Podcasts about Jayro Bustamante

Send us a textIn this conversation, Ariel speaks with Jayro Bustamante, the director of RITA, now streaming on SHUDDER, and which was just named Guatemala's entry into the Academy Awards. The film creates fantasia from gritty reality, calling to mind films like Pan's Labyrinth and The Devil's Backbone, while also raising awareness about systems of abuse.Support the show

Lucy Rodríguez conversa con Jayro Bustamante, Director de cine y Giuliana Santa Cruz, actriz estelar de la nueva película "Rita". Nos cuentan su experiencia al grabar esta película, además por primera vez Jayro habla sobre su incorporación a la academia.

WoHos! This week Mac's Picks were Urban Legends movies. We reviewed CANDYMAN 1992 & La Llorona, from Guatemala.Leave a voicemail on our Google Voice: 336-663-3018!https://linktr.ee/WorldofHorrorComing up on the main show:Our Willem Dafoe / Robert Eggers special: THE LIGHTHOUSE & THE NORTHMANMom's Picks: Anthology Films: V/H/S & 3 EXTREMES 2Mac's Picks: Possession Films: THE EXORCIST & THE WAILINGComing up on the Quinnisode:A CLOCKWORK ORANGE & THE PARALLAX VIEWSTRANGERS ON A TRAIN Interstitial Music Works is licensed under a Creative Commons Attribution-NonCommercial 3.0 Unported License.https://creativecommons.org/licenses/by-nc/3.0/Theme by Charles Michel "Aqui"Interstitial MusicKumiko (edited)Coma-Media

There are mass graves all over Latin America, but the concentration of dead and disappeared in Guatemala and Argentina is staggering: more than 200,000 killed by the state in Guatemala's 36-year conflict, known simply as “La Violencia;” up to 30,000 disappeared by the Argentine military dictatorship over the course of its reign of terror in the 1970s and '80s. How does a country reckon with crimes against humanity? How do the families of the missing find the truth? “Forensic exhumation is practiced at the crossroads of two ways of thinking about the body,” anthropologist Alexa Hagerty writes, “as a scientific object to be analyzed for evidence of crimes against humanity, and as a subject, an individual, someone loved and mourned.” In her new book, Still Life with Bones, Hagerty documents her training with forensic teams in Guatemala and Argentina, where members have devoted their lives to unearthing the bones of the disappeared, reconstructing not only their skeletons but the stories of their lives.Go beyond the episode:Alexa Hagerty's Still Life with Bones: Genocide, Forensics, and What RemainsHer latest on human rights and surveillance: “In Ukraine, Identifying the Dead Comes at a Human Rights Cost”If in Buenos Aires, take a day to visit the Museum and Site of Memory ESMAGuatemala's dictator Efraín Ríos Montt slithered out of an 80-year conviction for genocide; Jayro Bustamante's incredible film La Llorona imagines a different kind of justice for his fictional analogueIn the experimental film Los Rubios, Albertina Carri investigates what happened to her parents during the Argentine dictatorshipTune in every week to catch interviews with the liveliest voices from literature, the arts, sciences, history, and public affairs; reports on cutting-edge works in progress; long-form narratives; and compelling excerpts from new books. Hosted by Stephanie Bastek. Follow us on Twitter @TheAmScho or on Facebook.Subscribe: iTunes • Stitcher • Google Play • AcastHave suggestions for projects you'd like us to catch up on, or writers you want to hear from? Send us a note: podcast [at] theamericanscholar [dot] org. And rate us on iTunes! Our theme music was composed by Nathan Prillaman. Hosted on Acast. See acast.com/privacy for more information.

¿Horror y comentario político? Por supuesto que La Llorona, de Jayro Bustamante, debía estar en Política Ficción. Con esta película guatemalteca repasamos el genocidio maya padecido en este país durante la segunda mitad del siglo pasado. Una película que vale la pena no perderse.

This week Carissa joins me to discuss the 2019 Jayro Bustamante film "La Llorona". This film is more drama than horror but still has a great eerie atmosphere the whole time. it's an important movie that gives some insight into the brutal history of Guatemala. It follows the family of "an aging paranoid war criminal who, protected by his faithful wife, faces death while being haunted by the ghosts of his past." the drink of choice for this episode is the Sagamore SPirit Double Oaked Rye. One of the best available rye whiskeys on the market. I'm a big fan of just about everything sagamore spirit does. If you like rye whiskey then give this one a try.

THERE'S A CHILL UPON THE AIR AS THE WIND CARRIES THE CRIES OF A WEEPING WOMAN. MIS HIJOS! MIS HIJOS!    Once upon a time, there was a poor woman who murdered her children after being slighted by her wealthy lover. Or was it an indigenous woman who had her child stolen by colonizers? Or maybe it was an accidental pregnancy that was secretly terminated? However the story goes, the woman died and her ghost now wanders the night in search of new children. To avoid her wailing spirit, take a listen to Gabe and returning guest Kristine Fisher as they talk about movies starring that most popular of Latin American ghosts, La Llorona, including Ramón Peón's La Llorona (1933), René Cardona's La Llorona (1960), Rafael Baledón's The Curse of the Crying Woman (1961), Miguel M. Delgado's Santo and Mantequilla Napoles in The Revenge of the Crying Woman (1973), Rigoberto Castañeda's Kilometer 31 (2006), and Jayro Bustamante's La Llorona (2019).   00:00 – Intro 04:34 – La Llorona (1933) 14:33 – La Llorona (1960) 27:21 – The Curse of the Crying Woman 41:18 – The Revenge of the Crying Woman 57:32 – Kilometer 31 1:15:43 – La Llorona (2019) 1:28:50 – Outro   If you are in a position to make the world a better place, please consider the following fundraisers:   Mid-Minnesota Legal Aid: https://mylegalaid.org/support-our-work/giving   Donations 4 Abortions (state by state abortion funds): https://donations4abortion.com/funds-by-state   Transgender Legal Defense & Education Fund: https://www.transgenderlegal.org/

Hey film buds, Mid October is a wonderful chance to celebrate two things; Hispanic Heritage Month and Horror. This week we are doing just that with our Friend of the Show, Nick Delgadillo. For our main feature we'll talk about the 2019 film La llorona, which ties into the genocide in Guatemala in our El Norte episode. We also discuss Hauntings, What We're Watching, and more.Also, be sure to check out last week's episode.Enjoy y'all,The BudsYou can follow Nick on his IG, Twitter, Discussing Film, Knotfest, or personal website.Show Open - 00:00IntroductionFavorite Horror of 2022La llorona (2019) - 13:10Review and DiscussionEnd of Show - 37:43M3gan TrailerHalloween EndsOutroTotal Runtime - 00:45:55Be a Friend to the Film Buds:thefilmbuds.comThe Buds on PatreonThe Buds on bandcamp@filmbuds on Twitter@thefilmbudspodcast on InstagramPaul's Letterboxd 

It's Week 2 of Hispanic Heritage Month and The Horror Squad are joined by Alexis Sanchez of Latinx Geeks and Marvel Artist Pablo Leon to talk about La Llorona (2019), a tale of supernatural revenge against a Guatamalan dictator, directed by Jayro Bustamante and written by Bustamante and Lisandro Sanchez.Recommendations:Alexis - Vampires vs the Bronx, Fandom Forward - The Fan Organizer CoalitionPablo - Identifying Features, Prayers for the Stolen, Art of Political MurderEmily- Finding OscarBen - Godfather IIJeremy - The LodgeWhere to Follow:Alexis: Twitter - @LatinxGeeks, Web - LatinxGeeks.comPablo: Twittter - @ArtsyPabster, Instagram - @ArtsyPabster, Web - ArtsyPabster.comEmily: Twitter - @megamoth, Web - Megamoth.netBen: Twitter - @BentheKahn, Web - BenKahnComics.comJeremy: Twitter - @Jrome58, Web - JeremyWhitley.comThe Podcast: Twitter - @proghorrorpod ★ Support this podcast on Patreon ★

Esta semana invitamos a uno de mis mejores amigos para hablar de The Batman (2021), película dirigida por Matt Reeves con un guion co-escrito por él y por Peter Craig. La película trata sobre como un Batman más detectivesco, explora la corrupción existente en Ciudad Gótica y cómo esta está de cierta forma vinculada con su propia familia. Todo esto, mientras sigue las pistas de El Acertijo. Entre sus protagonistas está un elenco bien interesante: Robert Pattinson, Zoë Kravitz, Paul Dano, Colin Farrell, Jeffrey Wright y Andy Serkis.

