Podcast appearances and mentions of Leo Tolstoy

Every Russian knows him purely by his patronym. He was the general who triumphed over Napoleon's Grande Armée during the Patriotic War of 1812, not merely restoring national pride but securing national identity. Many Russians consider Field Marshal Mikhail Illarionovich Golenischev-Kutuzov the greatest figure of the 19th century, ahead of Pushkin, Tchaikovsky, even Tolstoy himself. Immediately after his death in 1813, Kutuzov's remains were hurried into the pantheon of heroes. Statues of him rose up across the Russian empire and later the Soviet Union. Over the course of decades and centuries he hardened into legend. As award-winning author Alexander Mikaberidze shows in Kutuzov: A Life in War and Peace (Oxford UP, 2022), Kutuzov's story is far more compelling and complex than the myths that have encased him. An unabashed imperialist who rose in the ranks through his victories over the Turks and the Poles, Kutuzov was also a realist and a skeptic about military power. When the Russians and their allies were routed by the French at Austerlitz he was openly appalled by the incompetence of leadership and the sheer waste of life. Over his long career--marked equally by victory and defeat, embrace and ostracism--he grew to despise those whose concept of war had devolved to mindless attack. Here, at last, is Kutuzov as he really was--a master and survivor of intrigue, moving in and out of royal favor, committed to the welfare of those under his command, and an innovative strategist. When, reluctantly and at the 11th hour, Czar Alexander I called upon him to lead the fight against Napoleon's invading army, Kutuzov accomplished what needed to be done not by a heroic charge but by a strategic retreat. Across the generations, portraits of Kutuzov have ranged from hagiography to dismissal, with Tolstoy's portrait of him in War and Peace perhaps the most indelible of all. This immersive biography returns a touchstone figure in Russian history to human scale. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/military-history

Today's story is based on The Three Questions by Leo Tolstoy, adapted and written for you by Daniel Hinds. The king seeks answers to these three questions: When is the best time to do each thing? Who are the most important people? What is the most important thing to do? Check out Stories RPG our new show where we play games like Starsworn with all your Max Goodname friends, and Gigacity Guardians featuring the brilliant firefly! https://link.chtbl.com/gigacity Draw us a picture of what you think any of the characters in this story look like, and then tag us in it on instagram @storiespodcast! We'd love to see your artwork and share it on our feed!! If you would like to support Stories Podcast, you can subscribe and give us a five star review on iTunes, check out our merch at storiespodcast.com/shop, follow us on Instagram @storiespodcast, or just tell your friends about us! Check out our new YouTube channel at youtube.com/storiespodcast. If you've ever wanted to read along with our stories, now you can! These read-along versions of our stories are great for early readers trying to improve their skills or even adults learning English for the first time. Check it out.

Have you ever felt that conflict deep in your soul? The world screams for justice, but the words of Jesus echo in your spirit, telling you to turn the other cheek. This isn't a contradiction; it's a battle plan—a spiritual technology so powerful it changed the world. In this episode of "Coffee with Conrad," we trace the revolutionary path of nonviolence not as passive pacifism, but as an offensive spiritual declaration of war against the enemy. We'll uncover how the torch of truth, lit by Jesus, was passed to Leo Tolstoy, Mahatma Gandhi, and finally to Martin Luther King Jr., igniting transformative change in their wake Key Takeaways:The Battlefield and the Weapon: The true meaning of "turning the other cheek" is an active confrontation with spiritual weapons of love and truth, not passive resignation. Our battle is not against "flesh and blood, but against spiritual wickedness" (Ephesians 6).A Chain of Torchbearers: Learn how the radical idea of non-resistance to evil was passed from Jesus to Russian novelist Leo Tolstoy, who wrote The Kingdom of God Is Within You. This book then influenced a young Indian lawyer, Mahatma Gandhi, who forged the concept into a weapon he calledIgniting America: Discover how Martin Luther King Jr. found in Gandhi's satyagraha the method he needed to put the Christian doctrine of love into social action. King's nonviolent approach, rooted in agape love, led to monumental change like the Voting Rights Act of 1965.Your Calling and Your Hill: Each of us has a specific calling—a "divine assignment" where our passion aligns with kingdom purposes. The key is to find your "hill to die on" and confront the spiritual forces behind that specific injustice with Jesus's revolutionary love.Study the Word and the Torchbearers: "Study to shew thyself approved unto God" (2 Timothy 2:15). The chain of truth shows that one idea from Jesus can change the world, and we can be warriors for this cause by studying these principles"The Demon Slayer: John Wesley's Hidden Spiritual Battles" https://youtu.be/LK5npfA0YWA?si=zHcjynJx0uTaLweT The Kingdom of God Is Within You by Leo Tolstoy https://amzn.to/3H8klSu Letter from Birmingham Jail by Martin Luther King Jr https://amzn.to/45kqkM8 My Experiments with Truth by Mahatma Gandhi https://amzn.to/3JiOS0k Connect With Me:Blog: conradrocks.nethttps://www.conradrocks.net/Social Media: Facebook | Instagram | Twitter | TikTok https://www.facebook.com/conrad.carrikerhttps://www.instagram.com/conradcarrikerhttps://twitter.com/MostRadicalManhttps://www.tiktok.com/@supernaturalchristianityFree Resources:Try Audible Free Trial https://amzn.to/2MT9aQWGet Readwise Free Trial https://readwise.io/i/conrad8Get Remnote Free Trial https://www.remnote.com/invite/sRJnqJujEgsGoLuc2Start Amazon Prime Free Trial https://amzn.to/2JtymteFor Creators: Get $10 off StreamYard https://streamyard.com/pal/d/5663052624035840My Work:Books: Open Your Eyes | Night Terror https://amzn.to/3RJx7byhttps://amzn.to/3XRFohlShop: Team Jesus T-Shirts https://teespring.com/stores/team-jesus-4Support:PayPal https://www.paypal.com/paypalme/ConradRocksThings we need on our Ministry WishList https://www.amazon.com/hz/wishlist/ls/2GSBT99APHFQR?ref_=wl_share

Every Russian knows him purely by his patronym. He was the general who triumphed over Napoleon's Grande Armée during the Patriotic War of 1812, not merely restoring national pride but securing national identity. Many Russians consider Field Marshal Mikhail Illarionovich Golenischev-Kutuzov the greatest figure of the 19th century, ahead of Pushkin, Tchaikovsky, even Tolstoy himself. Immediately after his death in 1813, Kutuzov's remains were hurried into the pantheon of heroes. Statues of him rose up across the Russian empire and later the Soviet Union. Over the course of decades and centuries he hardened into legend. As award-winning author Alexander Mikaberidze shows in Kutuzov: A Life in War and Peace (Oxford UP, 2022), Kutuzov's story is far more compelling and complex than the myths that have encased him. An unabashed imperialist who rose in the ranks through his victories over the Turks and the Poles, Kutuzov was also a realist and a skeptic about military power. When the Russians and their allies were routed by the French at Austerlitz he was openly appalled by the incompetence of leadership and the sheer waste of life. Over his long career--marked equally by victory and defeat, embrace and ostracism--he grew to despise those whose concept of war had devolved to mindless attack. Here, at last, is Kutuzov as he really was--a master and survivor of intrigue, moving in and out of royal favor, committed to the welfare of those under his command, and an innovative strategist. When, reluctantly and at the 11th hour, Czar Alexander I called upon him to lead the fight against Napoleon's invading army, Kutuzov accomplished what needed to be done not by a heroic charge but by a strategic retreat. Across the generations, portraits of Kutuzov have ranged from hagiography to dismissal, with Tolstoy's portrait of him in War and Peace perhaps the most indelible of all. This immersive biography returns a touchstone figure in Russian history to human scale. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/russian-studies

