three buckets. My gut tells me, and I don't know Snoop Dogg's complete history, but he probably does not own that recording. So a big chunk of that money that's being earned probably went to his record label, and I don't know, maybe he wrote the song, maybe he didn't, if he didn't write the song, he's missing that bucket of income, or maybe he did write this. So my gut tells me there's more to that story. SoMichael Jamin:Misunderstand this, which is fine.Dave Rose:I dunno, the full snoop do the inner workings of his business, but my gut tells me there's more to that story because I know no shortage of independent artists making a great, great living, really. But the thing that's different, and the thing that we got to think about that's different from say 2005, say 20 years ago, the biggest difference is the revenue streams now are very multiple. I mean, I met a band the other day that's doing insane six figures just on YouTube.Michael Jamin:On YouTube ad. So they put their music and they make ads on YouTube. Exactly, because they're not sellingDave Rose:It. That's right. The ad revenue is making four members a living, a very good living.Michael Jamin:See, it was my impression that, okay, so 20 years ago, a band would go on tour and after the show, they'd sell okay, merch, but they'd also sell the cd. If you want to listen to music, they sell. But now no one's going to buy that cd.Dave Rose:They do. They very much buy, well, more so they buy vinyl. The vinyl buy vinyl. And what's crazy, I was just on the phone with a head of a record label and he was talking about the rapid increase in the number of cassettes they're selling, which is crazy. It's just such a, I tell people this all the time, but you can't autograph a stream, so you're going to always need to have something that people can take home. I mean, I read the other day of all the vinyls sold only like 37% get listened to, but vinyl cells are through the roof, really. They buy the product, they get it autographed, they keep it as a collector's item, and then they stream it on Spotify.Michael Jamin:But why do you feel vinyl as opposed to a cd, which is just vinyl, but smaller and better quality? Why is that?Dave Rose:Yeah, I think CDs, I mean, also depending on the genre, certain genres are very cd, like country. People still buy CDs. If you go into a Walmart and rural America, you're going to see a lot of country in there. But yeah, I think vinyl partially because it's just big and cool to hold, andMichael Jamin:Yeah, you right, because not a lot of people have record. A lot of people don't even how to use a record like we do, butDave Rose:Yeah. Well, I mean you'd really be surprised, Michael. The vinyl industry is insanely huge.Michael Jamin:Interesting.Dave Rose:And really among kids, I mean, the kids are buying vinyl. If you go into an Urban Outfitters, which is obviously geared toward 20 somethings, they have a whole record section in there, whole vinyl section in their stores, and they sell record players at Urban Outfitters.Michael Jamin:Right, right. I always thought that was ironic. I didn't realize that they're making money that way. I know. I thought they were museum pieces.Dave Rose:Well, probably to some they are. Wow. Yeah.Michael Jamin:Now, do you specialize in any kind of genre of music or does that matter toDave Rose:You? I'm a rock and roll guy at heart, but I've done a lot of work in sort of songwriter rock. I've certainly had my share of country acts, although it's not my preferred genre, I've not done a lot in bluegrass, and I've not done a lot in hip hop, which is strange because if this is a visual thing, I'm staring at a Tupac Black behind me. So I say I don't really work in hip hop, but then I got to Tupac Black up here.Michael Jamin:I have a question for you. I don't think you're going to be able to answer this one. I don't know if there's an answer. ProbablyDave Rose:Not.Michael Jamin:So Daryl Hall has a show that I happen to catch sometimes. I think he shoots in his basement or something. You must've seen it, where he brings in friends, like eighties stars or whatever, Darryl'sDave Rose:House,Michael Jamin:Darryl's house, and he looks cool. He's got a blazer on, he's got dark glasses, and I'm like, okay, he looks cool. But then sometimes he brings in other men his age, which is whatever, 70, whatever it is, I don't know. And they're dressed and they're stars from the eighties, and they're dressed like they used to dress in the eighties. I wonder, how are aging rockstar supposed to dress? Do you have to answer this to your clients? YouDave Rose:Talk about this. Oh, yeah. We talk about, I mean, I tell artists this all the time, including my big artists. The biggest mistake you can make with a tire fashion, whatever you want to call it, is to not talk about it. You have to talk about it. A matter of fact, I recommend a band sometimes, particularly new bands, take a night and don't bring your instrument, get in a room together and talk about what you want This look to look like. It is so incredibly important and,Michael Jamin:But do you have an opinion on what it should be then? Should it stay what it was, or should it evolve?Dave Rose:I think it's interesting, like this eighties band striper that I talked about that I manage from the eighties, that it's the same guys 40 years later. Back in the day, there was a lot of hair and makeup and spandex pants and all the things that, and so no, they don't wear that anymore, and they don't wear the makeup and the teased hair, but they do an age appropriate version of that rock and roll gear and rock. ItMichael Jamin:Seems weird because the fans are coming to see their band. The fans don't want the band to age, but unfortunately the band aged.Dave Rose:Yeah.Michael Jamin:How do you give them what they want? It seems like, it seems like a really hard thing to struggle with.Dave Rose:It is. It's a tough thing. And the good ones, the ones that are really good at this, are good at sort of making fun of the, well, sort of making the audience one with them and sort of we're all aging together and this is welcome to us 40 years later. What I think we don't want is our aging rock stars to show up in sweatpants and a hoodie. We want 'em to show up at least caring and some resemblance of days gone by without being a carbon copy of that, because you shouldn't try to be,Michael Jamin:For the most part though, I imagine they're playing whatever their greatest hits, the songs that made them big, and the people, the fans, that's what they want to hear. And I imagine if I were a musician who's played the same song 30,000 times, I might get tired of this.Dave Rose:You would think, and here's what happens to a lot of them. Some do, yeah. They usually don't get tired of it. They get tired of being known only for that. There are some artists that have two or three mega hits so big you can't even compare. And as a result, there's no way for their catalog of deep catalog of hundreds of songs to sort of surface. It's why the band little feat that I worked with, they never really had a radio hit, and they always talked about the best thing that ever happened to us was never having a radio hit because we never had this super high. Instead, our fans consume our entire catalog. It's a little bit like the Grateful Dead in that sense. Grateful Dead never had this mega hit. They just had a lifestyle.Michael Jamin:Do they complain to you about this, though? Is this something they talk about?Dave Rose:Yeah, I mean, one thing that's interesting is when you're on stage and you're playing a 60, 75 minutes set or whatever, and you're playing songs from your catalog, one thing that you don't think about a lot, but when they hit that big hit, when they go into playing that big song that everybody knows of any song in that, it's almost like it's for them, it's a welcomed break in the set. Meaning when you're playing a new song, you're sort of working really hard to try to win this audience over on this new material or this unfamiliar material. So maybe if you're a rock band, you're probably moving around a little more. If you're whatever kind of band you are, you're just really giving it all to win over this crowd. But when you kick into a mega hit that they've heard a million times over, it's a moment you can just breathe.Michael Jamin:I see.Dave Rose:And go, okay, I'm good for three and a half minutes here. They're going to go nuts. No matter what we do.Michael Jamin:I would not have thought of. That's interesting you brought that up. I would not have thought it, but I would've thought it the other way around that like, oh, fuck, I got to play this again. ButDave Rose:No. Yeah, no. I do have a few artists that feel that way. One of my favorite moments in that regard was Sean Colvin. She's a kind of a folk songwriter artist, and she did end up having a big hit called Sonny Came Home, and that came out, I guess in the, I'm going to get the dates wrong, but that was a huge hit. Sonny came home and I went and saw Sean Colvin one night in concert, and she comes out on stage packed amphitheater, and she says, we're going to go ahead and play this song for those of you that just came to hear this, so you can go ahead and leave and the rest of us can have a good time.Michael Jamin:Is that what happened though?Dave Rose:That's why she opened the show when Sonny came home, and then what happened? I'm paraphrasing what she said there, but it was generally that for those of you that just came to hear the hit, let's play it. You can go about the way and sort of the implication was the rest of us who came to hear the entire catalog can now enjoy the show. DoMichael Jamin:You think people walked out? I mean,Dave Rose:Nobody left nobody. I was there. Nobody left. And that's a bold move. Yeah. I love that about her. And that's kind of the way a lot of artists feel about a big hit is like they don't dislike it. They love what it's brought to their career. They just dislike it being the only thing people may want to consume.Michael Jamin:I think about art, and you must have these conversations with your artists is like, how do you reinvent yourself on the next album when audience, your audience doesn't really want you to reinvent you. They want what they have, but if you give 'em the same, it's also like, yeah, we already have this. It seems so incredibly daunting to come up with another album that works,Dave Rose:Man. It is. And I got to say, in your world, I would think the same thing. How do you write the next episode given the audience what they want, but still keeping itMichael Jamin:Well, that's when they get mad at you. That's when they say the shows jumped the shark. Or they say, the show died four years ago. JumpDave Rose:The Shark. Is that aMichael Jamin:Term? Oh, yeah. I'm sorry. You haven't heard it. That refers to an episode of Happy Days when Henry Winkler, they put him on water skis and he had to jump a shark tank. I rememberDave Rose:That.Michael Jamin:And he was wearing a leather jacket when you saw Fonzi jumping a Shark tank in a leather jacket. You go, all right, the show is Jump a Shark.Dave Rose:Oh, I got to remember that. Oh, yeah.Michael Jamin:It's a famous term. Yeah, I worked with Henry years ago and we spoke about that.Dave Rose:Oh, really?Michael Jamin:Yeah. Yeah. It's funny.Dave Rose:What did you work on with him?Michael Jamin:It was a show called Out of Practice with Henry Winkler and Stocker Channing and Ty Burrell, and they were the three main leads, and Henry's like the sweetest man in Hollywood. But we spoke a little bit about thatDave Rose:Being a child of sort of growing up in the eighties. I'm going to be remiss if we don't at least, and I'm sorry, man, talk about asking somebody about their hit. Please tell me