Podcasts about Christopher Reeve

Welcome back to SuperHero Homies! In this episode, we launch the ULTIMATE Superhero Actor Tournament — a 16-actor bracket showdown to decide who is the greatest superhero actor of all time. From Hugh Jackman's Wolverine to Chris Evans' Captain America, Heath Ledger's Joker, Christopher Reeve's Superman, and more, we break down iconic performances, legendary moments, and why each actor deserves (or doesn't deserve) to advance. But first… we kick things off with a fun cold open, where we briefly discuss Wicked For Good (no spoilers), and then dive into three major video games: Zelda: Tears of the Kingdom, Kingdom Come Deliverance 2, and Expedition 33. We cover the pros, cons, gameplay, storytelling, and whether they live up to the hype. Then it's on to the main event:

Comedian, actor, podcaster, and author Paul Scheer (The League, How Did This Get Made?) joins Matt and Tim to discuss the 1980 Richard Lester film, Superman II, starring Christopher Reeve, Gene Hackman, and Terence Stamp. The Richard Donner cut also gets discussed. E.G. Marshall plays The President. For the rest of this conversation, go to ⁠⁠⁠https://patreon.com/secondincommand⁠⁠⁠ and become a patron! Matt Walsh ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://www.instagram.com/mrmattwalsh⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Timothy Simons ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://www.instagram.com/timothycsimons⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Paul Scheer https://instagram.com/paulscheerSecond In Command ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://instagram.com/secondincommandpodcast⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Email questions to: ⁠secondincommandatc@gmail.com

Comedian, actor, podcaster, and author Paul Scheer (The League, How Did This Get Made?) joins Matt and Tim to discuss the 1980 Richard Lester film, Superman II, starring Christopher Reeve, Gene Hackman, and Terence Stamp. The Richard Donner cut also gets discussed. E.G. Marshall plays The President. For the rest of this conversation, go to ⁠⁠⁠https://patreon.com/secondincommand⁠⁠⁠ and become a patron! Matt Walsh ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://www.instagram.com/mrmattwalsh⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Timothy Simons ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://www.instagram.com/timothycsimons⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Paul Scheer https://instagram.com/paulscheer Second In Command ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://instagram.com/secondincommandpodcast⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Email questions to: ⁠secondincommandatc@gmail.com