 Por otro lado, te recomiendo una película que sonó hace algunos meses y que tiene muchas razones para estar en la boca de espectadores: La llorona (2019). Esta peli de Jayro Bustamante es una adaptación al mito de la Llorona y es una ficcionalización alrededor de una demanda penal contra un general retirado que supervisó el genocidio en una comunidad indígena de Guatemala. Al ser absuelto, un espíritu se libera y este va por venganza. Bichas y cine es un podcast centrado en el séptimo arte. Es conducido por Ernesto Valle de Nicaragua, a quién escucharás hablando y comentando sobre películas que ve -ya sean recién estrenadas o clásicas-. Todo esto mientras bebe bichas (cervezas, coloquialismo nicaragüense). Pronto más reseñas sobre películas recién estrenadas o aun en cartelera. También recomendamos una que otra películas clásicas o independiente. Seguinos en redes sociales: Facebook: https://www.facebook.com/bichasycine Twitter: https://twitter.com/BichasYCine Instagram: https://www.instagram.com/bichasycine/ Tik Tok: https://www.tiktok.com/@bichasycine Youtube: https://www.youtube.com/channel/UCGdqlok6dL2XLqPdiLsy02Q Queremos animar a qué veas más películas. A veces uno cuando ve los films no los entiende y se pregunta: ¿Soy yo o es que no se entiende? Bichas & Cine nació para que te sintás acompañado y formés un gusto y consciencia de lo que ves en la pantalla grande -y pequeña ¿por qué no?-. De vez en cuando, tendremos uno que otro invitado. Gente que como Ernesto, le gusta ver películas. Cada 5 capítulos, se le dedicará un episodio a un director o a un país productor. Apoyanos para que este #podcast le llegue a otros personas tan interesadas en las películas como vos, con estas pequeñas acciones: Dejá una buena reseña. Rankeanos con 5 estrellas. Suscribite en tu plataforma favorita. Compartí en redes sociales. Recomendaselo a un amigo o amiga Te gustaría que habláramos de alguna película en específico? Mándame un mensaje a ernestovallefotografia@gmail.com. Si querés apoyarme de otra forma, ingresá al patreon de Bichas & Cine y adquirí cualquiera de nuestras membresías: www.patreon.com/bichasycine

This week Mikey P. Jr. and John Patterson are joined by Chandler Bullock as they descend into Jayro Bustamante's La Llorona.   Twitter: Mikey P. Jr. John Patterson Chandler Bullock - The Beauty of Horror

Vivi Rating: 8 Erick Rating: 9 Espooky Tales Cristina Rating: 10 Espooky Tales MJ Rating: 10 Shaken Not Scared Rating: 9.3 Erick & Vivi are joined by Cristina & MJ from the Espooky Tales Podcast to dive into Jayro Bustamante's 2019 La Llorona! Topics include your p.o.s. grandpa giving you advice on how to be a good person, not setting foot in fire tornado land, and testing how long you can hold your breath at 2AM! Cocktail – Alma Consumed Creepy Content of the Week: Salem's Lot (1979) - TubiTV Guest: A Changeling Tale by Mary Downing Hahn Part of Your Nightmare by Vera Strange X (2022) You can find our friends from Espooky Tales on all the socials below! Go give them a listen! TikTok - @espookytales Twitter - @EspookyTales Instagram - @espookytales Facebook - @EspookyTalesPodcast Suggest a cocktail! Suggest a movie! Follow us on: Instagram Facebook Twitter TikTok Discord Pinterest Letterboxd Send us an email: shakennotscaredpod@gmail.com https://shakennotscaredpodcast.com/ Support the show

En este episodio se habla del cine como un vínculo entre el presente y el pasado, una forma de confrontar y reescribir el relato oficial de la Historia. Cristina Gallego es productora y directora de cine. Su carrera se caracteriza por una larga y estrecha colaboración con el director Ciro Guerra. Juntos han formado una exitosa dupla creativa que ha realizado algunos de los títulos más relevantes de la cinematografía colombiana contemporánea. Los viajes del viento, Pájaros de verano y El abrazo de la serpiente —todas estrenadas en Cannes y esta última nominada a los Premios Óscar— son obras que dan cuenta de la compleja geografía colombiana y retratan otras caras de su Historia y su cultura. Además, desde su productora Ciudad Lunar, Cristina ha colaborado con directores de otros países como Abner Benaim, Pedro Aguilera y Annemarie Jacir. Por otro lado, Jayro Bustamante es un guionista, director y productor de Guatemala, formado en Francia e Italia. Su película Ixcanul obtuvo el Premio a Mejor Ópera Prima en la Berlinale, con la cual ha conseguido atraer la atención de la crítica en el cine de su país. Su filmografía se ha caracterizado por abordar de manera frontal los problemas sociales más agudos de Guatemala: el racismo, la homofobia y el conservadurismo más recalcitrante. Sus películas se han presentado en festivales como Berlín y Venecia y su más reciente largometraje, La llorona, fue nominado como Mejor Película Extranjera en los Globos de Oro. Cristina y Jayro hablan del cine con un claro compromiso político. See acast.com/privacy for privacy and opt-out information.

In an episode passed on through generations by word of mouth, Elijah challenges Vanessa to find the perfect horror pairing for one of the greats of martial arts cinema, Fist Of Legend. After being utterly derailed by a cat, Vanessa counters with Jayro Bustamante's La Llorona (2019). But what does a vengeful spirit have in common with a martial arts hero? How much will Vanessa cry in this episode? And is it the La Llorona you're thinking of? Find out, in this week's double-feature discussion! The official snack pairing for Fist Of Legend and La Llorona is sopa mein. This episode was brought to you by undercranking. --- Support this podcast: https://anchor.fm/vanessa-gritton/support

On this weeks episode we watch and discuss the Shudder original film: La Llorona(2019). Directed by Jayro Bustamante. Starring Maria Mercedes Coroy, Sabrina De La How, Margarita Kenéfic, Julio Diaz, María Telón, Juan Pablo Olyslager, and Ayla-Elea Hurtado. Want to leave us a comment? Click on the link to leave us a comment or audio message and you might get your question or comment read on the show!: https://anchor.fm/latenitemovienight/message Make sure to SUBSCRIBE to the show today, so you don't miss any new episodes. And make sure to rate & review the show! --- Send in a voice message: https://podcasters.spotify.com/pod/show/latenitemovienight/message Support this podcast: https://podcasters.spotify.com/pod/show/latenitemovienight/support

Since we didn't have the schedule to celebrate Latinx Heritage Month, we decided to extend it with celebrating Hispanic Horrors! Starting with Jayro Bustamante's La Llorona, exclusively available on Shudder. This month has so much to offer and we are extremely excited to dive into it with all of you.Next movie: Terrified————————————————————— Are you subscribed to the best horror and thriller streaming platform, Shudder? No? What are you waiting for?! Oh, I know! You're waiting for a 14-day trial, you're in luck!Use promo code: KNIGHTLIGHT at sign up for Shudder!————————————————————— Want access to this show ad-free as early as Monday and to our post-show? Head over to our Patreon in the links below to see how you can gain access five days before release on podcast services!Want to be a part of the growth of GoodKnight Life? Support us at these links! WEBSITE: www.goodknight.life PATREON: patreon.com/goodknightlife TWITTER: twitter.com/KnightLight_PodPRINCE: twitter.com/theheadknight See acast.com/privacy for privacy and opt-out information.