about Beavis and Butthead for a minute. I mean, I don't care what you tell me aboutMichael Jamin:There's, there's very little I can tell you. So I was friend, this is when they brought the show back. It's been on three times already. And the second iteration, our friends, John Altro and Dave Krinsky, they were the showrunners. They created Silicon Valley and now they're running the second beavers. But that was so they needed freelance writers. It was a really low budget thing, and they reach out to us and the money was terrible, but we just had a break in our, we were in between shows, so the timing was perfect. They said, do you want to write some Beavis? But so we pitched them maybe 10 ideas. They bought four, but that was it. I mean, that was kind of the involvement. Then we went to see Mike Judge, we went to the record session. So we'll go to the booth and we're all watching videos, and we we're literally standing over his shoulders watching music videos, just pitching jokes about what beef is, and Bud would say, and then he would go into the booth, do the voice, and come back out. That was my involvement. So it was only we because wanted, it was just a fun experience. It was not forDave Rose:Sure. Absolutely. What a, but again, I bet coming into it sort of midstream like that, what an even harder job. You've got hits. You want to give the audience what they expect, but you also want to give them what they don't expect. I mean, how you do that as an artist is hard.Michael Jamin:And do you have these conversations with your bands?Dave Rose:Absolutely. Yeah. Yes. Because the funny thing about music is none of us, if we sit down and listen to our Spotify list or whatever, and we have our catalog of music, none of us listen to one kind of music. We listen to all kinds of music, jazz and reggae and rock and whatever. We all have a mixture of taste, and depending on our mood, we want to explore that music. It's the same with artists. They don't think in one genre. They're artists. They're thinking all over the place. So it's really hard for them creatively to stay in this lane. It's why you see so many artists, I'm going to try to do a country record, or I'm going to try to do some other exploratory record, and that's okay. If you're Prince, you look like a genius. If you're Prince, if you're just starting out, you look confused. I don't know what I want to do, so I'm going to do a jazz song. So yeah, we do talk a lot about trying to stay, it's a terrible term for art, but trying to stay on brand with both your look and your sound and your music and the audience. When they go to buy a Bruce Springsteen record, they don't want to hear a jazz record. They want to hear good American rock and roll songs,Michael Jamin:But they also don't want to hear, I think you too may struggle with this. I think they got their sound, and it's like, all right, but I've already heard it.Dave Rose:They do struggle with that. Yeah, they've had a couple, and almost any act has their moment of when they look back on it, it's kind of like, what was I thinking?Michael Jamin:Right. I mean, to me, it sounds like I haven't listened to it in a while, but at one point I got an album there. I just thought it just sounded like every other, and they were amazing in the, I don't know, it seems like a very hard balancing act. How do you do this? How do you ItDave Rose:Is. It's why bands like Kiss, for example. I don't, I can't remember when. I think 20, I don't know. It was over 20 years since they recorded new music, just because they didn't want to attempt, they didn't top what they had done.Michael Jamin:I heard an interview by Cures for Fears, and they were talking about, and I didn't know this because really, I don't know the inside of music at all, but they were talking about how at one point, the album, I guess mid-career, that they were assigned a music producer and the producer kind of determined the sound. And I was, I surprised. I really thought that that's what they did. I thought they wrote all their songs and it said they were hearing songs written for them. I did not know that. I was really surprised. They are songwriters.Dave Rose:They are songwriters. And sometimes when a band or an artist hits that moment of how do we feed our fan base, but stay ahead of things, sometimes a good producer, outside writer can help move that along.Michael Jamin:On their last album, they shunned all that. They did it themselves, and I thought the album was terrific.Dave Rose:Yeah, I mean, I haven't heard it, but I've heard people say that,Michael Jamin:Oh, you haven't.Dave Rose:It's probably because they really went for the middle lane that they developed all along with their fan base. I mean, they're a brilliant act with an incredible catalog.Michael Jamin:Yeah. I mean, in the management world, at least in tv, in film, and for agents as well, it's not untypical for atypical for a writer or an actor to get to some point. Then they leave their manager or their agent, maybe they outgrow them or something happen. And how do you reconcile that?Dave Rose:Yeah, that happens all the time. In the music business, we call it the revolving door of managers and artists. I've had some come and go and come back and go,Michael Jamin:Really? Do you not take it personally then, orDave Rose:One of the things you have to do is truly not take it personally. And sometimes it's sort of like I look at it like this. If you were to own a restaurant and that restaurant grows and changes and involves a different manager, has different skill sets. We're not all graded everything. We're good at certain things. And if you happen to be at the place in your career to where you're with a manager that is good at the things you need, that's a perfect relationship. If you happen to go outside of that, then you might need someone with a different skillset. And oftentimes a manager is the first to say, I feel like I've taken you as far as I can.Let's find something new here. It's no different than a football coach or a restaurant manager or any sort of leader of a company. Sometimes for a lot of reasons, the stars align and sometimes they just don't. And if they don't, it's usually pretty recognizable to both parties. And there's very rarely, I mean, you certainly hear the stories both online and elsewhere of manager artists fallout, but by and large, I'm friends with every artist I've ever worked with, and I've never had a, I mean, I don't manage Bruce Hornsby anymore, but I just went backstage, went to his show and hung out with him after the show. And we talked about old times and had a good hang together. But there was a point in his career where I was and a point in my career where we just weren't at the same place, and I don't even mind sharing that. Yeah, please. He had been on RCA records for about 25 years, and the top brass at RCA was kind of changing, again, the revolving doors of executives at a record label, it was Tom. And so his life at RCA, his deal and relationship at RCA started to come to an end.And I was really, really, I had two other bands at RCA. I was sort of really inside the walls of RCA records at the time, and so I wasn't really best suited for the next step in his career, which was to find a new label, a New York based label. I was very much Nashville centric at that point, and it was just, we came to a place where I felt like for him to go where he needed to go, he needed somebody else, and he felt the same. AndMichael Jamin:It was, but that's another thing, because I see with my management, they have relationships at studios, and as you do have relationships and there, at the end of the day, you have your interests, and it is not like you're going to burn bridges with these studio that you have relationships with. You can only fight so much because of what you have with your other clients, right?Dave Rose:That's right. Yeah. It is probably like your business. It's a very small business at a certain level, a very small business. There's not a lot of, you're going to run into everybody again, and at some point you're going to want your act touring with their act, or you're going to want their act being featured on a record of your act. And if you burn bridges, it's just going to, I mean, I know people that do burn bridges, but it's rarely good.Michael Jamin:You are listening to, what the Hell is Michael Jamin talking about? Today's episode is brought to you by my new book, A Paper Orchestra, a collection of True Stories. John Mayer says, it's fantastic. It's multi timbral. It runs all levels of the pyramid at the same time. His knockout punches are stinging, sincerity, and Kirker View says, those who appreciate the power of simple stories to tell us about human nature or who are bewitched by a storyteller who has mastered his craft, will find a delightful collection of vignettes, a lovely anthology that strikes a perfect balance between humor and poignancy. So my podcast is not advertiser supported. I'm not running ads here. So if you'd like to support me or the podcast, come check out my book, go get an ebook or a paperback, or if you really want to treat yourself, check out the audio book. Go to michael jamin.com/book. And now back to our show.What is then the pinnacle for, I mean, we know what the pinnacle for an artist's career would be, whatever, selling a ton of records playing the Super Bowl, whatever they aspire to do, but what's the pinnacle for your career?Dave Rose:Oh, that's a great question. Yeah, it's interesting. I was taking my son to school the other day and he said, daddy, work seems like it's really fun, is work really fun. And he's come to my office before, and I got thinking about that, and I've chosen a path that really is fun. Never, this sounds corny to say I've never felt like I've worked a day in my life, really. It just really has never felt like work. I am so amazed that people pay me to do this. I was doing it long before I knew you could make money at it. And so the pinnacle for me is really that this continued joy of the business of music.There's very few high level artists, celebrities I haven't met or come in contact with. And so none of that is really the moment for me. It's seeing an act like this band formerly that we're looking at. They're a country act. They've had four or five number one hits. They were playing in their garage in Greenville, North Carolina, small town where I grew up. I happened to just know them, and I took them to Nashville, one thing. So that's sort of what this business is for me. You see a band in a garage, and the next thing you know, they're accepting an award on stage, and it's just a beautiful feeling to know that you've helped an artist achieve those dreams.Michael Jamin:Interesting. It's interesting that that's where you take the joy in. I would think that part, you're not the one who wants that dream. You're not the one, the artist. You're not the one who wants that dream, your dream joy doing it for others.Dave Rose:I would think there's similar satisfaction in being a writer, I would think. I mean, maybe you were motivated to be on screen all the time or in front of the camera all the time, butMichael Jamin:No, not really. No, not really. But I think writers are worried about their career. I want to write this, I want to make a lot of money or whatever.Dave Rose:Yeah. Well, the money certainly an enjoyable part of it, but it's not the driving factor, and it can't be in music, so risky.Michael Jamin:But you also, I guess, arrange entertainment events,Dave Rose:Right? Oh, wow. Yeah, that's very, you did your homework. Yeah, so around the turn of the century, so I live in Raleigh, North Carolina. I'm in Nashville almost weekly, but I live in Raleigh, North Carolina, and in Raleigh, North Carolina, there