Every Russian knows him purely by his patronym. He was the general who triumphed over Napoleon's Grande Armée during the Patriotic War of 1812, not merely restoring national pride but securing national identity. Many Russians consider Field Marshal Mikhail Illarionovich Golenischev-Kutuzov the greatest figure of the 19th century, ahead of Pushkin, Tchaikovsky, even Tolstoy himself. Immediately after his death in 1813, Kutuzov's remains were hurried into the pantheon of heroes. Statues of him rose up across the Russian empire and later the Soviet Union. Over the course of decades and centuries he hardened into legend. As award-winning author Alexander Mikaberidze shows in Kutuzov: A Life in War and Peace (Oxford UP, 2022), Kutuzov's story is far more compelling and complex than the myths that have encased him. An unabashed imperialist who rose in the ranks through his victories over the Turks and the Poles, Kutuzov was also a realist and a skeptic about military power. When the Russians and their allies were routed by the French at Austerlitz he was openly appalled by the incompetence of leadership and the sheer waste of life. Over his long career--marked equally by victory and defeat, embrace and ostracism--he grew to despise those whose concept of war had devolved to mindless attack. Here, at last, is Kutuzov as he really was--a master and survivor of intrigue, moving in and out of royal favor, committed to the welfare of those under his command, and an innovative strategist. When, reluctantly and at the 11th hour, Czar Alexander I called upon him to lead the fight against Napoleon's invading army, Kutuzov accomplished what needed to be done not by a heroic charge but by a strategic retreat. Across the generations, portraits of Kutuzov have ranged from hagiography to dismissal, with Tolstoy's portrait of him in War and Peace perhaps the most indelible of all. This immersive biography returns a touchstone figure in Russian history to human scale. Learn more about your ad choices. Visit megaphone.fm/adchoices

Every Russian knows him purely by his patronym. He was the general who triumphed over Napoleon's Grande Armée during the Patriotic War of 1812, not merely restoring national pride but securing national identity. Many Russians consider Field Marshal Mikhail Illarionovich Golenischev-Kutuzov the greatest figure of the 19th century, ahead of Pushkin, Tchaikovsky, even Tolstoy himself. Immediately after his death in 1813, Kutuzov's remains were hurried into the pantheon of heroes. Statues of him rose up across the Russian empire and later the Soviet Union. Over the course of decades and centuries he hardened into legend. As award-winning author Alexander Mikaberidze shows in Kutuzov: A Life in War and Peace (Oxford UP, 2022), Kutuzov's story is far more compelling and complex than the myths that have encased him. An unabashed imperialist who rose in the ranks through his victories over the Turks and the Poles, Kutuzov was also a realist and a skeptic about military power. When the Russians and their allies were routed by the French at Austerlitz he was openly appalled by the incompetence of leadership and the sheer waste of life. Over his long career--marked equally by victory and defeat, embrace and ostracism--he grew to despise those whose concept of war had devolved to mindless attack. Here, at last, is Kutuzov as he really was--a master and survivor of intrigue, moving in and out of royal favor, committed to the welfare of those under his command, and an innovative strategist. When, reluctantly and at the 11th hour, Czar Alexander I called upon him to lead the fight against Napoleon's invading army, Kutuzov accomplished what needed to be done not by a heroic charge but by a strategic retreat. Across the generations, portraits of Kutuzov have ranged from hagiography to dismissal, with Tolstoy's portrait of him in War and Peace perhaps the most indelible of all. This immersive biography returns a touchstone figure in Russian history to human scale. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

Every Russian knows him purely by his patronym. He was the general who triumphed over Napoleon's Grande Armée during the Patriotic War of 1812, not merely restoring national pride but securing national identity. Many Russians consider Field Marshal Mikhail Illarionovich Golenischev-Kutuzov the greatest figure of the 19th century, ahead of Pushkin, Tchaikovsky, even Tolstoy himself. Immediately after his death in 1813, Kutuzov's remains were hurried into the pantheon of heroes. Statues of him rose up across the Russian empire and later the Soviet Union. Over the course of decades and centuries he hardened into legend. As award-winning author Alexander Mikaberidze shows in Kutuzov: A Life in War and Peace (Oxford UP, 2022), Kutuzov's story is far more compelling and complex than the myths that have encased him. An unabashed imperialist who rose in the ranks through his victories over the Turks and the Poles, Kutuzov was also a realist and a skeptic about military power. When the Russians and their allies were routed by the French at Austerlitz he was openly appalled by the incompetence of leadership and the sheer waste of life. Over his long career--marked equally by victory and defeat, embrace and ostracism--he grew to despise those whose concept of war had devolved to mindless attack. Here, at last, is Kutuzov as he really was--a master and survivor of intrigue, moving in and out of royal favor, committed to the welfare of those under his command, and an innovative strategist. When, reluctantly and at the 11th hour, Czar Alexander I called upon him to lead the fight against Napoleon's invading army, Kutuzov accomplished what needed to be done not by a heroic charge but by a strategic retreat. Across the generations, portraits of Kutuzov have ranged from hagiography to dismissal, with Tolstoy's portrait of him in War and Peace perhaps the most indelible of all. This immersive biography returns a touchstone figure in Russian history to human scale. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/eastern-european-studies

Welcome to Mona Lisa Overpod, the show that asks the question "What is cyberpunk?" On each episode, hosts Ka1iban and author Lyda Morehouse dive into the genre that helped define sci-fi fiction in the '80s and break down the themes which remain relevant to our lives in the 21st century. Pull on your mirrorshades, jack into the matrix, and start your run with us today!The first Matrix film revolutionized the world of sci-fi action films and its sequel amped up the spectacle and nearly doubled the box office returns. So, when The Matrix Revolutions premiered in October 2003, audiences expected a pulse-pounding conclusion to the trilogy. What they got instead was a film more concerned about bringing completion to its deeply contemplated philosophical themes than providing an apocalypse of kung fu. Fast forward 18 years, and history repeats itself, as The Matrix Resurrections hits theaters (and HBO Max) and once again subverts expectations, as a filmmaker attempts to comment on the legacy of her work and how it changed the way we view the modern blockbuster. In this episode, we discuss the two "bad" Matrix films and their impact on culture, the full court press of the 00's Matrix franchise, the way in which the philosophy of the series informs its action, the impossible task of encoring The Matrix, the fourth film's trans identity and its rebuke of internet culture, how getting older changes an artist, and why our choices may be illusions. We also talk about bad faith censorship, Agent Smith's invisible hand, believing in government the French Revolution way, getting Lockblocked, Big Baby God, the "Jaws" of '99, crappy cable-knit sweater world, kicking and causality, your boss is a dick robot, caring about the Sense8 gang, coming for Tolstoy, the suspenders of disbelief, skipping Tom Bombadil, noodle moments, and unlikeable kids!Oops! I'm a rock guy!Sign the petition to send a message to Itch.io!https://www.change.org/p/tell-mastercard-visa-activist-groups-stop-controlling-what-we-can-watch-read-or-playThe new edition of Lyda's book, Ressurection Code, is out now!https://wizardstowerpress.com/books-2/books-by-lyda-morehouse/resurrection-code/Join Kaliban on Twitch weekdays at 12pm for the Cyber Lunch Hour!http://twitch.tv/justenoughtropePut Just Enough Trope merch on your body!http://justenoughtrope.threadless.comMLOP is a part of the Just Enough Trope podcast network. Check out our other shows about your favorite pop culture topics and join our Discord!http://www.twitter.com/monalisaoverpodhttp://www.justenoughtrope.comhttp://www.instagram.com/monalisaoverpodhttps://discord.gg/7E6wUayqBuy us a coffee on Ko-Fi!https://ko-fi.com/justenoughtrope