In this week's episode, I rate the movies and streaming shows I saw in Autumn 2025. This coupon code will get you 25% off the ebooks in The Ghosts series at my Payhip store: GHOSTS2025 The coupon code is valid through December 1, 2025. So if you need a new ebook this fall, we've got you covered! TRANSCRIPT 00:00:00 Introduction and Writing Updates Hello, everyone. Welcome to Episode 278 of The Pulp Writer Show. My name is Jonathan Moeller. Today is November 21st, 2025, and today I am sharing my reviews of the movies and streaming shows I saw in Fall 2025. We also have a Coupon of the Week and an update my current writing, audiobook, and publishing projects. So let's start off with Coupon of the Week. This week's coupon code will get you 25% off all the ebooks in The Ghosts series at my Payhip store, and that is GHOSTS2025. And as always, we'll have the link to my Payhip store and the coupon code in the show notes for this episode. This coupon code is valid through December 1, 2025, so if you need a new ebook for this fall, we have got you covered. Now for my current writing and publishing projects: I'm very pleased to report that Blade of Shadows, the second book in my Blades of Ruin epic fantasy series, is now out. You can get it at Amazon, Barnes and Noble, Kobo, Google Play, Apple Books, Smashwords, and my Payhip store. By the time this episode goes live, all those stores should be available and you can get the book at any one of them and I hope you will read and enjoy it. I'm also 15,000 words into what will be my next main project Wizard-Assassin, the fifth book in the Half-Elven Thief series, and if all goes well, I want that to be out before Christmas. I'm also working on the outline for what will be the third book in the Blades of Ruin series, Blade of Storms, and that will hopefully, if all goes well, be the first book I publish in 2026. In audiobook news, as I mentioned last week, the audiobook of Blade of Flames is done and I believe as of this recording, you can get at my Payhip store, Google Play, Kobo, and I think Spotify. It's not up on Audible or Apple yet, but that should be soon, if all goes well. That is excellently narrated by Brad Wills. Hollis McCarthy is still working on Cloak of Embers. I believe main recording is done for that and it just has to be edited and proofed, so hopefully we'll get both audiobooks to you before the end of the year. So that is where I'm at with my current writing, publishing, and audiobook projects. 00:02:08 Main Topic of the Week: Autumn 2025 Movie Review Roundup Now on to this week's main project, the Autumn 2025 Movie Review Roundup. I watched a lot of classic horror movies this time around. The old Universal black and white monster movies from the '30s and '40s turned up on Prime for Halloween and I hadn't seen them since I was a kid, so I watched a bunch of them in October and November, which seemed an appropriate thing to do for Halloween. They mostly held up as well as I remembered from when I was a kid, which was a nice surprise. As ever, the grades I give these movies are totally subjective and based on nothing more than my own opinions and thoughts. With that, let's take a look at the movies from least favorite to most favorite. First up is The Other Guys, which came out in 2010 and this is a parody of the buddy cop/ cowboy cop movie along with a heavy critique of the reckless and corrupt culture of late 2000s Wall Street. "Dumb funny" movies I've noticed tend to fall on either side of the "dumb but actually funny" or "dumb and not funny" line. And this one definitely landed on "dumb but actually funny". Danson and Highsmith, played by The Rock and Samuel L. Jackson, are two maverick popular detectives who never do paperwork. Their paperwork is always done by Allen Gamble, who's played by Will Ferrell and Terry Hoitz, played by Mark Wahlberg. Gamble is a mild-mannered forensic accountant, while Hoitz desperately wants to be as cool as either Danson or Highsmith, but since he accidentally shot Yankees player Derek Jeter (in a recurring gag), he's a pariah within the New York Police Department. However, Danon and Highsmith's plot armor suddenly run out and they accidentally kill themselves in a darkly hilarious scene that made me laugh so much I hurt a little. Hoitz wants to step into their shoes, but Gamble has stumbled onto potentially dangerous case and soon Hoitz and Gamble have to overcome their difficulties and unravel a complicated financial crime. This was pretty funny and I enjoyed it. Amusingly in real life, someone like Gamble would be massively respected in whatever law enforcement agency he works for, since someone who prepares ironclad paperwork and correct documentation that stands up in court is an invaluable asset in law enforcement work. Overall Grade: B Next up is Fantastic Four: First Steps, which came out in 2025. I like this though, to be honest, I liked Thunderbolts and Superman 2025 better. I think my difficulty is I never really understood The Fantastic Four as a concept and why they're appealing. Maybe the Fantastic Four are one of those things you just have to imprint on when you're a kid to really enjoy or maybe at my age, the sort of retro futurism of the Four, the idea that science, technology, and rational thought will solve all our problems does seem a bit naive after the last 65 years of history or so. Additionally, the idea of a naked silver space alien riding a surfboard does seem kind of ridiculous. Anyway, the movie glides over the origin story of Reed Richards, Sue Storm, Johnny Storm, and Ben Grimm and gets right into it. To their surprise, Reed and Sue find out that Sue is pregnant, which seemed unlikely due to their superpower induced genetic mutations. Shortly after that, the Silver Surfer arrives and announces that Earth will be devoured by Galactus. The Four travel in their spaceship to confront Galactus and realize that he's a foe far beyond their power, but Galactus offers them a bargain. If Reed and Sue give him their son, he will leave Earth in peace. They refuse and so it's up to the Four to figure out a way to save Earth and Reed and Sue's son. Pretty solid superhero movie all told, but it is amusing how in every version of the character, Reed Richards is allegedly the smartest man on Earth but still can't keep his mouth shut to save his life. Overall Grade: B The next movie is Superman, which came out in 1978. After seeing the 2025 version of Superman, I decided to watch the old one from the '70s. It's kind of a classic because it was one of the progenitors of the modern superhero film. Interestingly, it was one of the most expensive films ever made at that time, costing about $55 million in '70s-era dollars, which are much less inflated than today. A rough back of the envelope calculation would put 55 million in the '70s worth at about $272 million today, give or take. Anyway, this was a big gamble, but it paid off for the producers since they got $300 million back, which would be like around $1.4 billion in 2025 money. Anyway, the movie tells the origin story of Superman, how his father Jor-El knows that Krypton is doomed, so he sends Kal-El to Earth. Kal-El is raised as Clark Kent by his adoptive Kansas parents and uses his powers to become Superman- defender of truth, justice, and the American way. Superman must balance his growing feelings for ace reporter Lois Lane with his need for a secret identity and the necessity of stopping Lex Luthor's dangerous schemes. Christopher Reeve was an excellent Superman and the special effects were impressive by the standards of 1978, but I think the weakest part of the movie were the villains. Lex Luthor just seemed comedic and not at all that threatening. Unexpected fun fact: Mario Puzio, author of The Godfather, wrote the screenplay. Overall Grade: B Next up is Superman II, which came out in 1980. This is a direct sequel to the previous movie. When Superman stops terrorists from detonating a nuclear bomb by throwing it into space, the blast releases the evil Kryptonian General Zod and his minions from their prison and they decide to conquer Earth. Meanwhile, Superman is falling deeper in love with the Lois Lane and unknowing of the threat from Zod, decides to renounce his powers to live with Lois as an ordinary man. I think this had the same strengths and weaknesses as the first movie. Christopher Reeve was an excellent Superman. The special effects were impressive by the standards of the 1980s, but the villains remained kind of comedic goofballs. Additionally, and while this will sound harsh, this version of Lois Lane was kind of dumb and her main function in the plot was to generate problems for Superman via her questionable decisions. Like at the end, Superman has to wipe her memory because she can't keep his secret identity to herself. If this version of Lois Lane lived today, she'd be oversharing everything she ever thought or heard on TikTok. The 2025 movie version of Lois, by contrast, bullies Mr. Terrific into lending her his flying saucer so she can rescue Superman when he's in trouble and is instrumental in destroying Lex Luthor's public image and triggering his downfall. 1970s Louis would've just had a meltdown and made things worse until Superman could get around to rescuing her. Overall, I would say the 1978 movie was too goofy, the Zac Snyder Superman movies were too grimdark, but the 2025 Superman hit the right balance between goofy and serious. Overall Grade: B Next up is Dracula, which came out in 1931, and this was one of the earliest horror movies ever made and also one of the earliest movies ever produced with sound. It is a very compressed adaptation of the stage version of Dracula. Imagine the theatrical stage version of Dracula, but then imagine that the movie was only 70 minutes long, so you have to cut a lot to fit the story into those 70 minutes. So if you haven't read the book, Dracula the movie from 1931 will not make a lot of sense. It's almost like the "Cliff's Notes Fast Run" version of Dracula. That said, Bela Lugosi's famous performance as Dracula really carries the movie. Like Boris Karloff in Frankenstein and The Mummy (which we'll talk about shortly), Bela Lugosi really captures the uncanny valley aspect of Dracula because the count isn't human anymore and has all these little tics of a creature that isn't human but only pretending to be one. Edward Van Sloan's performance as Dr. Van Helsing is likewise good and helped define the character in the public eye. So worth watching as a historical artifact, but I think some of the other Universal monster movies (which we'll discuss shortly) are much stronger. Overall Grade: B Next up is The Horror of Dracula, which came out in 1958. This is one of the first of the Hammer Horror movies from the '50s, starring Peter Cushing as Dr. Van Helsing and Christopher Lee as Count Dracula. It's also apparently the first vampire movie ever made in color. Like the 1931 version of Dracula, it's a condensed version of the story, though frankly, I think it hangs together a little better. Van Helsing is a bit more of an action hero in this one, since in the end he engages Dracula in fisticuffs. The movie is essentially carried by the charisma of Peter Cushing and Christopher Lee and worth watching as a good example of a classic '50s horror movie. Overall Grade: B Next up is The Wolf Man, which came out in 1941. This is another one of the classic Universal horror movies. This one features Lon Cheney Jr. as Larry Talbot, the younger son of Sir John Talbot. Larry's older brother died in a hunting accident, so Larry comes home to reconcile with his father and take up his duties as the family heir. Larry is kind of an amiable Average Joe and is immediately smitten with the prettiest girl in the village, but when he takes her out for a walk, they're attacked by a werewolf, who bites Larry. Larry and everyone else in the village do not believe in werewolves, but they're about to have their minds changed the hard way. The transformation sequences where Larry turns into the Wolfman were cutting edge of the time, though poor Lon Chaney Jr had to stay motionless for hours as they gradually glued yak hair to him. I think Claude Rains had the best performance in the movie as Sir John and he's almost the co-protagonist. Overall Grade: B Next up is Jurassic World: Rebirth, which came out in 2025, which I thought was a perfectly straightforward but nonetheless enjoyable adventure film. After all the many disasters caused by various genetic engineering experiments in the previous movies, dinosaurs mostly live in relatively compatible ecosystems and tropical zones near the equator. No one's looking to create a theme park with dinosaurs or create bioengineered dinosaurs as military assets any longer. However, the dinosaurs are still valuable for research and a pharmaceutical company is developing a revolutionary drug for treating cardiac disease. They just need some dinosaur blood from three of the largest species to finish it, and so the company hires a team of mercenaries to retrieve the blood. We have the usual Jurassic Park style story tropes: the savvy mercenary leader, the scientist protesting the ethics of it all, the sinister corporate executive, the troubled family getting sucked into the chaos. And of course, it all goes wrong and there are lots and lots of dinosaurs running around. It's all been done before of course, but this was done well and was entertaining. Overall Grade: B+ Next up is The Thursday Murder Club, which came out in 2025, and this is a cozy mystery set in a very high-end retirement home. Retired nurse Joyce moves into Coopers Chase, the aforementioned high end retirement home. Looking to make new friends, she falls in with a former MI6 agent named Liz, a retired trade unionist named Ron, and psychiatrist Ibrahim, who have what they call The Thursday Murder Club, where they look into cold cases and attempt to solve them. However, things are not all sunshine and light at Coopers Chase as the two owners of the building have fallen out. When one of them is murdered, The Thursday Murder Club has to solve a real murder before Coopers Chase is bulldozed to make high-end apartments. A good cozy mystery with high caliber acting talent. Both Pierce Brosnan and Jonathan Price are in the movie and regrettably do not share a scene together, because that would've been hilarious since they were both in the James Bond movie Tomorrow Never Dies in the '90s with Brosnan as Bond and Price as the Bond villain for the movie. Overall Grade: B+ Next up is The Creature From the Black Lagoon, which came out in 1954 and is one of the last of the black and white classic horror movies since in the '50s, color film was just around the corner. When a scientist finds the unusual half fish, half human fossil on a riverbank in Brazil, he decides to organize an expedition upriver to see if he can find the rest of the fossil. The trail leads his expedition to the mysterious Black Lagoon, which all the locals avoid because of its bad reputation, but a living member of the species that produce the fossils lurking the lagoon while it normally doesn't welcome visitors, it does like the one female member of the expedition and decides to claim her for its own. The creature was good monster and the underwater water sequences were impressive by the standards of the 1950s. Overall Grade: A- Next up is The Invisible Man, which came out in 1933, and this is another of the classic Universal black and white horror movies. Jack Griffin is a scientist who discovered a chemical formula for invisibility. Unfortunately, one of the drugs in his formula causes homicidal insanity, so he becomes a megalomaniac who wants to use his invisibility to rule the world. This causes Griffin to overlook the numerous weaknesses of his invisibility, which allow the police to hunt him down. The Invisible Man's special effects were state of the art at the time and definitely hold up nearly a hundred years later. It's worth watching as another classic of the genre. Claude Rains plays Griffin, and as with The Wolf Man, his performance as Griffin descends into homicidal insanity is one of the strengths of the movie. Overall Grade: A- Next up is The Mummy, which came out in 1932, and this is another of the original Universal black and white horror movies. Boris Karloff plays the Mummy, who is the ancient Egyptian priest Imhotep, who was mummified alive for the crime of desiring the Pharaoh's daughter Ankh-es-en-Amon. After 3,000 years, Imhotep is accidentally brought back to life when an archeologist reads a magical spell and Imhotep sets out immediately to find the reincarnation of his beloved and transform her into a mummy as well so they can live together forever as undead. Edward Van Sloan plays Dr. Mueller, who is basically Edward Van Sloan's Van Helsing from Dracula if Van Helsing specialized in mummy hunting rather than vampire hunting. This version of the Mummy acts more like a Dungeons and Dragons lich instead of the now classic image of a shambling mummy in dragging bandages. That said, Boris Karloff is an excellent physical actor. As he does with Frankenstein, he brings Imhotep to life. His performance captures the essence of a creature that hasn't been human for a very long time, is trying to pretend to be human, and isn't quite getting there. Of course, the plot was reused for the 1999 version of The Mummy with Brendan Fraser. That was excellent and this is as well. Overall Grade: A- Next up is The Wedding Singer, which came out in 1998, and this is basically the Adam Sandler version of a Hallmark movie. Adam Sandler plays Robbie, a formerly famous musician whose career has lapsed and has become a wedding singer and a venue singer. He befriends the new waitress Julia at the venue, played by Drew Barrymore. The day after that, Robbie's abandoned at the altar by his fiancée, which is understandably devastating. Meanwhile, Julia's fiancé Glenn proposes to her and Robbie agrees to help her with the wedding planning since he's an expert in the area and knows all the local vendors. However, in the process, Robbie and Julia fall in love, but are in denial about the fact, a situation made more tense when Robbie realizes Glenn is cheating on Julia and intends to continue to do so after the wedding. So it's basically a Hallmark movie filtered through the comedic sensibilities of Adam Sandler. It was very funny and Steve Buscemi always does great side characters in Adam Sandler movies. Overall Grade: A Next up is Downton Abbey: The Grand Finale, which came out in 2025. This movie was sort of a self-indulgent victory lap, but it was earned. The writers of the sitcom Community used to joke that they wanted "six seasons and a movie" and Downton Abbey got "six seasons and three movies". Anyway, this movie is about handing off things to the next generation. Lord Grantham is reluctant to fully retire as his daughter goes through a scandal related to her divorce. The next generation of servants take over as the previous ones ease into retirement. What's interesting is both the nobles and the servants are fully aware that they're sort of LARPing a historical relic by this point because by 1930, grand country houses like Downton were increasingly rare in the UK since World War I wiped out most of them and crippling post-war taxes and economic disruption finished off many more. Anyway, if you like Downton Abbey, you like this movie. Overall Grade: A Next up is Argo, which came out in 2012, a very tense thriller about the Iranian hostage crisis in 1979. During that particular crisis, six Americans escaped the embassy and hid out at the Canadian Ambassador's house in Tehran. For obvious reasons, the Canadian ambassador wanted them out as quickly as possible, so the CIA and the State Department needed to cook up a plan to get the six out while the rest of the government tried to figure out what to do about the larger group of hostages. Finally, the government comes with "Argo." A CIA operative will create a fake film crew, a fake film company, and smuggle the six out of Tehran as part of the production. The movie was very tense and very well constructed, even if you know the outcome in advance if you know a little bit of history. Ben Affleck directed and starred, and this was in my opinion one of his best performances. It did take some liberties with historical accuracy, but nonetheless, a very tense political thriller/heist movie with some moments of very dark comedy. Overall Grade: A Next up is The Naked Gun, which came out in 2025, and this is a pitch perfect parody of the gritty cop movie with a lot of absurdist humor, which works well because Liam Neeson brings his grim action persona to the movie and it works really well with the comedy. Neeson plays Lieutenant Frank Drebin Jr., the son of the original Frank Drebin from The Naked Gun movies back in the '80s. After stopping a bank robbery, Drebin finds himself investigating the suicide of an engineer for the sinister tech mogul Richard Cane. Naturally, the suicide isn't what it appears and when the engineer's mysterious but seductive sister asks for Drebin's help, he pushes deeper into the case. Richard Cane was a hilarious villain because the writers couldn't decide which tech billionaire to parody with him, so they kind of parodied all the tech billionaires at once, and I kid you not, the original Frank Drebin makes an appearance as a magical owl. It was hilarious. Overall Grade: A Now for my two favorite things I saw in Autumn 2025. The first is the combination of Frankenstein and Bride of Frankenstein, which came out in 1931 and 1935. These are two separate movies, but Frankenstein leads directly to Bride of Frankenstein, so I'm going to treat them as one movie. Honestly, I think they're two halves of the same story the way that Avengers: Infinity War and Avengers: Endgame would be two halves of the same story 90 years later, so I'll review them as one. Frankenstein by itself on its own will get a B. Colin Clive's performance is Dr. Henry Frankenstein was great, and Boris Karloff gives the Creature a suitable air of menace and uncanny valley. You really feel like he's something that's been brought to life but isn't quite right and still extremely dangerous. The movie does have a very pat ending that implies everyone will live happily ever after, with Dr. Frankenstein's father giving a toast to his son. But Bride of Frankenstein takes everything from the first movie and improves on it. It's one of those sequels that actually makes the preceding movie better. In Bride, Henry is recovering from his ordeal and swears off his experiments of trying to create artificial humans, but the Creature survived the fire at the windmill at the end of the last movie and is seeking for a new purpose. Meanwhile, Henry receives a visit from his previous mentor, the sinister Dr. Pretorius. Like Henry, Pretorius succeeded in creating artificial life and now he wants to work with Henry to perfect their work, but Henry refuses, horrified by the consequences of his previous experiments. Pretorius, undaunted, makes an alliance with the Creature, who then kidnaps Henry's wife. This will let Pretorius force Henry to work on their ultimate work together-a bride for the Creature. Bride of Frankenstein is a lot tighter than Frankenstein. It was surprising to see how rapidly filmmaking techniques evolved over just four years. Pretorius is an excellent villain, more evil wizard than mad scientist, and the scene where he calmly and effortlessly persuades the Creature to his side was excellent. One amusing note, Bride was framed as Mary Shelley telling the second half of the story to her friends, and then the actress playing Mary Shelley, Elsa Lancaster, also played the Bride. So that was a funny bit of meta humor. Frankenstein and Bride of Frankenstein combined is one of my two favorite movies of Fall 2025. Overall Grade: A+ And now for my second favorite movie of Autumn 2025, which as it turns out is also Frankenstein, but Guillermo del Toro's version that came out in 2025. And honestly, I think Guillermo del Toro's version of Frankenstein is the best version put to screen so far and even does the rarest of all feats, it improves a little on the original novel. Oscar Isaac plays Victor Frankenstein as a brilliant, driven scientist with something of a sociopathic edge. In other words, he's a man who's utterly inadequate to the task when his experiment succeeds and he actually creates an artificial human that have assembled dead body parts. Jacob Elordi does a good job as the Creature, playing him is essentially a good hearted man who's driven to violence and despair by the cruelty and rejection of the world. The recurring question of the Frankenstein mythos is whether or not Victor Frankenstein is the real monster. In this version, he definitely is, though he gets a chance to repent of his evil by the end. Honestly, everything about this was good. The performances, the cinematography, everything. How good was it? It was so good that I will waive my usual one grade penalty for unnecessary nudity since there were a few brief scenes of it. Overall Grade: A+ So that was the Autumn 2025 Movie Roundup. A lot of good movies this time around. While some movies of course were better than others, I didn't see anything I actively disliked, which is always nice. So that's it for this week. Thanks for listening to The Pulp Writer Show. I hope you found the show useful. A reminder that you can listen to all the back episodes at https://thepulpwritershow.com. If you enjoyed the podcast, please leave your review on your podcasting platform of choice. Stay safe and stay healthy and see you all next week.  