are not a lot of artists management or record labels. It's a big, very creative music city, but there's not a lot of high level. So as Raleigh started to feel like they needed entertainment in their city and started thinking about amphitheaters and growth and expansion of their city, they kind of came to me saying, you've had artists play in these cities all over the country. Could you help us bring the good bad and the ugly of that to Raleigh and help us produce events? So yeah, over the past 20 years have become the kind of go-to, I produced the North Carolina State Fair and all the big festivals,Michael Jamin:But you keep it to this one region, though.Dave Rose:I do. I pretty much stay in the central, the Eastern North Carolina region. And it's funny because when bands go out on tour, I'm managing bands. I learned from Bruce Hornsby one time. I called him, I'd always check in after the show, and how did it go and whatever. And he went and played one show somewhere, and I said, how was the show? And he said, he kind of laughed while I said this, but he said, I was staring at a funnel cake sign the whole time. WhatMichael Jamin:Does that mean?Dave Rose:Funnel cakes? So you're playing this car almost like a carnival. Not that there's anything wrong with that, and there's plenty of respect in funnel cakes, but as an artist who played in the Grateful Dead Done Jazz records, not really his thing. So I kind of made a joke of always keep the funnel cake stand a little bit away from the stage, but I took all of this feedback from artists, what the backstage was like, what the stage was like, what the PA was like, what the lights were like. I took all the good, bad and the ugly from the artist, and I brought it back to my community to try to make the best concerts and events.Michael Jamin:I imagine there was a huge, not just a learning curve, but also financial risk in the beginning for you. No,Dave Rose:Yeah, I racked up a lot of credit cards.Michael Jamin:Oh, really? I mean,Dave Rose:Oh yeah.Michael Jamin:Wow.Dave Rose:Yeah. One of my, yeah, I sure did. We started this company on a credit card, and that's what got us going. We produced CDs on credit card. We racked up a lot of credit card debt hoping this would win.Michael Jamin:What do you, and it's paid off.Dave Rose:It's paid off,Michael Jamin:Right?Dave Rose:I paid it off last week.Michael Jamin:Just last week. You made a final payment, you got points for it. But what advice then, do you have for, I guess, new artists? I mean, maybe either musicians or, I dunno, artists.Dave Rose:Yeah. I think the hardest thing to do, particularly in this world of TikTok and YouTube and reels, is to really be authentically you, because it's so easy to want to try to be the person that just went viral,And that's never going to move the needle. That's never going to make a big splash. You might have a moment, I don't know if you remember, maybe three or four months ago, there was an artist on TikTok named Oliver Anthony that went massively viral. He is a bearded guy from the mountains and kind of just sang very, very pure songs, but went enormously huge. And within weeks, you've got every mountain guy with a beard trying to do the same thing. And it's really hard to not do that. When we're faced with that all the time, back in the day of Led Zeppelin, the Rolling Stones and everything else, one didn't really know what the other was doing.Michael Jamin:SoDave Rose:You went into your bubble and you created art in a way that you felt led to do, and now you're so pressured to try to be the next viral thing, and that's the hardest thing. So my advice is don't do that.Michael Jamin:Yeah. You also, it's funny because I am a fan of your tiktoks. You give such interesting, great advice. You gave one post, this was maybe half a year or maybe a year ago, I don't know. And I was like, yes, I wanted to stitch it, but I guess I just didn't have the balls. And then I forgot about it. The post you did was, I guess a lot of people come to you for advice, and they just think they can just, Hey, you pick your brain or buy you a cup of coffee cup as if your time is worth $5 an hour, because that's what coffee costs. But you handled it very gracefully and graciously, but I'm not sure. Did you get any blowback for it?Dave Rose:Yeah. You're on TikTok, the blowback key. I mean, you definitely get, but by and large, by and large, what I ended up getting is it's been beautiful actually. Ever since then, I've got a lot of artists coming to me saying, look, I'm not going to offer to buy you a cup of coffee. I know how you feel about that, but I would like 30 minutes of your time, and how would I go about doing that? That's a beautiful way, I mean, I really picked this up from an attorney one time, and I was on the three-Way call with an artist, an attorney, and myself, and the artist said to the attorney, Hey, I got this contract and I don't really have a lot of money to spend, but I was hoping you could read it over and I could buy you a cup of coffee and pick your brainMichael Jamin:On it. Yeah. What did the attorney say?Dave Rose:And the attorney said, look, I understand you mean well, but I only have two things to sell. I've got my time and my knowledge, and you have just asked for both of those things for free.Michael Jamin:Yes. That's a good way of saying it.Dave Rose:And I just thought, wow. That's right. And as a manager, that's what you have. You got your time, your knowledge, and your connections. And if you're picking my brain, you are asking for those things for free. And I don't have anything else to feed my family with, butMichael Jamin:I wonder, is it because, because people ask me the same thing, and I guess it's because some people are actually giving it to them for free. Do you thinkDave Rose:It is? Yeah. I mean, they must be, or otherwise they wouldn't be doing it, I guess.Michael Jamin:But then I wonder if you're only paying $5 for advice, and that advice is only worth $5, I mean, why would you want to take $5 advice?Dave Rose:Right, exactly. Yeah. But yeah, that's been a tough part of the music business because yeah, so thanks for noticing that. But I do think we, as a sort of service society, whether you're a screenwriter or whether you're a manager or an agent or whatever, all people really have is what's in their head and their time. And so to take that so lightly is to think that buying you lunch is going to somehow make it worthwhile. It just doesn't, not only doesn't make sense in a strange way, it's rude.Michael Jamin:Well, I don't think it's strange. I mean, I do think it's rude. Yeah, yeah.Dave Rose:But as I said, I think in that TikTok, I said, I understand you're offering to buy me something. So I understand that you're trying to be in your own way, polite, but let me just educate you. That's not a compliment to say that your time is worth a cup of coffee.Michael Jamin:Yeah, yeah. But I appreciated that video. I really did. I was like, doDave Rose:You get a lot of people asking to pick your brain?Michael Jamin:Yes. I guess less and less, butDave Rose:You do some consulting as well, right?Michael Jamin:Well, what I did was eventually I signed up for, there's this app where you can sign up to be an expert. And so people ask me a question, sometimes it's an autoresponder, and it says, if you want to book time with Michael, you can do it. So here, a half a dozen people have booked. Everyone's asking, but no one books time. So to me, interesting. And I didn't do it because that's to make money, but I was like, well, look, if you want it, you're going to have to pay. But they don't want it bad enough to pay. So,Dave Rose:Well, it's interesting. I'm on a platform called August managers.io, and that's where I do my 30 minute consultations. And I've partially used it as a filter. It's funny, I'll get artists that go out and spend $10,000 on recording and $10,000 on video and photo shoots, and then they'll come to me and say, can I pick your brain for a cup of coffee? And I'm thinking, you have just spent $20,000 making music, and now the most important part, getting it out to the public, that's worth a cup of coffee to you. So I sort of use this platform as a filter. It's like Chemistry 1 0 1 in college. If you're willing to just invest a tiny bit to spend a little bit of time with a professional, I at least know you're serious.Michael Jamin:Yeah. That's how I see it as well. So you're weeding people out. They don't really want, yeah, I guess that's how unserious they are. If they're getting caught up on booking a half hour with me, then they don't really want,Dave Rose:I would think in your world, people want you to read their script, isMichael Jamin:That, oh, there's a lot of that, but you got to pay me way more than, I mean, here's the thing. I don't even do it, but they all want it. They want me to spend an hour and a half reading their script, another hour assembling notes, and then another hour on a phone call them giving them my notes while they get angry and defensive telling me why I'm wrong and do it for free. I mean, oh, yeah, okay. That sounds like a ball to me. But it's not about the money. The answer is no, all around. But it also exposes me to liability side because I don't want to be sued for taking someone's idea. SoDave Rose:Totally. I mean, that's a big part of the music business a lot. You'd hear about unsolicited music, and a lot of people, myself included, will not even open an email with music attached if I don't know who it is. Is itMichael Jamin:Because for liability reasons?Dave Rose:Yeah. TheyMichael Jamin:Think you're going to steal their sound or their song.Dave Rose:I think Yes. I think they do think that. And I think in the history of the music business, that has happened maybe three times. I mean, it just doesn't happen. Interesting. So it's funny that that's a topic even, I don't know if it happens in the film and TV business, but in the music business that anytime you've heard of a lawsuit of one suing the other about a sound, it's very, very rarely actual theft. Most often, there's only eight chords, and you can arrange them in only so many ways. And if you're in a genre like hip hop or country where it's in some ways a little bit of a formula in the way your pop music is that way, you write very narrow melodies and chord progressions. It's bound to your, I mean, about the a hundred thousand songs released a day, you're bound to cross paths there in a close manner. It's very rarely malicious.Michael Jamin:So then how are you listening to new music, if at all? Is it because you see an act on stage or something?Dave Rose:Yeah, no, I will listen to it if it's coming to me from a vetted source or if it's coming to me in a way that I feel. But I get a lot of just very blind emails, never met, seen, heard of the person. And one of my favorite quotes was Gene Simmons said one time, look, if I'm hearing about you for the first time from you, you're not ready.Michael Jamin:You're not ready. Interesting.Dave Rose:Because we keep our ears to the ground. I mean, I'm hearing about artists all the time. I mean, I can't go to the dentist without hearing about five new artists. People know that we work in the music business. So no matter where I go, the coffee shop, the dentist, the pizza shop, whatever, they're going to tell me about their cousin that just released a song. That's the next Beatles. So I hear about stuff, and if I hear about it from 7, 8, 9 different places, I start to know there's something there.Michael Jamin:Right. I directed Gene Simmons, by the way, on an animated show. I had to yell. NoDave Rose:Way.Michael Jamin:Well, yeah. Well, he came into the studio like a rockstar, which is what he is, of course. And then he is holding court and, Hey, dude, we're