In this episode, Jolie speaks with Academy Award-nominated Guatemalan filmmaker Jayro Bustamante and associate professor of contemporary Latin American and Caribbean Literature, Film, and Trans-Atlantic studies Dr. Pedro Porbén. They discuss the role that films have historically played in political and social revolutions and explore the cultural significance and societal symbolism of legends and fictitious monsters in literature and film.  Announcer: From Bowling Green State University and the Institute for the Study of Culture and Society, this is BG Ideas.Musical Intro :I'm going to show you this with a wonderful experiment.Jolie:Welcome back to the Big Ideas podcast. A collaboration between the Institute for the Study of Culture and Society and the School of Media and Communication at Bowling Green State University. I'm Jolie Sheffer, associate professor of English and American culture studies and the director of ICS. Due to the ongoing pandemic, we are not recording in the studio, but remotely via phone and computer. As always, the opinions expressed on this podcast are those of the individuals involved and do not necessarily represent those of BGSU or its employees. The region in which Bowling Green State University and its campuses are situated, inhabit the Great Black Swamp and the lower Great Lakes region. This land is the homeland of the Wyandotte, Kickapoo, Miami, Potawatomi, Ottawa, and multiple other Indigenous tribal nations, present and past, who were forcibly removed to and from the area. We recognize these historical and contemporary ties in our efforts towards de-colonizing history. And we honor the Indigenous individuals and communities who have been living and working on this land from time immemorial.Jolie:Today, we're joined by Jayro Bustamante and Dr. Pedro Porben. Jayro Bustamante is a Guatemalan born director who has recently released his third film La Llorona. He has received the Venice Days, Best Director award at the Venice International Film Festival. And he's been listed as one of the most promising filmmakers of 2020, in Sight & Sound magazine. And he's made it to the short list for the academy awards. Dr. Pedro Porben is an associate professor here at BGSU teaching contemporary Latin American and Caribbean literature, film, and cultural and critical theory as well as transatlantic studies. Thank you both for joining me today. Very glad to have you here.Jayro:Thank you so much.Pedro:Thank you for having us.Jayro:Happy to be here too.Jolie:My first question is for you Jayro. You recently released your third film to great acclaim. Without giving away any spoilers, can you give us a brief summary of the plot of La Llorona?Jayro: La Llorona is a film talking about a motherland who is [inaudible 00:02:14] their disappeared children. And in a way, separates traits of Guatemala. Jolie:How did you make your way into filmmaking? Your work is deeply engaged with social issues. And how did you find your way to filmmaking as the right way for you to make a statement around the social issues that matter to you?Jayro:Oh, it's very complicated because I think it's a whole thing. It's a whole life. And then I grew up in a community in the central Highlands of Guatemala. And my grandma was a woman, Mayan descendant. And I discovered when I was eight, that she was making a lot of effort to hide her origins. And after that I discovered that my family was making efforts to hide her origins. And the village was making effort to hide the origins of every Indigenous people. And at that moment, I had conscious that in Guatemala being an Indigenous people was the cause of shame. And in a way I decide to dedicate my career, to fight against discrimination and to quote Rigoberta Menchú, I can say that at that moment, my conscious was born.Jolie:And for you, how did you decide filmmaking would be the best way or the right way for the kind of social action once your consciousness was raised?Jayro:Oh for me, I consider myself morea storyteller than a filmmaker, but films, movies are the tools that I prefer to tell my stories. And I come from a family with a very, very long history in telling stories, in oral telling stories. And it's a traditional thing in my mother's family. But I was very upset with the fact that one word can create different images in the mind of the people reading. So I discovered I liked films because films give me the opportunity to show the image that I wanted to create.Jolie:Pedro for you, you are studying film and literature and stories, right of Latin America and the Caribbean? How for you, did you find your way into that conjunction right through the scholarly direction, but how did those things come together for you?Pedro:That is an excellent question. And I don't even know how to answer that properly in such a short amount of time, but growing up in Cuba, being educated on the revolution, pushed me in the direction of looking for the monstrosity of some events that were happening at the same time that it was growing no prize. So these idea that we're living in a perfect society, but is so infused with monsters because the idea that everything that is not the revolution, it was against the revolution therefore it's a monster that has been constructed in a sense during our daily life. Jolie:Well, you've given me a beautiful segue on the subject of monsters. Jayro, you've created a story that takes a very old kind of mythological figure, in Mexican and Latin American culture, right, of La Llorona. And you've used it in a really fresh and new way. Could you talk a little bit about how you came about sort of maybe deciding to tell this story through this reimagination of this familiar kind of mythological figure?Jayro:Yeah. I made three films talking about the words insults in Guatemala, and creating a very big separation between people. So the third one is communist and people in Guatemala use companies to insult all the others who defend human rights. So I wanted to talk about that. And I was thinking about the fact that if in Guatemala, being somebody who protects human rights, they they serve an insult. But I was conscious about the fact that my people don't want to talk about that. And so I decided to hide the message and I made as a marketing study to understand that, which kind of films Guatemalan people are watching. And they're watching, in 98%, horror films and superhero films. Jayro:And in a way, La Llorona is a time of a superhero with all the elements coming from horror. So in a way, it was the perfect match to talk about that. And that permit me to change. Maybe not change, but make another version about La Llorona more close to the original version, because in the original one La Llorona, was a divinity, it was Mesoamerican for instance, and after the Spanish conquest, La Llorona became a misogynistic story. So I want to come back to the origin.Jolie:Yeah, I love that. As, a feminist myself, right, you've turned this, the woman as traitor to the nation, right. And also as sort of destroyer of her own family. You've turned that around and she becomes the conscience of the nation sort of speaking what has been buried. I wonder if Pedro, if you could provide us a little bit of a context for whether it's specifically the figure of La Llorona or sort of the idea of monstrosity across Latin America and how different places and different artists have really explored these sorts of old stories to tell a new ways to speak to kind of social issues in much the way that Jayro has done with this film. Pedro:So we'll have to think about the idea of the monster in... The post-modern fantastic monster, if you will, how has been represented, right? Because basically that's the core of your question. So the post-modern fantastic monster moves in between anomaly and domestication. The idea that the postmodern fiction has continued to produce all kinds of impossible and disturbing monsters, but at the same time, there are many works, many cultural products from literature to film that trivialize and tame, if you will, their monster stripping down the monstrosity of the monster, right? By attributing normality to the monster, that creature is incorporated into reality. So what I found extremely compelling in Jayro's movie is that movement towards deconstructing the heinousness and also the excesses of a monster. So instead of playing within the framework of a more Hollywood-esque kind of movie, Jayro is moving away from that. And he's bringing La Llorona as a pretext to analyze contemporary issues. I think Jayro is moving La Llorona and genocide, and the most ferocity of the ethnic cleansing, he's moving that and opening a huge spectrum of criticism throughout the entire Latin America cinema.Jolie:What I'm hearing is one of the things that stories like Jayro's reveal to us is that what seems to be the supernatural monster, the real monster is within. I think about in your film, Jayro, the ways in which, what seems to be a specter from outside the horror keeps getting peeled back and it's like, who's the real monster, right? Is it the dictator? Is it his family for continuing to defend him and refusing to recognize that someone can be a nice person and also do monstrous things? Right. So I think those are kind of really running things. I also think too, Pedro, about the way that, like the figure of Caliban has been, in a lot of Latin American literature and philosophy, has been reclaimed and turned around to sort of represent a different story.Jolie:I have a question, Jayro, about the relationship between art and commerce in your work. You were alluding to the ways in which you were very thoughtful about wanting to use a genre that would be appealing to your audience. And I think too often, the narrative we hear is sort of, it's a trade-off. It's either one or the other. Either you can have artistic integrity or you're a sellout just trying to reach an audience. And what you're suggesting is there's actually more of a synergy, right, of finding the way in which to use the forms an audience values, understands, appreciates, in order to sort of Trojan horse your message in. Could you talk a little bit more about how you think about the relationship between art and commerce in your work?Jayro: I wanted to try to touch the most bigger outings that I can. And I think to do that, you have to be universal. And if you want to talk about that real local side, you have to understand how humans will understand that. But sometimes you can give them a new way to receive the story. So for example, in La Llorona I really love, to go back to the monster, I really love the fact that normally for people, people are monsters. But in Mesoamerica, that people are not monsters. They are our ancestors and we are living with them all the time. And we are living in magical realities all the time. So in that film, I didn't want to use all the political drama and or horror drama I wanted to put a little bit of a magical realism at the same time. So I developed kind of a balance with three baskets, and I was putting an element of each one of the baskets you have to balance. Jolie:I'm wondering Pedro, if you could provide us with some other examples of contemporary writers in Latin America and the Caribbean, you are taking a kind of well-known ghost story monster kind of mythological figure and are recasting it to tell a very contemporary story and to maybe unsettle some of those binaries that Jayro's just talked about?Pedro:In the 21st century, there are not too many writers engaging with the idea of monsters and monstrosity as in the 20th century. In the 20th century, as a result of the boom of, as Jayro has said before, the emergence of magical realism and other genres, there was this temptation, if you will, to frame a narrative within monstrosity and talk about monsters. But as the 21st century entered into the picture that has been, I would say a little bit less interest on that kind of representation in literature and film. Probably because the idea of the monster has evolved from the 20th to the 21st century. And now of course, we're living under a pandemic.Pedro:So that changes everything right? Because it changes our framework of references. And we don't engage anymore with these fantastic universes of monsters, which is actually interesting in these that although there haven't been so many in literature, science fiction is, I would say, one of the genres that is using monsters as a background, more frequently. Especially in Caribbean science fiction, which is more or less what I work with. Many Cuban writers have been trying to approach this idea of the monster from different vantage points and trying to incorporate them into... The genre is fantastic, right? Which is again, a very wide genre because you can incorporate in there like magical realism and fantasy, and then the other sub genres. So that's pretty much monsters have been entering the 21st century. Jolie:I want to shift gears into a different realm of questions, which is really about collaboration. And Jayro, filmmaking is such a collaborative genre, I wonder if you could talk a bit with us about how you approach collaboration? Because I think not only is filmmaking generally, but I think your particular approach and your interest in representing Mayan people on film, the use of native languages, things like that. So could you talk a bit about some of your priorities around collaboration when it comes to filming a story like La Llorona?Jayro:Oh, thank you. That's a very important thing for me, because I felt that we are living a very nice moment in Guatemala, and maybe it's not a very nice moment in terms of industry or money. We are prepared to make films and we didn't have the industry with all the hipness of the industry. So we are more as a family, as a troop of theater working together. So there is less direction, and there are more people participating in creative moments. And I think that is the magic that we are living. And for me, it's more important because when I started in Guatemala in 2013, I wanted to make my first film, but I discovered that in Guatemala we didn't have a real industry.Jayro:So I had to become a producer and I didn't find actors so I had to train there. And after that I made a film and I didn't find distributors. So I had to distribute my film and train people to do that after that, and the actors that I trained, they became a real actors with plenty talents and some other gifts that they have that I decide to follow them and I became their agent, so. But this is very interesting.Jolie:Pedro, in your work and your role, I'd like you to talk a bit about collaboration as a scholar and Jayro is here as the keynote for the Latino issues conference and you and many others are part of a cluster of folks involved in studying Latin American and Latino issues as part of an ICS cluster. Could you talk about what collaboration means to you as you think of yourself as a scholar, as a teacher, as a community member?Pedro:Well, that's a really important question. Collaboration in this moment in time is crucial. Just to give you an idea, last semester in my class, we had nine people from all over the world that came to our class to talk about not only the issues that we're discussing, but to present their own work. And that was beautiful in so many ways because I basically couldn't pay them anything so they came out of freewill. They offered their time. But way before that, as you mentioned, the ICS cluster, we have been collaborating and doing a lot of activities together and trying to come up with the most crazy ideas ever. This conference, the Latino issues conference, Latina, Latino, Latin X issues conference, it's one of the best examples. Pedro:You have not only faculty, but staff and people from all over the university to collaborate and are working together towards this event, which is huge. We're celebrating the 25th anniversary of the conference this year. And these are people from different units across the university, right? Everybody working together, collaborating, putting energy and time and emotion, creating a community of knowledge, community of people who are working together towards a goal, which is basically informing the community at large of Latino, Latin X issues in general. Since I came to Bowling Green, I had realized that you have to collaborate, you have to work together, if you want to accomplish anything at the university level. Jolie:We're going to take a quick break. Thank you for listening to the Big Ideas Podcast.Announcer :If you are passionate about big ideas, consider sponsoring this program.To have your name or organization mentioned here, please contact us at ics@bgsu.edu.Jolie:Hello, and welcome back to the Big Ideas Podcast. Today I'm talking to Jayro Bustamante and Pedro Porben about monsters and storytelling in Latin American culture. I have a question, I'll start this one for you, Pedro, and then I'll transition it to Jayro. You study films and revolution in Latin America. What role, besides simply documenting them, have you seen film and cultural products play in fomenting, in helping articulate or shaping revolutions, in sort of the Latin American and Caribbean world? Pedro:I mean they go together like perfectly because basically cinema has always been a tool that any social movement has used in order to communicate their goals. For instance, the beginning of the Mexican cinema right, the Mexican revolution and the uses of cinema to move the revolution across a huge country that otherwise people wouldn't be connected. I mean, I'm trying to think about this idea of Anderson and imagine communities through film, because basically that's how the film industry has been used in Latin America, in Cuba, in particular, which is again, my homeland. Jolie:Well, and so the way I'd ask you Jayro is, in this sort of new industry that you're helping to create, how are you seeing or hoping to see your work, your collaborative work, make new changes in Guatemala and beyond?Jayro:For sure it's not only me. There are a lot of other filmmakers doing great work and there were another inspiration for me. And I really believe about the fact that some films change societies or can create impact. And as Pedro said, movies are an excellent tool. So after that, I think we have to create our filmmakers with a very, very strong conscious about ethics and empathy to push the stories to that way. And we are trained to do that in my production company. Even if we are 70% of Indigenous people, we are discriminating them all the time, and women at the same time. And right now the most important icon in my country is María Mercedes Coroy who is the actress who played La Llorona. And so there is one thing that I'm really proud about. She is the most important woman at that moment in the media. And she's Indigenous and a woman and single, and so on. So all that is a social change. As your question say, revolution are not always the political revolution. Revolution can be just an attitude, a change in attitude.Jolie:So I have another kind of shift gears, but I think it follows on a lot of what you're talking about, which is, this one I'll start with Jayro, what role does research play in your process? What kind of research did you do as you were writing La Llorona? Were you talking to people who had lived through the Civil War? Like what role does research play in your process and how does it inform what ends up on the screen?Jayro:The period that I'm in research is the period that I am enjoying willing. And so I build a structure in my production company with people working with me to make the research. And they have a very interesting way to abort all the subjects that you want to study or character that you want to commit. And I'm using that. But when I had enough of information, real information, I mean, I really want to stop that and start the other part of my work that is fiction. And at that moment, I will love to say bye-bye to the real characters and start with fiction.Jayro:For example, with La Llorona our characters are based in the real process about genocide in my country. But I didn't want to create my characters taking inspiration from the real general or the real family. In a way because I don't think that they deserve a film. And in another way, because I was looking for an [inaudible 00:24:30] about the fact that if that people are not all in Guatemala, but Latin America, that people, I mean, these kind of military people, dictators, are saying that they save us and all the people that they kill deserve to be killed because they were communist. I was wondering if, at night they continue thinking like that. And so I prefer to just go up to the fiction in that moment. I tried to find the answer that I'm looking for.Pedro:Can I actually say something about the last point that you ask Jayro? Because I'm extremely interested in what Jayro had just said about placing the camera inside the home of the monster. That is something that when I watched the film for the first time, struck me profundamente, I was like, "What's going on in this film?" If a film doesn't move me, if I don't feel engaged, or as used to say, if I don't feel interpolated by the text, I don't care about the movie. But this movie from the beginning took me in into a different dimension that I was not expecting, right.Pedro:Right now I'm thinking about Lovecraft, the master of horror, I think Lovecraft said something like, "The oldest and most intense emotion of humanity is fear. And the oldest, most intense of fears, is a fear of the unknown." But I would raise these and propose a different question after watching Jayro's movie. The worst fear is actually living with the monster and pretending that is an unknown entity. So that's where my entire system was upside down, [inaudible 00:26:35] if you can actually accomplish something like that, like if you are actually getting in to my private space, interpolated me as a spectator, then I want to engage with your movie. Then that's the change. That's a movie that is going to make a change, right. Jolie:Well, and to that point,I think one of the things that is so powerful about the film is it's grounded in such specificity, right? There is no mistaking that this isn't just any Latin American country, right? There is such attention in terms of language, costume, other things, that this is about Guatemalan history, and yet watching it and thinking about the questions it raises about what happens when we do not in fact kind of address the demons and the ghosts in our own land, like to me, made connections to all sorts of things. Like I have visited extermination camps in Poland, right? And those landscapes walking through them, I felt the weight of history. I felt like it was a haunted landscape. I felt like there was something that like was unsettled in that land. And I think that's one of the beauties of the film, is it raises these questions.Jolie:It makes you connect with the larger issues of the film without it sacrificing that specificity. I don't think that's a question, but it is an observation. Either of you want to add anything?Pedro:It is a beautiful comment.Jolie:I do have a question, Jayro, which is how much are you conscious of trying to kind of frame the language of the film or its imagery, the use of La Llorona as a figure that isn't unique to Guatemala, how much are you trying to weigh the specificity of the Guatemalan history and culture with broader themes that speak to other audiences?Jayro:I really believe that genocide is the bigger horror that a human can imagine. So I don't think that La Llorona is so local because he's talking about that. And I think that's one of or more use. And so as a human, we know that. And we know how somebody feels being discriminated, and we know how we felt we used discrimination. So in a way, I think it's a universal film. AndI wanted to tell about... It's kind of a space in fiction to make a catharsis, that is the film. As Latin American people, we need that to pretend in a fictional world that somebody protects us because overstate are not doing that. So it's very nice because it's colorful, but it's sad at the same time to understand that we need to have a fictional world to feel protected.Pedro:Do you mind if I add a little bit of something? What is different in La Llorona is that, it's forcing me to actually engage with the movie with the culture of product, with these texts at such a different level. Because his movie's actually redefining what national cinema is in the 21st century. We are accustomed to the idea of national cinema that came from the revolutions in the 20th century or the national movements, liberation movements, et cetera. But Jayro, not only by challenging and redefining the themes, but by creating the infrastructure that the national cinema needs in order to function in places where there is no cinema industry. And if there is a cinema industry, the industry has been controlled by the people who have been trying to silence the genocide.Pedro: So by opening these new avenues of creation by incorporating the silence of voices into not only the acting or performative space, but to creating the infrastructure for the production of new cinematic texts, Jayro is actually, again, as I said before, raising the bar really high, right? In the case of Guatemala, you have to collaborate among people with different ethnicities, different languages, different backgrounds, but a similar pain. Similar history of violence and a huge need of what the movie is actually doing. Trying to talk about something that is so painful. Opening in the sense, not closing the wound, which is a different kind of criticism, if you will.Jolie:I have a final question for each of you and you'll take this in your own way, but what are your hopes for what audiences will take away from the film, but also what are your hopes for the future of Guatemalan cinema and the future for kind of social change more broadly, and the role of art in helping to foster that social change? So, Jayro, will you take that first?Jayro:There is a lot of hope for that. But I will start with a modest hope. And in our country, the state, spent a lot of money and a lot of energy to silence our history. So in school, we never studied that. And normally people are afraid to talk about that. So if somebody watched the film and the film became an appeal to that, people to look for a little bit more about our story that simple, movies are so magical because there are two universes. Or, three, or 4, or 100. And one of that universe is glamor and fame and red carpets. And movies have that too. And La Llorona in my country, even if people don't like the film, they like the fact that La Llorona has been in a lot of festivals, winning a lot of prizes, and is nominated for the Golden Globe's and we were in some red carpet. So I think if a film can open a door, the way is there fora new generation of filmmakers. And I'm sure that we will start to here about new stories in Mesoamerica.Jolie:And Pedro, what are your hopes for your students, right? Jayro was talking about a new generation of filmmakers, sort of thinking about the conference and about your classes. What are your hopes that the current generation of students will learn from the classes you teach and from films like Jayro's that they can take out into the world?Pedro:I want my students to actually feel, the film. To move beyond this idea that the [inaudible 00:33:36] have to be passive and do not engage with the product. I want them to feel that this movie's talking to them, that it's talking to the silent spaces that we have in our conscious, in our framework of reference, that they will engage in a way with movies after the class that is more critical. And they will approach movies after this class in a different way that they will explore cultural products under a different lens or using different tools, or trying to open their understanding of the world in general. And to question everything. I hope that people will start paying more attention to genocide in Guatemala, and the crisis in Latin America in general. They will understand a little bit better what's going on in our countries instead of just like receiving tweets. That they would go and explore a little bit more after watching the Jayro's film that they would explore a little bit more about Guatemala and the history of violence in Latin America.Jolie: Thank you both so much for joining me. This was a great conversation. Listeners can keep up with ICS by following us on Facebook, Twitter, and Instagram @icsbgsu. You can listen to Big Ideas wherever you find your favorite podcasts. Please subscribe and rate us on your preferred platform. Our producers for this episode are Chris Cavera and Marco Mendoza with sound editing by Deanna MacKeigan and Marco Mendoza. Research assistance for the episode was provided by Deanna MacKeigan with editing by Stevie Scheurich.  