On this episode of the Caped Wonder Superman Podcast, Jay Towers and Jim Bowers talk with Prop Store's Stephen Lane in London about December's big auction featuring the original Kal-El starship from Superman: The Movie, a Christopher Reeve tunic, General Zod's wig and boot, rare scripts, photos, Kryptonian costumes, and more. Jay and Jim get the inside scoop as only they can in this special edition.

In this bonus episode of The Alan Sanders Show, we unpack SNAP fraud scandals revealed by Secretary Rollins, exposing systemic waste in America's food assistance programs. Delve into the Founding Fathers' warnings on government welfare and charity's dangers to self-reliance. Catch a sobering clip from Stephen A. Smith regarding how Leftists won't go on his show, yet Republican will. Then, shift gears to pop culture with buzz on Marvel's Fantastic Four reboot and a heartfelt tribute to Christopher Reeve's legendary Superman. The Alan Sanders Show, Bonus Episode 53: Unfiltered truth and fun! Please take a moment to rate and review the show and then share the episode on social media. You can find me on Facebook, X, Instagram, GETTR,  TRUTH Social and YouTube by searching for The Alan Sanders Show. And, consider becoming a sponsor of the show by visiting my Patreon page!

Desde muy pequeño me han fascinado tanto superhéroes como supervillanos y es que tales personajes encierran evidentes arquetipos y analogías, al igual que encriptadas enseñanzas. Anteriormente en este programa tuvimos ocasión de analizar la figura del Joker, es decir, un “villano” fundamentado en el arquetipo del bufón o el loco y Arcano Mayor del Tarot. En el presente episodio tendremos ocasión de analizar posiblemente el superhéroe más influyente tanto en la historia del cómic como del cine y es que hablamos de ni más ni menos que Superman, toda una leyenda que perdura hasta nuestros días. El personaje fue creado durante los años 30 por el guionista Jerry Siegel y el dibujante Joe Shuster, alcanzando su máxima popularidad a finales de los años 70 y comienzos de los 80 al ser trasladado a la gran pantalla e inmortalizado por el carismático Christopher Reeve. Todo un icono de la cultura popular que encierra muchas claves y enseñanzas, al igual que pueda recordarnos a grandes figuras, tanto espirituales como místicas, en lo que a todos rasgos supuso una moderna personificación del propio arquetipo mesiánico solar o arquetipo del héroe a grandes rasgos. Además de ello analizaremos distintas películas que en el fondo nos transmiten la misma ancestral historia, a través de diferentes mitos, leyendas y arquetipos, que involucran antiguas deidades. Superman es un personaje envuelto en cierto misterio y en el cual podemos encontrar evidentes analogías con dicho arquetipo, ancestrales historias y encriptadas enseñanzas, tales como las propiamente expuestas a través del episodio de este programa "El libro de Enoc" y sus concernientes analogías. También compartiremos 25 curiosas anécdotas en torno al personaje que no puedes perderte. ¿Qué claves encierra Superman? Pasa y descúbrelo. MÚSICA DEL EPISODIO: John Williams. ILUSTRACIÓN: Jim Lee. EPISODIO "Joker - El arquetipo iniciático": https://www.ivoox.com/joker-el-arquetipo-iniciatico-audios-mp3_rf_133531141_1.html CONTACTO: eliniciado@yahoo.com Este programa no tiene ánimo de lucro ni será monetizado, por el contrario el único afán es la máxima difusión de cuestiones que nos atañen a todos.

Send us a textDo you remember Superman? Not the new DCU Superman, directed by James Gunn. Not Zack Snyder's DCEU Superman starring Henry Cavill. Not Bryan Singer's sequel to the Superman Film starring Brandon Routh. The Original Superhero Blockbuster. Superman! Starring Christopher Reeve, Gene Hackman, Marlon Brando, Margot Kidder, and Ned Beatty. The actual OG Superman Movie. Is it as awesome as our childhood memory remembers it being? Do the 1978 effects still hold up? Will it make us believe a man can fly? Only one way to find out.Do You Remember Liking This Movie?

Legendary stuntman and actor Ken Kirzinger (FREDDY vs JASON, WRONG TURN 2, WATCHMEN, BAD MOON, X-FILES) joins Adam and Joe to discuss his career journey. From a young Canadian man obsessed with the magic of movies who made the move to Los Angeles in the hopes of becoming a stunt performer… to heading right back to Canada where he began training with (what would become) Canada's leading stunt team… to his first job as a stuntman doubling the late Christopher Reeve in SUPERMAN III and the non-stop run of films and TV series' sets that he'd go on to work on over the next 40+ years…  to making the move up to stunt coordinating various productions and ultimately being asked to audition for "Jason" in FREDDY vs JASON… to his terrific on-set stories involving Charles Bronson, James Arness, and the hardest "suit job" he ever performed… Ken shares just a few of his incredible experiences bringing some of the world's favorite movies and TV shows to life.

As the Christopher Reeve era comes to an end, does Superman IV: The Quest for Peace end with a bang or a whimper? PhantasticGeek.com's Pete and Matt jump into the sun to debate.Thanks as always to everyone who supports the podcast by visiting Patreon.com/PhantasticGeek.Share your feedback by emailing PhantasticGeek@gmail.com, commenting at PhantasticGeek.com, or tweeting @PhantasticGeek.MP3