paying for this thing. And I knew I was going to get yelled at by my boss, so I had to say, Hey, gene, we're recording now. I had to tell shot him, get onto the microphone.Dave Rose:Oh, that's awesome. He is a really interesting person. I've met him a couple of times. I really am amazed by his story.Michael Jamin:That's funny. Chrissy Hy came in. My partner had to direct Chrissy, and she came in also like a rockstar into the booth, and she's smoking a cigarette and you're not supposed to with the equipment. And he asked her to put it out, and she wouldn't. And he was like, that's fine with me. Whatcha going to do?Dave Rose:I love it. She'sMichael Jamin:Chrissy Hein. She gets to do what she wants. But that's so interesting. Yeah. I get that same sometimes when people ask me a question and I wonder if you feel the same way about breaking into the business or some kind of basic thing. They leave a comment and I'm like, all you got to do is just scroll down and all my videos are labeled. You're going to find it. I wonder how bad you want it. If you feel like you have to ask me without looking. This is literally the least you have to do to find an answer nowadays.Dave Rose:I did a video recently where one of the most common questions I get is, somebody will present their music to me and they'll say, do you think I have what it takes to make it? And that is without question, the hardest question to answer because I don't know your definition of make it. And to be honest, a lot of people don't know their definition of make it. I had a band come into my office one time, they finally, they've been wanting to line up a meeting. They came in and they said, I said, so what do you guys want to do? What are you hoping to do? And they said, well, we want to be successful. You know what I mean? And I said, well, no, I don't know what you mean. Tell me what success means to you. And they said, well, we want to make a living at music.I said, well, that's good. I can have you doing that within 30 days. And they kind of looked at me like, wow. We hit the jackpot coming to this meeting, and I said, here's what we're going to do. We're going to buy you a bunch of tuxedos. You're going to learn some top 40 songs. We're going to play the wedding and corporate cover circuit, make a great living. They kind of looked at you and they were like, no, that's not what we meant. Okay, let me change that answer. We want to make a living playing our music. I said, alright. Little bit harder to do, but we can still do it. There's sports bars around the country where you set up in the corner and they don't really care what you play, your background music, but you make a pretty decent living. You'll make good tips.We're like, no, no. Lemme think about this. They thought about it for a little bit more and they said, okay, we got it. We want to be on the radio. Then one other guy spoke up and he said, playing our music. I said, okay, I got you, my friend does the Sunday night local show on the radio station. He's a friend of mine. He'll play anything I send him. I'll send him your song, he'll play it on Sunday. You will have been successful. And they like, all right. And one guy spoke up at that point and he said, I see what you're trying to do. You're trying to confuse us. I said, no, no, no. You're quite confused on your own I'm trying to do is point out that I can't help you until you know what you want. And there's no wrong answer to that. Some artists come to me and say, I want world domination. I want to be the next big, huge thing. And others simply say, I just want to make great music and I don't really care if I make a living. I just want good quality music out there.Michael Jamin:Is that right?Dave Rose:Oh yeah. PeopleMichael Jamin:Really do. But I imagine, I mean, you got to pay your bills. That's not attractive to you. Right?Dave Rose:It's not attractive to me and that's okay, but there's still a place for that in this world. But yeah, and here's the other thing. A lot of people think they want that world domination and playing arenas, but the moment we start saying things like, well, let's say a country artist came to me and they said, I want to be the biggest country star in the world. First thing out of my mouth would be, you're going to need to move to Nashville. You don't need to do that in every genre, but in country, that's a must be present To Win town, you're going to have to be in Nashville. Well, I don't really want to do that. I got this and a job and whatever. So I tell people all the time, prioritize where music is in your life. It doesn't have to be number one, but just knowing where it is will help you make decisions on what's most important. When I give advice to artists, I often ask them, do you have kids and are you married? And tell me about your personal life. The truth is, the advice I give to someone with a two month old baby at home is different than a single 21-year-old that can go out and explore the world.Michael Jamin:What do you think it is that people like me, Hollywood, what do I get? What do we get wrong about the music industry when we portray it on TV and film?Dave Rose:Oh wow. Well, it's funny because in every music based show, I used to watch the show Nashville, which was produced very well, and it was done in Nashville, so it had a lot of authenticity to it. But I think what I don't think you get it wrong, I think you have to portray it this way because that's the way TV is made. But you can go from in one episode writing a song to going on tour with Bon Jovi all within a week or two's time, what seems like a week or two's time in a film or TV show. And it's a laborious, long as you know from any aspect of entertainment, it's years before you start to take off from that runway. It's a several year runway, but I think the public as a result of just all of our short attention spans shows and even movies have to be written. So that what seems like in a couple of months, couple of weeks, sometimes you go from writing this song to touring with Beyonce.Michael Jamin:Why do you think, and I say this selfishly, I want to know for myself, why do you think the runways is so long before you take off? Why does that mean, why does it take so long?Dave Rose:Well, I think a lot of it is because writing music, like writing anything takes a lot of hours to get good at it.Michael Jamin:Okay, but let's say you got your album out and it's a great album now it's going to take years beforeDave Rose:No, no, no, no, no. It's going to take years to get that greatMichael Jamin:Album. Right. Okay.Dave Rose:Right. Once that great album is assembled and together, it can be a relatively, I mean, it can be a relatively short runway to success once that great in Nashville, there's a saying when somebody comes into me with a publisher and a publisher is someone who oversees the copyrights of songs, but when someone comes to me with a publisher and they say, how many songs have you written? No matter what the answer is, they almost always say, come back when you've written your next a hundred. Really, there's kind of an unwritten seven year rule in Nashville. You should not expect success for at least seven years after you come to townMichael Jamin:With your first album,Dave Rose:With your first set of releases. It just takes that long to get really, really top level good at this in any genre. I think, I mean, if there was a comment section on this podcast, there would be tons of people giving me the exceptions to those rules right now, which is the beauty of the music business or any entertainment. There's exceptions to that rule. There's overnight sensations, but by and large, most of the big artists had a long runway.Michael Jamin:So you're listening, if you were listening to an album by a new artist, you're thinking, okay, maybe one or two songs has got something in the rest are just not there. You're sayingDave Rose:Sometimes. Yeah, sometimes. I mean, you take a band, it's funny, that first hit, I worked with Sex and Candy, the band, Marcy Playground, between the time they rode and recorded that and it became a number one hit was four years.Michael Jamin:Okay,Dave Rose:Four years.Michael Jamin:Right. Okay. So they had the goods, but it took four years before people discovered they had the goods.Dave Rose:That's right. That was a very interesting journey. They charted on college radio and then they tried to work to regular radio. It didn't happen, and they label problems and they tried again and it finally happened. Same thing with this band, sixpence On The Richer and the song Kiss Me. They had that song Kiss Me on a Record, and it did not become a hit for another two years.Michael Jamin:Wow. Okay. So then how do they do that? Is it just touring? Is it just getting it out there? Just having people listen,Dave Rose:In the nineties it was touring. It was just getting out there and touringMichael Jamin:Even. Not today. You're saying today's it's not like that today.Dave Rose:It's not. I mean, it's some touring is one aspect of it, but the beauty of Michael, you and I would not be here talking if it were not for TikTok. And as much as I love to hate on social media platforms for all the reasons they're easy to hate on there is I tell our assist all the time. There is someone in Topeka, Kansas right now that loves what you do. You just got to find them. And if you do, there'll be fans for life. But unless you plan on touring Topeka, Kansas this week, you're not going to find 'em. So get online and postMichael Jamin:How many, I've heard numbers and I if it's true, but how many crazy, what's the word, rabid fans, do you need think a band needs before they hit critical mass?Dave Rose:Well, critical mass is a subjective term, but I say this a lot. You only need a thousand fans. And I'm talking about real fans. Fans that would give the shirt off their back fans. I'm not talking about followers,Michael Jamin:I'm notDave Rose:Talking about likes or subscribes,Michael Jamin:Right? People who open their wallet,Dave Rose:A thousand fans that consume everything you put out. That's all you need to make a great living in music.Michael Jamin:But how is that possible? Okay, so if you've had a thousand fans, they're scattered all across the country and I don't understand, how does that make you a good living? You can put it on a new album to a thousand fans. How does that make you a living?Dave Rose:I'll tell you how that is because when I was 10 years old, I had a older cousin, cousin Rick and I went to his house and he had a wall of vinyl records, more vinyl records than you could ever imagine. And he reached and he had got a new stereo and he wanted to show me the stereo, and he pulled up a Boston record, the classic rock band Boston. They had just put out their first record and he put it on the turntable and he was telling me everything he needed to tell me about Boston, and I was just mostly fascinated by the fact that of a thousand records on his wall, he picked that one to tell me about it. And from there I went and bought the record. I consumed, I bought the T-shirts, I bought this. The thing about a thousand fans is they're your marketing arms. A thousand fans are not going to keep your music close to their chest and keep it over here in the corner. They're going to tell everybody that'll possibly listen. And if you've got a fan that it gets in the car with their friends and they got three minutes to the next drive and a billion songs to choose from, they're going to choose yours. And that's going to turn those fans, those friends into fans. So it starts with a thousand core fans and you can really take over the world.Michael Jamin:I wonder, and again, I say this selfishly, I put out a book, and so this is the first venture. I've done solo