Dirigido pelo diretor guatemalteca Jayro Bustamante, esse filme vai se utilizar da lingua franca do terror-ficção-folclore pra abordar o terror-real sofrido por milhares de povos indígenas durante a ditadura militar na Guatemala na segunda metade do século XX. Essa narrativa envolve fantasmas de vítimas do Holocausto Silencioso buscando vingança sob a forma de uma das lendas folclóricas mais antigas e mais conhecidas na America Central e America Latina que é o conto da La Llorona. É um filme intenso, mas maior que isso, é um filme necessário. 

Nos volcamos hacia Guatemala para hablar de uno de los estrenos más absorbentes del año: La Llorona, del director Jayro Bustamante, quien combina la famosa leyenda latinoamericana con uno de los sucesos más oscuros de la historia reciente de su país para entregar una refrescante reformulación de la misma así como una reflexión sobre la violencia sufrida por la población a manos de regímenes dictatoriales.

Te comparto mi opinión de 'La llorona' de Jayro Bustamante con Cine Canibal, te invito a los conciertos: Ars Antiqua 'La danza de la muerte, música en tiempos de peste' y 'Kevin Johansen: Vecino Tour' en Conjunto Santander de Artes Escénicas, mi opinión de 'Los amos del universo: revelación' en Netflix y 'El Escuadrón Suicida' de Warner Bros Pictures. En mi paseo por las librerías encontré: 'Lilo y la propina del día' de Martha Elena Romero, Ilustrado por María Pejuro Lavín, Editorial Selector, 'Batman: Harley and Ivy' de Paul Dini / Brice Timm / Shane Glines y 'Web of Black Widow de Jody Houser de Marvel Básicos.