Welcome to the DMF with Justin Younts!This is the 300th episode of the DMF, and to mark this milestone, we're bringing you something truly special — the complete Alan Katz experience. This episode features all of Alan Katz's appearances on the show, merged into one in-depth conversation celebrating creativity, storytelling, and the darkly humorous legacy of Tales from the Crypt.Alan Katz — writer and producer behind some of the show's most iconic episodes — joins Justin to discuss the creative process, production challenges, and the unforgettable moments that made Tales from the Crypt a cult classic. From his early days as an aspiring actor to shaping the Crypt Keeper into one of television's most beloved horror hosts, Alan shares incredible insights into what made the series tick.Along the way, he opens up about filming in England, working with legendary actors like Christopher Reeve and Tim Curry, and navigating the highs and lows of Hollywood. Together, we explore the lasting impact of Tales from the Crypt, the lessons learned from collaboration, and the resilience required to keep creating.Whether you're a lifelong fan or discovering the show for the first time, this special 300th episode is packed with laughter, storytelling, and a bit of horror nostalgia you won't want to miss.00:00:01 - Introduction and Guest Background00:00:34 - Early Career and Shift to Writing00:02:48 - Moving to Los Angeles and Screenwriting00:06:15 - Meeting Gil Adler and Partnership00:08:11 - Working on Tales from the Crypt00:12:02 - Impact of Tales from the Crypt on HBO00:12:47 - TV Economics and HBO's Business Model00:15:33 - Financial Struggles and Changes in Tales from the Crypt00:16:41 - Introduction of Gil Adler and Alan as Producers00:18:43 - Creating the Character of the Crypt Keeper00:21:02 - The Crypt Keeper Becomes the Franchise00:21:34 - Attempts to Revive Tales from the Crypt00:22:16 - Joel Silver's Influence on Tales from the Crypt00:24:04 - Developing the Crypt Keeper's Character00:25:05 - The Crypt Keeper's Impact on the Horror Genre00:27:25 - The Challenges of Writing for the Crypt Keeper00:29:01 - Behind the Scenes of the Crypt Keeper Segments00:30:50 - The Crypt Keeper's Commentary and Popularity00:32:05 - Writing for the Crypt Keeper00:33:52 - The Crypt Keeper as a Franchise Character00:38:15 - Universal Pictures' Interest00:41:07 - From Dead Easy to Bordello of Blood00:44:59 - The Challenges of Rewriting and Filming00:50:08 - Casting Conflicts: Dennis Miller and Others00:56:19 - The Angie Everhart and Stallone Story01:03:57 - The Struggles of Filming Bordello of Blood01:07:27 - The Aftermath and Career Struggles01:10:30 - Battling Depression and Self-Discovery01:15:32 - Joining Dads from the Crypt Podcast01:17:17 - Reconnecting with Gil Adler01:18:36 - The Success of How Not to Make a Movie Podcast01:19:29 - The Donor: A DNA Horror Story01:26:46 - The Hall Closet: Donna Hall's Story01:29:24 - Founding Kostard & Touchstone Productions01:32:46 - The Power of Podcasting and Storytelling01:34:48 - The Story of Yellow01:37:50 - The Making of You, Murderer01:44:14 - Working with Renowned Actors01:49:29 - Writing Whirlpool and Production Challenges01:56:22 - Collaboration and Creative Growth01:58:00 - Writing and Producing Deadweight02:06:23 - Working with Christopher Reeve and Typecasting02:11:49 - Moving the Series to England02:21:38 - Shooting Tales from the Crypt Overseas02:25:39 - Reflections on the Final Season02:32:49 - Current Projects and Future Work02:36:24 - Finding Purpose and Daily Routine02:38:15 - Nighttime Ritual and Meditation02:45:55 - Fitness, Reading, and Watchlist02:52:04 - Closing Remarkshttps://podcasts.apple.com/us/podcast/the-how-not-to-make-a-movie-podcast/id1616014436⁠⁠⁠⁠⁠⁠https://www.imdb.com/name/nm0441623/⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://podcasts.apple.com/us/podcast/the-how-not-to-make-a-movie-podcast/id1616014436⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://thedonorpodcast.com/

Welcome to the DMF! I'm Justin Younts, and today we're exploring the fascinating world of casting through the perspective of Alan Katz.Alan delved into the complexities of casting Superman, particularly focusing on Christopher Reeve. He explained that casting Superman is unlike any other role—it's not just about acting, but about embodying a character that becomes a part of who you are.Alan reflected on how Christopher Reeve faced immense challenges throughout his career, often feeling confined by the role that made him a household name. Though Reeve was masterful in portraying Superman, the weight of that identity brought its own struggles.As Alan discussed, the industry's perception of actors can both define and restrict them, shaping the kinds of opportunities they receive. He also shed light on the intricate relationships between actors and directors, and how those dynamics can profoundly influence performance.Through Alan's insights, we gain a deeper understanding of the art and burden of becoming an icon—and what it truly means to live in the shadow of a cape.00:00:00 - Introduction00:00:05 - Discussing Christopher Reeve's Acting Style00:01:33 - Superman vs Batman: Casting and Acting00:02:50 - The Challenge of Breaking Free from Superman00:04:45 - Discussion on Film Noir and Dylan McDermott00:05:31 - Moving the Series to England00:09:04 - Challenges of Building Sets in England00:10:28 - Craft Services Differences between US and UK00:13:03 - ConclusionCheck out his other podcast:https://podcasts.apple.com/us/podcast/the-how-not-to-make-a-movie-podcast/id1616014436⁠⁠⁠https://www.imdb.com/name/nm0441623/⁠⁠⁠⁠⁠⁠https://podcasts.apple.com/us/podcast/the-how-not-to-make-a-movie-podcast/id1616014436⁠⁠⁠⁠⁠⁠https://thedonorpodcast.com/

In this week's episode of Going Back to Smallville, we're taking a detour from Kansas and heading to Metropolis for a deep dive into Superman Returns (2006). From Brandon Routh's quiet strength to Lex's land-grab of doom, we're revisiting the film that tried to carry the legacy of Christopher Reeve into a new era. Did it work? Was the world ready for Superman's return… or had it already moved on? Join us as we unpack the emotional weight, the iconic plane rescue, and that piano scene — and ask the ultimate question: Was it actually good?GET YOUR 30 DAY FREE TRIAL OF AMAZON PRIME HERE

Welcome to Movie Monday. This month we watched Richard Donner's Superman from 1978, starring Christopher Reeve, Margot Kidder, Gene Hackman, and Marlon Brando, with an unforgettable score by John Williams. I also watched the sequel Superman 2 from 1980 directed by Richard Lester. This episode features contributions from: (in order of appearance) Joe Richter of Hindsighless (podcast) Goblin's Henchman (podcast & blog) & the Umber Bulk BJ Boyd of The Arcane Alienist (podcast) MW Lewis of The Worlds of MW Lewis (podcast) Jason Connerley of Nerd's RPG Variety Cast (podcast, blog) Find the Movie Monday Letterboxd list here https://letterboxd.com/the39thman/list/movie-monday-1/ The movie for October will be 1987's Monster Squad directed by Fred Dekker. The episode will air on 27th, so please send your submissions by the 25th if you'd like to be included in the show. “Warning” by Lieren of Updates From the Middle of Nowhere Leave me an audio message via ⁠https://www.speakpipe.com/KeepOffTheBorderlands You can email me at ⁠spencer.freethrall@gmail.com⁠ You can find me in a bunch of other places here ⁠https://freethrall.carrd.co⁠ This is a public episode. If you would like to discuss this with other subscribers or get access to bonus episodes, visit freethrall.substack.com

To find more First Watch Rewatch, subscribe.Christopher Reeve brought Superman to the big screen, and it was a huge success. At least the first two movies were huge successes. After a disappointing Superman III, Cannon Films graabed the rights and tried to bring success back to the Big Blu Boy Scout with Superman IV: The Quest for Peace. Reeve was back along with Margot Kidder and Gene Hackman. Up and coming stars Muriel Hemingway and Jon Cryer were added. Succes seemed to be in the cards. The movie had bad effects, a bad story, and it killed the Superman movie franchise for decades.Join Ty and RD as they discuss the movie Superman IV: The Quest for Peace and reflect on the legacy of one of the worst films ever made.Download the episode for free.

This is a preview of our Patreon-exclusive show called The Grid. Check this out, along with a bunch of other awesome perks over on Patreon. Brand new episodes every Friday!In this episode of The Grid, Aaron and Chris discuss One Battle After Another, Christopher Reeve's birthday, and KPop Demon Hunters (?).---Thank you Oni Press & Endless Comics, Cards & Games for sponsoring The Oblivion Bar PodcastFollow us on InstagramFollow us on TikTokFollow us on BlueSkyConsider supporting us over on PatreonThank you DreamKid for our Oblivion Bar musicThank you KXD Studios for our Oblivion Bar art

National one hit wonder day. Entertainment from 2007.1st female Supreme Court Justice, Balboa sees Pacific Ocean, Heath dangers from smoking first warned Todays birthdays - Barbara Walters, Michael Douglas, Catherine Zeta Jones, Cheryl Tiegs, Anson Williams, Mark Hamill, Christopher Reeve, Heather Locklear, Will Smith. Arnold Palmer died.Intro - God did good - Dianna Corcoran   https://www.diannacorcoran.com/ Rappers delight - Suagarhill gangCrank that Soulja Boy - Soulja BoyTake me there - Rascal FlattsStacy's mom - Fountains of WayneTubthumping - ChumbawambaBirthdays - In da club - 50 Cent    http://50cent.com/Jenny 867-5309 - Tommy TutoneAh! Leah - Donny IrisMickey - Toni BasilTainted love - Soft CellMy Sharona - The KnackMacarena - Los Del RioBaby got back - Sir-Mix-A- LotExit - Two Blonde Girls - Stephanie Jakes      https://www.reverbnation.com/stephanieburchcountryundergroundradio.comHistory & Factoids webpage

EPISODE 331 - We go over Teenage Mutant Ninja Turtles #6! This is a continuation of the epic "space" arc in which the Turtles meet Fugatoid, the Triceratons and the Federation (something like that?) The art is more ambitious than ever! The action is fun and compelling! The dialogue is... out of control with huge Stan Lee levels of exposition on almost every page! But the comic is fun! For Loose Screws, we talk about staying in Christopher Reeve's house and also Spinal Tap! Now that's loose! ---------------- Email us at screwitcomics@gmail.com Subscribe for monthly bonus epsiodes at screwitpodcasts.com, if you please!