Dan spoke to Business of Football writer for the Liverpool Echo, Dave Powell, following Liverpool's financial results were revealed last week and to get the latest on Michael Edwards and an FSG reshuffle.Support this show http://supporter.acast.com/redmentv. Hosted on Acast. See acast.com/privacy for more information.

Mike Mulligan and David Haugh were joined by BetMGM ambassador Chris Chelios to discuss Blackhawks rookie Connor Bedard's jaw injury and whether the legendary Michael Jordan will show up Friday at the United Center for the Bulls Ring of Honor ceremony.

Special guest Jim Palmer joins us on The Spiritual Brewpub. Jim is a former mega-church pastor, a master of divinity graduate, a humanist chaplain, a certified spiritual director, and the founder of the Center for Non-Religious Spirituality. Jim and Michael talk about Jim's deconstruction and rebuilding, the evangelical experience, the needs Jim saw that led him to found the Center for Non-Religious Spirituality, and some of the content that he provides to help people coming out of toxic faith. To learn more about Jim, visit: https://nonreligiousspirituality.com/ See a video version of this podcast.   See Michael's book that Jim referred to at the end.  Learn more at The Spiritual Brewpub MORE EPISODES

James Dorsey returns with more stories from his lifetime of adventure.  James talks about his trip through China encountering Mongolian shaman and the stone carvings of Genghis Khan.  He then takes us south to the island of Papua New Guinea and his encounter with the infamous tribe known as the mud men.  From there to the witch markets of South American then to encounters with whales.James new book The Lagoon: Encounters with the Whales of San Ignacio is available here.See Michael's photography at MichaelReinhartPhotogrpahy.comHosted by Michael J. ReinhartMichaelJReinhart.comAdventure and Exploration StoriesBustin' Chops & Callin' ShotsEach week Josh and Jon sit down to give their take on travel sports and everything in...Listen on: Apple Podcasts Spotify

How does someone's attractiveness impact their grades in school? Does it make someone more likely to get good grades all throughout or is it only certain subjects? Guest: Adrian Mehic, Doctoral Student, Lund University - A lot of interest in purchasing the Ottawa Senators has been expressed and one of the names that's being thrown around is Michael Andlauer, owner of the Hamilton Bulldogs. How likely is it that he'll make the move and if he did buy the team, could the team move to Hamilton? Guest: Bruce Garrioch, Columnist, Ottawa Sun - Becoming a city councilor comes with a lot of work that a new member might not always be aware of. Scott welcomes one of Hamilton's new incoming councilors who's currently in the process of being brought up to speed before getting sworn in. What's it like so far and is it anything like the start of a new season of Survivor? Guest: Jeff Beattie, Incoming Hamilton City Councilor for Ward 10

My next guest, is 85 year old husband, painter, inventor, Michael Smart coming to us from Scunthorpe, UK. He and his lovely wife Susie are with us to talk about the passing of the Queen and their life growing up in the UK, serving in the RAF, working at British Steel Works and what they have been doing for the past 30 years since retirement. Living a life of love and a passion for personal growth and fulfillment is what keeps them going every day. Pop round for a spot of tea and have a listen. See Michael's Work Here - https://johnbirdstudio.co.uk/artwork-gallery-doncaster/michael-smart/ #QueenElizabeth #70thJubilee #PrinceCharles #KingCharles #BritishSteelWorks #RoyalFamily #PrincessDiana #MichaelSmartPainting #MichaelSmartUK #ParrishTheThought #Inventor #StayCurious #RelationshipWithTheCreator #God #FaithAndFamily --- Send in a voice message: https://anchor.fm/parrishthethought/message