La llorona es una de las apariciones más antiguas de nuestro territorio, y también de las más presentes en la actualidad. En el Capítulo 8 de Las Morras Malditas invitamos a La Pinchi Grecia, standupera sonorense que nos acompañó a escuchar distintas experiencias con La Llorona que nos han compartido amigos y suscriptores. En el TERROR EN CORTO, Irving nos cuenta acerca de una tétrica mujer que una noche pasó junto a él, y al verla a la cara, lo dejó paralizado. En el ARTERROR, Maldo nos habla acerca de "Muerte de una asesina". En SUEÑOS MACABROS, un seguidor nos cuenta sobre unos sueños premonitorios con su esposa y en RECOMENDACIONES QUE DAN MIEDO Jannis nos habla acerca de dos películas sobre esta mítica aparición, "La Llorona" de 1933, primera película de terror en México, y "La Llorona" de 2019, una gran versión guatemalteca de Jayro Bustamante, donde mezcla hechos reales y paranormales. Mándanos tus historias a morrasmalditas@gmail.com o en nuestras Redes Sociales ¿YA NOS SIGUES EN REDES SOCIALES? IG:https://www.instagram.com/morrasmaldi...​FB: https://www.facebook.com/Morras-Maldi...​TWITTER: https://twitter.com/morrasmalditas--- Send in a voice message: https://anchor.fm/morras-malditas/message See acast.com/privacy for privacy and opt-out information.

Nos acompaña Daniel Hernández, fotógrafo de la película La llorona de Jayro Bustamante.

De la super producción del 7o. arte guatemalteco de Jayro Bustamante, Javiera Javier entrevista a Andrea Bravo, actriz y productora de la película.

Esta semana Rafa, Diego, Thomas y Mónika dan sus recomendaciones de la semana, analizan la película guatemalteca La Llorona (dirigida por Jayro Bustamante), sugerida por nuestra oyente Lucía Vásquez, y Diego nos recomienda Mindhunter en la sección “Series viejas que hemos visto, pero no estamos viendo actualmente, pero que todos deberían de ver”. 0:00:00 Intro0:00:30 ¿Qué estás viendo?     * Diego: The World According to Jeff Goldblum, Spycraft.    * Thomas: The Long Dumb Road, The Theory of Everything.    * Mónika:  Night Stalker: The Hunt for a Serial Killer, Crime Scene: The Vanishing at the Cecil Hotel.    * Rafa: The Little Things, Firefly Lane.0:17:02 SVQHVPNEVAPQTDDV:  Mindhunter.0:25:14 La Llorona (sin spoilers)0:37:07 La Llorona (full spoilers)1:12:55 Despedida *Música cortesía de Daemon Hatfield (Good Morning California)

Te dejo los apuntes de cine de La Llorona de Jayro Bustamante y The Father dirigida por Florian Zeller

Mientras un general retirado enfrenta un juicio por genocidio, la casa donde habita es escenario de eventos sobrenaturales. En esta cinta que entreteje lo mítico con lo social, Jayro Bustamante interpreta la conocida leyenda latinoamericana a la luz de la historia de opresión racial en Guatemala. See acast.com/privacy for privacy and opt-out information.

This episode we discuss Guatemala's submission to the 2021 Oscars for Foreign Film. https://www.imdb.com/title/tt10767168/ --- This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app

In this episode of Chick Flicks, McKenzie and Bridget compare two films that were released in 2019 and feature the folkloric figure of La Llorona. The Curse of La Llorona (directed by Michael Chaves) is a big studio horror flick released within the Conjuring cinematic universe, while La Llorona (directed by Jayro Bustamante) is an intense and carefully considered film about genocidal horrors and family demons. Chick Flicks is a film review podcast hosted by McKenzie Chapman and Bridget Hovell. You can follow Chick Flicks on instagram and twitter @chickflickspod and email us at chickflickspodcast@gmail. --- This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app

Ripped from the pages of Guatemala’s recent wrenching history, LA LLORONA follows the story of a fictional and indignant retired general, Enrique, as he is being forced to face his murderous past at his own trial for the genocidal massacre of thousands of Mayans decades ago. As a horde of angry protestors threatens to invade their opulent home, the women of the house - his haute wife, conflicted daughter, and precocious granddaughter - weigh their responsibility to shield the erratic, senile Enrique against the devastating truths behind being publicly revealed and the increasing sense that a wrathful supernatural force is targeting them for his crimes. Meanwhile, much of the family’s domestic staff flees, leaving only loyal housekeeper Valeriana until a mysterious young indiginous maid arrives. A tale of horror and magical realism, the film reimagines the iconic Latin American fable as an urgent metaphor of Guatemala’s recent history and tears open the country’s unhealed political wounds to grieve a seldom discussed crime against humanity. LA LLORONA marks Jayro Bustamante’s third feature and demonstrates his continued efforts to highlight social inequality in his native Guatemala with deft sensitivity and visual richness. The Silver Bear-winning director, writer, producer and editor, Jayro Bustamante (Temblores, Ixcanul) joins us to talk about his tale of horror and fantasy, ripe with suspense, and an urgent metaphor of Guatemalan recent history and its unhealed political wounds For news and updates go to: filmfactoryentertainment.com/la-llorona

La famosa y aterradora leyenda de La Llorona toma un formato cinematográfico, y a manera de crítica social, nos presenta de manera digerible uno de los acontecimientos más trágicos que se ha vivido en Centroamérica. La Llorona (2019) es una película de terror dirigida por el guatemalteco Jayro Bustamante, protagonizada por María Mercedes Coroy, Sabrina de la Hoz, Margarita Kénefic y Julio Díaz. La cinta estuvo nominada a los premios Golden Globes 2021 en la categoría “Mejor Película Extranjera”.

Directed by Jayro BustamanteWritten by Jayro Bustamante and Lisandro SanchezStars María Mercedes Coroy, Sabrina De La Hoz, Margarita Kenéfic Premiered at Venice Film Festival August 30, 2019Released exclusively on Shudder August 6, 2020 Not RatedRuntime: 1hr 37mins RT: 97% critics, 61% audience Synopsis: A retired army general on trial for war crimes holes up with his family in their mansion while protestors gather outside. Inside the mansion the general is being haunted by the ghost of one of the many people he killed.We decided it would probably be best if we watched something a little lighter next. With this in mind, our next movie will be Psycho Goreman, the newest feature from one half of the team that brought you The Void. If you've seen that one then you know we're in store for something visually striking at the least. So check this one out and we'll see you in two weeks.Theme music: "Secret of Tiki Island" Kevin MacLeod (incompetech.com)Licensed under Creative Commons: By Attribution 3.0 Licensehttp://creativecommons.org/licenses/by/3.0/

We have one word to describe this week's movie: wow. Jayro Bustamante's 2020 dark masterpiece La Llorona seamlessly blends horror elements with the story of the real-life atrocities committed against the indigenous people of Guatemala. Grab yourself a beer (or maybe something stronger) and join us as we are treated to an incredibly insightful listener voicemail before diving into the horrifying true story that inspired this beautiful film and the elements that make it work so well. It's a heavy one! For more information on the USC Shoah foundation mentioned in the episode, visit https://sfi.usc.edu/collections/guatemalan Follow us on Instagram @bloodfearandbeerpodcast If you have questions for us, movie or beer recommendations, or just want to say hello, we would love to hear from you! Email us at bloodfearandbeer@gmail.com Cover art by Silvia G. Cheers!

El broche de oro para una trilogía que lleva tiempo haciendo eco dentro del cine internacional. Una película de terror que carece de sustos, pero no por eso menos aterradora y estresante de ver. Un drama que nos trae el terror más real, una película que nos habla justamente del horror en su estado más puro. Por fin, una obra que hace justicia a una de las leyendas más importantes de habla hispana. Hablemos de la posible futura nominada a los oscars: "La llorona" de Jayro Bustamante. --- Send in a voice message: https://anchor.fm/cadarari/message

Esta semana hablamos de las mejores películas internacionales que competirán en los Oscar 2021 y destacamos: "El Agente Topo" (Chile) de Maite Alberdi; "La Llorona" (Guatemala) de Jayro Bustamante; "Another Round" (Dinamarca) de Thomas Vinterberg. También celebramos el 30 aniversario de uno de los mejores thrillers psicológicos de la historia del cine: "El silencio de los corderos" (o de los inocentes, según la cartelera). Repasamos las polémicas declaraciones de Martin Scorsese sobre el villano del streaming: el algoritmo. Y nos preguntamos qué es la "vida perfecta" después de ver la primera temporada de esta excelente serie de Leticia Dolera. ¡Síguenos en Twitter para ver los trailers y enlaces de las películas que comentamos! Envíanos tus sugerencias a salase7en@gmail.com

En el programa de hoy conversamos vía zoom con la talentosa Tania Libertad quien próximamente se sumará a la lista de cantantes que nos han regalado su talento online. También tenemos para ustedes una entrevista vía zoom muy interesante con el cineasta Jayro Bustamante y la actriz María Mercedes, quienes ya están dando mucho de que hablar con el film guatemalteco “La Llorona”. Además les traemos como cada viernes nuestra Cápsula “Hablando de Cine con Lalo Gutiérrez” quien nos habló de las ultimas novedades en Netflix, la polémica ALLEN vs. FARROW y mucho más.