This chapter continues to examine the precipice of Austerlitz, where misguided confidence continues to build. Yet we can observe cracks in that veneer, namely relating to how Tolstoy portrays the Czar.  As the Emperor occupied Wischau, his French physician was summoned. While Alexander was initially excited by the movement of the troops, calvary charges, and clashes, he became ill upon observing casualties and the reality of war.   Ten days prior, while in Olmütz, French General Anne-Jean-Marie-René-Savary, requested and received an audience with the Czar. Savary quickly noticed the overconfidence of Alexander's inexperienced advisers and that Kutuzov (who advocated patience) was sidelined. Alexander explained to Savary how it was Napoleon's ambition that brought them all to the precipice of slaughter.  This was where Savary was presented with the infamous letter addressed “to the head of the French Government.”  Ultimately, the allied army left in five large columns, toward Austerlitz, around 11/17/1805. In this section, Tolstoy focuses on Savary being sent to the Czar a second time in an 11th hour attempt to negotiate when near the battlefield. Alexander read this outreach as weakness.  Savary was admitted, but Alexander refused a proposal to meet directly with Napoleon. The Czar's army was overjoyed upon learning of this notable rejection.  Instead, Prince Dolgorúkov was sent to meet Napoleon.  Tolstoy doesn't mention this here, but Napoleon keenly set up his camp to show Dolgorúkov miserable surroundings and dispirited men. Dolgorúkov told Napoleon that for peace, he must withdraw from  Belgium, Holland, Switzerland, & Lombardy.  Napoleon announced in reply: “Then we must fight.” Dolgorúkov later assured the Czar that the French were ripe to be vanquished.  The day before the Battle, there a bustling of activity, which lead to 80,000 men being stretched out over six miles, ready to advance. Information would have to travel along that chain, which would prove a challenge. Tolstoy poetically explains how like the working of an intricate clock, decisions have results. He speaks of wheels interlocking and gathering momentum based on an initial push from the Emperor's headquarters.  "One wheel slowly moved and another was set in motion, and then third, and then wheels began to revolve faster and faster, levers and cogwheels, chimes to play, figures pop out, and the hands advance with regular motion. Just as with clock, so it is with a military machine…" The result was 160,000 men — all their passions, desires, remorse, humiliations, sufferings, outbursts of pride, fear, and enthusiasm — ready to embark on the Battle of Three Emperors. The story turns to the fictional Andrei, who was in constant attendance of those who made the critical decisions relating to Austerlitz.  Andrei became aware how Kutuzov was dissatisfied – as most at headquarters were dismissive of him.   Dolgorúkov relays his impression of Napoleon, namely that the General was afraid of a battle and that his hour had come! Dolgorúkov finds Napoleon vain and superficial:  “He is a man in a gray overcoat, very anxious that I should call him ‘Your Majesty,' but who, to his chagrin, got no title from me!”   He continues: “We mustn't forget Suvórov and his rule—not to put yourself in a position to be attacked, but yourself to attack. Believe me in war the energy of young men often shows the way better than all the experience than the old procrastinators”  Dolgorúkov went on to explain the battle plan, a flanking attack formulated by Austrian General Weyrother.  Andrei offered one of his own, but was shut down and told to bring up any such suggestions at the next council. Bilibin, the fictional diplomat, enters this dynamic. He proffers how no Russian officers are involved in spearheading the advance, and the three discuss who is said to be leading the units. After a long and frenetic day, Andrei gets a quiet moment with Kutuzov and asks him what he thinks will come of the upcoming battle:Kutúzov looked sternly at his adjutant and, after a pause, replied: "I think the battle will be lost, and so I told Count Tolstoy and asked him to tell the Emperor. What do you think he replied? ‘But, my dear general, I am engaged with rice and cutlets, look after military matters yourself!'"

Cooper and Tanner scratch the surface in their discussion of Tolstoy's legendary novel, Anna Karenina. FOLLOW US ON INSTAGRAM:@bookinitpodCHECK OUT OUR WEBSITE:https://412podcasting.comSUPPORT US HERE:https://patreon.com/bookinit TEXT US HERE!

How and when did Russia become a country of smokers? Why did makhorka and papirosy become ubiquitous products of tobacco consumption? Tricia Starks explores these themes as well as the connections between tobacco, gender, and empire in her latest monograph, Smoking Under the Tsars: A History of Tobacco in Imperial Russia (Cornell University Press, 2018). Starks illustrates how tobacco influenced facets of life, politics, morality, and culture in the 19th century from the perspectives of tobacco users, producers, and objectors. The book includes full-color ads for tobacco and papirosy cigarettes that add to the book's rich prose. From Tolstoy's anti-tobacco screed to the “Tobacco Queens” of St. Petersburg, Starks uses primary sources to craft an edifying narrative of the history of tobacco and tobacco consumption in the imperial period. Tricia Starks is Professor of History at the University of Arkansas. Her research interests include Russian and Soviet history, public health and the history of medicine, as well as culture and gender. Kimberly St. Julian-Varnon is a History Instructor at Lee College. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture

How and when did Russia become a country of smokers? Why did makhorka and papirosy become ubiquitous products of tobacco consumption? Tricia Starks explores these themes as well as the connections between tobacco, gender, and empire in her latest monograph, Smoking Under the Tsars: A History of Tobacco in Imperial Russia (Cornell University Press, 2018). Starks illustrates how tobacco influenced facets of life, politics, morality, and culture in the 19th century from the perspectives of tobacco users, producers, and objectors. The book includes full-color ads for tobacco and papirosy cigarettes that add to the book's rich prose. From Tolstoy's anti-tobacco screed to the “Tobacco Queens” of St. Petersburg, Starks uses primary sources to craft an edifying narrative of the history of tobacco and tobacco consumption in the imperial period. Tricia Starks is Professor of History at the University of Arkansas. Her research interests include Russian and Soviet history, public health and the history of medicine, as well as culture and gender. Kimberly St. Julian-Varnon is a History Instructor at Lee College. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

How and when did Russia become a country of smokers? Why did makhorka and papirosy become ubiquitous products of tobacco consumption? Tricia Starks explores these themes as well as the connections between tobacco, gender, and empire in her latest monograph, Smoking Under the Tsars: A History of Tobacco in Imperial Russia (Cornell University Press, 2018). Starks illustrates how tobacco influenced facets of life, politics, morality, and culture in the 19th century from the perspectives of tobacco users, producers, and objectors. The book includes full-color ads for tobacco and papirosy cigarettes that add to the book's rich prose. From Tolstoy's anti-tobacco screed to the “Tobacco Queens” of St. Petersburg, Starks uses primary sources to craft an edifying narrative of the history of tobacco and tobacco consumption in the imperial period. Tricia Starks is Professor of History at the University of Arkansas. Her research interests include Russian and Soviet history, public health and the history of medicine, as well as culture and gender. Kimberly St. Julian-Varnon is a History Instructor at Lee College. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/eastern-european-studies

How and when did Russia become a country of smokers? Why did makhorka and papirosy become ubiquitous products of tobacco consumption? Tricia Starks explores these themes as well as the connections between tobacco, gender, and empire in her latest monograph, Smoking Under the Tsars: A History of Tobacco in Imperial Russia (Cornell University Press, 2018). Starks illustrates how tobacco influenced facets of life, politics, morality, and culture in the 19th century from the perspectives of tobacco users, producers, and objectors. The book includes full-color ads for tobacco and papirosy cigarettes that add to the book's rich prose. From Tolstoy's anti-tobacco screed to the “Tobacco Queens” of St. Petersburg, Starks uses primary sources to craft an edifying narrative of the history of tobacco and tobacco consumption in the imperial period. Tricia Starks is Professor of History at the University of Arkansas. Her research interests include Russian and Soviet history, public health and the history of medicine, as well as culture and gender. Kimberly St. Julian-Varnon is a History Instructor at Lee College. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/drugs-addiction-and-recovery

How and when did Russia become a country of smokers? Why did makhorka and papirosy become ubiquitous products of tobacco consumption? Tricia Starks explores these themes as well as the connections between tobacco, gender, and empire in her latest monograph, Smoking Under the Tsars: A History of Tobacco in Imperial Russia (Cornell University Press, 2018). Starks illustrates how tobacco influenced facets of life, politics, morality, and culture in the 19th century from the perspectives of tobacco users, producers, and objectors. The book includes full-color ads for tobacco and papirosy cigarettes that add to the book's rich prose. From Tolstoy's anti-tobacco screed to the “Tobacco Queens” of St. Petersburg, Starks uses primary sources to craft an edifying narrative of the history of tobacco and tobacco consumption in the imperial period. Tricia Starks is Professor of History at the University of Arkansas. Her research interests include Russian and Soviet history, public health and the history of medicine, as well as culture and gender. Kimberly St. Julian-Varnon is a History Instructor at Lee College. Learn more about your ad choices. Visit megaphone.fm/adchoices