Christopher Reeve and Richard Donner set the stage while others struggled to soar like they did. Who is the best actor/director pair for the Superhero that started it all? Guest Info: Pat McDonald is a writer for Hollywood Chicago Pat's YouTube Channel https://www.youtube.com/@PatUberTV https://hollywoodchicago.com/ X @ubercritic and @ChiFilm Subscribe to YPA Reviews for more content. https://www.youtube.com/channel/UCQrUmfPvYdxuBYuvkAREhxA?view_as=public Go to https://www.ypareviews.com/ to read my written reviews and stay up to date on all of my newest podcast and YouTube content. Subscribe on Apple Podcasts https://podcasts.apple.com/us/podcast/youll-probably-agree/id1453935603 Subscribe on Spotify https://open.spotify.com/show/6poDSN5vjKFFk5XVY7SHtq?si=979e81a7063f4005 Subscribe on SoundCloud https://soundcloud.com/user-114056851 Follow Me on X and Instagram @ypareviews My TikTok @ypareviewschicago

By the 1980s, Diana Nyad had left competitive swimming behind, embarking on a successful career as a sports broadcaster. But after a meeting with “Superman” actor Christopher Reeve — whose throw from a horse left him paralyzed from the shoulders down — she is reminded of a challenge that fueled her early athletic ambitions, and re-commits to living everyday just past the limit of what seems endurable.See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

#150 Discover the key to fostering a love for learning in your homeschool journey! In this inspiring episode of the Homeschool Yo Kids podcast, host Jae welcomes Christopher J. Reeves, author of "The Parent Teacher: Love and Leading in Learning" and "Every Child Has a Story." Together, they dive into empowering students with a growth mindset, the importance of parental engagement in education, and creative ways to simplify and reimagine what learning looks like.Christopher shares his expertise on building strong parent-child relationships, creating a nurturing learning environment, and how individualized learning paths can unlock student success. This episode is packed with practical insights and heartfelt encouragement for parents navigating homeschooling and beyond.https://www.chrisreevesbooks.com/Join the Homeschool Yo Kids community as we explore the vital role parents play in shaping their child's homeschool experience. Learn how to connect with your children, inspire curiosity, and make education a meaningful journey filled with love and opportunity.Visit homeschoolyokidsexpo.com for resources, updates, and to join a supportive homeschool community. Don't forget to download the Homeschool Yo Kids app for tools and connections to enrich your homeschooling experience. Together, let's empower every family to build a brighter future through education!#newmomtips #socialemotionaldevelopment #developmentalconcern #intentionalparenting #developmentCHAPTERS:00:00 - Introduction01:12 - Christopher Reeves Introduction07:16 - Importance of Parent Engagement12:35 - Pyramid of Needs in Education14:57 - Parenting Without a Manual17:30 - Parental Involvement Strategies22:20 - Benefits of Homeschooling26:30 - Inspiration for Writing Books31:38 - Assessing Happiness in Education34:08 - Creating Thinkers vs Workers37:09 - Diminishing Love for Learning42:50 - Importance of Relevant Learning48:04 - Self-Care for Parents49:25 - Key Takeaways51:15 - Final ThoughtsHomeschoolyokidsexpo.com

Join Tom, Kyle, Andrew, Gabe, and Mike as they discuss two big screen biographies that give us a window into will in the face of adversity! Will Michael J. Fox make it back in time for triumph? Or will Christopher Reeve fly off with first prize?

While we give Nikki and Steve another week off as they continue their insanely busy Summer, we've found an absolute gem from the back catalog for your listening pleasure. With 2025's critically-acclaimed Superman now available to rent at home, we're revisiting an amazing Sh*t episode about everyone's favorite superhero in tights. In this week's classic episode, Iceman talks all things Superman, from Christopher Reeves to Brandon Routh to the ultra-hunky Henry Cavill. Is this episode more powerful than a locomotive? Listen to find out... Nikki is now an ambassador for Club WPT Gold! Check out: ⁠⁠⁠⁠⁠⁠https://clubwptgold.com⁠⁠⁠⁠⁠⁠ and use code NIKKI to sign up!  Follow the podcast on Insta: @shttheydonttellyou Follow Nikki on Insta: @NikkiLimo Follow Steve on Insta: @SteveGreeneComedy To visit our Patreon: ⁠⁠⁠⁠⁠⁠http://www.patreon.com/stikki⁠⁠⁠⁠⁠⁠ To watch the podcast on YouTube: ⁠⁠⁠⁠⁠⁠http://bit.ly/STDTYPodYouTube⁠⁠⁠⁠⁠⁠ Don't forget to subscribe to the podcast for free wherever you're listening, or by using this link: ⁠⁠⁠⁠⁠⁠http://bit.ly/ShtTheyDontTellYou⁠⁠⁠⁠⁠⁠ If you want to support the show, and get all our episodes ad-free go to: ⁠⁠⁠⁠⁠⁠https://stdty.supercast.tech/⁠⁠⁠⁠⁠⁠ If you like the show, telling a friend about it would be amazing! You can text, email, Tweet, or send this link to a friend: ⁠⁠⁠⁠⁠⁠http://bit.ly/ShtTheyDontTellYou⁠⁠⁠⁠⁠⁠ To submit your questions/feedback, email us at: ⁠⁠⁠⁠⁠⁠podcast@nikki.limo⁠⁠⁠⁠⁠⁠ To call in with questions/feedback, leave us a voicemail at: (765) 734-0840 To watch more Nikki & Steve on YouTube: ⁠⁠⁠⁠⁠⁠http://www.youtube.com/nikkilimo⁠⁠⁠⁠⁠⁠ To watch more of Nikki talking about Poker: ⁠⁠⁠⁠⁠⁠https://www.twitch.tv/trickniks⁠⁠⁠⁠⁠⁠ To check out Nikki's Jewelry Line: ⁠⁠⁠⁠⁠⁠https://kittensandcoffee.com⁠⁠ Learn more about your ad choices. Visit podcastchoices.com/adchoices

Send us a textOn our season finale to our 4th blockbuster year in the podcast space,  we're going to answer the burning question on everyone's mind these days: What's the deal with Richard Lester? In order to find the answer, we're digging into the notable works from his four decades in show business, starting with 1964's A Hard Day's Night starring John Lennon Paul McCartney, George Harrison and Ringo Starr aka the Beatles along with Wilfred Brambell, Norman Rossington, John Junkin and Victor Spinetti then onto 1973 &74's The Three & Four Musketeers starring Oliver Reed, Michael York, Richard Chamberlain, Frank Finlay, Raquel Welch, Faye Dunaway, Christopher Lee & Charleton Heston and topped off with 1983's Superman III starring Christopher Reeve, Richard Pryor, Jackie Cooper, Marc McClure, Annette O'Toole, Robert Vaugh, Annie Ross, Pamela Stevenson and Margot Kidder.My guests this week are the ever-reliable Roseanne Caputi and fresh from the sweltering fields of the Sacramento Valley, camera in hand and twice the photobug that Jimmy Olsen ever could be, Gordon Alex Robertson. Before we bumble and stumble and pratfall our way into the madcap, muddled mind of Mr. Lester, the synopses: A Hard Day's Night follows the Fab Four during a 24-hour period as they attempt to escape the responsibilities and madness of fame, their managers --who need them to just stay put for a television appearance-- and the misdeeds of Paul's ornery grandfather who keeps throwing a monkey wrench in everyone's plans. The Three & Four Musketeers adapts the classic Alexandre Dumas swashbuckler, following the adventures and exploits of D'artagnan a young swordsman who travels from Gascony to Paris to join the King's Royal Musketeers as his father did before him. D'artagnan soon joins forces with three of the most colorful and dynamic musketeers, the friends Athos, Porthos and Aramis when the scheming Cardinal Richelieu's Elite Guards attempt to arrest them all for dueling. From there it's non-stop intrigue, war and tragedy as D'artagnan and his three cohorts try to rescue Queen Anne and her dress maker, the lovely Lady Constance, from the dastardly machinations of Count Rochefort and Milady di Winter, two of the Cardinal's most dangerous and effective spies. Superman III features The Man of Steel pitted against Ross Webster, a ruthless business tycoon, who enlists a bumbling computer programmer Gus Gorman to try and control the global coffee and oil markets.  Thwarted by Superman at every turn, Ross and Gus build a living supercomputer to stop him for once and for all. But did Gus go too far?Did Richard Lester go to far? Is he  an unsung genius, a Hollywood hack or stuck somewhere in the messy middle?  Find out!Watch the video podcast on Youtube:https://youtu.be/oQWBL_l0I_c 

Jonathan Frakes is a prolific director, producer and actor. He is best known to audiences for his portrayal as ‘Commander William Riker' on “Star Trek: The Next Generation.” Frakes has most recently returned to the Star Trek family by directing episodes of “Star Trek: Discovery", "Star Trek: Picard," and "Star Trek: Strange New Worlds" for CBS All Access as well as the new LEVERAGE: REDEMPTION for ELECTRIC ENTERTAINMENT on IMDB TV.   He discovered his love and talent in directing during his seven years starring on “Star Trek: Next Generation” and ended up directing eight episodes of the series and was also invited to direct episodes from the spin-off series “Star Trek: Deep Space Nine” and “Star Trek: Voyager.”   His other directing roles include “NCIS: Los Angeles,” “The Orville,” “Girlfriend's Guide to Divorce,” “Castle,” ”Falling Skies, “Leverage,” ”The Glades,” “Burn Notice,” “Agents of S.H.I.E.L.D.,” “Hit the Floor” among others. In addition, he was a producing director for seasons three and four of the TNT hit show “The Librarians” and directed two movies within the Librarian franchise for TNT: “The Librarian: The Curse of the Judas Chalice” and “The Librarian: Return to King Soloman's Mine.”    The role of ‘Commander William Riker' brought him worldwide fame which led to other acting roles in several television series including “NCIS: Los Angeles,” “Angie Tribeca,” “Hit the Floor,” “Criminal Minds,” and “The Glades.” Frakes will next be seen in the Hallmark movie "A Biltmore Christmas." He has also appeared as the lead in the primetime soap ”Bare Essence” and guest-starred on several classic hit primetime series including ”Charlie's Angels,” “Fantasy Island” and ”The Dukes of Hazzard.”    Frakes received critical praise for his work as the director on the feature “Star Trek: First Contact,” making it the highest-grossing film of the franchise to date. He also directed the follow-up, ”Star Trek: Insurrection,” and the sci-fi feature “Clockstoppers.” He is an accomplished voiceover actor, with recent credits that include J'Son, king of the Spartax galactic empire and father of Peter Quill/Star-Lord on the Disney XD animated show “Guardians of the Galaxy.” His previous voice credits include “Gargoyles,” “Family Guy,” “Adventure Time,” “The Super Hero Squad Show,” “Futurama” and several Star Trek video games.   We chat about Directing and Being in Movie Jail, Star Trek, Imposter Syndrome, Thunderbirds, Gratitude, Meditation, Christopher Reeves, Acting plus plenty more!   Check Jonathan out on: Instagram: https://www.instagram.com/jonathansfrakes/ Team Trek & Pancreatic Cancer (click the link on top right to donate): https://secure.pancan.org/site/TR?company_id=7699&pg=national_company ------------------------------------------- Follow @Funny in Failure on Instagram and Facebook https://www.instagram.com/funnyinfailure/ https://www.facebook.com/funnyinfailure/ and @Michael_Kahan on Insta & Twitter to keep up to date with the latest info. https://www.instagram.com/michael_kahan/ https://twitter.com/Michael_Kahan

On episode #134 of Fear and Loathing in Cinema, the four superhero sidekicks that is Bryan, Dan, Chelsea, and Preston, voluntarily subject themselves to Superman III (1983), the cinematic equivalent of doing whippets in a RadioShack parking lot. This is the movie where Christopher Reeve, once again donning the cape, finds himself paired with Richard Pryor. Arguably the funniest stand-up comedian of all time and, according to Warner Bros. executives in 1982, also the perfect person to anchor a family-friendly superhero sequel. The result? A film so spectacularly unhinged it feels less like a continuation of the Superman franchise and more like someone dared the writers to lose a bar bet. The post Episode #134 – Superman III (1983) first appeared on Boomstick Comics.