Episodio 10 Gracias Stephanie Falla Directora en la Escuela de Cine en UFM por platicarnos sobre cine guatemalteco y como las nuevas producciones, y nuevos directores contribuyen a dejar un legado en cine guatemalteco. También conversamos cómo se enseña cine en Escuela de Cine en UFM y como nos sentimos afortunados de ver y vivir la época y la experiencia de cómo se construye la historia del cine guatemalteco con las recientes nominaciones para Jayro Bustamante, Película La Llorona, Nominaciones, a Golden Globes, Oscar, Critics Choice Awards

Falleció en París el famoso guionista Jean-Claude Carrière, narrador prolífico y erudito quien trabajó con Milos Forman, Jacques Tati y Luis Buñuel, entre otros. El filósofo Voltaire es el protagonista de una nueva serie de la televisión francesa. “La Llorona”, película del guatemalteco Jayro Bustamente, aspirante a un Globo de Oro como mejor cinta extranjera. En nuestra sección musical, recordaremos un álbum muy especial, “Tourist” del DJ francés Saint-Germain, trabajo que dio origen al movimiento de la French Touch. El mundo de la cultura está de luto en Francia tras el anuncio de la muerte de Jean-Claude Carrière, el lunes pasado a los 89 años de edad. Creador prodigioso, Carrière fue el autor de no menos de 60 guiones para el cine y cerca de 80 escritos, entre ellos dos Diccionarios de India y de México. Profundamente ateo pero apasionado de las religiones, Carriere también fue un amplio conocedor del islam y del budismo. Escribió canciones para Juliette Greco, Brigitte Bardot o Jeanne Moreau, pero muchos lo conocen más por sus colaboraciones con gigantes del cine como Milos Forman, o por ser el guionista de perlas del patrimonio cinematográfico francés como "Cyrano de Bergerac"  o "El húsar en el tejado". Carrière fue el guionista de Jacques Tati con quien ganó un Oscar en 1962 por el cortometraje “Heureux anniversaire" y con Luis Buñuel, con quien trabajo durante 19 años en películas como “Belle de jour” (1967), Diario de una camarera” (1964) o “El discreto encanto de la burguesía” (1972). En 2014 recibió un Oscar de Honor por el conjunto de su trabajo. Los años mozos de Voltaire en una mini serie El representante más ilustre del siglo de las luces en Francia, Voltaire, es el protagonista de una mini serie en cuatro capítulos difundida por la Televisión pública francesa. Lo original de esta nueva producción es que no habla del gran filósofo de la Ilustración, ni del amante de las artes, ni del pensador político; sino de François-Marie Arouet, el joven poeta, arrogante, impertinente, libertino pero talentosísimo escritor, que se rebautizo “Voltaire” para marcar distancia con su familia, y en especial, su padre, un discreto notario parisino. En “Las aventuras del joven Voltaire” se descubre al muchacho lleno de ambiciones, consciente de su inmenso talento y elocuencia, que soñaba con destronar a Moliere y que vivió la convulsión que supuso la muerte de Luis XIV, el Rey Sol. “La Llorona” a los Golden Globes Un largometraje guatemalteco representará a todo el continente latinoamericano en la ceremonia de los Golden Globes, el próximo 28 de febrero en Los Ángeles. “La Llorona” de Jayro Bustamante, cinta nominada al premio a la Mejor película en lengua extranjera, y es la primera cinta guatemalteca que aspira a esa distinción. Se trata del tercer largometraje de Bustamante quien retoma aquí la conocida mito de un espanto: una madre que llora a sus hijos muertos. Pero en esta cinta la llorona es una mujer maya que atormenta a un militar que participo en el genocidio maya, uno de los capítulos más atroces en la historia del continente. En "La Llorona", el general Monteverde recuerda por supuesto a Efraín Rios Montt quien fue acusado de genocidio aunque la sentencia fue anulada luego. En cuanto a Jayro Bustamante, sus tres películas hablan de la historia reciente de su país. Le preguntamos si el cine para él es una forma de acción política. Hace 20 años, la French Touch "Tourist" de Ludovic Navarre, alias "St Germain", está cumpliendo dos décadas desde su salida al mercado. Este trabajo está considerado uno de los cimientos del movimiento conocido mundialmente como la French Touch. En este programa escucharemos uno de los temas de este trabajo musical, Pont des Arts, en referencia a la famosa pasarela peatonal sobre el rio Sena.  

Conversamos con la productora española María del Puy Alvarado, fundadora y directora de la productora Malvalanda, que obtuvo el premio Goya en 2017 al mejor cortometraje por Madre, también nominado a los Oscar, y que este año está detrás de dos cintas nominadas al Goya: Anatomía de un Dandy, dirigido por Alberto Ortega y Charlie Arnaiz, en la categoría de Mejor Documental, sobre el periodista y escritor Francisco Umbral; y El agente topo, de la chilena Maite Alberdi, para el Goya a Mejor Película Iberoamericana. Repasamos las noticias cinematográficas destacadas de la semana, con las novedades en torno a la gala de los Premios Goya y las nominaciones a los Globos de Oro, con la única candidatura latinoamericana, La llorona, del guatemalteco Jayro Bustamante. Recomendamos también un libro, No salgáis al páramo. Todo el cine y series de hombres lobo (Diavolo Ediciones), del periodista cinematográfico Juan Luís Sánchez. Escuchar audio

Suspense! political drama! Supernatural thrills! This week Rolando and John listen to the cries of "La Llorona". The new Jayro Bustamante's  modern telling of the classic horror story. They get into deep movie summary and start a drinking game. And so much more! You can always email us: skeletonboyspod@gmail.com Twitter: @boysskeleton     

Sobre las variantes del virus y la vacuna de AstraZeneca hablamos con Rocelyn Lemus Martin y Luis Quevedo. Del auge Marine Le Pen, con Marc Bassets de El País. Y sobre la película La Llorona, con su director Jayro Bustamante

No. This is not that one Conjuring Universe movie with Linda Cardellini. This is a really good movie called La Llorona, directed by Jayro Bustamante. You may not have seen this one. See it! It's moving, unnerving, and tells a powerful narrative lionizing brown indigenous women. Find out the rule to survival in a world where killers face their reckoning. 

El director guatemalateco Jayro Bustamante cierra con 'La llorona' la trilogía del que comenzó para dar respuesta a los tres insultos más graves en su país: indio, que trató en 'Ixcanul'; hueco o gay, que abordó en 'Temblores', y comunista, al que se refiere ahora en este película. Elegida por Guatemala para representar al país en los Oscar, en la categoría de Mejor Pelicula Internacinoal y en los Goya, en la categoría de Mejor Película Iberoamericana, Escuchar audio

Sophia Loren regresa al cine con ‘La vida por delante', un drama sobre la inmigración y la marginalidad que dirige su hijo y estrena Netflix. A salas llega ‘El año que dejamos jugar', una mirada a la Segunda Guerra Mundial y el nazismo a través de los ojos de una niña. El director Jayro Bustamante completa su trilogía de los insultos en Guatemala con ‘La llorona', película sobre el horror del genocidio en su país. El cine español propone dos dos documentales, ‘El año del descubrimiento', sobre la lucha obrera, y ‘Palabras para un fin del mundo', trabajo que cambia el relato sobre Unamuno. Y en cine clásico celebramos los 40 años de Toro Salvaje, la película que cambió a Robert de Niro y salvó a Martin Scorsese. En televisión, llega una de las series más esperadas, 'Gangs of London'. 

Después de conquistar varios festivales internacionales, el último largometraje de Jayro Bustamante llega a los cines de nuestro país este 13 de noviembre | Más cines y series, en Kinótico

Pour célébrer le confinement nouveau, l'équipe du PIFFFcast change ses habitudes et propose un focus sur le cri d'amour de Tarantino au cinéma de genre que nous chérissons : Kill Bill. Orgasme cinéphilique ou néant de créativité, partagez avec nous les aventures de la Mariée à travers l'esprit d'un amoureux du cinéma de quartier, pour le meilleur ou pour le pire... Avec Véronique Davidson, Xavier Colon, Talal Selhami, Cyril Despontin et Laurent Duroche. Réalisation : Xavier Colon Musique du générique : Donuts' slap par Laurent Duroche ► Flux RSS pour Android : bit.ly/2FrUwHo ► En écoute aussi sur Itunes : apple.co/2Enma9n ► Sur Deezer : www.deezer.com/fr/show/56007 ► Sur Spotify : open.spotify.com/show/4n3gUOfPZhyxL5iKdZIjHA ► Sur Youtube : https://youtu.be/c8aF-JU5NYg ► La liste des films abordés dans les précédentes émissions : bit.ly/PIFFFcast-List ► Venir discuter avec nous du PIFFFcast : bit.ly/ForumPIFFFcast REFERENCES L'oeil du PIFFF : - His House de Remi Weekes (2020) - Peninsula de Sang-ho Yeon (2020) - Train to busan de Sang-ho Yeon (2016) - Seoul Station de Sang-ho Yeon (2016) - Mad max de George Miller (1979) - New-York 1997 de John Carpenter (1981) - Doomsday de Neil Marshall (2008) - The Craft : Les nouvelles sorcières de Zoe Lister-Jones (2020) - La Llorona de Jayro Bustamante (2019) - Ixcanul de Jayro Bustamante (2015) - La Malédiction de la dame blanche de Michael Chaves (2019) - Kandisha de Jérôme Cohen-Olivar (2008) - Mirages de Talal Selhami (2010) - Dachra de Abdelhamid Bouchnak (2018) Le Dossier : - Kill Bill : Volume 1 de Quentin Tarantino (2003) - Kill Bill : Volume 2 de Quentin Tarantino (2004) - Combat sans code d'honneur de Kinji Fukasaku (1973) - Ghost Dog : La voie du samouraï de Jim Jarmush (1999) - La Mariée était en noir de François Truffaut (1968) - Movie censorship : https://www.movie-censorship.com/ Les recos en vrac : - Moi les hommes je les déteste de Pauline Harmange (essai) - Les USA dans tous leurs états (Documentaire Arte : https://www.arte.tv/fr/videos/093705-001-A/les-usa-dans-tous-leurs-etats-1-5/) - Succession (Serie TV - HBO) - King of Pigs de Sang-ho Yeon (2011) - The Fake de Sang-ho Yeon (2013) - Calamity, une enfance de Martha Jane Cannary de Rémi Chayé (2020)

The first ever Mexican sound horror film, La Llorona (1933), has been restored by Viviana García Besne of Permanencia Voluntaria Archivo Cinematográfico and will be screened for the first time in Chicago accompanied with the 2019 Llorona Film directed by Jayro Bustamante. Presented by The Music Box Theatre and Chicago Film Programmer Raúl Benítez. Tickets for the Tuesday, October 13th drive-in screening can be found here: https://musicboxtheatre.com/films/la-llorona-1933-la-llorona-2020 La primera película de terror mexicana La Llorona (1933) ha sido restaurada por Viviana García Besne de Permanencia Voluntaria Archivo Cinematográfico y va a ser proyectada por primera vez en Chicago. Presentado por The Music Box Theatre y el programador de cine de Chicago Raúl Benítez.