In The Image of Christ in Russian Literature: Dostoevsky, Tolstoy, Bulgakov, Pasternak (Northern Illinois University Press, 2018), Dr. John Givens of the University of Rochester discusses classics of Russian literature such as The Brothers Karamazov and Dr. Zhivago, as well as texts of less renown to English-speaking audiences, such as Tolstoy's Resurrection. These texts and others, Givens suggests, portray Christ apophatically: that is, by showing who Christ was not, in order to illuminate who Christ therefore must be. In addition to the novels themselves, Givens cites sources such as personal correspondence and important theological works, thus bringing an English-speaking public to greater depth of understanding than would be possible simply by reading Russian novels in translation. Though focused on a specific topic, Givens' book is an excellent resource for anyone interested in familiarizing themselves with some of the “greats” of the Russian literary canon. Aaron Weinacht is Professor of History at the University of Montana Western in Dillon, MT. He teaches courses on Russian and Soviet History, World History, and Philosophy of History. His research interests include the sociological theorist Philip Rieff and the influence of Russian nihilism on American libertarianism. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/intellectual-history

We've all been there. Fired up on a Monday, ready to conquer our goals—whether it's hitting the gym, launching a side hustle, or finally writing that book. We feel a surge of motivation, but by Wednesday, that fire has dwindled to a flicker. We tell ourselves we'll start again next week, waiting for that same magical feeling to return.   But what if we're chasing the wrong thing? In a powerful discussion on the Personal Mastery Training podcast, Alvin Brown with Dr. Charlie, and Raymond argue that motivation is an unreliable and fleeting ally. The real key to unlocking long-term success isn't waiting for inspiration to strike; it's building the non-negotiable power of discipline. Key Highlights from the Discussion Discipline is Your General: Dr. Charlie introduces a powerful metaphor based on a Tolstoy quote. While "patience and time are the two greatest warriors," they are useless without a general to lead them. That general is discipline. It shows up 24/7, rain or shine, long after motivation has gone home. What You Do > How You Feel: The most successful people don't act based on their feelings. They operate on commitment. As Raymond shared, "What you do is more important than how you feel." Discipline is the bridge that carries you from your goal to the necessary action, regardless of your mood. Structure Governs Function: If you struggle with discipline, you're not broken—you're just missing a system. Alvin explains that your results (your function) are a direct reflection of your systems (your structure). To build discipline, first build a clear, repeatable process for your goals. You Already Have Discipline: You are not undisciplined. You have the discipline to show up for your friends, to watch your favorite show every night, or to have pizza every Friday. The challenge isn't creating discipline from scratch; it's aiming the discipline you already possess toward the goals that truly matter. Motivation Starts, Discipline Sustains: Motivation is great for getting you off the starting line. It might get you to lose the first 10 pounds for a vacation. But as the hosts point out, it's the discipline of a consistent diet and exercise routine that will keep the weight off for good.   Success isn't accidental. It's not reserved for the perpetually motivated. It's the result of building a structure that makes showing up automatic. Stop beating yourself up for not "feeling like it" and start focusing on creating a system you can follow. As the hosts remind us, the life you want is on the other side of your disciplined habits.   One idea, well executed, can change your life forever. Make building discipline your one idea.

This novel is set in an interesting way, devoting chapters to Penelope and individual members of her family, but also to more secondary characters such as Antonia and Dannus (the bright spots). Each snapshot gives characters their own unique voice.The Shell Seekers by Rosamonde Pilcher has a dual timeline, WWII and present day which was 1987. Penelope's three children were a bit hard to take. Olivia seemed the most sensible, although loaded with the “I am woman hear me roar” vibe, at least she was not greedy like her siblings. Nancy and Noel were unlikeable and self-absorbed. Pilcher's writing is unique in that she uses the senses extremely well. Her ability to make readers hear the ticking clock, smell the food being served, hear bird's song, and even feel the importance of plants as a symbol of growth highlight the best parts of the book. Penelope did not have an easy life, her husband ran off with his secretary leaving Penelope the kids and his gambling debts to pay off. Penelope grew up in a loving and welcoming home with a famous artist for a father. Nancy and Noel are eager to sell the beloved painting of Lawrence Stern called The Shell Seekers. Penelope ponders to herself, “perhaps she had not expected enough of them.” “I have given them all I can and they always want more.” Pilcher painted a powerful picture of ingratitude in this novel.The first sentence of Leo Tolstoy's novel Anna Karenina is: “Happy families are all alike; every unhappy family is unhappy in its own way.” The Shell Seekers shows the tension families have when wills collide. Won't you join us for the ride?

Hi, I'm Wayne Kelly, a writer, podcast host and coach. I love to help writers develop their skills and get their books and stories out into the world.This week, I'm chatting to author Alex Scarritt, whose latest novel Drayton and Mackenzie is an ambitious, thought-provoking exploration of friendship, purpose, and modern life. We talk about the challenges of writing a big, literary novel spanning over a decade of social and political upheaval, the role of work in fiction, and how Alex's background in journalism and public service has influenced his writing. We also dig into how his process has evolved, the importance of trusting your gut, and the delicate balance between planning and discovery.In this candid and inspiring chat, we discuss:Why Drayton and Mackenzie took five years to write – and why Alex wouldn't do it the same way againThe powerful role work plays in our lives – and why it's so often ignored in fictionHis early experiences in tabloid journalism and the strange mix of cynicism and idealism in techHow growing up in rural Scotland (without a telly!) shaped his love of booksThe long road to publication, including three unpublished novels and a brush with PenguinLearning to recognise when a project isn't working – and how to listen to your instinctsBook That Saved Your Life