As seen on Gutfeld!, Cracker Barrel woke?! Christopher Reeve would've opposed Trump?!, also Greg gives his takes on Joe Biden and John Bolton. Learn more about your ad choices. Visit podcastchoices.com/adchoices

Continuing our coverage of the 2025 Emmy Awards, Mike is joined by Peter Ettedgui and Ian Bonhôte, directors of "Super/Man: The Christopher Reeve Story" and nominees for Outstanding Directing For A Documentary/Nonfiction Program (the film received three other Emmy nominations as well ).  In sketching their portrait of Christopher Reeve, who embodied the superhero in a series of films beginning in 1978, Ettedgui and Bonhôte anchor their story with Reeve's tragic fall in 1995, one which left him paralyzed.  They then interweave the twinned stories of Reeve's rise to fame (as well as the discontents that followed) with that of the decade of his life that followed the fall.  The effect of this intricate narrative braiding reinforces the message delivered to Reeve by his wife Dana in the days after the fall:  “You are still you.”  The movie becomes a testament to the continuity of spirit in the face of physical challenge, as Reeve not only faces his personal demons, but becomes a full-throated advocate for those that share his condition.   Super/Man can be seen on HBO Max in the US and Sky in the UK.    Hidden Gems: “Apocalypse in the Tropics” “Grand Theft Hamlet”   The Presenting Sponsor of "Top Docs" is Netflix.

Welcome back to the conclusion of the Christopher Reeve's Superman era! Not counting the horrid spiritual successor, Superman Returns, of course.Featuring the returning Lex Luthor (Gene Hackman), this movie sees Superman take over the world! Not really, but Superman does try to force the end of the nuclear age, and what could go wrong with that?Plus, we get what could have been a really cool villain (Nuclear Man). And we almost got to see Bizarro, but his scenes were cut...

Superman is back—and so is The Cinedicate, diving cape-first into James Gunn's fresh take on the Man of Steel! We explain how Superman has shaped generations, what the new film gets right (and wrong), and why the world needs a moral hero now more than ever.From The Justice League animated series to Smallville, expect some hot takes on Lex Luthor, Green Lantern's bowl cut, and the ever-relevant struggle between hope and cynicism—this discussion soars past nostalgia into a visionary look at what Superman means today.What to expect from the episode:Generational journeys into Superman fandom, from Christopher Reeve classics and Smallville to animated series and modern cinematic portrayalsA spirited, spoiler-filled review of James Gunn's Superman featuring debate over characterizations (especially Lex Luthor), the film's thematic relevance to our fractured world, and its balance between fun and moral clarityHonest reactions to the evolving DCU, including hot takes on new and returning characters, cameos, and hopes (and skepticism) for the franchise's futureEpisode Chapters00:00:00 - Intro, Superman's Origins & Relevance: Then vs. Now00:02:22 - First Introductions to Superman and DC.00:06:26 - Animated & Live-Action Influence: Batman Series, Justice League, and Smallville00:13:07 - The Shift to Modern Fandom: CW Era, Arrowverse, The Flash00:19:39 - Superman on Screen: Richard Donner vs. Snyder vs. Gunn00:26:37 - Superman (2025) First Impressions00:31:11 - The Ensemble: Justice Gang, Supporting Cast, and Character Portrayals00:34:42 - Comparing Adaptations: Animation vs. Film, Pacing, Tone, and Style00:40:50 - Social Commentary & Historical Parallels: Superman as Moral Compass00:48:32 - Humanizing Superman: Themes of Fallibility & Decency00:50:08 - The Kents & Family Portrayal: Parental Influence and Nostalgia00:57:22 - Justice League Characters: Nostalgia, Casting Choices, and Team Setup01:03:07 - Lex Luthor: Archetypes, Actor Takes, Modern Parallels01:14:45 - Supporting Cast Critique: Daily Planet, Lois Lane, and Side Characters01:18:15 - Setting Up the Future: Cameos, Supergirl, Multiverse, and DCU Continuity01:24:27 - Superman's Legacy: Best On-Screen Takes and Generational Icons01:31:52 - Fandom Debates01:39:00 - Thematic Core: Moral Absolutism vs. Ambiguity01:54:01 - Cultural Relevance: Superman, Antiheroes, and Modern Media01:55:17 - DCU Outlook: Upcoming Stories, Supergirl, Final Thoughts02:06:30 - Outro Hosted on Acast. See acast.com/privacy for more information.

John welcomes second-term Democratic congressman and former mayor of Long Beach, CA, Robert Garcia to talk about the imperative for his party to move away from “respectability politics” to combat the Trump 2.0 agenda. Garcia explains why the Texas redistricting fight transcends the particulars of the Lone Star State as a central part of Donald Trump's plan not just to steal the 2026 midterm elections but to stay in office past 2028—and the Jefrey Epstein scandal, far from subsiding during the congressional recess, is only gathering steam. Garcia also waxes poetic about his love for Superman, what the character means to many gay Americans such as himself, and why, for all of David Corenswet's swagger in the role on the big screen this summer, Christopher Reeve remains (now and forever) the gold standard Man of Steel. To learn more about listener data and our privacy practices visit: https://www.audacyinc.com/privacy-policy Learn more about your ad choices. Visit https://podcastchoices.com/adchoices

It's a bird! It's a plane! It's a podcast! We burst into the feed with a special episode on the First James Gunn Superman Movie, 2025's Superman! We also want to know what you've done with the dog! Then it's all talk of hunks, kindness, quality acting, cuteness, good jokes, earnest people, and controversies in our quest to embrace the punk rock nature of being a good person. Plus, we get into some horror in the MouthGarf Report, and fight our way through I See What You Did There! Please go to the movies! Please give us a 5 star rating on Apple Podcasts! Want to ask us a question? Talk to us! Email debutbuddies@gmail.comListen to the archives of Kelly and Chelsea's awesome horror movie podcast, Never Show the Monster.Get some sci-fi from Spaceboy Books.Get down with Michael J. O'Connor and the Cold Family and check out his new compilation The Best of the Bad Years 2005 - 2025Next time: "First," the Internet Comments Section Meme (1997)

SUPER / MAN The Christopher Reeve Story - A Documentary

It's time for the Ricks' official (and highly-spoilerific) review of one of the summer's biggest movies: James Gunn's Superman. From backstories to propaganda-posting monkey bots, and from half-baked controversies to crappy character haircuts (looking at you, Green Lantern), the Ricks give you the lowdown on the latest incarnation of everyone's favorite Kryptonian. IN THIS EPISODE

Welcome to a new podcast series! The Timley movie of the month! Since Superman (2025) released we decided to talk about the original Superman motion picture starring Christopher Reeves. This podcast has spoilers - DUH! We posted this podcast last month for the patrons, but delayed it to this month for everyone else. If you want more timely podcasts please become our patron on Patreon. Please support 3Dor2D on Patreon. For ONLY $1 or $5 per month. Get more exclusive content, extended podcasts and more. For full info go to:http://patreon.com/3Dor2D3Dor2D podcasts are available via:Apple PodcastsiHeart RadioAnd more just search for “3Dor2D” 3Dor2D Podcast RSS FEED:http://www.3dor2d.com/podcast/?format=rssPlease follow 3Dor2D on:FacebookXInstagramLinked InPinterestYoutubeEmail 3Dor2D at: email3Dor2D@gmail.comWe hope that you enjoyed this podcast. Please subscribe to never miss a future 3Dor2D podcast. PoopPlease review the 3Dor2D podcast, it really helps us out. Thanks !

James Gunn's Superman (2025) is in cinemas right now, and is really good! It has a wonderful central performance by David Corenswet, and is as colourful as it is hopeful, and we need that right now. As I'm off this week, it felt like a good time to revisit the late Christopher Reeve's iconic performances in Superman II, Superman II: The Richard Donner Cut, Superman III & Superman IV: The Quest for Peace.Technically the first ever quadruple-bill episode (if you also count the Richard Donner cut of Superman II, which we do), as voted for by Patrons of this podcast for, on the history and legacy of Superman II, Superman II: The Richard Donner Cut, Superman III & Superman IV: The Quest for Peace ! The sequels to the previous episode on SupermanSUPERMAN II was inevitable after Richard Donner completed 75% of the movie, filmed at the same time as Superman (1978). His work on the sequel was halted during Superman's production, but as Superman flew into the box office and became a critical and financial success, the sequel was fired up again... and Donner himself was unceremoniously fired from the movie by the Salkinds, and replaced with Richard Lester; a move that didn't go down well with the cast and crew...SUPERMAN II: THE RICHARD DONNER CUT came about due to the open secret of Richard Donner's material existing in a vault somewhere. After a few legal issues, notably with the estate of Marlon Brando for the production of Superman Returns, a new 2001 DVD version of Superman also led to the discovery of 6 tonnes of unused, previously lost material shot by Richard Donner for Superman II. In an unprecedented (at the time) fan campaign to see Donner's cut, it was finally released to acclaim in 2006...SUPERMAN III is less of a Superman movie, and more of a comedy vehicle for the late, great Richard Pryor, but that didn't mean it was easy to get made. A lot of people were still annoyed at the Salkinds for their treatment of Richard Donner, including Christopher Reeve himself. Reeve almost didn't return as the iconic character, but changed his mind and relished playing Superman vs Superman (which was also almost the title of the movie), but in retrospect it would be a movie he wouldn't have too much fun with, despite the slapstick tone...SUPERMAN IV: THE QUEST FOR PEACE would only be made after the Salkinds sold the rights to The Cannon Group; a production company known for making low quality movies en masse to make as much profit as possible. Cannon's plan though was big franchises: they bought Superman with the intent of spending $36 million on Superman IV. They were also making Masters of the Universe, the first big screen adventure for He-Man. But Masters of the Universe's financial woes would drastically affect Superman IV, with disastrous consequences for the Superman franchise, and leading to a 19-year wait for Superman to return...This episode was originally released on 16th November 2023Mentioned in this episode:From the ArchiveThere's no new episode this week, so I thought you might be interested in revisiting this slightly older, but no less brilliant episode. Just bear in mind, this episode is several years old, it may not sound quite as polished as newer episodes, and new information may have come to light in recent years with regards to the making of this movie (please see above for the original date of release) Please enjoy this time capsule of an episode. Thanks for...