Llegamos!! In the first episode of ¡Uy Que Horror!, your hosts, Jonny and Aileen talk about the 2019 Guatemalan film, La Llorona.

'Temblores' , Premio Sebastiane Latino en la pasada edición del Festival de San sebastián, es la segunda película del cineasta guatemalteco Jayro Bustamante. Basada en hechos reales, denuncia la situación de los homosexuales en su país y las "terapias de conversión" para curar esta opción sexual que califican de enfermedad. Escuchar audio

Iniciamos temporada con una de las películas más esperadas, Las Niñas, triunfadora en el pasado festival de Málaga que llega esta semana a la cartelera. Estará con nosotros su directora Pilar Palomero y una de las protagonistas, Natalia de Molina. No dejamos los Festivales porque hablaremos de las últimas noticias de la 77 edición de Festival Internacional de Venecia y hablaremos Con José Luis Rebordinos . Esta semana la cartelera llega cargadita y títulos para todos los gustos como After en mil pedazos, una de amor y un fenómeno literario mundial, otra de amor pero visto desde otra vertiente es Temblores del guatemanteco Jayro Bustamante, una historia con tanto sentimiento y desgarro que no deja indiferente a nadie. Tendrá especial protagonismo A Lang Imagined, el segundo largometraje del joven director Yeo Siew Huaun y no podemos pasar por alto la película de terror, Antibelun. Nos detendremos en la película de oro del Festival de Málaga, El Perro del Hortelano, con Carmelo Gómez y repasaremos todos los premiados en este Festival. Elio Castro aprovechará para hablarnos de las separaciones por el estreno de Un Acuerdo original. Muy atentos a todas las sorpresas del programa que hay muchas. Escuchar audio

Iniciamos temporada con una de las películas más esperadas, 'Las niñas', triunfadora en el pasado Festival de Málaga que llega esta semana a la cartelera. Estará con nosotros su directora Pilar Palomero y una de las protagonistas, Natalia de Molina. No dejamos los festivales porque hablaremos de las últimas noticias de la 77 edición del festival de Venecia y muy atentos a lo que nos cuenta José Luis Rebordinos. Esta semana la cartelera llega cargadita y con títulos para todos los gustos, desde un fenónemo literario mundial como 'After. En mil pedazos', a 'Temblores' del guatecamanteco Jayro Bustamante, una historia con tanto sentimiento y desgarro que no deja indiferente a nadie. Tendrá especial protagonismo una tierra imaginada, 'A land imagined', el segundo largometraje del joven director Yeo Siew Huaun y no podemos pasar por alto la película de terror 'Antebellum'. Nos detendremos en la Biznaga de Oro del Festival de Málaga, 'El perro del hortelano' con Carmelo Gómez, repasaremos todos los premiados en este festival. Elio Castro aprovechará para hablarnos de las separaciones, el estreno de 'Un acuerdo original' y les sugerinos que estén muy atentos a todas las sorpresas, que hay muchas. Escuchar audio

Stuff is still bad. New movies are still sparse, so the crew is here to talk about what they’ve been watching in July and August to pass the time. TV Show ?: Ju-on: Origins New movies: Scoob: Amanda Seyfried, Zak Efron, Will Forte, Mark Whalberg Palm Springs: dir. Max Barbakow: Andy Samberg, Cristin Milioti, JK Simmons Host: dir. Rob Savage; Haley Bishop, Jemma Moore, Emma Louise Webb, Radina Drandova, Caroline Ward, Edward Linard Vivarium: dir. Lorcan Finnegan; Imogen Poots, Jesse Eisenberg La Llorona: dir. Jayro Bustamante; Maria Mercedes Coroy, Sabrina De La Hoz, Margarita Kénefic, Julio Diaz Random Stuff: Possession: dir. Andrzej Zulawski ; Sam Neil, Isabelle Adjani House of Wax: dir. Jaume Collet-Serra: Elisha Cuthbert, Paris Hilton, Jared Padalecki, Chad Micheal Murry Scary Movie 3: dir. David Zucker: Anna Faris, Charlie Sheen, Kevin Heart, Pamela Anderson, Jenny McCarthey August: Unhinged Bill and Ted? New Mutants Maybe? --------------------------------------------------- Subscribe to the podcast! https://linktr.ee/moviesarereel moviesarereel.tumblr.com Jurge - twitter: twitter.com/suparherojar26 Letterboxed: https://letterboxd.com/jcruzalvarez26/ Ryan- twitter: twitter.com/MrPibbOfficial Letterboxed: https://letterboxd.com/filmpiece/ Karrie - twitter: twitter.com/kar_elyles Letterboxed: https://letterboxd.com/karrie/

The Cinemondo gang takes a close look at some films on Shudder. HOST… a “found footage” style scare film directed by Rob Savage. Set in England the film is about a creepy Zoom seance that goes all awry with a malevolent demonic manifestation that could have been totally avoided with a little more respect for the Astral Plane (drink your shot now)… and a wonderfully moody film from Guatemala that’s hard to classify into a single category. LA LLORONA, directed by Jayro Bustamante, brings the Legend of the Weeping Woman into a contemporary setting and gives us a look into the family of a disgraced man known as “The General” who may or may not have been involved in a horrifying genocide. Guilt and retribution and vengeance play into this beautifully shot film where a family is confronted by their dark and deeply evil family history.SPOILER WARNING: This episode contains MAJOR SPOILERS which means important story details will be revealed. We always advise listeners to: Watch First Listen Later.Music composed and performed by Burk Sauls.Join Cinemondo and over a hundred thousand podcasters already using Buzzsprout to get their message out to the world. Sign up here to get your podcast started!We're also on Patreon! Help support the show and get some cool swag.Become a Patron on PatreonCinemondo Podcast is a weekly show that's released every Monday. If you’d like to support our show, please subscribe to our podcast free in iTunes, and leave us a review! We want to hear from you so write in with more recommendations and comments. Email us: CinemondoPodcast@gmail.com Connect with us: CinemondoPodcast.com twitter.com/CinemondoPod facebook.com/CinemondoPodcast instagram.com/CinemondoPodcastBuzzsprout - Let's get your podcast launched! Start for FREEDisclaimer: This post contains affiliate links. If you make a purchase, I may receive a commission at no extra cost to you.Support the show (https://www.patreon.com/CinemondoPodcast)

Episode Description: In this episode, Christopher Schnese and Stephen Miller bring you a review of La Llorona. Directed by Jayro Bustamante. With María Mercedes Coroy, Sabrina De La Hoz, and Margarita Kenéfic. An aging paranoid dictator, protected by an witchcrafting wife, faces death and the uprise of his people in Guatemala. Show Notes Hosts: • Christopher Schnese and Stephen Miller Featured Review: • La Llorona The Verdict: • Stephen: Recommend with Caveat • Christopher: Wait for Rental Music for this Episode: • La Llorona (Original Motion Picture Soundtrack) Contact the show: • email: fans@thespoilerwarning.com Listener Survey: • Please help us by taking our survey

Episode Description: In this episode, Christopher Schnese and Stephen Miller bring you a review of La Llorona. Directed by Jayro Bustamante. With María Mercedes Coroy, Sabrina De La Hoz, and Margarita Kenéfic. An aging paranoid dictator, protected by an witchcrafting wife, faces death and the uprise of his people in Guatemala. Show Notes Hosts: • Christopher Schnese and Stephen Miller Featured Review: • La Llorona The Verdict: • Stephen: Recommend with Caveat • Christopher: Wait for Rental Music for this Episode: • La Llorona (Original Motion Picture Soundtrack) Contact the show: • email: fans@thespoilerwarning.com Listener Survey: • Please help us by taking our survey

An aging military general guilty of genocide comes face to face with his past misdeeds in the shape of an Indigenous dark haired woman...   We review the powerful 2019 movie La Llorona by Jayro Bustamante, which premiered on Shudder on Thursday, August 6th.  If you want to listen to our short spoiler free final thoughts you can forward to 49:30.    Music by Patrick Mullens Twitter - Facebook - Website Show Notes:  Movie Trailer La Llorona de Los Cafetales Music Video Harvest of Empire: A History of Latinos in America

HorrorGirl Quickie! A new take on the 16th Century legend of La Llorona courtesy of Jayro Bustamante. Spoiler free. --- This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app --- Send in a voice message: https://anchor.fm/horrorgirlproblems/message

Lo que ocultan las tinieblas, es el nombre del cortometraje de terror dirigido por Romeo López Aldana, cineasta egresado de la Escuela de Cine y Artes Visuales, que ha ganado múltiples premios internacionalmente.  La premier del audiovisual se llevó a cabo en la Sala de Cine de la Escuela de Cine de la UFM, donde Romeo, el director, junto con la guionista Irene Herbruger y el productor Mytian Ticas participaron de una conversación entorno a la propuesta cinematográfica. Irene comenta sobre su trabajo como guionista, a partir de la visión del director y las ideas y emociones que este quería transmitir. López comparte algunas de las experiencias que lo motivaron a incursionar en este género de cine. Ticas por su parte habla sobre las dificultades encontradas durante el rodaje, desde el hecho de ser cine independiente con un presupuesto limitado, hasta imprevistos y el caos que sucede inevitablemente durante el rodaje.  Finalmente Romeo habla sobre la oportunidad que identificó en hacer este tipo de cine en Guatemala y que a la vez fue un viaje lleno de aprendizajes. Aunque inició como un proyecto de tesis universitaria, se convirtió en algo mucho más grande y por eso, decidió emprender la aventura de convertirlo en un largometraje con el mismo nombre.   Recientemente, el corto fue ganador de dos categorías en Los Ángeles Film Awards 2019: Mejor Cortometraje de Horror y Mejor Cinematografía. También ganó mejor cortometraje de horror, thriller estudiantil en el London Independent Film Awards. Romeo ha sido parte del crew de importantes largometrajes guatemaltecos, como Martin y Margot de Chris Kummerfeldt, La llorona de Jayro Bustamante, Septiembre de Keneth Müller, y El ojo del túnel y El muro, de Javier del Cid. También participó de la realización del cortometraje Lagartija, de Emily Gularte que obtuvo un espacio en el Sundance Ignite 2019.