******Support the channel******Patreon: https://www.patreon.com/thedissenterPayPal: paypal.me/thedissenterPayPal Subscription 1 Dollar: https://tinyurl.com/yb3acuuyPayPal Subscription 3 Dollars: https://tinyurl.com/ybn6bg9lPayPal Subscription 5 Dollars: https://tinyurl.com/ycmr9gpzPayPal Subscription 10 Dollars: https://tinyurl.com/y9r3fc9mPayPal Subscription 20 Dollars: https://tinyurl.com/y95uvkao ******Follow me on******Website: https://www.thedissenter.net/The Dissenter Goodreads list: https://shorturl.at/7BMoBFacebook: https://www.facebook.com/thedissenteryt/Twitter: https://x.com/TheDissenterYT This show is sponsored by Enlites, Learning & Development done differently. Check the website here: http://enlites.com/ Dr. Agnes Callard is an Associate Professor in Philosophy at the University of Chicago. She received her BA from the University of Chicago in 1997 and her PhD from Berkeley in 2008. Her primary areas of specialization are Ancient Philosophy and Ethics. She is the author of Open Socrates: The Case for a Philosophical Life. In this episode, we focus on Open Socrates. We talk about Socratism, Tolstoy's untimely questions, how we should live, and the values and paradoxes of inquiry, open-mindedness, and truth-seeking. We discuss the ethics of Socrates, and Socratic ignorance and expertise. Finally, we talk about the art of love, the craft of politics, preparing for death, and making a case for a philosophical life.--A HUGE THANK YOU TO MY PATRONS/SUPPORTERS: PER HELGE LARSEN, JERRY MULLER, BERNARDO SEIXAS, ADAM KESSEL, MATTHEW WHITINGBIRD, ARNAUD WOLFF, TIM HOLLOSY, HENRIK AHLENIUS, FILIP FORS CONNOLLY, ROBERT WINDHAGER, RUI INACIO, ZOOP, MARCO NEVES, COLIN HOLBROOK, PHIL KAVANAGH, SAMUEL ANDREEFF, FRANCIS FORDE, TIAGO NUNES, FERGAL CUSSEN, HAL HERZOG, NUNO MACHADO, JONATHAN LEIBRANT, JOÃO LINHARES, STANTON T, SAMUEL CORREA, ERIK HAINES, MARK SMITH, JOÃO EIRA, TOM HUMMEL, SARDUS FRANCE, DAVID SLOAN WILSON, YACILA DEZA-ARAUJO, ROMAIN ROCH, DIEGO LONDOÑO CORREA, YANICK PUNTER, CHARLOTTE BLEASE, NICOLE BARBARO, ADAM HUNT, PAWEL OSTASZEWSKI, NELLEKE BAK, GUY MADISON, GARY G HELLMANN, SAIMA AFZAL, ADRIAN JAEGGI, PAULO TOLENTINO, JOÃO BARBOSA, JULIAN PRICE, HEDIN BRØNNER, DOUGLAS FRY, FRANCA BORTOLOTTI, GABRIEL PONS CORTÈS, URSULA LITZCKE, SCOTT, ZACHARY FISH, TIM DUFFY, SUNNY SMITH, JON WISMAN, WILLIAM BUCKNER, PAUL-GEORGE ARNAUD, LUKE GLOWACKI, GEORGIOS THEOPHANOUS, CHRIS WILLIAMSON, PETER WOLOSZYN, DAVID WILLIAMS, DIOGO COSTA, ALEX CHAU, AMAURI MARTÍNEZ, CORALIE CHEVALLIER, BANGALORE ATHEISTS, LARRY D. LEE JR., OLD HERRINGBONE, MICHAEL BAILEY, DAN SPERBER, ROBERT GRESSIS, JEFF MCMAHAN, JAKE ZUEHL, BARNABAS RADICS, MARK CAMPBELL, TOMAS DAUBNER, LUKE NISSEN, KIMBERLY JOHNSON, JESSICA NOWICKI, LINDA BRANDIN, VALENTIN STEINMANN, ALEXANDER HUBBARD, BR, JONAS HERTNER, URSULA GOODENOUGH, DAVID PINSOF, SEAN NELSON, MIKE LAVIGNE, JOS KNECHT, LUCY, MANVIR SINGH, PETRA WEIMANN, CAROLA FEEST, MAURO JÚNIOR, 航 豊川, TONY BARRETT, NIKOLAI VISHNEVSKY, STEVEN GANGESTAD, TED FARRIS, ROBINROSWELL, KEITH RICHARDSON, HUGO B., JAMES, AND JORDAN MANSFIELD!A SPECIAL THANKS TO MY PRODUCERS, YZAR WEHBE, JIM FRANK, ŁUKASZ STAFINIAK, TOM VANEGDOM, BERNARD HUGUENEY, CURTIS DIXON, BENEDIKT MUELLER, THOMAS TRUMBLE, KATHRINE AND PATRICK TOBIN, JONCARLO MONTENEGRO, NICK GOLDEN, CHRISTINE GLASS, IGOR NIKIFOROVSKI, AND PER KRAULIS!AND TO MY EXECUTIVE PRODUCERS, MATTHEW LAVENDER, SERGIU CODREANU, ROSEY, AND GREGORY HASTINGS!

In The Image of Christ in Russian Literature: Dostoevsky, Tolstoy, Bulgakov, Pasternak (Northern Illinois University Press, 2018), Dr. John Givens of the University of Rochester discusses classics of Russian literature such as The Brothers Karamazov and Dr. Zhivago, as well as texts of less renown to English-speaking audiences, such as Tolstoy's Resurrection. These texts and others, Givens suggests, portray Christ apophatically: that is, by showing who Christ was not, in order to illuminate who Christ therefore must be. In addition to the novels themselves, Givens cites sources such as personal correspondence and important theological works, thus bringing an English-speaking public to greater depth of understanding than would be possible simply by reading Russian novels in translation. Though focused on a specific topic, Givens' book is an excellent resource for anyone interested in familiarizing themselves with some of the “greats” of the Russian literary canon. Aaron Weinacht is Professor of History at the University of Montana Western in Dillon, MT. He teaches courses on Russian and Soviet History, World History, and Philosophy of History. His research interests include the sociological theorist Philip Rieff and the influence of Russian nihilism on American libertarianism. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

In The Image of Christ in Russian Literature: Dostoevsky, Tolstoy, Bulgakov, Pasternak (Northern Illinois University Press, 2018), Dr. John Givens of the University of Rochester discusses classics of Russian literature such as The Brothers Karamazov and Dr. Zhivago, as well as texts of less renown to English-speaking audiences, such as Tolstoy's Resurrection. These texts and others, Givens suggests, portray Christ apophatically: that is, by showing who Christ was not, in order to illuminate who Christ therefore must be. In addition to the novels themselves, Givens cites sources such as personal correspondence and important theological works, thus bringing an English-speaking public to greater depth of understanding than would be possible simply by reading Russian novels in translation. Though focused on a specific topic, Givens' book is an excellent resource for anyone interested in familiarizing themselves with some of the “greats” of the Russian literary canon. Aaron Weinacht is Professor of History at the University of Montana Western in Dillon, MT. He teaches courses on Russian and Soviet History, World History, and Philosophy of History. His research interests include the sociological theorist Philip Rieff and the influence of Russian nihilism on American libertarianism. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

In The Image of Christ in Russian Literature: Dostoevsky, Tolstoy, Bulgakov, Pasternak (Northern Illinois University Press, 2018), Dr. John Givens of the University of Rochester discusses classics of Russian literature such as The Brothers Karamazov and Dr. Zhivago, as well as texts of less renown to English-speaking audiences, such as Tolstoy's Resurrection. These texts and others, Givens suggests, portray Christ apophatically: that is, by showing who Christ was not, in order to illuminate who Christ therefore must be. In addition to the novels themselves, Givens cites sources such as personal correspondence and important theological works, thus bringing an English-speaking public to greater depth of understanding than would be possible simply by reading Russian novels in translation. Though focused on a specific topic, Givens' book is an excellent resource for anyone interested in familiarizing themselves with some of the “greats” of the Russian literary canon. Aaron Weinacht is Professor of History at the University of Montana Western in Dillon, MT. He teaches courses on Russian and Soviet History, World History, and Philosophy of History. His research interests include the sociological theorist Philip Rieff and the influence of Russian nihilism on American libertarianism. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/eastern-european-studies

In The Image of Christ in Russian Literature: Dostoevsky, Tolstoy, Bulgakov, Pasternak (Northern Illinois University Press, 2018), Dr. John Givens of the University of Rochester discusses classics of Russian literature such as The Brothers Karamazov and Dr. Zhivago, as well as texts of less renown to English-speaking audiences, such as Tolstoy's Resurrection. These texts and others, Givens suggests, portray Christ apophatically: that is, by showing who Christ was not, in order to illuminate who Christ therefore must be. In addition to the novels themselves, Givens cites sources such as personal correspondence and important theological works, thus bringing an English-speaking public to greater depth of understanding than would be possible simply by reading Russian novels in translation. Though focused on a specific topic, Givens' book is an excellent resource for anyone interested in familiarizing themselves with some of the “greats” of the Russian literary canon. Aaron Weinacht is Professor of History at the University of Montana Western in Dillon, MT. He teaches courses on Russian and Soviet History, World History, and Philosophy of History. His research interests include the sociological theorist Philip Rieff and the influence of Russian nihilism on American libertarianism. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/religion

In The Image of Christ in Russian Literature: Dostoevsky, Tolstoy, Bulgakov, Pasternak (Northern Illinois University Press, 2018), Dr. John Givens of the University of Rochester discusses classics of Russian literature such as The Brothers Karamazov and Dr. Zhivago, as well as texts of less renown to English-speaking audiences, such as Tolstoy's Resurrection. These texts and others, Givens suggests, portray Christ apophatically: that is, by showing who Christ was not, in order to illuminate who Christ therefore must be. In addition to the novels themselves, Givens cites sources such as personal correspondence and important theological works, thus bringing an English-speaking public to greater depth of understanding than would be possible simply by reading Russian novels in translation. Though focused on a specific topic, Givens' book is an excellent resource for anyone interested in familiarizing themselves with some of the “greats” of the Russian literary canon. Aaron Weinacht is Professor of History at the University of Montana Western in Dillon, MT. He teaches courses on Russian and Soviet History, World History, and Philosophy of History. His research interests include the sociological theorist Philip Rieff and the influence of Russian nihilism on American libertarianism. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/christian-studies

BONUS DISCUSSION:  Dr. Rosamund Bartlett, author and Royal Literary Fund Fellow at Brasenose College, in Oxford, England, joins the "ROI" team to discuss her book Tolstoy:  A Russian Life.The host for the 620th edition in this series is Jay Swords, and the history buffs are Brett Monnard and Rick Sweet.Opinions expressed in this program are those of the hosts and the guest(s), and not necessarily those of KALA-FM or St. Ambrose University. This program is recorded at KALA-FM, St. Ambrose University, Davenport, Iowa, USA!