This week Dave Haslop Founder of The Crypto Den and Australian Crypto Convention joins us on the pod.  After getting into Antshares and seeing some wild gains Dave wanted to understand more about trading and technical analysis and invested his time into learning all he could before starting The Crypto Den, a community and training platform with over 50,000. Dave went on to create the Australian Crypto Convention which is coming to the Gold Coast in September with incredible keynote speakers and panels lined up including Michael Saylor, Alex Harper and Angus Goldman from Swyftx, Leigh Travers from Binance, Agon Hare, Steve Vallas and so many others! We chat:Whether you can actually use technical analysis at the momentMindset and psychology tips for trading Dave's personal crypto journey What to expect from the upcoming Australian Crypto Convention … and a whole lot more!For your chance to win 1 of 10 double passes for you and a mate, head on over to our Twitter now

Yoga Pod Tucson - LISA CUTTSIt all started back in late 2017 when Brian and Lisa Cutts started planning for Lisa to retire for the second time (not one to sit still, Lisa went back to work after 18 months of retirement once before). As a corporate executive in the enterprise software space, Lisa traveled extensively and was able to visit yoga studios all over the world. During this time, she developed her vision for the perfect yoga studio … a beautiful spa-like and welcoming environment where yoga is demystified through exceptional instructors who lead students on a journey where yoga is accessible to absolutely everyone.Fast forward to finding the perfect location, Brian started working with architects to design a state-of-the-art studio.   Excited to finally open our doors in 2020…COVID hit and delayed the Grand Opening until late May 2020.   After a few weeks, we shut our doors with the rest of Tucson and re-opened with limited capacity September 2020.  It's been a wild ride! ________________________________________________In this episode we chat about:How Lisa fell in love with Hot Yoga and how hot yoga is a ritual and measurable.She started writing a business plan prior to even having a locationShe travelled around the world and discovered what she liked visiting many yoga studios and and how that honed her in on focusing on creating an amazing guest experienceHow she found the perfect location in a busy Plaza and partnered with her husband to do an amazing build out.The importance of an air filtration and humidity systems that eliminates the ‘yoga funk'.Setting up systems and operation manualsHow Lisa built a team of Team Leads and InstructorsThe importance of the guest experience from the minute students walk through the doors and being a very welcoming environment.The one week intro offer and customer touch pointsHow well they do with class packs from the intro offerHow they opened with 50 classes a week on the schedule and grew to 75We talk about the popular time slots on the scheduleHow a registered series can help crappy time slots. See Michael's Webinar on creating a registered series that sells hereFavourite Business App for systemizing teacher class subs - Subsonic (now  Studioease)Tucson Yoga Pod WebsiteTucson Yoga Pod Instagram_______________________________MICHAEL JAY YOGA & CONSULTINGAND YOGA BIZ CAMP:http://www.yogabizcamp.comInstagram @yogabizchampMichael's software resourcesMichael's free resources Book a free session with Michaelhttp://www.MichaelJayOnline.com

My guest this week is a jack of all trades and a master of one in particular. Since he was five years old, Michael Jung has been captured by the power of storytelling. He's cultivated this passion in many ways throughout his life, telling stories through acting, volunteering at schools and children's museums, online book dealing, and more.Michael currently works as a freelance writer, but he has been writing his own stories for years. Through his education, mentorships, and personal experiences, he has learned what makes a good story and the best ways to share those stories with others. He dropped by the podcast this week to give us tips for telling our own stories, reflect on the power of choice, and celebrate the value of communication. No matter how you feel about writing and communicating, Michael has something for everyone in this captivating episode.In this episode, you'll learn:Why Michael labels himself as a professional side hustler and what he loves about having a different job all the time.The dangers of confusing who you are and what you do, especially when your work constantly changes.How Michael came to see himself as a storyteller from a young age and continued growing in that understanding throughout his life.About the influences, both positive and negative, that helped him discover what he wanted from life.A practical way for everyone, both writers and those who hate writing, to have fun telling stories through the written word.How this technique helped (and continues to help) Michael get out of his own way and give himself permission to enjoy the process.The ways our world today is showing the value and power of communication, even in superheroes and comic books.Why making choices about your life is the only way to get where you want to go.What makes a good story and how you can create your own stories better.Where you can find Michael's work and what he's cooking up next.Find Michael on his website, LinkedIn, and Twitter.See Michael's ebooks on his Amazon page.The mentor Michael plugs is Jewell Parker Rhodes.The TEDTalk from Carol Dweck that Darryl talks about is The Power of Believing that You Can Improve.The concept from Isaac Asimov that Michael talks about is The Eureka Phenomenon.Douglas Ramsey, the Marvel comic mutant that has a superpower of communication, is Cypher.

On this episode of A Good Cry, Michael talks with Brooks Allison. They chat about his friend Chris, weird viewings, and Kid A. See Michael's show Sorry For Your Loss live in NYC on 3/18: Tickets Listen to more of Brooks Allison's music: Link to Music Follow A Good Cry on Instagram @agoodcrypod Email Michael with questions, comments, or compliments at agoodcry@theradiopoint.com Follow Michael Cruz Kayne: Twitter: @CruzKayne Instagram: @cruzkayne Advertise on A Good Cry via Gumball.fm See omnystudio.com/listener for privacy information.

On this episode of A Good Cry, Michael talks with Jason Saenz. They chat about paralysis, independence, and people who shout well-educated insults. See Michael's show Sorry For Your Loss live in NYC on 3/18: Tickets Email Michael with questions, comments, or compliments at agoodcry@theradiopoint.com Follow Michael Cruz Kayne: Twitter: @CruzKayne Instagram: @cruzkayne Advertise on A Good Cry via Gumball.fm See omnystudio.com/listener for privacy information.

I want to thank Michael Neill for coming to chat with me about courage and hope, it was such an honour to host him on my podcast. We recorded this live in my free FB community SHE finds freedom from habits, self-loathing & anxiety Michael is an internationally renowned author and thought leader, reconnecting people to their deepest selves and helping them to live and work with less fear, stress and pressure, and more love, creativity and happiness than ever before. He has spent over 30 years as a coach, adviser, friend, mentor and creative spark plug to entrepreneurs, CEOs, creative artists, royalty and high performers in every field who want to get more out of themselves and their lives.   He has been consistently ranked by the international research agency GlobalGurus.org as one of the top 30 coaching thought leaders in the world. His TEDx talks, ‘Why Aren't We Awesomer?' and ‘Can a TEDx Talk Really Change the World?' have been viewed by nearly two million people, and his blog and podcast, Caffeine for the Soul is now in its 20th year and going strong. His books have been translated into 24 languages and his public talks, retreats, seminars, and online programs have touched and transformed lives at the United Nations, in over 60 countries, and on six continents around the world.   His book, 'The Inside-Out Revolution' is the book I send to all my clients :)   We mentioned this book -'One Thought Changes Everything' by Mara Gleason   As well as the links above, you can find out more about Michael here or on his Instagram here If you would like to SEE Michael during the interview you can see the YouTube version here Details about my upcoming Spanish Rewilding Retreat can be found here.   I hope you enjoy this,   Love, Charli x  

This week on A Good Cry, Michael talks with Rachel Wenitsky (The Tonight Show, Friends Who Folk) about her dad.  They also get into lookie loos (spelling?), bad grief cards, and way way too much Devs. See Michael's show Sorry For Your Loss live in NYC on 11/7: Tickets Follow Michael Cruz Kayne: Twitter: @CruzKayne Instagram: @cruzkayne Advertise on A Good Cry via Gumball.fm See omnystudio.com/listener for privacy information.

This week on A Good Cry, Michael talks with Laurie Kilmartin about her parents.  They talk about Twitter, Amazon bookstores, and secretly recording your family... you know, in a nice way. See Michael's show Sorry For Your Loss live in NYC on 11/7: Tickets Follow Michael Cruz Kayne: Twitter: @CruzKayne Instagram: @cruzkayne Advertise on A Good Cry via Gumball.fm See omnystudio.com/listener for privacy information.

This week on A Good Cry, Michael talks with Alyssa Limperis about her dad Jim.  They talk about oat milk lattes, crying on the subway, and how grief can become a fanny pack. See Michael's show Sorry For Your Loss live in NYC on 10/23: Tickets Follow Michael Cruz Kayne: Twitter: @CruzKayne Instagram: @cruzkayne Advertise on A Good Cry via Gumball.fm See omnystudio.com/listener for privacy information.

This week on A Good Cry, Michael talks with Aida Osman about her brother Sam.  They talk about Nebraska, growing up quickly, and Being John Malkovic.  Malkovich?  Malkovich. See Michael's show Sorry For Your Loss live in NYC on 10/23: Tickets Follow Michael Cruz Kayne: Twitter: @CruzKayne Instagram: @cruzkayne Advertise on A Good Cry via Gumball.fm   See omnystudio.com/listener for privacy information.