Tardeo sigue y hoy es el primer programa especial desde casa. Tenemos conexión con Madrid, con Ana Palacios, directora de Mujeres de Cine una plataforma de promoción y visibilización del cine hecho por mujeres y que justo este año lanza el primer festival online de cine dirigido por mujeres. Además, vamos hasta Guatemala para hablar con Jayro Bustamante, director de la película Temblores, presentada en el Festival de cine de San Sebastián donde se llevó el Premio Sebastiane Latino.

Allez hop on reprend, pour de vrai, la suite de notre onzième saison, avec un nouvel épisode qui vous dira que voir au cinéma quand vous sécherez vos amphi. 2020 commence en fanfare avec la saison des récompenses et au premier plan les Oscars qui ont révélé leur sélection, on en discute rapidement, on debrief, juste histoire de se tenir au courant et de se faire un avis ! À l’affiche : K contraire Sarah Marx, un premier long métrage pour cette réalisatrice française qui propose ici de suivre un jeune homme tout juste sorti de prison et les travers dans lesquels il va tomber... Scandale de Jay Roach, les bureaux de Fox News, en pleine campagne présidentielle de Donald Trump, la polémique éclate : Roger Ailes, responsable de la Fox est accusé d’harcèlement sexuel par une présentatrice. Un film coup de poing qui suit trois journalistes au coeur de la polémique. La llorona de Jayro Bustamante, entre film d’horreur et film politique, le réalisateur guatémaltèque décide de lier le folklore sud américain et la légende de la Llorona, fantôme qui terrorise les coupables, à l’histoire du génocide maya en présentant un général génocidaire hanté par cette femme hurlante. Enfin, les coups de coeur et coups de gueule de nos chroniqueurs en fin d’émission ❤ Chroniqueurs : Jeanne Lyra, Claire Egnell, Alice Perrault, Nisrine Tabka, Jeanne Burin des Roziers

durée : 00:03:30 - La Madeleine de... - par : Mattéo Caranta - Le jour de la fête des morts au Guatemala, la grand mère de J.Bustamante faisait le pain des morts, qui s'échangeait ensuite entre voisin. - réalisation : Jean-Christophe Francis

durée : 00:04:37 - Cinéma week-end - par : Florence LEROY - Au Guatemala, c'est par le genre que se racontent les pages sombres de l'histoire contemporaine.

Nouvel épisode des sorties de films de la semaine deu 22 janvier 2020 avec notre sélection. "Je voudrais que quelqu'un m'attende quelque part", un drame français de Arnaud Viard, "La Llorona", thriller historique guatémaltèque de Jayro Bustamante, "Qu'un sang impur..." film de guerre français de Abdel Raouf Dafri et enfin "Adoration", un drame belge de Fabrice Du Welz. Bonne écoute et bonne semaine à tous.

Ouça os destaques do Caderno 2 desta segunda-feira (28/10/19)See omnystudio.com/listener for privacy information.

La Sexta Nominada y PremiosOscar.net continúan su periplo festivalero desde el Festival de San Sebastián. Con la ayuda de Rubén Murillo Rosa y con Daniel Martínez Mantilla a los mandos del programa, publicaremos cuatro entregas del podcast en el que resumiremos nuestra experiencia festivalera y hablaremos de las películas que veamos en la ciudad donostiarra. En este primer podcast los títulos estrella son 'Mientras dure la guerra' de Alejandro Amenábar, 'La trinchera infinita' del trío de directores que estaban detrás de 'Handia' y 'Loreak', 'Temblores' de Jayro Bustamante, 'Blackbird' de Roger Michell, 'Proxima' de Alice Winocour o 'El faro' de Robert Eggers.

Charlamos con el director guatemalteco sobre su última película, que juega con las ideas de la memoria histórica y la justicia. The post Jayro Bustamante – La llorona #Venezia76 appeared first on Fred Film Radio.

Charlamos con el director guatemalteco sobre su última película, que juega con las ideas de la memoria histórica y la justicia. The post Jayro Bustamante – La llorona #Venezia76 appeared first on Fred Spanish Channel » FRED Spanish Podcast. Jayro Bustamante – La llorona #Venezia76 was first posted on September 7, 2019 at 3:11 pm.©2015 "Fred Spanish Channel". Use of this feed is for personal non-commercial use only. If you are not reading this article in your feed reader, then the site is guilty of copyright infringement. Please contact me at radio@fred.fm

durée : 00:03:26 - "Tremblements" de Jayro Bustamante : les critiques du "Masque & la Plume" -

Marié, père de deux enfants, catholique pratiquant : Pablo est quadragénaire modèle dans son pays, le Guatemala. Jusqu’au jour où il tombe amoureux de Francisco et se retrouve embarqué dans une thérapie de conversion.Jayro Bustamante, le réalisateur, dresse le portrait d’un homme et de sa descente aux enfers, autant qu’il dessine en filigrane le portrait d’un pays qui place l’homosexualité au banc de la société. Avec logique, il démontre l’absurdité des thérapies de conversion et signe un film intelligent. On regrette juste une chose : Jayro Bustamante avait-il besoin d’expliciter le tremblement intérieur du personnage par des tremblements de terre ?Animé par Thomas Rozec avec Perrine Quennesson.RÉFÉRENCES CITÉES DANS L’ÉMISSIONBoy erased (Joel Edgerton, 2019), Come as you are (Desiree Akhavan, 2018)CRÉDITSNoCiné est un podcast de Binge Audio animé par Thomas Rozec. Cet épisode a été enregistré le 29 avril 2019 au studio V. Despentes de Binge Audio (Paris, 19e). Réalisation : Quentin Bresson. Générique : Corentin Kerdraon. Chargée de production : Juliette Livartowski. Chargée d’édition : Alisonne Sinard. Identité graphique : Sébastien Brothier (Upian). Direction des programmes : Joël Ronez. Direction de la rédaction : David Carzon. Direction générale : Gabrielle Boeri-Charles. See acast.com/privacy for privacy and opt-out information.

Through the story told by a stranger to a powerful film: this is the process that created Tremors, as the director tells us. The post Jayro Bustamante – Tremors #Berlinale2019 appeared first on Fred Film Radio.

Through the story told by a stranger to a powerful film: this is the process that created Tremors, as the director tells us. The post Jayro Bustamante – Tremors #Berlinale2019 appeared first on Fred Film Radio.

Through the story told by a stranger to a powerful film: this is the process that created Tremors, as the director tells us. The post Jayro Bustamante – Tremors #Berlinale2019 appeared first on Fred Film Radio.

Through the story told by a stranger to a powerful film: this is the process that created Tremors, as the director tells us. The post Jayro Bustamante – Tremors #Berlinale2019 appeared first on Fred Film Radio.

Through the story told by a stranger to a powerful film: this is the process that created Tremors, as the director tells us. The post Jayro Bustamante – Tremors #Berlinale2019 appeared first on Fred Film Radio.

Through the story told by a stranger to a powerful film: this is the process that created Tremors, as the director tells us. The post Jayro Bustamante – Tremors #Berlinale2019 appeared first on Fred Film Radio.

Episode 26 of One Week Only! This week, our key film is the LGBT drama “Spa Night” about a Korean-American teenager dealing with his family’s financial struggles and his own closeted sexuality. Directed by Andrew Ahn, and featuring a breakout performance from Joe Seo, this is a terrific, nuanced debut film about class, race, sexuality and the immigrant story; it premiered at Sundance this past January, and won the Grand Jury Prize at this year’s Outfest Film Festival. We usually interview filmmakers on the podcast, but this week we talk to film critic Diana Drumm, who has created the Twitter account “Female Film Critics” to create a community of female journalists and critics and bring attention to the lack of female representation in the entertainment journalism circuit. Drumm has created an important & necessary female space in the online journalism world; you can find her page on Facebook, and on Twitter at @FemaleCritics. Other films we cover this week include the Guatemalan drama “Ixcanul” about a Mayan family, directed by Jayro Bustamante; father-son comedy “Morris From America” by Chad Hartigan, starring Craig Robinson; documentary “Lo And Behold: Reveries of the Connected World” by Werner Herzog, about the expanding world of the internet; and German period film “The People vs Fritz Bauer” about the hunt for Nazi war criminals after WWII, directed by Lars Kraume. Hosted by Carlos Aguilar & Conor Holt. Music by Kevin MacLeod at www.incompetech.com

Entrevista al Director de cine guatemalteco Jayro Bustamante

Tradition/No Tradition: Ixcanul The post Jayro Bustamante – Ixcanul #Berlinale appeared first on Fred Film Radio.

Tradition/No Tradition: Ixcanul The post Jayro Bustamante – Ixcanul #Berlinale appeared first on Fred Film Radio.

Tradition/No Tradition: Ixcanul The post Jayro Bustamante – Ixcanul #Berlinale appeared first on Fred Film Radio.

Tradition/No Tradition: Ixcanul The post Jayro Bustamante – Ixcanul #Berlinale appeared first on Fred Film Radio.

Tradition/No Tradition: Ixcanul The post Jayro Bustamante – Ixcanul #Berlinale appeared first on Fred Film Radio.

Tradition/No Tradition: Ixcanul The post Jayro Bustamante – Ixcanul #Berlinale appeared first on Fred Film Radio.