Happy Tuesday! With a new version of Superman hitting movie theaters, I was so happy to chat with one of my favorite Men of Steel this week - you guys, it's Brandon Routh! You know Brandon from playing Clark Kent/Superman in Superman Returns. He also played Daniel Shaw on Chuck, Todd Ingram in Scott Pilgrim vs. The World and Ray Palmer/The Atom across the Berlanti Arrow Universe. We talk about this in the interview, but I feel like Brandon's version of Superman maybe didn't get the appreciation it deserved at the time. It was interesting to talk with him about living up to the legacy of Christopher Reeve and how it feels to watch David Corenswet wear the blue cape. We also discuss how Brandon was able to find closure by playing Superman again in the 2019 Arrowverse crossover event “Crisis on Infinite Earths.” I really enjoyed this conversation and Brandon is such a lovely, grounded guy. I can't wait to see him in his new film Ick, directed by one of my favorite directors Joseph Kahn (who also directed me in the short Power/Rangers). Be sure to stick around after the interview for the hindsight, straight from a hotel in Vancouver. I am up in Canada shooting this week, I've always got time for a little chat with my producer Jeph and some fan comments and questions from the Mail Sack! Send me an email thesackhoffshow@gmail.com Produced by Rabbit Grin Productions Mail Sack Song by Nicolas @producer_sniffles Join us on Patreon! http://patreon.com/thesackhoffshow Power Rangers Short Film | https://www.josephkahn.com/project/7769/powerrangers ----------------------------------------------------- Support our Sponsors: This episode is sponsored by BetterHelp. Give online therapy a try at betterhelp.com/SACKHOFF and get on your way to being your best self. Experience the world's #1 blanket with Lola Blankets. Get 35% off your entire order at Lolablankets.com by using code SACKHOFF at checkout.

James Gunn's Superman (2025) is in cinemas right now, and is really good! It has a wonderful central performance by David Corenswet, and is as colourful as it is hopeful, and we need that right now. As I'm off this week, it felt like a good time to revisit the late Christopher Reeve's iconic performance in Superman (1978).Is it a bird? Is it a plane? No, it's Verbal Diorama's Heroes Through the Decades miniseries, continuing into the 1970s!Whether you know him as Clark Kent, Kal-El, the Man of Steel, the Man of Tomorrow, or just as Superman, that famous tights-and-cape combo emblazoned with the S on his chest is a symbol of a lot of things:Hope, courage, freedom, love... truth, justice and the American way, and a movie with a rich history in comic books, that was made in part because of Zorro, and in another due to 1966's Batman.The late Christopher Reeve is perfectly cast as both Clark Kent and Superman, in a landmark superhero film by the late Richard Donner. Donner's personality clashes with father-and-son producers Alexander and Ilya Salkind led to him being fired from Superman II, despite him completing reportedly 75% of the sequel....This episode was originally released on 5th May 2022Mentioned in this episode:From the ArchiveThere's no new episode this week, so I thought you might be interested in revisiting this slightly older, but no less brilliant episode. Just bear in mind, this episode is several years old, it may not sound quite as polished as newer episodes, and new information may have come to light in recent years with regards to the making of this movie (please see above for the original date of release) Please enjoy this time capsule of an episode. Thanks for listening!This podcast uses the following third-party services for analysis: Podscribe - https://podscribe.com/privacyOP3 - https://op3.dev/privacy

Steffan and Gavia discuss the first good Superman movie since the Christopher Reeve era, a charming action-comedy from 'Guardians of the Galaxy' director James Gunn. Leaning into zany comicbook lore and the relationship between Clark Kent and Lois Lane, this reboot makes some vague attempts at political commentary - but is mostly about resetting Hollywood's vision of Superman as a lovable American icon.

Is Superman Woke—or Just Wonderfully Human?   Can a superhero cut through the world's chaos better than a political debate or another sermon? New York Times columnist David French and Christianity Today editor-in-chief Russell Moore explore why Superman still strikes a cultural nerve—especially in the age of outrage and “wokeness” debates. From his immigrant origins to the often-overlooked theme of adoption, they unpack how James Gunn's 2025 reboot revives timeless questions about identity, belonging, moral courage, and kindness. This conversation is more than capes and kryptonite—it's a surprising, thoughtful, and even fun look at the stories shaping who we are.   (00:00) - Exploring the Resonance of Superhero Myths (07:24) - Fun That Connects To Deeper Needs (10:10) - A Jewish Immigrant's Myth (15:40) - Exploring James Gunn's Superman 2025 (23:06) - Is Superman Woke?  (27:04) - Kindness as a Countercultural Value (34:11) - Parenting With Superheroes and Morals (51:09) - Credits   Donate to Redeeming Babel   Resources mentioned in this episode: Russell Moore's article Why Superman Matters David French's column Kindness Is MAGA Kryptonite J.R.R. Tolkien's On Fairy Stories J.R.R. Tolkien's eucatastrophe (an essay) C.S. Lewis' “True Myth”: The Myth That Became Fact C.S. Lewis' Reviews of Lord of the Rings (veil of familiarity) Grant Morrison's Super Gods Official Trailer: Super/Man: The Christopher Reeve Story Sonny Bunch's article How to Decide If You Want to Watch ‘Superman' A short interview with Superman's creators Jerry Siegel and Joe Shuster (video) Übermensch Explained: the Meaning of Nietzsche's ‘Superman' The Times interview James Gunn: Some people will take offence at my new Superman Read Deuteronomy 17:16-17 (NLT) Social Commentary in The Office Wonder Woman vol. 5 Annual #1 Batman & Superman share their real names (video) Relevant Magazine: What the Superman Backlash Says About American Masculinity   More From David French: David French's New York Times pieces HERE Follow David French on Threads   More From Russell Moore: Sign up for Russell Moore's weekly newsletter Moore to the Point Listen to The Russell Moore Show (podcast)   Follow Us: Good Faith on Instagram Good Faith on X (formerly Twitter) Good Faith on Facebook   Sign up: Redeeming Babel Newsletter

James Gunn's new SUPERMAN begins from the assumption that audiences already have a working knowledge of the Man of Steel's origin story, his super-skill set, and his romance with Lois Lane. Gunn's film benefits greatly from being able to skip past the basics, but it wouldn't have been possible without Richard Donner's franchise-launching blockbuster SUPERMAN, which codified those basics for the big screen. So this week we're spinning the planet backwards to 1978 and revisiting filmgoers' first introduction to The Last Son Of Krypton — who we don't properly meet until nearly an hour in because, as it turns out, there are about four different movies tucked inside SUPERMAN. We're joined by writer, podcaster, and Supes superfan Chris Klimek to discuss how it all holds together from a modern perspective, and whether Christopher Reeve's definitive performance is enough to overcome all the film's flaws, or just most of them. Then in Feedback, the SINNERS conversation lives on, with a listener detailing its many connections to another film that we considered for that pairing.  Please share your thoughts about either and all versions of SUPERMAN, or anything else in the world of film, by sending an email or voice memo to comments@nextpictureshow.net, or leaving a short voicemail at (773) 234-9730. Intro: 00:00:00-00:11:41 Superman Keynote: 00:11:41-00:18:48 Superman Discussion: 00:18:48-01:04:47 Feedback/outro: 01:04:47-end Learn more about your ad choices. Visit megaphone.fm/adchoices

Jurandir Filho, Thiago Siqueira, Rogério Montanare, Fernanda Schmölz, Gnu e Jon discutem para decidir qual o melhor filme da história da DC nos cinemas. A trajetória da DC Comics nas telonas é marcada por altos e baixos, revoluções no gênero de super-heróis e personagens icônicos que atravessaram gerações. Desde as primeiras adaptações até os dias atuais, a DC ajudou a moldar o que conhecemos como blockbuster de super-herói.O primeiro grande marco veio em 1978 com "Superman: O Filme", dirigido por Richard Donner e estrelado por Christopher Reeve. Com o slogan “Você vai acreditar que um homem pode voar”, o longa elevou os filmes de super-herói a um novo patamar de respeito e bilheteria. Teve continuações de sucesso relativo, mas nenhuma com o mesmo impacto do original. Anos se passaram e o Batman se tornou o principal herói da DC com diversos filmes e adaptações. Teve a Era Tim Burton, a Era Joel Schumacher, a Era Christopher Nolan, a Era Zack Snyder e agora a Era Matt Reeves. Quem realmente mudou tudo com o Homem Morcego? O filme da "Mulher-Maravilha" entra na disputa?Afinal, qual o melhor filme da história da DC nos cinemas???|| ASSINE O SALA VIP DO RAPADURACAST- Um podcast EXCLUSIVO do RapaduraCast toda semana! http://patreon.com/rapaduracast

On this special crossover episode, The Cine-Files aka John Rocha and Steve Morris welcomed The Geek Buddies' Michael Vogel to be a guest for Part1 of their discussion and analysis of 1978's SUPERMAN from director Richard Donner and starring Christopher Reeve, Margot Kidder, Ned Beatty, Gene Hackman and Marlon Brando. The Cine-Files is a podcast hosted by Steve and John that enters the world of great film and explore its themes, history, filmmakers and the influences it has on movies today. The Geek Buddies hope you enjoy this special episode and try out Steve and John on The Cine-Files wherever you download podcasts! FOLLOW THE GEEK BUDDIES: Twitter: https://twitter.com/Geek_Buddies Follow John Rocha: https://twitter.com/TheRochaSays​​​​​ Follow Michael Vogel: https://twitter.com/mktoon Follow Shannon McClung: https://twitter.com/Shannon_McClung Follow Steve Morris: https://x.com/srmorris Learn more about your ad choices. Visit megaphone.fm/adchoices