Today's guest is the delightful comedian Michael Shafar.Michael is a talented guy. He finished high school ranked in the top .05% of the state. He studied and completed law and biomedicine only to ditch it and pursue his calling of becoming a stand-up comedian. He has been performing for 8 years and is also a writer for The Project on channel 10.Michael has been diagnosed with testicular cancer twice and beaten it twice. He dedicated his entire 2019 Melbourne International Comedy Festival show to raising awareness about testicular cancer. His entire hour on stage - at a comedy festival - was about his battles with cancer. I'm always impressed when people are able to bring light to a dark place. You've gotta have big ball to do that.A special Thank-Q to Michael for joining me today! To see when he's performing in your city check out his website below:See Michael perform:https://www.michaelshafar.com/Follow Michael on Instagram:https://www.instagram.com/michael.shafar/Enjoyed the podCARst or have some feedback for me?https://www.instagram.com/darrenlevyofficial

Strap in because this is our longest episode to date. In this episode of Bigscreen Boogeymen Todd, Rich and Hay discuss the 2002 film Halloween Resurrection. See Michael face off against Busta Rhymes and Katee Sackhoff.

This week on A Good Cry, Michael talks with Nicole Byer (Nailed It, Why Won't You Date Me?) about her parents, uncle, and grandmother.  They talk about cremation, whether things get better, good therapy, and bad acting school.  Thanks for listening! See Michael's show Sorry For Your Loss live in NYC on 10/23: Tickets Follow Michael Cruz Kayne: Twitter: @CruzKayne Instagram: @cruzkayne Advertise on A Good Cry via Gumball.fm See omnystudio.com/listener for privacy information.

This week on A Good Cry, Michael talks with Stephen Colbert about Stephen's mother, father, and three brothers.  They discuss faith and crying and even get in a dig at Samuel Beckett.  Sorry, Sam. See Michael's show Sorry For Your Loss live in NYC on 10/23: Tickets Follow Michael Cruz Kayne: Twitter: @CruzKayne Instagram: @cruzkayne Advertise on A Good Cry via Gumball.fm See omnystudio.com/listener for privacy information.

Ollie spoke about Voss, who's currently a senior assistant at Port Adelaide.

Learn more about your ad choices. Visit podcastchoices.com/adchoices

Learn more about your ad choices. Visit podcastchoices.com/adchoices

Jen goes to war with a blue Ford Focus, Allyson heads up to bat for Basic Instinct, and Maureen almost locks horns with her bank over a suspicious purchase. Also broccoli facts. We do spoil you.Recorded and edited by Impatient Productions. Artwork by Haiminh Le.Support this show at patreon.com/wtbpodcastFollow WTB on Twitter @wtb_podcast and Facebook @WTBPodcast, and @JenBrister, @MaureenYounger, @AllysonJSmith, @ImpatientUK See acast.com/privacy for privacy and opt-out information.

Michael Jordan, possibly the greatest basketball player ever. MVP, Champion, Dream Teamer... But there's one thing you'll never find him doing. And you should never do it either! Listen to this week's episode to find out what it is and how it can help grow your law firm!

Oliver is joined by Dr Michael Tsang, Leverhulme Trust Early Career Research Fellow at Newcastle University, who will be discussing the impact of acclaimed author Haruki Murakami's ‘Always on the Side of the Egg' speech on the Hong Kong protests. We explore the agency of a novelist using his skill with language to express political support and inspiration while averting direct political confrontation. See Michael's research profile here. Copyright © 2020 Oliver Moxham, ℗ 2020 Oliver Moxham. May be freely distributed in a classroom setting. --- Send in a voice message: https://anchor.fm/beyond-japan/message

Tonight's special guest is Michael Skinner, a returning NAASCA family member from New Hampshire. Michael is an award-winning advocate survivor. Michael's non-profit, 'The Surviving Spirit', offers a monthly newsletter addressing the issues of trauma, abuse and mental health concerns, public speaking and his music. He notes that these cover a wide variety of issues. "We want to extend our invite to their loved ones, friends, co-workers and to the greater public," he says, "to help create awareness on how those health issues affect all of us." Michael has spoken at the National Press Club, the UN, The State Dept and Georgetown University on the sexual exploitation and trafficking of children and adults and he has appeared on many TV, radio and Internet shows - he was part of the Oprah Winfrey Shows that addressed the issues of males sexually abused as children. Michael wrote a chapter in the recently published book, "Our Encounters With Suicide". His chapter's titled, "The Silence of Suicide.“ The collection brings together a range of voices on the theme of suicide - those who have been suicidal, alongside the friends, family and staff who have lived and worked with them. Too often the rhetoric of ‘suicidology’ is occupied only by those who have never had personal experience of suicidality. The first-person voice is strangely absent. These frank accounts go some way to correcting the balance. See Michael on YouTube in "Brush Away Your Tears".

Australian artist Michael Drewett specializes in photo-realistic portrait work... despite being faceblind. He acquired prosopagnosia well into adulthood. In this episode, he discusses the distinct life differences before and after faceblindness. See Michael's art here: Facebook.com/michaelgdrewettart Etsy.com/au/shop/michaelgdrewettart

Season 5: Episode 1/2 (Season Premier)- "Weight Loss: Part 1/2" -Wicka wicka wicka what? We are doing another wicka wicka watch along this week as we enjoy the premier of season 5. Our backdrop is a wicka wicka weight loss challenge between the Dunder-Mifflin branches. See Michael continue to woo Hollis Flax and Pam travel to NYC for the wrong class at art school. We will also see a return from corporate golden boy and witness the most expensive proposal there ever was this week Inside the office!

Actor Michael Stuhlbarg (Boardwalk Empire, The Shape of Water) discusses his new film about the complicated marriage of horror writer Shirley Jackson and literary critic Stanley Heyman, how Heyman influenced Shirley Jackson’s work, and how the filmmakers of Shirley imbued the movie with a distinctively Jackson-esque style.  Michael also talks about his prolific career on stage and screen from training in mime with Marcel Marceau to working with directors like Guillermo del Toro and the Coen Brothers. See Michael in Shirley available on Hulu, Video-on-Demand, and participating Drive-Ins starting June 5.  Today's episode is sponsored by Black Rifle Coffee Company and Capella University.  Visit www.blackriflecoffee.com/kick and use promo code KICK for 20% off your purchase of Black Rifle's premium, roast to order coffees.  Explore Capella University's flexible doctoral degree programs at www.capella.edu/doctoral.

Michael Sachs talks to Kieran Beer about the cutting-edge work that the Manhattan District Attorney's office is doing to take down cybercrime. From scams involving Michael Jordan sneakers and black market Xanax, to a crypto armed robbery, he's seen it all. Their discussion also cover the ambiguities of this new world, including ongoing tensions between law enforcement and tech companies around device encryption, and the due diligence (or otherwise) being undertaken by innovative exchange channels like Bitcoin ATMs. See Michael's bio at: https://www.manhattanda.org/about-the-office/executive-team/

Michael Jordan, possibly the greatest basketball player ever. MVP, Champion, Dream Teamer... But there's one thing you'll never find him doing. And you should never do it either! Listen to this week's episode to find out what it is and how it can help grow your law firm!

Michael Yo is a fantastic comic, media personality, and host. He joins Chris and Travis for a supercharged hour of fun. The guys discuss Michael's career, his special "Blasian" (on Amazon now for FREE) and why him and The Rock should do a buddy cop movie.    See Michael at The Funny Bone this weekend in Saint Louis, MO.  --- Send in a voice message: https://anchor.fm/we-are-live-with-chris-denman/message

Pastor Damian McCrinkno00:33:30

Michael Serpe is on the podcast! We talk with Michael about his journey from acting to improv to musical improv, the joys of coaching and stage combat, the picture he took with Chris Jericho at an autograph signing years ago, and much more! Follow Michael on Twitter and Instagram! See Michael at The Magnet on Friday, December 7th, at 11:00pm for Sequel: The Musical! You can see Michael on Thursday, December 13th, at 8:30pm for You Are Not Alone: An Uplifting Show About Depression! Michael will be performing in Freeze Frame: An Improvised Musical Sitcom Episode on Sunday, December 16th at 6:00pm at The PIT! Follow the Dennis Has A Podcast on Twitter at @DHAPshow, listen to and subscribe on Spotify, iTunes, Stitcher, iHeartRadio, PocketCasts and TuneIn Radio (leave a comment and 5 stars!)! You can get your Dennis Has A Podcast t-shirt at Pro Wrestling Tees! The 2019 Queens Baseball Convention will be on Saturday, January 19th at 11:00am at Katch Astoria! Be on the look out for tickets and more information soon!