Dr. Rosamund Bartlett, author and Royal Literary Fund Fellow at Brasenose College, in Oxford, England, joins the "ROI" team to discuss her book Tolstoy:  A Russian Life.The host for the 620th edition in this series is Jay Swords, and the history buffs are Brett Monnard and Rick Sweet.Opinions expressed in this program are those of the hosts and the guest(s), and not necessarily those of KALA-FM or St. Ambrose University. This program is recorded at KALA-FM, St. Ambrose University, Davenport, Iowa, USA!

How literature helps us to understand morality, totalitarian politics, and the life of Jesus Christ.Join the team at the IAI for four articles about great, classic literature, covering world-renowned authors such as George Orwell, Fyodor Dostoevsky, Clarice Lispector, to name but a few.These articles were written by Michael Marder, Emrah Atasoy, John Givens, and Dana Dragunoiu.Michael Marder is Ikerbasque Research Professor of Philosophy at the University of the Basque Country, Vitoria-Gasteiz. Emrah Atasoy is a professor in the Department of English and Comparative Literary Studies at the University of Warwick. John Givens is a professor of Russian at the University of Rochester and the author of 'The Image of Christ in Russian Literature: Dostoevsky, Tolstoy, Bulgakov, Pasternak'. Dana Dragunoiu the author of 'Vladimir Nabokov and the Art of Moral Acts' and 'Simply Nabokov'. And don't hesitate to email us at podcast@iai.tv with your thoughts or questions on the episode!To witness such debates live buy tickets for our upcoming festival: https://howthelightgetsin.org/festivals/And visit our website for many more articles, videos, and podcasts like this one: https://iai.tv/You can find everything we referenced here: https://linktr.ee/philosophyforourtimesSee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

Pohoda, Slovakia's largest multi-genre festival, reached new heights in 2025, with director Mišo Kaščák calling it the best edition yet. The Slovak band Tolstoys recently performed at Glastonbury for the second year in a row. Listen to the interview with Tolstoys about what it takes to get to the top European festivals. Rappers Video Dave, US, and Bene, SK, presented their bilingual rap in Trenčín.

There is a special category when it comes to Beethoven; a catalogue that doesn't include complete symphonies, sonatas, concerti, string quartets, etc., but just single movements. This is the catalogue of great Beethoven slow movements. Beethoven's slow movements are like a great Tolstoy novel. They span the gamut of human experience and also reach beyond it, into something we cannot understand but all somehow perceive. Simply put, Beethoven often seems to know us better than we know ourselves. This brings me to the slow movement of Beethoven's Hammerklavier Sonata. Unlike those late quartet slow movements, the slow movement of the Hammerklavier is not about ecstatic contemplation. Instead, it is a movement of pure and profound despair. It has been described as “a mausoleum of the collective suffering of the world,” and “the apotheosis of pain, of that deep sorrow for which there is no remedy, and which finds expression not in passionate outpourings, but in the immeasurable stillness of utter woe.” This is not a movement I would necessarily enter into lightly as you go about your day—it requires you to take a moment and enter a world unlike any other. Today, in Part 2 of this Patreon-sponsored exploration of this great, in all senses of the word, Sonata, we'll go through this slow movement in detail. Then we'll tackle the life-affirming and maddeningly complex last movement, which is not quite the antidote to the slow movement, but perhaps it is the only possible answer to the questions the third movement so profoundly asks. Join us! 

The dust. It's surrounds you. In your eyes, your boots, your soul - everything is dust. Through the dust you see a vision, a vision of your home also covered in dust - the lime trees? Dusty. Your ornamental English garden? Dusty. Your family, friends and beloved colleagues? Very dusty indeed. What does it all mean? Why is this dust here? Join us this week as we breathe the dust down deep to try and find out.〰️〰️〰️〰️〰️〰️〰️〰️〰️〰️〰️〰️〰️Support the show, say Hello, and find the thoroughly diplomat extras at:patreon.com/wapin7Including... (Free!) bonus content, Tolstoy's Hall of Fame, and special episodes.〰️〰️〰️〰️〰️〰️〰️〰️〰️〰️〰️〰️〰️

The fathers and children of the novel refers to the growing divide between the two generations of Russians, and the character Yevgeny Bazarov has been referred to as the "first Bolshevik", for his nihilism and rejection of the old order.Turgenev wrote Fathers and Sons as a response to the growing cultural schism that he saw between liberals of the 1830s/1840s and the growing nihilist movement. Both the nihilists (the "sons") and the 1830s liberals sought Western-based social change in Russia. Additionally, these two modes of thought were contrasted with the conservative Slavophiles, who believed that Russia's path lay in its traditional spirituality.Fathers and Sons might be regarded as the first wholly modern novel in Russian Literature (Gogol's Dead Souls, another main contender, is sometimes referred to as a poem or epic in prose as in the style of Dante's Divine Comedy). The novel introduces a dual character study, as seen with the gradual breakdown of Bazarov's and Arkady's nihilistic opposition to emotional display, especially in the case of Bazarov's love for Madame Odintsova and Fenichka. This prominent theme of character duality and deep psychological insight would exert an influence on most of the great Russian novels to come, most obviously echoed in the novels of Tolstoy and Dostoevsky.The novel is also the first Russian work to gain prominence in the Western world, eventually gaining the approval of well established novelists Gustave Flaubert, Guy de Maupassant, and Henry James, proving that Russian literature owes much to Ivan Turgenev. (From Wikipedia.)Translated by Richard Hare.Advertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

The fathers and children of the novel refers to the growing divide between the two generations of Russians, and the character Yevgeny Bazarov has been referred to as the "first Bolshevik", for his nihilism and rejection of the old order.Turgenev wrote Fathers and Sons as a response to the growing cultural schism that he saw between liberals of the 1830s/1840s and the growing nihilist movement. Both the nihilists (the "sons") and the 1830s liberals sought Western-based social change in Russia. Additionally, these two modes of thought were contrasted with the conservative Slavophiles, who believed that Russia's path lay in its traditional spirituality.Fathers and Sons might be regarded as the first wholly modern novel in Russian Literature (Gogol's Dead Souls, another main contender, is sometimes referred to as a poem or epic in prose as in the style of Dante's Divine Comedy). The novel introduces a dual character study, as seen with the gradual breakdown of Bazarov's and Arkady's nihilistic opposition to emotional display, especially in the case of Bazarov's love for Madame Odintsova and Fenichka. This prominent theme of character duality and deep psychological insight would exert an influence on most of the great Russian novels to come, most obviously echoed in the novels of Tolstoy and Dostoevsky.The novel is also the first Russian work to gain prominence in the Western world, eventually gaining the approval of well established novelists Gustave Flaubert, Guy de Maupassant, and Henry James, proving that Russian literature owes much to Ivan Turgenev. (From Wikipedia.)Translated by Richard Hare.Advertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

The fathers and children of the novel refers to the growing divide between the two generations of Russians, and the character Yevgeny Bazarov has been referred to as the "first Bolshevik", for his nihilism and rejection of the old order.Turgenev wrote Fathers and Sons as a response to the growing cultural schism that he saw between liberals of the 1830s/1840s and the growing nihilist movement. Both the nihilists (the "sons") and the 1830s liberals sought Western-based social change in Russia. Additionally, these two modes of thought were contrasted with the conservative Slavophiles, who believed that Russia's path lay in its traditional spirituality.Fathers and Sons might be regarded as the first wholly modern novel in Russian Literature (Gogol's Dead Souls, another main contender, is sometimes referred to as a poem or epic in prose as in the style of Dante's Divine Comedy). The novel introduces a dual character study, as seen with the gradual breakdown of Bazarov's and Arkady's nihilistic opposition to emotional display, especially in the case of Bazarov's love for Madame Odintsova and Fenichka. This prominent theme of character duality and deep psychological insight would exert an influence on most of the great Russian novels to come, most obviously echoed in the novels of Tolstoy and Dostoevsky.The novel is also the first Russian work to gain prominence in the Western world, eventually gaining the approval of well established novelists Gustave Flaubert, Guy de Maupassant, and Henry James, proving that Russian literature owes much to Ivan Turgenev. (From Wikipedia.)Translated by Richard Hare.Advertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