… And that's why we stopped making pennies. Hosts Sonia Mansfield and Margo D. dork out about 1980's SOMEWHERE IN TIME, starring Christopher Reeve, Jane Seymour, and Christopher Plummer.Also discussed: Superman (in theaters), One Night in Idaho: The College Murders (Amazon), The Idaho Student Murders (Peacock), Jaws @ 50: The Definitive Inside Story (Hulu), The Gilded Age (HBO), And Just Like That (HBO), Who Killed Robert Wone? (Peacock), and Drop (Peacock).Dork out everywhere …Email at dorkingoutshow@gmail.comSubscribe on Apple PodcastsSpreakerSpotify YouTubehttp://dorkingoutshow.comhttps://www.threads.net/@dorkingoutshow https://bsky.app/profile/dorkingout.bsky.social https://www.instagram.com/dorkingoutshow https://www.facebook.com/dorkingoutshow

Hosts Josh and Jamie and special returning guest Andrew Jupin (of We Hate Movies) discuss the old-fashioned earnest appeal of the Man of Steel (and his cousin) with a double feature of Richard Donner's sincere, grandiose and expensive New Hollywood adaptation of the character SUPERMAN (1978) starring Christopher Reeve in the title role and Jeannot Szwarc's cheaper, campier attempt at a feminist spin-off SUPERGIRL (1984) starring Helen Slater. Next week's episode is a patron-exclusive bonus episode on STRAW DOGS (1971) + DELIVERANCE (1972), you can get access to that episode (and all past + future bonus episodes) by subscribing to our $5 tier on Patreon: www.patreon.com/sleazoidspodcast Intro // 00:00-09:54 SUPERMAN // 09:54-1:38:04 SUPERGIRL // 1:38:04-3:00:53 Outro // 3:00:53-3:05:52 MERCH: www.teepublic.com/stores/sleazoids?ref_id=17667 WEBSITE: www.sleazoidspodcast.com/ Pod Twitter: twitter.com/sleazoidspod Pod Letterboxd: letterboxd.com/SLEAZOIDS/ Josh's Twitter: twitter.com/thejoshl Josh's Letterboxd: letterboxd.com/thejoshl Jamie's Twitter: twitter.com/jamiemilleracas Jamie's Letterboxd: letterboxd.com/jamiemiller

Smallville did a hell of a job reinstablishing the origins of Clark Kent/Superman as well building it's own law that's become canon across other DC Universes including Superman in the DCU. Here we look at the pilot episode, a Christopher Reeve cameo episode plus the two hour series finale that wrapped up it's incredible 10 season run. Plus we get into the freak of the week trope, the lack of an actual Superman costume or apperance, it's continuation in the CW with Crisis on Infinate Earths, Season 11 and the potential upcoming animated series. Thanks for watching our Caravan Of Garbage reviewSUBSCRIBE HERE ►► http://goo.gl/pQ39jNHelp support the show and get early episodes ► https://bigsandwich.co/Patreon ► https://patreon.com/mrsundaymoviesJames' Twitter ► http://twitter.coQm/mrsundaymoviesMaso's Twitter ► http://twitter.com/wikipediabrownPatreon ► https://patreon.com/mrsundaymoviesT-Shirts/Merch ► https://www.teepublic.com/stores/mr-sunday-movies The Weekly Planet iTunes ► https://itunes.apple.com/us/podcast/the-weekly-planet/id718158767?mt=2&ign-mpt=uo%3D4 The Weekly Planet Direct Download ► https://play.acast.com/s/theweeklyplanetAmazon Affiliate Link ► https://amzn.to/2nc12P4 Hosted on Acast. See acast.com/privacy for more information.

Just in time for the release of the new SUPERMAN film, we rank the previous seven live-action films starring the Man of Steel starting with Superman: The Movie through Batman v. Superman: Dawn of Justice. Find more Holy BatCast on the internet: Web | Twitter | Facebook | Instagram | YouTube | Patreon   Rate, review, & subscribe to Holy BatCast on: Apple Podcasts | Spotify | Google Play | iHeartRadio | Stitcher | TuneIn   Your feedback is appreciated. Send emails to holybatcast@rf4rm.com

“There're piles of skulls, which of course I appreciate” - Steve on the set design On this week's episode, Totally Cool Awesome 80s Month and the Summer Blockbuster Extravaganza pay tribute to the late, great Val Kilmer with a convo about the super-fun Ron Howard fantasy flick, Willow! How amazing are Warwick and Val together on screen? Isn't it refreshing that Davis was just allowed to put a shirt on and be this character, without getting covered in prosthetics or whatever else? Wouldn't things have been just fine in this movie without the Brownies flying around? And how amazing is that two-headed Siskel & Ebert monster? PLUS: Queen Bavmorda accidentally touches The Ooze and becomes Super Bavmorda (and is also played by Kevin Nash)! Willow stars Warwick Davis, Val Kilmer, Joanne Whalley, Jean Marsh, Patricia Hayes, Billy Barty, Mark Northover, Pat Roach, David Sternberg, Phil Fondacaro, Tony Cox, Kevin Pollak, Rick Overton, and Gavan O'Herlihy as Airk; directed by Ron Howard. Don't miss our next Worldwide Digital Event, happening Friday, June 20th at 9pm/eastern where we'll be LIVE talking about a total superhero all-timer, Superman II! Join us that night to revel in all the fun with Zod & Friends, everyone at the Daily Planet, and the two legendary performances from Christopher Reeve and Gene Hackman! Replay available for 14 days after broadcast!  Tickets are going fast for our three-night residency during the Oxford Comedy Festival! We'll be doing six shows over three nights from July 18 through 20. Tickets are going fast—our shows on Quantum of Solace and Hellraiser are already SOLD OUT—so don't wait, snag your tix today!  Throughout 2025, we'll be donating 100% of our earnings from our merch shop to the Center for Reproductive Rights. So head over and check out all these masterful designs and see what tickles your fancy! Shirts? Phone cases? Canvas prints? We got all that and more! Check it out and kick in for a good cause! Original cover art by Felipe Sobreiro.

“He's the walking dead!” - Eric on contemporary Sly's look On this week's episode, the Summer Blockbuster Extravaganza launches into month two by celebrating the Totally Cool Awesome 80s! First up, we're talking about the stupidly-titled Rambo: First Blood Part II! How funny is it that this movie pulls a complete 180 on the philosophy of the first film? How great is Sly's hair in this one? Couldn't they have had a few more action scenes with Martin Kove? How wild is it that Predator completely ripped off the Rambo covered in mud bit? And why didn't Murdock get a rockin' death in this? PLUS: Fellow veterans, Bebop and Rocksteady, meet John Rambo! Rambo: First Blood Part II stars Sylvester Stallone, Richard Crenna, Charles Napier, Steven Berkoff, Julia Nickson, George Cheung, and Martin Kove as Ericson; directed by George P. Cosmatos. Today's episode is brought to you in part by Car Gurus! Buy or sell your next car today with Car Gurus at cargurus dot com. Go to cargurus dot com to make sure your big deal is the best deal. That's C-A-R-G-U-R-U-S dot com. Cargurus dot com!  Don't miss our next Worldwide Digital Event, happening Friday, June 20th at 9pm/eastern where we'll be LIVE talking about a total superhero all-timer, Superman II! Join us that night to revel in all the fun with Zod & Friends, everyone at the Daily Planet, and the two legendary performances from Christopher Reeve and Gene Hackman! Replay available for 14 days after broadcast!  Tickets are going fast for our three-night residency during the Oxford Comedy Festival! We'll be doing six shows over three nights from July 18 through 20. Tickets are going fast—our shows on Quantum of Solace and Hellraiser are already SOLD OUT—so don't wait, snag your tix today! Throughout 2025, we'll be donating 100% of our earnings from our merch shop to the Center for Reproductive Rights. So head over and check out all these masterful designs and see what tickles your fancy! Shirts? Phone cases? Canvas prints? We got all that and more! Check it out and kick in for a good cause! Original cover art by Felipe Sobreiro.

“He's at the height of his Lost powers here” - Ben on J.J. Abrams On this week's episode, we welcome Ben Worcester onto the Summer Blockbuster Extravaganza to chat about the super-fun action sequel, Mission: Impossible III! How great is this engagement party scene with Ethan working the room? Has there been a better M:I villain than the late, great Philip Seymour Hoffman's portrayal of Owen Davian? Is this the M:I flick with the most Ving? And how lucky is Ethan to have Aaron Paul for a brother-in-law? PLUS: Does Ethan Hunt have the same bartending skills as Brian Flanagan? Mission: Impossible III stars Tom Cruise, Ving Rhames, Billy Crudup, Michelle Monaghan, Jonathan Rhys Meyers, Keri Russell, Maggie Q, Simon Pegg, Eddie Marsan, Laurence Fishburne, and Philip Seymour Hoffman as Owen Davian; directed by J.J. Abrams. This episode is brought to you in part by Rocket Money! Cancel your unwanted subscriptions and reach your financial goals faster with Rocket Money. Download the Rocket Money app and enter our show name—We Hate Movies—in the survey so they know we sent you! Don't wait! Download the Rocket Money app today and tell them you heard about them from our show! Don't miss our next Worldwide Digital Event, happening Friday, June 20th at 9pm/eastern where we'll be LIVE talking about a total superhero all-timer, Superman II! Join us that night to revel in all the fun with Zod & Friends, everyone at the Daily Planet, and the two legendary performances from Christopher Reeve and Gene Hackman! Replay available for 14 days after broadcast!  Tickets are going fast for our three-night residency during the Oxford Comedy Festival! We'll be doing six shows over three nights from July 18 through 20. Tickets are going fast—our shows on Quantum of Solace and Hellraiser are already SOLD OUT—so don't wait, snag your tix today!  Throughout 2025, we'll be donating 100% of our earnings from our merch shop to the Center for Reproductive Rights. So head over and check out all these masterful designs and see what tickles your fancy! Shirts? Phone cases? Canvas prints? We got all that and more! Check it out and kick in for a good cause! Original cover art by Felipe Sobreiro.