Michael J. Grudberg is a partner in the White Collar and Government Investigations Practice at Tarter Krinsky & Drogin LLP. On this episode we discuss Michael's path to Yale Law School, his clerkship experience on the Second Circuit, why he decided to practice at a small firm, and his career as a white collar criminal defense attorney.See Michael's full bio hereAnd for more on Cooper and Lee visit www.bfklawoffice.com See acast.com/privacy for privacy and opt-out information.

We're looking out for our best friend on Episode 19! This week, Brian and Hilton check out episode 13 of Season 2, The Secret! Michael's known about Jim's crush on Pam for a few days, and the stress of keeping a secret finally gets to him. See Michael try to get Jim to talk about "the P situation." See Kelly try to get into Pam's wedding. See Stanley drink peach tea! Join us as we review one of the most pivotal episodes of the season, one that will put into motion things that will be felt years to come!

Choose your favorite Gilligan's Island character, because we're going on a three hour tour! This week, Brian and Hilton welcome Brittany Daniels to the show! The gang check out Episode 11 of Season 2, Booze Cruise, featuring the hilarious Rob Riggle! See Michael suffer endless embarrassment to inspire his team! See Jim open up like never before! See Meredith without a shirt on! It's a wild episode away from the office, so join us as we dive in!

We hang out with ultra popular and world renowned Milky Way and Landscape Photographer Michael Shainblum! We get an awesome opportunity to learn from Michael and get a chance to pick up some tips and tricks while hearing stories of his adventures out in places like Alabama Hills and unsuspecting amazing seascapes off San Francisco. We get a priceless experience to breakdown the creation, process and decisions behind two fantastic Ocean Landscape Images of his The Phoenix and The Rapture and get his advice for how to do more quality landscape images for new photographers like us! See Michael's images we talk about in the Show Notes at PhotogAdventures.com/Ep59 Follow Michael Shainblum at his website at ShainblumPhoto.com Instagram at https://www.instagram.com/shainblumphotography/ Facebook at https://www.facebook.com/shainblumphoto/ MyTracks App for iOS only iOS: https://itunes.apple.com/us/app/mytracks-the-gps-logger/id358697908?mt=8

TSN Flames Reporter Jermain Franklin joined Leafs Lunch to give us the local angle from Calgary as we look ahead to Leafs-Flames tonight. Including his thoughts on the Gaudreau line, and why they've been so successful this season

September 4th 2017 - What Do You See ? (Michael Coveney) by City Praise Centre

Steve Cooper talks with musician Michael Sweet. Michael is best known for being the lead singer, guitarist and song writer for the popular band Stryper. Stryper was formed in 1983 as Roxx Regime, the band soon changed their musical message to reflect their Christian beliefs, and the band's name was also changed to Stryper. They went on to become the first overtly Christian heavy metal band to gain acceptance in the mainstream. In 1983, they signed with major label Enigma Record and released their debut album The Yellow and Black Attack. In the mid-1980s, Stryper enjoyed their most successful period beginning with the release of To Hell with the Devil, which achieved platinum sales status. Stryper went on to release two more gold albums before breaking up in 1992. In 2003, Stryper came out of retirement for a reunion tour and subsequently signed a multi-album contract with Big3 Records in 2005. In 2013 they signed a multi-album deal with Frontiers Records, and have released Second Coming, which includes 14 re-recorded songs from their first three albums and an album, No More Hell To Pay, released on November 5, 2013, and Fallen on October 16, 2015. He also was lead singer for the legendary band Boston for 4 years and has released 7 solo albums and is currently on tour. See Michael this Wednesday 6/14 at Market on Main in Hickory, NC.

Today Dr. Benjamin Fergus and Dr. Robert Newhalfen sit down with Micheal Shacklock prior to class on his 4-day presentation in Chicago.  Michael Shacklock is the founding director and principal instructor of Neurodunamic Solutions (NDS), the author of the international best-seller textbook Clinical Neurodynamics, and active published researcher on the mechanical function of the nervous system. Beyond these credentials, he is a downright great guy to talk to and brings an eyes-open creative process to the application of current literature into practical evaluation and treatment techniques.  With Michael, we discuss his background, the early days of NDS, general vs specific clinical applications, and neuroprotective strategies.  See Michael's offerings on the NDS website linked HERE. See GRIP Approach Seminar Offerings HERE. See Dr. Fergus' Evanston and Skokie IL clinic websites HERE & HERE See Dr. Robert Newhalfen's NW Indiana Clinic Website HERE.

Michael Brenner is a digital and content market influencer. Hear invaluable tips from him on The Nice Guys today.    Reach Us Here: Doug- @DJDoug Strickland- @NiceGuyonBiz Michael- @BrennerMichael On Facebook: The Nice Guys Community page   Become a patron and support the podcast at www.Patreon.com/NiceGuys   Show Notes by Production Assistant - Anna Nygren     Intro The natural instinct to promote products just like everyone else is, is a NO GO Don't be a marketer that does what frustrates you as a consumer   It's all about Presentation Think counter-intuitively Reach people the way that you'd want to be reached as a consumer Try owning the problem instead of forcing a solution Focus on creating a community and introducing the narrative to solve the problem with transparency There's also a lack of leadership in marketing due to the need to sell, sell, sell Action Step: Take the time to write out what didn't work and don't do it again!   Closing Lines A shockingly low number of people like what they do, as in 8% Be in the 8% Check out: BuzzSumo (tells you the most shared pieces of content around that topic) Answerthepublic (it'll tell you all of the questions the people ask their search engine around your subject)   Get Michael's book- The Content Formula: Calculate the ROI of Content Marketing & Never Waste Money Again  See Michael's company- https://marketinginsidergroup.com/ Reach Michael-  michael@marketinginsidergroup.com   Proud to be affiliated with the C-Suite Radio Network   Doug's Stuff: Amazon #1 Best selling book Nice Guys Finish First. Business Building Bootcamp (10 Module Course)   Partner Links: Amazon.com: Click before buying anything. Help support the podcast. Sign up for Sanebox free and get a $10.00 credit on us: The best way to get a handle on your E-Mail. Interview Valet:  Get interviewed on top podcasts and share your message. Acuity Scheduling: Stop wasting time going back and forth scheduling appointments   Survey: Take our short survey so The Nice Guys know what you like.   Nice Guys Links Subscribe to the Podcast Niceguysonbusiness.com   You can text Doug anytime at 410-340-6861, of if you just want to leave us a message or record an intro to the show, call 4242 DJ DOUG (1-424-253-3684)   Promise Statement: To provide a learning experience that is entertaining and adds value to your life.   Don't underestimate the Power of Nice.      

Chilled with our friend, cinematographer Michael Belcher. We talk about our collaboration, meditation, healing, ayahuasca, mushrooms, frog venom and more. See Michael's cinematography at bybelcher.com Spotify Playlist: goo.gl/WvCxMT Subscribe on iTunes: goo.gl/Ytp3nx Recorded 2/21/17 Brooklyn, NY veryape.tv

On the October 9th, 2013 broadcast at 12 noon Pacific/3PM Eastern my special guests are Leslie Kernisan, MD and Michael Millenson, both thought leaders in health innovation through from slighly different points of view. Leslie is 'a practicing geriatrician in San Francisco with a particular interest in helping family caregivers'. She author's the blog GeriTech; whereas Michael is a quality health author, blogger, and activitist who writes from the perspective of health policy vs. the granulatiry of providing direct care per se.  See Michael's work at Millenson.com. The 'etiology' of this chat spawned froma twitter exchange regarding ACOs and whether they'll impact the care for seniors in any meaningful way. While a thread developed in response to the question, this chat will dig deeper and illuminate the current state of grandma's care and how high a bar the ACO need lift to in order to add value to grandma's experience of care - one pillar of the triple aim. You can follow both on twitter via @GeriTechBlog and @MLMillenson respectively.    

See Michael yell, and a lot: this week, Matt looks back at LOST episode 1x14, "Special." This episode features the first Michael/Walt flashback, as well as some.. er... great parenting tips from Michael, along with the origin of the ill-fated raft. Like what you hear? Say hi on Twitter.com/LookingBackLost, leave a comment at LookingBackAtLOST.podbean.com, or email me at LookingBackAtLOST@gmail.com.