The fathers and children of the novel refers to the growing divide between the two generations of Russians, and the character Yevgeny Bazarov has been referred to as the "first Bolshevik", for his nihilism and rejection of the old order.Turgenev wrote Fathers and Sons as a response to the growing cultural schism that he saw between liberals of the 1830s/1840s and the growing nihilist movement. Both the nihilists (the "sons") and the 1830s liberals sought Western-based social change in Russia. Additionally, these two modes of thought were contrasted with the conservative Slavophiles, who believed that Russia's path lay in its traditional spirituality.Fathers and Sons might be regarded as the first wholly modern novel in Russian Literature (Gogol's Dead Souls, another main contender, is sometimes referred to as a poem or epic in prose as in the style of Dante's Divine Comedy). The novel introduces a dual character study, as seen with the gradual breakdown of Bazarov's and Arkady's nihilistic opposition to emotional display, especially in the case of Bazarov's love for Madame Odintsova and Fenichka. This prominent theme of character duality and deep psychological insight would exert an influence on most of the great Russian novels to come, most obviously echoed in the novels of Tolstoy and Dostoevsky.The novel is also the first Russian work to gain prominence in the Western world, eventually gaining the approval of well established novelists Gustave Flaubert, Guy de Maupassant, and Henry James, proving that Russian literature owes much to Ivan Turgenev. (From Wikipedia.)Translated by Richard Hare.Advertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

The fathers and children of the novel refers to the growing divide between the two generations of Russians, and the character Yevgeny Bazarov has been referred to as the "first Bolshevik", for his nihilism and rejection of the old order.Turgenev wrote Fathers and Sons as a response to the growing cultural schism that he saw between liberals of the 1830s/1840s and the growing nihilist movement. Both the nihilists (the "sons") and the 1830s liberals sought Western-based social change in Russia. Additionally, these two modes of thought were contrasted with the conservative Slavophiles, who believed that Russia's path lay in its traditional spirituality.Fathers and Sons might be regarded as the first wholly modern novel in Russian Literature (Gogol's Dead Souls, another main contender, is sometimes referred to as a poem or epic in prose as in the style of Dante's Divine Comedy). The novel introduces a dual character study, as seen with the gradual breakdown of Bazarov's and Arkady's nihilistic opposition to emotional display, especially in the case of Bazarov's love for Madame Odintsova and Fenichka. This prominent theme of character duality and deep psychological insight would exert an influence on most of the great Russian novels to come, most obviously echoed in the novels of Tolstoy and Dostoevsky.The novel is also the first Russian work to gain prominence in the Western world, eventually gaining the approval of well established novelists Gustave Flaubert, Guy de Maupassant, and Henry James, proving that Russian literature owes much to Ivan Turgenev. (From Wikipedia.)Translated by Richard Hare.Advertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

The fathers and children of the novel refers to the growing divide between the two generations of Russians, and the character Yevgeny Bazarov has been referred to as the "first Bolshevik", for his nihilism and rejection of the old order.Turgenev wrote Fathers and Sons as a response to the growing cultural schism that he saw between liberals of the 1830s/1840s and the growing nihilist movement. Both the nihilists (the "sons") and the 1830s liberals sought Western-based social change in Russia. Additionally, these two modes of thought were contrasted with the conservative Slavophiles, who believed that Russia's path lay in its traditional spirituality.Fathers and Sons might be regarded as the first wholly modern novel in Russian Literature (Gogol's Dead Souls, another main contender, is sometimes referred to as a poem or epic in prose as in the style of Dante's Divine Comedy). The novel introduces a dual character study, as seen with the gradual breakdown of Bazarov's and Arkady's nihilistic opposition to emotional display, especially in the case of Bazarov's love for Madame Odintsova and Fenichka. This prominent theme of character duality and deep psychological insight would exert an influence on most of the great Russian novels to come, most obviously echoed in the novels of Tolstoy and Dostoevsky.The novel is also the first Russian work to gain prominence in the Western world, eventually gaining the approval of well established novelists Gustave Flaubert, Guy de Maupassant, and Henry James, proving that Russian literature owes much to Ivan Turgenev. (From Wikipedia.)Translated by Richard Hare.Advertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

Kammermusik kann tödlich enden: In einer Tolstoi-Geschichte kommen sich ein Geiger und eine Pianistin zu nahe – mit fatalen Folgen. Leoš Janáček macht daraus ein verstörendes Streichquartett. Von Michael Lohse.

Maira Kalman is one of those multi-talented people. She writes children's stories and books for adults. She's also a contributor to the New York Times, creates covers for the New Yorker and sets for operas. Her latest book, Still Life with Remorse, includes family stories, paintings and vignettes about historical figures like Leo Tolstoy and Franz Kafka. She also likes to dress up like like those characters and make funny films about them. We spoke in Kalman's Greenwich village studio and laughed a lot about life's craziest moments.“Now What?” is produced with the help of Steve Zimmer, Lucy Little and Jackie Schwartz. Audio production is by Nick Ciavatta.

On occasion we address Covenant Church family questions during the Sunday morning message. We want to engage our folks where they are, and these questions help our pastors be more effective, by understanding where they struggle.There are many decisions Covenant makes, positions we take et al that do not make the difference between heaven and hell, and on which other churches sometimes take a different approach. Because our church is multi-denominational, we have many rich faith traditions represented among our people. Today we look at culture and separation. We'll look at an historical framework for how the church has approached this for the last 2,000 years and then we'll look at the three levels of Covenant's approach. Join in as we listen to answers on difficult questions about our faith, and our church.LINKS + RESOURCES FROM THIS EPISODE:• Recommended reading for this message: H. Richard Niebuhr“Christ and Culture”• “Situation Ethics” by Joseph Fletcher; Tertullian; Tolstoy; Abelard; Albrecht Ritschl; Justin Martyr; Thomas Aquinas; Martin Luther; John Calvin• Download the free study guide & show notes by visiting and clicking on the button "Download Study Guide"⁠• Find a complete transcript here• Scripture References: John 17, verse 15; 1 Peter 2, verse 9; 1 John 2, verse 9; Colossians 1, verse 16; 2 Peter 2, verse 4; Mark 12, verse 17; Revelation 21, verse 5; Romans 8, verse 22; 1 Corinthians 9, verses 19-23; 1 Corinthians 6, verses 9-10; Romans 1, verses 29-32; Proverbs 6, verse 27; Romans 14, verse 13, & 17; Colossians 3, verse 20; John 5, verse 39• Find out more about Covenant Church at ⁠covenantexperience.com

Luke's conversation with Sam MacIlwaine, who contributed the poem “Dirtbag” to Volume 25 of The Climbing Zine, and is also featured on the back cover of that issue. Subscribe/ score some books/clothes/stickers: https://shop.climbingzine.com/ Our sponsors for Season 7:  Kilter: http://settercloset.com (email holds@kiltergrips.com for more information) Scarpa: www.scarpa.com Osprey: https://www.osprey.com/ photo by Jordi Llauradó

Pohoda, Slovakia's largest multi-genre festival, reached new heights in 2025, with director Mišo Kaščák calling it the best edition yet. Iggy Pop delivered an unforgettable show, while Africa Express took the stage not only in solidarity with their fellow musicians from Massive Attack—who couldn't attend this year—but also as a gesture of deep respect for the audience. The legendary Queens of the Stone Age from the U.S. ignited a wild mosh pit, as did local punk powerhouse Fvck_Kvlt from Trnava. Renowned American jazz saxophonist Kamasi Washington and Slovakia's own jazz icon Peter Lipa each received standing ovations for their sets. Other standout live performances included female performers Skye from Morcheeba, Anoushka Shankar as well as Slovak musicians Jana Kirschner, and Katarzia, all of whom captivated the crowd. The Czech band Dukla surprised fans with a duet alongside Ela Tolstova, lead singer of the Slovak band Tolstoys, who recently performed at Glastonbury for the second year in a row. The festival's atmosphere and unforgettable moments were captured over four days in a special report and series of interviews by Martina Greňová Šimkovičová.

On this episode, Madi Badger, a PhD student, discusses the book series that changed her reading life, the reading challenge that has taken over her reading life, and some amazing bookstore stories. We discuss a shared love of paperbacks and how many different ways there are to use the library, including as a bad bookish habit.    Follow Madi on Instagram  Follow Madi on TikTok Queer Liberation Library   Books mentioned in this episode:    What Betsy's reading:  Skeleton Crew by Stephen King Night Watch by Jayne Anne Phillips  Severance by Ling Ma   Books Highlighted by Madi: The Hunger Games by Suzanne Collins The Stepford Wives by Ira Levin Sunrise on the Reaping by Suzanne Collins  Autobiography of a Face by Lucy Grealy Giovanni's Room by James Baldwin  Broken Horses by Brandi Carlisle  Braiding Sweetgrass by Robin Wall Kimmerer  Medicine Wheel for the Planet by Dr. Jennifer Grenz ADHD for Smart Ass Women by Tracy Otsuka   All books available on my Bookshop.org episode page.   Other books mentioned in this episode: The Thursday Murder Club by Richard Osman  The Third Gilmore Girl by Kelly Bishop & Amy Sherman-Palladino  Rainbow Magic Rainbow Fairies by Daisy Meadows & Georgie Ripper  The Song of Achilles by Madeline Miller  Circe by Madeline Miller  One Golden Summer by Carley Fortune  A Monetary History of the United States by Anna Jacobson Schwartz & Milton Friedman Rosemary's Baby by Ira Levin Anna Karenina by Leo Tolstoy

In this week's episode, I'm sharing why The Death of Ivan Ilych by Leo Tolstoy is one of the most powerful things I've ever read. It's only 53 pages, but it forced me to rethink how I'm living, what I'm chasing, and whether I'm being honest with myself.We'll break down what this book is really about (spoiler: it's not just death), how it gets under your skin, and why it might be the wake-up call you didn't know you needed.

Margaret reads you a story about mental health, panic disorders, and anticapitalism. See omnystudio.com/listener for privacy information.

This episode's guest is Dr Stanislav Roudavski, who is a designer and academic. He leads Deep Design Lab, a research and creative collective that focuses on design for and with nonhuman beings. He is also a Senior Lecturer in Digital Architectural Design at the University of Melbourne. His research develops theories and practices that engage with nonhumans, including animals, plants, and ecosystems, but also artificial agents such as AI. In this episode, he talks about his recent article ‘From Dingoes to AI: Who Makes Decisions in More-than-Human Worlds?', which was published in the open access journal TRACE ∴ Journal for Human-Animal Studies in 2025 and was co-authored with Douglas Brock. In his answers to the regular questions, Stanislav mentions the following works: "Kholstomer", a short story by Leo Tolstoy (https://en.wikipedia.org/wiki/Kholstomer) Vladimir Vernadsky's 1926 book The Biosphere (1998 English translation: https://link.springer.com/book/10.1007/978-1-4612-1750-3) Peter Kropotkin's 1902 collection Mutual Aid (http://en.wikipedia.org/wiki/Mutual_Aid:_A_Factor_of_Evolution) His own 2016 presentation 'Building Like Animals: Using Autonomous Robots to Search, Evaluate and Build' (https://isea-archives.siggraph.org/presentation/building-like-animals-using-autonomous-robots-to-search-evaluate-and-build/) John Odling-Smee's open access 2024 book Niche Construction (https://direct.mit.edu/books/oa-monograph/5822/Niche-ConstructionHow-Life-Contributes-to-Its-Own) His own Google Scholar profile: https://scholar.google.com/citations?user=4J_lRh4AAAAJ&hl=en His own Academia.edu profile: https://unimelb.academia.edu/StanislavRoudavski And the Deep Design Lab wiki: https://wiki.deepdesignlab.online/.

Einen wunderschönen guten Morgen! Zunächst berichten wir über das geopolitische Schlachtfeld rund um Seltene Erden – und warum Marokko China künftig in den Schatten stellen könnte. Danach geht es um den Ukraine-Krieg: Nutzt Peking diesen womöglich als einzigartiges „blutiges Klassenzimmer“? Im dritten Artikel blicken wir auf das Leben von Leo Tolstoi – und warum er vom Grafen zum Pilger wurde.

This is episode 230, From Knysna's Burning Forests to Tolstoy's War and Peace: The World in 1869. Globally, the end of the sixth decade of the 19th Century was full of fire and brimbstone, and some technology, social change, significant moments. The construction of the the Port Nolloth-O'okiep railway line is one notable tech development, but on the down side, the Southern Cape experienced a devastating fire that began in early February in the Meiringspoort area of the Swartberg Mountains, destroying numerous homesteads and ancient yellowoods. More about this in a few minutes. IN the United States, Elizabeth Cady Stanton testified before the U.S. Congress, thus becoming the first woman to do so, and later in 1869, Stanton and Susan B. Anthony formed the National Woman Suffrage Association. Sainsbury's opened in Drury Lane in London in May, Boston University was founded in the same month. A month later, John Hyatt patented celluloid in Albany New York, a product created by mixing nitrocellulose and camphor — thus creating the basis for the coming film revolution. Like all good ideas, Hyatt had actually bought the original patent from Englishman Alexander Parkes who couldn't figure out how to make money from his invention. It's amazing how many inventions were co-opted by entrepreneurs after the inventor struggled to make a buck out of a good idea. Take the common computer mouse, invented by Stanford Research Unit student Douglas Engelbart in the early 1960s. In the late 1970s, almost two decades after the mouse's invention, Apple's Steve Jobs saw a mouse being demonstrated along with what was called graphical user interface, GUI, at Xerox labs in Palo Alto California. November the 17 however, was probably one of the most significant dates in the calendar when it came to the Cape, because that was the date that the Suez Canal was completed. For the first time in history, ships could now sail through the canal, linking the Red Sea to the Mediterranean, shortening the voyages between Europe and the far east by months. In Cape Town, there was fear and loathing about the Canal. And so, to South Africa, let's retrace our steps to February 1869. It began, as such stories often do, with a wisp of smoke on the horizon. According to the local newspapers, the fire that would become known ominously as the Great Fire of 1869 was first spotted on the 8th February. The conditions were perfect for a catastrophe. Southern Cape berg winds, searing, north-westerly to north-easterly gusts, swept down from the heights. Born of a low-pressure system sliding from west to east, they could reach gale-force strength, tearing through valleys like invisible predators. By the time the flames were first seen near Knysna, the air shimmered with heat, the humidity was almost non-existent, and the vegetation which was parched after years of relentless drought, stood waiting, tinder-dry.But in February 1869, the fire dominated every horizon. From its first sparks, it began a horrifying march: sweeping west towards Swellendam, east to Uitenhage, and threading through the Langkloof valley north of the Outeniqua Mountains. Then, inexorably, it spilled down towards the coast, devouring all in its path, Great Brak River, Victoria Bay, Knysna, Plettenberg Bay.

In this live lecture from Omaha, Nebraska, Dr. Jordan B. Peterson weaves through biblical narratives and cultural critique—from Tolstoy's suicidal despair to Moses' encounter with the burning bush, from Cain's failed sacrifice to James Bond as the symbol of romantic adventure. What do these stories have in common? What happens when we replace transcendent pursuit with technological pride or ideological dogma? This is a warning—and a call—to speak the truth, take up your cross, and climb.  This “We Who Wrestle With God” tour stop was filmed in Omaha, NE, on October 21st, 2024.

Margaret reads you two more stories about anticapitalism and religion. See omnystudio.com/listener for privacy information.